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Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,New Street,the bull,bull,station,Ozzy bull sculpture,Birmingham city centre landmark,West Midlands cultural icon,mechanical,metal,sculpture,moving,sporting legacy UK,major events regeneration,city branding Birmingham,post event cultural legacy,public engagement sculpture,national sporting identity,temporary to permanent public art,urban spectacle,B2,B2 4ND,Birmingham New Street Station B2 4ND,Grand Central Birmingham,Birmingham England UK,Commonwealth Games legacy,large scale sculpture,indoor public space,urban regeneration Birmingham,city centre footfall,editorial image,daytime interior,inside,interior
Description: Tony Smith image Alamy 3DCX6BA - The large-scale mechanical sculpture Ozzy the Bull, photographed inside Birmingham New Street Station at Birmingham B2 4ND. Originally created as a centrepiece for the Birmingham 2022 Commonwealth Games, the bull has since become one of the city's most recognisable contemporary landmarks.
Constructed from metal components and exposed mechanical detailing, Ozzy references Birmingham's industrial heritage while presenting a playful, accessible symbol of the city's modern identity. The bull was designed to embody strength, energy and resilience, qualities associated both with sport and with Birmingham's historic role as a centre of manufacturing and engineering.
Following the Games, Ozzy was installed at New Street Station, one of the UK's busiest transport hubs, ensuring continued public engagement and visibility. Positioned within the vast interior concourse of the station, the sculpture interacts with daily commuter flows, tourists and shoppers, transforming a functional transit space into a site of cultural encounter.
The presence of Ozzy inside the station reflects wider debates around the legacy of major sporting events, particularly how temporary symbols and installations can be repurposed to deliver long-term cultural and civic value. The sculpture has become a popular meeting point and photographic subject, reinforcing Birmingham's use of public art as a tool for place-making and identity.
Photographed in daylight with people and retail units visible, the image offers strong editorial value for themes including sporting legacy, urban regeneration, public art, city branding and contemporary life in British cities.
Ozzy the Bull, the iconic mechanical sculpture created for the Birmingham 2022 Commonwealth Games, d

Description
Keywords: Warrington,town,centre,WA1,Cheshire,England,English,UK,GoTonySmith,HotpixUK,@HotpixUK,logo,inside,interior,the,shop,shops,store,stores,moving,out,closing,remodelling,redeveloped,redevelopment,cafe,café,cafes,parking,free,17,WA1 2QQ,superstore,supermarket,BGoptics,floor
Description: Tony Smith image Alamy 2RHH6HH - Taken on 15 Aug 2023, this photograph shows Inside the Cockhedge Shopping centre, Lose Yourself, Asda, Tenzy, BGoptics and retail units,. The location is 17 Cockhedge Way, Warrington, Cheshire, England, UK, WA1 2QQ. The picture is not just a record shot: it contains visible signage, colour, materials, location clues and everyday street detail that make the image more specific than a generic stock photograph. It would suit editorial use on shopping, retail change, independent traders, high-street survival, tourism, local economies, consumer habits and the visual identity of British town and city centres. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Cockhedge Shopping, Lose Yourself, Cockhedge Shopping centre, Cockhedge, Shopping centre, Cockhedge Way, Asda, BG Optics, Tenzy, single, Warrington, town, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. It has value for both local and national stories, especially where writers need to connect a named place or object with wider economic, social, environmental or cultural change. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history, public infrastructure, consumer behaviour, community identity and documentary evidence for news.
17 Cockhedge Way, Warrington, Cheshire, England, UK, WA1 2QQ

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,UK,narrowboat,barge,barges,boat,boats,waterways,approaches,sals,sailing,moving,on,the,England,WA4,evening,moor,villages,canal,beautiful,tourism,tourist,history,heritage,move,moves,sails,waterway,Cheshires,NW,North West,English,hotpix.org.uk
Description: Tony Smith image Alamy 2PR599M - . Narrowboat barge approaches Stanny Lunt Bridge, Grappenhall, on the Bridgewater Canal, Warrington Cheshire, England, UK, WA4. Photographed on 25 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Stanny Lunt Bridge, Grappenhall, on the Bridgewater Canal, Warrington Cheshire, England, UK, WA4, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Cheshire, narrowboat, barge, barges, boat, boats, waterways, approaches, sals, sailing, moving, WA4, providing natural SEO coverage without losing the specific documentary identity of the photograph. The transport setting gives the image wider relevance to mobility, infrastructure, roads and public transport, travel behaviour, local connectivity, logistics and the relationship between vehicles and the built environment. It can illustrate planning, transport policy, accessibility, congestion, public investment and the changing technologies and services used to move people or goods. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Stanny Lunt Bridge, Grappenhall, on the Bridgewater Canal, Warrington Cheshire, England, UK, WA4

Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,driving,boats,boat,National Waterways Museum,British,English,engineered,working,Pottery Lane,in,eastern,Manchester,green,machine,machines,engines,moving,parts,running,boat engine,pump,technical,machinery,pipes,pipework,valves,valve,adjustments,controls,control
Description: Tony Smith image Alamy 2K3082P - Crossley Brothers was set up in 1867 by brothers Francis (1839“97) and William J.(1844“1911). Francis, with help from his uncle, bought the engineering business of John M Dunlop at Great Marlborough Street in Manchester city centre, including manufacturing pumps, presses, and small steam engines.
In 1869 they had the foresight to acquire the UK and world (except German) rights to the patents of Otto and Langden of Cologne for the new gas fueled atmospheric internal combustion engine and in 1876 these rights were extended to the famous Otto four-stroke cycle engine. The changeover to four stroke engines was remarkably rapid with the last atmospheric engines being made in 1877.
The business flourished. In 1881, Crossley Brothers became a private limited company (i.e. Crossley Brothers Ltd.), and then in 1882 it moved to larger premises in Pottery Lane, Openshaw, in eastern Manchester.
Crossley Brothers built diesel engines for stationary, marine and locomotive use. There was a wide range of engines from six to 3200 horsepower (Crossley) and up to 9000 horsepower (Crossley-Pielstick).
Their marine engines had a reputation for durability and reliability.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW

Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,driving,boats,boat,National Waterways Museum,British,English,engineered,working,Engine,from,Stockholm,Swedish,green,machine,machines,engines,moving,parts,running,boat engine,pump,technical,machinery,pipes,pipework,valves,valve,adjustments,controls,control
Description: Tony Smith image Alamy 2K3082R - . This authentic period view of National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The subject captured here is Bolinder Power Hall engine, for driving boats, at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW. Further facets of the scene include public realm, local character, working waterway, industrial navigation, broadcast receiver, contemporary social history, valve wireless, period detail, home entertainment technology, visual archive, period communications technology, place identity, historic narrowboat, and changing streetscape. From a 2025-onward perspective, heritage conservation and volunteering are closely linked to this subject, alongside the value of canals as both historic infrastructure and blue-green corridors. The wider contemporary story combines broadcast archives, media history and the transition from valve radios to digital and internet audio. Small period details of commercial use and occupation at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW may become more significant with time, particularly following changed technology. The photograph additionally reflects archival record, documentary photography, radio station guide, before-and-after reference, canal transport, vintage radio, radio dial, and boat museum collection. The recorded references to Museum, Ellesmere, National, Bolinder, and Waterways preserve clues about how the subject was presented, used or understood at the time. The period setting at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW

Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,driving,boats,boat,National Waterways Museum,British,English,engineered,working,engine,from,pumping,station,Richard Trevithick Tangye,Illogan,Redruth,Cornwall,Richard Tangye,green,machine,machines,engines,moving,parts,running,boat engine,pump
Description: Tony Smith image Alamy 2K3082X - . This scene at National stock-photo/gotonysmith-Waterways.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is Running Tangye Diesel Power Hall engine, for driving boats, at National Waterways Museum, South Pier Road, Ellesmere Port,England, CH65 4FW. The setting additionally reflects inland transport history, changing land use, trackside history, before-and-after reference, archival record, industrial navigation, canal heritage, railway heritage, local character, station environment, freight wagon, historic narrowboat, canal transport, and visual archive. For current editorial use, flood resilience and volunteering provide additional context, especially through the value of canals as both historic infrastructure and blue-green corridors. Current relevance extends to rail reform and network modernisation, particularly through the contrast between mechanical railway systems and digital signalling. Future viewers can use this scene from National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW to compare equipment and working practice with whatever follows after closure or conversion. The subject also sits alongside boat museum collection, changing streetscape, mechanical signalling, signal-box architecture, everyday life, historic rolling stock, industrial railway, and industrial waterway history. The combination of Ellesmere, Tangye, driving, Waterways, and Running anchors the frame to a recognisable activity, place or moment. Around National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW

Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Cheshire,England,UK,CH65 4FW,CH65,driving,boats,boat,National Waterways Museum,British,English,engineered,working,museum,two stroke,marine,engine,2 stroke,L. Gardner and Sons,L,Gardner and Sons,Lawrence,Barton Hall Engine Works,Patricroft,Manchester,history,historic,green,machine,machines,engines,moving,parts,running,boat engine
Description: Tony Smith image Alamy 2K30831 - L. Gardner and Sons Ltd was a British builder of diesel engines for stationary, marine, road and rail applications. The company was founded in Hulme, Manchester, England in 1868. It started building engines around 1895. The firm ceased engine production in the mid-1990s.
About 1868 Lawrence Gardner set up as a sewing machine maker in Upper Duke Street, Stretford Road, Hulme, Manchester. He died in 1890, but the business was continued by his sons under the name L. Gardner & Sons Ltd.
Gas and diesel engines
From about 1895 the company was building gas engines and, in 1899 it moved into Barton Hall Engine Works, Patricroft, Manchester.
Barton Hall Engine Works, Manchester
In 1903 it became a limited company, L Gardner and Sons Ltd. Norris and Henty Ltd, of London, were appointed as sales agents.
Diesel engine production began in around 1903. In 1912 a new sales subsidiary, Norris, Henty and Gardners Ltd, was formed.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW

Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Cheshire,England,UK,CH65 4FW,CH65,driving,boats,boat,National Waterways Museum,British,English,engineered,working,museum,two stroke,marine,engine,2 stroke,L. Gardner and Sons,L,Gardner and Sons,Lawrence,Barton Hall Engine Works,Patricroft,Manchester,history,historic,green,machine,machines,engines,moving,parts,running,boat engine
Description: Tony Smith image Alamy 2K30836 - L. Gardner and Sons Ltd was a British builder of diesel engines for stationary, marine, road and rail applications. The company was founded in Hulme, Manchester, England in 1868. It started building engines around 1895. The firm ceased engine production in the mid-1990s.
About 1868 Lawrence Gardner set up as a sewing machine maker in Upper Duke Street, Stretford Road, Hulme, Manchester. He died in 1890, but the business was continued by his sons under the name L. Gardner & Sons Ltd.
Gas and diesel engines
From about 1895 the company was building gas engines and, in 1899 it moved into Barton Hall Engine Works, Patricroft, Manchester.
Barton Hall Engine Works, Manchester
In 1903 it became a limited company, L Gardner and Sons Ltd. Norris and Henty Ltd, of London, were appointed as sales agents.
Diesel engine production began in around 1903. In 1912 a new sales subsidiary, Norris, Henty and Gardners Ltd, was formed.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW

Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,cub,best,in,the,of,award,local,England,UK,COY,cub award,moving,up to,scout,scouts,boy,boys,male,being,becoming,a,association,wolf,cub pack,badge,badges,challenges,Challenge,and,Adventure,scheme,schemes,trophy,trophies
Description: Tony Smith image Alamy 2JP9HYR - . A grounded documentary photograph made at England, Great Britain , UK in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The photograph centres on Scouts trophy - Cub of The Year - COY. The locality and subject together evoke urban fabric, period architecture, before-and-after reference, archival record, social history, cityscape history, adaptive reuse, built heritage, architectural detail, local history, heritage landmark, historical comparison, place identity, and conservation interest. The wider contemporary story combines heritage conservation, redevelopment pressure and how historic buildings acquire new uses as cities change. The image fixes landscape treatment and surrounding development within England, Great Britain , UK at one identifiable point, providing a benchmark against different community use. The wider setting retains connections with period detail, heritage asset, conservation architecture, regional identity, visual archive, contemporary social history, changing land use, and period building. Details involving trophy and Scouts make the image more specific than a generic view and strengthen its local or historical value. Around England, Great Britain , UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate heritage conservation and how historic buildings acquire new uses as cities change in a form that can be compared with future views of England, Great Britain , UK. The image also provides a reference for heritage conservation and how historic buildings acquire new uses as cities change within the real-world context of England, Great Britain , UK. Another useful connection is embodied carbon and how historic buildings acquire new uses as cities change within the specific setting of England, Great Britain , UK.
England, Great Britain , UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NN12,road,to,leave,the,camping,car,cars,vehicle,vehicles,delays,queues,jams,campsite,camp site,campsites,exit,leaving,slow,slowly,very,frustration,frustrating,late,lane,moving,queue,site,England,Silverstone,traffic,NN12 8TL,jam,Queues,volume,camp,Monday
Description: Tony Smith image Alamy 2JG21XT - . Photographed at Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TN in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Queues to leave the Silverstone Woodlands camping site, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TN. A broader reading of the photograph includes before-and-after reference, building works, changing streetscape, social history, new-build scheme, construction project, property development, commercial construction, visual archive, site redevelopment, changing land use, local history, development pipeline, and community identity. From a 2025-onward perspective, materials and labour shortages are closely linked to this subject, alongside how temporary building sites mark a visible stage of long-term land-use change. The image fixes signage and branding within Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TN at one identifiable point, providing a benchmark against new ownership. Other useful contextual ideas include residential development, public realm, regional identity, archival record, period detail, development site, building programme, and historical comparison. Details involving Woodlands, Towcester, leave, camping, and Silverstone make the image more specific than a generic view and strengthen its local or historical value. The period setting at Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TN helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate materials and how new development responds to changing demographic demand as part of the longer story of Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TN. The view records evidence of changing use for future local research.
Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TN

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Britain,Towcester,Northamptonshire,NN12 8TL,NN12,moving,move,at,a,amusement,amusements,funfair,night,evening,in,the,one way,only,bright,electric,motion,movement,ride,rides,dusk,streak,streaks,gliding,dodgem car,dodgem cars,family fun,attraction
Description: Tony Smith image Alamy 2R15NFW - . Moving bumper cars at a funfair, amusements in England, UK at dusk. Photographed on 2 July 2022, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Towcester, Northamptonshire, NN12 8TL, NN12, moving, move, amusement, amusements, funfair, night, evening, one way, providing natural SEO coverage without losing the specific documentary identity of the photograph. Weather and natural light are part of the visual character of the frame, helping define the season, atmosphere, colour and visibility of architectural or landscape detail. The transport setting gives the image wider relevance to mobility, infrastructure, roads and public transport, travel behaviour, local connectivity, logistics and the relationship between vehicles and the built environment. It can illustrate planning, transport policy, accessibility, congestion, public investment and the changing technologies and services used to move people or goods. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,house,property,inflation,cost,of,moving,first time,buyer,Estate agent,Affordable,unaffordable,Real estate,value,price,slump,new,homes,prices,buy to let,stamp duty,PRS,private rented sector,interest rates,ladder,British,English,mortgage,scheme,forecast,crash,market,rose,renters rights act,estate agents
Description: Tony Smith image Alamy 2JBXJJN - . An on-location photograph from the recorded location in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The image documents For Sale, Property Signs, Gascoigne Halman, To Let, Lymm, A56,Warrington, Cheshire, England, UK. Another layer of the photograph includes consumer retail, retail property, urban change, archival record, social history, period detail, public realm, shopfront economy, high-street commerce, documentary photography, commercial frontage, visual archive, commercial streetscape, and town-centre economy. Viewed from the mid-2020s, the subject also connects with business rates, store closures and how consumer spending patterns reshape commercial streets. The modern context includes continuing discussion of footfall, commercial change and the documentary importance of recording everyday urban environments. Future viewers can use this scene from the recorded location to compare public access and movement with whatever follows after changing commercial priorities. The surrounding story also includes outdoor retail, physical store, everyday street life, customer footfall, bricks-and-mortar retail, local identity, shopping district, and before-and-after reference. The recorded references to Signs, Halman, Property, and Gascoigne preserve clues about how the subject was presented, used or understood at the time. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for business rates and how consumer spending patterns reshape commercial streets within the specific setting of the recorded location. Another useful connection is street safety and how ordinary street scenes become valuable records as businesses and infrastructure change as part of the longer story of the recorded location.

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,UK,Britain,green,for,go,walking,the,OK,to,cross,now,Walk on by,Walk on the wild side,pelican,lit,human,moving,flowing,cars,puffin,button,road,safety,traffic,vehicle,Signal controlled,vehicles,flow,fast,walk,PEdestrian LIght CONtrolled,crossing,Signal-controlled,crossings,driver
Description: Tony Smith image Alamy 2JGM7AA - . Photographed at England, UK in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The scene records Green Man, walk ,traffic signal, Green Cross Code, England, UK. The wider scene also brings together public realm, local information board, operational signage, regional identity, community noticeboard, social history, visitor guidance, public-facing notice, instructional sign, before-and-after reference, documentary photography, changing streetscape, orientation signage, and street furniture. In present-day coverage, the subject reaches into navigation and accessibility, not least because of how small pieces of street furniture can become useful historical evidence. The image fixes materials and architectural details within England, UK at one identifiable point, providing a benchmark against new ownership. The wider setting retains connections with period detail, changing land use, archival record, community identity, route marker, local history, everyday life, and local character. The recorded references to signal, traffic, Cross, and Green preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of navigation and how clear signs help people navigate complex public places within the real-world context of England, UK. A further contemporary connection is visitor experience and how small pieces of street furniture can become useful historical evidence within the specific setting of England, UK. The wider significance includes visitor experience and how small pieces of street furniture can become useful historical evidence as part of the longer story of England, UK.
England, UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,pedestrian,dont,light,cross,PEdestrian LIght CONtrolled,pedex,crossings,crossing,green,now,go,walk,Signal-controlled,Signal controlled,signal,puffin,driver,vehicle,vehicles,cars,button,traffic,flow,flowing,road,safety,fast,moving,pelican,lit,human,Walk on the wild side,OK
Description: Tony Smith image Alamy 2JGM7AC - Signal-controlled crossings
A puffin crossing with nearside signals in Aviemore
A staggered set of pelican crossings with farside signals in Greenwich
Pelican crossings, puffin crossings and pedex crossings are all types of controlled crossing controlled by traffic signals for pedestrians and drivers. These types of crossings can be used where vehicle speeds are high, where there are a lot of vulnerable pedestrians, where vehicle flows or pedestrian flows are high or where the road layout could cause uncertainty.
At these crossings, there will be at least two signal heads facing each direction of vehicular traffic, as well as signal heads and call buttons for pedestrians. The crossings can be staggered to shorten crossing times, mainly for the benefit of vehicular traffic flow.
While pelican crossings are no longer permitted to be installed in Great Britain (they are in Northern Ireland), pedex crossings allow the continued use of farside pedestrian signals
England, Great Britain , UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,pedestrian,dont,light,cross,PEdestrian LIght CONtrolled,pedex,crossings,crossing,red,stop,dont walk,stay,Signal-controlled,Signal controlled,signal,puffin,driver,vehicle,vehicles,cars,button,traffic,flow,flowing,road,safety,fast,moving,pelican,lit,human
Description: Tony Smith image Alamy 2JGM7AT - Signal-controlled crossings
A puffin crossing with nearside signals in Aviemore
A staggered set of pelican crossings with farside signals in Greenwich
Pelican crossings, puffin crossings and pedex crossings are all types of controlled crossing controlled by traffic signals for pedestrians and drivers. These types of crossings can be used where vehicle speeds are high, where there are a lot of vulnerable pedestrians, where vehicle flows or pedestrian flows are high or where the road layout could cause uncertainty.
At these crossings, there will be at least two signal heads facing each direction of vehicular traffic, as well as signal heads and call buttons for pedestrians. The crossings can be staggered to shorten crossing times, mainly for the benefit of vehicular traffic flow.
While pelican crossings are no longer permitted to be installed in Great Britain (they are in Northern Ireland), pedex crossings allow the continued use of farside pedestrian signals
England, Great Britain , UK

Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,jam,traffic jam,A-Road,Motorway,stationary,not moving,view,from,dashboard,driver view,view from car,car,cars,trucks,transport,windshield,stopped,still,vehicular queueing,queue,motorway,M6,not,moving,inside,vehicle,vehicles,Duster,frustration,Smart Motorway,Smart Motorways,zero,MPH,0,controls
Description: Tony Smith image Alamy 2ABJGG9 - . An on-location image from M6 north, Crewe, Cheshire, England, UK in 2019, useful both for the specific subject shown and for the evidence it retains about local identity, design, use and everyday life. The image documents Traffic Jam,view from a dashboard, Motorway,England,UK, zero MPH. A broader reading of the scene brings in social history, local character, period detail, transport corridor, motor traffic, urban mobility, motorway travel, changing streetscape, historical comparison, highway infrastructure, historic context, changing land use, traffic management, and everyday life. From a 2025-onward perspective, the scene also connects with decarbonisation, congestion and the shift toward lower-carbon and more integrated transport. For local-history research, the view leaves evidence of the way the place functioned before later physical or commercial change at M6 north, Crewe, Cheshire, England, UK. The wider local story also touches on road connectivity, contemporary social history, archival record, surface transport, road engineering, visual archive, roadside environment, and regional identity. The recorded references to Motorway, Traffic, and dashboard preserve clues about how the subject was presented, used or understood at the time. Around M6 north, Crewe, Cheshire, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is decarbonisation and the continuing need to maintain ageing transport infrastructure within the real-world context of M6 north, Crewe, Cheshire, England, UK. The scene further reflects public transport and how road layouts influence local access and development within the specific setting of M6 north, Crewe, Cheshire, England, UK. Its period value extends to road safety and the continuing need to maintain ageing transport infrastructure as part of the longer story of M6 north, Crewe, Cheshire, England, UK.
M6 north, Crewe, Cheshire, England, UK

Description
Keywords: GoTonySmith,@HotpixUK,WRC,sport,youth,2018,Howley lane,Cheshire,UK,teamwork,teams,Warrington Rowing,rowing course,learn to row,Warrington learn to row,junior,seniors,boat,skull,boats,sail,sailing,sailing on the river,Lancaster Rowing Club,Lancaster Rowing Club team,Mens coxless quads,quads,quad,head,competition,rows,male,males,moving,moves,competes,tournament
Description: Tony Smith image Alamy PC2G52 - . This location-led image depicts a moment within Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN, in a photograph originating in 2018. The principal point of reference is Lancaster Rowing Club team, Men coxless at Warrington Rowing Club 2018 Summer regatta, Howley lane, Mersey River, Cheshire, North West England, UK. The location also connects working waterway, civil engineering structure, technology adoption, digital economy, networked technology, hydraulic control, towpath environment, managed watercourse, industrial waterway heritage, digital interface, riverine landscape, and mobile computing. The wider contemporary story of navigation maintenance now includes long-term maintenance funding alongside safe public access, while policy and investment increasingly consider adapting old structures to present-day use. Current debate around consumer technology often combines privacy, rapid software change and the practical challenge of more services delivered through phones. Small period details preserved at Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The resulting scene connects with connected device, mobile internet, digital technology, connected society, waterborne transport, screen-based interaction. Further recorded details include sailing on the Mersey, river Mersey, rowers, skulling. Further aspects present in the subject include digital access, software platform, heritage navigation, smartphone culture, lock operation, online service, cybersecurity, digital transformation, inland navigation, and waterway maintenance. It remains a grounded period reference to Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN, its use, appearance and changing local context.
Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN

Description
Keywords: @HotpixUK,Gotonysmith,Northern,Northern Rail,old,Train,carriage,Birchwood,Warrington,Cheshire,England,UK,British Rail,BR,TOC,Train Operating Companies,Train Operating Company,journey,passenger,passengers,franchise,Northern Franchise,failed passengers,Arriva UK Trains,widespread delays,142 Pacer,DMU,seat,seating,poor,dirty,tired,historic,moving,railbus,railbuses,rail bus,Pacer Train,BREL
Description: Tony Smith image Alamy MNFT95 - Pacer is the operational name of the British Rail stock-photo/gotonysmith-Class.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Classes 140, 141, 142, 143 and 144 diesel multiple unit railbuses, built between 1980 and 1987. Intended as a short-term solution to a shortage of rolling stock (with a lifespan of no more than 20 years), as of 2018 many Pacer railbuses are still in use.
The Rail Vehicle Accessibility Regulations require that all public passenger trains must be accessible to disabled people by 2020. Only one Pacer (the modernised 144e) currently meets this requirement, and the remainder will therefore need to be withdrawn by that date unless they receive an extensive refurbishment. Porterbrook, which owns the Class 143 and Class 144 fleets, has proposed such a refurbishment for the rest of the fleet, while Angel Trains, which owns the Class 142 fleet, does not see such a refurbishment as a viable option

Description
Keywords: @HotpixUK,Gotonysmith,Northern,Northern Rail,old,Train,carriage,Birchwood,Warrington,Cheshire,England,UK,British Rail,BR,TOC,Train Operating Companies,Train Operating Company,journey,passenger,passengers,franchise,Northern Franchise,failed passengers,Arriva UK Trains,widespread delays,142 Pacer,DMU,seat,seating,poor,dirty,tired,historic,moving,railbus,railbuses,rail bus,Pacer Train,BREL
Description: Tony Smith image Alamy MNFTAJ - Pacer is the operational name of the British Rail stock-photo/gotonysmith-Class.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Classes 140, 141, 142, 143 and 144 diesel multiple unit railbuses, built between 1980 and 1987. Intended as a short-term solution to a shortage of rolling stock (with a lifespan of no more than 20 years), as of 2018 many Pacer railbuses are still in use.
The Rail Vehicle Accessibility Regulations require that all public passenger trains must be accessible to disabled people by 2020. Only one Pacer (the modernised 144e) currently meets this requirement, and the remainder will therefore need to be withdrawn by that date unless they receive an extensive refurbishment. Porterbrook, which owns the Class 143 and Class 144 fleets, has proposed such a refurbishment for the rest of the fleet, while Angel Trains, which owns the Class 142 fleet, does not see such a refurbishment as a viable option

Description
Keywords: GoTonysmith,@HotpixUK,beckoning,with,slow,moving,doll,Chinese lucky cat,Chinese,lucky cat,icon,superstition,sculptures,electric,battery operated,battery,operated,statue,statues,wave,waving,reflective,left,left paw,paw,stray cat,stray,cat,folklore,chinese folklore,talisman,good fortune,good luck,Chinatown,Chinese culture,Japanese lucky cat
Description: Tony Smith image Alamy MM9A2P - . This authentic period view of Magistrates Court, Bridgwater TA6 3YL, UK in 2018 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through Chinese Beckoning cat,with slow moving paw. Other connected aspects include heritage asset, conservation interest, social history, local history, historical comparison, contemporary social history, documentary photography, archival record, heritage landmark, built heritage, changing streetscape, adaptive reuse, period building, and visual archive. For current editorial use, maintenance and heritage conservation provide additional context, especially through the balance between conservation, retrofit and modern accessibility. Small period details of lettering, decoration and surface detail at Magistrates Court, Bridgwater TA6 3YL, UK may become more significant with time, particularly following new ownership. Other useful contextual ideas include urban fabric, place identity, public realm, community identity, regional identity, conservation architecture, changing land use, and historic streetscape. References to Beckoning, moving, and Chinese give the picture a strong period identity and tie it closely to its named subject. A later view of Magistrates Court, Bridgwater TA6 3YL, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes maintenance and keeping older buildings useful without erasing their distinctive character without losing the local specificity of Magistrates Court, Bridgwater TA6 3YL, UK. Another strand within the photograph is planning control and the balance between conservation, retrofit and modern accessibility in a form that can be compared with future views of Magistrates Court, Bridgwater TA6 3YL, UK. Image MM9A2P also remains a dated record of Magistrates Court, Bridgwater TA6 3YL, UK.
Magistrates Court, Bridgwater TA6 3YL, UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT1,Belfast,Antrim,Northern Ireland,BT1 5GS,Donegall Square,city hall,city,centre,color,coloured,colour,windows,window,not as,but as,nationalist,unionist,together,blue,moving,forward,progress,in,prosperity,ECHR,Good Friday Agreement
Description: Tony Smith image Alamy 2PM626W - . Belfast Workers standing together window, at Belfast City Hall, Donegall Square North, Belfast, stock-photo/gotonysmith-Antrim.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Antrim, Northern Ireland, UK, BT1 5GS. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, BT1, Belfast, Antrim, Northern Ireland, BT1 5GS, Donegall Square, city hall, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. It is a useful stock image for publishers, researchers and picture editors seeking a clearly identified contemporary record of the subject and location.
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT1,Belfast,Antrim,Northern Ireland,BT1 5GS,Donegall Square,city hall,city,centre,color,coloured,colour,windows,window,not as,but as,nationalist,unionist,together,blue,moving,forward,progress,in,prosperity
Description: Tony Smith image Alamy 2PM628K - . Belfast Workers standing together window, at Belfast City Hall, Donegall Square North, Belfast, stock-photo/gotonysmith-Antrim.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Antrim, Northern Ireland, UK, BT1 5GS. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, BT1, Belfast, Antrim, Northern Ireland, BT1 5GS, Donegall Square, city hall, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. It is a useful stock image for publishers, researchers and picture editors seeking a clearly identified contemporary record of the subject and location.
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS

Description
Keywords: attraction,slide,slides,Edinburgh,dusk,at,St,Christmas,Xmas,festival,moving,Edinburghs,Hogmanay,big,slide,fast,at,night,in,the,dark,lights,on,red,yellow,Tourist,tourism,fun,track,things,to,see,do,GotonySmith,Square,rides,ride,evening
Description: Tony Smith image Alamy ED4MP4 - . Traditional fairground attractions, the big slide at Night at Edinburgh's Hogmanay. Photographed at St Andrew Square, Edinburgh, Scotland, UK. The photograph was taken on 26 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with fairground, attractions, Night, Edn, Andrew, Square, Andrews, attraction, slide and slides, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph has strong editorial relevance to public events, festivals, performances, celebrations and the temporary activity that changes the character of a familiar place. It can support coverage of festivals, street entertainment, performers, audiences, tourism, cultural events, city-centre activity and the economic and social impact of organised public gatherings. Costume, temporary signs, crowds, performance areas, street furniture and the surrounding architecture can all help establish the event in a specific place and period. Because events are temporary, a dated documentary photograph has particular archive value, preserving details that disappear as soon as the programme, performers and public activity move on. Search themes include festivals, street performance, live entertainment, cultural events, tourism, crowds, city-centre activity, temporary public space and event heritage. The dated view is valuable for identifying how a particular event, performer or festival presence looked in that year. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
St Andrew Square, Edinburgh, Scotland, UK

Description
Keywords: attraction,slide,slides,dusk,at,St,Andrew,Christmas,Xmas,festival,moving,Edinburghs,Hogmanay,big,fast,slide,Tourist,tourism,fun,track,things,to,see,do,few,people,in,shadow,silhouettes,silhouette,walkers,walking,GotonySmith,illuminated,rides,ride,evening
Description: Tony Smith image Alamy ED4MP6 - . Traditional fairground attractions at Night at Edinburgh's Hogmanay Scotland. Photographed at St Andrew Square, Edinburgh, Scotland, UK. The photograph was taken on 26 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with fairground, attractions, Night, St Andrews, Edinburgh, Square, attraction, slide, slides and dusk, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph has strong editorial relevance to public events, festivals, performances, celebrations and the temporary activity that changes the character of a familiar place. It can support coverage of festivals, street entertainment, performers, audiences, tourism, cultural events, city-centre activity and the economic and social impact of organised public gatherings. Costume, temporary signs, crowds, performance areas, street furniture and the surrounding architecture can all help establish the event in a specific place and period. Because events are temporary, a dated documentary photograph has particular archive value, preserving details that disappear as soon as the programme, performers and public activity move on. Search themes include festivals, street performance, live entertainment, cultural events, tourism, crowds, city-centre activity, temporary public space and event heritage. The dated view is valuable for identifying how a particular event, performer or festival presence looked in that year. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
St Andrew Square, Edinburgh, Scotland, UK

Description
Keywords: night,time,blue,hour,bluehour,Merseyside,England,UK,GB,Great,Britain,british,English,icons,iconic,River,three,graces,reflection,reflections,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,iconic,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,Wheel,gotonysmith,Maritime,Mercantile,City,UNESCO,World,Heritage,city,Echo,echowheel,arena,conference,centre,center,moving,slow,exposure,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXM1N - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Pier Head, Liverpool, England, UK L3 1DL

Description
Keywords: night,time,blue,hour,bluehour,Merseyside,England,UK,GB,Great,Britain,british,English,icons,iconic,River,three,graces,reflection,reflections,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,iconic,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,Wheel,gotonysmith,Maritime,Mercantile,City,UNESCO,World,Heritage,city,Echo,echowheel,arena,conference,centre,center,moving,slow,exposure,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXM6J - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Pier Head, Liverpool, England, UK L3 1DL

Description
Keywords: EH1 Scottish Scot scots independance independence Woman And Child,Lothian,Road,Sculpture,of,Woman,And,Child,by,Anne,Davidson,from,1986.,The,statue,celebrated,Edinburghs,stand,against,the,apartheid,system,in,South,Africa,at,the,time,of,the,imprisonment,of,Nelson,Mandela,and,fighting,in,Soweto,towns,Gotonysmith,township,commissioned,works,are,on,public,view,glasgow,Anne,Ross,Davidson,DA,Edinburgh,City,Council,sculptor,and,artist,black,woman,standing,with,a,young,child,in,front,of,the,suggestion,of,a,shantytown.,It,was,unveiled,on,22,July,1986,by,a,then,exiled,member,of,the,African,National,Congress,ANC,Suganya,Chetty,summer,sun,sunshine,moving,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED40D - . Sculpture of Woman And Child by Anne Davidson from 1986, Edinburgh Scotland UK. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 25 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Edinburgh, Scots, ART, statue, Anne, Lothian, Road, Sculpture, Woman and Child, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The subject is relevant to industry, manufacturing, engineering, infrastructure, employment and the physical sites that support production and utilities. It can illustrate editorial coverage of factories, warehouses, industrial heritage, construction, logistics, investment, redevelopment, energy, engineering and the changing economic use of land. Machinery, structures, signage, yards, plant and surrounding buildings provide documentary evidence of a working or former industrial environment rather than an abstract business concept. The dated photograph also has archive value for future comparison as industrial sites are modernised, repurposed, demolished or incorporated into regeneration schemes. Search themes include industry, manufacturing, engineering, factories, warehouses, infrastructure, employment, logistics, industrial heritage and redevelopment. The view has particular archive value where working sites, plant or industrial buildings are later modernised, repurposed or demolished. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh Old Town, Lothian, Scotland EH1

Description
Keywords: Inside-Out,city,of,financial,district,Brexit,Passporting,radical,Bowellism,architecture,street,modern,night,shot,nightshot,tower,metropolis,twilight,bold,moving,bus,red,Lloyds Building,Financial Passporting,Lime St,Lime Street,Richard Rogers,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,Richard,Rogers,Bovis,construction,film,location,locations,steel,glass,windows,financial,centre,center,Europe,Futuristic,GB,UK,controversial,design,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of,Night Shot,City Of London,Great Britain,moving bus
Description: Tony Smith image Alamy H3F086 - The Lloyd's building (sometimes known as the Inside-Out Building) is the home of the insurance institution Lloyd's of London. It is located on the former site of East India House in Lime Street, in London's main financial district, the City of London. The building is a leading example of radical Bowellism architecture in which the services for the building, such as ducts and lifts, are located on the exterior to maximise space in the interior.
Twenty-five years after completion in 1986, the building received Grade I listing in 2011
it was the youngest structure ever to obtain this status. It is said by Historic England to be universally recognised as one of the key buildings of the modern epoch
One Lime Street, London, England, EC3M 7HA UK
![iPod Shuffle2 - Sister Europe [London St Pancras Station International Arrivals] 7693395550 london,termini,railway,station,st.,pancras,international,arrivals,eurostar,euro,europe,star,train,highspeed,high,speed,tony,smith,tonysmith,hotpixuk,hotpix,tonysmiththatitguy,England,capital,UK,people,moving,square](https://live.staticflickr.com/7106/7693395550_001de47a0f_o.jpg/)
Description
Keywords: london,termini,railway,station,st.,pancras,international,arrivals,eurostar,euro,europe,star,train,highspeed,high,speed,tony,smith,tonysmith,hotpixuk,hotpix,tonysmiththatitguy,England,capital,UK,people,moving,square
Description: Tony Smith image Flickr 7693395550 - 'The Psychedelic Furs - 'Sister Europe' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
This is one of my favourite tracks of all time. 'Sister Europe' is a song by the English band The Psychedelic Furs from the band's 1980 first album, The Psychedelic Furs. Written by the band and produced by Steve Lillywhite, it was released in February 1980 as the album's second single.
This photograph echo's the cover of the single that shows the continental departures board at what looks like Charing Cross railway station London.
According to Richard Butler of the band, the lyrics conveyed sadness over his then-girlfriend moving away, and were written using imagery, 'instead of saying 'My bird's gone to Italy and I miss her''.
The Psychedelic Furs are an English post-punk/New Wave band founded in 1977. Led by singer Richard Butler and his brother Tim on bass guitar, the Psychedelic Furs are one of the many acts spawned from the British post-punk scene. Their music went through several phases, from an initially austere art rock sound, later touching on new wave and hard rock.
They scored several hits in their early career, but were launched to international attention in 1986 when the film director John Hughes used their song 'Pretty in Pink' for his movie of the same name. A newly recorded version of the song became the Psychedlic Furs' biggest hit to that time. 'Heartbreak Beat', from their 1987 album Midnight to Midnight, was the Furs' biggest Top 40 entry in the US.
The Psychedelic Furs went on hiatus in 1991, and the Butler brothers formed a new band called Love Spit Love. The Psychedelic Furs later regrouped in 2001 and continue to perform around the world.
St Pancras railway station, also known as London St Pancras and since 2007 as St Pancras International, is a railway station terminus celebrated for its Victorian architecture. The Grade I listed building stands on Euston Road in St Pancras, London Borough of Camden, between the British Library, King's Cross station and the Regent's Canal.
It was opened in 1868 by the Midland Railway as the southern terminus of its main line, which connected London with the East Midlands and Yorkshire. When it opened, the arched Barlow train shed was the largest single-span roof in the world.
After escaping planned demolition in the 1960s, the complex was renovated and expanded during the 2000s at a cost of \u00a3800 million with a ceremony attended by the Queen and extensive publicity introducing it as a public space. A security-sealed terminal area was constructed for Eurostar services to Continental Europe via High Speed 1 and the Channel Tunnel, with platforms for domestic trains to the north and south-east of England.
The restored station has 15 platforms, a shopping centre and a bus station, and is served by London Underground's King's Cross St Pancras tube station. St Pancras is owned by London and Continental Railways, along with the adjacent urban regeneration area known as King's Cross Central, and is one of 18 British stations managed by Network Rail. The redeveloped terminus has been described by the travel writer Simon Calder as 'the world's most wonderful railway station'
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',

Description
Keywords: United,Kingdom,Edinburgh,City,Scotland,UK,dusk,movement,people,xmas,Christmas,blue,fun,Carousel,Scottish,British,GB,great,scots,merry-go-round,merrygo,merry-go,seats,tree,trees,funland,fun,excitement,Gotonysmith,Buy Pictures of,Buy Images Of,moving,spins
Description: Tony Smith image Alamy D8G0AJ - . Recorded at Princess St, Edinburgh, Scotland , UK in 2010, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records Merry Go Round at dusk Princess St Gardens Edinburgh City Scotland UK. Further facets of the scene include regional identity, high-street commerce, community identity, local history, street-level business, social history, archival record, historical comparison, local character, independent retail, town-centre trading, retail property, place identity, and specialist retailer. The modern context includes continuing discussion of business rates, footfall and how shopfronts become short-lived records of changing businesses. As a dated visual record of Princess St, Edinburgh, Scotland , UK, the frame retains materials and architectural details, making it especially useful if closure or conversion subsequently changes the scene. Other useful contextual ideas include small business, documentary photography, contemporary social history, commercial frontage, changing streetscape, bricks-and-mortar retail, customer footfall, and visual archive. Elements such as Edinburgh, Princess, Round, Gardens, and Merry add documentary specificity and may become increasingly useful when compared with later records. The period setting at Princess St, Edinburgh, Scotland , UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of business rates and how shopfronts become short-lived records of changing businesses within the real-world context of Princess St, Edinburgh, Scotland , UK. A further contemporary connection is independent business and how commercial property costs affect small retailers within the specific setting of Princess St, Edinburgh, Scotland , UK. Image D8G0AJ also remains a dated record of Princess St, Edinburgh, Scotland , UK.
Princess St, Edinburgh, Scotland , UK

Description
Keywords: St,saint,Giles,Cathedral,High,Kirk,of,Edinburgh,at,night,Scotland,gotonysmith,royal,mile,stone,stones,church,crown,steeple,of,Mother,old,town,oldtown,episcopalianism,royal,burgh,high,shot,image,nightimage,long,exposure,moving,sky,clouds,cloud,tourist,tourism,LEcosse,Edimbourg,Schotland,Schottland,La,Scozia,Edimburgo,Escocia,Edimburgo,where,to,visit,religion,scottish,independance,independence,home,rule,devolution,parliament,SNP,national,party,@Hotpixuk,Government,gotonysmith,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy CF7D7C - . St saint Giles Cathedral High Kirk of Edinburgh at dusk, Scotland @HotpixUK. Photographed on 25 December 2010. The recorded location is Royal Mile, Edinburgh, Lothians , Scotland, UK. Historically, panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. As background, ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space. In 2026, current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent. Against the 2026 backdrop, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses. The historical context is that seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. In the longer view, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a particular moment
Repeated views can later become valuable evidence of development, environmental change and shifting patterns of use. Useful alternative terminology includes panorama, scenic view, night photography, seasonal landscape, skyline, and cityscape.
Royal Mile, Edinburgh, Lothians , Scotland, UK

Description
Keywords: AQOE,-,A,Question,Of,Etiquette,Band,Live,on,stage,at,Winnington,Rec,Northwich,Cheshire,Guitarist,Matty,Albury,As,the,Myspace,biog,says,A,Question,Of,Etiquette,are,a,five,piece,Death,Metal,band,from,Northwich,who,formed,in,2009,.With,there,energetic,riffs,brutal breakdowns and lively stage,As,the,Myspace,biog,says...,i,Buy,Pictures,of,Buy,Images,Of,A,Question,Of,Etiquette,are,a,five,piece,Death,Metal,band,from,Northwich,who,formed,in,2009.With,there,energetic,riffs,brutal,breakdowns,and,lively,stage,presence,promises,to,keep,the,pits,moving,and,cause,as,much,destruction,as,possible.With,there,demo,e.p,now,released,summer,2010,A,Question,Of,Etiquette,hope,to,keep,raising,the,bar,and,destroy,the,UK...,Their,lyrical,concept,is,born,through,the,hatred,that,many,of,us,have,grown,up,with,through,our,lives,,the,people,we,know,,hate,and,love,and,the,pure,passion,that,drives,us,to,aim,as,far,we,can...,The,band,aim,for,a,fresh,melodic,sound,,yet,maintaining,an,extreme,banned,This,Winnington,Rec,Banned!,gig,gotonysmith,,,
Description: Tony Smith image Alamy CF13B7 - A Question Of Etiquette are a five piece Death Metal band from Northwich who formed in 2009.With there energetic riffs,brutal breakdowns and lively stage presence promises to keep the pits moving and cause as much destruction as possible.With there demo e.p now released summer 2010
A Question Of Etiquette hope to keep raising the bar and destroy the UK... Their lyrical concept is born through the hatred that many of us have grown up with through our lives, the people we know, hate and love and the pure passion that drives us to aim as far we can... The band aim for a fresh melodic sound, yet maintaining an extreme yet old school feel to the music, forever hoping to progress through time, and with the dedication and drive we all have we believe this is possible
This Winnington Rec' Banned! gig was opened by Spires, Kensington Arms from Holland and topped off by AQOE (A Question Of Etiquette).
The AQOE set included 'Hold Tight', Divided, AQOE, Innovations, 'Visions of a sleeping god'and Brainless.
Good on Nick Hughes and The Banned Network for keeping these gigs on in these dire ConDem times of recession.
More info: Myspace
The Stage, Park Street, Winnington, Northwich, Cheshire, England, UK

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Keywords: Astern,Dead,Slow,-,Chadburns,Ships,Engine,Order,Telegraph,Chadburn,sepia,An,engine,order,telegraph,or,E.O.T.,often also called a Chadburn,is,a,communications,device,used,on,a,ship,(or,submarine),for,the,pilot,on,the,bridge,to,order,engineers,in,the,engine,room,to,power,the,vessel,at,a,certain,gotonysmith desired speed. In early vessels,from the 1800s until about 1950,the,device,usually,consisted,of,a,round,dial,about,nine,inches,in,diameter,with,a,knob,at,the,center,attached,to,one,or,more,handles,and,an,indicator,pointer,on,the,face,of,the,dial.,Modern,E.O.T.s,on,vessels,which,still,use,them,use,electronic,light,and,sound,signals.,Traditional,E.O.T.s,required,a,pilot,wanting,to,change,speed,to,the telegraph on the bridge,moving,the,handle,to,a,different,position,on,the,dial.,This,would,ring,a,bell,in,the,engine,room,and,move,their,pointer,to,the,position,on,the,dial,selected,by,the,bridge.,The,engineers,hear,the,bell,and,move,their,handle,to,the,same,position,to,signal,their,acknowledgment,of,the,order,and adjust the engine speed accordingly.,ring,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8FBAD - An engine order telegraph or E.O.T., often also called a Chadburn, is a communications device used on a ship (or submarine) for the pilot on the bridge to order engineers in the engine room to power the vessel at a certain desired speed. In early vessels, from the 1800s until about 1950, the device usually consisted of a round dial about nine inches in diameter with a knob at the center attached to one or more handles, and an indicator pointer on the face of the dial. Modern E.O.T.s on vessels which still use them use electronic light and sound signals.
Traditional E.O.T.s required a pilot wanting to change speed to ring the telegraph on the bridge, moving the handle to a different position on the dial. This would ring a bell in the engine room and move their pointer to the position on the dial selected by the bridge. The engineers hear the bell and move their handle to the same position to signal their acknowledgment of the order, and adjust the engine speed accordingly. Such an order is called a bell, for example the order for a ship's maximum speed, flank speed, is called a flank bell.
For urgent orders requiring rapid acceleration, the handle is moved three times so that the engine room bell is rung three times. This is called a cavitate bell because the rapid acceleration of the ship's propeller will cause the water around it to cavitate, causing a lot of noise and wear on the propellers. Such noise is undesirable during conflicts because it can give away a vessel's position.
On most modern vessels the EOT acts as a direct throttle with no intervening engine room personnel.
This one has positions of Full Ahead, Half, Slow, Dead Slow, Stand By, Stop. Astern Finished with engines, dead slow, slow, half and full. German U-boats of World War II contained the dial position Alarmtauchen, the order for a crash dive.
Most seen these days are copies. Most do not include the CL of Chadburn Liverpool which was the place of manufacture, as in this specimen h

Description
Keywords: Cheshire,retail,retailing,city,tourist,tourists,tourism,economy,old,building,buildings,rows,of,roman,deva,bustle,movement,moving,timber,frame,frames,framed,roofs,excitement,CWAC,west,council,local,economy,authority,walled,walls,east,gate,gates,stone,pedestrianised,high,streets,st,market,markets,rain,gotonysmith,pedestrian,pedestrians,pedestrianisation,wet,rainy,scene,daytime,CH1,1LF,CH11LF,City Centre,City,Centre,@hotpixUK,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8FBC5 - . An on-location photograph from Eastgate, Chester, England, UK CH1 1LF in 2010, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is Bustling shoppers Chester Eastgate Busy wet Saturday, in pedestrianised area. Cheshire, England UK. The locality and subject together evoke bricks-and-mortar retail, customer footfall, period detail, public realm, everyday life, local history, community identity, independent retail, specialist retailer, historical comparison, social history, documentary photography, before-and-after reference, and changing land use. Viewed from the mid-2020s, the subject also connects with consumer spending, commercial rents and how shopfronts become short-lived records of changing businesses. Future viewers can use this scene from Eastgate, Chester, England, UK CH1 1LF to compare signage and branding with whatever follows after conservation work. The location also brings in archival record, commercial frontage, regional identity, visual archive, local enterprise, high-street commerce, specialist shop, and place identity. Details involving Saturday, Eastgate, shoppers, Chester, and pedestrianised make the image more specific than a generic view and strengthen its local or historical value. For Eastgate, Chester, England, UK CH1 1LF, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for consumer spending and how shopfronts become short-lived records of changing businesses without losing the local specificity of Eastgate, Chester, England, UK CH1 1LF. Another useful connection is online shopping and how commercial property costs affect small retailers in a form that can be compared with future views of Eastgate, Chester, England, UK CH1 1LF.
Eastgate, Chester, England, UK CH1 1LF

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Keywords: Road,Latchford,South,Warrington,Cheshire,England,UK,dusk,night,shot,nightshot,moving,car,trail,trails,lights,street,light,blue,sky,speed,speeding,vehicle,Viaduct,old,steel,near,Manchester,Ship,Canal,locks,MSCC,Peel,holdings,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HDRM - . This location-specific image from Thelwall New rd Latchford South Warrington Cheshire England UK in 2010 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Old iron railway bridge dusk at Thelwall New rd Latchford South Warrington Cheshire England UK near Manchester Ship Canal locks. Another layer of the photograph includes local character, station environment, managed navigation, passenger railway, inland navigation, rail mobility, regional identity, navigation engineering, changing land use, historical comparison, contemporary social history, trackside heritage, transport interchange, and working waterway. Viewed from the mid-2020s, the subject also connects with public ownership, fares and the role of public transport in reducing congestion and emissions. The modern context includes continuing discussion of maintenance funding, climate adaptation and how navigation heritage coexists with modern flood and environmental management. Small period details of commercial use and occupation at Thelwall New rd Latchford South Warrington Cheshire England UK may become more significant with time, particularly following closure or conversion. Other useful contextual ideas include blue-green corridor, mass transit, documentary photography, place identity, local history, changing streetscape, towpath landscape, and lock flight. Details involving Canal, railway, Thelwall, Manchester, and locks make the image more specific than a generic view and strengthen its local or historical value. Around Thelwall New rd Latchford South Warrington Cheshire England UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. It also preserves a trace of local identity for future local research. The photograph keeps a local visual benchmark before later change alters the scene.
Thelwall New rd Latchford South Warrington Cheshire England UK

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Keywords: Freight,train,goes,through,Warrington,Bank,Quay,west,coast,electrified,mainline,station,in,Cheshire,England,UK,gotonysmith,dusk,night,evening,shot,CGM,train,gotonysmith,Buy Pictures of,Buy Images Of,CMA CGM,platform,moving,goods,travel,travels,Persil,Lever,brothers,factory,industry,industries,monochrome
Description: Tony Smith image Alamy CF0NN3 - . CMA CGM Freight train goes through Warrington Bank Quay, west coast electrified mainline station in Cheshire, England UK. Photographed on 9 July 2009. The recorded location is Warrington Bank Quay Station, warrington, Cheshire, England, UK. In the longer view, financial objects and premises connect economic history with daily life
Banknotes, coins, savings products, cheques, branch buildings and ATMs show how people stored and accessed money before digital banking reduced the visibility of many traditional banking services. From a heritage perspective, stations and railway infrastructure are both working transport assets and historical records
Their changing operators, signage, ticketing systems, rolling stock and architecture chart the development of British rail travel from the Victorian era to modern inter-city and commuter services. Historically, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a particular moment
Repeated views can later become valuable evidence of development, environmental change and shifting patterns of use. Current 2026 relevance comes from the fact that access to cash remains a live issue despite the growth of cards and mobile payments
FCA rules now require major banks and building societies to protect reasonable local access to cash, so images of cashpoints, banknotes and closed branches can illustrate the tension between digital banking and physical financial services. As of 2026, rail reform gives this type of image extra context
The government is legislating for Great British Railways to coordinate infrastructure, services, fares and timetables, while historic operator liveries and station equipment increasingly become records of the post-privatisation era. Other closely matched search terms include currency, sterling, personal finance, financial inclusion, payment methods, bank branch, rail transport, and passenger railway.
Warrington Bank Quay Station, warrington, Cheshire, England, UK

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Keywords: GoTonySmith,HotpixUK,@HotpixUK,poorer,less affluent,less well off,people,users,customers,to,pay,costs,inflation,mobile,rising,inflated,internet,broadband,connectivity,access,stuggle,online services,web,UC,cant afford,provider,payment,plan,plans,reducing,moving,changing,contract,cheaper,deal,deals,shopping around,switching,phone
Description: Tony Smith image Alamy 2JMWGPX - . This location-specific image from the recorded location in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The image documents EE Orange mobile phone bill,poor people struggling to afford phone, internet and broadband costs, necessary to access Universal Credit and web. The subject also carries associations with cityscape history, conservation interest, changing streetscape, heritage asset, urban fabric, heritage landmark, before-and-after reference, architectural detail, period architecture, architectural character, contemporary social history, social history, archival record, and period detail. In present-day coverage, the subject reaches into tourism and maintenance, not least because of keeping older buildings useful without erasing their distinctive character. The image fixes transport arrangements and footfall within the recorded location at one identifiable point, providing a benchmark against changing commercial priorities. The subject also sits alongside public realm, community identity, conservation architecture, adaptive reuse, documentary photography, regional identity, local history, and changing land use. Elements such as internet, Orange, afford, access, and people add documentary specificity and may become increasingly useful when compared with later records. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The location additionally provides evidence of tourism and how historic buildings acquire new uses as cities change within the specific setting of the recorded location. A further contemporary connection is maintenance and how historic buildings acquire new uses as cities change as part of the longer story of the recorded location. The scene captures evidence of changing use as a date-specific reference.

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Keywords: @HotpixUK,Gotonysmith,Northern,Northern Rail,old,Train,carriage,Birchwood,Warrington,Cheshire,England,UK,British Rail,BR,TOC,Train Operating Companies,Train Operating Company,journey,passenger,passengers,franchise,Northern Franchise,failed passengers,Arriva UK Trains,widespread delays,142 Pacer,DMU,seat,seating,poor,dirty,tired,historic,moving,railbus,railbuses,rail bus,Pacer Train,BREL,seats
Description: Tony Smith image Alamy MNFT9T - Pacer is the operational name of the British Rail stock-photo/gotonysmith-Class.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Classes 140, 141, 142, 143 and 144 diesel multiple unit railbuses, built between 1980 and 1987. Intended as a short-term solution to a shortage of rolling stock (with a lifespan of no more than 20 years), as of 2018 many Pacer railbuses are still in use.
The Rail Vehicle Accessibility Regulations require that all public passenger trains must be accessible to disabled people by 2020. Only one Pacer (the modernised 144e) currently meets this requirement, and the remainder will therefore need to be withdrawn by that date unless they receive an extensive refurbishment. Porterbrook, which owns the Class 143 and Class 144 fleets, has proposed such a refurbishment for the rest of the fleet, while Angel Trains, which owns the Class 142 fleet, does not see such a refurbishment as a viable option

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Keywords: attraction,slide,slides,dusk,at,St,Andrew,Square,Xmas,festival,moving,merry,go,around,Edinburghs,sign,saying,please,buy,carousel,tickets,at,the,box,office,moving,movement,Tourist,tourism,fun,track,things,to,see,do,GotonySmith,Go Tony Smith,GoTonySmith,capital,holiday spending
Description: Tony Smith image Alamy ED4M0E - Traditional fairground attractions, Carousel, at Night at Edinburgh's Hogmanay, Scotland , UK gives a direct editorial record of a recognisable subject, with location, signage, architecture or everyday behaviour carrying much of the meaning. A carousel at Edinburgh's Hogmanay brings together winter light, fairground nostalgia, tourism and one of Scotland's most commercially important public celebrations. The subject suits features on seasonal events, family entertainment, city-centre crowd management, night photography, visitor spending and the blend of tradition and spectacle in New Year celebrations. Seasonal references, artificial light and winter atmosphere make it especially relevant to December and New Year picture needs. The location detail, Edinburgh, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. For buyers, the strength lies in the combination of a named subject, a lived-in setting and enough visual specificity to carry stories about how places are used, remembered, funded, visited or contested.
St Andrew Square, Edinburgh, Scotland, UK

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Keywords: Office,space,gerkin,Marys,London,England,UK,at,Dusk,finance,financial,money,district,commercial,skyscraper,EC3A,8BF,services,passport,passporting,Brexit,EU,Red,bus,passes,passing,motion,30 St Mary Axe,The Gherkin,Swiss Re Building,City Of London,EC3A 8BF,EU Passporting,London bus,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,former,sites,of,the,Norman,Foster,cityscape,architecture,lit,illuminated,sir,outdoor,Aldgate,travel,tourist,construction,contemporary,Londons,Skanska,skyscraper,symbol,futuristic,insurance,urban,high,rise,highrise,long,exposure,long,exposure,streak,streaking,speed,fast,moving,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of,Financial District,Baltic Exchange,Chamber of Shipping,High-rise,Long Exposure,Long Exposure
Description: Tony Smith image Alamy H3F061 - 30 St Mary Axe (informally known as The Gherkin and previously as the Swiss Re Building) is a commercial skyscraper in London's primary financial district, the City of London.
It was completed in December 2003 and opened in April 2004. With 41 storeys, it is 180 metres (591 ft) tall and stands on the former sites of the Baltic Exchange and Chamber of Shipping, which were extensively damaged in 1992 by the explosion of a bomb placed by the Provisional IRA in St Mary Axe, the street from which the tower takes its name.
30 St Mary Axe was designed by Norman Foster and Arup Group and it was erected by Skanska, with construction commencing in 2001.
St Mary's Axe, London, England, UK EC3A 8BF




