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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A1336,Madchester,Ha,ienda,themed,letter,tiles,illustration,Greater,England,culture,art,music,design,heritage,creative,tourism,entrance,to,the,Whitworth,St,Street,The Hacienda,FAC51,Factory Records,Tony Wilson,Anthony H Wilson,label,funding,project,British,English,history,black and yellow,stripes,The Smiths
Description: Tony Smith image Alamy 3F9CTFR - Conceptual editorial image showing cream letter tiles spelling MadChester arranged across a front elevation drawing of FAC51 The Haçienda on Whitworth Street West, Manchester. The composition combines playful wordplay with an architectural representation of one of the most famous venues in British music history, linking the Madchester label to Manchester's reputation as a music city. Visible details in the line drawing include the building frontage and the marked entrance to Hacienda, reinforcing the site's identity and urban setting.
The image evokes the cultural legacy of The Haçienda, the influential Manchester nightclub associated with Factory Records, Tony Wilson, New Order and the wider rise of the Madchester era. Opened in 1982 in a former yacht builder's warehouse, the venue became central to the city's late 1980s and early 1990s club scene, helping define British acid house, dance music, indie crossover culture and the wider rave movement. Its visual identity, strongly associated with black and yellow industrial striping, also became iconic through the work of designer Ben Kelly and the broader Factory aesthetic linked to Peter Saville.
As a stock image, the photograph works both as a still-life creative concept and as a symbolic illustration of Manchester's nightlife heritage, music tourism appeal and continuing cultural influence. The use of Scrabble-style letter tiles gives the image a humorous, collectible feel, while the architectural plan background adds documentary and historic depth. It can illustrate subjects including Factory Records, The Haçienda, Manchester city breaks, club culture, music heritage, post-punk legacy, urban regeneration and the transformation of the original venue site into modern apartments. Overall it is a clean, graphic and recognisable visual tribute to a legendary Manchester landmark and the enduring mythology of Madchester.
Whitworth St West, Manchester, Greater Manchester, England, UK
Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,Bobby Peru,music poster,Mark E Smith poster,Salford gig,university concert,Manchester music scene,post punk,alternative rock,live music poster,band,postponed,archive,post punk history,Manchester cultural history,Salford cultural heritage,independent music,alternative culture,gig flyer,music ephemera,collectible poster,music journalism,editorial use only,legendary frontman,British music icon,Factory era influence,northern England music,live performance history,cancelled events,student union venue,UK concert history,band promotion,graphic typography,poster design,cult music fans,archive image,northern music scene,Manchester band,Madchester
Description: Tony Smith image Alamy 3E3P6X3 - Editorial image of a concert poster for The Fall featuring Mark E Smith, promoting a show at Maxwell Hall, Salford University, on Friday 21 March 2008, presented in bold graphic artwork with strong red, black and cream design. The poster is useful for illustrating themes around The Fall, Mark E Smith, Manchester and Salford music history, post punk culture, alternative rock, independent music, live gig promotion, university venues, student audiences, northern England cultural life and collectible music memorabilia. As a piece of printed music ephemera, it has clear value for editorial features on British underground music, cult bands, iconic frontmen, poster art, concert history, archive material, and the visual identity of late twentieth and early twenty-first century gig culture. The wording on the poster links the image to a postponed performance, making it relevant for stories about cancelled shows, rescheduled concerts, lost gigs, tour disruption and the fragile practical realities of live music events. It also suits broader features on Mark E Smith as a singular northern voice in British music, the long legacy of The Fall, and the continuing fascination with rare posters, flyers and original promotional material associated with influential bands. The Maxwell Hall and Salford University references ground the image firmly in Greater Manchester, adding documentary value for regional heritage, student venue history and local music scene coverage. Search relevance includes The Fall poster, Mark E Smith portrait, Salford University concert, Maxwell Hall gig, post punk memorabilia, Manchester music archive, British band poster, retro concert design, underground rock history, editorial music photography and collectible wall art. The stylised artwork, typography and date detail make the image especially useful for magazines, newspapers, blogs, fan sites, record collecting features and retrospective pieces examining the visual culture, mythology and enduring influence.
Rare gig poster for The Fall featuring Mark E Smith at Salford University Maxwell Hall for a 21 Marc
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,painter,painted,Manchester,cultural figure,Factory Records,Granada Television,So It Goes,Haçienda,nightclub,music history,British,broadcaster,music,impresario,cultural,entrepreneur,Smolensky Gallery,art exhibition,icons,Joy Division,New Order,Happy Mondays,A Certain Ratio,Durutti Column,Madchester,post-punk movement,British independent music,Manchester nightlife,northern cultural identity,music industry history,television journalism,regional broadcasting,punk television,arts presenter,record label founder,Alan Erasmus Rob Gretton Martin Hannett Peter Saville,memorabilia
Description: Tony Smith image Alamy 3EE4M5X - Painted portrait of Anthony H Wilson, better known as Tony Wilson or Mr Manchester , by artist Matt Wilde. The seated figure wears a pale suit and looks directly at the viewer, capturing the confidence and restless intelligence associated with one of Manchester's most influential cultural figures. The artwork was displayed at the Tony Wilson Archive exhibition at Smolensky Gallery in Manchester, alongside personal papers, photographs and memorabilia.
Wilson began his broadcasting career with Granada Television in the 1970s, working on regional news and arts programming before presenting the influential music and culture programme So It Goes. He used television to champion emerging punk and post-punk acts, helping give early exposure to the Sex Pistols, Buzzcocks and other performers who reshaped British popular culture.
In 1978 he co-founded Factory Records with Alan Erasmus, Rob Gretton, Martin Hannett and Peter Saville. The label became central to Manchester's musical identity through Joy Division, New Order, Happy Mondays, A Certain Ratio and the Durutti Column. Wilson was also closely associated with the Haçienda nightclub, which became a landmark of club culture and the Madchester era, despite its persistent financial problems.
His ambition, enthusiasm and unwavering belief in Manchester helped change perceptions of the post-industrial city and earned him the enduring nickname Mr Manchester. His influence also survives in the name and cultural spirit of Factory International, the permanent home of Manchester International Festival, although Wilson was not the festival's founder.
Wilson died in Manchester on 10 August 2007, aged 57, after treatment for kidney cancer. His death was widely regarded as an untimely loss to broadcasting, music and civic culture. This portrait suits editorial themes involving Manchester history, Factory Records, Granada Television, British music, cultural entrepreneurship, creative cities and portrait painting.
Smolensky Gallery, ABC Building, 21-23 Quay Street, Manchester M3 4AE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,steel,ironwork,works,rust,street,utility,covers,Lancashire,England,UK,M1,cast,city,centre,pavement,urban,GB,Great Britain,Cottonopolis,Mancunian,Mancunians,Madchester,cast iron,iron,embossed,stamp,stamped,rusting,rusted,pattern,patterns,GM,Greater Manchester
Description: Tony Smith image Alamy 2M69CA1 - . This location-specific image from Manchester, Lancashire, England, UK, M1 in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Rusty Manchester cast iron embossed grid, street utility cover. The broader subject matter reaches into public realm, conservation interest, historic townscape, urban fabric, historical comparison, heritage asset, before-and-after reference, adaptive reuse, social history, conservation architecture, archival record, historic streetscape, local character, and period architecture. In present-day coverage, the subject reaches into embodied carbon and energy retrofit, not least because of how historic fabric can support regeneration rather than demolition. For later comparison, the photograph preserves lettering, decoration and surface detail at Manchester, Lancashire, England, UK, M1, details that may look very different after closure or conversion. The subject also sits alongside period building, visual archive, architectural character, contemporary social history, place identity, everyday life, local history, and period detail. References to cover, Rusty, utility, embossed, and Manchester give the picture a strong period identity and tie it closely to its named subject. The wider setting at Manchester, Lancashire, England, UK, M1 matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is embodied carbon and how historic fabric can support regeneration rather than demolition within the specific setting of Manchester, Lancashire, England, UK, M1. The setting also helps illustrate redevelopment pressure and the value of architectural landmarks to local identity as part of the longer story of Manchester, Lancashire, England, UK, M1. The scene captures a local visual benchmark before later change alters the scene.
Manchester, Lancashire, England, UK, M1
Description
Keywords: GoTonySmith,HotpixUK,England,UK,steel,Lancs,Lancashire,M1,M1 1SH,GM,council,Cottonopolis,manc,Mancunian,Manchester City Region,Greater Manchester City Region,AGMA,devolved,government,devolution,city,cover,drain,drains,utilities,services,rusting,rusty,rust,pattern,foundry,foundries,cast,casting,cast iron,Burnham,madchester,Stone Roses,band,MadFrit
Description: Tony Smith image Alamy 2M6GC3A - The word Manchester is cast into a rusty iron road grid or street grating, photographed close up so that the weathered metal texture and bold lettering dominate the frame. The image works both as a documentary detail of urban infrastructure and as a conceptual editorial photograph invoking Manchester's wider cultural identity. Beyond simply naming the city, the corroded cast iron surface suggests the gritty industrial character from which much of modern Manchester's music mythology emerged. That makes the picture especially suitable for themes around Madchester, the late 1980s and early 1990s explosion of alternative dance, baggy music, acid house and rave culture associated with the city. It evokes the era of Happy Mondays, New Order and the Hacienda nightclub, along with the wider Manchester and Salford band heritage that also includes the Stone Roses, Oasis, The Verve and later Space Monkeys. Tony Wilson's Factory Records was central to promoting key parts of that story, directly shaping acts such as Joy Division, New Order, Happy Mondays and the wider cultural atmosphere around the Hacienda, while Manchester's broader music reputation spread far beyond the label itself. The close-up composition turns a piece of everyday road furniture into a symbolic image of place, memory and regional pride, with the rusty orange and blue tones creating a strong graphic effect. As an editorial image it can illustrate articles about Manchester music history, industrial heritage, urban identity, city branding, cultural tourism, working-class creativity, nightlife, post-punk and Britpop legacies, and the continuing fascination with Manchester as one of Britain's defining music cities. The image also has useful design value as a textured background or graphic resource with clear copy space, while remaining firmly rooted in a recognisable northern English context.
Manchester, Lancashire, England, UK, M1 1SH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,England,UK,YO1 9SP,YO1,Stone Roses Bar York,music bar York,indie bar,alternative music venue,York nightlife,city centre bar,evening venue,bar,pubs,bars,music,York city centre,King Street York,live music bar,DJ bar,Manchester music influence,Britpop heritage,pub exterior,urban nightlife,cultural tourism,popular music history,red brick building,street scene,documentary photography,editorial image,Madchester,Ian Brown,Mani,Gary Mani Mounfield
Description: Tony Smith image Alamy 2R59X6W - This image shows the exterior of the Stone Roses Bar, a well-known music-themed bar located on King Street in York. The venue is named after the influential British band The Stone Roses and reflects the continuing cultural legacy of late-1980s and early-1990s indie and Madchester music.
The red brick façade is decorated with distinctive signage, posters, and window graphics referencing British alternative music culture. The building's historic urban fabric contrasts with the modern graphic artwork and band imagery, linking York's traditional streetscape with contemporary nightlife and popular music heritage.
Bars such as this play an important role in city-centre evening economies, attracting locals, students, and visitors interested in alternative music scenes and themed venues. The Stone Roses Bar is particularly associated with indie, Britpop, and guitar-based music, often hosting DJs and events that celebrate British rock history.
Photographed in daylight, the image documents the venue as part of York's wider cultural and nightlife landscape. It is well suited to editorial use covering British music culture, urban leisure, themed bars, tourism, and the influence of iconic bands on local identity and commercial spaces.
Stone Roses Bar, King Street, York, North Yorkshire, England, UK, YO1 9SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city centre,England,UK,M60 7RA,M60,city,centre,Manchester,Centre,line,minibus,mini-bus,integrated,to,orange,white,buses,GM,Greater Manchester,service,services,Seddon Midi,bus,Madchester,the,Bee,network,travel transportation,history,1970,1980,1970s,1980s,old
Description: Tony Smith image Alamy 2M4K85B - Until 1992, upon leaving either Manchester Piccadilly or Victoria stations you'd be met by this - a line of little 'Centreline' buses waiting to take passengers from one station to the other across the city centre via the shopping and office districts.
Manchester was the site of the first passenger railway in the world - the Liverpool & Manchester Railway in 1830. But the haphazard way railways were planned and competed in the Victoria age meant that there was little coordination and there were three separate major stations in the city with no effective links between north and south. London Road (later Piccadilly) served the south, while Victoria served the north. The third, Central, closed in 1969 and for a while became a semi-derelict car park before its wonderful transformation into an exhibition centre.
So to connect the two stations, SELNEC and ten GMT ran a 'Centreline' service running at frequent intervals, with a flat fare to speed boarding. Some of the route was in narrow streets so these little Seddon 'Midi' buses were bought, built in Oldham. They were perfect for the job operationally but they were not popular with their drivers or the garage staff as they were difficult to maintain, noisy inside and with most of their weight at the front they could skid in wet or icy weather. But they did their job day in, day out for many years, buzzing around the city streets and usually full.
The Seddon's lasted twelve years, a very good age for lightly-built buses, until replaced by new Dennis buses in 1986. Then in 1992 Metrolink at last provide a rail-borne link across the city centre between the two main stations. The raison d'etre for Centreline was gone and the service ended.
Most of the Seddon's were scrapped but one or two still exist including number 1722, which is fully restored and on display at the Museum of Transport Greater Manchester.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,display,FutureRoute,to,connection,city,centre,diagrammatic,planned,planning,transport,schematic,stations,station transport,links,England,UK,machine,Mancunian,Transport Plans,urban,PTEs,Picc-Vic,project,tunnel,Transportation Study,Madchester,future,of,Manchester travel,looking,ahead,diagram,diagrams
Description: Tony Smith image Alamy 2M4K85J - . A grounded documentary photograph made at Manchester, England, UK in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The principal subject is SELNEC Futuroute diagrammatic display, planned Manchester station transport links, England, UK. A broader reading of the photograph includes commercial streetscape, retail graphics, period advertising, local history, visual merchandising, small-business culture, changing land use, historical comparison, high-street commerce, street-level marketing, bricks-and-mortar business, local enterprise, archival record, and street-level trading. Today's relevance is strengthened by visual identity, branding and the continuing question of the speed at which branding and promotional styles change. From a 2025-onward perspective, town-centre regeneration and commercial rents are closely linked to this subject, alongside how physical shops adapt to online competition. The image fixes period objects and surrounding context within Manchester, England, UK at one identifiable point, providing a benchmark against changed technology. Further associations within the scene are town-centre economy, contemporary social history, independent retail, promotional board, everyday life, period detail, customer footfall, and community identity. References to planned, links, diagrammatic, SELNEC, and Manchester give the picture a strong period identity and tie it closely to its named subject. Around Manchester, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is visual identity and the speed at which branding and promotional styles change within the specific setting of Manchester, England, UK. The period view preserves details of everyday use before later change alters the scene.
Manchester, England, UK
Description
Keywords: Manchester,city,centre,Greater,England,UK,We do things,differently here,This is Manchester,love Manchester,M1,Lancashire,NQ4,bee,bees,LoveManchester,WeAreManchester,We Are Manchester,Love Manchester,GoTonySmith,HotpixUK,@HotpixUK,Madchester,icons,icon,iconic,image,images,the,6th,day,on,days,God,created,creation,buildings,building,hive,hives
Description: Tony Smith image Alamy 2JTD2MR - . Recorded at Northern Quarter, NQ4, Manchester, England, UK in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is On the sixth day, God created Manchester, LoveManchester, WeLoveManchester, This is Manchester,We Do Things Differently Here. A broader reading of the photograph includes commercial redevelopment, urban regeneration, architectural character, community identity, mixed-use redevelopment, archival record, civic architecture, period detail, town-centre renewal, place-making, place identity, regional identity, public-realm investment, and local character. The modern context includes continuing discussion of commercial viability, planning and how regeneration tries to create reasons to visit traditional town centres. The image fixes equipment and working practice within Northern Quarter, NQ4, Manchester, England, UK at one identifiable point, providing a benchmark against changed technology. The location also brings in changing land use, contemporary social history, built heritage, period architecture, changing streetscape, everyday life, urban fabric, and social history. Details involving WeLoveManchester, Things, Manchester, Differently, and sixth make the image more specific than a generic view and strengthen its local or historical value. A later view of Northern Quarter, NQ4, Manchester, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another useful connection is commercial viability and the tension between preserving local character and creating modern commercial space as part of the longer story of Northern Quarter, NQ4, Manchester, England, UK. The photograph keeps part of the area's social history within the wider story of Northern Quarter, NQ4, Manchester, England, UK.
Northern Quarter, NQ4, Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Arena entrance,site,of,Manchester Victoria,art,wall,artwork,Love MCR,with,bee,bees,suicide,bombing,bomber,22/05/2017,walkway,corridor,Salman,Ramadan,Abedi,Islamic State,I Love Manchester,I Love MCR,Charity Foundation,Greater Manchester,GM,city,centre,Mancunian,Mancunians,acronym,city region,@IloveMCR,Ariana Grande.,concert,Madchester
Description: Tony Smith image Alamy 2JY55B6 - On 22 May 2017, an Islamist extremist suicide bomber detonated a shrapnel-laden homemade bomb as people were leaving the Manchester Arena following a concert by American pop singer Ariana Grande.
Twenty-three people were killed, including the attacker, and 1,017 were injured, many of them children. Several hundred more suffered psychological trauma. The bomber was Salman Ramadan Abedi, a 22-year-old local man of Libyan ancestry. After initial suspicions of a terrorist network, police later said they believed Abedi had largely acted alone, but that others had been aware of his plans. The Islamic State claimed responsibility shortly after the attack.[3] In March 2020, the bomber's brother, Hashem Abedi, was found guilty of 22 counts of murder and attempting to murder 1,017 others, and was sentenced to life in prison.
The incident was the deadliest terrorist attack and the first suicide bombing in the United Kingdom since the 7 July 2005 London bombings
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,lines,route,map,diagram,services,Bolton,Bury,Oldham,Accrington,Victoria,railway,station,tile,tiled,British Rail,map of Lancashire and Yorkshire,map of Lancashire & Yorkshire,Madchester,line,rail,railways,stations,towns,villages,mapped,tiles,Lancs,Yorks,BR,steam,steam trains,ornate,heritage tourism,rail connections,Victorian,rail travel nostalgia
Description: Tony Smith image Alamy 2JY56CT - Detail of the historic glazed-tile route map inside Manchester Victoria railway station in Manchester city centre, Greater Manchester, England. The image shows part of the former Lancashire and Yorkshire Railway network rendered in bold red and black lines across a grid of white ceramic tiles. Visible destinations include Manchester, Bolton, Wigan, Oldham, Rochdale, Burnley, Blackburn, Accrington, Chorley, Darwen, Preston, Halifax, Stockport, Ashton, Ramsbottom, Bacup, Todmorden and Hebden Bridge, together with smaller stations and junctions that once formed an extensive regional railway system.
The map dates from the Edwardian rebuilding of Manchester Victoria around 1904 and reflects the importance of the station as a principal hub and administrative centre of the Lancashire and Yorkshire Railway. Its coloured routes, station circles and carefully lettered place names provide a striking example of early twentieth-century railway cartography, public information design and decorative station architecture. The surviving mural is both a historical diagram and a substantial piece of transport heritage, recording rail connections across industrial Lancashire, Yorkshire and the towns that later became Greater Manchester.
The close view emphasises the handmade tiled surface, aged grout lines, route intersections and dense concentration of railway lines around Manchester. It also illustrates how railways linked major manufacturing centres, market towns and communities during the expansion of industrial northern England. Preserved within a modern interchange used by National Rail and Metrolink passengers, the map offers a visible connection between contemporary travel and the region's railway past. Photographed indoors under station lighting, the scene has an archival documentary character suitable for editorial subjects including railway history, Manchester heritage, historic mapping, station restoration, public transport, industrial archaeology and tourism.
Victoria Railway Station, Manchester, England, UK, M3 1WY
Description
Keywords: city,centre,Greater,England,UK,it,street,road,NQ4,Lancashire,M1,music,bands,love,love Manchester,This is Manchester,We do things,differently here,Manchester,manhole,cover,named,grid,cast,iron,rust,rusty,metal,services,sewage,maintenance,GoTonySmith,HotpixUK,@HotpixUK,Madchester,Cottonopolis
Description: Tony Smith image Alamy 2JTD2G2 - . This authentic period view of Manchester, England, UK in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The frame specifically shows Manchester Rocking steel street grid, city centre Manchester, NQ4, Northern Quarter, Lancashire, England, UK, M1. The locality and subject together evoke everyday life, commercial redevelopment, local character, place identity, song-inspired design, music-themed venue, period architecture, contemporary social history, historical comparison, mixed-use redevelopment, adaptive reuse, civic architecture, place-making, and music iconography. From a 2025-onward perspective, construction costs and housing pressure are closely linked to this subject, alongside the tension between preserving local character and creating modern commercial space. The wider contemporary story combines licensing, venue survival and the role of music heritage in attracting visitors beyond conventional attractions. Small period details of commercial use and occupation at Manchester, England, UK may become more significant with time, particularly following altered transport patterns. The surrounding story also includes popular-music heritage, community identity, architectural character, music tourism, local history, cultural nostalgia, documentary photography, and local music culture. The recorded references to Northern, centre, Lancashire, steel, and Quarter preserve clues about how the subject was presented, used or understood at the time. A later view of Manchester, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. A further contemporary connection is construction costs and the tension between preserving local character and creating modern commercial space without losing the local specificity of Manchester, England, UK.
Manchester, England, UK
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,North West,England,UK,Mosaics at Aflecks Palace,art,culture,cultural icons,cultural,people,celebrities,shops,market,shopping,emporium,NQ4,famous,Madchester,1980s,1980,52 Church St,Manchester,M4 1PW,M4,Factory Records,Factory Record Label,Tony Wilson,Martin Hannett,Rob Gretton,Antony Wilson,Antony H Wilson,Anthony Wilson,Anthony H Wilson,palace
Description: Tony Smith image Alamy 2J92PG0 - Mark Kennedy's mosaics to grace Afflecks again
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
Mark's mosaic masterpieces of city icons like music impressario Tony Wilson, footballer George Best and Smiths frontman Morrissey became a much-loved city landmark hung on the exterior of Afflecks “ but when the site was taken over by developer Bruntwood in 2008 they were kept by the previous manager.
But now Mark tells The Diary he has been commissioned to create a raft of new mosaics that will once again decorate the arches of the old building that corners a huge site off Oldham Street, Tib Street and Dale Street in the Northern Quarter.
He says: I suppose my artwork is Afflecks, that's what I do, it's what I'm known for. It has been my gallery for the past 12 years or so, so obviously I'm happy to be asked back.
The first, that depicts the famous On The Sixth Day God Created Man...Chester quote, will return this week on the Afflecks Arcade.
And Mark, pictured here in his studio, is now hard at work on the second, an image of labrador Bruce, who the Black Dog Ballroom bar in the basement of Afflecks is named after.
Mark then has plans to create new mosaics of Manc icons, including a special Factory Records piece, to commemorate the label's late, great Tony Wilson, New Order manager Rob Gretton and legendary music producer Martin Hannett, among others
More at https://www.manchestereveningnews.co.uk/whats-on/film-and-tv/mark-kennedys-mosaics-to-grace-afflecks-851494
52 Church St, Manchester,England, UK, M4 1PW
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,North West,England,UK,Mosaics at Aflecks Palace,art,culture,cultural icons,cultural,people,celebrities,shops,market,shopping,emporium,NQ4,famous,Madchester,1980s,1980,52 Church St,Manchester,M4 1PW,M4,Vimto,Kellogs,Alan Turing,Manchester Made,Rolls Royce,palace,icon,iconic,icons,Alan Turin
Description: Tony Smith image Alamy 2J92PG3 - Mark Kennedy's mosaics to grace Afflecks again
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
Mark's mosaic masterpieces of city icons like music impressario Tony Wilson, footballer George Best and Smiths frontman Morrissey became a much-loved city landmark hung on the exterior of Afflecks “ but when the site was taken over by developer Bruntwood in 2008 they were kept by the previous manager.
But now Mark tells The Diary he has been commissioned to create a raft of new mosaics that will once again decorate the arches of the old building that corners a huge site off Oldham Street, Tib Street and Dale Street in the Northern Quarter.
He says: I suppose my artwork is Afflecks, that's what I do, it's what I'm known for. It has been my gallery for the past 12 years or so, so obviously I'm happy to be asked back.
The first, that depicts the famous On The Sixth Day God Created Man...Chester quote, will return this week on the Afflecks Arcade.
And Mark, pictured here in his studio, is now hard at work on the second, an image of labrador Bruce, who the Black Dog Ballroom bar in the basement of Afflecks is named after.
Mark then has plans to create new mosaics of Manc icons, including a special Factory Records piece, to commemorate the label's late, great Tony Wilson, New Order manager Rob Gretton and legendary music producer Martin Hannett, among others
More at https://www.manchestereveningnews.co.uk/whats-on/film-and-tv/mark-kennedys-mosaics-to-grace-afflecks-851494
52 Church St, Manchester,England, UK, M4 1PW
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,North West,England,UK,Mosaics at Aflecks Palace,art,culture,cultural icons,cultural,people,celebrities,shops,market,shopping,emporium,NQ4,famous,Madchester,1980s,1980,52 Church St,Manchester,M4 1PW,M4,Coronation street,Albert Tatlock,Ken Barlow,Ena Sharpals,Bet Lynch,Betty Lynch,palace,Rovers Return,mosaic,mosaics
Description: Tony Smith image Alamy 2J92PG5 - Mark Kennedy's mosaics to grace Afflecks again
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
Mark's mosaic masterpieces of city icons like music impressario Tony Wilson, footballer George Best and Smiths frontman Morrissey became a much-loved city landmark hung on the exterior of Afflecks “ but when the site was taken over by developer Bruntwood in 2008 they were kept by the previous manager.
But now Mark tells The Diary he has been commissioned to create a raft of new mosaics that will once again decorate the arches of the old building that corners a huge site off Oldham Street, Tib Street and Dale Street in the Northern Quarter.
He says: I suppose my artwork is Afflecks, that's what I do, it's what I'm known for. It has been my gallery for the past 12 years or so, so obviously I'm happy to be asked back.
The first, that depicts the famous On The Sixth Day God Created Man...Chester quote, will return this week on the Afflecks Arcade.
And Mark, pictured here in his studio, is now hard at work on the second, an image of labrador Bruce, who the Black Dog Ballroom bar in the basement of Afflecks is named after.
Mark then has plans to create new mosaics of Manc icons, including a special Factory Records piece, to commemorate the label's late, great Tony Wilson, New Order manager Rob Gretton and legendary music producer Martin Hannett, among others
More at https://www.manchestereveningnews.co.uk/whats-on/film-and-tv/mark-kennedys-mosaics-to-grace-afflecks-851494
52 Church St, Manchester,England, UK, M4 1PW
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,North West,England,UK,Mosaics at Aflecks Palace,art,culture,cultural icons,cultural,people,celebrities,shops,market,shopping,emporium,NQ4,famous,Madchester,1980s,1980,52 Church St,Manchester,M4 1PW,M4,Football MUFC,MCFC,Cantona,Francis Lee,George Best,footballer,footballers,champions,Colin Bell,Eric Cantona,Cantona7,Mike Summerbee,palace
Description: Tony Smith image Alamy 2J92PG7 - Mark Kennedy's mosaics to grace Afflecks again
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
Mark's mosaic masterpieces of city icons like music impressario Tony Wilson, footballer George Best and Smiths frontman Morrissey became a much-loved city landmark hung on the exterior of Afflecks “ but when the site was taken over by developer Bruntwood in 2008 they were kept by the previous manager.
But now Mark tells The Diary he has been commissioned to create a raft of new mosaics that will once again decorate the arches of the old building that corners a huge site off Oldham Street, Tib Street and Dale Street in the Northern Quarter.
He says: I suppose my artwork is Afflecks, that's what I do, it's what I'm known for. It has been my gallery for the past 12 years or so, so obviously I'm happy to be asked back.
The first, that depicts the famous On The Sixth Day God Created Man...Chester quote, will return this week on the Afflecks Arcade.
And Mark, pictured here in his studio, is now hard at work on the second, an image of labrador Bruce, who the Black Dog Ballroom bar in the basement of Afflecks is named after.
Mark then has plans to create new mosaics of Manc icons, including a special Factory Records piece, to commemorate the label's late, great Tony Wilson, New Order manager Rob Gretton and legendary music producer Martin Hannett, among others
More at https://www.manchestereveningnews.co.uk/whats-on/film-and-tv/mark-kennedys-mosaics-to-grace-afflecks-851494
52 Church St, Manchester,England, UK, M4 1PW
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,North West,England,UK,Mosaics at Aflecks Palace,art,culture,cultural icons,cultural,people,celebrities,shops,market,shopping,emporium,NQ4,famous,Madchester,1980s,1980,52 Church St,Manchester,M4 1PW,M4,Morrisey,Smiths,MES,The Fall,Oasis,Take That,Badly Drawn Boy,Noel Gallagher,Liam Gallagher,Ian Brown,Sankeys Soap,palace
Description: Tony Smith image Alamy 2J92PGB - Mark Kennedy's mosaics to grace Afflecks again
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
Mark's mosaic masterpieces of city icons like music impressario Tony Wilson, footballer George Best and Smiths frontman Morrissey became a much-loved city landmark hung on the exterior of Afflecks “ but when the site was taken over by developer Bruntwood in 2008 they were kept by the previous manager.
But now Mark tells The Diary he has been commissioned to create a raft of new mosaics that will once again decorate the arches of the old building that corners a huge site off Oldham Street, Tib Street and Dale Street in the Northern Quarter.
He says: I suppose my artwork is Afflecks, that's what I do, it's what I'm known for. It has been my gallery for the past 12 years or so, so obviously I'm happy to be asked back.
The first, that depicts the famous On The Sixth Day God Created Man...Chester quote, will return this week on the Afflecks Arcade.
And Mark, pictured here in his studio, is now hard at work on the second, an image of labrador Bruce, who the Black Dog Ballroom bar in the basement of Afflecks is named after.
Mark then has plans to create new mosaics of Manc icons, including a special Factory Records piece, to commemorate the label's late, great Tony Wilson, New Order manager Rob Gretton and legendary music producer Martin Hannett, among others
More at https://www.manchestereveningnews.co.uk/whats-on/film-and-tv/mark-kennedys-mosaics-to-grace-afflecks-851494
52 Church St, Manchester,England, UK, M4 1PW
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,North West,England,UK,Mosaics at Aflecks Palace,art,culture,cultural icons,cultural,people,celebrities,shops,market,shopping,emporium,NQ4,famous,Madchester,1980s,1980,52 Church St,Manchester,M4 1PW,M4,MIF,Granada TV,Sex Pistols,top of the pops,TV,Quentin Crisp,Marx,Engels,Emmeline Pankhurst,palace
Description: Tony Smith image Alamy 2J92PGD - Mark Kennedy's mosaics to grace Afflecks again
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
Mark's mosaic masterpieces of city icons like music impressario Tony Wilson, footballer George Best and Smiths frontman Morrissey became a much-loved city landmark hung on the exterior of Afflecks “ but when the site was taken over by developer Bruntwood in 2008 they were kept by the previous manager.
But now Mark tells The Diary he has been commissioned to create a raft of new mosaics that will once again decorate the arches of the old building that corners a huge site off Oldham Street, Tib Street and Dale Street in the Northern Quarter.
He says: I suppose my artwork is Afflecks, that's what I do, it's what I'm known for. It has been my gallery for the past 12 years or so, so obviously I'm happy to be asked back.
The first, that depicts the famous On The Sixth Day God Created Man...Chester quote, will return this week on the Afflecks Arcade.
And Mark, pictured here in his studio, is now hard at work on the second, an image of labrador Bruce, who the Black Dog Ballroom bar in the basement of Afflecks is named after.
Mark then has plans to create new mosaics of Manc icons, including a special Factory Records piece, to commemorate the label's late, great Tony Wilson, New Order manager Rob Gretton and legendary music producer Martin Hannett, among others
More at https://www.manchestereveningnews.co.uk/whats-on/film-and-tv/mark-kennedys-mosaics-to-grace-afflecks-851494
52 Church St, Manchester,England, UK, M4 1PW
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,North West,England,UK,Mosaics at Aflecks Palace,art,culture,cultural icons,cultural,people,celebrities,shops,market,shopping,emporium,NQ4,famous,Madchester,1980s,1980,52 Church St,Manchester,M4 1PW,M4,Afflecks,Mark,Kennedy,mosaic,artwork,artworks,bear,animal,animals,rabbit
Description: Tony Smith image Alamy 2J92PGF - Mark Kennedy's mosaics to grace Afflecks again
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
The famed mosaic artworks that once adorned Manchester's alternative shopping emporium Afflecks are to return “ with acclaimed Manc artist Mark Kennedy to create a host of new works piece by piece
Mark's mosaic masterpieces of city icons like music impressario Tony Wilson, footballer George Best and Smiths frontman Morrissey became a much-loved city landmark hung on the exterior of Afflecks “ but when the site was taken over by developer Bruntwood in 2008 they were kept by the previous manager.
But now Mark tells The Diary he has been commissioned to create a raft of new mosaics that will once again decorate the arches of the old building that corners a huge site off Oldham Street, Tib Street and Dale Street in the Northern Quarter.
He says: I suppose my artwork is Afflecks, that's what I do, it's what I'm known for. It has been my gallery for the past 12 years or so, so obviously I'm happy to be asked back.
The first, that depicts the famous On The Sixth Day God Created Man...Chester quote, will return this week on the Afflecks Arcade.
And Mark, pictured here in his studio, is now hard at work on the second, an image of labrador Bruce, who the Black Dog Ballroom bar in the basement of Afflecks is named after.
Mark then has plans to create new mosaics of Manc icons, including a special Factory Records piece, to commemorate the label's late, great Tony Wilson, New Order manager Rob Gretton and legendary music producer Martin Hannett, among others
More at https://www.manchestereveningnews.co.uk/whats-on/film-and-tv/mark-kennedys-mosaics-to-grace-afflecks-851494
52 Church St, Manchester,England, UK, M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,section,M13,Manchester Music,section of,The Main Library Oxford Road Manchester,North West,England,UK,M13 9PP,Joy Division,Morrisey,shelf,shelves,Johnny Marr,central library,libraries,lending,Manc,music,musician,musicians,Madchester,scene,history,historic,loan,borrow,borrowing,from,The Smiths,Smiths,JD,Ian Curtis,book,books,Factory Records
Description: Tony Smith image Alamy 2ADE3MN - . A grounded documentary photograph made at The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP in 2019, preserving the main subject alongside smaller details that may become more historically useful with time. The defining feature is Manchester Music,section of,Manchester Central Library,The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP. Other connected aspects include concert photography, venue culture, regional identity, music heritage, public realm, period detail, before-and-after reference, industrial artefact, cultural identity, community identity, building-material production, place identity, working-industry history, and historic manufacturing. From a 2025-onward perspective, the scene also connects with audience behaviour, heritage and the archival value of recording bands and venues before they disappear. In the mid-2020s, adaptive reuse and construction materials keep the subject current, particularly through the reuse or loss of former production sites. As a piece of social history, the photograph anchors the relationship between the subject and its surroundings around The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP. The surrounding context also covers live music, changing land use, industrial supply chain, historical comparison, performance culture, documentary photography, independent music, and manufacturing heritage. References to Music, section, Oxford, Central, and Library help fix the photograph to its own subject and period rather than reducing it to a generic view. A later view of The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The frame retains a local visual benchmark as a date-specific reference. The scene captures a point of historical comparison for later comparison.
The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,section,M13,Manchester Music,section of,The Main Library Oxford Road Manchester,North West,England,UK,M13 9PP,Joy Division,Morrisey,shelf,shelves,Johnny Marr,central library,libraries,lending,Manc,music,musician,musicians,Madchester,scene,history,historic,loan,borrow,borrowing,from,The Smiths,Smiths,JD,Ian Curtis,book,books,Factory Records
Description: Tony Smith image Alamy 2ADE3NJ - . This documentary view of The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP in 2019 captures the subject within its actual surroundings, preserving a dated piece of visual history rather than an isolated object study. The subject recorded here is Manchester Music,section of,Manchester Central Library,The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP. The frame also contains themes of place identity, changing streetscape, production technology, contemporary social history, public realm, industrial artefact, historic context, independent music, local history, social history, visual archive, historical comparison, performance culture, and nightlife culture. For contemporary context, independent promotion and venue closures are closely related themes, especially where the issue becomes the way music contributes to a city's identity. Viewed from the mid-2020s, the subject sits within continuing debate about regional industry, construction materials and the relationship between local geology, manufacturing and the built environment. From an archival perspective, the view leaves evidence of period details that may disappear after redevelopment or refurbishment in this part of The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP. The setting also brings in industrial material culture, documentary photography, local character, music heritage, working-industry history, venue culture, community identity, and everyday life. References to Central, section, Music, Oxford, and Library help fix the photograph to its own subject and period rather than reducing it to a generic view. The surrounding context at The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image fixes part of the area's social history before later change alters the scene.
The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M1,pub,bar,The Circus,England,M1 4GX,outside exterior,Teltley,Tetley pub,city centre,with,Historic Pub Interiors,Heritage Inn,Inn,Tetley Heritage inn,Manchester Circus,cosy,tiny,CAMRA,real ale,beer,ale,house,alehouse,Madchester,small,smallest,tavern,pubs,bars,Tetley,Tetleys,Portland Street,Portland St,Campaign for Real Ale
Description: Tony Smith image Alamy 2ADR2A3 - . Made at 86 Portland St, Manchester,England, UK, M1 4GX in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The image documents The Circus Tavern pub, 86 Portland St, Manchester, England, M1 4GX - Smallest pub in Europe, outside exterior. The setting also relates to licensed hospitality, British brewing tradition, beer appreciation, conservation architecture, traditional masonry, regional identity, community drinking venue, drinks hospitality, changing streetscape, period detail, changing land use, everyday life, local character, and conservation interest. Viewed from the mid-2020s, the subject sits within continuing debate about consumer spending, hospitality costs and the economics of beer festivals and licensed venues. The present-day relevance extends to redevelopment pressure and energy retrofit, while a wider concern is keeping older buildings useful without erasing their character. As a documentary source, the scene keeps a record of small features of identity that written records may overlook as seen at 86 Portland St, Manchester,England, UK, M1 4GX. A second layer of the scene includes social drinking culture, licensed trade, hand-pulled beer, historic frontage, historic context, historic commercial architecture, heritage asset, and cask-beer tradition. Details involving Tavern, Circus, Europe, Portland, and Smallest give the scene useful specificity and strengthen its local, cultural or historical identity. For 86 Portland St, Manchester,England, UK, M1 4GX, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of consumer spending and the survival of community pubs as part of the longer story of 86 Portland St, Manchester,England, UK, M1 4GX.
86 Portland St, Manchester,England, UK, M1 4GX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,GB,North West England,city centre,red,plaque,demo,demonstartion,memory,history,tourist,tourism,Victorian,Massacre,of,representation,Corn Laws,cavalry,poor economic conditions,poor,citizens,political radicalism,political,radicalism,revolution,Hulton,radical,British history,death,deaths,injuries,Lancashire,economic depression,Radical mass meetings in Manchester,Radical mass meetings,Madchester,hotpix.org.uk
Description: Tony Smith image Alamy RPGECX - . A grounded editorial photograph preserves the character of the recorded location, in documentary coverage dating from 2019. The principal recorded subject is St Peters Fields, The Peterloo Massacre, Red Plaque, Peter Street, Manchester, North West England, UK. Related ideas embodied by the location include period property, conservation interest, historic fabric, period architecture, urban conservation, architectural detail, heritage streetscape, adaptive reuse, townscape identity, urban fabric, historic environment, and heritage asset. Seen from a 2025-onward perspective, older urban fabric also connects with planning control, redevelopment pressure and efforts aimed at preserving local character. Documentary value is strengthened by the precise setting at the recorded location, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves, specifically in relation to St Peters Fields. The broader context includes architectural character, historic built environment, historic townscape, architectural heritage, conservation architecture, built heritage. The record also refers to reform of parliamentary representation, parliamentary, reform, 16 August 1819, St PetersFields. Other relevant facets include local landmark, and traditional building. Modern coverage of period streetscapes frequently reaches beyond the immediate scene to questions of energy retrofit, redevelopment pressure and preserving local character. The combination preserved here provides evidence of local character, public activity, period design, changes of use, and the appearance of the built environment at this precise location. As the location changes, the frame remains a reference for commercial identity, local continuity, physical infrastructure, signage and branding, and community life within the surrounding area. The location view retains the character of the setting within the wider local story.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,NQ4,Northern Quarter,Manchester City Centre,City Centre,Lancashire,palace,clothing,vintage clothing,vintage,clothes,market,shop,retail,Tib St,Afflecks,Madchester,art,artist,saying,city,centre,Happy Mondays,Inspiral Carpets,wall,mounted,tile,tiles,M4,M4 1PW
Description: Tony Smith image Alamy RPGEH2 - . An editorial view sets out the physical context of Tib St, Manchester, Lancashire, England, UK, M4 1PW, in an image captured in 2019. The source caption identifies On the sixth day, God Created Manchester, MadChester, Afflecks palace, Tib St, Manchester, Lancashire, England, UK, M4 1PW. The wider setting includes city-centre economy, chain-store economy, shopping district, shopping habits, storefront culture, high-street commerce, commercial frontage, retail vacancy, commercial streetscape, consumer spending, shopfront economy, and retail property. Current debate around commercial property often combines shifts in leisure spending, hybrid working and the practical challenge of adaptable commercial space. The date and location give the photograph archival strength: future views of Tib St, Manchester, Lancashire, England, UK, M4 1PW may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The location additionally reflects consumer retail, retail decline and renewal, urban commerce, local trading, independent retail, customer footfall. Associated details include Aflecks Palace, On the sixth day God created Manchester, mosiac, On the 6th day. The same setting also brings together bricks-and-mortar retail, and town-centre trading. The wider contemporary story of commercial property now includes changing footfall alongside online shopping, while policy and investment increasingly consider heritage-led regeneration. The lasting documentary value lies in its record of social change, historic fabric, movement through the area, planning and redevelopment, and everyday services as an authentic period reference. For future comparison, the scene preserves architecture and streetscape, ownership or occupation, transport patterns, neighbourhood identity, and public access at this precise location.
Tib St, Manchester, Lancashire, England, UK, M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,MES,Mark E Smith,The Fall,mosiac,words,Music,icon,RIP,NQ4,Northern Quarter,Manchester City Centre,City Centre,1957-2018,Lyrics,MarkESmith,TheFall,Mosaic,Tib street,Ten Houses Of Eve,art,Music legend,band member,frontman,Manchester Music Legend,Front Man,star,music,Afflecks,Madchester
Description: Tony Smith image Alamy RPGEHF - The hidden tribute to Mark E Smith of The Fall worth seeking out on a Manchester back street
A mosaic tribute to The Fall's Mark E. Smith has been unveiled - and purposefully hidden away on a back street for fans to discover in the Northern Quarter
There is a new tribute to The Fall frontman Mark E Smith in Manchester city centre - but you'll have to head off the beaten track to find it.
The maverick mastermind of the Manc band died in January, aged 60, after battling cancer, with tributes paid from rock and cultural icons from across the globe.
Now there's a permanent tribute, hidden in the Northern Quarter, to his lyrical genius.
Venture to the far (and dead) end of Short Street and you will find two striking mosaics - one in Mark's image and the other featuring lyrics from The Fall song Ten Houses of Eve, framed by the brickwork of the far wall of the Affleck's building.
The artworks have been commissioned by renowned mosaic artist Mark Kennedy, and were created by artist Mary Goodwin.
Kennedy had been friends with Smith for 15 years, and hopes to add to artworks in the secluded end of Short Street as an ongoing tribute to Smith and The Fall.
He says: I want to call this Fall corner, and over the years I'd like to add little bits every time there's a celebratory element to the group.
I like the corner because it's hidden and to an extent The Fall were quite a hidden band and Mark's lyrics have many hidden meanings too.
It's hard to find, and like The Fall in many respects, you have to look for it and that works for me.
The lyrics on the artwork read: Identity art.. if only the shards you'd relocate back in place , ending with the dates of Smith's life - 1957-2018.
Kennedy was keen for a female artist to create the works, as a testament to the female musicians in The Fall, and commissioned Leeds-based Mary Goodwin
52 Church St, Manchester M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,NQ4,Northern Quarter,Manchester City Centre,City Centre,Tib St,Lancashire,market,shop,retail,palace,vintage,clothes,clothing,vintage clothing,Afflecks,Madchester,art,artist,saying,city,centre,Happy Mondays,Inspiral Carpets,wall,mounted,tile,tiles,M4,M4 1PW
Description: Tony Smith image Alamy RPGEJ3 - . An editorial view captures the social and built context of Tib St, Manchester, Lancashire, England, UK, M4 1PW, in a documentary image made in 2019. The scene is specifically associated with On the sixth day, God Created Manchester, MadChester, Afflecks palace, Tib St, Manchester, Lancashire, England, UK, M4 1PW. The physical and social setting additionally connects with retail decline and renewal, bricks-and-mortar retail, commercial streetscape, consumer retail, retail property, storefront culture, city-centre economy, chain-store economy, high-street commerce, shopfront economy, consumer spending, and local trading. Current debate around consumer spending often combines vacant premises, online shopping and the practical challenge of bringing empty units back into use. The date and location give the photograph archival strength: future views of Tib St, Manchester, Lancashire, England, UK, M4 1PW may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The resulting scene connects with town-centre trading, independent retail, retail vacancy, shopping district, urban commerce, customer footfall. Other local associations include Aflecks Palace, On the 6th day, On the sixth day God created Manchester, mosiac. A more expansive reading adds shopping habits, and commercial frontage. The wider contemporary story of town-centre commerce now includes changing footfall alongside operating costs, while policy and investment increasingly consider bringing empty units back into use. The combination preserved here provides evidence of regional identity, public-realm details, patterns of everyday use, the condition of buildings, and local business activity as an authentic period reference. That gives this view of Tib St, Manchester, Lancashire, England, UK, M4 1PW continuing value for local history, retrospective reporting and visual comparison.
Tib St, Manchester, Lancashire, England, UK, M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,MES,Mark E Smith,The Fall,mosiac,words,Music,icon,RIP,NQ4,Northern Quarter,Manchester City Centre,City Centre,1957-2018,Lyrics,MarkESmith,TheFall,Mosaic,Tib street,Ten Houses Of Eve,art,Music legend,band member,frontman,Manchester Music Legend,Front Man,star,music,Madchester
Description: Tony Smith image Alamy RPGEJB - The hidden tribute to Mark E Smith of The Fall worth seeking out on a Manchester back street
A mosaic tribute to The Fall's Mark E. Smith has been unveiled - and purposefully hidden away on a back street for fans to discover in the Northern Quarter
There is a new tribute to The Fall frontman Mark E Smith in Manchester city centre - but you'll have to head off the beaten track to find it.
The maverick mastermind of the Manc band died in January, aged 60, after battling cancer, with tributes paid from rock and cultural icons from across the globe.
Now there's a permanent tribute, hidden in the Northern Quarter, to his lyrical genius.
Venture to the far (and dead) end of Short Street and you will find two striking mosaics - one in Mark's image and the other featuring lyrics from The Fall song Ten Houses of Eve, framed by the brickwork of the far wall of the Affleck's building.
The artworks have been commissioned by renowned mosaic artist Mark Kennedy, and were created by artist Mary Goodwin.
Kennedy had been friends with Smith for 15 years, and hopes to add to artworks in the secluded end of Short Street as an ongoing tribute to Smith and The Fall.
He says: I want to call this Fall corner, and over the years I'd like to add little bits every time there's a celebratory element to the group.
I like the corner because it's hidden and to an extent The Fall were quite a hidden band and Mark's lyrics have many hidden meanings too.
It's hard to find, and like The Fall in many respects, you have to look for it and that works for me.
The lyrics on the artwork read: Identity art.. if only the shards you'd relocate back in place , ending with the dates of Smith's life - 1957-2018.
Kennedy was keen for a female artist to create the works, as a testament to the female musicians in The Fall, and commissioned Leeds-based Mary Goodwin
52 Church St, Manchester M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,NQ4,Northern Quarter,City Centre,opening hours,52 Church St,Afflecks Palace,entrance,opening,hours,52,M4,Afflecks,Madchester,door,outside,exterior,ornate,sign,signs,vintage,stall,stalls,indoor,market,independent,small,shops,boutiques,boutique
Description: Tony Smith image Alamy RPGEJY - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once home to Affleck & Brown, one of the city's principal department stores. A bar on the original site opened in 2015, under the Affleck & Brown name.
Affleck & Brown was started in the 1860s as a drapery business in Oldham Street. The store grew to occupy a whole block between Oldham Street, Church Street and Tib Street and become a full flung department store. The business had a good reputation as a credit draper and was known for a good range of cloth for home dressmaking as well as a furrier.
Affleck's Palace first opened in 1982 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long-term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period, when local bands such as the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity, Affleck's Palace was a fashionable place to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes.
52 Church St, Manchester, England, UK, M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,brick,Withy Grove,Withey Grove Stores,building,red brick,office equipment,historic,history,Madchester,M4 2BJ,M4,WithyGrove,commercial,safes,supplies,city,centre,warehouse,cotton,Ltd,Withy,industrial,precinct,classic,1970s,Shudehill,Grove,withy,office,offices,buildings
Description: Tony Smith image Alamy RPGEMY - . A detailed visual record documents the character of 35-39 Withy Grove, Manchester, NW England, United Kingdom ,M4 2BJ, in a photograph originating in 2019. The source caption identifies Withy Grove Stores, Office Equipment,Shude Hill, Manchester City Centre, Lancashire, North West England, UK, M4 2BJ. The wider setting includes independent retail, local trading, retail decline and renewal, consumer retail, heritage asset, chain-store economy, architectural heritage, period property, architectural detail, shopfront economy, adaptive reuse, and bricks-and-mortar retail. For present-day editorial use, physical shops can also illustrate debates about brand consolidation and shifts in leisure spending, particularly where these affect mixed-use town centres. Modern coverage of period streetscapes frequently reaches beyond the immediate scene to questions of redevelopment pressure, planning control and heritage-led regeneration. Documentary value is strengthened by the precise setting at 35-39 Withy Grove, Manchester, NW England, United Kingdom ,M4 2BJ, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The surrounding context also touches on architectural character, historic townscape, historic fabric, shopping district, heritage streetscape, urban conservation. Associated details include shop, red, Victorian, Shudehill. The scene also carries the language of traditional building, conservation architecture, commercial streetscape, historic environment, built heritage, town-centre trading, retail property, townscape identity, period architecture, and city-centre economy. In the mid-2020s, high-street retail is increasingly discussed through shifts in leisure spending and online shopping, with attention turning to heritage-led regeneration. The view of 35-39 Withy Grove, Manchester, NW England, United Kingdom ,M4 2BJ also preserves another layer of local identity and period change.
35-39 Withy Grove, Manchester, NW England, United Kingdom ,M4 2BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,Etihad,campus,Football Club,clubs,blue,stadia,Premier League,supporters,Pride of Manchester,The Blue Moon Cafe,Bluemoon cafe,Madchester,Manchester City Etihad Stadium Etihad Campus Manchester M11 3FF United,United Kingdom,M11 3FF,Manchester City Etihad Stadium,Etihad Stadium,Campus,the,M11,winners,champions,community,issue,outside,exterior,beer,bar,pub,sign
Description: Tony Smith image Alamy RPGER5 - The City of Manchester Stadium (currently known as the Etihad Stadium for sponsorship reasons) is the home of Premier League club Manchester City, with a domestic football capacity of 55,000, making it the 6th-largest football stadium in England and ninth-largest in the United Kingdom.
Built to host the 2002 Commonwealth Games, the stadium has since staged the 2008 UEFA Cup final, England football internationals, rugby league matches, a boxing world title fight, the England rugby union team's final group match of the 2015 Rugby World Cup and summer music concerts during the football off-season.
The stadium, originally proposed as an athletics arena in Manchester's bid for the 2000 Summer Olympics, was converted after the 2002 Commonwealth Games from a 38,000 capacity arena to a 48,000 seat football stadium at a cost to the city council of £22 million and to Manchester City of £20 million. Manchester City F.C. agreed to lease the stadium from Manchester City Council and moved there from Maine Road in the summer of 2003.
The stadium was built by Laing Construction at a cost of £112 million and was designed and engineered by Arup, whose design incorporated a cable-stayed roof structure and supported entirely by twelve exterior masts and cables. The stadium design has received much praise and many accolades, including an award from the Royal Institute of British Architects in 2004 for its innovative inclusive building design and a special award in 2003 from the Institution of Structural Engineers for its unique structural design.
In August 2015, a 7,000 seat third tier on the South Stand was completed, in time for the start of the 2015“16 football season. The expansion was designed to be in keeping with the existing roof design
Manchester City Etihad Stadium Etihad Campus Manchester M11 3FF United Kingdom, Manchester, United K
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,Etihad,campus,Football Club,clubs,blue,stadia,Premier League,Cityzens membership programme,supporters,Pride of Manchester,City,store,shop,Madchester,Manchester City Etihad Stadium Etihad Campus Manchester M11 3FF United,United Kingdom,M11 3FF,Manchester City Etihad Stadium,Etihad Stadium,Campus,the,M11,winners,champions,community,issue,outside,exterior,sign
Description: Tony Smith image Alamy RPGERT - The City of Manchester Stadium (currently known as the Etihad Stadium for sponsorship reasons) is the home of Premier League club Manchester City, with a domestic football capacity of 55,000, making it the 6th-largest football stadium in England and ninth-largest in the United Kingdom.
Built to host the 2002 Commonwealth Games, the stadium has since staged the 2008 UEFA Cup final, England football internationals, rugby league matches, a boxing world title fight, the England rugby union team's final group match of the 2015 Rugby World Cup and summer music concerts during the football off-season.
The stadium, originally proposed as an athletics arena in Manchester's bid for the 2000 Summer Olympics, was converted after the 2002 Commonwealth Games from a 38,000 capacity arena to a 48,000 seat football stadium at a cost to the city council of £22 million and to Manchester City of £20 million. Manchester City F.C. agreed to lease the stadium from Manchester City Council and moved there from Maine Road in the summer of 2003.
The stadium was built by Laing Construction at a cost of £112 million and was designed and engineered by Arup, whose design incorporated a cable-stayed roof structure and supported entirely by twelve exterior masts and cables. The stadium design has received much praise and many accolades, including an award from the Royal Institute of British Architects in 2004 for its innovative inclusive building design and a special award in 2003 from the Institution of Structural Engineers for its unique structural design.
In August 2015, a 7,000 seat third tier on the South Stand was completed, in time for the start of the 2015“16 football season. The expansion was designed to be in keeping with the existing roof design
Manchester City Etihad Stadium Etihad Campus Manchester M11 3FF United Kingdom, Manchester, United K
Description
Keywords: Manchester City Centre,Manchester,City Centre,city,NQ,NQ4,Northern Quarter,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,buildings,streets,Station,Railway Station,Rail,Terminal,Manchester Piccadilly Station,Network Rail,NetworkRail,Tram station,yellow,Entrance,door,doorway,gate,network,M1 2QF,trams,Tram Network,Light Rail,Light Rail Station,logo,Piccadilly Metrolink Stop,Piccadilly Metrolink,stop,Madchester,Andy Burnham
Description: Tony Smith image Alamy RF7KXB - . This descriptive scene sets out the visible identity of the recorded location, in a photograph originating in 2019. The image record centres upon Metrolink Piccadilly Manchester Tram interchange, Fairfield street, Manchester, UK, M1 2QF. Other closely connected aspects of the subject are commuter transport, rail mobility, transport interchange, rail corridor, rail infrastructure, intercity travel, public transport network, trackside infrastructure, regional rail, mass transit, rail transport, and sustainable mobility. For present-day editorial use, passenger rail can also illustrate debates about accessible travel and reliability, particularly where these affect lower-carbon mobility. Over time, this view of the recorded location can support local-history and planning research by preserving details of appearance, occupation, signage, public access and everyday use that written records may omit, specifically in relation to Metrolink Piccadilly Manchester Tram interchange. The broader context includes integrated transport, rail heritage, railway operations, passenger connectivity, train travel, station environment. Other local associations include Manchester Piccadilly Station, Network Rail, NetworkRail, Entrance, Manchester Metrolink, Manchester Piccadilly. In the mid-2020s, passenger rail is increasingly discussed through public ownership and town-centre connectivity, with attention turning to more dependable regional connections. For future comparison, the scene preserves community life, physical infrastructure, local continuity, commercial identity, and signage and branding in a form that can be compared with later photographs. Viewed retrospectively, the photograph can reveal planning and redevelopment, social change, movement through the area, everyday services, and historic fabric as an authentic period reference. The photograph also fixes period appearance in the recorded location as a historical reference.
Description
Keywords: Manchester City Centre,Manchester,City Centre,city,NQ,NQ4,Northern Quarter,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,streets,Piccadilly,Station,Rail,Terminal,Manchester Piccadilly,Manchester Piccadilly Station,Network Rail,NetworkRail,Entrance,doorway,gate,M1 2QF,M1,rail station,centre,travel,gates,entrance,interchange,refurbished,Manchester Piccadilly and Manchester Oxford Road Capacity Scheme,London road,workers,strike,RMT union,Madchester
Description: Tony Smith image Alamy RF7M0T - Manchester Piccadilly is the principal railway station in Manchester, England. Opened as Store Street in 1842, it was renamed Manchester London Road in 1847 and Manchester Piccadilly in 1960. Located to the south-east of Manchester city centre, it hosts long-distance intercity and cross-country services to national destinations including London, Birmingham, Glasgow, Edinburgh, Cardiff, Bristol and Southampton
regional services to destinations in Northern England including Liverpool, Leeds, Sheffield, Newcastle and York
and local commuter services around Greater Manchester. It is one of 19 major stations managed by Network Rail. The station has 14 platforms, twelve terminal and two through platforms. Piccadilly is also a major interchange with the Metrolink light rail system with two tram platforms in its undercroft.
Piccadilly is the busiest station in the Manchester station group with nearly 28 million passenger entries and exits between April 2017 and March 2018, (the other major stations in Manchester are Oxford Road and Victoria). It is the fourth busiest station in the United Kingdom outside London. The station hosts services from six train operating companies. It is the second busiest interchange station outside London, with almost 3.8 million passengers changing trains annually.
Between the late 1990s and early 2000s, Piccadilly Station was refurbished, taking five years and costing £100 million (in 2002), it was the most expensive improvement on the UK rail network at the time. Further improvements and expansion plans have been mooted. In October 2016, a Transport and Works Act application was submitted for the construction of two platforms as part of the Manchester Piccadilly and Manchester Oxford Road Capacity Scheme. As of 2018, this application has not been approved by the government. To allow the station to accommodate high speed services under High Speed 2 proposals, five platforms would be required and the Metrolink station would be reconfigured.
Piccadilly, Manchester, UK, M1 2QF
Description
Keywords: City Centre,city,NQ,NQ4,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,buildings,streets,front,shop,retail,music,art,Paton Street,shutter,shutters,painting,artist,grafitti artist,Clamp down,Clamp,down,North West England,LPs,45s,frontage,shops,independent,stores,retailer,Madchester,store,Mancunian,scene
Description: Tony Smith image Alamy RF7M2E - . A contemporary documentary view places on record the setting around Paton Street, Northern Quarter, Piccadilly Manchester,UK, M1 2BA, in a time-specific record from 2019. The principal point of reference is Old Records & Vinyl shop, Clampdown Records, Paton Street, Piccadilly, Northern Quarter, Manchester City Centre, North West England, UK. The location also connects commercial frontage, creative regeneration, public interest, city-centre economy, political controversy, shopfront economy, national policy, visual placemaking, high-street commerce, retail decline and renewal, retail property, and policy change. Current debate around commercial property often combines hybrid working, operating costs and the practical challenge of heritage-led regeneration. In the mid-2020s, community artwork is increasingly discussed through community participation and youth culture, with attention turning to art integrated with regeneration. For present-day editorial use, political decision-making can also illustrate debates about infrastructure and local authority finance, particularly where these affect community responses to government decisions. Documentary value is strengthened by the precise setting at Paton Street, Northern Quarter, Piccadilly Manchester,UK, M1 2BA, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The resulting scene connects with street creativity, social policy, urban visual culture, commercial streetscape, mural culture, creative streetscape. Other local associations include Record Shop, Clampdown Record Shop, Graffiti, LPs 45s. Other relevant facets include contemporary mural, local trading, bricks-and-mortar retail, chain-store economy, public services, independent retail, political discourse, street-level design, shopping habits, and government policy. The record also holds a stage in local change as evidence of its time.
Paton Street, Northern Quarter, Piccadilly Manchester,UK, M1 2BA
Description
Keywords: City Centre,city,NQ,NQ4,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,buildings,streets,front,shop,retail,music,art,Paton Street,shutter,shutters,painting,artist,grafitti artist,Clamp down,Clamp,down,North West England,LPs,45s,frontage,Madchester,independent,retailer,store,shops,stores,Mancunian,scene
Description: Tony Smith image Alamy RF7M55 - . A grounded editorial photograph captures the social and built context of Paton Street, Northern Quarter, Piccadilly Manchester,UK, M1 2BA, in documentary coverage dating from 2019. The described feature is Old Records & Vinyl shop, Clampdown Records, Paton Street, Piccadilly, Northern Quarter, Manchester City Centre, North West England, UK. Other closely connected aspects of the subject are consumer retail, civic administration, public administration, public-sector policy, creative streetscape, public art, democratic accountability, shopping district, consumer spending, graphic intervention, street-level design, and public services. Seen from a 2025-onward perspective, commercial property also connects with changing footfall, hybrid working and efforts aimed at bringing empty units back into use. The wider contemporary story of public art now includes local identity alongside community participation, while policy and investment increasingly consider art integrated with regeneration. Current debate around local government often combines housing, local authority finance and the practical challenge of new regulatory requirements. Over time, this view of Paton Street, Northern Quarter, Piccadilly Manchester,UK, M1 2BA can support local-history and planning research by preserving details of appearance, occupation, signage, public access and everyday use that written records may omit. The surrounding context also touches on shopping habits, community debate, town-centre trading, contemporary mural, civic debate, bricks-and-mortar retail. The scene is further associated with Record Shop, Clampdown Record Shop, Graffiti, LPs 45s. Further aspects present in the subject include urban commerce, civic life, urban graphics, retail vacancy, retail property, community expression, government decision-making, public realm art, creative regeneration, and government policy. The location view retains a stage in local change before further change occurs.
Paton Street, Northern Quarter, Piccadilly Manchester,UK, M1 2BA
Description
Keywords: Manchester,City Centre,city,NQ,NQ4,Northern Quarter,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,buildings,streets,fingers,hands,bar,pub,Gore Street,Piccadilly,Piccadilly Manchester,local,CAMRA,real ale,beers,Real Ales,cask ale,gable end,6th day,on the 6th day,God Created Man,Madchester,tasty food,menu,brick wall,sign,poster
Description: Tony Smith image Alamy RF7M58 - . A close documentary record captures the physical context of 12 Gore St, Manchester, UK, M1 3AQ, as photographed in 2019. The image record centres upon On the 6th Day God Created Manchester, Gable end,The Waldorf Pub Bar, Gore St, Piccadilly, Northern Quarter, Manchester, UK, M1 3AQ. The scene also brings together night-time economy, food-and-drink business, public house culture, independent hospitality, destination economy, ale house tradition, catering trade, drinks trade, hospitality premises, food culture, leisure venue, and licensed premises. In the mid-2020s, the licensed trade is increasingly discussed through changing drinking habits and competition for household spending, with attention turning to diversifying food and events. For present-day editorial use, customer-facing businesses can also illustrate debates about delivery-platform competition and changing visitor patterns, particularly where these affect adaptable venues. Because this is a time-specific record of 12 Gore St, Manchester, UK, M1 3AQ, later comparison can reveal changes in signage, ownership, land use, transport, street furniture, building condition and the way the public uses the surrounding space. The scene also relates to leisure hospitality, beer heritage, licensed trade, community venue, hospitality economy, visitor economy. Other local associations include Manchester City Centre, On The Sixth Day, finger, touching. A second layer of description includes beer retail, visitor destination, hospitality employment, leisure economy, town-centre hospitality, British pub trade, traditional hostelry, licensed hospitality, tourism economy, and local dining. Current debate around beer and brewing often combines closures and conversions, business rates and the practical challenge of balancing heritage with commercial survival. It also preserves local character within the wider local story. It also preserves local character within the wider local story.
12 Gore St, Manchester, UK, M1 3AQ
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Canal St,gay,village,Sackville,LGBT,LGBTI,community,Anal Street,anal,Anal treet,treat,sign,anal street,the centre of the Gay Village,LGBT Community,LBGTQ Community,defaced sign,defaced,street sign,famous,gay tourism,gay tourists,tourism,tourists,Rochdale canal,lesbian,gay clubs,Madchester,Queer as folk,Tip Toe,Tiptoe
Description: Tony Smith image Alamy RFF5XP - Canal Street, the centre of the Manchester Gay Village, is a street in Manchester city centre in North West England. The pedestrianised street, which runs along the west side of the Rochdale Canal, is lined with gay bars and restaurants. At night time, and in daytime in the warmer months, the street is filled with visitors, often including gay and lesbian tourists from all over the world. The northern end of the street meets Minshull Street and the southern meets Princess Street
part of the street looks across the Rochdale Canal into Sackville Park.
90's Focus led to several of the pubs on or near Canal Street acquiring a predominantly gay clientele. In 1991, Manto (Manchester Tomorrow) bar opened at no. 46. It was built in 1989 by Benedict Smith Architects. Unlike the other gay bars at that time, Manto had large glass windows, allowing the casual passer-by to view what was going on inside. Previously, many establishments catering for the gay community were often keen to conceal activities from the general public, but the architectural design of Manto was seen as a queer visual statement of we're here, we're queer “ get used to it, and a brick-and-mortar refusal to hide any more, or to remain underground and invisible.
Over the next decade, more numerous and larger bars opened along the canal side, turning Canal Street into the centre of the most successful gay village in Europe. Because of this, the Canal Street street signs are regularly defaced to read Anal Treet or Anal Street. The success was further enhanced by the use of Canal Street and its bars in several television series, including Bob and Rose and Queer as Folk, both written by Russell T Davies.
Canal Street, Manchester, England, UK
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,shop,vinyl,records,music,M1,M1 1DN,Record,Store,nightclub,Afflecks Palace,tourist,destination,Manchester music scene,DJ,EB,E. Bloc,famous,Madchester,record,store,shops,stores,day,centre,Eastern Block,7 inch,12 inch,John Berry,Martin Price,808 State
Description: Tony Smith image Alamy RFF662 - Eastern Bloc was established in 1985 by John Berry & Martin Price (808 State). The shop was originally located in Afflecks Palace and has recently moved to its present location on Stevenson Square (5a Stevenson Sq, Northern Quarter, Manchester, M1 1DN) in 2011. It soon became a cultural icon and integral part within the Manchester music scene. Back in the late 80's E Bloc helped to launch bands such as the Inspiral Carpets, while also hosting in-store signings with The Stone Roses and Happy Mondays. The shop was also responsible for breaking much of the new dance music at the time, being one of the only shops in the UK to import dance music from around the globe. One of the owners went on to become part of 808 State. E Bloc also had heavy involvement in the early career paths of A Guy Called Gerald & K Klass. Many famous faces have worked behind the counter or been regular customers in the shop. Local DJ's and globe trotting club DJ's would use E Bloc as their first port of call to get their hands on the latest vinyl promos. Customers include Laurent Garnier, Jon Da Silva, Mike Pickering, Graeme Park, Sasha, Chemical Brothers, DJ Marky, Anthony Shake Shakir, Pepe Bradock, Eric Morillo, Josh Wink, Ben Sims, James Holroyd, Derrick Carter, Carl Cox, Synkro, Indigo, AnD, XXXY, Jon K, Rich Reason and many more. Previous members of staff include Justin Robertson, Marcus Intalex, Mark XTC, Moonboots, Dean Wilson, Paul Walker, Paul Taylor, Karl Roscoe, Chris Fatboy.
E Bloc has always been at the cutting edge of the music scene as is arguably one of the most respected, renowned, influential and notorious in the world. Today, the store is still shifting vinyl and cd's, specialising mainly in drum & bass, jungle, dubstep, house, techno and electronica
As mentioned before, we relocated in 2011 to Stevenson Square in the Northern Quarter, where we continue to provide the best in electronic music on vinyl.
5a Stevenson Square, Manchester, North West England, UK, M1 1DN
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,art work,Newton St,Northern Quarter,M1,artwork,urban art,NQ4 Manchester,old love,older love,love in old age,cloth cap,northerners,kissing,Coronation Street,Coronation St,spark of love,painting,old age love,cute old people,northern,stereotype,seniors,retired love,memories,of love,love,affection,backstreet,Love Has No Age Limit,Madchester
Description: Tony Smith image Alamy RFF67M - . A contemporary documentary view records the working environment around Newton St, Manchester, England, UK, as it appeared in 2019. The documentary focus is Two old people kissing, art work, Newton St, Northern Quarter, Manchester, M1, England, UK. The photograph carries associations with contemporary social history, place and memory, modern history, local character, visual record, documentary photography, documentary record, everyday infrastructure, public realm, urban and rural change, place-based history, and social landscape. Current debate around social history often combines business turnover, redevelopment and the practical challenge of a clearer record of local change. Small period details preserved at Newton St, Manchester, England, UK may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The view also records themes involving regional identity, community life, community environment, changing Britain, cultural landscape, local identity. Associated details include NQ4, NorthernQuarter, Newton Street, pensioners kissing, elderly couple, Everlasting Love. A second layer of description includes everyday Britain, and social context. The wider contemporary story of community change now includes shifts in local identity alongside new technology, while policy and investment increasingly consider a clearer record of local change. Taken together, these details make the photograph a useful record of physical infrastructure, community life, signage and branding, commercial identity, and local continuity in a form that can be compared with later photographs. The combination preserved here provides evidence of historic fabric, planning and redevelopment, everyday services, movement through the area, and social change as an authentic period reference.
Newton St, Manchester, England, UK
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Bee,Mcr,Bees,Busy Bee,symbol,art,artist,mural,tribute,The Koffee Pot cafe,Tib Street,22 worker bees,representing,22 people killed,Manchester Arena bombing,graffiti artist Russell Meeham,Qubek,Tib St,worker bees,bomb,graffiti,tragic,Mancunian,The North Will Rise Again,Oldham St,M4 1LE,M4,Madchester
Description: Tony Smith image Alamy RFF68B - This new mural is our Manc tribute to those killed in the Manchester Arena attack.
The huge image of 22 Manchester worker bees has been emblazoned on a wall on the side of the Koffee Pot building in the heart of the Northern Quarter.
Each bee, pictured swarming around a honey heart, represents one of the innocent people killed in the horrific attack.
It has been completed over last weekend by graffiti artist Russell Meeham , also know as ˜Qubek'. As word spread about the work of art taking shape people came past to see what he was doing. When the last bee was competed it drew a round of applause.
Manchester bees mural: Amazing Mancunian tribute to the 22 victims of the terror attack
MEN Bee mural being painted on the side of the Koffee Pot on Oldham Street, Manchester by artist Qubek
View gallery
Two days after the attack, Russ painted the old toilet block in Stevenson Square with bees and two hands joined together in a heart.
It prompted the M.E.N to commission him to create the mural.
Working from atop a cherry picker armed with dozens of cans of spray paint and some music, Russ spent two days creating his masterpiece.
Cafe bosses have previously turned down all requests for it to be used for a mural but kindly agreed to this one.
Speaking as he worked on his mammoth tribute Russ said: It's simple but effective, without being too morbid. Everyone will know why we've painted it and it's nice to have been involved in the project.
MEN Bee mural being painted on the side of the Koffee Pot on Oldham Street, Machester by artist Quebek
MEN Bee mural being painted on the side of the Koffee Pot on Oldham Street, Machester by artist Quebek (Image: Manchester Evening News)
I did a piece following the bombing to put a positive message out there to represent the community in Manchester and a tribute to those who lost their lives that wasn't too morbid.
It got people talking and, from what I saw, brightened a lot of people's days.
84-86 Oldham St, Manchester, North West England, UK, M4 1LE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,City Centre,UK,England,English,Christmas markets,pork,Merry Christmas,Lancashire,North West England,crowd,crowds,people,celebration,celebrating,dusk,town hall,Christmas,in Manchester,Santa,Merry Xmas,in the evening,bar,food,serving food,EU,European Market,curry wurst,German Sausage,fun,tradition,illuminated,Madchester,December,Xmas,stalls,Xmas Market,Santa Claus
Description: Tony Smith image Alamy R9GTC2 - . An on-location image sets out the working environment around the recorded location, as photographed in 2018. The frame is associated with German Food, Christmas markets, Albert Square, Manchester, Lancashire, north West England, UK, at dusk. Further features of the subject include customer service, visitor economy, hospitality trade, consumer leisure, destination economy, service economy, local tourism, food service, catering trade, local dining, hospitality premises, and restaurant sector. In the mid-2020s, visitor-economy venues is increasingly discussed through consumer spending and staffing, with attention turning to sustainable tourism. Small period details preserved at the recorded location may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage, specifically in relation to German Food. The surrounding context also touches on leisure venue, food culture, leisure hospitality, tourism economy, food-and-drink business, hospitality employment. The scene is further associated with Manchester Christmas Market, Wurst, Xmas, Manchester Town Hall, festivals, Father Christmas. Other relevant facets include visitor destination, and tourist accommodation. Current debate around hospitality businesses often combines changing visitor patterns, staffing and the practical challenge of adaptable venues. Taken together, these details make the photograph a useful record of community life, commercial identity, local continuity, physical infrastructure, and signage and branding in a form that can be compared with later photographs. The combination preserved here provides evidence of planning and redevelopment, movement through the area, social change, historic fabric, and everyday services as an authentic period reference. It remains a grounded period reference to the recorded location, its use, appearance and changing local context.
Description
Keywords: HotpixUK,GoTonySmith,North West England,UK,M3 4LZ,M3,City centre,heritage,history,canals,canal basin,Inner city,conservation area,Mancunian,Bridgewater Canal,Urban Heritage Park,canal,Coal Wharf,wharf,water,barge,barge sold and new,Castlefield Manchester,Bridge,bridges,arch,arches,Skyline,Manchester Skyline,Dukes92,Dukes 92,rail bridge,bridge,Cast iron,Victorian,Cornbrook,Manchester South Junction & Altrincham Railway,MSJAR,Madchester
Description: Tony Smith image Alamy PEHFMR - Castlefield is an inner city conservation area of Manchester in North West England. The conservation area which bears its name is bounded by the River Irwell, Quay Street, Deansgate and the Chester Road. It was the site of the Roman era fort of Mamucium or Mancunium which gave its name to Manchester. It was the terminus of the Bridgewater Canal, the world's first industrial canal, built in 1764
the oldest canal warehouse opened in 1779. The world's first passenger railway terminated here in 1830, at Liverpool Road railway station[1] and the first railway warehouse opened here in 1831.
Castlefield
Uk manchester castlefield.jpg
Castlefield, Central Manchester
Castlefield is located in Greater ManchesterCastlefieldCastlefield
Castlefield shown within Greater Manchester
OS grid reference
SJ830976
Metropolitan borough
Manchester
Metropolitan county
Greater Manchester
Region
North West
Country
England
Sovereign state
United Kingdom
Post town
MANCHESTER
Postcode district
M3
Dialling code
0161
Police
Greater Manchester
Fire
Greater Manchester
Ambulance
North West
EU Parliament
North West England
List of places UK England Greater Manchester
53.475°N 2.255°W
The Rochdale Canal met the Bridgewater Canal at Castlefield in 1805 and in the 1830s they were linked with the Mersey and Irwell Navigation by two short cuts. In 1848 the two viaducts of the Manchester, South Junction and Altrincham Railway crossed the area and joined each other, two further viaducts and one mainline station Manchester Central railway station followed. It has a tram station, Deansgate-Castlefield tram stop (formerly G-Mex) providing frequent Manchester Metrolink services to Eccles, Bury, Altrincham, Manchester Piccadilly, East Didsbury and Rochdale.
Castlefield was designated a conservation area in 1980 and the United Kingdom's first designated Urban Heritage Park in 1982
Castlefield, Manchester, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Manchester,Afflecks,Palace,market,shop,store,NQ4,entrance,door,outside,external,sign,established,1982,mosiac,art,Tib Street,Dale Street,Oldham Street,Victorian,trendy,on-trend,Madchester,small shops,boutiques,fashion,James Walsh,Elaine Walsh,icon,retro,clothing,Bruntwood,cafes,vintage,clothes
Description: Tony Smith image Alamy RM252F - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1982 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period, when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
On 31 March 2008, Affleck's Palace ceased trading. It re-opened on 1 April 2008 as Afflecks under new management. Afflecks is now managed by Mancunian property developer Bruntwood after the expiry of a 25-year lease in 2007. It had been previously suggested that Bruntwood would redevelop the building, possibly leading to its closure as a market, with many traders having feared that closure would be likely and that notice could have been given as soon as the end of January
52 Church St, Manchester, North West England, UK, M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Manchester,Afflecks,Palace,market,shop,store,NQ4,entrance,door,outside,external,sign,established,1982,mosiac,art,Tib Street,Dale Street,Oldham Street,Victorian,trendy,on-trend,Madchester,small shops,boutiques,fashion,James Walsh,Elaine Walsh,icon,retro,clothing,Bruntwood,cafes,vintage,clothes
Description: Tony Smith image Alamy RM252T - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1982 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period, when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
On 31 March 2008, Affleck's Palace ceased trading. It re-opened on 1 April 2008 as Afflecks under new management. Afflecks is now managed by Mancunian property developer Bruntwood after the expiry of a 25-year lease in 2007. It had been previously suggested that Bruntwood would redevelop the building, possibly leading to its closure as a market, with many traders having feared that closure would be likely and that notice could have been given as soon as the end of January
52 Church St, Manchester, North West England, UK, M4 1PW
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,M1,M4,art work,North West England,M1 1JR,painted,murals,stencil,Clampdown records,Clampdown,vinyl,record shop,record store,Madchester
Description: Tony Smith image Alamy GJ7911 - . This scene at 9-11 Paton St, Manchester M1 2BA in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The image documents Clampdown Records, Northern Quarter Artwork, NQ, Manchester, North West England, UK, M1 1JR. Further facets of the scene include community identity, visual archive, period detail, archival record, local character, visual street culture, changing land use, urban artwork, changing streetscape, public art, street-level design, creative district, creative placemaking, and contemporary mural. Viewed from the mid-2020s, the subject also connects with gentrification, local identity and the blurred line between commissioned public art and unsanctioned graffiti. The archival value lies partly in recording local activity and public use around 9-11 Paton St, Manchester M1 2BA before new construction alters the character of the place. The photograph additionally reflects documentary photography, graffiti heritage, mural culture, public-realm art, local history, urban graphics, public realm, and historical comparison. Details involving Records, Artwork, Northern, Quarter, and Manchester make the image more specific than a generic view and strengthen its local or historical value. For 9-11 Paton St, Manchester M1 2BA, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes gentrification and the blurred line between commissioned public art and unsanctioned graffiti in a form that can be compared with future views of 9-11 Paton St, Manchester M1 2BA. Another strand within the photograph is gentrification and how temporary street art becomes an important visual archive within the real-world context of 9-11 Paton St, Manchester M1 2BA. It also preserves a local visual benchmark as a date-specific reference.
9-11 Paton St, Manchester M1 2BA
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,English,British,problem,with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,M1,M4,art work,North West England,M1 1JR,painted,murals,stencil,Koffee Pot,Stevenson Square,Orange buses,Orange bus,portrait,portraits,cityscape,wide,shopfront,Manchester History,Madchester,Andy Burnham
Description: Tony Smith image Alamy GJ791P - . This authentic period view of the recorded location in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The main point of reference is Kelzo Manchester mural in shutter, Koffee Pot, Northern Quarter Artwork, NQ, Manchester, North West England, UK, M1 1JR. A broader reading of the photograph includes documentary photography, urban artwork, period detail, visual street culture, mural culture, everyday life, street creativity, public art, place identity, public realm, temporary artwork, creative placemaking, before-and-after reference, and urban graphics. In present-day coverage, the subject reaches into graffiti policy and local identity, not least because of the role of murals in defining creative neighbourhoods. The archival value lies partly in recording commercial use and occupation around the recorded location before refurbishment alters the character of the place. Other useful contextual ideas include street-level design, contemporary social history, archival record, public-realm art, visual archive, local history, changing streetscape, and graffiti heritage. Elements such as Northern, shutter, Manchester, Quarter, and Artwork add documentary specificity and may become increasingly useful when compared with later records. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate graffiti policy and the blurred line between commissioned public art and unsanctioned graffiti within the real-world context of the recorded location. The image also provides a reference for graffiti policy and the blurred line between commissioned public art and unsanctioned graffiti within the specific setting of the recorded location. The scene captures evidence of earlier appearance as part of the recorded location's history.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,English,British,problem,with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,M1,M4,art work,North West England,M1 1JR,painted,murals,stencil,Koffee Pot,Stevenson Square,Orange buses,Orange bus,portrait,portraits,cityscape,wide,shopfront,Manchester History,Madchester
Description: Tony Smith image Alamy GJ791Y - . An on-location photograph from the recorded location in 2016, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows Kelzo Manchester mural in shutter, Koffee Pot, Northern Quarter Artwork, NQ, Manchester, North West England, UK, M1 1JR. Further facets of the scene include graffiti heritage, street-level design, social history, urban artwork, public-realm art, local history, everyday life, regional identity, historical comparison, street creativity, creative district, archival record, contemporary mural, and changing streetscape. In present-day coverage, the subject reaches into public art and creative industries, not least because of the role of murals in defining creative neighbourhoods. Small period details of signage and branding at the recorded location may become more significant with time, particularly following later reinterpretation. The surrounding story also includes local character, contemporary social history, public realm, mural culture, temporary artwork, documentary photography, creative placemaking, and place identity. References to Manchester, Koffee, Quarter, shutter, and Northern give the picture a strong period identity and tie it closely to its named subject. The particular scene at the recorded location gives that point a stronger documentary anchor. Its period value extends to public art and the role of murals in defining creative neighbourhoods as part of the longer story of the recorded location. The location additionally provides evidence of local identity and how regeneration can support and displace informal culture at the same time when considered against later change at the recorded location. The scene captures a point of historical comparison within the wider story of the recorded location. Image GJ791Y also preserves another period-specific detail for later comparison.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,M1,M4,art work,North West England,M1 1JR,painted,murals,stencil,Frank Sidebottom,Please Leave Quietly,Oldham St,Oldham street,Chris Sievey,madchester
Description: Tony Smith image Alamy GJ792K - Christopher Mark Sievey (25 August 1955 “ 21 June 2010) was an English musician and comedian known for fronting the band The Freshies in the late 1970s and early 1980s and for his comic persona Frank Sidebottom from 1984 onwards.
Sievey, under the guise of Sidebottom, made regular appearances on North West television throughout the late 1980s and early 1990s, even becoming a reporter for Granada Reports. Later, he presented Frank Sidebottom's Proper Telly Show in B/W for the Manchester-based television station Channel M. Throughout his career, Sidebottom made appearances on radio stations such as Manchester's Piccadilly Radio and on BBC Radio 1 and BBC Radio 5, alongside Mark and Lard.
54 Oldham St, Manchester, UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,pub,bar,HotpixUk,NQ4,M4,brown tiles,Frederic Robinson,historical pub,history,pub sign,sign,Madchester,brown,window,1776,Northern Quarter,tiles
Description: Tony Smith image Alamy GJ794H - Located on Oldham Street in Manchester's Northern Quarter, The Castle Hotel is a prestigious, lively and popular bar with a long history dating all the way back to 1776.
Over the course of a century the pub changed name several times, trading first as The Crown and Sceptre, then The Crown and Anchor and later The Clock Face. In the late nineteenth century, the pub was acquired by Kay's Atlas Brewery and started a new chapter as The Castle Hotel and then, in the early 1930s, Frederic Robinson took over Kay's Atlas Brewery and, consequently, The Castle Hotel.
But there's much more to The Castle than just a lively city centre pub
in 2010 the music hall was unveiled “ an 80 capacity live music venue and performance space which has since firmly cemented The Castle Hotel as one of the cornerstones of Manchester's live music scene.
As well as working with established and longstanding promoters from Manchester and beyond, The Castle prides itself on being a welcoming, supportive space and a creative hub for the city's grassroots artistic communities
with many now successful bands, artists, performers and promoters cutting their teeth within its walls.
This rare combination of heritage, location and ethos sees The Castle boast a packed calendar of live music, spoken word, comedy, theatre, film screenings, exhibitions and much more on almost every night of the week.
66 Oldham St, Manchester, England, UK, M4 1LE
Description
Keywords: St,blue,England,UK,river,River Tib,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Northern Quarter Manchester,Madchester,trendy,street,NQ4,cool,tile,tiles,street name,named
Description: Tony Smith image Alamy GJ798E - The River Tib is a minor tributary of the River Medlock in Manchester, England. It has been culverted along its entire length since probably about 1820 and now runs beneath Manchester city centre. Tib Street (53°29²01³N 2°14²05³WCoordinates: 53°29²01³N 2°14²05³W) and Tib Lane are named after the watercourse.
During the Roman period, the Tib marked the boundary of the vicus or settlement of Mamucium
the river continued to mark Manchester's boundary until medieval times, as well as providing drinking water. A notion concerning The Tib's name, coined by Geoffrey Ashworth in his book The Lost Rivers of Manchester, is that the river was given its name by homesick Roman soldiers after the River Tiber, but with the word shortened to reflect the size difference between the two rivers. Alternatively, the name may derive from the Celtic word for watercourse.
The river's source is a spring in Miles Platting (53°29²36³N 2°13²08³W), from where it flows underneath Oldham Road and the eponymous Tib Street to reach the city centre. After flowing underneath West Mosley Street, the Tib crosses Princess Street to flow underneath the Manchester Town Hall extension, the Central Library and the Midland Hotel's dining room, before joining the Medlock at Gaythorn (now First Street, 53°28²23³N 2°14²52³W), close to Deansgate railway station.
Tib St, Manchester, Lancs, England, UK M4 1SH
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,lancs,Lancashire,Afflecks Palace Manchester,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ798T - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,emporium,side,of,building,Northern Quarter,Manchester Hero,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ798W - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,mosaic,history,historic,Afflecks Palace Manchester,Northern Quarter,Manchester Hero,Alan Turing,Rolls Royce,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,Danger,Mouse,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops,Danger Mouse,Historic Manchester
Description: Tony Smith image Alamy GJ7998 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,Unknown Pleasures,Joy Division,cover,Mark Kennedy,Manchester Hero,Manchester Heroes,Mosaic,album,JD,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Palace,store,on,Oldham,Street,market,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ799A - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,Abert,Tatlock,Hilda,Ogden,Ken,Barlow,Mosaic,Afflecks Palace Manchester,Northern Quarter,Mark Kennedy,Manchester Hero,Manchester Heroes,Coronation St,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,Mosaics,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ799C - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,music,Smiths,Oasis,Noel,Take,That,heroes,Mosaic,Northern Quarter,Mark Kennedy,Manchester Heroes,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,Mosaic,Mosaics,art,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ79A2 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Palace,Manchester,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,Bob,Dylan,Granada,Music,MIF,Mosaic,Mosaics,art,Afflecks Palace Manchester,Northern Quarter,Manchester Hero,Manchester Heroes,Bob Dylan,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,media,top,of,the,pops,Mancunian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops,Manchester International Festival
Description: Tony Smith image Alamy GJ79A3 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,jokes,Mosaic,Mosaics,art,Afflecks Palace Manchester,Manchester Hero,Manchester Heroes,Joke Shop,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ79A4 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,door,entrance,disablism,Altergphobia,love,peace,red,black,respect,LGTB,village,gay,canal,street,famous,Afflecks Palace Manchester,Northern Quarter,Canal St,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ79A5 - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1981 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period “ when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Street,Market,Dept,racism,homophobia,sexism,transphobia,disablism,Altergphobia,violence,love,peace,red,black,LGTB,village,gay,canal,street,famous,shopper,shopping,Afflecks Palace Manchester,Northern Quarter,Canal St,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ79A6 - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1981 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period “ when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Haçienda Apartments,The,night club,West,flats,Greater Manchester,England,UK,city,centre,Deansgate,Castlefield,red brick,apartment,building,residential,development,urban,regeneration,construction,cranes,tower,new,skyline,property,former nightclub site,music heritage,Factory Records,Madchester,acid house,rave culture,dance music history,rave scene,post-industrial,1980s,1990s,clubbing
Description: Tony Smith image Alamy DN6N4T - Exterior view of The Haçienda Apartments on Whitworth Street West in Manchester, showing the distinctive red brick residential development built on the site of the legendary FAC51 Haçienda nightclub, with construction cranes and new tower building work rising behind it. The image connects two major Manchester themes in one frame: the city's internationally known music and club culture heritage, and the continuing wave of high-rise residential development reshaping the Deansgate, Castlefield and Oxford Road edges of the city centre. The Haçienda name is inseparable from Factory Records, Tony Wilson, New Order, acid house, rave culture, Madchester, dance music and late twentieth-century Manchester nightlife. The original club opened in 1982, closed in 1997 and was later demolished, with apartments replacing the famous venue while retaining the Haçienda name. The visible cranes add strong editorial value for stories about regeneration, urban densification, housing, property investment, city living, gentrification and the transformation of former cultural and industrial sites into apartments. The photograph is especially useful for features about Manchester's changing skyline, music tourism, cultural memory, heritage loss, apartment-led redevelopment, city centre living, post-industrial regeneration and the commercial afterlife of iconic places. The scene appears to be taken in daylight with clear visibility, allowing the modern apartment façade, street frontage and construction machinery to read clearly. It has broad stock relevance for Manchester property, northern regeneration, crane skylines, the Southern Gateway, Whitworth Street West, former nightclub sites, Factory Records legacy, urban renewal, student and professional accommodation markets, and debates over how much of a city's cultural history survives when landmark venues are replaced by residential blocks.
Haçienda Apartments, 11-15 Whitworth Street West, Manchester, Greater Manchester, M1 5DB.
Description
Keywords: Manc,Mancunian,tramway,tramlines,tram,lines,GB,Great,Britain,high,up,viewpoint,south,NW,England,UK North west Northwest cities Cottonopolis Greater Lancashire,council independent independence red colourful interesting tourist destination,Greater Manchester,Buy Pictures of,Buy Images Of,gotonysmith,Mancunians,City,centre,levelling up,Mayor,Andy Burnham,Madchester,M4 3AQ,M4,skyline,city,dusk,evening,mayor,Shudehill,tourist,tourism,attraction,cityscape
Description: Tony Smith image Alamy DE9ATG - . Dusk view over Manchester city centre / Arndale looking south, NW stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England, UK, M4 3AQ. Photographed at Manchester, Lancashire, England, UK, M4 3AQ. The photograph was taken on 25 June 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with View, over, Manchester, Arndale, looking, cottonopolis, Northern powerhouse, Manc, Mancunian and tramway, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene has strong relevance to railway travel, public transport, passenger infrastructure and the everyday operation of Britain's rail network. It can illustrate editorial stories about stations, train journeys, commuting, regional connectivity, rail investment, rolling stock, freight, signals, platforms, accessibility and the relationship between railways and the places they serve. Visible railway furniture, signs, tracks, platforms, trains, signals or station buildings help place the photograph firmly in the practical environment experienced by passengers and railway staff. As a dated documentary image it also offers a useful record of transport infrastructure, branding and passenger facilities at the time the photograph was made. Search themes include British rail travel, railway stations, passenger journeys, tracks, platforms, signals, rolling stock, freight, regional connectivity and transport infrastructure. The scene is particularly useful for illustrating how railway facilities, signs and operational surroundings looked at a known point in time. The view is firmly rooted in a real location rather than a constructed studio setting.
Manchester, Lancashire, England, UK, M4 3AQ
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Oldham St,CAMRA,beer,pub,bar,Oldham street,M4,M4 1LE,Robinsons Brewery,ales,beers,tiles,tiled,exterior,outside,historic,Northern Quarter,1776,Frederic Robinson,Kays Atlas Brewery,brown,brown tiles,window,Madchester,history,historical pub,pub sign,English
Description: Tony Smith image Alamy RFF69H - Located on Oldham Street in Manchester's Northern Quarter, The Castle Hotel is a prestigious, lively and popular bar with a long history dating all the way back to 1776.
Over the course of a century the pub changed name several times, trading first as The Crown and Sceptre, then The Crown and Anchor and later The Clock Face. In the late nineteenth century, the pub was acquired by Kay's Atlas Brewery and started a new chapter as The Castle Hotel and then, in the early 1930s, Frederic Robinson took over Kay's Atlas Brewery and, consequently, The Castle Hotel.
But there's much more to The Castle than just a lively city centre pub
in 2010 the music hall was unveiled “ an 80 capacity live music venue and performance space which has since firmly cemented The Castle Hotel as one of the cornerstones of Manchester's live music scene.
As well as working with established and longstanding promoters from Manchester and beyond, The Castle prides itself on being a welcoming, supportive space and a creative hub for the city's grassroots artistic communities
with many now successful bands, artists, performers and promoters cutting their teeth within its walls.
This rare combination of heritage, location and ethos sees The Castle boast a packed calendar of live music, spoken word, comedy, theatre, film screenings, exhibitions and much more on almost every night of the week.
66 Oldham St, Manchester, England, UK, M4 1LE
Description
Keywords: Afflecks,Palace,Manchester,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,Mosaic,Mosaics,art,Cantona,city,soccer,Manc,Afflecks Palace Manchester,Northern Quarter,Mark Kennedy,Manchester Hero,Manchester City,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,no,loading,sign,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ799J - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
-mural---artwork--Factory-Records-owner-and-Granada-broadcaster--Tib-St-Manchester--UK-RPGEK5.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,North West England,city centre,NQ4,yellow,black,Factory,art,icon,television presenter,Salford,Mancunian,hero,24 Hour Party People,Granada,broadcaster,broadcasting,reporter,reporting,Lindsay Reade,Yvette Livesey,Manchester music,scene,music industry,socialist,In the City festival,Joy Division,Factory Label,Haçienda nightclub,face,spectacles,ian Curtis,Control,Madchester,Ian Curtis
Description: Tony Smith image Alamy RPGEK5 - Anthony Howard Wilson (20 February 1950 “ 10 August 2007) was a British record label owner, radio and television presenter, nightclub manager, impresario and journalist for Granada Television and the BBC.
Wilson was the man behind some of Manchester's most successful bands. He was one of the five co-founders of Factory Records and the founder and manager of the Haçienda nightclub. Wilson was known as Mr Manchester, dubbed as such for his work in promoting the culture of Manchester throughout his career.
He was portrayed by Steve Coogan in Michael Winterbottom's 2002 film 24 Hour Party People, and by Craig Parkinson in Anton Corbijn's 2007 film Control.
Depending in what he was working on, he would switch between alternate versions of his name. For example, when he was being a serious formal and respectable persona, such as certain tv presenting appearances, he would use Anthony H Wilson, or for example when reporting for Granada Reports he was referred to as Anthony Wilson, otherwise he would go by Tony Wilson most commonly while on Factory Records business, all alternate versions being legitimate variants of his full name.
In early 2007 emergency surgery was performed to remove one of his kidneys. This forced the postponement of plans to create a Southern Hemisphere version of the In the City festival. Despite the surgery, cancer progressed and a course of chemotherapy was not effective. Wilson died of a heart attack in Manchester's Christie Hospital on 10 August 2007 aged 57. Following the news of his death, the Union Flag on Manchester Town Hall was lowered to half mast as a mark of respect.
The main square of the HOME/First Street development in Manchester, which opened in 2015, is named Tony Wilson Place.
74 Tib St, Manchester, UK, M4 1LG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,manchester,city centre,NQ4,Manchester,M4 5JZ,Band,bands,M4,music,Inner City Music Ltd,registered charity,front,frontage,cafe,bar,pub,food,drink,Manchesters,premier,jazz venue,Best Night Spot,Madchester,the,history,historic,event,venue,venues,2019,exterior,outside
Description: Tony Smith image Alamy RG98A8 - Band on the Wall is a live music venue in the Northern Quarter of Manchester, England.
The building dates back to around 1862 when a local brewery, the McKenna Brothers, built it as the flagship pub of their operation. It was called the George and Dragon
the first licence on the site was granted to Elizabeth March in 1803. No-one knows when music started to be played at the venue but market pubs were well known for their musical connections, and the nearby Smithfield Markets and textile factories ensured that this was a bustling area with many musicians and buskers. Manchester was then at its height as the first industrial city at the forefront of the Industrial Revolution.
The 'Band on the Wall' was a nickname from the 1930s when the landlord of the time Ernie Tyson placed a stage high on the far wall of the pub on which the musicians played. A regular band of two accordions, piano, drums, a singer and occasionally a saxophone would play.
In 1975 local jazz musician Steve Morris and his business partner Frank Cusick bought the George & Dragon with the idea of turning it into a jazz club
a conversation with Johnny Roadhouse convinced them to name it the Band on the Wall. Jazz musicians from the local area as well as international artist played at the club. The late 1970s saw the emergence of a new sound, punk, and it was at the Band on the Wall that many of the Manchester punk bands played
Band on the Wall is operated by Inner City Music Ltd, a registered charity. The organisation was awarded £3.2 million in July 2007, in combined awards by Arts Council England and the Heritage Lottery Fund as part of a £4 million project to transform the venue into a 21st-century centre for music.
The Band on the Wall was refurbished before reopening on 25 September 2009 with a performance by the venue's patrons Julian Joseph and Mica Paris
On 18 June 2018, Inner City Music Ltd announced that Arts Council England had approved £1.65 million stage two Capital funding
25 Swan St, Manchester, England, UK, M4 5JZ
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Aflecks Palace,NQ,North West England,retail,tourist,James Elaine Walsh,mecca,alternative culture,Madchester,cafe,alternative clothing,record shop,retro game shop,art,Mosaic
Description: Tony Smith image Alamy GJBPDY - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1981 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period, when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Aflecks Palace,NQ,North West England,retail,tourist,James Elaine Walsh,mecca,alternative culture,Madchester,cafe,alternative clothing,record shop,retro game shop,art,Mosaic
Description: Tony Smith image Alamy GJBPDH - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1981 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period, when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
