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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Stadium,1 July 1987,historic,Boneo,concert,vintage,music,rock,Bono,The Edge,Adam Clayton,Larry Mullen,Jr,Irish,band,bands,era,collectors,item,souvenir,1980s,1980,tickets,eighties,1987,music history,collectible ticket,paper ticket,rock concert history,arena,collector,pop culture archive,rock and roll memorabilia,Leeds music history,stub,retro,design
Description: Tony Smith image Alamy 3EGG814 - Photograph of an original printed concert ticket for U2 live at Elland Road Stadium, Leeds, West Yorkshire, on Wednesday 1 July 1987, during the European leg of The Joshua Tree Tour. The ticket carries the large U2 logo, band portrait imagery of Bono, The Edge, Adam Clayton and Larry Mullen Jr, the words MCP presents, plus Special Guests, Elland Road Leeds, the date, 4.00 pm show time, 2.00 pm gates opening, £14.00 ticket price including VAT, block, row and seat details, and the warning No camping is allowed. It is a strong editorial image for searches about U2 memorabilia, 1980s rock, stadium concerts, The Joshua Tree era, music history, live music ticket design, Leeds events, Elland Road concerts and collectible paper ephemera. The Leeds show is documented as taking place on 1 July 1987 at Elland Road Stadium as part of The Joshua Tree Tour, with specialist U2 concert archive sources listing support from The Fall, The Mission and The Pretenders, making the ticket a useful visual record of a major outdoor rock event in northern England. Elland Road is best known as the home of Leeds United, but this image reflects its wider use as a large music and events venue as well as a football stadium. The ticket's blue patterned security background, gold and black typography, portrait panel and visible serial numbers help place it in the era before digital tickets, mobile entry and barcode scanning, when physical concert tickets were keepsakes as well as access documents. The worn paper, creases and aged print add documentary value, suggesting a surviving souvenir from one of the defining rock tours of the late 1980s. Useful themes include U2, Bono, Joshua Tree Tour, Elland Road, Leeds, 1987, vintage ticket, concert memorabilia, live music, arena rock, Irish rock band, eighties culture, stadium gig, West Yorkshire, collectors, nostalgia, pop culture archive, music heritage and historic entertainment ephemera.
Elland Road Stadium, Elland Road, Leeds LS11 0ES
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Southern,Republic,airports,phone,smartphone,charging,expensive,top up,essential,lockers,at,departures,Ireland,Cork,Charge.it.IE,IE,UV-C,UVC,Apple,Android,Charge-it.ie,Charge-it,quick,fast,Built-in,UV,lights,rental,install,installation,Charge It Management,Irish,locker
Description: Tony Smith image Alamy 3C4CYH7 - This contemporary British and Irish stock photograph captures ChargeIt airport charging station locker at Cork Airport, Ireland - Charge Your Mobile Here , from Charge.it.IE, IE. The row metadata places the subject at Cork Airport, Kinsale Road, Cork, T12P5NF, Ireland. The spreadsheet date indicates 20 July 2025, so the picture can also work as a time-specific archive record. Plainly, the image is useful because it shows Ireland, Irish, airport, Charge It, Here, Charge Your Mobile, Cork Airport, locker, with search-relevant terms including Ireland, Irish, airport, Charge It, Here, Charge Your Mobile, Cork Airport, locker, station, ChargeIt, Southern, Republic, airports, phone. Transport pictures are especially useful because they show the infrastructure and passenger experience behind policy debates about connectivity, reliability and regional investment. Cork Airport is an important regional gateway for southern Ireland. Airport details like baggage, passenger notices, airline rules and mobile charging are useful for stories about travel stress, low-cost aviation, regional connectivity and the changing passenger experience. The detail speaks to modern dependence on smartphones while travelling, with battery life, charging lockers, apps, boarding passes, maps, mobile payments and digital identity now part of the everyday airport and transport experience. It has strong value for publishers needing authentic documentary imagery for news pages, blog articles, council reports, social media graphics, presentations, magazine features and local-history explainers. Historically and socially, this kind of image can help connect past and present: older streets, civic institutions, transport systems, shops, signs, political messages or public services are not frozen museum pieces, but part of how people understand modern life, local identity and economic change.
Cork Airport, Kinsale Road, Cork, T12P5NF, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,boat,Dublin,Irish famine ship replica,Dublin Docklands ship,Dublin maritime heritage,historic ship Dublin,heritage,spring,early,summer,blue sky,partly,sunny,cloudy sky,fair,bright,weather Ireland,calm river conditions,daylight Ireland,Dublin cityscape,south bank River Liffey,Dublin quays,tall ship moored,maritime,Ireland,Irish,diaspora,history,tourism,regeneration,city,centre,dock,docks,dockside
Description: Tony Smith image Alamy 3CPAWW8 - The Jeanie Johnston, a full-scale replica of a nineteenth-century Irish emigrant ship, lies moored on the north bank of the River Liffey in Dublin, viewed here from the south bank. The scene is photographed in daylight under a blue sky with scattered cloud, suggesting mild spring or early summer conditions typical of fair weather in Ireland.
The ship's tall masts, rigging and traditional wooden hull stand in contrast to the modern glass and brick architecture of Dublin Docklands, reflecting the city's blend of historic memory and contemporary regeneration. Calm river conditions and soft natural light enhance the clarity of the waterfront setting.
The Jeanie Johnston serves as a floating museum and powerful symbol of Irish emigration during the Great Famine, when thousands left Ireland for North America. Today it remains a prominent riverside landmark, frequently used in editorial contexts relating to Irish history, migration, maritime heritage, tourism and Dublin's evolving urban landscape.
River Liffey, Dublin Docklands, Dublin 1, Ireland (north bank mooring, viewed from south bank)
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,graffiti,on,a,advert,hoarding,IE,Irish,politics,Palestine Action,Palastine,Gaza,peace,agreement,street art,vandalism,corporate advertising,political protest,handwritten graffiti,urban protest,Israel Palestine conflict,boycott message,political statement,anti corporate protest,public space,advertising defacement,urban politics,street activism,political expression,global conflict,consumer brands,Coca Cola advertising,zero sugar branding,contemporary politics,Ireland protest,Middle East conflict reference
Description: Tony Smith image Alamy 3BR17BK - A close-up image of a Coca Cola Zero Sugar advertisement in Dublin, Ireland, defaced with handwritten black graffiti reading Free Palestine. The political message has been painted directly over the brand's red advertising panel, partially obscuring the original corporate marketing text and imagery.
The graffiti reflects wider international protests and expressions of solidarity related to the ongoing IsraelPalestine conflict, which has prompted demonstrations, street messaging, and political statements across cities worldwide. In this case, the use of a globally recognised consumer brand as a backdrop highlights the intersection between political activism, corporate visibility, and public urban space.
Such defacement of advertising hoardings is a long-established form of protest, allowing individuals to insert political commentary into highly visible commercial environments. The image documents contemporary street-level political expression in Ireland, capturing how global geopolitical issues are reflected in local urban landscapes.
This photograph is suitable for editorial use illustrating political protest, street graffiti, public responses to international conflict, urban activism, and the use of corporate advertising spaces as platforms for political messaging.
Dublin, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,history,historic,heritage,famous,L3,modern,concrete,sunny,1970s,architecture,building,religion,Catholics,steps,step,entrance,panels,Paddys Wigwam,the,Mersey Funnel,cathedral,of,Christ the King,1967,Irish,community,Catholic,architect,Frederick Gibberd
Description: Tony Smith image Alamy 2RJCCBM - Taken on 19 Aug 2023, this photograph shows Modern conical Roman Catholic, Liverpool Metropolitan Cathedral 1967, Mount Pleasant, , Merseyside, England, UK, L3 5TQ. The location is Mount Pleasant, Liverpool, Merseyside, England, UK, L3 5TQ. The picture is not just a record shot: it contains architectural or decorative detail with strong colour, lettering and religious, civic or commemorative symbolism. Liverpool Metropolitan Cathedral of Christ the King was consecrated in 1967 to designs by Frederick Gibberd, and its centralised modernist form has become one of the city's most distinctive landmarks. Its national importance was underlined when the cathedral's listed status was upgraded to Grade I in 2025, strengthening the image's relevance for architecture, faith and heritage features. It can support articles on architecture, faith, heritage conservation, public art, tourism, local identity and the way historic or modern buildings remain active in daily city life. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include religion, religious, conical, Mount Pleasant, Metropolitan Cathedral, Roman Catholic, stained, glass, panel, Liverpool, Merseyside, history, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes.
Mount Pleasant, Liverpool, Merseyside, England, UK, L3 5TQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,wrestling,posters,match,matches,fight,fights,all star programme,bouts,sports centre,stadium,Sat,29th Mar,Easter,1975,midget,Jackie Pallo,Giant Haystacks,special,heavyweight,clash,strengthened ring,Irish,Edinburgh,Scotland,EH7 6AE,EH7,Kevin Conneely,big,Bill Clarke,famous,Borg twins,tag team,Tony Borg,Ignatius Borg,the,Borg
Description: Tony Smith image Alamy 2RECE2H - Meadowbank Stadium (officially the Meadowbank Sports Centre) is a multi-purpose sports facility located in the Meadowbank area of Edinburgh, Scotland. Built on the site of the earlier New Meadowbank and Old Meadowbank sports venues, it was originally built to host the 1970 Commonwealth Games. It also hosted the Games in 1986, becoming the first venue to host the Games twice. It is the current home of Scottish League One side Edinburgh City.
The stadium has also regularly hosted football. It was the home ground of Scottish Football League team Meadowbank Thistle between 1974 and 1995, becoming the first all-seated football ground in the UK in the process, it hosted senior non-league football as the home ground of Edinburgh City. League football returned to Meadowbank in 2016 following City's promotion to the Scottish Professional Football League. The Meadowbank complex also hosted Leith Athletic, which played on the Meadowbank 3G artificial pitch adjacent to the main stadium since 2013.
In the early months of 2019 the stadium was demolished and work begun on construction of its replacement. In 2022, following the completion of construction, Edinburgh City returned to Meadowbank.
Meadowbank Stadium was also used for rugby union as the home venue of Edinburgh Rugby between 2002 and 2004.
Meadowbank Sports Centre, London Road, Edinburgh, Lothian, Scotland, UK, EH7 6AE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Northern Ireland,UK,of,the,LA,Los Angeles,aqueduct,1913,designer,civil,historic,house,building,BT1 2FL,BT1,Donegal St,203,1855-1935,plaques,Irish,American,commemoration,born,in,baptised,this,parish,self-taught,council,Owens Valley,to,San Fernando Valley
Description: Tony Smith image Alamy 2R9J0BM - William Mulholland (September 11, 1855 July 22, 1935) was an Irish American self-taught civil engineer who was responsible for building the infrastructure to provide a water supply that allowed Los Angeles to grow into the largest city in California. As the head of a predecessor to the Los Angeles Department of Water and Power, Mulholland designed and supervised the building of the Los Angeles Aqueduct, a 233-mile-long (375 km) system to move water from Owens Valley to the San Fernando Valley. The creation and operation of the aqueduct led to the disputes known as the California Water Wars. In March 1928, Mulholland's career came to an end when the St. Francis Dam failed just over 12 hours after he and his assistant gave it a safety inspection.
William Mulholland was born in Belfast, Ireland, part of the United Kingdom. His parents Hugh and Ellen Mulholland were Dubliners and they returned to the city a few years after William's birth. His younger brother, Hugh Jr., was born in 1856. At the time of Mulholland's birth, his father was working as a guard for the Royal Mail. In 1862, when William was seven years old, his mother died. Three years later his father remarried. William was educated at O'Connell School by the Christian Brothers in Dublin. After having been beaten by his father for receiving bad marks in school, Mulholland ran off to sea
Mulholland envisioned Los Angeles growing much larger. The limiting factor to the growth of Los Angeles was its water supply, because it has a semi-arid climate with unreliable rainfall. If you don't get the water, you won't need it, Mulholland famously remarked.
Mulholland shared the vision of a much larger Los Angeles with Frederick Eaton, the mayor of Los Angeles from 1898 through 1900. They both worked together in the private Los Angeles Water Company in the 1880s. Eaton and Mulholland realized that the large amount of runoff from the Sierra Nevada in Owens Valley could be delivered to Los Angeles through gravity
203 Donegal Street, Belfast., Northern Ireland, UK, BT1 2FL
Description
Keywords: GoTonySmith,HotpixUK,city,centre,Northern Ireland,UK,BT14,53-55,Crumlin Road,BT14 6ST,jails,prisons,Irish,buses,in,yard,internal,chimney,cell,cells,secure,penitentiary,inmate,unit,inmates,single,decker,security,from,court,to,the,entrance,door,of,vehicle,vehicles,sweat box,sweatbox,paddywagon
Description: Tony Smith image Alamy 2R9J0E8 - A prisoner transport vehicle, informally known as a Sweat Box amongst British prisoners, is a specially designed or retrofitted vehicle, usually a van or bus, used to transport prisoners from one secure area, such as a prison or courthouse, to another. Less commonly, aircraft, railcars or vessels are also similarly fitted. These vehicles must be highly protected and may feature bars or wire mesh over the windows, bulletproof glass, segregated prisoner compartments, and additional seating for escorting officers.
Function
Due to their relatively low security and potential isolation from assistance while en route, police or additional corrections vehicles sometimes escort high-risk transports. With this in mind, vehicles may also be equipped with radio communications, global positioning units, additional restraints and weapons, and other emergency equipment. To add additional security, prisoners are typically restrained while in transport and may be physically secured to the vehicle, handcuffed while in the secured area, or a combination of both.
Prisoner transport vehicles may be operated by police services (see paddywagon), correctional services, field officers, court services, federal agencies such as the United States Marshals Service, or be contracted to private security companies. Prison buses were widely used in the late 1900s to transport prisoners, especially to state prisons across the US. They were usually quite secure and offered no way of escape for transporting prisoners.
53-55 Crumlin Road, Belfast, Northern Ireland, UK, BT14 6ST
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,Harland and Wolf,Harland and Wolfe,BT3,historic,icons,BT3 9EU,ship,building,famous,yellow,crane,cranes,in,shipyard,Samson,&,Goliath,Samson and Goliath,industry,legacy,yard,repair,company,cityscape,skyline,H&W,H & W,British,Irish,Ireland,city
Description: Tony Smith image Alamy 2RFJ34A - Harland & Wolff is a British shipbuilding and fabrication company headquartered in London with sites in Belfast, Arnish, Appledore and Methil. It specialises in ship repair, shipbuilding and offshore construction. Harland & Wolff is famous for having built the majority of the ocean liners for the White Star Line, including Olympic-class trio RMS Olympic, RMS Titanic and HMHS Britannic. Outside of White Star Line, other ships that have been built include the Royal Navy's HMS Belfast
Royal Mail Line's Andes
Shaw, Savill & Albion's Southern Cross
Union-Castle's RMS Pendennis Castle
P&O's Canberra
and Hamburg-America's SS Amerika of 1905. Harland and Wolff's official history, Shipbuilders to the World, was published in 1986.
Today, the company is focused on supporting five sectors: Defence, Energy, Cruise & Ferry, Renewables and Commercial. It offers services including technical services, fabrication & construction, repair & maintenance, in-service support, conversion and decommissioning.
In 2022, the company was awarded a major naval contract as part of Team Resolute (alongside Navantia UK and BMT), to deliver the Royal Fleet Auxiliarys' three new Fleet Solid Support vessels.
Harland & Wolff was formed in 1861 by Edward James Harland (183195) and Hamburg-born Gustav Wilhelm Wolff (18341913) who came to the UK aged 14. In 1858 Harland, then general manager, bought the small shipyard on Queen's Island from his employer Robert Hickson.
After buying Hickson's shipyard, Harland made his assistant Wolff a partner in the company. Wolff was the nephew of Gustav Schwabe, Hamburg, who was heavily invested in the Bibby Line, and the first three ships that the newly incorporated shipyard built were for that line. Harland made a success of the business through several innovations, notably replacing the wooden upper decks with iron ones which increased the strength of the ships
and giving the hulls a flatter bottom and squarer cross section
Queen's Island, Belfast , Northern Ireland, UK, BT3 9EU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,Harland and Wolf,Harland and Wolfe,BT3,historic,icons,BT3 9EU,ship,building,famous,yellow,crane,cranes,in,shipyard,Samson,&,Goliath,Samson and Goliath,industry,legacy,yard,repair,company,cityscape,skyline,H&W,H & W,British,Irish,Ireland,city
Description: Tony Smith image Alamy 2RFJ35H - Harland & Wolff is a British shipbuilding and fabrication company headquartered in London with sites in Belfast, Arnish, Appledore and Methil. It specialises in ship repair, shipbuilding and offshore construction. Harland & Wolff is famous for having built the majority of the ocean liners for the White Star Line, including Olympic-class trio RMS Olympic, RMS Titanic and HMHS Britannic. Outside of White Star Line, other ships that have been built include the Royal Navy's HMS Belfast
Royal Mail Line's Andes
Shaw, Savill & Albion's Southern Cross
Union-Castle's RMS Pendennis Castle
P&O's Canberra
and Hamburg-America's SS Amerika of 1905. Harland and Wolff's official history, Shipbuilders to the World, was published in 1986.
Today, the company is focused on supporting five sectors: Defence, Energy, Cruise & Ferry, Renewables and Commercial. It offers services including technical services, fabrication & construction, repair & maintenance, in-service support, conversion and decommissioning.
In 2022, the company was awarded a major naval contract as part of Team Resolute (alongside Navantia UK and BMT), to deliver the Royal Fleet Auxiliarys' three new Fleet Solid Support vessels.
Harland & Wolff was formed in 1861 by Edward James Harland (183195) and Hamburg-born Gustav Wilhelm Wolff (18341913) who came to the UK aged 14. In 1858 Harland, then general manager, bought the small shipyard on Queen's Island from his employer Robert Hickson.
After buying Hickson's shipyard, Harland made his assistant Wolff a partner in the company. Wolff was the nephew of Gustav Schwabe, Hamburg, who was heavily invested in the Bibby Line, and the first three ships that the newly incorporated shipyard built were for that line. Harland made a success of the business through several innovations, notably replacing the wooden upper decks with iron ones which increased the strength of the ships
and giving the hulls a flatter bottom and squarer cross section
Queen's Island, Belfast , Northern Ireland, UK, BT3 9EU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,Harland and Wolf,Harland and Wolfe,BT3,historic,icons,BT3 9EU,ship,building,famous,yellow,crane,cranes,in,shipyard,Samson,&,Goliath,Samson and Goliath,industry,legacy,yard,repair,company,cityscape,skyline,H&W,H & W,British,Irish,Ireland,city
Description: Tony Smith image Alamy 2RFJ35N - Harland & Wolff is a British shipbuilding and fabrication company headquartered in London with sites in Belfast, Arnish, Appledore and Methil. It specialises in ship repair, shipbuilding and offshore construction. Harland & Wolff is famous for having built the majority of the ocean liners for the White Star Line, including Olympic-class trio RMS Olympic, RMS Titanic and HMHS Britannic. Outside of White Star Line, other ships that have been built include the Royal Navy's HMS Belfast
Royal Mail Line's Andes
Shaw, Savill & Albion's Southern Cross
Union-Castle's RMS Pendennis Castle
P&O's Canberra
and Hamburg-America's SS Amerika of 1905. Harland and Wolff's official history, Shipbuilders to the World, was published in 1986.
Today, the company is focused on supporting five sectors: Defence, Energy, Cruise & Ferry, Renewables and Commercial. It offers services including technical services, fabrication & construction, repair & maintenance, in-service support, conversion and decommissioning.
In 2022, the company was awarded a major naval contract as part of Team Resolute (alongside Navantia UK and BMT), to deliver the Royal Fleet Auxiliarys' three new Fleet Solid Support vessels.
Harland & Wolff was formed in 1861 by Edward James Harland (183195) and Hamburg-born Gustav Wilhelm Wolff (18341913) who came to the UK aged 14. In 1858 Harland, then general manager, bought the small shipyard on Queen's Island from his employer Robert Hickson.
After buying Hickson's shipyard, Harland made his assistant Wolff a partner in the company. Wolff was the nephew of Gustav Schwabe, Hamburg, who was heavily invested in the Bibby Line, and the first three ships that the newly incorporated shipyard built were for that line. Harland made a success of the business through several innovations, notably replacing the wooden upper decks with iron ones which increased the strength of the ships
and giving the hulls a flatter bottom and squarer cross section
Queen's Island, Belfast , Northern Ireland, UK, BT3 9EU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,McHugh,bar,bars,pub,pubs,established,est,outside,exterior,history,heritage,Irish,outdoor,seating,city,drinkers,drinking,traditional,hospitality,umbrella,Magners,casual drinking,historic,streetscape,urban,leisure,people relaxing,warm weather,scene,licensed premises,tourism,tourists
Description: Tony Smith image Alamy 2RFJ39Y - This image shows the outdoor seating area of McHugh's Bar in Queen's Square, Belfast city centre. Established in 1711, McHugh's is widely regarded as the oldest pub in Belfast and remains a popular meeting place for locals, office workers, and visitors. The pub's distinctive green-painted frontage is decorated with hanging flower baskets, reinforcing its traditional Irish pub character.
The photograph was taken in bright summer conditions, with strong sunlight and leafy shadows falling across the pavement. Patrons are seated at outdoor tables beneath branded Magners umbrellas, while others stand and chat nearby, creating a relaxed and sociable atmosphere typical of warm-weather drinking in the city centre.
The surrounding streetscape combines historic buildings with modern urban life, reflecting Belfast's layered architectural and cultural history. McHugh's long-established presence at Queen's Square places it close to major landmarks such as the Albert Memorial Clock and the waterfront area, making it a familiar and well-photographed feature of the city.
The image captures everyday pub culture in Belfast, blending historic continuity with contemporary social life, and highlighting the enduring role of traditional bars as informal public spaces within Northern Ireland's capital.
McHugh's Bar, Queen's Square, Belfast, Northern Ireland, United Kingdom, BT1 3FG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,signs,sign,humorous,pub,bar,pubs,bars,chalkboard,pavement,signage,marketing,humour,sarcastic,city,street sign,irony,promising,hospitality,sandwich board sign,chalk lettering,handwritten sign,street humour UK,warning,Irish,Ireland,novelty sign,social commentary,visible text sign,fun,funny
Description: Tony Smith image Alamy 2RFJ3B7 - This image shows a chalkboard A-frame sign placed on a pedestrian pavement outside a bar, using humour and irony to attract attention. The sign initially advertises Free cocktails and topless bartenders in bold handwritten lettering, before undercutting the claim with the phrase false advertising at the bottom. The joke relies on deliberate misdirection, a familiar style of British pub and bar humour designed to stop passers-by and provoke a smile.
The sign is painted in contrasting white chalk on a dark background and framed by a turquoise-painted wooden A-board, giving it a casual, informal appearance typical of independent bars and pubs. The surrounding pavement and shopfronts suggest a busy urban street, likely in a town or city centre with foot traffic and nightlife activity.
Such novelty signage is commonly used as a low-cost marketing tactic within the hospitality sector, blending comedy, irony, and street-level advertising to engage potential customers. The image captures a light-hearted moment of everyday urban culture, reflecting how humour is often used in public spaces to cut through advertising fatigue and create a sense of personality for bars and pubs.
Belfast, Northern Ireland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,newspaper publisher,County Londonderry,Derry,Northern Ireland,local news,media office,press building,media,Irish,Ireland,local,voice,Coleraine Chronicle office,local journalism,regional newspaper,press sign,newspaper signage,Lodge Road Coleraine,editorial office,community news,independent newspaper,print media,town journalism,Northern Irish press,news organisation,small newspaper office,media industry,civic life,documentary photography,streetscape detail,local history,office,offices,BT52 1NB,BT52
Description: Tony Smith image Alamy 2RAP32G - The exterior of the Coleraine Chronicle newspaper offices at 2 Lodge Road in Coleraine, County Londonderry, Northern Ireland. The signage identifies the premises of one of Northern Ireland's long-established local newspapers, which has played a significant role in reporting community, civic, and regional affairs in the Coleraine area and the wider Causeway Coast.
The Coleraine Chronicle has historically covered local government, courts, sport, business, and community life, reflecting the traditional role of the provincial press as a record of everyday events as well as major local news. Like many regional newspapers across the UK and Ireland, it has operated through periods of major change in the media industry, including the decline of print advertising and the shift toward digital news consumption.
Photographed in natural daylight, the image documents the physical presence of local journalism within a Northern Irish town, illustrating how small newspaper offices remain embedded in local streetscapes. It serves as a visual reference for themes of regional media, press history, community reporting, and the changing economics of local news.
Coleraine Chronicle, 2 Lodge Road, Coleraine, County Londonderry (Derry), Northern Ireland, United K
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Northern Ireland,BT52 1DP,United Kingdom,stained glass window,heraldic,window,Ulster heraldry,civic heraldry,coat of arms,armorial glass,municipal building,Victorian stained glass,Edwardian stained glass,Irish heraldry,Northern Ireland history,County Londonderry,Coleraine heritage,town hall interior,decorative glass,coloured glass window,historic artwork,local government history,British Isles heraldry,symbolic imagery,crest,shield,motto banner,local,cicic,Northern Irish history,Irish,Ireland,bones
Description: Tony Smith image Alamy 2RAP368 - This image shows a richly coloured stained glass heraldic panel inside Coleraine Town Hall, County Londonderry, Northern Ireland. The central shield bears crossed symbols and decorative floral motifs, surmounted by the Red Hand of Ulster, one of the most recognisable and historically significant emblems of the province of Ulster.
The banner text reading Newton Governor references civic or administrative authority connected with Coleraine's historical governance, reflecting the town's importance as a regional centre during the nineteenth and early twentieth centuries. Surrounding the shield are elaborate decorative elements typical of Victorian and Edwardian stained glass, including scrollwork, symbolic objects, and vibrant blue, gold, and green glass.
Stained glass such as this was commonly installed in municipal buildings to express civic pride, authority, and continuity, combining local identity with broader Ulster and British heraldic traditions. The image is suitable for editorial use relating to Northern Irish history, heraldry, civic architecture, stained glass art, and local government heritage.
Stained glass window, Coleraine Town Hall, The Diamond, Coleraine, County Londonderry, Northern Irel
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Northern Ireland,Ireland UK,sunny,blue,sky,skies,centre,marginalised,Loyalist,communities,community,town,village,Main street,flags,in,1874,erected,by,busy,people,visitors,BT57,Market Square,62 Main St,Bushmills,County Antrim,UK,BT57 8QA,home,of,Irish,Whiskey
Description: Tony Smith image Alamy 2RC3CFF - Bushmills (From Irish Muileann na Buaise) is a village on the north coast of County Antrim, Northern Ireland. Bushmills had a population of 1,295 in the 2011 Census.[3] It is located 60 miles (97 km) from Belfast, 11 miles (18 km) from Ballycastle and 9 miles (14 km) from Coleraine. The village owes its name to the River Bush and to a large watermill that was built there in the early 17th century. It is home to the Old Bushmills Distillery, which produces Irish whiskey, and is near the Giant's Causeway.
Bushmills in the early 20th century
Demography
Bushmills is classified as a village (population 1,0002,499) by the Northern Ireland Statistics and Research Agency (NISRA). On Census day (27 March 2011) there were 1,295 people living in Bushmills. Of these:
20.39% were under 16 years old and 21.47% were aged 65 and above
46.64% of the population were male and 53.36% were female
and
3.47% were from a Catholic community background and 92.90% were from a 'Protestant and Other Christian (including Christian related)' community background.
Places of interest
The village is best known as the location of the Old Bushmills Distillery. The distillery's products include the Bushmills Original and Black Bush blends, as well as the 10-, 12-, 16-, and 21-year-old Bushmills Single Malts. To celebrate the 400th anniversary of distilling starting in the area the distillery released a unique whiskey called the 1608 which included crystal malt. The distillery draws its water, not from the River Bush itself, but from a tributary known as Saint Columbs Rill.
Market Square, 62 Main St, Bushmills, County Antrim, Northern Ireland, UK, BT57 8QA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Northern Ireland,Ireland UK,sunny,blue,sky,skies,centre,maintenance,council,housing,communities,community,repair,service,quality,BT57,Riverside Court,Bushmills,UK,BT57 8SF,line,home,KPI,KPIs,performance,backlog,response times,investment,contractor,Irish,NIHE,portal,my,tenants,Grainia Long,marginalised,Loyalist
Description: Tony Smith image Alamy 2RC3CKK - The Northern Ireland Housing Executive is the public housing authority for Northern Ireland. It is Northern Ireland's largest social housing landlord, and the enforcing authority for those parts of housing orders that involve houses with multiple occupants, houses that are unfit, and housing conditions. The NIHE employed 2,865 persons as of 31 March 2020
Prior to the establishment of the Housing Executive, public housing in Northern Ireland was managed primarily by local councils. Only ratepayers and their spouses could vote in council elections - sub-tenants, lodgers, and adults living with their parents could not - so allocation of housing was distorted for political ends. This largely took the form of discrimination against Catholics to ensure Unionist control of councils, opposition to which was a major plank of the Northern Ireland civil rights movement of the late 1960s. Following civil disturbances in 196869, a commission appointed by the Northern Ireland government and led by Lord Cameron found that grievances concerning housing were the first general cause of the disorders which it investigated. Lord Cameron's report concluded:
A rising sense of continuing injustice and grievance among large sections of the Catholic population in Northern Ireland, in particular in Derry and Dungannon, in respect of (i) inadequacy of housing provision by certain local authorities (ii) unfair methods of allocation of houses built and let by such authorities, in particular
refusals and omissions to adopt a 'points' system in determining priorities and making allocations (iii) misuse in certain cases of discretionary powers of allocation of houses in order to perpetuate Unionist control of the local authority
The Housing Executive was established by the Housing Executive Act (Northern Ireland) 1971. A single all-purpose housing authority for Northern Ireland had been advocated as early as 1964 by the Northern Ireland Labour Party
Riverside Ct, Bushmills, Northern Ireland, UK, BT57 8SF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Northern Ireland,Ireland UK,sunny,blue,sky,skies,centre,maintenance,council,housing,communities,community,repair,service,quality,BT57,Riverside Court,Bushmills,UK,BT57 8SF,line,home,KPI,KPIs,performance,backlog,response times,investment,contractor,Irish,NIHE,portal,my,tenants,Grainia Long,marginalised,Loyalist
Description: Tony Smith image Alamy 2RC3CKR - The Northern Ireland Housing Executive is the public housing authority for Northern Ireland. It is Northern Ireland's largest social housing landlord, and the enforcing authority for those parts of housing orders that involve houses with multiple occupants, houses that are unfit, and housing conditions. The NIHE employed 2,865 persons as of 31 March 2020
Prior to the establishment of the Housing Executive, public housing in Northern Ireland was managed primarily by local councils. Only ratepayers and their spouses could vote in council elections - sub-tenants, lodgers, and adults living with their parents could not - so allocation of housing was distorted for political ends. This largely took the form of discrimination against Catholics to ensure Unionist control of councils, opposition to which was a major plank of the Northern Ireland civil rights movement of the late 1960s. Following civil disturbances in 196869, a commission appointed by the Northern Ireland government and led by Lord Cameron found that grievances concerning housing were the first general cause of the disorders which it investigated. Lord Cameron's report concluded:
A rising sense of continuing injustice and grievance among large sections of the Catholic population in Northern Ireland, in particular in Derry and Dungannon, in respect of (i) inadequacy of housing provision by certain local authorities (ii) unfair methods of allocation of houses built and let by such authorities, in particular
refusals and omissions to adopt a 'points' system in determining priorities and making allocations (iii) misuse in certain cases of discretionary powers of allocation of houses in order to perpetuate Unionist control of the local authority
The Housing Executive was established by the Housing Executive Act (Northern Ireland) 1971. A single all-purpose housing authority for Northern Ireland had been advocated as early as 1964 by the Northern Ireland Labour Party
Riverside Ct, Bushmills, Northern Ireland, UK, BT57 8SF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Northern Ireland,UK,centre,walled,BT48,Orchard St,County Derry,BT48 6XY,shop,dept,department,store,Stores,Centre,Mall,Irish,neon,green,multinational,retail,chain,brand,Ben Dunne,shopping centre,shopping,shoppers,designer,designers,door,entrance,outside,logo,community,branch,group,garment
Description: Tony Smith image Alamy 2RD738P - Dunnes Stores is an Irish multinational retail chain that primarily sells food, clothes and household wares. It was founded by Ben Dunne in 1944. In addition to its main customer base in Ireland, the chain also has operations in Spain, and formerly in England and Scotland. The format of most of the chain's stores in Ireland involves a grocery supermarket operating alongside a clothing/textiles store, although some stores contain only textiles and some contain only a supermarket. The grocery side of the business does not operate outside of Ireland, save for a limited grocery range in the Spanish stores. The larger stores usually contain a café branded as either Café Sol, Dunnes Stores Café or Baxter & Greene Market Café.
Dunnes Stores' original own brand of groceries was sold under the St Bernard brand introduced in 1956, becoming an Irish household name, but was rebranded as My Family Favourites in 2013.
The main domestic competitors in the supermarket business are Tesco, SuperValu, Lidl and Aldi. For many years, Dunnes Stores has maintained a top-three market share in Ireland's grocery market, alongside SuperValu and Tesco. Combined, these three supermarket chains account for approximately 70% of Ireland's grocery market.
In clothing, their rivals include Penneys and Marks and Spencer. Dunnes collaborate for many clothing/home wares collections from a number of Irish designers such as Paul Costelloe, Padraic Harrington, Carolyn Donnelly, Lennon Courtney and new clothing from Paul Galvin. They also sell in-house clothings brands such as Savida and Gallery, along with their own Dunnes Stores brand of clothing.
Foyleside Shopping Centre, Orchard St, Londonderry, County Derry, Northern Ireland, UK, BT48 6XY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,NE,North East,market,retail,shopping,Society Street Indoor Market,Society Street Derry,indoor market Derry,Derry market sign,welcome sign,handwritten sign,chalkboard sign,local market Northern Ireland,independent traders,city centre market,retail entrance,market entrance sign,small business,local economy,community space,creative lettering,decorative sign,pink rose,floral decoration,interior doorway,tourism Derry,daytime,close up
Description: Tony Smith image Alamy 2RGHXAC - A close-up view of a decorative sign at the entrance to Society Street Indoor Market in Derry / Londonderry, Northern Ireland. The blackboard-style sign features hand-lettered text reading Welcome to Society St Indoor Market and is decorated with a bright pink artificial rose, adding a friendly and informal touch to the market entrance. The sign hangs above a doorway leading into the indoor market space.
Society Street Indoor Market is part of the city's independent retail and community trading scene, providing space for small businesses, artisans, and local traders within the city centre. Handwritten signage such as this reflects the informal, creative character often associated with indoor markets and independent retail environments, contrasting with more uniform high-street branding.
Photographed in daylight, the image highlights the personal, welcoming atmosphere of the market and is suitable for editorial and commercial uses relating to local markets, independent retail, small businesses, urban regeneration, tourism in Northern Ireland, and community-led commercial spaces.
Location: Society Street Indoor Market, Society Street, Derry / Londonderry, County Londonderry, Northern Ireland, BT48.
Society Street Indoor Market, 5 Society St, Londonderry, Northern Ireland, BT48 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,21,BT48 9EP,Londonderry,cleared,site,development,of,the,historic,republican,IRA,Bogside Derry,Bogside Inn site,cleared site Derry,vacant land Northern Ireland,urban regeneration site,Bogside estate,Derry Londonderry housing,former public house site,redevelopment land,inner city landscape,residential housing,terraced housing,social housing,cleared plot,demolition site,regeneration area,urban change,post conflict city,hillside housing
Description: Tony Smith image Alamy 2RGHXAD - A wide view across the Bogside area of Derry / Londonderry, showing the cleared site of the former Bogside Inn, now an open and undeveloped plot within a dense residential neighbourhood. The empty ground contrasts with surrounding rows of terraced and social housing that climb the hillside beyond, highlighting patterns of demolition, change, and redevelopment within the inner city.
The Bogside is one of the most historically significant areas of Derry, closely associated with major events of the late twentieth century, including civil rights protests and the Troubles. Buildings such as the Bogside Inn formed part of the everyday social infrastructure of the area, and their removal reflects longer-term shifts in population, land use, and urban regeneration priorities.
Photographed in daylight under overcast skies, the image captures a transitional urban landscape where cleared land sits alongside established housing. The photograph is suitable for editorial and commercial uses illustrating urban regeneration, post-industrial and post-conflict cityscapes, housing policy, land reuse, and the physical legacy of social and political change in Northern Ireland.
Location: Bogside area, Derry / Londonderry, County Londonderry, Northern Ireland, BT48 (approximate district
exact site postcode not visible).
Cleared site of the former Bogside Inn in the Bogside area of Derry / Londonderry, Northern Ireland.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,history,historic,heritage,NE,North East,wall,walls,pointing,out,towards,the,Bogside,defensive,siege,of,Unionist,on,armarments,castiron,Roaring Meg,1689,cannon,Double Bastion,historic cannon Derry,Derry walls,Bogside Derry view,historic artillery,city fortifications Ireland,17th century city walls
Description: Tony Smith image Alamy 2RGHXAF - A historic iron cannon mounted on the city walls of Derry / Londonderry, positioned between stone ramparts and overlooking the Bogside area of the city below. The cannon forms part of the extensive seventeenth-century defensive fortifications that encircle the historic city centre, which remain among the best-preserved walled cities in Europe.
The city walls were completed in the early 1600s and are closely associated with key events in Irish and British history, most notably the Siege of Derry (1689) during the Williamite Wars. Cannons such as this were installed as part of the city's defensive system, intended to protect the settlement and assert control over the surrounding landscape.
Today, the walls are a major heritage and tourism feature, offering panoramic views across different parts of the city, including areas that later became symbolically significant during The Troubles. The image captures the cannon in daylight under overcast conditions, with modern housing visible in the distance, illustrating the layered and complex history of Derry / Londonderry, where historic military architecture coexists with contemporary urban life.
The photograph is suitable for editorial and commercial uses relating to Northern Irish history, urban heritage, conflict studies, peace and reconciliation contexts, and cultural tourism.
Location: Derry / Londonderry City Walls, Derry / Londonderry, County Londonderry, Northern Ireland, BT48.
Derry / Londonderry City Walls, Derry / Londonderry, County Londonderry, Northern Ireland, BT48.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,Derry,wall,walls,Co Derry,BT48 6PJ,historic,heritage,war,battle,battles,old,tourist,tourism,attraction,landmark,skyline,of,the,tour,walking,walled,siege,collection,18th,17th,century,hotpix.org.uk
Description: Tony Smith image Alamy 2RGHXAH - Derry's walls were originally built by the Irish Society between 1613 and 1619, under the supervision of the London builder and architect Peter Benson. They were built with the intention of protecting the Scottish and English planters that had moved to Ulster as part of the Plantation of Ulster that had been established by James I. It was a direct consequence of the previous settlement being destroyed by Irish chieftain Cahir O'Doherty during O'Doherty's rebellion. As a result of the building of the city's defences by the Irish Society, which was a consortium of livery companies based out of the City of London, the city was officially renamed Londonderry in the 1613 royal charter. This is what has subsequently led to the naming dispute for the city and county of Derry/Londonderry.
The walls are at the centre of the historic city of Derry and within them are a number of Derry's most important landmarks including the Apprentice Boy's Hall and St. Columb's Cathedral (the first ever purpose-built Protestant Cathedral).
The walls are lined with 22 cannons from the 16th, 17th and 18th centuries, other cannons can be found displayed elsewhere in the city. Derry boasts the largest collection of cannons whose precise origins are known, with many of them being used during the Siege of Derry. In 2005, 24 of the cannons (including two displayed at Brook Hall) were restored to their former glory, with the famous 'Roaring Meg' located at the double bastion near Bishop gate
The fact that the city's walls have never been breached gave rise to one of its nicknames
the Maiden City.
Londonderry / Derry walls, County Derry, Northern Ireland, UK, BT48 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,Derry,wall,walls,Co Derry,BT48 6PJ,historic,heritage,war,battle,battles,old,tourist,tourism,attraction,landmark,skyline,of,the,city,painted,maintenance,preservation,tour,walking,walled,siege,collection,18th,17th,century
Description: Tony Smith image Alamy 2RGHXAN - Derry's walls were originally built by the Irish Society between 1613 and 1619, under the supervision of the London builder and architect Peter Benson. They were built with the intention of protecting the Scottish and English planters that had moved to Ulster as part of the Plantation of Ulster that had been established by James I. It was a direct consequence of the previous settlement being destroyed by Irish chieftain Cahir O'Doherty during O'Doherty's rebellion. As a result of the building of the city's defences by the Irish Society, which was a consortium of livery companies based out of the City of London, the city was officially renamed Londonderry in the 1613 royal charter. This is what has subsequently led to the naming dispute for the city and county of Derry/Londonderry.
The walls are at the centre of the historic city of Derry and within them are a number of Derry's most important landmarks including the Apprentice Boy's Hall and St. Columb's Cathedral (the first ever purpose-built Protestant Cathedral).
The walls are lined with 22 cannons from the 16th, 17th and 18th centuries, other cannons can be found displayed elsewhere in the city. Derry boasts the largest collection of cannons whose precise origins are known, with many of them being used during the Siege of Derry. In 2005, 24 of the cannons (including two displayed at Brook Hall) were restored to their former glory, with the famous 'Roaring Meg' located at the double bastion near Bishop gate
The fact that the city's walls have never been breached gave rise to one of its nicknames
the Maiden City.
Londonderry / Derry walls, County Derry, Northern Ireland, UK, BT48 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,19,Derry,BT48 6JJ,local,media,DN,newspaper,editorial,office,at,the,independently,owned,regional,group,offices,print,title,titles,Press Council of Ireland,news,story,picture,investigative,journalism,journalists,newsdesk,iconicnews.ie,iconicnews,local community
Description: Tony Smith image Alamy 2RGHXAR -
19 Carlisle Rd, Derry, Northern Ireland, UK, BT48 6JJ
Description
Keywords: GoTonySmith,HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,kerb,stone,stones,estate,kerbs,street,paint,marked,marking,territory,British,within,the,walls,kerbstone,Union Flag,celebrating,history,heritage,sectarian,historic,housing,council,social housing,kerb stones,Protestant,area,of,on,loyalist,symbolism
Description: Tony Smith image Alamy 2RGHXAX -
The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,NE,North East,faith,hope,charity,union,jack,the,fountain,144,BT486QH,The Fountain Derry,Derry mural,Londonderry mural,community mural Northern Ireland,charity mural,public art Northern Ireland,Union flag mural,loyalist area mural,urban mural art,peace and community artwork,community artwork,neighbourhood identity,wall art,painted mural,British identity,cultural symbolism,charity organisation,Ghana charity,international aid
Description: Tony Smith image Alamy 2RGHXB0 - A large, brightly coloured mural promoting Faith Hope Charity, painted on the side of a small brick building in The Fountain, a predominantly loyalist residential area of Derry / Londonderry, Northern Ireland. The artwork features portraits, religious and charitable symbolism, and references to international outreach, including Ghana, alongside strong expressions of British identity. A large Union flag painted on an adjacent wall reinforces the cultural and political context of the neighbourhood.
The Fountain is one of the oldest inhabited areas of the city and is well known for its distinct community identity and extensive use of murals and painted symbols as expressions of heritage, belief, and local values. Murals in this area often combine themes of religion, charity, history, and identity, serving both as community statements and as visual markers within the urban landscape.
Photographed in daylight under overcast skies, the image captures the mural's bold colours contrasted against the surrounding residential environment. The photograph is suitable for editorial and commercial uses illustrating Northern Irish mural culture, community identity, charitable organisations, peace and reconciliation contexts, and the continuing role of public art in expressing local narratives within divided or post-conflict urban settings.
Location: The Fountain, Derry / Londonderry, County Londonderry, Northern Ireland, BT48 (exact street and full postcode not visible on the image).
Faith Hope Charity mural in The Fountain area, 144 The Fountain, Londonderry BT48 6QH
Description
Keywords: GoTonySmith,HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,kerb,stone,stones,estate,kerbs,street,paint,marked,marking,territory,British,within,the,walls,kerbstone,Union Flag,celebrating,history,heritage,sectarian,historic,housing,council,social housing,kerb stones,Protestant,area,of,on,loyalist,symbolism
Description: Tony Smith image Alamy 2RGHXB1 -
The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,aircraft,airplanes,jets,planes,Aer Lingus,airline,an,M90,M90 1QX,at,England,UK,Irish,Ireland,International Airlines Group,International Consolidated Airlines,IAG,Group,SA,S.A.,plane,fleet,flag carrier,of,subsidiary,codeshare,codeshares,AerLingus,Irish state,Ryanair,Aer Lingus Limited,Aer Lingus Beachey Limited,all-Airbus,travel industry,cancellations,jet fuel shortage
Description: Tony Smith image Alamy 2PYKTAG - Aer Lingus is the flag carrier of Ireland. Founded by the Irish Government, it was privatised between 2006 and 2015 and it is now a wholly owned subsidiary of International Airlines Group (IAG). The airline's head office is on the grounds of Dublin Airport in Cloghran, County Dublin.
Formed in 1936, Aer Lingus is a former member of the Oneworld airline alliance, which it left on 31 March 2007. After the takeover by IAG, it was expected that Aer Lingus would re-enter Oneworld, however, at a press briefing on 15 November 2017 the airline's then CEO Stephen Kavanagh stated that the airline has no plans to join Oneworld.[3] The airline has codeshares with Oneworld, Star Alliance and SkyTeam members, as well as interline agreements with Etihad Airways, JetBlue Airways and United Airlines. Aer Lingus has a hybrid business model, operating a mixed fare service on its European routes and full service, two-class flights on transatlantic routes.
Ryanair owned over 29% of Aer Lingus stock and the Irish state owned over 25% before being bought out by IAG in 2015. The state had previously held an 85% shareholding until the Government's decision to float the company on the Dublin and London stock exchanges on 2 October 2006. The principal group companies include Aer Lingus Limited, Aer Lingus Beachey Limited, Aer Lingus (Ireland) Limited and Dirnan Insurance Company Limited, all of which are wholly owned.
On 26 May 2015, after months of negotiations on a possible IAG takeover, the Irish government agreed to sell its 25% stake in the company. Ryanair retained a 30% stake in Aer Lingus which it agreed to sell to IAG on 10 July 2015 for €2.55 per share. In August 2015, Aer Lingus' shareholders officially accepted IAG's takeover offer. IAG subsequently assumed control of Aer Lingus on 2 September 2015
Manchester Airport, England, UK, M90 1QX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Belfast,Antrim,the,Five,Points,August,Aug,2017,band,pub,club,clubs,pubs,bars,Irish,folk,Whiskey,&,and,Alehouse,BW,Black & White,Black and White,44,Dublin Road,NI,UK,BT2 7HN,BT2,busy,gig,party,Drunken Dullabies,Northern Ireland,St Patricks Day
Description: Tony Smith image Alamy 2PM7TEC -
44 Dublin Rd, Belfast, NI, Northern Ireland, UK, BT2 7HN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,hand,holding,note,notes,fresh,dispensed,from,a,cash,machine,Dublin,Eire,Irish,European,shortage,in,of,disappearing,being,removed,closed,automated,teller,machines,ATMs,Republics,network,Republic,Central Bank,ownership,retail,banks,bank,branches,Department of Finance,Retail Banking Review public consultation
Description: Tony Smith image Alamy 2PJ0YXD - Cash use has been declining in Ireland in recent years, in particular during the pandemic. Central Bank statistics indicate that Irish ATM withdrawals were €13 billion in 2021, compared to €19.7 billion in 2019, a decline of 34 per cent.
The value of such withdrawals is now at about two-thirds of pre-pandemic levels, albeit they remain relatively stable at €1 billion per month.
Central Bank raises concerns at sale of Republic's ATM network
Regulator says 75% of network will be under control of unregulated entities by end of year as banks sell up
The Central Bank has raised concerns with the Government that three-quarters of Ireland's ATM network will no longer be under the control of retail banks by the end of the year.
The issue of the ATM network and the closure of bricks and mortar bank branches has been a political hot potato for the Government due to concerns around how older and more vulnerable cohorts of society might cope with such changes.
The regulator has outlined concerns on the matter in a submission to the Department of Finance's Retail Banking Review public consultation.
It said retail banks are selling their off-site ATMs to independent ATM deployers which, it noted, are unregulated. Just 25 per cent of Ireland's ATM network will be owned by retail banks by the end of the year compared to 100 per cent in 2015, it said.
In-branch services are also reducing, it said, with the number of bank branches countrywide set to reduce by 32 per cent compared to 2019.
The trend towards the withdrawal of cash and other in-branch services is being driven by commercial decision making, it said. We expect banks to ensure that the impact of their decisions are considered carefully and with a consumer-focused approach. The impact for all consumers, including those who are vulnerable, must be assessed by banks, to ensure changes to branches and in-branch services are undertaken in an orderly manner. We expect that vulnerable customers will be accomodated
Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,hand,holding,note,notes,fresh,dispensed,from,a,cash,machine,Dublin,Eire,Irish,European,shortage,in,of,disappearing,being,removed,closed,automated,teller,machines,ATMs,Republics,network,Republic,Central Bank,ownership,retail,banks,bank,branches,Department of Finance,Retail Banking Review public consultation
Description: Tony Smith image Alamy 2PJ0YXH - Cash use has been declining in Ireland in recent years, in particular during the pandemic. Central Bank statistics indicate that Irish ATM withdrawals were €13 billion in 2021, compared to €19.7 billion in 2019, a decline of 34 per cent.
The value of such withdrawals is now at about two-thirds of pre-pandemic levels, albeit they remain relatively stable at €1 billion per month.
Central Bank raises concerns at sale of Republic's ATM network
Regulator says 75% of network will be under control of unregulated entities by end of year as banks sell up
The Central Bank has raised concerns with the Government that three-quarters of Ireland's ATM network will no longer be under the control of retail banks by the end of the year.
The issue of the ATM network and the closure of bricks and mortar bank branches has been a political hot potato for the Government due to concerns around how older and more vulnerable cohorts of society might cope with such changes.
The regulator has outlined concerns on the matter in a submission to the Department of Finance's Retail Banking Review public consultation.
It said retail banks are selling their off-site ATMs to independent ATM deployers which, it noted, are unregulated. Just 25 per cent of Ireland's ATM network will be owned by retail banks by the end of the year compared to 100 per cent in 2015, it said.
In-branch services are also reducing, it said, with the number of bank branches countrywide set to reduce by 32 per cent compared to 2019.
The trend towards the withdrawal of cash and other in-branch services is being driven by commercial decision making, it said. We expect banks to ensure that the impact of their decisions are considered carefully and with a consumer-focused approach. The impact for all consumers, including those who are vulnerable, must be assessed by banks, to ensure changes to branches and in-branch services are undertaken in an orderly manner. We expect that vulnerable customers will be accomodated
Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wales,Cymru,coast,Victorian,architecture,LL30,traditional,resort,holiday,toys,shop,shops,store,Smyths,big,warehouse,out-of-town,superstores,Mostyn Champneys Retail Park,A1B,Clarence Cres,Conwy,UK,LL30 1RY,toyshop,Irish,multinational,chain,provider,of,childrens,kids,babys,baby,portfolio,profits,Galway
Description: Tony Smith image Alamy 2PH9M5B - Smyths Toys Superstores is an Irish multinational chain provider of children's toys and entertainment products with over 200 shops throughout Ireland, the United Kingdom, Germany, Switzerland, Austria, and France. The business is owned by the Smyth family.
The company is headquartered in Lyrr Building 1 in the Mervue Business Park, Galway, Ireland, and it has additional offices in Belfast and London in the United Kingdom.
Group turnover reached €1.465 billion in pandemic-hit 2020 with the majority of sales coming from the U.K. market
Mostyn Champneys Retail Park, A1B, Clarence Cres, Llandudno, Conwy, North Wales, UK, LL30 1RY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,Red Action,flowing,hands,sculpture,WA1 2QW,reminder,bronze,flows,hand,art,water
Description: Tony Smith image Alamy 2PBE6JM -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,band,bagpipe,tartan,Ireland,patron,pipers,piping,musicians,music,hotpix.org.uk
Description: Tony Smith image Alamy 2PBE6M6 -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,dressed,as,in,green,speech,speeches,councillor,Cllr,Ireland,patron
Description: Tony Smith image Alamy 2PBE6YC -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,dressed,as,in,green,speech,speeches,councillor,Cllr,Ireland,patron
Description: Tony Smith image Alamy 2PBE6YG -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,dressed,as,in,green,speech,speeches,councillor,Cllr,Ireland,patron
Description: Tony Smith image Alamy 2PBE700 -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,band,bagpipe,tartan,Ireland,patron,pipers
Description: Tony Smith image Alamy 2PBE73A -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,band,bagpipe,tartan,Ireland,patron,WA1 2QW,piper,piping,plays,playing
Description: Tony Smith image Alamy 2PBE73E -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,of,Ireland,patron,WA1 2QW,green,robes
Description: Tony Smith image Alamy 2PBE73H -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,dressed,as,in,green,Ireland,patron
Description: Tony Smith image Alamy 2PBE775 -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,dressed,as,in,green,Ireland,patron,smile,smiling
Description: Tony Smith image Alamy 2PBE77D -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,Ireland,patron,carry,carries,WA1 2QW,St Patrick
Description: Tony Smith image Alamy 2PBE7B4 -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,walking,with,Ireland,patron,WA1 2QW,banner
Description: Tony Smith image Alamy 2PBE7DR -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,The,L1 2SP,87,Renshaw Street,old,1970s,at,on,a,history,historic,bars,pubs,St. Jamess Gate Dublin,St Jamess Gate Dublin,ornate,is,good,for,you,tap,dispenser,Irish,stout,Ireland,Eire,the,Black Stuff,St Patricks Day,St Patrick
Description: Tony Smith image Alamy 2MA7NF1 -
87 Renshaw St, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,pub,bar,36 Charles St,England,UK,M1 7DB,tavern,36,Ale,real,historic,history,landmark,Irish,Scottish,grade II,building,Lass-O-Gowrie,poem,corner,story,old,door,doorway,iconic,boozer,classic,pubs,bars,description,tiles,tile,gold,lettering,sign,name,hotpix.org.uk
Description: Tony Smith image Alamy 2M69C9K - Sitting sweetly on the bank of the River Medlock, just up the road from Oxford Road, the Lass O' Gowrie is an ancient and venerable Irish (but originally Scottish) pub and Manchester landmark, appearing on maps as early as 1844, back when it stood next to the Garratt Cotton Mill. Back then it was surrounded by hardcore slums which are now modern housing for a modern Manchester.
Complete with original tilework and fittings, the Lass sees a cheerful and diverse crowd on Fridays and Saturdays. It's very popular for post-work drinks or as a staging post on your way to Canal Street or the Northern Quarter.
One of the Lass O' Gowrie's unique features is its balcony-based smoking area, built out over the river below (and well-secured with high walls, so don't worry about stumbling). There's something very special about this particular slice of the city, with the Kimpton Clocktower Hotel off to the north, the opposite balcony of Joshua Brooks just to your east, and the pleasant sounds of the River Medlock filling the evening.
What's on the tap? Well, first and foremost the answer is Guinness, and that's what we recommend to be in keeping with the theme. But you should also check out the various craft beers on the list, like Tollgate Brewery's Belmorado pale ale. Guest beers circulate through the tap month by month, so there's always something new to try. The Lass O' Gowrie can also offer a selection of jolly bar snacks for all you pork scratching aficionados out there.
Listing NGR: SJ8431397523 - As it's surrounded by exciting developments like Circle Square, the Lass O' Gowrie caters to a diverse crowd of students, professionals, and tourists, so whoever you are, you're bound to find a warm welcome in the pub's surprisingly large interior.
36 Charles St, Manchester, England, UK, M1 7DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,pub,bar,36 Charles St,England,UK,M1 7DB,tavern,36,Ale,real,historic,history,landmark,Irish,Scottish,grade II,building,Lass-O-Gowrie,name,mosaic,tile,tiles,tiled,new tiling,new,refit,pub sign,pubs,bars,letters,words,design,sign,signage,interior
Description: Tony Smith image Alamy 2M69C9T - Sitting sweetly on the bank of the River Medlock, just up the road from Oxford Road, the Lass O' Gowrie is an ancient and venerable Irish (but originally Scottish) pub and Manchester landmark, appearing on maps as early as 1844, back when it stood next to the Garratt Cotton Mill. Back then it was surrounded by hardcore slums which are now modern housing for a modern Manchester.
Complete with original tilework and fittings, the Lass sees a cheerful and diverse crowd on Fridays and Saturdays. It's very popular for post-work drinks or as a staging post on your way to Canal Street or the Northern Quarter.
One of the Lass O' Gowrie's unique features is its balcony-based smoking area, built out over the river below (and well-secured with high walls, so don't worry about stumbling). There's something very special about this particular slice of the city, with the Kimpton Clocktower Hotel off to the north, the opposite balcony of Joshua Brooks just to your east, and the pleasant sounds of the River Medlock filling the evening.
What's on the tap? Well, first and foremost the answer is Guinness, and that's what we recommend to be in keeping with the theme. But you should also check out the various craft beers on the list, like Tollgate Brewery's Belmorado pale ale. Guest beers circulate through the tap month by month, so there's always something new to try. The Lass O' Gowrie can also offer a selection of jolly bar snacks for all you pork scratching aficionados out there.
Listing NGR: SJ8431397523 - As it's surrounded by exciting developments like Circle Square, the Lass O' Gowrie caters to a diverse crowd of students, professionals, and tourists, so whoever you are, you're bound to find a warm welcome in the pub's surprisingly large interior.
36 Charles St, Manchester, England, UK, M1 7DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,carryout,carry out,neon lighting,takeaway sign,British food,York,England,street food,takeaway shop,evening,sign,shop,cafe,British,Irish,Scottish,fried,battered,cod,haddock,pies,neon lights,glowing sign,food signage,chip shop,British culture,urban streetscape,city centre,tourism,hospitality,typography,retro style,nightlife,commercial signage,food economy,travel photography,Yorkshire
Description: Tony Smith image Alamy 2R59WT1 - This photograph captures a glowing neon Fish & Chips sign displayed outside a takeaway food premises in the historic city of York, North Yorkshire. The bright neon lettering stands out strongly against the surrounding streetscape, acting as both a functional advertisement and a familiar visual marker of traditional British fast food culture.
Fish and chips has long been regarded as a staple of British cuisine, closely associated with working-class history, seaside towns, and urban high streets. Neon signage such as this became especially common during the mid to late twentieth century, valued for its visibility, durability, and ability to attract passing customers after dark. Today, these signs often evoke a sense of nostalgia while remaining a practical part of modern hospitality trade.
The image was taken during the evening or night, when the neon lighting becomes most prominent, casting a warm, inviting glow that contrasts with the darker surroundings. In a city like York, known for its Roman origins, medieval streets, and strong tourism economy, such signage highlights the coexistence of historic architecture with contemporary commercial life.
Photographs of neon food signs are widely used to illustrate themes of British culture, urban nightlife, traditional cuisine, travel, and everyday street scenes. This image reflects the enduring popularity of fish and chips and its role as both a cultural symbol and a living part of daily life in cities across England.
York, North Yorkshire, England, United Kingdom, YO1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,stained glass,advert,place,destination,town,city,Lancashire,and,&,Yorkshire,rail,train,network,railway,sign,on,station,Victorian,glass,wrought iron,ironwork,red,black,ornate glass,glasswork,M3,mainline,Edwardian,style,Dublin,Northern Ireland,Wexford,Waterford,Irish,ECHR,Good Friday Agreement
Description: Tony Smith image Alamy 2JYNXF1 - Architecture and features
The original M&LR single-storey offices facing Hunt's Bank Approach were built in the Italianate style in sandstone ashlar with slate roofs in 1844. They were later enlarged and given a second storey. William Dawes built the station's larger extension for the L&YR in 1909. It is at right-angles to the north end of the old station giving the enlarged station an L-shaped plan. Facing Victoria Station Approach, its façade is in the Edwardian neo-Baroque style, four storeys high and 31 bays to the rounded corner at the south-east end. The ground floor windows have rounded heads and those on the floors above are square. The ornate glass and iron canopy along the façade displays the names of destinations that the station served in Art Nouveau lettering. The canopy was damaged by the Provisional IRA's 1996 bomb placed in a street adjacent to the Arndale Centre and was restored four years later.
Heritage features in the concourse were restored during the 2013-15 renovation, they include the café with its glass dome and mosaic lettering which was originally the first-class dining room, the adjacent bookstall, and the original 1909 wood-panelled booking hall. In the entrance is a large, white glazed tiled map showing the former network of the Lancashire and Yorkshire Railway.
Underneath the map is a bronze World War I war memorial with effigies of Saint George and Saint Michael at each end which was installed in 1923. At the south end of the concourse is the 'soldier's gate' which opened to the former fish docks from where thousands of soldiers departed for World War I and where a bronze plaque was erected to commemorate them. The gateway was restored in 2015 and a steel screen inserted featuring a map of World War I Commonwealth grave cemeteries in Northern France and Belgium.
The station received Grade II listed building status in 1988
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,stained glass,advert,place,destination,town,city,Lancashire,and,&,Yorkshire,rail,train,network,railway,sign,on,station,Victorian,glass,wrought iron,ironwork,red,black,ornate glass,glasswork,M3,mainline,words,Edwardian,neo-Baroque,style,Northern Ireland,Wexford,Waterford,Irish,hotpix.org.uk
Description: Tony Smith image Alamy 2JYNXH0 - Architecture and features
The original M&LR single-storey offices facing Hunt's Bank Approach were built in the Italianate style in sandstone ashlar with slate roofs in 1844. They were later enlarged and given a second storey. William Dawes built the station's larger extension for the L&YR in 1909. It is at right-angles to the north end of the old station giving the enlarged station an L-shaped plan. Facing Victoria Station Approach, its façade is in the Edwardian neo-Baroque style, four storeys high and 31 bays to the rounded corner at the south-east end. The ground floor windows have rounded heads and those on the floors above are square. The ornate glass and iron canopy along the façade displays the names of destinations that the station served in Art Nouveau lettering. The canopy was damaged by the Provisional IRA's 1996 bomb placed in a street adjacent to the Arndale Centre and was restored four years later.
Heritage features in the concourse were restored during the 2013-15 renovation, they include the café with its glass dome and mosaic lettering which was originally the first-class dining room, the adjacent bookstall, and the original 1909 wood-panelled booking hall. In the entrance is a large, white glazed tiled map showing the former network of the Lancashire and Yorkshire Railway.
Underneath the map is a bronze World War I war memorial with effigies of Saint George and Saint Michael at each end which was installed in 1923. At the south end of the concourse is the 'soldier's gate' which opened to the former fish docks from where thousands of soldiers departed for World War I and where a bronze plaque was erected to commemorate them. The gateway was restored in 2015 and a steel screen inserted featuring a map of World War I Commonwealth grave cemeteries in Northern France and Belgium.
The station received Grade II listed building status in 1988
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,spelt,out,map,in,unable,to,pay,bills,gas,electricity,dual-fuel,prices,increasing,household,business,dying,cold,winter,struggle,struggling,help,government,Britain,Eire,Irish,republic,Cork,Galway,Ireland,Waterford,Wicklow,Donegal,Kerry,IE
Description: Tony Smith image Alamy 2JREC4W -
Southern Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,The,died,result,of,a,terrorist,attack,provisional,memorial,bomb,flowers,remembrance,tributes,wreath,wreaths,G Barker,R Livingstone,j McKnight,death,murder,murdered,Irish,republican,army,Northern Ireland,20jul1982,Holme Green,Inner Circle,Royal park,brass band,plaque,terrorism
Description: Tony Smith image Alamy 2M107K7 - The main bandstand in The Regent's Park is located on Holme Green, between the boating lake and Inner Circle. It was moved from Richmond Park to The Regent's Park in the 1970s.
On 20th July 1982, the bandstand was the target of a terrorist attack by the IRA. Seven bandsmen were killed and a further 24 injured during a concert by the band of the Royal Green Jackets. Eight members of the public, who were watching the performance, were also taken to hospital with injuries sustained in the bombing.
Today there is a small memorial plaque on the base of the bandstand that commemorates the seven bandsmen who were killed. Each year the attack's survivors, and the families of those who were killed, gather here for a short but poignant memorial service.
Two years after the bombing, the composer George Lloyd wrote Royal Parks For Brass Band, the second movement of which, In Memoriam is dedicated to the bandsmen who died. The piece still features in many band repertoires.
Regents Park, London, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Warrington,Cheshire,England,UK,retail,new retail development,VINCI Construction,BroadbentStudio,Broadbent,Studio,art,artwork,IRA,bomb,bombing,town,1996,1993,peace,terror,terrorism,Irish,Northern Ireland,Good Friday,Peace Agreement,tear shaped,water feature,bronze channel,hand prints,handprints,Tim,Jonathan,pedestrianised,Colin Parry,Wendy Parry,WA1
Description: Tony Smith image Alamy 2CB00BW - The River of Life project was developed in the aftermath of the 1993 IRA bomb in Warrington, which killed three-year-old Johnathan Ball and 12-year-old Tim Parry, and led to the death of Bronwen Vickers. It injured 54 others and affected many thousands of people. The international outrage was strongly expressed by mothers and in Dublin thousands gathered in downtown Dublin to express sorrow and revulsion over the deaths of the two children.
The new streetscape and integrated water feature entitled The River of Life' was officially opened on 14th November 1996 by HRH The Duchess of Kent.
Colin and Wendy Parry were thrust into the public gaze and together with the NSPCC established a peace centre in Warrington. The Foundation for Peace and NSPCC joined forces to raise funds for the £3million Centre opened on 20th March 2000...the 7th anniversary of the IRA bomb.
http://www.thepeacecentre.org.uk
https://broadbent.studio/river-of-life
Two bombs exploded on Bridge Street in Warrington about 100 yards apart on 20 March at about 12:25. The blasts happened within a minute of each other with the area crowded with shoppers on the Saturday before Mothering Sunday. Witnesses spoke of shoppers fleeing from the first explosion into the path of the second. It was later found that the bombs had been placed inside cast iron bins causing large amounts of shrapnel. It was a very personal attack on the people of Warrington - and the town needed to respond to it.
The City council asked to meet with me to discuss what form a memorial could take. It became clear that there were contrasting schools of thought with some looking to put it firmly in the past particularly as at the time the economic viability of the town was being threatened, and others who could imagine what I worried as being an overly personal memorial, which may not easily stand the test of time.
My feeling was that the street was not just physically broken but spiritually
31 Bridge St, Warrington,Cheshire,England,UK, WA1 2EX
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Warrington,Cheshire,England,UK,retail,new retail development,VINCI Construction,BroadbentStudio,Broadbent,Studio,art,artwork,IRA,bomb,bombing,town,1996,1993,peace,terror,terrorism,Irish,Northern Ireland,Good Friday,Peace Agreement,tear shaped,water feature,bronze channel,hand prints,handprints,Tim,Jonathan,pedestrianised,Colin Parry,Wendy Parry,WA1,Red Action
Description: Tony Smith image Alamy 2CB00C0 - The River of Life project was developed in the aftermath of the 1993 IRA bomb in Warrington, which killed three-year-old Johnathan Ball and 12-year-old Tim Parry, and led to the death of Bronwen Vickers. It injured 54 others and affected many thousands of people. The international outrage was strongly expressed by mothers and in Dublin thousands gathered in downtown Dublin to express sorrow and revulsion over the deaths of the two children.
The new streetscape and integrated water feature entitled The River of Life' was officially opened on 14th November 1996 by HRH The Duchess of Kent.
Colin and Wendy Parry were thrust into the public gaze and together with the NSPCC established a peace centre in Warrington. The Foundation for Peace and NSPCC joined forces to raise funds for the £3million Centre opened on 20th March 2000...the 7th anniversary of the IRA bomb.
http://www.thepeacecentre.org.uk
https://broadbent.studio/river-of-life
Two bombs exploded on Bridge Street in Warrington about 100 yards apart on 20 March at about 12:25. The blasts happened within a minute of each other with the area crowded with shoppers on the Saturday before Mothering Sunday. Witnesses spoke of shoppers fleeing from the first explosion into the path of the second. It was later found that the bombs had been placed inside cast iron bins causing large amounts of shrapnel. It was a very personal attack on the people of Warrington - and the town needed to respond to it.
The City council asked to meet with me to discuss what form a memorial could take. It became clear that there were contrasting schools of thought with some looking to put it firmly in the past particularly as at the time the economic viability of the town was being threatened, and others who could imagine what I worried as being an overly personal memorial, which may not easily stand the test of time.
My feeling was that the street was not just physically broken but spiritually
31 Bridge St, Warrington,Cheshire,England,UK, WA1 2EX
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,HotpixUK,NI,IE,Irish,Housing,letters,spelled,out,social,spelled out,in,Scrabble letters,on a map of Northern Ireland,map,map of,DUP,unionist,Unionism,Sinn Féin,KPIs,performance,NIHE,Grainia Long,Housing Executive,housing,socialhousing,Council Housing,investment,contractor,Loyalist,backlog,KPI,UK,communities,council,Ireland UK
Description: Tony Smith image Alamy 2JCM8MC -
Description
Keywords: @HotpixUK,Hotpixuk,GoTonySmith,mayor Nangle,mayor,Irish Quarter,on,Floodgate Street,in,mosaic,President Kennedy,mural,Kennedy,JFK,JF Kennedy Memorial,Irish,community,Kenneth Budd and Associates,Kenneth Budd,Associates,104,Deritend,B5,Custard Factory,the,St Chads Circus,art,artwork,street art,streetart,artists,Brum,murals,faces,urban,innercity,inner city
Description: Tony Smith image Alamy 2AERPNC - The mosaic was erected on St Chad's Circus , outside the City's Roman Catholic St Chad's Cathedral, in July 1968, at a cost of £5,000. When the road system was redeveloped in 2007 the mosaic was demolished. Key features, including the heads of some of the main figures, were retrieved and retained by Kenneth Budd's son Oliver.
In 2012 it was re-created using new materials. The new mosaic was erected in January 2013, in the city's Irish Quarter, on Floodgate Street in Digbeth, in reworked form, including the controversial addition of a new face, that of former Lord Mayor of Birmingham Mike Nangle, the city's first Irish Lord Mayor. The work was overseen by Budd's son, Oliver, who worked from his father's original drawings. The retained sections were not used as the colours had faded and would not match the new Smalti mosaic tiles. A formal unveiling took place on 23 February 2013.
Featured alongside Kennedy in the mosaic are his brother Teddy, the Seal of the President of the United States (using real gold), Martin Luther King Jr., American policemen and other figures.
104 Floodgate St, Deritend, Birmingham,England,UK, B5 5SR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,store,retail,JunctionNINE,Retail Park,WA2,Warrington,WA2 8TW,UK,shopping,Cheshire,England,parking,big,out,of,town,product,products,sign,signage,entrance,door,unit,Superstores,superstore,toy,Irish,multinational,chain,Galway,Ireland,click & collect,click and collect,bay
Description: Tony Smith image Alamy 2MG41NM - Smyths Toys Superstores is an Irish multinational chain provider of children's toys and entertainment products with over 200 shops throughout Ireland, the United Kingdom, Germany, Switzerland, Austria, and France. The business is owned by the Smyth family.
The company is headquartered in Lyrr Building 1 in the Mervue Business Park, Galway, Ireland, and it has additional offices in Belfast and London in the United Kingdom.
Group turnover reached €1.465 billion in pandemic-hit 2020 with the majority of sales coming from the U.K. market.
History
Before it became a toy store it was a newsagents, the newsagents is still in business.
The company is run by four brothers, Tony, Padraig, Liam and Thomas Smyth. The company was founded in Claremorris, County Mayo on 23 December 1986. Smyths is Ireland's largest toy retailer
On 24 April 2018, Smyths acquired Toys R Us stores in Germany, Austria, and Switzerland. In 2019, all the stores in those countries were re-branded as such to Smyths.
In July 2022, Smyths acquired French toy chain PicWicToys in France out of Receivership and taking over 41 stores, 2 warehouses and a head office
JunctionNINE Retail Park, Warrington, Cheshire, England, UK, WA2 8TW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,67,OConnell,St,Street,Upper,North City,Dublin 1,D01 C1Y6,Dublin,city,centre,entertainment,entertainments,leisure,light,lighting,red neon,and,when the fun stops,stop,open,slots,addiction,addict,addicts,building,Leinster,push,or,fold,games,FOBTs,Irish
Description: Tony Smith image Alamy 2MG4022 -
67 O'Connell Street Upper, North City, Dublin 1, D01 C1Y6, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,signs,signage,lit,night,sign,open,67,OConnell,St,Street,Upper,North City,Dublin 1,D01 C1Y6,Dublin,city,centre,entertainment,entertainments,leisure,Irish,nightlife,life,ring,rings,shop,well known,bright,lights,up
Description: Tony Smith image Alamy 2MG405P -
67 O'Connell Street Upper, North City, Dublin 1, D01 C1Y6, Eire, Ireland
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,Ireland,Dublin City,Leopold Bloom,James Joyce,Irish graffiti movement,art,public artwork,Temple Bar,Eire,Irish,graffiti,movement,Ulysses,side,of,hotel,colourful,Blooms of Dublin,colour,wall,mural,murals,decorated,outside,exterior,outdoors,rooms,bedrooms,street art,streetart,color,colorful,building,buildings
Description: Tony Smith image Alamy 2AYHHNJ - Every year on June 16th many James Joyce enthusiasts, some dressed in Edwardian costume, re-enact this epic pub crawl, and though it's referred to as a literary event' it's basically an excuse for lots of drinking broken up by a bit of walking and the reading of various excerpts from the book. The event is known as Bloomsday and the first mention of such a thing was found in a letter from James Joyce to a Miss Weaver, dated June 27th 1924 and referring to a group of people who observe what they call Bloom's Day' June 16th. The book itself must have made a big impression on someone back in the 1970s as the hotel was named after one of the story's main characters.
Fast forward to the present day and we find James Earley, a Dublin artist whose works are based on his family's artistic past within Irish stained glass art. James has been producing artworks in public spaces since 1997, playing an active role in the Irish graffiti movement, and from 2010 has developed abstract figurative works based on the principles and beauty of stained glass. He has travelled widely with his art throughout Europe, Asia and America and has worked on a variety of large-scale projects with various art-based organisations and multi-nationals which support the arts.
In 2014 James was commissioned to paint the exterior of Blooms Hotel
the project took a full year to complete and to date is the largest public artwork in Ireland. When I first saw it I was quite surprised that this street art wasn't just part of one wall, it was the whole exterior of the building. With my liking for bright colours and abstract, psychedelic designs I just had to take a few photos although the names on the pictures meant nothing to me at the time until I did a bit of later research and found the connection to James Joyce's Ulysses
3-6 Anglesea St, Temple Bar, Dublin 2, D02 FK84, Ireland
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Dublin City,Ireland,IE,EU,tourism,tourist,building,historic,history,Irish,Christchurch Christ Church cathedral,religion,place,places of worship,worship,The Cathedral of the Holy Trinity,Dioceses,Glendalough,ecclesiastical province of the United Provinces of Dublin and Cashel,cathedral,capital city,city centre,Christchurch Place,Wood Quay,D8,Dublin 8,Viking king Sitric Silkenbeard,George Edmund Street,Synod House,cathedrals,buildings,outside,exterior,sunny,blue sky,blue skies
Description: Tony Smith image Alamy 2DPGJEY - Christ Church Cathedral, more formally The Cathedral of the Holy Trinity, is the cathedral of the United Dioceses of Dublin and Glendalough and the cathedral of the ecclesiastical province of the United Provinces of Dublin and Cashel in the (Anglican) Church of Ireland.[1] It is situated in Dublin, Ireland, and is the elder of the capital city's two medieval cathedrals, the other being St Patrick's Cathedral.
The cathedral was founded in the early 11th century under the Viking king Sitric Silkenbeard. It was rebuilt in stone in the late 12th century under the Norman potentate Strongbow, and considerably enlarged in the early 13th century, using Somerset stones and craftsmen. A partial collapse in the 16th century left it in poor shape and the building was extensively renovated and rebuilt in the late 19th century, giving it the form it has today, including the tower, flying buttresses, and distinctive covered footbridge. The cathedral was extensively renovated and rebuilt from 1871 to 1878 by George Edmund Street, with the sponsorship of distiller Henry Roe of Mount Anville. The great 14th-century choir was demolished and a new eastern end was built over the original crypt. He built a new chapter house. The tower was rebuilt. The south nave arcade was rebuilt. The flying buttresses were added as a decorative feature. The north porch was removed. The baptistry was built in its place.[7] Street built the adjacent Synod Hall, taking in the last remnant of St Michael and All Angels's Church, including the bell tower. The synod house is linked to the cathedral by Street's iconic covered footbridge
Christchurch Place, Wood Quay, Dublin 8, Ireland
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Dublin City,Ireland,IE,EU,tourism,tourist,building,historic,history,Irish,Christchurch Christ Church cathedral,religion,place,places of worship,worship,The Cathedral of the Holy Trinity,Dioceses,Glendalough,ecclesiastical province of the United Provinces of Dublin and Cashel,cathedral,capital city,city centre,Christchurch Place,Wood Quay,D8,Dublin 8,Celtic cross,cross,Viking king Sitric Silkenbeard,footbridge,Foot Bridge,George Edmund Street,Synod House
Description: Tony Smith image Alamy 2DPGJRC - Christ Church Cathedral, more formally The Cathedral of the Holy Trinity, is the cathedral of the United Dioceses of Dublin and Glendalough and the cathedral of the ecclesiastical province of the United Provinces of Dublin and Cashel in the (Anglican) Church of Ireland.[1] It is situated in Dublin, Ireland, and is the elder of the capital city's two medieval cathedrals, the other being St Patrick's Cathedral.
The cathedral was founded in the early 11th century under the Viking king Sitric Silkenbeard. It was rebuilt in stone in the late 12th century under the Norman potentate Strongbow, and considerably enlarged in the early 13th century, using Somerset stones and craftsmen. A partial collapse in the 16th century left it in poor shape and the building was extensively renovated and rebuilt in the late 19th century, giving it the form it has today, including the tower, flying buttresses, and distinctive covered footbridge. The cathedral was extensively renovated and rebuilt from 1871 to 1878 by George Edmund Street, with the sponsorship of distiller Henry Roe of Mount Anville. The great 14th-century choir was demolished and a new eastern end was built over the original crypt. He built a new chapter house. The tower was rebuilt. The south nave arcade was rebuilt. The flying buttresses were added as a decorative feature. The north porch was removed. The baptistry was built in its place.[7] Street built the adjacent Synod Hall, taking in the last remnant of St Michael and All Angels's Church, including the bell tower. The synod house is linked to the cathedral by Street's iconic covered footbridge
Christchurch Place, Wood Quay, Dublin 8, Ireland
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Dublin City,Ireland,IE,EU,tourism,tourist,building,historic,history,Irish,Christchurch Christ Church cathedral,religion,place,places of worship,worship,The Cathedral of the Holy Trinity,Dioceses,Glendalough,ecclesiastical province of the United Provinces of Dublin and Cashel,cathedral,capital city,city centre,Christchurch Place,Wood Quay,D8,Dublin 8,Celtic cross,cross,pano,panorama,wide,shot,Viking king Sitric Silkenbeard,footbridge,Foot Bridge,George Edmund Street,Synod House
Description: Tony Smith image Alamy 2DPGJRF - Christ Church Cathedral, more formally The Cathedral of the Holy Trinity, is the cathedral of the United Dioceses of Dublin and Glendalough and the cathedral of the ecclesiastical province of the United Provinces of Dublin and Cashel in the (Anglican) Church of Ireland.[1] It is situated in Dublin, Ireland, and is the elder of the capital city's two medieval cathedrals, the other being St Patrick's Cathedral.
The cathedral was founded in the early 11th century under the Viking king Sitric Silkenbeard. It was rebuilt in stone in the late 12th century under the Norman potentate Strongbow, and considerably enlarged in the early 13th century, using Somerset stones and craftsmen. A partial collapse in the 16th century left it in poor shape and the building was extensively renovated and rebuilt in the late 19th century, giving it the form it has today, including the tower, flying buttresses, and distinctive covered footbridge. The cathedral was extensively renovated and rebuilt from 1871 to 1878 by George Edmund Street, with the sponsorship of distiller Henry Roe of Mount Anville. The great 14th-century choir was demolished and a new eastern end was built over the original crypt. He built a new chapter house. The tower was rebuilt. The south nave arcade was rebuilt. The flying buttresses were added as a decorative feature. The north porch was removed. The baptistry was built in its place.[7] Street built the adjacent Synod Hall, taking in the last remnant of St Michael and All Angels's Church, including the bell tower. The synod house is linked to the cathedral by Street's iconic covered footbridge
Christchurch Place, Wood Quay, Dublin 8, Ireland
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Dublin City,Ireland,IE,EU,tourism,tourist,building,historic,history,Irish,GPO,headquarters,An Post,HQ,unusual,shot,angle,capital,Georgian,public buildings,Francis Johnston,Ionic portico,six fluted Ionic columns,Ionic column,granite,Proclamation,of the,Irish Republic,Proclamation of the Irish Republic,Eire,post office,office,Dublin 1,OConnell Street Lower,Easter Rising,logo,an Phoist
Description: Tony Smith image Alamy 2DPGJRG - The General Post Office (GPO) Irish : Ard-Oifig an Phoist ) in Dublin is the headquarters of An Post, the Irish Post Office, and Dublin's principal post office. Sited in the centre of O'Connell Street, the city's main thoroughfare, it is one of Ireland's most famous buildings, not least because it served as the headquarters of the leaders of the Easter Rising. It was the last of the great Georgian public buildings erected in the capital.
The foundation-stone of the building, which was designed by Francis Johnston, was laid by the Lord Lieutenant of Ireland, Charles Whitworth, 1st Earl Whitworth, on 12 August 1814. The front, which extends 67.1 metres (220 ft), has an Ionic portico (24.4 metres (80 ft) wide), of six fluted Ionic columns, 137.16 centimetres (54 inches) in diameter. The frieze of the entablature is highly enriched, and in the tympanum of the pediment were the royal arms until removed following restoration in the 1920s. On the acroteria of the pediment are three statues by John Smyth
During the Easter Rising of 1916, the GPO served as the headquarters of the uprising's leaders. It was from outside this building on the 24th of April 1916, that Patrick Pearse read out the Proclamation of the Irish Republic. The building was destroyed by fire in the course of the rebellion, save for the granite facade, and not rebuilt until 1929, by the Irish Free State government
O'Connell Street Lower, North City, Dublin 1, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,marxism,from,the,political,politics,Saoradh,Irish,Bobby Sands,Wolfe Tone,Wolf Tone,revolution,Shamus Connolly,James Connolly,hammer,sickle,IRA,Republican,workers,dont tolerate abuse,or,exploitation,Together we are strong,divided,we beg,green,Nuacht,activists,Sinn Féin,Sinn Fein,Junior McDaid House.,group,unity,referendum,border poll,future
Description: Tony Smith image Alamy 2M84J72 - Saoradh
Saoradh are a Revolutionary Republican Party, organised across Ireland. Founded on the 24th September 2016 following a significant collective of Irish Republican activists, who for a number of years acted autonomously, after a number of years of debate, consultation and organisation, constituted and launched a Revolutionary Irish Republican Party.
Saoradh seek the establishment of a 32 County Socialist Republic free from British rule.
Saoradh aim to build campaigns to fight back against imperialism and capitalism to empower the Irish people in the ongoing struggle to regain our national sovereignty, end partition and build a new fair society.
Saoradh believes that Ireland should be governed by the Irish People with the wealth and wealth producing mechanisms in the ownership of the Irish people. This can not happen while British imperialism undemocratically retains control of Irish destinies and partitions our nation. This cannot happen while a neo-colonial elite in a subservient supposed indigenous administration sells the nations labour and natural resources to international capital.
Saoradh does not believe that British imperialism or capitalist exploitation can be confronted in the structures they have created to consolidate their undemocratic control of the Irish nation. As such Saoradh believe any assembly claiming to speak for the Irish people without being elected by the united people of the Irish nation to be illegal.
Saoradh will seek to organise and work with the Irish people rather than be consumed and usurped by the structures of Ireland's enemies, standing on a long and proud revolutionary Irish Republican history of resistance
inspired by the actions and words of Tone of Connolly, of Mellows, of Costello and of Sands .
Dublin city, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,outside,exterior,The Dublin Writers Museum,Rotunda,D01 T3V8,author,authors,the,writing,18,Irish Writers Union,the Society of Irish Playwrights,the Irish Childrens Book Trust,Irish Translators & Interpreters Association,Irish,literature,centre,building,William Butler Yeats,Patrick Pearse,history,Irish authors,Irish author,Irish writers,writer,tourist,tourism,attraction,Parnell Square,north
Description: Tony Smith image Alamy 2M84J9C - Irish Writers' Union, the Society of Irish Playwrights,
The Dublin Writers Museum was opened in November 1991 at No 18, Parnell Square, Dublin, Ireland. The museum occupies an original 18th-century house, which accommodates the museum rooms, library, gallery, and administration area. The annexe behind it has a coffee shop and bookshop on the ground floor and exhibition and lecture rooms on the floors above. Dublin stuccatore Michael Stapleton decorated the upstairs gallery. The Irish Writers' Centre, next door in No 19, contains the meeting rooms and offices of the Irish Writers' Union, the Society of Irish Playwrights, the Irish Children's Book Trust and the Irish Translators' & Interpreters' Association. The basement beneath both houses is occupied by the Chapter One restaurant.
The Museum was established to promote interest, through its collection, displays and activities, in Irish literature as a whole and in the lives and works of individual Irish writers. Through its association with the Irish Writers' Centre it provides a link with living writers and the international literary scene. On a national level it acts as a centre, simultaneously pulling together the strands of Irish literature and complementing the smaller, more detailed museums devoted to individuals like James Joyce, George Bernard Shaw, William Butler Yeats and Patrick Pearse. It functions as a place where people can come from Dublin, Ireland and abroad to experience the phenomenon of Irish writing both as history and as actuality.
The writers featured in the Museum are those who have made an important contribution to Irish or international literature or, on a local level, to the literature of Dublin. It is a view of Irish literature from a Dublin perspective.
On display in the museum are literary ephemera and memorabilia, including a detailed replica of The Book of Kells, Samuel Beckett's phone, a letter from 'tenement aristocrat' Brendan Behan to his brother.
18 Parnell Square N, Rotunda, Dublin, D01 T3V8, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,outside,exterior,The Dublin Writers Museum,Rotunda,D01 T3V8,author,authors,the,writing,18,Irish Writers Union,the Society of Irish Playwrights,the Irish Childrens Book Trust,Irish Translators & Interpreters Association,Irish,literature,centre,building,William Butler Yeats,Patrick Pearse,history,wrought iron,metal,sign,signage,Irish authors,Irish author,Irish writers,writer,tourist,tourism,attraction,hotpix.org.uk
Description: Tony Smith image Alamy 2M84J9M - Irish Writers' Union, the Society of Irish Playwrights,
The Dublin Writers Museum was opened in November 1991 at No 18, Parnell Square, Dublin, Ireland. The museum occupies an original 18th-century house, which accommodates the museum rooms, library, gallery, and administration area. The annexe behind it has a coffee shop and bookshop on the ground floor and exhibition and lecture rooms on the floors above. Dublin stuccatore Michael Stapleton decorated the upstairs gallery. The Irish Writers' Centre, next door in No 19, contains the meeting rooms and offices of the Irish Writers' Union, the Society of Irish Playwrights, the Irish Children's Book Trust and the Irish Translators' & Interpreters' Association. The basement beneath both houses is occupied by the Chapter One restaurant.
The Museum was established to promote interest, through its collection, displays and activities, in Irish literature as a whole and in the lives and works of individual Irish writers. Through its association with the Irish Writers' Centre it provides a link with living writers and the international literary scene. On a national level it acts as a centre, simultaneously pulling together the strands of Irish literature and complementing the smaller, more detailed museums devoted to individuals like James Joyce, George Bernard Shaw, William Butler Yeats and Patrick Pearse. It functions as a place where people can come from Dublin, Ireland and abroad to experience the phenomenon of Irish writing both as history and as actuality.
The writers featured in the Museum are those who have made an important contribution to Irish or international literature or, on a local level, to the literature of Dublin. It is a view of Irish literature from a Dublin perspective.
On display in the museum are literary ephemera and memorabilia, including a detailed replica of The Book of Kells, Samuel Beckett's phone, a letter from 'tenement aristocrat' Brendan Behan to his brother.
18 Parnell Square N, Rotunda, Dublin, D01 T3V8, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,outside,exterior,The Dublin Writers Museum,Rotunda,D01 T3V8,author,authors,the,writing,18,Irish Writers Union,the Society of Irish Playwrights,the Irish Childrens Book Trust,Irish Translators & Interpreters Association,Irish,literature,centre,building,William Butler Yeats,Patrick Pearse,history,wrought iron,metal,sign,signage,Irish authors,Irish author,Irish writers,writer,tourist,tourism,attraction
Description: Tony Smith image Alamy 2M84J9R - Irish Writers' Union, the Society of Irish Playwrights,
The Dublin Writers Museum was opened in November 1991 at No 18, Parnell Square, Dublin, Ireland. The museum occupies an original 18th-century house, which accommodates the museum rooms, library, gallery, and administration area. The annexe behind it has a coffee shop and bookshop on the ground floor and exhibition and lecture rooms on the floors above. Dublin stuccatore Michael Stapleton decorated the upstairs gallery. The Irish Writers' Centre, next door in No 19, contains the meeting rooms and offices of the Irish Writers' Union, the Society of Irish Playwrights, the Irish Children's Book Trust and the Irish Translators' & Interpreters' Association. The basement beneath both houses is occupied by the Chapter One restaurant.
The Museum was established to promote interest, through its collection, displays and activities, in Irish literature as a whole and in the lives and works of individual Irish writers. Through its association with the Irish Writers' Centre it provides a link with living writers and the international literary scene. On a national level it acts as a centre, simultaneously pulling together the strands of Irish literature and complementing the smaller, more detailed museums devoted to individuals like James Joyce, George Bernard Shaw, William Butler Yeats and Patrick Pearse. It functions as a place where people can come from Dublin, Ireland and abroad to experience the phenomenon of Irish writing both as history and as actuality.
The writers featured in the Museum are those who have made an important contribution to Irish or international literature or, on a local level, to the literature of Dublin. It is a view of Irish literature from a Dublin perspective.
On display in the museum are literary ephemera and memorabilia, including a detailed replica of The Book of Kells, Samuel Beckett's phone, a letter from 'tenement aristocrat' Brendan Behan to his brother.
18 Parnell Square N, Rotunda, Dublin, D01 T3V8, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,shop,store,shoe,shutter,derelict,rundown,door,doorway,paint,decoration,shuttered,old,terrace,terraced,16,Great Denmark Street,closed,city,centre,urban,retail,now in 54 Dorset Street Lower,Irish,dance,footwear,workshop,Eamon,Fays shoes,Dan Fay,Fay,history,historic,Handmade Irish Dance Footwear
Description: Tony Smith image Alamy 2M84JC3 - Fays Shoes, Handmade Irish Dance Footwear, have always believed in creating only the highest quality Irish dancing rootwear and are the worldwide leaders in the manufacture of high quality Irish dancing shoes. That was recognized in 1995 when we were chosen to be the original and official shoemakers of dancing shoes for Riverdance. Read more about our Riverdance story.
The following newspaper article is taken direct from The Sunday Press, February 12, 1995 - https://www.fays-shoes.com/riverdance/
Eamon and Dan tap into the wonder of Riverdance by Tomas Conlon
DAN Fay and his son Eamon are shoemakers to the stars. In a quiet workshop off Dublin's Parnell Square they have crouched for weeks over their lasts, making the dancing shoes that have clattered in spectacular rhythm at the Riverdance show which premiered Thursday night. Sixty-four-year-old Dan has been making shoes for nearly 50 years but his trade - like Irish dancing itself - came in from the margins at last year's Eurovision when Jean Butler and Michael Flatley tapped their way into the nation's heart.
Ms Butler was wearing their handmade shoes that night, as were most of the backing dancers, and both Jean and Michael will be wearing them for the duration of the Riverdance Show. In addition, they have measured and fitted the Russian Cossack dancers with their shoes, along with the guest tap dancers from America and a host of the supporting performers. The Russians have also had their cossack dancing boots mended in the Fay workshop
Dan and Eamon will also be present backstage each night of the Riverdance show to carry out running repairs on broken straps, loose heels and any other emergencies that might occur. Ms Butler's shoes in fact were rushed by courier to their workshop last Thursday for a repair job just hours before the curtain went up on the show.
The shoes are made entirely from leather with a fiberglass tip at the toe and heel which produces that tap effect.
16 Great Denmark Street, Dublin, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,McNallys Newsagent,14 Denmark St,Dublin,14 Denmark Street Great,Rotunda,D01 A663,store,convenience,shop,Leap,green,yellow,traditional,Irish,corner shop,Denmark St,Great,sweets,newspapers,Greengrocers,Greengrocer,commercial,business,local,north inner,city,shopfront,exterior,toy,toys,papers,magazine,magazines
Description: Tony Smith image Alamy 2M84JC7 -
14 Denmark Street Great, Rotunda, Dublin, D01 A663, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,street,art,artwork,steel,aluminium,metal,figure,playing,a,8,N,North,Dublin,D07 X704,attached,to,brick,wall,building,Irish,artist,sculpture,stainless steel,centre,sights,vibe,atmosphere,buildings,urban,architecture
Description: Tony Smith image Alamy 2M84JGM -
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,red,flag,flags,Irish Whiskey,live music daily,Guinness,sign
Description: Tony Smith image Alamy 2M84JTN - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,Whisky,in,Dublin,liquor,liquors,spirits,spirit,alcohol,malt,bourbon,drink,bright,illuminated,light,lights,pub,bar,signage,restaurant,shot,dive,distilled,distillation,buy,shop,store,bars,water of life,Irish Whiskey
Description: Tony Smith image Alamy 2M84JTT -
Dublin, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,distillery,malts,distilling,store,Whisky,malt
Description: Tony Smith image Alamy 2M84JTY - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,fun,funtimes,fun times
Description: Tony Smith image Alamy 2M84JW7 - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,distillery,store,Whisky,malt,malts,distilling,St Patricks Day
Description: Tony Smith image Alamy 2M84K28 - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,Guinness,emperor of malted liquors,judge,pouring,malted,liquors,stout
Description: Tony Smith image Alamy 2M84K29 - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,barrel,fine smoking,tobacco,Guinness
Description: Tony Smith image Alamy 2M84K2D - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,sign,live music,outside,external,exterior,St Patricks Day
Description: Tony Smith image Alamy 2M84K2G - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,range,Dubliner,authentic,boozer,premises,tourist,D02 N725,tavern,Dubliners,Irish,Est1840,icon,tourism,legendary,47-48 Temple Bar,Whiskey,cultural,trade mark,drinking,beer,venue,Dublin 2,pub,inn,garden,history,heritage,mosaic,floor,at,tiles,yellow,red,St Patricks Day
Description: Tony Smith image Alamy 2M84K2K - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,range,Dubliner,authentic,boozer,premises,tourist,D02 N725,tavern,Dubliners,Irish,Est1840,icon,tourism,legendary,47-48 Temple Bar,Whiskey,cultural,trade mark,drinking,beer,venue,Dublin 2,pub,inn,garden,history,heritage,mosaic,floor,at,tiles,orange,St Patricks Day
Description: Tony Smith image Alamy 2M84K2T - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,Orange,neon,sign,red,at,St Patricks Day
Description: Tony Smith image Alamy 2M84K2W - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,tiled,red,green,tiles,polished,words,St Patricks Day
Description: Tony Smith image Alamy 2M84K9R - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,Guinness,tap,harp,named,pour,dispenser,signed
Description: Tony Smith image Alamy 2M84KA2 - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,entrance,to,door,doors
Description: Tony Smith image Alamy 2M84KAB - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,2 Cecilia St,Temple Bar,Dublin 2,D02 DP62,vinyl,genre,and,Music,artists,musicians,music,song,songs,Records,trad,traditional,folky,folk,sheet music,Irish,musical,tourist,tourism,attraction,buy,share,discover,tunes,cassette,CD,cultural quarter
Description: Tony Smith image Alamy 2M84KAP - Temple Bar is an area on the south bank of the River Liffey in central Dublin, Ireland. The area is bounded by the Liffey to the north, Dame Street to the south, Westmoreland Street to the east and Fishamble Street to the west. It is promoted as Dublin's 'cultural quarter' and, as a centre of Dublin's city centre's nightlife, is a tourist destination. Temple Bar is in the Dublin 2 postal district.
Temple Bar, Dublin, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,hotel,Dublin 2,D02 FK84,building,architecture,block,rooms,B&B,bed and breakfast,Irish,3-6 Anglesea St,Stephen Dedalus,16 June,1922,Anglesea Street,Temple Bar,wall,city,Ulysses,16th June,James Joyce,Leopold Bloom,centre,3-6,sign,signs,landmark,literary,book,colorful,colourful
Description: Tony Smith image Alamy 2M84KEY -
3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,craic,self-awarded,selfawarded,Oyster Happy Hour,5-6pm,daily,blackboard sign,seafood,sea,food,offer,chalk,eat,eating,oysters,mollusc,happy hour,happy,hour!,bar,restaurant,cafe,café,cuisine,meal,meals,dish,gastronomy,advert,early,diner,dinner,farmed
Description: Tony Smith image Alamy 2M8BNNB -
Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,skeleton,Australia,take it easy,Skull,graffiti,in,Dublin,near,no,worries,informal,saying,expression,you are welcome,Oz,down under,No problem,do not worry about that,thats all right,forget about it,sure thing,talk,talking,stencil,art,street art,streetart,speech,optimism,national motto,of
Description: Tony Smith image Alamy 2M8BNNE -
Temple Bar, Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,art,artwork,painting,graffiti,Big City Lover,positive,shop,store,vibrant,interesting,cultural,area,quarter,Dublins,bars,pubs,ornate,watering holes,boozer,boozers,attraction,attractions,tourism,problem,problems,ASB,antisocial behaviour,trouble,Bloom,Blooms,hotel,St Patricks Day,St Patrick
Description: Tony Smith image Alamy 2M8BNNW -
rown Alley Temple Bar, Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,3-6 Anglesea St,Temple Bar,Dublin 2,D02 FK84,wall,rooms,3-6,Anglesea Street,city,centre,1922,Ulysses,Leopold Bloom,16 June,16th June,James Joyce,Stephen Dedalus,Republic of Ireland,architecture,bed and breakfast,block,B&B,hotel,building,sign,signs,landmark,literary,book,colorful,colourful
Description: Tony Smith image Alamy 2M8BNP4 - James Joyce's Ulysses was published in 1922 and is considered to be one of the most important books of the 20th century. The narrative follows the journey of two characters, Stephen Dedalus and Leopold Bloom, as they criss-cross Dublin on 16 June 1904. Dublin takes centre stage in the book and the soul of the city is captured in all its gritty glory.
The narrative parallels Homer's Odyssey, with one notable difference, Guinness. The two boys travel across the city in what is basically a marathon pub crawl.
Every year a bunch of Joycean enthusiasts re-enact this epic pub crawl. It's dressed up as literary event, don't let that fool you, its drink broken up by a bit of walking. The event is known as Bloomsday.
2004 was the 100th birthday of the event, and there were lots of events organised that appealed to the high and low brow alike.
We think that the Catholic Church would have beatified Leopold Bloom if he really existed and wasn't Jewish. We decided to name the liveliest and loveliest hotel in Temple Bar after the great literary character - Blooms Hotel.
Blooms of Dublin is a musical play or operetta in two acts with music and text by Anthony Burgess. The work, nearly three hours long, was first performed (in a concert version) for the Dublin Joyce Centenary in 1982 by the RTE Singers and RTE Concert Orchestra and broadcast on BBC and RTE radio. It was produced by John Tydeman and Michael Heffernan.
The operetta is based on James Joyce's 1922 novel Ulysses. It was published in book form in 1986. The texts of some of the songs also appear in the novels Earthly Powers (1980) and The End of World News (1982)
3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,3-6 Anglesea St,Temple Bar,Dublin 2,D02 FK84,wall,rooms,3-6,Anglesea Street,city,centre,1922,Ulysses,Leopold Bloom,16 June,16th June,James Joyce,Stephen Dedalus,Republic of Ireland,architecture,bed and breakfast,block,B&B,hotel,building,sign,signs,landmark,literary,book,colorful,colourful
Description: Tony Smith image Alamy 2M8BNT2 - James Joyce's Ulysses was published in 1922 and is considered to be one of the most important books of the 20th century. The narrative follows the journey of two characters, Stephen Dedalus and Leopold Bloom, as they criss-cross Dublin on 16 June 1904. Dublin takes centre stage in the book and the soul of the city is captured in all its gritty glory.
The narrative parallels Homer's Odyssey, with one notable difference, Guinness. The two boys travel across the city in what is basically a marathon pub crawl.
Every year a bunch of Joycean enthusiasts re-enact this epic pub crawl. It's dressed up as literary event, don't let that fool you, its drink broken up by a bit of walking. The event is known as Bloomsday.
2004 was the 100th birthday of the event, and there were lots of events organised that appealed to the high and low brow alike.
We think that the Catholic Church would have beatified Leopold Bloom if he really existed and wasn't Jewish. We decided to name the liveliest and loveliest hotel in Temple Bar after the great literary character - Blooms Hotel.
Blooms of Dublin is a musical play or operetta in two acts with music and text by Anthony Burgess. The work, nearly three hours long, was first performed (in a concert version) for the Dublin Joyce Centenary in 1982 by the RTE Singers and RTE Concert Orchestra and broadcast on BBC and RTE radio. It was produced by John Tydeman and Michael Heffernan.
The operetta is based on James Joyce's 1922 novel Ulysses. It was published in book form in 1986. The texts of some of the songs also appear in the novels Earthly Powers (1980) and The End of World News (1982)
3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,inscription,blue,white,Victorian,building,architecture,style,10,Anglesea St,offices,office,relief carving,dragon,Let us be judged by our deeds,Royal Dragoons,1st Dragoons,Dublins,bars,pubs,ornate,watering holes,boozer,boozers,attraction,attractions,tourism,problem,problems,ASB,antisocial behaviour,trouble
Description: Tony Smith image Alamy 2M8BNT8 - This decorative building that is painted predominantly white with light blue detailing was built in 1898 in Queen Anne revival style. Around the year there is relief carving with a dragon(?) separting the 18 from 98. Beneath the year and the dragon is the motto spectemur agendo.
The house may have been built as a residence with the ground floor serving as a shop or business premises. Today, the building appears to be offices.
10 Anglesea Street - Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,D02 NX25,brass,bronze,metal,street,art,embossed,face,memorial,culture,the arts,heritage,history,entertainment,walk of fame,icon,iconic,literary,writer,pavement,sidewalk,portrait,plaque,of,poet,Kavanagh,Twin ironies by which great saints are made,The agonising pincer,jaws of heaven,On Raglan Road,Tarry Flynn
Description: Tony Smith image Alamy 2M8DJE4 - Patrick Kavanagh (21 October 1904 30 November 1967) was an Irish poet and novelist. His best-known works include the novel Tarry Flynn, and the poems On Raglan Road and The Great Hunger. He is known for his accounts of Irish life through reference to the everyday and commonplace
Patrick Kavanagh was born in rural Inniskeen, County Monaghan, in 1904, the fourth of ten children of James Kavanagh and Bridget Quinn
Kavanagh's first published work appeared in 1928[7] in the Dundalk Democrat and the Irish Independent. Kavanagh had encountered a copy of the Irish Statesman, edited by George William Russell, who published under the pen name AE and was a leader of the Irish Literary Revival. Russell at first rejected Kavanagh's work but encouraged him to keep submitting, and he went on to publish verse by Kavanagh in 1929 and 1930. This inspired the farmer to leave home and attempt to further his aspirations. In 1931, he walked 80 miles (abt. 129 kilometres) to meet Russell in Dublin, where Kavanagh's brother was a teacher. Russell gave Kavanagh books, among them works by Fyodor Dostoyevsky, Victor Hugo, Walt Whitman, Ralph Waldo Emerson and Robert Browning, and became Kavanagh's literary adviser. Kavanagh joined Dundalk Library and the first book he borrowed was The Waste Land by T. S. Eliot.
Kavanagh's first collection, Ploughman and Other Poems, was published in 1936. It is notable for its realistic portrayal of Irish country life, free of the romantic sentiment often seen at the time in rural poems, a trait he abhorred. Published by Macmillan in its series on new poets, the book expressed a commitment to colloquial speech and the unvarnished lives of real people, which made him unpopular with the literary establishment. Two years after his first collection was published he had yet to make a significant impression. The Times Literary Supplement described him as a young Irish poet of promise rather than of achievement
Fleet St, Temple Bar, Dublin 2, D02 NX25, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,D02 NX25,brass,bronze,metal,street,art,embossed,face,memorial,culture,the arts,heritage,history,entertainment,walk of fame,icon,iconic,literary,writer,pavement,sidewalk,portrait,Kerry,and my heart says the kingdom,Kerryman,sportswriter,sports,journalist,Irish Press,Evening Press,The Sunday Press
Description: Tony Smith image Alamy 2M8DJE9 - Con Houlihan (6 December 1925 4 August 2012) was an Irish sportswriter. Despite only progressing to national journalism at the age of 46, he became the greatest and the best-loved Irish sports journalist of all
Over a lengthy career, Houlihan covered many Irish and international sporting events, from Gaelic football and hurling finals, to soccer and rugby World Cups, the Olympics and numberless race meetings inside and outside Ireland.
He was a journalist with the Irish Press group writing for The Irish Press, Evening Press and sometimes The Sunday Press, until the group's demise in 1995. He wrote the Tributaries column and Evening Press back sports page Con Houlihan column
Houlihan died in the morning of 4 August 2012 in St James's Hospital in Dublin. Often considered one of Ireland's finest writers, he left behind a legacy of immense sports journalism that spanned over 60 years. A minute's silence was observed in his memory ahead of Kerry's All-Ireland Senior Football Championship quarter-final defeat to Donegal at Croke Park the following day. His last column, in which he wished Katie Taylor well, was published the day after his death.[6] His funeral took place on 8 August 2012
A bronze bust of Houlihan was unveiled in his hometown of Castleisland in 2004. In 2011, a bronze plaque was installed outside The Palace bar in Dublin. The sculpture is in the foyer of The Bank pub on College Green. Cons Corner and a Bronze Bust with a quote are in The Palace Bar.
Fleet St, Temple Bar, Dublin 2, D02 NX25, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Dublin,Eire,Irish,book,archived,old,College Green,Dublin D02,adjacent,to,levels,city,centre,bookshelf,of,books,dusty,Spiral Staircase,bookcase,at,Trinity College,library,Spiral,Staircase,the,Library of Trinity College Dublin,university,legal deposit,copyright library,publications,UK Publications,Thomas Burgh,1712,rare,early,archive
Description: Tony Smith image Alamy 2M8DJF6 - The Library of Trinity College Dublin (Irish: Leabharlann Choláiste na Tríonóide) serves Trinity College and the University of Dublin. It is a legal deposit or copyright library, under which, publishers in Ireland must deposit a copy of all their publications there, without charge. It is the only Irish library to hold such rights for works published in the United Kingdom.
The Library is the permanent home to the Brian Boru harp which is a national symbol of Ireland, a copy of the 1916 Proclamation of the Irish Republic, and the Book of Kells. One of the four volumes of the Book of Kells is on public display at any given time. The volumes and pages shown are regularly changed
a new display case installed in 2020 will allow all pages to be displayed including many not seen in public for several decades
The Library proper occupies several buildings, six of which are at the Trinity College campus itself, with another part of the Trinity Centre at St James's Hospital, Dublin:
The oldest library building, now known as the Old Library, is Thomas Burgh's magnum opus. Construction began in 1712. A large building which took twenty years to complete in its original form, it towered over the university and city after its completion in 1732. Even today, surrounded by similarly scaled buildings, it is imposing and dominates the view of the university from Nassau Street. The Book of Kells is located in the Old Library, along with the Book of Durrow, the Garland of Howth and other ancient texts. Also incorporating the Long Room, the Old Library is one of Ireland's biggest tourist attractions and holds thousands of rare, and in many cases very early, volumes. In the 18th century, the college received the Brian Boru harp, one of the three surviving medieval Gaelic harps, and a national symbol of Ireland, which is now housed in the Library
The Library began with the founding of Trinity College in 1592. In 1661, Henry Jones presented it with the Book of Kells
College Green, Trinity, Dublin D02, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Dublin,Eire,Irish,bar,flowers,flower,on,the,front,outside,exterior,classic,Dublin bar,2 Suffolk St,Dublin 2,D02 KX03,M.J.ONeills,city,centre,central,restaurant,building,architecture,tavern,Hogan,Brothers,Church Lane,William Butler,published,Volunteers Journal,Fabians,iron,three-dials,clock
Description: Tony Smith image Alamy 2M8DJFN - M.J.O'Neill's is a notable bar and restaurant in central Dublin. It has occupied 2 Suffolk Street and adjacent buildings, continuing round the corner into Church Lane. It is claimed there has been a tavern on the site for some three hundred years. From 1875 it was owned by the Hogan Brothers, until M.J. O'Neill bought and renamed the premises in August 1927.The part in Church Lane was the site of a printing house, where William Butler published The Volunteers Journal and the Irish Herald in 1783, and in 1789 Arthur O'Connor published The Press, supporting Wolfe Tone's republican views.
The corner structure is an impressive four-storey, vaguely of the Arts and Crafts Movement, red-brick and early twentieth century, with prominent Tudor-style projecting bay windows. There is a fine decorated iron three-dials clock on the Suffolk Street frontage. The building is protected and in a conservation area. Now, opposite the Dublin Tourist Centre, it is a fixture on the tourist trail and pub crawls.The house has a mixed clientele.
It is directly opposite Andrew Street Post Office, and near the shopping centre of Grafton Street. The discreet Church Lane door is convenient for the Bank of Ireland and other financial establishments in College Green. It is also the pub nearest to the Front Gate of Trinity College, Dublin and therefore attracting Arts undergraduates and academics. The original structure was divided into definite areas: a cocktail bar in the corner for the gentry, a public bar off Suffolk Street, and a back bar. In recent years the next-door premises in Church Lane have been added, as a carvery, and the interior has been opened up. A small snug, immediately inside the Church Lane entrance, was the significant venue for the Fabians of the early 1960s and for later left-wing students from Trinity College, Dublin.
2 Suffolk Street, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Dublin,Eire,Irish,bar,flowers,flower,on,the,front,outside,exterior,classic,Dublin bar,2 Suffolk St,Dublin 2,D02 KX03,M.J.ONeills,city,centre,central,restaurant,building,architecture,tavern,Hogan,Brothers,Church Lane,William Butler,published,Volunteers Journal,Fabians,iron,three-dials,clock
Description: Tony Smith image Alamy 2M8DJJD - M.J.O'Neill's is a notable bar and restaurant in central Dublin. It has occupied 2 Suffolk Street and adjacent buildings, continuing round the corner into Church Lane. It is claimed there has been a tavern on the site for some three hundred years. From 1875 it was owned by the Hogan Brothers, until M.J. O'Neill bought and renamed the premises in August 1927.The part in Church Lane was the site of a printing house, where William Butler published The Volunteers Journal and the Irish Herald in 1783, and in 1789 Arthur O'Connor published The Press, supporting Wolfe Tone's republican views.
The corner structure is an impressive four-storey, vaguely of the Arts and Crafts Movement, red-brick and early twentieth century, with prominent Tudor-style projecting bay windows. There is a fine decorated iron three-dials clock on the Suffolk Street frontage. The building is protected and in a conservation area. Now, opposite the Dublin Tourist Centre, it is a fixture on the tourist trail and pub crawls.The house has a mixed clientele.
It is directly opposite Andrew Street Post Office, and near the shopping centre of Grafton Street. The discreet Church Lane door is convenient for the Bank of Ireland and other financial establishments in College Green. It is also the pub nearest to the Front Gate of Trinity College, Dublin and therefore attracting Arts undergraduates and academics. The original structure was divided into definite areas: a cocktail bar in the corner for the gentry, a public bar off Suffolk Street, and a back bar. In recent years the next-door premises in Church Lane have been added, as a carvery, and the interior has been opened up. A small snug, immediately inside the Church Lane entrance, was the significant venue for the Fabians of the early 1960s and for later left-wing students from Trinity College, Dublin.
2 Suffolk Street, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,Molly Malone,Malone,by,Jeanne,Rynhart,large,chest,breast,breasts,voluptuous,woman,lady,wench,girl,hussy,urban,centre,legend,art,artwork,revealing,Mary Malone,heroine,song,music,Georgian Quarter,History,historic,Cockles and Mussels,lyrics,folk ballad,cart,The Tart With The Cart
Description: Tony Smith image Alamy 2M8DJJM - Molly Malone is the enigmatic heroine of the famous song of the same name, widely recognised as Dublin's unofficial anthem. Immortalised in bronze during the 1988 Dublin Millennium celebrations, the Molly Malone statue stands in the heart of the city's historic Georgian Quarter. Though regularly upheld as a traditional Irish ballad, it's not known where the song originated or if Molly Malone ever existed
According to the lyrics of the undeniably catchy tune also known as Cockles and Mussels Molly was a young and beautiful fishmonger who sold her yield from a cart on the streets of Dublin. The song's final verse states that after she died of a fever, she began haunting the city.
Although set in Ireland's capital and beloved by many Dubliners, the song was originally published in the USA in 1876. While this version might be based on an older Irish folk ballad, cultural academics have argued that the melody and tragicomic lyrics are more akin to the music-hall style that was popular in Britain during the Victorian era. Indeed, in 1884, a version attributed to the Scottish composer James Yorkston was published in London.
To complicate matters further, in 2010, an earlier mention of Molly Malone was found in an 18th-century book of songs called Apollo's Medley, printed in England in 1790. This more risqué version describes Molly as living in Howth, a fishing village northeast of Dublin. It recounts the singer's yearning to share her bed, contributing to widespread speculation that the song's leading lady worked as both a street vendor and a prostitute.
Created by the Irish sculptor Jeanne Rynhart, the statue depicts Molly in traditional but revealing 17th-century dress, hinting at her supposed job as a part-time prostitute and leading the bronze figure to be colloquially christened The Tart with the Cart.
Suffolk St, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,Molly Malone,Malone,by,Jeanne,Rynhart,large,chest,breast,breasts,voluptuous,woman,lady,wench,girl,hussy,urban,centre,legend,art,artwork,revealing,Mary Malone,heroine,song,music,Georgian Quarter,History,historic,Cockles and Mussels,lyrics,folk ballad,cart,The Tart With The Cart
Description: Tony Smith image Alamy 2M8DJJX - Molly Malone is the enigmatic heroine of the famous song of the same name, widely recognised as Dublin's unofficial anthem. Immortalised in bronze during the 1988 Dublin Millennium celebrations, the Molly Malone statue stands in the heart of the city's historic Georgian Quarter. Though regularly upheld as a traditional Irish ballad, it's not known where the song originated or if Molly Malone ever existed
According to the lyrics of the undeniably catchy tune also known as Cockles and Mussels Molly was a young and beautiful fishmonger who sold her yield from a cart on the streets of Dublin. The song's final verse states that after she died of a fever, she began haunting the city.
Although set in Ireland's capital and beloved by many Dubliners, the song was originally published in the USA in 1876. While this version might be based on an older Irish folk ballad, cultural academics have argued that the melody and tragicomic lyrics are more akin to the music-hall style that was popular in Britain during the Victorian era. Indeed, in 1884, a version attributed to the Scottish composer James Yorkston was published in London.
To complicate matters further, in 2010, an earlier mention of Molly Malone was found in an 18th-century book of songs called Apollo's Medley, printed in England in 1790. This more risqué version describes Molly as living in Howth, a fishing village northeast of Dublin. It recounts the singer's yearning to share her bed, contributing to widespread speculation that the song's leading lady worked as both a street vendor and a prostitute.
Created by the Irish sculptor Jeanne Rynhart, the statue depicts Molly in traditional but revealing 17th-century dress, hinting at her supposed job as a part-time prostitute and leading the bronze figure to be colloquially christened The Tart with the Cart.
Suffolk St, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,street,art,female,girl,woman,in,a,spray,painted,paint,green,purple,cry,tears,sadness,depression,mental health,artwork,arts,painting,urban,backstreet,backstreets,face,faces,man,male,strange,sinister,vibe,feeling,bad
Description: Tony Smith image Alamy 2M8DJKA -
Dublin city centre, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,shop,tourist,tourists,retail,souvenirs,arcade,arcades,markets,business,boutique,emporium,mall,indoor,informal,relaxed,relaxing,local,community,quaint,retailers,old-fashioned,old fashioned,Georges Street,inside,interior,indoors,enclosed,trader,traders,city,centre
Description: Tony Smith image Alamy 2M8DJKE -
George's Street Arcade, South Great George's Street, Dublin, Eire
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,D02 WF85,entrance,Irish national photographic archive,neon,sign,signage,photo,Cartlann Grianghrafadóireachta Náisiúnta,NPA,the,Irish,National Photo Archive,Irish National Photographic Archive,archives,national,of,important,tourist,tourism,attraction,attractions,photographic,collection,collections,National Library of Ireland,NLI,photographic collections of the National,Library of Ireland,greenwashing
Description: Tony Smith image Alamy 2MCGA84 - The National Photographic Archive (Irish: Cartlann Grianghrafadóireachta Náisiúnta) is located in Temple Bar in Dublin, Ireland, and holds the photographic collections of the National Library of Ireland (NLI). The archive was opened in 1998, and has a reading room and exhibition gallery. The gallery's exhibition space hosts photographic exhibitions often relating to the NLI's collections
Meeting House Square, Temple Bar, Dublin, D02 WF85, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,tourist,tourism,attraction,art,street,artist,artists,heart,hearts,lanes,in,a,backstreet,back,streets,of,The,Temple Bar,tile,and,text,Dublin love,heart Dublin,Irish,loves,love,ceramic,pink,Love Lane
Description: Tony Smith image Alamy 2MCGACB -
Temple Bar, Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,tourist,tourism,attraction,sport,sports,Irish,football,ball,12,10 years,old,aged,Temple Bar Whiskey,Temple Bar,Whiskey,store,off-licence,off licence,bottle,bottles,model,advertisement,ad,advert,in,shop,window,windows,for,shopping,Cigarette,Players Please
Description: Tony Smith image Alamy 2MCGB1R -
--Dublin-2--Eire--Ireland-2MCGB61.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,guitarist,guitar,Irish,songwriter,musician,musicians,mixed race,Philip P Lynott,of,bronze,metal,statue,1949-1986,artist,by,Harry Street,off,near,Grafton Street,Dublin 2,street,art,sculptor,bass,bassist,West Bromwich,Lynotts,father Cecil Parris,tourist,attraction,music,icon,legend
Description: Tony Smith image Alamy 2MCGB61 - Philip Parris Lynott (20 August 1949 4 January 1986) was an Irish singer, bassist, and songwriter. His most commercially successful group was Thin Lizzy, of which he was a founding member, the principal songwriter, lead vocalist and bassist. He was known for his distinctive plectrum-based style on the bass, and for his imaginative lyrical contributions including working class tales and numerous characters drawn from personal influences and Celtic culture.
Lynott was born in the West Midlands of England, but grew up in Dublin with his grandparents. He remained close to his mother, Philomena, throughout his life. He fronted several bands as a lead vocalist, including Skid Row alongside Gary Moore, before learning the bass guitar and forming Thin Lizzy in 1969. After initial success with Whiskey in the Jar, the band had several hits in the mid-1970s such as The Boys Are Back in Town, Jailbreak and Waiting for an Alibi, and became a popular live attraction combining Lynott's vocal and songwriting skills with dual lead guitars. Towards the end of the 1970s, Lynott embarked upon a solo career, published two books of poetry, and after Thin Lizzy disbanded, he assembled and fronted the band Grand Slam.
In 2005, a life-size bronze statue of Lynott by Dublin sculptor Paul Daly was unveiled on Harry Street, off Grafton Street in Dublin. The ceremony was attended by Lynott's mother Philomena, and former band members Moore, Bell, Robertson, Downey, Gorham and Darren Wharton, who performed live
In the 1980s, Lynott increasingly suffered drug-related problems, particularly an addiction to heroin. In 1985, he had a final chart success with Moore, Out in the Fields, followed by the minor hit Nineteen, before his death in 1986. He remains a popular figure in the rock world
Harry Street, (off Grafton Street), Dublin 2, Eire, Ireland
--Dublin-2--Eire--Ireland-2MCGB67.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,guitarist,guitar,Irish,songwriter,musician,musicians,mixed race,Philip P Lynott,of,bronze,metal,statue,1949-1986,artist,by,Harry Street,off,near,Grafton Street,Dublin 2,street,art,sculptor,bass,bassist,West Bromwich,Lynotts,father Cecil Parris,tourist,attraction,music,icon,legend
Description: Tony Smith image Alamy 2MCGB67 - Philip Parris Lynott (20 August 1949 4 January 1986) was an Irish singer, bassist, and songwriter. His most commercially successful group was Thin Lizzy, of which he was a founding member, the principal songwriter, lead vocalist and bassist. He was known for his distinctive plectrum-based style on the bass, and for his imaginative lyrical contributions including working class tales and numerous characters drawn from personal influences and Celtic culture.
Lynott was born in the West Midlands of England, but grew up in Dublin with his grandparents. He remained close to his mother, Philomena, throughout his life. He fronted several bands as a lead vocalist, including Skid Row alongside Gary Moore, before learning the bass guitar and forming Thin Lizzy in 1969. After initial success with Whiskey in the Jar, the band had several hits in the mid-1970s such as The Boys Are Back in Town, Jailbreak and Waiting for an Alibi, and became a popular live attraction combining Lynott's vocal and songwriting skills with dual lead guitars. Towards the end of the 1970s, Lynott embarked upon a solo career, published two books of poetry, and after Thin Lizzy disbanded, he assembled and fronted the band Grand Slam.
In 2005, a life-size bronze statue of Lynott by Dublin sculptor Paul Daly was unveiled on Harry Street, off Grafton Street in Dublin. The ceremony was attended by Lynott's mother Philomena, and former band members Moore, Bell, Robertson, Downey, Gorham and Darren Wharton, who performed live
In the 1980s, Lynott increasingly suffered drug-related problems, particularly an addiction to heroin. In 1985, he had a final chart success with Moore, Out in the Fields, followed by the minor hit Nineteen, before his death in 1986. He remains a popular figure in the rock world
Harry Street, (off Grafton Street), Dublin 2, Eire, Ireland
--Dublin-2--Eire--Ireland-2MCGB6R.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,guitarist,guitar,Irish,songwriter,musician,musicians,mixed race,Philip P Lynott,of,bronze,metal,statue,1949-1986,artist,by,Harry Street,off,near,Grafton Street,Dublin 2,street,art,sculptor,bass,bassist,West Bromwich,Lynotts,father Cecil Parris,tourist,attraction,music,icon,legend
Description: Tony Smith image Alamy 2MCGB6R - Philip Parris Lynott (20 August 1949 4 January 1986) was an Irish singer, bassist, and songwriter. His most commercially successful group was Thin Lizzy, of which he was a founding member, the principal songwriter, lead vocalist and bassist. He was known for his distinctive plectrum-based style on the bass, and for his imaginative lyrical contributions including working class tales and numerous characters drawn from personal influences and Celtic culture.
Lynott was born in the West Midlands of England, but grew up in Dublin with his grandparents. He remained close to his mother, Philomena, throughout his life. He fronted several bands as a lead vocalist, including Skid Row alongside Gary Moore, before learning the bass guitar and forming Thin Lizzy in 1969. After initial success with Whiskey in the Jar, the band had several hits in the mid-1970s such as The Boys Are Back in Town, Jailbreak and Waiting for an Alibi, and became a popular live attraction combining Lynott's vocal and songwriting skills with dual lead guitars. Towards the end of the 1970s, Lynott embarked upon a solo career, published two books of poetry, and after Thin Lizzy disbanded, he assembled and fronted the band Grand Slam.
In 2005, a life-size bronze statue of Lynott by Dublin sculptor Paul Daly was unveiled on Harry Street, off Grafton Street in Dublin. The ceremony was attended by Lynott's mother Philomena, and former band members Moore, Bell, Robertson, Downey, Gorham and Darren Wharton, who performed live
In the 1980s, Lynott increasingly suffered drug-related problems, particularly an addiction to heroin. In 1985, he had a final chart success with Moore, Out in the Fields, followed by the minor hit Nineteen, before his death in 1986. He remains a popular figure in the rock world
Harry Street, (off Grafton Street), Dublin 2, Eire, Ireland
--Dublin-2--Eire--Ireland-2MCGB9X.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,guitarist,guitar,Irish,songwriter,musician,musicians,mixed race,Philip P Lynott,of,bronze,metal,statue,1949-1986,artist,by,Harry Street,off,near,Grafton Street,Dublin 2,street,art,sculptor,bass,bassist,West Bromwich,Lynotts,father Cecil Parris,tourist,attraction,music,icon,legend
Description: Tony Smith image Alamy 2MCGB9X - Philip Parris Lynott (20 August 1949 4 January 1986) was an Irish singer, bassist, and songwriter. His most commercially successful group was Thin Lizzy, of which he was a founding member, the principal songwriter, lead vocalist and bassist. He was known for his distinctive plectrum-based style on the bass, and for his imaginative lyrical contributions including working class tales and numerous characters drawn from personal influences and Celtic culture.
Lynott was born in the West Midlands of England, but grew up in Dublin with his grandparents. He remained close to his mother, Philomena, throughout his life. He fronted several bands as a lead vocalist, including Skid Row alongside Gary Moore, before learning the bass guitar and forming Thin Lizzy in 1969. After initial success with Whiskey in the Jar, the band had several hits in the mid-1970s such as The Boys Are Back in Town, Jailbreak and Waiting for an Alibi, and became a popular live attraction combining Lynott's vocal and songwriting skills with dual lead guitars. Towards the end of the 1970s, Lynott embarked upon a solo career, published two books of poetry, and after Thin Lizzy disbanded, he assembled and fronted the band Grand Slam.
In 2005, a life-size bronze statue of Lynott by Dublin sculptor Paul Daly was unveiled on Harry Street, off Grafton Street in Dublin. The ceremony was attended by Lynott's mother Philomena, and former band members Moore, Bell, Robertson, Downey, Gorham and Darren Wharton, who performed live
In the 1980s, Lynott increasingly suffered drug-related problems, particularly an addiction to heroin. In 1985, he had a final chart success with Moore, Out in the Fields, followed by the minor hit Nineteen, before his death in 1986. He remains a popular figure in the rock world
Harry Street, (off Grafton Street), Dublin 2, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,red,green,signage,Kehoes Lounge sign,in,neon,&,and,wine,spirit,9,South,open,hanging,baskets,summer,boozer,traditional,Irish,watering hole,tourist,tourism,attraction,classic neon,historic,history,1920,1930,black
Description: Tony Smith image Alamy 2MCGBB7 -
9 Anne St S, Dublin, Eire, D02 NY88, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,Irish,Dawson Street,D02 YV57,anns,1720,Church of Ireland,building,architecture,Georgian architecture,Dawson St,baroque style,baroque,style,parish,parishes,churches,Catholic,history,historic,heritage,stone,ornate,beautiful,architectural,Dawson,St,street,mass,masses,in,services,service
Description: Tony Smith image Alamy 2MG3YAE - St. Ann's Church on Dawson Street in Dublin, Ireland is a Church of Ireland church, constructed originally around 1720 following the establishment of the local Anglican parish in 1707.
In the early 21st century the church presents itself as ecumenical within the tradition of the Church of Ireland.
Building history
The building of the church in baroque style commenced in 1720, to a design by Isaac Wills.[2] The current façade dates to 1868.[3][4][5]
Exterior and façade
St. Ann's original façade was never completed above the first floor. In 1868, a competition was held for a new façade, with the architectural firm of Lanyon, Lynn & Lanyon losing the commission to the Deanes, Thomas Newenham Deane and his father. The younger Deane, who had been involved with the creation of significant buildings at Oxford University, designed a neo-Romanesque front.[6] Described by one travel guide as amazingly ornate,[7] the façade as it exists in the 21st century lacks some elements of Deane's original conception, most significantly the tallest tower
the design as Deane submitted it can be viewed online. From an architectural perspective, this omission has been criticised as disrupting the building's flow from the rectory to the spire
18 Dawson St, Dublin 2, D02 YV57, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,Irish,The,Dublin 2,D02 XE81,book,shop,store,retail,seller,historic,history,Dawson St,56-58,56,58,the,front,4,culture,literary,specialist,specialists,textbook,fiction,novels,1768,literature,facade,façade,green,sign,upper,floors
Description: Tony Smith image Alamy 2MG3YAJ -
56-58 Dawson St, Dublin 2, D02 XE81, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,art,crest,motto,and,painted,lamps,crests,Obedientia Civium,Urbis Felicitas,scale,depicts,Justice,the obedience of the citizens produces a happy city,three,castles,three castles,3,sword,representing,Irish,icon,iconic,symbol,symbols,Dublin crest,Dublin crests,post,lamppost,history,historic,repainted,the,standard
Description: Tony Smith image Alamy 2MG3YEA - Dublin's Coat of Arms is the identifying emblem of the city and has been in use, in one form or another, for at least 400 years. The full Coat of Arms shows three burning castles on a shield, flanked by two female figures
One of the female figures holds a scale and depicts Justice (without the usual blindfold), the other has a sword representing Law, while each holds an olive branch. Below the shield on a scroll is the city's motto, Obedientia Civium Urbis Felicitas, which translates as the obedience of the citizens produces a happy city.
The origin of the Coat of Arms is unknown, but there are numerous theories, including:
The castles are watch towers outside the city walls.
The castle is Dublin Castle and is repeated three times because of the mystical significance of the number three.
The castles are not castles but represent three gates into the ancient Viking city.
Dublin city, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,art,crest,motto,and,painted,lamp,lamps,crests,1988 Dublin,honeycomb,hexagon,honeycombs,hexagons,Irish,icon,iconic,symbol,symbols,Dublin crest,Dublin crests,post,lamppost,history,historic,repainted,sponsored,sponsor,insurance,company,SAI,RSA,the,standard
Description: Tony Smith image Alamy 2MG3YEC -
Dublin city, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,art,crest,motto,and,painted,lamps,crests,Obedientia Civium,Urbis Felicitas,scale,depicts,Justice,the obedience of the citizens produces a happy city,three,castles,three castles,3,sword,representing,Irish,icon,iconic,symbol,symbols,Dublin crest,Dublin crests,post,lamppost,history,historic,repainted
Description: Tony Smith image Alamy 2MG3YGY - Dublin's Coat of Arms is the identifying emblem of the city and has been in use, in one form or another, for at least 400 years. The full Coat of Arms shows three burning castles on a shield, flanked by two female figures
One of the female figures holds a scale and depicts Justice (without the usual blindfold), the other has a sword representing Law, while each holds an olive branch. Below the shield on a scroll is the city's motto, Obedientia Civium Urbis Felicitas, which translates as the obedience of the citizens produces a happy city.
The origin of the Coat of Arms is unknown, but there are numerous theories, including:
The castles are watch towers outside the city walls.
The castle is Dublin Castle and is repeated three times because of the mystical significance of the number three.
The castles are not castles but represent three gates into the ancient Viking city.
Dublin city, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,Irish,famous,writer,brass,bronze,art,artwork,of,the,character,from,his,novel,commemoration,commemorates,sponsored,by,College St,Dublin,Trinity,Cantrell,and,&,Cochrane,(Dublin),Ltd,Limited,writing,novelist
Description: Tony Smith image Alamy 2MG3YJD - Ulysses , he crossed under Tommy Moores roguish finger C&C
Leopold Bloom is the fictional protagonist and hero of James Joyce's 1922 novel Ulysses. His peregrinations and encounters in Dublin on 16 June 1904 mirror, on a more mundane and intimate scale, those of Ulysses/Odysseus in Homer's epic poem: The Odyssey.
Factual antecedents
When Joyce first started planning a story in 1906 called Ulysses to be included in Dubliners, the central character was based on a Dublin acquaintance named Alfred Hunter whom Joyce had met traveling to a funeral in July 1904.
Another model was probably Italo Svevo.
The character's name (and maybe some of his personality) may have been inspired by Joyce's Trieste acquaintance Leopoldo Popper. Popper was a Jew of Bohemian descent who had hired Joyce as an English tutor for his daughter Amalia. Popper managed the company of Popper and Blum and it is possible that the name Leopold Bloom was invented by taking Popper's first name and anglicizing the name Blum.
Fictional biography
Bloom is introduced to the reader as a man of appetites:
Mr. Leopold Bloom ate with relish the inner organs of beasts and fowls. He liked thick giblet soup, nutty gizzards, a stuffed roast heart, liverslices fried with crustcrumbs, fried hencods' roes. But most of all, he liked grilled mutton kidneys which gave to his palate a fine tang of faintly scented urine.
College St, Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,the,ring,rings,engagement,wedding,history,historic,3,Upper,horseshoe,luck,lucky,North City,Dublin 1,D01 CD9,city,centre,shopping,shop,store,Leinster,shot,shooting,buy,retail,buying,special,diamond,diamonds,Irish
Description: Tony Smith image Alamy 2MG3YP7 - Founded in 1870 by William McDowell the Happy Ring House' originally was on Mary Street and moved to No 3 Sackville Street in 1902 making it the longest established business on what is now called O'Connell Street Dublin. Completely destroyed and looted during the 1916 uprising No 3 was rebuilt in 1917 using some of the original girders for the General Post Office. During the height of the conflict centred around the GPO, William McDowell and the porter made a dash from the premises to Cathedral Street a distance of some fifty yards and in that distance William was shot in the leg and sadly the porter was shot dead. The Happy Ring House has a long standing tradition in Dublin, that you meet your intended by the pillar and then proceeded to the Happy Ring House' to buy that special diamond ring followed by a celebratory drink in the Gresham or tea in Wynns Hotel.
McDowells Jewellers,3 O'Connell Street Upper, North City, Dublin 1, D01 CD9, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,Dublin D01 TX49,88,D01 TX49,religion,place,of,worship,big,Jesus,crucified,above,candles,St. Marys,Pro,St Mary,Pro-Cathedral,chapel,The Pro,episcopal seat of the Roman Catholic Archbishop of Dublin,and,Primate of Ireland,Irish,catholic,RC,Roman Catholic,flames,flame,lit,lighted
Description: Tony Smith image Alamy 2MG3YX2 - St Mary's Church (Irish: Leas-Ardeaglais Naomh Muire), known also as St Mary's Pro-Cathedral or simply the Pro-Cathedral, the Chapel in Marlborough Street or the Pro, is a pro-cathedral and is the episcopal seat of the Roman Catholic Archbishop of Dublin and Primate of Ireland.
Status as pro-cathedral
The view toward the Sanctuary from the nave
Detail of the apse
Altar
The city of Dublin possesses two cathedrals, but unusually, both belong to one church, the minority Church of Ireland, which had been the Established Church in Ireland until 1871. In contrast, the majority religion in Ireland, Roman Catholicism, has no cathedral in the Republic of Ireland's capital city and has not had one since the Protestant Reformation. As the official church, the Church of Ireland took control of most church property, including the Cathedral of the Holy Trinity (generally known as Christchurch) and St Patrick's Cathedral.
The Pro-Cathedral owes its origins to the Penal Laws[b] which restricted Catholicism (and other non-Church of Ireland faiths) until the early nineteenth century. For centuries, Roman Catholics could not celebrate Mass or the sacraments in public and were subject to severe penalties (hence the word penal). While these laws ebbed and flowed in terms of the severity with which they were applied, Catholic churches if they were built at all, were built down narrow, difficult-to-find roadways. By the early nineteenth century, many of the Penal Laws had either been repealed or were no longer enforced
an unsuccessful attempt had already been made to grant Catholic Emancipation. As a result, Catholicism began to abandon its previous status as an underground religion
88 Marlborough place, Dublin D01 TX49 , Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,inside,ornate,of,the,42,city,centre,D01 R260,mirrors,carved,history,den,boozer,altar,columns,Irish,pub,pubs,bar,bars,Victorian,barman,barmen,server,servers,lamps,lamp,port,ports,St Patricks Day
Description: Tony Smith image Alamy 2MG401T -
42 Middle Abbey St, North City, Dublin, D01 R260, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L3 8HR,L3,bar,pub,original,Irish,broken,derelict,with,historic,Tetleys Bitter,neon,sign,Tetleys,old,dilapidated,pubs,bars,tired,decayed,decaying,Victorian,history,the,beer,beers,wines,wine,spirits,Tetley,Tetley Walker
Description: Tony Smith image Alamy 2M475F6 -
31 London Rd, Liverpool, Merseyside, England, UK, L3 8HR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,covered,East Bridge Street,Belfast,Antrim,Northern Ireland,BT1 3NQ,BT1,Victorian,crowds,busy,crowd,eating,bar,crowded,enjoying,bread,stall,baking,traditional,Irish,food,delicacy,delicacies,customer,shopper,shoppers,vibrant
Description: Tony Smith image Alamy 2PM6264 - St George's Market is the last surviving Victorian covered market in Belfast, Northern Ireland. It is located on May Street, close to the River Lagan and the Waterfront Hall. Belfast Corporation (now Belfast City Council) commissioned the building of St George's Market, which was built in three phases between 1890 and 1896. Before 1890 St George's Market was an open market and most likely contained a slaughterhouse and a meat market. Today it is a thriving market with 300 traders, crafters, musicians, and food vendors.
By the 1980s, St George's Market had developed into a general market and it became the last of Belfast's thriving Victorian markets. The market was pressured with increased maintenance costs and changes to hygiene regulations, among other issues, and Belfast City Council decided to source other uses for the listed building. A campaign backed by the city council, traders and the general public resulted in a Heritage Lottery Fund-backed £3.5 million refurbishment programme assisted by the Environment and Heritage Agency. Brick and stonework that had badly deteriorated was returned to good condition, and special bricks were produced in England to match the original unusually sized bricks. The fully renovated St George's Market reopened its doors on 14 May 1999.
St George's Market is primarily used as a market, however a number of other events are held at the site. These range from food festivals, art initiatives, exhibitions, charity launches, fashion shoots and live music events. Local software company Northbrook Technology hold their annual Staff Christmas Party at the venue.
The market has won a number of recent awards, including being voted Best Large Indoor Market 2014 and as one of the UK's top five markets by the National Association of British Market Authorities in 2006, and winning third place in the best markets category of the Observer Food Monthly/Waitrose Awards in 2004
East Bridge Street, Belfast, Antrim, Northern Ireland, UK, BT1 3NQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT1,Belfast,Antrim,Northern Ireland,BT1 5GS,Donegall Square,city hall,city,centre,color,coloured,colour,windows,harp,crown,North,Northern,Irish,Horse,stained,glass,foyer,WW2,WWII,memorial,war,hotpix.org.uk
Description: Tony Smith image Alamy 2PM626D -
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,life,nightlife,County Antrim,at,BT1,city,centre,Antrim,Northern Ireland,UK,illuminated,lit,up,Windsor Framework,Good Friday Agreement,peace,tourist,building,architecture,colonial,civic,hall,Grade A,listed,GradeA,corner,Sir Alfred Brumwell Thomas,in,the,Baroque Revival,style,Durban,South Africa,Irish
Description: Tony Smith image Alamy 2PM7TEH -
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS
Description
Keywords: Irish,Bogside,Troubles,Political,NorthernIreland,tourist,Tourism,Struggle,DerryCity,Peace,Art,Culture,violence,fighter,painting,Magazine St,Magazine street sign,sign,wall,gotonysmith,Sunday Bloody Sunday,SundayBloodySunday,BT48,Foyle,ward,County Londonderry,Magazine,Street,signs,Londonderry,walled,walls,city,brick wall,gun magazine,Magazine Gate,gate,gates
Description: Tony Smith image Alamy JH6747 -
Magazine St, Londonderry, Northern Ireland, UK, BT48 6HJ
Description
Keywords: Irish,Political,NorthernIreland,Tourism,DerryCity,Peace,Art,Culture,No,Border,Brexit,NoBorder,remain,remainers,remoaners,sticker,poster,gotonysmith,city,no,hard,border,Tariff,Free,access,Tariff Free access,open Border,Friction Free,Irish Question,no hard border,Brexit No Hard Border,NIP,Negotiations,Connor Burns,Liz Truss,Border poll,DUP,EU,stalmate,Article 16
Description: Tony Smith image Alamy JH6749 - Brexit: What is the Northern Ireland Protocol?
Northern Ireland Protocol - agreed with the European Union (EU) in 2019 - has been a source of tension since it came into force at the start of 2021.
Special trading arrangements were needed for Northern Ireland after the UK voted for Brexit in 2016. This is because it's the only part of the UK with a land border with an EU country - the Republic of Ireland.
Before Brexit, it was easy to transport goods across this border because both sides had the same EU trade rules. No checks or paperwork were necessary.
After Brexit, a new system was needed because the EU has strict food rules and requires border checks when certain goods - such as milk and eggs - arrive from non-EU countries.
UK and the EU agreed that protecting the 1998 Northern Ireland peace deal - the Good Friday Agreement - was an absolute priority. So, both sides signed the Northern Ireland Protocol as part of the Brexit withdrawal agreement, which is now part of international law.
Foreign Secretary Liz Truss says the Protocol has caused problems which had not been expected when the agreement was signed.
The government now wants to ditch parts of the deal.
It wants to create red lanes and green lanes for goods imported from Britain into Northern Ireland.
read more at https://www.bbc.co.uk/news/explainers-53724381
Derry City, Ireland, EU
Description
Keywords: Irish,Bogside,Troubles,Political,NorthernIreland,tourist,Tourism,Struggle,DerryCity,Peace,Art,Culture,violence,fighter,painting,Bogside Mural,Bogsidemural,colour,gotonysmith,Sunday Bloody Sunday,SundayBloodySunday,County Londonderry,the,Rossville street,Fahan Street,Rossville st,Fahan St,British soldier,teargas,teargassed,tear gas,BT48 6AQ,BT48,area,estate,housing,sunny,cloudy,moody,hotpix.org.uk
Description: Tony Smith image Alamy JH6746 -
Rossville / Fahan Street, Bogside estate, Londonderry Derry city, Co Londonderry, Northern Ireland,
Description
Keywords: Unionist,British,Shankil,rd,painting,art,artist,martyr,fighter,para,paramilitary,soldier,wall,gable,end,gable end,community,protestant,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,protestant,religion,intolerance,prejudice,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEW12C -
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Unionist,British,Shankil,rd,painting,art,artist,martyr,fighter,para,paramilitary,soldier,wall,gable,end,gable end,community,protestant,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,brick,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,protestant,religion,intolerance,prejudice,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEW12K -
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Unionist,British,Shankil,rd,painting,art,artist,martyr,fighter,para,paramilitary,soldier,wall,gable,end,gable end,community,protestant,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,90 years of resistance,ninety,boy,football,ball,kick,kicking,child,children,streets of Belfast,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HEW170 -
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUk,Ballymurphy,Irish,Ireland,IRA,political,politics,gable-end,gable wall,housing estate,street,art,Northern Ireland,Troubles,memorial,commemorative,public art,wall,painting,County Antrim,murals,tour,tourism,peace,Good Friday Agreement,history,tricolour,republican,symbolism,conflict,memory,contested,heritage,post-conflict,culture,nationalist,area,Falls Road
Description: Tony Smith image Alamy HEW1D4 - Gable-end Republican memorial mural on Divismore Way in Ballymurphy, West Belfast, showing three figures, the Irish tricolour and republican shield symbols painted across the side wall of a housing estate property. The mural is identified by CAIN as the IRA Mural and Plaque on Divismore Way, at the junction of Divismore Way and Springfield Road, commemorating Bobby McCrudden, Mundo O'Rawe and Pearse Jordan. The visible inscription is a memorial dedication and includes the line asking passers-by to pause, pray and smile, giving the wall painting a commemorative and community remembrance function rather than simply decorative street art. This image has editorial value for themes including Belfast murals, West Belfast, Ballymurphy, political murals, Republican mural art, The Troubles, conflict memory, contested heritage, community identity, public art, Irish republican symbolism, housing estate culture and Northern Ireland history. The mural sits on a residential gable end behind a timber fence, with grass, weeds, houses and a cloudy sky placing it in an everyday neighbourhood landscape rather than a formal memorial site. That setting matters because many Belfast political murals are embedded in lived residential streets, where public memory, local identity, political messaging and tourism overlap. The photograph is useful for articles on mural tours, post-conflict Belfast, visual culture, memorialisation, community commemoration, urban history and the role of walls and public space in telling the story of the Troubles. It also suits critical coverage of how paramilitary, Republican and Loyalist imagery remains visible in parts of Belfast, and how such murals can be read as heritage, political statement, memorial and tourist attraction depending on viewer and context. The overcast daylight, housing estate background and clear gable composition make the image a valuable documentary record of West Belfast political street art and commemorative mural culture.
Divismore Way, Ballymurphy, Belfast West, County Antrim, Northern Ireland, BT12.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,murals,1916,West Belfast,IRA,Republican,Irish,political,gable wall,street,art,Northern Ireland,housing,estate,County Antrim,UK,GPO mural,Countess Markievicz,James Connolly,Patrick Pearse,independence,rebellion,symbolism,community,commemoration,Troubles legacy,post-conflict Belfast,heritage,history,conflict,memory,public,urban,Hills,Black Mountain,Freedom fighters,struggle,continuity
Description: Tony Smith image Alamy HEW1H9 - Gable-end Republican mural on Whiterock Road in Ballymurphy, West Belfast, depicting the 1916 Easter Rising with armed figures outside the General Post Office in Dublin, an Irish tricolour and Celtic border decoration. The mural is recorded by CAIN as a Nationalist and Republican mural with the wording Freedom fighters outside the GPO. Easter Rising 1916, showing Pearse, Connolly and Countess Markievicz leading the attack on the GPO below the Irish tricolour. Extramural Activity also identifies the scene as Countess Markievicz outside the Dublin GPO, accompanied by Connolly and Pearse, and places it on Whiterock Road, west Belfast. The photograph has strong editorial value for themes including Belfast murals, West Belfast, Ballymurphy, Irish Republican visual culture, the Easter Rising, political murals, public art, housing estate identity, conflict memory, Irish nationalism, post-conflict tourism and the use of gable walls as sites of historical storytelling. The hillside behind the houses, likely part of the Belfast Hills and Black Mountain backdrop, helps place the mural within the elevated west Belfast landscape rather than a flat city centre street. The overcast sky, timber fence, grass verge and residential setting show how political imagery is embedded in everyday neighbourhood space, where memorial, identity, heritage, tourism and contested history overlap. The mural connects Belfast's Republican mural tradition with the wider story of the 1916 Rising in Dublin, when the GPO became one of the symbolic centres of the rebellion. Its painted references to the tricolour, volunteers and the neoclassical GPO make it useful for stock searches around Irish independence, commemoration, political identity and public memory. It suits articles on mural tours, Irish history, Northern Ireland politics, Troubles legacy, nationalist commemoration, documentary photography, community art, cultural memory and political symbolism.
Whiterock Road, Ballymurphy, West Belfast, Northern Ireland, BT12.
Description
Keywords: Northern Ireland,West Belfast,Belfast,art,artwork,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDF01E - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,West Belfast,Belfast,Irish,art,artwork,balaclava,gun,rifle,Red,Hand,Of,Ulster,union,unionist,unionism,history,culture,community,defaced,written,over,on,shout,Becky + Michael,Becky,and,+,Michael,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDF029 - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Donation,donations,bucket,for,Falls road,West Belfast,Belfast,West,Northern Ireland,UK,Iris,Community,Republican,Republicans,fund,funding,IRA,Sinn Fein,ribbon,flag,flags,tricolor,tricolour,tin for donations,Irish Flag,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,national flag of Ireland,national,flag,of,Ireland,Irish tricolour,ensign,green,white,orange,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDKY8X - The national flag of Ireland (Irish: bratach na hÉireann) frequently referred to as the Irish tricolour (trídhathach na hÉireann) is a vertical tricolour of green (at the hoist), white, and orange.[1][2]
The proportions of the flag are 1:2 (that is to say that, as flown horizontally, the flag is half as high as it is wide). The Irish government has described the symbolism behind each colour as being that green represents the older Gaelic tradition while the orange represents the supporters of William of Orange. The white in the centre signifies a lasting truce between the 'Orange' and the 'Green'
Falls Road,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Belfast,Irish,art,artworks,artwork,North St,Victoria St,High St,Ann st,Petershill,Royal Ave,castle Place,Queens Bridge,plane,airliner,airplane,jet,red,globe,of,world,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM13G - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
-HDM14K.jpg)
Description
Keywords: GoTonySmith,not,gone,away,terrorists,Ulster,Belfast,Northern,Ireland,Irish,dove,doves,peace,increased,threat,level,of,violence,Unionist,Unionists,danger,to,the,chaos,UFF,UDA,terrorism,Joe Biden,paramilitary,organisations,raised,Rishi Sunak,severe,MI5,terror threat,EU,Eire,trade,light touch,instability
Description: Tony Smith image Alamy HDM14K - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,road,people,Christian,Berlin wall,Falls road History,Catholic History,Belfast Catholic History,Irish history,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM17C - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,Shankill Rd,Protestant,history,Protestant,Christian,Berlin wall,Protestant history,Belfast Protestant history,Irish history,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM17W - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: William Beattie,Springfield Road,&,Wilton Street,plaque,fell,at,No Pasaran,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDM1GK - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Falls,Road,rd,Garden,of,members,ex-prisoners,West,Belfast,NI,UK,Falls,Cultural,Society,POWs,D,company,Dcompany,D Company,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPM46 - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: rd,Garden,of,remembrance,deceased,West,Belfast,NI,UK,Falls,Cultural,Society,map,at,mapping,streets,roads,of,west,Belfast,rifle,gun,guns,arms,Falls Cultural Society,map at,Roads Of West Belfast,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPM9A - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: Falls,Road,rd,Garden,of,remembrance,IRA,members,deceased,West,Belfast,NI,UK,Falls,Cultural,Society,emotional,memorial,memory,of,republican,volunteers,vols,hero,heroes,dedication,celtic,cross,celtic cross,stone,memorial stone,Falls Cultural Society,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDPMAF - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: Falls,Road,rd,Garden,of,remembrance,IRA,members,deceased,West,Belfast,NI,UK,Falls,Cultural,Society,memorial,emotional,memorial,memory,of,republican,volunteers,vols,hero,heroes,cross,crucifix,Falls Cultural Society,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDPMAY - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: history,City Centre,Northern Ireland,UK,Belfast,Belfast City Centre,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWRWP -
North St, Belfast,City Centre, Northern Ireland, UK
Description
Keywords: Bayardo,memorial,UFF,Unionist,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,murder,pub,pubs,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWRYA -
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,Ulster,memorial,UFF,Unionist,off,Shankill,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,the,union,flag,The Peoples Army,union flag,British Flag,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,painting,walls,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWRYT -
Shankill Road, West Belfast, NI, UK
Description
Keywords: Ulster,memorial,Unionist,mural,off,Shankill,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,UVF,flag,Ulster,Force,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,UVF,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT2T -
Shankill Road, West Belfast, NI, UK - towns & ares listed - UVF, U.V.F. , Fourstep Volunteers, 1st B
Description
Keywords: Red hand,UFF,Unionist,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,St,A,Company,battalion,ACompany,gable,end,sunset,gable-end,A Company,gable end,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT54 -
Shankill Road, West Belfast, NI, UK
Description
Keywords: Ulster,memorial,UFF,Unionist,mural,off,Road,Northern Ireland,UK,Ireland,fighter,fighting,empty,building,buildings,terrace,Shankill Rd,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Peoples army
Description: Tony Smith image Alamy HDWT5G -
Shankill Road, West Belfast, NI, UK
Description
Keywords: off,Shankill,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,Vol,Ulster Volunteers,heroic,men,gun,guns,weapons,ready,to,fight,gable,end,gable-end,gable end,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT6A -
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,Ulster,memorial,UFF,mural,off,rd,Road,Northern Ireland,UK,Ireland,fighter,fighting,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWT6K -
Cupar Way / Shankill Road, West Belfast, NI, UK
Description
Keywords: art,work,public,High St,2015,Ireland,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18C0 -
High St,Earley,Belfast, Northern Ireland, UK
Description
Keywords: QE,QEII,Queen,Elizabeth,water,front,Northern Ireland,UK,city,centre,flood,defense,defences,defence,flood defense,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CB -
Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK
Description
Keywords: QE,QEII,Queen,Elizabeth,Bridge,water,front,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Peace,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CD -
Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK
Description
Keywords: metal,Belfast Museum,new,ship,building,builder,builders,metal,H&W,SS Titanic,tourist,tourism,Northern Ireland,UK,Ireland,tour,BT3 9EP,BT3,9EP,RMS Titanic,RMS,White Star Line,historic,shipyard,yard,visitor,attraction,Harland & Wolff,Harland,Wolff,H&W,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,tribute,employer,protestant,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Harland and Wolff,exterior,outside,outdoor,outdoors,Harcourt,Developments,regeneration,Signature,Project,Northern Ireland Executive,Titanic Belfast,Foundation,Tourist Board,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CE - Titanic Belfast is a visitor attraction and a monument to Belfast's maritime heritage on the site of the former Harland & Wolff shipyard in the city's Titanic Quarter where the RMS Titanic was built. It tells the stories of the ill-fated Titanic, which hit an iceberg and sank during her maiden voyage in 1912, and her sister ships RMS Olympic and HMHS Britannic. The building contains more than 12,000 square metres (130,000 sq ft) of floor space, most of which is occupied by a series of galleries, plus private function rooms and community facilities.
1 Olympic Way, Queens Road, Titanic Quarter, Belfast, Northern Ireland,UK BT3 9EP
Description
Keywords: titanium,metal,Belfast Museum,new,ship,building,builder,builders,metal,metallic,SS Titanic,tourist,destination,UK,Ireland,tour,BT3 9EP,BT3,9EP,RMS,historic,yard,visitor,attraction,Harland & Wolff,Harland,Wolff,H&W,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,tribute,employer,protestant,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Harland and Wolff,exterior,outside,outdoor,outdoors,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CH - Titanic Belfast is a visitor attraction and a monument to Belfast's maritime heritage on the site of the former Harland & Wolff shipyard in the city's Titanic Quarter where the RMS Titanic was built. It tells the stories of the ill-fated Titanic, which hit an iceberg and sank during her maiden voyage in 1912, and her sister ships RMS Olympic and HMHS Britannic. The building contains more than 12,000 square metres (130,000 sq ft) of floor space, most of which is occupied by a series of galleries, plus private function rooms and community facilities.
1 Olympic Way, Queens Road, Titanic Quarter, Belfast, Northern Ireland,UK BT3 9EP
Description
Keywords: Liverpool,Merseyside,UK,bar,bars,pubs,McDonalds Alehouse,street,Irish,Ireland,connection,connections,immigrant,immigrants,green,Guinness,ale,food,welcome.tourist,tourism,travel,local,landmark,Shenanigans Pub,Smithfield St,Smithfield Street,Irish Pub,Irish pubs,Irish Bar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,bar,bars,boozer,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Liverpool Pub,Liverpool Pubs
Description: Tony Smith image Alamy H4HMXJ -
Smithfield St,Liverpool,Merseyside, UK
Description
Keywords: St Benedicts,RC,Church,Rhodes Street,Warrington,Cheshire,WA2 7QE,st,building,religion,Christian,GoTonySmith,Buy Pictures of,Buy Images Of,Catholic,Roman,RC Church,Benedicts,Warringtonians,history,historic,St Benedicts R C Church,England,UK,WA2,sunny,blue,sky,skies,Irish,community,Warringtons,Ireland,club,centre
Description: Tony Smith image Alamy EY3RN1 -
St Benedict's R C Church, Rhodes Street, Warrington, Cheshire, England, UK, WA2 7QE
Description
Keywords: Church,Warrington,Cheshire,WA2 7QE,st,building,religion,Christian,Benedicts,RC Church,GoTonySmith,Warringtonians,Buy Pictures of,Buy Images Of,RC,Rhodes Street,Roman,Catholic,St Benedicts,history,historic,St Benedicts R C Church,England,UK,WA2,sunny,blue,sky,skies,Irish,community,Warringtons,Ireland,club,centre
Description: Tony Smith image Alamy EY3RN3 -
St Benedict's R C Church, Rhodes Street, Warrington, Cheshire, England, UK, WA2 7QE
Description
Keywords: Church,Warrington,Cheshire,WA2 7QE,st,building,religion,Christian,Benedicts,RC Church,GoTonySmith,Buy Pictures of,Buy Images Of,Roman,Catholic,Warringtonians,history,historic,St Benedicts R C Church,England,UK,WA2,sunny,blue,sky,skies,Irish,community,Warringtons,Ireland,club,centre
Description: Tony Smith image Alamy EY3RN5 -
St Benedict's R C Church, Rhodes Street, Warrington, Cheshire, England, UK, WA2 7QE
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,1970 chocolate,Bounty,Pink panther,Milky Bar,Whole Nut,Texan,bar,Dr Who,Doctor Who,Cadbury,Rowntrees,Rowntree,UK,GB,United Kingdom,Great Britain,British,chocolate,product,products,England,Scotland,Wales,Ireland,English,Scottish,Welsh,Irish,1970,Golden Cup,Bar Six,Pink Panther,Double Agents
Description: Tony Smith image Alamy 2AGMNR5 -
Great Britain, UK
Description
Keywords: religion,uk,merseyside,england,GB,UK,Great,Britain,Metropolitan,tourist,attraction,Paddys,paddys,funnel,concrete,brutalist,church,religious,Archbishop,of,irish,building,architect,Frederick,Gibberd,winner,main,entrance,Portland,stone,cladding,and,a,lead,covering,GoTonySmithcolourful,colorful,shots,of,1970,1970s,architecture,travel,site,tourists,immigrants,evening,summer,Grade,II,grade2,gradeII,tower,sight,sights,competition,Brownlow,Hill,roof,L3,5TQ,L35TQ,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DRH7X6 - The Metropolitan Cathedral of Christ the King (usually known as Liverpool Metropolitan Cathedral) is the cathedral of the Roman Catholic Archdiocese of Liverpool in Liverpool, England. The cathedral is the seat of the Archbishop of Liverpool. The Grade II* Metropolitan Cathedral is one of Liverpool's many listed buildings. It is sometimes known locally as Paddy's Wigwam or the Mersey Funnel.
The cathedral's architect, Frederick Gibberd, was the winner of a worldwide design competition. Construction began in 1962 and took five years. Earlier designs for a cathedral were proposed in 1853, 1933, and 1953, but none was completed.
Brownlow Hill, Liverpool, England, UK L3 5TQ
Description
Keywords: memorial,Cheshire,England,UK,Hand,prints,images,of,boys,killed,by,IRA,bombing,republican,republicans,irish,Ireland,good,Friday,agreement,history,historic,death,died,dead,murder,murdered,Stephen Broadbent,Bridge Street,Tim Parry,Jonathon Ball,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images
Description: Tony Smith image Alamy DE9AMP - This is a un-conventional fountain which works as a mini-canal. Water flows from a large pool at one end, down a winding holder and is poured over a formation at the end. The structure is concrete, headed by a bronze moulding which includes marine life. The 'bowl' into which the water finally flows, also bronze, is raised and contains a large number of children's hand prints. Around the side are a number of photographs of Tim Parry and Jonathan Ball, printed on copper.
Sculptor - Stephen Broadbent
Inaugurated by / her royal highness / The Duchess of Kent and / accompanied by the families of / Jonathan Ball / and / Tim Parry / 14 Nov 1996 / The water of life made possible / by a donation from / his grace the Duke of Westminster / OBE TD.THEN HE SHOWED ME THE RIVER AND THE WATER OF LIFE SPARKLING LIKE CRYSTAL AS IT FLOWED FROM THE THRONE OF GOD AND OF THE LAME / IN THE MIDDLE OF THE STREET OF THE CITY AND ON EITHER BANK OF THE RIVER / GREW THE TREE OF LIFE, BEARING TWELVE FRUITS, A DIFFERENT KIND FOR EACH MONTH / THE LEAVES OF THE TREE WERE FOR THE HEALING OF THE NATIONS, NOTHING THAT HAS CURSED MANKIND WILL EXIST ANY LONGER. Revelations, chapter 22, verse 43./ WARRINGTON REMEMBERS JONATHON BALL AGED 3, TIM PARRY AGED 12 AND ALL / WHO SUFFERED / AS INNOCENT VICTIMS OF A TERRORIST BOMB, BRIDGE STREET 20TH MARCH 1993
See more at: http://www.pmsa.org.uk/pmsa-database/4997/#sthash.ktI1bMVR.dpuf
Bridge st, Warrington, Cheshire, England, UK
Description
Keywords: memorial,Cheshire,England,UK,Hand,prints,images,of,boys,killed,by,IRA,bombing,republican,republicans,irish,Ireland,good,friday,agreement,history,historic,death,died,dead,murder,murdered,Stephen Broadbent,Bridge Street,Tim Parry,Jonathon Ball,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images
Description: Tony Smith image Alamy DE9AN5 - This is a un-conventional fountain which works as a mini-canal. Water flows from a large pool at one end, down a winding holder and is poured over a formation at the end. The structure is concrete, headed by a bronze moulding which includes marine life. The 'bowl' into which the water finally flows, also bronze, is raised and contains a large number of children's hand prints. Around the side are a number of photographs of Tim Parry and Jonathan Ball, printed on copper.
Sculptor - Stephen Broadbent
Inaugurated by / her royal highness / The Duchess of Kent and / accompanied by the families of / Jonathan Ball / and / Tim Parry / 14 Nov 1996 / The water of life made possible / by a donation from / his grace the Duke of Westminster / OBE TD.THEN HE SHOWED ME THE RIVER AND THE WATER OF LIFE SPARKLING LIKE CRYSTAL AS IT FLOWED FROM THE THRONE OF GOD AND OF THE LAME / IN THE MIDDLE OF THE STREET OF THE CITY AND ON EITHER BANK OF THE RIVER / GREW THE TREE OF LIFE, BEARING TWELVE FRUITS, A DIFFERENT KIND FOR EACH MONTH / THE LEAVES OF THE TREE WERE FOR THE HEALING OF THE NATIONS, NOTHING THAT HAS CURSED MANKIND WILL EXIST ANY LONGER. Revelations, chapter 22, verse 43./ WARRINGTON REMEMBERS JONATHON BALL AGED 3, TIM PARRY AGED 12 AND ALL / WHO SUFFERED / AS INNOCENT VICTIMS OF A TERRORIST BOMB, BRIDGE STREET 20TH MARCH 1993
See more at: http://www.pmsa.org.uk/pmsa-database/4997/#sthash.ktI1bMVR.dpuf
Bridge st, Warrington, Cheshire, England, UK
Description
Keywords: Dublin,Ireland,Irish,Temple,bar,drinking,area,pub,pubs,tourists,selective,color,colour,toned,sepia,TonySmith,TonySmiththat,TonySmithIT,hotpix,dusk,night,shot,nightshot,dawn,movement,tripod,evening,irishness,guiness,drinkers,beer,lager,lout,stag,stagnight,Temple Bar
Description: Tony Smith image Flickr 8211476514 - 'View this whole set of cities here. If you do Twitter add me here.
Temple Bar (in Irish: Barra an Teampaill) is an area on the south bank of the River Liffey in central Dublin, Ireland. Unlike the areas surrounding it, Temple Bar has preserved its medieval street pattern, with many narrow cobbled streets. It is promoted as 'Dublin's cultural quarter' and has a lively night life that is popular with tourists. Temple Bar is in the postcode Dublin 2 (D2), and has an estimated population of 3,000.
The area is bounded by the Liffey to the north, Dame Street to the south, Westmoreland Street to the east and Fishamble Street to the west. It probably got its name from the Temple family, who lived in the area in the 17th century
Sir William Temple, provost of Trinity College Dublin in 1609, had his house and gardens here. However it got its name, the earliest historical reference to the name Temple Bar is on a 1673 map.
Fishamble Street in Temple Bar was the location of the first performance of Handel's Messiah on 13 April 1742. An annual performance of the Messiah is held on the same date at the same location. The republican revolutionary group, the Society of the United Irishmen, was formed at a meeting in a tavern in Eustace Street in 1791.
During the 19th century, the area slowly declined in popularity, and in the 20th century, it suffered from urban decay, with many derelict buildings. Its unfashionability probably saved it from Dublin's property developers, who destroyed much of the city's historic architecture during the 1960s.
In the 1980s, the state-owned transport company C\u00f3ras Iompair \u00c9ireann proposed to buy-up and demolish property in the area and build a bus terminus in its place. While this was in the planning stages, the purchased buildings were let out at low rents, which attracted small shops, artists and galleries to the area.
Protests by An Taisce, residents and traders led to the cancellation of the bus station project, and the Taoiseach Charles Haughey was responsible for securing funding, and, in 1991, the government set up a not-for-profit company called Temple Bar Properties to oversee the regeneration of the area as Dublin's cultural quarter.
In 1999, 'Stag Parties' and 'Hen Nights' were supposedly banned (or discouraged) from Temple Bar, mainly due to drunken loutish behaviour, although this seems to have lapsed. However, noise and anti-social behaviour usually fuelled. by excessive alcohol consumption remain a problem at night
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Sectarian,Orange,Order,May,2012,Proud,city,streets,parade,drums,Irish,heritage,battle,of,the,Boyne,St,Georges,hall,Lime,St,Street,streets,March,tension,old,fashioned,Royal,Lodge,LOL,woman,lady,grey,hair,old,older,season,Provincial,Grand,province,12th,12,tradition,prejeduce,prejudice,ignorance,Gotonysmith,Northern,Ireland,NI,troubles,future,peace,agreement,july,juniors,recruit,UDA,UDF,paramilitaries,terrorists,terrorist,Shankill,Belfast,lads,volunteer,volunteers,NO,SURRENDER,retired,people,L1,1JD,Loyal Orange Lodge,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HTA6 - A lady at the Liverpool Orange Lodge May 2012 Walking Day - more info at http://www.liverpool-lol.co.uk/
Here passing St Georges hall in front of Lime Street Liverpool City Centre
Lime Street, Liverpool, Merseyside, England, UK L1 1JD
Description
Keywords: tony,smith,hotpix,tonysmith,tonysmithhotpix,tonysmithotpix,port,erin,iom,isle,mann,man,isle-of-man,UK,great,britain,irish,sea,bay,dock,sunset,blue,red,orange,father,son,fishing,night,sunrise,sun,set,dusk,rise,side,seaside,fisher,fisherman,silhouettes,silhouette
Description: Tony Smith image Flickr 6042966281 - 'Eddie Vedder - Hard Sun - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Eddie Vedder (born Edward Louis Severson III 1964) is an American musician and singer-songwriter who currently serves as the lead vocalist and one of four guitarists for the American alternative rock band Pearl Jam. Vedder left the Southern California music scene and moved to Seattle, Washington in 1990 to join Pearl Jam where he rose to fame amid the grunge movement of the early 1990s. He is notable for his baritone vocal style, and widely considered a cultural icon of alternative rock.
He is also involved in soundtrack work and contributes to albums by other artists. In 2007, Vedder released his first solo album as a soundtrack for the film Into the Wild (2007). His second album, Ukulele Songs, along with a live DVD titled Water on the Road, was released on 31 May 2011.
Vedder contributed an album's worth of songs to the soundtrack for the 2007 film, Into the Wild. The soundtrack was released on September 18, 2007 through J Records. It includes covers of the Indio song 'Hard Sun' and the Jerry Hannan song 'Society'. Vedder said that having to write songs based on a narrative 'simplified things.' He said, 'There were fewer choices. The story was there and the scenes were there.' Vedder's songs written for the film feature a folk sound. Thom Jurek of Allmusic called the soundtrack a 'collection of folksy, rootsy tunes where rock &
roll makes fleeting appearances.' Vedder won a 2008 Golden Globe Award for the song 'Guaranteed' from Into the Wild. He was also nominated for a Golden Globe Award for his contributions to the film's original score.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>seaside stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',
Description
Keywords: Ireland,Irish,NI,northern,northernireland,belfast,gtvictoria,street,greatvictoriastreet,tony,smith,hotpix,tonysmith,tonysmithhotpix,UK,GB,great,britain,Europe,bar,hockney,hockneyesque,analogue,stich,stiched,stitcher,beer,lager,drink,drinks,drinking,booze,boozers,pubs,public,house,ill,repute,selective,color,colour,sepia,B/W
Description: Tony Smith image Flickr 5695317409 - 'One of Northern Ireland's best-known pubs, it is a rare and classic example of a Victorian gin palace. Its one of my favourites, similar to the Phil' in Liverpool and one more reason to consider staying at the famous Europa hotel over the road.
It was opened as The Railway Tavern, as the Great Victoria St train station is just opposite. The pub was then bought by Michael Flanagan. His son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Flanagan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978 the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a \u00a3400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of \u00a3500,000. As a NT member myself it would be nice to get a free pint on production of my NT membership card. I might take that up with them.
The pub was used as a location in David Caffrey's Divorcing Jack (1998), a film following Colin Bateman's character Dan Starkey through a web of political intrigue and Irish sectarian violence. I would fully recommend the book and many more of his books in the same style.
The exterior is decorated in polychromatic tiles. This includes a mosaic of a Crown on the floor of the entrance. The interior is also decorated with complex mosaics of tiles. The red granite topped bar is of an altar style, with a heated footrest underneath and is lit by gas lamps on the highly decorative carved ceilings.
The Crown has ten booths, or snugs. Built to accommodate the pub's more reserved customers during the austere Victorian period, the snugs feature the original gun metal plates for striking matches and an antique bell system for alerting staff. Extra privacy was then afforded by the pub's etched and stained glass windows which feature painted shells, fairies, pineapples, fleurs-de-lis and clowns.
This has been formed from 29 images and the original size is 17000x7000 pixels.
Checkout more w=33062170@N08\'>Irish images from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
These are my 2008-2015 images, view my most recent images at @HotpixUK-2019 - www.flickr.com/people/167831053@N02/ including my second 365 one a day project
(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: with a,of,black stuff,NI,saloon,BT2,46 Great Victoria St,Belfast,County Antrim,Northern Ireland,BT2 7BA,Ireland,Irish,beer,46,The Crown Liquor Saloon,The,Crown,Liquor Saloon,Victorian,gin palace,Antrim,National Trust,NT,dry,stout,Guinness & Co,brewing,brewer,porter,history,historic,Diageo,PLC,alcoholic,drink,pint,full,glass,GoTonySmith
Description: Tony Smith image Alamy CEHRHC - The Crown Liquor Saloon, also known as the Crown Bar, is a pub in Great Victoria Street in Belfast, Northern Ireland. Refurbished in 1885, and at least twice since, it is an outstanding example of a Victorian gin palace, and one of Northern Ireland's best-known pubs. It is owned by the National Trust and is leased to Mitchells & Butlers who run it as a Nicholson's pub
Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Flanagan. Flanagan's son Patrick renamed and renovated it in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Flanagan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time
Guinness is an Irish dry stout that originated in the brewery of Arthur Guinness at St. James's Gate, Dublin, Ireland, in 1759. It is one of the most successful alcohol brands worldwide, brewed in almost 50 countries, and available in over 120. Sales in 2011 amounted to 850,000,000 litres (190,000,000 imp gal
220,000,000 U.S. gal). In spite of declining consumption since 2001, it is the best-selling alcoholic drink in Ireland where Guinness & Co. Brewery makes almost €2 billion worth of beer annually.
46 Great Victoria St, Belfast, County Antrim, Northern Ireland, BT2 7BA
Description
Keywords: Sandy Row,Belfast,Northern Ireland,UK,SandyRow,Sandy,Row,Protestant,Community,Royalist,British,Citizen,citizens,street,st,streets,south,residential,residents,UDA,Orange,order,South Belfast,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Rangers,freedomfighters,Carrs,Row,brigade,for,god,and,Ulster,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,South Belfast,orange Order,Freedom Fighters,Boyne Bridge,Saltwater Bridge,Orange Hall,Carrs Row,loyalist community,UDA South Belfast Brigade
Description: Tony Smith image Alamy HE7KY4 - Sandy Row is a street in south Belfast, Northern Ireland. It lends its name to the surrounding residential community, which is predominantly Protestant working-class. The Sandy Row area had a population of 2,153 in 2001.[1][2] It is a staunchly loyalist area of Belfast, being a traditional heartland for affiliation with the paramilitary Ulster Defence Association (UDA) and the Orange Order.
Sandy row, South Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: BT1,bars,pubs,duke,of,york,alley,off,Donegall St,street,drinks,drinking,classic,ale,beer,bers,ales,half,bap,area,craic,murals,art,painting,painting,artwork,artworks,guinness,Cathedral Quarter,Half Bap,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M56 - Nestled along a narrow cobbled alleyway in the historic Half Bap area, the Duke offers a traditional Belfast welcome of craic, music and humour in contrast to the modern fashionable establishments currently blowing into the surrounding streets. Hosting regular traditional sessions there is no better place to sample the real taste of our city simply step in and drink an Irish whiskey washed down with a pint of creamy stout.
Imagine Belfast with only five streets. Protected by earth ramparts and the city walls, the area where the Dark Horse now stands was convenient to the old iron foundry, the pottery, the whiskey merchants and the brown linen hall. Appreciate the superb décor and special atmosphere with beautiful antique mirrors, Belfast furniture and artefacts from some of the city's most famous hotels and buildings from bygone times providing a rather rare and unique glimpse of Belfast's historical past. Just call in and you will enjoy a huge warm welcome from a truly Belfast institution with a huge heart.
Duke of York, 7-11 Commercial Court, Belfast, Northern Ireland, BT1 2NB Duke of York 02890 241062
7-11 Commercial Ct, Belfast, Northern Ireland,UK BT1 2NB
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,church lads brigade,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M7M - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: tagged,face,orange,Spoom tag,grafitti,Belfast City,Northern,Ireland,UK,city,centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,painting,wall,walls,tribute,West,Beal,feirste,fun,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M8F -
Belfast, Northern Ireland, UK
Description
Keywords: stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MA1 - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,window,feet,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MA7 - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,Patience,stained glass,window,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Fight,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MA9 - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: NI,Northern Ireland,city,centre,Education,learn,learning,Queen,old,historic,building,research,institutions,QUB,Academic,BT7 1NN,heritage,trail,grand,ornate,trusses,restoration,University Of Belfast,Heritage trail,Great Hall,big room,looking up,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Uni,Belfast,City,Centre,edication,student,students,union,West,Beal,feirste,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Universitas Reginae Belfastiae,Academia,higher,Lanyon,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Higher Education,Lanyon Building
Description: Tony Smith image Alamy HEEFAN - Queen's University Belfast (informally Queen's or QUB) is a public research university in Belfast, Northern Ireland. The university was chartered in 1845, and opened in 1849 as Queen's College, Belfast, but has roots going back to 1810 and the Royal Belfast Academical Institution.
The university forms the focal point of the Queen's Quarter area of the city, one of Belfast's four cultural districts. It offers academic degrees at various levels and across a broad subject range, with over 300 degree programmes available. Since 1 March 2014, Patrick Johnston has been the university's 12th President and Vice-Chancellor. Its Chancellor is Thomas Moran.
Queen's is a member of the Russell Group of leading research intensive universities, the Association of Commonwealth Universities, the European University Association, Universities Ireland and Universities UK. The university is associated with two Nobel laureates and one Turing Award laureate.
Lanyon took as his source the medieval great halls of
England and the Oxbridge colleges, following the strict precedents of
the raised dais, oriel window, fireplace for the top table, and a
screened passage at the opposite end. These plans fell victim to the
original budget cuts
Lanyon's planned gallery was never built and
the panelling remained modest, the latter not helped by later
redecorations. All of this changed in 2000 with the restoration of the
Great Hall by Consarc Conservation, architects. The floor and dais
were replaced and the oriel window unblocked. New pitch pine
panelling and a screened passage with a gallery above, the
replacement of the missing end trusses, and the comprehensive
redecoration and installation of a new lighting system, have all
combined to create a warm, powerful and theatrical space at the
heart of the University. More recently, the restored organ from
Christchurch (where Sir Charles and Lady Lanyon used to worship)
has been installed in the gallery.
University Road, Belfast BT7 1NN
Description
Keywords: NI,Northern Ireland,city,centre,Education,learn,learning,Queen,old,historic,building,research,institutions,QUB,Academic,BT7 1NN,interior,inside,stained glass,grand,room,grand hall,timber,ceiling,timbered,restoration,restored,University Of Belfast,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Uni,Belfast,City,Centre,edication,student,students,union,West,Beal,feirste,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Universitas Reginae Belfastiae,Academia,higher,Lanyon,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Higher Education,Lanyon Building
Description: Tony Smith image Alamy HEEFB8 - Queen's University Belfast (informally Queen's or QUB) is a public research university in Belfast, Northern Ireland. The university was chartered in 1845, and opened in 1849 as Queen's College, Belfast, but has roots going back to 1810 and the Royal Belfast Academical Institution.
The university forms the focal point of the Queen's Quarter area of the city, one of Belfast's four cultural districts. It offers academic degrees at various levels and across a broad subject range, with over 300 degree programmes available. Since 1 March 2014, Patrick Johnston has been the university's 12th President and Vice-Chancellor. Its Chancellor is Thomas Moran.
Queen's is a member of the Russell Group of leading research intensive universities, the Association of Commonwealth Universities, the European University Association, Universities Ireland and Universities UK. The university is associated with two Nobel laureates and one Turing Award laureate.
Lanyon took as his source the medieval great halls of
England and the Oxbridge colleges, following the strict precedents of
the raised dais, oriel window, fireplace for the top table, and a
screened passage at the opposite end. These plans fell victim to the
original budget cuts
Lanyon's planned gallery was never built and
the panelling remained modest, the latter not helped by later
redecorations. All of this changed in 2000 with the restoration of the
Great Hall by Consarc Conservation, architects. The floor and dais
were replaced and the oriel window unblocked. New pitch pine
panelling and a screened passage with a gallery above, the
replacement of the missing end trusses, and the comprehensive
redecoration and installation of a new lighting system, have all
combined to create a warm, powerful and theatrical space at the
heart of the University. More recently, the restored organ from
Christchurch (where Sir Charles and Lady Lanyon used to worship)
has been installed in the gallery.
University Road, Belfast BT7 1NN
Description
Keywords: building,stone,holy,St Annes,Belfast Cathedral,saint,Annes,pano,aisle,aisles,altar,religion,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG9K - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,religion,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG9T - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Belfast Water Works,Cast Iron,Manhole Grid,man,hole,cover,Manhole Cover,Northern Ireland,UK,grid,in,road,street,Water works,access,access cover,sewer,man,hole,cast,iron,access,iron,cast iron,metal,steel,@HotpixUK,road,street,grid,in,road,street,Water works,access,access cover,sewer,manhole,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CM -
Belfast City,Northern Ireland,UK
Description
Keywords: Great,social,socialhousing,Northern,Irish,Housing,Executive,Belfast,UK,public,body,authority,orders,city,centre,fair,fairness,civil,rights,Catholic,Injustice,RTB,Northern Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,policy,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Right To Buy
Description: Tony Smith image Alamy HE18CR - The Northern Ireland Housing Executive is the public housing authority for Northern Ireland. It is the enforcing authority for those parts of housing orders that involve houses with multiple occupants, houses that are unfit, and housing conditions.
The Housing Executive was established in 1971 by the Housing Executive Act (Northern Ireland).
The creation of the Housing Executive is linked to the civil disturbances in Northern Ireland throughout the 1960s.[citation needed] Prior to 1971, the allocation of public housing was the responsibility of local councils in Northern Ireland and the Northern Ireland Housing Trust. In June 1968, Dungannon Rural District Council was accused of discriminating against a Catholic family when it allocated a new council house in the Caledon area to a young single Protestant woman with links to a local Unionist politician. This incident proved to be the catalyst for the ensuing civil rights marches in Dungannon and Derry that ultimately led to widespread civil disturbance.
In his Parliamentary report on the following disturbances, Lord Cameron concluded that there was:
A rising sense of continuing injustice and grievance among large sections of the Catholic population in Northern Ireland, in particular in Derry and Dungannon, in respect of (i) inadequacy of housing provision by certain local authorities (ii) unfair methods of allocation of houses built and let by such authorities, in particular
refusals and omissions to adopt a 'points' system in determining priorities and making allocations (iii) misuse in certain cases of discretionary powers of allocation of houses in order to perpetuate Unionist control of the local authority.
A single all-purpose housing authority for Northern Ireland had been advocated as early as 1964 by the Northern Ireland Labour Party but it was not until the British Home Secretary, James Callaghan, visited the Stormont Government in the wake of the Belfast Riots of August 1969 it was created
Great Victoria St, Belfast, NI, UK
Description
Keywords: art,painting,mural,collar,worker,manager,&,and,blue shirt,blue,shirt,working,artwork,Belfast,Northern Ireland,UK,Marine,Sales,Manager,titanic,shipyard,construction,builders,builder,shipbuilder,shipbuilders,jacket,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE18D5 -
Belfast Titanic Quarter, Northern Ireland,UK
Description
Keywords: news,media,regional,newspaper,time,irish,Belfast Telegraph,estd 1870,clock,Belfast Telegraph House,33 Clarendon,rd,Road,Belfast,Northern Ireland,UK,red,brick,building,architecture,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7MCB - The Belfast Telegraph is a daily newspaper published in Belfast, Northern Ireland, by Independent News & Media.
It was first published as the Belfast Evening Telegraph on 1 September 1870 by brothers William and George Baird. Its first edition cost half a penny and ran to four pages covering the Franco-Prussian war and local news.
The evening edition of the newspaper was originally called the Sixth Late, and Sixth Late Tele was a familiar cry made by vendors in Belfast City Centre in the past.
Its competitors are The News Letter and The Irish News but the local editions of the London-based red tops are also competitors, selling at a cheaper price than the 'Tele'.
The Belfast Telegraph was entirely broadsheet until 19 February 2005, when the Saturday morning edition was introduced and all Saturday editions were converted to compact. The weekday morning Compact Edition, launched on 22 March 2005, struggled to replicate the evening newspaper's success. Its editorial content has been much more tabloid, with a greater entertainment story count than the evening paper. Much prominence is given to English-based sport, and some general features and columns are shared with The Independent and Irish Independent.
The paper now publishes two editions daily, Belfast Telegraph final edition and the North West Telegraph which is distributed in Derry.
Belfast Telegraph House,33 Clarendon Road,Belfast, Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,Venus tattoo Studio,shop,award,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,2b Gresham St,Gresham,St,street,1967,2b Gresham street,Street Art,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MCF -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,Studio,shop,multi-award,eyesore,eye,sore,dilapidation,decrepitude,shabby,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,2b Gresham St,Gresham,St,street,1967,2b Gresham street,Street Art,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MCM -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: bar,spirits,liqueurs,red,music,traditional,Fibber Magee,General Merchant,Northern Ireland,UK,door,doorway,Irish,music bar,Irish music bar,Irish Pub,craic,Blackstaff,Square,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MCN - Fibber Magees, Traditional Irish Music Bar based in Belfast. Nestled in the corner of Blackstaff Square, is the city's hidden gem
Fibber Magee's is the genuine article
a good old spit and sawdust bar, packed to the rafters with little bits of history and steeped in Irish tradition.
Open fire and enjoy the tunes of traditional musicians, every night of the week. With fiddles, pipes and the bodhráns
the craic is guaranteed.
Blackstaff Square,Belfast,Northern Ireland , UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,bar,bars,pub,pubs,eyesore,eye,sore,decrepitude,shabby,ruin,run,down,decay,collapse,purple,red,orange,up,boarded up,boardedup,building,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7ME1 -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast City Hall,Baroque,Revival,Architecture,building,white,stone,Donegall Square,Northern,Ireland,exhibition,Edwardian,Edwardian City,display,white,star,line,White star Line,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAN - Belfast City Hall is the civic building of Belfast City Council. Located in Donegall Square, Belfast, County Antrim, Northern Ireland, it faces north and effectively divides the commercial and business areas of the city centre.
The site now occupied by Belfast City Hall was once the home of the White Linen Hall, an important international Linen Exchange. The Street that runs from the back door of Belfast City Hall through the middle of Linen Quarter is Linen Hall Street.
Plans for the City Hall began in 1888 when Belfast was awarded city status by Queen Victoria. This was in recognition of Belfast's rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries. During this period Belfast briefly overtook Dublin as the most populous city in Ireland.
Construction began in 1898 under the supervision of architect Sir Alfred Brumwell Thomas and was completed in 1906 at a cost of £369,000. Belfast Corporation (now the council) used their profits from the gas industry to pay for the construction of Belfast City Hall. Local firms H&J Martin and WH Stephens were among the companies involved in construction. James G. Gamble, architect, was the clerk of works.
Donegall Square, Belfast, Northern Ireland, UK
Description
Keywords: Belfast City Hall,Baroque,Revival,building,white,stone,Donegall Square,Northern,Ireland,white,star,line,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAT - Belfast City Hall is the civic building of Belfast City Council. Located in Donegall Square, Belfast, County Antrim, Northern Ireland, it faces north and effectively divides the commercial and business areas of the city centre.
The site now occupied by Belfast City Hall was once the home of the White Linen Hall, an important international Linen Exchange. The Street that runs from the back door of Belfast City Hall through the middle of Linen Quarter is Linen Hall Street.
Plans for the City Hall began in 1888 when Belfast was awarded city status by Queen Victoria. This was in recognition of Belfast's rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries. During this period Belfast briefly overtook Dublin as the most populous city in Ireland.
Construction began in 1898 under the supervision of architect Sir Alfred Brumwell Thomas and was completed in 1906 at a cost of £369,000. Belfast Corporation (now the council) used their profits from the gas industry to pay for the construction of Belfast City Hall. Local firms H&J Martin and WH Stephens were among the companies involved in construction. James G. Gamble, architect, was the clerk of works.
Donegall Square, Belfast, Northern Ireland, UK
Description
Keywords: Belfast City Hall,white,stone,Donegall Square,Northern,Ireland,exhibition,Edwardian,Edwardian City,display,white,star,line,White star Line,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAW - Belfast City Hall is the civic building of Belfast City Council. Located in Donegall Square, Belfast, County Antrim, Northern Ireland, it faces north and effectively divides the commercial and business areas of the city centre.
The site now occupied by Belfast City Hall was once the home of the White Linen Hall, an important international Linen Exchange. The Street that runs from the back door of Belfast City Hall through the middle of Linen Quarter is Linen Hall Street.
Plans for the City Hall began in 1888 when Belfast was awarded city status by Queen Victoria. This was in recognition of Belfast's rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries. During this period Belfast briefly overtook Dublin as the most populous city in Ireland.
Construction began in 1898 under the supervision of architect Sir Alfred Brumwell Thomas and was completed in 1906 at a cost of £369,000. Belfast Corporation (now the council) used their profits from the gas industry to pay for the construction of Belfast City Hall. Local firms H&J Martin and WH Stephens were among the companies involved in construction. James G. Gamble, architect, was the clerk of works.
Donegall Square, Belfast, Northern Ireland, UK
Description
Keywords: Belfast City Hall,white,stone,Donegall Square,Northern,Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HEEGAX - Belfast City Hall is the civic building of Belfast City Council. Located in Donegall Square, Belfast, County Antrim, Northern Ireland, it faces north and effectively divides the commercial and business areas of the city centre.
The site now occupied by Belfast City Hall was once the home of the White Linen Hall, an important international Linen Exchange. The Street that runs from the back door of Belfast City Hall through the middle of Linen Quarter is Linen Hall Street.
Plans for the City Hall began in 1888 when Belfast was awarded city status by Queen Victoria. This was in recognition of Belfast's rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries. During this period Belfast briefly overtook Dublin as the most populous city in Ireland.
Construction began in 1898 under the supervision of architect Sir Alfred Brumwell Thomas and was completed in 1906 at a cost of £369,000. Belfast Corporation (now the council) used their profits from the gas industry to pay for the construction of Belfast City Hall. Local firms H&J Martin and WH Stephens were among the companies involved in construction. James G. Gamble, architect, was the clerk of works.
Donegall Square, Belfast, Northern Ireland, UK
Description
Keywords: Samual,Samuel,Beckett,Becket,white,modern,bridge,Ireland,Irish,Liffey,Dublin,new,crossing,dock,land,docklands,man,male,pipe,smoking,smoker,hat,B/W,mono,black,sepia,Europe,European,fisheye,fish,eye,8mm,lens,sigma,wide,shot,shots,circular,round,hotpix.com,hot pix,#tony,#smith,#tonysmith,#tonysmithhotpix,#tonysmithotpix
Description: Tony Smith image Flickr 5580256000 - 'Hash Pipe - 'Weezer' - Play this track here..
\u00bfWhats this iPod Shuffle set all about? Read about it here
Just when you thought pipes were so yesterday.....
One of my favourite tracks, good to hear it today!
'Hash Pipe' is a song by US indie rock band Weezer. Released in 2001, it was the first single off the band's long-awaited third album, Weezer (The Green Album).
The song was aparently inspired by a male transvestite prostitute known for rambling to people in Santa Monica. Weezer drummer Patrick Wilson is featured on the cover of the song's CD single holding a pack of Natural American Spirit cigarettes that has been blurred out due to copyright issues.
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The new white Samuel Beckett Bridge (Irish: Droichead Samuel Beckett) is a cable-stayed bridge in Dublin that joins Sir John Rogerson's Quay on the south side of the River Liffey to Guild Street and North Wall Quay in the Docklands area.
The architect is Santiago Calatrava, a designer of a number of innovative bridges and buildings. This is the second bridge in the area designed by Calatrava, the first being the James Joyce Bridge, which is further upstream.
Constructed by a 'Graham Hollandia Joint Venture', the main span of the Samuel Beckett Bridge is supported by 31 cable stays from a doubly back-stayed single forward arc tubular tapered spar, with decking provided for four traffic and two pedestrian lanes. It is also capable of opening through an angle of 90 degrees allowing ships to pass through. This is achieved through a rotational mechanism housed in the base of the pylon.
The shape of the spar and its cables is said to evoke an image of a harp, a symbol of Ireland lying on its edge.
Checkout more w=33062170@N08\' target=\'_blank\'>Black and White stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) TonySmith Hotpix / HotpixUK
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Description
Keywords: of,A,Single,ear,of,barley,(corn),isolated,from,a,field,summer,just,before,harvest.,Low,light,near,sunset,gotonysmith,f1.4,f1.8,f2.8,shallow,focus,blue,sky,sunset,warm,color,colours,near,harvest,time,thanksgiving,english,scottish,irish,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF24KX - A Single ear of barley (corn) isolated from an English field, summer just before harvest. Low light near sunset.
Grappenhall, Cheshire, NW England, UK
Description
Keywords: b/w,black,&,and,white,religion,Christian,Christianity,church,abbey,monk,monks,centre,of,Irish,monasticism,Saint,Columba,Icolmkill,sky,near,coast,of,Mull,ionaabbey,National,Trust,for,NT,ecumenical,pilgrim,pilgrims,St,Martins,Cross,Saint,stone,Celtic,crosses,ancient,burial,ground,Rèilig,Odhrain,gotonysmith,Iona,is,a,small,island,in,the,Inner,Hebrides,off,the,western,coast,of,Scotland.,It,was,a,centre,of,Irish,monasticism,for,four,centuries,and,is,today,renowned,for,its,tranquility,and,natural,beauty,medieval,grave,monuments.,The,abbey,graveyard,contains,the,graves,of,many,early,Scottish,Kings,as well as kings from Ireland,Norway,and,France,Iona,became,the,burial,site,for,the,kings,of,Dál,Riata,and,their,successors,Notable,burials,John,Smith,Labour,Party,Leader,PA76,6SQ,PA766SQ,nunnery,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HD4C - Iona Abbey, now an ecumenical church, is of particular historical and religious interest to pilgrims and visitors alike. It is the most elaborate and best-preserved ecclesiastical building surviving from the Middle Ages in the Western Isles of Scotland. Though modest in scale in comparison to medieval abbeys elsewhere in Western Europe, it has a wealth of fine architectural detail, and monuments of many periods.
In front of the Abbey stands the 9th century St Martin's Cross, one of the best-preserved Celtic crosses in the British Isles, and a replica of the 8th century St John's Cross (original fragments in the Abbey museum).
Iona Abbey, Isle of Iona, Scotland, UK, PA76 6SQ
Description
Keywords: St,Wilfrids,Catholic,Church,Panorama,Northwich,showing,wooden,roof,gotonysmith,wide,shot,joiner,stitched,dark,hard,wood,impressive,historic,building,inside,interior,Irish,upturned,boat,victorian,buildings,St Wilfrids Church Panorama Northwich unique,gotonysmith,gotonysmith,Buy Pictures of,Buy Images Of,Buy Pictures of,Buy Images Of,RC
Description: Tony Smith image Alamy CF0N0W - St Wilfrids Catholic Church Panorama Northwich showing wooden roof
Witton Street, Northwich, Cheshire, England, UK
Description
Keywords: Jay,Taylor,Bone,Box,Palace,music,venue,Levenshulme,Manchester,Goldblade,Tony,Hennigan,YGG,irish,festival,night,day,nightandday,Ruby,lounge,Bonebox,young,gifted,green,manchester irish festival,tony Hennigan,hotpix!
Description: Tony Smith image Flickr 3809867680 - 'Jay Taylor, ex-Gold Blade, playing at one of Tony Hennigan's excellent gigs. Jay is now promoter at the Night and Day music cafe and the Manchester Ruby Lounge.
Here at 24Rockfest.
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC
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Description
Keywords: Conflict,Resolution,Counciller,Warrington,Peace,Centre,UK,employment,people,work,working,class,room,classroom,whiteboard,white,board,african,IRA,irish,bombing,building,bridge,st,street,bomb,terrorist,atrocity,positive,images,black,men,ethnic,hotpix!
Description: Tony Smith image Flickr 3812467275 - 'A counciller at work in meeting room at Warrington Peace Centre, Cheshire UK.
On 20 March 1993, the Provisional Irish Republican Army (IRA) detonated two bombs in Warrington town centre. The blasts killed two children: three year old Jonathan Ball died instantly, and twelve year old Tim Parry died five days later in hospital. Around 56 other people were injured - 4 seriously. Their deaths provoked widespread condemnation of the organisation responsible. The blast followed a failed bomb attack a few weeks earlier on a gas storage plant in Warrington.
Tim Parry's father Colin Parry founded The Peace Centre (formerly the Tim Parry Jonathan Ball Peace Centre) as part of a campaign to reconcile communities in conflict. The centre opened on the seventh anniversary of the bombing in 2000.
He and his family still live in Warrington.
Another type of work not often seen, more a vocation www.flickr.com/photos/hotpixuk/4306593793/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Belfast,Falls,Shankhill,road,montage,northern,irish,ireland,bus,map,transport,gb,british,united,Eire,city,centre,rpg,avenue,ulster,red,hand,defender,defenders,bus map,belfast bus map,translink,ulsterbus,belfast maps,metro,service,europa,station,bus station,tourist,NI,n ireland,north ireland,emerald,isle,tonysmith,tony,smith,redhand,sectarian,peace,province,hotpix!,#tonysmithhotpix
Description: Tony Smith image Flickr 3828202972 - 'Montage taken one summer, big thanks to Brian my top guide.
Check out the Belfast City Hall at dusk here www.flickr.com/photos/hotpixuk/3809054537/
Murals here www.flickr.com/photos/hotpixuk/4140133209/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
