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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1314,fridge,magnets,souvenir,Europe,travel,cities,Tallinn,Mainz,Bristol,collection,tourism,memory,holiday,decorative,gift,memorabilia,souvenirs
Description: Tony Smith image Alamy 3FA7WT3 - . Collection of souvenir fridge magnets from European city travels. Photographed on 13 August 2026. The recorded location is United Kingdom. Collection of colourful souvenir fridge magnets gathered from European city trips, including examples representing Tallinn, Mainz, Bristol and other destinations. Displayed together as a personal travel collection, the magnets illustrate inexpensive tourism souvenirs, place branding and the way travellers record memories of holidays and city breaks. The image can illustrate European tourism, travel memorabilia, collectibles, gifts, destination marketing and everyday domestic displays of travel experiences. Mainz stands on the Rhine and has more than two millennia of history, from Roman Mogontiacum through its role as an archiepiscopal city to the birthplace of Johannes Gutenberg. The old town combines reconstructed historic streets, churches, wine culture and post-war urban development, giving street signs and façades strong local-history context. In relation to public history, historical context shows that museums turn objects into interpreted history, while archives preserve documents that may have little value until researchers connect them with people, buildings or events
Interiors therefore record both collections and changing curatorial practice. For the story of household object, it is useful to note that collectable items gain meaning through provenance and context
A board game, badge, souvenir or branded package may connect a national event or local place with mass manufacturing and personal memory. As of 2026, the position for public history is that libraries and museums continue to operate as community hubs, visitor attractions and sources of digital access, while funding pressures encourage partnerships, volunteering and new uses for historic buildings. Further relevant terminology includes holiday, decorative, gift, souvenirs, museum, and archive.
United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,EFC,Everton,FC,football,club,blue,bues,255A9769,Everton FC,gates,Dixie Dean,statue,funeral,flowers,Goodison Park,Liverpool,England,UK,memorial,supporters,fans,tributes,legend,heritage,sculpture,remembrance,Merseyside,sport,stadium,memory
Description: Tony Smith image Alamy 3EKNYJ6 - Everton FC gates and Dixie Dean statue with funeral flowers at Goodison Park in Liverpool, England, UK. The wide view shows the legendary Everton striker's bronze statue in front of ornate blue stadium gates, with flowers and tributes arranged around the base beneath EVERTON FOOTBALL CLUB lettering. The photograph is suitable for editorial coverage of Dixie Dean, Everton FC, Goodison Park, football memorials, funeral flowers, supporter tributes, club legends, football heritage, public sculpture, Merseyside sport and remembrance. Floral tributes at football grounds often become focal points for collective mourning and celebration of players, supporters or major figures connected with a club. The combination of the gates, statue and flowers provides a strong visual illustration of Goodison Park as a place of memory as well as a football venue, reflecting the deep emotional attachment many supporters have to Everton and its historic home.
Goodison Park, Goodison Road, Liverpool, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,EFC,Everton,FC,football,club,blue,bues,255A9781,Goodison Road,memorial,wall,Goodison Park,Liverpool,England,UK,supporters,fans,plaques,remembrance,heritage,culture,commemorative,names,legacy,identity,Merseyside,stadium,memory
Description: Tony Smith image Alamy 3EKNYM4 - . Goodison Road Everton memorial wall beside Goodison Park in Liverpool, England, UK. Photographed on 30 May 2026. The recorded location is Goodison Road, Liverpool, Merseyside, England, UK. The brick wall is covered with engraved or inscribed memorial plaques surrounding a central GOODISON ROAD panel, creating a permanent record of supporters and people connected with the club. The dense pattern of names gives the wall a powerful collective character and demonstrates how football grounds act not only as sports venues but also as places of memory and identity. The image is particularly useful for stories about supporter legacy, memorial traditions and the cultural significance of Goodison Park beyond matchday football. Seen through religious symbolism, the earlier context is that parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, later chapels, organs, altars, monuments and inscriptions can coexist within a single building, revealing generations of craftsmanship and evolving liturgy. For sports venue, the historical context is that british sports venues often have histories extending far beyond their present-day appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. Looking at historic grave, the longer history is that memorials and plaques turn personal or collective memory into physical objects
Names, dates and inscriptions can preserve information about war service, civic achievement, local tragedy or family history that may otherwise survive only in archives. The 2026 relevance of religious symbolism comes from the fact that historic places of worship remain important not only for faith but also for tourism, music, community use and local identity
Images of interiors, memorials and churchyards can support stories about conservation, heritage skills and the continuing reuse of sacred.
Goodison Road, Liverpool, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,town,centre,Liberty Court House,Minster Road,Ripon,North Yorkshire,HG4 1QT,HG4,and,building,architecture,history,historic,window,commemorative,windows,in,loving,memory,1914-2005,1914,2005,donated,by,her,husband,Bill,Bill Emmerson,Emmerson memorial window,Emmerson,memorial windows,I have come to bring fire on the earth,and how I wish it were already kindled!,Christ bringing fire - the symbol of His Holy Spirit
Description: Tony Smith image Alamy 2RH8AGG - . Jean Emerson window at Church of St Peter and St Wilfrid, Cathedral, Liberty Court House, Minster Rd, Ripon, North Yorkshire, England, UK, HG4 1QT. Photographed on 13 August 2023. Emmerson memorial window. I have come to bring fire on the earth, and how I wish it were already kindled!. - Luke 12:49. This window shows Christ bringing fire - the symbol of His Holy Spirit - to the earth. Installed in 2005 in memory of Jean Emmerson and donated by her husband, this window in Ripon Cathedral continues a wonderful tradition of commissioning works of art for churches in memory of loved ones. The historical setting for religious heritage is that ecclesiastical buildings are both active places of worship and repositories of local evidence
Churchyard monuments, carved stone, stained glass and plaques offer material for genealogy, architectural history, religious practice and remembrance. Seen through justice system, the earlier context is that courts and police buildings are physical expressions of the justice system
Their entrances, crests and signs identify the institutions responsible for criminal and civil proceedings, public order and local administration. In the 2026 discussion of religious heritage, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places. The 2026 relevance of justice system comes from the fact that accessibility and clear public information are increasingly important expectations for justice buildings
Ramp signs, bilingual wording and wayfinding can therefore illustrate inclusive design as well as law, courts and public administration. Additional high-relevance terminology includes ecclesiastical architecture, parish church, Christian heritage, sacred art, religious symbolism, and church interior.
Liberty Court House, Minster Rd, Ripon, North Yorkshire, England, UK, HG4 1QT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,L1,L1 6ER,disaster,bronze,artwork,Monument,Memorial,football,club,soccer,by,bas relief,relief,sculpture,the,remembering,dead,tragedy,deaths,we will,remember,them,frieze,names,of,victims,96,memory,stadium,match
Description: Tony Smith image Alamy 2R6AHYR - The Hillsborough Monument Memorial - Sculptor's Notes more at https://liverpoolsculptures.co.uk/the-hillsborough-monument-memorial/
The Hillsborough monument was comissioned by the Hillsborough Justice Campaign and sculpted by Tom Murphy.
Background: A young girl asked her Father, where is the Hillsborough Memorial? She was told: ˜There is one in Anfield.' She said: ˜Why can't we have one in the city centre for everyone to see.' This simple question was the catalyst for this monument
The monument is circular with a raised design in low relief. The imagery shows an imaginary place,which is meant to guide our thoughts of remembrance and all that has happened since the tragedy
The people depicted in the design are ˜the guardians of the memory', or ˜people like us' Their purpose is symbolic and other figures represent justice, hope and loss. The setting is a beautiful and quiet place, which may help us to think about the characters and individual personalities of those who died. The people who passed away are represented by the birds who fly freely throughout the work.
We reflect and empathise with those who died while considering the people they were, and might have been, were it not for the disaster
Description of the raised relief on the maquette
The design begins with two large tablets that list the names those who died. A dedication and information plaque is situated between the tablets of names with a poem, written especially for the moument, by David Charters (journalist and author). Immediately above the central dedication is a wreath of spring flowers. This reminds us of the season and number of victims who died. A Liver Bird stands guard. Below the information plaque is a rail of football scarves from differing clubs signifying the way football fans responded nationally in the days after the disaster. Around the top rim of the monument is the proclamation: ˜HILLSBOROUGH DISASTER. WE WILL REMEMBER THEM.'.
St John's Gardens,, Old Haymarket, Liverpool , Merseyside, England, UK, L1 6ER
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,south,Cheshire,England,UK,WA4,community,WA4 2SG,new,at,the,Brenda,dedicated,to,memory,of,HM,II,1926,2022,Bell House,Bellhouse,lane,ln,tribute,memorial,jubilee,year,time,traditional,villages,village,The Bellhouse,centre,space,hotpix.org.uk
Description: Tony Smith image Alamy 2PBE664 - . An on-location photograph from Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG in 2023, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows New blue clock at the GYCA, Grappenhall Youth and Community Association, The Bellhouse, Bellhouse lane, Warrington, Cheshire, England, WA4 2SG. The locality and subject together evoke local history, industrial waterway history, archival record, heritage boating, lock flight, local character, social history, working waterway, documentary photography, public realm, canal heritage, blue-green corridor, changing land use, and managed navigation. Viewed from the mid-2020s, the subject also connects with volunteering, public access and the role of canals as blue-green corridors for people and wildlife. As a dated visual record of Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG, the frame retains materials and architectural details, making it especially useful if changed technology subsequently changes the scene. The location also brings in canal infrastructure, changing streetscape, visual archive, towpath landscape, inland navigation, regional identity, everyday life, and historical comparison. The combination of Community, Youth, Bellhouse, Grappenhall, and clock anchors the frame to a recognisable activity, place or moment. By fixing the subject within Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of volunteering and the role of canals as blue-green corridors for people and wildlife within the specific setting of Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG. It also preserves a local visual benchmark within the wider story of Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG.
Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,WA4,Cheshire,England,UK,Lower Walton,WA4 6EG,white,cross,parish,of,Walton,1914-1919,1919,memory,WWI,dead,conscripts,conscript,name,names,the,fallen,we will,remember,them,village,men,great war,1914-1918,parishes,South Warrington,plaque,plaques
Description: Tony Smith image Alamy 2K3J78R - This war memorial photograph was taken on 23 Sep 2022 and shows Parish of Lower Walton, war memorial ,1914 WWI, Ellesmere Road, Lower Walton, Warrington, Cheshire, England, UK, WA4 6EG. The thumbnail shows a memorial structure, inscriptions, wreaths or surrounding greenery, so the emphasis is remembrance, civic memory, parish identity and the way public memorials remain visible in ordinary streets. The First World War changed even small communities, and memorials later adapted with Second World War names have become everyday civic landmarks as well as places of formal remembrance. For stock photography use, the value is in the precise subject: Parish of Lower Walton, war memorial ,1914 WWI, Ellesmere Road, Lower Walton, Warrington, Cheshire, England, UK, WA4 6EG. It can support articles and publications about First World War remembrance, Second World War memory, civic identity, Remembrance Sunday, local casualties, parish heritage, public memorial, military history, community memory, veterans stories, as well as more specific searches using Stockton Heath, lest we forget, remembrance, Ellesmere Road, war memorial, parish of Lower Walton, 1914, WWI, parish of Walton, in proud memory, Warrington, WA4, Cheshire, Lower Walton, WA4 6EG, white, cross, parish. The composition also gives space for tighter crops, captions, web thumbnails, report illustrations and social media use, while the Alamy reference 2K3J78R and the row caption help connect the image to a real place rather than a vague concept. The picture can be used by writers covering heritage, conservation, planning, tourism, retail, transport, public services, nostalgia, local identity, architectural survival, industrial change and the way familiar objects or buildings continue to carry meaning in modern Britain. The memorial form, inscriptions and setting allow the image to support both national remembrance themes
Ellesmere Road, Lower Walton, Warrington, Cheshire, England, UK, WA4 6EG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,WA4,Cheshire,England,UK,Lower Walton,WA4 6EG,white,cross,parish,of,Walton,1914-1919,1919,memory,WWI,dead,conscripts,conscript,name,names,the,fallen,we will,remember,them,village,men,great war,1914-1918,parishes,South Warrington,plaque,plaques
Description: Tony Smith image Alamy 2K3J792 - Taken on 23 Sep 2022, the photograph focuses on Parish of Lower Walton, war memorial ,1914 WWI, Ellesmere Road, Lower Walton, Warrington, Cheshire, England, UK, WA4 6EG. The thumbnail shows a memorial structure, inscriptions, wreaths or surrounding greenery, so the emphasis is remembrance, civic memory, parish identity and the way public memorials remain visible in ordinary streets. The First World War changed even small communities, and memorials later adapted with Second World War names have become everyday civic landmarks as well as places of formal remembrance. For stock photography use, the value is in the precise subject: Parish of Lower Walton, war memorial ,1914 WWI, Ellesmere Road, Lower Walton, Warrington, Cheshire, England, UK, WA4 6EG. It can support articles and publications about First World War remembrance, Second World War memory, civic identity, Remembrance Sunday, local casualties, parish heritage, public memorial, military history, community memory, veterans stories, as well as more specific searches using Stockton Heath, lest we forget, remembrance, Ellesmere Road, war memorial, parish of Lower Walton, 1914, WWI, parish of Walton, in proud memory, Warrington, WA4, Cheshire, Lower Walton, WA4 6EG, white, cross, parish. The composition also gives space for tighter crops, captions, web thumbnails, report illustrations and social media use, while the Alamy reference 2K3J792 and the row caption help connect the image to a real place rather than a vague concept. The picture can be used by writers covering heritage, conservation, planning, tourism, retail, transport, public services, nostalgia, local identity, architectural survival, industrial change and the way familiar objects or buildings continue to carry meaning in modern Britain. The memorial form, inscriptions and setting allow the image to support both national remembrance themes and very local
Ellesmere Road, Lower Walton, Warrington, Cheshire, England, UK, WA4 6EG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,WA4,Cheshire,England,UK,Lower Walton,WA4 6EG,white,cross,parish,of,Walton,1914-1919,1919,memory,WWI,dead,conscripts,conscript,name,names,the,fallen,we will,remember,them,village,men,great war,1914-1918,parishes,South Warrington,plaque,plaques
Description: Tony Smith image Alamy 2K3J798 - This image, taken on 23 Sep 2022, records Parish of Lower Walton, war memorial ,1914 WWI, Ellesmere Road, Lower Walton, Warrington, Cheshire, England, UK, WA4 6EG. The thumbnail shows a memorial structure, inscriptions, wreaths or surrounding greenery, so the emphasis is remembrance, civic memory, parish identity and the way public memorials remain visible in ordinary streets. The First World War changed even small communities, and memorials later adapted with Second World War names have become everyday civic landmarks as well as places of formal remembrance. For stock photography use, the value is in the precise subject: Parish of Lower Walton, war memorial ,1914 WWI, Ellesmere Road, Lower Walton, Warrington, Cheshire, England, UK, WA4 6EG. It can support articles and publications about First World War remembrance, Second World War memory, civic identity, Remembrance Sunday, local casualties, parish heritage, public memorial, military history, community memory, veterans stories, as well as more specific searches using Stockton Heath, lest we forget, remembrance, Ellesmere Road, war memorial, parish of Lower Walton, 1914, WWI, parish of Walton, in proud memory, Warrington, WA4, Cheshire, Lower Walton, WA4 6EG, white, cross, parish. The composition also gives space for tighter crops, captions, web thumbnails, report illustrations and social media use, while the Alamy reference 2K3J798 and the row caption help connect the image to a real place rather than a vague concept. The picture can be used by writers covering heritage, conservation, planning, tourism, retail, transport, public services, nostalgia, local identity, architectural survival, industrial change and the way familiar objects or buildings continue to carry meaning in modern Britain. The memorial form, inscriptions and setting allow the image to support both national remembrance themes and very local stories
Ellesmere Road, Lower Walton, Warrington, Cheshire, England, UK, WA4 6EG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Glossop,High Peak,Derbyshire,UK,SK13,in,grave,Memory,of,wife,died,Nov 27th 1869,aged,56,years,buried,burial,semi,circular,round,rounded,stones,Victorian,spooky,ghostly,wooded,locals,villages,village,Victorians,green,moss,mossy
Description: Tony Smith image Alamy 2K1NRH2 - . Made at Marple Rd, Charlesworth, Glossop, High Peak, Derbyshire, England, UK, SK13 5DA in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The main point of reference is Gravestone in Charlesworth St John The Evangelist - In Memory of Ann, wife of Robert Cocker, of Charlesworth. Died Nov 27th 1869 aged 56 years. The broader subject matter reaches into sacred decoration, local history, everyday life, devotional artwork, historic church fabric, changing streetscape, place identity, visual archive, adaptive reuse, regional identity, Christian iconography, community identity, historical comparison, and ecclesiastical craftsmanship. The modern context includes continuing discussion of church maintenance, cultural heritage and the role of parish churches in local identity and genealogy. For current editorial use, planning and town-centre regeneration provide additional context, especially through how regeneration tries to create reasons to visit traditional town centres. The image fixes lettering, decoration and surface detail within Marple Rd, Charlesworth, Glossop, High Peak, Derbyshire, England, UK, SK13 5DA at one identifiable point, providing a benchmark against new ownership. A second descriptive layer includes period architecture, ecclesiastical art, parish church heritage, archival record, public-realm investment, before-and-after reference, period detail, and contemporary social history. References to Charlesworth, Gravestone, Memory, Evangelist, and Cocker give the picture a strong period identity and tie it closely to its named subject. Around Marple Rd, Charlesworth, Glossop, High Peak, Derbyshire, England, UK, SK13 5DA, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear.
Marple Rd, Charlesworth, Glossop, High Peak, Derbyshire, England, UK, SK13 5DA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,poster,banner,art,artwork,The Unfurlings,the,unfurling,unfurlings,banners,for,hope,and,change,created,by,dementia,Bradford,West Yorkshire,England,UK,Yorkshire,2022,Photography,memory,creativity,camera,2017,SLR,Dementia,blue,mills,creation,flag,flags,artworks,colourful,colour
Description: Tony Smith image Alamy 2JTNA1B - Let us celebrate the gradual opening
Of a banner taking its place in the world
A long unravelling and a fine unwinding,
Like a flower unwrapping itself from itself,
A parcel of thinking softly untying
Or an origami of ideas hugely unfolding
As, caught by the breeze, image and language
Spread their twin messages into the air.
Ian McMillan
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,#WeAreManchester,England,UK,islamic,terrorism,remember,remembrance,2231,22,31,bee,MCR,Glade of Light,memorial,suicide,bomber,Salman Abedi,bomb,anniversary,Ariana Grande,enquiry,Salman Ramadan Abedi,disaster,tragedy,killing,murder,Islamic,Muslamic,terror,atrocity,concert,gig,memory,dead,fans,killed
Description: Tony Smith image Alamy 2K11NY0 - . This dated editorial view of Victoria Station Approach, Manchester, stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England, UK, M3 1WY in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The scene records Manchester Arena bombing memorial, flowers, cards, messages, in Victoria Station, 22nd May 2017 - Glade of Light memorial. Further facets of the scene include local history, period detail, before-and-after reference, historical comparison, archival record, industrial railway, signal-box architecture, regional identity, public memorial, rail corridor, rail transport history, changing streetscape, everyday life, and mechanical signalling. The wider contemporary story combines signalling technology, heritage conservation and how Crewe's identity remains tied to railway engineering and operations. Viewed from the mid-2020s, the subject also connects with community memory, bereavement and how small memorials preserve personal stories within everyday public space. The archival value lies partly in recording materials and architectural details around Victoria Station Approach, Manchester, England, UK, M3 1WY before changed technology alters the character of the place. The location also brings in historic inscription, local character, station environment, changing land use, documentary photography, community identity, historic rolling stock, and local remembrance. References to Glade, Manchester, Light, Victoria, and flowers give the picture a strong period identity and tie it closely to its named subject. Around Victoria Station Approach, Manchester, England, UK, M3 1WY, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to signalling technology and the importance of preserving signal boxes and rolling stock as industrial heritage as part of the longer story of Victoria Station Approach, Manchester, England, UK, M3 1WY.
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,#WeAreManchester,England,UK,islamic,terrorism,remember,remembrance,2231,22,31,bee,MCR,Glade of Light,memorial,suicide,bomber,Salman Abedi,bomb,anniversary,enquiry,Salman Ramadan Abedi,disaster,tragedy,killing,murder,Islamic,Muslamic,terror,atrocity,concert,gig,memory,dead,fans,killed
Description: Tony Smith image Alamy 2K11NY2 - . Recorded at Victoria Station Approach, Manchester, England, UK, M3 1WY in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Manchester Arena bombing memorial, flowers, cards, messages, in Victoria Station, 22nd May 2017 - Glade of Light memorial. The setting additionally reflects documentary photography, everyday life, historical comparison, regional identity, place identity, changing streetscape, tribute design, memorial culture, rail transport history, historic inscription, social history, community memory, railway heritage, and station environment. The wider contemporary story combines regional connectivity, railway preservation and how Crewe's identity remains tied to railway engineering and operations. Viewed from the mid-2020s, the subject also connects with place identity, community memory and how small memorials preserve personal stories within everyday public space. For later comparison, the photograph preserves equipment and working practice at Victoria Station Approach, Manchester, England, UK, M3 1WY, details that may look very different after refurbishment. The location also brings in changing land use, commemorative plaque, period detail, local character, public commemoration, archival record, freight wagon, and memorial inscription. Details involving messages, Glade, cards, Victoria, and Light make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Victoria Station Approach, Manchester, England, UK, M3 1WY matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is regional connectivity and how Crewe's identity remains tied to railway engineering and operations as part of the longer story of Victoria Station Approach, Manchester, England, UK, M3 1WY.
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,#WeAreManchester,England,UK,islamic,terrorism,remember,remembrance,2231,22,31,bee,MCR,Glade of Light,memorial,suicide,bomber,Salman Abedi,bomb,anniversary,Ariana Grande,Salman Ramadan Abedi,disaster,tragedy,killing,murder,Islamic,Muslamic,terror,atrocity,concert,gig,memory,dead,fans,killed
Description: Tony Smith image Alamy 2K11NY8 - . Photographed at Victoria Station Approach, Manchester, England, UK, M3 1WY in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The subject captured here is Manchester Arena bombing memorial, flowers, cards, messages, in Victoria Station, 22nd May 2017 - Glade of Light memorial. The setting additionally reflects place-based remembrance, social-history memorial, historic rolling stock, changing streetscape, documentary photography, rail transport history, commemorative plaque, station environment, rail infrastructure, railway heritage, public memorial, public commemoration, community identity, and visual archive. From a 2025-onward perspective, signalling technology and regional connectivity are closely linked to this subject, alongside how Crewe's identity remains tied to railway engineering and operations. The wider contemporary story combines memorial maintenance, cultural memory and how commemorative objects become part of the identity of a place. Future viewers can use this scene from Victoria Station Approach, Manchester, England, UK, M3 1WY to compare transport arrangements and footfall with whatever follows after new construction. Further associations within the scene are rail operations, memorial inscription, public realm, industrial railway, everyday life, mechanical signalling, tribute design, and historical comparison. The recorded references to Victoria, memorial, messages, cards, and Station preserve clues about how the subject was presented, used or understood at the time. The period setting at Victoria Station Approach, Manchester, England, UK, M3 1WY helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The view records evidence of earlier appearance as part of Victoria Station Approach, Manchester, England, UK, M3 1WY's history.
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,J. C. Ryle,tablet,memorial,honoured,memory,to,the,right,DD,1st,first,of,who,was,a,man,granite,St Michael,&,All Angels,church,SK10 1DY,SK10,architectural,inside,interior,religion,religious,churches,history,historic,heritage
Description: Tony Smith image Alamy 2JP0KA7 - John Charles Ryle (10 May 1816 “ 10 June 1900) was an English evangelical Anglican bishop. He was the first Anglican bishop of Liverpool.
He was the eldest son of John Ryle, private banker, of Park House, Macclesfield, M.P. for Macclesfield 1833“7, and Susanna, daughter of Charles Hurt of Wirksworth, Derbyshire. He was born at Macclesfield on 10 May 1816.
He was educated at Eton and the University of Oxford, where his career was unusually distinguished. He was Fell exhibitioner at Christ Church, from which foundation he matriculated on 15 May 1834. He was Craven scholar in 1836, graduated B.A. in 1838, having been placed in the first-class in literæ humaniores in the preceding year, and proceeded M.A. in 1871. He was created D.D. by diploma on 4 May 1880.
Ryle left the university with the intention of standing for parliament on the first opportunity, but was unable to do so because of his father's bankruptcy. He took holy orders (1841“42) and became curate at Exbury, Hampshire. In 1843, he was preferred to the rectory of St Thomas, Winchester, which he exchanged in the following year for that of Helmingham, Suffolk. The latter living he retained until 1861, when he resigned it for the vicarage of Stradbroke in the same county. The restoration of Stradbroke church was due to his initiative. In 1869, he was made rural dean of Hoxne, and in 1872 honorary canon of Norwich. He was select preacher at Cambridge in 1873 and the following year, and at Oxford from 1874 to 1876, and in 1879 and the following year. In 1880, he was designated dean of Salisbury, and at once, 19 April, advanced to the newly created see of Liverpool, which he ably administered until his death at Lowestoft on 10 June 1900. He is buried at All Saints Church, Childwall, Liverpool
Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY
Description
Keywords: @hotpixuk,@Hotpixuk,GoTonySmith,CW5,lock,boatyard,boat yard,boats,barge,Nantwich Marina,Chester Road,Cheshire,England,CW5 8LB,basin,barges,yard,blue sky,canal,canals,Shroppy,Union,waterway,waterways,memorial,in,memory,never,not,forgotten,tree,died,2019,commemoration at,by,towpath,tow path,Canal and River Trust,Canal & River Trust
Description: Tony Smith image Alamy 2JNHKBD - . An identifiable period record of Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The subject captured here is Damson tree Jenny Brand 1948-2019 commemoration at Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB. Further facets of the scene include before-and-after reference, roadside transit, local character, social history, surface public transport, documentary photography, transport accessibility, public transport stop, public transport information, community identity, bus infrastructure, local history, local bus network, and changing streetscape. The wider contemporary story combines decarbonisation, accessibility and the challenge of maintaining reliable services outside dense city centres. Future viewers can use this scene from Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB to compare commercial use and occupation with whatever follows after refurbishment. A second descriptive layer includes historical comparison, archival record, period detail, bus route infrastructure, place identity, regional identity, public realm, and local mobility. The recorded references to Chester, Brand, 1948-2019, Damson, and commemoration preserve clues about how the subject was presented, used or understood at the time. The wider setting at Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate decarbonisation and how local bus services affect access to work, education and healthcare when considered against later change at Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB.
Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,CH1 1RQ,CH1,Cheshire,England,UK,traditional,Beware,reading this notice board will seriously affect your well,being,rover,welcome,definitely no children,rule,rules,no hen nights,classic,Victorian,street,corner,boozer,alehouse,notices,notice,no,children,great,food,memory,lane,fido,dog,friendly,The Albion,special,experience
Description: Tony Smith image Alamy 2JN1FJX - . Made at Park Street, Chester, Cheshire, England, UK, CH1 1RQ in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The photograph centres on Chalkboard notice & rules at the Albion Inn, Park Street, Chester, Cheshire, England, UK, CH1 1RQ - Beware !. The setting additionally reflects documentary photography, community identity, wayfinding marker, local character, changing land use, public information signage, navigation aid, changing streetscape, archival record, directional sign, social history, orientation signage, regional identity, and route marker. Current relevance extends to inclusive design and maintenance, particularly through the importance of clear wayfinding in public and transport environments. For later comparison, the photograph preserves period objects and surrounding context at Park Street, Chester, Cheshire, England, UK, CH1 1RQ, details that may look very different after new construction. Further associations within the scene are transport stop marker, visitor guidance, visual archive, instructional sign, period detail, place identity, public-facing notice, and local history. Details involving notice, Beware, Chalkboard, Albion, and rules make the image more specific than a generic view and strengthen its local or historical value. Around Park Street, Chester, Cheshire, England, UK, CH1 1RQ, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is inclusive design and the importance of clear wayfinding in public and transport environments as part of the longer story of Park Street, Chester, Cheshire, England, UK, CH1 1RQ. The frame retains a trace of local identity as a date-specific reference. The scene captures a local visual benchmark for later comparison.
Park Street, Chester, Cheshire, England, UK, CH1 1RQ
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,provided,free,to,entertain,the,commuters,shoppers,playing,from,memory,keyboard,keys,playme,instrument,instruments,encourage,passersby,come,and,janky,ol joanna,oljoanna,West Street,Chipping Norton,West Oxfordshire,Oxfordshire,South East England,UK,OX7 5LH,sheet,music,painted,decorative,OX7
Description: Tony Smith image Alamy 2JPB8W9 - Often called street pianos or public pianos these instruments are placed in public areas and encourage passersby to come and play. They have been observed all around the world
These pianos provide passerbys a chance to relax and take a break from a hectic pace of life. Seeking out these pianos can be difficult, because the pianos are relatively rare and their locations mostly unknown. This website, pianos.pub, attempts to catalog all locations of all known public pianos to facilitate access to anyone and everyone.
Where did the idea come from?
Public instruments have been available for hundreds of years. The idea of a street piano was popularized in the early part of this millenium. The idea started to take off in 2013 when revolutionized by organizations to promote public pianos in parks and plazas, most notably the Play Me, I'm Your's campaign initiated by British artist Luke Jerram in 2008. Since then, the number of piano sightings has increased steadily every year, often peaking during the summer time.
West Street, Chipping Norton, West Oxfordshire, Oxfordshire, South East, England,UK,OX7 5LH
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,provided,free,to,entertain,the,commuters,shoppers,playing,from,memory,keyboard,keys,playme,instrument,instruments,encourage,passersby,come,and,janky,ol joanna,oljoanna,West Street,Chipping Norton,West Oxfordshire,Oxfordshire,South East England,UK,OX7 5LH,sheet,music,player,pianist,bearded,beard,man,a
Description: Tony Smith image Alamy 2JPB8WC - Often called street pianos or public pianos these instruments are placed in public areas and encourage passersby to come and play. They have been observed all around the world
These pianos provide passerbys a chance to relax and take a break from a hectic pace of life. Seeking out these pianos can be difficult, because the pianos are relatively rare and their locations mostly unknown. This website, pianos.pub, attempts to catalog all locations of all known public pianos to facilitate access to anyone and everyone.
Where did the idea come from?
Public instruments have been available for hundreds of years. The idea of a street piano was popularized in the early part of this millenium. The idea started to take off in 2013 when revolutionized by organizations to promote public pianos in parks and plazas, most notably the Play Me, I'm Your's campaign initiated by British artist Luke Jerram in 2008. Since then, the number of piano sightings has increased steadily every year, often peaking during the summer time.
West Street, Chipping Norton, West Oxfordshire, Oxfordshire, South East, England,UK,OX7 5LH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,the Greyfriars,the,site,of,Grey,friar,Friars,1225,1538,city,city of London,plaques,Christchurch,Conventual,Franciscan,friary,religious house,religion,Newgate Street,EC1A 7AJ,EC1A,Gray,greyfriar,history,historic,heritage,memory,corporation,Corp,Newgate
Description: Tony Smith image Alamy 2M108AP - In London, the Greyfriars was a Conventual Franciscan friary that existed from 1225 to 1538 on a site at the North-West of the City of London by Newgate in the parish of St Nicholas in the Shambles. It was the second Franciscan religious house to be founded in the country. The establishment included a conventual church that was one of the largest in London
a studium or regional university
and an extensive library of logical and theological texts. It was an important intellectual centre in the early fourteenth century, rivalled only by Oxford University in status. Members of the community at that time included William of Ockham, Walter Chatton and Adam Wodeham. It flourished in the fourteenth and fifteenth century but was dissolved in 1538 at the instigation of Henry VIII as part of the Dissolution of the Monasteries. Christ's Hospital was founded in the old conventual buildings, and the church was rebuilt completely by Sir Christopher Wren as Christ Church Greyfriars after the original church was almost completely destroyed in the Great Fire of London of 1666. The building now standing on the site, designed by Arup Group Limited, is currently occupied by Merrill Lynch.
It was named after the friars' practice of wearing grey habits.
Newgate Street, London, England, UK, EC1A 7AJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,art,artist,Christs Hospital Memorial Sculpture in London - sculpured by Andrew,City of London,people,children,EC1A,Newgate Street,adolescents,adolescent,verse,Samuel Taylor Coleridge,Tudor uniform,relief,bronze,brass,plaques,history,historic,heritage,sites,site,centre,central,urban,memory,old,time,Victorian,walk,walking,tour
Description: Tony Smith image Alamy 2M108BJ - Erected to commemorate Christ's Hospital School's 350 year presence in the City of London, from 1552 to 1902. The sculpture is designed to curve gently, reflecting the care and support provided to children, who flow from the youngest entering the school to confident adolescents marching boldly into their futures. The back of the sculpture features a verse written about Christ's Hospital by Samuel Taylor Coleridge, who was a pupil from 1781 to 1791, along with a copper plate drawing of the Priory buildings at the time the school first occupied the site in 1552. The sculpture gives life to the essence of the school and its charitable mission to educate children in particular need, regardless of means. The famous Tudor uniform and marching depicted in the piece are synonymous with Christ's Hospital today.
Christchurch, Newgate Street, London, England, UK, EC1A 7AJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,25122021,25/12/2021,25th Dec 2021,flowers,graffiti,WA7,WA7 1HF,for,under,the,Conrad,RIP,Lord St,Cheshire,England,UK,makeshift,Runcorn town centre,heritage,streets,old town,Runcorns,sunny,summer,blue sky,blue skies,clear sky,walk,walking,Old fashioned,memory,memories,remember,remembering,not forgotten
Description: Tony Smith image Alamy 2K1414G - . An on-location photograph from Under Runcorn Bridge, Lord St, Runcorn, Halton, Cheshire, England, UK, WA7 1HF in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is Memorial, for Alex Conrad Hallsworth, under the Runcorn Bridge, RIP 25122021, Lord St, Runcorn, Halton, Cheshire, England, UK, WA7 1HF. Other connected aspects include urban regeneration, local history, commercial redevelopment, barley cultivation, changing land use, public-realm investment, farm produce, social history, cereal crop, arable farming, everyday life, field crop, town-centre renewal, and archival record. From a 2025-onward perspective, crop yields and weather extremes are closely linked to this subject, alongside the importance of domestic grain to food and brewing supply chains. The wider contemporary story combines adaptive reuse, commercial viability and how public investment can reshape pedestrian movement and evening activity. For later comparison, the photograph preserves lettering, decoration and surface detail at Under Runcorn Bridge, Lord St, Runcorn, Halton, Cheshire, England, UK, WA7 1HF, details that may look very different after new ownership. The subject also sits alongside summer fieldwork, historical comparison, urban fabric, food supply chain, before-and-after reference, documentary photography, changing streetscape, and community identity. References to Runcorn, under, 25122021, Memorial, and Conrad give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Under Runcorn Bridge, Lord St, Runcorn, Halton, Cheshire, England, UK, WA7 1HF, the image preserves more than the headline object or building: it records part of the locality's everyday history. The view records evidence of earlier appearance before later change alters the scene.
Under Runcorn Bridge, Lord St, Runcorn, Halton, Cheshire, England, UK, WA7 1HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,25122021,25/12/2021,25th Dec 2021,flowers,graffiti,WA7,WA7 1HF,for,under,the,Conrad,RIP,Lord St,Cheshire,England,UK,makeshift,Runcorn town centre,heritage,streets,old town,Runcorns,sunny,summer,blue sky,blue skies,clear sky,walk,walking,Old fashioned,memory,memories,remember,remembering,not forgotten
Description: Tony Smith image Alamy 2K1414X - . Photographed at Under Runcorn Bridge, Lord St, Runcorn, Halton, Cheshire, England, UK, WA7 1HF in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. At the centre of the view is Memorial, for Alex Conrad Hallsworth, under the Runcorn Bridge, RIP 25122021, Lord St, Runcorn, Halton, Cheshire, England, UK, WA7 1HF. The subject also carries associations with field crop, place-making, historical comparison, period architecture, cereal crop, town-centre renewal, agricultural landscape, historic townscape, visual archive, everyday life, grain quality, heritage-led regeneration, architectural character, and social history. From a 2025-onward perspective, climate change and crop yields are closely linked to this subject, alongside the importance of domestic grain to food and brewing supply chains. The wider contemporary story combines public-realm investment, construction costs and the tension between preserving local character and creating modern commercial space. The archival value lies partly in recording transport arrangements and footfall around Under Runcorn Bridge, Lord St, Runcorn, Halton, Cheshire, England, UK, WA7 1HF before changing commercial priorities alters the character of the place. The photograph additionally reflects summer fieldwork, crop production, regional identity, changing land use, adaptive reuse, archival record, grain harvest, and place identity. The combination of Hallsworth, Bridge, under, Halton, and Conrad anchors the frame to a recognisable activity, place or moment. For Under Runcorn Bridge, Lord St, Runcorn, Halton, Cheshire, England, UK, WA7 1HF, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The view records evidence of earlier appearance within the wider story of Under Runcorn Bridge, Lord St, Runcorn, Halton, Cheshire, England, UK, WA7 1HF.
Under Runcorn Bridge, Lord St, Runcorn, Halton, Cheshire, England, UK, WA7 1HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,1870,Halton,Cheshire,England,UK,Grade II,building,buildings,brick,traditional,construction,history,historic,Runcorn town centre,heritage,streets,old town,Runcorns,sunny,summer,blue sky,blue skies,clear sky,walk,walking,Old fashioned,memory,memories,terrace,terraced,office,offices,store,stores,units
Description: Tony Smith image Alamy 2K1416P - . This location-specific image from the recorded location in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows 1870, Camden Buildings, Runcorn old town, Halton, Cheshire, England, UK, WA7 1JH. The broader subject matter reaches into contemporary social history, historic townscape, regional identity, period detail, documentary photography, period architecture, built heritage, visual archive, everyday life, heritage-led regeneration, archival record, town-centre renewal, civic architecture, and place identity. Viewed from the mid-2020s, the subject also connects with housing pressure, commercial viability and how public investment can reshape pedestrian movement and evening activity. The modern context includes continuing discussion of farm costs, food security and how hotter and wetter weather affects crop reliability. The archival value lies partly in recording public access and movement around the recorded location before new construction alters the character of the place. The wider setting retains connections with grain harvest, crop production, adaptive reuse, mixed-use redevelopment, cereal crop, public realm, public-realm investment, and local character. The recorded references to Camden, Buildings, Runcorn, and Halton preserve clues about how the subject was presented, used or understood at the time. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects housing pressure and the value of reusing existing buildings rather than wholesale demolition within the specific setting of the recorded location. Its period value extends to farm costs and the importance of domestic grain to food and brewing supply chains as part of the longer story of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA7,Halton,Cheshire,England,UK,WA7 1LD,Turk,Turkey,food,meals,breakfast,Runcorn town centre,heritage,streets,old town,Runcorns,sunny,summer,blue sky,blue skies,clear sky,walk,walking,Old fashioned,memory,memories,terrace,terraced,office,offices,store,stores,units
Description: Tony Smith image Alamy 2K14170 - . Photographed at 48/50 Church St, Runcorn, Halton, Cheshire, England, UK, WA7 1LD in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The defining feature is Turkish Tekosta cafe & Teko's barbers , 48/50 Church St, Runcorn, Halton, Cheshire, England, UK, WA7 1LD. The frame also records themes of food supply chain, cereal crop, place identity, field crop, grain harvest, religious heritage, crop production, agricultural landscape, sacred architecture, church interior, documentary photography, liturgical art, barley cultivation, and sacred decoration. In present-day coverage, the subject reaches into heritage conservation and church maintenance, not least because of the role of parish churches in local identity and genealogy. Today's relevance is strengthened by food security, farm costs and the continuing question of the pressure on farmers from energy, fertiliser and machinery costs. The archival value lies partly in recording commercial use and occupation around 48/50 Church St, Runcorn, Halton, Cheshire, England, UK, WA7 1LD before new construction alters the character of the place. The surrounding story also includes period detail, changing streetscape, local history, historical comparison, ecclesiastical art, everyday life, arable farming, and visual archive. Elements such as Church, barbers, Halton, Turkish, and Runcorn add documentary specificity and may become increasingly useful when compared with later records. A later view of 48/50 Church St, Runcorn, Halton, Cheshire, England, UK, WA7 1LD may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another useful connection is heritage conservation and the conservation challenge of historic interiors and artwork when considered against later change at 48/50 Church St, Runcorn, Halton, Cheshire, England, UK, WA7 1LD.
48/50 Church St, Runcorn, Halton, Cheshire, England, UK, WA7 1LD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,history,historic,gold,letters,lettering,shop,store,entrance,retail,premises,Halton,Cheshire,England,UK,WA7 1LX,former,tailors,clothes,clothing,Runcorn town centre,heritage,streets,old town,Runcorns,sunny,summer,blue sky,blue skies,clear sky,walk,walking,Old fashioned,memory,memories
Description: Tony Smith image Alamy 2K1417E - . An identifiable period record of 19 Church St, Runcorn , England, UK, WA7 1LX in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The location is represented through Window, 19-23 Church St, Runcorn old town, Halton, Cheshire, England, UK, WA7 1LX - Former Burton Store. Other connected aspects include visual archive, parish church heritage, destination shopping, customer footfall, commercial streetscape, everyday life, ecclesiastical craftsmanship, commercial frontage, mixed-use town centre, changing land use, retail property, historic church fabric, social history, and faith heritage. The wider contemporary story combines business rates, commercial rents and how physical retail adapts to online competition. Viewed from the mid-2020s, the subject also connects with faith communities, accessibility and how sacred art preserves religious, artistic and community history. The image fixes equipment and working practice within 19 Church St, Runcorn , England, UK, WA7 1LX at one identifiable point, providing a benchmark against altered transport patterns. The location also brings in church interior, period detail, sacred architecture, bricks-and-mortar retail, historical comparison, local enterprise, archival record, and Christian iconography. Details involving Store, Window, Former, Runcorn, and Halton make the image more specific than a generic view and strengthen its local or historical value. A later view of 19 Church St, Runcorn , England, UK, WA7 1LX may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects business rates and how mixed retail, leisure and residential uses are reshaping high streets within the real-world context of 19 Church St, Runcorn , England, UK, WA7 1LX. The image fixes evidence of changing use for future local research.
19 Church St, Runcorn , England, UK, WA7 1LX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,2020,WA4,singer,seating,with,and,music,Grappenhall,snow,ice,icy,winter,memorial,Viola,Beach,metal,cast,steel,cold,frozen freezing,bench,benches,in,memory,of,the,band,guitar,guitarist,note,notes,foundation,13 February 2016,13/02/2016,silver,and now lets go to a party,you know i will probably see you there
Description: Tony Smith image Alamy 2K3T3CD - Viola Beach were an English indie rock group, formed in Warrington, Cheshire, in 2013. The band's final line-up consisted of Kris Leonard (guitar and vocals), River Reeves (guitar), Tomas Lowe (bass guitar), and Jack Dakin (drums). All four, along with their manager Craig Tarry, were killed when their car fell from a bridge in Södertälje, Sweden, on 13 February 2016. Founding members Frankie Coulson and Jonny Gibson are the last surviving members of the band as of 2023.
In the week following the crash, their single Boys That Sing entered the UK Singles Chart at number 80 and their previous single Swings & Waterslides entered at number 11, following a public campaign to boost sales. In the same week, Swings & Waterslides also entered at number three on the sales-only chart (which excludes streaming data) and Boys That Sing entered at number 27 on the same chart. On 29 July 2016, the self-titled album was posthumously released. It reached number one on the UK Albums Chart on 5 August 2016
Grappenhall Heys, Warrington, Cheshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,2020,WA4,singer,seating,with,and,music,Grappenhall,Joy,&,hope,Hope,snowy,December,lights,evening,night,guitar,bench,benches,garden,13 February 2016,and now lets go to a party,you know i will probably see you there,guitarist,memory,steel,Viola,Beach,icy,ice,winter,memorial,frozen freezing,band,foundation,notes
Description: Tony Smith image Alamy 2K3T3CF - . An identifiable period record of Grappenhall Heys, Warrington, Cheshire,England, UK in 2020, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The location is represented through Joy & Hope,River Reeves bench with guitar and music motif, Grappenhall Heys, Warrington, Cheshire,England, UK in winter snow 2020. The locality and subject together evoke commemorative plaque, cultural branding, archival record, historical comparison, memorial culture, memorial inscription, public realm, song-inspired design, local music culture, contemporary social history, music-themed venue, historic inscription, commemorative object, and place-based remembrance. The modern context includes continuing discussion of night-time economy, fan culture and the enduring commercial appeal of Beatles imagery. For current editorial use, memorial maintenance and heritage conservation provide additional context, especially through the value of inscriptions and motifs for local history. The image fixes signage and branding within Grappenhall Heys, Warrington, Cheshire,England, UK at one identifiable point, providing a benchmark against redevelopment. A second descriptive layer includes everyday life, social-history memorial, music iconography, regional identity, community identity, Beatles memorabilia, music-themed hospitality, and popular culture. Elements such as motif, Grappenhall, guitar, music, and bench add documentary specificity and may become increasingly useful when compared with later records. The wider setting at Grappenhall Heys, Warrington, Cheshire,England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is night-time economy and the enduring commercial appeal of Beatles imagery as part of the longer story of Grappenhall Heys, Warrington, Cheshire,England, UK.
Grappenhall Heys, Warrington, Cheshire,England, UK
Description
Keywords: Warrington,Cheshire,England,UK,HotpixUK,@HotpixUK,GoTonySmith,Latchford,candles,lights,photo,trees,bench,Nathan Taylor,Stuart Jeffrey,2002,2013,death,dead,WA4,memory,memorial,autumn,fall,the fall,the,curio,curios,items,candle,benches,seat,seats,doll,dolls,heart,hearts
Description: Tony Smith image Alamy 2E039EN - . This dated documentary view of Thelwall Ln, Latchford East, Warrington,Cheshire,England,UK, WA4 1AS in 2020 captures more than the immediate subject, retaining clues about local use, design, activity and change. The subject captured here is Suicide memorial garden shrine,Latchford Locks,Latchford,Thelwall Lane,Warrington,Cheshire,England,UK. The locality and subject together evoke riverfront regeneration, marine mobility, before-and-after reference, changing streetscape, canal heritage, street-level documentary, urban change, river crossing, contemporary city life, everyday street life, waterside leisure, working waterway, local history, and waterside public realm. Today's relevance is strengthened by waterside regeneration, public access and the continuing question of the role of passenger boats in broadening urban transport choices. From a 2025-onward perspective, community use and transport are closely linked to this subject, alongside the relationship between public space and local social life. As a dated visual record of Thelwall Ln, Latchford East, Warrington,Cheshire,England,UK, WA4 1AS, the frame retains transport arrangements and footfall, making it especially useful if replacement signage subsequently changes the scene. The subject also sits alongside community identity, urban social history, waterfront cityscape, historical comparison, waterborne travel, blue-green infrastructure, navigation corridor, and contemporary social history. References to Latchford, Suicide, Thelwall, memorial, and Locks give the picture a strong period identity and tie it closely to its named subject. Around Thelwall Ln, Latchford East, Warrington,Cheshire,England,UK, WA4 1AS, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The period view preserves a local visual benchmark for future local research.
Thelwall Ln, Latchford East, Warrington,Cheshire,England,UK, WA4 1AS
Description
Keywords: Warrington,Cheshire,England,UK,HotpixUK,@HotpixUK,GoTonySmith,Latchford,candles,lights,photo,trees,bench,Nathan Taylor,Stuart Jeffrey,2002,2013,death,dead,WA4,memory,memorial,autumn,fall,the fall,the,curio,curios,items,candle,benches,seat,seats,doll,dolls,heart,hearts
Description: Tony Smith image Alamy 2E039ET - . This location-specific image from Thelwall Ln, Latchford East, Warrington,Cheshire,England,UK, WA4 1AS in 2020 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The principal subject is Suicide memorial garden shrine,Latchford Locks,Latchford,Thelwall Lane,Warrington,Cheshire,England,UK. The subject also carries associations with river crossing, urban social history, blue-green infrastructure, local identity, navigation corridor, townscape record, river transport, riverfront regeneration, public realm, passenger river service, everyday life, working waterway, marine mobility, and documentary photography. For current editorial use, climate adaptation and biodiversity provide additional context, especially through the growing value of rivers and canals as transport, leisure and environmental corridors. Current relevance extends to street safety and commercial change, particularly through the relationship between public space and local social life. Small period details of materials and architectural details at Thelwall Ln, Latchford East, Warrington,Cheshire,England,UK, WA4 1AS may become more significant with time, particularly following replacement signage. A second descriptive layer includes contemporary social history, community identity, contemporary city life, waterborne travel, visual archive, changing land use, regional identity, and place identity. The recorded references to shrine, Thelwall, Latchford, Suicide, and garden preserve clues about how the subject was presented, used or understood at the time. The period setting at Thelwall Ln, Latchford East, Warrington,Cheshire,England,UK, WA4 1AS helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The record includes period character as a date-specific reference.
Thelwall Ln, Latchford East, Warrington,Cheshire,England,UK, WA4 1AS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,love,padlocks,lock,bridge,Rochdale canal,tourist,Padlocks on the Bridge,romance,romantic,quality,weight of the locks,Dr Ceri Houlbrook,night,evening,padlock,memory,memorial,over,lot,of,lots,names,named,his,her,initial,initials,water,waterway,dusk,nighttime,night time,Oxford St
Description: Tony Smith image Alamy 2ADR295 - . Manchester Love Locks at night,Oxford Road,bridge over canal,Manchester city centre, North West,England, UK. Photographed on 3 December 2019. The recorded location is 60 Oxford St, Manchester,England,UK, M1 5EE. Love locks in Manchester to get a special city centre location. Would you leave a love lock in Manchester? Plenty of people would apparently and council wants to make it a 'thing' for tourists to do when they visit. From a heritage perspective, canal infrastructure is a legacy of the Industrial Revolution, when navigable waterways linked mines, mills, factories and ports
The same lock chambers, bridges and towpaths now support leisure cruising, cycling, walking, wildlife corridors and redevelopment, while retaining evidence of their freight-carrying past. Looking at the subject's development, city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban change than landmark images alone. Historically, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a particular moment
Repeated views can later become valuable evidence of development, environmental change and shifting patterns of use. As of 2026, today the canal network is valued as much for heritage, leisure, walking routes and wildlife as for navigation. the condition and funding of ageing waterway infrastructure remain recurring issues, adding contemporary relevance to images of locks, towpaths and historical canal engineering. For the 2026 context, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way.
60 Oxford St, Manchester,England,UK, M1 5EE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,love,padlocks,lock,bridge,Rochdale canal,tourist,Padlocks on the Bridge,romance,romantic,quality,weight of the locks,Dr Ceri Houlbrook,loving,hazard,danger,quaint,canal,canals,bridges,padlock,memory,memorial,over,lot,of,lots,names,named,his,her,initial,initials,water,waterway
Description: Tony Smith image Alamy 2ADR29R - . Manchester Love Locks,Oxford Road,bridge over canal,Manchester city centre, North West,England, UK. Photographed on 3 December 2019. The recorded location is 60 Oxford St, Manchester,England,UK, M1 5EE. Love locks in Manchester to get a special city centre location. Would you leave a love lock in Manchester? Plenty of people would apparently and council wants to make it a 'thing' for tourists to do when they visit. In historical terms, britain's canals were built principally in the eighteenth and early nineteenth centuries to move coal, raw materials and manufactured goods cheaply between industrial districts, ports and growing towns
Locks, basins, towpaths and warehouses survive as engineering heritage even where freight has given way to leisure boating, walking and waterside regeneration. From a heritage perspective, town and city centres are continually rewritten by new buildings, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. During 2026, britain's historic waterways continue to be important for recreation, tourism, biodiversity and industrial heritage, while ageing locks, embankments and bridges require continuing maintenance
Urban canal corridors are also increasingly used for walking, cycling and waterside regeneration. As of 2026, current regeneration programmes make older urban photographs particularly valuable
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change. Relevant long-tail terms include inland waterway, navigation, lock chamber, lock gates, canal heritage, industrial transport, waterway engineering, canal restoration, industrial archaeology, walking route, cycling route, historic freight route, urban landscape, and town centre.
60 Oxford St, Manchester,England,UK, M1 5EE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,love,padlocks,lock,bridge,Rochdale canal,tourist,Padlocks on the Bridge,romance,romantic,quality,weight of the locks,Dr Ceri Houlbrook,padlock,memory,memorial,over,lot,of,lots,names,named,his,her,initial,initials,water,waterway,Oxford St,location,lovelock,lovelocks,everlasting,true love,locked
Description: Tony Smith image Alamy 2ADR29W - . Manchester Love Locks,Oxford Road,bridge over canal,Manchester city centre, North West,England, UK. Photographed on 3 December 2019. The recorded location is 60 Oxford St, Manchester,England,UK, M1 5EE. Love locks in Manchester to get a special city centre location. Would you leave a love lock in Manchester? Plenty of people would apparently and council wants to make it a 'thing' for tourists to do when they visit. Historically, working locks, bridges and canal-side buildings reveal the engineering system that underpinned industrial Britain
Many former commercial waterways have been restored for recreation and heritage use, creating a distinctive mixture of historic infrastructure, modern development and linear green space. In historical terms, urban street scenes capture the cumulative effect of planning, architecture, transport, retail and public space
Shopfronts, signs, street furniture and pedestrians can date an image precisely and show how a district changes between periods of investment, decline and regeneration. In 2026, today the canal network is valued as much for heritage, leisure, walking routes and wildlife as for navigation. the condition and funding of ageing waterway infrastructure remain recurring issues, adding contemporary relevance to images of locks, towpaths and historic canal engineering. During 2026, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way. In the longer view, canal infrastructure is a legacy of the Industrial Revolution, when navigable waterways linked mines, mills, factories and ports
The same lock chambers, bridges and towpaths now support leisure cruising, cycling, walking, wildlife corridors and redevelopment, while retaining evidence of their freight-carrying past.
60 Oxford St, Manchester,England,UK, M1 5EE
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,English,apples,apple trees,red,apple,garden,25 Albert Rd,Grappenhall,Warrington,Cheshire,England,WA4 2PF,WA4,Albert Road,John Ashby,Apple Tree,Sunrise,John,Ashby,tree,trees,orchard,in,memory,memorial,memoriam,library garden,gardens,community,library,plant,planted
Description: Tony Smith image Alamy 2ABJGDY - . Photographed at 25 Albert Rd, Grappenhall, Warrington,Cheshire,England,UK, WA4 2PF in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. The defining feature is John Ashby Apple Tree,Sunrise,Grappenhall Community Library,25 Albert Rd, Grappenhall, Warrington,Cheshire,England,UK, WA4 2PF. The photograph also reflects wartime sacrifice, collective memory, road engineering, urban mobility, road connectivity, public realm, traffic management, transport corridor, local history, before-and-after reference, roadside environment, community remembrance, motorway travel, and changing land use. The present-day relevance extends to local history and remembrance culture, while a wider concern is how local communities preserve the names and memory of the dead. Current discussion around this subject increasingly includes maintenance alongside active travel, with particular attention to balancing vehicle movement with safer streets. With the passage of time, the scene fixes evidence of how the subject fitted into ordinary life within the setting of 25 Albert Rd, Grappenhall, Warrington,Cheshire,England,UK, WA4 2PF. The wider local story also touches on contemporary social history, military commemoration, Armistice heritage, industrial-community remembrance, visual archive, changing streetscape, everyday life, and archival record. Elements such as Apple, Library, Albert, Sunrise, and Community add documentary specificity and may become more useful when compared with later records. The surrounding context at 25 Albert Rd, Grappenhall, Warrington,Cheshire,England,UK, WA4 2PF matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to local history and how local communities preserve the names and memory of the dead within the specific setting of 25 Albert Rd, Grappenhall, Warrington,Cheshire,England,UK, WA4 2PF.
25 Albert Rd, Grappenhall, Warrington,Cheshire,England,UK, WA4 2PF
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Cheshire,England,Warrington,failing memory,too many things,to remember,on to-do list,so many things to do,how to cope,coping,many tasks,too many tasks,on my plate,too many chores,too much work,remembering,stressful,under stress,too much stress,under too much stress,getting anxious,anxiety,evernote,digital notes,old school,orange,yellow,post-it notes,written on,handwritten,things to do,jobs,tasks,task,memory,remember,app
Description: Tony Smith image Alamy 2A989TW - A Post-it Note (or sticky note) is a small piece of paper with a re-adherable strip of glue on its back, made for temporarily attaching notes to documents and other surfaces. A low-tack pressure-sensitive adhesive allows the notes to be easily attached, removed and even re-posted elsewhere without leaving residue. Originally small yellow squares, Post-it Notes and related products are available in various colors, shapes, sizes and adhesive strengths. As of 2019, there are at least 26 documented colors of Post-it Notes.
Although 3M's patent expired in 1997, Post-it and the original notes' distinctive yellow color remain registered company trademarks, with terms such as repositionable notes used for similar offerings manufactured by competitors. While use of the trademark 'Post-it' in a representative sense refers to any sticky note, no legal authority has ever held the trademark to be generic.
Great Britain, UK
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,Mersey,at,bridges,crossing,flood,flooding,October 2019,autumn,full moon,lunar,tides,tide,Environmental Agency,flood defenses,River Mersey Crossing,Cheshire,WA1 1WA,WA1,North West,Bridge Foot,Warrington Bridge,bench,benches,walkway,balcony,we will remember them,fallen,wars,remembered,memory,war,Lest we forget,overlooking,iron
Description: Tony Smith image Alamy 2AAT31B - Warrington was founded by the Romans at an important crossing place on the River Mersey. A new settlement was established by the Saxons. By the Middle Ages, Warrington had emerged as a market town at the lowest bridging point of the river. A local tradition of textile and tool production dates from this time.
The modern Borough of Warrington was formed in 1974 with the amalgamation of the former County Borough of Warrington, part of the Golborne Urban District, the Lymm Urban District, part of the Runcorn Rural District, the Warrington Rural District and part of the Whiston Rural District.
The River Mersey runs through the heart of the town dividing it in two. There are only two main thoroughfares crossing the Mersey in Warrington: at Warrington Bridge at Bridge Foot and at the Kingsway Bridge. Before the M6 was built, these routes were very busy with through traffic.
The Manchester Ship Canal runs through the south of the town
three swing bridges and a high-level cantilever bridge provide crossing points. Although shipping movements on the ship canal are far less frequent than in years past, they can cause severe delay to local road traffic. The Bridgewater Canal runs through the borough from the village of Lymm to Walton Hall and Gardens, a local park/leisure area. The course of the Sankey Canal runs through the west of the town, although most of it is not suitable for navigation.
Bridgefoot Warrington, Cheshire, England, WA1 1WA
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,River Mersey Crossing,at,bridges,crossing,Mersey,Cheshire,WA1 1WA,WA1,North West,Bridge Foot,Warrington Bridge,walkway,balcony,WWI,WWII,great war,bridge,metal,cast,iron,overlooking,Lest we forget,remembered,memory,war,wars,fallen,we will remember them,benches,bench,flood defenses,Environmental Agency,sunny
Description: Tony Smith image Alamy 2AAT31C - Warrington was founded by the Romans at an important crossing place on the River Mersey. A new settlement was established by the Saxons. By the Middle Ages, Warrington had emerged as a market town at the lowest bridging point of the river. A local tradition of textile and tool production dates from this time.
The modern Borough of Warrington was formed in 1974 with the amalgamation of the former County Borough of Warrington, part of the Golborne Urban District, the Lymm Urban District, part of the Runcorn Rural District, the Warrington Rural District and part of the Whiston Rural District.
The River Mersey runs through the heart of the town dividing it in two. There are only two main thoroughfares crossing the Mersey in Warrington: at Warrington Bridge at Bridge Foot and at the Kingsway Bridge. Before the M6 was built, these routes were very busy with through traffic.
The Manchester Ship Canal runs through the south of the town
three swing bridges and a high-level cantilever bridge provide crossing points. Although shipping movements on the ship canal are far less frequent than in years past, they can cause severe delay to local road traffic. The Bridgewater Canal runs through the borough from the village of Lymm to Walton Hall and Gardens, a local park/leisure area. The course of the Sankey Canal runs through the west of the town, although most of it is not suitable for navigation.
Bridgefoot Warrington, Cheshire, England, WA1 1WA
Description
Keywords: Hotpixuk,@Hotpixuk,GoTonySmith,England,UK,GB,Great Britain,officer,GMP,M62 motorway,M62,Motorway,Anthony Hughes,Baguley,Greater Manchester,Heywood,OL10 2QH,OL10,memory,memorial,death,dead,funeral,garden,location,heritage,inspector,Raymond Anthony Codling,Raymond,Ray,Anthony,Codling,polis,policeman,police,14/09/1989
Description: Tony Smith image Alamy 2DAPRB0 - Raymond Anthony Codling was an Inspector with Greater Manchester Police who was murdered at Birch Services on the M62 motorway near Heywood, Greater Manchester, in 1989.
In the early hours of 14 September 1989, Codling, aged 49, in company with Sergeant James Bowden, 45, arrived at Birch motorway services between junctions 18 and 19, westbound, on the M62, looking for a white van, the details for which had been circulated by radio. The officers saw a motorcyclist, whom they approached, and he provided them with his details, which later proved to be false. A short time later they saw the man again, acting suspiciously, and the two officers approached him.
Bowden noticed that the man had a large knife in his belt and was holding his right hand inside his jacket. Bowden attempted to seize the knife but the man pulled back and drew out a 9 mm pistol. The man fired almost immediately at Bowden, but he escaped injury as the bullet was fired across his body and was deflected by the thick leather cover of his notebook in a breast pocket. The man then shot Codling in the chest
as he laid on the ground injured, a second shot was fired at Codling, killing him. Bowden attempted to give chase but was hit by a gunshot in the leg and was forced to take cover
he later recovered from emergency surgery. The suspect escaped.
After a manhunt, the gunman, later identified as Anthony Hughes from Baguley, was traced to a garage in Kendray, South Yorkshire. When officers entered they found Hughes' body
he had killed himself with the same gun used in the attack on Codling and Bowden. No motive was ever established for the attack, except that Hughes had previously carried out a series of armed robberies, had served 15 years in prison for a string of violent offences, and had indicated his desire to kill a police officer following an earlier court appearance for a minor offence for which he was fined.
In 1991, a memorial to Codling was unveiled at the place of his death
M62 eastbound between Junction 18 and 19, Heywood OL10 2QH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,GB,North West England,city centre,red,plaque,demo,demonstartion,memory,history,tourist,tourism,Victorian,Massacre,of,representation,Corn Laws,cavalry,poor economic conditions,poor,citizens,political radicalism,political,radicalism,revolution,Hulton,radical,British history,death,deaths,injuries,Lancashire,economic depression,Radical mass meetings in Manchester,Radical mass meetings,Madchester,hotpix.org.uk
Description: Tony Smith image Alamy RPGECX - . A grounded editorial photograph preserves the character of the recorded location, in documentary coverage dating from 2019. The principal recorded subject is St Peters Fields, The Peterloo Massacre, Red Plaque, Peter Street, Manchester, North West England, UK. Related ideas embodied by the location include period property, conservation interest, historic fabric, period architecture, urban conservation, architectural detail, heritage streetscape, adaptive reuse, townscape identity, urban fabric, historic environment, and heritage asset. Seen from a 2025-onward perspective, older urban fabric also connects with planning control, redevelopment pressure and efforts aimed at preserving local character. Documentary value is strengthened by the precise setting at the recorded location, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves, specifically in relation to St Peters Fields. The broader context includes architectural character, historic built environment, historic townscape, architectural heritage, conservation architecture, built heritage. The record also refers to reform of parliamentary representation, parliamentary, reform, 16 August 1819, St PetersFields. Other relevant facets include local landmark, and traditional building. Modern coverage of period streetscapes frequently reaches beyond the immediate scene to questions of energy retrofit, redevelopment pressure and preserving local character. The combination preserved here provides evidence of local character, public activity, period design, changes of use, and the appearance of the built environment at this precise location. As the location changes, the frame remains a reference for commercial identity, local continuity, physical infrastructure, signage and branding, and community life within the surrounding area. The location view retains the character of the setting within the wider local story.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,Etihad,campus,Football Club,clubs,blue,stadia,stadium,legacy,glass,memory,memorial,XVII,2002,East,East Manchester,sport,multi-sport event,event,events,Host City,city,games,Greater,Lancashire,Sport England,funding,City Council,Sportcity,Campus,M11,sign
Description: Tony Smith image Alamy RPGERJ - The 2002 Commonwealth Games, officially known as the XVII Commonwealth Games and commonly known as Manchester 2002 were held in Manchester, England, from 25 July to 4 August 2002. The 2002 Games were to be hosted in the United Kingdom to coincide with the Golden Jubilee of Elizabeth II, head of the Commonwealth, and Manchester was selected for the 2002 Games ahead of London. The XVII Commonwealth Games was, prior to the 2012 Summer Olympics, the largest multi-sport event ever to be held in the UK, eclipsing the London 1948 Summer Olympics in numbers of teams and athletes participating. In terms of sports and events, the 2002 Games were the largest Commonwealth Games in history featuring 281 events across 17 sports.
The Games were considered a success for the host city, providing an event to display how Manchester had changed following the 1996 bombing. The Games formed the catalyst for the widespread regeneration and heavy development of Manchester, and bolstered its reputation as a European and global city internationally. Rapid economic development and continued urban regeneration of the now post-industrial Manchester continued after the Games which helped cement its place as one of the principal cultural cities in the United Kingdom.
The opening and closing ceremonies, the athletic and the rugby sevens events were held at the City of Manchester Stadium, which was purpose built for the Games. Unusually for a large multi-sport event”the second-largest competition by number of countries and athletes participating”the shooting events were held in the National Shooting Centre in Bisley, Surrey, some 200 miles (322 km) from the main focus of the Games in Manchester. Seventy-two nations competed in 14 individual sports and 3 team sports events.
13 Rowsley St, Manchester, UK, M11 3FF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Aged 25 years,South Yorkshire,Carr Ln,Doncaster,England,UK,DN4 5AA,DN4,In loving memory of,RFC,4 May 1917,Aged 26 Years,04/05/1917,Lest we Forget,day,accident,Donny,casualty,killed,plane,crash,crashed,in,loving,memory,remember,remembrance,memorial,grave,graves,graveyard,graveyards,LA Steel,Caldwell
Description: Tony Smith image Alamy 2K3XNG6 - Second Lieutenant Anthony Steel CALDWELL
From Australia serving in the Royal Flying Corps
Service No: Not Assigned
Unit: 15th Reserve Squadron, Royal Flying Corps
Died: Aircraft Accident, England, 4 May 1917, Aged 26 Years
Buried: Doncaster (Hyde Park) Cemetery, Yorkshire
CWGC Additional Information: Son of Steel Caldwell and Lillian Caldwell, of Eurabba, Young, New South Wales Australia
Remembered: Commemorative Roll, Australian War Memorial, Canberra ACT
Remembered: Bribbaree War Memorial, Bribbaree NSW
On 4 May 1917, Second Lieutenant Caldwell (Supernumerary), along with Second Lieutenant Cyril Harvey Trollope RFC (Pilot), was killed at Doncaster in a flying accident in RE8 aircraft A4192. The crash occurred when the pilot attempted to turn back while downwind at 150-200 feet with a failing engine, and the aircraft side-slipped and did a spinning nosedive into the ground.
Hyde Park Cemetery, Carr Ln, Doncaster, South Yorkshire, England, UK, DN4 5AA
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,brick,day,poppy,poppies,1914,pit,Astley Green,Tyldesley,Manchester,Lancashire,UK M29 7JB,M29,Astley,Astley Pit,UK,M29 7JB,colliery,coal,mine,miners,remembrance,marble,tablet,outside,name,names,to,the,glory,of,god,in loving,memory
Description: Tony Smith image Alamy 2BBXPAR - . This period scene at Astley Pit, Astley Green, Tyldesley, Manchester, Lancashire, UK, M29 7JB in 2019 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. At the centre of the frame is Great war memorial, Lest we Forget, remembrance , day, poppy,poppies,1914-1918, - Astley Pit, Astley Green, Tyldesley, Manchester, Lancashire, UK. Other connected aspects include place identity, historic context, local character, everyday life, industrial supply chain, contemporary social history, before-and-after reference, labour history, community remembrance, building-material production, industrial artefact, working-industry history, wartime sacrifice, and local roll of honour. Current discussion around this subject increasingly includes public commemoration alongside local history, with particular attention to how local communities preserve the names and memory of the dead. From a 2025-onward perspective, the scene also connects with regional industry, construction materials and the relationship between local geology, manufacturing and the built environment. For place-based research, the frame records the relationship between the subject and its surroundings at Astley Pit, Astley Green, Tyldesley, Manchester, Lancashire, UK, M29 7JB. A second layer of the scene includes factory history, visual archive, commemorative memorial, war dead, memorial culture, production technology, archival record, and traditional building materials. Elements such as memorial, poppies, Lancashire, Green, and 1914-1918 add documentary specificity and may become more useful when compared with later records. A later view of Astley Pit, Astley Green, Tyldesley, Manchester, Lancashire, UK, M29 7JB may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The view records period character before later change alters the scene.
Astley Pit, Astley Green, Tyldesley, Manchester, Lancashire, UK, M29 7JB
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Canal Street,gay,village,LGBT,Manchester Gay Village,community,Bench,Gardens,LGBTQ,memorial,memory,tribute,to,Day of Remembrance 2018,Greater Manchester,Sackville,LGBTI,Sackville Gardens,Love is love,LGBTI community,Gay Village,name,named,people,lost,remembrance,remembering
Description: Tony Smith image Alamy RFF5HA - Canal Street, the centre of the Manchester Gay Village, is a street in Manchester city centre in North West England. The pedestrianised street, which runs along the west side of the Rochdale Canal, is lined with gay bars and restaurants. At night time, and in daytime in the warmer months, the street is filled with visitors, often including gay and lesbian tourists from all over the world. The northern end of the street meets Minshull Street and the southern meets Princess Street
part of the street looks across the Rochdale Canal into Sackville Park.
90's Focus led to several of the pubs on or near Canal Street acquiring a predominantly gay clientele. In 1991, Manto (Manchester Tomorrow) bar opened at no. 46. It was built in 1989 by Benedict Smith Architects. Unlike the other gay bars at that time, Manto had large glass windows, allowing the casual passer-by to view what was going on inside. Previously, many establishments catering for the gay community were often keen to conceal activities from the general public, but the architectural design of Manto was seen as a queer visual statement of we're here, we're queer “ get used to it, and a brick-and-mortar refusal to hide any more, or to remain underground and invisible.
Over the next decade, more numerous and larger bars opened along the canal side, turning Canal Street into the centre of the most successful gay village in Europe. Because of this, the Canal Street street signs are regularly defaced to read Anal Treet or Anal Street. The success was further enhanced by the use of Canal Street and its bars in several television series, including Bob and Rose and Queer as Folk, both written by Russell T Davies.
Whitworth St / Sackville St, Manchester, England, UK, M1 3WA
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,9/11,water,buildings,skyline,building,wideangle,Freedom Tower,new buildings,looking up,museum,New York Skyline,Manhattan Skyline,sky,skyward,WTC,wide,memory,memorial,09/11,reflection,ground zero,American,names,name,inscribed
Description: Tony Smith image Alamy 2AFK655 - 9/11 memorial's fountains flow
The fountain, where the north tower of the World Trade Center once stood, was undergoing tests of the massive pumping systems that will blast 26,000 gallons a minute over the 30-foot deep black granite walls.
Daniels, who happened upon the test yesterday, said the sight of the water filling the 1-acre pool was awe-inspiring after years of planning and building.
Construction workers from around the site paused to look and listen during the tests as engineers below the memorial plaza monitored and adjusted the 16 pumps that will circulate 480,000 gallons of recycled water.
During the design phase of the memorial, there were concerns that the fountains might be too loud. But Daniels said the sound of the cascading water yesterday created a nice, peaceful background, like the sound of the ocean.
It's perfect. It's not overwhelming at all, Daniels said.
A second fountain over the footprint of the south tower will be ready for testing later this year. A spokesman for the Port Authority, which is overseeing construction of the $500 million memorial, said yesterday's trial run went very well.
The two fountains together make up the nation's largest manmade waterfalls, and are at the heart of the design of the memorial, called Reflecting Absence.
Paula Berry, a 9/11 family member who served on the 13-member jury that picked the memorial design by Michael Arad, was ecstatic about the test run.
The presence of water is incredibly important at the memorial, said Berry. When you think of the memorial's name, Reflecting Absence, you have to have the means to reflect and the water plays that role.
But Berry said the sound of the water rushing over the sides of the fountains could very well be one of the most lasting impressions visitors take away.
Yesterday's tests lasted a few hours, and will be repeated as needed.
Construction of the memorial remains on schedule for its planned opening next Sept. 11 ” the 10th anniversary
One World Trade Center, Manhattan, New York City, NY, USA, North America
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Northern Ireland,loyalist,mural,Thirty Years of Slaughter,Troubles,political,murals,traditional,houses,derelict,terraced,poor,housing,two up two down,slum,urban,decay,inner city,conflict,memory,memorial,Protestant,area,PUL,community,social history,Victorian,Edwardian,poverty,post conflict,clearance,decline,divide,deprived,neighbourhood,Irish history,urban documentary
Description: Tony Smith image Alamy HEW151 - A row of small red brick two up, two down terraced houses stands boarded and partly derelict beside the 30 Years of Slaughter loyalist mural off the Shankill Road in West Belfast, Northern Ireland. The image combines poor working class housing, urban decay and the visual politics of the Troubles in one street scene. The houses have sealed doors, covered windows, damaged brickwork, weeds growing from the roofline and a general sense of abandonment, making the photograph useful for editorial stories about housing poverty, inner city decline, dereliction, regeneration, poor urban conditions and the long social shadow of conflict. The adjoining mural refers to 30 years of indiscriminate slaughter and is associated with loyalist and Protestant, Unionist, Loyalist community memory around attacks including the Four Step Inn, Balmoral Showrooms, Mountainview Tavern, Bayardo Bar and Frizzell's Fish Shop. It is a highly charged example of Belfast political mural culture, using public wall space to express grief, anger, identity and contested historical memory. The contrast between the memorial mural and the modest brick terrace is especially strong for themes around everyday life beside political symbolism, the overlap of poverty and sectarian history, and the way ordinary streets became carriers of public memory during and after the Northern Ireland Troubles. The photograph can illustrate Belfast mural tours, conflict tourism, dark tourism, post conflict urban landscapes, Shankill Road history, loyalist murals, social housing history, urban renewal, neglected housing stock, community identity and documentary street photography. The scene appears to be photographed in daylight under mixed blue sky and cloud, with direct sun catching the red brickwork while grey cloud adds a sombre mood. The image has strong commercial and editorial relevance for Northern Ireland politics, British and Irish history, architecture, housing deprivation, urban regeneration, working class
Bellevue Street in West Belfast, UK, BT13 2BT
Description
Keywords: Gaelic,slogan,Irish,GoTonySmith,HotpixUK,@HotpixUK,murals,RHC,mural,loyalists,loyalist,West Belfast,political,Unionist,Loyalist,Northern Ireland,gable wall,paras,of,Ulster,Lamh Dearg Abu,County Antrim,UK,street,art,public,housing estate mural,residential,The Troubles,Troubles,legacy,post-conflict,history,heritage,sectarian,geography,memory,conflict,visual culture,urban
Description: Tony Smith image Alamy HEW18H - Loyalist Red Hand Commando mural on Glenwood Street, off the Shankill Road in West Belfast, Northern Ireland, showing the RHC insignia, the Red Hand of Ulster with wings, eagle imagery and the slogans Lamh Dearg Abu and Ulster to Victory. The photograph records a political gable wall mural in a residential street setting, partly seen behind black railings and a pavement edge, with the painted wall running along the side of housing in the Shankill area. The Irish language slogan is more correctly written as Lámh Dhearg Abú and is usually translated as Red Hand to victory, a striking detail because loyalist murals more often use British, Ulster Scots or military-style symbolism rather than Irish language wording. This image has strong editorial value for coverage of Belfast murals, loyalist political imagery, the Shankill Road, Red Hand Commando symbolism, Northern Ireland politics, The Troubles, paramilitary visual culture, contested heritage, community identity and post-conflict street art. It should be treated as documentary evidence of a loyalist paramilitary mural rather than promotional imagery. The wall painting is useful for features on mural tours, political tourism, urban memory, sectarian geography, working-class housing areas, conflict legacy, public symbolism and the way Belfast streets became visual records of allegiance, remembrance and contested history. The overcast daylight, railings, terrace housing and narrow pavement give the scene a direct neighbourhood context, showing that such murals sit within everyday residential environments rather than formal galleries or museums. The image also suits wider searches on Unionist and Loyalist murals, Red Hand of Ulster iconography, Irish language in loyalist contexts, community commemoration, conflict studies, Northern Ireland heritage and documentary photography of political street art.
Glenwood Street, Shankill, West Belfast, Northern Ireland, BT13.
Description
Keywords: off,memorial,UFF,Unionist,mural,Shankill,rd,Northern Ireland,GoTonySmith,HotpixUK,@HotpixUK,pink,BT13,224,Belfast,County Antrim,BT13 2BJ,historic,shopfront,shop,front,outside,remembering,the,past,with,pride,band,closed,shutter,shuttered,memory,memories,society,societies,community,terraced,terrace
Description: Tony Smith image Alamy HDWT4D - . This location-specific image from 224 Shankill Rd, Belfast, County Antrim, BT13 2BJ in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The main point of reference is Shankill Historical Society and band shop, 224 Shankill Rd, Belfast, County Antrim, Northern Ireland, Ireland, BT13 2BJ. Another layer of the photograph includes performance venue, regional arts scene, retail property, street-level business, local cultural identity, documentary photography, creative culture, creative industries, regional identity, commercial streetscape, local trading, arts destination, customer footfall, and community identity. In present-day coverage, the subject reaches into business rates and independent business, not least because of the role of small retailers in maintaining active town centres. Today's relevance is strengthened by venue survival, cultural tourism and the continuing question of the financial pressure faced by many galleries and performance venues. Future viewers can use this scene from 224 Shankill Rd, Belfast, County Antrim, BT13 2BJ to compare equipment and working practice with whatever follows after different community use. The surrounding story also includes place identity, high-street commerce, gallery space, visual archive, specialist retailer, contemporary social history, town-centre economy, and public realm. Details involving Antrim, Society, Ireland, Shankill, and Belfast make the image more specific than a generic view and strengthen its local or historical value. For 224 Shankill Rd, Belfast, County Antrim, BT13 2BJ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene captures part of the area's social history as a date-specific reference. The period view preserves details of everyday use for later comparison.
224 Shankill Rd, Belfast, County Antrim, BT13 2BJ
Description
Keywords: RTA,RTI,Warrington,Cheshire,England,UK,GB,Incident,flowers,traffic,lights,light,danger,fast,speed,speeding,roadside,tribute,bouquets,busy,car,cars,vehicles,child,children,busy,passing,reminder,shrine,memorial,memory,pavement,traffic,victim,death,kill,killed,in,the,dead,Road accident,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of
Description: Tony Smith image Alamy H0N8JG - . This authentic period view of the recorded location in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through Accident at a Pelican Road Crossing, Howley, Warrington, Cheshire, England UK. The wider scene also brings together tribute design, street-side transport, documentary photography, public transport stop, local mobility, memorial inscription, historical comparison, regional identity, community identity, local remembrance, visual archive, contemporary social history, local character, and public memorial. From a 2025-onward perspective, heritage conservation and public commemoration are closely linked to this subject, alongside how small memorials preserve personal stories within everyday public space. The wider contemporary story combines service frequency, accessibility and the shift toward cleaner vehicles and integrated ticketing. Small period details of transport arrangements and footfall at the recorded location may become more significant with time, particularly following new ownership. The wider setting retains connections with memorial culture, surface public transport, public realm, bus infrastructure, commemorative plaque, bus route infrastructure, historic inscription, and commemorative object. The combination of Pelican, Howley, Accident, and Crossing anchors the frame to a recognisable activity, place or moment. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene further reflects heritage conservation and the long-term importance of recording memorials before they are altered or lost in a form that can be compared with future views of the recorded location. The view records part of the area's social history within the wider story of the recorded location.
Description
Keywords: RTA,RTI,Warrington,Cheshire,England,UK,GB,Incident,flowers,traffic,lights,light,danger,fast,speed,speeding,roadside,tribute,bouquets,busy,car,cars,vehicles,child,children,busy,passing,reminder,shrine,memorial,memory,pavement,traffic,victim,death,kill,killed,in,the,dead,Road accident,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of
Description: Tony Smith image Alamy H0N8WP - . A grounded documentary photograph made at the recorded location in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The main point of reference is Accident at a Pelican Road Crossing, Howley, Warrington, Cheshire, England UK. The wider scene also brings together public-transport wayfinding, local bus network, historic inscription, public commemoration, changing streetscape, before-and-after reference, archival record, social history, regional identity, commemorative plaque, bus route infrastructure, memorial inscription, social-history memorial, and local history. Today's relevance is strengthened by public commemoration, bereavement and the continuing question of the value of inscriptions and motifs for local history. From a 2025-onward perspective, passenger information and local connectivity are closely linked to this subject, alongside the challenge of maintaining reliable services outside dense urban centres. Small period details of building condition and alterations at the recorded location may become more significant with time, particularly following redevelopment. Further associations within the scene are memorial culture, everyday life, tribute design, bus infrastructure, local mobility, roadside transit, commemorative object, and contemporary social history. The combination of Crossing, Howley, Accident, and Pelican anchors the frame to a recognisable activity, place or moment. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is public commemoration and the value of inscriptions and motifs for local history in a form that can be compared with future views of the recorded location. The period view preserves part of the area's social history as a date-specific reference.
Description
Keywords: RTA,RTI,Warrington,Cheshire,England,UK,GB,Incident,flowers,traffic,lights,light,danger,fast,speed,speeding,roadside,tribute,bouquets,busy,car,cars,vehicles,child,children,busy,passing,reminder,shrine,memorial,memory,pavement,traffic,victim,death,kill,killed,in,the,dead,Road accident,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of
Description: Tony Smith image Alamy H0N955 - . This dated editorial view of the recorded location in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on Accident at a Pelican Road Crossing, Howley, Warrington, Cheshire, England UK. Other connected aspects include roadside transit, public realm, local mobility, place identity, public memorial, public commemoration, period detail, before-and-after reference, transport accessibility, local character, historic inscription, public transport stop, passenger transport, and tribute design. Current relevance extends to heritage conservation and memorial maintenance, particularly through how commemorative objects become part of the identity of a place. In present-day coverage, the subject reaches into passenger information and decarbonisation, not least because of how local bus services affect access to work, education and healthcare. Future viewers can use this scene from the recorded location to compare street furniture and boundaries with whatever follows after changing commercial priorities. The location also brings in visual archive, local bus network, documentary photography, community memory, street-side transport, memorial culture, commemorative plaque, and changing land use. The recorded references to Accident, Howley, Pelican, and Crossing preserve clues about how the subject was presented, used or understood at the time. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate heritage conservation and how commemorative objects become part of the identity of a place within the real-world context of the recorded location. The image also provides a reference for local connectivity and the importance of bus stops as the physical interface with public transport within the specific setting of the recorded location.
Description
Keywords: RTA,RTI,Warrington,Cheshire,England,UK,GB,Incident,flowers,traffic,lights,light,danger,fast,speed,speeding,roadside,tribute,bouquets,busy,car,cars,vehicles,child,children,busy,passing,reminder,shrine,memorial,memory,pavement,traffic,victim,death,kill,killed,Road accident,GoTonySmith,@HotpixUK,different,unique,car crash
Description: Tony Smith image Alamy H0N9G9 - . This dated editorial view of the recorded location in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The principal subject is Accident at a Pelican Road Crossing, Howley, Warrington, Cheshire, England UK. The surrounding context encompasses public realm, public transport stop, passenger transport, memorial culture, tribute design, local history, period detail, community identity, changing land use, bus route infrastructure, street-side transport, roadside transit, social history, and local remembrance. Today's relevance is strengthened by memorial maintenance, heritage conservation and the continuing question of the value of inscriptions and motifs for local history. From a 2025-onward perspective, passenger information and service frequency are closely linked to this subject, alongside the shift toward cleaner vehicles and integrated ticketing. Small period details of transport arrangements and footfall at the recorded location may become more significant with time, particularly following new ownership. Other useful contextual ideas include bus infrastructure, commemorative object, place identity, archival record, public commemoration, historic inscription, before-and-after reference, and community memory. The recorded references to Howley, Crossing, Accident, and Pelican preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within the recorded location, the image preserves more than the headline object or building: it records part of the locality's everyday history. Its period value extends to memorial maintenance and the value of inscriptions and motifs for local history when considered against later change at the recorded location. The location additionally provides evidence of reliability and the shift toward cleaner vehicles and integrated ticketing without losing the local specificity of the recorded location.
Description
Keywords: St Wilfrids Parish Church,Grappenhall,South Warrington,Warrington,Cheshire,WA4,inside,interior,religious,historic,tourist,landmark,Anglican,GradeI,listed,grade,Norman,building,Architecture,Boydell,1904,Richard,rector,tablet,guild,Bell,ringers,in,memory,WA4 3EP,In Memory,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Grateful,appreciation,of,the,work,he,did,for,them,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy GY09FY - St Wilfrid's Church is in Church Lane, Grappenhall, a village in Warrington, Cheshire, England. It is designated by Historic England as a Grade I listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth
The church is Norman in origin, built probably in the earlier part of the 12th century and completed about 1120. This was a small and simple church, consisting of a nave, chancel and, possibly, an apse. The foundations of this church were discovered during the 1873“74 restoration.
A chantry chapel was added by the Boydell family in 1334 in a position where the south aisle now stands. From 1529 the church was largely rebuilt in local sandstone. The old church was demolished and a new nave, chancel, north aisle and a west tower were built. In 1539 the south aisle was added, which incorporated the Boydell chapel. The south porch was added in 1641 and at this time the west wall was strengthened. In 1833 the roof of the nave was raised to form a clerestory and in the 1850s the south aisle was further extended, and a vestry was built. There was a more substantial restoration in 1873“74 by the Lancaster architects Paley and Austin, which included the provision of new floors and roofs, at a cost of about £4,000
Church Lane, Grappenhall, South Warrington, Cheshire, England, WA4 3EP
Description
Keywords: Great,Saints,inside,and,religion,Anglican,Christian,Christianity,Brass,plaque,tablet,Arthur,Phidins,Holme,honorary,Canon,of,Chester,Cathedral,St Marys,All Saints Church,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,to,the,glory,of,god,loving,memory,of,Arthur,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GGWH9Y - . This location-specific image from High Street, Great Budworth, Cheshire, England, UK CW9 6HF in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records St Marys & All Saints Church Gt Budworth Interior, Cheshire, England,UK - Brass plaque tablet. The broader subject matter reaches into heritage worship space, period detail, ecclesiastical art, changing land use, community tribute, parish history, music memorial, local character, sacred space, religious landmark, religious heritage, club-music history, cultural memory, and ecclesiastical architecture. Viewed from the mid-2020s, the subject also connects with nightlife history, creative industries and the importance of documenting club and dance-music history. The modern context includes continuing discussion of maintenance costs, tourism and the challenge of maintaining historic fabric amid rising costs. For later comparison, the photograph preserves period objects and surrounding context at High Street, Great Budworth, Cheshire, England, UK CW9 6HF, details that may look very different after different community use. Further associations within the scene are contemporary social history, changing streetscape, social history, place identity, local remembrance, historic church fabric, Christian heritage, and archival record. The combination of Marys, Saints, plaque, Interior, and Church anchors the frame to a recognisable activity, place or moment. By fixing the subject within High Street, Great Budworth, Cheshire, England, UK CW9 6HF, the image preserves more than the headline object or building: it records part of the locality's everyday history. A further contemporary connection is nightlife history and the importance of documenting club and dance-music history without losing the local specificity of High Street, Great Budworth, Cheshire, England, UK CW9 6HF.
High Street, Great Budworth, Cheshire, England, UK CW9 6HF
Description
Keywords: To,The,Glory,of,God,and,in,the,memory,of,all,ranks,of,the,East,Surrey,Regiment,who,fell,in,the,great,war,1914-1919.,This,ancient,chapel,of,the,holy,Grimty,was,restored,by,their,relatives,friends,and,comrades.,and,in,the,memory,of,all,ranks,of,the,East,Surrey,Regiment,on-thames,thames,plaque,stone,GoTonySmith,ESR,red,cream,ivory,record,monument,All Saints,Kingston-on-thames,London,England,UK,All Saints,town,on,Thames,Buy Pictures of,Buy Images Of,East Surrey Regiment
Description: Tony Smith image Alamy F7DE15 - . All Saints Church Kingston, To The Glory of God, and in the memory of all ranks of the East Surrey Regiment. Photographed on 1 October 2015. The recorded location is All Saints, Kingston-on-thames,London, England, UK. The inscription reads:. To The Glory of God, and in the memory of all ranks of the East Surrey Regiment who fell in the great war 1914-1919. This ancient chapel of the holy Grimty, was restored by their relatives, friends and comrades. Historically, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single building, reflecting generations of worship and local patronage. Looking at the subject's development, historic inscriptions provide unusually direct documentary evidence
Names, dates, dedications and symbolic imagery can connect a present-day location with former residents, workers, congregations or wartime casualties, making the object relevant to both genealogy and wider social history. Looking at the subject's development, signs and notices are ephemeral pieces of design that can become important historical evidence
Lettering, logos, warnings and directions record former businesses, regulations, transport systems and public messages that may disappear long before the surrounding building changes. In 2026, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses. For the 2026 context, memorials continue to play an active role in public history, supporting remembrance, genealogy, education and heritage tourism
Images can also record inscriptions before erosion or redevelopment alters the physical object.
All Saints, Kingston-on-thames,London, England, UK
Description
Keywords: Gold,golden,memory,to,the,fallen,died,killed,asia,men,people,England,UK,British,Empire,military,might,folly,foolishness,fool,fools,7 Abbey St,Carlisle,Cumbria,England,UK CA3 8TZ,Abbey Street,Abbey St,GoTonySmith,Buy Pictures of,Buy Images Of,stone,monument,memorial,Afghan
Description: Tony Smith image Alamy EY3KNP - . Afghanistan memorial in Carlisle cathedral, Cumbria,England, UK. Photographed at 7 Abbey St, Carlisle, Cumbria, England, UK CA3 8TZ. The photograph was taken on 06 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Afghanistan, memorial, Carlisle, cathedral, Cumbria, Kabul, war, invasion, defeat and Gold, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
7 Abbey St, Carlisle, Cumbria, England, UK CA3 8TZ
Description
Keywords: Plaque,Grassmarket,Mission,erected,in,Memory,of,James Fairbairn,Edinburgh,Scotland,UK,James,Fairbairn,old Town,old,town,his,works,do,follow,him,his works do follow him,GoTonySmith,Buy Pictures of,Buy Images Of,and,&,Grass Market,history,historic,UNESCO,world,heritage,site
Description: Tony Smith image Alamy DED16K - . Plaque, Grassmarket Mission, erected in Memory of James Fairbairn, Edinburgh,Scotland, UK. Photographed at Grassmarket, Edinburgh,Scotland,UK. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Plaque, Grassmarket Mission, erected, Memory, founder, mission, superintendent, bronze, brass and Grassmarket, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The view is firmly rooted in a real location rather than a constructed studio setting.
Grassmarket, Edinburgh,Scotland,UK
Description
Keywords: WBC,Warrington,borough,Council,transport,network,town,independent,company,bus companies,Shadewood,Bus Shelter,Grappenhall,Warrington,Cheshire,England,UK,removed,old,history,historic,buses,gotonysmith,six,6,service,Warringtons,own,cat,integrated,lost,degraded,services,council,Cres,memory,memories,village,WA4 2SN
Description: Tony Smith image Alamy DE9B6C - . Shadewood Crescent Bus Shelter, not used since 2013, for WBC bus service 6, Grappenhall, Warrington, Cheshire, England, UK, WA4 2SN. Photographed at Shadewood Crescent,Grappenhall,Warrington,Cheshire,England,UK, WA4 2SN. The photograph was taken on 22 June 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Grappenhall, WBC, Shadewood Crescent, bus, shelter, Warrington Borough Transport, Network warrington, Cat6, terminus and Warrington, adding specific subject detail and useful search context without losing the documentary focus on the main subject. This documentary view is relevant to buses, public transport, local mobility, passenger information and the practical experience of travelling without a private car. It can support editorial coverage of bus services, rural and urban connectivity, stops and shelters, timetables, accessibility, transport policy, local authority provision and the challenges of maintaining useful services across communities. Roadside details, signs, shelters, vehicles and surrounding streetscape give picture buyers useful context about how bus transport is encountered at ground level. The photograph therefore has value both as a record of a specific place and as broader visual material about sustainable transport, everyday journeys and local connectivity. Search themes include buses, bus stops, passenger transport, timetables, local mobility, accessibility, public transport policy, rural or urban connectivity and sustainable travel. The surrounding road environment helps show how public transport infrastructure fits into the communities and streets it serves. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Shadewood Crescent,Grappenhall,Warrington,Cheshire,England,UK, WA4 2SN
Description
Keywords: makeup,Germany,democratic,republic,Berlin,beer,graffiti doll,graffiti,doll,hairspray,Action,DDR,hairspray,ale,museum,scary,spooky,toy,toys,1970,1970s,punk,GoTonySmith,Buy Pictures of,Buy Images Of,bottle,bottles,East German,East Germany,product,history,historic,memories,memory,of,the DDR
Description: Tony Smith image Alamy F0G702 - This documentary stock photograph shows Berlin beer graffiti doll Action, DDR hairspray,and make-up,Germany. The image records DDR or East German security equipment and surveillance material, making it useful for editorial features on Cold War memory, state surveillance, the Stasi, civil liberties, museum interpretation and authoritarian control. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and.
Berlin, Germany
Description
Keywords: mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,in,memory,of,fallen,comrades,Ulster,Freedom,Fight,fighers,Ulster Freedom Fighters,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HE7KXH - . This location-specific image from Shankill Road, West Belfast, NI, UK in 2011 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The main point of reference is UFF Unionist mural in memory, off Shankill Road West Belfast,Northern Ireland,UK. The locality and subject together evoke transport accessibility, public transport stop, stencil art, bus route infrastructure, documentary photography, public-realm art, public realm, social history, local bus network, graffiti heritage, surface public transport, mural culture, public art, and local character. In present-day coverage, the subject reaches into public art and local identity, not least because of the blurred boundary between commissioned public art and unsanctioned graffiti. Today's relevance is strengthened by integrated transport, accessibility and the continuing question of the importance of bus stops as the physical interface between passengers and public transport. Future viewers can use this scene from Shankill Road, West Belfast, NI, UK to compare street furniture and boundaries with whatever follows after different community use. Further associations within the scene are urban graphics, street creativity, place identity, roadside stop, bus infrastructure, passenger transport, street-level design, and creative placemaking. The recorded references to memory, Unionist, Shankill, mural, and Ireland preserve clues about how the subject was presented, used or understood at the time. Around Shankill Road, West Belfast, NI, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is public art and how regeneration can both promote and displace informal urban art as part of the longer story of Shankill Road, West Belfast, NI, UK.
Shankill Road, West Belfast, NI, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,l,south,Northern Ireland,UK,unionist,wall art,political,paramilitary,paramilitaries,Troubles,legacy,peace process,sectarian,Protestant community,identity,Quis Separabit,street art,iconography,symbolism,Orange,culture,contested space,divided,city,conflict,memory,post-conflict,Good Friday Agreement,working class,territorial,marking,community,graffiti,urban history,tourism,NI troubles
Description: Tony Smith image Alamy HEEF91 - Unionist loyalist mural in Sandy Row, South Belfast, photographed on a gable end wall beside a small paved public space with red, white and blue bollards and a lamppost in the foreground. The mural carries the words You are now entering Loyalist Sandy Row, heartland of South Belfast, Ulster Freedom Fighters and includes clenched red fists, a masked gunman figure and the phrase Quis Separabit , a Latin unionist motto meaning Who shall separate us . The image is a strong editorial stock photograph for Northern Ireland politics, loyalist iconography, contested identity, murals, sectarian geography, urban history, peace process legacy, paramilitary symbolism and the visual culture of Belfast streets. Sandy Row is a long-established loyalist and unionist district close to Belfast city centre, historically associated with working class Protestant communities, Orange Order culture, flags, murals and political wall art. The reference to the Ulster Freedom Fighters is significant because the UFF name was used by the Ulster Defence Association, a loyalist paramilitary organisation involved in violence during the Troubles and later proscribed as a terrorist organisation. The photograph should be used in a careful documentary and editorial context rather than as decorative celebration. Visible details include the pale blue painted wall, large black block lettering, red clenched fists, masked armed figure, brick paving, colour-coded bollards, nearby housing, trees and the overcast Belfast sky. It can illustrate articles on loyalist areas, paramilitary murals, community identity, territorial marking, sectarian symbolism, murals after the Good Friday Agreement, Belfast tourism, conflict memory, urban regeneration and the complicated role of political art in post-conflict Northern Ireland. The image also works for discussions about how walls, slogans, flags and public art shape perceptions of belonging, exclusion, intimidation, heritage and memory in divided cities.
Sandy Row, West Belfast, Northern Ireland, UK BT12 5ET
Description
Keywords: England,UK,GoTonySmith,HotpixUK,@HotpixUK,18/05/1980,18th,May,80,1980,singer,frontman,memory,anniversary,Control,memorial stone,Macclesfield,Crematorium,Cheshire,Warsaw,SK10 3BU,SK10,cemetary,punk,band,music,Manchester,Mancunian,famous,inhabitant,of,town,English,north west,face,CD,portrait,fan,post card,letter,words,message,messages
Description: Tony Smith image Alamy 2PP0N8H - . Ian Curtis 18-5-80 Love Will Tear Us Apart, memorial stone, Macclesfield Crematorium, Cheshire, England, UK. Photographed on 31 May 2010, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Prestbury Road, Macclesfield, Cheshire, England, UK, SK10 3BU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include 18/05/1980, 18th, May, singer, frontman, memory, anniversary, Control, memorial stone, Macclesfield, Crematorium, Cheshire, providing natural SEO coverage without losing the specific documentary identity of the photograph. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
Prestbury Road, Macclesfield, Cheshire, England, UK, SK10 3BU
Description
Keywords: England,UK,GoTonySmith,HotpixUK,@HotpixUK,18/05/1980,18th,May,80,1980,singer,frontman,memory,anniversary,Control,memorial stone,Macclesfield,Crematorium,Cheshire,Warsaw,SK10 3BU,SK10,cemetary,punk,band,music,Manchester,Mancunian,famous,inhabitant,of,town,English,north west,face,CD,portrait,fan,post card,letter,words,message,messages
Description: Tony Smith image Alamy 2PP0N90 - . Ian Curtis 18-5-80 Love Will Tear Us Apart, memorial stone, Macclesfield Crematorium, Cheshire, England, UK. Photographed on 31 May 2010, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Prestbury Road, Macclesfield, Cheshire, England, UK, SK10 3BU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include 18/05/1980, 18th, May, singer, frontman, memory, anniversary, Control, memorial stone, Macclesfield, Crematorium, Cheshire, providing natural SEO coverage without losing the specific documentary identity of the photograph. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
Prestbury Road, Macclesfield, Cheshire, England, UK, SK10 3BU
Description
Keywords: Manchester Cathedral interior,Manchester City,Lancs Lancashire,England,UK,Sir,William,Henry,Houldsworth,Churchwarden,and,1834,1917,stone,marble,wide,view,wideangle,angle,lens,screens,gotonysmith,Buy Pictures of,Buy Images Of,Benefactor,memory,memorial,Sir William Henry Houldsworth,Baronet,Baronets,flooring,floor,tiles,tiling
Description: Tony Smith image Alamy CEMX89 - Manchester Cathedral is a medieval church on Victoria Street in central Manchester and is the seat of the Bishop of Manchester. The cathedral's official name is The Cathedral and Collegiate Church of St Mary, St Denys and St George in Manchester. It has also variously been known locally as St Mary's, Christ Church and, simply, t'owd church.[citation needed]
Although extensively refaced, restored and extended in the Victorian period, and then again following severe bomb damage in the 20th century, the main body of the Cathedral largely derives from the wardenship of James Stanley (warden 1485“1506), and is in the Perpendicular Gothic style. Stanley was also primarily responsible for commissioning the spectacular late medieval wooden furnishings, including the pulpitum, the choir stalls, and the nave roof supported by angels with gilded instruments. It is one of the Grade I listed buildings in Manchester. Since 2005 the Dean of the Cathedral has been the Very Reverend Rogers Morgan Govender.
The Cathedral has thirty 16th-century misericords, considered to be amongst the finest in Europe. It is worth noting that the misericords have a stylistic similarity to those at Ripon Cathedral and Beverley Minster “ and although Manchester's post date-these, they were probably carved by the same school at Ripon. One of the most notable is N-08, which is the earliest known mention of backgammon in the UK. The early 16th century also saw the construction of an almost complete sequence of chantry chapels for local guilds along both north and south sides of the church
in effect creating a double aisle around the parochial nave, which is consequently much wider than it is long. Indeed Manchester is commonly claimed to have the widest nave of any cathedral in England. James Stanley is also responsible for the embellishment of the nave roof with supporters in the form of fourteen life-size angel minstrels, each playing a different late medieval instrument.
Victoria St, Manchester , England, UK, M3 1SX
Description
Keywords: In,Memory,of,james,Tomlinson,departed,this,life,grave,Grappenhall,graveyard,1831,1851,sepia,ivy,old,ancient,Cheshire,South,warrington,Thelwall,gotonysmith,tony,smith,Decay decayed old olde stone dead death funeral,gotonysmith,Buy Pictures of,Buy Images Of,Graveyard,cheshire,England,UK
Description: Tony Smith image Alamy CEMX5W - . Grappenhall St Wilfids Gravestone Ivy Church, Graveyard, South warrington , cheshire , England ,UK. Photographed on 14 March 2009. The recorded location is St Wilfrids Church, Church Lane, Grappenhall, South Warrington, Cheshire. The last resting place and in Memory of james Tomlinson departed this life September 12th 1831. St Wilfrids Church Graveyard, Grappenhall Village, South Warrington , Cheshire England UK. The wider historical story is that churches combine worship with architecture, community memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, changing liturgy, community benefactors, war remembrance and family history. From a heritage perspective, commemorative plaques, gravestones and monuments transform individual or collective memory into a permanent feature of the landscape
Their wording, materials and location can illuminate genealogy, social history, military service and changing attitudes to public remembrance. In the present 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and community identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage structures while keeping them accessible and relevant. As of 2026, interest in local history, genealogy and the conservation of memorials remains strong, while weathering, redevelopment and vandalism can threaten smaller monuments and inscriptions
Detailed images help preserve lettering, names and physical condition before further weathering or alteration. In the present 2026 context, memorials continue to play an active role in public history, supporting remembrance, genealogy, education and heritage tourism
Images can also record inscriptions before erosion or redevelopment alters the physical object.
St Wilfrids Church, Church Lane, Grappenhall, South Warrington, Cheshire
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,republican mural,Northern Ireland murals,Irish republicanism,West Belfast,political history Ireland,politics,history,conflict,memory,identity,murals,public art,nationalism,republican movement,social history,urban communities,contested history,editorial photography,European political history,Belfast,Northern Ireland,United Kingdom,UK,Falls Road,republican neighbourhood,street mural,urban politics,conflict history,peace process context,residential street,pedestrians crossing,children walking,everyday life Belfast,moody atmosphere,overcast sky,black and white treatment
Description: Tony Smith image Alamy CF21Y9 - A moody and atmospheric view of the Bobby Sands mural painted on the side of a Sinn Fein office on the Falls Road in West Belfast, Northern Ireland. The mural depicts Bobby Sands, Irish republican hunger striker and Member of Parliament, whose death in 1981 became a defining moment in the history of the Troubles. Rendered in a muted, desaturated palette under heavy cloud, the image conveys the weight of political memory embedded within the urban streetscape.
The mural is framed by surrounding terraced housing and everyday street infrastructure, grounding this powerful symbol of conflict and resistance within a lived residential environment. In the foreground, children walk past the mural, introducing a striking contrast between the legacy of political struggle and the ordinariness of daily life. This juxtaposition reflects how history, identity and memory coexist within communities in West Belfast, where murals remain a prominent form of public expression.
Political murals along the Falls Road have long functioned as visual statements of identity, commemoration and resistance. They are part of a wider tradition of wall art in Northern Ireland that communicates historical narratives outside formal institutions, often serving as unofficial memorials and teaching tools for successive generations. The dark, brooding sky and subdued tones reinforce themes of loss, endurance and unresolved history.
This image is well suited for editorial use covering Northern Ireland politics, the Troubles, Irish republican history, peace and reconciliation, public art, memory and identity, as well as commercial editorial projects examining contested histories, urban communities and the long-term social impact of political conflict.
Bobby Sands mural painted on the side of a Sinn Fein office on the Falls Road in West Belfast, North
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,circuit,circuits,board,soldering,word,electronic,tech,technology,process,processes,world,reliant,on,chip,chips,silicon,binary,logic,PCB,printed,wiring,component,components,main,main-board,motherboard,mother,processor,&,and,Communication,Technology,inside,memory,innovation,job,jobs
Description: Tony Smith image Alamy 2KDPYAW - A printed circuit board (PCB
also printed wiring board or PWB) is a medium used in electrical and electronic engineering to connect electronic components to one another in a controlled manner. It takes the form of a laminated sandwich structure of conductive and insulating layers: each of the conductive layers is designed with an artwork pattern of traces, planes and other features (similar to wires on a flat surface) etched from one or more sheet layers of copper laminated onto and/or between sheet layers of a non-conductive substrate. Electrical components may be fixed to conductive pads on the outer layers in the shape designed to accept the component's terminals, generally by means of soldering, to both electrically connect and mechanically fasten them to it. Another manufacturing process adds vias: plated-through holes that allow interconnections between layers
The Austrian engineer Paul Eisler invented the printed circuit as part of a radio set while working in the UK around 1936. In 1941 a multi-layer printed circuit was used in German magnetic influence naval mines
Around 1943 the USA began to use the technology on a large scale to make proximity fuzes for use in World War II. Such fuzes required an electronic circuit that could withstand being fired from a gun, and could be produced in quantity
Motorola was an early leader in bringing the process into consumer electronics, announcing in August 1952 the adoption of plated circuits in home radios after six years of research and a $1M investment
Originally, every electronic component had wire leads, and a PCB had holes drilled for each wire of each component. The component leads were then inserted through the holes and soldered to the copper PCB traces. This method of assembly is called through-hole construction. In 1949, Moe Abramson and Stanislaus F. Danko of the United States Army Signal Corps developed the Auto-Sembly process in which component leads were inserted into a copper foil interconnection
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,murals,1916,West Belfast,IRA,Republican,Irish,political,street,art,Northern Ireland,housing,estate,County Antrim,UK,GPO mural,Countess Markievicz,James Connolly,Patrick Pearse,independence,rebellion,symbolism,community,commemoration,Troubles legacy,post-conflict Belfast,heritage,history,conflict,memory,public,urban,Hills,Black Mountain,Freedom fighters,struggle,continuity,NI troubles
Description: Tony Smith image Alamy HEW1H9 - Gable-end Republican stock-photo/gotonysmith-Mural.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>mural on Whiterock Road in Ballymurphy, West Belfast, depicting the 1916 Easter Rising with armed figures outside the General Post Office in Dublin, an Irish tricolour and Celtic border decoration. The mural is recorded by CAIN as a Nationalist and Republican mural with the wording Freedom fighters outside the GPO. Easter Rising 1916 , showing Pearse, Connolly and Countess Markievicz leading the attack on the GPO below the Irish tricolour. Extramural Activity also identifies the scene as Countess Markievicz outside the Dublin GPO, accompanied by Connolly and Pearse, and places it on Whiterock Road, west Belfast. The photograph has strong editorial value for themes including Belfast murals, West Belfast, Ballymurphy, Irish Republican visual culture, the Easter Rising, political murals, public art, housing estate identity, conflict memory, Irish nationalism, post-conflict tourism and the use of gable walls as sites of historical storytelling. The hillside behind the houses, likely part of the Belfast Hills and Black Mountain backdrop, helps place the mural within the elevated west Belfast landscape rather than a flat city centre street. The overcast sky, timber fence, grass verge and residential setting show how political imagery is embedded in everyday neighbourhood space, where memorial, identity, heritage, tourism and contested history overlap. The mural connects Belfast's Republican mural tradition with the wider story of the 1916 Rising in Dublin, when the GPO became one of the symbolic centres of the rebellion. Its painted references to the tricolour, volunteers and the neoclassical GPO make it useful for stock searches around Irish independence, commemoration, political identity and public memory. It suits articles on mural tours, Irish history, Northern Ireland politics, Troubles legacy, nationalist commemoration, documentary photography, community art, cultural memory and political symbolism.
Whiterock Road, Ballymurphy, West Belfast, Northern Ireland, BT12.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,L1,L1 6ER,disaster,bronze,artwork,Monument,Memorial,football,club,soccer,by,bas relief,relief,sculpture,the,remembering,dead,tragedy,deaths,we will,remember,them,frieze,names,of,victims,96,memory,stadium,match
Description: Tony Smith image Alamy 2R6AHYN - The Hillsborough Monument Memorial - Sculptor's Notes more at https://liverpoolsculptures.co.uk/the-hillsborough-monument-memorial/
The Hillsborough monument was comissioned by the Hillsborough Justice Campaign and sculpted by Tom Murphy.
Background: A young girl asked her Father, where is the Hillsborough Memorial? She was told: ˜There is one in Anfield.' She said: ˜Why can't we have one in the city centre for everyone to see.' This simple question was the catalyst for this monument
The monument is circular with a raised design in low relief. The imagery shows an imaginary place,which is meant to guide our thoughts of remembrance and all that has happened since the tragedy
The people depicted in the design are ˜the guardians of the memory', or ˜people like us' Their purpose is symbolic and other figures represent justice, hope and loss. The setting is a beautiful and quiet place, which may help us to think about the characters and individual personalities of those who died. The people who passed away are represented by the birds who fly freely throughout the work.
We reflect and empathise with those who died while considering the people they were, and might have been, were it not for the disaster
Description of the raised relief on the maquette
The design begins with two large tablets that list the names those who died. A dedication and information plaque is situated between the tablets of names with a poem, written especially for the moument, by David Charters (journalist and author). Immediately above the central dedication is a wreath of spring flowers. This reminds us of the season and number of victims who died. A Liver Bird stands guard. Below the information plaque is a rail of football scarves from differing clubs signifying the way football fans responded nationally in the days after the disaster. Around the top rim of the monument is the proclamation: ˜HILLSBOROUGH DISASTER. WE WILL REMEMBER THEM.'.
St John's Gardens,, Old Haymarket, Liverpool , Merseyside, England, UK, L1 6ER
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Lancashire,England,UK,WN1 1BH,ticket,soul,music,club,Casino,allnighter,with,Russ,Richard,Keith,and,free draw,Friday,4th,Sep,1981,04/09/1981,tickets,history,historic,old,spinners,8,eight,non stop,hours,of,memory,WCSC,Makerfield,Makerfield by-election,Makerfield byelection
Description: Tony Smith image Alamy 2MKF747 - The Wigan Casino was a nightclub in Wigan, England. Operating between 1973 and 1981, it became known as a primary venue for Northern soul music. It carried forward the legacy created by clubs such as the Twisted Wheel in Manchester, the Chateau Impney (Droitwich), the Catacombs (Wolverhampton) and the Golden Torch (Tunstall, Stoke-on-Trent). It remains one of the most famous clubs in Northern England. In 1978, allegedly the American music magazine Billboard voted Wigan Casino The Best Disco in the World, ahead of New York City's Studio 54. Although there is no tangible evidence of this award ever being publicised.
This England, a TV documentary about the Wigan Casino, was filmed in 1977. Russ Winstanley and Dave Nowell wrote a history of the club, Soul Survivors, The Wigan Casino Story, which was published in 1996.
Wigan Casino was the name of the last incarnation of a Wigan ballroom called the Empress. Local DJs Brian Rigby and Alan Cain approached lease owner Gerry Marshall to run all-nighters. Venue manager Mike Walker brought in Russ Winstanley, who had a DJ set at the local rugby club, to the Casino. At 2 am on Sunday 23 September 1973, Wigan Casino started its first-ever Northern soul all-nighter, with Winstanley as the DJ. After Winstanley and his helper Ian Fishwick, Kev Roberts was the third DJ at Casino all-nighters, who was quickly joined by Richard Searling Soul performers that performed there include Jackie Wilson, Edwin Starr and Junior Walker.
Young people from all over the UK regularly attended Wigan Casino to hear the latest northern soul artists and to dance. There were long queues to get in. The second dance floor, Mr M's, stayed open until 6 am and played oldies songs from a variety of DJs including Dave Evison and Steve Whittle. All-nighters generally ended with three songs that became known as the '3 before 8': Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, and I'm on My Way by Dean Parrish.
Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,red,Liverpool FC,Liverpool Football Club,FC,disaster,memorial,Justice For The 96,Hillsbough,Merseyside,England,UK,names,dead,fans,shirt,signatures,Belfast,Hillsborough Stadium,Sheffield,premier league,flowers,Paris,teargas,memory,memories,mistreated,wronged,final,matchscary,Champions League final,fixture,respect,UEFA,FA,Eurovision,2023,Andy Burnham
Description: Tony Smith image Alamy 2DA91H8 - . An authentic period record of the recorded location, retaining the practical visual detail that later redevelopment, rebranding or altered use can remove. The photograph is concerned with Liverpool FC,Justice For The 96,Hillsbough,disaster,Anfield,Liverpool,Merseyside,England,UK. Its broader subject matter includes archival record, documentary photography, local character, built heritage, historical comparison, community identity, contemporary history, social landscape, conservation interest, heritage asset, conservation architecture, architectural character, everyday Britain, and urban change. Viewed from the mid-2020s, the subject sits within continuing debate about maintenance, heritage conservation and preserving local identity during urban change. The archival value lies partly in recording transport arrangements and public activity around the recorded location before different community use alters the character of the place. A second layer of the scene includes period detail, public realm, changing streetscape, cityscape history, local history, historic streetscape, social history, and visual archive. The combination of Justice, Merseyside, Hillsbough, disaster, and Anfield helps anchor the frame to a recognisable activity, place or period. A later view of the recorded location may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is maintenance and keeping older buildings useful without erasing their character when considered against later change at the recorded location. The scene retains a connection with historic townscape and keeping older buildings useful without erasing their character without losing the local specificity of the recorded location. That also gives the frame relevance to adaptive reuse and preserving local identity during urban change in a form that can be compared with future views of the recorded location.
