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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4650,InPost,parcel locker,automated,locker,Scan,Tap,ecommerce,last,mile,parcel,returns,out,home,delivery,PPF,Group,logistics,smartphone,collection,white
Description: Tony Smith image Alamy 3FC89ED - . White inpost 24/7 automated parcel locker represents the rapid expansion of automated out-of-home parcel delivery in Britain. Lockers allow customers to collect or return ecommerce purchases without waiting for a courier, helping carriers reduce repeated doorstep visits and consolidate many parcels into one stop. The Scan, Tap & Go message reflects the increasingly app-based process, where a QR code or smartphone can open a compartment at any hour. InPost has grown from its Polish origins into a major European logistics group and has expanded aggressively in the UK through lockers and collection points. Its shareholder information updated in February 2026 listed PPF Group N.V. as the largest shareholder with 28.75% of shares and voting rights. Lockers are now relevant to planning, retail parks, supermarkets, housing estates and transport hubs because they need convenient, secure sites with regular courier access. The image can illustrate ecommerce, last-mile logistics, returns, contactless technology and the reshaping of parcel delivery away from the front door. The photograph also fixes the appearance of the place in the mid-2020s, preserving details that may later disappear through redevelopment, rebranding or changes in regulation. It is suitable for editorial use on social history, local identity, consumer behaviour and the way everyday streets respond to wider economic forces. The subject provides a concrete visual reference for editors needing a real location rather than a generic illustration of inpost. Because the photograph is tied to a specific date, it can later be compared with subsequent changes in signage, ownership, regulation, public use or the surrounding streetscape. It additionally captures ordinary material culture of 2026, including the graphic design, technology, clothing or infrastructure through which broader trends become visible at street level. It adds a grounded visual reference for culture, policy, economy and place.
Northwich, Cheshire, England, UK

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_9803,parcel,delivery,doorstep,home,parcel security,package,theft,online,shopping,courier,last,mile,consumer,rights,branded,cardboard,left,visibly,subscription,box,beer,drinks,obvious,doorsteps,alcohol,craft beer,subscriptions,boxes,example,issue,house,entrance,last mile,practice,practices,complaint
Description: Tony Smith image Alamy 3FC8BPA - A Beer52 subscription box has been left openly on a doorstep outside a red front door, with the branding and wording on the packaging making it immediately obvious that the contents relate to beer. Unlike a plain unmarked parcel, the box advertises its likely contents at a glance, making it a strong editorial illustration of visible alcohol delivery, poor parcel security and the risk of opportunist theft. The scene reflects a common customer frustration with unattended home deliveries that are neither placed in a genuinely safe location nor concealed from public view. In this example the parcel sits squarely on the doormat, fully exposed and easy for a passer-by to notice, remove or interfere with. The image is useful for stories about ecommerce, subscription commerce, craft beer retailing, courier performance, doorstep delivery standards and the growth of direct-to-consumer alcohol sales. Beer52 is widely known in the UK as a craft beer subscription service, and the branded case underlines how subscription packaging can create additional security concerns when couriers leave it outside in plain sight. The photograph also raises broader editorial themes around proof of delivery, customer service, parcel visibility, weather exposure, final-mile logistics and the expectation that deliveries should either be handed to the recipient, left with a neighbour or placed in a secure nominated safe place. Because the contents are clearly beer, the image can additionally be used in discussion of home alcohol delivery and the wider issue of age-restricted goods being left unattended rather than positively received. Overall, this is a clear, real-world visual example of an obvious branded parcel left insecurely at a domestic property, illustrating home alcohol delivery, online retail convenience, subscription box culture and the vulnerability of packages left openly on the doorstep.
England, UK

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,parcel,delivery,doorstep,package,theft,ecommerce,online,shopping,courier,last,mile,consumer,rights,Evri,cardboard,visibly,hanging,door,letterbox,visible,for,thieves,poor,practices,practice,barcode,QR,code,Amazon,protruding,left,domestic,brown,standards,service,services,Royal Mail
Description: Tony Smith image Alamy 3FC8BX2 - Evri parcel is left partly protruding from the letterbox of a domestic front door in Cheshire, England, creating an immediately visible example of insecure home delivery and poor parcel placement. Rather than being pushed fully through the letterbox, handed to the recipient, left with a neighbour or placed in a genuinely secure safe location, the cardboard package remains exposed outside the property and can easily be seen from the street or approach to the house. The scene illustrates common concerns around last-mile delivery, online shopping, courier standards, parcel security and the customer experience of residential deliveries. A package left in this position may be vulnerable to opportunist theft, weather damage, interference or accidental loss, particularly if the occupant is away from home for several hours. The image is useful for editorial coverage of parcel theft, porch piracy, insecure deliveries, courier complaints, ecommerce logistics, consumer frustration and the growth of unattended home deliveries associated with internet retail. The visible shipping label and brown cardboard packaging reinforce the everyday nature of modern parcel distribution, while the traditional front-door letterbox highlights the practical difficulty of delivering larger items safely when nobody answers. The photograph can also illustrate debates about proof of delivery, delivery reliability, safe-place instructions, final-mile logistics, customer service and whether parcels have genuinely been left in an appropriate secure location. Evri, formerly known as Hermes in the UK, is one of the country's major parcel delivery operators and handles large volumes of residential ecommerce traffic. This Cheshire example provides a clear visual metaphor for careless or inadequate delivery practice, with the parcel neither fully delivered inside the property nor hidden from public view, leaving household goods exposed and potentially accessible to passers-by.
England, UK

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG,DPD,parcel,van,delivery,courier,last,mile,logistics,ecommerce,online,shopping,home,parcels,driver,distribution,transport,residential,street,editorial,documentary,2026,British,Britain,Europe,travel,local,community,signage,architecture,streetscape,economy
Description: Tony Smith image Alamy 3FCG3R0 - . A DPD delivery van on a residential street represents the last mile of Britain's vast e-commerce logistics system. The parcel sector has grown with online shopping, subscription retail and consumer expectations of rapid home delivery, turning branded courier vans into an everyday feature of housing estates and city streets. DPD is one of the major carriers serving UK businesses and households, using large sorting hubs, local depots, route-planning software and increasingly detailed customer tracking to coordinate millions of individual door-to-door movements. The last mile is also the most labour-intensive and visible stage of the supply chain, raising issues around driver workload, failed deliveries, parcel security, road congestion and emissions. Courier companies have been expanding electric-vehicle fleets and alternative delivery options such as lockers and pickup points as towns try to reduce traffic and carbon impact. The image is useful for stories about online retail, logistics, gig-style delivery pressures, home shopping, transport decarbonisation, consumer convenience and the infrastructure hidden behind a simple parcel arriving at the door. Small details visible in the frame help place the subject within the economic and cultural conditions of the mid-2020s. Relevant search and editorial concepts include local history, documentary photography, current affairs, public realm, architecture, community, social change, economic context, regional identity, Britain, 2026. Useful descriptive vocabulary for archive discovery includes DPD, parcel, van, delivery, courier, last, mile, logistics, ecommerce, online, shopping, home, parcels, driver, distribution, transport, residential, street, UK. The photograph is suitable for editorial, documentary, social-history, planning, business and local-news use where an identifiable real-world example is preferable to a generic illustration.
England, UK

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,charging,infrastructure,chargers,Chester,services,M56,Junction 14,EV,Gridserve,Low,driver,concerns,added,costs,public,tax,taxation,per,mile,bay,motorway services,charging bay,charging point,area,20% VAT,5%,home,cost,of,transition,driveway divide,charging affordability,charging inequality,charging speeds,charging reliability,charging availability,EV infrastructure
Description: Tony Smith image Alamy 3EG4C03 - GRIDSERVE Low Medium electric vehicle chargers at Roadchef Chester services on the M56, photographed beside marked EV bays, green GRIDSERVE Electric Highway signage and white charging units. The painted bay wording, showing LOW and MEDIUM, makes the image useful for stories about the uneven experience of public charging, where drivers may find different charging speeds, prices and availability. It is a strong editorial image for EV concerns around expensive motorway charging, VAT added costs, range anxiety, journey planning and whether the UK charging network is keeping pace.
Chester services sits at Junction 14 of the M56, serving drivers travelling between Cheshire, North Wales, Merseyside, Warrington and Greater Manchester. Roadside charging hubs are vital for people who cannot rely only on home charging, but public charging can feel costly compared with domestic electricity. UK campaigns have highlighted the difference between VAT on home electricity and VAT applied to public EV charging, often described as unfair for drivers without driveways, private parking or access to a home charger. That issue links this image to debates about the driveway divide, charging affordability, public infrastructure and equal access to cleaner transport.
The photograph also works as a practical illustration of range anxiety. Even where chargers are visible, drivers still worry about queueing, reliability, speed, payment systems and the true cost of a motorway stop. The clean green branding, blue sky and tidy bays suggest modern low-carbon motoring, while the LOW MEDIUM bay marking reminds viewers that not all chargers deliver the same convenience as high-power rapid hubs. This makes the image commercially useful for articles on GRIDSERVE, Roadchef, EV charging policy, motorway services, public charging VAT, electric cars, net zero transport, charging network coverage, consumer confidence and the realities of switching from petrol and diesel to electric vehicles.
Public EV charging bays at Chester services show low and medium speed options on the GRIDSERVE netwo

Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,mile,miles,canal,sign,at,to,and,Junction,metal,cast,iron,network,north west,northwest,navigation,distance,distances,places,towns,the,history,historic,1800,traditional,junction,junctions
Description: Tony Smith image Alamy 2K307TM - . Recorded at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The image documents Canal distance marker, sign at Ellesmere Port, to Autherley Junction and Chester. The setting additionally reflects bus route infrastructure, heritage boating, towpath landscape, documentary photography, visual archive, local mobility, waterway conservation, local bus network, local character, social history, waterborne freight, navigation engineering, changing land use, and local history. Current relevance extends to industrial heritage and biodiversity, particularly through the cost of maintaining ageing locks, boats and canal structures. In present-day coverage, the subject reaches into decarbonisation and bus funding, not least because of the importance of bus stops as the physical interface with public transport. The archival value lies partly in recording public access and movement around National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW before new ownership alters the character of the place. The photograph additionally reflects place identity, community identity, passenger transport, everyday life, transport accessibility, period detail, industrial waterway history, and before-and-after reference. The combination of Chester, distance, Canal, Ellesmere, and Junction anchors the frame to a recognisable activity, place or moment. By fixing the subject within National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW, the image preserves more than the headline object or building: it records part of the locality's everyday history. The frame retains a trace of local identity within the wider story of National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,station,train,trains,CW1 2DB,1/4,Aa,quarter,of,a,mile,to Crewe,to,sign,signage,rail,BR,British Rail,WCML,railway,main,line,signal,box,signals,in big letters,capital,letters,this way,maroon,systems
Description: Tony Smith image Alamy 2JX2W37 - . This dated editorial view of Crewe,Cheshire,England,UK, CW1 2DB in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The frame specifically shows A quarter of a mile, to Crewe, sign at the North Junction signal box, West Coast Mainline, WCML railway, Cheshire, England, UK , CW1 2DB. The frame also records themes of freight wagon, regional identity, railway heritage, surface public transport, working railway heritage, industrial railway, trackside history, transport accessibility, historical comparison, local bus network, passenger information, local history, documentary photography, and social history. The modern context includes continuing discussion of network modernisation, signalling technology and how Crewe's identity remains tied to railway engineering and operations. For current editorial use, local connectivity and integrated transport provide additional context, especially through the shift toward cleaner vehicles and integrated ticketing. The archival value lies partly in recording materials and architectural details around Crewe,Cheshire,England,UK, CW1 2DB before changing commercial priorities alters the character of the place. The location also brings in public realm, rail transport history, roadside transit, public transport stop, bus route infrastructure, period detail, street-side transport, and public-transport wayfinding. The recorded references to railway, Crewe, signal, quarter, and Mainline preserve clues about how the subject was presented, used or understood at the time. The wider setting at Crewe,Cheshire,England,UK, CW1 2DB matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is network modernisation and how Crewe's identity remains tied to railway engineering and operations within the specific setting of Crewe,Cheshire,England,UK, CW1 2DB.
Crewe,Cheshire,England,UK, CW1 2DB

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wales,welsh,cheap holiday runabout rail tickets in a 80 mile radius,cheap,rail,ticket,tickets,in,a,mile,radius,BR,poster,advert,advertisement,maroon,Tuesday,9th,July,Sunday,14th,reduced,fare,fares,first,second,class,May,1962,Great,Britain,GB,steam,railways,Cymru
Description: Tony Smith image Alamy 2JRA4HY - . This scene at Shrewsbury, England, Great Britain in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on LLangollen International Musical Eisteddfod 1963, cheap holiday runabout rail tickets in a 80 mile radius, British Railways BR poster. The broader subject matter reaches into changing streetscape, regional identity, built heritage, commercial redevelopment, archival record, historical comparison, place-making, place identity, period detail, historic townscape, town-centre renewal, mixed-use redevelopment, contemporary social history, and architectural character. Viewed from the mid-2020s, the subject also connects with town-centre regeneration, housing pressure and how public investment can reshape pedestrian movement and evening activity. As a dated visual record of Shrewsbury, England, Great Britain, the frame retains lettering, decoration and surface detail, making it especially useful if changed technology subsequently changes the scene. Further associations within the scene are everyday life, changing land use, period architecture, public realm, urban fabric, adaptive reuse, before-and-after reference, and local history. The combination of poster, International, Musical, runabout, and Eisteddfod anchors the frame to a recognisable activity, place or moment. A later view of Shrewsbury, England, Great Britain may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another useful connection is town-centre regeneration and how public investment can reshape pedestrian movement and evening activity as part of the longer story of Shrewsbury, England, Great Britain. The scene further reflects planning and how public investment can reshape pedestrian movement and evening activity when considered against later change at Shrewsbury, England, Great Britain.
Shrewsbury, England, Great Britain

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,icon,iconic,sealife,sand,beaches,golden,of,tourist,tourists,the,perfect,British,holidays,holiday,English,seaside,view,centre,having,fun,towers,attraction,sunny,piers,evening,postcard,views,over,holidaymakers,holidaying,skyline,townscape,famous,mile
Description: Tony Smith image Alamy 2JRJ9P6 - . This location-specific image from Central Pier boadwalk, Blackpool, Lancashire, England, UK, FY1 5BB in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Summer english seaside view of Blackpool promenade, tower, sea life centre, Coral Island, beach of tourists, the perfect British holiday. The setting additionally reflects historic townscape, community identity, food supply chain, farm produce, crop production, British agriculture, before-and-after reference, town-centre renewal, visual archive, agricultural landscape, social history, contemporary social history, barley cultivation, and documentary photography. In present-day coverage, the subject reaches into farm costs and agricultural policy, not least because of how hotter and wetter weather affects crop reliability. Today's relevance is strengthened by public-realm investment, planning and the continuing question of how public investment can reshape pedestrian movement and evening activity. The archival value lies partly in recording equipment and working practice around Central Pier boadwalk, Blackpool, Lancashire, England, UK, FY1 5BB before different community use alters the character of the place. The location also brings in built heritage, regional identity, urban fabric, archival record, heritage-led regeneration, local character, period detail, and architectural character. References to Coral, seaside, Blackpool, beach, and tower give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Central Pier boadwalk, Blackpool, Lancashire, England, UK, FY1 5BB, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene captures details of everyday use before later change alters the scene.
Central Pier boadwalk, Blackpool, Lancashire, England, UK, FY1 5BB

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Great Britain,sign,distance,Warrington,to Stockport,altrincham,Manchester,old,old sign,Lymm history,historic,miles,miles to,to,Stockport,Alty,local,signpost,signposting,direction,directions,painted,white,black,cast,metal,iron,15,mile,post
Description: Tony Smith image Alamy 2C8NX0N - . A location-based documentary photograph from Stockport Road ,Grappenhall, Warrington, Cheshire, England, UK, WA4 2WA, useful both for its immediate subject and for the smaller period details around it. The principal subject is Distances from Lymm Village, Warrington, to Stockport,altrincham, Warrington, Manchester, black letters on white background. Its broader subject matter includes regional identity, concept illustration, archival record, before-and-after reference, letter-tile composition, language concept, text-based still life, period detail, changing streetscape, local character, contemporary history, word concept, visual archive, and communication theme. Viewed from the mid-2020s, the subject sits within continuing debate about data quality, agreement and the role of clear language in business and public services. The archival value lies partly in recording building condition and alterations around Stockport Road ,Grappenhall, Warrington, Cheshire, England, UK, WA4 2WA before new ownership alters the character of the place. The subject also sits alongside place identity, built environment, typographic message, documentary photography, social history, word association, community identity, and editorial word image. References to Manchester, altrincham, Stockport, Distances, and white give the picture a strong period identity and tie it closely to the named subject. The period setting at Stockport Road ,Grappenhall, Warrington, Cheshire, England, UK, WA4 2WA helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence for data quality and the importance of confidence between organisations and the people they serve in a form that can be compared with future views of Stockport Road ,Grappenhall, Warrington, Cheshire, England, UK, WA4 2WA. The scene captures details of everyday use for later comparison.
Stockport Road ,Grappenhall, Warrington, Cheshire, England, UK, WA4 2WA

Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,Stockon Heath,Cheshire,UK,mile,post,1806,way marker,WA4,Warrington,waymarker,London Road,England,Stretton,white,WA4 6SG,Stockton Heath,1896,village,villages,town,signs,posts,signpost,signposts,direction,directions,distance,distances,triangle triangles,miles,to,place,places
Description: Tony Smith image Alamy 2BM725F - . This period photograph records London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG as an identifiable real-world setting rather than a generic illustration. The photograph centres on Rusted mile post to Warrington, Stretton etc, in London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG - 1896. The setting additionally reflects local history, heritage landmark, architectural contrast, built heritage, historic townscape, local character, conservation interest, archival record, place identity, regional identity, historic streetscape, documentary photography, contemporary history, and urban fabric. The present-day relevance extends to energy retrofit and embodied carbon, while a wider concern is using existing buildings rather than demolishing them. Future viewers can use this scene from London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG to compare public access and movement with whatever follows after changed technology. Other connected aspects are historical comparison, architectural character, conservation architecture, period building, urban change, heritage asset, before-and-after reference, and built environment. References to Stockton, London, Heath, Stretton, and Rusted give the picture a strong period identity and tie it closely to the named subject. For London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. Another useful connection is energy retrofit and preserving local identity during urban change when considered against later change at London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG. The scene further reflects heritage conservation and the contrast between historic fabric and modern development without losing the local specificity of London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG.
London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG

Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,Stockon Heath,mile,1806,post,Cheshire,UK,London Road,Stockton Heath,Warrington,England,WA4 6SG,WA4,Stretton,1896,white,waymarker,way marker,village,villages,town,signs,posts,signpost,signposts,direction,directions,distance,distances,triangle triangles,miles,to,place,places
Description: Tony Smith image Alamy 2BM725N - . A location-based documentary photograph from London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG, useful both for its immediate subject and for the smaller period details around it. The photograph centres on Rusted mile post to Warrington, Stretton etc, in London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG - 1896. The scene can also be read in terms of before-and-after reference, conservation interest, urban change, documentary photography, social history, cityscape history, built environment, regional identity, contemporary history, everyday Britain, architectural contrast, place identity, heritage asset, and local character. Current discussion around this subject increasingly includes maintenance alongside heritage conservation, with particular attention to the contrast between historic fabric and modern development. Small period details of signage and branding at London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG may become more significant with time, especially following different community use. Other connected aspects are historic townscape, social landscape, historic streetscape, heritage landmark, public realm, built heritage, period building, and visual archive. References to London, Stockton, Stretton, Rusted, and Heath give the picture a strong period identity and tie it closely to the named subject. By fixing the subject within London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence for maintenance and keeping older buildings useful without erasing their character without losing the local specificity of London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG. The scene remains tied to London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG, image reference 2BM725N.
London Road, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6SG

Description
Keywords: Jura,distillery,UK,city,centre,malts,whisky,drinks,alcohol,Kilchoman,Tomintoul,tourist,drink,souvenir,souvenirs,royal,mile,box,boxes,bottles,aged,cigars,cigar,alcohol,alcoholic,alcoholism,bottles,britain,british,display,dog,dogs,drink,Isle of Jura,Shop Window,Royal Mile,GoTonySmith,alcohol,alcoholic,alcoholism,booze,bottles,britain,british,display,dog,dogs,drinking,drinks,economic,economics,economy,edinburgh,eu,europe,european,exports,gb,gift,gifts,goods,great,historical,important,issue,issues,kingdom,luxury,malt,malts,market,old,reflection,reflections,retail,scotch,scotland,scottish,shop,shop window,shopping,shops,specialist,spirits,store,stores,topical,tourism,travel,UK,united,up,upmarket,up-market,whiskey,whisky,window,windows,Buy Pictures of,Buy Images Of,the royal mile
Description: Tony Smith image Alamy F89P0X - . Photographed at Rose St, Edinburgh, Scotland, UK in 2015, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The principal subject is Jura Malt Whisky in shop window, Edinburgh,Scotland,UK. The subject also carries associations with local enterprise, commercial frontage, historical comparison, local history, shopfront economy, local character, public realm, retail property, social history, street-level business, small business, period detail, everyday life, and regional identity. For current editorial use, business rates and town-centre regeneration provide additional context, especially through how commercial property costs affect small retailers. Future viewers can use this scene from Rose St, Edinburgh, Scotland, UK to compare signage and branding with whatever follows after later reinterpretation. A second descriptive layer includes documentary photography, independent retail, archival record, before-and-after reference, specialist retailer, changing land use, high-street commerce, and changing streetscape. The combination of Edinburgh, Whisky, and window anchors the frame to a recognisable activity, place or moment. For Rose St, Edinburgh, Scotland, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate business rates and how commercial property costs affect small retailers when considered against later change at Rose St, Edinburgh, Scotland, UK. The image also provides a reference for business rates and how commercial property costs affect small retailers without losing the local specificity of Rose St, Edinburgh, Scotland, UK. Another useful connection is commercial rents and the resilience of specialist shops in an online retail economy in a form that can be compared with future views of Rose St, Edinburgh, Scotland, UK.
Rose St, Edinburgh, Scotland, UK

Description
Keywords: city,centre,malts,whisky,drinks,alcohol,tourist,drink,souvenir,royal,mile,box,boxes,bottles,aged,cigars,cigar,alcohol,alcoholic,alcoholism,booze,bottles,britain,british,display,dog,dogs,drinking,drinks,economic,economics,economy,edinburgh,EU,Royal Mile,GoTonySmith,alcohol,alcoholic,alcoholism,booze,bottles,britain,british,display,dog,dogs,drinking,drinks,economic,economics,economy,edinburgh,eu,europe,european,exports,gb,gift,gifts,goods,great,historical,important,issue,issues,kingdom,luxury,malt,malts,market,old,reflection,reflections,retail,scotch,scotland,scottish,shop,shop window,shopping,shops,specialist,spirits,store,stores,topical,tourism,travel,UK,united,up,upmarket,up-market,whiskey,whisky,window,windows,Buy Pictures of,Buy Images Of,the royal mile
Description: Tony Smith image Alamy F89P11 - . Photographed at Rose St, Edinburgh, Scotland, UK in 2015, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The principal subject is Malt Whiskies in shop window, Edinburgh,Scotland,UK. The wider scene also brings together period detail, street-level business, changing streetscape, independent retail, public realm, changing land use, regional identity, visual archive, place identity, bricks-and-mortar retail, customer footfall, commercial frontage, small business, and before-and-after reference. Viewed from the mid-2020s, the subject also connects with independent business, footfall and how commercial property costs affect small retailers. The archival value lies partly in recording materials and architectural details around Rose St, Edinburgh, Scotland, UK before conservation work alters the character of the place. Other useful contextual ideas include historical comparison, specialist retailer, local character, everyday life, town-centre trading, contemporary social history, high-street commerce, and shopfront economy. The recorded references to Whiskies, Edinburgh, and window preserve clues about how the subject was presented, used or understood at the time. The period setting at Rose St, Edinburgh, Scotland, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects independent business and how commercial property costs affect small retailers as part of the longer story of Rose St, Edinburgh, Scotland, UK. Its period value extends to independent business and the resilience of specialist shops in an online retail economy when considered against later change at Rose St, Edinburgh, Scotland, UK. It also preserves evidence of changing use for later comparison. The photograph keeps evidence of earlier appearance within the wider story of Rose St, Edinburgh, Scotland, UK.
Rose St, Edinburgh, Scotland, UK

Description
Keywords: retail,shop,tourist,tourism,gift,Royal,Mile,Crystal,shoppe,ceramic,ceramics,high,st,street,old,town,Scotland,UK,GB,Great Britain,British,glass,xmas,at,December,Gotonysmith,store,souvenir,quaint,entrance,front,door,doorway,outlet,170 High Street
Description: Tony Smith image Alamy ED4M1J - . Royal Mile Crystal shop, 170 High St, Edinburgh Old Town, Scotland, UK at Christmas. Photographed at 170 High Street, Royal Mile, Edinburgh, Scotland, UK. The photograph was taken on 26 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Royal Mile, Crystal shop, High St, Edinburgh Old Town, souvenirs, Xmas, Christmas, festive, glassware and gifts, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
170 High Street, Royal Mile, Edinburgh, Scotland, UK

Description
Keywords: bars,pubs,drinking,places,ale,CAMRA,real,realale,blue,saltaire,flag,cctv,live,music,Street,capital,city,of,traditional,pub,Cockburn St,Edinburgh,Scotland,UK,great,britain,booze,boozer,seedy,rough,Royal,Mile,tourist,trail,tourist,brewing,brew,80/-,70/-,capital,city,cities,Scot,GoTonySmith britain,british,cockburn,edinburgh,europe,european,exterior,facade,front,gb,great,kingdom,mile,nobody,old,outdoor,outdoors,outside,pub,restaurant,royal,scotland,scottish,street,town,uk,united,western Scots,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ED4M26 - . A view from outside the Scotsmans lounge traditional pub, Cockburn St, Edinburgh, Scotland, UK. The photograph was taken on 26 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with view, outside, Scotsmans, lounge, tradition, alehouse, bar, bars, pubs and drinking, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Cockburn St, Edinburgh, Scotland, UK

Description
Keywords: Always,Cross,at,church,Kirk,royal,mile,high,st,street,Old Town,old,Town,Scotland,UK,crucifix,Christian,crown,religion,religion,Church,of,Church of Scotland,Belief,Lo I am with you alway,alway,Lo,I,am,with,you,alway,GoTonySmith,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DECYE4 - . Lo I am with You Always,Cross at Canongate Kirk, Royal Mile, Edinburgh Old Town, Scotland, UK. Photographed at High St,Edinburgh,Scotland,UK. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Lo I am with You Always, Cross, Canongate Kirk, am with you alway, Lo I am with You, Edinburgh, Edinburgh Old Town, Royal Mile, Canongate and Always, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
High St,Edinburgh,Scotland,UK

Description
Keywords: Always,Cross,at,church,Kirk,royal,mile,high,st,street,Old Town,old,Town,Scotland,UK,crucifix,Christian,crown,religion,religion,Church,of,Church of Scotland,Belief,Lo I am with you alway,alway,Lo,I,am,with,you,alway,GoTonySmith,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DECYFN - . Lo I am with You Always,Cross at Canongate Kirk, Royal Mile, Edinburgh Old Town, Scotland, UK. Photographed at High St,Edinburgh,Scotland,UK. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Lo I am with You Always, Cross, Canongate Kirk, am with you alway, Lo I am with You, Edinburgh, Edinburgh Old Town, Royal Mile, Canongate and Always, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
High St,Edinburgh,Scotland,UK

Description
Keywords: independence,from,the,Royal,Mile,Church,of,Canongate,proud,pride,Scotland,free,nation,independent,religion,Christ,capital,city,town,tourist,tourism,things,to,see,blue,St,andrew,andrews,cross,golden,gold,yellow,Holyroodhouse,and,Edinburgh,Castle,Holyrood,pew,pews,benches,painted,blue,Gotonysmith,3,Reids,Court,95,Canon,gate,Edinburgh,worship,service,community,light,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DECYJT - . Scots lion holding a Saltaire shield ready for independence from the Royal Mile Church of Canongate Kirk. Photographed at 3 Reid's Court, 95 Canongate, Edinburgh, Scotland, UK. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scots, lion, holding, Saltaire, shield, ready, Scottish, Kirk, independence and Royal, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
3 Reid's Court, 95 Canongate, Edinburgh, Scotland, UK

Description
Keywords: M&H,musical,music,instrument,ecclesiastical,city,centre,Royal,Mile,Church,piano,pump,key,keys,holy,in,Scotland,UK,Mason & Hamlin,Royal Mile,Church of Scotland,GoTonySmith,@HotpixUK,RoyalMile,Buy Pictures of,Buy Images Of,Images of,Stock Images,history,historic,organs,organ,Canongate,church
Description: Tony Smith image Alamy DECYT0 - . Mason Hamlin Organ at Edinburgh Canongate Kirk, Scotland, UK. Photographed on 26 August 2013. The recorded location is Canongate, Edinburgh, Scotland, UK. Mason & Hamlin is a piano manufacturer based in Haverhill, Massachusetts. They also manufactured a large number of pump organs during the 19th century. Canongate Kirk was built between 1688 and 1691 after the congregation was displaced from Holyrood Abbey. The distinctive Dutch-gabled church serves the Canongate parish at the lower end of Edinburgh's Royal Mile and has longstanding links with Holyroodhouse and the military. Its interior, monuments, organ and stained glass sit within one of Scotland's most historically dense streetscapes. Looking at the subject's development, ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space. As background, interiors preserve details that exterior photographs cannot show: furniture, fittings, decorative finishes and room layouts reveal how buildings were actually used
Such features are often altered during refurbishment even when the outside remains unchanged. Looking at the subject's development, buildings are often the most durable evidence of former institutions and businesses
Stonework, brickwork, windows, signs and decorative details can survive changes of ownership and use, allowing photographs to document both architectural style and the evolution of a street. For the 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant.
Canongate, Edinburgh, Scotland, UK

Description
Keywords: canongate,Edinburgh,Royal,Mile,Inscription,in,stone,is,Born,in,1750,died,in,Bedlam,1774,street,road,historic,history,tourist,attraction,tourism,famous,people,of,capital,city,of,scotland,proud,street,life,interesting,daytime,Edinburgh-born,poet,Robert,Fergusson,achieved,so,much,poetical,success,in,hi,gotonysmith Canongate kirk,Edinburgh Royal Mile,Scotland UK,oldtown,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History
Description: Tony Smith image Alamy DED05H - . Robert Fergusson Scots Poet bronze Statue from the canongate Edinburgh Royal Mile. Photographed on 26 August 2013. The recorded location is Canongate kirk, Edinburgh Royal Mile, Scotland UK. Edinburgh-born poet Robert Fergusson achieved so much poetical success in his short life of twenty-four years that Robert Burns called him 'my elder brother in the muse'. Robert Fergusson was an eighteenth-century Scots poet whose vivid writing about Edinburgh strongly influenced Robert Burns. The bronze statue outside Canongate Kirk was sculpted by David Annand and unveiled in 2004, showing Fergusson walking through the street environment he wrote about. Burns admired Fergusson so much that he paid for a memorial stone over the poet's grave in Canongate Kirkyard, creating a direct link between two major figures in Scottish literary history. Canongate Kirk was built between 1688 and 1691 after the congregation was displaced from Holyrood Abbey. The distinctive Dutch-gabled church serves the Canongate parish at the lower end of Edinburgh's Royal Mile and has longstanding links with Holyroodhouse and the military. Its interior, monuments, organ and stained glass sit within one of Scotland's most historically dense streetscapes. Looking at the subject's development, public art can become part of the identity of a street or neighbourhood, recording political ideas, local history, humour, memory and changing cultural tastes
Murals, sculpture and decorative art are especially valuable as documentary subjects because they may be altered, moved, weathered or removed. Historically, street signs, shop fascias, notices and inscriptions combine practical communication with graphic design
Typefaces, colours and wording can identify an era, organisation or local custom, making close photographs valuable for social, transport and commercial history. Related search language includes street art, artwork, visual culture, cultural identity, place-making, and community art.
Canongate kirk, Edinburgh Royal Mile, Scotland UK

Description
Keywords: canongate,Edinburgh,Royal,Mile,Inscription,in,stone,is,Born,in,1750,died,in,Bedlam,1774,street,road,historic,history,tourist,attraction,tourism,famous,people,of,capital,city,of,scotland,proud,street,life,interesting,daytime,Edinburgh-born,poet,Robert,Fergusson,achieved,so,much,poetical,success,in,hi,gotonysmith Canongate kirk,Edinburgh Royal Mile,Scotland UK,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED0KH - . Robert Fergusson Scots Poet bronze Statue from the canongate Edinburgh Royal Mile. Photographed on 26 August 2013. The recorded location is Canongate kirk, Edinburgh Royal Mile, Scotland UK. Edinburgh-born poet Robert Fergusson achieved so much poetical success in his short life of twenty-four years that Robert Burns called him 'my elder brother in the muse'. Robert Fergusson was an eighteenth-century Scots poet whose vivid writing about Edinburgh strongly influenced Robert Burns. The bronze statue outside Canongate Kirk was sculpted by David Annand and unveiled in 2004, showing Fergusson walking through the street environment he wrote about. Burns admired Fergusson so much that he paid for a memorial stone over the poet's grave in Canongate Kirkyard, creating a direct link between two major figures in Scottish literary history. Canongate Kirk was built between 1688 and 1691 after the congregation was displaced from Holyrood Abbey. The distinctive Dutch-gabled church serves the Canongate parish at the lower end of Edinburgh's Royal Mile and has longstanding links with Holyroodhouse and the military. Its interior, monuments, organ and stained glass sit within one of Scotland's most historically dense streetscapes. In the longer view, art in public and historic settings adds another layer to the built environment
Sculpture, mosaic, painting and street art can interpret heritage, provoke debate, memorialise communities or create landmarks, and photographs preserve works that may later change or disappear. From a heritage perspective, signs and notices are ephemeral pieces of design that can become important historical evidence
Lettering, logos, warnings and directions record former businesses, regulations, transport systems and public messages that may disappear long before the surrounding building changes. Additional high-relevance terminology includes public art, mural, artwork, visual culture, cultural identity, place-making, and community art.
Canongate kirk, Edinburgh Royal Mile, Scotland UK

Description
Keywords: canongate,Edinburgh,Royal,Mile,Inscription,in,stone,is,Born,in,1750,died,in,Bedlam,1774,street,road,historic,history,tourist,attraction,tourism,famous,people,of,capital,city,of,scotland,proud,street,life,interesting,daytime,Edinburgh-born,poet,Robert,Fergusson,achieved,so,much,poetical,success,in,hi,gotonysmith Canongate kirk,Edinburgh Royal Mile,Scotland UK,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED0TX - . Robert Fergusson Scots Poet bronze Statue from the canongate Edinburgh Royal Mile. Photographed on 26 August 2013. The recorded location is Canongate kirk, Edinburgh Royal Mile, Scotland UK. Edinburgh-born poet Robert Fergusson achieved so much poetical success in his short life of twenty-four years that Robert Burns called him 'my elder brother in the muse'. Robert Fergusson was an eighteenth-century Scots poet whose vivid writing about Edinburgh strongly influenced Robert Burns. The bronze statue outside Canongate Kirk was sculpted by David Annand and unveiled in 2004, showing Fergusson walking through the street environment he wrote about. Burns admired Fergusson so much that he paid for a memorial stone over the poet's grave in Canongate Kirkyard, creating a direct link between two major figures in Scottish literary history. Canongate Kirk was built between 1688 and 1691 after the congregation was displaced from Holyrood Abbey. The distinctive Dutch-gabled church serves the Canongate parish at the lower end of Edinburgh's Royal Mile and has longstanding links with Holyroodhouse and the military. Its interior, monuments, organ and stained glass sit within one of Scotland's most historically dense streetscapes. The historical context is that murals, sculptures and civic artworks turn public space into a record of local culture
They can commemorate people and events, respond to politics, celebrate industry or simply enliven streets, while the artists' materials and styles place the work within a particular period. In historical terms, public wording is part of the visual landscape
Direction signs, warning notices, painted advertisements and engraved plaques show how authorities and businesses communicated before digital screens and app-based information became widespread. The subject remains topical in 2026 because contemporary interest in public art is closely linked to regeneration and cultural tourism.
Canongate kirk, Edinburgh Royal Mile, Scotland UK

Description
Keywords: royal,Mile,Edinburgh,Scotland,UK,High St,High street,high,st,street,gift,gifts,tourism,traditional,GoTonySmith,Buy Pictures of,Buy Images Of,independent,store,wool,craft,knitting,knitted,attraction,duty free,dutyfree,scarves,scarf,shop,window,windows,the,tartan,clan,offers
Description: Tony Smith image Alamy DED16E - . Holyrood cashmere shop, flying a flag of royal standards, Royal Mile, Edinburgh, Scotland, UK. Photographed at High st, Royal Mile, Edinburgh, Scotland, UK. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Holyrood cashmere shop, Royal Mile, Edinburgh, Holyrood, cashmere, shop, retail, clothing, cloth and royal, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
High st, Royal Mile, Edinburgh, Scotland, UK

Description
Keywords: Edinburgh Kilt hire shop. Special tourist offer £49.99 Sporran,Chain,Ghillie Shirt Kilt Pin,Royal,Mile,Scotland,bonnie,shops,retail,gift,gifts,presents,from,traditional,tourist,tourism,independent,independant,independence,Skirt,Scotsman,Gotonysmith,Buy Pictures of,Buy Images Of,Scots,Scottish,dress,clothing,style,styles,your,tartans,packages,package
Description: Tony Smith image Alamy DED1DX - . Edinburgh Kilt hire shop. Special tourist offer £49.99 Sporran, Chain, Ghillie Shirt Kilt Pin, Royal Mile. Photographed at Royal Mile, Edinburgh, Scotland UK. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Edinburgh, Kilt, hire, shop, Special, offer, family, tartan, Edinburgh Kilt hire shop. Special tourist offer £49.99 Sporran and Chain, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Royal Mile, Edinburgh, Scotland UK

Description
Keywords: centre,visit,visitor,travel,traveler,red,yellow,royal,mile,history,historic,building,place,places,in,around,Scots,Scotland,Scottish,town,castle,exhibition,exhibit,city,of,council,local,authority,142,Canongate,EH88DD EH8 8DD,Gotonysmith towns origins,history,and,legends.,Exhibits,include,an,original,copy,of,the,National,Covenant,signed,at,Greyfriars,Kirk,in,1638,and,a,reconstruction,of,Field,Marshall,Earl,Haigs,headquarters,on,the,Western,Front,during,the,Great,War,using,exhibits,bequeathed,to,the,Museum.,Situated,in,the,late,16th-century,Huntly,House,on,the,Royal,Mile,the museum is maintained by Edinburgh City Council.,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre,Scotlands History,Scotlands History
Description: Tony Smith image Alamy DED1HX - The Museum of Edinburgh is a museum in Edinburgh, Scotland, depicting the town's origins, history and legends. Exhibits include an original copy of the National Covenant signed at Greyfriars Kirk in 1638 and a reconstruction of Field Marshall Earl Haig's headquarters on the Western Front during the Great War, using exhibits bequeathed to the Museum.
Situated in the late 16th-century Huntly House on the Royal Mile, the museum is maintained by Edinburgh City Council.
142 Canongate , Royal Mile , EH8 8DD

Description
Keywords: centre,visit,visitor,travel,traveler,vacation,red,yellow,Canongate,royal,mile,royalmile,history,historic,building,place,places,in,around,Scots,Scotland,Scottish,town,castle,exhibition,exhibit,city,of,council,local,authority,142,Canongate,Royal Mile,EH88DD EH8 8DD,Gotonysmith towns origins,history,and,legends.,Exhibits,include,an,original,copy,of,the,National,Covenant,signed,at,Greyfriars,Kirk,in,1638,and,a,reconstruction,of,Field,Marshall,Earl,Haigs,headquarters,on,the,Western,Front,during,the,Great,War,using,exhibits,bequeathed,to,the,Museum.,Situated,in,the,late,16th-century,Huntly,House,on,the,Royal,Mile,the museum is maintained by Edinburgh City Council.,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DED1R6 - The Museum of Edinburgh is a museum in Edinburgh, Scotland, depicting the town's origins, history and legends. Exhibits include an original copy of the National Covenant signed at Greyfriars Kirk in 1638 and a reconstruction of Field Marshall Earl Haig's headquarters on the Western Front during the Great War, using exhibits bequeathed to the Museum.
Situated in the late 16th-century Huntly House on the Royal Mile, the museum is maintained by Edinburgh City Council.
142 Canongate , Royal Mile , EH8 8DD

Description
Keywords: Royalmile,Edinburgh,Scotland,UK,independant,nation,independent,nationalism,town,walls,Edinburgh,Scotland,form,of,wall,probably,existed,foundation,of,the,royal,burgh,building,16th,century,Telfer,Wall,gates,ports,Netherbow,Port,stood,halfway,down,the,Royal,Mile,Canongate,separate,burgh,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED1RF - There have been several town walls around Edinburgh, Scotland, since the 12th century. Some form of wall probably existed from the foundation of the royal burgh in around 1125, though the first building is recorded in the mid-15th century, when the King's Wall was constructed. In the 16th century the more extensive Flodden Wall was erected, following the Scots' defeat at the Battle of Flodden Field in 1513. This was extended by the Telfer Wall in the early 17th century. The walls had a number of gates, known as ports, the most important being the Netherbow Port, which stood halfway down the Royal Mile. This gave access from the Canongate which was, at that time, a separate burgh.
Netherbow Port Canongate Royalmile Edinburgh Scotland UK

Description
Keywords: Royalmile,Edinburgh,Scotland,UK,independant,nation,independent,nationalism,town,walls,Edinburgh,Scotland,form,of,wall,probably,existed,foundation,of,the,royal,burgh,building,16th,century,Telfer,Wall,gates,ports,Netherbow,Port,stood,halfway,down,the,Royal,Mile,Canongate,separate,burgh,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED1TM - There have been several town walls around Edinburgh, Scotland, since the 12th century. Some form of wall probably existed from the foundation of the royal burgh in around 1125, though the first building is recorded in the mid-15th century, when the King's Wall was constructed. In the 16th century the more extensive Flodden Wall was erected, following the Scots' defeat at the Battle of Flodden Field in 1513. This was extended by the Telfer Wall in the early 17th century. The walls had a number of gates, known as ports, the most important being the Netherbow Port, which stood halfway down the Royal Mile. This gave access from the Canongate which was, at that time, a separate burgh.
Netherbow Port Canongate Royalmile Edinburgh Scotland UK

Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,st,street,oldtown,word,mary,kings,close,palace,holyrood,royal,mile,paint,painted,yellow,blue,green,2,new,street,st,Canongate,Gotonysmith,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED215 - . Old Town Graffiti 2 New st, Canongate Edinburgh Old Town Scotland. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Edinburgh, Scots, graffiti, Royal, Mile, Scottish, Scot, independance, independence and street, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Edinburgh Old Town, Lothian, Scotland EH1

Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,crafts,Royal,mile,high,st,street,classic,union,jack,flag,flying,Saltaire,Scottish,Scotish,crowd,of,people,tourists,buying,buyers,souvenirs,scotshop,flags,flying,fluttering,in,th,ebreeze,Gotonysmith,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED28Y - . Celtic Crafts Real Scot Shop Royal Mile Edinburgh Scotland. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Edinburgh, Scots, shop, celtic, Scottish, Scot, independance, independence, crafts and Royal, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. This particular view is catalogued under Alamy image reference DED28Y, distinguishing it from other photographs of the same or related subject.
Edinburgh Old Town, Lothian, Scotland EH1

Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,The,baked,potato,bad,diet,red,food,eating,habit,habits,heart,attack,fat,fatty,food,low,life,lowest,expectancy,in,europe,poor,health,record,Scotlands,unhealthy,tatties,excess,consumption,of,saturated,fat,salt,and,sugar,off,royal,Gotonysmith,mile,places,to,eat,tourist,travel,spuds,shops,takeaway,carryout,carry,out,carryoot,cardiovascular,disease,cancer,hypertension,type 2 diabetes and obesity cakes cake,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED3AW - . The Tempting Tattie Baked Spud shop Edinburgh Scotland UK. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Edinburgh, Scots, Tempting, Tattie, potatoes, Spud, shop, Scottish, Scot and independance, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is useful for editorial coverage of eating out, restaurant culture, food presentation, hospitality and the way international cuisine has become part of everyday dining in British cities. Food, crockery, tableware, menus, serving dishes and restaurant surroundings can provide strong visual cues for features about cuisine, ingredients, dining habits, tourism, leisure spending and the hospitality economy. The image is documentary rather than studio food photography, giving it relevance to real-world restaurant reviews, travel features, local food guides and stories about consumer choice. It also records the appearance and presentation of a meal at a particular time and place, useful for archive, lifestyle and social-history contexts. Search themes include restaurant dining, cuisine, food presentation, hospitality, eating out, table settings, tourism, consumer lifestyle and the local food economy. Because this is a real meal in a real venue rather than a studio arrangement, it has particular value for travel, dining and social-history features. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Edinburgh Old Town, Lothian, Scotland EH1

Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,3,3oclock,three,3pm,oclock,o,clock,municipal,street,st,High,St,Royal,Mile,highst,highstreet,green,clockface,clockfaces,historic,with,ornate,roof,of,lead,Gotonysmith,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,close,closeup,close-up,up,shot,image,telephoto,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED3P0 - . Tolbooth clock tower Canongate High St Royal Mile Edinburgh Scotland. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Edinburgh, Scots, clock, tower, Canongate, Tolbooth, 3am, Scottish, Scot and independance, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh Old Town, Lothian, Scotland EH1

Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,Tollbooth,Royal,Mile,time,tower,turret,turrit,historic,canongate,cannongate,canon,gate,summer,blue,sky,stone,building,traditional,architecture,entry,entrance,bar,bars,pub,pubs,green,clock,tolbuth,gaol,where,judicial,torture,and,execution,Gotonysmith,Pretorio,burgi,street,summer,blue,sky,took,place,Famous,inmates,held,in,the,old,Thomas,Aikenhead,bus,Archibald,Campbell,1st Marquis of Argyll tour Robert Balfour,5th Lord Balfour of Burleigh Deacon Brodie James Douglas,4th Earl of Morton John Fian James Graham,1st Marquis of Montrose Alexander Home,3rd Lord Home Archibald Johnston,Lord,Warriston,Alexander,Peden,Captain,John,Porteous,Agnes,Sampson,Major,Weir,tourist,haunt,haunts,tourist,tourists,tourism,travel,building,architecture,wide,shot,angle,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History
Description: Tony Smith image Alamy DED3YP - The Old Tolbooth was the main municipal building in the city of Edinburgh, Scotland for more than 400 years. The medieval structure, which was located at the west end of the Luckenbooths on the High Street in the Old Town, was first established in the 14th century by royal charter. Over the years it served a variety of purposes such as housing the Burgh Council, early meetings of the Estates of Scotland and the Court of Session. The Tolbooth was also the burgh's main gaol where public execution and torture were routinely conducted.
In 1817 the building, which had been rebuilt and renovated several times, was demolished.
Famous inmates held in the Old Tolbooth
Thomas Aikenhead
Archibald Campbell, 1st Marquis of Argyll
Robert Balfour, 5th Lord Balfour of Burleigh
Deacon Brodie
James Douglas, 4th Earl of Morton
John Fian
James Graham, 1st Marquis of Montrose
Alexander Home, 3rd Lord Home
Archibald Johnston, Lord Warriston
Alexander Peden
Captain John Porteous
Agnes Sampson
Major Weir
Edinburgh Old Town, Lothian, Scotland EH1

Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,within,entry,occupies,the,site,of,the,earl,of,wintons,town,mansion,better,known,as,my,lord,seytouns,lugeing,in,the,canongate,cannongate,royal,mile,holyrood,on,wall,rusty,history,historic,Gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED43T - . Whiteford House Plaque, Canongate, Holyrood Edinburgh Scotland. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Edinburgh, Scots, Whiteford, metal, Plaque, calloways, Scottish, Scot, independance and independence, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Edinburgh Old Town, Lothian, Scotland EH1

Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,zoo,smock,kitchen,wear,strap,straps,tartan,PVC,Kitchen,Souvenir,pride,ideal,gift,gifts,shop,shops,cute,royal,mile,tat,crap,indian,shop,asian,Buy Pictures of,Buy Images Of,Gotonysmith,pregnancy
Description: Tony Smith image Alamy DED4H3 - . Panda gift Edinburgh Scotland PVC Kitchen Apron Souvenir. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Edinburgh, Scots, Panda, gift, pandas, birth, Apron, Scottish, Scot and independance, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. This particular view is catalogued under Alamy image reference DED4H3, distinguishing it from other photographs of the same or related subject.
Edinburgh Old Town, Lothian, Scotland EH1

Description
Keywords: fringe2012,fringe,2012,Edinburgh,Edinburghfringe,high,st,street,royal,mile,tattoo,actor,performer,with,cabbage,beard,vegetable,peterpiper,peter,piper,pipe,b/w,mono,black,white,monochrome,hdr,tony,smith,tonysmith,hotpix,tonysmithhotpix,bald,baldy,beards
Description: Tony Smith image Flickr 8015160682 - 'View a whole set of Fringe 2012 madness from Edinburgh Scotland here. If you do Twitter add me here.
Picky with your food? Alegies, Vegetarian? August, always a mad busy crazy time in Edinburgh, during the festival and fringe, which seems to have grown even bigger than the tattoo and festival. There's plenty of vegetable based humour here, its a broad church!.
At venue 203, The Princes Mall, just next to Waverley bridge and railway station, this show was on throughout the festival 4-25th August, as part of the free fringe.
The question raised is 'Wheres the peck of pickled peppers Peter Piper picked?' and more importantly 'Why did he pick it'?
As the blurb says:
This highly intriguing work exposes the truth. A truth in which The Mafia, Ms Muffet, David Cameron, Cabbage Beards, a talking pea,The Man from Del Monte, Assasination attempts and sports vouchers for schools are all involved.
Surrealist, Realist, Thoughtful, Funny, Free.
A reall nice bloke too!
The Edinburgh Festival Fringe (The Fringe) is the world's largest arts festival, with the 2012 event spanning 25 days totalling over 2,695 shows from 47 countries in 279 venues. Established in 1947 as an alternative to the Edinburgh International Festival, it takes place annually in Scotland's capital, in the month of August. The Fringe is a showcase for the performing arts, particularly theatre and comedy (which has seen substantial growth in recent years), although dance and music are also represented. In 2012, 36% of shows were comedy and 28% theatrical productions. Theatrical productions range from the classics of ancient Greece to William Shakespeare, Samuel Beckett and contemporary works. In 2012, 1,418 shows were having their world premiere.
The Fringe is an unjuried festival \u2013 with no selection committee, and therefore any type of performance may participate. The Fringe has often showcased experimental works that might not be invited to a more conservative arts festival. In addition to ticketed, programmed events, the Festival has included a street fair, located primarily on the Royal Mile. The Festival is organized by the Festival Fringe Society, which publishes the programme, sells tickets, and offers advice to performers. Their offices are on the Royal Mile.
File under: street fringe fring2012 fringe2012 comedy show 2012fringe shows actors performers entertainers in Edinburgh dance free artists grainy gritty mono pictures man with severed head holding it .
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: fringe2012,fringe,2012,Edinburgh,Scotland,High,St,Street,Royal,Mile,portrait,character,man,scary,image,photo,movie,hat,shallow,focus,mr,mrs,clarke,medicine,show,event,B/W,mono,square,HDR,urban,contrast,@hotpixuk
Description: Tony Smith image Flickr 8077282685 - 'View a whole set of Fringe 2012 madness from Edinburgh Scotland here. If you do Twitter add me here.
Ailments, snakeoil? This might be the one! August, always a mad busy crazy time in Edinburgh, during the festival and fringe, which seems to have grown even bigger than the tattoo and festival. There's no shortage of scaryness and satire here!.
The Mr and Mrs Clark Medicine Show aims to cure your everyday ailments and add a little colour to a bleak looking world. Mr and Mrs Clark intend to diagnose and heal unwell individuals, struggling couples and a despondent community with a creative approach to alternative medicine. They believe they have the power to cure and they aim to convince you. Described as \u2018Unpredictable. Full on. Hilarious\u2019 (South Wales Argus). Medicine Show follows the Clarks\u2019 film noir marriage therapy show, Nine, in engaging and promoting audience interaction. \u2018The Clarks make unique and astonishing performances\u2019 (Volcano Theatre Company). More on this link www.mrandmrsclark.co.uk .
The show was on at Venue 13. You can still catch them if you are quick 1st November - Weston Studio, Wales Millennium Centre, Cardiff. Box Office: 02920 636464
The Edinburgh Festival Fringe (The Fringe) is the world's largest arts festival, with the 2012 event spanning 25 days totalling over 2,695 shows from 47 countries in 279 venues. Established in 1947 as an alternative to the Edinburgh International Festival, it takes place annually in Scotland's capital, in the month of August. The Fringe is a showcase for the performing arts, particularly theatre and comedy (which has seen substantial growth in recent years), although dance and music are also represented. In 2012, 36% of shows were comedy and 28% theatrical productions. Theatrical productions range from the classics of ancient Greece to William Shakespeare, Samuel Beckett and contemporary works. In 2012, 1,418 shows were having their world premiere.
The Fringe is an unjuried festival \u2013 with no selection committee, and therefore any type of performance may participate. The Fringe has often showcased experimental works that might not be invited to a more conservative arts festival. In addition to ticketed, programmed events, the Festival has included a street fair, located primarily on the Royal Mile. The Festival is organized by the Festival Fringe Society, which publishes the programme, sells tickets, and offers advice to performers. Their offices are on the Royal Mile.
File under: street fringe sinister make up fring2012 fringe2012 comedy show 2012fringe shows actors performers entertainers in Edinburgh dance free artists grainy gritty mono HDR extreme blank white makeup in the street.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: Dave,Cammeron,Cameroon,satire,at,the,August,Edinburgh,Festival,UK,mono,b/w,black,white,respected,not,hated,collation,Nick,Clegg,Cleg,cuts,crash,broken,promises,tory,leader,GB,great,british,witney,PM,Prime,Minister,politician,joke,jokes,joker,jokers,comedian,comedians,royal,mile,high,st,Gotonysmith,street,fringe,office,offices,parliament,Scotland,scots,Scottish,independence,hates,hater,of,Alex,Salmond,government,homerule,home,rule,SNP,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HWG6 - . Leave a message for the British MP David Cameron , satire at the August Edinburgh Festival UK. Photographed on 23 August 2012. The recorded location is High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS. A politician not keen on Scottish independence , everyone in the UK from whatever country will surely have an opinion for him. In the longer view, campaign imagery captures politics at street level, where national debates become posters, banners, marches and handwritten slogans
Such material often disappears immediately after an election or referendum, making contemporary photographs especially useful to historians. In the longer view, travel photography documents the visitor economy as well as scenery, showing how historic places, coastlines and resort facilities are packaged, experienced and adapted for tourists over time. Current 2026 relevance comes from the fact that seen from 2026, older campaign material provides a clear historical benchmark for later political arguments
The physical poster or banner captures not only a policy position but the visual language and grassroots campaigning methods of its moment. Current 2026 relevance comes from the fact that tourism remains a major part of the UK and European service economy, but destinations continue to balance visitor numbers with resident needs, transport capacity, climate pressures and the maintenance of historic places. In historical terms, public protest and electoral campaigning form part of democratic culture, documenting how people express support, opposition and identity outside formal institutions
The wording of signs can preserve the tone of a debate more directly than later summaries. As of 2026, seen from 2026, older campaign material provides a clear historical benchmark for later political arguments
The physical poster or banner captures not only a policy position but the visual language and grassroots campaigning methods of its moment.
High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS

Description
Keywords: fringe2012,fringe,2012,Edinburgh,Edinburghfringe,high,st,street,royal,mile,tattoo,actor,performer,with,severed,head,blood,horror,gore,b/w,mono,black,white,monochrome,hdr,tony,smith,tonysmith,hotpix,tonysmithhotpix
Description: Tony Smith image Flickr 8003789803 - 'View a whole set of Fringe 2012 madness from Edinburgh Scotland here. If you do Twitter add me here.
How do you like your horror? August, always a mad busy crazy time in Edinburgh, during the festival and fringe, which seems to have grown even bigger than the tattoo and festival. There's plenty of horror and mystery here from Shakespear to Freddie Kruger.
The Edinburgh Festival Fringe (The Fringe) is the world's largest arts festival, with the 2012 event spanning 25 days totalling over 2,695 shows from 47 countries in 279 venues. Established in 1947 as an alternative to the Edinburgh International Festival, it takes place annually in Scotland's capital, in the month of August. The Fringe is a showcase for the performing arts, particularly theatre and comedy (which has seen substantial growth in recent years), although dance and music are also represented. In 2012, 36% of shows were comedy and 28% theatrical productions. Theatrical productions range from the classics of ancient Greece to William Shakespeare, Samuel Beckett and contemporary works. In 2012, 1,418 shows were having their world premiere.
The Fringe is an unjuried festival \u2013 with no selection committee, and therefore any type of performance may participate. The Fringe has often showcased experimental works that might not be invited to a more conservative arts festival. In addition to ticketed, programmed events, the Festival has included a street fair, located primarily on the Royal Mile. The Festival is organized by the Festival Fringe Society, which publishes the programme, sells tickets, and offers advice to performers. Their offices are on the Royal Mile.
File under: street fringe fring2012 fringe2012 comedy show 2012fringe shows actors performers entertainers in Edinburgh dance free artists grainy gritty mono pictures man with severed head holding it .
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: fringe2012,fringe,2012,Edinburgh,Scotland,High,St,Street,Royal,Mile,portrait,character,man,scary,image,photo,movie,Aki,Japan,Japanese,Nihon,boy,gentleman,venue,event,B/W,mono,square,HDR,urban,contrast,asian,male,performer,@hotpixuk
Description: Tony Smith image Flickr 8097946084 - 'View a whole set of Fringe 2012 madness from Edinburgh Scotland here. If you do Twitter add me here.
Arigato August, always a mad busy crazy time in Edinburgh, during the festival and fringe, which seems to have grown even bigger than the tattoo and festival. There's no shortage of scaryness and satire here!.
Aki is a Japanese street performer from Tokyo, just in Edinburgh to perform in the street. He was a friendly chap and was having a brilliant time.
The Edinburgh Festival Fringe (The Fringe) is the world's largest arts festival, with the 2012 event spanning 25 days totalling over 2,695 shows from 47 countries in 279 venues. Established in 1947 as an alternative to the Edinburgh International Festival, it takes place annually in Scotland's capital, in the month of August. The Fringe is a showcase for the performing arts, particularly theatre and comedy (which has seen substantial growth in recent years), although dance and music are also represented. In 2012, 36% of shows were comedy and 28% theatrical productions. Theatrical productions range from the classics of ancient Greece to William Shakespeare, Samuel Beckett and contemporary works. In 2012, 1,418 shows were having their world premiere.
The Fringe is an unjuried festival \u2013 with no selection committee, and therefore any type of performance may participate. The Fringe has often showcased experimental works that might not be invited to a more conservative arts festival. In addition to ticketed, programmed events, the Festival has included a street fair, located primarily on the Royal Mile. The Festival is organized by the Festival Fringe Society, which publishes the programme, sells tickets, and offers advice to performers. Their offices are on the Royal Mile.
File under: street fringe fring2012 fringe2012 theatre play Oedipus drama show 2012fringe shows actors performers entertainers in Edinburgh dance free artists grainy gritty mono HDR
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: echo,narcissus,Edinburgh,space,venue,august,2012,fringe,festival,high,st,street,royal,mile,city,rag,bone,productions,rag & Bone productions,rag and bone productions,b/w,black,white,mono,selective,colour,color,selective color,selective colour,reflection,face,women,girls,beauty,beautifull
Description: Tony Smith image Flickr 8097966286 - 'View a whole set of Fringe 2012 madness from Edinburgh Scotland here. If you do Twitter add me here.
August, always a mad busy crazy time in Edinburgh, during the festival and fringe, which seems to have grown even bigger than the tattoo and festival. There's no shortage of scaryness and satire here!.
Echo and Narcissus @ Edinburgh Festival Fringe 2012. From Rag and Bone Productions the Venue was theSpace on North Bridge. It was on until 18th August 2012 @ venue 36.
As the review says, 'Sometimes it is hard to tell image from reality until the illusion is shattered at the tap of a finger. Durham University\u2019s Rag &
Bone Productions use an exciting combination of physical theatre, drama and dance to bring you this dark and innovative take on a classic Greek myth. The tragic story of Echo and Narcissus follows the disastrous consequences of a man falling in love with his own reflection. Rag &
Bone successfully fuse visual spectacle with the best of storytelling to explore this tale of hurt, rejection, pride and vanity. Not to be missed!'
Narcissus, is a young man blessed with untold beauty, who spurns all amorous advances, be they from citizens, nymphs, or just about anyone who can appreciate the beauty of the perfect human form. Meanwhile, talkative forest nymph Echo is tasked by Zeus to distract his wife Hera with incredible stories while he has an affair. Hera finds out and curses Echo to be able to repeat only the ends of sentences spoken to her (hence her name, Echo).
She runs into Narcissus in a forest, he rejects her fumbled echoes and she wastes away until she is nothing but a voice. Narcissus rejects one final advance of an older man by the name of Ameinus and mocks him for his futile attempts, daring him to kill himself. Ameinus does so, but curses Narcissus beforehand, resulting in Artemis bewitching Narcissus to fall in love with the next person he sees.
As he is hunting in the woods, he stops to rest by a quiet pool in a grassy clearing and falls in love with his own reflection. At a loss, he plunges in to reach the young man but drowns. A small Narcissus flower is washed up on the shore afterwards, taking its name from him.
The Edinburgh Festival Fringe (The Fringe) is the world's largest arts festival, with the 2012 event spanning 25 days totalling over 2,695 shows from 47 countries in 279 venues. Established in 1947 as an alternative to the Edinburgh International Festival, it takes place annually in Scotland's capital, in the month of August. The Fringe is a showcase for the performing arts, particularly theatre and comedy (which has seen substantial growth in recent years), although dance and music are also represented. In 2012, 36% of shows were comedy and 28% theatrical productions. Theatrical productions range from the classics of ancient Greece to William Shakespeare, Samuel Beckett and contemporary works. In 2012, 1,418 shows were having their world premiere.
The Fringe is an unjuried festival \u2013 with no selection committee, and therefore any type of performance may participate. The Fringe has often showcased experimental works that might not be invited to a more conservative arts festival. In addition to ticketed, programmed events, the Festival has included a street fair, located primarily on the Royal Mile. The Festival is organized by the Festival Fringe Society, which publishes the programme, sells tickets, and offers advice to performers. Their offices are on the Royal Mile.
File under: street fringe fring2012 fringe2012 theatre play Oedipus drama show 2012fringe shows actors performers entertainers in Edinburgh dance free artists grainy gritty mono HDR
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: fringe2012,fringe,2012,Edinburgh,Scotland,High,St,Street,Royal,Mile,portrait,character,man,scary,image,photo,movie,oedipus,complex,thecomplex,Electra,theatre,the venue,terrible,edgar,co,venue,event,B/W,mono,square,HDR,urban,contrast,@hotpixuk
Description: Tony Smith image Flickr 8097992647 - 'View a whole set of Fringe 2012 madness from Edinburgh Scotland here. If you do Twitter add me here.
Love, incest? This might be the one! August, always a mad busy crazy time in Edinburgh, during the festival and fringe, which seems to have grown even bigger than the tattoo and festival. There's no shortage of scaryness and satire here!.
A show which ran at The Space on The Mile, Venue 39 (80 The High St), August 3rd to the 17th by The Terrible Edgar Theatre Co.
Andrew Leask reviewed it like this: It\u2019s been hours since I left the venue, and I\u2019m still thinking about this play. It takes a complex, metatextual concept \u2013 characters in a play have become self-aware \u2013 and plays with it, delivering an adaptation of \u2018Oedipus\u2019 that is as thought-provoking as it is engaging.
The chorus want to hide the horrible truth from Oedipus, but are compelled to follow the script
at times comical, it builds to a dark, fittingly tragic climax, throwing the audience\u2019s need for tragedy and catharsis back at them. If you\u2019re interested in tragedy, this will leave you with a mental itch that you can\u2019t quite scratch: the mark of exciting, provocative theatre.
Oedipus fulfilled a prophecy that said he would kill his father and marry his mother, and thereby brought disaster on his city and family. The story of Oedipus is the subject of Sophocles's tragedy Oedipus the King, which was followed by Oedipus at Colonus and then Antigone. Together, these plays make up Sophocles's three Theban plays. Oedipus represents two enduring themes of Greek myth and drama: the flawed nature of humanity and an individual's powerlessness against the course of destiny in a harsh universe.
The Edinburgh Festival Fringe (The Fringe) is the world's largest arts festival, with the 2012 event spanning 25 days totalling over 2,695 shows from 47 countries in 279 venues. Established in 1947 as an alternative to the Edinburgh International Festival, it takes place annually in Scotland's capital, in the month of August. The Fringe is a showcase for the performing arts, particularly theatre and comedy (which has seen substantial growth in recent years), although dance and music are also represented. In 2012, 36% of shows were comedy and 28% theatrical productions. Theatrical productions range from the classics of ancient Greece to William Shakespeare, Samuel Beckett and contemporary works. In 2012, 1,418 shows were having their world premiere.
The Fringe is an unjuried festival \u2013 with no selection committee, and therefore any type of performance may participate. The Fringe has often showcased experimental works that might not be invited to a more conservative arts festival. In addition to ticketed, programmed events, the Festival has included a street fair, located primarily on the Royal Mile. The Festival is organized by the Festival Fringe Society, which publishes the programme, sells tickets, and offers advice to performers. Their offices are on the Royal Mile.
File under: street fringe fring2012 fringe2012 theatre play Oedipus drama show 2012fringe shows actors performers entertainers in Edinburgh dance free artists grainy gritty mono HDR
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: fringe,edinburgh,fringe2012,man,puppet,NZ,new,Zealand,Zealander,road,that,wasnt,there,road that wasnt there,city,scotland,august,b/w,black,white,monochrome,maggie,royal,mile,high,street,st.,flat,cap,trick,light,theatre,tattoo
Description: Tony Smith image Flickr 8098001422 - 'View a whole set of Fringe 2012 madness from Edinburgh Scotland here. If you do Twitter add me here.
August, always a mad busy crazy time in Edinburgh, during the festival and fringe, which seems to have grown even bigger than the tattoo and festival. There's no shortage of talent and satire here!.
Part of the Free Fringe, the New Zealand company Trick of the Light Theatre has travelled across the world to tell a wonderful story of maps and roads that exist only if you know where to look for them. And if you follow them, the consequences may be more real than you expected.
The starting point of the story is the paper roads of New Zealand \u2013 roads that were built and drawn in on several maps but never materialised as the money was missing. Conjuring up a visual imagery that switches between episodic temporaries in refreshing ways, The Road that Wasn\u2019t There imagines what would happen if one did indeed follow one of these paper roads off the edge of the real world.
The story centres on Maggie, who as a young girl follows one of these paper roads leading off behind the graveyard on her way to work for her family. She finds everything she has always wanted, but is drawn further and further away from the real world and into this wondrous world where time stands still. Performed through acting, puppetry and shadow theatre, the story is woven into a contemporary plot where her grown-up son is moving her to an old people\u2019s home to protect her from her fantasies. As the two stories unfold, we learn something both about reality and about responsibility, love, and the changes that have occurred between generations.
The Road That Wasn\u2019t There played at the Free Sisters venue until the 26 August as part of the Edinburgh Fringe Festival.
The Edinburgh Festival Fringe (The Fringe) is the world's largest arts festival, with the 2012 event spanning 25 days totalling over 2,695 shows from 47 countries in 279 venues. Established in 1947 as an alternative to the Edinburgh International Festival, it takes place annually in Scotland's capital, in the month of August. The Fringe is a showcase for the performing arts, particularly theatre and comedy (which has seen substantial growth in recent years), although dance and music are also represented. In 2012, 36% of shows were comedy and 28% theatrical productions. Theatrical productions range from the classics of ancient Greece to William Shakespeare, Samuel Beckett and contemporary works. In 2012, 1,418 shows were having their world premi\u00e8re.
The Fringe is an unjuried festival \u2013 with no selection committee, and therefore any type of performance may participate. The Fringe has often showcased experimental works that might not be invited to a more conservative arts festival. In addition to ticketed, programmed events, the Festival has included a street fair, located primarily on the Royal Mile. The Festival is organized by the Festival Fringe Society, which publishes the programme, sells tickets, and offers advice to performers. Their offices are on the Royal Mile.
File under: street fringe fring2012 fringe2012 theatre play Puppet drama show actor performer 2012fringe shows actors performers entertainers in Edinburgh dance free artists grainy gritty mono HDR down under performers actors
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: tonysmith,tony,smith,hotpix,tonyhotpix,tonysmithhotpix,scotland,royalmile,royal,mile,tass,pub,b/w,mono,sepia,selective,colour,color,black,white,blanco,negra,guitar,bass,busk,busker,buskers,har,boy,many,hairy,cool,entertain,entertainer,edinburgh,edimburgh,MIS,@hotpixUK,ActiveH,housingtechnology
Description: Tony Smith image Flickr 5743031658 - 'Auden plays in a band down in Portobello, east of Edinburgh which is a bit of a trendy up-coming neighbourhood (at least thats what the ESPC estate agents are saying). His band composes and plays material similar to Pendulum.
His musical style for the foot of the Royal Mile is more blues, Led Zeppelin, Eagles and classic rock however. He looks the part with his battered old bass.
The Tass lies on the High Street section of Edinburgh's Royal Mile, opposite the equally well known World's End. If you look at the cobbles in the High Street here you can see the outline in brass of the Netherbow Port, once the eastern gateway of the City of Edinburgh.
The Tass is named after one of Robert Burns' songs, The Silver Tassie (or 'goblet') and the Tass seeks to remember Scotland's greatest bard with a range of memorabilia relating to him. Don't worry though, this isn't overdone and it would be quite possible to enjoy the ambiance without being overwhelmed by the theme.
Much more obvious is the Tass's role as a focus for traditional and folk music, with live performances taking place most evenings. A choice of real ales and malt whiskies is on offer, and when I popped in the food looks fairly good too.
Checkout more w=33062170@N08\' target=\'_blank\'>Scotland images from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) TonySmith Hotpix / HotpixUK
( )',

Description
Keywords: St,saint,Giles,Cathedral,High,Kirk,of,Edinburgh,at,night,Scotland,gotonysmith,royal,mile,stone,stones,church,crown,steeple,of,Mother,old,town,oldtown,episcopalianism,royal,burgh,high,shot,image,nightimage,long,exposure,moving,sky,clouds,cloud,tourist,tourism,LEcosse,Edimbourg,Schotland,Schottland,La,Scozia,Edimburgo,Escocia,Edimburgo,where,to,visit,religion,scottish,independance,independence,home,rule,devolution,parliament,SNP,national,party,@Hotpixuk,Government,gotonysmith,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy CF7D7C - . St saint Giles Cathedral High Kirk of Edinburgh at dusk, Scotland @HotpixUK. Photographed on 25 December 2010. The recorded location is Royal Mile, Edinburgh, Lothians , Scotland, UK. Historically, panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. As background, ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space. In 2026, current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent. Against the 2026 backdrop, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses. The historical context is that seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. In the longer view, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a particular moment
Repeated views can later become valuable evidence of development, environmental change and shifting patterns of use. Useful alternative terminology includes panorama, scenic view, night photography, seasonal landscape, skyline, and cityscape.
Royal Mile, Edinburgh, Lothians , Scotland, UK

Description
Keywords: Leftwich,Milepost,Northwich,Cheshire,UK,Davenham,cast,iron,sign,post,signpost,1833,1883,365days,B/W,black,white,mono,monochrome,mile,finger,direction,metal,wayside,way,side,highway,road,old,stuff,hotpix!
Description: Tony Smith image Flickr 3811346324 - 'This is on the road south out of Northwich towards Davenham. It probably dates from before 1936 when Leftwich civil parish ceased to exist. All of its population was transferred to the civil parish of Davenham further south. After the second world war, the same area was annexed to Northwich in 1955, following the post-war construction of a large housing estate at Leftwich Green by Northwich Urban District Council. this housing estate is now opposite this old and forgotten cast metal mile post.
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC
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Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,at,a,grocers,shop,Local,Newspapers,on,a,stand,newstand,newsstand,news,stand,paper,journalism,fruit,international,nort,of,border,press,rack,information,royal,mile,Gotonysmith,Buy Pictures of,Buy Images Of,grocer,store,convenience,media
Description: Tony Smith image Alamy DED4FA - . Local Newspapers on a stand Edinburgh Scotland at a grocers shop. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Edinburgh, Scots, herald, scotsman, cornershop, local news, Scottish, Scot, independance and independence, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Edinburgh Old Town, Lothian, Scotland EH1

Description
Keywords: Isle,of,Jura,distillery,UK,city,centre,malts,drinks,alcohol,Kilchoman,Tomintoul,tourist,drink,souvenir,souvenirs,royal,mile,box,boxes,bottles,aged,cigars,cigar,alcohol,alcoholic,alcoholism,booze,bottles,britain,british,display,dog,dogs,drink,Royal Mile,GoTonySmith,alcohol,alcoholic,alcoholism,booze,bottles,britain,british,display,dog,dogs,drinking,drinks,economic,economics,economy,edinburgh,eu,europe,european,exports,gb,gift,gifts,goods,great,historical,important,issue,issues,kingdom,luxury,malts,market,old,reflection,reflections,retail,scotch,scotland,scottish,shop,shop window,shopping,shops,specialist,spirits,store,stores,topical,tourism,travel,UK,united,up,upmarket,up-market,whiskey,whisky,window,windows,Buy Pictures of,Buy Images Of,the royal mile
Description: Tony Smith image Alamy F89P0W - Jura distillery is a Scotch whisky distillery on the island of Jura in the Inner Hebrides off the West Coast of Scotland. The distillery is owned by Glasgow founded and based Whyte and Mackay, which in turn is owned by Philippines-based Emperador Inc
The distillery was founded by the Laird of Jura, Archibald Campbell in 1810. The distillery fell into disrepair but was restored in 1884. Around 1900 it was again in disuse and dismantled. In the 1950s two local estate owners, Robin Fletcher and Tony Riley-Smith keen to revive the local economy had the distillery rebuilt and expanded by the architects Lothian, Barclay, Jarvis & Boys with input from whisky and distillery expert William Delmé-Evans
Owners
Emperador Distillers Inc (parent company) 2014 onwards
Whyte and Mackay Group 1995“present
Invergordon Distillers 1985 - 1995
Scottish & Newcastle Breweries 1960 - 1985 Charles Mackinlay & Co 1960
James Ferguson & Sons 1876 - 1901
J & K Orr 1867 - 1876
Norman Buchanan 1853 - 1861
The Campbell of Jura Family 1810“1853
Rose St, Edinburgh, Scotland, UK

Description
Keywords: panorama,of,St,saint,giles,church,high,night,at,blue,hour,bluehour,travel,tourism,tourist,image,shot,giles,Scotland,Scottish,Ecosse,worship,church,of,crown,steeple,skyline,Royal,Mile,Presbyterianism,wide,shot,landscape,scottish,independance,independence,home,rule,devolution,parliament,gotonysmith,Dr,Gilleasbuig,Macmillan,SNP,national,party,@Hotpixuk,Government,2014,Scots,vote,voting,oldtown,religion,religious,christian,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Buy Pictures of,Buy Images Of,old town,Tourist Attraction,city Centre
Description: Tony Smith image Alamy D8HDKK - St Giles' Cathedral, more properly termed the High Kirk of Edinburgh, is the principal place of worship of the Church of Scotland in Edinburgh. Its distinctive crown steeple is a prominent feature of the city skyline, at about a third of the way down the Royal Mile which runs from the Castle to Holyrood Palace. The church has been one of Edinburgh's religious focal points for approximately 900 years. The present church dates from the late 14th century, though it was extensively restored in the 19th century, and is protected as a category A listed building.[1] Today it is sometimes regarded as the Mother Church of Presbyterianism. The cathedral is dedicated to Saint Giles, who is the patron saint of Edinburgh, as well as of cripples and lepers, and was a very popular saint in the Middle Ages. It is the Church of Scotland parish church for part of Edinburgh's Old Town. The current Minister (since 1973) of St Giles' is the Very Reverend Dr Gilleasbuig Macmillan
he will retire on 30 September 2013.
St Giles' was only a cathedral in its formal sense (i.e. the seat of a bishop) for two periods during the 17th century (1635“1638 and 1661“1689), when episcopalianism, backed by the Crown, briefly gained ascendancy within the Kirk (see Bishops' Wars). In the mediaeval period, prior to the Reformation, Edinburgh had no cathedral as the royal burgh was part of the Diocese of St Andrews, under the Bishop of St Andrews whose episcopal seat was St Andrew's Cathedral.
For most of its post-Reformation history the Church of Scotland has not had bishops, dioceses, or cathedrals. As such, the use of the term cathedral today carries no practical meaning. The High Kirk title is older, being attested well before the building's brief period as a cathedral.
High Street / Royal Mile, Edinburgh, Scotland, UK, EH1 1RE




