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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,LFC,Liverpool,FC,football,club,255A9824,This Is Anfield,Liverpool FC,Champions Wall,Anfield,stadium,England,UK,sign,trophies,champions,supporters,fans,heritage,tourism,sports,branding,history,visitors,honours,glazed,transfer window
Description: Tony Smith image Alamy 3EKNYW3 - . This Is Anfield sign and Liverpool FC Champions Wall outside Anfield stadium in Liverpool, England, UK. Photographed on 30 May 2026. The recorded location is Anfield stadium, Anfield Road, Liverpool, Merseyside, England, UK. The large white THIS IS ANFIELD lettering fills the glazed facade beside a long honours display celebrating the club's major trophies and championship successes. Visitors and supporters walk along the stadium frontage, reinforcing the site's role as both a working football ground and a major tourist attraction. The composition combines one of football's most famous phrases with a visual record of Liverpool's sporting achievements. The historical setting for major event is that football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture. Seen through graphic communication, the earlier context is that temporary and permanent notices are valuable social-history evidence because they capture the rules and assumptions of a particular moment, from parking and access to opening times, safety and public-service instructions. For collectable, the historical context is that everyday objects often become better historical evidence with age because packaging, typography, materials and branding change more rapidly than their basic function
Souvenirs, games and household items can therefore date consumer culture very precisely. In the 2026 discussion of major event, professional sport remains closely tied to broadcast rights, tourism, sponsorship and stadium redevelopment, while supporter experience, policing, ticket prices and transport continue to shape matchday debate. The 2026 relevance of graphic communication comes from the fact that current public-realm design increasingly expects signs to be legible, inclusive and consistent, while bilingual and.
Anfield stadium, Anfield Road, Liverpool, Merseyside, England, UK
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,255A9387,Hill,Dickenson,Stadium,Everton,Dockside,Liverpool,sean dyche everton
Description: Tony Smith image Alamy 3E91E1J - . Hill Dickenson Stadium Everton Dockside Liverpool. Photographed on 12 April 2026. The recorded location is Liverpool, Merseyside, England, UK. Within the history of supporters, british sports venues often have histories extending far beyond their current appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. Against the 2026 backdrop for supporters, sporting imagery has relevance beyond results, illustrating club identity, fan culture, major-event economics, venue investment and the role of sport in local regeneration. Associated subject terminology includes football club, matchday, sporting heritage, professional sport, football history, major event, sports tourism, supporter culture, stadium architecture, sports memorabilia, and 255A9387. In relation to sporting heritage, historical context shows that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. For the story of professional sport, it is useful to note that football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture. The historical setting for sports tourism is that british sports venues often have histories extending far beyond their present-day appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. The image also relates directly to football club, matchday and sporting heritage. The subject also connects matchday, sporting heritage and professional sport within the same editorial theme.
Liverpool, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_9855,Liverpool,Graffiti,Caleb,LVP,Merseyside
Description: Tony Smith image Alamy 3E8E1HJ - . Liverpool Graffiti - Caleb LVP. Photographed on 4 April 2026. The recorded location is Liverpool, Merseyside, England, UK. For mural, the historical context is that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can evolution the meaning of an apparently permanent object. For mural, the 2026 context is that public art is closely connected with regeneration, tourism, identity and debate about representation
Murals and sculptures can become visitor landmarks while also prompting discussion about whose history is visible in public space. Further relevant search phrases include street art, statue, urban culture, cultural identity, visual culture, community art, place-making, memorial art, creative industries, public realm, cultural landmark, and IMG_9855. Looking at statue, the longer history is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. The background to cultural identity is that monuments and civic artworks are part of the visual past of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can change the meaning of an apparently permanent object. Within the history of place-making, street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. The subject also connects street art, statue and urban culture within the same editorial theme. Its wider context brings together statue, urban culture and cultural identity.
Liverpool, Merseyside, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,club shop,official merchandise,fan shop,Liverpool ONE,South John Street,Liverpool,Merseyside,England,United Kingdom,shopfront,storefront,retail entrance,window display,Everton crest,Everton shirts,football retail,sports shop,city centre shopping,shoppers,pedestrian footfall,EFC 2 LFC 1,footy,football fandom,sports marketing,retail and leisure,city centre regeneration,visitor economy,UK shopping destination,club merchandising,fan culture,matchday culture (concept),sports tourism,British football,branded retail,high street shopping,travel editorial,sean dyche everton
Description: Tony Smith image Alamy 3DPP010 - A documentary street level view of the Everton Two club shop at Liverpool ONE in Liverpool city centre, showing the bold blue entrance and large storefront branding reading evertontwo . The shopfront features oversized promotional imagery of Everton players across the top window, with club colours and sponsor text visible, making the store easy to spot in the busy retail environment. In front of the entrance, shoppers and passers by move through the pedestrian area, adding everyday scale and a sense of city centre footfall. The modern glazed frontage, bright interior lighting and visible merchandise displays signal a dedicated football retail space aimed at supporters and visitors looking for official Everton FC kits, sportswear and memorabilia. The name Everton Two plays on the Liverpool ONE location and reinforces the club's merchandising presence beyond Goodison Park, capturing a small slice of Liverpool's football culture and the wider visitor economy around the city's main shopping district.
Everton Two club shop at Liverpool ONE, Liverpool, with large window graphics and shoppers outside t
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,fire horse sculpture,horse lantern,illuminated horse,lantern sculpture,light installation,public art,festival display,Liverpool,Merseyside,England,United Kingdom,outdoor installation,cultural celebration,visitor attraction,glowing flowers,lantern flowers,temporary artwork,UK cultural events,destination marketing,city break Liverpool,public realm art,festival tourism,visitor economy,arts and culture,seasonal attractions,winter city centre,civic celebration,cultural diversity,community heritage,event production,outdoor exhibition,travel and leisure imagery,Liverpool city centre attractions,Chinese culture,East Asian culture,city festival,winter event
Description: Tony Smith image Alamy 3DPP02W - A bright Chinese New Year Fire Horse lantern installation displayed in Liverpool city centre at Liverpool ONE, featuring a rearing horse sculpture set above oversized illuminated flowers in vivid pinks, oranges and warm gold tones. The artwork is mounted on a low plinth with event branding, with freestanding lantern spheres and stylised white flame shapes placed around the base, creating a dramatic, photo friendly festival scene. Behind the installation, leafless winter trees and a modern glass and steel office building frame the display, contrasting contemporary city architecture with traditional Lunar New Year symbolism. The ground appears wet and reflective, and the light is flat and cool, suggesting an overcast winter day with typical damp conditions for the Liverpool waterfront and city centre. This image captures Liverpool's seasonal cultural programming and the way major public spaces are temporarily transformed for Lunar New Year celebrations, drawing visitors into the retail district while showcasing the city's diverse cultural calendar and event led tourism offer
Chinese New Year Fire Horse lantern sculpture at Liverpool ONE, Liverpool, England, with glowing flo
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,lantern dragon,light installation,public art,Liverpool,Liverpool waterfront,Merseyside,England,United Kingdom,festival installation,outdoor display,waterfront attraction,heritage dock,dock warehouses,event decoration,tourism,colourful dragon,community,Chinese,UK cultural events,winter events,seasonal attractions,heritage tourism,destination marketing,public realm art,event production,city break Liverpool,waterfront leisure,visitor economy,arts and culture,festival programming,family friendly activities,photography of festivals,cultural tourism UK,Liverpool events calendar,tourism marketing imagery,Chinese culture,East Asian culture
Description: Tony Smith image Alamy 3DPP033 - A vivid public art scene at Liverpool's Royal Albert Dock showing a large illuminated dragon lantern installation displayed on the dockside promenade in front of the area's distinctive red brick warehouse buildings. The dragon is brightly coloured, with an open mouth, flared crest and flowing mane like elements, and a long segmented body posed upright as if rearing up from the plinth. The base includes prominent safety messaging asking visitors not to climb or stand on the installation, underlining that this is a temporary, curated artwork intended for public viewing and photos. In the background, the dock's historic industrial architecture forms a strong textured backdrop of brickwork and windows, reinforcing Albert Dock's heritage setting while the contemporary light sculpture adds a modern festival atmosphere. The overall light suggests a grey, overcast winter day with flat, cool conditions, typical of the Liverpool waterfront at this time of year, which helps the saturated colours of the dragon stand out sharply against the muted surroundings. The installation aligns with Chinese New Year and Lunar New Year programming at the Royal Albert Dock, created to draw visitors during the seasonal celebrations and support the city's wider cultural events and tourism offer.
Royal Albert Dock, Liverpool L3 4AD, England, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,history,historic,heritage,&,133,Dale St,Merseyside,England,UK,L2 2JH,L2,real ale,beer,beers,Ship and Mitre,Liverpool pub,Dale Street,Liverpool,historic pub,real ale pub,free house,traditional pub,pub exterior,city centre,cask ale,British pub culture,heritage pub,Edwardian building,stone facade,corner building,urban streetscape,Liverpool architecture,independent pub,beer pub,pub signage
Description: Tony Smith image Alamy 2X9BPBB - A side-angle view of the Ship & Mitre public house, located at 133 Dale Street in Liverpool city centre, England. The image shows the full height of the historic stone-built corner building, with prominent blue signage identifying the pub as a free house and highlighting its long-established presence in Liverpool's drinking culture.
The Ship & Mitre, formally known as Stout's Ship & Mitre, is one of Liverpool's best-known traditional pubs and is particularly renowned for its extensive range of cask ales, bottled beers, and strong association with the Campaign for Real Ale (CAMRA). The building dates from the early twentieth century and reflects the solid commercial architecture of Liverpool's former mercantile district.
Dale Street lies close to Liverpool's waterfront and civic quarter and has long been a hub for offices, shipping companies, and public houses serving the working city. The side view captured here emphasises the scale and prominence of the pub within the streetscape, while pedestrians nearby give a sense of everyday city life.
This image is suitable for editorial use illustrating British pub culture, historic pubs, real ale heritage, Liverpool architecture, urban streetscapes, tourism in Liverpool, and the continuing role of independent pubs in UK city centres.
133 Dale St, Liverpool, Merseyside, England, UK, L2 2JH
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_1474,Liverpool FC European Cup Final Rome 1984,Liverpool,FC,European,Cup,Final,Rome,1984,football,sport,supporters,heritage,club,fans,stadium,memorabilia
Description: Tony Smith image Alamy 3EFEFY1 - . Liverpool FC European Cup Final Rome 1984, England, UK. Photographed on 25 September 2023. Looking at stadium, the longer history is that football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture. In 2026, stadium remains relevant because sporting imagery has relevance beyond results, illustrating club identity, fan culture, major-event economics, venue investment and the role of sport in local regeneration. Other strongly related concepts include football club, supporters, matchday, sporting heritage, sports venue, professional sport, football history, major event, sports tourism, supporter culture, stadium architecture, sports memorabilia, IMG_1474, heritage, fans, and memorabilia. The background to matchday is that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. Within the history of sports venue, football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture. In relation to major event, historical context shows that british sports venues often have histories extending far beyond their current appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. Against the 2026 backdrop for sports venue, sporting imagery has relevance beyond results, illustrating club identity, fan culture, major-event economics, venue investment and the role of sport in local regeneration.
England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,eating,eat,in,indoors,fries,survey,Unit 18-22,Shopping Centre,Liverpool,England,L1 1QR,L1,McDonalds,fastfood,burgers,French fries,large,restaurant,meal,street,window,seating,Merseyside,fatty,unhealthy,retail,junk,food,tax,globalisation,branch,chain,obesity,crisis,drink,soda,fizzy drink
Description: Tony Smith image Alamy 2RJ3YJF - Taken on 19 Aug 2023, this photograph shows McDonalds fast food restaurant McCrispy chicken burger meal, Unit 18-22 Clayton Square Shopping Centre, Church St, Liverpool, England, L1 1QR. The location is Unit 18-22, Clayton Square, Shopping Centre, Church St, Liverpool, England, L1 1QR, L1. The picture is not just a record shot: it contains visible signage, colour, materials, location clues and everyday street detail that make the image more specific than a generic stock photograph. It would suit editorial use on shopping, retail change, independent traders, high-street survival, tourism, local economies, consumer habits and the visual identity of British town and city centres. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Clayton Square, Church St, McCrispy, chicken, burger, fast food, receipt, self-service, tell us how we did, seated, eating, eat, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. The photograph should appeal to buyers looking for a grounded visual that says more than a studio icon, because it ties the subject to a real street, building, object or public setting. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history, public infrastructure, consumer habits
Unit 18-22, Clayton Square, Shopping Centre, Church St, Liverpool, England, L1 1QR, L1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,bar,bars,pub,pubs,L1,13,L1 9AS,history,historic,heritage,Victorian,royal,old,renovated,preserved,bakers,the,grey,painted,front,outside,sunny,listed,grade,II,gold,sign,signs,signage
Description: Tony Smith image Alamy 2RJCC49 - Taken on 19 Aug 2023, this photograph shows Kirkland Bros Scotch Confectioners - Scotch Bakery, Fly In The loaf bar, 13 Hardman St, Liverpool , Merseyside, England, UK, L1 9AS. The location is 13 Hardman St, Liverpool , Merseyside, England, UK, L1 9AS. The picture is not just a record shot: it contains public house signs, frontage, street activity or drinking culture details useful for hospitality and heritage features. Value Added Tax is a core UK consumption-tax subject, useful for business, retail, public-finance, household-cost and Making Tax Digital themes. The Fly in the Loaf frontage preserves the memory of Kirkland Brothers' Scotch Bakery, connecting Liverpool pub culture with older commercial lettering and bakery heritage on Hardman Street. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Kirkland, appointment, Hardman Street, Fly In The loaf, Scotch Bakery, Scotch Confectioners, Kirkland Bros, brothers, crest, Liverpool, Merseyside, bar, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes.
13 Hardman St, Liverpool , Merseyside, England, UK, L1 9AS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,GBar Liverpool,1-7,Eberle Street,Liverpool,L2 2AG,outside,bar,pubs,bars,building,rainbow,party,entertainment,DJ,DJs,after hours,late,2pm,license,ents,entertainments,night,LGBTQ,trans,drag,L2,1-7 Eberle Street
Description: Tony Smith image Alamy 2R6AJ0X - . LGBT Entrance to GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG. Photographed on 27 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, sunny, blue sky, GBar Liverpool, 1-7, Eberle Street, Liverpool, L2 2AG, bar, pubs, bars, building, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include rainbow, party, entertainment, DJs, after hours, late, broadening discoverability while remaining tied to the supplied subject information.
GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,GBar Liverpool,1-7,Eberle Street,Liverpool,L2 2AG,outside,bar,pubs,bars,building,rainbow,party,entertainment,DJ,DJs,after hours,late,2pm,license,ents,entertainments,night,LGBTQ,trans,drag,L2,1-7 Eberle Street
Description: Tony Smith image Alamy 2R6AJ15 - . LGBT Entrance to GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG. Photographed on 27 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, sunny, blue sky, GBar Liverpool, 1-7, Eberle Street, Liverpool, L2 2AG, bar, pubs, bars, building, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include rainbow, party, entertainment, DJs, after hours, late, broadening discoverability while remaining tied to the supplied subject information.
GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG
-and-pink-hearts--Mann-Island--Liverpool--Merseyside--England--GB--L3-1BP-2R1MF25.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,2023,city,L1,Liverpool,centre,pink,souvenir,purple,song,contest,Eurovision 2023,yellow,blue,and,selfie,memento,L3,L3 1BP,Ukraine,crowd,crowds,busy,tourist,tourists,tourism,visitors,fun,Eurovision2023,lover,Dutch,TV,boycott
Description: Tony Smith image Alamy 2R1MF25 - . Liverpool Eurovision 2023, yellow, blue (Ukraine) and pink hearts, Mann Island, Liverpool, Merseyside, England, GB, L3 1BP. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Mann Island, Liverpool, Merseyside, England, UK, L3 1BP, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, Liverpool, pink, souvenir, purple, song, contest, Eurovision 2023, yellow, blue, selfie, memento, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include L3 1BP, Ukraine, crowd, crowds, busy, tourist, broadening discoverability while remaining tied to the supplied subject information.
Mann Island, Liverpool, Merseyside, England, UK, L3 1BP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,2023,city,L1,Eurovision2023,spot,free,recorded,Liverpool Central,Rail,railway,Station,Ranelagh Street,Liverpool,L1 1JT,weve given this busking spot,to,a,Ukrainian musician,who lost theirs,Sounds of the underground,busker,music,Eurovision,contest,Eurovision song contest,centre,busking,pitch,songs,Ukraine busker,folk,Ukrainian busker
Description: Tony Smith image Alamy 2R1MF26 - Sounds of the underground - read more at https://www.creativemoment.co/this-eurovision-musicians-in-liverpool-donate-their-busking-spots-to-help-fellow-ukrainian-artists
Since the beginning of the war in Ukraine buskers have been robbed of their spots, so their music has had to go underground.
But it's not just their music that has been taken, it is also their livelihoods. So this Eurovision, Ketchum UK has created a campaign for buskers from Liverpool to give up their usual spots along the Merseyrail network to Ukrainian musicians, giving them the chance to perform for audiences and keep the conversation alive about this unjust war.
Travellers going through the four biggest stations
Liverpool Central, Lime Street, Moorfields and James Street will be able to enjoy authentic Ukrainian busking music.
Each busking spot has a speaker streaming the artists music and a QR code for passers-by to scan to find out more about the musicians' story, videos about them and to donate to the cause.
All proceeds raised will go directly to Supplies for Ukraine C.I.C., who are working to provide essential, lifesaving equipment to civilians and volunteers on the front lines in Ukraine.
There is an accompanying outdoor poster campaign across the Merseyrail network and all tracks are streamed as a playlist on Spotify.
Liverpool Central Rail Station , Ranelagh Street, Liverpool, Merseyside, England, GB, L1 1JT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,L36,at,night,dusk,EV,electric,car,shop,store,VW,Liverpool,L36 3YD,handy,charge,your,Lidl,Ltd,PodPoint,charger,in,using,use,with,a,the,Pod Point,green,eco,low carbon,station,shortfall,electric vehicle charging
Description: Tony Smith image Alamy 2R1MFF0 - Pod Point is a UK provider of electric vehicle charging station.[1][2] It provides charging units for home, business and public use. Since forming in 2009, Pod Point has manufactured and sold over 137,000 charging points. It has also developed one of the UK's largest public networks, connecting EV drivers with hundreds of charging stations nationwide at locations such as Tesco, Lidl, Sainsbury's, Center Parcs and Southern Rail.[3] Since 2014, when it signed a partnership with automaker Nissan, it also operates in Norway.
Pod Point operates the charge point Pod Point Network which is accessible via a smartphone app.
In 2018, Tesco, Volkswagen and Pod Point teamed up to install electric vehicle charging points in over 600 stores by 2022, to create the UK's largest retail EV charging network.
In 2018-2019, Pod Point launched its Electric Schools initiative. Up to thirty primary schools in highly polluted parts of the UK were given the opportunity to claim a free 7 kW Pod Point charging point and installation. The initiative was also launched to help inspire young learners on how EV technology will revolutionise the way we travel and use energy.
Pod Point also signed a deal with Mitie in 2019, the UK's leading facilities management and professional services company to install 800 electric vehicle (EV) chargepoints at its offices and staff homes.
In February 2020, Pod Point was acquired by EDF Energy through a newly-formed joint venture with Legal and General Capital.
In August 2020, Pod Point launched a new video series on YouTube called 'Electric Insights'. Pod Point interviews key industry players about electrification, sustainability and renewables. Guests include, Graeme Cooper - National Grid, Natasha Robinson - Head of OZEV, The Met Office, DPD and Volkswagen Financial Services.
Liverpool, Merseyside, England, UK, L36 3YD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,5X8A0747,Liverpool Eurovision Soloveiko Songbird,a giant inflatable nightingale installation,Liverpool,Eurovision,Soloveiko,Songbird,giant,inflatable,nightingale,installation,England,culture,art,tourism,design,heritage,creative,public,local,identity
Description: Tony Smith image Alamy 3E9AN1G - Liverpool Eurovision Soloveiko Songbird, a giant inflatable nightingale installation, photographed in England, UK. The photograph is suitable for editorial coverage of public art, sculpture, murals, cultural attractions, music, design, tourism, local identity and contemporary or historic creative culture. The image clearly records the visible subject, signage, branding, architecture, object or activity associated with Liverpool Eurovision Soloveiko Songbird, a giant inflatable nightingale installation. It provides useful documentary context for news, features, travel, social history and contemporary editorial coverage. Details visible in the scene help identify the place or subject and show how it appears in everyday use, making the photograph useful for stories about local identity, economic and social change, public services, transport, leisure, heritage, tourism, community life and the built environment. The photograph can also support retrospective or comparative coverage where the survival, redevelopment, reuse or changing role of the location or object is relevant.
England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,centre,Liverpool,L1 1HU,Blob,blobs,Mr,blobby,pub,bar,pubs,bars,in,at,outside,exterior,hot,toddy,100ml,Aussie,Australia,white,Whites,with,sugar,lemon,and,hot water,Yatess Wine Lodge,Yates,wine,lodge
Description: Tony Smith image Alamy 2PJHNYP - Yates is an English pub chain. It was founded as Yates's Wine Lodge in Oldham, Lancashire by Peter and Simon Yates in 1884
Yates is Britain's oldest pub chain. Its motto was moderation is true temperance. The founders, brothers Peter and Simon Yates, were from Preston. Peter (who lived from April 22, 1854“1944) was sent to Spain to learn about wine. Simon went to the US to learn about business methods.
The first Yates Wine Lodge opened in Oldham in 1884
On July 23, 1994, Yates became a public company owned by the Yates Group PLC (Yates Brothers Wine Lodges PLC). The Yates Group also owned Ha! Ha! Bar & Canteen and operated pubs under the Blob Shop and Addison's name. In the late 1990s, its share price rose to reach a high of 550p in 1998.
In June 2001, the Yates Group entered takeover talks with Luminar Group. In July 2001, it withdrew from takeover talks and saying it would instead sell off 25 of its pubs, later putting 18 of them up for sale. On November 1, 2001, the Yates Group sold eight pubs to Morrells for £4 million, with four being in Grantham, Slough, Solihull and Tunbridge Wells.
In October 2003, Yates sold its Aussie White fortified brand to Halewood International for £1 million
Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1HU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,alcohol,drinking,St Johns Lane,Queen Square,Liverpool,L1 1HF,at,DD,P,Pearl,insurance,tile,tiled,architecture,tiles,Staffordshire,medical health officer,Mikhail Hotel and Leisure Group,MHALG,fireplace,Victorian,history,historic,insurers,tiling,letter P,inside,interior
Description: Tony Smith image Alamy 2MA7MRK - Doctor Duncan's is named after William Henry Duncan, the UK's first Medical Health Officer. Duncan was born and raised in Liverpool before attending Edinburgh University where he qualified as a medical doctor. After moving back to his hometown Doctor Duncan was appointed as Medical Health Officer on 1 st January 1847, the first of this type of Senior Government role in Britain.
The pub, dating back to 1901, was built to house Pearl Insurance and is well known for its elaborately tiled interior. Now, in honour of its namesake, it houses an authentic Victorian pharmacy cabinet.
St John's Ln, Queen Square, Liverpool,Merseyside,England,UK,L1 1HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,Kung Hei Fat Choy,Chinese,New Year,Year of the rabbit,romance,Master Wok
Description: Tony Smith image Alamy 2MA7MRW - . Photographed at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Kung Hei Fat Choy - Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. The image also relates to period detail, commercial frontage, consumer retail, contemporary social history, customer footfall, brand display, historical comparison, morning meal, healthy eating, local history, small-business culture, bricks-and-mortar business, changing streetscape, and visual archive. Viewed from the mid-2020s, the subject also connects with consumer choice, healthy eating and the continuing debate over what constitutes a healthy everyday breakfast. The modern context includes continuing discussion of consumer spending, town-centre regeneration and the short lifespan of branding, displays and shopfront identities. The archival value lies partly in recording landscape treatment and surrounding development around 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP before closure or conversion alters the character of the place. A second descriptive layer includes nutrient-rich breakfast, healthy breakfast, wholegrain cereal, shopfront economy, regional identity, archival record, fruit-topped cereal, and everyday nutrition. Details involving 85-97, Asian-themed, Renshaw, Market, and Merseyside make the image more specific than a generic view and strengthen its local or historical value. For 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. It also preserves details of everyday use for later comparison. That local specificity strengthens the long-term documentary value of image 2MA7MRW.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,Authentic,Far East,South east Asia,Master Wok,Chinese,romance
Description: Tony Smith image Alamy 2MA7N05 - . This location-specific image from 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. A broader reading of the photograph includes period detail, balanced breakfast, everyday life, bricks-and-mortar business, changing land use, historical comparison, dietary fibre, small-business culture, consumer retail, changing streetscape, local character, commercial frontage, visual archive, and healthy eating. For current editorial use, cost of living and food prices provide additional context, especially through how fruit and whole grains fit dietary guidance around fibre and micronutrients. Current relevance extends to consumer spending and town-centre regeneration, particularly through how commercial property shifts between retail, leisure and residential use. Small period details of equipment and working practice at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP may become more significant with time, particularly following new ownership. The subject also sits alongside fruit-topped cereal, documentary photography, town-centre economy, morning meal, brand display, regional identity, fresh fruit breakfast, and breakfast nutrition. Elements such as Asian-themed, 85-97, Market, Liverpool, and Renshaw add documentary specificity and may become increasingly useful when compared with later records. Around 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The record includes evidence of earlier appearance as a date-specific reference.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,the,royal,maritime,Mersey,river,L3,L3 4AA,3-4,Liverpool,ship,vessel,at,in,riverside,cutter,dry,dock,pilotage,service,number 2,1953,museum,National Historic Ships,Committee,National Core Collection,of,Historic Ships
Description: Tony Smith image Alamy 2P08KFD - Liverpool pilot cutter number 2, 1953
The largest object in National Museums Liverpool's collections is the Edmund Gardner, a former pilot cutter that can now be found in dry dock opposite the Maritime Museum.
Strong currents, shifting sandbanks, rocks, dangerous weather and two tides a day - with a difference of 11 metres - make the approach to Liverpool by ship a risky business. Marine pilots are seafarers with local knowledge of the River Mersey, who guide ships safely through these various hazards.
The object of a pilot today is the same as it was back in 1766 “ to get a ship, its crew and its cargo safely into port in a timely manner¦ - Geoff Topp, Liverpool Pilot, 1967-2002
During her working life of almost 30 years the Edmund Gardner was essentially a base out in the Irish Sea for the Pilotage Service, providing accommodation for up to 32 pilots at a time. The pilots met all shipping approaching the Mersey and guided them into and out of the docks, to ensure their safety.
The Edmund Gardner's historic importance has been recognized by the National Historic Ships Committee, which has included the vessel in its National Core Collection of Historic Ships. She has also received the World Ship Trust's award as an outstanding example of ship preservation.
More info at https://www.liverpoolmuseums.org.uk/edmund-gardner/pilot-ship
Royal Albert Dock, 3-4 The Colonnades, Liverpool, Merseyside, England, UK, L3 4AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,L1 1QR,night,evening,winter,shoppers,at,signage,door,outside,exterior,mall,B&M,Costa,Quarters,Bon,Boots,McDonalds,Vision Express,The Gym,group,VIP Electronic Cigarettes,retailers,shop,shopping centre,shopping centres,stores,city,centre,shops,main,shopping,area
Description: Tony Smith image Alamy 2P4JXJ1 - . Recorded at Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Dusk shoppers at Clayton Square shopping centre glass roof canopy, Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR. Another layer of the photograph includes changing streetscape, documentary photography, local character, specialist shop, place identity, customer footfall, community identity, period detail, regional identity, contemporary social history, social history, visual archive, shopfront economy, and commercial frontage. Today's relevance is strengthened by footfall, business rates and the continuing question of how commercial property costs affect small retailers. Small period details of period objects and surrounding context at Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR may become more significant with time, particularly following altered transport patterns. The subject also sits alongside before-and-after reference, specialist retailer, high-street commerce, public realm, archival record, local history, small business, and independent retail. The combination of centre, Liverpool, Merseyside, shoppers, and glass anchors the frame to a recognisable activity, place or moment. For Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of footfall and the contribution of independents to distinctive high streets within the real-world context of Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR. The period view preserves period character as a date-specific reference. The view records a trace of local identity for later comparison.
Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,renovation,Liverpool,cargo,ship,wood,boat,now,being,sold,to,used,by,of,Abel,&,sons,1860,barge,river,Mersey,Builder,Speakman,William,Chester,named,called,towed,no engine,heritage,olden days,preserved,renovating,museum,boats,ships,the
Description: Tony Smith image Alamy 2K23M6C - Mossdale was built in 1876 by the Shropshire Union Railway & Canal Company, Chester. She is a Mersey Flat and was towed by horses or tugs. Her hull was carvel construction of oak, elm and pitch pine and she traded between Ellesmere Port and Liverpool. Originally known as RUBY, she was renamed MOSSDALE when bought by Abel & Son of Runcorn in the 1930s. They extensively rebuilt and deepened her to obtain maximum load for minimum displacement. She was found abandoned at Ellesmere Port in 1970 and is now preserved on shore at the Boat Museum, Ellesmere Port.
Mossdale's fabric is representative of a typical wooden Mersey flat, being built of oak frames on pitch pine planking doubled where necessary to achieve her shape. Her large foredeck windlass fitted her to work in the tidal Mersey, with a smaller windlass used when warping her into docks. In 1933, Mossdale underwent a major re-build which included lengthening her to 72 feet. Her increased length represents an important period in her working life, marking the development in trade caused by the industrial revolution and the need for her to carry a greater cargo to pay her way. With no means of propulsion, she would generally have been towed by a horse or tug.
Mossdale was never rigged as a sailing flat, but is a good example of a regional river barge from North-West England. She has a substantial rudder, a typical flat bottom, a round bilge and bluff square bows.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,renovation,Liverpool,cargo,ship,wood,boat,now,being,sold,to,used,by,of,Abel,&,sons,1860,barge,river,Mersey,Builder,Speakman,William,Chester,named,called,towed,no engine,heritage,olden days,preserved,renovating,museum,boats,ships,the
Description: Tony Smith image Alamy 2K23M77 - Mossdale was built in 1876 by the Shropshire Union Railway & Canal Company, Chester. She is a Mersey Flat and was towed by horses or tugs. Her hull was carvel construction of oak, elm and pitch pine and she traded between Ellesmere Port and Liverpool. Originally known as RUBY, she was renamed MOSSDALE when bought by Abel & Son of Runcorn in the 1930s. They extensively rebuilt and deepened her to obtain maximum load for minimum displacement. She was found abandoned at Ellesmere Port in 1970 and is now preserved on shore at the Boat Museum, Ellesmere Port.
Mossdale's fabric is representative of a typical wooden Mersey flat, being built of oak frames on pitch pine planking doubled where necessary to achieve her shape. Her large foredeck windlass fitted her to work in the tidal Mersey, with a smaller windlass used when warping her into docks. In 1933, Mossdale underwent a major re-build which included lengthening her to 72 feet. Her increased length represents an important period in her working life, marking the development in trade caused by the industrial revolution and the need for her to carry a greater cargo to pay her way. With no means of propulsion, she would generally have been towed by a horse or tug.
Mossdale was never rigged as a sailing flat, but is a good example of a regional river barge from North-West England. She has a substantial rudder, a typical flat bottom, a round bilge and bluff square bows.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,at,Penny Lane Development Trust,70 Penny Ln,Liverpool,Merseyside,L18 1BW,musical,the,album,producer,George Martin,produced by,film,yellow submarine model,model,of a,charity,famous,street,in,lane,Penny Ln,lyrics,The Beatles,title,titles,history,historic,heritage,we all live,in a,yellow sub,yellow submarine
Description: Tony Smith image Alamy 2K0KX6X - Penny Lane is a song by the English rock band the Beatles that was released in February 1967 as a double A-side single with Strawberry Fields Forever. It was written primarily by Paul McCartney and credited to the Lennon“McCartney songwriting partnership. The lyrics refer to Penny Lane, a street in Liverpool, and make mention of the sights and characters that McCartney recalled from his upbringing in the city.
The Beatles began recording Penny Lane in December 1966, intending it as a song for their album Sgt. Pepper's Lonely Hearts Club Band. Instead, after it was issued as a single to satisfy record company demand for a new release, the band adhered to their policy of omitting previously released singles from their albums. The song features numerous modulations that occur mid-verse and between its choruses. Session musician David Mason played a piccolo trumpet solo for its bridge section
Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the Lennon“McCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story
Penny Lane Development Trust, 70 Penny Ln, Liverpool, Merseyside, England, UK, L18 1BW
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,Strong Holdfast safe door,thief,resistant,red,iron,manufactory,in,Liverpool,factory,BSVTA,Speke,Merseyside,safes,box,boxes,secure,secured,Milner,safemaker,safe maker,makers,maker,patented,patent,thieves,hold fast,holdfast,strong,strongest,212,gold,brass,royal,appointment,seal,logos,logo
Description: Tony Smith image Alamy 2JP5T1B - The Milner Safe Company
The founder, Thomas Milner, originally a tinsmith and metal box-maker from Sheffield, set up a safe manufactory in Liverpool in 1830 where he set about producing tin-plate and sheet iron boxes with his newly patented fire-resisting composition and was employing 35 men. From 1846, he moved on to strong plate iron safes and chests. Thomas died in 1849 leaving his son William as a partner in the newly named Milner & Son and so rapidly was the company growing that by 1851 they were employing 110 men.
By this time they had developed and patented a gunpowder-proof and unpickable key lock in conjunction with Hobbs & Co..
His son-in-law Daniel Rowlinson Ratcliff had by this time joined the company as a partner. Considerable animosity had developed between Milners and George Price, a rival safe-maker from Wolverhampton with each indulging in very unprofessional practices. This was to lead to an incident when each party was publicly testing the others safes with gunpowder when Milner's representative was over zealous in the charge he placed in one of Price's safes resulting in a fatality. Shortly after this incident William Milner retired.
In 1874, now called the Milner Safe Company, the factory was employing 480 men. By this time they were the largest manufacturer of safes and other security work in the world, a fact which they claimed in the London Trades Directory of 1900.
Most familiar among the company's products must be what is usually referred to as the square church door Milner - which is correctly known as the List 2 and which in the earliest models carried a cast iron moulding on the face of the door shaped like a Gothic arch. The heavier range of cash safes such as the List 3, 4 and 5 were still being made in the 4-corner bent banded body right into the 1900's by which time every other maker had changed to the fully 12-corner bent body. In 1911, five Milner safes were supplied to Harland & Wolff for installation on the Titani
Speke, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,train,WCML,trains,Manchester,Glasgow,Euston,Birmingham,Liverpool,operating,company,TOC,poor,service,overbooked,late,driver,shortage,union,RMT,overtime,ASLEF,excuses,excuse,for a,room for improvement,tickets,peak,travel,emergency,timetable,awful,management,overcrowding,overcrowded,dirty
Description: Tony Smith image Alamy 2K148W6 - Avanti West Coast is a train operating company in the United Kingdom owned by FirstGroup (70%) and Trenitalia (30%) that operates the West Coast Partnership.
During November 2016, the Department for Transport (DfT) announced the InterCity West Coast franchise would be replaced by the West Coast Partnership (WCP). In August 2019, the DfT awarded the WCP franchise to the First Trenitalia consortium. On 8 December 2019, Avanti West Coast took over operations from the prior operating company Virgin Trains, which had run the franchise since 1997. Originally, the franchise was initially scheduled to run until March 2030, and had also been set to operate the initial High Speed 2 services from 2026. However, during December 2020, it was announced that First Trenitalia and the DfT had agreed to terminate the WCP franchise at the earlier date of 31 March 2026 as part of the abolition of the franchise system. Since then a number of contract changes have taken place due to COVID-19 and then poor performance by the company. As of March 2023, the company's contract will expire in October 2023.
Between 14 August and 18 September 2022, Avanti West Coast reduced its timetable, citing unofficial strike action from its employees. However, this allegation was disputed by Aslef, which accused the company of lying and blamed their lack of recruitment, especially of train drivers, for the problems. Trains were running at one service per hour on the majority of routes, as opposed to the three which would typically occur on the London Euston to Manchester Piccadilly route. Following these changes, Avanti West Coast was subject to public criticism
news stories emerged of numerous train cancellations, overcrowded services, delays, and expensive fares. Many commuters faced difficulties reaching their destinations on the reduced services and some travellers have been left to wait for to two days before travel for tickets to be released for sale
Warrington Bank Quay, Cheshire, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,pub,bars,portrait,pub sign,sign,Cain,Cains,brewing,1805-1863,1805,1863,Dr Duncan,real,ale,CAMRA,at,Liverpool,England,UK,L1 1HF,L1,William Henry Duncan,picture,Liverpool physician,Doctor Duncans,Liverpool Pubs,signs,historic,medical,physician,landmark,pubs,bar,Lane
Description: Tony Smith image Alamy 2JCW1YJ - Doctor Duncan's is named after William Henry Duncan, the UK's first Medical Health Officer. Duncan was born and raised in Liverpool before attending Edinburgh University where he qualified as a medical doctor. After moving back to his hometown Doctor Duncan was appointed as Medical Health Officer on 1 st January 1847, the first of this type of Senior Government role in Britain.
The pub, dating back to 1901, was built to house Pearl Insurance and is well known for its elaborately tiled interior. Now, in honour of its namesake, it houses an authentic Victorian pharmacy cabinet.
St John's Lane, Queen Square, Liverpool, Merseyside, England, UK , L1 1HF
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Liverpool,Merseyside,City Centre,scouse,bar,at,the,real,ale,themed,beers,England,UK,L2 2JH,L2,inside,bottles,taps,pulled,customers,drinkers,classic,Ship and Mitre,Ship & Mitre,ship,mitre,pubs,bars,interior,handpump,handpumps,had pump,pump,pumps
Description: Tony Smith image Alamy 2JCW1YM - . A grounded documentary photograph made at 133 Dale St, Liverpool, Merseyside, England, UK, L2 2JH in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Bar at the Liverpool Ship and Mitre real ale Pub, maritime themed bar serving area and Belgian Tripel Karmeliet beer logo, L2. The locality and subject together evoke customer-facing service, food-and-drink business, period detail, contemporary social history, visitor economy, local identity, social history, commercial hospitality, street-level documentary, changing land use, changing streetscape, night-time economy, community identity, and historical comparison. The wider contemporary story combines consumer spending, tourism and the role of restaurants and bars in visitor-led regeneration. Viewed from the mid-2020s, the subject also connects with footfall, street safety and how ordinary street scenes become valuable records as businesses and infrastructure change. As a dated visual record of 133 Dale St, Liverpool, Merseyside, England, UK, L2 2JH, the frame retains landscape treatment and surrounding development, making it especially useful if new ownership subsequently changes the scene. Other useful contextual ideas include visual archive, food tourism, regional identity, destination dining, everyday street life, community life, independent food retail, and hospitality trade. The combination of Tripel, Karmeliet, themed, maritime, and Liverpool anchors the frame to a recognisable activity, place or moment. By fixing the subject within 133 Dale St, Liverpool, Merseyside, England, UK, L2 2JH, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image fixes evidence of earlier appearance for later comparison. It also preserves period character within the wider story of 133 Dale St, Liverpool, Merseyside, England, UK, L2 2JH.
133 Dale St, Liverpool, Merseyside, England, UK, L2 2JH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,Levelling up,Northern Powerhouse,offices,office,block,LCVS,Liverpool Charity and Voluntary Services,L2,Liverpool,city,centre,architecture,icon,iconic,ex,Blackburn,building,Art-Deco,art,deco,ArtDeco,artdeco,history,historic,heritage,sunny,blue sky,blue skies,renovated,redeveloped,maintained,well,flag,flagpole
Description: Tony Smith image Alamy 2JDDR5M - . This scene at 151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is Ex Blackburn Assurance Art-Deco building, 151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH. The subject also carries associations with community life, pedestrian environment, documentary photography, urban social history, contemporary city life, period detail, social history, period building, historical comparison, urban change, heritage landmark, public realm, period streetscape, and everyday life. From a 2025-onward perspective, energy retrofit and adaptive reuse are closely linked to this subject, alongside the value of distinctive buildings and street furniture to local identity. The wider contemporary story combines local identity, footfall and the documentary importance of recording everyday urban environments. The archival value lies partly in recording building condition and alterations around 151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH before replacement signage alters the character of the place. The surrounding story also includes townscape record, city-centre activity, social landscape, archival record, conservation architecture, historic streetscape, architectural detailing, and conservation interest. Elements such as building, Art-Deco, Assurance, Merseyside, and Blackburn add documentary specificity and may become increasingly useful when compared with later records. A later view of 151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The view records a point of historical comparison for later comparison. Image 2JDDR5M also remains a dated record of 151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH.
151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,Levelling up,Northern Powerhouse,L2,Liverpool,L2 2BP,bar,pub,bars,pubs,boozer,era,CAMRA,interior,interiors,the,classic,historic,hand,pull,pulls,for,real ale,Leeds Pale,Potysipa,Peerless,beer,clips,clip,history,heritage,inside,Campaign for Real Ale
Description: Tony Smith image Alamy 2JDDTBY - . This authentic period view of 67 Moorfields, Liverpool , Merseyside, England, UK, L2 2BP in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. At the centre of the view is Handpulls for real ale, Lion Tavern, 67 Moorfields, Liverpool , Merseyside, England, UK, L2 2BP. Other connected aspects include period detail, restaurant culture, architectural detailing, community identity, leisure spending, local history, independent food retail, changing land use, documentary photography, historic streetscape, period building, period streetscape, local landmark, and historical comparison. Viewed from the mid-2020s, the subject also connects with heritage conservation, embodied carbon and the value of distinctive buildings and street furniture to local identity. The modern context includes continuing discussion of changing dining habits, consumer spending and the resilience of customer-facing businesses in a high-cost economy. Small period details of local activity and public use at 67 Moorfields, Liverpool , Merseyside, England, UK, L2 2BP may become more significant with time, particularly following new construction. The surrounding story also includes visual archive, changing streetscape, conservation interest, built heritage, food-and-drink business, casual dining, traditional structure, and social history. The combination of Moorfields, Merseyside, Liverpool, Tavern, and Handpulls anchors the frame to a recognisable activity, place or moment. Around 67 Moorfields, Liverpool , Merseyside, England, UK, L2 2BP, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. It also preserves a trace of local identity before later change alters the scene. The photograph keeps a local visual benchmark as a date-specific reference.
67 Moorfields, Liverpool , Merseyside, England, UK, L2 2BP
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,BW,monochrome,cafe,history,basement,sandwich,HotpixUK,@HotpixUK,Merseyside,L2 2NZ,L2,closed,traditional,historic,shop,popular,breakfast,lunch,city,centre,heritage,name,catering,Tithebarn St,Northern Powerhouse,city centre,Levelling up,1970,1970s,Reeces,Liverpool,Moorfields,windows,sandwiches,sign
Description: Tony Smith image Alamy 2JDJ4H6 - . Recorded at Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is BW Liverpool Reeces Rendezvous cafe, Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ. Another layer of the photograph includes local identity, social landscape, period streetscape, conservation interest, city-centre activity, architectural character, period detail, historic townscape, historic streetscape, heritage asset, conservation architecture, architectural detailing, urban social history, and contemporary social history. Current relevance extends to adaptive reuse and embodied carbon, particularly through keeping older structures useful without erasing their character. In present-day coverage, the subject reaches into transport and commercial change, not least because of the relationship between public space and local social life. The image fixes landscape treatment and surrounding development within Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ at one identifiable point, providing a benchmark against different community use. The subject also sits alongside place identity, street-level documentary, archival record, local character, regional identity, pedestrian environment, townscape record, and traditional structure. References to Reeces, Merseyside, Tithebarn, Rendezvous, and Liverpool give the picture a strong period identity and tie it closely to its named subject. For Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes adaptive reuse and keeping older structures useful without erasing their character when considered against later change at Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ.
Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Station,Liverpool,Liverpool City Council,city centre,lion mark,lion standard mark,British eggs,Liverpools first woman freeman,first woman freeman,first,woman freeman,Bessie Braddock statue,Tryweryn reservoir,Jack and Bessie Braddock,commemoration,commemorative,heritage,Mersey,Scouse,city,centre,tourist,tourism,attraction,statues,statue,Bessie,Braddock,reform,reformer,politics,Labour,party,Elizabeth Margaret Braddock,softboiled,soft boiled,salmonella
Description: Tony Smith image Alamy 2DA91GD - Elizabeth Margaret Braddock (née Bamber
24 September 1899 “ 13 November 1970) was a British Labour Party politician who served as Member of Parliament (MP) for the Liverpool Exchange division from 1945 to 1970. She was a member of Liverpool County Borough Council from 1930 to 1961. Although she never held office in government, she won a national reputation for her forthright campaigns in connection with housing, public health and other social issues.
Braddock inherited much of her campaigning spirit from her mother, Mary Bamber, an early socialist and trade union activist. After some years in the Independent Labour Party (ILP), Braddock joined the Communist Party of Great Britain (CPGB) on its foundation in 1920, but quickly became disillusioned with the party's dictatorial tendencies. She left the CPGB in 1924 and later joined the Labour Party. Before the Second World War, alongside her husband Jack Braddock she established a reputation as a crusading left-wing councillor, frequently at odds with her party while pursuing an agenda of social reform. During the war she worked in Liverpool's ambulance service, before winning the Exchange division for Labour in the 1945 general election.
Lime street ,Liverpool,Merseyside,England,UK
Description
Keywords: old,stadium,ground,Everton,FC,football,club,Goodison Road,Liverpool,Merseyside,England,UK,L4 4EL,GoTonySmith,HotpixUK,@HotpixUK,L4,Goodison Rd,soccer,blue,blues,park,Walton,area,English,Premier League,Evertonians,Blues,bluenoses,bluenose,Farhad Moshiri,badge,icon,iconic,stand,side,architecture
Description: Tony Smith image Alamy 2R55HW0 - Everton Football Club is an English professional association football club based in Liverpool that competes in the Premier League, the top tier of English football. The club was a founder member of the Football League in 1888, and has, as of May 2023, competed in the top division for a record 120 seasons, having missed only four top-flight seasons (1930“31, 1951“52, 1952“53, and 1953“54). Everton is the club with the second-longest continuous presence in English top-flight football, and ranks third in the all-time points rankings. The club has won nine league titles, five FA Cups, one European Cup Winners' Cup and nine Charity Shields.
Formed in 1878, Everton won their first League Championship during the 1890“91 season. After winning four more League championships and two FA Cups, the club experienced a post-Second World War lull until a revival in the 1960s. A period of sustained success came in the mid-1980s, when Everton won a further two League championships, one FA Cup, and the 1985 European Cup Winners' Cup. The club's most recent major trophy was the 1995 FA Cup.
The club's supporters are colloquially known as Evertonians or Blues. Everton's main rivals are Liverpool, whose home stadium at Anfield is just under one mile away from Everton's home at Goodison Park
the two clubs contest the Merseyside derby. Everton have been based at Goodison Park since 1892, having moved from their original home at Anfield following a disagreement over its rent. The club's home colours are royal blue shirts with white shorts and socks.
Goodison Park is a football stadium in the Walton area of Liverpool, England, 2 miles (3 km) north of the city centre. It has been the home of Premier League club Everton since 1892 and has an all-seated capacity of 39,414.
Goodison Park has hosted more top-flight games than any other stadium in England. It has also been the venue for an FA Cup Final and numerous international fixtures, including a semi-final match in the 1966 World Cup
Goodison Road, Liverpool, Merseyside, England, UK, L4 4EL
Description
Keywords: old,stadium,ground,Everton,FC,football,club,Goodison Road,Liverpool,Merseyside,England,UK,L4 4EL,GoTonySmith,HotpixUK,@HotpixUK,L4,Goodison Rd,soccer,blue,blues,park,Walton,area,English,Blues,milk,Edward,Dairymen,120 Goodison Road,120,sign,dairy,milkmen,E,Tillsley,ghost,signage
Description: Tony Smith image Alamy 2R55HW5 - . Tillsley, Edward, Dairymen,120 Goodison Road, Goodison Rd, Liverpool , Merseyside, England, UK, L4 4EL. Photographed on 17 May 2019. The recorded location is 120 Goodison Road, Liverpool, Merseyside, England, UK, L4 4EL. In historical terms, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. The wider historical story is that sports venues and objects often carry strong associations with particular eras, clubs and events
Changes in branding, safety standards, broadcasting and stadium design mean relatively recent images can acquire historical value rapidly. The historical context is that images of people at work document changing occupations and working practices
Clothing, equipment and surroundings can reveal how service, craft and professional roles were organised at the time the photograph was made. During 2026, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse. In the present 2026 context, professional sport is increasingly shaped by digital broadcasting, data, sponsorship and sophisticated venues, while heritage grounds and physical memorabilia retain strong emotional appeal for supporters. In the longer view, older structures and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand community history, design, industry and social life across different periods. Against the 2026 backdrop, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse.
120 Goodison Road, Liverpool, Merseyside, England, UK, L4 4EL
Description
Keywords: old,stadium,ground,Everton,FC,football,club,Goodison Road,Liverpool,Merseyside,England,UK,L4 4EL,GoTonySmith,HotpixUK,@HotpixUK,L4,Goodison Rd,soccer,blue,blues,park,Walton,area,English,Premier League,Evertonians,Blues,bluenoses,bluenose,Farhad Moshiri,1960-68,275 games,89 goals,275 appearances,yellow,kit
Description: Tony Smith image Alamy 2R55HW7 - Everton Football Club is an English professional association football club based in Liverpool that competes in the Premier League, the top tier of English football. The club was a founder member of the Football League in 1888, and has, as of May 2023, competed in the top division for a record 120 seasons, having missed only four top-flight seasons (1930“31, 1951“52, 1952“53, and 1953“54). Everton is the club with the second-longest continuous presence in English top-flight football, and ranks third in the all-time points rankings. The club has won nine league titles, five FA Cups, one European Cup Winners' Cup and nine Charity Shields.
Formed in 1878, Everton won their first League Championship during the 1890“91 season. After winning four more League championships and two FA Cups, the club experienced a post-Second World War lull until a revival in the 1960s. A period of sustained success came in the mid-1980s, when Everton won a further two League championships, one FA Cup, and the 1985 European Cup Winners' Cup. The club's most recent major trophy was the 1995 FA Cup.
The club's supporters are colloquially known as Evertonians or Blues. Everton's main rivals are Liverpool, whose home stadium at Anfield is just under one mile away from Everton's home at Goodison Park
the two clubs contest the Merseyside derby. Everton have been based at Goodison Park since 1892, having moved from their original home at Anfield following a disagreement over its rent. The club's home colours are royal blue shirts with white shorts and socks.
Goodison Park is a football stadium in the Walton area of Liverpool, England, 2 miles (3 km) north of the city centre. It has been the home of Premier League club Everton since 1892 and has an all-seated capacity of 39,414.
Goodison Park has hosted more top-flight games than any other stadium in England. It has also been the venue for an FA Cup Final and numerous international fixtures, including a semi-final match in the 1966 World Cup
Goodison Road, Liverpool, Merseyside, England, UK, L4 4EL
Description
Keywords: old,stadium,ground,Everton,FC,football,club,Goodison Road,Liverpool,Merseyside,England,UK,L4 4EL,GoTonySmith,HotpixUK,@HotpixUK,L4,Goodison Rd,soccer,blue,blues,park,Walton,area,English,Premier League,Evertonians,Blues,bluenoses,bluenose,Farhad Moshiri,Everton v Villarreal,v,Villarreal,outside,exterior
Description: Tony Smith image Alamy 2R55HW8 - Everton Football Club is an English professional association football club based in Liverpool that competes in the Premier League, the top tier of English football. The club was a founder member of the Football League in 1888, and has, as of May 2023, competed in the top division for a record 120 seasons, having missed only four top-flight seasons (1930“31, 1951“52, 1952“53, and 1953“54). Everton is the club with the second-longest continuous presence in English top-flight football, and ranks third in the all-time points rankings. The club has won nine league titles, five FA Cups, one European Cup Winners' Cup and nine Charity Shields.
Formed in 1878, Everton won their first League Championship during the 1890“91 season. After winning four more League championships and two FA Cups, the club experienced a post-Second World War lull until a revival in the 1960s. A period of sustained success came in the mid-1980s, when Everton won a further two League championships, one FA Cup, and the 1985 European Cup Winners' Cup. The club's most recent major trophy was the 1995 FA Cup.
The club's supporters are colloquially known as Evertonians or Blues. Everton's main rivals are Liverpool, whose home stadium at Anfield is just under one mile away from Everton's home at Goodison Park
the two clubs contest the Merseyside derby. Everton have been based at Goodison Park since 1892, having moved from their original home at Anfield following a disagreement over its rent. The club's home colours are royal blue shirts with white shorts and socks.
Goodison Park is a football stadium in the Walton area of Liverpool, England, 2 miles (3 km) north of the city centre. It has been the home of Premier League club Everton since 1892 and has an all-seated capacity of 39,414.
Goodison Park has hosted more top-flight games than any other stadium in England. It has also been the venue for an FA Cup Final and numerous international fixtures, including a semi-final match in the 1966 World Cup
Goodison Road, Liverpool, Merseyside, England, UK, L4 4EL
Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,5X8A7239,Royal,Daffodil,ferry,Mersey,Liverpool,Wirral,ship,transport
Description: Tony Smith image Alamy 3E4231F - . Royal Daffodil ferry moored on the Mersey. Photographed on 4 May 2019. The recorded location is Birkenhead, Wirral, Merseyside, England, UK. Within the history of port infrastructure, working harbours combine civil engineering with everyday transport
Their breakwaters, piers, navigation lights and boarding areas reflect successive generations of investment as traditional fishing and coastal shipping have been joined by tourism, cruise traffic and lifeline ferry services. Against the 2026 backdrop for port infrastructure, current 2026 transport policy places increasing emphasis on integrated journeys, active travel and lower-emission fleets, so ferry terminals now sit within wider networks of rail, bus, cycling and electric-vehicle infrastructure rather than functioning as isolated ports. Associated subject terminology includes maritime transport, island connectivity, waterfront, quayside, marine travel, coastal transport, harbour town, passenger ferry, vehicle ferry, maritime heritage, coastal economy, 5X8A7239, and Liverpool. In relation to marine travel, historical context shows that harbours and ferry ports have shaped coastal communities for centuries, providing sheltered water for fishing, trade and passenger travel
Quays, piers, slipways and terminal buildings record evolving vessel sizes and the transition from cargo handling to modern roll-on roll-off ferry operations. For the story of passenger ferry, it is useful to note that maritime gateways connect island and mainland economies, carrying residents, visitors, freight and vehicles while also supporting fishing, leisure craft and tourism
Older waterfront buildings often survive beside modern ferry infrastructure, making port landscapes unusually layered records of economic change. The image also relates directly to maritime transport, island connectivity and waterfront. The subject also connects island connectivity, waterfront and quayside within the same editorial theme.
Birkenhead, Wirral, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,art,trumpet,music,musician,legacy,jazz,player,artist,artistic,1960,1960s,monochrome,mono,BW,Black & White,Black and White,history,heritage,old,olden,days,years,ago,urban,environment,street,road,lane,lanes,built,architecture
Description: Tony Smith image Alamy 2M475F4 - . This dated editorial view of London Road, Liverpool, Merseyside, England, UK in 2019 captures more than the immediate subject, retaining clues about local use, design, activity and change. At the centre of the view is Trumpet Player art, London Road, Liverpool, Merseyside, England, UK. Other connected aspects include street-side transport, local bus network, social history, archival record, historical comparison, regional identity, before-and-after reference, period detail, contemporary social history, roadside transit, local mobility, public-transport wayfinding, local history, and bus infrastructure. Current relevance extends to decarbonisation and local connectivity, particularly through the role of bus stops as the physical interface between passengers and the network. The archival value lies partly in recording landscape treatment and surrounding development around London Road, Liverpool, Merseyside, England, UK before changing commercial priorities alters the character of the place. The wider setting retains connections with public realm, transport accessibility, local character, place identity, public transport stop, everyday life, surface public transport, and passenger transport. The recorded references to Liverpool, Player, Trumpet, and Merseyside preserve clues about how the subject was presented, used or understood at the time. For London Road, Liverpool, Merseyside, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is decarbonisation and the role of bus stops as the physical interface between passengers and the network in a form that can be compared with future views of London Road, Liverpool, Merseyside, England, UK. The frame retains period character for later comparison. The scene captures a trace of local identity within the wider story of London Road, Liverpool, Merseyside, England, UK.
London Road, Liverpool, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,North West England,Phone,information,blue,silver,buttons,Emergency intercom,intercom,BR,rail,railways,British Rail,station,stations,communications,L7,Edge Hill station,Liverpool,Merseyside,L7 6ND,help,assistance,network,clearsonics,manager,call centre,CRM,wired,cabled,commercial,industrial
Description: Tony Smith image Alamy RK9X6W - . A close documentary record depicts the setting around Edge Hill station, Liverpool, Merseyside, England, UK, L7 6ND, in a view made during 2019. Within that setting the photograph concentrates on WayPhone Edge Hill Station Emergency Intercom Phone. Other closely connected aspects of the subject are rail corridor, train travel, passenger railway, sustainable mobility, rail infrastructure, integrated transport, station environment, intercity travel, rail transport, passenger connectivity, rail modernisation, and trackside infrastructure. In the mid-2020s, integrated public transport is increasingly discussed through decarbonisation and public ownership, with attention turning to a simpler passenger experience. Documentary value is strengthened by the precise setting at Edge Hill station, Liverpool, Merseyside, England, UK, L7 6ND, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The surrounding story includes rail heritage, commuter transport, railway operations, mass transit, regional rail, public transport network. Other local associations include Railway Station, telephone, press to call, press for information, Way Phone. The same setting also brings together transport interchange, and rail mobility. Current debate around train travel often combines public ownership, town-centre connectivity and the practical challenge of a simpler passenger experience. Taken together, these details make the photograph a useful record of local business activity, the condition of buildings, regional identity, patterns of everyday use, and public-realm details as an authentic period reference. The combination preserved here provides evidence of local character, period design, public activity, the appearance of the built environment, and changes of use at this precise location. It also preserves the area's visual identity as evidence of its time.
Edge Hill station, Liverpool, Merseyside, England, UK, L7 6ND
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,North West England,at Liverpool Lime Street mainline railway station,Merseyside,L1 1JD,Joyce clock,Whitchurch,Liverpool Lime Street,L1,Joyce,time,Liverpool,mainline,railway,JB Joyce & Co,company,JB Joyce & Company,JB Joyce,rail,analogue,hands,clockmakers,clocks,station clock,station clocks,history,historic,vintage,Joyce clockmaker,Roman,numerals,J. B. Joyce & Co,& Co,timepiece,time piece
Description: Tony Smith image Alamy RK9X6X - J. B. Joyce & Co, clockmakers, were founded in Shropshire in England. The company claim to be the oldest clock manufacturer in the world, originally established in 1690, and have been part of the Smith of Derby Group since 1965. The claim is challenged by another English firm of clockmakers, Thwaites & Reed, who claim to have been in continuous manufacture since before 1740, with antecedents to 1610.
William Joyce began in the North Shropshire village of Cockshutt making longcase clocks. The family business was handed down from father to son and in 1790 moved to High Street, Whitchurch, Shropshire. In 1834 Thomas Joyce made large clocks for local churches and public buildings. In 1849 the company copied the Big Ben escapement designed by Lord Grimthorpe. J. B. Joyce also installed synchronous electric clocks in a number of railway stations, including Liverpool's Lime Street Station, Aberystwyth in Wales, and Carnforth in Lancashire. In 1904 J. B. Joyce moved to Station Road, Whitchurch. John Edgar Howard Smith (1907“1983), a former managing director of Smith of Derby Group, designed the first and subsequent synchronous electric movements for J. B. Joyce, and their associated electro-mechanical bell striking units.
In 1964, Norman Joyce, the last member of the Joyce family, retired and sold the company to Smith of Derby. During the 1970s, many of the mechanical clocks were changed to use the electric motors made by the Smith parent company.
Liverpool Lime Street station, Lime Street, Liverpool, Merseyside, L1 1JD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,Did you know,passenger,commuters,poster,cheapest,train tickets,Liverpool transport,transport,franchise,TOC,Lime Street,Lime St,Merseyrail poster,advert,promotion,subway,underground,Liverpool subway,Merseyside,North West England,cheap,travel,public,city,centre,yellow,MerseyTravel,Mersey Travel,Liverpool,L1 1JD,L1
Description: Tony Smith image Alamy 2AGPHA1 - . A dated documentary view of Lime Street, Liverpool, Merseyside, England, UK, L1 1JD in 2019, recording the subject as it appeared at that point rather than as a generic stock illustration. The principal point of reference is Merseyrail - Buy the cheapest train tickets to anywhere, poster in Lime st station, Liverpool , Merseyside, North West England, UK. The setting also relates to architectural character, rail transport, built heritage, local character, public realm, changing land use, heritage asset, historic townscape, period streetscape, conservation architecture, everyday life, archival record, heritage landmark, and period building. Viewed from the mid-2020s, the subject sits within continuing debate about integrated transport, rail reform and linking trains more effectively with other transport. The present-day relevance extends to historic townscape and heritage conservation, while a wider concern is the contrast between preservation and redevelopment. Looking back from the mid-2020s, the image captures the visual character of the locality at the time in this part of Lime Street, Liverpool, Merseyside, England, UK, L1 1JD. A second layer of the scene includes cityscape history, transport interchange, trackside infrastructure, historical comparison, railway branding, conservation interest, historic context, and regional identity. Details involving tickets, poster, Merseyside, station, and Merseyrail give the scene useful specificity and strengthen its local, cultural or historical identity. Around Lime Street, Liverpool, Merseyside, England, UK, L1 1JD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The location additionally provides evidence of integrated transport and making rail simpler and more dependable when considered against later change at Lime Street, Liverpool, Merseyside, England, UK, L1 1JD.
Lime Street, Liverpool, Merseyside, England, UK, L1 1JD
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Eurovision,2023,Lady Lever art gallery
Description: Tony Smith image Alamy P72D9N - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral, England, UK, CH62 5EQ
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,greenwashing,Lady Lever art gallery
Description: Tony Smith image Alamy P72DH2 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral, England, UK, CH62 5EQ
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,bust,busts,stone,carved,Lady Lever art gallery
Description: Tony Smith image Alamy P72EMC - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral CH62 5EQ
-EY7XF3.jpg)
Description
Keywords: United Kingdom,UK,Liverpool,Canal,old,new,building,buildings,evening,sunshine,tourist,area,Granary,water,taxi,Armouries,Clarence,Dock,docks,workspace,cafe,eating,restaurant,boardwalk,pier,newdock,waterside,boat,boats,Leeds wharf,Wharf lock,Great Britain,Leeds Liverpool Canal,Granary Wharf,GoTonySmith,barge,housebarges,leads,Buy Pictures of,Buy Images Of,house barge
Description: Tony Smith image Alamy EY7XF3 - Leeds Dock (formerly New Dock and also known as Clarence Dock between 2001 and 2012) is a mixed development with retail, office and leisure presence in central Leeds, West Yorkshire, England. It has large residential population in waterside apartments.
New Dock was built in 1843 and was in service until 1990. The Royal Armouries Museum opened in 1996. New Dock was redeveloped as Clarence Dock, a £250 million mixed-use development between 2001 and 2007. The retail and leisure sector was launched on Saturday 11 October 2008 with fashion shows from celebrity fashion consultant and TV presenter Gok Wan. Leeds Dock now attracts around 1.5 million visitors a year although most of these are due to the proximity of the Royal Armouries Museum. Clarence Dock experienced a turbulent time since launch and is largely viewed as a failure in terms of achieving its initial vision.
It is located by the River Aire next to the Royal Armouries Museum, which faces onto Armouries Square. Leeds Dock's main shopping street, 'The Boulevard' radiates southbound from Armouries Square. Another focal point is 'The Anchorage' at the top of the dock. Clarence House is a 218-foot (66 m) tower containing 227 apartments and six retail units. On completion in April 2007, it became the eighth tallest building in Leeds but is now the twelfth tallest building.
Leeds Dock plays host to an annual Waterfront Festival each June with Dragon Boat Racing centred on Armouries Square.
New Dock, Leeds, West Yorkshire, England, UK
-EY7XF5.jpg)
Description
Keywords: United Kingdom,UK,Liverpool,Canal,old,new,building,buildings,evening,sunshine,tourist,area,Granary,water,taxi,Armouries,docks,workspace,cafe,eating,restaurant,boardwalk,pier,newdock,waterside,boat,boats,Leeds wharf,Wharf lock,Great Britain,Leeds Liverpool Canal,Granary Wharf,GoTonySmith,houseboat,barge,barges,Buy Pictures of,Buy Images Of,the
Description: Tony Smith image Alamy EY7XF5 - Leeds Dock (formerly New Dock and also known as Clarence Dock between 2001 and 2012) is a mixed development with retail, office and leisure presence in central Leeds, West Yorkshire, England. It has large residential population in waterside apartments.
New Dock was built in 1843 and was in service until 1990. The Royal Armouries Museum opened in 1996. New Dock was redeveloped as Clarence Dock, a £250 million mixed-use development between 2001 and 2007. The retail and leisure sector was launched on Saturday 11 October 2008 with fashion shows from celebrity fashion consultant and TV presenter Gok Wan. Leeds Dock now attracts around 1.5 million visitors a year although most of these are due to the proximity of the Royal Armouries Museum. Clarence Dock experienced a turbulent time since launch and is largely viewed as a failure in terms of achieving its initial vision.
It is located by the River Aire next to the Royal Armouries Museum, which faces onto Armouries Square. Leeds Dock's main shopping street, 'The Boulevard' radiates southbound from Armouries Square. Another focal point is 'The Anchorage' at the top of the dock. Clarence House is a 218-foot (66 m) tower containing 227 apartments and six retail units. On completion in April 2007, it became the eighth tallest building in Leeds but is now the twelfth tallest building.
Leeds Dock plays host to an annual Waterfront Festival each June with Dragon Boat Racing centred on Armouries Square.
New Dock, Leeds, West Yorkshire, England, UK
-reflection-EY7XR2.jpg)
Description
Keywords: United Kingdom,UK,Liverpool,Canal,old,new,building,buildings,evening,Granary,water,Armouries,Dock,docks,workspace,cafe,eating,restaurant,boardwalk,pier,newdock,waterside,boat,boats,Leeds wharf,Wharf lock,Leeds Liverpool Canal,Granary Wharf,GoTonySmith,reflection,reflected,mirror,gate,office,offices,skyline,Moody Sky,Lock Gates,Leeds Skyline,lock development
Description: Tony Smith image Alamy EY7XR2 - Leeds Dock (formerly New Dock and also known as Clarence Dock between 2001 and 2012) is a mixed development with retail, office and leisure presence in central Leeds, West Yorkshire, England. It has large residential population in waterside apartments.
New Dock was built in 1843 and was in service until 1990. The Royal Armouries Museum opened in 1996. New Dock was redeveloped as Clarence Dock, a £250 million mixed-use development between 2001 and 2007. The retail and leisure sector was launched on Saturday 11 October 2008 with fashion shows from celebrity fashion consultant and TV presenter Gok Wan. Leeds Dock now attracts around 1.5 million visitors a year although most of these are due to the proximity of the Royal Armouries Museum. Clarence Dock experienced a turbulent time since launch and is largely viewed as a failure in terms of achieving its initial vision.
It is located by the River Aire next to the Royal Armouries Museum, which faces onto Armouries Square. Leeds Dock's main shopping street, 'The Boulevard' radiates southbound from Armouries Square. Another focal point is 'The Anchorage' at the top of the dock. Clarence House is a 218-foot (66 m) tower containing 227 apartments and six retail units. On completion in April 2007, it became the eighth tallest building in Leeds but is now the twelfth tallest building.
Leeds Dock plays host to an annual Waterfront Festival each June with Dragon Boat Racing centred on Armouries Square.
New Dock, Leeds, West Yorkshire, England, UK
Description
Keywords: Hope,st,street,Roman,Catholic,Archdiocese,of,Liverpool,student,students,travel,to,tour,Metropolitan,Cathedral,of,Christ,the,King,Liverpool,Metropolitan,Cathedral),is,the,cathedral,of,the,Roman,Catholic,Archdiocese,of,Liverpool,in,Liverpool,England. The cathedral,2,attraction,brutalist,brutal,concrete
Description: Tony Smith image Alamy DRH7XY - Metropolitan Cathedral of Christ the King (usually known as Liverpool Metropolitan Cathedral) is the cathedral of the Roman Catholic Archdiocese of Liverpool in Liverpool, England. The cathedral is the seat of the Archbishop of Liverpool.The Grade II* Metropolitan Cathedral is one of Liverpool's many listed buildings. It is sometimes known locally as Paddy's Wigwam or the Mersey Funnel, especially for tourists, but these are less common terms locally within the City.
The cathedral's architect, Frederick Gibberd, was the winner of a worldwide design competition. Construction began in 1962 and took five years. Earlier designs for a cathedral were proposed in 1853, 1933, and 1953, but none was completed.
During the Great Irish Famine (1845“1852) the Catholic population of Liverpool increased dramatically. About half a million Irish, who were predominantly Catholic, fled to England to escape the famine
many embarked from Liverpool to travel to North America while others remained in city.[5] Because of the increase in the Catholic population, the co-adjutor Bishop of Liverpool, Alexander Goss (1814“1872), saw the need for a cathedral. The location he chose was the grounds of St. Edward's College on St. Domingo Road, Everton.[6]
In 1853 Goss, then bishop, awarded the commission for the building of the new cathedral to Edward Welby Pugin (1833“1875). By 1856 the Lady Chapel of the new cathedral had been completed. Due to financial resources being diverted to the education of Catholic children, work on the building ceased at this point and the Lady Chapel “ now named Our Lady Immaculate “ served as parish church to the local Catholic population until its demolition in the 1980s.
Mount Pleasant, student areas, England, UK
Description
Keywords: Hope,st,street,Catholic,Archdiocese,of,Liverpool,student,students,tourist,tourism,travel,to,tour,Metropolitan,Cathedral,of,Christ,the,King,(usually,known,as,Liverpool,Metropolitan,Cathedral),is,the,of,the,Catholic,Archdiocese,of,Liverpool,in,Liverpool,England. The cathedral,2,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DRH816 - Metropolitan Cathedral of Christ the King (usually known as Liverpool Metropolitan Cathedral) is the cathedral of the Roman Catholic Archdiocese of Liverpool in Liverpool, England. The cathedral is the seat of the Archbishop of Liverpool.The Grade II* Metropolitan Cathedral is one of Liverpool's many listed buildings. It is sometimes known locally as Paddy's Wigwam or the Mersey Funnel, especially for tourists, but these are less common terms locally within the City.
The cathedral's architect, Frederick Gibberd, was the winner of a worldwide design competition. Construction began in 1962 and took five years. Earlier designs for a cathedral were proposed in 1853, 1933, and 1953, but none was completed.
During the Great Irish Famine (1845“1852) the Catholic population of Liverpool increased dramatically. About half a million Irish, who were predominantly Catholic, fled to England to escape the famine
many embarked from Liverpool to travel to North America while others remained in city.[5] Because of the increase in the Catholic population, the co-adjutor Bishop of Liverpool, Alexander Goss (1814“1872), saw the need for a cathedral. The location he chose was the grounds of St. Edward's College on St. Domingo Road, Everton.[6]
In 1853 Goss, then bishop, awarded the commission for the building of the new cathedral to Edward Welby Pugin (1833“1875). By 1856 the Lady Chapel of the new cathedral had been completed. Due to financial resources being diverted to the education of Catholic children, work on the building ceased at this point and the Lady Chapel “ now named Our Lady Immaculate “ served as parish church to the local Catholic population until its demolition in the 1980s.
Mount Pleasant, student areas, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,L3,Merseyside,England,UK,north,west,neon,signage,icon,venue,location,docks,red,brick,L3 4AA,night,dusk,Gower Street,British,English,letters,lettering,entrance,outside,exterior,blue,hour,UNESCO,world heritage,site,buildings,architecture,Eurovision,2023
Description: Tony Smith image Alamy DDXKRH - The Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world.
At the time of its construction the Albert Dock was considered a revolutionary docking system because ships were loaded and unloaded directly from/to the warehouses. Two years after it opened it was modified to feature the world's first hydraulic cranes. Due to its open yet secure design, the Albert Dock became a popular store for valuable cargoes such as brandy, cotton, tea, silk, tobacco, ivory and sugar. However, despite the Albert Dock's advanced design, the rapid development of shipping technology meant that within 50 years, larger, more open docks were required, although it remained a valuable store for cargo.
During the Second World War, the Albert Dock was requisitioned by the Admiralty serving as a base for boats of the British Atlantic Fleet. The complex was damaged during air raids on Liverpool, notably during the May Blitz of 1941. In the aftermath of the war, the financial problems of the owners and the general decline of docking in the city meant that the future of the Albert Dock was uncertain. Numerous plans were developed for the re-use of the buildings but none came to fruition and in 1972 the dock was finally closed. Having lain derelict for nearly ten years, the redevelopment of the dock began in 1981, when the Merseyside Development Corporation was set up, with the Albert Dock being officially re-opened in 1984.
Today the Albert Dock is a major tourist attraction in the city and the most visited multi-use attraction in the United Kingdom, outside of London. It is a vital component of Liverpool's UNESCO designated World Heritage Maritime Mercantile City and the docking complex and warehouses also com
Albert Dock Liverpool , Merseyside , England , UK ,L3 4AA
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Liverpool,beer,Tap,Love Lane,ale,CAMRA,Higsons beers,Daniel Higson,brick,red brick,brewery,Higson Brewery,factory,brewing,Abandoned Factory
Description: Tony Smith image Alamy DDE67F - Higsons Brewery was originally formed in 1780 at 64 Dale Street, Liverpool. The company brewed beer at this site until 1914, when it moved to the Windsor Brewery in Upper Parliament Street.
In 1918 the brewery was bought by J. Sykes & Company. The combined company began to expand further, acquiring several public houses in the Wirral area and the Spraggs Brewery in 1919. In 1923, the company bought the newly merged Walker Cains' Brewery in Liverpool's Stanhope Street following that company's decision to focus production at its Warrington brewery. There was one last push for expansion in 1927, when the firm acquired Joseph Jones & Co. in Knotty Ash. A further 70 public houses were added as a result.
In 1962, Higsons purchased a new head office in North Street, Liverpool. 1974 saw the brewery merge with James Mellor & Sons. In 1978, Higsons acquired the Bent's Brewery, which was based next to its North Street head office. The vendor was the Bass Brewery. Boddingtons of Manchester acquired Higsons in 1985 but decided to abandon brewing in 1989 to focus on its pubs. Boddingtons' brewing arm was sold to Whitbread in 1990 which then subsequently closed the Higsons Stanhope brewery.
Description
Keywords: Numbers,integer,78,seventy,eight,SEVENTYEIGHT,series,square,Hipstamatic,Liverpool,door,doorway,number
Description: Tony Smith image Flickr 1525531983 - 'View this whole set here. If you do Twitter add me here.
78 is the atomic number of platinum. With 3 distinct prime factors 78 is a sphenic number. It is an abundant number with an aliquot sum of 90. As a multiple of a perfect number, 78 is itself a semiperfect number.
78 is the 12th triangular number. 77 and 78 form a Ruth-Aaron pair.
Since it is possible to find sequences of 78 consecutive integers such that each inner member shares a factor with either the first or the last member, 78 is an Erd\u0151s\u2013Woods number.
A typical tarot deck containing the 21 trump cards, the Fool and the 56 suit cards make up 78 cards.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',
Description
Keywords: Detail,from,the,7,foot,high,circular,bronze,memorial,in,the,Old,Haymarket,district,of,Liverpool,(Erected,in,April,2013).,This,memorial,is,inscribed,with,the,words,and,displays,the,names,of,the,96,who,died,respect,city,of,England,Merseyside,gotonysmith,LFC,football,club,kop,the,safety,stadium,verdict,15,April,1989,15th,L1,6RA,L16RA,Never Walk Alone,@hotpixUK,LiverpoolFC,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DB6NKK - Detail from the 7 foot high circular bronze memorial in the Old Haymarket district of Liverpool (Erected in April 2013). This memorial is inscribed with the words: Hillsborough Disaster - we will remember them, and displays the names of the 96 victims who died
St John's Gardens,, Old Haymarket, Liverpool , Merseyside, England, UK, L1 6ER
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,Speke,aerodrome,airport,historic,1960s,Hotel,hotel building,renovated,airside,Speke Aerodrome Heritage,Group,Liverpool Airport Speke Aerodrome,Liverpool L24 8QD,Bristol Britannia 308F G-ANCF,Percival Prince G-AMLZ,L24,brick,building,plane,aircraft,artdeco,L24 8QD,history,buildings,airfields,airfield
Description: Tony Smith image Alamy 2BFBCDB - The Crowne Plaza Liverpool John Lennon Airport Hotel, formerly the Marriott Liverpool South Hotel, is an airport hotel near to Liverpool John Lennon Airport, serving the English city of Liverpool. Today a member of the Crowne Plaza chain owned by the InterContinental Hotels Group, the Grade II* listed Art Deco hotel building has an unusual history.
The building was constructed in the 1930s, as the terminal building for the airport, then known as Speke Aerodrome. It is still sometimes seen on early television news footage, with its terraces packed with fans waiting to greet the Beatles on their return from tour. The airport terminal was moved to a more modern building at Liverpool John Lennon Airport in 1986, and the original building was left derelict for over a decade. During this time, the building was featured on the cover art of the single Don't Go Away, by Oasis. However it has since been renovated and adapted to become a hotel, opening for business in 2001. The adaption involved adding two new bedroom wings on the frontage of the hotel, but the airside aspect has been preserved intact.
The former apron of the terminal is also listed and retained in its original condition, although it is no longer connected to the airport or subject to airside access control. It is the home of several aircraft, including BAe Jetstream 41 prototype G-JMAC, Hawker Siddeley HS 748 G-BEJD, Bristol Britannia 308F G-ANCF and Percival Prince G-AMLZ, preserved by the Speke Aerodrome Heritage Group. Additionally, the group looks after a replica de Havilland Dragon Rapide that is displayed in front of the hotel entrance
Liverpool Airport Speke Aerodrome, Liverpool,Merseyside, England, UK, L24 8QD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,Speke,aerodrome,airport,historic,1960s,Hotel,hotel building,renovated,airside,Speke Aerodrome Heritage,Group,Liverpool Airport Speke Aerodrome,Liverpool L24 8QD,Bristol Britannia 308F G-ANCF,Percival Prince G-AMLZ,L24,brick,building,plane,aircraft,artdeco,history,heritage airlines,airline,travel air travel,control tower,towers
Description: Tony Smith image Alamy 2BFBCDE - The Crowne Plaza Liverpool John Lennon Airport Hotel, formerly the Marriott Liverpool South Hotel, is an airport hotel near to Liverpool John Lennon Airport, serving the English city of Liverpool. Today a member of the Crowne Plaza chain owned by the InterContinental Hotels Group, the Grade II* listed Art Deco hotel building has an unusual history.
The building was constructed in the 1930s, as the terminal building for the airport, then known as Speke Aerodrome. It is still sometimes seen on early television news footage, with its terraces packed with fans waiting to greet the Beatles on their return from tour. The airport terminal was moved to a more modern building at Liverpool John Lennon Airport in 1986, and the original building was left derelict for over a decade. During this time, the building was featured on the cover art of the single Don't Go Away, by Oasis. However it has since been renovated and adapted to become a hotel, opening for business in 2001. The adaption involved adding two new bedroom wings on the frontage of the hotel, but the airside aspect has been preserved intact.
The former apron of the terminal is also listed and retained in its original condition, although it is no longer connected to the airport or subject to airside access control. It is the home of several aircraft, including BAe Jetstream 41 prototype G-JMAC, Hawker Siddeley HS 748 G-BEJD, Bristol Britannia 308F G-ANCF and Percival Prince G-AMLZ, preserved by the Speke Aerodrome Heritage Group. Additionally, the group looks after a replica de Havilland Dragon Rapide that is displayed in front of the hotel entrance
Liverpool Airport Speke Aerodrome, Liverpool,Merseyside, England, UK, L24 8QD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,Speke,aerodrome,airport,historic,1960s,Hotel,hotel building,renovated,airside,Speke Aerodrome Heritage,Group,Liverpool Airport Speke Aerodrome,Liverpool L24 8QD,Bristol Britannia 308F G-ANCF,Percival Prince G-AMLZ,L24,brick,building,plane,aircraft,artdeco,history,heritage airlines,airline,travel air travel,control tower,towers
Description: Tony Smith image Alamy 2BFBCDP - The Crowne Plaza Liverpool John Lennon Airport Hotel, formerly the Marriott Liverpool South Hotel, is an airport hotel near to Liverpool John Lennon Airport, serving the English city of Liverpool. Today a member of the Crowne Plaza chain owned by the InterContinental Hotels Group, the Grade II* listed Art Deco hotel building has an unusual history.
The building was constructed in the 1930s, as the terminal building for the airport, then known as Speke Aerodrome. It is still sometimes seen on early television news footage, with its terraces packed with fans waiting to greet the Beatles on their return from tour. The airport terminal was moved to a more modern building at Liverpool John Lennon Airport in 1986, and the original building was left derelict for over a decade. During this time, the building was featured on the cover art of the single Don't Go Away, by Oasis. However it has since been renovated and adapted to become a hotel, opening for business in 2001. The adaption involved adding two new bedroom wings on the frontage of the hotel, but the airside aspect has been preserved intact.
The former apron of the terminal is also listed and retained in its original condition, although it is no longer connected to the airport or subject to airside access control. It is the home of several aircraft, including BAe Jetstream 41 prototype G-JMAC, Hawker Siddeley HS 748 G-BEJD, Bristol Britannia 308F G-ANCF and Percival Prince G-AMLZ, preserved by the Speke Aerodrome Heritage Group. Additionally, the group looks after a replica de Havilland Dragon Rapide that is displayed in front of the hotel entrance
Liverpool Airport Speke Aerodrome, Liverpool,Merseyside, England, UK, L24 8QD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,North West England,England,UK,Great Britain,pano,L2 3SW,wide,history,tourist,tourism,attraction,town hall,townhall,historic,centre,buildings,architecture,attractions,sunny,blue skies,blue sky,maritime,port,cities,Castle Street,insurance,insurer,insurances,office,offices,Victorian,classic
Description: Tony Smith image Alamy 2BG7KEY - . A grounded editorial photograph of 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR, capturing details that may acquire greater historical value as the location and its use change. The scene records Castle Street,Panorama,Liverpool, Merseyside,England,UK ,L2 3SW. The scene can also be read in terms of local history, social history, traditional masonry, heritage landmark, community identity, urban change, changing streetscape, conservation architecture, everyday Britain, visual archive, period detail, regional identity, historical comparison, and archival record. Today's wider story includes adaptive reuse, heritage conservation and the practical question of preserving local identity during urban change. As a dated visual record of 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR, the frame retains materials and construction, making it useful if altered transport patterns subsequently changes the scene. The setting also brings in built environment, conservation interest, documentary photography, heritage asset, before-and-after reference, public realm, built heritage, and architectural contrast. References to Merseyside, Castle, Panorama, and Liverpool give the picture a strong period identity and tie it closely to the named subject. The period setting at 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for adaptive reuse and keeping older buildings useful without erasing their character within the specific setting of 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR. The wider significance includes energy retrofit and the contrast between historic fabric and modern development as part of the longer story of 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR. The scene remains tied to 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR, image reference 2BG7KEY.
36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,Skyscraper,Carillion,L3,building,luxury apartments,flats,penthouse and pavement,highest building in Liverpool,restaurant Panoramic,Panoramic,prize,buy to let,investment,property,properties,sunny,blue skies,blue sky,maritime,port,cities,development,developments,real estate,office,offices,hotel,apartments
Description: Tony Smith image Alamy 2BG7KGP - West Tower is a 40-storey tall skyscraper in Liverpool, England. The building was the second tower to be built by Carillion in Liverpool for property developers Beetham, who now use the building as their headquarters
With a spire height of 134 metres (440 ft) and 40 floors, West Tower is the tallest building in Liverpool. Nationwide, it is ranked at joint 38th tallest in the United Kingdom but is the tallest in the country outside of Greater London and Greater Manchester. The building commands views across the city, over the Mersey to the Wirral and as far as Blackpool on a clear day. The first five floors are the new headquarters for the Beetham Organization and the remaining floors, apart from the 34th, have been divided into luxury apartments and penthouses.
However, unlike St. John's Beacon, West Tower has no antennas on the roof. Therefore, when considering height excluding antennas, West Tower is the highest building in Liverpool.
The five floors of Beetham's offices are set back between concrete columns and are fully glazed. A glazed lift and stair serving the office are accommodated between raking fins with views to the river.
The 127 apartments are clad in a fully glazed perimeter curtain wall of random clear and opaque panels and are orientated to provide views of both the city and river. The upper penthouse floors are tiered back to incorporate external terraces behind glazed balustrade screens.
The 34th floor is home to Liverpool's highest restaurant, Panoramic. This floor is completely clad in a clear glass perimeter offering diners views of the city of Liverpool and further afield
West Tower, Brook Street, Liverpool, Merseyside, England,UK, L3 9PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,van,Austin,A35,Pier Head waterfront,Royal Liver Building,Three Graces,Pier Head,waterfront,Royal,Liver Building,park,landmark,Mersey Side,historic,centre,buildings,architecture,attractions,sunny,blue skies,blue sky,maritime,port,cities,Pierhead,world heritage,site,square
Description: Tony Smith image Alamy 2BG7KJ4 - . Photographed at the recorded location, the scene provides a dated reference to the subject and the surrounding social, commercial or physical environment. The principal subject is Wallace and Grommet Austin A35 blue van,HOP 2IT, at Pier Head waterfront,Royal Liver Building,Three Graces, Liverpool city centre, Merseyside. Its broader subject matter includes traditional masonry, period building, heritage asset, architectural contrast, conservation architecture, architectural character, documentary photography, local story.htm Target=_Blank>history, archival record, visual archive, changing streetscape, regional identity, built heritage, and historic streetscape. For contemporary context, historic townscape and adaptive reuse are closely related themes, especially where the issue becomes the contrast between historic fabric and modern development. As a dated visual record of the recorded location, the frame retains landscape and surrounding development, making it useful if closure or conversion subsequently changes the scene. The photograph additionally reflects before-and-after reference, local character, built environment, historical comparison, public realm, contemporary history, social landscape, and place identity. The recorded references to Wallace, Grommet, centre, Austin, and Royal preserve clues that can help identify how the subject was presented or used at the time. For the recorded location, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The scene retains a connection with historic townscape and the contrast between historic fabric and modern development within the specific setting of the recorded location. That also gives the frame relevance to heritage conservation and using existing buildings rather than demolishing them as part of the longer story of the recorded location. The image adds a further period reference to the visual history of the recorded location.
Description
Keywords: veteran,medal,medals,wr,old,soldier,pier,head,liverpool,mersey,merseyside,day,rememberence,rememberance,celebration,cenataph,england,english,UK,British,britain,great,royal,air,force,association,GB,november,11,11/11,11th,liver,building,cunard
Description: Tony Smith image Flickr 6333779781 - 'Manic Street Preachers - 'If You Tolerate This Your Children Will Be Next' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
Well what else could you post on 11/11?
The Manic Street Preachers are a Welsh alternative rock band, formed in 1986. They are James Dean Bradfield, Nicky Wire, Richey Edwards and Sean Moore. The band are part of the Cardiff music scene, and were at their most prominent during the 1990s. They are colloquially known as 'The Manics' or 'Manics'.
The band were originally a quartet: main lyricist and guitarist Richey Edwards vanished on 1 February 1995. In November 2008, thirteen years after his disappearance, he was officially declared presumed deceased.
The Manics released their debut album, Generation Terrorists in 1992. Their combination of androgynous glam punk imagery, outspoken invective and songs about 'culture, alienation, boredom and despair' soon gained them a loyal following and cult status. The band's later albums retained a leftist politicisation and intellectual lyrical style, while adopting a broader alternative rock sound.
Enigmatic lyricist Richey Edwards gained early notoriety by cutting the words '4REAL' into his arm with a razor blade (narrowly missing an artery and requiring seventeen stitches) in response to the suggestion that the band were less than authentic. The dark nature of 1994's The Holy Bible reflected the culmination of Edwards' instability.
'If You Tolerate This Your Children Will Be Next' is one of the best known tracks by the Manic Street Preachers, released as the first single from their fifth studio album, This Is My Truth Tell Me Yours, with lyrics written by Nicky Wire (credited as Nick Jones), and music written by James Dean Bradfield and Sean Moore.
It was released on 24 August 1998 and became the first of the band's two number one singles in the United Kingdom to date. The song is in the Guinness World Records as the number one single with the longest title without brackets. The song was voted no 20 on Channel 4's 100 Greatest Number One Singles, is the group's biggest success on the Irish singles chart (where it reached no 3), and is the only Manic Street Preachers track ever to be released as a single in the United States.
Various works on the Spanish Civil War were the inspiration for this song, most notably George Orwell's first-hand account, 'Homage to Catalonia.' (one of my favourite authors). Wire has acknowledged that he was also inspired by a song by The Clash, 'Spanish Bombs', which has a similar subject.
In March 2009, it was discovered that the song was used on the website of the British National Party as the soundtrack of an article describing 'the violence, hatred, fragmentation and despair' wrought on London by the 'great multicultural experiment'. The choice of this song was considered ironic by many, considering the song contains lyrics such as 'So if I can shoot rabbits/Then I can shoot fascists'. Record company Sony were successfully able to have the song removed from the site on the grounds of unauthorised use.
The BNP later released a press statement claiming that 'the song had mistakenly been automatically streamed on to its site and had nothing to do with the official party' and that 'you can interpret the lyrics any way you want'.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Leyland,double,decker,doubledecker,bus,buses,wirral,corporation,yellow,blue,birkinhead,birkenhead,1,70,transport,new,brighton,GCM152E,Woodchurch,Pemberton,Road,Seabank,Rd,Liverpool,Mersey,corpy,omnibus,tram,station,tony,smith,tonysmith,hotpix,hotpixuk,365days,HDR,high dynamic range,city,town,old,pictures,photos,photographs,images,estate,retro,merseyside
Description: Tony Smith image Flickr 3959761339 - 'Brilliant old Leyland double decker blue and yellow buses from the Wirral.
No 70 service GCM152E to Woodchurch estate via Pemberton Road and No 1 to New Brighton via Seabank Road.
More transport here www.flickr.com/photos/hotpixuk/3709536244/ and www.flickr.com/photos/hotpixuk/3709981451/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
',
Description
Keywords: Ian,stevens,IanStevens,drinkers,uk,liverpool,wirral,town,city,drunk,grolsch,dusk,drinking,stephens,tonysmith,tony,smith,noche,nuit,HOT PIX,merseyside
Description: Tony Smith image Flickr 3813065108 - 'Ian Stevens on the town with a wayward Grolsch
Another evening in Liverpool here www.flickr.com/photos/hotpixuk/3078638898/in/set-72157617...
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC
',
Description
Keywords: Fireworks,Liverpool,Anglican,Cathedral,firework,dusk,night,time,celebration,UK,England,Britain,north,west,tripod,shot,tripod shot,long,exposure,long exposure,this photo rocks,city,town,hotpics,hotpic,hotpick,hotpicks,merseyside,hotpix!
Description: Tony Smith image Flickr 3827213307 - 'Celebration hight time fireworks taken from below Hope street, Liverpool, Merseyside, England UK.
Another Mersey icon here www.flickr.com/photos/hotpixuk/3813063718/
Another kind of firework here www.flickr.com/photos/hotpixuk/4083548091/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Cheshire,England,designated,by,English,Heritage,Grade,I,gradeI,grade1,listed,building,active,diocese,of,Liverpool,archdeaconry,of,Warrington,gotonysmith,dusk,lit,at,night,religious,graves,grave,yard,lit,at,night,illuminated,norman,Legh,doomsday,book,contained,north,arcade,south,porch,stone,built,of,with,a,metal,stainless steel roof carved pig,gotonysmith
Description: Tony Smith image Alamy CF0NPH - St Oswald's Church, Winwick, is in the village of Winwick to the north of Warrington, Cheshire, England. Here shown at dusk, the church has been designated by English Heritage as a Grade I listed building.
It is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Warrington and the deanery of Winwick.
St Oswald's Church, Winwick, Warrington, Cheshire, England, UK
Description
Keywords: Alison,Goldfrapp,AlisonGoldfrapp,Liverpool,live,tour,2008,Mountford,Hall,university,Students,union,switch,off,flash,noflash,31102008,20081031,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photographic,photography,SLR,DSLR,group,GYCA,Bellhouse,bellhouse Club,music,musician,gig,stage,performer,player,event,signed,band,lighting,anbiant,O2,academy,O2academy,tonysmith,tony,smith,HOT PIX,merseyside,#HotpixUK,#TonySmithHotpix
Description: Tony Smith image Flickr 3078638898 - 'Goldfrapp live at the Mountford Hall, Liverpool 31/10/2008 Halloween.
Another shot here www.flickr.com/photos/hotpixuk/3077807669/in/set-72157617...
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Liverpool,Old Haymarket,LFC,Anfield,St Johns Gardens,remembrance,GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,L1,L1 6ER,disaster,bronze,artwork,football,club,soccer,relief,the,dead,tragedy,deaths,we will,remember,them,frieze,names,of,memory,stadium,match,Scousers,crest
Description: Tony Smith image Alamy 2RJ3YPF - The Hillsborough Monument Memorial - Sculptor's Notes more at https://liverpoolsculptures.co.uk/the-hillsborough-monument-memorial/
The Hillsborough monument was comissioned by the Hillsborough Justice Campaign and sculpted by Tom Murphy.
Background: A young girl asked her Father, where is the Hillsborough Memorial? She was told: ˜There is one in Anfield.' She said: ˜Why can't we have one in the city centre for everyone to see.' This simple question was the catalyst for this monument
The monument is circular with a raised design in low relief. The imagery shows an imaginary place,which is meant to guide our thoughts of remembrance and all that has happened since the tragedy
The people depicted in the design are ˜the guardians of the memory', or ˜people like us' Their purpose is symbolic and other figures represent justice, hope and loss. The setting is a beautiful and quiet place, which may help us to think about the characters and individual personalities of those who died. The people who passed away are represented by the birds who fly freely throughout the work.
We reflect and empathise with those who died while considering the people they were, and might have been, were it not for the disaster
Description of the raised relief on the maquette
The design begins with two large tablets that list the names those who died. A dedication and information plaque is situated between the tablets of names with a poem, written especially for the moument, by David Charters (journalist and author). Immediately above the central dedication is a wreath of spring flowers. This reminds us of the season and number of victims who died. A Liver Bird stands guard. Below the information plaque is a rail of football scarves from differing clubs signifying the way football fans responded nationally in the days after the disaster. Around the top rim of the monument is the proclamation: ˜HILLSBOROUGH DISASTER. WE WILL REMEMBER THEM.'.
St John's Gardens,, Old Haymarket, Liverpool , Merseyside, England, UK, L1 6ER
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Description: Tony Smith image Alamy P72E1B - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral, England, UK, CH62 5EQ
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Description: Tony Smith image Alamy 2R55HW2 - Everton Football Club is an English professional association football club based in Liverpool that competes in the Premier League, the top tier of English football. The club was a founder member of the Football League in 1888, and has, as of May 2023, competed in the top division for a record 120 seasons, having missed only four top-flight seasons (1930“31, 1951“52, 1952“53, and 1953“54). Everton is the club with the second-longest continuous presence in English top-flight football, and ranks third in the all-time points rankings. The club has won nine league titles, five FA Cups, one European Cup Winners' Cup and nine Charity Shields.
Formed in 1878, Everton won their first League Championship during the 1890“91 season. After winning four more League championships and two FA Cups, the club experienced a post-Second World War lull until a revival in the 1960s. A period of sustained success came in the mid-1980s, when Everton won a further two League championships, one FA Cup, and the 1985 European Cup Winners' Cup. The club's most recent major trophy was the 1995 FA Cup.
The club's supporters are colloquially known as Evertonians or Blues. Everton's main rivals are Liverpool, whose home stadium at Anfield is just under one mile away from Everton's home at Goodison Park
the two clubs contest the Merseyside derby. Everton have been based at Goodison Park since 1892, having moved from their original home at Anfield following a disagreement over its rent. The club's home colours are royal blue shirts with white shorts and socks.
Goodison Park is a football stadium in the Walton area of Liverpool, England, 2 miles (3 km) north of the city centre. It has been the home of Premier League club Everton since 1892 and has an all-seated capacity of 39,414.
Goodison Park has hosted more top-flight games than any other stadium in England. It has also been the venue for an FA Cup Final and numerous international fixtures, including a semi-final match in the 1966 World Cup
Goodison Road, Liverpool, Merseyside, England, UK, L4 4EL
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Description: Tony Smith image Alamy 2RC6H5Y - . Liverpool Music City at St Georges Hall, St George's Pl, Liverpool , Merseyside, England, UK, L1 1JJ. Photographed on 12 July 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St George's Place, Liverpool , Merseyside, England, UK, L1 1JJ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include North West, St Georges Pl, Liverpool, Merseyside, L1 1JJ, Music, groups, poster, words, building, architecture, history, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The music context makes the image useful for editorial coverage of performers, venues, concerts, popular culture, local music heritage, audiences, nightlife and the creative industries. Such scenes can become important cultural records as bands, venues, festivals and city music districts change, linking contemporary entertainment with wider stories about tourism, identity and regeneration. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
St George's Place, Liverpool , Merseyside, England, UK, L1 1JJ
