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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Southern,Republic,painted,shops,town,centre,final,window,windows,supporting,seniors,County Tipperary,county Tipperary,advert,advertisement,retail,shop,buy,buying,retail. retailing,hurler,sport,sports,traditional,history,historic,Gaelic games,GAA,Ireland,Tipperary hurling,community support,painted window,Irish town,local pride,county colours
Description: Tony Smith image Alamy 3C4CY4D - A hand-painted shop window display showing a hurling player in motion alongside decorative lettering reading Best of luck Tipperary , photographed in an Irish town ahead of the All-Ireland Hurling Final in July 2025. The artwork is painted directly onto the glass of a retail premises, using the blue and gold colours traditionally associated with County Tipperary, and features flowing decorative motifs inspired by Irish design styles.
The image captures a familiar scene in Ireland during major Gaelic Athletic Association (GAA) finals, when local businesses, shops, and public buildings decorate their windows to show support for county teams. Reflections of surrounding buildings visible in the glass place the artwork firmly within a town-centre streetscape, reinforcing the sense of everyday community life intersecting with national sporting events.
Hurling, one of Ireland's oldest field sports, holds deep cultural significance, particularly in counties such as Tipperary with a strong championship tradition. Temporary window art like this plays an important role in expressing local identity, collective anticipation, and sporting pride in the days leading up to an All-Ireland final.
This image is suitable for editorial use illustrating Irish sport, GAA culture, community support for hurling, local business engagement with national sporting events, and the visual culture of Irish towns during championship season.
Tipperary Town centre, Ireland, IE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Southern,Republic,airports,phone,smartphone,charging,expensive,top up,essential,lockers,at,departures,Ireland,Cork,Charge.it.IE,IE,UV-C,UVC,Apple,Android,Charge-it.ie,Charge-it,quick,fast,Built-in,UV,lights,rental,install,installation,Charge It Management,Irish,locker
Description: Tony Smith image Alamy 3C4CYH7 - This contemporary British and Irish stock photograph captures ChargeIt airport charging station locker at Cork Airport, Ireland - Charge Your Mobile Here , from Charge.it.IE, IE. The row metadata places the subject at Cork Airport, Kinsale Road, Cork, T12P5NF, Ireland. The spreadsheet date indicates 20 July 2025, so the picture can also work as a time-specific archive record. Plainly, the image is useful because it shows Ireland, Irish, airport, Charge It, Here, Charge Your Mobile, Cork Airport, locker, with search-relevant terms including Ireland, Irish, airport, Charge It, Here, Charge Your Mobile, Cork Airport, locker, station, ChargeIt, Southern, Republic, airports, phone. Transport pictures are especially useful because they show the infrastructure and passenger experience behind policy debates about connectivity, reliability and regional investment. Cork Airport is an important regional gateway for southern Ireland. Airport details like baggage, passenger notices, airline rules and mobile charging are useful for stories about travel stress, low-cost aviation, regional connectivity and the changing passenger experience. The detail speaks to modern dependence on smartphones while travelling, with battery life, charging lockers, apps, boarding passes, maps, mobile payments and digital identity now part of the everyday airport and transport experience. It has strong value for publishers needing authentic documentary imagery for news pages, blog articles, council reports, social media graphics, presentations, magazine features and local-history explainers. Historically and socially, this kind of image can help connect past and present: older streets, civic institutions, transport systems, shops, signs, political messages or public services are not frozen museum pieces, but part of how people understand modern life, local identity and economic change.
Cork Airport, Kinsale Road, Cork, T12P5NF, Ireland
--County-Cork--Ireland--3DCX6C0.jpg)
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Ireland,city,centre,Cork Savings Bank building,Cork banking history,historic bank Ireland,County Cork landmark,building,history,historic,financial,cash,is king,Irish banking heritage,savings banks history,Victorian finance institutions,civic trust and thrift,economic development Ireland,architecture of finance,urban commercial history,heritage preservation,historic streetscapes Cork,institutions and memory,South Mall Cork City,Cork T12,Cork Ireland Eire,historic financial institution,stone façade detail,wrought iron railings,engraved bank sign,nineteenth century bank,Irish economic history,editorial image,daytime exterior
Description: Tony Smith image Alamy 3DCX6C0 - The engraved stone signage of Cork Savings Bank, photographed on the historic South Mall in Cork City, County Cork, Ireland (postal district T12). The image shows the bank's name set into the building's façade above decorative wrought-iron railings, emphasising craftsmanship and permanence typical of nineteenth-century financial architecture.
Savings banks played a significant role in Irish social and economic history, promoting thrift and financial inclusion among working communities during a period of rapid urban and commercial growth. Cork Savings Bank was part of this wider movement, reflecting the city's importance as a regional centre of trade, shipping and finance in southern Ireland.
South Mall has long been associated with banking, commerce and professional services, forming one of Cork's most prestigious historic streets. Buildings along the Mall were designed to convey stability, trust and civic responsibility, values that were central to public confidence in financial institutions before the modern era of digital banking.
The architectural detailing visible in the image carved stonework, restrained classical proportions and ornamental ironwork reflects Victorian and Edwardian influences common to bank buildings of the period. Today, such structures contribute to Cork's historic streetscape and remain important markers of the city's commercial heritage.
Photographed in daylight with architectural textures clearly visible, the image offers strong editorial value for themes including Irish banking history, financial institutions, heritage architecture, urban commercial development and the preservation of historic city centres. It is suitable for use in history publications, financial commentary, education, and cultural or architectural features relating to Ireland.
Signage and architectural detail of the Cork Savings Bank building on South Mall, Cork City (postal
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Saggart,The Point,city centre,two,light rail,Ireland,transport,tram tracks,city,tram,urban transit,integrated transport,Lower Abbey Street,OConnell Street area,system,mobility,mass transit,electric tram,overhead wires,catenary system,platform stop,pedestrian crossing,commuter travel,retail district,accessible travel,green,low carbon travel,public realm,active travel,traffic management,urban infrastructure,regeneration,everyday,tourism,travel,rush hour,busy
Description: Tony Smith image Alamy 3EM2JP7 - Two Luas Red Line trams passing on Abbey Street in Dublin city centre, with pedestrians, shops, street signs, overhead power lines and reserved tram tracks creating a busy urban transport scene. The photograph shows the light rail system operating at street level through one of the capital's central shopping and movement corridors, close to O'Connell Street, Marlborough Street, the Abbey Theatre, the Spire, bus connections and the wider northside retail district. Luas is Dublin's tram network, with the Red Line linking Tallaght and Saggart in the west to Connolly and The Point in the east via the city centre, making Abbey Street an important stop for commuters, shoppers, tourists, students and workers crossing the city. The image is useful for editorial stories about integrated public transport, sustainable mobility, city-centre congestion, pedestrian safety, tram priority, transport planning, light rail investment, accessible travel, urban regeneration, retail footfall and Dublin's changing streetscape. Visible signage in Irish and English, including the instruction for tram access, adds a clear Dublin context and shows how the tram environment is managed within a dense mixed-use street. The scene appears to have been taken in daylight under a bright but overcast sky, with summer or mild-weather clothing among pedestrians and a lively flow of people around the platforms and crossings. The side-by-side trams, overhead catenary and rails embedded in the road surface make the picture suitable for transport, infrastructure, planning, climate, tourism, commuting, Ireland travel and public realm features. It also illustrates the everyday operation of a modern European light rail system in a historic city centre where public transport, walking, retail activity and heritage streets all share limited street space.
Luas stop, Lower Abbey Street, Dublin 1, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,boat,Dublin,Irish famine ship replica,Dublin Docklands ship,Dublin maritime heritage,historic ship Dublin,heritage,spring,early,summer,blue sky,partly,sunny,cloudy sky,fair,bright,weather Ireland,calm river conditions,daylight Ireland,Dublin cityscape,south bank River Liffey,Dublin quays,tall ship moored,maritime,Ireland,Irish,diaspora,history,tourism,regeneration,city,centre,dock,docks,dockside
Description: Tony Smith image Alamy 3CPAWW8 - The Jeanie Johnston, a full-scale replica of a nineteenth-century Irish emigrant ship, lies moored on the north bank of the River Liffey in Dublin, viewed here from the south bank. The scene is photographed in daylight under a blue sky with scattered cloud, suggesting mild spring or early summer conditions typical of fair weather in Ireland.
The ship's tall masts, rigging and traditional wooden hull stand in contrast to the modern glass and brick architecture of Dublin Docklands, reflecting the city's blend of historic memory and contemporary regeneration. Calm river conditions and soft natural light enhance the clarity of the waterfront setting.
The Jeanie Johnston serves as a floating museum and powerful symbol of Irish emigration during the Great Famine, when thousands left Ireland for North America. Today it remains a prominent riverside landmark, frequently used in editorial contexts relating to Irish history, migration, maritime heritage, tourism and Dublin's evolving urban landscape.
River Liffey, Dublin Docklands, Dublin 1, Ireland (north bank mooring, viewed from south bank)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,centre,Dublin 8,D08 W449,M,Wall,1913,Greeting Cards,office,Post Office,An Post,Dublin,Ushers Quay,Oifis an Poist,Irish post office,green shopfront,traditional shopfront,Dublin city,public service,postal services,greeting cards,stationery,historic building,retail frontage,branding,Irish language signage,bilingual signage,green painted frontage,Victorian shopfront,Edwardian shopfront,city streetscape,Irish streets,urban Ireland,local services,community services
Description: Tony Smith image Alamy 3CPAXRB - A traditional Irish post office operated by An Post at 5 Ushers Quay in Dublin 8, photographed from street level. The building features a distinctive green-painted wooden shopfront, a colour long associated with Irish public services and heritage retail premises. Prominent bilingual signage across the fascia reads Oifis an Poist , reflecting Ireland's official use of both the Irish and English languages.
The frontage includes wooden double doors, flanking windows, and signage advertising post office services, stationery, and greeting cards. Additional posters visible in the windows reference modern An Post services, highlighting the contrast between the historic appearance of the building and the contemporary financial and digital services now offered by Ireland's national postal operator.
Ushers Quay runs along the south bank of the River Liffey, close to Dublin city centre, an area characterised by a mix of historic commercial buildings, residential properties, and long-established local services. The image captures a moment in the ongoing evolution of Ireland's high streets, where traditional public service buildings face pressure from digital communication, changing retail habits, and urban regeneration.
This photograph is suitable for editorial use illustrating Irish public services, postal history, bilingual signage in Ireland, Dublin streetscapes, heritage shopfronts, and discussions around the future of traditional post offices in European cities.
5 Ushers Quay, Dublin, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Pride,Liberty Hall,building,route,headquarters,Dublin 1,rainbow,banner,Tip Toe,LGBTQ+ Pride,Ireland,visibility,city centre,Pride march,2026,Pride parade 2026,Saturday 27 June 2026,Irish Pride,public,inclusion,equality campaign,diversity celebration,union solidarity,civic support,rainbow colours,community celebration,social progress,Pride month,festival branding,landmark building display,inclusive city,Irish capital,tourism image,event promotion,human rights,belonging,celebration of identity
Description: Tony Smith image Alamy 3EM2JHK - Large rainbow Dublin Always Proud banner hanging on Liberty Hall, the SIPTU headquarters on Eden Quay in Dublin 1, ahead of the Dublin Pride March and Parade on Saturday 27 June 2026. The vertical banner carries the colours of the Pride flag and the bilingual message Bródúil i gcónaí , meaning always proud, along with smiling faces at the top and the Dublin.ie and SIPTU logos at the bottom. An Irish tricolour flag flies beside the building, adding a strong civic and national backdrop to the public display. The image is useful for editorial coverage of Dublin Pride, LGBTQ+ visibility, equality, inclusion, union support for Pride, city-centre banners, public celebrations, Irish social change, queer identity, diversity and landmark buildings used for major cultural statements. Liberty Hall is one of Dublin's best-known modern buildings and the long-time headquarters of SIPTU, making it a prominent and recognisable location for a Pride banner of this scale. The official Dublin Pride website states that Dublin Pride Festival 2026 runs from 24 to 28 June, with the main March and Parade on Saturday 27 June 2026. As a stock image, the photograph has strong value for stories about Pride month, Dublin events, public support for LGBTQ+ communities, trade union solidarity, rainbow symbolism, festival promotion, city branding, social progress and inclusive Ireland. The combination of the bright multicoloured banner, the office-tower facade, the Irish flag and the central riverside setting creates a clear visual shorthand for Dublin Pride in the capital city. The image can also illustrate tourism features, event listings, social history, Pride marketing, city dressing, Dublin 1 landmarks and the use of major public-facing buildings to project messages of acceptance and belonging during a festival week.
Liberty Hall, Eden Quay, Dublin 1, D01 E5Y3, Ireland.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,SIPTU,Eden Quay,Always Proud,LGBT,Pride banner,Bródúil i gcónaí,queer,Pride,Liberty Hall,building,headquarters,rainbow,banner,Tip Toe,Ireland,visibility,Pride march,2026,Saturday 27 June 2026,public,inclusion,equality campaign,diversity celebration,union solidarity,rainbow colours,community celebration,social progress,festival branding,landmark building display,inclusive city,Irish capital,tourism image,event promotion,human rights,belonging,celebration of identity
Description: Tony Smith image Alamy 3EM2JNY - Large rainbow Dublin Always Proud banner hanging on Liberty Hall, the SIPTU headquarters on Eden Quay in Dublin 1, ahead of the Dublin Pride March and Parade on Saturday 27 June 2026. The vertical banner carries the colours of the Pride flag and the bilingual message Bródúil i gcónaí , meaning always proud, along with smiling faces at the top and the Dublin.ie and SIPTU logos at the bottom. An Irish tricolour flag flies beside the building, adding a strong civic and national backdrop to the public display. The image is useful for editorial coverage of Dublin Pride, LGBTQ+ visibility, equality, inclusion, union support for Pride, city-centre banners, public celebrations, Irish social change, queer identity, diversity and landmark buildings used for major cultural statements. Liberty Hall is one of Dublin's best-known modern buildings and the long-time headquarters of SIPTU, making it a prominent and recognisable location for a Pride banner of this scale. The official Dublin Pride website states that Dublin Pride Festival 2026 runs from 24 to 28 June, with the main March and Parade on Saturday 27 June 2026. As a stock image, the photograph has strong value for stories about Pride month, Dublin events, public support for LGBTQ+ communities, trade union solidarity, rainbow symbolism, festival promotion, city branding, social progress and inclusive Ireland. The combination of the bright multicoloured banner, the office-tower facade, the Irish flag and the central riverside setting creates a clear visual shorthand for Dublin Pride in the capital city. The image can also illustrate tourism features, event listings, social history, Pride marketing, city dressing, Dublin 1 landmarks and the use of major public-facing buildings to project messages of acceptance and belonging during a festival week.
Liberty Hall, Eden Quay, Dublin 1, D01 E5Y3, Ireland.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,urban,city,centre,Ireland,Dublins,Rory,fish,fishing,corner,cornershop,store,independent,city centre,Irish business,Dublin Temple Bar,fishing equipment,angling Ireland,specialist retailer,shuttered shop,hand painted shutters,street art shutters,urban decay,retail decline,independent shops,city streetscape,red brick building,traditional business,local commerce,tourism,Rorys Fishing Tackle,fishing tackle shop,Temple Bar,17a,rods,bait
Description: Tony Smith image Alamy 3BKDJGJ - The exterior of Rory's Fishing Tackle, a long-established specialist fishing and angling shop located in the Temple Bar area of Dublin city centre, Ireland. The image shows the premises closed, with metal shutters pulled down and decorated with painted fishing-themed artwork, including fish and angling imagery.
Temple Bar is best known as Dublin's cultural and nightlife quarter, but it has also historically been home to small independent retailers serving niche interests such as fishing, music, and crafts. Shops like Rory's Fishing Tackle reflect an earlier phase of the area's commercial life, prior to its transformation into a tourism- and hospitality-led district.
The red brick corner building and layered signage give the scene a slightly timeworn appearance, capturing the impact of changing retail patterns, rising rents, and shifting economic priorities in Dublin's city centre. The closed shopfront stands as a visual marker of the challenges faced by specialist independent retailers in high-profile urban locations.
This image is suitable for editorial use illustrating Dublin retail change, independent businesses, urban decline and regeneration, specialist shops, angling culture in Ireland, and the evolving character of Temple Bar beyond its tourist image.
Rorys Fishing Tackle shop, 17A Temple Bar, Dublin 2, D02 K263
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,urban,city,centre,Ireland,Jewellery,Dublins,R&C,RC,green,shopping,retail,gift,gifts,retail frontage,shopfront,city centre,closed shop,green shopfront,Dublin shopping street,Grafton Street Dublin,Irish retail,traditional jeweller,Celtic design,Irish branding,shuttered shop,urban retail,high street,city life,pedestrians,tourists,commercial signage,independent retailer,street scene,modern Ireland,documentary photography,retail decline,changing high street
Description: Tony Smith image Alamy 3BKDJGP - The exterior of R & C McCormack Celtic Jewellers on Grafton Street in Dublin city centre, Ireland. The shopfront features distinctive green branding with gold lettering advertising Celtic jewellery, a style closely associated with Irish heritage and traditional design motifs.
Grafton Street is Dublin's principal pedestrianised shopping street and one of the busiest retail locations in Ireland, frequented by shoppers, tourists, and street performers. The image shows the jeweller's metal shutter closed, with passers-by visible nearby, capturing an everyday moment in the city's commercial life.
Independent jewellery shops such as this have long been part of Dublin's retail landscape, serving both local customers and visitors seeking Irish-made or Irish-themed jewellery. The scene also reflects wider changes affecting high streets in major cities, including shifting shopping habits, tourism patterns, and economic pressures on bricks-and-mortar retailers.
This photograph is suitable for editorial use illustrating Dublin retail streets, Irish jewellery businesses, city-centre commerce, tourism, independent shops, urban change, and contemporary life on one of Ireland's most recognisable streets.
51 Grafton Street, Dublin, D02 K635, Ireland
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,urban,city,centre,Ireland,poster,affordable,crisis,on,street,banner,housing,at the,Dail,17/06/2025,sign,signs,protests,public demonstration,housing crisis,Dáil Éireann,political protest,social housing,cost of living crisis,urban protest,Dublin housing crisis,June 2025,protest sign,political activism,public campaign,housing shortage,homelessness,social justice,city streets,civic protest,public policy,Ireland politics,grassroots movement,street signage,urban issues,public awareness campaigns
Description: Tony Smith image Alamy 3BKDJH6 - A close-up view of a housing protest poster attached to a street pole in Dublin city centre, Ireland, photographed in June 2025. The poster advertises a planned demonstration at Dáil Éireann and describes the housing situation as an emergency, reflecting widespread public concern over housing supply, affordability, and homelessness in Ireland.
The sign features bold red and yellow typography designed for high visibility in an urban environment and references organised protest activity involving speeches, music, and public participation. Such posters are a common feature of Dublin's streetscape during periods of heightened political debate and social mobilisation.
Ireland has experienced sustained pressure on housing availability in recent years, particularly in major cities such as Dublin, leading to regular protests, policy discussions, and public campaigns focused on housing provision and reform. Temporary street posters like this document how political messaging is communicated at ground level in public spaces.
This image is suitable for editorial use illustrating housing protests, urban political activism, social policy debates, cost of living issues, public demonstrations in Ireland, and contemporary civic life in European capital cities.
Dublin city centre, Dublin, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,in,on,a,priced out,mortgage,mortgages,tenant,tenants,tenancy,owners,owning,own,home,homes,inflation,increases,shares,share,homelessness,homeless,problem,issue,issues,development,Scotland,England,Ireland,Wales,Welsh,Scottish,English,UK,British
Description: Tony Smith image Alamy 2RXHHFA - Taken on 24 Sep 2023, this photograph shows Home Sharing - in words, Scrabble letters. The location is Great Britain, UK. The picture is not just a record shot: it contains a carefully staged close-up of letter tiles arranged as a readable concept phrase, photographed against a map, keyboard, dictionary page, coins or other context props rather than a plain studio background. The image can be used as a clear editorial, blog or report illustration where a concept needs to be shown visually without using a person, organisation logo or staged office scene. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Scrabble, words, concept, letters, letter, socialhousing, housing, social housing, UKhousing, Home Sharing, priced out, mortgage, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. Because the subject is clearly labelled or visually distinctive, it can also work well in search-led usage where the buyer needs immediate recognition at small web-preview size. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history, public infrastructure, consumer behaviour, community identity and documentary evidence for newsletters, blogs, policy papers and web features.
Great Britain, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,in,on,a,priced out,mortgage,mortgages,tenant,tenants,tenancy,owners,owning,own,home,homes,inflation,increases,homelessness,homeless,problem,issue,issues,development,Scotland,England,Ireland,Wales,Welsh,Scottish,English,UK,British,increasing,increase,out of control,renters rights,bill
Description: Tony Smith image Alamy 2RXHHFC - Taken on 24 Sep 2023, this photograph shows Housing Costs - in words, Scrabble letters. The location is Great Britain, UK. The picture is not just a record shot: it contains a carefully staged close-up of letter tiles arranged as a readable concept phrase, photographed against a map, keyboard, dictionary page, coins or other context props rather than a plain studio background. The subject connects directly with the continuing housing affordability debate, including rent inflation, mortgage pressure, private renting, social housing demand, homelessness risk and household budgets. The image can be used as a clear editorial, blog or report illustration where a concept needs to be shown visually without using a person, organisation logo or staged office scene. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Scrabble, words, concept, letters, letter, socialhousing, housing, social housing, UKhousing, Housing Costs, priced out, mortgage, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. It has value for both local and national stories, especially where writers need to connect a named place or object with wider economic, social, environmental or cultural change.
Great Britain, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,Harland and Wolf,Harland and Wolfe,BT3,historic,icons,BT3 9EU,ship,building,famous,yellow,crane,cranes,in,shipyard,Samson,&,Goliath,Samson and Goliath,industry,legacy,yard,repair,company,cityscape,skyline,H&W,H & W,British,Irish,Ireland,city
Description: Tony Smith image Alamy 2RFJ35H - Harland & Wolff is a British shipbuilding and fabrication company headquartered in London with sites in Belfast, Arnish, Appledore and Methil. It specialises in ship repair, shipbuilding and offshore construction. Harland & Wolff is famous for having built the majority of the ocean liners for the White Star Line, including Olympic-class trio RMS Olympic, RMS Titanic and HMHS Britannic. Outside of White Star Line, other ships that have been built include the Royal Navy's HMS Belfast
Royal Mail Line's Andes
Shaw, Savill & Albion's Southern Cross
Union-Castle's RMS Pendennis Castle
P&O's Canberra
and Hamburg-America's SS Amerika of 1905. Harland and Wolff's official history, Shipbuilders to the World, was published in 1986.
Today, the company is focused on supporting five sectors: Defence, Energy, Cruise & Ferry, Renewables and Commercial. It offers services including technical services, fabrication & construction, repair & maintenance, in-service support, conversion and decommissioning.
In 2022, the company was awarded a major naval contract as part of Team Resolute (alongside Navantia UK and BMT), to deliver the Royal Fleet Auxiliarys' three new Fleet Solid Support vessels.
Harland & Wolff was formed in 1861 by Edward James Harland (183195) and Hamburg-born Gustav Wilhelm Wolff (18341913) who came to the UK aged 14. In 1858 Harland, then general manager, bought the small shipyard on Queen's Island from his employer Robert Hickson.
After buying Hickson's shipyard, Harland made his assistant Wolff a partner in the company. Wolff was the nephew of Gustav Schwabe, Hamburg, who was heavily invested in the Bibby Line, and the first three ships that the newly incorporated shipyard built were for that line. Harland made a success of the business through several innovations, notably replacing the wooden upper decks with iron ones which increased the strength of the ships
and giving the hulls a flatter bottom and squarer cross section
Queen's Island, Belfast , Northern Ireland, UK, BT3 9EU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,Harland and Wolf,Harland and Wolfe,BT3,historic,icons,BT3 9EU,ship,building,famous,yellow,crane,cranes,in,shipyard,Samson,&,Goliath,Samson and Goliath,industry,legacy,yard,repair,company,cityscape,skyline,H&W,H & W,British,Irish,Ireland,city
Description: Tony Smith image Alamy 2RFJ35N - Harland & Wolff is a British shipbuilding and fabrication company headquartered in London with sites in Belfast, Arnish, Appledore and Methil. It specialises in ship repair, shipbuilding and offshore construction. Harland & Wolff is famous for having built the majority of the ocean liners for the White Star Line, including Olympic-class trio RMS Olympic, RMS Titanic and HMHS Britannic. Outside of White Star Line, other ships that have been built include the Royal Navy's HMS Belfast
Royal Mail Line's Andes
Shaw, Savill & Albion's Southern Cross
Union-Castle's RMS Pendennis Castle
P&O's Canberra
and Hamburg-America's SS Amerika of 1905. Harland and Wolff's official history, Shipbuilders to the World, was published in 1986.
Today, the company is focused on supporting five sectors: Defence, Energy, Cruise & Ferry, Renewables and Commercial. It offers services including technical services, fabrication & construction, repair & maintenance, in-service support, conversion and decommissioning.
In 2022, the company was awarded a major naval contract as part of Team Resolute (alongside Navantia UK and BMT), to deliver the Royal Fleet Auxiliarys' three new Fleet Solid Support vessels.
Harland & Wolff was formed in 1861 by Edward James Harland (183195) and Hamburg-born Gustav Wilhelm Wolff (18341913) who came to the UK aged 14. In 1858 Harland, then general manager, bought the small shipyard on Queen's Island from his employer Robert Hickson.
After buying Hickson's shipyard, Harland made his assistant Wolff a partner in the company. Wolff was the nephew of Gustav Schwabe, Hamburg, who was heavily invested in the Bibby Line, and the first three ships that the newly incorporated shipyard built were for that line. Harland made a success of the business through several innovations, notably replacing the wooden upper decks with iron ones which increased the strength of the ships
and giving the hulls a flatter bottom and squarer cross section
Queen's Island, Belfast , Northern Ireland, UK, BT3 9EU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,signs,sign,humorous,pub,bar,pubs,bars,chalkboard,pavement,signage,marketing,humour,sarcastic,city,street sign,irony,promising,hospitality,sandwich board sign,chalk lettering,handwritten sign,street humour UK,warning,Irish,Ireland,novelty sign,social commentary,visible text sign,fun,funny
Description: Tony Smith image Alamy 2RFJ3B7 - This image shows a chalkboard A-frame sign placed on a pedestrian pavement outside a bar, using humour and irony to attract attention. The sign initially advertises Free cocktails and topless bartenders in bold handwritten lettering, before undercutting the claim with the phrase false advertising at the bottom. The joke relies on deliberate misdirection, a familiar style of British pub and bar humour designed to stop passers-by and provoke a smile.
The sign is painted in contrasting white chalk on a dark background and framed by a turquoise-painted wooden A-board, giving it a casual, informal appearance typical of independent bars and pubs. The surrounding pavement and shopfronts suggest a busy urban street, likely in a town or city centre with foot traffic and nightlife activity.
Such novelty signage is commonly used as a low-cost marketing tactic within the hospitality sector, blending comedy, irony, and street-level advertising to engage potential customers. The image captures a light-hearted moment of everyday urban culture, reflecting how humour is often used in public spaces to cut through advertising fatigue and create a sense of personality for bars and pubs.
Belfast, Northern Ireland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,newspaper publisher,County Londonderry,Derry,Northern Ireland,local news,media office,press building,media,Irish,Ireland,local,voice,Coleraine Chronicle office,local journalism,regional newspaper,press sign,newspaper signage,Lodge Road Coleraine,editorial office,community news,independent newspaper,print media,town journalism,Northern Irish press,news organisation,small newspaper office,media industry,civic life,documentary photography,streetscape detail,local history,office,offices,BT52 1NB,BT52
Description: Tony Smith image Alamy 2RAP32G - The exterior of the Coleraine Chronicle newspaper offices at 2 Lodge Road in Coleraine, County Londonderry, Northern Ireland. The signage identifies the premises of one of Northern Ireland's long-established local newspapers, which has played a significant role in reporting community, civic, and regional affairs in the Coleraine area and the wider Causeway Coast.
The Coleraine Chronicle has historically covered local government, courts, sport, business, and community life, reflecting the traditional role of the provincial press as a record of everyday events as well as major local news. Like many regional newspapers across the UK and Ireland, it has operated through periods of major change in the media industry, including the decline of print advertising and the shift toward digital news consumption.
Photographed in natural daylight, the image documents the physical presence of local journalism within a Northern Irish town, illustrating how small newspaper offices remain embedded in local streetscapes. It serves as a visual reference for themes of regional media, press history, community reporting, and the changing economics of local news.
Coleraine Chronicle, 2 Lodge Road, Coleraine, County Londonderry (Derry), Northern Ireland, United K
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Northern Ireland,BT52 1DP,United Kingdom,stained glass window,heraldic,window,Ulster heraldry,civic heraldry,coat of arms,armorial glass,municipal building,Victorian stained glass,Edwardian stained glass,Irish heraldry,Northern Ireland history,County Londonderry,Coleraine heritage,town hall interior,decorative glass,coloured glass window,historic artwork,local government history,British Isles heraldry,symbolic imagery,crest,shield,motto banner,local,cicic,Northern Irish history,Irish,Ireland,bones
Description: Tony Smith image Alamy 2RAP368 - This image shows a richly coloured stained glass heraldic panel inside Coleraine Town Hall, County Londonderry, Northern Ireland. The central shield bears crossed symbols and decorative floral motifs, surmounted by the Red Hand of Ulster, one of the most recognisable and historically significant emblems of the province of Ulster.
The banner text reading Newton Governor references civic or administrative authority connected with Coleraine's historical governance, reflecting the town's importance as a regional centre during the nineteenth and early twentieth centuries. Surrounding the shield are elaborate decorative elements typical of Victorian and Edwardian stained glass, including scrollwork, symbolic objects, and vibrant blue, gold, and green glass.
Stained glass such as this was commonly installed in municipal buildings to express civic pride, authority, and continuity, combining local identity with broader Ulster and British heraldic traditions. The image is suitable for editorial use relating to Northern Irish history, heraldry, civic architecture, stained glass art, and local government heritage.
Stained glass window, Coleraine Town Hall, The Diamond, Coleraine, County Londonderry, Northern Irel
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Northern Ireland,NI,Limavady,Ireland,urban warning sign,on,fence,fencing,no ball games,council housing,social housing estate,British housing estate,estate regulations,children playing banned,public space restriction,municipal sign,UK urban environment,estate management,antisocial behaviour policy,community rules,1970s signage style,classic British sign,metal warning sign,brick wall background,housing policy concept,public order sign,everyday Britain,public,space,spaces,estates,schemes,regulation,Scotland,Wales,England
Description: Tony Smith image Alamy 2RBN9EC - This image shows a traditional No Ball Games sign, commonly found on UK council and social housing estates, mounted against a dark brick wall. Such signs have been widely used by local authorities and housing providers to regulate play and reduce noise, damage, or nuisance in shared residential spaces.
The phrase No Ball Games has become a cultural shorthand in Britain, often referenced in discussions about urban childhood, public space, social housing management, and community control. While originally intended as a practical estate-management measure, the signage is now frequently used symbolically in media and policy commentary about youth provision, play spaces, and social behaviour.
The image is well suited to editorial and conceptual use covering social housing, council estates, urban life, local government policy, childhood and play, community rules, and British social history, as well as nostalgic or critical perspectives on post-war housing design and regulation.
Council housing estate, England, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Northern Ireland,UK,centre,walled,BT48,Orchard St,County Derry,BT48 6XY,shop,dept,department,store,Stores,Centre,Mall,Irish,neon,green,multinational,retail,chain,brand,Ben Dunne,shopping centre,shopping,shoppers,designer,designers,door,entrance,outside,logo,community,branch,group,garment
Description: Tony Smith image Alamy 2RD738P - Dunnes Stores is an Irish multinational retail chain that primarily sells food, clothes and household wares. It was founded by Ben Dunne in 1944. In addition to its main customer base in Ireland, the chain also has operations in Spain, and formerly in England and Scotland. The format of most of the chain's stores in Ireland involves a grocery supermarket operating alongside a clothing/textiles store, although some stores contain only textiles and some contain only a supermarket. The grocery side of the business does not operate outside of Ireland, save for a limited grocery range in the Spanish stores. The larger stores usually contain a café branded as either Café Sol, Dunnes Stores Café or Baxter & Greene Market Café.
Dunnes Stores' original own brand of groceries was sold under the St Bernard brand introduced in 1956, becoming an Irish household name, but was rebranded as My Family Favourites in 2013.
The main domestic competitors in the supermarket business are Tesco, SuperValu, Lidl and Aldi. For many years, Dunnes Stores has maintained a top-three market share in Ireland's grocery market, alongside SuperValu and Tesco. Combined, these three supermarket chains account for approximately 70% of Ireland's grocery market.
In clothing, their rivals include Penneys and Marks and Spencer. Dunnes collaborate for many clothing/home wares collections from a number of Irish designers such as Paul Costelloe, Padraic Harrington, Carolyn Donnelly, Lennon Courtney and new clothing from Paul Galvin. They also sell in-house clothings brands such as Savida and Gallery, along with their own Dunnes Stores brand of clothing.
Foyleside Shopping Centre, Orchard St, Londonderry, County Derry, Northern Ireland, UK, BT48 6XY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Northern Ireland,UK,centre,walled,moural,girls,comedy,show,series,C4,channel,four,channel4,Ulster,BT48 6EG,BT48,art,tourism,NW,North West,Orchard St,artwork,UVArts,18,Badgers Bar,Lisa McGee,Elizabeth McGee,city,uniforms,Catholic,school,Catholics,Erin Orla Clare michelle James
Description: Tony Smith image Alamy 2RD738X - Derry Girls is a British teen sitcom, created and written by Lisa McGee, that premiered on 4 January 2018 on Channel 4 and ran for three series. The channel's most successful comedy since Father Ted, the series was inspired by McGee's own experiences growing up in Derry, Northern Ireland, in the 1990s, during the final years of the Troubles. It stars Saoirse-Monica Jackson, Louisa Harland, Nicola Coughlan, Jamie-Lee O'Donnell, and Dylan Llewellyn as five teenagers living in mid-1990s Derry while attending Our Lady Immaculate College, a fictional girls' Catholic secondary school based on the real-life Thornhill College, where McGee herself studied. Produced by British production company Hat Trick Productions, Derry Girls is filmed in Northern Ireland, with most scenes shot on location in Derry and some in Belfast.
Although the plot lines of Derry Girls are fictional, the series frequently references actual events of the Troubles and the Northern Ireland peace process, including the 1994 IRA ceasefire announcement, the 1995 visit to Northern Ireland of President Bill Clinton and First Lady Hillary Clinton, and the Good Friday referendum of 1998. Archival
Derry Girls has inspired a mural of its main characters painted on the side of Badgers Bar and Restaurant at 18 Orchard Street, Derry, which has become a popular tourist attraction.
18 Orchard St, Derry, Londonderry, Ulster, Northern Ireland, UK, BT48 6EG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,NE,North East,market,retail,shopping,Society Street Indoor Market,Society Street Derry,indoor market Derry,Derry market sign,welcome sign,handwritten sign,chalkboard sign,local market Northern Ireland,independent traders,city centre market,retail entrance,market entrance sign,small business,local economy,community space,creative lettering,decorative sign,pink rose,floral decoration,interior doorway,tourism Derry,daytime,close up
Description: Tony Smith image Alamy 2RGHXAC - A close-up view of a decorative sign at the entrance to Society Street Indoor Market in Derry / Londonderry, Northern Ireland. The blackboard-style sign features hand-lettered text reading Welcome to Society St Indoor Market and is decorated with a bright pink artificial rose, adding a friendly and informal touch to the market entrance. The sign hangs above a doorway leading into the indoor market space.
Society Street Indoor Market is part of the city's independent retail and community trading scene, providing space for small businesses, artisans, and local traders within the city centre. Handwritten signage such as this reflects the informal, creative character often associated with indoor markets and independent retail environments, contrasting with more uniform high-street branding.
Photographed in daylight, the image highlights the personal, welcoming atmosphere of the market and is suitable for editorial and commercial uses relating to local markets, independent retail, small businesses, urban regeneration, tourism in Northern Ireland, and community-led commercial spaces.
Location: Society Street Indoor Market, Society Street, Derry / Londonderry, County Londonderry, Northern Ireland, BT48.
Society Street Indoor Market, 5 Society St, Londonderry, Northern Ireland, BT48 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,21,BT48 9EP,Londonderry,cleared,site,development,of,the,historic,republican,IRA,Bogside Derry,Bogside Inn site,cleared site Derry,vacant land Northern Ireland,urban regeneration site,Bogside estate,Derry Londonderry housing,former public house site,redevelopment land,inner city landscape,residential housing,terraced housing,social housing,cleared plot,demolition site,regeneration area,urban change,post conflict city,hillside housing
Description: Tony Smith image Alamy 2RGHXAD - A wide view across the Bogside area of Derry / Londonderry, showing the cleared site of the former Bogside Inn, now an open and undeveloped plot within a dense residential neighbourhood. The empty ground contrasts with surrounding rows of terraced and social housing that climb the hillside beyond, highlighting patterns of demolition, change, and redevelopment within the inner city.
The Bogside is one of the most historically significant areas of Derry, closely associated with major events of the late twentieth century, including civil rights protests and the Troubles. Buildings such as the Bogside Inn formed part of the everyday social infrastructure of the area, and their removal reflects longer-term shifts in population, land use, and urban regeneration priorities.
Photographed in daylight under overcast skies, the image captures a transitional urban landscape where cleared land sits alongside established housing. The photograph is suitable for editorial and commercial uses illustrating urban regeneration, post-industrial and post-conflict cityscapes, housing policy, land reuse, and the physical legacy of social and political change in Northern Ireland.
Location: Bogside area, Derry / Londonderry, County Londonderry, Northern Ireland, BT48 (approximate district
exact site postcode not visible).
Cleared site of the former Bogside Inn in the Bogside area of Derry / Londonderry, Northern Ireland.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,history,historic,heritage,NE,North East,wall,walls,pointing,out,towards,the,Bogside,defensive,siege,of,Unionist,on,armarments,castiron,Roaring Meg,1689,cannon,Double Bastion,historic cannon Derry,Derry walls,Bogside Derry view,historic artillery,city fortifications Ireland,17th century city walls
Description: Tony Smith image Alamy 2RGHXAF - A historic iron cannon mounted on the city walls of Derry / Londonderry, positioned between stone ramparts and overlooking the Bogside area of the city below. The cannon forms part of the extensive seventeenth-century defensive fortifications that encircle the historic city centre, which remain among the best-preserved walled cities in Europe.
The city walls were completed in the early 1600s and are closely associated with key events in Irish and British history, most notably the Siege of Derry (1689) during the Williamite Wars. Cannons such as this were installed as part of the city's defensive system, intended to protect the settlement and assert control over the surrounding landscape.
Today, the walls are a major heritage and tourism feature, offering panoramic views across different parts of the city, including areas that later became symbolically significant during The Troubles. The image captures the cannon in daylight under overcast conditions, with modern housing visible in the distance, illustrating the layered and complex history of Derry / Londonderry, where historic military architecture coexists with contemporary urban life.
The photograph is suitable for editorial and commercial uses relating to Northern Irish history, urban heritage, conflict studies, peace and reconciliation contexts, and cultural tourism.
Location: Derry / Londonderry City Walls, Derry / Londonderry, County Londonderry, Northern Ireland, BT48.
Derry / Londonderry City Walls, Derry / Londonderry, County Londonderry, Northern Ireland, BT48.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,Derry,wall,walls,Co Derry,BT48 6PJ,historic,heritage,war,battle,battles,old,tourist,tourism,attraction,landmark,skyline,of,the,tour,walking,walled,siege,collection,18th,17th,century,hotpix.org.uk
Description: Tony Smith image Alamy 2RGHXAH - Derry's walls were originally built by the Irish Society between 1613 and 1619, under the supervision of the London builder and architect Peter Benson. They were built with the intention of protecting the Scottish and English planters that had moved to Ulster as part of the Plantation of Ulster that had been established by James I. It was a direct consequence of the previous settlement being destroyed by Irish chieftain Cahir O'Doherty during O'Doherty's rebellion. As a result of the building of the city's defences by the Irish Society, which was a consortium of livery companies based out of the City of London, the city was officially renamed Londonderry in the 1613 royal charter. This is what has subsequently led to the naming dispute for the city and county of Derry/Londonderry.
The walls are at the centre of the historic city of Derry and within them are a number of Derry's most important landmarks including the Apprentice Boy's Hall and St. Columb's Cathedral (the first ever purpose-built Protestant Cathedral).
The walls are lined with 22 cannons from the 16th, 17th and 18th centuries, other cannons can be found displayed elsewhere in the city. Derry boasts the largest collection of cannons whose precise origins are known, with many of them being used during the Siege of Derry. In 2005, 24 of the cannons (including two displayed at Brook Hall) were restored to their former glory, with the famous 'Roaring Meg' located at the double bastion near Bishop gate
The fact that the city's walls have never been breached gave rise to one of its nicknames
the Maiden City.
Londonderry / Derry walls, County Derry, Northern Ireland, UK, BT48 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,Derry,wall,walls,Co Derry,BT48 6PJ,historic,heritage,war,battle,battles,old,tourist,tourism,attraction,landmark,skyline,of,the,city,painted,maintenance,preservation,tour,walking,walled,siege,collection,18th,17th,century
Description: Tony Smith image Alamy 2RGHXAN - Derry's walls were originally built by the Irish Society between 1613 and 1619, under the supervision of the London builder and architect Peter Benson. They were built with the intention of protecting the Scottish and English planters that had moved to Ulster as part of the Plantation of Ulster that had been established by James I. It was a direct consequence of the previous settlement being destroyed by Irish chieftain Cahir O'Doherty during O'Doherty's rebellion. As a result of the building of the city's defences by the Irish Society, which was a consortium of livery companies based out of the City of London, the city was officially renamed Londonderry in the 1613 royal charter. This is what has subsequently led to the naming dispute for the city and county of Derry/Londonderry.
The walls are at the centre of the historic city of Derry and within them are a number of Derry's most important landmarks including the Apprentice Boy's Hall and St. Columb's Cathedral (the first ever purpose-built Protestant Cathedral).
The walls are lined with 22 cannons from the 16th, 17th and 18th centuries, other cannons can be found displayed elsewhere in the city. Derry boasts the largest collection of cannons whose precise origins are known, with many of them being used during the Siege of Derry. In 2005, 24 of the cannons (including two displayed at Brook Hall) were restored to their former glory, with the famous 'Roaring Meg' located at the double bastion near Bishop gate
The fact that the city's walls have never been breached gave rise to one of its nicknames
the Maiden City.
Londonderry / Derry walls, County Derry, Northern Ireland, UK, BT48 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,19,Derry,BT48 6JJ,local,media,DN,newspaper,editorial,office,at,the,independently,owned,regional,group,offices,print,title,titles,Press Council of Ireland,news,story,picture,investigative,journalism,journalists,newsdesk,iconicnews.ie,iconicnews,local community
Description: Tony Smith image Alamy 2RGHXAR -
19 Carlisle Rd, Derry, Northern Ireland, UK, BT48 6JJ
Description
Keywords: GoTonySmith,HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,kerb,stone,stones,estate,kerbs,street,paint,marked,marking,territory,British,within,the,walls,kerbstone,Union Flag,celebrating,history,heritage,sectarian,historic,housing,council,social housing,kerb stones,Protestant,area,of,on,loyalist,symbolism
Description: Tony Smith image Alamy 2RGHXAX -
The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,NE,North East,faith,hope,charity,union,jack,the,fountain,144,BT486QH,The Fountain Derry,Derry mural,Londonderry mural,community mural Northern Ireland,charity mural,public art Northern Ireland,Union flag mural,loyalist area mural,urban mural art,peace and community artwork,community artwork,neighbourhood identity,wall art,painted mural,British identity,cultural symbolism,charity organisation,Ghana charity,international aid
Description: Tony Smith image Alamy 2RGHXB0 - A large, brightly coloured mural promoting Faith Hope Charity, painted on the side of a small brick building in The Fountain, a predominantly loyalist residential area of Derry / Londonderry, Northern Ireland. The artwork features portraits, religious and charitable symbolism, and references to international outreach, including Ghana, alongside strong expressions of British identity. A large Union flag painted on an adjacent wall reinforces the cultural and political context of the neighbourhood.
The Fountain is one of the oldest inhabited areas of the city and is well known for its distinct community identity and extensive use of murals and painted symbols as expressions of heritage, belief, and local values. Murals in this area often combine themes of religion, charity, history, and identity, serving both as community statements and as visual markers within the urban landscape.
Photographed in daylight under overcast skies, the image captures the mural's bold colours contrasted against the surrounding residential environment. The photograph is suitable for editorial and commercial uses illustrating Northern Irish mural culture, community identity, charitable organisations, peace and reconciliation contexts, and the continuing role of public art in expressing local narratives within divided or post-conflict urban settings.
Location: The Fountain, Derry / Londonderry, County Londonderry, Northern Ireland, BT48 (exact street and full postcode not visible on the image).
Faith Hope Charity mural in The Fountain area, 144 The Fountain, Londonderry BT48 6QH
Description
Keywords: GoTonySmith,HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,kerb,stone,stones,estate,kerbs,street,paint,marked,marking,territory,British,within,the,walls,kerbstone,Union Flag,celebrating,history,heritage,sectarian,historic,housing,council,social housing,kerb stones,Protestant,area,of,on,loyalist,symbolism
Description: Tony Smith image Alamy 2RGHXB1 -
The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CH41 6DU,CH41,Merseyside,England,UK,Liverpool waterfront,panorama,pano,from,river,Stena,ferry,service,sailing,Belfast,on,ship,boat,route,Ireland,sunny,summer,blue sky,blue skies,Liver,building,white,ferries,direct,sailings,bow,car ferry,mooring,moored
Description: Tony Smith image Alamy 2R64KH5 -
Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CH41 6DU,CH41,Merseyside,England,UK,Liverpool waterfront,panorama,pano,from,river,Stena,ferry,service,sailing,Belfast,on,ship,boat,route,Ireland,sunny,summer,blue sky,blue skies,Liver,building,white,ferries,direct,sailings,mooring,moored,dock,dock area
Description: Tony Smith image Alamy 2R64KH8 -
Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CH41 6DU,CH41,Merseyside,England,UK,Liverpool waterfront,panorama,pano,from,river,Stena,ferry,service,sailing,Belfast,on,ship,boat,route,Ireland,sunny,summer,blue sky,blue skies,direct,sailings,mooring,moored,dock,dock area,tunnel exhaust,docks,Liverpool Port,Alfred dock
Description: Tony Smith image Alamy 2R64KP3 -
Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CH41 6DU,CH41,Merseyside,England,UK,Liverpool waterfront,panorama,pano,from,river,Stena,ferry,service,sailing,Belfast,on,ship,boat,route,Ireland,sunny,summer,blue sky,blue skies,3 graces,three graces,Royal Liver Building,Pierhead,Pier Head,the,direct,sailings,bow
Description: Tony Smith image Alamy 2R64KTM -
Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,Ireland,patron,Red Action,wide,pano,panorama,crowd,Mayor,Warrington mayoress,River of Life memorial,River of Life
Description: Tony Smith image Alamy 2PBE6RT -
Bridge Street, Warrington, Cheshire, England, UK, WA1 2HE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,Ireland,patron,carry,carries,WA1 2QW,St Patrick
Description: Tony Smith image Alamy 2PBE7B4 -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,walking,with,Ireland,patron,WA1 2QW,banner
Description: Tony Smith image Alamy 2PBE7DR -
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,Pat,Paddy,paddys,Patrick,pipe,band,bagpipe,bagpipes,to,the,Bridge St,Tim Parry,Johnathan Ball,victims,Republican,Army,bombing,2023,town,centre,Orford,lane,WA1 2EW,WA1,Ireland,Red Action,Cllr,Jean Flaherty,mayor,mayoress,councillor
Description: Tony Smith image Alamy 2PCB3RX - The Warrington bombings were two separate bomb attacks that happened during early 1993 in Warrington, England. The first attack happened on 26 February, when a bomb exploded at a gas storage facility. It caused extensive damage but no injuries. While fleeing the scene, the bombers shot and injured a police officer and two of them were then caught after a high-speed car chase. The second attack happened on 20 March, when two small bombs exploded in litter bins outside shops and businesses on Bridge Street. Two children were killed and dozens of people were injured. Although a warning or warnings had been sent, the area was not evacuated in time.
The attacks were carried out by the Provisional Irish Republican Army (IRA) and it has been claimed that members of Red Action were also involved
Shortly before midday on 20 March 1993, The Samaritans in Liverpool received a bomb warning by telephone. According to police, the caller said only that a bomb had been planted outside a Boots shop. Merseyside Police sent officers to branches of Boots in Liverpool and warned the Cheshire Constabulary, who patrolled nearby Warrington. About 30 minutes later, at about 12:25, two bombs exploded on Bridge Street in Warrington, about 100 yards (91 m) apart. The blasts happened within a minute of each other. One exploded outside Boots and McDonald's, and one outside the Argos catalogue store. The area was crowded with shoppers. Witnesses said that the first explosion drove panicking shoppers into the path of the next blast just seconds later. It was later found that the bombs had been placed inside cast-iron litter bins, causing large amounts of shrapnel. Buses were organized to ferry people away from the scene and 20 paramedics and crews from 17 ambulances were sent to deal with the aftermath
Bridge Street, Warrington, Cheshire, England, UK, WA1 2EW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,67,OConnell,St,Street,Upper,North City,Dublin 1,D01 C1Y6,Dublin,city,centre,entertainment,entertainments,leisure,light,lighting,red neon,and,when the fun stops,stop,open,slots,addiction,addict,addicts,building,Leinster,push,or,fold,games,FOBTs,Irish
Description: Tony Smith image Alamy 2MG4022 -
67 O'Connell Street Upper, North City, Dublin 1, D01 C1Y6, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,signs,signage,lit,night,sign,open,67,OConnell,St,Street,Upper,North City,Dublin 1,D01 C1Y6,Dublin,city,centre,entertainment,entertainments,leisure,Irish,nightlife,life,ring,rings,shop,well known,bright,lights,up
Description: Tony Smith image Alamy 2MG405P -
67 O'Connell Street Upper, North City, Dublin 1, D01 C1Y6, Eire, Ireland
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Dublin City,Ireland,IE,EU,tourism,tourist,building,historic,history,Irish,Christchurch Christ Church cathedral,religion,place,places of worship,worship,The Cathedral of the Holy Trinity,Dioceses,Glendalough,ecclesiastical province of the United Provinces of Dublin and Cashel,cathedral,capital city,city centre,Christchurch Place,Wood Quay,D8,Dublin 8,Viking king Sitric Silkenbeard,George Edmund Street,Synod House,cathedrals,buildings,outside,exterior,sunny,blue sky,blue skies
Description: Tony Smith image Alamy 2DPGJEY - Christ Church Cathedral, more formally The Cathedral of the Holy Trinity, is the cathedral of the United Dioceses of Dublin and Glendalough and the cathedral of the ecclesiastical province of the United Provinces of Dublin and Cashel in the (Anglican) Church of Ireland.[1] It is situated in Dublin, Ireland, and is the elder of the capital city's two medieval cathedrals, the other being St Patrick's Cathedral.
The cathedral was founded in the early 11th century under the Viking king Sitric Silkenbeard. It was rebuilt in stone in the late 12th century under the Norman potentate Strongbow, and considerably enlarged in the early 13th century, using Somerset stones and craftsmen. A partial collapse in the 16th century left it in poor shape and the building was extensively renovated and rebuilt in the late 19th century, giving it the form it has today, including the tower, flying buttresses, and distinctive covered footbridge. The cathedral was extensively renovated and rebuilt from 1871 to 1878 by George Edmund Street, with the sponsorship of distiller Henry Roe of Mount Anville. The great 14th-century choir was demolished and a new eastern end was built over the original crypt. He built a new chapter house. The tower was rebuilt. The south nave arcade was rebuilt. The flying buttresses were added as a decorative feature. The north porch was removed. The baptistry was built in its place.[7] Street built the adjacent Synod Hall, taking in the last remnant of St Michael and All Angels's Church, including the bell tower. The synod house is linked to the cathedral by Street's iconic covered footbridge
Christchurch Place, Wood Quay, Dublin 8, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,outside,exterior,The Dublin Writers Museum,Rotunda,D01 T3V8,author,authors,the,writing,18,Irish Writers Union,the Society of Irish Playwrights,the Irish Childrens Book Trust,Irish Translators & Interpreters Association,Irish,literature,centre,building,William Butler Yeats,Patrick Pearse,history,Irish authors,Irish author,Irish writers,writer,tourist,tourism,attraction,Parnell Square,north
Description: Tony Smith image Alamy 2M84J9C - Irish Writers' Union, the Society of Irish Playwrights,
The Dublin Writers Museum was opened in November 1991 at No 18, Parnell Square, Dublin, Ireland. The museum occupies an original 18th-century house, which accommodates the museum rooms, library, gallery, and administration area. The annexe behind it has a coffee shop and bookshop on the ground floor and exhibition and lecture rooms on the floors above. Dublin stuccatore Michael Stapleton decorated the upstairs gallery. The Irish Writers' Centre, next door in No 19, contains the meeting rooms and offices of the Irish Writers' Union, the Society of Irish Playwrights, the Irish Children's Book Trust and the Irish Translators' & Interpreters' Association. The basement beneath both houses is occupied by the Chapter One restaurant.
The Museum was established to promote interest, through its collection, displays and activities, in Irish literature as a whole and in the lives and works of individual Irish writers. Through its association with the Irish Writers' Centre it provides a link with living writers and the national.htm Target=_Blank>international literary scene. On a national level it acts as a centre, simultaneously pulling together the strands of Irish literature and complementing the smaller, more detailed museums devoted to individuals like James Joyce, George Bernard Shaw, William Butler Yeats and Patrick Pearse. It functions as a place where people can come from Dublin, Ireland and abroad to experience the phenomenon of Irish writing both as history and as actuality.
The writers featured in the Museum are those who have made an important contribution to Irish or international literature or, on a local level, to the literature of Dublin. It is a view of Irish literature from a Dublin perspective.
On display in the museum are literary ephemera and memorabilia, including a detailed replica of The Book of Kells, Samuel Beckett's phone, a letter from 'tenement aristocrat' Brendan Behan to his brother.
18 Parnell Square N, Rotunda, Dublin, D01 T3V8, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,outside,exterior,The Dublin Writers Museum,Rotunda,D01 T3V8,author,authors,the,writing,18,Irish Writers Union,the Society of Irish Playwrights,the Irish Childrens Book Trust,Irish Translators & Interpreters Association,Irish,literature,centre,building,William Butler Yeats,Patrick Pearse,history,wrought iron,metal,sign,signage,Irish authors,Irish author,Irish writers,writer,tourist,tourism,attraction,hotpix.org.uk
Description: Tony Smith image Alamy 2M84J9M - Irish Writers' Union, the Society of Irish Playwrights,
The Dublin Writers Museum was opened in November 1991 at No 18, Parnell Square, Dublin, Ireland. The museum occupies an original 18th-century house, which accommodates the museum rooms, library, gallery, and administration area. The annexe behind it has a coffee shop and bookshop on the ground floor and exhibition and lecture rooms on the floors above. Dublin stuccatore Michael Stapleton decorated the upstairs gallery. The Irish Writers' Centre, next door in No 19, contains the meeting rooms and offices of the Irish Writers' Union, the Society of Irish Playwrights, the Irish Children's Book Trust and the Irish Translators' & Interpreters' Association. The basement beneath both houses is occupied by the Chapter One restaurant.
The Museum was established to promote interest, through its collection, displays and activities, in Irish literature as a whole and in the lives and works of individual Irish writers. Through its association with the Irish Writers' Centre it provides a link with living writers and the national.htm Target=_Blank>international literary scene. On a national level it acts as a centre, simultaneously pulling together the strands of Irish literature and complementing the smaller, more detailed museums devoted to individuals like James Joyce, George Bernard Shaw, William Butler Yeats and Patrick Pearse. It functions as a place where people can come from Dublin, Ireland and abroad to experience the phenomenon of Irish writing both as history and as actuality.
The writers featured in the Museum are those who have made an important contribution to Irish or international literature or, on a local level, to the literature of Dublin. It is a view of Irish literature from a Dublin perspective.
On display in the museum are literary ephemera and memorabilia, including a detailed replica of The Book of Kells, Samuel Beckett's phone, a letter from 'tenement aristocrat' Brendan Behan to his brother.
18 Parnell Square N, Rotunda, Dublin, D01 T3V8, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,CHI at Temple Street,Temple Street,Temple street,Childrens,University,Temple St,Rotunda,Dublin 1,D01 XD99,teaching hospital of University College Dublin and Trinity College,student,Childrens Health Ireland,building,Victorian,history,historic,architecture,1872,acute paediatric,foundation,system,health,healthcare,Sláinte Leanaí Éireann,ED,Emergency Department,NCIMD,Sarah Atkinson,Ellen Woodlock,Earls of Bellomont,at,15 Temple Street
Description: Tony Smith image Alamy 2M84JCC - Children's Health Ireland at Temple Street (Irish: Sláinte Leanaí Éireann ag Sráid an Teampaill) is a children's hospital located on Temple Street, Dublin, Ireland. It is a teaching hospital of University College Dublin and Trinity College Dublin
The hospital was founded by Mrs. Ellen Woodlock and her close friend Sarah Atkinson at 9 Upper Buckingham Street in 1872. It had just 8 beds when it opened. In 1876, the growing success of the hospital prompted the governing committee to invite the Religious Sisters of Charity to take over the running of the hospital.
In May 1879 the lease at 9 Upper Buckingham Street expired and, with the help of a bequest, the sisters purchased the former home of the Earls of Bellomont at 15 Temple Street. Over the following years adjoining houses were purchased such as the residence of the Parnell family, number 14. The hospital expanded in the 1930s with help from the Irish Hospitals' Sweepstake.
A new nurses' home and a new x-ray department was officially opened by Minister of Lands, Seán Flanagan, in the presence of the President of Ireland, Éamon de Valera, in 1972.
In line with other teaching hospitals, the facility changed its name from the Children's Hospital, Temple Street to the Children's University Hospital, Temple Street in the late 1990s and changed its name again to the Temple Street Children's University Hospital in 2012
The hospital changed its name from Temple Street Children's University Hospital to Children's Health Ireland at Temple Street as part of the rebranding of three hospitals under the Children's Health Ireland banner on 1 January 2019
Temple St, Rotunda, Dublin 1, D01 XD99, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,street,art,artwork,steel,aluminium,metal,figure,playing,a,8,N,North,Dublin,D07 X704,attached,to,brick,wall,building,Irish,artist,sculpture,stainless steel,centre,sights,vibe,atmosphere,buildings,urban,architecture
Description: Tony Smith image Alamy 2M84JGM -
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,D08 WC64,Irelands,est,1198,the,Brazen Head,20,Bridge St,Bridge Street,scroll,design,Inn,pub,pubs,bar,bars,historic,history,Richard and Elinor Fagan,Richard Fagan,and,Elinor Fagan,flag,old,oldest,stone,castle,tessellations,tessellation,live,music
Description: Tony Smith image Alamy 2M84JKA - The Brazen Head is located on Bridge Street. This is the area from where the original settlement that was to become Dublin got its name.
The Irish name for Dublin is Baile Atha Cliath (pronounced: Ball-ya-Awha-Clia) which means The Town of the Ford of the Reed Hurdles .
Beside the pub is the Father Matthew Bridge crosses the river Liffey. It was at this very spot that the original crossing of the river was located. Here reed matting was positioned on the river bed which enabled travellers to cross safely at low tide.
The Brazen Head is Ireland's oldest pub. In fact there has been a hostelry here since 1198. The present building was built in 1754 as a coaching inn. However The Brazen Head appears in documents as far back as 1653.
An advertisement from the 1750's reads Christopher Quinn of The Brazen Head in Bridge Street has fitted said house with neat accommodations and commodious cellars for said business .
20 Lower Bridge St, Usher's Quay, Dublin, D08 WC64, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,cast iron,grid,communications,internet,Broadband,Eireann,cast,iron,foundry,metal,steel,rust,rusty,rusting,Éireann,telecommunication,telecommunications,connections,connectivity,Department of Posts and Telegraphs,Eircom,Eir,telecoms,connection,broadband,telephone,telephones,wiring,cables,cabling
Description: Tony Smith image Alamy 2M84JKF - Telecom Éireann meaning Telecommunications of Ireland) was an Irish state-owned telecommunications company that operated from 1983 to 1999. Prior to then a telephone and postal service was provided by the Department of Posts and Telegraphs (known as P and T or P⁊Ꞇ in gaelic script), as part of the civil service. Telecom Éireann was established by the Postal and Telecommunications Services Act, 1983
its full formal title was Bord Telecom Éireann or, in the English language, The Irish Telecommunications Board. Telecom Éireann may be translated as Telecom of Ireland. In 1999, the company was privatised and renamed as eircom.
Telecom Éireann rolled out digital telephone switching technology, across the country along with an extensive fibre optic and digital microwave backbone. Two digital switching systems were selected
CIT-Alcatel's E10 and Ericsson's AXE telephone exchange. Digital technology quickly replaced analogue systems at national and major regional switching centres and new international gateway switches were installed. The oldest electromechanical step-by-step exchanges and manual operator-manned local exchanges were the first to be converted to digital technology. More modern electromechanical crossbar exchanges, using Ericsson ARF, Hitachi and ITT Pentaconta technology dating from the 1960s and 1970s were converted to digital bit by bit through the late 1980s and early 1990s. These crossbar switches were capable of providing voice service that was comparable to digital switching technology.
Eir is currently majority owned by Xavier Niel's Iliad SA and his Paris-based NJJ Telecom Europe investment fund. The group includes French telecommunications provider Free and Iliad Italia
Dublin, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,cast,cast iron,grid,with,metal,rust,sewer,lane,city,foundry,ln,street,rusty,ironwork,letters,words,cover,rusting,Cast iron,Dublin,steelworks,Temple Bar,road,pavement,the,embossed,corporation,centre,water,Dublin city
Description: Tony Smith image Alamy 2M84JP3 -
Dublin ,Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Dollard Market,Wow,11,Wellington Quay,Temple Bar,Dublin,Co. Dublin,D02 XY28,cultural quarter,exterior,outside,door,doorway,history,historic,be,wowwed,centre,sights,vibe,atmosphere,buildings,urban,architecture,creativity,creative,creativeness,sign,signs,artistic
Description: Tony Smith image Alamy 2M84JP7 - Temple Bar is an area on the south bank of the River Liffey in central Dublin, Ireland. The area is bounded by the Liffey to the north, Dame Street to the south, Westmoreland Street to the east and Fishamble Street to the west. It is promoted as Dublin's 'cultural quarter' and, as a centre of Dublin's city centre's nightlife, is a tourist destination. Temple Bar is in the Dublin 2 postal district.
Temple Bar, Dublin, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,metal,ironwork,letters,words,rust,rusty,rusting,cover,grid,sewer,street,Cast iron,embossed,with,windmill,lane,ln,Dublin,south,city,foundry,steelworks,Dublin Docklands,dockland,docklands,cast,cast iron,the,Temple Bar,road,pavement
Description: Tony Smith image Alamy 2M84JT7 -
Windmill Lane, Dublin Docklands, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,distillery,store,Whisky,malt,malts,distilling,St Patricks Day
Description: Tony Smith image Alamy 2M84K28 - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,Guinness,emperor of malted liquors,judge,pouring,malted,liquors,stout
Description: Tony Smith image Alamy 2M84K29 - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,tiled,red,green,tiles,polished,words,St Patricks Day
Description: Tony Smith image Alamy 2M84K9R - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,entrance,to,door,doors
Description: Tony Smith image Alamy 2M84KAB - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,2 Cecilia St,Temple Bar,Dublin 2,D02 DP62,vinyl,genre,and,Music,artists,musicians,music,song,songs,Records,trad,traditional,folky,folk,sheet music,Irish,musical,tourist,tourism,attraction,buy,share,discover,tunes,cassette,CD,cultural quarter
Description: Tony Smith image Alamy 2M84KAP - Temple Bar is an area on the south bank of the River Liffey in central Dublin, Ireland. The area is bounded by the Liffey to the north, Dame Street to the south, Westmoreland Street to the east and Fishamble Street to the west. It is promoted as Dublin's 'cultural quarter' and, as a centre of Dublin's city centre's nightlife, is a tourist destination. Temple Bar is in the Dublin 2 postal district.
Temple Bar, Dublin, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,hotel,Dublin 2,D02 FK84,building,architecture,block,rooms,B&B,bed and breakfast,Irish,3-6 Anglesea St,Stephen Dedalus,16 June,1922,Anglesea Street,Temple Bar,wall,city,Ulysses,16th June,James Joyce,Leopold Bloom,centre,3-6,sign,signs,landmark,literary,book,colorful,colourful
Description: Tony Smith image Alamy 2M84KEY -
3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,jam,art,factory,Skate,city,skates,skating,The Pieman Cafe,Pieman,cafe,café,connected,ink,tattoo,D02 RX36,building,street art,colourful,centre,sights,vibe,atmosphere,buildings,urban,architecture,creativity,creative,creativeness,sign,signs,artistic
Description: Tony Smith image Alamy 2M84KF8 -
14A Crown Alley, Temple Bar, Dublin 2, D02 RX36, Eire
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,3-6 Anglesea St,Temple Bar,Dublin 2,D02 FK84,wall,rooms,3-6,Anglesea Street,city,centre,1922,Ulysses,Leopold Bloom,16 June,16th June,James Joyce,Stephen Dedalus,Republic of Ireland,architecture,bed and breakfast,block,B&B,hotel,building,sign,signs,landmark,literary,book,colorful,colourful
Description: Tony Smith image Alamy 2M8BNP4 - James Joyce's Ulysses was published in 1922 and is considered to be one of the most important books of the 20th century. The narrative follows the journey of two characters, Stephen Dedalus and Leopold Bloom, as they criss-cross Dublin on 16 June 1904. Dublin takes centre stage in the book and the soul of the city is captured in all its gritty glory.
The narrative parallels Homer's Odyssey, with one notable difference, Guinness. The two boys travel across the city in what is basically a marathon pub crawl.
Every year a bunch of Joycean enthusiasts re-enact this epic pub crawl. It's dressed up as literary event, don't let that fool you, its drink broken up by a bit of walking. The event is known as Bloomsday.
2004 was the 100th birthday of the event, and there were lots of events organised that appealed to the high and low brow alike.
We think that the Catholic Church would have beatified Leopold Bloom if he really existed and wasn't Jewish. We decided to name the liveliest and loveliest hotel in Temple Bar after the great literary character - Blooms Hotel.
Blooms of Dublin is a musical play or operetta in two acts with music and text by Anthony Burgess. The work, nearly three hours long, was first performed (in a concert version) for the Dublin Joyce Centenary in 1982 by the RTE Singers and RTE Concert Orchestra and broadcast on BBC and RTE radio. It was produced by John Tydeman and Michael Heffernan.
The operetta is based on James Joyce's 1922 novel Ulysses. It was published in book form in 1986. The texts of some of the songs also appear in the novels Earthly Powers (1980) and The End of World News (1982)
3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,D02 NX25,brass,bronze,metal,street,art,embossed,face,memorial,culture,the arts,heritage,history,entertainment,walk of fame,icon,iconic,literary,writer,pavement,sidewalk,portrait,plaque,of,poet,Kavanagh,Twin ironies by which great saints are made,The agonising pincer,jaws of heaven,On Raglan Road,Tarry Flynn
Description: Tony Smith image Alamy 2M8DJE4 - Patrick Kavanagh (21 October 1904 30 November 1967) was an Irish poet and novelist. His best-known works include the novel Tarry Flynn, and the poems On Raglan Road and The Great Hunger. He is known for his accounts of Irish life through reference to the everyday and commonplace
Patrick Kavanagh was born in rural Inniskeen, County Monaghan, in 1904, the fourth of ten children of James Kavanagh and Bridget Quinn
Kavanagh's first published work appeared in 1928[7] in the Dundalk Democrat and the Irish Independent. Kavanagh had encountered a copy of the Irish Statesman, edited by George William Russell, who published under the pen name AE and was a leader of the Irish Literary Revival. Russell at first rejected Kavanagh's work but encouraged him to keep submitting, and he went on to publish verse by Kavanagh in 1929 and 1930. This inspired the farmer to leave home and attempt to further his aspirations. In 1931, he walked 80 miles (abt. 129 kilometres) to meet Russell in Dublin, where Kavanagh's brother was a teacher. Russell gave Kavanagh books, among them works by Fyodor Dostoyevsky, Victor Hugo, Walt Whitman, Ralph Waldo Emerson and Robert Browning, and became Kavanagh's literary adviser. Kavanagh joined Dundalk Library and the first book he borrowed was The Waste Land by T. S. Eliot.
Kavanagh's first collection, Ploughman and Other Poems, was published in 1936. It is notable for its realistic portrayal of Irish country life, free of the romantic sentiment often seen at the time in rural poems, a trait he abhorred. Published by Macmillan in its series on new poets, the book expressed a commitment to colloquial speech and the unvarnished lives of real people, which made him unpopular with the literary establishment. Two years after his first collection was published he had yet to make a significant impression. The Times Literary Supplement described him as a young Irish poet of promise rather than of achievement
Fleet St, Temple Bar, Dublin 2, D02 NX25, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,D02 NX25,brass,bronze,metal,street,art,embossed,face,memorial,culture,the arts,heritage,history,entertainment,walk of fame,icon,iconic,literary,writer,pavement,sidewalk,portrait,Kerry,and my heart says the kingdom,Kerryman,sportswriter,sports,journalist,Irish Press,Evening Press,The Sunday Press
Description: Tony Smith image Alamy 2M8DJE9 - Con Houlihan (6 December 1925 4 August 2012) was an Irish sportswriter. Despite only progressing to national journalism at the age of 46, he became the greatest and the best-loved Irish sports journalist of all
Over a lengthy career, Houlihan covered many Irish and international sporting events, from Gaelic football and hurling finals, to soccer and rugby World Cups, the Olympics and numberless race meetings inside and outside Ireland.
He was a journalist with the Irish Press group writing for The Irish Press, Evening Press and sometimes The Sunday Press, until the group's demise in 1995. He wrote the Tributaries column and Evening Press back sports page Con Houlihan column
Houlihan died in the morning of 4 August 2012 in St James's Hospital in Dublin. Often considered one of Ireland's finest writers, he left behind a legacy of immense sports journalism that spanned over 60 years. A minute's silence was observed in his memory ahead of Kerry's All-Ireland Senior Football Championship quarter-final defeat to Donegal at Croke Park the following day. His last column, in which he wished Katie Taylor well, was published the day after his death.[6] His funeral took place on 8 August 2012
A bronze bust of Houlihan was unveiled in his hometown of Castleisland in 2004. In 2011, a bronze plaque was installed outside The Palace bar in Dublin. The sculpture is in the foyer of The Bank pub on College Green. Cons Corner and a Bronze Bust with a quote are in The Palace Bar.
Fleet St, Temple Bar, Dublin 2, D02 NX25, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Dublin,Eire,Irish,bar,flowers,flower,on,the,front,outside,exterior,classic,Dublin bar,2 Suffolk St,Dublin 2,D02 KX03,M.J.ONeills,city,centre,central,restaurant,building,architecture,tavern,Hogan,Brothers,Church Lane,William Butler,published,Volunteers Journal,Fabians,iron,three-dials,clock
Description: Tony Smith image Alamy 2M8DJFN - M.J.O'Neill's is a notable bar and restaurant in central Dublin. It has occupied 2 Suffolk Street and adjacent buildings, continuing round the corner into Church Lane. It is claimed there has been a tavern on the site for some three hundred years. From 1875 it was owned by the Hogan Brothers, until M.J. O'Neill bought and renamed the premises in August 1927.The part in Church Lane was the site of a printing house, where William Butler published The Volunteers Journal and the Irish Herald in 1783, and in 1789 Arthur O'Connor published The Press, supporting Wolfe Tone's republican views.
The corner structure is an impressive four-storey, vaguely of the Arts and Crafts Movement, red-brick and early twentieth century, with prominent Tudor-style projecting bay windows. There is a fine decorated iron three-dials clock on the Suffolk Street frontage. The building is protected and in a conservation area. Now, opposite the Dublin Tourist Centre, it is a fixture on the tourist trail and pub crawls.The house has a mixed clientele.
It is directly opposite Andrew Street Post Office, and near the shopping centre of Grafton Street. The discreet Church Lane door is convenient for the Bank of Ireland and other financial establishments in College Green. It is also the pub nearest to the Front Gate of Trinity College, Dublin and therefore attracting Arts undergraduates and academics. The original structure was divided into definite areas: a cocktail bar in the corner for the gentry, a public bar off Suffolk Street, and a back bar. In recent years the next-door premises in Church Lane have been added, as a carvery, and the interior has been opened up. A small snug, immediately inside the Church Lane entrance, was the significant venue for the Fabians of the early 1960s and for later left-wing students from Trinity College, Dublin.
2 Suffolk Street, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Dublin,Eire,Irish,bar,flowers,flower,on,the,front,outside,exterior,classic,Dublin bar,2 Suffolk St,Dublin 2,D02 KX03,M.J.ONeills,city,centre,central,restaurant,building,architecture,tavern,Hogan,Brothers,Church Lane,William Butler,published,Volunteers Journal,Fabians,iron,three-dials,clock
Description: Tony Smith image Alamy 2M8DJJD - M.J.O'Neill's is a notable bar and restaurant in central Dublin. It has occupied 2 Suffolk Street and adjacent buildings, continuing round the corner into Church Lane. It is claimed there has been a tavern on the site for some three hundred years. From 1875 it was owned by the Hogan Brothers, until M.J. O'Neill bought and renamed the premises in August 1927.The part in Church Lane was the site of a printing house, where William Butler published The Volunteers Journal and the Irish Herald in 1783, and in 1789 Arthur O'Connor published The Press, supporting Wolfe Tone's republican views.
The corner structure is an impressive four-storey, vaguely of the Arts and Crafts Movement, red-brick and early twentieth century, with prominent Tudor-style projecting bay windows. There is a fine decorated iron three-dials clock on the Suffolk Street frontage. The building is protected and in a conservation area. Now, opposite the Dublin Tourist Centre, it is a fixture on the tourist trail and pub crawls.The house has a mixed clientele.
It is directly opposite Andrew Street Post Office, and near the shopping centre of Grafton Street. The discreet Church Lane door is convenient for the Bank of Ireland and other financial establishments in College Green. It is also the pub nearest to the Front Gate of Trinity College, Dublin and therefore attracting Arts undergraduates and academics. The original structure was divided into definite areas: a cocktail bar in the corner for the gentry, a public bar off Suffolk Street, and a back bar. In recent years the next-door premises in Church Lane have been added, as a carvery, and the interior has been opened up. A small snug, immediately inside the Church Lane entrance, was the significant venue for the Fabians of the early 1960s and for later left-wing students from Trinity College, Dublin.
2 Suffolk Street, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,Molly Malone,Malone,by,Jeanne,Rynhart,large,chest,breast,breasts,voluptuous,woman,lady,wench,girl,hussy,urban,centre,legend,art,artwork,revealing,Mary Malone,heroine,song,music,Georgian Quarter,History,historic,Cockles and Mussels,lyrics,folk ballad,cart,The Tart With The Cart
Description: Tony Smith image Alamy 2M8DJJM - Molly Malone is the enigmatic heroine of the famous song of the same name, widely recognised as Dublin's unofficial anthem. Immortalised in bronze during the 1988 Dublin Millennium celebrations, the Molly Malone statue stands in the heart of the city's historic Georgian Quarter. Though regularly upheld as a traditional Irish ballad, it's not known where the song originated or if Molly Malone ever existed
According to the lyrics of the undeniably catchy tune also known as Cockles and Mussels Molly was a young and beautiful fishmonger who sold her yield from a cart on the streets of Dublin. The song's final verse states that after she died of a fever, she began haunting the city.
Although set in Ireland's capital and beloved by many Dubliners, the song was originally published in the USA in 1876. While this version might be based on an older Irish folk ballad, cultural academics have argued that the melody and tragicomic lyrics are more akin to the music-hall style that was popular in Britain during the Victorian era. Indeed, in 1884, a version attributed to the Scottish composer James Yorkston was published in London.
To complicate matters further, in 2010, an earlier mention of Molly Malone was found in an 18th-century book of songs called Apollo's Medley, printed in England in 1790. This more risqué version describes Molly as living in Howth, a fishing village northeast of Dublin. It recounts the singer's yearning to share her bed, contributing to widespread speculation that the song's leading lady worked as both a street vendor and a prostitute.
Created by the Irish sculptor Jeanne Rynhart, the statue depicts Molly in traditional but revealing 17th-century dress, hinting at her supposed job as a part-time prostitute and leading the bronze figure to be colloquially christened The Tart with the Cart.
Suffolk St, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,Molly Malone,Malone,by,Jeanne,Rynhart,large,chest,breast,breasts,voluptuous,woman,lady,wench,girl,hussy,urban,centre,legend,art,artwork,revealing,Mary Malone,heroine,song,music,Georgian Quarter,History,historic,Cockles and Mussels,lyrics,folk ballad,cart,The Tart With The Cart
Description: Tony Smith image Alamy 2M8DJJX - Molly Malone is the enigmatic heroine of the famous song of the same name, widely recognised as Dublin's unofficial anthem. Immortalised in bronze during the 1988 Dublin Millennium celebrations, the Molly Malone statue stands in the heart of the city's historic Georgian Quarter. Though regularly upheld as a traditional Irish ballad, it's not known where the song originated or if Molly Malone ever existed
According to the lyrics of the undeniably catchy tune also known as Cockles and Mussels Molly was a young and beautiful fishmonger who sold her yield from a cart on the streets of Dublin. The song's final verse states that after she died of a fever, she began haunting the city.
Although set in Ireland's capital and beloved by many Dubliners, the song was originally published in the USA in 1876. While this version might be based on an older Irish folk ballad, cultural academics have argued that the melody and tragicomic lyrics are more akin to the music-hall style that was popular in Britain during the Victorian era. Indeed, in 1884, a version attributed to the Scottish composer James Yorkston was published in London.
To complicate matters further, in 2010, an earlier mention of Molly Malone was found in an 18th-century book of songs called Apollo's Medley, printed in England in 1790. This more risqué version describes Molly as living in Howth, a fishing village northeast of Dublin. It recounts the singer's yearning to share her bed, contributing to widespread speculation that the song's leading lady worked as both a street vendor and a prostitute.
Created by the Irish sculptor Jeanne Rynhart, the statue depicts Molly in traditional but revealing 17th-century dress, hinting at her supposed job as a part-time prostitute and leading the bronze figure to be colloquially christened The Tart with the Cart.
Suffolk St, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,the,Dame,tavern,Inn,D02 W683,republicans,flags,bunting,outside,pub,bar,P. H. PFarse,Eamonn Ceannt,James Connolly,Joseph Plunkett,Thomas J. Clarke,Sean Mac Diarmada,Thomas MacDonagh,POBLACHT NA H EIREANN,The Provisional Government,IRISH REPUBLIC,To The People of Ireland,the Dame Tavern,famous,iconic,classic,tourist,tourism,attraction,bars,pubs
Description: Tony Smith image Alamy 2MCGA3H - Irishmen and Irishwomen: In the name of God and in the dead generations from which she receives her old tradition of nationhood , Ireland, through us, summons her children to her flag and strikes for her freedom.
Having organised and trained her manhood through her secret revolutionary organisation, the Irish Republican Brotherhood, and through her open military organisations, the Irish Volunteers and the Irish Citizen Army, having patiently perfected her discipline, having resolutely waited for the right moment to reveal itself, she now seizes that moment, and, supported by her exiled children in America and by gallant allies in Europe, but relying in the first on her own strenght, she strikes in full confidence of victory.
We declare the right of the people of Ireland to the ownership of Ireland and to unfettered control of Irish destinies, to be sovereign and indefeasible. The long usurpation of that right by a foreign people and government has not extinguished the right, nor can it ever be extinguished except by the destruction of the Irish people. In every generation the Irish people have asserted the right to national freedom and sovereingty: six times during the past three hundred years they have asserted it in arms. Standing on that fundamental right and again asserting it in arms in the face of the world, we hereby proclaim the Irish Republic as a Sovereign Independent State, and we pledge our lives and the lives of our comrades-in-arms to the cause of its freedom, of its welfare, and of its exaltation among the nations.
The Irish Republic is entitled to, and hereby claims, the allegiance of every Irishman and Irishwoman. The Republic guarantees religious and eivil liberty, equal rights and equal opportunities to all its citizens, and declares its resolve to persue the happyness and prosperity of the whole nation and of all its parts, cherishing all the children of the nation equally, and oblivious of the differences carefully fostered by an alien govt
18 Dame Ct, Dublin 2, D02 W683, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,the,Dame,tavern,Inn,D02 W683,republicans,flags,bunting,outside,pub,bar,P. H. PFarse,Eamonn Ceannt,James Connolly,Joseph Plunkett,Thomas J. Clarke,Sean Mac Diarmada,Thomas MacDonagh,POBLACHT NA H EIREANN,The Provisional Government,IRISH REPUBLIC,To The People of Ireland,the Dame Tavern,famous,iconic,classic,tourist,tourism,attraction,bars,pubs,St Patricks Day
Description: Tony Smith image Alamy 2MCGA3N - Irishmen and Irishwomen: In the name of God and in the dead generations from which she receives her old tradition of nationhood , Ireland, through us, summons her children to her flag and strikes for her freedom.
Having organised and trained her manhood through her secret revolutionary organisation, the Irish Republican Brotherhood, and through her open military organisations, the Irish Volunteers and the Irish Citizen Army, having patiently perfected her discipline, having resolutely waited for the right moment to reveal itself, she now seizes that moment, and, supported by her exiled children in America and by gallant allies in Europe, but relying in the first on her own strenght, she strikes in full confidence of victory.
We declare the right of the people of Ireland to the ownership of Ireland and to unfettered control of Irish destinies, to be sovereign and indefeasible. The long usurpation of that right by a foreign people and government has not extinguished the right, nor can it ever be extinguished except by the destruction of the Irish people. In every generation the Irish people have asserted the right to national freedom and sovereingty: six times during the past three hundred years they have asserted it in arms. Standing on that fundamental right and again asserting it in arms in the face of the world, we hereby proclaim the Irish Republic as a Sovereign Independent State, and we pledge our lives and the lives of our comrades-in-arms to the cause of its freedom, of its welfare, and of its exaltation among the nations.
The Irish Republic is entitled to, and hereby claims, the allegiance of every Irishman and Irishwoman. The Republic guarantees religious and eivil liberty, equal rights and equal opportunities to all its citizens, and declares its resolve to persue the happyness and prosperity of the whole nation and of all its parts, cherishing all the children of the nation equally, and oblivious of the differences carefully fostered by an alien govt
18 Dame Ct, Dublin 2, D02 W683, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,spray,paint,in,of,will,be,dearly,missed,1977,2019,1977-2019,Moran,walking,stick,frame,historic,heritage,history,quaint,arts,ingenuity,expression,travel,area,district,rundown,neglected,resistance,character,sayings,phrases
Description: Tony Smith image Alamy 2MCGA3X -
Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,Eire,Ireland,street,209,blue,man,hip,hipster,scene,brown,tourist,tourism,sign,signs,wall art,street art,hulk,green,historic,heritage,history,quaint,arts,ingenuity,expression,travel,area,district,rundown,neglected,resistance,character,sayings,phrases
Description: Tony Smith image Alamy 2MCGA5E -
Temple Bar, Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,tourist,tourism,attraction,art,street,artist,artists,heart,hearts,lanes,in,a,backstreet,back,streets,of,The,Temple Bar,tile,and,text,Dublin love,heart Dublin,Irish,loves,love,ceramic,pink,Love Lane
Description: Tony Smith image Alamy 2MCGACB -
Temple Bar, Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,boozer,Temple Bar,Temple Lane South,Dublin 2,exterior,bars,pubs,famous,D02 N725,47-48,47-48 Temple Bar,art,artwork,Dublin2,man,male,icon,iconic,Bill,William,Sir,bronze,metal,outside,profile,view,in profile,in,the
Description: Tony Smith image Alamy 2MCGAW9 - William Temple was born the son of the Leicestershire man Anthony Temple, whose family name was said to descend from the Knight Templars, a once powerful monastic order during the Crusades, but which was outlawed by Pope Clement V. The rituals and the secrets of the order survived and many of the Knight Templars families came to prominence in 16th-century England when Protestantism was embraced. He was educated at Eton College and passed with a scholarship to King's College, Cambridge, in 1573. In 1576 he was elected a fellow of King's, and graduated with a B.A. in 15778 and M.A. in philosophy in 1581. He became Master of Lincoln Grammar School that same year. Though originally destined for the law, he became a tutor in logic at his college. In his logic readings, wrote a pupil, Anthony Wotton, in his Runne from Rome (1624), he always laboured to fit his pupils for the true use of that art rather than for vain and idle speculations. He accepted with enthusiasm the logical methods and views of Petrus Ramus, and became the most active champion of the Ramists in England.
William Temple's first sight of Ireland came as he landed at Howth in April 1599 to take up his position as secretary to the new lord lieutenant, Robert Devereux, and 2nd Earl of Essex. It was a baptism of fire as their first great task was to suppress a major rebellion of the native Irish tribes who had now united with the Anglo-Normans. While Essex campaigned around the country, Temple stayed behind in Dublin that summer relaying news of military deployment and successes to the Royal Court, Essex, once Elizabeth's most trusted confidant and intimate advisor, now became the unappreciated and maligned viceroy falling foul of the ageing queen. Both he and William Temple were ignominiously recalled to London that same autumn.
47-48 Temple Bar, Dublin 2, D02 N725, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,tourist,tourism,attraction,sport,sports,Irish,football,ball,12,10 years,old,aged,Temple Bar Whiskey,Temple Bar,Whiskey,store,off-licence,off licence,bottle,bottles,model,advertisement,ad,advert,in,shop,window,windows,for,shopping,Cigarette,Players Please
Description: Tony Smith image Alamy 2MCGB1R -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,24 - 25,Auld,Dubliner,tourist,tourism,boozer,entrance,door,step,historic,history,doorway,St Patricks Day,classic,traditional,pubs,bars,bar,Victorian,old,building,pub crawl,crawl,traditional pub,the,auld,sign,signs,threshold
Description: Tony Smith image Alamy 2MCGB1X -
24 - 25 Temple Bar, Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,Irish,Dawson Street,D02 YV57,anns,1720,Church of Ireland,building,architecture,Georgian architecture,Dawson St,baroque style,baroque,style,parish,parishes,churches,Catholic,history,historic,heritage,stone,ornate,beautiful,architectural,Dawson,St,street,mass,masses,in,services,service
Description: Tony Smith image Alamy 2MG3YAE - St. Ann's Church on Dawson Street in Dublin, Ireland is a Church of Ireland church, constructed originally around 1720 following the establishment of the local Anglican parish in 1707.
In the early 21st century the church presents itself as ecumenical within the tradition of the Church of Ireland.
Building history
The building of the church in baroque style commenced in 1720, to a design by Isaac Wills.[2] The current façade dates to 1868.[3][4][5]
Exterior and façade
St. Ann's original façade was never completed above the first floor. In 1868, a competition was held for a new façade, with the architectural firm of Lanyon, Lynn & Lanyon losing the commission to the Deanes, Thomas Newenham Deane and his father. The younger Deane, who had been involved with the creation of significant buildings at Oxford University, designed a neo-Romanesque front.[6] Described by one travel guide as amazingly ornate,[7] the façade as it exists in the 21st century lacks some elements of Deane's original conception, most significantly the tallest tower
the design as Deane submitted it can be viewed online. From an architectural perspective, this omission has been criticised as disrupting the building's flow from the rectory to the spire
18 Dawson St, Dublin 2, D02 YV57, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,Irish,The,Dublin 2,D02 XE81,book,shop,store,retail,seller,historic,history,Dawson St,56-58,56,58,the,front,4,culture,literary,specialist,specialists,textbook,fiction,novels,1768,literature,facade,façade,green,sign,upper,floors
Description: Tony Smith image Alamy 2MG3YAJ -
56-58 Dawson St, Dublin 2, D02 XE81, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,art,crest,motto,and,painted,lamps,crests,Obedientia Civium,Urbis Felicitas,scale,depicts,Justice,the obedience of the citizens produces a happy city,three,castles,three castles,3,sword,representing,Irish,icon,iconic,symbol,symbols,Dublin crest,Dublin crests,post,lamppost,history,historic,repainted,the,standard
Description: Tony Smith image Alamy 2MG3YEA - Dublin's Coat of Arms is the identifying emblem of the city and has been in use, in one form or another, for at least 400 years. The full Coat of Arms shows three burning castles on a shield, flanked by two female figures
One of the female figures holds a scale and depicts Justice (without the usual blindfold), the other has a sword representing Law, while each holds an olive branch. Below the shield on a scroll is the city's motto, Obedientia Civium Urbis Felicitas, which translates as the obedience of the citizens produces a happy city.
The origin of the Coat of Arms is unknown, but there are numerous theories, including:
The castles are watch towers outside the city walls.
The castle is Dublin Castle and is repeated three times because of the mystical significance of the number three.
The castles are not castles but represent three gates into the ancient Viking city.
Dublin city, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,art,crest,motto,and,painted,lamp,lamps,crests,1988 Dublin,honeycomb,hexagon,honeycombs,hexagons,Irish,icon,iconic,symbol,symbols,Dublin crest,Dublin crests,post,lamppost,history,historic,repainted,sponsored,sponsor,insurance,company,SAI,RSA,the,standard
Description: Tony Smith image Alamy 2MG3YEC -
Dublin city, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,art,crest,motto,and,painted,lamps,crests,Obedientia Civium,Urbis Felicitas,scale,depicts,Justice,the obedience of the citizens produces a happy city,three,castles,three castles,3,sword,representing,Irish,icon,iconic,symbol,symbols,Dublin crest,Dublin crests,post,lamppost,history,historic,repainted
Description: Tony Smith image Alamy 2MG3YGY - Dublin's Coat of Arms is the identifying emblem of the city and has been in use, in one form or another, for at least 400 years. The full Coat of Arms shows three burning castles on a shield, flanked by two female figures
One of the female figures holds a scale and depicts Justice (without the usual blindfold), the other has a sword representing Law, while each holds an olive branch. Below the shield on a scroll is the city's motto, Obedientia Civium Urbis Felicitas, which translates as the obedience of the citizens produces a happy city.
The origin of the Coat of Arms is unknown, but there are numerous theories, including:
The castles are watch towers outside the city walls.
The castle is Dublin Castle and is repeated three times because of the mystical significance of the number three.
The castles are not castles but represent three gates into the ancient Viking city.
Dublin city, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,Dublin D01 TX49,88,D01 TX49,religion,place,of,worship,big,Jesus,crucified,above,candles,St. Marys,Pro,St Mary,Pro-Cathedral,chapel,The Pro,episcopal seat of the Roman Catholic Archbishop of Dublin,and,Primate of Ireland,Irish,catholic,RC,Roman Catholic,flames,flame,lit,lighted
Description: Tony Smith image Alamy 2MG3YX2 - St Mary's Church (Irish: Leas-Ardeaglais Naomh Muire), known also as St Mary's Pro-Cathedral or simply the Pro-Cathedral, the Chapel in Marlborough Street or the Pro, is a pro-cathedral and is the episcopal seat of the Roman Catholic Archbishop of Dublin and Primate of Ireland.
Status as pro-cathedral
The view toward the Sanctuary from the nave
Detail of the apse
Altar
The city of Dublin possesses two cathedrals, but unusually, both belong to one church, the minority Church of Ireland, which had been the Established Church in Ireland until 1871. In contrast, the majority religion in Ireland, Roman Catholicism, has no cathedral in the Republic of Ireland's capital city and has not had one since the Protestant Reformation. As the official church, the Church of Ireland took control of most church property, including the Cathedral of the Holy Trinity (generally known as Christchurch) and St Patrick's Cathedral.
The Pro-Cathedral owes its origins to the Penal Laws[b] which restricted Catholicism (and other non-Church of Ireland faiths) until the early nineteenth century. For centuries, Roman Catholics could not celebrate Mass or the sacraments in public and were subject to severe penalties (hence the word penal). While these laws ebbed and flowed in terms of the severity with which they were applied, Catholic churches if they were built at all, were built down narrow, difficult-to-find roadways. By the early nineteenth century, many of the Penal Laws had either been repealed or were no longer enforced
an unsuccessful attempt had already been made to grant Catholic Emancipation. As a result, Catholicism began to abandon its previous status as an underground religion
88 Marlborough place, Dublin D01 TX49 , Eire, Ireland
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,USA,city,city centre,US,grill,lucky,Irish bar & Grill,Irish bar,Ireland,Shamrock,playwright bar grill new york,playwright bar grill,playwright Irish Bar,sign,neon sign,202,W 49th St.,NY 10019,the,49th,street,w,west,pub,pubs,bar,bars,sports,theme,Celtic Pub,at,dusk,rill,St Patricks Day
Description: Tony Smith image Alamy 2AFK6BJ -
202 W 49th St. New York, NY 10019, USA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,covered,East Bridge Street,Belfast,Antrim,Northern Ireland,BT1 3NQ,BT1,Victorian,crowds,busy,crowd,eating,bar,crowded,enjoying,customer,shopper,shoppers,Buster,rolls,roll,the,bargain,fast,food,breakfast,stall,vibrant
Description: Tony Smith image Alamy 2PM6261 - Belfast Bellybusters food stall inside St George's Market, Belfast, with customers standing at the counter and signs advertising hearty breakfast rolls. The large cream banner reads Belfast Bellybusters and There's fast food & then there's good food , while the front menu board promotes The Bust'R with two bacon, two sausages, egg and black pudding for £5. The photograph captures the everyday bustle of a covered city market, with café tables, hot drinks, counter service, cooking equipment, bread rolls and traders working beneath the market roof. St George's Market is one of Belfast's best-known visitor attractions and a working food, craft and produce market, so this scene is useful for editorial stories about Northern Irish street food, local independent traders, weekend markets, city-break tourism, breakfast culture, indoor markets, small businesses, hospitality and affordable eating out. The bacon and sausage baps, black pudding and cooked breakfast wording give the image a strong food photography angle, while the visible Belfast branding anchors it firmly in place. The composition also illustrates traditional market trading adapting to contemporary casual dining, with shoppers and tourists able to buy hot food, sit at informal tables and enjoy the atmosphere of a historic Victorian market building. It would suit features on Belfast's food scene, UK and Ireland market halls, artisan and casual food stalls, local economies, visitor attractions, weekend leisure, independent catering, public markets, city centre regeneration, heritage buildings used for modern retail, and the social role of markets as places to eat, meet, browse and support local enterprise. The indoor lighting, visible signage and customers in practical casual clothing suggest a typical market trading day rather than a staged restaurant scene, giving the image an authentic documentary feel.
East Bridge Street, Belfast, Antrim, Northern Ireland, UK, BT1 3NQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,covered,East Bridge Street,Belfast,Antrim,Northern Ireland,BT1 3NQ,BT1,Victorian,crowds,busy,crowd,eating,bar,crowded,enjoying,bread,stall,baking,traditional,Irish,food,delicacy,delicacies,customer,shopper,shoppers,vibrant
Description: Tony Smith image Alamy 2PM6264 - St George's Market is the last surviving Victorian covered market in Belfast, Northern Ireland. It is located on May Street, close to the River Lagan and the Waterfront Hall. Belfast Corporation (now Belfast City Council) commissioned the building of St George's Market, which was built in three phases between 1890 and 1896. Before 1890 St George's Market was an open market and most likely contained a slaughterhouse and a meat market. Today it is a thriving market with 300 traders, crafters, musicians, and food vendors.
By the 1980s, St George's Market had developed into a general market and it became the last of Belfast's thriving Victorian markets. The market was pressured with increased maintenance costs and changes to hygiene regulations, among other issues, and Belfast City Council decided to source other uses for the listed building. A campaign backed by the city council, traders and the general public resulted in a Heritage Lottery Fund-backed £3.5 million refurbishment programme assisted by the Environment and Heritage Agency. Brick and stonework that had badly deteriorated was returned to good condition, and special bricks were produced in England to match the original unusually sized bricks. The fully renovated St George's Market reopened its doors on 14 May 1999.
St George's Market is primarily used as a market, however a number of other events are held at the site. These range from food festivals, art initiatives, exhibitions, charity launches, fashion shoots and live music events. Local software company Northbrook Technology hold their annual Staff Christmas Party at the venue.
The market has won a number of recent awards, including being voted Best Large Indoor Market 2014 and as one of the UK's top five markets by the National Association of British Market Authorities in 2006, and winning third place in the best markets category of the Observer Food Monthly/Waitrose Awards in 2004
East Bridge Street, Belfast, Antrim, Northern Ireland, UK, BT1 3NQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,covered,East Bridge Street,Belfast,Antrim,Northern Ireland,BT1 3NQ,BT1,cafe,and,eating,area,in,Mezze,bar,quarter,busy,drinking,crowded,crowds,crowd,enjoying,fun,Victorian,roof,vibrant,trader,traders
Description: Tony Smith image Alamy 2PM626A - St George's Market is the last surviving Victorian covered market in Belfast, Northern Ireland. It is located on May Street, close to the River Lagan and the Waterfront Hall. Belfast Corporation (now Belfast City Council) commissioned the building of St George's Market, which was built in three phases between 1890 and 1896. Before 1890 St George's Market was an open market and most likely contained a slaughterhouse and a meat market. Today it is a thriving market with 300 traders, crafters, musicians, and food vendors.
By the 1980s, St George's Market had developed into a general market and it became the last of Belfast's thriving Victorian markets. The market was pressured with increased maintenance costs and changes to hygiene regulations, among other issues, and Belfast City Council decided to source other uses for the listed building. A campaign backed by the city council, traders and the general public resulted in a Heritage Lottery Fund-backed £3.5 million refurbishment programme assisted by the Environment and Heritage Agency. Brick and stonework that had badly deteriorated was returned to good condition, and special bricks were produced in England to match the original unusually sized bricks. The fully renovated St George's Market reopened its doors on 14 May 1999.
St George's Market is primarily used as a market, however a number of other events are held at the site. These range from food festivals, art initiatives, exhibitions, charity launches, fashion shoots and live music events. Local software company Northbrook Technology hold their annual Staff Christmas Party at the venue.
The market has won a number of recent awards, including being voted Best Large Indoor Market 2014 and as one of the UK's top five markets by the National Association of British Market Authorities in 2006, and winning third place in the best markets category of the Observer Food Monthly/Waitrose Awards in 2004
East Bridge Street, Belfast, Antrim, Northern Ireland, UK, BT1 3NQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT1,Belfast,Antrim,Northern Ireland,BT1 5GS,Donegall Square,city hall,city,centre,color,coloured,colour,windows,harp,crown,North,Northern,Irish,Horse,stained,glass,foyer,WW2,WWII,memorial,war,hotpix.org.uk
Description: Tony Smith image Alamy 2PM626D -
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,the,April,14,1912,BT4,Dee Street,Belfast,Northern Ireland,BT4 1FT,HW,April 14 1912,mural,Est,1861,RMS,gable,end,history,historic,heritage,ECHR
Description: Tony Smith image Alamy 2PM62P8 -
Dee Street, Belfast, Northern Ireland, UK, BT4 1FT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,the,April,14,1912,BT4,Dee Street,Belfast,Northern Ireland,BT4 1FT,HW,April 14 1912,mural,Est,1861,RMS,gable,end,history,historic,heritage
Description: Tony Smith image Alamy 2PM6357 -
Dee Street, Belfast, Northern Ireland, UK, BT4 1FT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,politics,politicians,BT4,402 Newtownards Road,Belfast,Northern Ireland,BT4 1HH,square,East Side,Visitor,The Lion,the Witch & the Wardrobe,CSLewis,author,writing,writer,culture,regeneration,facility,communities,cafe,café,witch,wardrobe,story,stories,book,books
Description: Tony Smith image Alamy 2PM646C -
402 Newtownards Road, Belfast, Northern Ireland, UK, BT4 1HH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,the past,future,peace,gable,end,211,Newtownards Rd,Belfast,Northern Ireland,BT4 1EA,mural,traditional,history,historic,end-terrace,gable-end,understanding,futures,Belfast peace,ECHR
Description: Tony Smith image Alamy 2PM64N2 -
211 Newtownards Rd, Belfast , Northern Ireland, UK, BT4 1EA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,H&W,BSpecials,flag,flags,union,paramilitary,group,groups,red hand,Harland and Wolff,yellow,company,shipbuilding,Newtownards,road,rd,mural,traditional,history,historic,ECHR,Good Friday Agreement
Description: Tony Smith image Alamy 2PM650E -
Newtownards Rd, Belfast, Northern Ireland, UK, BT4 1AB
Description
Keywords: Unionist,British,Shankil,rd,painting,artist,fighter,soldier,wall,end,gable end,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,Welcome To The Shankill Rd,Welcome,To,The,Shankill Road,flag,poster,sign,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,protestant,religion,intolerance,prejudice,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HEW11T -
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Unionist,British,Shankil,rd,painting,art,artist,martyr,fighter,para,paramilitary,soldier,wall,gable,end,gable end,community,protestant,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,protestant,religion,intolerance,prejudice,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEW127 -
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Unionist,British,Shankil,rd,painting,art,artist,martyr,fighter,para,paramilitary,soldier,wall,gable,end,gable end,community,protestant,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,best,Ulster Freedom Fighters,Battalion,Simply The Best,firewood,Bonfire,tinder,July,marching season,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,protestant,religion,intolerance,prejudice,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HEW13J -
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Unionist,British,Shankil,rd,painting,art,artist,martyr,fighter,para,paramilitary,soldier,wall,gable,end,gable end,community,protestant,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,best,Ulster Freedom Fighters,Battalion,Simply The Best,firewood,Bonfire,tinder,July,marching season,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,protestant,religion,intolerance,prejudice,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEW141 -
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUk,Ballymurphy,Irish,Ireland,IRA,political,politics,gable-end,gable wall,housing estate,street,art,Northern Ireland,Troubles,memorial,commemorative,public art,wall,painting,County Antrim,murals,tour,tourism,peace,Good Friday Agreement,history,tricolour,republican,symbolism,conflict,memory,contested,heritage,post-conflict,culture,nationalist,area,Falls Road
Description: Tony Smith image Alamy HEW1D4 - Gable-end Republican memorial mural on Divismore Way in Ballymurphy, West Belfast, showing three figures, the Irish tricolour and republican shield symbols painted across the side wall of a housing estate property. The mural is identified by CAIN as the IRA Mural and Plaque on Divismore Way, at the junction of Divismore Way and Springfield Road, commemorating Bobby McCrudden, Mundo O'Rawe and Pearse Jordan. The visible inscription is a memorial dedication and includes the line asking passers-by to pause, pray and smile, giving the wall painting a commemorative and community remembrance function rather than simply decorative street art. This image has editorial value for themes including Belfast murals, West Belfast, Ballymurphy, political murals, Republican mural art, The Troubles, conflict memory, contested heritage, community identity, public art, Irish republican symbolism, housing estate culture and Northern Ireland history. The mural sits on a residential gable end behind a timber fence, with grass, weeds, houses and a cloudy sky placing it in an everyday neighbourhood landscape rather than a formal memorial site. That setting matters because many Belfast political murals are embedded in lived residential streets, where public memory, local identity, political messaging and tourism overlap. The photograph is useful for articles on mural tours, post-conflict Belfast, visual culture, memorialisation, community commemoration, urban history and the role of walls and public space in telling the story of the Troubles. It also suits critical coverage of how paramilitary, Republican and Loyalist imagery remains visible in parts of Belfast, and how such murals can be read as heritage, political statement, memorial and tourist attraction depending on viewer and context. The overcast daylight, housing estate background and clear gable composition make the image a valuable documentary record of West Belfast political street art and commemorative mural culture.
Divismore Way, Ballymurphy, Belfast West, County Antrim, Northern Ireland, BT12.
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,SA,ANC,Africa,SF,Sinn Fein,flag,In,my,country,we,go,to,prison,first,and,then,become,president,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYNC - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Spanish,Civil War,Civil,War,1936-1939,1936,1939,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYRA - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,barbed,wire,razorwire,candle,red,Amnesty International,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HDEYRF - Amnesty International (commonly known as Amnesty and AI) is a non-governmental organisation focused on human rights with over 7 million members and supporters around the world. The stated objective of the organisation is to conduct research and generate action to prevent and end grave abuses of human rights, and to demand justice for those whose rights have been violated.
Amnesty International was founded in London in 1961, following the publication of the article The Forgotten Prisoners in The Observer on 28 May 1961, by the lawyer Peter Benenson. Amnesty draws attention to human rights abuses and campaigns for compliance with international laws and standards. It works to mobilise public opinion to put pressure on governments that let abuse take place. Amnesty considers capital punishment to be the ultimate, irreversible denial of human rights. The organisation was awarded the 1977 Nobel Peace Prize for its campaign against torture, and the United Nations Prize in the Field of Human Rights in 1978.
In the field of international human rights organisations, Amnesty has the second longest history, after the International Federation for Human Rights and broadest name recognition, and is believed by many to set standards for the movement as a whole
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Welcome,To,the,Shankill,Road,panorama,Welcome To the Shankill Road,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYW3 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,shankill,Titanic,ship,H&W,White,star,Line,Shankill and the Titanic,IdentityHeritage,the white star,the white star line,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDEYW7 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,creativity,Belfast,Inventiveness,yellow,orange,metal,steel,iron,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYW8 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Ugly Punch,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYXD - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,purple,poem,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDF00F - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,Berlin wall,Dalai Lama,Open Your Arms To Change,but dont let go of your values,Open,your,arms,to,change,,but,dont,let,go,of,your,values,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDF039 - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023. GoTonySmith
Cupar way,West Belfast,NI,UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,The,Kashmir,Bar,Failte,The Kashmir Bar,catholic,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDF06Y - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Poet,Gaeilgeoir,revolutionary,IRA Volunteer,Bobby Sands MP,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDF0A4 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,MP,Bobby,Sands,Mural,and,Carnegie Library,Carnegie,Library,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDKYJ4 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Northern Ireland,Peace,Belfast,Irish,art,artworks,tagged,graffitti,grafitti,No,Days,Off,art,work,artwork,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM00F - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,West Belfast,Irish,artworks,artwork,May,we,all,Learn,To,Be,Bridge,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM08W - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,wide,shot,wideshot,wall,mural,murals,face,faces,fence,high,high,fences,history,Irish,Catholic,Protestant,divided,sectarian,religious,boundary,interface,zone,interzone,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM12B - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,Hope,Lost,rd,Road,boat,ship,weld,welded,Berlin wall,Shankill ingenuity,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM12W - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,Hope,Lost,rd,Road,boat,ship,weld,welded,Berlin wall,Shankill ingenuity,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM137 - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,common,than,divides,separates,us,peace,space invaders,space,invaders,wire,barbed,barbed wire,razor wire,invader,PacMan,Pac-man,Pac,man,Berlin wall,Theres more in common,Than what divides us,Irish history,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM16Y - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDM1DF - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,RPG Avenue,RPG Ave,Beechmount Avenue,1916 Easter Rising,Beechmount,Beechmount Avenue,1916 Easter Rising,1916,Easter,Rising,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDPKXT - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Civil,Order,Disorder,Islandbawn street,Islandbawn,street,st,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDPM0J - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,RPG Avenue,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDPM2B - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Belfast,Falls,Rd,Republican,Mural,art,Beechmount,RPG Avenue,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDPM2P - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Falls,Road,rd,Garden,of,remembrance,deceased,West,Belfast,NI,UK,Falls,Cultural,Society,roll,of,honour,soldier,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPM35 - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: Road,rd,Garden,of,members,deceased,ex-prisoners,West,Belfast,NI,UK,Society,POWs,POW,dedication,dedicated,to,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPM50 - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,St,West Belfast,Brighton Street,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDPM6Y - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,rd,Garden,of,members,deceased,ex-prisoners,West,Belfast,NI,UK,Society,In,memory,of,those,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPM8K - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: Falls,Road,rd,Garden,of,members,ex-prisoners,West,Belfast,NI,UK,Falls,Cultural,Society,dedication,civilians,civilian,casualties,casualty,list,of,names,list of names,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPM90 - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: Falls,Road,rd,of,members,West,Belfast,NI,UK,Falls,Cultural,Society,pano,panorama,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPMA4 - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: Falls,Road,rd,Garden,of,members,deceased,ex-prisoners,West,Belfast,NI,UK,pano,panorama,wide,shot,wideshot,summer,cross,emotional,memorial,of,republican,volunteers,vols,hero,heroes,Falls Cultural Society,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPMBX - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: historic,history,City Centre,Northern Ireland,UK,Belfast,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWRWG -
North St, Belfast,City Centre, Northern Ireland, UK
Description
Keywords: history,City Centre,Northern Ireland,UK,Belfast,Belfast City Centre,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWRWP -
North St, Belfast,City Centre, Northern Ireland, UK
Description
Keywords: Red hand,Ulster,memorial,UFF,Unionist,mural,off,Shankill,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,60 years,Queen Elizabeth II,Royal subjects,royal,subjects,Queen,Elizabeth,reign,over,QE2,QEII,gable,end,gable end,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT1B - Elizabeth II (Elizabeth Alexandra Mary
born 21 April 1926 has been Queen of the United Kingdom, Canada, Australia, and New Zealand since 6 February 1952. She is also Head of the Commonwealth and the queen of 12 countries that have become independent since her accession: Jamaica, Barbados, the Bahamas, Grenada, Papua New Guinea, Solomon Islands, Tuvalu, Saint Lucia, Saint Vincent and the Grenadines, Belize, Antigua and Barbuda, and Saint Kitts and Nevis.[b]
Elizabeth was born in London as the first child of the Duke and Duchess of York, later King George VI and Queen Elizabeth. She was educated privately at home. Her father acceded to the throne on the abdication of his brother Edward VIII in 1936, from which time she was the heir presumptive. She began to undertake public duties during the Second World War, serving in the Auxiliary Territorial Service. In 1947, she married Philip, Duke of Edinburgh, a former prince of Greece and Denmark, with whom she has four children: Charles, Prince of Wales
Anne, Princess Royal
Prince Andrew, Duke of York
and Prince Edward, Earl of Wessex.
Elizabeth's many historic visits and meetings include a state visit to the Republic of Ireland and visits to or from five popes. She has seen major constitutional changes, such as devolution in the United Kingdom, Canadian patriation, and the decolonisation of Africa. She has also reigned through various wars and conflicts involving many of her realms. She is the world's oldest reigning monarch as well as Britain's longest-lived. In 2015, she surpassed the reign of her great-great-grandmother, Queen Victoria, to become the longest-reigning British monarch and the longest-reigning queen regnant and female head of state in world history. In October 2016, she became the longest currently reigning monarch and head of state following the death of King Bhumibol Adulyadej of Thailand.
Shankill Road, West Belfast, NI, UK
Description
Keywords: UFF,Unionist,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,Shankill,Protestant,Flute,Band,mural,artwork,art,SPB,USSF,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Shankill Protestant Boys
Description: Tony Smith image Alamy HDWT1N - SHANKILL PROTESTANT BOYS FLUTE BAND
The Shankill Protestant Boys Flute Bandor as they are more famously known nowThe SPBwere formed in the Shankill area in 1980. The reasons for forming the band were much more than simply establishing another flute bandthe Shankill had many at that time. The men behind the formation had other ideas. They wanted to promote and express their Protestant culture and also remember the brave Volunteers and Servicemen who had fought and died during two World Warsin particular during the Somme offensiveand to remember those in more recent times who perished during the conflict in the war against violent Republicanism.
Sadly many of those who served the band since their beginnings 33 years ago are no longer with useither passed away or in many instances murdered. However of the original founders around ten remain. Some, remarkably are still marching while others retain honorary membership. Gary LenaghanThe HuntersHarold Reynolds-The Young'sThe Freel'sJohn McQuadeDerek MawhinneyThe Finlay's were all there at the start and remain heavily involved today.
The SPB were the first flute band to receive and carry the colours of the 1st Battalion of the Ulster Volunteer Forcein 1982and to this day carry those colours with pride and dignity. It is a commonly known fact that these colours are carried on ALL occasionsat no time are they excludedand in the past this has caused some difficultieswith both the Police and indeed with certain sections of the Loyal Orders. At one stage during the Eighties the band came into conflict with the Scottish Orange Institution which forced the band off the road because of their refusal to parade without their beloved colours. Since then the SPB have not walked in Scotland with the Orange.
Around the same time and with the concept of the Supergrass system being implemented the band became heavily involved with Families For Legal Rights. For ma
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,Ulster,memorial,UFF,Unionist,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,Flute,1980,crest,flag,flags,SPB,Longkesh,USSF,Protestant Boys Flute Band,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Shankill Protestant Boys
Description: Tony Smith image Alamy HDWT25 - SHANKILL PROTESTANT BOYS FLUTE BAND
The Shankill Protestant Boys Flute Bandor as they are more famously known nowThe SPBwere formed in the Shankill area in 1980. The reasons for forming the band were much more than simply establishing another flute bandthe Shankill had many at that time. The men behind the formation had other ideas. They wanted to promote and express their Protestant culture and also remember the brave Volunteers and Servicemen who had fought and died during two World Warsin particular during the Somme offensiveand to remember those in more recent times who perished during the conflict in the war against violent Republicanism.
Sadly many of those who served the band since their beginnings 33 years ago are no longer with useither passed away or in many instances murdered. However of the original founders around ten remain. Some, remarkably are still marching while others retain honorary membership. Gary LenaghanThe HuntersHarold Reynolds-The Young'sThe Freel'sJohn McQuadeDerek MawhinneyThe Finlay's were all there at the start and remain heavily involved today.
The SPB were the first flute band to receive and carry the colours of the 1st Battalion of the Ulster Volunteer Forcein 1982and to this day carry those colours with pride and dignity. It is a commonly known fact that these colours are carried on ALL occasionsat no time are they excludedand in the past this has caused some difficultieswith both the Police and indeed with certain sections of the Loyal Orders. At one stage during the Eighties the band came into conflict with the Scottish Orange Institution which forced the band off the road because of their refusal to parade without their beloved colours. Since then the SPB have not walked in Scotland with the Orange.
Around the same time and with the concept of the Supergrass system being implemented the band became heavily involved with Families For Legal Rights. For ma
Shankill Road, West Belfast, NI, UK
Description
Keywords: Ulster,memorial,UFF,Unionist,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,Ulster,army,1916,poppy,memorials,Somme,association,Helens,War memorial,Helens tower,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT3P - The Ulster Tower is Northern Ireland's national war memorial. It was one of the first Memorials to be erected on the Western Front and commemorates the men of the 36th (Ulster) Division and all those from Ulster who served in the First World War. The memorial was officially opened on 19 November 1921 and is a very close copy of Helen's Tower which stands in the grounds of the Clandeboye Estate, near Bangor, County Down, Northern Ireland. Many of the men of the Ulster Division trained in the estate before moving to England and then France early in 1916.
The Tower (plus a small cafe nearby) is staffed by members of the Somme Association, which is based in Belfast.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Ulster,memorial,UFF,Unionist,mural,off,Road,Northern Ireland,UK,Ireland,fighter,fighting,empty,building,buildings,terrace,Shankill Rd,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Peoples army
Description: Tony Smith image Alamy HDWT5G -
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,Ulster,memorial,UFF,Unionist,off,Shankill,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,flag,union,jack,sign,for,sale,poor,decay,decayed,run,down,For Sale,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT5Y -
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,Ulster,off,rd,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,vols,volunteers,UVF,memorial,Ulster Volunteers,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT62 -
Shankill Road, West Belfast, NI, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,shop,Souvenir Shop,Sniper,Craigavon,H-Block,H Block,flags,Irish Flag,Ireland Flag,support,the,cause,struggle for freedom,Irish Famine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Irish Famine,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDWT9D - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,shop,Souvenir Shop,Sniper,Craigavon,H-Block,H Block,flags,Irish Flag,Ireland Flag,support,the,cause,struggle for freedom,Irish Famine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Irish Famine,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDWT9P - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,shop,Souvenir Shop,Sniper,Craigavon,H-Block,H Block,flags,Irish Flag,Ireland Flag,support,the,cause,struggle for freedom,Irish Famine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Irish Famine,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDWTAP - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: art,work,public,High St,2015,Ireland,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18C0 -
High St,Earley,Belfast, Northern Ireland, UK
Description
Keywords: irish,Northern Ireland,UK,leaning,towers,doc,docks,public,place,space,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18C6 - The Albert Memorial Clock (more commonly referred to as the Albert Clock) is a clock tower situated at Queen's Square in Belfast, Northern Ireland. It was completed in 1869 and is one of the best known landmarks of Belfast.
In 1865 a competition for the design of a memorial to Queen Victoria's late Prince Consort, Prince Albert, was won by W. J. Barre, who had earlier designed Belfast's Ulster Hall. Initially Barre was not awarded his prize and the contract was secretly given to Lanyon, Lynn, and Lanyon, who had come second. Following public outcry the contract was eventually awarded to Barre. The construction cost of £2,500 (2011: £196,000) was raised by public subscription.
The sandstone memorial was constructed between 1865 and 1869 by Fitzpatrick Brothers builders and stands 113 feet tall in a mix of French and Italian Gothic styles. The base of the tower features flying buttresses with heraldic lions. A statue of the Prince in the robes of a Knight of the Garter stands on the western side of the tower and was sculpted by SF Lynn. A two tonne bell is housed in the tower and the clock was made by Francis Moore of High Street, Belfast.[3][4]
As a result of being built on wooden piles on marshy, reclaimed land around the River Farset, the top of the tower leans four feet off the perpendicular. Due to this movement, some ornamental work on the belfry was removed in 1924 along with a stone canopy over the statue of the Prince.
Being situated close to the docks, the tower was once infamous for being frequented by prostitutes plying their trade with visiting sailors. However, in recent years regeneration has turned the surrounding Queen's Square and Custom's House Square into attractive, modern public spaces with trees, fountains and sculptures.
In 1947, the film Odd Man Out was filmed partly in Belfast, with the Albert Clock as a central location, although neither the town nor the clock is explicitly identified.
Queens Square,Belfast, Northern Ireland, UK
-HE18C8.jpg)
Description
Keywords: &,Queens,Island,Queens Island,engineering,firm,Krupp,Harland,Wolff,ship,yard,builder,builders,shipbuilder,shipbuilders,crane,Titanic,roots,culture,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18C8 - Samson and Goliath are the twin shipbuilding gantry cranes situated at Queen's Island, Belfast, Northern Ireland. The cranes, which were named after the Biblical figures Samson and Goliath, dominate the Belfast skyline and are landmark structures of the city. Comparative newcomers to the city, the cranes rapidly came to symbolise Belfast in a way that no building or monument had hitherto done.
Harland & Wolff Heavy Industries is an Irish heavy industrial company, specialising in shipbuilding and offshore construction, located in Belfast, Northern Ireland. Harland & Wolff is most famous for having built all of the ships intended for the White Star Line including RMS Titanic. Other well known ships built by Harland & Wolff include Titanic's sister ships RMS Olympic and RMS Britannic, the Royal Navy's HMS Belfast, Royal Mail Line's Andes, Shaw Savill's Southern Cross, Union-Castle's RMS Pendennis Castle, and P&O's Canberra. Harland and Wolff's official history, Shipbuilders to the World, was published in 1986.
As of 2011, the expanding offshore wind power industry has been the prime focus, and 75% of the company's work is based on offshore renewable energy
Queens Island, Belfast, Northern Ireland, UK
Description
Keywords: Note,Eire,republic,of,Sterling,legal tender,from the,bank,of,Ireland,region,regional,economy,economic,money,UK,United Kingdom,housekeeping,good,bad,currency,wealth,capital,worth,rich,wealthy,fund,funds,ready money,hard cash,ten,five,fiver,GoTonySmith,legal,tender,small,smallest,Europe,european,GB,EC,EU,EEC,hard,cash,ready,Derry,Londonderry,Sinn Fein,politics,political,twentypence,twenty,pence,banknote,billetes,bureau,business,buy,buying,caja,change,commerce,commercialism,capitalism,austerity,global,crash,global crash,cuenta,debt,dinero,dollar,enterprise,euro,exchange,export,exporting,global,globalization,historical,history,negocio,number,paper,paper money,folding,power,saving,spending,profit,prosperity,prosperous,queen,rate,spend,spending,system,trade,viajar,vintage,wealth,world,bailout,bail out,bail,out,six counties,6,six,county,counties,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EWAR30 - A collection of Northern Irish legal tender, notes and UK Sterling coins.
Belfast, Northern Ireland, UK
Description
Keywords: Note,Eire,republic,of,Sterling,legal tender,from the,bank,of,Ireland,region,regional,economy,economic,money,UK,United Kingdom,housekeeping,good,bad,currency,wealth,capital,worth,rich,wealthy,fund,funds,ready money,hard cash,ten,five,fiver,GoTonySmith,legal,tender,small,smallest,Europe,european,GB,EC,EU,EEC,hard,cash,ready,Derry,Londonderry,Sinn Fein,politics,political,twentypence,twenty,pence,banknote,billetes,bureau,business,buy,buying,caja,change,commerce,commercialism,capitalism,austerity,global,crash,global crash,cuenta,debt,dinero,dollar,enterprise,euro,exchange,export,exporting,global,globalization,historical,history,negocio,number,paper,paper money,folding,power,saving,spending,profit,prosperity,prosperous,queen,rate,spend,spending,system,trade,viajar,vintage,wealth,world,bailout,bail out,bail,out,six counties,6,six,county,counties,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EWAR4A - A collection of Northern Irish legal tender, notes and UK Sterling coins.
Belfast, Northern Ireland, UK
Description
Keywords: Note,Eire,republic,of,Sterling,legal tender,from the,bank,of,Ireland,region,regional,economy,economic,money,UK,United Kingdom,housekeeping,good,bad,currency,wealth,capital,worth,rich,wealthy,fund,funds,ready money,hard cash,ten,five,fiver,GoTonySmith,legal,tender,small,smallest,Europe,european,GB,EC,EU,EEC,hard,cash,ready,Derry,Londonderry,Sinn Fein,politics,political,twentypence,twenty,pence,banknote,billetes,bureau,business,buy,buying,caja,change,commerce,commercialism,capitalism,austerity,global,crash,global crash,cuenta,debt,dinero,dollar,enterprise,euro,exchange,export,exporting,global,globalization,historical,history,negocio,number,paper,paper money,folding,power,saving,spending,profit,prosperity,prosperous,queen,rate,spend,spending,system,trade,viajar,vintage,wealth,world,bailout,bail out,bail,out,six counties,6,six,county,counties,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EWAR4M - A collection of Northern Irish legal tender, notes and UK Sterling coins.
Belfast, Northern Ireland, UK
Description
Keywords: Note,Eire,republic,of,coin,Sterling,legal tender,from the,Bank Of Ireland,Belfast,bank,of,Ireland,region,regional,economy,economic,monetary,union,UK,United Kingdom,housekeeping,good,bad,currency,wealth,capital,worth,rich,wealthy,fund,funds,ready money,hard cash,ten,five,fiver,wallet,next,GoTonySmith,legal,tender,small,smallest,banks,Europe,european,GB,Great Britain,Great Britain,EC,EU,EEC,hard,cash,ready,Derry,Londonderry,DUP,Sinn Fein,politics,political,tenner,twentypence,twenty,pence,banknote,billetes,bureau,business,buy,buying,caja,change,commerce,commercialism,capitalism,austerity,global,crash,global crash,cuenta,debt,dinero,dollar,enterprise,euro,exchange,export,exporting,global,globalization,historical,history,monetary,negocio,number,paper,paper money,folding,power,saving,spending,profit,prosperity,prosperous,queen,rate,spend,spending,system,trade,viajar,vintage,wealth,world,bailout,bail out,bail,out,six counties,6,six,county,counties,to,a,next to a wallet,brown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EWAR53 - A collection of Northern Irish legal tender, notes and UK Sterling coins.
Belfast, Northern Ireland, UK
Description
Keywords: Note,Eire,republic,of,Sterling,legal tender,from the,Bank Of Ireland,Belfast,bank,of,Ireland,region,regional,economy,economic,money,monetary,union,UK,United Kingdom,housekeeping,good,bad,currency,wealth,capital,worth,rich,wealthy,fund,funds,ready money,hard cash,ten,five,fiver,wallet,next,GoTonySmith,legal,tender,small,smallest,banks,Europe,european,GB,Great Britain,Great Britain,EC,EU,EEC,hard,cash,ready,Derry,Londonderry,DUP,Sinn Fein,politics,political,tenner,twentypence,twenty,pence,banknote,billetes,bureau,business,buy,buying,caja,change,commerce,commercialism,capitalism,austerity,global,crash,global crash,cuenta,debt,dinero,dollar,enterprise,euro,exchange,export,exporting,global,globalization,historical,history,monetary,negocio,number,paper,paper money,folding,power,saving,spending,profit,prosperity,prosperous,queen,rate,spend,spending,system,trade,viajar,vintage,wealth,world,bailout,bail out,bail,out,six counties,6,six,county,counties,to,a,next to a wallet,brown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EWAR56 - A collection of Northern Irish legal tender, notes and UK Sterling coins.
Belfast, Northern Ireland, UK
Description
Keywords: Note,Eire,republic,of,Sterling,legal tender,from the,bank,of,Ireland,region,regional,economy,economic,money,UK,United Kingdom,housekeeping,good,bad,currency,wealth,capital,worth,rich,wealthy,fund,funds,ready money,hard cash,ten,five,fiver,GoTonySmith,legal,tender,small,smallest,Europe,european,GB,EC,EU,EEC,hard,cash,ready,Derry,Londonderry,Sinn Fein,politics,political,twentypence,twenty,pence,banknote,billetes,bureau,business,buy,buying,caja,change,commerce,commercialism,capitalism,austerity,global,crash,global crash,cuenta,debt,dinero,dollar,enterprise,euro,exchange,export,exporting,global,globalization,historical,history,negocio,number,paper,paper money,folding,power,saving,spending,profit,prosperity,prosperous,queen,rate,spend,spending,system,trade,viajar,vintage,wealth,world,bailout,bail out,bail,out,six counties,6,six,county,counties,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EWARHD - A collection of Northern Irish legal tender, notes and UK Sterling coins.
Belfast, Northern Ireland, UK
Description
Keywords: Note,Eire,republic,of,Sterling,legal tender,from the,bank,of,Ireland,region,regional,economy,economic,money,UK,United Kingdom,housekeeping,good,bad,currency,wealth,capital,worth,rich,wealthy,fund,funds,ready money,hard cash,ten,five,fiver,GoTonySmith,legal,tender,small,smallest,Europe,european,GB,EC,EU,EEC,hard,cash,ready,Derry,Londonderry,Sinn Fein,politics,political,twentypence,twenty,pence,banknote,billetes,bureau,business,buy,buying,caja,change,commerce,commercialism,capitalism,austerity,global,crash,global crash,cuenta,debt,dinero,dollar,enterprise,euro,exchange,export,exporting,global,globalization,historical,history,negocio,number,paper,paper money,folding,power,saving,spending,profit,prosperity,prosperous,queen,rate,spend,spending,system,trade,viajar,vintage,wealth,world,bailout,bail out,bail,out,six counties,6,six,county,counties,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EWARHY - A collection of Northern Irish legal tender, notes and UK Sterling coins.
Belfast, Northern Ireland, UK
Description
Keywords: Note,Eire,republic,of,Sterling,legal tender,from the,bank,of,Ireland,region,regional,economy,economic,money,UK,United Kingdom,housekeeping,good,bad,currency,wealth,capital,worth,rich,wealthy,fund,funds,ready money,hard cash,ten,five,fiver,GoTonySmith,legal,tender,small,smallest,Europe,european,GB,EC,EU,EEC,hard,cash,ready,Derry,Londonderry,Sinn Fein,politics,political,twentypence,twenty,pence,banknote,billetes,bureau,business,buy,buying,caja,change,commerce,commercialism,capitalism,austerity,global,crash,global crash,cuenta,debt,dinero,dollar,enterprise,euro,exchange,export,exporting,global,globalization,historical,history,negocio,number,paper,paper money,folding,power,saving,spending,profit,prosperity,prosperous,queen,rate,spend,spending,system,trade,viajar,vintage,wealth,world,bailout,bail out,bail,out,six counties,6,six,county,counties,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EWARJG - A collection of Northern Irish legal tender, notes and UK Sterling coins.
Belfast, Northern Ireland, UK
Description
Keywords: Note,Eire,republic,of,Sterling,legal tender,from the,bank,of,Ireland,region,regional,economy,economic,money,UK,United Kingdom,housekeeping,good,bad,currency,wealth,capital,worth,rich,wealthy,fund,funds,ready money,hard cash,ten,five,fiver,GoTonySmith,legal,tender,small,smallest,Europe,european,GB,EC,EU,EEC,hard,cash,ready,Derry,Londonderry,Sinn Fein,politics,political,twentypence,twenty,pence,banknote,billetes,bureau,business,buy,buying,caja,change,commerce,commercialism,capitalism,austerity,global,crash,global crash,cuenta,debt,dinero,dollar,enterprise,euro,exchange,export,exporting,global,globalization,historical,history,negocio,number,paper,paper money,folding,power,saving,spending,profit,prosperity,prosperous,queen,rate,spend,spending,system,trade,viajar,vintage,wealth,world,bailout,bail out,bail,out,six counties,6,six,county,counties,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EWARK1 - A collection of Northern Irish legal tender, notes and UK Sterling coins.
Belfast, Northern Ireland, UK
-DDXKNH.jpg)
Description
Keywords: town,centre,WBC,family,families,killed,terrorist,terror,attack,bombing,justice,forgive,forgiveness,of,IRA,bomb,in,Warrington,20/03/1993,Cheshire,UK,Ireland,Irish,Republican,Replacement,Memorial,commemoration,flowers,headstone,in,memory,Warrington Town Centre,Jonathon Ball,Tim Parry,GoTonySmith,@HotpixUK,Bridge,peace,centre,center,St,Street,history,historic,death,died,dead,murder,murdered,Buy Pictures of,Buy Images Of,Images of,Stock Images,Bridge st,Bridge street
Description: Tony Smith image Alamy DDXKNH - Thieves stolen a metal plaque erected in memory of two young boys who were killed in an IRA bomb attack in Warrington, Cheshire.
Tim Parry, who was 12, and Johnathan Ball, aged three, died in 1993 when two bombs detonated in the town centre injuring 54 people. The A3 size plaque is thought to have a scrap metal value of no more than £30.
Bridge Street, Warrington, Cheshire, England, UK
Description
Keywords: memorial,Cheshire,England,UK,Hand,prints,images,of,boys,killed,by,IRA,bombing,republican,republicans,irish,Ireland,good,Friday,agreement,history,historic,death,died,dead,murder,murdered,Stephen Broadbent,Bridge Street,Tim Parry,Jonathon Ball,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images
Description: Tony Smith image Alamy DE9AMP - This is a un-conventional fountain which works as a mini-canal. Water flows from a large pool at one end, down a winding holder and is poured over a formation at the end. The structure is concrete, headed by a bronze moulding which includes marine life. The 'bowl' into which the water finally flows, also bronze, is raised and contains a large number of children's hand prints. Around the side are a number of photographs of Tim Parry and Jonathan Ball, printed on copper.
Sculptor - Stephen Broadbent
Inaugurated by / her royal highness / The Duchess of Kent and / accompanied by the families of / Jonathan Ball / and / Tim Parry / 14 Nov 1996 / The water of life made possible / by a donation from / his grace the Duke of Westminster / OBE TD.THEN HE SHOWED ME THE RIVER AND THE WATER OF LIFE SPARKLING LIKE CRYSTAL AS IT FLOWED FROM THE THRONE OF GOD AND OF THE LAME / IN THE MIDDLE OF THE STREET OF THE CITY AND ON EITHER BANK OF THE RIVER / GREW THE TREE OF LIFE, BEARING TWELVE FRUITS, A DIFFERENT KIND FOR EACH MONTH / THE LEAVES OF THE TREE WERE FOR THE HEALING OF THE NATIONS, NOTHING THAT HAS CURSED MANKIND WILL EXIST ANY LONGER. Revelations, chapter 22, verse 43./ WARRINGTON REMEMBERS JONATHON BALL AGED 3, TIM PARRY AGED 12 AND ALL / WHO SUFFERED / AS INNOCENT VICTIMS OF A TERRORIST BOMB, BRIDGE STREET 20TH MARCH 1993
See more at: http://www.pmsa.org.uk/pmsa-database/4997/#sthash.ktI1bMVR.dpuf
Bridge st, Warrington, Cheshire, England, UK
Description
Keywords: memorial,Cheshire,England,UK,Hand,prints,images,of,boys,killed,by,IRA,bombing,republican,republicans,irish,Ireland,good,friday,agreement,history,historic,death,died,dead,murder,murdered,Stephen Broadbent,Bridge Street,Tim Parry,Jonathon Ball,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images
Description: Tony Smith image Alamy DE9AN5 - This is a un-conventional fountain which works as a mini-canal. Water flows from a large pool at one end, down a winding holder and is poured over a formation at the end. The structure is concrete, headed by a bronze moulding which includes marine life. The 'bowl' into which the water finally flows, also bronze, is raised and contains a large number of children's hand prints. Around the side are a number of photographs of Tim Parry and Jonathan Ball, printed on copper.
Sculptor - Stephen Broadbent
Inaugurated by / her royal highness / The Duchess of Kent and / accompanied by the families of / Jonathan Ball / and / Tim Parry / 14 Nov 1996 / The water of life made possible / by a donation from / his grace the Duke of Westminster / OBE TD.THEN HE SHOWED ME THE RIVER AND THE WATER OF LIFE SPARKLING LIKE CRYSTAL AS IT FLOWED FROM THE THRONE OF GOD AND OF THE LAME / IN THE MIDDLE OF THE STREET OF THE CITY AND ON EITHER BANK OF THE RIVER / GREW THE TREE OF LIFE, BEARING TWELVE FRUITS, A DIFFERENT KIND FOR EACH MONTH / THE LEAVES OF THE TREE WERE FOR THE HEALING OF THE NATIONS, NOTHING THAT HAS CURSED MANKIND WILL EXIST ANY LONGER. Revelations, chapter 22, verse 43./ WARRINGTON REMEMBERS JONATHON BALL AGED 3, TIM PARRY AGED 12 AND ALL / WHO SUFFERED / AS INNOCENT VICTIMS OF A TERRORIST BOMB, BRIDGE STREET 20TH MARCH 1993
See more at: http://www.pmsa.org.uk/pmsa-database/4997/#sthash.ktI1bMVR.dpuf
Bridge st, Warrington, Cheshire, England, UK
Description
Keywords: national librray of Ireland,dublin,libraries,tony,smith,hotpix,tonysmith,tonysmithhotpix,hot,pix,pics,picks,hotpicks,hotpics,europe,architecture,building,buildings,interior,insdide,HDR,inside,great,wide,pano,panorama,panoramas,bibliotheek,dome,eire,ierland,ireland,koepel,librarynational,librarynationale,FOGL
Description: Tony Smith image Flickr 5872814582 - 'The first national libraries had their origins in the royal collections of the sovereign or some other supreme body of the state.
One of the first plans for a national library was that devised by the Welsh mathematician John Dee, who in 1556 presented Mary I of England with a visionary plan for the preservation of old books, manuscripts and records and the founding of a national library but his proposal was not taken up.
The beautiful National Library of Ireland was established by the Dublin Science and Art Museum Act, 1877, which provided that the bulk of the collections in the possession of the Royal Dublin Society, should be vested in the then Department of Science and Art for the benefit of the public and of the Society, and for the purposes of the Act.
An Agreement of 1881 provided that the Library should operate under the superintendence of a Council of twelve Trustees, eight of whom were appointed by the Society and four by the Government
this Agreement also conferred on the Trustees the duty of appointing the officers of the Library. This arrangement remained in place until the library became an autonomous cultural institution in 2005.
After the foundation of the Irish Free State in 1924/5 the Library was transferred to the Department of Education under which it remained until 1986 when it was transferred to the Department of An Taoiseach. In 1927 the Library was granted legal deposit status under the Industrial and Commercial Property (Protection) Act, 1927. In 1992 the Library transferred to the newly established Department of Arts, Culture and the Gaeltacht (now Arts, Sport and Tourism) and on 3 May 2005 became an autonomous cultural institution under the National Cultural Institutions Act, 1997.
This is a joiner formed from 6 x 3 separate HDR images joined together.
\u00bfWhats this Library Tribe set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>buildings from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: Ireland,Irish,NI,northern,northernireland,belfast,gtvictoria,street,greatvictoriastreet,tony,smith,hotpix,tonysmith,tonysmithhotpix,UK,GB,great,britain,Europe,bar,hockney,hockneyesque,analogue,stich,stiched,stitcher,beer,lager,drink,drinks,drinking,booze,boozers,pubs,public,house,ill,repute,selective,color,colour,sepia,B/W
Description: Tony Smith image Flickr 5695317409 - 'One of Northern Ireland's best-known pubs, it is a rare and classic example of a Victorian gin palace. Its one of my favourites, similar to the Phil' in Liverpool and one more reason to consider staying at the famous Europa hotel over the road.
It was opened as The Railway Tavern, as the Great Victoria St train station is just opposite. The pub was then bought by Michael Flanagan. His son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Flanagan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978 the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a \u00a3400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of \u00a3500,000. As a NT member myself it would be nice to get a free pint on production of my NT membership card. I might take that up with them.
The pub was used as a location in David Caffrey's Divorcing Jack (1998), a film following Colin Bateman's character Dan Starkey through a web of political intrigue and Irish sectarian violence. I would fully recommend the book and many more of his books in the same style.
The exterior is decorated in polychromatic tiles. This includes a mosaic of a Crown on the floor of the entrance. The interior is also decorated with complex mosaics of tiles. The red granite topped bar is of an altar style, with a heated footrest underneath and is lit by gas lamps on the highly decorative carved ceilings.
The Crown has ten booths, or snugs. Built to accommodate the pub's more reserved customers during the austere Victorian period, the snugs feature the original gun metal plates for striking matches and an antique bell system for alerting staff. Extra privacy was then afforded by the pub's etched and stained glass windows which feature painted shells, fairies, pineapples, fleurs-de-lis and clowns.
This has been formed from 29 images and the original size is 17000x7000 pixels.
Checkout more w=33062170@N08\'>Irish images from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
These are my 2008-2015 images, view my most recent images at @HotpixUK-2019 - www.flickr.com/people/167831053@N02/ including my second 365 one a day project
(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: clocks,movement,hands,face,manufacture,built,wood,indoor,machine,longcase,long,case,clock,tall-case,tall,case,floor clock,floor,pendulum,time,keeping,timing,Irish,antique,Northern Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7KWK - A longcase clock, also tall-case clock, floor clock, or grandfather clock, is a tall, freestanding, weight-driven pendulum clock with the pendulum held inside the tower or waist of the case. Clocks of this style are commonly 1.82.4 metres (68 feet) tall.
The case often features elaborately carved ornamentation on the hood (or bonnet), which surrounds and frames the dial, or clock face. The English clockmaker William Clement is credited with the development of this form in 1670. Until the early 20th century, pendulum clocks were the world's most accurate timekeeping technology, and longcase clocks, due to their superior accuracy, served as time standards for households and businesses. Today they are kept mainly for their decorative and antique value.
Belfast, Northern Ireland, UK
Description
Keywords: clocks,movement,hands,face,manufacture,built,wood,indoor,machine,longcase,long,case,clock,tall-case,tall,case,floor clock,floor,pendulum,time,keeping,timing,Irish,antique,Northern Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7KWR - A longcase clock, also tall-case clock, floor clock, or grandfather clock, is a tall, freestanding, weight-driven pendulum clock with the pendulum held inside the tower or waist of the case. Clocks of this style are commonly 1.82.4 metres (68 feet) tall.
The case often features elaborately carved ornamentation on the hood (or bonnet), which surrounds and frames the dial, or clock face. The English clockmaker William Clement is credited with the development of this form in 1670. Until the early 20th century, pendulum clocks were the world's most accurate timekeeping technology, and longcase clocks, due to their superior accuracy, served as time standards for households and businesses. Today they are kept mainly for their decorative and antique value.
Belfast, Northern Ireland, UK
Description
Keywords: Orange,white,grey,colour,Orangemen,Orange men,Unionists,Ulster unionists,political,politics,Ulster Volunteers,September,28/12/1912,guard,Violence,clothing,museum,object,community,Shankill,rd,road,City Hall Guard,The Ulster Volunteers,City Hall Guard,Protestant Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Union,Unionism,British,Protestant,Prods,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,day,Ulster,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Ulster Day
Description: Tony Smith image Alamy HE7KX0 - The Home Rule Crisis was a political and military crisis in the United Kingdom of Great Britain and Ireland that followed the introduction of the Third Home Rule Bill in the House of Commons of the United Kingdom in 1912.
Ulster unionists, determined to prevent any measure of home rule for Ireland, formed a paramilitary force, the Ulster Volunteers, which threatened to resist by physical force the implementation of the Act and the authority of any Dublin Parliament by force of arms. Irish nationalists responded by setting up the Irish Volunteers to secure the rights and liberties common to all the people of Ireland. Both sides then began importing weapons and ammunition from Germany, in the Larne gun-running and Howth gun-running incidents. The UK government's ability to face down unionist defiance was thrown into question by the Curragh incident, when dozens of British Army officers tendered their resignation rather than secure arms against Ulster loyalist seizure, forcing a climb-down by the government. The crisis was temporarily averted by the outbreak of World War I. The Home Rule Bill was enacted, but its implementation was suspended for the duration of the war.
Shankill Road, Belfast, Northern Ireland, UK
Description
Keywords: Orange,white,grey,colour,Orangemen,Orange men,Unionists,Ulster unionists,political,politics,Ulster Volunteers,September,28/12/1912,guard,Violence,clothing,museum,object,community,Shankill,rd,road,City Hall Guard,The Ulster Volunteers,City Hall Guard,Protestant Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Union,Unionism,British,Protestant,Prods,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,day,Ulster,tourist,tourism,history,historic,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Ulster Day,History Of Northern Ireland,Irish History
Description: Tony Smith image Alamy HE7KX5 - The Home Rule Crisis was a political and military crisis in the United Kingdom of Great Britain and Ireland that followed the introduction of the Third Home Rule Bill in the House of Commons of the United Kingdom in 1912.
Ulster unionists, determined to prevent any measure of home rule for Ireland, formed a paramilitary force, the Ulster Volunteers, which threatened to resist by physical force the implementation of the Act and the authority of any Dublin Parliament by force of arms. Irish nationalists responded by setting up the Irish Volunteers to secure the rights and liberties common to all the people of Ireland. Both sides then began importing weapons and ammunition from Germany, in the Larne gun-running and Howth gun-running incidents. The UK government's ability to face down unionist defiance was thrown into question by the Curragh incident, when dozens of British Army officers tendered their resignation rather than secure arms against Ulster loyalist seizure, forcing a climb-down by the government. The crisis was temporarily averted by the outbreak of World War I. The Home Rule Bill was enacted, but its implementation was suspended for the duration of the war.
Shankill Road, Belfast, Northern Ireland, UK
Description
Keywords: Sandy Row,Belfast,Northern Ireland,UK,SandyRow,Sandy,Row,Protestant,Community,Citizen,citizens,street,st,streets,district,south,residential,residents,loyalist,paramilitary,South Belfast,Ulster Defence Association,Orange Order,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Rangers,freedomfighters,Carrs,Row,brigade,wide,pano,panorama,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,South Belfast,orange Order,Freedom Fighters,Boyne Bridge,Saltwater Bridge,Orange Hall,Carrs Row,loyalist community,UDA South Belfast Brigade
Description: Tony Smith image Alamy HE7KYD - Sandy Row is a street in south Belfast, Northern Ireland. It lends its name to the surrounding residential community, which is predominantly Protestant working-class. The Sandy Row area had a population of 2,153 in 2001.[1][2] It is a staunchly loyalist area of Belfast, being a traditional heartland for affiliation with the paramilitary Ulster Defence Association (UDA) and the Orange Order.
Sandy row, South Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: BT1,bars,alley,off,street,drinks,drinking,classic,ale,beer,bers,ales,half,bap,area,craic,murals,art,painting,painting,artwork,artworks,Patrick,Moore,Cathedral Quarter,Half Bap,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M2Y - Nestled along a narrow cobbled alleyway in the historic Half Bap area, the Duke offers a traditional Belfast welcome of craic, music and humour in contrast to the modern fashionable establishments currently blowing into the surrounding streets. Hosting regular traditional sessions there is no better place to sample the real taste of our city simply step in and drink an Irish whiskey washed down with a pint of creamy stout.
Imagine Belfast with only five streets. Protected by earth ramparts and the city walls, the area where the Dark Horse now stands was convenient to the old iron foundry, the pottery, the whiskey merchants and the brown linen hall. Appreciate the superb décor and special atmosphere with beautiful antique mirrors, Belfast furniture and artefacts from some of the city's most famous hotels and buildings from bygone times providing a rather rare and unique glimpse of Belfast's historical past. Just call in and you will enjoy a huge warm welcome from a truly Belfast institution with a huge heart.
Duke of York, 7-11 Commercial Court, Belfast, Northern Ireland, BT1 2NB Duke of York 02890 241062
7-11 Commercial Ct, Belfast, Northern Ireland,UK BT1 2NB
Description
Keywords: tagged,face,orange,Spoom tag,grafitti,Belfast City,Northern,Ireland,UK,city,centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,painting,wall,walls,tribute,West,Beal,feirste,fun,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M8F -
Belfast, Northern Ireland, UK
Description
Keywords: pano,House,Northern Ireland Office panorama,rain,UK,building,architecture,NIO,Speakers,headquarters,estate,Edwin Lutyens,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MBT - A wet, overcast view of Parliament Buildings at Stormont, Belfast, the formal home of the Northern Ireland Assembly and one of the most recognisable political landmarks in Northern Ireland. The photograph looks straight along the broad approach road through Stormont Estate towards the imposing neoclassical façade, with its long symmetrical wings, central portico, columns, pediment and elevated position giving the building a strong sense of civic authority. Rain on the tarmac creates reflective surfaces, while the grey sky, damp lawns, clipped trees, benches and lamp standards add atmosphere and a documentary sense of government business on a bleak day. The scene is useful for editorial coverage of devolved government, Northern Ireland politics, Stormont debates, power sharing, public administration, constitutional issues, public sector policy, elections, legislation, political accountability, civil service decision making, Belfast landmarks, tourism, heritage, architecture and UK political institutions. Parliament Buildings opened in 1932 and is widely known simply as Stormont because of its location in Stormont Estate. The building is associated with the Northern Ireland Assembly, the devolved legislature for Northern Ireland, and is a key visual shorthand for political stories about the region, including executive formation, assembly sittings, budget pressures, public services, housing policy, health policy, education, infrastructure, community relations and post Brexit governance. Its restrained classical design, pale stone exterior and ceremonial avenue make it a strong establishing image for news features, analysis pieces, travel guides, education material and historical context about Northern Ireland. The rainy conditions, empty roadway and muted colours give the image a sober, serious mood suitable for articles about public policy, institutional debate, democratic scrutiny, political stalemate, reform, governance risk and civic life in Belfast.
Stormont Estate,Belfast,Northern Ireland,UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,oppression Breeds Resistance,Resistance Brings Freedom,Falls Curfew,July 1970,Curfew,1970,woman,women,military,military aggression,soldier,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,British Soldier,Belfast Catholic Community
Description: Tony Smith image Alamy HEEF62 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Guth Nuagaeil,Irish voice for all,Radio Failte,Mic,Microphone,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HEEF67 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,POW,Prisoner of war,status,We,demand,Hunger,Strike,27th,October 1980,strikers,Support The Five Demands,John Turnley,Mairead Nugent,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HEEF7J - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Brendan Hughes,Hughes,Smash The H-Block,Brendan Hughes,Smash,The,H-Block,Hblock,Rebublican,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Irish History,Ireland History,Northern Ireland History,Belfast Catholic Community
Description: Tony Smith image Alamy HEEF89 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: NI,Northern Ireland,city,centre,Education,learn,learning,Queen,old,historic,building,architecture,research,institution,institutions,QUB,Queens College,Academic,BT7 1NN,window,Courage,Wisdom,AlmaMater,Temperance,Justice,University Of Belfast,stained glass,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Uni,Belfast,City,Centre,edication,student,students,union,West,Beal,feirste,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Universitas Reginae Belfastiae,Academia,higher,Lanyon,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Higher Education,Lanyon Building
Description: Tony Smith image Alamy HEEF9X - Queen's University Belfast (informally Queen's or QUB) is a public research university in Belfast, Northern Ireland. The university was chartered in 1845, and opened in 1849 as Queen's College, Belfast, but has roots going back to 1810 and the Royal Belfast Academical Institution.
The university forms the focal point of the Queen's Quarter area of the city, one of Belfast's four cultural districts. It offers academic degrees at various levels and across a broad subject range, with over 300 degree programmes available. Since 1 March 2014, Patrick Johnston has been the university's 12th President and Vice-Chancellor. Its Chancellor is Thomas Moran.
Queen's is a member of the Russell Group of leading research intensive universities, the Association of Commonwealth Universities, the European University Association, Universities Ireland and Universities UK. The university is associated with two Nobel laureates and one Turing Award laureate.
Lanyon took as his source the medieval great halls of
England and the Oxbridge colleges, following the strict precedents of
the raised dais, oriel window, fireplace for the top table, and a
screened passage at the opposite end. These plans fell victim to the
original budget cuts
Lanyon's planned gallery was never built and
the panelling remained modest, the latter not helped by later
redecorations. All of this changed in 2000 with the restoration of the
Great Hall by Consarc Conservation, architects. The floor and dais
were replaced and the oriel window unblocked. New pitch pine
panelling and a screened passage with a gallery above, the
replacement of the missing end trusses, and the comprehensive
redecoration and installation of a new lighting system, have all
combined to create a warm, powerful and theatrical space at the
heart of the University. More recently, the restored organ from
Christchurch (where Sir Charles and Lady Lanyon used to worship)
has been installed in the gallery.
University Road, Belfast BT7 1NN
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Cuba,solidarity,Che,Havana,Brigade,Peace,Wall,international,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HEEFCB - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,Donaghadee,April,24th,1914,gunrunning,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFEJ - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,road,Spiers,pl,place,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFF2 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,panorama,Glencairn,reviews,West Belfast,UVF Glencairn 6th June,CYV,protestant,farmer,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,lady,woman,female,orange,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFJ2 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,well,I,can,stand,alone,rifle,CYV,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFJ9 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,Ave,CocaCola,Lawnbrook,Avenue,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG5H - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
Description
Keywords: Inside,stone,arch,Belfast Cathedral,saint,Annes,panorama,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG7N - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,gate,arch,archway gate,boat,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAD - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Church House,Conference Centre,UK,Northern,Ireland,tower,old,clock,clock tower,Presbyterian,business,conf,HQ,headquarters,Fisherwick Place,Great Victoria Street,Howard Street,Grosvenor Road,road,car,Presbyterian Church,Church House,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18E9 - Church House in Belfast, Northern Ireland is the headquarters of the Presbyterian Church in Ireland. Although there was a decision taken to move to a new location the General Assembly, in 2005, voted to overturn the decision. Since the refurbishment, in 1992, Church House is now open for functions as a commercial conference centre.
The building is located near the centre of Belfast at the junction of Fisherwick Place, Great Victoria Street, Howard Street and Grosvenor Road. It was built in 1905, in the Gothic style, and opened by the Duke of Argyll. Church House is dominated by a 40m high clock tower, which contains Belfast's only peal of 12 bells.
Church House is home to the General Assembly of the Presbyterian Church in Ireland. The Assembly Hall is oval shaped with gallery, it can seat 1,300 people. The hall is illuminated by a glass skylight, which is now illuminated artificially.
Great Victoria Street,Belfast, Northern Ireland, UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,boarded,up,panorama,eyesore,eye,sore,dilapidation,decrepitude,shabby,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MD1 -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,Cap,man,eyesore,eye,sore,dilapidation,decrepitude,shabby,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MD4 -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,eye,sore,shabby,ruin,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,oohyea,ohh,yea,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MD7 -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,Tonic Wine Drink,eye,sore,dilapidation,decrepitude,shabby,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,Rick,104,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDA -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,streetArt,Street,Art,TMNFC,eye,sore,shabby,ruin,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDD -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,colour,colourful,eyesore,eye,sore,dilapidation,decrepitude,shabby,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDG -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,shutter,shuttered,up,shuttered up,boarded,boarded up,closed,eye,eyes,hels,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDH -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,streets,city,centre,Northern Ireland,UK,eye,sore,dilapidation,decrepitude,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded up,building,The,Clearing,Centre,Menswear,mens,wear,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDN -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,streets,city,centre,Northern Ireland,UK,bar,bars,pub,pubs,eye,sore,dilapidation,decrepitude,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded up,building,The,Clearing,Centre,Menswear,mens,wear,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDR -
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast City Hall,Baroque,Revival,Architecture,building,white,stone,Donegall Square,Northern,Ireland,exhibition,Edwardian,Edwardian City,display,white,star,line,White star Line,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAN - Belfast City Hall is the civic building of Belfast City Council. Located in Donegall Square, Belfast, County Antrim, Northern Ireland, it faces north and effectively divides the commercial and business areas of the city centre.
The site now occupied by Belfast City Hall was once the home of the White Linen Hall, an important international Linen Exchange. The Street that runs from the back door of Belfast City Hall through the middle of Linen Quarter is Linen Hall Street.
Plans for the City Hall began in 1888 when Belfast was awarded city status by Queen Victoria. This was in recognition of Belfast's rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries. During this period Belfast briefly overtook Dublin as the most populous city in Ireland.
Construction began in 1898 under the supervision of architect Sir Alfred Brumwell Thomas and was completed in 1906 at a cost of £369,000. Belfast Corporation (now the council) used their profits from the gas industry to pay for the construction of Belfast City Hall. Local firms H&J Martin and WH Stephens were among the companies involved in construction. James G. Gamble, architect, was the clerk of works.
Donegall Square, Belfast, Northern Ireland, UK
Description
Keywords: Belfast City Hall,Baroque,Revival,building,white,stone,Donegall Square,Northern,Ireland,white,star,line,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAT - Belfast City Hall is the civic building of Belfast City Council. Located in Donegall Square, Belfast, County Antrim, Northern Ireland, it faces north and effectively divides the commercial and business areas of the city centre.
The site now occupied by Belfast City Hall was once the home of the White Linen Hall, an important international Linen Exchange. The Street that runs from the back door of Belfast City Hall through the middle of Linen Quarter is Linen Hall Street.
Plans for the City Hall began in 1888 when Belfast was awarded city status by Queen Victoria. This was in recognition of Belfast's rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries. During this period Belfast briefly overtook Dublin as the most populous city in Ireland.
Construction began in 1898 under the supervision of architect Sir Alfred Brumwell Thomas and was completed in 1906 at a cost of £369,000. Belfast Corporation (now the council) used their profits from the gas industry to pay for the construction of Belfast City Hall. Local firms H&J Martin and WH Stephens were among the companies involved in construction. James G. Gamble, architect, was the clerk of works.
Donegall Square, Belfast, Northern Ireland, UK
Description
Keywords: Belfast City Hall,white,stone,Donegall Square,Northern,Ireland,exhibition,Edwardian,Edwardian City,display,white,star,line,White star Line,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAW - Belfast City Hall is the civic building of Belfast City Council. Located in Donegall Square, Belfast, County Antrim, Northern Ireland, it faces north and effectively divides the commercial and business areas of the city centre.
The site now occupied by Belfast City Hall was once the home of the White Linen Hall, an important international Linen Exchange. The Street that runs from the back door of Belfast City Hall through the middle of Linen Quarter is Linen Hall Street.
Plans for the City Hall began in 1888 when Belfast was awarded city status by Queen Victoria. This was in recognition of Belfast's rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries. During this period Belfast briefly overtook Dublin as the most populous city in Ireland.
Construction began in 1898 under the supervision of architect Sir Alfred Brumwell Thomas and was completed in 1906 at a cost of £369,000. Belfast Corporation (now the council) used their profits from the gas industry to pay for the construction of Belfast City Hall. Local firms H&J Martin and WH Stephens were among the companies involved in construction. James G. Gamble, architect, was the clerk of works.
Donegall Square, Belfast, Northern Ireland, UK
Description
Keywords: Belfast City Hall,white,stone,Donegall Square,Northern,Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HEEGAX - Belfast City Hall is the civic building of Belfast City Council. Located in Donegall Square, Belfast, County Antrim, Northern Ireland, it faces north and effectively divides the commercial and business areas of the city centre.
The site now occupied by Belfast City Hall was once the home of the White Linen Hall, an important international Linen Exchange. The Street that runs from the back door of Belfast City Hall through the middle of Linen Quarter is Linen Hall Street.
Plans for the City Hall began in 1888 when Belfast was awarded city status by Queen Victoria. This was in recognition of Belfast's rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries. During this period Belfast briefly overtook Dublin as the most populous city in Ireland.
Construction began in 1898 under the supervision of architect Sir Alfred Brumwell Thomas and was completed in 1906 at a cost of £369,000. Belfast Corporation (now the council) used their profits from the gas industry to pay for the construction of Belfast City Hall. Local firms H&J Martin and WH Stephens were among the companies involved in construction. James G. Gamble, architect, was the clerk of works.
Donegall Square, Belfast, Northern Ireland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,rock,music,musicians,icon,iconic,Eire,Ireland,light,display,from,frontman,lighting,of,Clifton Grange Hotel,in,Manchester,Cecil Parris,Lynott,Parris,Philip Lynott Story,band,group,lightbulbs,bulbs,bulb,logo,tungsten,white,dressed,hotpix.org.uk
Description: Tony Smith image Alamy 2R55J7F - Philomena Lynott (22 October 1930 12 June 2019) was an Irish author and entrepreneur. She was the mother of Thin Lizzy frontman Phil Lynott. Her autobiography, My Boy, documents their relationship. She was the proprietor of the Clifton Grange Hotel in Manchester, which provided accommodation for a number of bands in the 1970s including Thin Lizzy.
Biography
Philomena Lynott was born on 22 October 1930 as the fourth of nine children to Frank and Sarah Lynott in Dublin, and grew up in the Crumlin district of the city. She left school aged 13 and worked in an elderly people's home.
In 1947 Lynott took advantage of a viable job market in England, that needed labour to rebuild damage caused by World War II, finding work as a nurse in Manchester. She began a relationship with Cecil Parris, which led to Philip's birth on 20 August 1949. She suffered prejudice because she did not marry Cecil Paris and was the mother of a mixed-race son, who she decided would best be raised by her parents in Dublin. Lynott had two other children that she put up for adoption. She remained close to her son throughout his life but because she only saw him sporadically felt they were more like sister and brother or friends instead of a typical mother and son relationship.
In 1964 Lynott began a relationship with Dennis Keeley and the couple took over management of the Clifton Grange Hotel in Whalley Range, Manchester. Though they had no experience in running a hotel, they bought the property after six months and remained there for the next 14 years. The hotel became well known in northwest England for being frequented by the show business trade. Lynott took advantage of hotel licensing laws, which meant the bar could be open at 2 am when all other local venues had shut. When Thin Lizzy became commercially successful in the 1970s, the band looked forward to gigging in Manchester as Philomena would accommodate them and put on an after-show party.
Dublin, Eire, Ireland
Description
Keywords: tony,smith,hotpix,tonysmith,tonysmithhotpix,ir,720nm,720,R72,Hoya,infra,red,infrared,Dublin,Trinity,college,university,Ireland,Eire,Republic,spring,europa,europe,euro,sun,education,educacion,false,color,colour,5d,mkii,mk2,5dmk2,5dmkii,pano,panorama,join,joiner,stitch,stitched,stitcher,autostitch,#tonysmithotpix
Description: Tony Smith image Flickr 5601384233 - 'School Mam - 'The Stranglers' - Play this track here..
\u00bfWhats this iPod Shuffle set all about? Read about it here
Gives herself to teacher although he doesn't know
Works herself into a frenzied state and it shows....'
*** By Request ***
This is a track from 'No more heroes' the second Stranglers album. It was produced by Martin Rushent, and released in 1977. The classic cover featured a photo of a wreath placed on a coffin with the tails of several rats (the Stranglers' 'trademark'). It was one of the first albums I bought, after many plugs on the John Peel show.
They are said to be the longest-surviving and most 'continuously successful' band to have originated in the UK punk scene of the mid to late 1970s. Beginning life as the Guildford Stranglers on the 11th September 1974 with pub rock origins.
The Stranglers' early sound was driven by Jean-Jacques Burnel's melodic bass, but also gave prominence to Dave Greenfield's keyboards at a time when the instrument was seen as unfashionable. Their early music was also characterised by the growling vocals and sometimes misanthropic lyrics of both Jean-Jacques Burnel and Hugh Cornwell.
To hear more (for my money), checkout any or all of the first 3 albums: Rattus Norvegicus (1977), No More Heroes (1977) &
Black and White (1978 - I still have a promo grey/white vinyl version in my loft). Do tell 'em I sent you...
------------------------
Trinity College, Dublin (TCD
Irish: Col\u00e1iste na Tr\u00edon\u00f3ide, Baile \u00c1tha Cliath), formally known as the College of the Holy and Undivided Trinity of Queen Elizabeth near Dublin, was founded in 1592 by letters patent from Queen Elizabeth I as the 'mother of a university', and is the only constituent college of the University of Dublin. Located in Dublin, Ireland, it is Ireland's oldest university.
Trinity was set up in part to consolidate the rule of the Tudor monarchy in Ireland, and it was seen as the university of the Protestant Ascendancy for much of its history
although Roman Catholics and Dissenters had been permitted to enter as early as 1793, certain restrictions on their membership of the college remained until 1873 (professorships, fellowships and scholarships were reserved for Protestants) , and the Catholic Church in Ireland forbade its adherents, without permission from their bishop, from attending until 1970. Women were first admitted to the college as full members in 1904.
Its a cool place, make time in your busy life to spend an afternoon there.
This is the place to see the Book Of Kells or just to enjoy the green on a sunny afternoon. My thanks to MOB (you know who you are) for the suggested Dublin tour. I met some old friends and old ghosts during my afternoon.
This shot uses a 720nm filter and is composed of 4 x colour infrared shots joined in a panorama. Original size 11,400x2,800pixels.
Checkout more w=33062170@N08\' target=\'_blank\'>neat architechture from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: BST,GMT,changing,clocks,time,falling,back,one,hour,pieces,putting,UK,england,britain,great,scotland,ireland,wales,british,summer,daylight,saving,fall,falls,face,head,faces,365days,Schotland,l'Ecosse,Ecosse,Schottland,\u03a3\u03ba\u03c9\u03c4\u03af\u03b1,la,Scozia,\u30b9\u30b3\u30c3\u30c8\u30e9\u30f3\u30c9,\uc2a4\ucf54\ud2c0\ub780\ub4dc,\u0428\u043e\u0442\u043b\u0430\u043d\u0434\u0438\u044f,Escocia,B/W,black,white,mono,monochrome,clock,watch,hands,digits,numbers,mecanism,move,movement,partial,mixed,color,me,this photo rocks,horloge,reloj,orologio,Taktgeber,selctive,colour,colores,hotpics,hotpic,hotpick,hotpicks,edinbrugh,hotpix!,tony smith photography,tdktony,tdk,tony,tdktonysmith
Description: Tony Smith image Flickr 4050906369 - 'Its GMT again, so many clocks to change. As its autumn, the clocks 'fall back' (geddit?).
Its worth remembering that BST is less than 100 years old (only coming into effect in 1916) and more worrying, the whole of Britain had different time zones (of local time) up until about 1840 (Truro being 20 mins behind Bristol - no change there then).
Ho Hum, soon be 28th March 2010.
And now it might be time for a kiss www.flickr.com/photos/hotpixuk/3812249017/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: City,Hall,Belfast,UK,ireland,dusk,night,nightshot,available,light,northern Ireland,northern,NI,May,street,shot,tripod,tripod shot,long,exposure,long exposure,north,port,stormont,n ireland,north ireland,emerald,isle,Eire,irish americans,bank,robbery,dec,december,summer,2004,ira,psni,great,this photo rocks,tonysmith,tony,smith,hotpics,hotpic,hotpick,hotpicks,noche,nuit,Ulster,redhand,red,hand,defenders,defender,sectarian,peace,province,hotpix!,#tonysmithhotpix
Description: Tony Smith image Flickr 3809054537 - 'One city I just love, great people, great times.
The hall shown here when taken as a night shot in all its glory.
After Belfast was awarded city status by Queen Victoria in 1888 this magnificent building was first planned. . There was much rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries at the time.
Architect Sir Alfred Brumwell Thomas supervised the start of construction in 1898 with completion in 1906 at a cost of approx \u00a3369,000.
Apparently Durban city hall in South Africa is a close replica of Belfast's City Hall
Later in the year when this originally taken (2004) just across from here in Donegal square, the Northern Bank Robbery took place 20th December.
A Belfast montage here www.flickr.com/photos/hotpixuk/3828202972/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC
',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,centre,apartment block,public housing,council housing,local authority housing,apartment building,flats,housing estate,residential building,urban housing,multi storey housing,modernist housing,affordable housing,rented housing,Dublin,documentary photography,AHB,housing,urban streetscape,residential street,city suburb,post war housing,1960s architecture,1970s architecture,balconies,communal living,inner city housing,housing density,social infrastructure,public,sector,neighbourhood life,street scene,Taylors Ln,disabled parking space,low income
Description: Tony Smith image Alamy 3CPAXPY - A multi-storey social housing apartment block on Taylors Lane in The Liberties, Dublin 8, photographed from the street with grey painted brickwork, repeated balconies, windows, railings and a marked wheelchair parking bay visible in the foreground. The image records older inner city public housing provision in one of Dublin's most historic urban districts, close to School Street, Marrowbone Lane and Thomas Court Bawn. Dublin City Council's regeneration material for the School Street and Thomas Court Bawn estate describes an existing site bounded by School Street, Taylor's Lane, Marrowbone Lane and Thomas Court Bawn, containing two five-storey housing blocks with homes and community facilities, with proposals for new and retrofitted council-managed housing. This photograph is useful for editorial coverage of Irish social housing, public housing estates, Dublin City Council homes, regeneration, retrofitting, housing maintenance, urban renewal, accessibility, tenant living conditions and housing supply pressure in the capital. The plain facade, balcony access and roadside setting make the image suitable for stories about local authority flats, apartment living, estate investment, city communities, public realm upgrades, social rented homes and the challenge of upgrading post-war housing stock while retaining communities in place. The cloudy daylight and visible street markings give the picture a neutral documentary feel rather than a promotional tone. It can support articles on housing policy, affordable homes, council housing, regeneration consultation, disability access, neighbourhood change, Dublin 8 planning, The Liberties, inner city deprivation, community services and the practical reality of maintaining older apartment blocks. With no identifiable close-up people, the image remains flexible for news, reports, websites, social housing presentations, local authority case studies and policy features on Ireland's housing crisis and public housing renewal.
Social housing flats on Taylors Lane in The Liberties, Dublin 8, showing public housing provision in
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,urban,city,centre,Ireland,porter,famous,signs,outside,a,bars,pub,pubs,bar,in,Dublin,1779,Guinness logo,stout beer,classic pub signage,hanging pub sign,Dublin nightlife,Irish culture,historic pub,brick buildings,street lamp,urban streetscape,hospitality industry,tourism Ireland,alcohol branding,evening atmosphere,iconic Irish brand,documentary photography,Europe pubs,evening light,Irish beer
Description: Tony Smith image Alamy 3BKDJGT - A traditional illuminated Guinness pub sign hanging from the exterior of an Irish pub in Dublin city centre, Ireland, photographed at dusk. The sign features the instantly recognisable Guinness branding, including a stylised pint of stout with a creamy head, set against a red background.
Guinness is one of Ireland's most iconic global brands and has been closely associated with Dublin since the eighteenth century. Hanging pub signs such as this are a familiar feature of the city's streetscape, particularly in historic areas where traditional pubs continue to play a central role in social and cultural life.
The warm glow of the illuminated sign contrasts with the surrounding brick and stone architecture and the fading evening light, evoking the atmosphere of Dublin's nightlife and hospitality scene. Street lamps and neighbouring buildings help frame the image within a lived-in urban environment.
This photograph is suitable for editorial use illustrating Irish pub culture, Dublin nightlife, iconic beer branding, tourism in Ireland, traditional hospitality, and urban street scenes in European capital cities.
2 Harry St, Dublin, Ireland, Dublin city centre, Dublin, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,CHI at Temple Street,Temple Street,Temple street,Childrens,University,Temple St,Rotunda,Dublin 1,D01 XD99,teaching hospital of University College Dublin and Trinity College,student,Childrens Health Ireland,building,Victorian,history,historic,architecture,1872,acute paediatric,foundation,system,health,healthcare,Sláinte Leanaí Éireann,ED,Emergency Department,NCIMD,Sarah Atkinson,Ellen Woodlock,Earls of Bellomont,at,15 Temple Street
Description: Tony Smith image Alamy 2M84JCF - Children's Health Ireland at Temple Street (Irish: Sláinte Leanaí Éireann ag Sráid an Teampaill) is a children's hospital located on Temple Street, Dublin, Ireland. It is a teaching hospital of University College Dublin and Trinity College Dublin
The hospital was founded by Mrs. Ellen Woodlock and her close friend Sarah Atkinson at 9 Upper Buckingham Street in 1872. It had just 8 beds when it opened. In 1876, the growing success of the hospital prompted the governing committee to invite the Religious Sisters of Charity to take over the running of the hospital.
In May 1879 the lease at 9 Upper Buckingham Street expired and, with the help of a bequest, the sisters purchased the former home of the Earls of Bellomont at 15 Temple Street. Over the following years adjoining houses were purchased such as the residence of the Parnell family, number 14. The hospital expanded in the 1930s with help from the Irish Hospitals' Sweepstake.
A new nurses' home and a new x-ray department was officially opened by Minister of Lands, Seán Flanagan, in the presence of the President of Ireland, Éamon de Valera, in 1972.
In line with other teaching hospitals, the facility changed its name from the Children's Hospital, Temple Street to the Children's University Hospital, Temple Street in the late 1990s and changed its name again to the Temple Street Children's University Hospital in 2012
The hospital changed its name from Temple Street Children's University Hospital to Children's Health Ireland at Temple Street as part of the rebranding of three hospitals under the Children's Health Ireland banner on 1 January 2019
Temple St, Rotunda, Dublin 1, D01 XD99, Ireland
-DDXKNE.jpg)
Description
Keywords: town,centre,WBC,family,families,killed,terrorist,terror,attack,justice,forgive,forgiveness,of,IRA,bomb,in,20/03/1993,Cheshire,UK,Ireland,Irish,Republican,Replacement,Memorial,commemoration,flowers,headstone,in,memory,history,Warrington Town Centre,Jonathon Ball,Tim Parry,GoTonySmith,@HotpixUK,history,historic,death,died,dead,murder,murdered,UK,England,English,British
Description: Tony Smith image Alamy DDXKNE - Thieves stolen a metal plaque erected in memory of two young boys who were killed in an IRA bomb attack in Warrington, Cheshire.
Tim Parry, who was 12, and Johnathan Ball, aged three, died in 1993 when two bombs detonated in the town centre injuring 54 people. The A3 size plaque is thought to have a scrap metal value of no more than £30.
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,Belfast,Irish,art,artworks,artwork,Hope,Lost,ingenuity,rd,Road,boat,ship,weld,Berlin wall,Shankill ingenuity,RMS Titanic,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM12J - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
-HDM14K.jpg)
Description
Keywords: GoTonySmith,not,gone,away,terrorists,Ulster,Belfast,Northern,Ireland,Irish,dove,doves,peace,increased,threat,level,of,violence,Unionist,Unionists,danger,to,the,chaos,UFF,UDA,terrorism,Joe Biden,paramilitary,organisations,raised,Rishi Sunak,severe,MI5,terror threat,EU,Eire,trade,light touch,instability
Description: Tony Smith image Alamy HDM14K - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: religion,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDM1C8 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,rd,Culture,Northern Culture,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFGM - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
Description
Keywords: with a,of,black stuff,NI,saloon,BT2,46 Great Victoria St,Belfast,County Antrim,Northern Ireland,BT2 7BA,Ireland,Irish,beer,46,The Crown Liquor Saloon,The,Crown,Liquor Saloon,Victorian,gin palace,Antrim,National Trust,NT,dry,stout,Guinness & Co,brewing,brewer,porter,history,historic,Diageo,PLC,alcoholic,drink,pint,full,glass,GoTonySmith
Description: Tony Smith image Alamy CEHRHC - The Crown Liquor Saloon, also known as the Crown Bar, is a pub in Great Victoria Street in Belfast, Northern Ireland. Refurbished in 1885, and at least twice since, it is an outstanding example of a Victorian gin palace, and one of Northern Ireland's best-known pubs. It is owned by the National Trust and is leased to Mitchells & Butlers who run it as a Nicholson's pub
Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Flanagan. Flanagan's son Patrick renamed and renovated it in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Flanagan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time
Guinness is an Irish dry stout that originated in the brewery of Arthur Guinness at St. James's Gate, Dublin, Ireland, in 1759. It is one of the most successful alcohol brands worldwide, brewed in almost 50 countries, and available in over 120. Sales in 2011 amounted to 850,000,000 litres (190,000,000 imp gal
220,000,000 U.S. gal). In spite of declining consumption since 2001, it is the best-selling alcoholic drink in Ireland where Guinness & Co. Brewery makes almost €2 billion worth of beer annually.
46 Great Victoria St, Belfast, County Antrim, Northern Ireland, BT2 7BA
