Search full image library
Enter words, names or reference numbers. This opens Alamy results in a new tab.
Other languages and quick categories
Search HotpixUK images in Spanish, French, German, Italian, or English. Use the dropdown for shortcuts.
Search Label in other languages
Search All in French
FR Label,
Search All German
DE Label,
Search All Italian
IT Label,
Search All Spanish
ES Label,
Back to all images preview
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,can,North African,chilli,paste,spicy,traditional,product,packaging,Arabic,French,label,canned,hot,iconic,brand,tabletop,food container,red chilli,puree,Mediterranean,cooking,ingredient,reused,harissa tin,Tunisia culinary culture,authentic Maghreb cuisine,hot pepper seasoning,garlic coriander caraway,Middle Eastern food,North African grocery,vintage style food packaging,colourful metal can,restaurant table detail,imported speciality product,traditional recipe since 1946,Le Phare branding,Cap Bon lighthouse
Description: Tony Smith image Alamy 3F12E9Y - Colourful Le Phare du Cap Bon harissa tin stands on a restaurant or cafe table, repurposed as a holder for folded white paper napkins. The cylindrical metal can has the brand's familiar yellow body, green upper band and red lettering, with Arabic and French text printed across the front. Its central illustration shows a white lighthouse rising from a blue coastal scene beneath a crescent moon, surrounded by red chillies and green leaves. The packaging identifies the product as harissa and carries the wording Le Phare du Cap Bon and Since 1946 .
Harissa is a hot red pepper paste strongly associated with Tunisian and wider North African cooking. Le Phare du Cap Bon is a well-known Tunisian commercial brand whose recipe combines red chilli peppers with garlic, coriander, caraway and salt. The paste is commonly used to season soups, stews, couscous, sauces, marinades and meat dishes, or diluted into broth. The green instruction panel visible near the rim explains serving and cooking uses in English, while the multilingual design reflects the product's export market.
The close-up composition emphasises the tin's typography, metal rim, vivid colours and decorative coastal branding. A patterned textile and seated diners appear softly at the edges of the frame, suggesting an informal North African or Mediterranean dining setting without identifying a specific venue. Reusing the empty food can as a napkin or utensil holder gives the image an everyday, sustainable and cultural dimension.
The photograph is suitable for editorial features about Tunisian cuisine, Maghreb food culture, chilli products, hot sauces, restaurant table details, imported groceries, traditional condiment packaging, recycling and creative reuse. The lighthouse image refers to Cap Bon, the peninsula in northeastern Tunisia after which the brand is named. The distinctive yellow tin is closely associated with mass-market Tunisian harissa and the country's culinary identity
Tunisia
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_2891,An Organ Grinder,framed,painting,displayed,white,gallery,wall,Britain,UK,artwork,museum,exhibition,art,frame,culture,heritage,curation,display,visitor,attraction,historic,picture,label,visual,arts,interior,collection,LS Lowry,Lowry,Manchester,Moseley,Street
Description: Tony Smith image Alamy 3F12E0T - . An Organ Grinder framed LS Lowry painting displayed on a white gallery wall in manchester, UK. Photographed on 16 March 2024. The artwork shows a detailed urban street scene in a decorative dark frame, accompanied by an interpretation label positioned alongside the picture. The oblique viewpoint shows both the physical frame and surrounding white wall, giving useful context for how the work is exhibited rather than reproducing the painting alone. Looking at sculpture, the longer history is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. The background to heritage attraction is that museums turn objects into interpreted history, while archives preserve documents that may have little value until researchers connect them with people, buildings or events
Interiors therefore record both collections and changing curatorial practice. In 2026, sculpture remains relevant because contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and place-making. Current 2026 context around heritage attraction is that libraries and museums continue to operate as community hubs, visitor attractions and sources of digital access, while funding pressures encourage partnerships, volunteering and new uses for historic buildings. Associated keywords and synonyms include cultural identity, visual culture, community art, memorial art, public realm, cultural landmark, public library, reading room, local history, public history, museum display, archive research, library service, cultural institution, and historical records.
Manchester, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,historic,cast,iron,steel,metal,embossed,labelled,with,autumn,leaf,leaves,street,road,Westminsters,rust,rusty,rusted,old,autumnal,letter,letters,word,words,the,Fall,label,sign,sewage,seat,of,government
Description: Tony Smith image Alamy 2T35C1K - This plain-speaking location image records Historic cast iron embossed grid labelled City of Westminster, with autumn leaves. The row metadata places the subject at Westminster, London, England, UK, SW1. The spreadsheet date indicates 07 September 2023, so the picture can also work as a time-specific archive record. Plainly, the image is useful because it shows City of Westminster, Westminster, city, centre, cast iron, grid, grids, London, with search-relevant terms including City of Westminster, Westminster, city, centre, cast iron, grid, grids, London, history, heritage, England, UK, historic, cast. The arranged lettering gives the image a clear concept-photo role, turning a difficult policy or finance phrase into something immediately legible for readers. London details are useful because the city layers national politics, migration, commerce, tourism, neighbourhood change and local high streets. East End, Westminster and Holborn subjects can all carry wider meaning beyond their immediate street address. Cast iron, mileposts, grids and mining lamps are valuable industrial-history details, linking local manufacture, transport networks, public works, mining safety, municipal identity and the durable material culture still visible in streets today. It has strong value for publishers needing authentic documentary imagery for news pages, blog articles, council reports, social media graphics, presentations, magazine features and local-history explainers. Historically and socially, this kind of image can help connect past and present: older streets, civic institutions, transport systems, shops, signs, political messages or public services are not frozen museum pieces, but part of how people understand modern life, local identity and economic change. For SEO and stock-photo discovery, the description deliberately supports searches around London, documentary photography.
Westminster, London, England, UK, SW1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,evening,centre,England,UK,WA1,100 Church St,Warrington town centre at dusk,Cheshire,WA1 2TN,Scania,truck,delivering,Shell,multi-pot,vehicle,night,fuel,delivery,articulated,tanker,in,Flexigrid,livery,Hazchem,IMO,label,labels,petrol,diesel,J Sainsbury,Sainsburys,supermarket,forecourt,pipes,connected,distribution,Iran war
Description: Tony Smith image Alamy 2PHEFP3 - . Made at 100 Church St, Warrington, Cheshire, England, UK, WA1 2TN in 2023, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Vehicle night fuel delivery articulated tanker in Flexigrid livery, delivering petrol/diesel to J Sainsbury supermarket, Church St, Warrington, UK. The subject also carries associations with parish history, sacred architecture, archival record, local character, before-and-after reference, place identity, contemporary social history, public realm, changing streetscape, visual archive, documentary photography, local history, Christian heritage, and regional identity. Current relevance extends to heritage conservation and accessibility, particularly through the importance of church buildings to genealogy and local identity. For later comparison, the photograph preserves signage and branding at 100 Church St, Warrington, Cheshire, England, UK, WA1 2TN, details that may look very different after altered transport patterns. A second descriptive layer includes period detail, faith community, church interior, community identity, ecclesiastical architecture, sacred space, religious heritage, and historic church fabric. References to Church, Flexigrid, night, petrol, and articulated give the picture a strong period identity and tie it closely to its named subject. Around 100 Church St, Warrington, Cheshire, England, UK, WA1 2TN, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The wider significance includes heritage conservation and the importance of church buildings to genealogy and local identity without losing the local specificity of 100 Church St, Warrington, Cheshire, England, UK, WA1 2TN. The frame retains period character for future local research.
100 Church St, Warrington, Cheshire, England, UK, WA1 2TN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,label,45,track,by,cover,vinyl,record,allnighter,famous,Northern Soul,artist,music,musician,Casino club,WCSC,night owl,owls,red,sleeve,3 before 8,3before8,sign,signed,sleeves,bag,nightclub
Description: Tony Smith image Alamy 2MKF7EC - Tobi Lark (born Bessie Grace Gupton
1941) is an American-born Canadian soul and gospel singer, who also recorded under the names Bessie Watson and Tobi Legend. She had a top 40 hit in 1970 in Canada with We're All in This Together. Elsewhere her best known record is Time Will Pass You By, regarded as a classic of Northern soul, which she recorded in 1968 believing it was just a demo
it was released under the name of Tobi Legend without her approval.
Life and career
She was born Bessie Grace Gupton in Alabama, the daughter of gospel singer Emma Washington. She grew up in Detroit and first performed in her mother's choir, the Emma Washington Gospel Singers. She toured with the group for ten years, from the age of nine, before securing her first professional job, as a backing singer for B. B. King. As Bessie Watson, she first recorded in 1963, releasing the single 'Deed I Do backed by the Cannonball Adderley Quintet, on the Riverside label, and then two singles, I'm in Your Corner and Wake Up Crying on the Jay Pee label. As Tobi Lark, she then recorded several singles for the Palmer, Topper, and U.S.D. labels, but none achieved much commercial success. She also performed with the Impressions, the Four Tops, Ben E. King, Wilson Pickett, King Curtis, and Duke Ellington, among others
In 1968, in Detroit, she recorded Time Will Pass You By, a song written by English-born songwriter and record producer John Rhys Eddins with Nick Zesses and Dino Fekaris. The record was released on the Mala label under the name Tobi Legend, but it was unsuccessful until it was picked up in the early 1970s by followers of the Northern soul scene in the UK. The song became known as one of the Three Before Eight, played at the conclusion of every all-nighter at the Wigan Casino club, and has since featured on several anthologies of Northern soul music including The Best Northern Soul All-Nighter ... Ever!, The Northern Soul Story, and The Wigan Casino Story
Station Road, Wigan, Lancashire, England, UK ,WN1 0SD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,5X8A0016,Barros,Port,label,Porto
Description: Tony Smith image Alamy 3E8E15G - . Barros Port label Porto. Photographed on 19 January 2023. The recorded location is Porto, Portugal. For island connectivity, the historical context is that harbours and ferry ports have shaped coastal communities for centuries, providing sheltered water for fishing, trade and passenger travel
Quays, piers, slipways and terminal buildings record evolving vessel sizes and the transition from cargo handling to modern roll-on roll-off ferry operations. Looking at neighbourhood, the longer history is that town and neighbourhood images record the accumulation of ordinary change: road layouts, shop names, signage, public art and building uses
Their value increases when compared over decades because apparently minor details can become the clearest evidence of transformation. For island connectivity, the 2026 context is that ferry reliability, vessel replacement, accessibility and the resilience of island transport remain prominent issues in Scotland and other coastal regions
Port photographs therefore connect tourism and scenic travel with the practical dependence of communities on dependable maritime links. In 2026, neighbourhood remains relevant because current place-making policy increasingly emphasises distinctive local identity rather than generic development, so small landmarks and community businesses can become important parts of how an area is represented. Related search language includes working harbour, ferry terminal, maritime transport, lifeline ferry, port infrastructure, waterfront, quayside, marine travel, coastal transport, harbour town, passenger ferry, vehicle ferry, maritime heritage, coastal economy, local history, and place identity. Associated subject terminology includes townscape, streetscape, community history, local landmark, urban change, regeneration, local character, public realm, historic comparison, town centre, local heritage, and 5X8A0016.
Porto, Portugal
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Britain,in,labels,resin,aroma,smell,traditional,holiday,vacation,alcohol,vino,cheap,yellow,label,glass bottle,glass bottles,box,of,memories,Greek,Greece,island,islands,wines,bulk,supermarket,shop,store,alcoholic,stoppered,cap,bottles
Description: Tony Smith image Alamy 2R15NEA - . Retsina Dry Greek wine, in bottles. Photographed on 15 January 2023. The recorded location is Greece. Retsina (Greek: ÏεÏσίνα) is a Greek white (or rosé) resinated wine, which has been made for at least 2,000 years. Its unique flavor is said to have originated from the practice of sealing wine vessels, particularly amphorae, with Aleppo pine resin in ancient times. Before the invention of impermeable glass bottles, oxygen caused many wines to spoil within the year. Pine resin helped keep air out, while infusing the wine with resin aroma. The Romans began to use barrels in the 3rd century AD, removing any oenological necessity for resin, but the flavor itself was so popular that the style is still widespread today. Seen through street food, the earlier context is that restaurants, street vendors and domestic dishes illustrate migration and cultural exchange as much as appetite
Foods once considered specialist can become familiar through travel, supermarkets and changing urban populations. For business signage, the historical context is that commercial premises are part of everyday local history
Even businesses without national fame can become important reference points for residents and researchers once ownership changes or redevelopment alters the street. Looking at household object, the longer history is that everyday objects often become better historical evidence with age because packaging, typography, materials and branding evolution more rapidly than their basic function
Souvenirs, games and household items can therefore date consumer culture very precisely. The 2026 relevance of street food comes from the fact that hospitality and food retail continue to adapt to higher costs, delivery platforms and changing diets, making older restaurant and product images valuable evidence of consumer trends. Additional subject language includes island, islands, bulk, supermarket, shop, and food culture.
Greece
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,ale,label,IPA,brewery,craft beer,UK,Great Britain,GB,British,brewer,local,mix,of,New England IPA,sour,Shellsuit nation,Pils,Deya,Dry Hopped,Kolsch,Vault City Brewing,Neipa,ales,India Pale Ale,hop,hops,bottle labels,can,cans,bottles,design,iconic,brew,brews
Description: Tony Smith image Alamy 2M69CF1 - . This location-specific image from United Kingdom in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The image documents A mix of UK craft beer labels, stuck to a wall, as wallpaper. The locality and subject together evoke public information notice, pub interior heritage, advertising ephemera, street-level marketing, changing streetscape, licensed hospitality, local history, visual merchandising, local social venue, everyday life, beer-led hospitality, community drinking venue, period advertising, and licensed trade. In present-day coverage, the subject reaches into tourism and consumer spending, not least because of pressure on hospitality margins in a high-cost economy. Today's relevance is strengthened by commercial competition, retail change and the continuing question of the historical value of ordinary advertising material. As a dated visual record of United Kingdom, the frame retains period objects and surrounding context, making it especially useful if different community use subsequently changes the scene. The surrounding story also includes promotional board, period detail, public realm, documentary photography, shop display, commercial signage, traditional ale house, and public-facing notice. The combination of labels, stuck, craft, and wallpaper anchors the frame to a recognisable activity, place or moment. By fixing the subject within United Kingdom, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another useful connection is tourism and how food, drink and heritage combine in destination pubs without losing the local specificity of United Kingdom. The scene further reflects consumer culture and how signs and displays become time-specific records of commercial language in a form that can be compared with future views of United Kingdom.
United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,ale,label,IPA,brewery,craft beer,UK,Great Britain,GB,British,brewer,local,mix,of,New England IPA,sour,Shellsuit nation,Pils,Deya,Dry Hopped,Kolsch,Vault City Brewing,Neipa,Beak,Rivington Brewing Co,Track,New Bristol Brewery,Leviathan Brewing,Whiplash Headlines Triple IPA,Slushato,The queer brewing project,Neonraptor Brewing Co,style,styles
Description: Tony Smith image Alamy 2M69CF3 - . Made at United Kingdom in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is A mix of UK craft beer labels, stuck to a wall, as wallpaper. The image also relates to regional identity, public information notice, night-time economy, licensed trade, traditional pub, local character, period advertising, commercial signage, public-facing notice, visitor hospitality, documentary photography, street-level marketing, contemporary social history, and food-and-drink business. The wider contemporary story combines pub closures, consumer spending and pressure on hospitality margins in a high-cost economy. Viewed from the mid-2020s, the subject also connects with commercial competition, retail change and the speed at which branding and promotional styles change. For later comparison, the photograph preserves local activity and public use at United Kingdom, details that may look very different after redevelopment. Other useful contextual ideas include place identity, visual archive, changing streetscape, historic signage, shop display, changing land use, everyday life, and brand communication. The recorded references to labels, wallpaper, stuck, and craft preserve clues about how the subject was presented, used or understood at the time. The wider setting at United Kingdom matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes pub closures and how food, drink and heritage combine in destination pubs in a form that can be compared with future views of United Kingdom. Another strand within the photograph is consumer culture and how signs and displays become time-specific records of commercial language within the real-world context of United Kingdom.
United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,ale,label,IPA,brewery,craft beer,UK,Great Britain,GB,British,brewer,local,mix,of,New England IPA,sour,Shellsuit nation,Pils,Deya,Dry Hopped,Kolsch,Vault City Brewing,Neipa,Beak,Rivington Brewing Co,Track,Lakes Brew Co,Salopian Brewery,Pomona Island,Sour Farmhouse IPA,Day Saver Pale,Sonoma,Triple Oatmeal,Russian Oatmeal Stout,pilsner,DDH
Description: Tony Smith image Alamy 2M69CF6 - . An on-location photograph from United Kingdom in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The defining feature is A mix of UK craft beer labels, stuck to a wall, as wallpaper. The broader subject matter reaches into promotional board, public information notice, local social venue, brand communication, hospitality economy, street-level marketing, night-time economy, period detail, retail graphics, regional identity, historic signage, licensed hospitality, period advertising, and historic hostelry. From a 2025-onward perspective, tourism and pub closures are closely linked to this subject, alongside the role of historic venues in tourism and neighbourhood identity. The wider contemporary story combines visual identity, advertising regulation and how public-facing messages shape behaviour and purchasing. The archival value lies partly in recording landscape treatment and surrounding development around United Kingdom before replacement signage alters the character of the place. The surrounding story also includes changing land use, food-and-drink business, visual archive, changing streetscape, documentary photography, public realm, historical comparison, and before-and-after reference. Elements such as stuck, labels, wallpaper, and craft add documentary specificity and may become increasingly useful when compared with later records. Around United Kingdom, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is tourism and the role of historic venues in tourism and neighbourhood identity within the specific setting of United Kingdom. The setting also helps illustrate public safety and the speed at which branding and promotional styles change as part of the longer story of United Kingdom.
United Kingdom
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,UK,Warrington,Cheshire,company,electronics,turn table,case,speed,45,33,78,16,rpm,vinyl,records,tone,arm,with,Polygon,label,red,12,12 inch,12inch,on,the,teenage,teenager,English,British,playing,music,an,album,audio,mains,valve
Description: Tony Smith image Alamy 2M3JB7E - . An on-location photograph from the recorded location in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. At the centre of the view is 1960s Baird Record player, with Polygon vinyl 12 LP on the turntable. The locality and subject together evoke social history, local history, community identity, regional music heritage, memorial culture, archival record, place identity, contemporary social history, local character, commemorative plaque, documentary photography, public realm, before-and-after reference, and cultural memory. In present-day coverage, the subject reaches into venue closures and commemoration, not least because of how public plaques turn personal remembrance into shared cultural memory. Future viewers can use this scene from the recorded location to compare materials and architectural details with whatever follows after closure or conversion. A second descriptive layer includes period detail, local remembrance, changing streetscape, community tribute, popular-music heritage, historical comparison, music-scene memorial, and visual archive. The combination of Record, vinyl, Baird, player, and 1960s anchors the frame to a recognisable activity, place or moment. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is venue closures and how public plaques turn personal remembrance into shared cultural memory without losing the local specificity of the recorded location. The wider significance includes music heritage and how public plaques turn personal remembrance into shared cultural memory in a form that can be compared with future views of the recorded location. The scene captures evidence of changing use as part of the recorded location's history.
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,South Pier Road,England,UK,CH65 4FW,old,blue,canal,waterways,barge,narrowboat,and,1728,rusty,historic,rust,history,yellow,Reg,No,waterway,ship,boat,Bacup barge,vessel,nautical,maritime,cargo,transport,paint,painted,number,label,hull
Description: Tony Smith image Alamy 2K2PN01 - . A grounded documentary photograph made at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The scene records Bacup, waterways and canal, cargo vessel, Rec No 1728 Liverpool. The subject also carries associations with inland navigation, heritage boating, everyday life, inland transport history, working waterway, local bus network, historical comparison, local character, towpath landscape, waterborne freight, community identity, changing streetscape, passenger transport, and navigation engineering. Today's relevance is strengthened by funding, public access and the continuing question of the value of canals as both historic infrastructure and blue-green corridors. From a 2025-onward perspective, reliability and passenger information are closely linked to this subject, alongside the challenge of maintaining reliable services outside dense urban centres. Future viewers can use this scene from National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW to compare period objects and surrounding context with whatever follows after new ownership. The subject also sits alongside industrial navigation, contemporary social history, bus route infrastructure, waterway conservation, surface public transport, documentary photography, local history, and local mobility. The recorded references to Liverpool, Bacup, canal, vessel, and waterways preserve clues about how the subject was presented, used or understood at the time. A later view of National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. That local specificity strengthens the long-term documentary value of image 2K2PN01.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,label,labels,labelled,sepia,view,of,Victorian,inside,indicator,indicators,Station A,station,A,Horse landing,shunt,SDG,siding,sidings,transport,old,electro-mechanical,DN,down,through,main,technology,CW1 2DB
Description: Tony Smith image Alamy 2JWGT9M - . This dated editorial view of Crewe,Cheshire,England,UK, CW1 2DB in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on Sepia view of signal box interior, Station A, Horse landing, Crewe, Cheshire, England, UK, CW1 2DB. The image also relates to rail operations, industrial railway, public realm, social history, local character, public transport stop, before-and-after reference, changing land use, station environment, historic rolling stock, local mobility, passenger information, roadside transit, and freight wagon. The wider contemporary story combines station investment, rail reform and the role of rail in lower-carbon regional transport. Viewed from the mid-2020s, the subject also connects with accessibility, service frequency and how local bus services affect access to work, education and healthcare. The image fixes transport arrangements and footfall within Crewe,Cheshire,England,UK, CW1 2DB at one identifiable point, providing a benchmark against closure or conversion. The location also brings in bus route infrastructure, community identity, place identity, regional identity, passenger transport, bus infrastructure, local history, and railway heritage. Elements such as signal, Crewe, interior, Sepia, and Station add documentary specificity and may become increasingly useful when compared with later records. A later view of Crewe,Cheshire,England,UK, CW1 2DB may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to station investment and the contrast between mechanical railway systems and digital signalling when considered against later change at Crewe,Cheshire,England,UK, CW1 2DB. The image fixes period character before later change alters the scene. It also preserves a trace of local identity as a date-specific reference.
Crewe,Cheshire,England,UK, CW1 2DB
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,controls,indicator,indicators,lever,labels,shunt,SDGS,down,holding,SDG,StationA,signals,Victorian,Edwardian,equipment,electro,mechanical,signal,box,boxes,history,historic,tech,technology,label,horse landing,sidings,panel
Description: Tony Smith image Alamy 2JWGT9R - . A grounded stock-photo/gotonysmith-Documentary.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>documentary photograph made at Crewe,Cheshire,England,UK in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The scene records Crewe, Station A signalbox - lever labels - Cheshire, England, UK. Another layer of the photograph includes changing land use, regional identity, before-and-after reference, built heritage, architectural character, historical comparison, period architecture, working railway heritage, railway heritage, public-realm investment, social history, visual archive, town-centre renewal, and station environment. Current relevance extends to signalling technology and station investment, particularly through the importance of preserving signal boxes and rolling stock as industrial heritage. In present-day coverage, the subject reaches into heritage conservation and planning, not least because of the tension between preserving local character and creating modern commercial space. The archival value lies partly in recording transport arrangements and footfall around Crewe,Cheshire,England,UK before closure or conversion alters the character of the place. Other useful contextual ideas include heritage-led regeneration, rail infrastructure, urban fabric, community identity, historic rolling stock, documentary photography, mechanical signalling, and signal-box architecture. References to signalbox, labels, Crewe, lever, and Station give the picture a strong period identity and tie it closely to its named subject. The period setting at Crewe,Cheshire,England,UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is signalling technology and the role of rail in lower-carbon regional transport within the real-world context of Crewe,Cheshire,England,UK. The frame retains part of the area's social history before later change alters the scene.
Crewe,Cheshire,England,UK
Description
Keywords: Cheshire,England,UK,station,trains,@Hotpixuk,Hotpixuk,GoTonySmith,CW1,L,lever,frame,Crewe North Junction,signal box,with,heritage,history,historic,BR,British Rail,railway,train,Pway,permanent way,P-Way,signal,signals,points,signalling,box,CW1 2DB,Lever,descriptions,at,label,labels,shunt,lines,down Manchester
Description: Tony Smith image Alamy 2JWRH39 - Crewe North Junction signal box is signal box with a Westinghouse All Electric Style 'L' lever frame which was commissioned, along with Crewe South Junction signal box (which also had a Westinghouse Style 'L' frame), on 29 March 1940 as part of a resignalling project at Crewe railway station. It saw continued use until 19 July 1985 when it was decommissioned for a redesign of Crewe station and its track layout and signalling.
Location
Crewe North Junction signal box is located on the junction to the North of Crewe railway station between the Chester Lines and the West Coast Main Line. The signal box can also see the lines to and from Manchester and Sandbach and all the platforms on the north side of the station. The signal box, still at its original site, is located in Crewe Heritage Centre where there are now demonstrations and simulations of the signalling in the North Junction box by a team of signallers.
Design
Crewe North Junction signal box contained a lever frame of the Westinghouse Style 'L' design (Westinghouse is now part of Invensys Rail) which was commissioned with Crewe South Junction signal box, which was of the same design. Crewe North Junction signal box was built to a non-standard ARP design, with 15 thick reinforced concrete walls and an 18 thick concrete roof. This was due to it being commissioned in 1940 during World War II so it was built to survive an air raid.
Vernon Way, Crewe, Cheshire, England, UK, CW1 2DB
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,and,&,volt,health and safety,hazard,health,danger,dangerous,safety,hazards,be,careful,HT,high,tension,electrics,power,supply,signs,signage,wall,attention,alert,alerts,warning,warnings,caution,energy,security,cupboard,installation,industrial,label,in,English
Description: Tony Smith image Alamy 2JP5T1H - . This scene at England, Great Britain , UK in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is Beware High Voltage sign - Electrical health and safety hazard, written in English. The locality and subject together evoke community noticeboard, public realm, terror attack aftermath, civic response, archival record, orientation signage, community resilience, street furniture, memorial context, transport stop marker, security-conscious public realm, regional identity, public security, and public information signage. Viewed from the mid-2020s, the subject also connects with community resilience, victim remembrance and the continuing importance of proportionate security around crowded places. The modern context includes continuing discussion of maintenance, transport information and the importance of clear wayfinding in public and transport environments. Small period details of transport arrangements and footfall at England, Great Britain , UK may become more significant with time, particularly following redevelopment. The surrounding story also includes local character, historical comparison, community identity, navigation aid, city-centre security, before-and-after reference, public-facing notice, and local history. References to Electrical, hazard, Beware, English, and safety give the picture a strong period identity and tie it closely to its named subject. A later view of England, Great Britain , UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another useful connection is community resilience and the continuing importance of proportionate security around crowded places without losing the local specificity of England, Great Britain , UK. It also preserves a local visual benchmark before later change alters the scene.
England, Great Britain , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,note,apology,apologise,everyone,say,forgive,me,sorry,I am,confession,sorrow,communicate,apologising,label,green,yellow,colour,coloured,square,to,all,workmates,colleagues,friends,room,mates,roommates,accountability after a mistake,taking responsibility,workplace apology,corporate apology concept,crisis communication,reputation management,damage control message,conflict resolution
Description: Tony Smith image Alamy 2JJGB4T - A bright green sticky note lies on a mottled granite or stone surface, carrying the handwritten message Sorry Everyone! in thick black marker pen. The short phrase is simple, direct and emotionally clear, turning an ordinary piece of stationery into a visual symbol of apology, regret and the acceptance of responsibility. Because the wording is addressed to a group rather than an individual, the image works especially well as a concept for collective apology, public embarrassment, workplace mistakes or a need to make amends after an error has affected several people.
The informal style of the note gives the scene a spontaneous and human quality. It does not look like a polished corporate statement or carefully prepared printed message. Instead, it suggests a quick handwritten response left after something has gone wrong, perhaps in an office, home, classroom or shared environment. That makes the image useful for themes such as accountability, communication breakdown, customer service failure, professional remorse, awkward situations, damaged trust, conflict resolution and the first steps towards rebuilding relationships.
The vivid green paper stands out strongly against the neutral speckled background, helping the note dominate the composition. The exclamation mark adds emphasis and can imply urgency, sincerity, panic, humour or a mixture of all four, depending on the editorial context. The close-up view keeps the focus entirely on the message and allows the photograph to work as a flexible conceptual stock image for articles about leadership errors, social media backlash, reputational damage, personal relationships, team dynamics and saying sorry.
No people are visible and no exterior setting, season or sky can be seen. This gives the image broad versatility, allowing it to illustrate both personal and professional situations where a group apology, expression of remorse or admission of fault is required.
England, Great Britain , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,note,apology,apologise,everyone,say,forgive,me,sorry,confession,I am,sorrow,communicate,apologising,postit,post,it,sticky,label,notes,pink,colour,square,to,all,workmates,colleagues,friends,room,mates,roommates,personal,remorse,admission of fault,expressing regret,office communication
Description: Tony Smith image Alamy 2JJGB51 - Bright pink sticky note carries the handwritten words Sorry Everyone! in thick black marker, creating a direct visual statement of apology, regret and collective accountability. The informal handwriting, emphatic exclamation mark and vivid colour give the message an immediate, personal quality, as though it has been left quickly after a mistake, misunderstanding or embarrassing incident. Placed on a mottled stone or granite surface, the simple square note becomes the clear focal point of the image.
The wording is deliberately broad and can represent an individual apologising to colleagues, friends, customers, family members, an online audience or the wider public. It may illustrate taking responsibility after an error, acknowledging that other people have been affected, attempting to repair damaged trust or beginning a difficult conversation. The image also works as a metaphor for public relations problems, workplace conflict, customer service failures, social media controversy, leadership mistakes and the need for organisations or individuals to make amends.
Unlike a carefully prepared corporate statement, the handwritten note feels spontaneous and human. Its brevity leaves the cause of the apology unstated, making the photograph adaptable to editorial stories and conceptual features about accountability, remorse, forgiveness, reputation management, emotional intelligence and conflict resolution. The message may be sincere, awkward, humorous or ironic depending on the surrounding context.
The close-up composition, everyday stationery and authentic marker writing provide strong visual simplicity with space around the note for editorial use. The bright pink paper contrasts sharply with the neutral patterned background, helping the apology stand out. No people, exterior setting, season or sky are visible, keeping attention entirely on the message and its emotional meaning.
England, Great Britain , UK
Description
Keywords: W11,art,from,of,RBKC,London,England,UK,W11 2EH,GoTonySmith,HotpixUK,@HotpixUK,British,independent,record,label,Tim Palmer,Nick Halkes,Richard Russell,Beggars Group,XlRecordings,recording,studios,hip,arty,streetart,album art,street art,stripes,stripy,stripe,style,Notting Hill,NottingHill,XL,Radioheads
Description: Tony Smith image Alamy 2M0F6MF - XL Recordings is a British independent record label founded in 1989 by Tim Palmer and Nick Halkes. It has been ran and co-owned by Richard Russell since 1996. It forms part of the Beggars Group.
Although only releasing an average of six albums a year, XL has worked with Adele, Arca, Azealia Banks, Basement Jaxx, Beck, Dizzee Rascal, Electric Six, FKA Twigs, Giggs, Gil Scott-Heron, Gotan Project, The Horrors, Yaeji, Jai Paul, Jungle, King Krule, Lemon Jelly, M.I.A., Nines, Peaches, The Prodigy, Radiohead, Sampha, SBTRKT, Sigur Rós, Tyler, the Creator, Vampire Weekend, The White Stripes, and The xx. The label releases albums worldwide and operates across a range of genres
The label was launched in 1989 to release rave and dance music. It was originally an imprint of Beggars Banquet's more commercial dance label Citybeat,
During the early 1990s, XL releases were dance oriented ranging from Belgian techno (T99's Anasthasia) to breakbeat hardcore (SL2's On a Ragga Tip) to drum and bass (Jonny L's I'm Leavin'). This period of XL's history has been recorded on the XL Recordings Chapters compilation series. In 1993, Halkes left XL to form the EMI-owned commercial dance label Positiva, and subsequently his own independent commercial dance label Incentive. After Palmer retired in 1996, Russell took over the running of the business
June 2000 saw the release of Badly Drawn Boy's The Hour of Bewilderbeast which won the 2000 Mercury Music Prize. The next year, The White Stripes third album White Blood Cells was released together with reissues of the band's previous albums, The White Stripes and De Stijl. In 2003 XL Recordings won the Music Week A&R award, and also released The White Stripes fourth album Elephant
1 Codrington Mews, Notting Hill, London, England, UK, W11 2EH
Description
Keywords: W11,art,from,of,RBKC,London,England,UK,W11 2EH,GoTonySmith,HotpixUK,@HotpixUK,British,independent,record,label,Tim Palmer,Nick Halkes,Richard Russell,Beggars Group,XlRecordings,recording,studios,hip,arty,streetart,album art,street art,stripes,stripy,stripe,style,Notting Hill,NottingHill,XL,Radioheads
Description: Tony Smith image Alamy 2M0F6MJ - XL Recordings is a British independent record label founded in 1989 by Tim Palmer and Nick Halkes. It has been ran and co-owned by Richard Russell since 1996. It forms part of the Beggars Group.
Although only releasing an average of six albums a year, XL has worked with Adele, Arca, Azealia Banks, Basement Jaxx, Beck, Dizzee Rascal, Electric Six, FKA Twigs, Giggs, Gil Scott-Heron, Gotan Project, The Horrors, Yaeji, Jai Paul, Jungle, King Krule, Lemon Jelly, M.I.A., Nines, Peaches, The Prodigy, Radiohead, Sampha, SBTRKT, Sigur Rós, Tyler, the Creator, Vampire Weekend, The White Stripes, and The xx. The label releases albums worldwide and operates across a range of genres
The label was launched in 1989 to release rave and dance music. It was originally an imprint of Beggars Banquet's more commercial dance label Citybeat,
During the early 1990s, XL releases were dance oriented ranging from Belgian techno (T99's Anasthasia) to breakbeat hardcore (SL2's On a Ragga Tip) to drum and bass (Jonny L's I'm Leavin'). This period of XL's history has been recorded on the XL Recordings Chapters compilation series. In 1993, Halkes left XL to form the EMI-owned commercial dance label Positiva, and subsequently his own independent commercial dance label Incentive. After Palmer retired in 1996, Russell took over the running of the business
June 2000 saw the release of Badly Drawn Boy's The Hour of Bewilderbeast which won the 2000 Mercury Music Prize. The next year, The White Stripes third album White Blood Cells was released together with reissues of the band's previous albums, The White Stripes and De Stijl. In 2003 XL Recordings won the Music Week A&R award, and also released The White Stripes fourth album Elephant
1 Codrington Mews, Notting Hill, London, England, UK, W11 2EH
Description
Keywords: W11,art,from,of,RBKC,London,England,UK,W11 2EH,GoTonySmith,HotpixUK,@HotpixUK,British,independent,record,label,Tim Palmer,Nick Halkes,Richard Russell,Beggars Group,XlRecordings,recording,studios,hip,arty,streetart,album art,street art,stripes,stripy,stripe,style,Notting Hill,NottingHill,XL,Radioheads
Description: Tony Smith image Alamy 2M0F6MM - XL Recordings is a British independent record label founded in 1989 by Tim Palmer and Nick Halkes. It has been ran and co-owned by Richard Russell since 1996. It forms part of the Beggars Group.
Although only releasing an average of six albums a year, XL has worked with Adele, Arca, Azealia Banks, Basement Jaxx, Beck, Dizzee Rascal, Electric Six, FKA Twigs, Giggs, Gil Scott-Heron, Gotan Project, The Horrors, Yaeji, Jai Paul, Jungle, King Krule, Lemon Jelly, M.I.A., Nines, Peaches, The Prodigy, Radiohead, Sampha, SBTRKT, Sigur Rós, Tyler, the Creator, Vampire Weekend, The White Stripes, and The xx. The label releases albums worldwide and operates across a range of genres
The label was launched in 1989 to release rave and dance music. It was originally an imprint of Beggars Banquet's more commercial dance label Citybeat,
During the early 1990s, XL releases were dance oriented ranging from Belgian techno (T99's Anasthasia) to breakbeat hardcore (SL2's On a Ragga Tip) to drum and bass (Jonny L's I'm Leavin'). This period of XL's history has been recorded on the XL Recordings Chapters compilation series. In 1993, Halkes left XL to form the EMI-owned commercial dance label Positiva, and subsequently his own independent commercial dance label Incentive. After Palmer retired in 1996, Russell took over the running of the business
June 2000 saw the release of Badly Drawn Boy's The Hour of Bewilderbeast which won the 2000 Mercury Music Prize. The next year, The White Stripes third album White Blood Cells was released together with reissues of the band's previous albums, The White Stripes and De Stijl. In 2003 XL Recordings won the Music Week A&R award, and also released The White Stripes fourth album Elephant
1 Codrington Mews, Notting Hill, London, England, UK, W11 2EH
Description
Keywords: W11,art,from,of,RBKC,London,England,UK,W11 2EH,GoTonySmith,HotpixUK,@HotpixUK,British,independent,record,label,Tim Palmer,Nick Halkes,Richard Russell,Beggars Group,XlRecordings,recording,studios,hip,arty,streetart,album art,street art,stripes,stripy,stripe,style,Notting Hill,NottingHill,XL,Radioheads
Description: Tony Smith image Alamy 2M0F6MR - XL Recordings is a British independent record label founded in 1989 by Tim Palmer and Nick Halkes. It has been ran and co-owned by Richard Russell since 1996. It forms part of the Beggars Group.
Although only releasing an average of six albums a year, XL has worked with Adele, Arca, Azealia Banks, Basement Jaxx, Beck, Dizzee Rascal, Electric Six, FKA Twigs, Giggs, Gil Scott-Heron, Gotan Project, The Horrors, Yaeji, Jai Paul, Jungle, King Krule, Lemon Jelly, M.I.A., Nines, Peaches, The Prodigy, Radiohead, Sampha, SBTRKT, Sigur Rós, Tyler, the Creator, Vampire Weekend, The White Stripes, and The xx. The label releases albums worldwide and operates across a range of genres
The label was launched in 1989 to release rave and dance music. It was originally an imprint of Beggars Banquet's more commercial dance label Citybeat,
During the early 1990s, XL releases were dance oriented ranging from Belgian techno (T99's Anasthasia) to breakbeat hardcore (SL2's On a Ragga Tip) to drum and bass (Jonny L's I'm Leavin'). This period of XL's history has been recorded on the XL Recordings Chapters compilation series. In 1993, Halkes left XL to form the EMI-owned commercial dance label Positiva, and subsequently his own independent commercial dance label Incentive. After Palmer retired in 1996, Russell took over the running of the business
June 2000 saw the release of Badly Drawn Boy's The Hour of Bewilderbeast which won the 2000 Mercury Music Prize. The next year, The White Stripes third album White Blood Cells was released together with reissues of the band's previous albums, The White Stripes and De Stijl. In 2003 XL Recordings won the Music Week A&R award, and also released The White Stripes fourth album Elephant
1 Codrington Mews, Notting Hill, London, England, UK, W11 2EH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Live,stage,live music,rock,and the,Wolves,metal,performing,at,British F1,camping,GP,performing at Silverstone,Woodlands,F1GP,July,2022,artist,label,Broken8,records,Debut,Album,War,concert,on stage,live,plays,playing,music,gig,gigging,pose,posing
Description: Tony Smith image Alamy 2JG2209 - A high-octane rock and blues outfit that hit like a hurricane, Eddie and The Wolves have been carving out their own unique path for the last few years, dominating the independent scene with a visceral blend of bold, authentic sounds. After first surfacing in 2018 with the release of their titanic debut single Love in the City', the band have been winning over fans and critics alike, and in March, they're set to embark on their most explosive tour to date.
Described by Where The Music Does The Talking as a band you must-see live , Eddie and The Wolves have built their sound on a caustic mix of flowing riffs, funky guitar solos, and thunderous percussion, crafting modern blues anthems that shine with a twist of dirty rock n' roll brilliance.
Having opened for bands like Slade, Razorlight and Reef, and sharing stages with Arrielle, Adam Slack of The Struts, and Kelsey Karter, Eddie and The Wolves have proved their musical mettle time and time again, and their recently released debut album War' has quickly become one of the year's most intoxicating releases. Delivering fourteen tracks that shine with grit, determination, and an undeniably heavy sound.
Described by Stargazer Music Magazine as If Fleetwood Mac had a baby with Biffy Clyro, and that baby was obsessed with Stevie Ray Vaughn , the album is a textured amalgamation of vintage and modern sounds, delivering a whirlwind of originality and colour that soothes the soul, frees the mind, and keeps your utterly entranced.
Silverstone Woodlands, Northamptonshire, England
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,music,posters,flyer,flyers,FAC,FACT,ACR,red,black,print,screenprint,club,Kim Philby Reappears,poster,Ian Curtis,JD,Joy,Division,history,historic,gig,gigs,punk,1970s,new wave,label,Factory,act,acts,section 25,Section25,A Certain Ratio,Kim Philby
Description: Tony Smith image Alamy 2K3T3CA - . An identifiable period record of Manchester, England, UK in 2021, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The subject captured here is Kim Philby Reappears,Joy Division,A Certain Ratio,Section25,New Osbourne,Feb7 FAC for city funds poster. Another layer of the photograph includes music-themed hospitality, visual archive, commercial redevelopment, documentary photography, period architecture, popular culture, cultural branding, civic architecture, mixed-use redevelopment, public-realm investment, historical comparison, local music culture, community identity, and archival record. Today's relevance is strengthened by public-realm investment, construction costs and the continuing question of the tension between preserving local character and creating modern commercial space. From a 2025-onward perspective, night-time economy and licensing are closely linked to this subject, alongside the enduring commercial appeal of Beatles imagery. The archival value lies partly in recording period objects and surrounding context around Manchester, England, UK before later reinterpretation alters the character of the place. The wider setting retains connections with heritage-led regeneration, cultural nostalgia, Beatles memorabilia, period detail, public realm, music tourism, music iconography, and local history. References to Reappears, funds, Osbourne, Certain, and Philby give the picture a strong period identity and tie it closely to its named subject. A later view of Manchester, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is public-realm investment and the tension between preserving local character and creating modern commercial space as part of the longer story of Manchester, England, UK.
Manchester, England, UK
Description
Keywords: HotpixUk,@Hotpixuk,GoTonySmith,England,UK,Great Britain,British beer,ale,flag,export,bottled,beer,union,jack,brewery,Brexit,Tatton Brewery,Dunham Massey,independent,brewers,JW,Lees,JW Lees,British,Britain,ales,north,northern,powerhouse,labelled,label,brands,small,smaller,regional,breweries,Cheshire,Yorkshire,Lancashire
Description: Tony Smith image Alamy 2DTMKCD - . An on-location photograph from Northern England, UK in 2020, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is North West Bottled Beers,Cheshire Gold, Moorhouses White Witch, JW Lees,Moonraker,England,UK. The surrounding context encompasses licensed hospitality, night-time economy, food tourism, public realm, social history, food-and-drink business, everyday life, local character, community identity, before-and-after reference, historical comparison, commercial hospitality, changing streetscape, and local dining scene. In present-day coverage, the subject reaches into food inflation and commercial rents, not least because of the role of restaurants and bars in visitor-led regeneration. The image fixes transport arrangements and footfall within Northern England, UK at one identifiable point, providing a benchmark against refurbishment. The wider setting retains connections with hospitality trade, hospitality venue, visual archive, restaurant culture, contemporary social history, documentary photography, independent food retail, and regional identity. Details involving Bottled, White, Beers, Moonraker, and Witch make the image more specific than a generic view and strengthen its local or historical value. For Northern England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects food inflation and the role of restaurants and bars in visitor-led regeneration within the specific setting of Northern England, UK. Its period value extends to food inflation and the role of restaurants and bars in visitor-led regeneration as part of the longer story of Northern England, UK. The scene captures a trace of local identity before later change alters the scene. The period view preserves a local visual benchmark as a date-specific reference.
Northern England, UK
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,Eire,Ireland,communication,FeckNazis,far-right,anti-nazi,label,on,a,lamp,post,Dublin City Centre,city,centre,fuck nazis,day,daytime,EU,opposition,minority,racist,racists,anti,anti-,social,issue,politics,extremists,Identity Ireland,Gary Allen,Peter OLoughlin,Alan Tighe,immigration,right wing,extremist,smash,ReformUK
Description: Tony Smith image Alamy 2M84JDN - Identity Ireland is a minor political party in Ireland. A right-wing to far-right party, it has no representation at local or national level. It was launched in Dublin on 22 July 2015. Its founders are Gary Allen, Peter O'Loughlin and Alan Tighe. O'Loughlin, the party's national spokesperson, contested the 2016 Irish general election and 2019 European Parliament election
Identity Ireland states that it favours Irish sovereignty by leaving the European Union and a return to the Irish pound. The party supports a controlled border policy in order to curtail the immigration that, it says, is putting strain on the Irish welfare system. It also supports more careful vetting of incoming asylum seekers. It supports the Irish branch of Pegida, and has joined the Fortress Europe coalition. It advocates the introduction of a two strike law for serious offences, as well as the re-introduction of penal labour. It supports keeping Ireland's neutrality. It also advocated in favour of Brexit
Identity Ireland has been accused of being racist. Some of its press conferences and meetings, and its launch, have been disrupted by protesters
Dublin , Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,label,sewn,coat,hides,clothing,clothes,from Altrincham,Trafford,Greater Manchester,England,UK,the,store,from,fur,coats,outerwear,ethical nonethical,brown,fox,vintage,1950s,1960s,squirrel,squirrels,Alty,Altrincham,Cheshire,furry,history,historic,heritage,old,practices,trade,trades
Description: Tony Smith image Alamy 2K41M2A - . Photographed at Altrincham, Cheshire, England, UK in 2019, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The scene records Mertons The furriers, fur coat, from Altrincham, Trafford, Greater Manchester, England, UK,. The setting additionally reflects historical comparison, wedding retail, marriage culture, public realm, documentary photography, social history, changing streetscape, community identity, archival record, bridal fashion, period detail, formalwear display, occasionwear, and local character. For current editorial use, changing traditions and consumer spending provide additional context, especially through how sustainability is influencing occasionwear and clothing reuse. As a dated visual record of Altrincham, Cheshire, England, UK, the frame retains lettering, decoration and surface detail, making it especially useful if altered transport patterns subsequently changes the scene. The wider setting retains connections with visual archive, everyday life, white wedding tradition, wedding industry, fashion merchandising, bridal gown, fashion shop window, and before-and-after reference. The combination of Trafford, Greater, Altrincham, furriers, and Manchester anchors the frame to a recognisable activity, place or moment. For Altrincham, Cheshire, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for changing traditions and the rising cost of weddings and growth of pre-owned or lower-cost alternatives without losing the local specificity of Altrincham, Cheshire, England, UK. Another useful connection is wedding costs and the rising cost of weddings and growth of pre-owned or lower-cost alternatives in a form that can be compared with future views of Altrincham, Cheshire, England, UK.
Altrincham, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,stouts,village,Cheshire,England,brewer,brewing,history,brewed,and,ITT,UK,WA5,WA5 4AG,bottle,bottles,recycle,recycled,glass,booze,beer,beers,Top Hat,TopHat,label,labels,shelf,shelves,old,faded,historic,heritage,brew,Warringtonian,oatmeal stout
Description: Tony Smith image Alamy 2K3XNKJ - . This scene at Burtonwood, Warrington, Cheshire, England, UK, WA5 4AG in 2019 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Historic Burtonwood beers, stout and ales, in bottles, Warrington, Cheshire, England, UK. The image also relates to before-and-after reference, traditional pub, changing land use, licensed hospitality, hospitality economy, archival record, everyday life, pub heritage, licensed trade, public realm, local history, cask-beer tradition, social history, and community identity. From a 2025-onward perspective, staffing pressure and beer duty are closely linked to this subject, alongside the value of historic pubs to tourism and local identity. As a dated visual record of Burtonwood, Warrington, Cheshire, England, UK, WA5 4AG, the frame retains materials and architectural details, making it especially useful if altered transport patterns subsequently changes the scene. The surrounding story also includes historical comparison, period detail, beer-led hospitality, place identity, local character, local social venue, documentary photography, and real-ale culture. References to Historic, stout, bottles, beers, and Burtonwood give the picture a strong period identity and tie it closely to its named subject. For Burtonwood, Warrington, Cheshire, England, UK, WA5 4AG, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is staffing pressure and the value of historic pubs to tourism and local identity without losing the local specificity of Burtonwood, Warrington, Cheshire, England, UK, WA5 4AG. The view records part of the area's social history as a date-specific reference. The image fixes details of everyday use for later comparison.
Burtonwood, Warrington, Cheshire, England, UK, WA5 4AG
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Great Britain,GB,Nottingham city centre,Notts,Nottinghamshire,bar,pub,in a bar/pub,beers,Great British,Traditional pub,Nottingham,city centre,The old castle inn,beer,IPA,bitter,mild,lager,lagers,porter,stout,CAMRA,art,label,mosaic,style,scroll,brown,trad,traditional,old man,ReformUK,5p off a pint,pint of bitter
Description: Tony Smith image Alamy 2D8NX7E - . This period photograph records 1 Castle Rd, Nottingham, England, UK, NG1 6AA as an identifiable real-world setting rather than a generic illustration. The principal subject is Traditional Ales, Stained Glass,in a bar/pub,Nottingham,city centre,Nottinghamshire, England,UK. Its broader subject matter includes historical comparison, neighbourhood pub, place identity, licensed premises, social landscape, night-time economy, contemporary history, food-and-drink business, beer-led venue, town-centre leisure, visual archive, leisure venue, local drinking place, and built environment. For contemporary context, local footfall and business rates are closely related themes, especially where the issue becomes the survival of community meeting places. The archival value lies partly in recording commercial identity and local use around 1 Castle Rd, Nottingham, England, UK, NG1 6AA before changing public expectations alters the character of the place. The photograph additionally reflects social history, archival record, local history, customer-facing hospitality, regional identity, licensed trade, community identity, and community hostelry. The recorded references to Nottinghamshire, centre, Glass, Nottingham, and Stained preserve clues that can help identify how the subject was presented or used at the time. For 1 Castle Rd, Nottingham, England, UK, NG1 6AA, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. Another useful connection is local footfall and changes in food, drink and leisure spending when considered against later change at 1 Castle Rd, Nottingham, England, UK, NG1 6AA. The scene further reflects local footfall and the loss or conversion of familiar licensed premises without losing the local specificity of 1 Castle Rd, Nottingham, England, UK, NG1 6AA. The scene remains tied to 1 Castle Rd, Nottingham, England, UK, NG1 6AA, image reference 2D8NX7E.
1 Castle Rd, Nottingham, England, UK, NG1 6AA
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Europe,Grahams Tawny,drink,drinking,alcohol,port,social drinking,men,old men,Port wine,wine,fortified,ten,10,year,years,bottles,marketing,label,Graham,Portugal,gout,year old,aged,age,quality,wine label,label labelled,Xmas,Christmas,tipple,luxury,red wine
Description: Tony Smith image Alamy 2BC398X - . This documentary view of Porto, Portugal in 2017 captures the subject within its actual surroundings, preserving a dated piece of visual history rather than an isolated object study. The view centres on Grahams 10 Year old, tawny Port, botle, Porto, Portugal, Europe. Another layer of the scene includes changing streetscape, place identity, drinks provenance, Portuguese wine tradition, social history, cellar-aged drink, public realm, fortified-wine heritage, wine tourism, documentary photography, everyday life, changing land use, beverage branding, and after-dinner drink. The present-day relevance extends to premium drinks markets and responsible drinking, while a wider concern is how premium alcohol brands combine heritage, tourism and modern marketing. As a dated visual record, the scene keeps a record of local appearance, occupation, access and public activity in this part of Porto, Portugal. Further connections include before-and-after reference, contemporary social history, premium beverage, distilling culture, local history, luxury drinks market, archival record, and historic context. Details involving Portugal, Grahams, tawny, botle, and Europe give the scene useful specificity and strengthen its local, cultural or historical identity. The period setting at Porto, Portugal helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to premium drinks markets and how premium alcohol brands combine heritage, tourism and modern marketing within the real-world context of Porto, Portugal. The location additionally provides evidence of export trade and how premium alcohol brands combine heritage, tourism and modern marketing within the specific setting of Porto, Portugal. A further contemporary connection is consumer spending and the role of provenance and age statements in drinks retail as part of the longer story of Porto, Portugal.
Porto, Portugal
Description
Keywords: Uni,sculpture,University,UMIST,Granby,Row,City,centre,tourist,tourism,landmark,sugar,sweet,sugary,soft,drinks,Nichols,grapes,raspberries,raspberry,label,icon,iconic,factory,site,Vimto fruit drink,drink bottle,Manchester University,Granby Row,Soft Drinks,Soft Drink,Matthew Nichols,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,invigorating,ideal,beverage,historic,big,label,grass,park,student,area,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Kerry Morrison,Nick Lumb,Acorn Furniture
Description: Tony Smith image Alamy H4EGB7 - At Granby Row, 2011, the grapes and raspberries have been restored with the grapes changing from red to green to reflect the ingredients of Vimto, while the blackcurrants have been replaced. A new wooded barrel has been constructed to replace the bottom of the Vimto bottle and new labels have been carved and painted.
The monument was first carved by Kerry Morrison and installed in Granby Row in 1992. Granby Row is the site of the factory where the first batch of Vimto was made by John Noel Nichols back in 1908.
After 19 years of the Manchester weather and attention from city revellers, the monument was in need of a refresh and it has been brought back to its former glory by Nick Lumb at Acorn Furniture in Wrexham.
Granby Row,Manchester,England,UK
Description
Keywords: Tony,Wilson,offices,sign,city,centre,FACT,famous,logo,Manchester M1 7EN,England,UK,red,black,steel,metal,entrance,design,innovation,music,artists,Joy,Division,Anthony H Wilson,Anthony Howard Wilson,11 Princess St,Toy Wilson,Tony Wilson,FACT 251,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,interesting,unique,indie,label,vinyl,CD,classical,01612727251,table,FactoryManchester.com,club,venue,HQ,Peter,Hook,Ben,Kelly,communications,112-118,princess,st,Street,Tokyo,industries,paradise,dance,floor,dancefloors,new,order,Joy,Division,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,great pictures of,great photos of,Factory Classical,Factory HQ,Peter Hook,Ben Kelly,Factory Communications Ltd,Tokyo Industries,Paradise Factory,New Order
Description: Tony Smith image Alamy GJBMP4 - . Factory Records Offices FACT251, 118 Princess St, Manchester M1 7EN, England, UK. Photographed on 9 August 2016. The recorded location is 118 Princess St, Manchester, England, UK M1 7EN. The old HQ building of Factory Records, iconic indie record label. 118 Princess Street was associated with Factory Records as the label's later Manchester headquarters, commonly identified by the catalogue-style designation FAC 251. Factory, founded by Tony Wilson and Alan Erasmus with designer Peter Saville and producer Martin Hannett among its defining collaborators, became central to Manchester's post-punk and dance culture through Joy Division, New Order and the Haçienda. Images of the office connect the city's built environment with the wider story of independent music, graphic design and the Madchester era. From a heritage perspective, industrial buildings and machinery preserve the material history of manufacturing Britain: steam power, engineering, mining, textiles, ceramics and mass production transformed both the economy and the physical character of towns
Surviving equipment is now studied as industrial archaeology and often conserved within museums or regenerated sites. As background, popular-music history is often preserved through ephemeral material: concert tickets, venue signage, record-company offices, flyers and amateur recordings
Such objects can connect a specific date and place with wider movements in rock, punk, post-punk and independent music. The wider historical story is that city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban change than landmark images alone. As of 2026, industrial heritage is increasingly tied to regeneration, tourism, conservation and skills education, particularly in former manufacturing towns seeking new uses for historic sites
Preserved.
118 Princess St, Manchester, England, UK M1 7EN
Description
Keywords: old,BPC,bottle,nitric,acid,label,british,english,oxidizing,agent,Spiritus,Aetheris,Nitrici,diuretic,diaphoretic,antispasmodic,Brown bottle,Sweet Spirit Of Nitre,nitric acid,oxidizing agent,Spiritus Aetheris Nitrici,GoTonySmith,medicine,extensively,employed,febrile,diseases,union,tartar,emetic,of,Mindererus,stimulus,stomach,relieving,nausea,vomiting,promoting,sleep,kidneys,augmenting,secretion,of,urine,squills,digitalis,acetate of potassa,acetate,of,potassa,The dose is a teaspoonful,given,water,Buy Pictures of,Buy Images Of,spirit of Mindererus,secretion of urine
Description: Tony Smith image Alamy F7DCX9 - Sweet Spirit of Nitre (Spiritus Aetheris Nitrici). Sweet spirit of Nitre Is diuretic, diaphoretic, and antispasmodic. It is deservedly much esteemed as a medicine, and is extensively employed in febrile diseases, either alone or in union with tartar emetic, or with spirit of Mindererus. It is often a grateful stimulus to the stomach, relieving nausea and vomiting, and promoting sleep. It acts especially upon the kidneys, augmenting the secretion of urine, and is often given in conjunction with squills, digitalis, and acetate of potassa. The dose is a teaspoonful, given in water every two or three hours. -
England
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,Isrida,collections,gotonysmith close up close-up macro mode moda textile collection accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9DNM - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,Carnaval,De,Venise,black,brown,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E50 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,Tie,rack,Charleston,made,in,italy,gotonysmith close up close-up macro mode moda textile italian accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E51 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,rack,Charleston,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E52 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Charles,Tyrwhitt,gotonysmith,close,up,close-up,macro,mode,moda,textile,maker,of,fine,shirts,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E53 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Austin,Reed,1970,gotonysmith close up close-up macro mode moda textile Cue accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E54 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Daffy,Duck,gotonysmith close up close-up macro mode moda textile cartoon accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E59 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,gotonysmith,close,up,close-up,macro,mode,moda,textile,Folkspeare,red,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E60 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Football,fan,gotonysmith,close,up,close-up,macro,mode,moda,textile,soccer,ball,balls,with,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E64 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,M&S,marks,spence,gotonysmith,close,up,close-up,macro,mode,moda,textile,rapture,spencer,&,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E65 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,golfing,rapture,gotonysmith close up close-up macro mode moda textile golf accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E66 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,1980s,Hardy,Amie,gotonysmith,close,up,close-up,macro,mode,moda,textile,Amies,100%,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E69 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,Le,Rinayers,York,Penna,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E6E - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,Le,Rinayers,York,Penna,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E6J - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,lion,maroon,gotonysmith close up close-up macro mode moda textile brown accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E6R - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,St,Michael,M&S,Marks,&,Spencer,gotonysmith close up close-up macro mode moda textile daisy accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E7C - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,mushroom,Leeds,Design,hand,painted,designs,gotonysmith close up close-up macro mode moda textile purple accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E7F - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,hand,made,Parksder,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E7M - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,gotonysmith,close,up,close-up,macro,mode,moda,textile,red,crackers,Christmas,Tree,Trees,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9ER0 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,red,santa,xmas,gotonysmith close up close-up macro mode moda textile Christmas,festive,party,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9ER1 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Yule,Xmas,gotonysmith close up close-up macro mode moda textile Christmas,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9ER2 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Yule,Xmas,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9ER3 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,merry,Xmas,Yule,gotonysmith,close,up,close-up,macro,mode,moda,textile,Christmas,USA,Yuletie,American accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on ties
Description: Tony Smith image Alamy ED9ER5 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Christmas,comedy,gotonysmith,close,up,close-up,macro,mode,moda,textile,trees,green,red,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9ER6 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,YSL,autumn,black,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on ties
Description: Tony Smith image Alamy ED9ER8 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Crewe works,rail,railway,trains,engine,transport,history,BR,UK,Great Britain,up fast,slot,labels,labeled,points,Selection,of,levers,93,94,95,96,track,tech,technology,gricers,label,signal box lever labels,lever labels,manually operated,manually,operated,manual,handle,handles
Description: Tony Smith image Alamy 2AGMNY9 - . Photographed at the recorded location in 2014, this is a specific real-world record of the subject, its setting and the period details surrounding it. The scene shows Selection of signal box levers from Crewe, up fast slot,crossing,up slow,up fast,Up Chester,platform,Up Thro - Crewe platforms, Cheshire, England. The surrounding context brings together building-material production, production technology, archival record, changing streetscape, before-and-after reference, contemporary social history, historical comparison, social history, rail corridor, working-industry history, public realm, industrial supply chain, changing land use, and historic manufacturing. For contemporary context, rail reform and station investment are closely related themes, especially where the issue becomes making rail simpler and more dependable. Viewed from the mid-2020s, the subject sits within continuing debate about adaptive reuse, regional industry and the historical importance of everyday manufactured objects and materials. For local-history research, the frame records the relationship between the subject and its surroundings within the recorded location. Further connections include place identity, production works, industrial material culture, regional identity, manufacturing heritage, factory history, everyday life, and trackside infrastructure. The recorded references to crossing, signal, Selection, levers, and platforms preserve clues about how the subject was presented, used or understood at the time. The surrounding context at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is rail reform and reducing congestion and car dependency without losing the local specificity of the recorded location. The image fixes a local visual benchmark as part of the recorded location's history.
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Gladston,glaze,pink,1373,label,labelled,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRRJ - Close-up detail of a worn paper label reading Pink 1375 on a ceramic colour jar in the historic colour room at Gladstone Pottery Museum, Longton, Stoke-on-Trent, Staffordshire. The cracked, aged label, black stencilled lettering and dark glazed storage vessel give the photograph a strong documentary feel, showing the practical materials behind pottery decoration rather than the finished ware. The image is useful for editorial and commercial themes around Staffordshire ceramics, The Potteries, colour mixing, ceramic stains, pigments, oxides, glaze ingredients, craft skills, industrial heritage, museum collections, factory interiors and the working culture of a traditional potbank. Gladstone Pottery Museum is a preserved Victorian pottery factory on Uttoxeter Road in Longton, part of Stoke-on-Trent's internationally known ceramics landscape. The museum's displays interpret the processes and supporting rooms that helped make pottery production possible, including throwing, moulding, decorating, firing, colour and gilding. This image concentrates on a small but important object: a labelled colour container, probably once used to identify or store a particular pink ceramic decorating colour or pigment. The torn paper, creases, stains and utilitarian typography suggest repeated workshop use, careful storage and the everyday knowledge of decorators, painters and colour room workers. It can support articles on British manufacturing history, pottery design, ceramic chemistry, women's work in ceramics, Clarice Cliff context, museum conservation, material culture, education, heritage tourism and North Staffordshire industrial archaeology. The close crop, muted indoor light and absence of people make it flexible as an atmospheric background image for stories about colour recipes, factory records, historic craft processes, traditional trades, local identity and the preservation of workshop objects that explain how the Potteries became a global centre for ceramics.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: going,to,be,an,uplift,and,its,going,to,make,everything,better,wall,label,NWMN,national,war,museum,North,GB,Great,Britain,UK,United,Kingdom,on,red,white,profound,poet,poetry,IWM,IWMN,gotonysmith it doesnt war never makes anything better,Buy Pictures of,Buy Images Of,Trafford Wharf Rd,Trafford Park,Stretford,Manchester,M17 1TZ
Description: Tony Smith image Alamy DA623N - . People think they are fighting for something thats going to be an uplift and its going to make everything better, IWM North. Photographed on 16 June 2013. The recorded location is Trafford Wharf Rd, Trafford Park, Stretford, Manchester, M17 1TZ. Imperial War Museum North opened at Trafford Wharf in 2002 in a building designed by Daniel Libeskind. Its fragmented geometry represents a globe shattered by conflict, with interlocking shards symbolising land, air and water. The museum interprets how war affects people and society rather than concentrating only on weapons or military campaigns, making displayed quotations and personal testimony central to its storytelling. The historical context is that graphic design turns practical information into a visual object
Typefaces, colour, layout and printing methods can identify a period or brand, while small items such as tickets and cards preserve events, prices and messages that may exist nowhere else in physical form. In the longer view, consumer products often use heritage and place as part of their branding
Traditional colours, flags, regional names and historic typography can turn everyday packaging into an expression of identity as well as a commercial object. The subject remains topical in 2026 because digital-first communication means many everyday printed objects are disappearing
Older tickets, labels, cards and signs therefore offer useful material for stories about changing design, retail and consumer behaviour. Current 2026 relevance comes from the fact that packaging is increasingly judged not only by branding but by recyclability, material use and environmental claims
Older products can therefore illustrate how consumer design evolved before today's stronger focus on circularity and waste reduction. Other closely matched search terms include printed ephemera, poster, visual communication, print design, retro design, consumer culture, paper ephemera, graphic history, and design detail.
Trafford Wharf Rd, Trafford Park, Stretford, Manchester, M17 1TZ
Description
Keywords: recording,RPM,78RPM,Vinyl,record,sold,by,willmotts,Wilmotts,Norwich,black,box,needle,HMV,his,masters,voice,label,red,hismastersvoice,Moonlight,Serenade,song,Glen,Miller,and,his,orchestra,speed,of,rotation,phono,phonograph,portable,audio,recording,format,Thomas,Edison,disc,disk,gotonysmith,gramaphone,gramofone,gramafone,English,England,UK,GB,great,Britain,walkman,early,formats,discs,disks,discs,recorded,sound,windup,handle,wound,woundup,spiral,groove,drive,system,the,needle,and,stylus,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DEJNDD - The phonograph, record player, or gramophone (from the Greek: gramma, letter and phōnē, voice), is a device introduced in 1877 for the recording and reproduction of sound recordings. The recordings played on such a device consist of waveforms that are engraved onto a rotating cylinder or disc. As the cylinder or disc rotates, a stylus or needle traces the waveforms and vibrates to reproduce the recorded sound waves.
The phonograph was invented in 1877 by Thomas Edison. While other inventors had produced devices that could record sounds, Edison's phonograph was the first to be able to reproduce the recorded sound. His phonograph originally recorded sound onto a tinfoil sheet phonograph cylinder, and could both record and reproduce sounds.
Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s, including the use of wax-coated cardboard cylinders, and a cutting stylus that moved from side to side in a zig zag pattern across the record. At the turn of the 20th century, Emile Berliner initiated the transition from phonograph cylinders to gramophone records: flat, double-sided discs with a spiral groove running from the periphery to near the center.
Other improvements were made throughout the years, including modifications to the turntable and its drive system, the needle and stylus, and the sound and equalization systems.
The gramophone record was one of the dominant audio recording formats throughout much of the 20th century. From the mid-1980s, phonograph use declined sharply because of the rise of the Compact Disc and other digital recording formats. While no longer mass market items, modest numbers of phonographs and phonograph records continue to be produced in the second decade of the 21st century.
England, UK
Description
Keywords: recording,RPM,78RPM,Vinyl,record,sold,by,willmotts,Wilmotts,Norwich,black,box,needle,HMV,his,masters,voice,label,red,hismastersvoice,Moonlight,Serenade,song,Glen,Miller,and,his,orchestra,speed,of,rotation,phono,phonograph,portable,audio,recording,format,Thomas,Edison,disc,disk,gotonysmith,gramaphone,gramofone,gramafone,English,England,UK,GB,great,Britain,walkman,early,formats,discs,disks,discs,recorded,sound,windup,handle,wound,woundup,spiral,groove,drive,system,the,needle,and,stylus
Description: Tony Smith image Alamy DEJNHK - Portable wind-up gramophone record player is displayed on a wooden tabletop in England, United Kingdom. The black suitcase-style machine is shown with its hinged lid open, a record positioned on the turntable and the curved metal tonearm resting over the playing surface. A detachable hand crank projects from the side of the case, while additional records and a brown paper sleeve lie nearby.
This type of mechanical gramophone required no mains electricity. The user wound an internal spring motor using the external handle, placed the needle into the groove and allowed the rotating disc to transmit vibrations through the soundbox. These were acoustically amplified through an internal horn or sound chamber contained inside the portable case. The compact construction made suitcase gramophones suitable for moving between rooms, taking on holidays, using outdoors or providing entertainment at social gatherings.
The disc shown is described as a 78 rpm record. Historic records made for machines of this kind were generally manufactured from a comparatively brittle shellac-based compound rather than the flexible vinyl material associated with later long-playing records. The term vinyl is nevertheless often used informally for older circular records, although shellac record is the more historically accurate description.
Portable gramophones became familiar household entertainment devices during the first half of the twentieth century, before electrically amplified radiograms, record players and modern audio systems became widespread. They allowed recorded songs, orchestral performances, dance music, comedy and spoken-word material to be enjoyed away from concert halls and theatres.
The photograph records the physical and mechanical character of early consumer sound technology, including the winding handle, turntable, needle assembly, chrome tonearm, circular soundbox, record label and protective carrying case. It is suitable for themes involving recorded music history
England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cotton,Manchester,industry,factory,mill,history,machines,cloth,manufacture,Lancashire,factory system,Victorian,mass production,Industrial Revolution,Textile manufacturing,brown,label,labeled,Oldham,cotton canister,tube,Noton Oldham,S Noton,S.Moton Ltd Oldham Eng,Eng,tall,can,canister,textile bin,textile,S.Noton of Oldham,S. Noton and Sons,Noton and Sons,Fibre and Metal Works,Goddard Street
Description: Tony Smith image Alamy 2BM3JMD - . A location-based documentary photograph from Manchester, Lancashire, England, UK, useful both for its immediate subject and for the smaller period details around it. The view specifically shows S. Noton Limited, Oldham, canister for holding cotton,textile bin, Manchester cotton mill,Lancashire, England, UK. Other aspects of the subject include visual archive, period detail, labour history, industrial material culture, archival record, documentary photography, historic workplace, local character, changing streetscape, engineering history, manufacturing infrastructure, social landscape, production technology, and production machinery. Current discussion around this subject increasingly includes embodied carbon alongside factory closures, with particular attention to understanding the industries that shaped northern towns. Future viewers can use this scene from Manchester, Lancashire, England, UK to compare public access and movement with whatever follows after closure or conversion. The wider local story also touches on working-industry history, everyday Britain, factory equipment, before-and-after reference, industrial archaeology, mill heritage, factory-floor equipment, and manufacturing heritage. Details involving cotton, Oldham, holding, Manchester, and canister make the image more specific than a generic illustration and strengthen its local or historical value. For Manchester, Lancashire, England, UK, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence for embodied carbon and understanding the industries that shaped northern towns in a form that can be compared with future views of Manchester, Lancashire, England, UK. A further contemporary connection is factory closures and finding new uses for substantial older industrial buildings within the real-world context of Manchester, Lancashire, England, UK.
Manchester, Lancashire, England, UK
Description
Keywords: Tobermorymalt,isle,of,copper,coppers,single,bled,Scotland,island,islands,Distilery,to,Burn,Stewart,Highlands,famous,very,small,old,Scotch,whiskey,liquor,liquors,bottle,label,village,port,harbour,harbor,vat,vatted,Ledaig,detail,industry,industrial,working,active,gotonysmith,Buy Pictures of,tariff-free
Description: Tony Smith image Alamy D8HDNJ - . The Tobermory Whisky Distillery copper Still, Tobermory, Isle-of-Mull, Scotland, UK, PA75 6NR. Photographed on 8 April 2010. In the longer view, scotch whisky production combines malted grain, fermentation, copper pot stills and long maturation in oak casks
Distillery equipment is deliberately traditional in form because still shape affects the character of the spirit, making copper stills both working machinery and icons of the industry. Historically, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. Current 2026 relevance comes from the fact that whisky tourism and export remain major parts of Scotland's visitor and manufacturing economy
Historic stills and packaging can illustrate both the continuity of traditional production and current efforts to make distilling more sustainable. In 2026, conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it provides about materials, local identity and how places change. In historical terms, whisky is deeply linked to Scottish regional identity and export history
Distilleries, merchants, wooden cases and copper stills document the production and distribution chain from spirit making to maturation, bottling and specialist retail. From a heritage perspective, historic whisky merchants and distilleries are part of a trade that expanded internationally during the nineteenth and twentieth centuries
Packaging and equipment can reveal individual firms, regional branding and changing styles of Scotch promotion. Closely connected keywords include single malt, whisky heritage, Scottish whisky, malt whisky, drinks industry, spirit merchant, and distillation.
Tobermory, Isle-of-Mull, Scotland, UK, PA75 6NR
Description
Keywords: School,chemistry,bottle,with,label,Sodium,Trichloride,white,gotonysmith,experiement,experiment,college,colledge,brown,label,glass,with,top,lid,Owens,College,Manchester,old,Lancashire,lab,chemistry,set,Bunsen,burner,gotonysmith,Buy Pictures of,Buy Images Of,Chemistry,sets,were,educational,toys,allowing,the,user,(typically,a,bored,teenager),to,perform,simple,chemistry,experiments.,In,the,United,Kingdom,Thomas,Salter,Science,produced,a,series,of,seven,chemistry,sets,in,the,1970s.,mainstays,in,these,sets,were,vials,of,chemicals,exotic labels,test tubes and cork stoppers,an instruction manual,litmus paper,safety,goggles,and,a,burner,of,some,description.,Amateur,chemistry,or,home,chemistry,is,the,pursuit,of,chemistry,as,a,private,hobby.,It,should,not,be,confused,with,clandestine,chemistry,which,involves,the,illicit,production,of,controlled,drugs.,Throughout,much,of,the,20th,century,amateur chemistry was an unexceptional hobby,with high-quality chemistry sets readily available,and laboratory suppliers freely selling to hobbyists. For example,Linus Pauling had no difficulty in procuring
Description: Tony Smith image Alamy CF23KE - School chemistry bottle with label Sodium Trichloride white powder
Chemistry sets were educational toys allowing the user (typically a bored teenager) to perform simple chemistry experiments.
In the United Kingdom, Thomas Salter Science produced a series of seven chemistry sets in the 1970s. mainstays in these sets were vials of chemicals, exotic labels, test tubes and cork stoppers, an instruction manual, litmus paper, safety goggles and a burner of some description.
Amateur chemistry or home chemistry is the pursuit of chemistry as a private hobby. It should not be confused with clandestine chemistry, which involves the illicit production of controlled drugs.
Throughout much of the 20th century, amateur chemistry was an unexceptional hobby, with high-quality chemistry sets readily available, and laboratory suppliers freely selling to hobbyists. For example, Linus Pauling had no difficulty in procuring
Owens College, Manchester, Lancashire, England , Great Britain, UK
Description
Keywords: Tony,Wilson,offices,sign,city,centre,FAC,FACT,famous,logo,Manchester M1 7EN,England,UK,red,black,steel,metal,entrance,design,innovation,music,artists,Joy,Division,Tony Wilson,Anthony H Wilson,Anthony Howard Wilson,11 Princess St,Toy Wilson,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,interesting,unique,indie,label,vinyl,CD,classical,01612727251,table,FactoryManchester.com,club,venue,HQ,Peter,Hook,Ben,Kelly,communications,112-118,princess,st,Street,Tokyo,industries,paradise,dance,floor,dancefloors,new,order,Joy,Division,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,great pictures of,great photos of,Factory Classical,Factory HQ,Peter Hook,Ben Kelly,Factory Communications Ltd,Tokyo Industries,Paradise Factory,New Order
Description: Tony Smith image Alamy GJBMRG - . Factory Records Offices FACT251, 118 Princess St, Manchester M1 7EN, England, UK. Photographed on 9 August 2016. The recorded location is 118 Princess St, Manchester, England, UK M1 7EN. The old HQ building of Factory Records, iconic indie record label. 118 Princess Street was associated with Factory Records as the label's later Manchester headquarters, commonly identified by the catalogue-style designation FAC 251. Factory, founded by Tony Wilson and Alan Erasmus with designer Peter Saville and producer Martin Hannett among its defining collaborators, became central to Manchester's post-punk and dance culture through Joy Division, New Order and the Haçienda. Images of the office connect the city's built environment with the wider story of independent music, graphic design and the Madchester era. Historically, factories, mills, engines and workshops record the technologies and labour that powered Britain's industrial expansion
Their machinery, inscriptions and specialist buildings are valuable evidence of engineering practice, working conditions, regional industries and the later shift from heavy industry to heritage, housing or new commercial uses. The historical context is that music scenes are shaped by both performers and infrastructure, including rehearsal rooms, record labels, promoters, venues and audiences
Photographs of these details help document local cultural ecosystems that can be lost quickly through redevelopment or changing entertainment habits. In the longer view, urban street scenes capture the cumulative effect of planning, architecture, transport, retail and public space
Shopfronts, signs, street furniture and pedestrians can date an image precisely and show how a district changes between periods of investment, decline and regeneration. In 2026, industrial heritage is increasingly tied to regeneration, tourism, conservation and skills education, particularly in former manufacturing towns seeking new uses for historic sites.
118 Princess St, Manchester, England, UK M1 7EN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,music,posters,flyer,flyers,FAC,FACT,records,at the,the,PSV,Royce Road,Hulme,21st July 1978,Culture,Tradition,Friday,28th July 1978,Suicide,Joy Division,The Actors,Ian Curtis,JD,Joy,Division,history,historic,gig,gigs,punk,1970s,new wave,label,Factory,act,acts
Description: Tony Smith image Alamy 2K3T3C6 - . A grounded documentary photograph made at Manchester, England, UK in 2021, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The photograph centres on The Factory Fridays,at the Russell Club,Royce Rd,Hulme,21st July 1978,Culture,Tradition,Friday,28th July,Suicide,Joy Division & The Actors. The subject also carries associations with music tourism, changing streetscape, local music culture, place-making, place identity, heritage-led regeneration, song-inspired design, public realm, period architecture, commercial redevelopment, civic architecture, period detail, architectural character, and everyday life. Current relevance extends to commercial viability and construction costs, particularly through the value of reusing existing buildings rather than wholesale demolition. In present-day coverage, the subject reaches into venue survival and local tourism, not least because of how memorial benches and themed venues turn music into place-based memory. As a dated visual record of Manchester, England, UK, the frame retains landscape treatment and surrounding development, making it especially useful if changed technology subsequently changes the scene. A second descriptive layer includes contemporary social history, before-and-after reference, social history, tribute venue, music iconography, community identity, archival record, and local history. References to Division, Royce, Factory, Actors, and Hulme give the picture a strong period identity and tie it closely to its named subject. The wider setting at Manchester, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for commercial viability and the value of reusing existing buildings rather than wholesale demolition as part of the longer story of Manchester, England, UK.
Manchester, England, UK
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,rack,Beaufort,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E7W - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: Tony,Wilson,offices,sign,city,centre,FAC,FACT,famous,logo,Manchester M1 7EN,England,UK,red,black,steel,metal,entrance,design,innovation,music,artists,Joy,Division,11 Princess Street,11 Princess St,Toy Wilson,Tony Wilson,FACT 251,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,interesting,unique,indie,label,vinyl,CD,classical,01612727251,table,FactoryManchester.com,club,venue,HQ,Peter,Hook,Ben,Kelly,communications,112-118,princess,st,Street,Tokyo,industries,paradise,dance,floor,dancefloors,new,order,Joy,Division,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,great pictures of,great photos of,Factory Classical,Factory HQ,Peter Hook,Ben Kelly,Factory Communications Ltd,Tokyo Industries,Paradise Factory,New Order
Description: Tony Smith image Alamy GJBMR5 - . Factory Records Offices FACT251, 118 Princess St, Manchester M1 7EN, England, UK. Photographed on 9 August 2016. The recorded location is 118 Princess St, Manchester, England, UK M1 7EN. The old HQ building of Factory Records, iconic indie record label. 118 Princess Street was associated with Factory Records as the label's later Manchester headquarters, commonly identified by the catalogue-style designation FAC 251. Factory, founded by Tony Wilson and Alan Erasmus with designer Peter Saville and producer Martin Hannett among its defining collaborators, became central to Manchester's post-punk and dance culture through Joy Division, New Order and the Haçienda. Images of the office connect the city's built environment with the wider story of independent music, graphic design and the Madchester era. In historical terms, industrial heritage links machinery and architecture with the lives of workers who operated mines, mills, potbanks, foundries and factories
As production declined or modernised, many sites were demolished, adapted or preserved, making photographs an important record of manufacturing landscapes and engineering culture. In the longer view, live music leaves a material trail through venues, tickets, posters, recording equipment and the buildings associated with bands and labels
These apparently everyday objects become cultural-history evidence as scenes, technologies and venues change or disappear. During 2026, former industrial sites continue to be repurposed as housing, offices, cultural attractions and heritage venues
That makes historic machinery and surviving industrial fabric relevant both to the story of deindustrialisation and to current regeneration of northern English and Midlands towns. Current 2026 relevance comes from the fact that the economics of live music remain under scrutiny as independent venues face costs while audiences increasingly discover and consume music digitally
Historic tickets, venue exteriors and recording.
118 Princess St, Manchester, England, UK M1 7EN
