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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Village,City of York,North Yorkshire,England,YO19 5UF,rail,platform,station,museum,visitor attraction,history,historic,heritage,green,DVLR,York railway heritage,railway architecture,British railway history,preserved railway,countryside railway,station signage,rural railway,historic transport,Edwardian railway,timber framed building,railway preservation,industrial heritage,transport history,countryside England,heritage transport,former railway line,building,original station signage
Description: Tony Smith image Alamy 2X2CG2N - This image shows a traditional railway building associated with the Derwent Valley Light Railway, located near York in North Yorkshire, England. The structure features distinctive timber framing, cream infill panels, and green painted detailing, typical of early twentieth-century light railway architecture. Prominently displayed on the building is signage reading Derwent Valley Light Railway, clearly identifying its historical association with the former rural railway line.
The Derwent Valley Light Railway was opened in 1913 to serve the agricultural communities of the Derwent Valley, providing an important transport link for both passengers and freight in a largely rural area to the south-east of York. Designed as a light railway to reduce construction and operating costs, the line played a significant role in supporting local farming and rural industry before declining passenger numbers and changing transport patterns led to its eventual closure in the mid-twentieth century.
Today, surviving buildings and remnants of the railway are valued as part of North Yorkshire's transport and industrial heritage, offering insight into the development of rural railways and their impact on local communities. The image captures the character and craftsmanship of historic railway architecture and is suitable for editorial and commercial use relating to British railway history, heritage transport, rural England, and the preservation of historic infrastructure.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Village,City of York,North Yorkshire,England,YO19 5UF,rail,platform,station,museum,visitor attraction,history,historic,heritage,shunter,shunting,limited,Ltd,engine,at,transport,Nesle,Mackintosh,No3,No 3,siding,Derwent Valley,Light Railway,BR,British Rail,green,livery,Rowntree Mackintosh shunter,industrial locomotive,factory shunter,Haxby Road
Description: Tony Smith image Alamy 2X2CG2R - This image shows a green industrial shunting locomotive marked Rowntree Mackintosh Ltd, associated with the historic confectionery manufacturing operations of Rowntree in York, North Yorkshire, England. The locomotive would have been used for internal rail movements within the extensive factory railway system that served the Rowntree works, moving raw materials, packaging, and finished goods around the site and connecting with the wider national rail network.
Rowntree Mackintosh was formed in 1969 following the merger of Rowntree & Company of York and Mackintosh's of Halifax, creating one of Britain's most significant confectionery manufacturers. The company was later acquired by Nestlé in 1988, marking a major shift in the ownership of one of York's most important industrial employers. For much of the twentieth century, the Rowntree factory operated its own internal railway infrastructure, reflecting the scale and logistical complexity of large British manufacturing sites of the period.
Industrial shunting locomotives such as this were a common feature of factories, docks, and warehouses across the UK, allowing efficient on-site rail handling without relying on mainline locomotives. Today, surviving examples are valued as part of Britain's industrial and railway heritage, illustrating the close relationship between rail transport and manufacturing. This image is suitable for editorial and commercial use relating to British industrial history, railway heritage, manufacturing, corporate history, and the social and economic history of York.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,CW9,CW9 5DR,history,historic,dark,doorway,before,renovation,original,carved,embossed,and,salt,museum,AD,1909,in,Sir,ornate,doors,Northwich library,entrance,timberframe,timber frame,timber,framed,lamp,lantern,front,outside,subsidence,subject to subsidence
Description: Tony Smith image Alamy 2RE4PD8 - The original Northwich Library was established in 1885, with significant financial support from Sir John Brunner, co-founder of the successful chemical company Brunner, Mond and Co. The Brunner Free Library featured a salt museum and art display.
The building was damaged by subsidence and despite renovation work was eventually demolished. A journalist visiting the town in 1907 described that upon entering the library he, experienced sensations usually associated with the deck of a ship in a heavy sea, and, expected every moment to collide with the wall. A new replacement building was provided by Sir John Brunner in 1909.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,CW9,CW9 5DR,history,historic,dark,doorway,before,renovation,original,carved,embossed,and,salt,museum,AD,1909,in,Sir,ornate,doors,Northwich library,entrance,timberframe,timber frame,timber,framed,lamp,lantern,front,outside,subsidence,subject to subsidence
Description: Tony Smith image Alamy 2RE4PDB - The original Northwich Library was established in 1885, with significant financial support from Sir John Brunner, co-founder of the successful chemical company Brunner, Mond and Co. The Brunner Free Library featured a salt museum and art display.
The building was damaged by subsidence and despite renovation work was eventually demolished. A journalist visiting the town in 1907 described that upon entering the library he, experienced sensations usually associated with the deck of a ship in a heavy sea, and, expected every moment to collide with the wall. A new replacement building was provided by Sir John Brunner in 1909.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHW5 - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWA - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWH - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWM - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,L2,1-3,L2 8SZ,at,during,the,combined,headquarters,HQ,1941,1945,1941-1945,history,historic,Approach,Western Approaches Museum,museum,was,situated,in,this,building,Commander-in-Chief,Commander,Chief,Derby House,Operations Room
Description: Tony Smith image Alamy 2R6AJ1E - Commander-in-Chief, Western Approaches was the commander of a major operational command of the Royal Navy during World War II. The admiral commanding, and his forces, sometimes informally known as 'Western Approaches Command,' were responsible for the safety of British shipping in the Western Approaches.
History
Admiral Martin Dunbar-Nasmith, who had been Commander-in-Chief, Plymouth, also took over responsibility for the Western Approaches from the start of World War II.
After the fall of France in June 1940, the main North Atlantic convoy routes were diverted around the north of Ireland through the north-western approaches. By late 1940, the location of the Combined Operations headquarters at Plymouth was increasingly awkward and the decision was taken to move the Combined Operations headquarters to Liverpool. On 7 February 1941, the headquarters was established at Derby House, Liverpool, with a secondary control bunker built in Magee College, Derry. Derby House was designated HMS Eaglet
shore establishments were often given ship (stone frigate) names to meet the requirement that their Navy personnel be borne upon the books of a specific ship. The headquarters of No. 15 Group RAF (part of Coastal Command) moved to Liverpool at the same time. On 17 February 1941 Admiral Sir Percy Noble was appointed as the new Commander-in-Chief, Western Approaches Command. The Western Approaches Tactical Unit (WATU) was formed in January 1942 to develop and disseminate new tactics to counter German submarine attacks on trans-Atlantic shipping convoys. WATU took up residency on the top floor of Derby House.
Over the next two years, Admiral Noble built up the bases for the North Atlantic escort groups at Greenock on the Clyde, Derry and Liverpool and set up the training facilities that were the foundations for eventual victory in the Battle of the Atlantic.
On 19 November 1942, Admiral Max Horton replaced Admiral Noble
Horton then was Commander-in-Chief
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,spinningframe,textile,textiles,factory,industrial,industry,manufacturing,machine,yarnproduction,fibre,fibers,spindles,spindle,traveller,rings,twist,bobbins,roving,drafting,spinningprocess,millinterior,historic,heritage,preserved,museum,twentiethcentury,britishindustry,labourhistory,workingclass,mass production,textile history,cottonindustry
Description: Tony Smith image Alamy 2R55J8G - This machine is a cotton ring spinning frame (often shortened to ring frame), as widely used in Lancashire spinning mills from the early 20th century onwards.
How we know:
Long rows of parallel yarn threads running vertically down to spindles
Ring and traveller system at each spindle position
Yarn being twisted and wound simultaneously onto bobbins
Linear, repetitive layout typical of ring spinning rooms
This is not a spinning mule (no moving carriage) and not a drawing or roving frame (those do not insert final twist). Ring frames became dominant in Lancashire for their continuous operation, higher speeds, and suitability for finer yarns. cotton ring spinning frame inside a Lancashire spinning mill, representing one of the most important technological advances in industrial textile production. Ring spinning frames were used to twist and wind cotton fibres into finished yarn in a continuous process, replacing earlier spinning mule systems in many mills during the twentieth century.
Prepared roving from earlier processes such as carding and drawing was fed into the frame, where drafting rollers reduced the fibre thickness before twist was inserted by the rotating spindle and traveller running around a fixed ring. The finished yarn was then wound onto bobbins, ready for use in weaving sheds or for further processing.
Ring spinning offered higher speeds, greater consistency and reduced labour compared with mule spinning, making it especially suited to fine and strong yarns. Lancashire mills adopted ring frames widely as the industry modernised, particularly in large spinning towns such as Oldham and Bolton.
Preserved ring spinning frames are now commonly found in textile museums and heritage mills, illustrating the scale, precision and repetitive nature of industrial cotton production and the working environments that underpinned Britain's global dominance in textiles.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,spinningframe,textile,textiles,factory,industrial,industry,manufacturing,machine,yarnproduction,fibre,fibers,spindles,spindle,traveller,rings,twist,bobbins,roving,drafting,spinningprocess,millinterior,historic,heritage,preserved,museum,twentiethcentury,britishindustry,labourhistory,workingclass,mass production,textile history,cottonindustry
Description: Tony Smith image Alamy 2R55JAW - This machine is a cotton ring spinning frame (often shortened to ring frame), as widely used in Lancashire spinning mills from the early 20th century onwards.
How we know:
Long rows of parallel yarn threads running vertically down to spindles
Ring and traveller system at each spindle position
Yarn being twisted and wound simultaneously onto bobbins
Linear, repetitive layout typical of ring spinning rooms
This is not a spinning mule (no moving carriage) and not a drawing or roving frame (those do not insert final twist). Ring frames became dominant in Lancashire for their continuous operation, higher speeds, and suitability for finer yarns. cotton ring spinning frame inside a Lancashire spinning mill, representing one of the most important technological advances in industrial textile production. Ring spinning frames were used to twist and wind cotton fibres into finished yarn in a continuous process, replacing earlier spinning mule systems in many mills during the twentieth century.
Prepared roving from earlier processes such as carding and drawing was fed into the frame, where drafting rollers reduced the fibre thickness before twist was inserted by the rotating spindle and traveller running around a fixed ring. The finished yarn was then wound onto bobbins, ready for use in weaving sheds or for further processing.
Ring spinning offered higher speeds, greater consistency and reduced labour compared with mule spinning, making it especially suited to fine and strong yarns. Lancashire mills adopted ring frames widely as the industry modernised, particularly in large spinning towns such as Oldham and Bolton.
Preserved ring spinning frames are now commonly found in textile museums and heritage mills, illustrating the scale, precision and repetitive nature of industrial cotton production and the working environments that underpinned Britain's global dominance in textiles.
-with-sliver-cans--as-used-in-Lancashire-cotton-spinning-mills-2R55JB5.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,English,cotton,spinning,sliver,textiles,cottonmill,industrial,industry,manufacturing,machinery,machine,fibre,fibers,yarnproduction,industrialrevolution,silver,can,cans,drafting,rollers,preparation,spinningprocess,millinterior,historic,heritage,preserved,museum,victorian,edwardian,analogue,mechanical,engineering,history
Description: Tony Smith image Alamy 2R55JB5 - drawing frames (sometimes called draw frames) with sliver cans, as used in Lancashire cotton spinning mills in the late-19th and early-20th century.
What you're seeing
The thick, soft cotton strands looping down into the containers are sliver.
The tall cylindrical containers are sliver cans, used to store and transport the fibre between processes.
Above the cans is the drawing frame, with a line of drafting rollers that pull multiple slivers together and stretch them to improve uniformity.
What the drawing frame did
The drawing frame sat between carding and spinning and had three main jobs:
Combine several carded slivers into one
Draft (stretch) the fibres to make them finer
Straighten and equalise fibre alignment
The output was a smoother, more even sliver ready for:
further drawing stages, or
the roving (speed) frame, and then spinning
How to tell it's not a roving frame
This is a common point of confusion:
Drawing frame: sliver goes into cans (as shown here)
Roving (speed) frame: fibres are twisted and wound onto bobbin spindles, not cans
Because there is no twist and the material is collected loosely in cans, this is clearly a drawing frame.
Why this is classic Lancashire
Drawing frames were standard in mills across Oldham, Bolton, Blackburn, Burnley and Preston
Lancashire mills often used multiple drawing passages to achieve consistency at scale
Uniform sliver was essential for high-speed spinning on mules or ring frames
In short
This image shows cotton drawing frames feeding sliver into cans, a crucial intermediate stage in Lancashire's spinning process, responsible for fibre consistency, quality and productivity. This image shows a row of cotton drawing frames with sliver cans inside a Lancashire spinning mill, illustrating a key intermediate stage in the cotton manufacturing process. Drawing frames were used after carding to improve the uniformity, alignment and consistency of cotton fibres before they were spun into yarn.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,loom,textiles,weavingshed,factory,machinery,machine,yarn,warp,weft,cloth,fabric,production,engineering,mechanical,industrialrevolution,Lancs,loomroom,weavingroom,beltdrive,lineshaft,overheadshafts,steamage,victorian,edwardian,twentiethcentury,millinterior,historic,heritage,preserved,museum
Description: Tony Smith image Alamy 2R55JBA - The large cylindrical beam wrapped with white yarn at the front is the warp beam, supplying thousands of parallel warp threads.
The machines are arranged in long, tightly packed rows, typical of weaving sheds rather than spinning rooms.
Overhead line-shafting and belt drives powered each loom individually.
The overall layout is wide, open and repetitive, designed for one weaver to supervise multiple looms.
This immediately distinguishes it from:
Spinning mules (which have moving carriages)
Ring frames (vertical spindles, no warp beam)
Carding or drawing machines (shorter, bulkier units)
What the loom did
A Lancashire power loom:
Took warp yarn from the beam
Inserted weft yarn across it (by shuttle in older looms)
Interlaced warp and weft to produce woven cloth
Wound the finished fabric onto a cloth roller
This was the final major stage of cotton manufacture, after carding, drawing and spinning.
Why this is classic Lancashire
Power looms dominated towns such as Burnley, Blackburn, Accrington, Chorley and Preston
Lancashire specialised in mass cotton weaving, often more than spinning
Sheds were built with:
North-light roofs for even daylight
Open floors to manage noise, heat and lint
A single weaver, often a woman, might operate four or more looms simultaneously
In short
This image shows Lancashire cotton power looms in a weaving shed, producing woven cloth from spun yarn.
It represents the end stage of the cotton process and one of the most recognisable interiors of Britain's industrial textile past. This image shows a row of historic cotton power looms inside a Lancashire weaving shed, a setting that became synonymous with mass textile production during the late nineteenth and early twentieth centuries. Power looms were used to weave spun cotton yarn into finished cloth by interlacing warp threads, drawn from the large beams visible in the foreground, with weft yarn carried across the loom.
The looms are arranged in long, uniform rows
--a-core-piece-of-Lancashire-cotton-mill-machinery-in-a-cotton-mill-2R55JBG.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,cardingmachine,textile,textiles,manufacturing,factory,spinning,fibre,fibers,engineering,mechanical,belt,pulleys,rollers,drums,Lancs,PlattBrothers,Oldham,Bolton,Blackburn,Burnley,Preston,northwestengland,britishindustry,heritage,historic,museum,preserved,victorian,edwardian,steamage,powertransmission,lineshaft,beltdrive
Description: Tony Smith image Alamy 2R55JBG - The large central drum is the main carding cylinder, which rotates at speed.
The multiple small pulleys around the side are part of the belt-driven transmission, typical of Lancashire mills using line-shaft power from overhead shafts.
The wooden casing (often polished hardwood) is characteristic of British carding engines, both for protection and to reduce lint escape.
Surrounding rollers and covers would have worked with:
the licker-in (to open raw cotton),
worker and stripper rollers (to disentangle fibres),
and the doffer (to remove the aligned fibre web).
What it did in the cotton process
This machine sat early in the cotton production line:
Raw cotton arrived compressed and dirty
It was opened and cleaned (blow room machinery)
Carding engine aligned the fibres into a continuous web
The web was condensed into sliver, ready for drawing and spinning
Without carding, spinning simply did not work properly.
Why it's so Lancashire
Carding engines were ubiquitous in Lancashire mills (Oldham, Bolton, Blackburn, Burnley, Preston).
British makers such as Platt Brothers of Oldham dominated this machinery worldwide.
The heavy iron castings, belt drives, and polished woodwork are textbook North-West England mill engineering.
Description
Keywords: GoTonySmith,HotpixUK,England,London,city,centre,central,E17 9HQ,E17,on,the,exterior,of,front,lighting,and,advertising,museum,unit12,museums,sign,signage,signs,red,orange,neons,neon,God,junk,yard,junkyard,black,white,fonts,different,salvage
Description: Tony Smith image Alamy 2R3Y9BT - Chris Bracey has been the Neon Man for 37 years creating iconic artpieces for David la chappelle,
Martin Creed etc. With a cult following in London and Los Angeles.
New & used neon fantasies, salvaged signs, reclaimed neon signs, old movie props and retro displays.
Neon art made from found objects, retrieved and renewed waste and lights.
Fairground & circus lighting, architectural sign salvage. Led & cold cathode luxury products.
Designers & makers of all things with light.
Description
Keywords: GoTonySmith,HotpixUK,soviet,heroes,hero,icon,iconic,men,together,architects,of,Marxist,Marxists,CCCP,statue,Memento Park,Hungary,open-air,museum,Communism,cold,iron curtain,Coldwar,Cold-War,war,regime,retro,sculpture,socialist,socialism,theme,unique,characters,memorial,history,historic,figures,figure,Marx/Engels Collected Works,MECW
Description: Tony Smith image Alamy 2R0MKT0 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,monument,era,monuments,socialist,realism,socialist realist,sculpture,Hungarian,post communist Hungary,Cold War,Hungary,Eastern Bloc,public,propaganda,art,political,park,open air,museum,heritage,history,historic,Republic of Councils Monument,Tanácsköztársasági emlékmű,István Kiss,charging sailor statue,Hungarian Fighters in the Spanish International Brigades Memorial,Makrisz Agamemnon,Memos Makris,Spanish Civil War memorial,dictatorship memory,authoritarian propaganda,totalitarian art,removed communist statues,fall of communism,1989 revolution,dark
Description: Tony Smith image Alamy 3E9AN1A - Memento Park in Budapest, Hungary, showing Soviet era and communist period public monuments removed from the city after the fall of the Hungarian People's Republic. The bronze figure on the right is the Republic of Councils Monument, or Tanácsköztársasági emlékmű, by István Kiss, completed in 1969 and based on a dynamic revolutionary sailor image associated with the short-lived Hungarian Soviet Republic of 1919. The foreground relief appears to be the Hungarian Fighters in the Spanish International Brigades Memorial by Makrisz Agamemnon, also known as Memos Makris, made in 1968 to commemorate Hungarian volunteers who fought in the Spanish Civil War. The photograph is valuable for editorial use around Cold War history, communist propaganda, socialist realism, dictatorship memory, post-communist heritage, Eastern Bloc public art, political sculpture, regime change and the contested afterlife of monuments. Memento Park is an open-air museum where Budapest gathered many statues, busts, plaques and memorials that once stood in prominent public locations and carried the official visual language of party power, liberation myth, worker heroism and Soviet friendship. The composition contrasts the flat carved memorial figures with the dramatic running bronze statue, creating a strong visual example of how communist public art used heroic bodies, flags, movement and scale to communicate ideological certainty. The site is not simply nostalgic display: it is a carefully framed museum of authoritarian imagery, useful for understanding how art, architecture and public space were used to legitimise power. The green grass, open sky and park setting soften the scene visually, but the subjects remain linked to repression, censorship, propaganda, revolution, anti-fascist memory, Hungarian communism and the wider political history of Central Europe. The image suits travel guides, history publishing, education, museum features, political commentary, heritage tourism, dark tourism and art
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,heritage,former,museum,tourism,interior,secure,exercise,gaol,jail,penal reform,prison discipline,prison architecture,red brick prison,prison block,prison cells,prison chapel,separate system chapel,courthouse prison,historic justice,punishment history,LN1,Lincolnshire,LN1 3AA,penal system,1848 prison,1878 closure,convicts,male prisoners,solitary confinement,moral reform,prison isolation,prison reform history,prison exercise yards,prison governor,dark tourism,crime and punishment,reform
Description: Tony Smith image Alamy 3E9AMX1 - View of Lincoln Castle Victorian Prison inside the medieval walls of Lincoln Castle, Lincoln, Lincolnshire, showing the red brick prison buildings, high enclosing yard walls, former exercise areas, chimneys, slate roofs and the surrounding stone castle defences under clear blue sky. The prison was designed for the Victorian separate system, a regime intended to keep prisoners apart from the corrupting influence of other inmates and to encourage reflection, repentance and reform. Lincoln Castle says men, women and children as young as eight were held here from 1848 to 1878 for crimes ranging from theft to highway robbery and murder. The image has strong editorial value for features on English prison history, Victorian justice, penal reform, solitary confinement, crime and punishment, heritage tourism, dark tourism, historic architecture, museum interpretation and the reuse of medieval castles as centres of law and punishment. The high walls and enclosed yards are especially relevant to stories about prison discipline and the architecture of control, while the red brick cell blocks contrast strongly with the older stone castle setting. Lincoln Castle also contains the unusual surviving separate-system prison chapel, where prisoners attended worship while kept apart from one another, making the wider prison site important for understanding nineteenth-century attitudes to punishment and moral reform. The photograph can support educational publishing, travel guides, museum features, local history, legal history, architectural studies and tourism articles about Lincoln's uphill heritage quarter. It also connects with the wider Lincoln Castle visitor experience, including the Medieval Wall Walk, castle towers, dungeons, Crown Court associations and the Magna Carta Vault. The scene is visually useful because it shows the prison as a self-contained institutional complex within the castle, rather than simply a cell interior. It is a distinctive stock image.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,textile,Lancs,England,UK,English,mills,manufacture,Mill,Burnley,history,tourism,steam,powered,weaving,mill,BB4,BB4 9PX,1082 Burnley Road East,Water,Rossendale,Lancashire,Jones,Textilaties,Ltd,company,business,firm,display,cabinet,museum,Jones Textilaties Limited,red frame,red cabinet,Cottonopolis
Description: Tony Smith image Alamy 2PMKDY1 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,S3,Kelham Island,Kellham Island,Yorkshire,Kelam Island,England,UK,S3 8RD,city,centre,steel,manufacture,the,pink,signs,forging,furnace,furnaces,forge,museum,lit,lighting,symbol,area,river Don,quarter,glow,craft,culture,heritage,history,historic,product,products,metalworking,brownfield
Description: Tony Smith image Alamy 2T0WE16 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,the,royal,maritime,port,Mersey,river,historic,ports,built,by,of,Northwich,Liverpool,L3 4AF,L3,The Pumphouse,moored,mooring,boat,ship,boats,ships,Alexandra Towing,Co Ltd,ship-handling,IMO 6420408,museum
Description: Tony Smith image Alamy 2NYNDXP - She is a historic tug from Liverpool.
Name / Owner: BROCKLEBANK
IMO No: 6420408 / ON 306497
Merseyside Maritime Museum.
Flag: United Kingdom (Liverpool).
Comments: July 10, 2004. Moored in Canning Half-tide Dock as a museum ship. Built for Alexandra Towing Co. Ltd., Liverpool, as a ship-handling tug with occasional duties in Heysham, Larne and Barrow. Restoration by the volunteers of the "
Wincham Preservation Society."
Purchased by the Merseyside Maritime Museum in 1989.
Year built / Builder: 1964, W. J. Yarwood &
Sons Ltd., Northwich (yard number: 945)
Details: 172 gt
length o.a. 31.37 m (bp: 28.35 m), 8.26 m beam, 3.81 m depth.
Main engines: 2, two stroke, turbo-charged, 8 cyl Crossley diesel motors developing 970 kW (1,200 bhp) to drive a single prop at a speed of 12 knots.
Static bollard pull: 17 tons
She crossed to Howth from Liverpool 4-5 April 2008.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,the,royal,maritime,Mersey,river,L3,L3 4AA,3-4,Liverpool,ship,vessel,at,in,riverside,cutter,dry,dock,pilotage,service,number 2,1953,museum,National Historic Ships,Committee,National Core Collection,of,Historic Ships
Description: Tony Smith image Alamy 2P08KF3 - Liverpool pilot cutter number 2, 1953
The largest object in National Museums Liverpool's collections is the Edmund Gardner, a former pilot cutter that can now be found in dry dock opposite the Maritime Museum.
Strong currents, shifting sandbanks, rocks, dangerous weather and two tides a day - with a difference of 11 metres - make the approach to Liverpool by ship a risky business. Marine pilots are seafarers with local knowledge of the River Mersey, who guide ships safely through these various hazards.
The object of a pilot today is the same as it was back in 1766 to get a ship, its crew and its cargo safely into port in a timely manner - Geoff Topp, Liverpool Pilot, 1967-2002
During her working life of almost 30 years the Edmund Gardner was essentially a base out in the Irish Sea for the Pilotage Service, providing accommodation for up to 32 pilots at a time. The pilots met all shipping approaching the Mersey and guided them into and out of the docks, to ensure their safety.
The Edmund Gardner's historic importance has been recognized by the National Historic Ships Committee, which has included the vessel in its National Core Collection of Historic Ships. She has also received the World Ship Trust's award as an outstanding example of ship preservation.
More info at https://www.liverpoolmuseums.org.uk/edmund-gardner/pilot-ship
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,H43,blue,box,shelves,shelf,storage,the,gallery,Gloucestershire,England,UK,GL50 3JT,museum,and,collection,collections,area,exhibit,exhibits,Cheltenham Art Gallery and Museum,Edward Wilson,explorer,Antarctic,boxes,boxed,artefacts,storeroom,stores,objects,stored,The Wilson,museums,Clarence Street,Cheltenham Art Gallery
Description: Tony Smith image Alamy 2KEBJ2J - The Wilson, formerly known as Cheltenham Art Gallery and Museum, in Cheltenham, Gloucestershire, was opened in 1899. It offers free admission, and has a programme of special exhibitions. It was renamed The Wilson in honour of polar explorer Edward Wilson, a son of Cheltenham, in 2013 after the building was extended. The gallery and museum is managed by The Cheltenham Trust.
The museum is housed in part of a Regency building on Clarence Street (Cheltenham Library currently occupies much of the original building), designed as the Cheltenham Public Library by architect William Hill Knight, who also designed the Cheltenham Synagogue and Montpellier Walk.
In 2007 a national architectural design competition was launched by RIBA Competitions to extend the building, providing more space for the renowned Arts and Crafts collection. Through this process Berman Guedes Stretton were selected by Cheltenham Borough Council and the extension was completed in 2012.
Baron de Ferrieres, a former Mayor and Liberal MP for Cheltenham, gave 43 important paintings, mostly from Belgium and the Netherlands, to the town. He also donated £1,000 towards the building of a gallery in which to display them. The Museum was opened in 1907 in the adjacent former Schools of Art and Science. A major extension to the building by Hugh Casson was opened by the Princess Royal in September 1989, where the main entrance to the gallery is now situated.
The museum is particularly noted for its Arts and Crafts collection of furniture, textiles, ceramics, carvings, silver and jewellery which is recognised as an outstanding collection of international importance for which the Art Gallery & Museum has received Designated status.
Cheltenham's history is well represented, and in addition there are paintings spanning four centuries, oriental collections of pottery and costume, and archaeological treasures from the neighbouring Cotswolds.
The Edward Wilson gallery shows the life of the Antarctic explorer
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,Yorkshire,England,UK,Whitby,Museum of Whitby Jet,outside,exterior,historic,museum,red,brick,architecture,cultural,tourism,stone,seaside,town,centre,museum signage,heritage,North Yorkshire coast,visitor attraction,historic religious hall,Wesleyan Methodist,hall,daytime street scene,blue sky clouds,documentary architecture photography,preserved,preservation,Church Street,YO22 4DE,YO22
Description: Tony Smith image Alamy 2RD243W - This image shows Wesley Hall, a red-brick Victorian building constructed in 1901, located on Church Street in the historic seaside town of Whitby, North Yorkshire. Originally built as a Wesleyan Methodist hall, the building has since been repurposed and now houses the Museum of Whitby Jet.
The facade features decorative brickwork, stone detailing around arched windows, and a central arched entrance, typical of late-Victorian civic and religious architecture. Display boards on either side of the entrance advertise exhibitions and provide information for visitors, clearly identifying the building's current role as a museum and cultural venue.
The Museum of Whitby Jet focuses on the history and craftsmanship of Whitby Jet, a fossilised gemstone formed from ancient wood and famously used in mourning jewellery during the Victorian period. Jet mining and carving were once major local industries and remain closely associated with Whitby's identity.
The photograph was taken in daylight under partly cloudy skies, with a passer-by visible outside the entrance, providing scale and a sense of everyday activity. The image documents the adaptive reuse of a historic religious building as a museum, reflecting Whitby's strong emphasis on heritage tourism, local craft history, and architectural preservation.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,inside,confined,space,a,canal,boat,English,British,history,heritage,historic,decorations,painted,oil,light,area,Cheshire,England,UK,Victorian,barges,narrowboats,Great Britain,tight,small,cramped,plates,fabric,fabrics,living,home,boats,museum
Description: Tony Smith image Alamy 2K1YKWF -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,at,image,picture,traditionally,decorated,barges,barge,decoration,registered,490,Skinners,OC,red,paint,painted,traditional,history,historic,heritage,castle,castles,museum,art,painting,Canal paintings,panel,Pamela,wood,wooden,frame,roof,top,of,the
Description: Tony Smith image Alamy 2K1YKWR -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,renovation,Liverpool,cargo,ship,wood,boat,now,being,sold,to,used,by,of,Abel,&,sons,1860,barge,river,Mersey,Builder,Speakman,William,Chester,named,called,towed,no engine,heritage,olden days,preserved,renovating,museum,boats,ships,the
Description: Tony Smith image Alamy 2K23M6C - Mossdale was built in 1876 by the Shropshire Union Railway & Canal Company, Chester. She is a Mersey Flat and was towed by horses or tugs. Her hull was carvel construction of oak, elm and pitch pine and she traded between Ellesmere Port and Liverpool. Originally known as RUBY, she was renamed MOSSDALE when bought by Abel & Son of Runcorn in the 1930s. They extensively rebuilt and deepened her to obtain maximum load for minimum displacement. She was found abandoned at Ellesmere Port in 1970 and is now preserved on shore at the Boat Museum, Ellesmere Port.
Mossdale's fabric is representative of a typical wooden Mersey flat, being built of oak frames on pitch pine planking doubled where necessary to achieve her shape. Her large foredeck windlass fitted her to work in the tidal Mersey, with a smaller windlass used when warping her into docks. In 1933, Mossdale underwent a major re-build which included lengthening her to 72 feet. Her increased length represents an important period in her working life, marking the development in trade caused by the industrial revolution and the need for her to carry a greater cargo to pay her way. With no means of propulsion, she would generally have been towed by a horse or tug.
Mossdale was never rigged as a sailing flat, but is a good example of a regional river barge from North-West England. She has a substantial rudder, a typical flat bottom, a round bilge and bluff square bows.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,renovation,Liverpool,cargo,ship,wood,boat,now,being,sold,to,used,by,of,Abel,&,sons,1860,barge,river,Mersey,Builder,Speakman,William,Chester,named,called,towed,no engine,heritage,olden days,preserved,renovating,museum,boats,ships,the
Description: Tony Smith image Alamy 2K23M77 - Mossdale was built in 1876 by the Shropshire Union Railway & Canal Company, Chester. She is a Mersey Flat and was towed by horses or tugs. Her hull was carvel construction of oak, elm and pitch pine and she traded between Ellesmere Port and Liverpool. Originally known as RUBY, she was renamed MOSSDALE when bought by Abel & Son of Runcorn in the 1930s. They extensively rebuilt and deepened her to obtain maximum load for minimum displacement. She was found abandoned at Ellesmere Port in 1970 and is now preserved on shore at the Boat Museum, Ellesmere Port.
Mossdale's fabric is representative of a typical wooden Mersey flat, being built of oak frames on pitch pine planking doubled where necessary to achieve her shape. Her large foredeck windlass fitted her to work in the tidal Mersey, with a smaller windlass used when warping her into docks. In 1933, Mossdale underwent a major re-build which included lengthening her to 72 feet. Her increased length represents an important period in her working life, marking the development in trade caused by the industrial revolution and the need for her to carry a greater cargo to pay her way. With no means of propulsion, she would generally have been towed by a horse or tug.
Mossdale was never rigged as a sailing flat, but is a good example of a regional river barge from North-West England. She has a substantial rudder, a typical flat bottom, a round bilge and bluff square bows.
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,art,artist,at,the,National,Museum,welded,never had a horse,statue,sculpture,statues,animal,animals,working,canal horse,canal horses,representation,park,vegetation,garden,gardens,history,historic,feature,working horse,horses
Description: Tony Smith image Alamy 2K307WT -
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,canal,and,exhibit,wheel,wheels,geared,gear,gears,winding,spool,machine,cable,cabled,old,museum,interesting,the,past,pastimes,olden days,heritage,history,historic,mechanical,manual,lift,winch
Description: Tony Smith image Alamy 2K307X2 -
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,canal,and,exhibit,wheel,wheels,geared,gear,gears,winding,spool,machine,cable,cabled,old,museum,interesting,the,past,pastimes,olden days,heritage,history,historic,mechanical,manual,lift,winch
Description: Tony Smith image Alamy 2K307Y7 -
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,pair,of,work,worn,out,on,ceramic,tiles,boots,mud,dirty,footwear,shoe,shoes,boot,leather,tiled,floor,old,museum,interesting,the,past,pastimes,olden days,heritage,history,historic
Description: Tony Smith image Alamy 2K3080K -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,pennylane,trust,Merseyside,L18,Beatles,a,place,to,remember,I Love,Paul,note,scales,places,there,are,Eurovision,2023,Eurovision2023,shops,stores,gift shop,tourists,inside,museum,cards,poster,posters,Wings,solo,members
Description: Tony Smith image Alamy 2K0KPGX - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the LennonMcCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,pennylane,gift,souvenirs,fab4,fab 4,fab four,shot,Merseyside,L18 1DE,Inside,interior,souvenir,the,store,shops,stores,gift shop,tourists,inside,museum,cards,poster,posters,Wings,solo,members,tour,tours,book,books,shelves
Description: Tony Smith image Alamy 2K0KPHB - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the LennonMcCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Penny Lane,pennylane,band,albums,Liverpool,John,Paul,Ringo,George,cup,cups,gift,gifts,tourist,Merseyside,L18 1DE,item,in,a,store,as,fan,from,1960,1960s,shops,stores,gift shop,tourists,inside,museum,mug,mugs
Description: Tony Smith image Alamy 2K0KPHJ - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the LennonMcCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,pennylane,gift,fab four,souvenirs,fab4,fab 4,shot,Merseyside,L18 1DE,Inside,interior,souvenir,the,store,shops,stores,gift shop,tourists,inside,museum,cards,poster,posters,Wings,solo,members,tour,tours,book,books,shelves
Description: Tony Smith image Alamy 2K0KPKW - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the LennonMcCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,pennylane,gift,fab four,souvenirs,fab4,fab 4,shot,Merseyside,L18 1DE,Inside,interior,souvenir,the,store,shops,stores,gift shop,tourists,inside,museum,cards,poster,posters,Wings,solo,members,tour,tours,book,books,shelves
Description: Tony Smith image Alamy 2K0KPP2 - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the LennonMcCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,pennylane,gift,souvenirs,fab4,fab 4,memorabilia,retail,the,art,city,scape,trust,store,shop,Merseyside,for,selling,a,sale,prints,building,Penny lane,Liverpool,L18,shops,stores,gift shop,tourists,inside,museum,cards,poster,posters,skyline,cityscape
Description: Tony Smith image Alamy 2K0KPP7 -
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,signalbox,sign,monochrome,historic,north,box,signals,signalling,age,heritage,centre,Crewe Railway Age,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes
Description: Tony Smith image Alamy 2JWGT63 - Crewe Heritage Centre is a railway museum located in Crewe, England. Managed by the Crewe Heritage Trust, the museum is located between the railway station and the town centre
the site was the location of the 'Old Works' which was demolished in the early 1980s.
History
The centre was established in the old London, Midland and Scottish Railway yard, which was once part of Crewe Works, between the junction to Chester and the West Coast Main Line. It was officially opened by Queen Elizabeth II, accompanied by the Duke of Edinburgh, on 24 July 1987. It was renamed in 1992 as Crewe Railway Age by the owning registered charity but, after the management of the centre was taken over by a new group of volunteers, the museum returned to its original name of Crewe Heritage Centre in early 2008.
Exhibits
The centre has a series of exhibits, ranging from the only surviving APT-P train, miniature railways, three open signal boxes (Crewe Station A, Crewe North Junction and Exeter West) and a varied collection of standard gauge steam, diesel and electric locomotives, as well as occasional visiting locomotives. The Main Exhibition Hall features many artefacts and exhibits associated with Crewe, from its locomotive and carriage construction to its famous junction railway station. Brake Van rides are available to the public during special events.
Advanced Passenger Train
APT No.370 003/006 at Crewe Heritage Centre
Built by British Rail (BR) the 1970s and 1980s, this Class 370 Advanced Passenger Train (APT) is the only surviving APT set. Numbered 370 003/006, it is open at all times with an occasional cafe run from the original buffet car (selected days only). The APT-P museum can be found inside one of the carriages, with photographs on display from the APT project
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,signalbox,historic,signalling,age,north,sign,monochrome,box,heritage,centre,signals,Crewe Railway Age,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes
Description: Tony Smith image Alamy 2JWGT65 - Crewe Heritage Centre is a railway museum located in Crewe, England. Managed by the Crewe Heritage Trust, the museum is located between the railway station and the town centre
the site was the location of the 'Old Works' which was demolished in the early 1980s.
History
The centre was established in the old London, Midland and Scottish Railway yard, which was once part of Crewe Works, between the junction to Chester and the West Coast Main Line. It was officially opened by Queen Elizabeth II, accompanied by the Duke of Edinburgh, on 24 July 1987. It was renamed in 1992 as Crewe Railway Age by the owning registered charity but, after the management of the centre was taken over by a new group of volunteers, the museum returned to its original name of Crewe Heritage Centre in early 2008.
Exhibits
The centre has a series of exhibits, ranging from the only surviving APT-P train, miniature railways, three open signal boxes (Crewe Station A, Crewe North Junction and Exeter West) and a varied collection of standard gauge steam, diesel and electric locomotives, as well as occasional visiting locomotives. The Main Exhibition Hall features many artefacts and exhibits associated with Crewe, from its locomotive and carriage construction to its famous junction railway station. Brake Van rides are available to the public during special events.
Advanced Passenger Train
APT No.370 003/006 at Crewe Heritage Centre
Built by British Rail (BR) the 1970s and 1980s, this Class 370 Advanced Passenger Train (APT) is the only surviving APT set. Numbered 370 003/006, it is open at all times with an occasional cafe run from the original buffet car (selected days only). The APT-P museum can be found inside one of the carriages, with photographs on display from the APT project
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,Black & White,CW1 2DB,1950,sepia,image,of,and,frame,electric,Edwardian,controls,transport,transportation,heritage,technology,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces
Description: Tony Smith image Alamy 2JWGT9G -
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,train,trains,CW1 2DB,preserved,renovated,exterior,of,the,reconstructed,to,rails,track,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes,Victorian
Description: Tony Smith image Alamy 2JWGTC1 - Exeter West Signal Box
Exeter West Signal Box was originally built as a temporary structure by the Great Western Railway in 1913 following the enlargement of Exeter St. David's station It was located to the west of the station, controlling the junction for the London & South Western Railway's line to Waterloo and connections to the goods lines avoiding the station, the engine shed and various yards.
The signal box contained a lever frame of 114 levers, but this was replaced in 1959 by an even larger new frame of 131 levers. The box remained in use until 1985, when colour light signalling controlled electrically from a new signal box at Exeter was brought into use. After closure of Exeter West in 1985, the Exeter West Group moved in and dismantled the signal box, marking each of the hundreds of parts for future reference.
At first, all of the parts were moved to Bristol and a start was made on restoring the box to be a feature at Temple Meads station. However, by summer 1988 it was clear that this project had foundered, but a home was offered at the proposed Swindon Heritage Centre. Everything was moved there, and restoration work continued until 1990. However a seemingly indefinite postponement of the heritage project at Swindon made it necessary to seek another site.
Finally a home was found here at Crewe. Having moved all of the many parts, a start was finally made on the complex task of putting the box back together again in May 1991, the structure was complete and weatherproofed by the end of that year, and the Internal rebuilding continued through 1992. The signal box was formally opened to the public on May Day 1993.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,Exeter,middle Box,middle,box,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes,preserved,moved,removed,reconstructed,GWR,Great Western Railway
Description: Tony Smith image Alamy 2JWGTC7 -
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,at,a,red,yellow,big,old,inside,interior,heritage,technology,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes,hotpix.org.uk
Description: Tony Smith image Alamy 2JWGTD4 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,station,train,trains,CW1 2DB,BR,British Rail,class37,heritage,railway,age,centre,engine,museum,preserved,preservation,freight,class,37,37s,railtour,systems,locos,locomotive,brand,branding,depot,in,the,DRS,Simplified Compass livery
Description: Tony Smith image Alamy 2JX2TN2 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,station,train,trains,CW1 2DB,BR,British Rail,class37,heritage,railway,age,centre,engine,museum,preserved,preservation,freight,class,37,37s,railtour,Crewe Railway Age,systems,locos,locomotive,brand,branding,depot,in,the,DRS,Simplified Compass livery
Description: Tony Smith image Alamy 2JX2TXH - Crewe Heritage Centre is a railway museum located in Crewe, England. Managed by the Crewe Heritage Trust, the museum is located between the railway station and the town centre
the site was the location of the 'Old Works' which was demolished in the early 1980s.
History
The centre was established in the old London, Midland and Scottish Railway yard, which was once part of Crewe Works, between the junction to Chester and the West Coast Main Line. It was officially opened by Queen Elizabeth II, accompanied by the Duke of Edinburgh, on 24 July 1987. It was renamed in 1992 as Crewe Railway Age by the owning registered charity but, after the management of the centre was taken over by a new group of volunteers, the museum returned to its original name of Crewe Heritage Centre in early 2008.
Exhibits
The centre has a series of exhibits, ranging from the only surviving APT-P train, miniature railways, three open signal boxes (Crewe Station A, Crewe North Junction and Exeter West) and a varied collection of standard gauge steam, diesel and electric locomotives, as well as occasional visiting locomotives. The Main Exhibition Hall features many artefacts and exhibits associated with Crewe, from its locomotive and carriage construction to its famous junction railway station. Brake Van rides are available to the public during special events.
Advanced Passenger Train
APT No.370 003/006 at Crewe Heritage Centre
Built by British Rail (BR) the 1970s and 1980s, this Class 370 Advanced Passenger Train (APT) is the only surviving APT set. Numbered 370 003/006, it is open at all times with an occasional cafe run from the original buffet car (selected days only). The APT-P museum can be found inside one of the carriages, with photographs on display from the APT project
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,station,train,trains,the,railway,age,museum,heritage,centre,signage,relay,relays,room,signal,signals,points,control,electronics,switching,Vernon way,CW1 2DB,CW1,north,jcn,door,entrance,Westinghouse,All Electric,Style L,lever frame,Crewe Railway Age
Description: Tony Smith image Alamy 2JX2WFD - Crewe Heritage Centre is a railway museum located in Crewe, England. Managed by the Crewe Heritage Trust, the museum is located between the railway station and the town centre
the site was the location of the 'Old Works' which was demolished in the early 1980s.
History
The centre was established in the old London, Midland and Scottish Railway yard, which was once part of Crewe Works, between the junction to Chester and the West Coast Main Line. It was officially opened by Queen Elizabeth II, accompanied by the Duke of Edinburgh, on 24 July 1987. It was renamed in 1992 as Crewe Railway Age by the owning registered charity but, after the management of the centre was taken over by a new group of volunteers, the museum returned to its original name of Crewe Heritage Centre in early 2008.
Exhibits
The centre has a series of exhibits, ranging from the only surviving APT-P train, miniature railways, three open signal boxes (Crewe Station A, Crewe North Junction and Exeter West) and a varied collection of standard gauge steam, diesel and electric locomotives, as well as occasional visiting locomotives. The Main Exhibition Hall features many artefacts and exhibits associated with Crewe, from its locomotive and carriage construction to its famous junction railway station. Brake Van rides are available to the public during special events.
Advanced Passenger Train
APT No.370 003/006 at Crewe Heritage Centre
Built by British Rail (BR) the 1970s and 1980s, this Class 370 Advanced Passenger Train (APT) is the only surviving APT set. Numbered 370 003/006, it is open at all times with an occasional cafe run from the original buffet car (selected days only). The APT-P museum can be found inside one of the carriages, with photographs on display from the APT project
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,lamp,light,ironwork,iron,work,wrought,historic,history,4,Cheshire,SK10 1AB,religious,narrow,passageway,red,sandstone,Act of Toleration,1689.,exterior,outside,architectural,landmark,landmarks,town,centre,townscape,museum,office,offices,Sunday school,school,schools,ornate
Description: Tony Smith image Alamy 2JP0KAD -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,SK11,Cheshire,dedicated,to,the,building,museums,The,Grade II* Listed,Building,tourist,attraction,blue sky,blue skies,heritage,architectural,bricks,18th,19th,century,landmark,landmarks,town,centre,townscape,museum,office,offices,Sunday school,school,schools
Description: Tony Smith image Alamy 2JP0KBX - Macclesfield Sunday School is in Roe Street, Macclesfield, Cheshire, England. It started in 1796 as a non-denominational Sunday School in Pickford Street, which catered for 40 children. It was founded by John Whitaker whose objective was to lessen the sum of human wretchedness by diffusing religious knowledge and useful learning among the lower classes of society. Though chapels set up their denominational schools, the Sunday School committee in 1812 elected to erect a purpose-built school on Roe Street. The Big Sunday School had 1,127 boys and 1,324 girls on its books when it opened. The building is now known as The Old Sunday School and is part of Macclesfield Museums.
The role of the Sunday Schools changed with the Education Act 1870. In the 1920s, they promoted sports, and it was common for teams to compete in a Sunday School League. They were social centres hosting amateur dramatics and concert parties. By the 1960s the term Sunday School could refer to the building and not to any education classes, and by the 1970s even the largest Sunday School at Stockport had been demolished. The Macclesfield Large Sunday School was rescued and converted into the Macclesfield Heritage Centre.
The Sunday school closed in September 1973. It had stopped keeping registers in 1967 when average attendance was fourteen. Funds were disbursed to various missionary organisations. Though the fabric of the building was deteriorating it was listed as a Grade II* Listed Building because of its historical significance. Stockport Sunday School had already been lost. A new charitable trust, The Macclesfield Sunday School Heritage Trust, was formed and funds were raised and the building restored. Essential work and fitting out the museum cost £500,000. The building is now known as The Old Sunday School and is managed by Macclesfield Museums. It has multiple uses which include a Museum with Victorian School Room
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,SK11,Cheshire,dedicated,to,the,building,museums,The,Grade II* Listed,Building,tourist,attraction,blue sky,blue skies,heritage,architectural,bricks,18th,19th,century,landmark,landmarks,town,centre,townscape,museum,office,offices,Sunday school,school,schools
Description: Tony Smith image Alamy 2JP0KCD - Macclesfield Sunday School is in Roe Street, Macclesfield, Cheshire, England. It started in 1796 as a non-denominational Sunday School in Pickford Street, which catered for 40 children. It was founded by John Whitaker whose objective was to lessen the sum of human wretchedness by diffusing religious knowledge and useful learning among the lower classes of society. Though chapels set up their denominational schools, the Sunday School committee in 1812 elected to erect a purpose-built school on Roe Street. The Big Sunday School had 1,127 boys and 1,324 girls on its books when it opened. The building is now known as The Old Sunday School and is part of Macclesfield Museums.
The role of the Sunday Schools changed with the Education Act 1870. In the 1920s, they promoted sports, and it was common for teams to compete in a Sunday School League. They were social centres hosting amateur dramatics and concert parties. By the 1960s the term Sunday School could refer to the building and not to any education classes, and by the 1970s even the largest Sunday School at Stockport had been demolished. The Macclesfield Large Sunday School was rescued and converted into the Macclesfield Heritage Centre.
The Sunday school closed in September 1973. It had stopped keeping registers in 1967 when average attendance was fourteen. Funds were disbursed to various missionary organisations. Though the fabric of the building was deteriorating it was listed as a Grade II* Listed Building because of its historical significance. Stockport Sunday School had already been lost. A new charitable trust, The Macclesfield Sunday School Heritage Trust, was formed and funds were raised and the building restored. Essential work and fitting out the museum cost £500,000. The building is now known as The Old Sunday School and is managed by Macclesfield Museums. It has multiple uses which include a Museum with Victorian School Room
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,SK11,Cheshire,dedicated,to,the,building,museums,The,Grade II* Listed,Building,tourist,attraction,blue sky,blue skies,heritage,architectural,bricks,18th,19th,century,landmark,landmarks,town,centre,townscape,museum,office,offices,Sunday school,school,schools
Description: Tony Smith image Alamy 2JP0KCJ - Macclesfield Sunday School is in Roe Street, Macclesfield, Cheshire, England. It started in 1796 as a non-denominational Sunday School in Pickford Street, which catered for 40 children. It was founded by John Whitaker whose objective was to lessen the sum of human wretchedness by diffusing religious knowledge and useful learning among the lower classes of society. Though chapels set up their denominational schools, the Sunday School committee in 1812 elected to erect a purpose-built school on Roe Street. The Big Sunday School had 1,127 boys and 1,324 girls on its books when it opened. The building is now known as The Old Sunday School and is part of Macclesfield Museums.
The role of the Sunday Schools changed with the Education Act 1870. In the 1920s, they promoted sports, and it was common for teams to compete in a Sunday School League. They were social centres hosting amateur dramatics and concert parties. By the 1960s the term Sunday School could refer to the building and not to any education classes, and by the 1970s even the largest Sunday School at Stockport had been demolished. The Macclesfield Large Sunday School was rescued and converted into the Macclesfield Heritage Centre.
The Sunday school closed in September 1973. It had stopped keeping registers in 1967 when average attendance was fourteen. Funds were disbursed to various missionary organisations. Though the fabric of the building was deteriorating it was listed as a Grade II* Listed Building because of its historical significance. Stockport Sunday School had already been lost. A new charitable trust, The Macclesfield Sunday School Heritage Trust, was formed and funds were raised and the building restored. Essential work and fitting out the museum cost £500,000. The building is now known as The Old Sunday School and is managed by Macclesfield Museums. It has multiple uses which include a Museum with Victorian School Room
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,SK11,Cheshire,dedicated,to,the,building,museums,The,Grade II* Listed,Building,tourist,attraction,blue sky,blue skies,heritage,architectural,bricks,18th,19th,century,landmark,landmarks,town,centre,townscape,museum,office,offices,Sunday school,school,schools
Description: Tony Smith image Alamy 2JP0KCM - Macclesfield Sunday School is in Roe Street, Macclesfield, Cheshire, England. It started in 1796 as a non-denominational Sunday School in Pickford Street, which catered for 40 children. It was founded by John Whitaker whose objective was to lessen the sum of human wretchedness by diffusing religious knowledge and useful learning among the lower classes of society. Though chapels set up their denominational schools, the Sunday School committee in 1812 elected to erect a purpose-built school on Roe Street. The Big Sunday School had 1,127 boys and 1,324 girls on its books when it opened. The building is now known as The Old Sunday School and is part of Macclesfield Museums.
The role of the Sunday Schools changed with the Education Act 1870. In the 1920s, they promoted sports, and it was common for teams to compete in a Sunday School League. They were social centres hosting amateur dramatics and concert parties. By the 1960s the term Sunday School could refer to the building and not to any education classes, and by the 1970s even the largest Sunday School at Stockport had been demolished. The Macclesfield Large Sunday School was rescued and converted into the Macclesfield Heritage Centre.
The Sunday school closed in September 1973. It had stopped keeping registers in 1967 when average attendance was fourteen. Funds were disbursed to various missionary organisations. Though the fabric of the building was deteriorating it was listed as a Grade II* Listed Building because of its historical significance. Stockport Sunday School had already been lost. A new charitable trust, The Macclesfield Sunday School Heritage Trust, was formed and funds were raised and the building restored. Essential work and fitting out the museum cost £500,000. The building is now known as The Old Sunday School and is managed by Macclesfield Museums. It has multiple uses which include a Museum with Victorian School Room
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,of,Herefordshire,HR1,hightown,high town,tourist,tourists,summer,visitors,visitor,signposts,signpost,to,county museum,museums,Bridge St,and,Victoria Footbridge,St John Street,castle street,castle green,finding,your,way,around,tourism,trail,walk,walks,museum,Broad Street,Bishops Palace,High Town
Description: Tony Smith image Alamy 2JPMWT2 -
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,Cathedral St,London,SE1 9DE,SE1,Ships,ship,rigging,rope,ropes,on,the,sailing,captained,by,Sir,during,of,world,1577,Cathedral Street,museum,detail,Sir Christopher Hatton,voyage,expedition,system,cables,chains,standing rigging,shrouds,and,stays,running rigging,halyards,braces,sheets,vangs
Description: Tony Smith image Alamy 2JK10HD - Golden Hind was a galleon captained by Francis Drake in his circumnavigation of the world between 1577 and 1580. She was originally known as Pelican, but Drake renamed her mid-voyage in 1578, in honour of his patron, Sir Christopher Hatton, whose crest was a golden hind (a female red deer). Hatton was one of the principal sponsors of Drake's world voyage. A full-sized, seaworthy reconstruction is in London, on the south bank of the Thames
Since 1996, she has been berthed at St Mary Overie Dock, in Bankside, Southwark, London, where she is open to the public and hosts a range of educational programmes.
Rigging comprises the system of ropes, cables and chains, which support a sailing ship or sail boat's mastsstanding rigging, including shrouds and staysand which adjust the position of the vessel's sails and spars to which they are attachedthe running rigging, including halyards, braces, sheets and vangs.
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,skeleton,scary,with,device,London clink,hanging,hang,above,the,street,as,Clink Prison,Museum,1 Clink Street London,England,UK,SE1 9DG,SE1,capital,punishment,instrument,of,public,execution,British,Gibbeting,Gibbet,hanging in chains,gallows-type,structure,gallows,display,torture,tortured,criminal,criminals,an
Description: Tony Smith image Alamy 2JKB6GW - A gibbet is any instrument of public execution (including guillotine, executioner's block, impalement stake, hanging gallows, or related scaffold). Gibbeting is the use of a gallows-type structure from which the dead or dying bodies of criminals were hanged on public display to deter other existing or potential criminals. Occasionally, the gibbet was also used as a method of execution, with the criminal being left to die of exposure, thirst and/or starvation. The practice of placing a criminal on display within a gibbet is also called hanging in chains
Gibbeting was a common law punishment, which a judge could impose in addition to execution. This practice was regularized in England by the Murder Act 1751, which empowered judges to impose this for murder. It was most often used for traitors, murderers, highwaymen, pirates, and sheep stealers and was intended to discourage others from committing similar offenses.The structures were therefore often placed next to public highways (frequently at crossroads) and waterways.
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,skeleton,scary,with,device,London clink,hanging,hang,above,the,street,as,Clink Prison,Museum,1 Clink Street London,England,UK,SE1 9DG,SE1,capital,punishment,instrument,of,public,execution,British,Gibbeting,Gibbet,hanging in chains,gallows-type,structure,gallows,display,torture,tortured,criminal,criminals,an
Description: Tony Smith image Alamy 2JKB6H1 - A gibbet is any instrument of public execution (including guillotine, executioner's block, impalement stake, hanging gallows, or related scaffold). Gibbeting is the use of a gallows-type structure from which the dead or dying bodies of criminals were hanged on public display to deter other existing or potential criminals. Occasionally, the gibbet was also used as a method of execution, with the criminal being left to die of exposure, thirst and/or starvation. The practice of placing a criminal on display within a gibbet is also called hanging in chains
Gibbeting was a common law punishment, which a judge could impose in addition to execution. This practice was regularized in England by the Murder Act 1751, which empowered judges to impose this for murder. It was most often used for traitors, murderers, highwaymen, pirates, and sheep stealers and was intended to discourage others from committing similar offenses.The structures were therefore often placed next to public highways (frequently at crossroads) and waterways.
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Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,SE1,SE1 9DE,England,UK,boat,vessel,sailing,in,crowsnest,wood,wooden,history,historic,ship,ships,boats,St Mary Overies,Dock,Cathedral Street,Cathedral St,replica,full-size,reconstruction,1973,Golden Hinde,Appledore,Devon,bankside,museum,tourist,attraction,tourism,sunny,blue,sky,skies
Description: Tony Smith image Alamy 2JKB6HM - Golden Hind was a galleon captained by Francis Drake in his circumnavigation of the world between 1577 and 1580. She was originally known as Pelican, but Drake renamed her mid-voyage in 1578, in honour of his patron, Sir Christopher Hatton, whose crest was a golden hind (a female red deer). Hatton was one of the principal sponsors of Drake's world voyage. A full-sized, seaworthy reconstruction is in London, on the south bank of the Thames.
Golden Hinde, a full-size reconstruction of the ship, was built by traditional methods in Appledore, Devon, and launched in 1973. Golden Hinde was the result of three years' research and construction. Since then, she has travelled more than 140,000 miles (225,000 km). She sailed from Plymouth on her maiden voyage in late 1974, arriving on 8 May 1975 in San Francisco. In 1979, she sailed to Japan to make the miniseries Shōgun, after which she returned to the UK having completed a circumnavigation. Between 1981 and 1984, she was berthed in England and was established as an educational museum. In 198485, she sailed around the British Isles and then crossed the Atlantic to St Thomas in the Caribbean. In 1986, she passed through the Panama Canal to sail on to Vancouver, where she was the main attraction in the Marine Plaza at Expo86. In 1987, she began a tour of US coastal cities, spending two years on the Pacific coast. In late 1988, she passed back through the Panama Canal to continue port visits on the Gulf and east coasts of the US. In 1992, she returned home to the UK and spent the next four years visiting ports in Europe. Since 1996, she has been berthed at St Mary Overie Dock, in Bankside, Southwark, London, where she is open to the public and hosts a range of educational programmes
---in-St-Mary-Overies-Dock--Cathedral-Street---Southwark--London--England--UK-SE1-9DE---free-landing-2JKB6HY.jpg)
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,SE1,SE1 9DE,England,UK,boat,vessel,sailing,in,crowsnest,wood,wooden,history,historic,ship,ships,boats,St Mary Overies,Dock,Cathedral Street,Cathedral St,replica,full-size,reconstruction,1973,Golden Hinde,Appledore,Devon,bankside,museum,tourist,attraction,tourism,sunny,blue,sky,skies
Description: Tony Smith image Alamy 2JKB6HY - Golden Hind was a galleon captained by Francis Drake in his circumnavigation of the world between 1577 and 1580. She was originally known as Pelican, but Drake renamed her mid-voyage in 1578, in honour of his patron, Sir Christopher Hatton, whose crest was a golden hind (a female red deer). Hatton was one of the principal sponsors of Drake's world voyage. A full-sized, seaworthy reconstruction is in London, on the south bank of the Thames.
Golden Hinde, a full-size reconstruction of the ship, was built by traditional methods in Appledore, Devon, and launched in 1973. Golden Hinde was the result of three years' research and construction. Since then, she has travelled more than 140,000 miles (225,000 km). She sailed from Plymouth on her maiden voyage in late 1974, arriving on 8 May 1975 in San Francisco. In 1979, she sailed to Japan to make the miniseries Shōgun, after which she returned to the UK having completed a circumnavigation. Between 1981 and 1984, she was berthed in England and was established as an educational museum. In 198485, she sailed around the British Isles and then crossed the Atlantic to St Thomas in the Caribbean. In 1986, she passed through the Panama Canal to sail on to Vancouver, where she was the main attraction in the Marine Plaza at Expo86. In 1987, she began a tour of US coastal cities, spending two years on the Pacific coast. In late 1988, she passed back through the Panama Canal to continue port visits on the Gulf and east coasts of the US. In 1992, she returned home to the UK and spent the next four years visiting ports in Europe. Since 1996, she has been berthed at St Mary Overie Dock, in Bankside, Southwark, London, where she is open to the public and hosts a range of educational programmes
---in-St-Mary-Overies-Dock--Cathedral-Street---Southwark--London--England--UK-SE1-9DE---free-landing-2JKB6JE.jpg)
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,SE1,SE1 9DE,England,UK,boat,vessel,sailing,in,crowsnest,wood,wooden,history,historic,ship,ships,boats,St Mary Overies,Dock,Cathedral Street,Cathedral St,replica,full-size,reconstruction,1973,Golden Hinde,Appledore,Devon,bankside,museum,tourist,attraction,tourism,sunny,blue,sky,skies
Description: Tony Smith image Alamy 2JKB6JE - Golden Hind was a galleon captained by Francis Drake in his circumnavigation of the world between 1577 and 1580. She was originally known as Pelican, but Drake renamed her mid-voyage in 1578, in honour of his patron, Sir Christopher Hatton, whose crest was a golden hind (a female red deer). Hatton was one of the principal sponsors of Drake's world voyage. A full-sized, seaworthy reconstruction is in London, on the south bank of the Thames.
Golden Hinde, a full-size reconstruction of the ship, was built by traditional methods in Appledore, Devon, and launched in 1973. Golden Hinde was the result of three years' research and construction. Since then, she has travelled more than 140,000 miles (225,000 km). She sailed from Plymouth on her maiden voyage in late 1974, arriving on 8 May 1975 in San Francisco. In 1979, she sailed to Japan to make the miniseries Shōgun, after which she returned to the UK having completed a circumnavigation. Between 1981 and 1984, she was berthed in England and was established as an educational museum. In 198485, she sailed around the British Isles and then crossed the Atlantic to St Thomas in the Caribbean. In 1986, she passed through the Panama Canal to sail on to Vancouver, where she was the main attraction in the Marine Plaza at Expo86. In 1987, she began a tour of US coastal cities, spending two years on the Pacific coast. In late 1988, she passed back through the Panama Canal to continue port visits on the Gulf and east coasts of the US. In 1992, she returned home to the UK and spent the next four years visiting ports in Europe. Since 1996, she has been berthed at St Mary Overie Dock, in Bankside, Southwark, London, where she is open to the public and hosts a range of educational programmes
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,Royal Borough,of,Kensington,Chelsea,dry,spirit,victuals,and,lodgings,pub,bar,home,W11,Notting Hill,W11 1LA,The Distillery,Ginstitute,the,186,historic,171,museum,gin,star,Portobello Star,experience,history,brand,branding,London Spirit
Description: Tony Smith image Alamy 2M0KX43 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,fictional,Consulting,Detective,PI,private,crime,The,museum,no shit,Holmes,attraction,tourism,tourists,221,criminal,book,books,fiction,house,flat,observation,deduction,forensic science,and,logical reasoning,short,stories,tour,NW1,queue,of,English,famous,Johnlock conspiracy
Description: Tony Smith image Alamy 2M107KE -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,fictional,Consulting,Detective,PI,private,crime,The,museum,no shit,Holmes,attraction,tourism,tourists,221,criminal,book,books,fiction,house,flat,observation,deduction,forensic science,and,logical reasoning,short,stories,tour,NW1,English,famous,Johnlock conspiracy
Description: Tony Smith image Alamy 2M107KM -
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,RAF,Burtonwood,Warrington,Royal Air Force,Royal,Air,Force,heritage,history war WW2,WA5,Old Hall,Cheshire,England,UK,WA5 9YZ,museum,ex-airbase,old,historic,Living History,GI Brides,USA,American Airmen,Base Air Depot,US servicemen,US,servicemen,entrance,service,men,RAF burtonwood,association,6th Aerial Port Sqn,Skyline club,war,BAD1,USAAF
Description: Tony Smith image Alamy 2JDRMC5 - Royal Air Force Burtonwood (or RAF Burtonwood) is a former Royal Air Force and United States Army Air Forces base that was located in Burtonwood, 2 miles (3.2 km) Northwest of Warrington in Cheshire, England. The base was opened in 1940 in response to World War II by the RAF and in 1942 it was transferred to the United States of America for war operations. The base was home to 18,000 American servicemen at the end of the war. In 1946 the base was transferred back to the United Kingdom however United States operations continued. The base officially closed in 1991 and since then the runway and most of the associated buildings have been demolished. RAF Burtonwood Heritage Centre was opened on part of the former base
Burtonwood airfield was opened on 1 January 1940 as a servicing and storage centre for modifying British aircraft. It was operated by No. 37 Maintenance Unit RAF until June 1942
The facility was transferred to the United States Army Air Forces in June 1942 to become a servicing centre for the United States Eighth, Ninth, Twelfth and Fifteenth Air Forces aircraft. Burtonwood was also known as Base Air Depot 1 (BAD 1)
When the Cold War ended, Burtonwood Army Depot was declared excess to NATO requirements and was closed in June 1994
In the Heritage centre, planes exhibited are the B-17 Flying Fortress, P-47 Thunderbolt and the B-29 Super Fortress. There is also a selection of Pratt & Whitney Wasp series engines
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,RAF,Burtonwood,Warrington,Royal Air Force,Royal,Air,Force,heritage,history war WW2,WA5,Old Hall,Cheshire,England,UK,WA5 9YZ,museum,ex-airbase,old,historic,Living History,GI Brides,USA,American Airmen,Base Air Depot,US servicemen,US,servicemen,entrance,service,men,RAF burtonwood,association,6th Aerial Port Sqn,Skyline club,war,BAD1,USAAF
Description: Tony Smith image Alamy 2JDRMC9 - Royal Air Force Burtonwood (or RAF Burtonwood) is a former Royal Air Force and United States Army Air Forces base that was located in Burtonwood, 2 miles (3.2 km) Northwest of Warrington in Cheshire, England. The base was opened in 1940 in response to World War II by the RAF and in 1942 it was transferred to the United States of America for war operations. The base was home to 18,000 American servicemen at the end of the war. In 1946 the base was transferred back to the United Kingdom however United States operations continued. The base officially closed in 1991 and since then the runway and most of the associated buildings have been demolished. RAF Burtonwood Heritage Centre was opened on part of the former base
Burtonwood airfield was opened on 1 January 1940 as a servicing and storage centre for modifying British aircraft. It was operated by No. 37 Maintenance Unit RAF until June 1942
The facility was transferred to the United States Army Air Forces in June 1942 to become a servicing centre for the United States Eighth, Ninth, Twelfth and Fifteenth Air Forces aircraft. Burtonwood was also known as Base Air Depot 1 (BAD 1)
When the Cold War ended, Burtonwood Army Depot was declared excess to NATO requirements and was closed in June 1994
In the Heritage centre, planes exhibited are the B-17 Flying Fortress, P-47 Thunderbolt and the B-29 Super Fortress. There is also a selection of Pratt & Whitney Wasp series engines
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,RAF,Burtonwood,Warrington,Royal Air Force,Royal,Air,Force,heritage,history war WW2,WA5,Old Hall,Cheshire,England,UK,WA5 9YZ,museum,ex-airbase,old,historic,Living History,GI Brides,USA,American Airmen,Base Air Depot,US servicemen,US,servicemen,entrance,service,men,RAF burtonwood,association,6th Aerial Port Sqn,Skyline club,war,BAD1,USAAF
Description: Tony Smith image Alamy 2JDRMGP - Royal Air Force Burtonwood (or RAF Burtonwood) is a former Royal Air Force and United States Army Air Forces base that was located in Burtonwood, 2 miles (3.2 km) Northwest of Warrington in Cheshire, England. The base was opened in 1940 in response to World War II by the RAF and in 1942 it was transferred to the United States of America for war operations. The base was home to 18,000 American servicemen at the end of the war. In 1946 the base was transferred back to the United Kingdom however United States operations continued. The base officially closed in 1991 and since then the runway and most of the associated buildings have been demolished. RAF Burtonwood Heritage Centre was opened on part of the former base
Burtonwood airfield was opened on 1 January 1940 as a servicing and storage centre for modifying British aircraft. It was operated by No. 37 Maintenance Unit RAF until June 1942
The facility was transferred to the United States Army Air Forces in June 1942 to become a servicing centre for the United States Eighth, Ninth, Twelfth and Fifteenth Air Forces aircraft. Burtonwood was also known as Base Air Depot 1 (BAD 1)
When the Cold War ended, Burtonwood Army Depot was declared excess to NATO requirements and was closed in June 1994
In the Heritage centre, planes exhibited are the B-17 Flying Fortress, P-47 Thunderbolt and the B-29 Super Fortress. There is also a selection of Pratt & Whitney Wasp series engines
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,RAF,Burtonwood,Warrington,Royal Air Force,Royal,Air,Force,heritage,history war WW2,WA5,Old Hall,Cheshire,England,UK,WA5 9YZ,museum,ex-airbase,old,historic,Living History,GI Brides,USA,American Airmen,Base Air Depot,US servicemen,US,servicemen,entrance,service,men,RAF burtonwood,association,6th Aerial Port Sqn,Skyline club,war,BAD1,USAAF
Description: Tony Smith image Alamy 2JDRMH9 - Royal Air Force Burtonwood (or RAF Burtonwood) is a former Royal Air Force and United States Army Air Forces base that was located in Burtonwood, 2 miles (3.2 km) Northwest of Warrington in Cheshire, England. The base was opened in 1940 in response to World War II by the RAF and in 1942 it was transferred to the United States of America for war operations. The base was home to 18,000 American servicemen at the end of the war. In 1946 the base was transferred back to the United Kingdom however United States operations continued. The base officially closed in 1991 and since then the runway and most of the associated buildings have been demolished. RAF Burtonwood Heritage Centre was opened on part of the former base
Burtonwood airfield was opened on 1 January 1940 as a servicing and storage centre for modifying British aircraft. It was operated by No. 37 Maintenance Unit RAF until June 1942
The facility was transferred to the United States Army Air Forces in June 1942 to become a servicing centre for the United States Eighth, Ninth, Twelfth and Fifteenth Air Forces aircraft. Burtonwood was also known as Base Air Depot 1 (BAD 1)
When the Cold War ended, Burtonwood Army Depot was declared excess to NATO requirements and was closed in June 1994
In the Heritage centre, planes exhibited are the B-17 Flying Fortress, P-47 Thunderbolt and the B-29 Super Fortress. There is also a selection of Pratt & Whitney Wasp series engines
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,RAF,Burtonwood,Warrington,Royal Air Force,Royal,Air,Force,heritage,history war WW2,WA5,Old Hall,Cheshire,England,UK,WA5 9YZ,museum,ex-airbase,old,historic,Living History,GI Brides,USA,American Airmen,Base Air Depot,US servicemen,US,servicemen,entrance,service,men,RAF burtonwood,association,6th Aerial Port Sqn,Skyline club,war,BAD1,USAAF
Description: Tony Smith image Alamy 2JDRMYF - Royal Air Force Burtonwood (or RAF Burtonwood) is a former Royal Air Force and United States Army Air Forces base that was located in Burtonwood, 2 miles (3.2 km) Northwest of Warrington in Cheshire, England. The base was opened in 1940 in response to World War II by the RAF and in 1942 it was transferred to the United States of America for war operations. The base was home to 18,000 American servicemen at the end of the war. In 1946 the base was transferred back to the United Kingdom however United States operations continued. The base officially closed in 1991 and since then the runway and most of the associated buildings have been demolished. RAF Burtonwood Heritage Centre was opened on part of the former base
Burtonwood airfield was opened on 1 January 1940 as a servicing and storage centre for modifying British aircraft. It was operated by No. 37 Maintenance Unit RAF until June 1942
The facility was transferred to the United States Army Air Forces in June 1942 to become a servicing centre for the United States Eighth, Ninth, Twelfth and Fifteenth Air Forces aircraft. Burtonwood was also known as Base Air Depot 1 (BAD 1)
When the Cold War ended, Burtonwood Army Depot was declared excess to NATO requirements and was closed in June 1994
In the Heritage centre, planes exhibited are the B-17 Flying Fortress, P-47 Thunderbolt and the B-29 Super Fortress. There is also a selection of Pratt & Whitney Wasp series engines
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,RAF,Burtonwood,Warrington,Royal Air Force,Royal,Air,Force,heritage,history war WW2,WA5,Old Hall,Cheshire,England,UK,WA5 9YZ,museum,ex-airbase,old,historic,Living History,GI Brides,USA,American Airmen,Base Air Depot,US servicemen,US,servicemen,entrance,service,men,RAF burtonwood,association,6th Aerial Port Sqn,Skyline club,war,BAD1,USAAF
Description: Tony Smith image Alamy 2JDRMYP - Royal Air Force Burtonwood (or RAF Burtonwood) is a former Royal Air Force and United States Army Air Forces base that was located in Burtonwood, 2 miles (3.2 km) Northwest of Warrington in Cheshire, England. The base was opened in 1940 in response to World War II by the RAF and in 1942 it was transferred to the United States of America for war operations. The base was home to 18,000 American servicemen at the end of the war. In 1946 the base was transferred back to the United Kingdom however United States operations continued. The base officially closed in 1991 and since then the runway and most of the associated buildings have been demolished. RAF Burtonwood Heritage Centre was opened on part of the former base
Burtonwood airfield was opened on 1 January 1940 as a servicing and storage centre for modifying British aircraft. It was operated by No. 37 Maintenance Unit RAF until June 1942
The facility was transferred to the United States Army Air Forces in June 1942 to become a servicing centre for the United States Eighth, Ninth, Twelfth and Fifteenth Air Forces aircraft. Burtonwood was also known as Base Air Depot 1 (BAD 1)
When the Cold War ended, Burtonwood Army Depot was declared excess to NATO requirements and was closed in June 1994
In the Heritage centre, planes exhibited are the B-17 Flying Fortress, P-47 Thunderbolt and the B-29 Super Fortress. There is also a selection of Pratt & Whitney Wasp series engines
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,RAF,Burtonwood,Warrington,Royal Air Force,Royal,Air,Force,heritage,history war WW2,WA5,Old Hall,Cheshire,England,UK,WA5 9YZ,museum,ex-airbase,old,historic,Living History,GI Brides,USA,American Airmen,Base Air Depot,US servicemen,US,servicemen,entrance,service,men,RAF burtonwood,association,6th Aerial Port Sqn,Skyline club,war,BAD1,USAAF
Description: Tony Smith image Alamy 2JDRMYT - Royal Air Force Burtonwood (or RAF Burtonwood) is a former Royal Air Force and United States Army Air Forces base that was located in Burtonwood, 2 miles (3.2 km) Northwest of Warrington in Cheshire, England. The base was opened in 1940 in response to World War II by the RAF and in 1942 it was transferred to the United States of America for war operations. The base was home to 18,000 American servicemen at the end of the war. In 1946 the base was transferred back to the United Kingdom however United States operations continued. The base officially closed in 1991 and since then the runway and most of the associated buildings have been demolished. RAF Burtonwood Heritage Centre was opened on part of the former base
Burtonwood airfield was opened on 1 January 1940 as a servicing and storage centre for modifying British aircraft. It was operated by No. 37 Maintenance Unit RAF until June 1942
The facility was transferred to the United States Army Air Forces in June 1942 to become a servicing centre for the United States Eighth, Ninth, Twelfth and Fifteenth Air Forces aircraft. Burtonwood was also known as Base Air Depot 1 (BAD 1)
When the Cold War ended, Burtonwood Army Depot was declared excess to NATO requirements and was closed in June 1994
In the Heritage centre, planes exhibited are the B-17 Flying Fortress, P-47 Thunderbolt and the B-29 Super Fortress. There is also a selection of Pratt & Whitney Wasp series engines
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,county,tourist,attraction,attractions,day,days,out,poster,Northern,rail,train,railway,in,travel,trip,daytrip,trips,northwest,north west,ad,advert,advertisement,use,service,services,your,visit,town,towns,Mid line,Mid-Cheshire,enjoy,marvellous,marvellousDaysOut,campaign,lion,salt,works,museum,CW9
Description: Tony Smith image Alamy 2JC412C -
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,welsh,Wales,the,museum,of,SW,Division,nationalised,blue,sign,old,NP4,Blaenafon,Torfaen,Pontypool,South Wales,Cymru,UK,NP4 9XP,history,historic,colliery,collieries,Welsh,worn,weatherworn,signage,notice,entrance,entry,Div,coal,board,staff,hotpix.org.uk
Description: Tony Smith image Alamy 2JAGDAY -
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Bath England,bath spa,spa,Holburne Museum,Museum,Bathwick,Bath,BA2 4DB,BA2,Sydney Gardens,column,Grade I listed,listed building,art gallery,exhibitions,Sir Thomas William Holburne,Mary Anne Barbara Holburne,centre,blue,sky,skies,stonework,Roman,building,buildings,architecture,Romans,style,feature,features,columns,classic,classical
Description: Tony Smith image Alamy 2B1YFT5 - The Holburne Museum (formerly known as the Holburne of Menstrie Museum and the Holburne Museum of Art) is located in Sydney Pleasure Gardens, Bath, Somerset, England. The city's first public art gallery, the Grade I listed building, is home to fine and decorative arts built around the collection of Sir William Holburne. Artists in the collection include Gainsborough, Guardi, Stubbs, Ramsay and Zoffany.
The museum also provides a programme of temporary exhibitions, music performances, creative workshops, family events, talks and lectures. There is a bookshop and a café that opens out onto Sydney Gardens. The museum reopened in May 2011 after restoration and an extension designed by Eric Parry Architects, supported by the Heritage Lottery Fund.
Collection
The heart of the present day Collection was formed by Sir Thomas William Holburne (1793-1874). As a second son, Thomas William (generally known as William) first pursued a naval career. He ultimately inherited the Baronetcy in 1820 following the death of his elder brother Francis at the Battle of Bayonne in 1814.
Details of the circumstances and pattern of Sir William's collecting are unclear, but to inherited Chinese armorial porcelain, silver and portraits he added seventeenth and eighteenth-century silver and porcelain, Italian maiolica and bronzes, Old Master paintings, portrait miniatures, books and furniture and a variety of other smaller items including Roman glass, coins, enamels, seals, gems and snuff boxes
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,yellow vest,vest,Hidden,London,by The London Transport Museum,on a tour,Piccadilly Circus tube station,West End,member,underground,museum,museums,service,tourist,tourism,attraction,attractions,capital,city,centre,Hidden London,guides,staff,experience,experiences,sights,sightseeing,in,the,tour,tours
Description: Tony Smith image Alamy 2AE02EH -
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,sign,invite,invitation,visit,us,our,museum,building,traditional,advert,advertising,ad,come,in,visitor,and,neon,signage,on,a,architecture,red,white,cream,creme,inside,enter,holiday,vacation,website,Metaverse,Dublin
Description: Tony Smith image Alamy 2M84J6P -
Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,tram,historic,heritage,tourist,transport,museum,tramways,destination,sign,signs,preserved,vintage,restored,board,street,upper,deck,balcony,Wirral Transport Museum,Merseyside Tramway,Preservation Society,charity,terminal,waterfront,ferry,Mersey,river,nostalgia,volunteers,connection,local authority,council,traction,commuter,travel,collection,reopening
Description: Tony Smith image Alamy 3E423DT - A Woodside Ferry destination sign is shown on the upper deck of a historic electric tram from the Wirral Transport Museum and Heritage Tramway in Birkenhead. The close-up view captures the traditional tram destination box, curved balcony railings, cream and green livery and period styling associated with preserved tramway vehicles. Woodside Ferry is a key Mersey waterfront location in Birkenhead, linked with ferry services across the River Mersey and with the town's transport history. The heritage tramway connected Wirral Transport Museum with Woodside Ferry Terminal, giving visitors a short preserved tram ride between the museum, the waterfront and nearby bus and ferry interchange. The image is commercially useful for stories about tram preservation, electric trams, public transport heritage, Merseyside transport, Wirral tourism, Woodside Ferry, Birkenhead regeneration, local museums and the survival of historic urban transport. It can also illustrate the wider history of electric street tramways in Britain, including the way local authority tram systems once served working towns, ferry terminals, docks, shopping streets and residential districts before buses and private cars changed urban travel. The visible destination sign makes the photograph especially relevant for articles on route displays, tramway design, transport signage, preserved vehicles, museum collections and the nostalgia attached to historic public transport. Care is needed with current wording, as the Wirral Transport Museum and tramway have had periods of closure and uncertainty, with plans and funding discussions around reopening and redevelopment reported in recent years. As a documentary stock image, it records a distinctive detail of Birkenhead's tramway heritage, where the Woodside Ferry name, tram balcony and vintage styling combine to evoke ferry passengers, electric traction, museum volunteers and the wider transport memory of the Wirral waterfront.
Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,tourist,tramways,signs,restored,deck,volunteers,Mersey,charity,Merseyside Tramway,river,terminal,nostalgia,waterfront,ferry,Preservation Society,vintage,sign,museum,historic,heritage,tram,transport,destination,preserved,connection,local authority,traction,commuter,collection,reopening,electric tram,historic tram,travel,New Brighton,Seacombe,Warren Drive,green
Description: Tony Smith image Alamy 3E423NX - Wallasey Corporation Tramways No. 78 stands at Woodside in Birkenhead, displaying destination blinds for Seacombe, Warren Drive and New Brighton on a preserved heritage electric tram. The cream and green double deck tram, with open balcony and period livery, is one of the best-known vehicles associated with the Wirral Transport Museum and Heritage Tramway. The Merseyside Tramway Preservation Society says car 78 was built as late as 1920 by Brush, but in an old-fashioned design with open upper-deck balconies, and that it was the final tram to survive from Wallasey Corporation Tramways after withdrawal in 1933. Visit Wirral lists the Wirral Tramway and Wirral Transport Museum at 1 Taylor Street, Birkenhead, CH41 1BG, where heritage trams operated to Woodside Ferry. The image is commercially useful for stories about preserved trams, electric tramway heritage, Birkenhead transport history, Wirral tourism, museum volunteers, public transport nostalgia, Woodside Ferry and the wider history of urban transit on Merseyside. It can also illustrate the once-important links between ferry terminals, coastal suburbs and local authority tram systems, with New Brighton, Seacombe and Woodside all part of the historic transport geography of the Wirral. The distinctive destination blinds, polished paintwork, open platform and classic Edwardian-style design make the photograph especially strong for transport, heritage and leisure features. It is also useful for coverage of transport museums, family attractions, volunteer restoration work, route branding, destination displays and the visual appeal of traditional tram design. As a documentary stock image, it records a much-loved preserved tram at Woodside, evoking the era when trams carried passengers between Birkenhead, Wallasey and the seaside at New Brighton, and highlighting the role of preservation groups in keeping that history visible.
Description
Keywords: Hotpixuk,@Hotpixuk,GoTonySmith,England,UK,GB,Great Britain,town,village,station,SWT,Minehead sign,Bishops Lydeard,historic,history,building,old,tourist,tourism,attraction,north,coast,coastal,warehouse,factory,redeveloped,renovated,welcome to Watchet boat museum,welcome,to,the,Watchet boat museum,museum,museums,rail,railway,line,lines
Description: Tony Smith image Alamy 2DAPRAC -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,hat,health,safety,coal,mine,museum,Geoff Short,Agecroft,mines,rescue,teams,professional,and,&,risk,management,safe,team,NUM,Coal Board,National,NCB,colliery,helmet,green,helmets,rescues,health and safety,health & safety,headgear,gear,equipment,pit,pits,coalface
Description: Tony Smith image Alamy 2K3XNE8 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Great Britain,Somerset,South West England,South West,museum,Bath Brick,John Sealey,Colthurst and Symons,John Browne,William Maidment,John Board,Barham Brothers,H J and C Major,W Robins,J B Hammill (previously R Ford),brickyard,brickyards,brickyard workers,TA6,Bath Brick Company,South West Heritage Trust,Tile Museum,building materials,history,industrial,maker,making,kiln,industry,historic
Description: Tony Smith image Alamy 2C9E2PW - Despite its name, Bath Brick was a Bridgwater product. Anywhere the British army went, the Bath Brick went likewise. It started in 1820 when it was discovered that using silt from the river bank, bricks could be made which when scraped would produce a gritty substance suitable for scouring metal. It was a predecessor to Vim and Ajax. The river carries a heavy burden of silt. This is deposited on each tide as a layer of slimy yellow matter. Within a mile of either side of the town bridge, the particle size of the grit, and the algae content, is perfect for making the Bath Bricks. Square pens were constructed on the river bank to trap the silt. After two or three months, this would be harvested', ground by a horse-driven mechanism and shaped into bricks for kiln-firing.
The bricks, some two or three inches across, were patented in 1827 by John Browne and became a world-wide commodity. They were given the name of Bath Brick since the colour after firing closely resembled that of Bath stone. At its peak, 24,000,000 bricks per year were being produced by ten different Bridgwater companies, especially during First World War when they were part of the soldier's standard kit issue. By the start of First World War l, they had been replaced by those tall cans of kitchen scourers.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Great Britain,Somerset,South West England,South West,Bricks,historic,building materials,Company,Tile Museum,Brick and Tile Museum,museum,South West Heritage Trust,Bath Brick,Bath Brick Co,Bath Brick Company,John Sealey,Colthurst and Symons,John Browne,William Maidment,John Board,Barham Brothers,brick maker,H J and C Major,W Robins,J B Hammill (previously R Ford),brickyard,brickyards,brickyard workers,history,industrial,maker,making,kiln,industry
Description: Tony Smith image Alamy 2C9E2R0 - Despite its name, Bath Brick was a Bridgwater product. Anywhere the British army went, the Bath Brick went likewise. It started in 1820 when it was discovered that using silt from the river bank, bricks could be made which when scraped would produce a gritty substance suitable for scouring metal. It was a predecessor to Vim and Ajax. The river carries a heavy burden of silt. This is deposited on each tide as a layer of slimy yellow matter. Within a mile of either side of the town bridge, the particle size of the grit, and the algae content, is perfect for making the Bath Bricks. Square pens were constructed on the river bank to trap the silt. After two or three months, this would be harvested', ground by a horse-driven mechanism and shaped into bricks for kiln-firing.
The bricks, some two or three inches across, were patented in 1827 by John Browne and became a world-wide commodity. They were given the name of Bath Brick since the colour after firing closely resembled that of Bath stone. At its peak, 24,000,000 bricks per year were being produced by ten different Bridgwater companies, especially during First World War when they were part of the soldier's standard kit issue. By the start of First World War l, they had been replaced by those tall cans of kitchen scourers.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Great Britain,Somerset,South West England,South West,museum,Bath Brick,John Sealey,Colthurst and Symons,John Browne,William Maidment,John Board,Barham Brothers,H J and C Major,W Robins,J B Hammill (previously R Ford),brickyard,brickyards,brickyard workers,TA6,bricks,maker,making,industry,industrial,kiln,kilns,Victorian,history,heritage,historic,Bath Brick Company,South West Heritage Trust,Tile Museum,building materials
Description: Tony Smith image Alamy 2C9E2WE - Despite its name, Bath Brick was a Bridgwater product. Anywhere the British army went, the Bath Brick went likewise. It started in 1820 when it was discovered that using silt from the river bank, bricks could be made which when scraped would produce a gritty substance suitable for scouring metal. It was a predecessor to Vim and Ajax. The river carries a heavy burden of silt. This is deposited on each tide as a layer of slimy yellow matter. Within a mile of either side of the town bridge, the particle size of the grit, and the algae content, is perfect for making the Bath Bricks. Square pens were constructed on the river bank to trap the silt. After two or three months, this would be harvested', ground by a horse-driven mechanism and shaped into bricks for kiln-firing.
The bricks, some two or three inches across, were patented in 1827 by John Browne and became a world-wide commodity. They were given the name of Bath Brick since the colour after firing closely resembled that of Bath stone. At its peak, 24,000,000 bricks per year were being produced by ten different Bridgwater companies, especially during First World War when they were part of the soldier's standard kit issue. By the start of First World War l, they had been replaced by those tall cans of kitchen scourers.
Description
Keywords: GoTonySmith,Crewe,HackGreen,Civil Defence,British,UK,Ministry Of Defense,Cheshire,@HotpixUK,HotpixUK,Protect and Survive,Protect & Survive,MAD,Cold War,Mutually Assured Destruction,Brown,Secret Bunker sign,museum,nuclear bunker,protect and survive,bunker sign,secret,Secret Bunker Sign,centre of regional government,official,secrets,act,base,bases,underground,subterranean,tunnel,tunnels,nuclear,attackproof,attack,proof,radiation
Description: Tony Smith image Alamy 2AGPKCB -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,GB,town,town centre,Winmarleigh St,WA1 1NB,WA1,Cultural quarter,gableend,culture,theatre,museum,Pyramid,ParrHall,Warrington Pyramid,cultural,quarter,art,Alice,in,Wonderland,Alice In Wonderland,CS Carroll,arts centre,professional,concert hall,venue,hall,arts and theatre complex,Pete Postlethwaite,side,bridge
Description: Tony Smith image Alamy RG9926 - In 1989 Warrington borough council also saw a need for a better arts and theatre complex so re-developed the old courthouse and Centre Sport, sports hall next door into The Pyramid Arts Centre. The Pyramid, opened in 2002, hosts various classes throughout the year for people interested in discovering the arts. Pyramid also hosts a monthly Comedy Store Event, local band nights as well as having a varied programme of weekly classes. One of its studios was named in 2011 after the late Pete Postlethwaite.
The Parr Hall and Pyramid Arts Centre are located in the Cultural quarter of Warrington town centre, in Palmyra Square.
The Parr Hall is the only surviving professional concert hall venue in Warrington, Cheshire, England. It is recorded in the National Heritage List for England as a designated Grade II listed building.
Parr Hall was designed by the local architect William Owen in 1895.
Originally it was built for the people of Warrington by Joseph Parr. Warrington Musical Society gave the first concert.
The hall has hosted concerts and organ recitals from leading orchestras and cathedral organists over the years.
The Rolling Stones performed at the venue on 25 November 1963, The Moody Blues on 1 March 1965 and The Who on 22 March and 11 October 1965. The band James - having sold out concerts at much larger venues - played the Parr Hall on 20 December 1991 to record a promotional video. Other notable artist such as Feeder, The Courteeners, Beady Eye, Arctic Monkeys, and Shane Filan of Westlife have played at the venue, and Jools Holland is a regular performer.
The Parr Hall has also hosted many famous comedians including Andy Parsons, Jimmy Carr and Andi Osho.
It has also been home since 1992 to the Warrington Scouts Gang Show.
The Warrington Male Voice Choir have been regular performers at the Hall for the past 100 years.
The Parr Hall was the chosen venue for the first Stone Roses concert since 1996 when the band announced a last-minute show on 23 May 2012
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,German,Rhine,City Centre,city,Gutenberg,Museum,type,typeface,font,effective,mechanical,printing,inventor,Johannes,museum of printing,museum,building,architecture,architectural,House,Gutenberg-Museum,Museum für Buch-,55116,Mainz,Dr Annette Ludwig,printed word,Type founding,typesetting,founding,fonts,printing press,beautiful,replica,modern exhibition building,König von England,hotpix.org.uk
Description: Tony Smith image Alamy RGKET4 - Gutenberg-Museum, Museum für Buch-, Druck- und Schriftgeschichte, Liebfrauenplatz 5,55116,Mainz
The Gutenberg Museum is one of the oldest museums of printing in the world, located opposite the cathedral in the old part of Mainz, Germany. It is named after Johannes Gutenberg, the inventor of printing from movable metal type in Western Europe. The collections include printing equipment and examples of printed materials from many cultures.
A group of people founded the museum in 1900, 500 years after Johannes Gutenberg's birth, to honor the inventor and present his technical and artistic achievements to the public at large. They also aimed to exhibit the writing and printing of as many different cultures as possible.
Publishers, manufacturers of printing machines and printing houses donated books, apparatus and machines, which formed the basis of the collection. In its first few years the museum was part of the city library, meaning that the most beautiful and characteristic volumes from the library's extensive collection could be requisitioned for the museum. Visitors were thus presented with a survey of almost 500 years of the printed book. In time the museum expanded to include sections on printing techniques, book art, job printing and ex-libris, graphics and posters, paper, the history of writing of all cultures of the world and modern artists' books.
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,9/11,water,buildings,skyline,building,wideangle,Freedom Tower,new buildings,looking up,museum,New York Skyline,Manhattan Skyline,sky,skyward,WTC,wide,pool,pools,fountains,fountain,feature,cityscape,city scape,names,victims,victim,sunny,rebuilt
Description: Tony Smith image Alamy 2AFK64X - 9/11 memorial's fountains flow
The fountain, where the north tower of the World Trade Center once stood, was undergoing tests of the massive pumping systems that will blast 26,000 gallons a minute over the 30-foot deep black granite walls.
Daniels, who happened upon the test yesterday, said the sight of the water filling the 1-acre pool was awe-inspiring after years of planning and building.
Construction workers from around the site paused to look and listen during the tests as engineers below the memorial plaza monitored and adjusted the 16 pumps that will circulate 480,000 gallons of recycled water.
During the design phase of the memorial, there were concerns that the fountains might be too loud. But Daniels said the sound of the cascading water yesterday created a nice, peaceful background, like the sound of the ocean.
It's perfect. It's not overwhelming at all, Daniels said.
A second fountain over the footprint of the south tower will be ready for testing later this year. A spokesman for the Port Authority, which is overseeing construction of the $500 million memorial, said yesterday's trial run went very well.
The two fountains together make up the nation's largest manmade waterfalls, and are at the heart of the design of the memorial, called Reflecting Absence.
Paula Berry, a 9/11 family member who served on the 13-member jury that picked the memorial design by Michael Arad, was ecstatic about the test run.
The presence of water is incredibly important at the memorial, said Berry. When you think of the memorial's name, Reflecting Absence, you have to have the means to reflect and the water plays that role.
But Berry said the sound of the water rushing over the sides of the fountains could very well be one of the most lasting impressions visitors take away.
Yesterday's tests lasted a few hours, and will be repeated as needed.
Construction of the memorial remains on schedule for its planned opening next Sept. 11 the 10th anniversary
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,9/11,water,buildings,skyline,building,wideangle,Freedom Tower,new buildings,looking up,museum,New York Skyline,Manhattan Skyline,sky,skyward,WTC,wide,memory,memorial,09/11,reflection,ground zero,American,names,name,inscribed
Description: Tony Smith image Alamy 2AFK655 - 9/11 memorial's fountains flow
The fountain, where the north tower of the World Trade Center once stood, was undergoing tests of the massive pumping systems that will blast 26,000 gallons a minute over the 30-foot deep black granite walls.
Daniels, who happened upon the test yesterday, said the sight of the water filling the 1-acre pool was awe-inspiring after years of planning and building.
Construction workers from around the site paused to look and listen during the tests as engineers below the memorial plaza monitored and adjusted the 16 pumps that will circulate 480,000 gallons of recycled water.
During the design phase of the memorial, there were concerns that the fountains might be too loud. But Daniels said the sound of the cascading water yesterday created a nice, peaceful background, like the sound of the ocean.
It's perfect. It's not overwhelming at all, Daniels said.
A second fountain over the footprint of the south tower will be ready for testing later this year. A spokesman for the Port Authority, which is overseeing construction of the $500 million memorial, said yesterday's trial run went very well.
The two fountains together make up the nation's largest manmade waterfalls, and are at the heart of the design of the memorial, called Reflecting Absence.
Paula Berry, a 9/11 family member who served on the 13-member jury that picked the memorial design by Michael Arad, was ecstatic about the test run.
The presence of water is incredibly important at the memorial, said Berry. When you think of the memorial's name, Reflecting Absence, you have to have the means to reflect and the water plays that role.
But Berry said the sound of the water rushing over the sides of the fountains could very well be one of the most lasting impressions visitors take away.
Yesterday's tests lasted a few hours, and will be repeated as needed.
Construction of the memorial remains on schedule for its planned opening next Sept. 11 the 10th anniversary
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,09/11,terrorist attack,Memorial,September11,No Day Shall Erase You,From The memory Of Time,The memory Of Time,icon,iconic,history,historic,center,centre,downtown,uptown,national,September 11,memorial,museum,inside,interior,exhibit,exhibits,Virgil,quote
Description: Tony Smith image Alamy 2AFK6B6 -
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,09/11,terrorist attack,Memorial,September11,Ground Zero,original,concrete,original concrete,icon,iconic,history,historic,center,centre,downtown,uptown,national,September 11,memorial,museum,inside,interior,exhibit,exhibits,lower Manhattan
Description: Tony Smith image Alamy 2AFK6BC -
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,09/11,terrorist attack,Memorial,September11,original,concrete,original concrete,terrorists,muslamic,islamic,bombers,suicide,tragedy,GroundZero,icon,iconic,history,historic,center,centre,downtown,uptown,national,September 11,memorial,museum
Description: Tony Smith image Alamy 2AFK6BF -
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,Manhattan,USA,city,city centre,US,building,buildings,new buildings,wide,wideangle,Freedom Tower,WTC,looking up,sky,skyward,museum,transportation hub,New York Skyline,Manhattan Skyline,skyline,9/11,World Trade Center Place,sunny,summer,blue sky,blue skies,mirrors,mirror,glass,curves,rebuilt,clouds
Description: Tony Smith image Alamy 2AFK6GW - The World Trade Center is a mostly completed complex of buildings in Lower Manhattan, New York City, U.S., replacing the original seven buildings on the same site that were destroyed in the September 11 attacks. The site is being rebuilt with up to six new skyscrapers, four of which have been completed
a memorial and museum to those killed in the attacks
the elevated Liberty Park adjacent to the site, containing the St. Nicholas Greek Orthodox Church and Vehicular Security Center
and a transportation hub. The 104-story One World Trade Center, the tallest building in the Western Hemisphere is the lead building for the new complex.
The buildings are among many created by the World Trade Centers Association. The original World Trade Center featured the landmark Twin Towers, which opened in 1973, and were the tallest buildings in the world at the time of their completion. They were destroyed on the morning of September 11, 2001, when al-Qaeda-affiliated hijackers flew two Boeing 767 jets into the complex in a coordinated act of terrorism. The attacks on the World Trade Center killed 2,753 people.
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,Manhattan,USA,city,city centre,US,building,buildings,new buildings,wide,wideangle,Freedom Tower,WTC,looking up,sky,skyward,museum,transportation hub,New York Skyline,Manhattan Skyline,skyline,9/11,World Trade Center Place,sunny,summer,blue sky,blue skies,mirrors,mirror,glass,curves,rebuilt,clouds
Description: Tony Smith image Alamy 2AFK6H3 - The World Trade Center is a mostly completed complex of buildings in Lower Manhattan, New York City, U.S., replacing the original seven buildings on the same site that were destroyed in the September 11 attacks. The site is being rebuilt with up to six new skyscrapers, four of which have been completed
a memorial and museum to those killed in the attacks
the elevated Liberty Park adjacent to the site, containing the St. Nicholas Greek Orthodox Church and Vehicular Security Center
and a transportation hub. The 104-story One World Trade Center, the tallest building in the Western Hemisphere is the lead building for the new complex.
The buildings are among many created by the World Trade Centers Association. The original World Trade Center featured the landmark Twin Towers, which opened in 1973, and were the tallest buildings in the world at the time of their completion. They were destroyed on the morning of September 11, 2001, when al-Qaeda-affiliated hijackers flew two Boeing 767 jets into the complex in a coordinated act of terrorism. The attacks on the World Trade Center killed 2,753 people.
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,Manhattan,USA,city,city centre,US,building,buildings,new buildings,wide,wideangle,Freedom Tower,WTC,looking up,sky,skyward,museum,transportation hub,New York Skyline,Manhattan Skyline,skyline,9/11,World Trade Center Place,sunny,summer,blue sky,blue skies,mirrors,mirror,glass,curves,rebuilt,clouds
Description: Tony Smith image Alamy 2AFK6H9 - The World Trade Center is a mostly completed complex of buildings in Lower Manhattan, New York City, U.S., replacing the original seven buildings on the same site that were destroyed in the September 11 attacks. The site is being rebuilt with up to six new skyscrapers, four of which have been completed
a memorial and museum to those killed in the attacks
the elevated Liberty Park adjacent to the site, containing the St. Nicholas Greek Orthodox Church and Vehicular Security Center
and a transportation hub. The 104-story One World Trade Center, the tallest building in the Western Hemisphere is the lead building for the new complex.
The buildings are among many created by the World Trade Centers Association. The original World Trade Center featured the landmark Twin Towers, which opened in 1973, and were the tallest buildings in the world at the time of their completion. They were destroyed on the morning of September 11, 2001, when al-Qaeda-affiliated hijackers flew two Boeing 767 jets into the complex in a coordinated act of terrorism. The attacks on the World Trade Center killed 2,753 people.
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,Manhattan,USA,city,city centre,US,building,buildings,new buildings,wide,wideangle,Freedom Tower,WTC,looking up,sky,skyward,museum,transportation hub,New York Skyline,Manhattan Skyline,9/11,water,skyline,World Trade Center Place,sunny,summer,blue sky,blue skies,mirrors,mirror,glass,curves
Description: Tony Smith image Alamy 2AFK6HB - The World Trade Center is a mostly completed complex of buildings in Lower Manhattan, New York City, U.S., replacing the original seven buildings on the same site that were destroyed in the September 11 attacks. The site is being rebuilt with up to six new skyscrapers, four of which have been completed
a memorial and museum to those killed in the attacks
the elevated Liberty Park adjacent to the site, containing the St. Nicholas Greek Orthodox Church and Vehicular Security Center
and a transportation hub. The 104-story One World Trade Center, the tallest building in the Western Hemisphere is the lead building for the new complex.
The buildings are among many created by the World Trade Centers Association. The original World Trade Center featured the landmark Twin Towers, which opened in 1973, and were the tallest buildings in the world at the time of their completion. They were destroyed on the morning of September 11, 2001, when al-Qaeda-affiliated hijackers flew two Boeing 767 jets into the complex in a coordinated act of terrorism. The attacks on the World Trade Center killed 2,753 people.
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,WC,New York City,United States,with office blocks in background,World Trade Center Place,New York state,square,Manhattan Skyline,skyline,9/11,New York Skyline,museum,skyward,sky,transportation hub,looking up,WTC,Freedom Tower,new buildings,wide,wideangle,sunny,summer,blue sky,blue skies
Description: Tony Smith image Alamy 2AFK6HE -
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,WC,New York City,United States,with office blocks in background,World Trade Center Place,New York state,square,Manhattan Skyline,skyline,9/11,New York Skyline,museum,skyward,sky,transportation hub,looking up,WTC,Freedom Tower,new buildings,wide,wideangle,sunny,summer,blue sky,blue skies,mirrors,mirror,glass,curves
Description: Tony Smith image Alamy 2AFK6J2 -
Description
Keywords: @Hotpixuk,Bridgewater,Quey,quay,Quayside,river,Quay side,town,Bridgwater Town,SDC,Sedgemoor District Council,UK,GB,dusk,evening,wide shot,eastquay,historic,Somerset Levels,levels,River,Parrett,port,in-land,William Blake,Blake Museum,Museum,tourist,attraction,bridge,arts,centre,town centre,Port of Bridgwater,Bridgwater in the evening,river pilot,Pilotage,North Somerset,West Somerset,GoTonySmith
Description: Tony Smith image Alamy PG69H6 - Bridgwater is a large historic market town and civil parish in Somerset, England. Its population currently stands at around 35,886 as of 2011. Bridgwater is at the edge of the Somerset Levels, in level and well-wooded country. The town lies along both sides of the River Parrett, and has been a major in-land port and trading centre since the industrial revolution. Most of its industrial bases still stand today. Its larger neighbour Taunton, is linked to Bridgwater via a canal, the M5 motorway and the GWR railway line.
Historically, the town had a politically radical tendency. The Battle of Sedgemoor, where the Monmouth Rebellion was finally crushed in 1685, was fought nearby. Notable buildings include the Church of St Mary and the house in Blake Street, largely restored, which was the birthplace of Admiral Blake in 1598, and is now the Blake Museum. The town has an arts centre and plays host to the annual Bridgwater Guy Fawkes Carnival.
Description
Keywords: GoTonySmith,@HotpixUK,Tram,ticket,ticketsTram tickets,being punched,Merseyside,North West England,UK,hands,clip,clipping,clipping ticket,clipping tickets,orange ticket,Green ticket,Cream ticket,Creme Ticket,Liverpool,region,Adult,Concession,tramway,museum,historic,history,Mersey,drivers cab,conductor,trams,transport,transportation,Liverpool Region,Heritage Tramway,heritage,vintage vehicle,vintage,vehicle
Description: Tony Smith image Alamy PCTA6B - Wirral Transport Museum & Heritage Tramway has been preserving Merseysides transport past since the opening of the tramway in 1994 - you can see at our museum our full collection of fully restored working heritage trams - restored vintage buses, classic cars, vintage motorcycles, a huge working model railway and lots lots more
Description
Keywords: GoTonySmith,@HotpixUK,Tram,ticket,ticketsTram tickets,being punched,Merseyside,North West England,UK,hands,clip,clipping,clipping ticket,clipping tickets,orange ticket,Green ticket,Cream ticket,Creme Ticket,Liverpool,region,Adult,Concession,tramway,museum,historic,history,Mersey,drivers cab,conductor,trams,transport,transportation,Liverpool Region,Heritage Tramway,heritage,vintage vehicle,vintage,vehicle,Selective colour,monochrome
Description: Tony Smith image Alamy PCTA6C - Wirral Transport Museum & Heritage Tramway has been preserving Merseysides transport past since the opening of the tramway in 1994 - you can see at our museum our full collection of fully restored working heritage trams - restored vintage buses, classic cars, vintage motorcycles, a huge working model railway and lots lots more
Description
Keywords: GoTonySmith,@HotpixUK,Tram,ticket,ticketsTram tickets,being punched,Merseyside,North West England,UK,hands,clip,clipping,clipping ticket,clipping tickets,orange ticket,Green ticket,Cream ticket,Creme Ticket,Liverpool,region,Adult,Concession,tramway,museum,historic,history,Mersey,drivers cab,conductor,trams,transport,transportation,Liverpool Region,Heritage Tramway,heritage,vintage vehicle,vintage,vehicle,CH41
Description: Tony Smith image Alamy PCTA6D - Wirral Transport Museum & Heritage Tramway has been preserving Merseysides transport past since the opening of the tramway in 1994 - you can see at our museum our full collection of fully restored working heritage trams - restored vintage buses, classic cars, vintage motorcycles, a huge working model railway and lots lots more
Description
Keywords: @HotpixUK,GoTonySmith,MUFC,from,canal,North west England,UK,football stadium,Manchester United,Manchester United FC,Alex Ferguson,stand,Stretford End,North West,England,GB,Great Britain,Premier League,Division,FA,Old Trafford,The Theatre of Dreams,Theatre of Dreams,Old Trafford football stadium,Old Trafford soccer stadium,British,English,English Premier League,Sir Matt Busby Way,city centre,city,sporting,sports,North Stand,Sir Alex Ferguson (North),Sir Alex Ferguson North,Manchester United museum,museum
Description: Tony Smith image Alamy PAN560 - Old Trafford is a football stadium in Old Trafford, Greater Manchester, England, and the home of Manchester United. With a capacity of 74,994, it is the largest club football stadium (and second largest football stadium overall after Wembley Stadium) in the United Kingdom, and the eleventh-largest in Europe. It is about 0.5 miles (800 m) from Old Trafford Cricket Ground and the adjacent tram stop.
Nicknamed The Theatre of Dreams by Bobby Charlton, Old Trafford has been United's home ground since 1910, although from 1941 to 1949 the club shared Maine Road with local rivals Manchester City as a result of Second World War bomb damage. Old Trafford underwent several expansions in the 1990s, and 2000s, including the addition of extra tiers to the North, West and East Stands, almost returning the stadium to its original capacity of 80,000. Future expansion is likely to involve the addition of a second tier to the South Stand, which would raise the capacity to around 88,000. The stadium's record attendance was recorded in 1939, when 76,962 spectators watched the FA Cup semi-final between Wolverhampton Wanderers and Grimsby Town.
Old Trafford has hosted FA Cup semi-finals, England fixtures, matches at the 1966 World Cup and Euro 96 and the 2003 Champions League Final, as well as rugby league's annual Super League Grand Final and the final of two Rugby League World Cups. It also hosted football matches at the 2012 Summer Olympics, including women's international football for the first time in its history.
Description
Keywords: GoTonySmith,@HotpixUK,brown,Consolidated Micrographics,Microfiche Reader,creme,archive,information,records,data,data archive,1980s,1990s,historic,Microfilm,Microfiche,Microfilm reader,English,England,UK,film,reading,reads,old,images,library,museum,archiving,visual,microfilm,reels,reel,microfiche,flat,sheets,sheet,technology,obsolete,media
Description: Tony Smith image Alamy P9FFMA - A microfilm reader is a device used in projecting and magnifying images stored in microform to readable proportions. Microform includes flat film, microfilm, aperture cards, microfiche, and ultra fiche. Using open reels or cassettes, microfilm is often used as a way to store many documents in a small space. It has become increasingly prevalent in the development of films, as well as storage of archived newspapers. With the invention of microfilm, microfilm readers soon developed. With the increasing popularity of computers, microform has decreased in use. However, many library archives still remain in microform.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,waterside,City Centre,South West England,Bristol,water,passing,dock,maritime,Docks,sunset,evening,morning,sunrise,flag,flags,South West England at sunset in the evening,Great Britain,GB,Great,Britain,sun,SS Great Britain,dry dock,museum ship,passenger steamship,museum,Bristol Harbour,harbour,Isambard Kingdom Brunel,Brunel,tourist,attraction
Description: Tony Smith image Alamy RM1TF0 - SS Great Britain is a museum ship and former passenger steamship, which was advanced for her time. She was the longest passenger ship in the world from 1845 to 1854. She was designed by Isambard Kingdom Brunel (18061859), for the Great Western Steamship Company's transatlantic service between Bristol and New York. While other ships had been built of iron or equipped with a screw propeller, the Great Britain was the first to combine these features in a large ocean-going ship. She was the first iron steamer to cross the Atlantic, which she did in 1845, in the time of 14 days.
The ship is 322 ft (98 m) in length and has a 3,400-ton displacement. She was powered by two inclined 2 cylinder engines of the direct-acting type, with twin 88 in (220 cm) bore, 6-foot (1.8 m) stroke cylinders. She was also provided with secondary masts for sail power. The four decks provided accommodation for a crew of 120, plus 360 passengers who were provided with cabins, and dining and promenade saloons.
When launched in 1843, Great Britain was by far the largest vessel afloat. But her protracted construction time of six years (1839-1845) and high cost had left her owners in a difficult financial position, and they were forced out of business in 1846, having spent all their remaining funds refloating the ship after she ran aground at Dundrum Bay in County Down near Newcastle in what is now Northern Ireland, after a navigation error. In 1852 she was sold for salvage and repaired. Great Britain later carried thousands of immigrants to Australia from 1852 until being converted to all-sail in 1881. Three years later, she was retired to the Falkland Islands, where she was used as a warehouse, quarantine ship and coal hulk until she was scuttled and sunk in 1937, 98 years since being laid down at the start of her construction.
In 1970, after lying under water and abandoned for 33 years half a world away, Sir Jack Arnold Hayward, OBE (1923-2015) paid for the vessel to be raised and repaired eno
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,City,Brighton and Hove City Council,city,city centre,shore,arches and coffee shop,West Sussex,Brighton City,City Centre,South East,red,brick,red brick,Kings Road Arches Brighton,Kings Road Arches,English Seaside,British seaside,seaside,coast,coastal,shop,store,shack,Sussex,arch,museum,cafe,café,Kings Road Arches Brighton,East Sussex,BN1 1NB,BN1
Description: Tony Smith image Alamy RM1TFE -
Description
Keywords: Railway,station,West,Riding,Pub,bar,public House,town,town map,West Yorkshire,England,UK,Yorks,Yorkshire,guide,tourist,rail,transpennine,trans,pennine,ale,trail,famous,townhall,hall,mapping,geography,market,museum,minster,Metropolitan Borough,GoTonySmith,Market,Dewsbury Market,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY5KCW - Dewsbury is a minster town in the Metropolitan Borough of Kirklees, in West Yorkshire, England. It is to the west of Wakefield, east of Huddersfield and south of Leeds. It lies by the River Calder and an arm of the Calder and Hebble Navigation.
Historically a part of the West Riding of Yorkshire, after undergoing a period of major growth in the 19th century as a mill town, Dewsbury went through a period of decline. More recently there has been redevelopment of derelict mills into flats, and regenerating of city areas.
According to the 2011 census the Dewsbury urban sub-area had a population of 62,945. Dewsbury is the largest town in the Heavy Woollen District, a conurbation of small mill towns.
Description
Keywords: historic,craft,horse,leather,manufacture,making,last,decline,declining,sign,labour,fashioned,heritage,museum,town,hundred,trades,British,Great,Britain,GB,Walsall Made,English Riding Saddle,The Stables,old fashioned,Leather Museum,Town of a hundred trades,GoTonySmith,crafted,crafts,craftsmen,made,maker,makers,manufacturing,old,order,pride,products,quality,rack,ready,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F89PTF - The Industrial Revolution changed Walsall from a village of 2,000 people in the 16th century to a town of over 86,000 in approximately 200 years. The town manufactured a wide range of products including saddles, chains, buckles and plated ware. Nearby, limestone quarrying provided the town with much prosperity.
Walsall is usually remembered as the centre of an extensive leatherworking industry, but in reality there was much more. It used to be known as The town of a hundred trades', which included all kinds of metalworking, tube making, iron and brass founding, electrical engineering, car and motor scooter making, chain making, lock making, and much more.
Walsall became a wealthy Black Country town because of its many industries that flourished, thanks to the hard-working, and skilled labour force.
Description
Keywords: pano,spikeisland,docks,side,England,UK,United,Kingdom,GB,Great,Britain,reflection,reflections,spring,hot,day,lock,leisure,are,wide,shot,wideshot,Mersey,Sankey,borough,of,Cheshire,Catalyst,Museum,science,The,Stone,Roses,in,May,1990,Runcorn,Bridge,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6NHM - Spike Island is an island in the estuary of the River Mersey, in North West England, flanked by the Sankey Canal. It is a reclaimed toxic waste site, considered a birthplace of the British chemical industry, and forms a part of Widnes in the Halton borough of Cheshire.
Its maze of abandoned chemical factories, rail lines, canal and industrial dockage, and industrial pollution, which had declined into a rust belt toxic wilderness, was reclaimed as woodland, wetlands and green space between 1975 and 1982. A surviving warehouse is now the home of the Catalyst Museum, the only science museum in the UK solely devoted to chemistry.
Spike Island was the site of a famous outdoor concert by The Stone Roses in May 1990. A film about the concert was released in 2013, and is called Spike Island.
Description
Keywords: night,time,blue,hour,bluehour,England,UK,GB,Great,Britain,british,English,icons,River,three,graces,reflection,reflections,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,Beatles,story,museum,gotonysmith Maritime Mercantile City UNESCO World Heritage city building,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXM6Y - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Description
Keywords: Manor,NT,national,trust,nationaltrust,hall,collection,museum,dutch,latin,inscription,two,lovers,in,ribbon,Rothschild,collection,embracing,couple,old,dish,Deruta,1535,6767,Amor,Vincit,Omnia,suficit,gotonysmith,Buy Pictures of,Buy Images Of,having,lust,loving,looks,look,of,love,the
Description: Tony Smith image Alamy DCYX3M - Two lovers eye each other on a dutch plate inscribed Love Conquers All from Waddesdon Manor , Aylesbury, Buckinghamshire UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South West England,SN15 2LG,stone slated roof,twisted chimney stacks,Grade I,listed,outside,exterior,history,Fox Talbot Museum,Fox Talbot,Museum,tourist,tourism,attraction
Description: Tony Smith image Alamy DDD749 - Lacock Abbey in the village of Lacock, Wiltshire, England, was founded in the early 13th century by Ela, Countess of Salisbury, as a nunnery of the Augustinian order. The abbey remained a nunnery until the suppression of Roman Catholic institutions in England in the 16th century
it was then sold to Sir William Sharington who converted the convent into a residence where he and his family lived. It was fortified and remained loyal to the crown during the English Civil War, but surrendered to the Parliamentary forces once Devizes had fallen in 1645.
The house was built over the old cloisters and its main rooms are on the first floor. It is a stone house with stone slated roofs, twisted chimney stacks and mullioned windows. Throughout the life of the building, many architectural alterations, additions, and renovations have occurred so that the house is a mish-mash of different periods and styles. The Tudor stable courtyard to the north of the house has retained many of its original features including the brewhouse and bakehouse.
The house later passed into the hands of the Talbot family, and during the 19th century was the residence of William Henry Fox Talbot. In 1835 he made what may be the earliest surviving photographic camera negative, an image of one of the windows.
The house and the surrounding village of Lacock were given to the National Trust in 1944. The abbey houses the Fox Talbot Museum, devoted to the pioneering work of William Talbot in the field of photography. The Trust markets the abbey and village together as Lacock Abbey, Fox Talbot Museum & Village. The abbey is a Grade I listed building, having been so designated on 20 December 1960.
Description
Keywords: Stoke-on-Trent Staffordshire Potteries,English Midlands,England,GB,stoke,on,trent,StokeOnTrent,last,remaining,building,buildings,museum,famous,pottery,outside,exterior,historic,working,medium,sized,vase,Frederick,Alfred,Rhead,Flushed,with,Pride,Victorian,history,historic,Gladston,gotonysmith,size,ERIH,The,European,Route,of,Industrial,Heritage,Most,Haunted,Buy,Pictures,of,Buy,Images,Of,.,Known,as,a,site,of,paranormal,activity,backstamp,Uttoxeter,Road,ST3,1PQ,ST31PQ,01782-237777,01782237777,,,
Description: Tony Smith image Alamy DBHR9D - Exterior of the Gladstone Pottery Museum is a working museum of a medium sized pottery, typical of those once common in the North Staffordshire area of England from the time of the industrial revolution in the 18th century to the mid 20th century.
It is located in Longton, Staffordshire. It is an Anchor Point of ERIH, The European Route of Industrial Heritage.
Description
Keywords: Stoke-on-Trent Staffordshire Potteries,English Midlands,England,GB,stoke,on,trent,StokeOnTrent,last,remaining,building,buildings,museum,famous,pottery,outside,exterior,historic,working,medium,sized,vase,Frederick,Alfred,Rhead,Flushed,with,Pride,Victorian,history,historic,Gladston,monochrome,1970,gotonysmith,size,ERIH,The,European,Route,of,Industrial,Heritage,Most,Haunted,Buy,Pictures,of,Buy,Images,Of,.,Known,as,a,site,of,paranormal,activity,backstamp,Uttoxeter,Road,ST3,1PQ,ST31PQ,01782-237777,01782237777,,,
Description: Tony Smith image Alamy DBHR9R - Exterior of the Gladstone Pottery Museum is a working museum of a medium sized pottery, typical of those once common in the North Staffordshire area of England from the time of the industrial revolution in the 18th century to the mid 20th century.
It is located in Longton, Staffordshire. It is an Anchor Point of ERIH, The European Route of Industrial Heritage.
Description
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Description: Tony Smith image Alamy DBHRB5 - Jiggering and jolleying: These operations are carried out on the potter's wheel and allow the time taken to bring wares to a standardized form to be reduced. Jiggering is the operation of bringing a shaped tool into contact with the plastic clay of a piece under construction, the piece itself being set on a rotating plaster mould on the wheel.
The jigger tool shapes one face while the mould shapes the other. Jiggering is used only in the production of flat wares, such as plates, but a similar operation, jolleying, is used in the production of hollow-wares such as cups.
Jiggering and jolleying have been used in the production of pottery since at least the 18th century. In large-scale factory production, jiggering and jolleying are usually automated, which allows the operations to be carried out by semi-skilled labour.
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Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,heritage,factory,factories,Great,Britain,showing,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,stangate,Stancate,London,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRCT - A George Jennings Closet of the Century water closet on display at Gladstone Pottery Museum in Longton, Stoke-on-Trent, showing the overlap between Victorian sanitary engineering, ceramic manufacturing and everyday social history. The white glazed ceramic toilet bowl carries red lettering reading The Closet of the Century and George Jennings Patent, Stangate, London, with pipework and a flush handle visible beside the museum exhibit. Jennings was an important nineteenth century sanitary ware supplier and innovator, associated with public lavatories, improved water closet design and the wider Victorian movement towards cleaner towns, better drainage and public health reform. The Science Museum notes that models of Jennings' patent water closets were made from earthenware, metal and mahogany and may have been used as sales models during the International Health Exhibitions of the 1890s. This photograph has strong editorial and commercial value for stories about toilet history, public health, sanitation, Victorian invention, bathroom design, plumbing heritage, museum collections, ceramics, industrial archaeology and Stoke-on-Trent's Potteries heritage. Gladstone Pottery Museum, based in the historic pottery district of Longton, preserves bottle ovens, workshops and displays linked to the city's ceramic industry, making it a fitting location for an object that connects ceramic production with the history of domestic and public hygiene. The image can illustrate articles on spending a penny, public conveniences, 19th century urban reform, antique sanitary ware, porcelain toilets, historic bathroom fittings, design history and the humour as well as seriousness of lavatory culture. The close-up composition, visible maker's mark, museum context and unusual subject make it especially useful for heritage features, educational publishing, quirky travel articles, social history blogs and museum guide material.
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Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,clay,clayhead,clayheads,potters,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRKA - Image from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum
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Description: Tony Smith image Alamy DBHRN5 - Interior view of the historic colour room at Gladstone Pottery Museum in Longton, Stoke-on-Trent, Staffordshire, showing shelves filled with old labelled jars and containers used for ceramic colours, stains, pigments and glaze materials. The black, grey, cream and brown storage pots, worn paper labels and utilitarian wooden shelving give the image a strong documentary feel, recording the practical back-room materials behind Staffordshire pottery decoration. Visible labels appear to include colour names and coded recipes, suggesting the careful organisation needed by decorators, paintresses, gilders and colour room workers in a busy potbank. Gladstone Pottery Museum is a preserved Victorian pottery factory on Uttoxeter Road, Longton, and its displays interpret the industrial processes that made Stoke-on-Trent internationally known as The Potteries. The site is associated with bottle ovens, kilns, workshops, decorating rooms and the everyday labour of ceramic production, from clay preparation and firing to glazing, colour, enamel and gilding. This image is useful for editorial and commercial themes around British ceramics, Staffordshire industry, museum collections, craft skills, heritage conservation, industrial archaeology, social history, factory interiors, material culture, pottery design, ceramic chemistry and traditional trades. The colour room shows that the success of tableware and decorative pottery depended not only on kilns and clay, but on specialist knowledge of colours, oxides, recipes and finishes. The muted indoor light, dusty shelves and ageing jars create an atmospheric visual for articles about Longton heritage, Stoke tourism, manufacturing history, education, preservation and the fragile survival of workshop objects. It can also support features on hand decoration, pottery painting, women's work in ceramics, archives of industrial knowledge and the wider story of how North Staffordshire became a global centre for ceramic manufacture.
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Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factories,Great,Britain,showing,at,the,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Gladston,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRT7 - Interior detail of the historic colour room at Gladstone Pottery Museum in Longton, Stoke-on-Trent, Staffordshire, showing rows of labelled ceramic colour jars stored on wooden shelving. The black, grey, cream and brown containers, worn paper labels and dusty setting evoke the working world of a Staffordshire potbank, where colours, stains, oxides and decorating materials were part of making and finishing pottery. Visible labels appear to include colour names such as celeste, cobalt blue and pink, linking the image with ceramic decoration, glaze preparation and the specialist materials used by decorators and painters. Gladstone Pottery Museum is a preserved Victorian pottery factory on Uttoxeter Road, Longton, and its displays explain the jobs and rooms that supported production, from clay preparation and throwing to firing, decorating, colour and gilding. This image is useful for editorial and commercial themes around Stoke-on-Trent ceramics, The Potteries, industrial heritage, museum collections, craft skills, British manufacturing, pigment storage, colour chemistry, pottery design, ceramic art, factory interiors, heritage conservation and educational interpretation. The shelves suggest the careful organisation and practical knowledge behind mass-produced tableware, sanitary ware and decorative ceramics, where colour recipes and materials could be vital to a factory's identity and output. The subdued indoor light, utilitarian shelving and aged containers give the photograph a strong documentary feel, suitable for features about Victorian industry, social history, craft labour, museum learning, traditional trades and the cultural legacy of North Staffordshire. It can also support stories about Clarice Cliff, ceramic decoration, colour in design, pottery painting, artisan skills, industrial archaeology, tourism in Stoke-on-Trent and the preservation of workshop objects that help explain how the Potteries became internationally known for ceramics.
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Keywords: Stoke-On-Trent,SOT,on,trent,on-trent,industrial,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHTGN - Portrait view of the historic bottle kilns at Gladstone Pottery Museum in Longton, Stoke-on-Trent, Staffordshire, a preserved Victorian pottery works in the heart of the Potteries. The photograph shows the distinctive cone-shaped brick bottle ovens rising above a cobbled yard, with warm red brick walls, green painted doors, wooden railings, chimney stacks, saggar containers and pottery yard details creating a strong sense of industrial heritage. The sky is dark and overcast, with dramatic cloud and subdued light giving the scene a moody atmosphere suited to heritage, tourism and history features. Gladstone Pottery Museum is housed in a former coal-fired pottery factory and is known for its surviving bottle ovens, which are among the most powerful visual symbols of Stoke-on-Trent's ceramics industry. The museum explains the skills and working conditions behind pottery production, including clay preparation, throwing, moulding, decorating, firing and the use of saggars to protect ware inside kilns. This image is highly relevant for editorial and commercial use on Stoke-on-Trent, Longton, Staffordshire tourism, ceramic manufacturing, industrial archaeology, Victorian factories, working museums, craft skills, heritage conservation, regeneration, local identity and the story of the Six Towns. Bottle kilns once dominated the skyline of North Staffordshire, but surviving examples are now important listed heritage structures. Gladstone is listed by Stoke museums at Uttoxeter Road, Longton, and specialist bottle oven records identify the site as having four updraught bottle ovens and a muffle kiln within the Longton Conservation Area. The vertical composition, strong architectural forms and textured brickwork make the image useful for travel guides, educational publishing, museum promotion, British industrial history, ceramics features, pottery design, kiln technology, craft tourism and stories about preserving the built legacy of the Staffordshire Potteries.
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Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,Great,Britain,showing,heritage,at,the,Pottery,Museum,GB,unique,bone,tablewear,tableware,workshops,and,giant,bottle,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,bricks,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHTMD - Portrait view of the historic bottle kilns at Gladstone Pottery Museum in Longton, Stoke-on-Trent, Staffordshire, a preserved Victorian pottery works in the heart of the Potteries. The photograph shows the distinctive cone-shaped brick bottle ovens rising above a cobbled yard, with warm red brick walls, green painted doors, wooden railings, chimney stacks, saggar containers and pottery yard details creating a strong sense of industrial heritage. The sky is dark and overcast, with dramatic cloud and subdued light giving the scene a moody atmosphere suited to heritage, tourism and history features. Gladstone Pottery Museum is housed in a former coal-fired pottery factory and is known for its surviving bottle ovens, which are among the most powerful visual symbols of Stoke-on-Trent's ceramics industry. The museum explains the skills and working conditions behind pottery production, including clay preparation, throwing, moulding, decorating, firing and the use of saggars to protect ware inside kilns. This image is highly relevant for editorial and commercial use on Stoke-on-Trent, Longton, Staffordshire tourism, ceramic manufacturing, industrial archaeology, Victorian factories, working museums, craft skills, heritage conservation, regeneration, local identity and the story of the Six Towns. Bottle kilns once dominated the skyline of North Staffordshire, but surviving examples are now important listed heritage structures. Gladstone is listed by Stoke museums at Uttoxeter Road, Longton, and specialist bottle oven records identify the site as having four updraught bottle ovens and a muffle kiln within the Longton Conservation Area. The vertical composition, strong architectural forms and textured brickwork make the image useful for travel guides, educational publishing, museum promotion, British industrial history, ceramics features, pottery design, kiln technology, craft tourism and stories about preserving the built legacy of the Staffordshire Potteries.
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Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factories,Great,Britain,showing,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHTWH - Wide angle pot bank image from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum
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Keywords: Stoke-on-Trent,Stoke,on,Trent,on-trent,Stokeontrent,blue,white,finger,hand,Industrial,Museum,history,brick,bricks,heritage,last,steam-powered,steam,potters,mill,in,Britain,1903,boiler,is,fired,and,historic,machinery,can,be,seen,working,GB,England,potteries,trail,ST1,4RB,ST14RB,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBJF8B - Historic To The Forge sign in Etruria Industrial Museum near Stoke-on-Trent
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Keywords: Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Gladston,pouring,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBJFC6 - White pouring jug mould from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum
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Keywords: going,to,be,an,uplift,and,its,going,to,make,everything,better,wall,label,NWMN,national,war,museum,North,GB,Great,Britain,UK,United,Kingdom,on,red,white,profound,poet,poetry,IWM,IWMN,gotonysmith it doesnt war never makes anything better,Buy Pictures of,Buy Images Of,Trafford Wharf Rd,Trafford Park,Stretford,Manchester,M17 1TZ
Description: Tony Smith image Alamy DA623N - People think they are fighting for something thats going to be an uplift and its going to make everything better it doesn't , war never makes anything better
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Keywords: Old,Maroon,Coal,Mining,Conciliation,Scheme,Guides,gotonysmith,NUM,miners,mineworker,mineworkers,guide,hardback,old,mining,stuff,old,Astley Green Colliery Museum Manchester UK M29 7JB,Buy Pictures of,Buy Images Of,lancs,Colliery,Green,Astley,history,Museum,Manchester,UK,M29,7JB,coal,schemes,equipment,kit,lamps,lamproom,lamp room,union of miners
Description: Tony Smith image Alamy D8DYCT - Old Maroon Coal Mining Conciliation Scheme Guides
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Keywords: Old,Maroon,Coal,Mining,Conciliation,Scheme,Guides,gotonysmith,NUM,miners,mineworker,mineworkers,guide,hardback,old,mining,stuff,old,lancs,history,Astley,Green,Colliery,Museum,Manchester,UK,M29,7JB,Astley Green Colliery Museum Manchester UK M29 7JB,coal,schemes,equipment,kit,lamps,lamproom,lamp room,union of miners
Description: Tony Smith image Alamy D8DYD4 - Old Maroon Coal Mining Conciliation Scheme Guides
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Keywords: GoTonySmith,@HotpixUK,HotpixUK,Stasi,GDR,surveillance,spying,interception,intelligence,internal security,museum,mass surveillance,state surveillance,citizen surveillance,data privacy,privacy rights,government oversight,intelligence services,counterintelligence,espionage,Cold War history,Berlin Wall era,dictatorship,communist regime,propaganda state,historical museum,dark tourism,educational exhibit,20th century history,surveillance technology,spy equipment,listening post,wiretapping,audio surveillance,covert monitoring,communications intercept,radio receiver,recording equipment,tape recorder,cassette deck
Description: Tony Smith image Alamy F0G7EF - A close interior view of DDR era East German state security surveillance equipment on display at the Stasi Museum in Berlin. A small CRT security monitor shows grainy monochrome style surveillance footage, stacked above rack mounted analogue electronics used for monitoring and recording, including radio style receiver units and tape based audio recording decks. The scene evokes Cold War era spying and the everyday machinery of the Stasi, the GDR's Ministry for State Security, used to surveil citizens through interception and covert listening. The museum presentation and lighting emphasise the utilitarian, industrial look of the equipment and the atmosphere of controlled observation. This is an indoor museum exhibit, so there is no visible sky and weather conditions are not apparent. Location: Stasi Museum, Normannenstraße 20, Haus 1, 10365 Berlin, Germany
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Keywords: Prussian,pipe,organ,builder,German,Germany,city,religion,religious,his final great masterpiece,Manufactory,Berliner,Dom,Am Lustgarten,10178,Mitte,tall,wide,shot,Supreme,Parish,museum,island,detail,European,evangelical,evangelistic,faith,interior,indoor,Berliner Dom,GoTonySmith,mono.monochrome,black,white,music,musical,nobody,old,older,wood,wooden,instrument,splendor,splendour,supreme,unesco,world,tourist,tourism,fashioned,history,historic,traditional,Buy Pictures of,Buy Images Of,Old Fashioned
Description: Tony Smith image Alamy F0XDX3 - Wilhelm Carl Friedrich Sauer (March 23, 1831 April 9, 1916) was a Prussian pipe organ builder. One of the famous organ builders, Sauer and his firm built over 1,100 organs during his lifetime, amongst them the organs at Bremen Cathedral, Jerusalem's Church, and Berlin Cathedral, which is considered to be his final great masterpiece
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Keywords: 2,TWO,number,numbers,Tony,Smith,TonySmith,hotpix,UK,England,United,Kingdom,TonySmithHotPix,TonySmithHotPixUK,Jackie,Stewert,Stewart,JackieStewart,Racing,Driver,Car,Vehicle,F1,formula,One,FormulaOne,Edinburgh,Museum,dashboard
Description: Tony Smith image Flickr 7116155045 - 'View this whole set here. If you do Twitter add me here.
Two has many properties in mathematics. An integer is called even if it is divisible by 2. For integers written in a numeral system based on an even number, such as decimal and hexadecimal, divisibility by 2 is easily tested by merely looking at the last digit. If it is even, then the whole number is even. In particular, when written in the decimal system, all multiples of 2 will end in 0, 2, 4, 6, or 8.
Two is the smallest and the first prime number, and the only even one (for this reason it is sometimes called 'the oddest prime'). The next prime is three. Two and three are the only two consecutive prime numbers. 2 is the first Sophie Germain prime, the first factorial prime, the first Lucas prime, and the first Smarandache-Wellin prime
Despite being a prime, two is also a highly composite number, because it has more divisors than the number one. Two is the smallest highly composite number. The next highly composite number is four.
Vulgar fractions with 2 or 5 in the denominator do not yield infinite decimal expansions, as is the case with all other primes, because 2 and 5 are factors of ten, the decimal base.
Two is the base of the simplest numeral system in which natural numbers can be written concisely, being the length of the number a logarithm of the value of the number (whereas in base 1 the length of the number is the value of the number itself)
the binary system is used in computers.
The glyph used in the modern Western world to represent the number 2 traces its roots back to the Brahmin Indians, who wrote '2' as two horizontal lines. The modern Chinese and Japanese languages still use this method. The Gupta rotated the two lines 45 degrees, making them diagonal, and sometimes also made the top line shorter and made its bottom end curve towards the center of the bottom line.
Apparently for speed, the Nagari started making the top line more like a curve and connecting to the bottom line. The Ghubar Arabs made the bottom line completely vertical, and now the glyph looks like a dotless closing question mark. Restoring the bottom line to its original horizontal position, but keeping the top line as a curve that connects to the bottom line leads to our modern glyph.
Two is the atomic number of helium. Also the resin identification code used in recycling to identify high-density polyethylene.
Sir Jackie Stewart, who hails from Milton, unveiled this his most successful car, which has been loaned to the National Museum of Scotland for at least three years. It is dark blue with the number two. In the Tyrrell Ford he won eight championships.
Death on TWO legs - enjoy feature=fvst\' rel=\'nofollow\'>www.youtube.com/watch?v=B3JEmBFeD5A&
feature=fvst
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC
',
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Keywords: chessmen,chessman,famous,Lewis,Isle,isle of Lewis,bishop,carved,carving,marble,set,chess,man,men,Stornoway,museum,Scotlan,Hebrides,UK,British,Edinburgh,games,game
Description: Tony Smith image Flickr 8346651345 - 'View this whole set of away from home images here. If you do Twitter add me here.
The Lewis Chessmen (or Uig Chessmen, named after the bay where they were found) are a group of 78 12th-century chess pieces, most of which are carved in walrus ivory. Discovered in 1831 on the Isle of Lewis in the Outer Hebrides, Scotland, they may constitute some of the few complete, surviving medieval chess sets, although it is not clear if a set as originally made can be assembled from the pieces. They are owned and exhibited by the British Museum in London, which has 67 of the original pieces, and the Museum of Scotland in Edinburgh, which has the remaining 11 pieces.
A bishop is shown here when the pieces came back to Lewis for a short visit. Alex MacDonald, convener of Western Isles Council, Comhairle nan Eilean Siar, welcomed the exhibition, which will ran through summer 2011 until the 12th September.
He said: 'The enigma of the Lewis Chessmen has intrigued and puzzled those who have viewed these inscrutable faces in the last 200 years or so. 'This will give our own community and visitors the opportunity to come face-to-face with faces which are over 800 years old.'
Pieces including a knight, king, queen and bishop were also on display at Uig Museum on 13 September for one day. Curators from National Museums Scotland and the British Museum were present to answer any queries from visitors.
The chessmen are one of the most significant archaeological discoveries ever made in Scotland.
The chessmen were probably made in Norway, perhaps by craftsmen in Trondheim, in the 12th century, although some scholars have suggested other sources in the Nordic countries. During that period the Outer Hebrides, along with other major groups of Scottish islands, were ruled by Norway.
According to Dr. Alex Woolf, director of the Institute for Medieval Studies of the University of St. Andrews, there are a number of reasons for believing the chess pieces probably came from Trondheim: a broken queen piece in a similar style found in an excavation of the archbishop's palace (it appeared the piece was broken as it was being made), the presence of wealthy people in Trondheim able to pay craftsmen for the high-quality pieces, similar carving in Nidaros Cathedral in Trondheim, the excavation in Trondheim of a kite-shaped shield similar to shields on some of the pieces and a king piece of similar design found on Hitra Island, near the mouth of Trondheim Fjord. Woolf has said that the armour worn by the chess figures includes 'perfect' reproductions of armour worn at the time in Norway.
Some historians believe that the Lewis chessmen were hidden (or lost) after some mishap occurred during their carriage from Norway to wealthy Norse towns on the east coast of Ireland, like Dublin. The large number of pieces and their lack of wear may suggest they were the stock of a trader or dealer in such pieces. Along with the chess pieces, there were 14 plain round tablemen for the game of tables and one belt buckle, all made of ivory, making a total of 93 artifacts.
On bishops, The Church of England today has dropped its prohibition on gay clergy in civil partnerships becoming bishops. The announcement, from the Church's House of Bishops, would allow gay clergy to become bishops if they promise to be celibate.
Conservative evangelical Anglicans say they will fight the move in the Church's ruling general synod.
The issue has split the church since 2003 amid a row over gay cleric Jeffrey John becoming Bishop of Reading. Mr John, now Dean of St Albans, was forced to withdraw from the role shortly after having initially accepted it, following protests from traditionalists.
He was also a candidate for Bishop of Southwark in 2010 but was rejected. Evidence emerged that this was because of his sexual orientation. The Church of England has already agreed to allow people in civil partnerships to become clergy, provided they promised they would remain celibate.
I am not so sure that Norsemen had this issue to deal with. It was probably a simpler world back then!
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',
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Description: Tony Smith image Alamy 2BN2W1X -
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Description: Tony Smith image Alamy 2BN2W27 -
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Description: Tony Smith image Alamy 2BN2W2B -
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Description: Tony Smith image Alamy 2BEW1C8 -
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Description: Tony Smith image Alamy 2BEW1CK -
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Description: Tony Smith image Alamy 2BEW1E9 -
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Keywords: Exeter,West,signal,box,Crewe,saved,the,signalbox,from,demolition,carefully,dismantled,re-erected,as,a,working,museum,lever,levers,bluehour,blue,sky,traditional,heritage,centre,center,railroad,railway,BR,Britishrail,British,rail,1950,1960,old,signalman,man,old,worker,gotonysmith working age CW1 2DB,Buy Pictures of,Buy Images Of,Crewe Railway Age
Description: Tony Smith image Alamy D96MTJ - Exeter West signal box in operation at dusk
Exeter West signal box is not at Exeter - it is at Crewe.
Why is this? Because a group of dedicated individuals saved the signalbox from demolition when the signalling in the Exeter area was renewed in 1985, and carefully dismantled it so it could be re-erected as a working museum demonstrating how the larger signal boxes of the past were.
This box is now viewable at Crewe as part of Crewe Heritage Centre display, and signalmen are present most weekends to describe and demonstrate signalling days of the past and answer questions from visitors.
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Keywords: Warrington,Cheshire,town,england,english,museum,library,bold,st,street,fossils,egypt,cabinets,this photo rocks,HDR,high dynamic range,hotpics,hotpic,hotpick,hotpicks,interesting,place,places,12-24,sigma,wide angle lens,wide,sex,sexy,hotpix!
Description: Tony Smith image Flickr 4334926783 - 'Quite an unassuming place Warrington Museum, Cheshire seems, when looked at while being dragged around at high speed by a young child.
The museum is one of the oldest municipal museums in the UK and reflects something of the important local Victorians around at the time (1848), their interests and travels. It is a grade II listed building and houses fossils, Egyptian artefacts as well as relics of the old Warrington industries such as steel (particularly wire), clocks, textiles, brewing, tanning and chemicals are on display.
Since designation as new town, it is hard to see the old history beyond the shopping sites and new roads and buildings.
It can be regarded as a dormitory town for manchester or Liverpool and to wait on central station for the 08:13 sort of confirms that stereotype, particularly the stand in the corridor until Birchwood. Slightly shamefully hat was how I came to live in Warrington many years ago.
If you have time, spend a quarter of an hour in this little municipal jewel box. Slide out some fossil draws and check out how it used to be.
Another Warrington gem www.flickr.com/photos/hotpixuk/4009707938/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
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Keywords: Old,Leyland,Wirral,double,decker,Buses,in,Blue,and,Yellow,Birkenhead,New,Brighton,Merseyside,Liverpool,passenger,transport,merseytravel,depot,museum,via,Seabank,road,twerlies,scouse,scousers,transport,bus,corporation,Birkenhead,Corporation,and,Wallasey,Corporation,motor,buses,Wirral,Transport,Museum,1951,Leyland,PD2/1,AHF,850,(54).,Preserver,Cedric,Greenwood,(1973).,Funding,purchased,New,Wallasey,1BG Project GCM 152E,a 1967 Leyland PD2/37 (152). Restored with Hamilton Quarter funding,Wirral,Museums,/,201,&,1BG,Project,AHF850,and,GCM152E,Birkenhead,Corporation,and,Wallasey,Corporation,motor,buses,gotonysmith,Wirral Transport Museum,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEY9GT - Old Leyland Wirral double decker Buses in Blue and Yellow Birkenhead New Brighton AHF 850 and GCM 152E
Birkenhead Corporation and Wallasey Corporation motor buses
-Midlothian-Mining-Museum--UK-CEMWN5.jpg)
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Keywords: Coal Mine Grant,Company,Winding,engine,(largest,in,Scotland),Midlothian,Mining,Museum,UK gotonysmith,gotonysmith,Buy Pictures of,Buy Images Of,mine,Scotland,lift,machinery,colliery,coal,Grant,Ritchie,and Company,preserved,restored,industry,engineering,British,Scottish,Newtongrange,inside,interior,NCB,National Coal Board,NUM,National Union of Miners
Description: Tony Smith image Alamy CEMWN5 - Coal Mine Grant, Ritchie and Company Winding engine (largest in Scotland) Midlothian Mining Museum, UK
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Keywords: Coalface Cutting Machine Midlothian Mining Mine Museum,Scotland,UK,gotonysmith,colliery,miners,workers,cut,cuts,machinery,machinary,strike,NCB,lay,victoria,The,Scottish,Mining,Museum,was,created,in,1984,to,preserve,the,physical,surface,remains,of,Lady,Victoria,Colliery,at,Newtongrange,Midlothian,Notable features include the winding engine by Grant,Ritchie and Company and the colliery headstocks,built by Arrols of Glasgow nEWTON GRANGE,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEMWNG - Coalface Cutting Machine at the Midlothian Mining Mine Museum, Scotland UK, near Dalkeith and Vogre Country Park.
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Keywords: Imperial,War,Museum,North,Abstract,Salford,Quay,Manchester,sky,dramatic,clouds,looking,upwards,up,Berlin,based,architect,Daniel,Libeskind,gotonysmith,Quays,England,UK,United,Kingdom,GB,Great,Britain,gotonysmith,Buy Pictures of,Buy Images Of,IWMN,brutal,brutalism,drama,sunny
Description: Tony Smith image Alamy CET17D - Imperial War Museum North (sometimes referred to as IWM North) is a museum in the Metropolitan Borough of Trafford in Greater Manchester, England. One of five branches of the Imperial War Museum, it explores the impact of modern conflicts on people and society. It is the first branch of the Imperial War Museum to be located in the north of England.
The museum occupies a site overlooking the Manchester Ship Canal in Trafford Park, an area which during the Second World War was a key industrial centre and consequently heavily bombed during the Manchester Blitz in 1940. The area is now home to the Lowry cultural centre and the MediaCityUK development, which stand opposite the museum at Salford Quays.
The museum building was designed by architect Daniel Libeskind and opened in July 2002, receiving 470,000 visitors in its first year of opening. It was recognised with awards or prize nominations for its architecture, but has also been criticised for poor energy efficiency. The museum features a permanent exhibition of chronological and thematic displays, supported by hourly audiovisual presentations which are projected throughout the gallery space.
The museum also hosts a programme of temporary exhibitions in a separate gallery. Since opening, the museum has operated a successful volunteer programme, which since January 2007 has been run in partnership with Manchester Museum. As part of a national museum, Imperial War Museum North is financed by the Department for Culture, Media and Sport and by self-generated income.
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Keywords: Merope,decaying,British,canal,boat,red,Ellesmere,Port,Cheshire,Great,Britain,British,Bridgewater,canal,museum,England,UK,United,Kingdom,interesting,decayed,disrepair,gotonysmith,Buy Pictures of,Buy Images Of,being,restored,barges,industrial,derelict,window,port hole,boats
Description: Tony Smith image Alamy CEY90T - Merope a cute decaying British canal boat in red
