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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4664,Manchester,bee,worker bee,symbol,mosaic,public,art,1842,industrial,heritage,identity,unity,Arena,civic,emblem,worker,black,yellow,formed,tiles
Description: Tony Smith image Alamy 3FC88YW - . Black-and-yellow manchester worker bee formed in mosaic tiles depicts one of Manchester's most enduring civic emblems. The worker bee was formally incorporated into the city's coat of arms in 1842 and came to represent Manchester as a hive of industrial activity, with the insect standing for hard work and collective effort. Bees appear throughout the city on architecture, street furniture, bins, bollards, paving and decorative mosaics. The symbol took on an additional emotional meaning after the Manchester Arena bombing in May 2017, when it was widely adopted as an emblem of unity, remembrance and defiance and appeared on tattoos, posters and fundraising material around the world. A ceramic or pavement mosaic links that modern symbolism back to Victorian civic design and the city's industrial past. The image is useful for Manchester identity, local branding, tourism, labour history, the Industrial Revolution, public art, solidarity and memorial culture. The photograph also fixes the appearance of the place in the mid-2020s, preserving details that may later disappear through redevelopment, rebranding or changes in regulation. It is suitable for editorial use on social history, local identity, consumer behaviour and the way everyday streets respond to wider economic forces. The subject provides a concrete visual reference for editors needing a real location rather than a generic illustration of bee. Because the photograph is tied to a specific date, it can later be compared with subsequent changes in signage, ownership, regulation, public use or the surrounding streetscape. It additionally captures ordinary material culture of 2026, including the graphic design, technology, clothing or infrastructure through which broader trends become visible at street level. A clear record of Britain in the 2020s. It also strengthens searches for authentic contemporary British documentary imagery. Useful for dated UK editorial coverage.
Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4606,Northwich,salt,chemicals,waterways,mosaic,industrial,heritage,Cheshire,Brunner,Mond,ICI,River,Weaver,town,history,public,art,subsidence,three,civic,mosaics,labelled
Description: Tony Smith image Alamy 3FC8AB0 - . Three civic mosaics labelled salt, chemicals and waterways turns Northwich's economic story into public art. The three themes are not decorative inventions but a concise summary of the town's development: salt extraction from brine, the chemical industry that grew from abundant local salt, and the navigable waterways used to move heavy materials and products. Northwich grew where the Rivers Weaver and Dane meet and is one of Cheshire's historic salt towns. Salt was exploited from brine from Roman times and is recorded in the Domesday Book
later deep extraction and brine pumping supported chemical production but also caused serious subsidence. Brunner Mond established major soda-ash works at Winnington in the nineteenth century, and the firm became part of ICI in 1926. Water transport on the Weaver was vital to moving salt and chemicals, so industry, waterways and the physical form of the town are closely connected. The mosaics are therefore useful for heritage, education and regeneration stories because they present industrial history in a form encountered during ordinary town-centre life. They also connect present-day Northwich with the physical consequences of extraction, including subsidence, mine stabilisation and a landscape of flashes and reclaimed industrial land. The photograph also fixes the appearance of the place in the mid-2020s, preserving details that may later disappear through redevelopment, rebranding or changes in regulation. It is suitable for editorial use on social history, local identity, consumer behaviour and the way everyday streets respond to wider economic forces. The subject provides a concrete visual reference for editors needing a real location rather than a generic illustration of northwich history. Because the photograph is tied to a specific date, it can later be compared with subsequent changes in signage, ownership, regulation, public use or the surrounding streetscape. Useful for dated UK editorial coverage.
Northwich, Cheshire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4236,Greetings From Eccles,We Love Eccles,Eccles,Salford,art,mural,community,hoardings,regeneration,redevelopment,public,artwork,mosaic,colourful,Manchester,Greater,town,centre,identity,culture,local,heritage,placemaking,construction,demolition,streetart,August,2026,urban,creative,project
Description: Tony Smith image Alamy 3FAP94C - . Colourful Greetings From Eccles community artwork displayed on We Love Eccles regeneration hoardings in the centre of Eccles, Salford, Greater Manchester, in August 2026. The montage-style design combines local words, symbols, landmarks and decorative imagery to create an upbeat visual identity for the town while major redevelopment work takes place behind the temporary barriers. Public art on construction hoardings can soften the appearance of demolition sites and provide a way for communities to express local pride during periods when familiar streets and buildings are changing rapidly. This photograph records that placemaking approach in Eccles, where the existing shopping-centre area was being transformed through a substantial regeneration programme. The image is relevant to editorial themes including community art, regeneration, civic identity, street art, public realm, local culture, creative placemaking, redevelopment hoardings and the social impact of urban change. Its dense collage of imagery also offers a visual snapshot of how Eccles chooses to represent itself, turning a temporary construction boundary into a bright piece of public-facing cultural material rather than leaving a blank or purely commercial barrier.
Eccles town centre, Salford, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9258,Leeds College of Art,historic,mosaic,panel,red-brick,building,Leeds,West Yorkshire,England,UK,art,education,public,architectural,decoration,heritage,visual,culture,college,design,creative,institution
Description: Tony Smith image Alamy 3EGWJTC - . Leeds College of Art historic mosaic panel on a red-brick building in Leeds, West Yorkshire, England, UK. Photographed on 16 May 2026. The decorative architectural artwork carries the words LEEDS COLLEGE OF ART and depicts stylised figures in a colourful arts-and-crafts influenced composition above the street. The surviving panel provides a strong reminder of the city's long tradition of specialist art and design education and can illustrate stories about creative education, historic college buildings, public artworks, conservation, institutional heritage and the role of art schools in the cultural development of British cities. The background to academic life is that universities and colleges are both educational institutions and major pieces of civic architecture
Graduation ceremonies, historical buildings and campus signs record academic traditions as well as the growth of higher education. Current 2026 context around academic life is that universities face continuing pressure around funding, international recruitment, student living costs and the value of degrees, while graduation remains an important public ritual marking educational achievement. Relevant alternative phrases include university, graduates, students, student experience, research, learning, university building, degree ceremony, education sector, 255A9258, decoration, visual, and culture. Within the history of student experience, universities and colleges are both educational institutions and major pieces of civic architecture
Graduation ceremonies, historic buildings and campus signs record academic traditions as well as the growth of higher education. In relation to university building, historical context shows that british higher education expanded dramatically during the twentieth century, changing university towns and creating new campuses, student districts and specialist research facilities.
Leeds, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9281,County Arcade,Victoria Quarter,Leeds,West Yorkshire,England,UK,interior,historic,shopping,arcade,heritage,retail,luxury,architecture,ironwork,glazed,roof,mosaic,shopfronts,tourism,conservation,city-centre,destination,regeneration
Description: Tony Smith image Alamy 3EKD9W0 - . County Arcade interior in the Victoria Quarter, Leeds, West Yorkshire, England, UK, showing mosaic floor and shopfronts. Photographed on 16 May 2026. The recorded location is County Arcade, Victoria Quarter, Leeds, West Yorkshire, England, UK. The elegant historic shopping arcade is characterised by richly decorated ironwork, glazed roofing, mosaic flooring and ornate shopfronts. The arcade is one of the most distinctive surviving retail interiors in Leeds and demonstrates how highly decorative nineteenth and early twentieth-century commercial architecture remains in active use. The image can support stories about heritage-led regeneration, premium retail, shopping tourism, adaptive reuse and the role of historic arcades in maintaining distinctive city-centre character. For regeneration, the historical context is that buildings are often the most durable evidence of former institutions and businesses
Brickwork, stonework, windows, entrances and signs can survive changes of ownership or use, allowing photography to document architectural style as well as the evolution of a street or district. Looking at retail premises, the longer history is that market halls have long concentrated small traders under one roof, combining food, household goods and specialist retail with an important social role
Regenerated markets increasingly mix traditional stalls with cafés, events and independent makers. For regeneration, the 2026 context is that reuse of existing buildings is increasingly discussed alongside embodied carbon, heritage conservation and town-centre regeneration
Photographs of older façades and converted premises can illustrate the practical tension between preservation, energy performance and new development. In 2026, retail premises remains relevant because high streets continue to change rapidly , with vacancies, redevelopment and food-led destinations altering the balance between retail and leisure
Earlier images of traders and shopfronts.
County Arcade, Victoria Quarter, Leeds, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9283,County Arcade,Victoria Quarter,Leeds,West Yorkshire,England,UK,interior,historic,shopping,arcade,heritage,retail,luxury,architecture,ironwork,glazed,roof,mosaic,shopfronts,tourism,conservation,city-centre,destination,regeneration
Description: Tony Smith image Alamy 3EKD9WN - . County Arcade interior in the Victoria Quarter, Leeds, West Yorkshire, England, UK, showing ornate glazed arcade. Photographed on 16 May 2026. The recorded location is County Arcade, Victoria Quarter, Leeds, West Yorkshire, England, UK. The elegant historic shopping arcade is characterised by richly decorated ironwork, glazed roofing, mosaic flooring and ornate shopfronts. The arcade is one of the most distinctive surviving retail interiors in Leeds and demonstrates how highly decorative nineteenth and early twentieth-century commercial architecture remains in active use. The image can support stories about heritage-led regeneration, premium retail, shopping tourism, adaptive reuse and the role of historic arcades in maintaining distinctive city-centre character. Seen through architectural history, the earlier context is that architecture records the priorities of the period in which a structure was designed: materials, ornament, scale and planning reveal technology, status and intended use
Later alterations, extensions and new tenants add further layers, so a single façade can embody several phases of local past. The 2026 relevance of architectural history comes from the fact that current planning debates place growing emphasis on housing delivery, retrofit, accessibility and the reuse of brownfield sites
Architectural photographs therefore connect design past with present-day questions about regeneration, sustainability and urban density. Relevant synonyms and subject phrases include built environment, architectural detail, historic building, facade, streetscape, urban design, heritage building, construction, property, townscape, cityscape, building conservation, 255A9283, luxury, conservation, and destination. The image also relates directly to built environment, architectural detail and historic building. The subject also connects architectural detail, historic building and facade within the same editorial theme.
County Arcade, Victoria Quarter, Leeds, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9288,County Arcade,Victoria Quarter,Leeds,West Yorkshire,England,UK,interior,historic,shopping,arcade,heritage,retail,luxury,architecture,ironwork,glazed,roof,mosaic,shopfronts,tourism,conservation,city-centre,destination,regeneration
Description: Tony Smith image Alamy 3EKDA1P - . County Arcade interior in the Victoria Quarter, Leeds, West Yorkshire, England, UK, showing wide interior view. Photographed on 16 May 2026. The recorded location is County Arcade, Victoria Quarter, Leeds, West Yorkshire, England, UK. The elegant historic shopping arcade is characterised by richly decorated ironwork, glazed roofing, mosaic flooring and ornate shopfronts. The arcade is one of the most distinctive surviving retail interiors in Leeds and demonstrates how highly decorative nineteenth and early twentieth-century commercial architecture remains in active use. The image can support stories about heritage-led regeneration, premium retail, shopping tourism, adaptive reuse and the role of historic arcades in maintaining distinctive city-centre character. The historical setting for cityscape is that the built environment is continually reused
Warehouses become apartments, stations become event spaces and commercial premises acquire new occupants, making older photographs particularly useful for tracing regeneration, demolition, conservation and adaptive reuse. In the 2026 discussion of cityscape, reuse of existing buildings is increasingly discussed alongside embodied carbon, heritage conservation and town-centre regeneration
Photographs of older façades and converted premises can illustrate the practical tension between preservation, energy performance and new development. Additional high-relevance terminology includes architectural detail, historic building, facade, streetscape, urban design, heritage building, construction, property, townscape, architectural history, building conservation, 255A9288, luxury, and destination. Looking at urban design, the longer history is that the built environment is continually reused
Warehouses become apartments, stations become event spaces and commercial premises acquire new occupants, making older photographs particularly valuable for tracing regeneration, demolition, conservation and adaptive reuse.
County Arcade, Victoria Quarter, Leeds, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9296,County Arcade,Victoria Quarter,Victoria Leeds,West Yorkshire,England,UK,shopping,arcade,luxury,retail,heritage,architecture,ornate,ironwork,mosaic,glazed,roof,tourism,designer,stores,conservation,historic,interior,city-centre
Description: Tony Smith image Alamy 3EKDA24 - County Arcade in the Victoria Quarter, Victoria Leeds, West Yorkshire, England, UK. The elegant shopping arcade features richly decorated ironwork, mosaic flooring, ornamental shopfronts and a glazed roof, creating one of the city's most distinctive luxury retail interiors. The photograph is suitable for editorial coverage of County Arcade, Victoria Quarter, Leeds architecture, luxury shopping, heritage retail, Victorian and Edwardian design, city-centre tourism, designer stores, conservation and historic arcades. The ornate detailing and high-quality materials reflect the ambition of late nineteenth and early twentieth-century commercial architecture and provide a striking contrast with modern shopping centres. The image can illustrate retail heritage, destination shopping, architectural conservation, city branding and the continued reuse of historic arcades for premium contemporary retail. Bright interior lighting highlights the decorative structure and gives the scene an attractive travel and lifestyle quality.
County Arcade, Victoria Quarter, Leeds, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,HotpixUk,WN1 1YN,WN1,mosaic,inside,to,former,heritage,Lancashire,industrial,civic,building,listed,Grade II listed,Edwardian,decorative,faïence,tiled,technical education,vocational education,industrial education,coal industry,pit communities,miners,colliery heritage,industrial Lancashire,civic pride,public,architectural,detail,historic tiles,decorative ceramics,Edwardian design,Baroque,local history,social history,makerfield
Description: Tony Smith image Alamy 3EF6C0G - Close-up of a historic decorative mosaic reading Mining inside the entrance porch of Wigan Town Hall on Library Street, Wigan, Greater Manchester. The image shows coloured mosaic tiles, floral motifs, glazed faïence, curved architectural detailing and polished decorative surfaces from the former Wigan and District Mining and Technical College, now used as Wigan Town Hall. It is a strong editorial stock photograph for Wigan's coalfield history, mining education, technical colleges, civic architecture, Edwardian design, public buildings, heritage interiors and the wider industrial story of the Lancashire coalfield. Historic England lists the building as Grade II and identifies it as the former Wigan and District Mining and Technical College, built in 1901-03 by Briggs and Wolstenholme in warm red brick with terracotta dressings and Flemish Baroque styling. Wigan's town centre trail describes the former college as one of Wigan's grandest buildings, while local heritage commentary notes that the Library Street building reflects the importance of mining and technical training in a town shaped by coal, engineering and industry. The mosaic's prominent Mining lettering gives the image immediate value for stories about industrial education, working class skills, pit communities, vocational training, civic pride, regeneration, listed buildings and the reuse of historic educational buildings for local government. Details such as the ornate tiled arch, flower heads, dark green and black glazed surround, cream and orange border and careful craftwork show how mining was celebrated in the original decorative scheme rather than hidden away as a purely functional subject. The photograph can illustrate Wigan's transition from coal and heavy industry to civic administration, heritage tourism and public history, while also reminding viewers that technical colleges were once central to training mine managers, engineers and skilled workers across industrial Lancashire.
Wigan Town Hall, Library Street, Wigan, Greater Manchester, WN1 1YN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,big,sky,summer,tourist,attraction,big fish,River,Lagan,glazed,ceramic,ceramics,Donegall Quay,quayside,mosaic,Pat The Fish,John Kindness,time capsule,Big Fish sculpture,Salmon of Knowledge,public art,waterfront sculpture,Belfast landmark,River Lagan,outdoor art,tourism Belfast,Donegall Quay Belfast,Northern Ireland public art,mosaic sculpture,ceramic tiles,fish sculpture,urban art installation
Description: Tony Smith image Alamy 2RFJ39R - The Big Fish is a printed ceramic mosaic sculpture by John Kindness. The 10-metre-long (33 ft) statue was constructed in 1999 and installed on Donegall Quay in Belfast, Northern Ireland, near the Lagan Lookout and Custom House. Also known as Pat The Fish in reference to visitors from Orkney, Scotland patting the fish for good luck.
The Big Fish's image appears on tourism material related to Belfast and Northern Ireland.
Construction - The outer skin of the fish is a cladding of ceramic tiles decorated with texts and images relating to the history of Belfast. According to the Belfast City Council, each scale tells a story about the city. Material from Tudor times to present day newspaper headlines are included along with contributions from Belfast school children (including a soldier and an Ulster Fry). The Ulster Museum provided the primary source of historic images, while local schools/day centres located along the line of the River Farset were approached to provide drawings for the fish. Images were provided by Glenwood Primary School, St Comgalls and Everton Day Centres.
The Big Fish contains a time capsule storing information, images, and poetry on the city
The Big Fish (Salmon of Knowledge) sculpture, Donegall Quay , Northern Ireland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,E17,public,transport,rail,national,railways,British,town,of,northern terminus,the,Victoria line,tube,Chingford branch,Lea Valley,lines,line,Travelcard,Zone 3,Maud Milton,mosaic,ceramic,ceramics,tiles,tile,art,artwork,Artyface,station roundel,roundel
Description: Tony Smith image Alamy 2R3YB5B - . Maud Milton Artyface mosiac at Walthamstow Central overground station, platform, BR, Hoe St, Walthamstow, London, England, UK, E17 7LP. Photographed on 21 May 2023. The recorded location is Hoe St, Walthamstow, London, E17 7LP. Artist Maud Milton at her studio in Trinity Buoy Wharf at Leamouth East London where she creates the beautiful mosaic roundels that you can see at railway stations around London. Among the roundels Maud has created are: Gospel Oak, South Tottenham, Thornton Heath, Walthamstow Central, Leyton Midland Road, Leytonstone High Road, St James Street, Chingford, and Highams Park. For the story of rail heritage, it is useful to note that railways transformed British towns from the nineteenth century onwards, concentrating passenger movement around stations while creating new suburbs, goods yards and industrial connections
Station buildings, platforms, signals and rolling stock can date a transport scene as clearly as surrounding architecture. The historical setting for creative industries is that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can evolution the meaning of an apparently permanent object. Seen through public transport, the earlier context is that the growth of integrated transport authorities has encouraged common branding, coordinated fares and closer links between buses, trams, cycling and rail, replacing a more fragmented pattern of separate operators. For present-day rail heritage, 2026 is significant because rail reform, fares, accessibility and passenger information remain central issues as government develops the Great British Railways model
Photographs of stations, trains and earlier operating equipment can illustrate both current public transport and the rapid disappearance of previous brands and systems.
Hoe St, Walthamstow, London, E17 7LP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,United Kingdom,WA2,Warrington,Cheshire,WA2 7TU,mosaic,words,art,The,bar,pubs,bars,welcome,to,boozer,III,pub entrance,names,name,pub names,royal,doorway,doorways,Kings Head,inn,red,white,mat,CAMRA,British,English,traditional,boozers
Description: Tony Smith image Alamy 2R27C16 - . The Kings Head entrance, 40 Winwick St, Warrington, Cheshire, England, UK, WA2 7TU. Photographed on 11 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 40 Winwick St, Warrington, Cheshire, England, UK, WA2 7TU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include United Kingdom, WA2, Warrington, Cheshire, WA2 7TU, mosaic, words, art, bar, pubs, bars, welcome, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include boozer, III, pub entrance, names, name, pub names, broadening discoverability while remaining tied to the supplied subject information. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
40 Winwick St, Warrington, Cheshire, England, UK, WA2 7TU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,north,Wales,Cymru,coast,Victorian,architecture,LL30,traditional,resort,holiday,97-99,Mostyn St,Conwy,Gwynedd,North Wales,UK,LL30 2PD,mosaic,ornate,floor,at,door,entrance,of,Clares Department Store,high street,In-store,shopping,profits,closing,closure,bought,closed,1927,hotpix.org.uk
Description: Tony Smith image Alamy 2PH9M0F - In 1883 Robert Clare Baxter was born. He was a remarkable businessman who was behind the huge success of Clare's Department Store. Robert Clare Baxter was born into a poor family in Runcorn and started off working in a drapers at the weekend. He was later promoted to buyer and manager and the owner then helped him set up his own business.
In the early 20th century Clare's premises were occupied by Arthurs Pioneer Stores. Arthurs was taken over by WS Williams of Llanrwst who also owned the Loyal Store on the opposite side of Mostyn St. One of the shops 'main features was the variety of serge's and tweeds spun at Williams own factory in Dolgellau. These could be made up into whatever the customer required “ particulary boating, cycling and touring outfits for the ladies.
Clare's Department Store was established in 1927 by the Baxter family. Quickly built a reputation within the community for offering good, friendly reliable service to all their customers. Robert Clare Baxter rebuilt it as the present Clare's Department Store. It became a ladies dressmakers and milliners allowing customers to have access to a respectable fashion store.
When Robert Baxter died, the business was taken over by his son Dougie and grandchildren John and Ann. The business was passed down and continued to operate as a family business. It remained successful and was continually growing and thriving.
Clare's Department Store was acquired by Ulster Stores in 2002. It was instantly recognised as an exciting opportunity for the future. The store is a well known destination not only for local shoppers but also for the many tourists who visit Llandudno. When Ulster Stores took over the Lamson Pneumatic Device was removed. This whizzed payment by tubes to the cash office and sent back the change. You can still see the original office windows at the back of the GF.
Clares has changed over the years and moved with the times and customers.
97-99 Mostyn St, Llandudno, Conwy, Gwynedd, North Wales, UK, LL30 2PD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,shop,retail,mosaic,historic,history,mosaic sign,shopfront,York heritage,England,UK,entrance,60 Blossom Street York,YO24 1AP,Cottam shop sign,ceramic tile mosaic,retail history,former grocers shop,historic business signage,decorative floor mosaic,shop entrance mosaic,traditional craftsmanship,hand laid tiles,urban heritage,local history York,conservation area detail,period typography,curved lettering,intact mosaic pavement,documentary photography,editorial image,period,font,typography,YO24
Description: Tony Smith image Alamy 2R59WTW - This image shows a historic tiled mosaic bearing the name Cottam , set into the threshold of a former shop at 60 Blossom Street in York. The mosaic is composed of small ceramic tesserae arranged to form decorative lettering and a patterned border, a style typical of late Victorian and early twentieth-century retail design.
Mosaic shop signs such as this were widely used by independent traders as a durable and visually distinctive way to identify premises. Installed directly into the floor or pavement, they were designed to withstand heavy footfall while acting as permanent advertisements for the business within. Many once existed across British towns and cities, but relatively few survive intact today.
Blossom Street has long been a busy approach route into York, particularly toward Micklegate and the historic city centre. Surviving features like this mosaic provide valuable insight into the area's commercial past and the everyday craftsmanship associated with small local businesses.
Photographed from above to show the full design and condition of the mosaic, the image documents an increasingly rare element of urban retail heritage. It is well suited for editorial use covering historic shopfronts, vernacular architecture, local history, traditional craftsmanship, and the changing nature of British high streets.
60 Blossom Street York North Yorkshire, England, UK Postcode: YO24 1AP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Penny lane,Beatles,The Beatles,PennyLane,tour,sign,history,historic,grocer,signage,fresh,butter,dairies,dairy,terrace,terraced,local,community,green,mosaic,tile,tiles,tiled,advert,ad,Art Nouveau,Allerton Road,Liverpool,Merseyside,L18 1LN,L18,royal prize,diaries,old,products
Description: Tony Smith image Alamy 2K0KDGR - . A grounded documentary photograph made at Allerton Road, Liverpool, Merseyside, England, UK, L18 1LN in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The subject captured here is Historic signage, Irwins, fresh Butter, Lansdowne, Allerton Road, Liverpool, Merseyside, England, UK, L18 1LN. The image also relates to place identity, commercial redevelopment, built heritage, historic townscape, historical comparison, regional identity, urban regeneration, shopfront economy, consumer retail, community identity, mixed-use redevelopment, independent trading, civic architecture, and public-realm investment. The modern context includes continuing discussion of construction costs, adaptive reuse and the tension between preserving local character and creating modern commercial space. For current editorial use, commercial rents and store closures provide additional context, especially through the role of markets and independent shops in keeping town centres active. The image fixes materials and architectural details within Allerton Road, Liverpool, Merseyside, England, UK, L18 1LN at one identifiable point, providing a benchmark against new construction. The surrounding story also includes street-level business, high-street commerce, commercial streetscape, period detail, changing land use, contemporary social history, mixed-use town centre, and destination shopping. Elements such as Allerton, Irwins, fresh, Merseyside, and Historic add documentary specificity and may become increasingly useful when compared with later records. The period setting at Allerton Road, Liverpool, Merseyside, England, UK, L18 1LN helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The photograph keeps part of the area's social history as a date-specific reference.
Allerton Road, Liverpool, Merseyside, England, UK, L18 1LN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,architecture,lettering,rail,M3 1WY,letters,art,with,design,bookstall,Staffordshire tiles,M3,UK,tile,tiles,Victorian,ornate,rail company,history,historical,interior,inside,concourse,mosaic,mosaics,sign,signs,shop,old,feature,features,historic,heritage
Description: Tony Smith image Alamy 2JY55GT - Architecture and features
The original M&LR single-storey offices facing Hunt's Bank Approach were built in the Italianate style in sandstone ashlar with slate roofs in 1844. They were later enlarged and given a second storey. William Dawes built the station's larger extension for the L&YR in 1909. It is at right-angles to the north end of the old station giving the enlarged station an L-shaped plan. Facing Victoria Station Approach, its façade is in the Edwardian neo-Baroque style, four storeys high and 31 bays to the rounded corner at the south-east end. The ground floor windows have rounded heads and those on the floors above are square. The ornate glass and iron canopy along the façade displays the names of destinations that the station served in Art Nouveau lettering. The canopy was damaged by the Provisional IRA's 1996 bomb placed in a street adjacent to the Arndale Centre and was restored four years later.
Heritage features in the concourse were restored during the 2013-15 renovation, they include the café with its glass dome and mosaic lettering which was originally the first-class dining room, the adjacent bookstall, and the original 1909 wood-panelled booking hall. In the entrance is a large, white glazed tiled map showing the former network of the Lancashire and Yorkshire Railway.
Underneath the map is a bronze World War I war memorial with effigies of Saint George and Saint Michael at each end which was installed in 1923. At the south end of the concourse is the 'soldier's gate' which opened to the former fish docks from where thousands of soldiers departed for World War I and where a bronze plaque was erected to commemorate them. The gateway was restored in 2015 and a steel screen inserted featuring a map of World War I Commonwealth grave cemeteries in Northern France and Belgium.
The station received Grade II listed building status in 1988
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,M3,UK,M3 1WY,rail,Staffordshire tiles,letters,lettering,bookstall,with,art,architecture,design,books,book,reading,material,materials,magazines,periodical,periodicals,original,Victorian,traditional,rail company,history,historical,interior,inside,concourse,mosaic,mosaics,sign,signs,shop
Description: Tony Smith image Alamy 2JY55P5 - Architecture and features
The original M&LR single-storey offices facing Hunt's Bank Approach were built in the Italianate style in sandstone ashlar with slate roofs in 1844. They were later enlarged and given a second storey. William Dawes built the station's larger extension for the L&YR in 1909. It is at right-angles to the north end of the old station giving the enlarged station an L-shaped plan. Facing Victoria Station Approach, its façade is in the Edwardian neo-Baroque style, four storeys high and 31 bays to the rounded corner at the south-east end. The ground floor windows have rounded heads and those on the floors above are square. The ornate glass and iron canopy along the façade displays the names of destinations that the station served in Art Nouveau lettering. The canopy was damaged by the Provisional IRA's 1996 bomb placed in a street adjacent to the Arndale Centre and was restored four years later.
Heritage features in the concourse were restored during the 2013-15 renovation, they include the café with its glass dome and mosaic lettering which was originally the first-class dining room, the adjacent bookstall, and the original 1909 wood-panelled booking hall. In the entrance is a large, white glazed tiled map showing the former network of the Lancashire and Yorkshire Railway.
Underneath the map is a bronze World War I war memorial with effigies of Saint George and Saint Michael at each end which was installed in 1923. At the south end of the concourse is the 'soldier's gate' which opened to the former fish docks from where thousands of soldiers departed for World War I and where a bronze plaque was erected to commemorate them. The gateway was restored in 2015 and a steel screen inserted featuring a map of World War I Commonwealth grave cemeteries in Northern France and Belgium.
The station received Grade II listed building status in 1988
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Victorian,historic,Manchester,England,UK,M3 1WY,concourse,at,approach,rail,major,First,class,room,grill room,tiles,tile,mosaic,listed,grade II,building,history,Starbucks,cafe,bar,beer house,pub,kitchen,main line,stations,British,English,infrastructure,buildings
Description: Tony Smith image Alamy 2K11NYD - . This scene at Victoria Station Approach, Manchester, England, UK, M3 1WY in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The principal subject is Historic, concourse at Victoria Station Approach, Manchester, England, UK, M3 1WY - 1st Class lounge,refreshment room, restaurant, grill room. The image also relates to contemporary social history, licensed hospitality, signal-box architecture, trackside history, rail corridor, local history, industrial railway, traditional hostelry, regional identity, historic rolling stock, changing streetscape, night-time economy, public realm, and customer-facing leisure. For current editorial use, consumer spending and hospitality costs provide additional context, especially through how familiar pubs and restaurants shape neighbourhood identity. Current relevance extends to rail reform and network modernisation, particularly through the role of rail in lower-carbon regional transport. For later comparison, the photograph preserves materials and architectural details at Victoria Station Approach, Manchester, England, UK, M3 1WY, details that may look very different after new construction. A second descriptive layer includes historical comparison, rail operations, everyday life, place identity, pub heritage, street-level dining, licensed trade, and mechanical signalling. Elements such as lounge, Victoria, grill, refreshment, and Historic add documentary specificity and may become increasingly useful when compared with later records. Around Victoria Station Approach, Manchester, England, UK, M3 1WY, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The record includes part of the area's social history for later comparison. Image 2K11NYD also remains a dated record of Victoria Station Approach, Manchester, England, UK, M3 1WY.
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,alehouse,porters,porter,POW,SK11,history,33,roe st,chain,group,ale,houses,bars,design,hall,entrance,mosaic,outside,prince,of,Wales,beer,beers,ich,dien,logo,icon,iconic,orange,brown,the
Description: Tony Smith image Alamy 2JP0KCK - . A grounded documentary photograph made at 33 Roe St, Macclesfield, Cheshire, England, UK, SK11 6UT in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The frame specifically shows Porters ale house, The Prince of Wales, wall mosaic , 33 Roe St, Macclesfield, Cheshire, England, UK, SK11 6UT. The locality and subject together evoke historical comparison, changing land use, changing streetscape, everyday life, street-level design, temporary artwork, before-and-after reference, stencil art, mural culture, public art, contemporary mural, local history, visual archive, and creative placemaking. The wider contemporary story combines tourism, local identity and how regeneration can both promote and displace informal urban art. For later comparison, the photograph preserves landscape treatment and surrounding development at 33 Roe St, Macclesfield, Cheshire, England, UK, SK11 6UT, details that may look very different after new construction. The photograph additionally reflects place identity, period detail, community art, community identity, urban graphics, social history, public-realm art, and regional identity. References to Prince, Macclesfield, Porters, house, and mosaic give the picture a strong period identity and tie it closely to its named subject. The wider setting at 33 Roe St, Macclesfield, Cheshire, England, UK, SK11 6UT matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is tourism and how regeneration can both promote and displace informal urban art within the specific setting of 33 Roe St, Macclesfield, Cheshire, England, UK, SK11 6UT. The image fixes part of the area's social history as part of 33 Roe St, Macclesfield, Cheshire, England, UK, SK11 6UT's history. It also preserves details of everyday use for future local research.
33 Roe St, Macclesfield, Cheshire, England, UK, SK11 6UT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,tailor,suit,suits,clothing,menswear,taste,retail,historic,Logo,Montague,shop,store,brand,retailer,empty shop,in,Runcorn,Halton,Runcorn town,Cheshire,England,UK,entrance,mosaic,door,green,Montague Burton the Tailor of Taste Ltd,family,lobby,lobbies,floor,floors,Let Burton Dress You,terracotta,Middleton Fireclay Co. of Leeds,WA7,Meshe David Osinsky
Description: Tony Smith image Alamy 2JHB6PN - Born Meshe David Osinsky and a Lithuanian Jew in Kurkliai, Kaunas province, he came alone to the UK in 1900 to escape the Russian pogroms. He was well-educated, having studied in a yeshiva,[1] but arrived unable to speak English
In 1901, he was staying in Cheetham Hill, Manchester. He started as a peddler, then set up as a general outfitter in Chesterfield in 1903 selling readymade suits bought from a wholesaler.[2][3] Following his marriage to Sophie Marks in 1909 the name of the company was changed from M. Burton to Burton & Burton. On the birth of twin boys in (1917) he gave his name as Montague Maurice Burton.
He died while speaking after a dinner in Leeds on 21 September 1952. The funeral was at the Harrogate Synagogue (some sources say Chapeltown) and he was interred at Gildersome.
˜The Tailor of Taste'
When Montague Burton became a limited company in 1917, it was registered as ˜Montague Burton the Tailor of Taste Ltd'. The slogan, as part of Burton's name, formed part of firm's logo, appearing on fascias, parapets, floors, and even on ventilation grilles.
Tiles and Mosaics
The entrance lobbies of many Burton shops had mosaic floors in the early-to-mid 20th century, and Burton was no exception. These sometimes included the popular Burton slogan: ˜Let Burton Dress You'. This also appears in a black and red glazed terracotta panel on the side elevation of the branch in Abergavenny (1937). Burton's terracotta was usually supplied by the Middleton Fireclay Co. of Leeds
18 Church St, Runcorn, Halton, Cheshire,England, UK, WA7 1LX
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,North West,England,UK,Mosaics at Aflecks Palace,art,culture,cultural icons,cultural,people,celebrities,shops,market,shopping,emporium,NQ4,famous,Madchester,1980s,1980,52 Church St,Manchester,M4 1PW,M4,Coronation street,Albert Tatlock,Ken Barlow,Ena Sharpals,Bet Lynch,Betty Lynch,palace,Rovers Return,mosaic,mosaics
Description: Tony Smith image Alamy 2J92PG5 - Mark Kennedy's mosaics to grace Afflecks again
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
Mark's mosaic masterpieces of city icons like music impressario Tony Wilson, footballer George Best and Smiths frontman Morrissey became a much-loved city landmark hung on the exterior of Afflecks “ but when the site was taken over by developer Bruntwood in 2008 they were kept by the previous manager.
But now Mark tells The Diary he has been commissioned to create a raft of new mosaics that will once again decorate the arches of the old building that corners a huge site off Oldham Street, Tib Street and Dale Street in the Northern Quarter.
He says: I suppose my artwork is Afflecks, that's what I do, it's what I'm known for. It has been my gallery for the past 12 years or so, so obviously I'm happy to be asked back.
The first, that depicts the famous On The Sixth Day God Created Man...Chester quote, will return this week on the Afflecks Arcade.
And Mark, pictured here in his studio, is now hard at work on the second, an image of labrador Bruce, who the Black Dog Ballroom bar in the basement of Afflecks is named after.
Mark then has plans to create new mosaics of Manc icons, including a special Factory Records piece, to commemorate the label's late, great Tony Wilson, New Order manager Rob Gretton and legendary music producer Martin Hannett, among others
More at https://www.manchestereveningnews.co.uk/whats-on/film-and-tv/mark-kennedys-mosaics-to-grace-afflecks-851494
52 Church St, Manchester,England, UK, M4 1PW
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,North West,England,UK,Mosaics at Aflecks Palace,art,culture,cultural icons,cultural,people,celebrities,shops,market,shopping,emporium,NQ4,famous,Madchester,1980s,1980,52 Church St,Manchester,M4 1PW,M4,Afflecks,Mark,Kennedy,mosaic,artwork,artworks,bear,animal,animals,rabbit
Description: Tony Smith image Alamy 2J92PGF - Mark Kennedy's mosaics to grace Afflecks again
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
Mark's mosaic masterpieces of city icons like music impressario Tony Wilson, footballer George Best and Smiths frontman Morrissey became a much-loved city landmark hung on the exterior of Afflecks “ but when the site was taken over by developer Bruntwood in 2008 they were kept by the previous manager.
But now Mark tells The Diary he has been commissioned to create a raft of new mosaics that will once again decorate the arches of the old building that corners a huge site off Oldham Street, Tib Street and Dale Street in the Northern Quarter.
He says: I suppose my artwork is Afflecks, that's what I do, it's what I'm known for. It has been my gallery for the past 12 years or so, so obviously I'm happy to be asked back.
The first, that depicts the famous On The Sixth Day God Created Man...Chester quote, will return this week on the Afflecks Arcade.
And Mark, pictured here in his studio, is now hard at work on the second, an image of labrador Bruce, who the Black Dog Ballroom bar in the basement of Afflecks is named after.
Mark then has plans to create new mosaics of Manc icons, including a special Factory Records piece, to commemorate the label's late, great Tony Wilson, New Order manager Rob Gretton and legendary music producer Martin Hannett, among others
More at https://www.manchestereveningnews.co.uk/whats-on/film-and-tv/mark-kennedys-mosaics-to-grace-afflecks-851494
52 Church St, Manchester,England, UK, M4 1PW
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,inn,pub,bar,Vine,M2,green tiled,green,tiling,mosaic,city centre,Greater Manchester,front,exterior,grapes,gold,golden,window,Vine sign,boozer,pub sign,history,historic,classic,traditional,tile,tiled,tiles,local,Mancunian,CAMRA,real ale,famous,outside
Description: Tony Smith image Alamy 2AEDJ0K - Town house, now part of public house. Probably late C18
altered. Brick, the ground floor faced with green glazed tiling and the upper floors with scored stucco
slate roof. Double-depth plan with back extension. Three storeys over cellars, 3 windows
round-headed doorway to the right with open-pedimented Tuscan column doorcase (columns now painted green), altered window to left, all in tiled surround with lettered frieze
4-pane sashed windows at 1st floor (all now with C20 folding canopies)
long horizontal 8-light window at 2nd floor with altered glazing. Gable chimney to left. Forms group with The City Arms to the left (q.v.) and with Nos 42 and 44 to the right (q.v., now integated with the item).
Listing NGR: SJ8397198102
List Entry Number: 1282982
42-44, Kennedy St, Manchester,England,UK, M2 4BQ
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,inn,pub,bar,Vine,M2,green tiled,green,tiling,mosaic,city centre,Greater Manchester,front,exterior,grapes,gold,golden,window,pub sign,Vine sign,red,classic,boozer,history,historic,traditional,tile,tiled,tiles,local,Mancunian,CAMRA,real ale,famous,outside
Description: Tony Smith image Alamy 2AEDJ0N - Town house, now part of public house. Probably late C18
altered. Brick, the ground floor faced with green glazed tiling and the upper floors with scored stucco
slate roof. Double-depth plan with back extension. Three storeys over cellars, 3 windows
round-headed doorway to the right with open-pedimented Tuscan column doorcase (columns now painted green), altered window to left, all in tiled surround with lettered frieze
4-pane sashed windows at 1st floor (all now with C20 folding canopies)
long horizontal 8-light window at 2nd floor with altered glazing. Gable chimney to left. Forms group with The City Arms to the left (q.v.) and with Nos 42 and 44 to the right (q.v., now integated with the item).
Listing NGR: SJ8397198102
List Entry Number: 1282982
42-44, Kennedy St, Manchester,England,UK, M2 4BQ
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,city centre,HotpixUK,@HotpixUK,Municipal Buildings Glasgow,Municipal Buildings,Victorian civic architecture,Victorian,civic architecture,G2 1DU,G2,Let Glasgow Flourish Mosaic,The Glasgow coat of arms,bird,tree,bell and fish,from City Chambers,George Square,Let Glasgow Flourish,Mosaic,coat of arms,iconic,imposing,buildings,floor,logo,Glasgow logo,LetGlasgowFlourish,Keramic Mosaic,Citys Coat of Arms,City Coat of Arms,City,Coat of Arms,Commonwealth Games,venue
Description: Tony Smith image Alamy 2AAEJ10 - The City Chambers or Municipal Buildings in Glasgow, Scotland, has functioned as the headquarters of Glasgow City Council since 1996, and of preceding forms of municipal government in the city since 1889, located on the eastern side of the city's George Square. An eminent example of Victorian civic architecture, the building was constructed between 1882 and 1888 to a competition winning design by Scottish architect William Young. a native of Paisley.
The entrance hall of the Chambers displays a mosaic of the city's coat of arms on the floor. The arms reflect legends about Glasgow's patron saint, Saint Mungo, and include four emblems “ the bird, tree, bell, and fish “ as remembered in the following verse:
Here's the Bird that never flew
Here's the Tree that never grew
Here's the Bell that never rang
Here's the Fish that never swam
Inaugurated in August 1888 by Queen Victoria, the first council meeting was held within the chambers in October 1889. The building originally had an area of 5,016 m2 (53,990 sq ft). In 1923, an extension to the east side of the building in John Street was opened and in 1984 Exchange House in George Street was completed, increasing the size of the City Chambers complex to some 14,000 m2
Need for a new city chambers had been apparent since the 18th century, with the old Tolbooth at Glasgow Cross becoming insufficient for the purposes of civic government in a growing town with greater political responsibilities. In 1814, the Tolbooth was sold “ with the exception of the steeple, which still remains “ and the council chambers moved to Jail Square in the Saltmarket, near Glasgow Green.
82 George Square, Glasgow, Scotland,UK, G2 1DU
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,Glasgow,Scotland,G2 1AL,city centre,columns,marble,building,architecture,dome,domes,curve,curves,flavour of Italy,alabaster,Victorian architecture,stone,opulent,opulence,ornate,mosaic,column,inside,interior,tour,tourist,lighting,lantern,lanterns,alcove,alcoves
Description: Tony Smith image Alamy 2AAT2T3 - The City Chambers or Municipal Buildings in Glasgow, Scotland, has functioned as the headquarters of Glasgow City Council since 1996, and of preceding forms of municipal government in the city since 1889, located on the eastern side of the city's George Square. An eminent example of Victorian civic architecture, the building was constructed between 1882 and 1888 to a competition winning design by Scottish architect William Young. a native of Paisley.
Inaugurated in August 1888 by Queen Victoria, the first council meeting was held within the chambers in October 1889. The building originally had an area of 5,016 m2 (53,990 sq ft). In 1923, an extension to the east side of the building in John Street was opened and in 1984 Exchange House in George Street was completed, increasing the size of the City Chambers complex to some 14,000 m2
George Square, Glasgow, Scotland,UK, G2 1AL
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,Glasgow,Scotland,G2 1AL,city centre,flavour of Italy,alabaster,building,architecture,columns,marble,Victorian,curves,carved lion,luck to rub,rub the lions nose,lions nose,City Chambers lion,Glasgow lion,Glasgow city chambers lion,stone,opulent,opulence,ornate,mosaic,famous,luck,lucky,cat,lion,nose,stair,stairs,strength,good luck
Description: Tony Smith image Alamy 2AAT2T4 - The City Chambers or Municipal Buildings in Glasgow, Scotland, has functioned as the headquarters of Glasgow City Council since 1996, and of preceding forms of municipal government in the city since 1889, located on the eastern side of the city's George Square. An eminent example of Victorian civic architecture, the building was constructed between 1882 and 1888 to a competition winning design by Scottish architect William Young. a native of Paisley.
Inaugurated in August 1888 by Queen Victoria, the first council meeting was held within the chambers in October 1889. The building originally had an area of 5,016 m2 (53,990 sq ft). In 1923, an extension to the east side of the building in John Street was opened and in 1984 Exchange House in George Street was completed, increasing the size of the City Chambers complex to some 14,000 m2 - Most of the interior looks like it's made from marble, but is of course alabaster and plaster-work. The exception is the one piece of pure white marble on the first floor carved in the shape of a lion. This mimics the lions that stand guard of Glasgow City Chambers in George Square.
It is considered lucky to rub the lion's nose every time you pass by.
George Square, Glasgow, Scotland,UK, G2 1AL
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,range,Dubliner,authentic,boozer,premises,tourist,D02 N725,tavern,Dubliners,Irish,Est1840,icon,tourism,legendary,47-48 Temple Bar,Whiskey,cultural,trade mark,drinking,beer,venue,Dublin 2,pub,inn,garden,history,heritage,mosaic,floor,at,tiles,yellow,red,St Patricks Day
Description: Tony Smith image Alamy 2M84K2K - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,range,Dubliner,authentic,boozer,premises,tourist,D02 N725,tavern,Dubliners,Irish,Est1840,icon,tourism,legendary,47-48 Temple Bar,Whiskey,cultural,trade mark,drinking,beer,venue,Dublin 2,pub,inn,garden,history,heritage,mosaic,floor,at,tiles,orange,St Patricks Day
Description: Tony Smith image Alamy 2M84K2T - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,entrance,and,door,doorway,mosaic,for,to,&,foot solutions,D02 VR83,61,history,historic,old,fashioned,old-fashioned,1920,1920s,Watsons,Watson,shop,shops,store,stores,outside,green,gold,ornate
Description: Tony Smith image Alamy 2MC229F - . A grounded documentary photograph made at 61 South Great George's Street, Dublin, D02 VR83, Eire, Ireland in 2019, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Entrance and mosaic to Watson, Ph Chemist & Druggist, pharmacy, now Foot Solutions, 61 South Great George's Street, Dublin, D02 VR83, Eire, Ireland. Another layer of the photograph includes period building, everyday life, architectural detailing, small-business culture, traditional materials, high-street commerce, visual archive, period architecture, bricks-and-mortar business, customer footfall, archival record, before-and-after reference, architectural character, and built heritage. Today's relevance is strengthened by town-centre regeneration, footfall and the continuing question of how physical shops adapt to online competition. From a 2025-onward perspective, redevelopment pressure and maintenance are closely linked to this subject, alongside the balance between conservation and modern commercial use. The image fixes signage and branding within 61 South Great George's Street, Dublin, D02 VR83, Eire, Ireland at one identifiable point, providing a benchmark against altered transport patterns. The location also brings in changing streetscape, heritage asset, conservation architecture, adaptive reuse, documentary photography, independent retail, historic streetscape, and social history. Details involving Druggist, mosaic, Watson, pharmacy, and Solutions make the image more specific than a generic view and strengthen its local or historical value. Around 61 South Great George's Street, Dublin, D02 VR83, Eire, Ireland, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The period view preserves period character within the wider story of 61 South Great George's Street, Dublin, D02 VR83, Eire, Ireland.
61 South Great George's Street, Dublin, D02 VR83, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,MES,Mark E Smith,The Fall,mosiac,words,Music,icon,RIP,NQ4,Northern Quarter,Manchester City Centre,City Centre,1957-2018,Lyrics,MarkESmith,TheFall,Mosaic,Tib street,Ten Houses Of Eve,art,Music legend,band member,frontman,Manchester Music Legend,Front Man,star,music,Afflecks
Description: Tony Smith image Alamy RPGEH8 - The hidden tribute to Mark E Smith of The Fall worth seeking out on a Manchester back street
A mosaic tribute to The Fall's Mark E. Smith has been unveiled - and purposefully hidden away on a back street for fans to discover in the Northern Quarter
There is a new tribute to The Fall frontman Mark E Smith in Manchester city centre - but you'll have to head off the beaten track to find it.
The maverick mastermind of the Manc band died in January, aged 60, after battling cancer, with tributes paid from rock and cultural icons from across the globe.
Now there's a permanent tribute, hidden in the Northern Quarter, to his lyrical genius.
Venture to the far (and dead) end of Short Street and you will find two striking mosaics - one in Mark's image and the other featuring lyrics from The Fall song Ten Houses of Eve, framed by the brickwork of the far wall of the Affleck's building.
The artworks have been commissioned by renowned mosaic artist Mark Kennedy, and were created by artist Mary Goodwin.
Kennedy had been friends with Smith for 15 years, and hopes to add to artworks in the secluded end of Short Street as an ongoing tribute to Smith and The Fall.
He says: I want to call this Fall corner, and over the years I'd like to add little bits every time there's a celebratory element to the group.
I like the corner because it's hidden and to an extent The Fall were quite a hidden band and Mark's lyrics have many hidden meanings too.
It's hard to find, and like The Fall in many respects, you have to look for it and that works for me.
The lyrics on the artwork read: Identity art.. if only the shards you'd relocate back in place , ending with the dates of Smith's life - 1957-2018.
Kennedy was keen for a female artist to create the works, as a testament to the female musicians in The Fall, and commissioned Leeds-based Mary Goodwin
52 Church St, Manchester M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,MES,Mark E Smith,The Fall,mosiac,words,Music,icon,RIP,NQ4,Northern Quarter,Manchester City Centre,City Centre,1957-2018,Lyrics,MarkESmith,TheFall,Mosaic,Tib street,Ten Houses Of Eve,art,Music legend,band member,frontman,Manchester Music Legend,Front Man,star,music,Afflecks,Madchester
Description: Tony Smith image Alamy RPGEHF - The hidden tribute to Mark E Smith of The Fall worth seeking out on a Manchester back street
A mosaic tribute to The Fall's Mark E. Smith has been unveiled - and purposefully hidden away on a back street for fans to discover in the Northern Quarter
There is a new tribute to The Fall frontman Mark E Smith in Manchester city centre - but you'll have to head off the beaten track to find it.
The maverick mastermind of the Manc band died in January, aged 60, after battling cancer, with tributes paid from rock and cultural icons from across the globe.
Now there's a permanent tribute, hidden in the Northern Quarter, to his lyrical genius.
Venture to the far (and dead) end of Short Street and you will find two striking mosaics - one in Mark's image and the other featuring lyrics from The Fall song Ten Houses of Eve, framed by the brickwork of the far wall of the Affleck's building.
The artworks have been commissioned by renowned mosaic artist Mark Kennedy, and were created by artist Mary Goodwin.
Kennedy had been friends with Smith for 15 years, and hopes to add to artworks in the secluded end of Short Street as an ongoing tribute to Smith and The Fall.
He says: I want to call this Fall corner, and over the years I'd like to add little bits every time there's a celebratory element to the group.
I like the corner because it's hidden and to an extent The Fall were quite a hidden band and Mark's lyrics have many hidden meanings too.
It's hard to find, and like The Fall in many respects, you have to look for it and that works for me.
The lyrics on the artwork read: Identity art.. if only the shards you'd relocate back in place , ending with the dates of Smith's life - 1957-2018.
Kennedy was keen for a female artist to create the works, as a testament to the female musicians in The Fall, and commissioned Leeds-based Mary Goodwin
52 Church St, Manchester M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,MES,Mark E Smith,The Fall,mosiac,words,Music,icon,RIP,NQ4,Northern Quarter,Manchester City Centre,City Centre,1957-2018,Lyrics,MarkESmith,TheFall,Mosaic,Tib street,Ten Houses Of Eve,art,Music legend,band member,frontman,Manchester Music Legend,Front Man,star,music,Madchester
Description: Tony Smith image Alamy RPGEJB - The hidden tribute to Mark E Smith of The Fall worth seeking out on a Manchester back street
A mosaic tribute to The Fall's Mark E. Smith has been unveiled - and purposefully hidden away on a back street for fans to discover in the Northern Quarter
There is a new tribute to The Fall frontman Mark E Smith in Manchester city centre - but you'll have to head off the beaten track to find it.
The maverick mastermind of the Manc band died in January, aged 60, after battling cancer, with tributes paid from rock and cultural icons from across the globe.
Now there's a permanent tribute, hidden in the Northern Quarter, to his lyrical genius.
Venture to the far (and dead) end of Short Street and you will find two striking mosaics - one in Mark's image and the other featuring lyrics from The Fall song Ten Houses of Eve, framed by the brickwork of the far wall of the Affleck's building.
The artworks have been commissioned by renowned mosaic artist Mark Kennedy, and were created by artist Mary Goodwin.
Kennedy had been friends with Smith for 15 years, and hopes to add to artworks in the secluded end of Short Street as an ongoing tribute to Smith and The Fall.
He says: I want to call this Fall corner, and over the years I'd like to add little bits every time there's a celebratory element to the group.
I like the corner because it's hidden and to an extent The Fall were quite a hidden band and Mark's lyrics have many hidden meanings too.
It's hard to find, and like The Fall in many respects, you have to look for it and that works for me.
The lyrics on the artwork read: Identity art.. if only the shards you'd relocate back in place , ending with the dates of Smith's life - 1957-2018.
Kennedy was keen for a female artist to create the works, as a testament to the female musicians in The Fall, and commissioned Leeds-based Mary Goodwin
52 Church St, Manchester M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,1957-2018,Lyrics,MES,Mark E Smith,The Fall,mosiac,words,Music,icon,RIP,NQ4,Northern Quarter,Manchester City Centre,City Centre,MarkESmith,TheFall,Mosaic,Tib street,Ten Houses Of Eve,art,Music legend,band member,frontman,Manchester Music Legend,Front Man,star,music,Afflecks
Description: Tony Smith image Alamy RPGEJF - The hidden tribute to Mark E Smith of The Fall worth seeking out on a Manchester back street
A mosaic tribute to The Fall's Mark E. Smith has been unveiled - and purposefully hidden away on a back street for fans to discover in the Northern Quarter
There is a new tribute to The Fall frontman Mark E Smith in Manchester city centre - but you'll have to head off the beaten track to find it.
The maverick mastermind of the Manc band died in January, aged 60, after battling cancer, with tributes paid from rock and cultural icons from across the globe.
Now there's a permanent tribute, hidden in the Northern Quarter, to his lyrical genius.
Venture to the far (and dead) end of Short Street and you will find two striking mosaics - one in Mark's image and the other featuring lyrics from The Fall song Ten Houses of Eve, framed by the brickwork of the far wall of the Affleck's building.
The artworks have been commissioned by renowned mosaic artist Mark Kennedy, and were created by artist Mary Goodwin.
Kennedy had been friends with Smith for 15 years, and hopes to add to artworks in the secluded end of Short Street as an ongoing tribute to Smith and The Fall.
He says: I want to call this Fall corner, and over the years I'd like to add little bits every time there's a celebratory element to the group.
I like the corner because it's hidden and to an extent The Fall were quite a hidden band and Mark's lyrics have many hidden meanings too.
It's hard to find, and like The Fall in many respects, you have to look for it and that works for me.
The lyrics on the artwork read: Identity art.. if only the shards you'd relocate back in place , ending with the dates of Smith's life - 1957-2018.
Kennedy was keen for a female artist to create the works, as a testament to the female musicians in The Fall, and commissioned Leeds-based Mary Goodwin
52 Church St, Manchester M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,North West England,city centre,NQ4,Manchester City Centre,City Centre,Palace,Afflecks,be a rebel,not,a,slave,slaves,rebels,Pankhurst,lady,votes,for,women,ceramic,tile,tiles,mosaic,mosaics,saint,hero,52,Church St,Manchester,M4 1PW,M4,Mancsy,Emmeline Pankhurst,suffragette movement
Description: Tony Smith image Alamy RPGEK3 - Emmeline Pankhurst (née Goulden
15 July 1858 “ 14 June 1928) was a British political activist who organised the UK suffragette movement and helped women win the right to vote. In 1999, Time named her as one of the 100 Most Important People of the 20th Century, stating that she shaped an idea of objects for our time and shook society into a new pattern from which there could be no going back. She was widely criticised for her militant tactics, and historians disagree about their effectiveness, but her work is recognised as a crucial element in achieving women's suffrage in the United Kingdom.
Born in the Moss Side district of Manchester to politically active parents, Pankhurst was introduced at the age of 14 to the women's suffrage movement. She founded and became involved with the Women's Franchise League, which advocated suffrage for both married and unmarried women. When that organisation broke apart, she tried to join the left-leaning Independent Labour Party through her friendship with socialist Keir Hardie but was initially refused membership by the local branch on account of her sex. While working as a Poor Law Guardian, she was shocked at the harsh conditions she encountered in Manchester's workhouses.
In 1903, Pankhurst founded the Women's Social and Political Union (WSPU), an all-women suffrage advocacy organisation dedicated to deeds, not words. The group identified as independent from “ and often in opposition to “ political parties. It became known for physical confrontations: its members smashed windows and assaulted police officers. Pankhurst, her daughters, and other WSPU activists received repeated prison sentences, where they staged hunger strikes to secure better conditions, and were often force-fed.
52 Church St, Manchester, UK, M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,Jeweler,Jeweller,St Anns Square,St Annes Square,shop,store,sign,As advertised,gold,black,mosaic,door,doorway,entrance,external,outside,window,shop window,historic,& Brother,brother,LMG,Jewelry,Jewellery,jewellery chain,jewellery,Burns Jewellers Group Ltd,Burns,financial,difficulties
Description: Tony Smith image Alamy RPGEPA - A North West jewellery chain, renowned for its historic store on Market Street in Manchester city centre, has been bought out of administration by management in a pre-pack deal.
A senior figure at the group has told Insider that the management team are now firmly looking to the future and have exciting new plans for expanding both our physical and digital footprints over the coming years.
Burns Jewellers Group Ltd, Burns Jewellers (St Helens) Ltd, Burns Jewellers (Chorley) Ltd and Arthur Kay & Bros Ltd all entered administration on 8 September 2015, with Julien Irving and Kevin Murphy of Leonard Curtis appointed joint administrators. Holding company Burns Jewellers Group Ltd trades from 93 Chapel Street in Salford, while its wholly owned subsidiaries trade from 22 Ormskirk Street in St Helens, 12a Chapel Street in Chorley, and the corner of Market Street and St Ann's Square in central Manchester.
The Burns family has been trading as jewellery retailers in Salford since the 1950s. The business acquired Manchester-based Arthur Kay & Bros, which opened in 1898 and is famous for its original gold jeweller signs (pictured), in 1969 before adding stores in St Helens and Chorley in the 1990s.
A newly published statement of administrator's proposals, dated 20 October 2015, has shed light on the jewellery group's recent financial difficulties.
It said: Historically, the administration companies have traded profitably. However, during September 2013, a main brand that supplied products for retail in the administration companies' stores announced that they would be reducing the number of multi-brand retailers through whom they trade favouring their own branded stores.
The loss of the account with this brand resulted in reduced turnover in the seasonal period across the administration companies. This adversely impacted cash-flow and the ability to maintain the payment of liabilities as and when they fell due.
2 New Market, Manchester M1 1PT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,Jeweler,Jeweller,St Anns Square,St Annes Square,shop,store,sign,As advertised,gold,black,mosaic,door,doorway,entrance,external,outside,window,shop window,historic,& Brother,brother,LMG,Jewelry,Jewellery,jewellery chain,jewellery,Burns Jewellers Group Ltd,Burns,financial,difficulties
Description: Tony Smith image Alamy RPGEPH - A North West jewellery chain, renowned for its historic store on Market Street in Manchester city centre, has been bought out of administration by management in a pre-pack deal.
A senior figure at the group has told Insider that the management team are now firmly looking to the future and have exciting new plans for expanding both our physical and digital footprints over the coming years.
Burns Jewellers Group Ltd, Burns Jewellers (St Helens) Ltd, Burns Jewellers (Chorley) Ltd and Arthur Kay & Bros Ltd all entered administration on 8 September 2015, with Julien Irving and Kevin Murphy of Leonard Curtis appointed joint administrators. Holding company Burns Jewellers Group Ltd trades from 93 Chapel Street in Salford, while its wholly owned subsidiaries trade from 22 Ormskirk Street in St Helens, 12a Chapel Street in Chorley, and the corner of Market Street and St Ann's Square in central Manchester.
The Burns family has been trading as jewellery retailers in Salford since the 1950s. The business acquired Manchester-based Arthur Kay & Bros, which opened in 1898 and is famous for its original gold jeweller signs (pictured), in 1969 before adding stores in St Helens and Chorley in the 1990s.
A newly published statement of administrator's proposals, dated 20 October 2015, has shed light on the jewellery group's recent financial difficulties.
It said: Historically, the administration companies have traded profitably. However, during September 2013, a main brand that supplied products for retail in the administration companies' stores announced that they would be reducing the number of multi-brand retailers through whom they trade favouring their own branded stores.
The loss of the account with this brand resulted in reduced turnover in the seasonal period across the administration companies. This adversely impacted cash-flow and the ability to maintain the payment of liabilities as and when they fell due.
2 New Market, Manchester M1 1PT
Description
Keywords: @Hotpixuk,Hotpixuk,GoTonySmith,beatles,NY,New York,memorial,imagine,words,NYC,rose,roses,Imagine memorial,memorial mosaic,Strawberry Fields NY,Strawberry Fields,Strawberry Fields New York,Bruce Kelly,West 72nd Street,72nd St,Apple Records,musician,composer,song writer,imagine mosaic,mosaic,above us only sky,John Lennon Death,Strawberry Fields Memorial,Lennons,official gravesite,gravesite,rock star,ashes,rockstar,Jacob Wrey Mould,Liverpool,Merseyside
Description: Tony Smith image Alamy 2DGA760 - Strawberry Fields is a 2.5-acre (1.0 ha) landscaped section in New York City's Central Park, designed by the landscape architect Bruce Kelly, that is dedicated to the memory of former Beatles member John Lennon. It is named after the Beatles' song Strawberry Fields Forever, written by Lennon. The song itself is named for the former Strawberry Field children's home in Liverpool, England, located near Lennon's childhood home
In April 1981, after John Lennon was murdered, a patch of land in Central Park near the Dakota was named Strawberry Fields in Lennon's honor. That August, it was announced that Strawberry Fields would be completely renovated and landscaped, since at the time, Strawberry Fields was located in an isolated median between West Drive and two slip roads of 72nd Street. Yoko Ono requested that the rebuilt memorial be a living memorial rather than a statue
according to NYC Parks landscape architect Arne Abramowitz, Ono believed that there are enough statues in Central Park.
The memorial was designed by Bruce Kelly, the chief landscape architect for the Central Park Conservancy. Construction on the project started in April 1984. Strawberry Fields was dedicated on what would have been Lennon's 45th birthday, October 9, 1985, by Ono and mayor Ed Koch.
Terrace Dr, New York, NY 10023, United States
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NYC,St Marks Place,New York St Marks Place,street,New York Street,USA,America,City Centre,city,centre,center,city center,Eastvillage,Astor Place,mosaic,art,street art,hippy,Manhattan,NY,Street,City,Centre,Lafayette Street,plaza,neighborhood,urban,urban art,inner city,downtown,streetart,spray,spraycan,expression
Description: Tony Smith image Alamy RBF073 - Astor Place is a one-block street in NoHo/East Village, in the lower part of the New York City borough of Manhattan. It runs from Broadway in the west, just below East 8th Street
to Lafayette Street, ending at Alamo plaza. Astor Place is also sometimes used for the neighborhood around the street. It encompasses two plazas at the intersection with Cooper Square, Lafayette Street, Fourth Avenue, and Eighth Street “ Alamo Plaza and Astor Place Station Plaza. It was named for John Jacob Astor (at one time the richest person in the United States), soon after his death in 1848. A $21 million reconstruction to implement a redesign of Astor Place began in 2013
Astor Place, East Village, Manhattan, New York City, NY
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,New York City,City,Centre,City Centre,street,USA,United states of America,United States,East Village,art,Mosaic,trail,Trail,hippy,neighborhood,mosaic,mosaics,181,1987,We the people,we,the,people,ceramic,waste,arty,artist,route,routes,walk,walking
Description: Tony Smith image Alamy RBJ9PF - . This location-led image preserves the working environment around Saint Marks Place Mosaic Trail, St Marks Place, East Village, New York city, NYC, NY, USA, in documentary coverage dating from 2018. The principal point of reference is Saint Marks Place Mosaic Trail, East Village, New York city, NYC, NY, USA. The physical and social setting additionally connects with art-led regeneration, street-level design, illustrated hoarding, creative streetscape, public realm art, street creativity, city artwork, mural culture, community expression, temporary artwork, local identity, and urban graphics. The wider contemporary story of creative hoardings now includes graffiti versus commissioned work alongside regeneration, while policy and investment increasingly consider creative reuse of redevelopment sites. Small period details preserved at Saint Marks Place Mosaic Trail, St Marks Place, East Village, New York city, NYC, NY, USA may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The scene also relates to public art, creative regeneration, urban visual culture, urban artwork, community art, contemporary mural. The record also refers to St Marks Place Mosaic Trail, hobo, street art, Manhattan, St Marks Place. The scene also carries the language of graphic intervention, and visual placemaking. Seen from a 2025-onward perspective, creative hoardings also connects with regeneration, public-realm investment and efforts aimed at creative reuse of redevelopment sites. The lasting documentary value lies in its record of public access, transport patterns, architecture and streetscape, neighbourhood identity, and ownership or occupation at this precise location. This period image preserves a stage in local change for retrospective use. This period image preserves a stage in local change for retrospective use.
Saint Marks Place Mosaic Trail, St Marks Place, East Village, New York city, NYC, NY, USA
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,New York City,City,Centre,City Centre,street,USA,United states of America,United States,East Village,art,Mosaic,trail,Trail,hippy,neighborhood,mosaics,trails,walking,route,routes,trendy,funky,furniture,lamp,standard,lamps,ceramic,tiles,stones,Saint,Marks,PL,Place
Description: Tony Smith image Alamy RBJ9PG - . This descriptive scene shows the physical context of the recorded location, in a 2018 record. The location is represented through Saint Marks Place Mosaic Trail, East Village, New York city, NYC, NY, USA. The wider setting includes graphic intervention, city artwork, mural culture, public art, art-led regeneration, urban artwork, street creativity, illustrated hoarding, urban visual culture, street-level design, public realm art, and local identity. For present-day editorial use, temporary urban art can also illustrate debates about regeneration and youth culture, particularly where these affect recording temporary artwork. Small period details preserved at the recorded location may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage, specifically in relation to Saint Marks Place Mosaic Trail. The surrounding story includes contemporary mural, visual placemaking, creative regeneration, urban graphics, community art, temporary artwork. Further recorded details include St Marks Place Mosaic Trail, hobo, street art, Manhattan, St Marks Place. In the mid-2020s, visual placemaking is increasingly discussed through regeneration and public-realm investment, with attention turning to stronger place identity. The lasting documentary value lies in its record of patterns of everyday use, regional identity, public-realm details, the condition of buildings, and local business activity as part of the area's longer social history. For future comparison, the scene preserves period design, local character, the appearance of the built environment, changes of use, and public activity without relying on a generic or reconstructed view. That gives this view of the recorded location continuing value for local history, retrospective reporting and visual comparison, specifically in relation to Saint Marks Place Mosaic Trail.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Great Britain,GB,Nottingham city centre,Notts,Nottinghamshire,bar,pub,in a bar/pub,beers,Great British,Traditional pub,Nottingham,city centre,The old castle inn,beer,IPA,bitter,mild,lager,lagers,porter,stout,CAMRA,art,label,mosaic,style,scroll,brown,trad,traditional,old man,ReformUK,5p off a pint,pint of bitter
Description: Tony Smith image Alamy 2D8NX7E - . This period photograph records 1 Castle Rd, Nottingham, England, UK, NG1 6AA as an identifiable real-world setting rather than a generic illustration. The principal subject is Traditional Ales, Stained Glass,in a bar/pub,Nottingham,city centre,Nottinghamshire, England,UK. Its broader subject matter includes historical comparison, neighbourhood pub, place identity, licensed premises, social landscape, night-time economy, contemporary history, food-and-drink business, beer-led venue, town-centre leisure, visual archive, leisure venue, local drinking place, and built environment. For contemporary context, local footfall and business rates are closely related themes, especially where the issue becomes the survival of community meeting places. The archival value lies partly in recording commercial identity and local use around 1 Castle Rd, Nottingham, England, UK, NG1 6AA before changing public expectations alters the character of the place. The photograph additionally reflects social history, archival record, local history, customer-facing hospitality, regional identity, licensed trade, community identity, and community hostelry. The recorded references to Nottinghamshire, centre, Glass, Nottingham, and Stained preserve clues that can help identify how the subject was presented or used at the time. For 1 Castle Rd, Nottingham, England, UK, NG1 6AA, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. Another useful connection is local footfall and changes in food, drink and leisure spending when considered against later change at 1 Castle Rd, Nottingham, England, UK, NG1 6AA. The scene further reflects local footfall and the loss or conversion of familiar licensed premises without losing the local specificity of 1 Castle Rd, Nottingham, England, UK, NG1 6AA. The scene remains tied to 1 Castle Rd, Nottingham, England, UK, NG1 6AA, image reference 2D8NX7E.
1 Castle Rd, Nottingham, England, UK, NG1 6AA
Description
Keywords: GoTonysmith,@HotpixUK,real ale,on a bar,bar,bitter,in a,pubs,bars,England,UK,GB,Britain,British,Traditional British Beer,tourist,tourism,Mosaic,Bristol,Beer Factory,Sample,by the pump,sample by the pump,ale sample,beer sample,Golden single Hop Mosaic,Beer pump,Bristol Beer Company Optimist,brass pump,kilner jar,jar,alcohol,drinks,relax,4.4%,ABV,high in alcohol,craft,craft beer
Description: Tony Smith image Alamy MM9A00 - . An identifiable period record of the recorded location in 2018, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The defining feature is Optimist Bristol Beer Factory Beer pumps on a bar, in a traditional English pub, England, UK. The frame also records themes of local history, documentary photography, local character, bottling technology, cider-making heritage, historic beverage advertising, regional identity, public realm, regional drinks industry, drinks manufacturing, Herefordshire cider tradition, historical comparison, industrial beverage equipment, and before-and-after reference. Today's relevance is strengthened by manufacturing automation, energy costs and the continuing question of Herefordshire's long association with commercial cider production. The image fixes public access and movement within the recorded location at one identifiable point, providing a benchmark against replacement signage. The surrounding story also includes place identity, period detail, factory bottling line, beverage production, fermented drink production, orchard-to-bottle industry, cider brand history, and community identity. The recorded references to pumps, traditional, Bristol, Factory, and Optimist preserve clues about how the subject was presented, used or understood at the time. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes manufacturing automation and Herefordshire's long association with commercial cider production when considered against later change at the recorded location. Another strand within the photograph is manufacturing automation and Herefordshire's long association with commercial cider production without losing the local specificity of the recorded location.
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,mosaic,history,historic,Afflecks Palace Manchester,Northern Quarter,Manchester Hero,Alan Turing,Rolls Royce,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,Danger,Mouse,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops,Danger Mouse,Historic Manchester
Description: Tony Smith image Alamy GJ7998 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,music,Smiths,Oasis,Noel,Take,That,heroes,Mosaic,Northern Quarter,Mark Kennedy,Manchester Heroes,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,Mosaic,Mosaics,art,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ79A2 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Palace,Manchester,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,Bob,Dylan,Granada,Music,MIF,Mosaic,Mosaics,art,Afflecks Palace Manchester,Northern Quarter,Manchester Hero,Manchester Heroes,Bob Dylan,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,media,top,of,the,pops,Mancunian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops,Manchester International Festival
Description: Tony Smith image Alamy GJ79A3 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,jokes,Mosaic,Mosaics,art,Afflecks Palace Manchester,Manchester Hero,Manchester Heroes,Joke Shop,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ79A4 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: capital,city,centre,center,pub,bar,pubs,bars,bunting,summer,drinking,eating,dining,out,eat,party,Rose,of,Midlothian,spit,spittle,mosaic,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,rose,flower,outside,the,Auld Hundred
Description: Tony Smith image Alamy DDXK3N - . Rose Street,Edinburgh,Scotland,UK - Rose mosaic outside the Auld Hundred. Photographed at Rose st, Edinburgh, Lothian,Scotland, UK. The photograph was taken on 31 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Rose, Street, Edinburgh, place, drink, Rose of Midlothian, pedestrianised, capital, center and pub, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors. This particular view is catalogued under Alamy image reference DDXK3N, distinguishing it from other photographs of the same or related subject.
Rose st, Edinburgh, Lothian,Scotland, UK
Description
Keywords: Classic,bar,mosaic,station,tube,underground,CAMRA,pubs,GB,Great,British,Britain,English,England,174,Queen,Victoria,Street,EC4V,4EG,EC4V4EG,belonging,to,a,chain,founded,in,in,the,Arts,and,Crafts,Nicholsons,Nicholson,real,ale,beers,beer,cider,art,arty,drink,pint,a,at,gotonysmith north of the Thames traditional unique pubs Bridge,Upper,Thames,Street,and,Fleet,Street,history,historic,Art,Nouveau,Grade,II,masterpiece,of,a,pub,was,built,in,1905,on,the,site,of,a,Dominican,friary,The,building,was,designed,by,architect,H.,Fuller-Clark,and,artist,Henry,Poole,both,committed,to,the,free-thinking,of,the,Arts,and,Crafts,Movement,Jolly,friars,appear,everywhere,in,the,pub,in,sculptures,mosaics,and,reliefs,wonderful,pub,was,saved,from,demolition,by,a,campaign,led,by,Sir,John,Betjeman,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE7HJ - You will find The Blackfriar in Blackfriars London within a short stroll of Blackfriars Bridge, Upper Thames Street and Fleet Street.
Its a historic Art Nouveau Grade II masterpiece of a pub was built in 1905 on the site of a Dominican friary. The building was designed by architect H. Fuller-Clark and artist Henry Poole, both committed to the free-thinking of the Arts and Crafts Movement. Jolly friars appear everywhere in the pub in sculptures, mosaics and reliefs. We are lucky to still be here as our wonderful pub was saved from demolition by a campaign led by Sir John Betjeman.
Black Friar Public House, 174 Queen Victoria Street, London EC4V 4EG UK
Description
Keywords: Warrington,Rugby,League,Wolve,Wolfs,history,sporting,historic,world,cup,2013,Samoa,New,Zealand,match,game,venue,for,player,played,playing,WLFC,yellow,blue,brick,Warington,Cheshire,Australian,professional,league,footballer,football,RL,Eyrl,mural,mosiac,to,mosaic,monument,gotonysmith,Jones,Halliwell,Rugby,stadium,Winwick,Road,Warrington,WA2,7NE,United,Kingdom,WA27NE,pilgrimage,Australia,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DCYTK4 - Brian Eyrl Bevan (1924“1991) was an Australian professional rugby league footballer of the 1940s, 50s and 60s who became the only player ever to have been inducted into both the Australian Rugby League Hall of Fame and British Rugby League Hall of Fame.
An Other Nationalities representative winger, Bevan scored a world record 796 tries, mainly for the Warrington RLFC. In 2008, the centenary year of rugby league in Australia, he was named on the wing of Australia's Team of the Century (1908-2007). Bevan was the only player chosen in the team who had never represented Australia in a test match.
Jones Halliwell Rugby stadium, Winwick Road, Warrington, WA2 7NE United Kingdom
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,backview,back,view,SOT,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass,beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,SOT,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRXT - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,wildlife,wild,life,ad,Vincula,side,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies,products,glass,beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT09 - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,side,sideview,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT17 - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,front,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT2D - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,tell,good,news,to,the,poor,proclaim,release,to,the,families,and,recover,of,sight,to,the,blind,to,let,the,oppressed,go,free,to,year,of,the,favour,bishop,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT37 - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge. GoTonySmith
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,healing,scott,parkin,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT4M - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: Cardiff Millennium Rugby Stadium,Wales City,UK,Wide,angle,view,showing,the,team,on,the,floor,blue skies gotonysmith Welsh Stadiwm y Mileniwm is the,capital,Cardiff.,home,of,the,Wales,national,rugby,union,team,WRU,architects,Bligh,Lobb,Sports,architects Bligh Lobb Sports Architecture fully retractable roof stadiums,gotonysmith,Buy Pictures of,Buy Images Of,city,centre,flag,mosaic,Rugby,six nations
Description: Tony Smith image Alamy CEMWKF - The Millennium Stadium (Welsh: Stadiwm y Mileniwm) is the national stadium of Wales, located in the capital, Cardiff. It is the home of the Wales national rugby union team and also frequently stages games of the Wales national football team, but is also host to many other large scale events, such as the Super Special Stage of Wales Rally Great Britain, Speedway Grand Prix of Great Britain, boxing and many music concerts, including Tina Turner, Madonna, The Rolling Stones, U2, Stereophonics, Paul McCartney, and the Tsunami Relief concert. It was built to host the 1999 Rugby World Cup.
The Millennium Stadium is owned by Millennium Stadium plc which is a subsidiary company of the Welsh Rugby Union (WRU). The stadium was designed by a team led by architects Bligh Lobb Sports Architecture, who merged to become HOK Sport Venue Event, which would be renamed Populous in early 2009. WS Atkins were the structural engineers, and the building contractor was Laing. The total construction cost of the stadium was £121 million, of which the Millennium Commission funded £46 million.
The stadium opened in June 1999, and the first major event to be held was an international rugby union match on 26 June 1999, when Wales beat South Africa in a friendly by 29“19, before a test crowd of 29,000. With total seating capacity of 74,500, it is the third largest stadium in the Six Nations Championship behind the Stade de France and Twickenham, which is the largest. It is also the second largest stadium in the world with a fully retractable roof and was the second stadium in Europe to have this feature
Cardiff waterfront, Cardiff city, South Wales UK
Description
Keywords: The CIS Tower building,headquarters,of,the,Cooperative,Insurance,Society,Manchester,England,UK,coop,co-op,Insure,insured,group,solar,panels,sustainable,facade,in,photovoltaic,panels,PV,green,office,block,gotonysmith,prestige,headquarters,showcase,Co-operative,movement,1962,steel,frame,podium,block,Grade,2,II,listed,building,architecture,Gordon,Tait,of,Burnett,Tait,&,Partners,discipline,and,consistency,towers,design,influenced,by,Skidmore,Owings,&,Merrills,Inland,Steel,Building,Chicago,architects,1958,Interiors,were,designed,by,Misha,Black,of,the,Design,Research,Unit,Solarcentury,permanent,green,energy,solution,Renovation,Within,six,months,of,construction,some,of,the,mosaic,tiles,on,the,service,tower,became,detached,owing,to,cement,failure,and,lack,of,expansion,joints,in,the,concrete.,Although,the,tower,was,granted,listed,building,status,in,1995,falling,tiles,were,an,ongoing,problem.,English,Heritage,had,to,be,consulted,alterations,could,change,the,buildings,appearance.,In,2004,CIS,consulted,Solarcentury,575.5kW,photovoltaic cells towerblock concrete,gotonysmith,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEY8WK - The CIS Tower is an office skyscraper on Miller Street in Manchester, England. It was completed in 1962 and rises to 387 feet (118 m) in height.
The Grade II listed building, which houses the Co-operative Banking Group, is Manchester's second-tallest building and the tallest office building outside London. The tower remained as built for over 40 years until maintenance issues on the service tower required an extensive renovation which included covering its facade in photovoltaic panels.
The tower's design was influenced by Skidmore Owings & Merrill's Inland Steel Building in Chicago after a visit by the architects in 1958. Interiors were designed by Misha Black of the Design Research Unit.
Renovation
Within six months of construction some of the mosaic tiles on the service tower became detached owing to cement failure and lack of expansion joints in the concrete. Although the tower was granted listed building status in 1995, falling tiles were an ongoing problem. English Heritage had to be consulted as alterations could change the building's appearance.
In 2004 CIS consulted Solarcentury with a view to replacing the deteriorating mosaic with 575.5kW of blue building-integrated photovoltaic (PV) cells which would provide a permanent green energy solution, generating approximately 180,000 kWh of electricity per year. The work was completed by Arup and at that time was the largest commercial solar façade in Europe.
The PV cells made by Sharp Electronics began feeding electricity to the National Grid in November 2005. The project, which cost £5.5 million, was partly funded by the Northwest Regional Development Agency which granted £885,000 and the Energy Savings Trust at the Department of Trade and Industry (DTI) contributed £175,000.
The solar power project was chosen by the DTI as one of the 10 best green energy projects of 2005. Out of sight on the roof are 24 wind turbines generating 10% of the tower's electricity
CIS Tower, Miller Street, Manchester , Lancashire, England UK M60 0AL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,Lancs,WN1 3RT,WN1,to,poppy,poppys,WWI,remembrance,coal,mine,mines,colliery,collieries,Pte,Woodcock Walk,Irish Guards,VC tablet,VC,1917,1918,hero,heroes,remembered,Tom Woodcock,Thomas,Woodcock,mosaic,mosaics
Description: Tony Smith image Alamy 2MKF7PG - Thomas Woodcock VC (19 March 1888 “ 27 March 1918) was an English recipient of the Victoria Cross, the highest and most prestigious award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces.
Details
Woodcock was 29 years old, and a private in the 2nd Battalion, Irish Guards, British Army during the First World War when the following deed took place for which he was awarded the VC.
On 12/13 September 1917 north of Broenbeek, Belgium, when an advanced post had held out for 96 hours and was finally forced to retire, the lance-sergeant (John Moyney) in charge of the party and Private Woodcock covered the retirement. After crossing the stream themselves, Private Woodcock heard cries for help behind him - he returned and waded into the stream amid a shower of bombs and rescued another member of the party whom he carried across open ground in daylight towards our front line, regardless of machine-gun fire.
He was killed in action at Bullecourt, France, on 27 March 1918.
Further information
He later achieved the rank of corporal. He is buried at Douchy-les-Ayette British Cemetery, France. 8m SW of Arras. Plot IV. row F. Grave 3.
Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH
Description
Keywords: @HotpixUK,Hotpixuk,GoTonySmith,mayor Nangle,mayor,Irish Quarter,on,Floodgate Street,in,mosaic,President Kennedy,mural,Kennedy,JFK,JF Kennedy Memorial,Irish,community,Kenneth Budd and Associates,Kenneth Budd,Associates,104,Deritend,B5,Custard Factory,the,St Chads Circus,art,artwork,street art,streetart,artists,Brum,murals,faces,urban,innercity,inner city
Description: Tony Smith image Alamy 2AERPNC - The mosaic was erected on St Chad's Circus , outside the City's Roman Catholic St Chad's Cathedral, in July 1968, at a cost of £5,000. When the road system was redeveloped in 2007 the mosaic was demolished. Key features, including the heads of some of the main figures, were retrieved and retained by Kenneth Budd's son Oliver.
In 2012 it was re-created using new materials. The new mosaic was erected in January 2013, in the city's Irish Quarter, on Floodgate Street in Digbeth, in reworked form, including the controversial addition of a new face, that of former Lord Mayor of Birmingham Mike Nangle, the city's first Irish Lord Mayor. The work was overseen by Budd's son, Oliver, who worked from his father's original drawings. The retained sections were not used as the colours had faded and would not match the new Smalti mosaic tiles. A formal unveiling took place on 23 February 2013.
Featured alongside Kennedy in the mosaic are his brother Teddy, the Seal of the President of the United States (using real gold), Martin Luther King Jr., American policemen and other figures.
104 Floodgate St, Deritend, Birmingham,England,UK, B5 5SR
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Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,Mosaic,entrance,floor,door,outside,exterior,tile,tiles,tiled,Italian,craftsmen,Irish Pub,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HEEGB3 - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
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Keywords: GoTonySmith,HotpixUK,@HotpixUK,tailor,suit,suits,clothing,menswear,taste,retail,historic,Logo,Montague,shop,store,brand,retailer,empty shop,in,Runcorn,Halton,Runcorn town,Cheshire,England,UK,entrance,mosaic,door,green,Montague Burton the Tailor of Taste Ltd,family,lobbies,floor,Let Burton Dress You,terracotta,Middleton Fireclay Co. of Leeds,WA7,Meshe David Osinsky,Montague Maurice Burton,high street decline
Description: Tony Smith image Alamy 2JHB6PT - Born Meshe David Osinsky and a Lithuanian Jew in Kurkliai, Kaunas province, he came alone to the UK in 1900 to escape the Russian pogroms. He was well-educated, having studied in a yeshiva,[1] but arrived unable to speak English
In 1901, he was staying in Cheetham Hill, Manchester. He started as a peddler, then set up as a general outfitter in Chesterfield in 1903 selling readymade suits bought from a wholesaler.[2][3] Following his marriage to Sophie Marks in 1909 the name of the company was changed from M. Burton to Burton & Burton. On the birth of twin boys in (1917) he gave his name as Montague Maurice Burton.
He died while speaking after a dinner in Leeds on 21 September 1952. The funeral was at the Harrogate Synagogue (some sources say Chapeltown) and he was interred at Gildersome.
˜The Tailor of Taste'
When Montague Burton became a limited company in 1917, it was registered as ˜Montague Burton the Tailor of Taste Ltd'. The slogan, as part of Burton's name, formed part of firm's logo, appearing on fascias, parapets, floors, and even on ventilation grilles.
Tiles and Mosaics
The entrance lobbies of many Burton shops had mosaic floors in the early-to-mid 20th century, and Burton was no exception. These sometimes included the popular Burton slogan: ˜Let Burton Dress You'. This also appears in a black and red glazed terracotta panel on the side elevation of the branch in Abergavenny (1937). Burton's terracotta was usually supplied by the Middleton Fireclay Co. of Leeds
18 Church St, Runcorn, Halton, Cheshire,England, UK, WA7 1LX
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,Factory Records,Tony Wilson,mosaic,Martin,Hannett,Alan,Erasmus,Peter,Saville,rob,Gretton,Manchester Hero,Manchester Heroes,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ7990 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
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Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Aflecks Palace,NQ,North West England,retail,tourist,James Elaine Walsh,mecca,alternative culture,Madchester,cafe,alternative clothing,record shop,retro game shop,art,Mosaic
Description: Tony Smith image Alamy GJBPDY - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1981 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period, when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Aflecks Palace,NQ,North West England,retail,tourist,James Elaine Walsh,mecca,alternative culture,Madchester,cafe,alternative clothing,record shop,retro game shop,art,Mosaic
Description: Tony Smith image Alamy GJBPDH - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1981 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period, when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
