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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1791,Cat & Lion,Joseph Holt,Stretton,Warrington,pub,hotel,WA4 4NB,Tarporley Road,brewery,British pub,hospitality,restaurant,beer,evening,hanging baskets,Cheshire,North West,pub sign,England,UK,culture,public art,heritage,tourism,local identity,urban art,community,town centre
Description: Tony Smith image Alamy 3FCW8DM - . Evening view of the Cat & Lion Joseph Holt pub at Stretton near Warrington. This closer angle emphasises the illuminated CAT & LION fascia, pub sign and flower displays, giving a stronger sense of traditional roadside hospitality. The Cat & Lion at Stretton is a Joseph Holt pub and hotel on Tarporley Road, south of Warrington. Joseph Holt is a long-established Manchester brewer and pub operator whose estate remains strongly associated with Greater Manchester and the surrounding North West. The substantial roadside pub represents a type of suburban and semi-rural hospitality venue serving diners, drinkers, hotel guests and motorists. Evening exterior views are particularly useful for editorial themes around pub trading, hospitality, brewery-owned estates, local employment, drink-driving awareness and the changing economics of British pubs. The location is Cat & Lion, Tarporley Road, Stretton, Warrington, WA4 4NB, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. The photograph is particularly useful where a story needs an identifiable real-world example rather than an abstract illustration, because the surrounding details place the subject in an ordinary British or European setting. Commercial and civic landscapes can change quickly, so apparently routine photographs of signs, shopfronts, machines and transport infrastructure often acquire additional documentary value when companies rebrand, premises close or policies change. This makes the photograph a useful piece of contemporary editorial documentation.
Cat & Lion, Tarporley Road, Stretton, Warrington, WA4 4NB, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1435,Kimpton Clocktower,Refuge Assurance,Manchester,Oxford Street,M60 7HA,hotel,historic interior,Victorian architecture,Great Hall,terracotta,insurance building,heritage,luxury hotel,adaptive reuse,interior design,tourism,Greater Manchester,England,UK,history,historic,industrial archaeology,local history,architecture,conservation,built heritage,archive,documentary
Description: Tony Smith image Alamy 3FCW2WM - . Interior of the historic Refuge Assurance building, now Kimpton stock-photo/gotonysmith-Clocktower.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Clocktower Hotel, Manchester. The soaring interior combines ornate stone and timber detailing with a large circular glazed ceiling feature and contemporary hotel use, demonstrating the scale and grandeur of the former insurance headquarters. The Kimpton Clocktower Hotel occupies one of Manchester's grandest late-Victorian commercial buildings on Oxford Street. Originally associated with the Refuge Assurance Company, the complex is celebrated for its red brick, terracotta, tower and richly detailed interiors. The Refuge bar and restaurant now occupies part of the ground-floor public space, combining hospitality with the building's insurance-company heritage. Interior photographs of the great hall, winter garden and dining spaces are useful for architecture, adaptive reuse, tourism, hotel design and the conservation of prestigious commercial buildings. The location is Kimpton Clocktower Hotel, Oxford Street, Manchester, M60 7HA, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. Details that might seem mundane at the moment of photography can later help date a streetscape or explain how a service was delivered, which is one reason straightforward editorial documentation remains useful to archives and publishers. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. The photograph is particularly useful where a story needs an identifiable real-world example rather than an abstract illustration, because the surrounding details place the subject in an ordinary British or European setting.
Kimpton Clocktower Hotel, Oxford Street, Manchester, M60 7HA, England
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_2944,West Yorkshire,Traditional,pub,interior,Scarborough,Hotel,Leeds,West,Yorkshire,England,bar,beer,ale,hospitality,drinking,leisure,independent
Description: Tony Smith image Alamy 3F98AJT - . Traditional pub interior at the Scarborough Hotel in Leeds, West Yorkshire, England, UK. Photographed on 18 July 2026. Within the history of licensed premises, beer culture links agriculture, brewing, distribution and the licensed trade
Cask-conditioned ale, handpumps, brewery branding and pub interiors became especially significant to the real-ale revival from the 1970s onwards, while later craft brewing introduced new styles and independent producers. In relation to streetscape, historical context shows that the built environment is continually reused
Warehouses become apartments, stations become event spaces and commercial premises acquire new occupants, making older photographs particularly useful for tracing regeneration, demolition, conservation and adaptive reuse. For the story of transport gateway, it is useful to note that tourism has long shaped the economy and appearance of destinations, influencing hotels, transport links, waterfronts, attractions and shopping streets
Railway expansion, motoring and later low-cost air travel successively widened access to places once considered remote. Against the 2026 backdrop for licensed premises, pub survival remains a live issue as energy, staffing, taxation and changing drinking habits affect the licensed trade
Historic and contemporary pub images therefore have relevance to community assets, nightlife, independent brewing, high-street change and hospitality economics. As of 2026, the position for streetscape is that reuse of existing buildings is increasingly discussed alongside embodied carbon, heritage conservation and town-centre regeneration
Photographs of older façades and converted premises can illustrate the practical tension between preservation, energy performance and new development. Useful subject and context terms include public house, alehouse, hostelry, bar trade, real ale, cask ale, local pub, historic pub, independent brewery, architectural detail, historic building, and facade.
Leeds, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_1847,Hilton Garden Inn Silverstone,hotel,Silverstone Circuit,Northamptonshire,England,UK,race,weekend,motorsport,tourism,hospitality,accommodation,visitors,fans,Formula,One,event,travel,modern,building,crowds,spectators,summer,commercial,venue,racing,circuit
Description: Tony Smith image Alamy 3F0K3EJ - . Hilton Garden Inn Silverstone hotel beside Silverstone Circuit, Northamptonshire, England, UK. Photographed on 3 July 2026. The recorded location is Hilton Garden Inn Silverstone, Silverstone Circuit, Towcester, England, UK. The modern multi-storey hotel directly overlooks the motor-racing circuit and provides accommodation, hospitality and spectator facilities for visitors attending major motorsport events. Crowds of racegoers are visible at ground level beneath a bright summer sky, giving the image a strong event atmosphere. Silverstone Circuit occupies a former Second World War RAF airfield and hosted the first Formula One World Championship race in 1950. It remains the home of the British Grand Prix and one of the UK's most important motorsport venues, combining historic track heritage with continually upgraded spectator, hospitality and safety infrastructure. The background to motorsport is that british motorsport grew from post-war club racing into a global industry clustered around specialist engineering firms and circuits, with Silverstone becoming its most prominent public venue. Within the history of retail and leisure, local businesses provide unusually precise social-history evidence because names, branding and uses change more quickly than the buildings they occupy
A shop, café, pub or service company can disappear while the façade survives, leaving photographs as a record of the previous commercial life of the street. In relation to visitor experience, historical context shows that visitor destinations are continually re-presented through signs, viewpoints, museums and events
Photographs can reveal both the enduring attractions of landscape and heritage and the commercial infrastructure built around them. Current 2026 context around motorsport is that silverstone remains the home of the British Grand Prix and a major year-round motorsport destination, while trackside hotels, hospitality and residential developments show how the circuit.
Hilton Garden Inn Silverstone, Silverstone Circuit, Towcester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,circuit,trackside,hotel,hospitality,corner,Maggotts and Becketts,British,GP,F1,Grand Prix,Formula One,Northamptonshire,residences,resort,race circuit,high-end,rooftop,terrace,restaurant,swimming pool,sauna and gym,contemporary,architecture,motor racing,venue,Formula 1,fans,British motorsport,The Gallery,60 private residences,184 ensuite,bedrooms,exterior,race weekend,circuit-side lodging,expensive,spectator walkway
Description: Tony Smith image Alamy 3F0K3GG - Escapade Silverstone's distinctive clubhouse stands beside the Silverstone Grand Prix circuit in Northamptonshire, England, during a busy race weekend. The modern angular building carries large red ESCAPADE lettering above a long glazed upper floor, while spectators and motorsport fans walk past under a bright summer sky with scattered cloud. People can also be seen on the rooftop terrace, which provides elevated views towards some of the circuit's most celebrated corners.
The development occupies a trackside site between Copse, Maggotts and Becketts, placing guests close to one of Formula One's fastest and most technically demanding sequences. Escapade combines high-end accommodation with motorsport hospitality and comprises 60 private contemporary residences providing 184 ensuite bedrooms. The residences include open-plan living areas, terraces or balconies and views over either the racing circuit or the surrounding Northamptonshire countryside.
At the centre of the development is the clubhouse, known as The Gallery. Facilities include a trackside restaurant and bar, private dining space, rooftop terrace, 15-metre swimming pool, sauna, treatment rooms and a driver-focused gym. Broad windows and the projecting upper level maximise views across the circuit while creating a bold architectural landmark beside the spectator route.
Escapade opened in 2024 as an immersive luxury trackside hotel and residential development. It offers year-round stays as well as accommodation and hospitality during major events including the Formula 1 British Grand Prix. The image captures the contrast between exclusive modern lodging and the informal crowds circulating around Silverstone on an event day. The clubhouse, residences and leisure facilities reflect the circuit's evolution from a motor-racing venue into a destination for tourism, corporate events, dining, wellness and motorsport experiences.
Silverstone Circuit, Towcester, Northamptonshire, England, NN12 8TN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,service,Manchester Central,trams,city,centre transport,historic,hotel,Edwardian,Greater Manchester,public transport,urban,public,transport,railway,heritage,yellow tram,landmark,sustainable travel,light rail network,public transport investment,city centre regeneration,adaptive reuse,business tourism,hotel accommodation,conference district,urban mobility,transport connectivity,architectural heritage,visitor economy,low-carbon travel,integrated transport,metropolitan infrastructure,city break destination,historic railway terminus,Edwardian Baroque,Charles Trubshaw,Midland Railway Company
Description: Tony Smith image Alamy 3EM1WE6 - Landmark Midland Hotel overlooks a yellow Manchester Metrolink tram travelling towards Altrincham beside Manchester Central in the city centre. Photographed from an elevated position, the scene combines red-brick Edwardian architecture, modern offices, tram tracks, pedestrian space and a blue sky with scattered cloud. The image captures several layers of Manchester transport and urban history within a compact city-centre view.
The Midland Hotel was built between 1898 and 1903 for the Midland Railway Company and designed by architect Charles Trubshaw. Its elaborate red brick, terracotta and polished granite exterior is a major example of Edwardian Baroque architecture. The Grade II* listed hotel was positioned opposite Manchester Central railway station, allowing railway passengers arriving from London St Pancras and other destinations to stay close to the terminus. The building later became associated with Manchester hospitality, conferences, dining and landmark city-centre accommodation.
Manchester Central opened in 1880 as the northern terminus of the Cheshire Lines Committee railway. Passenger services ended in 1969, and the vast train shed was subsequently converted into the G-MEX exhibition centre before being renamed Manchester Central. The former railway approach now forms part of the Metrolink route towards Deansgate-Castlefield and Altrincham, creating a direct visual connection between historic heavy rail infrastructure and the modern light-rail network.
The tram shown is operating an Altrincham service through the Manchester Central area. This route formed part of the first phase of Metrolink, which opened in 1992 using converted railway alignments. The photograph is suitable for editorial coverage of Manchester architecture, tram travel, public transport, railway heritage, adaptive reuse, city-centre regeneration, sustainable urban mobility, tourism, hotels, business travel and the changing transport landscape of Greater Manchester
16 Peter Street, Manchester, Greater Manchester, England, M60 2DS
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Hilton,hotel,trackside hotel,motorsport,hospitality,Silverstone hospitality,circuit-side,premium,sports,exterior,branding,British motorsport,race weekend,hotels,Northamptonshire,England,United Kingdom,tourism,track-view,rooms,expensive sporting event,luxury race experience,corporate entertainment,premium accommodation,Grand Prix tourism,high-demand hotel pricing,event hospitality economy,international motor racing,sponsor hospitality,client entertainment,trackside dining,rooftop viewing,business,visitor expenditure,exclusive access,commercial,starting grid views
Description: Tony Smith image Alamy 3EE4M65 - Hilton Garden Inn Silverstone photographed beside the British Formula One Grand Prix circuit, with its large red hotel name sign dominating the foreground and the multi-storey building rising behind. The hotel stands directly alongside Hamilton Straight and forms part of the premium accommodation and hospitality offer at one of the world's best-known motor racing venues. Its location provides close access to the track, with selected bedrooms and suites offering circuit views from private balconies.
The hotel has 197 bedrooms and includes the trackside BOX Bar & Kitchen, a rooftop bar, a Starbucks coffee shop, fitness facilities and meeting space. Hilton promotes panoramic views of Silverstone, while the circuit describes the property as offering bedrooms overlooking the starting grid. During major race weekends, especially the Formula One British Grand Prix in July, accommodation and hospitality near the circuit can command high prices because of exceptional demand, limited availability and the value placed on immediate trackside access.
This image illustrates the increasingly commercial and hospitality-led character of major international sporting events. Formula One visitors may spend substantial sums not only on admission tickets but also on hotels, premium viewing areas, dining, corporate packages, travel and entertainment. For businesses and sponsors, trackside venues can provide client entertainment and networking opportunities, while fans may regard a room overlooking the circuit as a rare luxury experience.
The low-angle architectural view emphasises the hotel's scale, dark cladding, long rows of windows and bold Hilton Garden Inn branding. Photographed beneath an overcast sky, it suits editorial themes involving British motorsport, expensive sports hospitality, Formula One tourism, hotel pricing, corporate entertainment, event accommodation, Silverstone development and the wider commercial economy surrounding the British Grand Prix.
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, United Kingdom, NN12 8TL
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_9367,Pub Kitchen and Hotel,The Old Ship,London,England,UK,neon,pub,kitchen,hotel,anchor,sign,red,hospitality,restaurant,accommodation,nightlife,bar,British,drinking,urban,maritime,glowing,signage,leisure,city
Description: Tony Smith image Alamy 3F3F0XH - . Neon Pub Kitchen and Hotel sign with anchor symbol at The Old Ship pub in London, England, UK. Photographed on 30 October 2023. The sign combines traditional maritime pub imagery with contemporary neon styling and is suitable for editorial use on pub culture, hospitality, accommodation, restaurants, nightlife, neon signs, British drinking culture and urban leisure. Seen through beer culture, the earlier context is that public houses form a distinctive strand of British social history
Coaching routes, tied brewery estates, Victorian urban growth and twentieth-century leisure each shaped the location and appearance of pubs, many of which later became restaurants, shops, housing or community assets. For passenger ferry, the historical context is that harbours and ferry ports have shaped coastal communities for centuries, providing sheltered water for fishing, trade and passenger travel
Quays, piers, slipways and terminal buildings record evolving vessel sizes and the transition from cargo handling to modern roll-on roll-off ferry operations. Looking at street furniture, the longer history is that wayfinding developed from painted names and fingerposts into standardised road, rail and public-information systems
Local signs still retain distinctive typography or bilingual wording even within increasingly consistent national standards. The 2026 relevance of beer culture comes from the fact that pub survival remains a live issue as energy, staffing, taxation and changing drinking habits affect the licensed trade
Historic and contemporary pub images therefore have relevance to community assets, nightlife, independent brewing, high-street change and hospitality economics. For passenger ferry, the 2026 context is that ferry reliability, vessel replacement, accessibility and the resilience of island transport remain prominent issues in Scotland and other coastal regions
Port photographs therefore connect tourism and scenic travel with the practical.
London, England, UK
--5th-Duke-of-Devonshire-bronze-statue--George-Street--Buxton--High-Peak--Derbyshire--England---UK--SK17-6BH-2RJPXH7.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,High Peak,Derbyshire,England,UK,spa,historic,SK17 6BH,SK17,bronze,hotel,Crescent,the,1748""“1811,5th,stands,standing,by,sculptor,pose,scroll,plans,built,builder,commissioned,funded,Bill,Sheila,Barratt,Buxton Crescent Hotel,restored,gift,gifted,Trevor Osborne,Ensana
Description: Tony Smith image Alamy 2RJPXH7 - Read more at https://www.buxtonadvertiser.co.uk/whats-on/arts-and-entertainment/sculpture-of-duke-of-devonshire-officially-unveiled-at-buxton-crescent-hotel-3396129
A statue of William Cavendish, 5th Duke of Devonshire, standing pose holding a scroll of plans in his hand. The duke built the crescent area in Buxton but had never been celebrated for his achievement. Two local people commissioned and funded the project which took 20 years to come to fruition, due to the extensive renovations to the Crescent Hotel.
The idea for the statue has been long in the planning, with Sheila previously explaining that it first came about in the late 90s when tourists asked the couple who had built the Crescent and why there was no monument honouring the achievement.
It was commissioned and funded by Bill and Sheila more than 20 years ago but had been put on hold several times as various complications caused set backs to the major scheme to redevelop the Crescent into a five-star spa hotel.
The striking 7.5 ft bronze sculpture - weighing 285kg - shows William Cavendish in his favourite, every-day business clothes - reflecting his reputation as a ˜quiet sort of person'.
George Street, Buxton, High Peak, Derbyshire, England , UK, SK17 6BH
--5th-Duke-of-Devonshire-bronze-statue--George-Street--Buxton--High-Peak--Derbyshire--England---UK--SK17-6BH-2RJPXH9.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,High Peak,Derbyshire,England,UK,spa,historic,SK17 6BH,SK17,bronze,hotel,Crescent,the,1748""“1811,5th,stands,standing,by,sculptor,pose,scroll,plans,built,builder,commissioned,funded,Bill,Sheila,Barratt,Buxton Crescent Hotel,restored,gift,gifted,Trevor Osborne,Ensana
Description: Tony Smith image Alamy 2RJPXH9 - Read more at https://www.buxtonadvertiser.co.uk/whats-on/arts-and-entertainment/sculpture-of-duke-of-devonshire-officially-unveiled-at-buxton-crescent-hotel-3396129
A statue of William Cavendish, 5th Duke of Devonshire, standing pose holding a scroll of plans in his hand. The duke built the crescent area in Buxton but had never been celebrated for his achievement. Two local people commissioned and funded the project which took 20 years to come to fruition, due to the extensive renovations to the Crescent Hotel.
The idea for the statue has been long in the planning, with Sheila previously explaining that it first came about in the late 90s when tourists asked the couple who had built the Crescent and why there was no monument honouring the achievement.
It was commissioned and funded by Bill and Sheila more than 20 years ago but had been put on hold several times as various complications caused set backs to the major scheme to redevelop the Crescent into a five-star spa hotel.
The striking 7.5 ft bronze sculpture - weighing 285kg - shows William Cavendish in his favourite, every-day business clothes - reflecting his reputation as a ˜quiet sort of person'.
George Street, Buxton, High Peak, Derbyshire, England , UK, SK17 6BH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,Cymru,Wales,Welsh,UK,Cardiff,St Mary St,city,historic,history,heritage,hotel,building,architecture,outside,frontage,listed,pub,bar,pubs,stone,commercial,reuse,South Wales,sign,ground floor,pedestrians,walking,wet,pavement,reflections,urban,street scene,tourism,tourists,capital
Description: Tony Smith image Alamy 2RFJ3CY - This image shows the former Royal Hotel building on St Mary Street in Cardiff city centre, a prominent Victorian-era structure that once operated as one of the city's notable hotels and now houses the Slug & Lettuce bar and restaurant. The stone-fronted facade, with its symmetrical window arrangement and classical detailing, reflects Cardiff's late nineteenth-century commercial architecture and the city's expansion during the industrial and dockland boom years.
The words ROYAL HOTEL remain clearly visible across the upper facade, preserving the building's historic identity despite its modern hospitality use. At street level, contemporary branding and glazing for Slug & Lettuce sit within the original architectural framework, illustrating the adaptive reuse of historic city-centre buildings common across UK high streets.
The photograph appears to have been taken in daylight during warmer months, with people casually dressed and moving along St Mary Street. The pavement looks wet, suggesting recent rain, with subtle reflections adding texture to the urban scene. Overhead tram or utility wires are visible, reinforcing the dense city-centre environment.
St Mary Street is one of Cardiff's principal pedestrian routes, linking shopping, nightlife, and tourism areas, and this building forms part of a continuous historic streetscape that blends heritage architecture with contemporary leisure and retail uses. The image captures both Cardiff's architectural past and its present-day role as a lively capital city destination.
St Mary Street, Cardiff city centre, Cardiff, Wales, UK, CF10 1AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,WA1,94 Bridge St,WA1 2RF,pubs,bars,town,centre,nightlife,hotel,94,Victorian,building,architecture,the,late night,front,exterior,outside,sports bar,cocktails,Gerogian,lodging,lodgings,licensed,premises,premise,brick,facade,façade,Feathers Warrington,refurb,refurbishment,AJP,Pub Group Ltd
Description: Tony Smith image Alamy 2RC31AA - . The Feathers public house 1900, 94 Bridge St, Warrington, Cheshire, England, UK, WA1 2RF. Photographed on 11 July 2023. As background, public houses form a distinctive part of British social history, combining licensed drinking, hospitality and community life
Older pubs can reveal changing fashions in brewing, tied houses, coaching routes, urban development and leisure, while modern bars show how the licensed trade continues to adapt. In historical terms, city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban evolution than landmark images alone. Against the 2026 backdrop, pub survival is a live issue, with government support including a 15% business-rates relief for eligible pubs and live-music venues in England during 2026/27, alongside wider debate about closures, property costs and the value of pubs as community assets. During 2026, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way. From a heritage perspective, pub structures and signs provide a useful record of the licensed trade, from traditional alehouses and brewery estates to contemporary hospitality businesses
They are also part of the story of changing high streets, nightlife, real ale, cask beer and the survival or reuse of historic premises. Looking at the subject's development, british pubs evolved from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, drinking houses, music venues and landmarks within town and village life
Their architecture, signs, interiors and changing names often preserve layers of local commercial and social history.
94 Bridge St, Warrington, Cheshire, England, UK, WA1 2RF
Description
Keywords: 2023,July,British,UK,England,GoTonySmith,HotpixUK,@HotpixUK,the,house,fence,fencing,building,build,track,view,stacked,waitlist,clubhouse,hotel,hotels,hospitality,and,accommodation,offerings,offering,investing,investment,VVIP,VIP,guest,guests,BRDC,profit,profitability,rental,income,trackside,residences
Description: Tony Smith image Alamy 2RCC5T7 - More at https://oversteer48.com/escapade-silverstone/#:~:text=Escapade%20Silverstone%20is%20a%20development,live%20in%20them%20full%20time.
How much does an Escapade Silverstone house cost?
Escapade Silverstone prices start at £850,000 for a countryside 2 bedroom property and go up to £2.2m for a trackside 4 bedroom property.
Can you live in them?
This is where it gets interesting. The Escapade Silverstone development is designed to be an extension of Silverstone's current hospitality offering and as such they are fully managed by Silverstone circuit themselves, right down to the matching furnishings.
If you purchase one of the properties you can live in it for a pre-determined number of days each year. Go over that number of days and you have to pay a nightly room rate to stay in your own property, albeit at a 35% discount over standard rates.
You can stay for 30 nights multiplied by the number of bedrooms in your property. If you have a 4 bedroom trackside residency, you have 120 ˜bedroom usage nights' per calendar year that you can stay.
During the major events at Silverstone, nightly bedroom usage rates are multiplied by a preset factor. At the F1 the nights are multiplied by 5, and all of the bedrooms in the property are assumed to be used regardless of how full it is.
So if just one couple stays in a 4 bedroom trackside suite for 3 nights at the F1, they would use up 60 (half) of their yearly bedroom usage nights.
an investment with petrolhead perks
Owning one of the Escapade Silverstone properties is like a cross between owning an AirBnB and a Timeshare.
Think of the whole Escapade development as a hotel complex. Now think of the money to purchase one of the properties as an investment in the hotel. As a perk of your investment you get a number of ˜free' night's accommodation in the property with incredible views of the circuit, as well as a number of other bonuses including free access to Silverstone events, free access to the Escapade clubhouse
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL
Description
Keywords: 2023,July,British,UK,England,GoTonySmith,HotpixUK,@HotpixUK,the,house,fence,fencing,building,build,track,view,stacked,waitlist,clubhouse,hotel,hotels,hospitality,and,accommodation,offerings,offering,investing,investment,VVIP,VIP,guest,guests,BRDC,profit,profitability,rental,income,trackside,residences
Description: Tony Smith image Alamy 2RCC5T9 - More at https://oversteer48.com/escapade-silverstone/#:~:text=Escapade%20Silverstone%20is%20a%20development,live%20in%20them%20full%20time.
How much does an Escapade Silverstone house cost?
Escapade Silverstone prices start at £850,000 for a countryside 2 bedroom property and go up to £2.2m for a trackside 4 bedroom property.
Can you live in them?
This is where it gets interesting. The Escapade Silverstone development is designed to be an extension of Silverstone's current hospitality offering and as such they are fully managed by Silverstone circuit themselves, right down to the matching furnishings.
If you purchase one of the properties you can live in it for a pre-determined number of days each year. Go over that number of days and you have to pay a nightly room rate to stay in your own property, albeit at a 35% discount over standard rates.
You can stay for 30 nights multiplied by the number of bedrooms in your property. If you have a 4 bedroom trackside residency, you have 120 ˜bedroom usage nights' per calendar year that you can stay.
During the major events at Silverstone, nightly bedroom usage rates are multiplied by a preset factor. At the F1 the nights are multiplied by 5, and all of the bedrooms in the property are assumed to be used regardless of how full it is.
So if just one couple stays in a 4 bedroom trackside suite for 3 nights at the F1, they would use up 60 (half) of their yearly bedroom usage nights.
an investment with petrolhead perks
Owning one of the Escapade Silverstone properties is like a cross between owning an AirBnB and a Timeshare.
Think of the whole Escapade development as a hotel complex. Now think of the money to purchase one of the properties as an investment in the hotel. As a perk of your investment you get a number of ˜free' night's accommodation in the property with incredible views of the circuit, as well as a number of other bonuses including free access to Silverstone events, free access to the Escapade clubhouse
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,Manchester,and,1903,steamship,steam,powered,ship,boat,boats,dock,on,Liverpools,evening,Liverpool,L3,L3 4AF,evenings,at,the,docks,harbour,Royal Albert Dock,Albert Dock,orange,glow,glows,Hilton,hotels,hotel,Liverpool One
Description: Tony Smith image Alamy 2R1MF8A - . Hilton Hotel and Daniel Adamson 1903 steamship boat, on Liverpool Albert Dock waterfront, evening sunset, Liverpool, England, UK, L3 4AF. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, Manchester, steamship, steam, powered, ship, boat, boats, dock, Liverpools, evening, Liverpool, providing natural SEO coverage without losing the specific documentary identity of the photograph. Weather and natural light are part of the visual character of the frame, helping define the season, atmosphere, colour and visibility of architectural or landscape detail. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The transport setting gives the image wider relevance to mobility, infrastructure, roads and public transport, travel behaviour, local connectivity, logistics and the relationship between vehicles and the built environment. It can illustrate planning, transport policy, accessibility, congestion, public investment and the changing technologies and services used to move people or goods. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration.
Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,full,English,sausage,eggs,bacon,hash brown,tomato,hashbrown,fry,frying,in,a,hotel,the,at,&,Royal,Godalming,Surrey,UK,GU7,22-25,High St,England,GU7 1EB,cup,cups,dining,room,wide,angle,wideangle,traditional,substantial,back,pork,dish,dishes
Description: Tony Smith image Alamy 2PG2JAD - A full breakfast is a substantial cooked breakfast meal, often served in the United Kingdom and Ireland, that typically includes bacon, sausages, eggs, black pudding, baked beans, tomatoes, mushrooms, toast, and a beverage such as coffee or tea. It appears in different regional variants and is referred to by different names depending on the area. While it is colloquially known as a fry-up in most areas of the United Kingdom and Ireland, it is usually referred to as a full English (often full English breakfast), a full Irish, full Scottish, full Welsh, and Ulster fry, in England, the Republic of Ireland, Scotland, Wales, and Northern Ireland, respectively.
On its origin, Country Life magazine states, The idea of the English breakfast as a national dish goes right back to the 13th century and the country houses of the gentry. In the old Anglo-Saxon tradition of hospitality, households would provide hearty breakfasts for visiting friends, relatives and neighbours. The fried breakfast became popular in Great Britain and Ireland during the Victorian era, and appears as one among many suggested breakfasts in home economist Isabella Beeton's Book of Household Management (1861). Its popularity soared post“World War II and became a staple of the working class. The protein-centric full breakfast is often contrasted (e.g. on hotel menus) with the lighter, carbohydrate-based alternative of a continental breakfast.
22-25 High St, Godalming, Surrey, England, UK, GU7 1EB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,hotel,at,night,in,the,night time,buildings,flags,flag,GL50,grade II,building,architecture,Architects,RW Jearrad,C Jearrad,over,with,slate roof,VR,keystones,Temple of Jupiter,Rome,Victorian,Second World War,used as,American Services Club,SO9457122001,475684,The Queens,Queens,opulent,opulence,grand,history,historic
Description: Tony Smith image Alamy 2M6T37J - SO9422SE PROMENADE 630-1/13/765 (South East side) 12/03/55 Queen's Hotel
GV II*
Hotel. 1838. Architects, RW and C Jearrad. Built on the site of the Sherborne Spa at a cost of »47,000. Stucco over brick with slate roof. EXTERIOR: 4 storeys, 13 first-floor windows arranged 4:5:4, with 4-storey, 3-window range set back to right. Stucco detailing includes ground-floor horizontal rustication, drawn into voussoirs over window recesses, with crowns and 'VR' to keystones
deep round-arched recesses and panelled reveals to windows and entrance. Ground floor breaks forwards and is surmounted by 3/4 engaged columns with capitals modelled on those of the Temple of Jupiter, Rome, breaking forwards again to centre and with hexastyle pedimented 'portico'. Crowning dentil entablature with modillion cornice. Ground floor has mainly 3/6 windows with radial glazing bars to heads. First and second floors have mainly 6/6 sashes, taller to first floor. Third floor has 3/3 sashes. Central entrance has double, glazed doors and fanlight. INTERIOR: noted as retaining original plasterwork and joinery. A detailed description of the hotel in 1838, and a summary of its significance in an international context, can be found in Pevsner (1976) who described Queen's Hotel and 'one of the finest early Victorian English Hotels'. HISTORICAL NOTE: a notable early example of the larger hotels which were erected in some resorts before the great 'railway hotels'. The Promenade was laid out in 1818 as a tree-lined avenue from the Colonnade in the High Street to the Sherborne Spa (later named the Imperial Spa), on the site of which the Queen's Hotel now stands. By 1826 it was a carriage drive with spacious gravelled walk on either side. Notable guests to the Hotel include Edward VII (when Prince of Wales), Prince Louis Jerome Napoleon, the Rajah of Sarawak, Elgar, and Sir Arthur Conan Doyle. The hotel opened 21 July 1838, its first lessee was Richard Liddell. It had over 120 bedrooms, 25 sitting rooms
The Promenade, Cheltenham, Gloucestershire, England, UK, GL50 1NN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,wholesale,garment,makers,mens,wear,top,branded,retail,stock,sizes,plus,regular,blue sign,signage,warehouse,large,sized,hotel,entertainment,personal,attire,business,Chatleys,M4,Cheetham Hill,Manchester,England,UK,M4 4ER,warehouses,everything,in,menswear
Description: Tony Smith image Alamy 2JTR42Y - . A grounded documentary photograph made at Cheetham Hill ,Manchester, England, UK, M4 4ER in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The frame specifically shows Chatleys, Big Size menswear, Cheetham Hill ,Manchester, England, UK, M4 4ER. The subject also carries associations with mixed-use town centre, night-time economy, bricks-and-mortar retail, archival record, local enterprise, changing land use, casual dining, street-level dining, period detail, everyday life, public realm, traditional hostelry, documentary photography, and independent trading. Current relevance extends to business rates and online shopping, particularly through the role of markets and independent shops in keeping town centres active. In present-day coverage, the subject reaches into food inflation and staffing pressure, not least because of how familiar pubs and restaurants shape neighbourhood identity. Small period details of equipment and working practice at Cheetham Hill ,Manchester, England, UK, M4 4ER may become more significant with time, particularly following changed technology. A second descriptive layer includes hospitality economy, shopfront economy, local social venue, regional identity, neighbourhood drinking venue, street-level business, visual archive, and town-centre economy. The combination of Chatleys, Cheetham, menswear, and Manchester anchors the frame to a recognisable activity, place or moment. Around Cheetham Hill ,Manchester, England, UK, M4 4ER, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to business rates and how physical retail adapts to online competition without losing the local specificity of Cheetham Hill ,Manchester, England, UK, M4 4ER. The frame retains a point of historical comparison for later comparison.
Cheetham Hill ,Manchester, England, UK, M4 4ER
Description
Keywords: GoTonySmith,HotpixUK,Lancashire,England,FY1,79 Abingdon St,FY1 1PP,empty,void,potential,housing,UKhousing,Guesthouse,derelict,Allandale Private hotel,Allandale,Private,hotel,B&B,old,unsuccessful,deprivation,town,centre,building,architecture,downbeat,depressed,depressing,fail,failing,places,fly,posting,posted,vandalised,deprived,area,rundown,run down
Description: Tony Smith image Alamy 2JRFFBF - . A grounded documentary photograph made at 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Derelict Allandale Private hotel, Guesthouse, 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP. The subject also carries associations with food-and-drink business, hospitality economy, customer-facing leisure, local social venue, heritage-led regeneration, casual dining, changing land use, architectural character, changing streetscape, mixed-use redevelopment, hospitality trade, social history, period architecture, and neighbourhood drinking venue. The wider contemporary story combines adaptive reuse, town-centre regeneration and the tension between preserving local character and creating modern commercial space. Viewed from the mid-2020s, the subject also connects with commercial rents, hospitality costs and how branded and independent hospitality compete for changing leisure spending. Future viewers can use this scene from 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP to compare commercial use and occupation with whatever follows after replacement signage. The photograph additionally reflects historical comparison, community pub, urban fabric, licensed trade, documentary photography, licensed hospitality, civic architecture, and local history. The recorded references to Private, Blackpool, Guesthouse, Derelict, and Abingdon preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image fixes details of everyday use within the wider story of 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP.
79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancashire,England,UK,holidays,holiday,coast,coastline,hotel,hotels,B&B,examples,277-279,Blackpool,summer,blue,sky,skies,garveys hotel,garveyshotel,North West,Britain,GB,British,hospitality,Great Britain,northern,great,landlady,resort,vacation,vacations,town,centre,sunny,blue skies,blue sky
Description: Tony Smith image Alamy 2JRM394 - . This location-specific image from 277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The photograph centres on Blackpool Promenade Hotel, Rooms by the beach, 277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ. Other connected aspects include changing streetscape, built heritage, changing land use, historic townscape, period architecture, urban fabric, grain harvest, rural economy, place-making, urban regeneration, food supply chain, crop production, cereal crop, and community identity. Viewed from the mid-2020s, the subject also connects with crop yields, soil health and how hotter and wetter weather affects crop reliability. The modern context includes continuing discussion of adaptive reuse, housing pressure and how public investment can reshape pedestrian movement and evening activity. Future viewers can use this scene from 277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ to compare signage and branding with whatever follows after conservation work. A second descriptive layer includes grain quality, farm produce, place identity, town-centre renewal, agricultural landscape, archival record, local character, and local history. The combination of Blackpool, Promenade, 277-279, Lancashire, and Hotel anchors the frame to a recognisable activity, place or moment. By fixing the subject within 277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of crop yields and how hotter and wetter weather affects crop reliability within the specific setting of 277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ.
277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancashire,England,UK,holidays,holiday,coast,coastline,hotel,hotels,B&B,examples,corner,accommodation,Harper Beach Hotel,on,the,Harper,parking,ensuite,en-suite,271,FY1 6AH,FY1,summer,blue,sky,skies,North West,Britain,GB,British,hospitality,Great Britain,northern,great,landlady,peeling
Description: Tony Smith image Alamy 2JRM399 - . An identifiable period record of 271 promenade, Blackpool, Lancs, England, UK, FY1 6AH in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The location is represented through Corner hotel, Harper Beach Hotel on the promenade, Blackpool, Lancs, England, UK, FY1 6AH. The image also relates to grain harvest, field crop, traditional hostelry, before-and-after reference, changing land use, contemporary social history, historical comparison, social history, farm produce, summer fieldwork, grain quality, changing streetscape, community pub, and pub heritage. The modern context includes continuing discussion of farm costs, crop yields and the relationship between rural landscapes and national food security. For current editorial use, consumer spending and business rates provide additional context, especially through how branded and independent hospitality compete for changing leisure spending. As a dated visual record of 271 promenade, Blackpool, Lancs, England, UK, FY1 6AH, the frame retains equipment and working practice, making it especially useful if refurbishment subsequently changes the scene. The surrounding story also includes archival record, agricultural landscape, public realm, local character, licensed hospitality, street-level dining, local history, and barley cultivation. Details involving hotel, Blackpool, Lancs, Beach, and promenade make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within 271 promenade, Blackpool, Lancs, England, UK, FY1 6AH, the image preserves more than the headline object or building: it records part of the locality's everyday history. A further contemporary connection is farm costs and the relationship between rural landscapes and national food security when considered against later change at 271 promenade, Blackpool, Lancs, England, UK, FY1 6AH.
271 promenade, Blackpool, Lancs, England, UK, FY1 6AH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,CW5,bar,live,music,gig,pub,celebrate,celebration,celebrating,cheery,happy,decorated,decorations,outside,exterior,pubs,bars,sunny,blue,sky,skies,hotel,heritage,Victorian,blue sky,blue skies,town,town centre,interesting,tourist,tourism,attraction,attractions,band
Description: Tony Smith image Alamy 2JNN53X - . This scene at Pillory St, Nantwich, Cheshire, England, UK, CW5 5SS in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is Summer bunting at the Railway Hotel, Pillory St, Nantwich, Cheshire, England, UK, CW5 5SS. Further facets of the scene include historical comparison, period detail, place identity, public realm, creative culture, cultural venue, gallery space, arts heritage, creative industries, social history, contemporary social history, arts destination, local character, and everyday life. For current editorial use, venue costs and cultural tourism provide additional context, especially through how arts spaces contribute to local identity and tourism. The image fixes transport arrangements and footfall within Pillory St, Nantwich, Cheshire, England, UK, CW5 5SS at one identifiable point, providing a benchmark against redevelopment. The photograph additionally reflects changing land use, performance venue, changing streetscape, local cultural identity, community identity, before-and-after reference, visual archive, and regional identity. Details involving bunting, Summer, Hotel, Railway, and Nantwich make the image more specific than a generic view and strengthen its local or historical value. Around Pillory St, Nantwich, Cheshire, England, UK, CW5 5SS, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is venue costs and the financial pressure faced by many galleries and performance venues without losing the local specificity of Pillory St, Nantwich, Cheshire, England, UK, CW5 5SS. The scene further reflects heritage and the role of cultural venues in sustaining city-centre activity in a form that can be compared with future views of Pillory St, Nantwich, Cheshire, England, UK, CW5 5SS.
Pillory St, Nantwich, Cheshire, England, UK, CW5 5SS
-Oxford-Road-Manchester---at-night--England--UK--2JG5JM1.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Oxford Road Manchester,at night,at,Palace Theatre,M1 6FU,M1,the,arts,art,theatre,night,dusk,in,city,centre,Refuge Insurance Building),Refuge Insurance Building,Refuge,ex,Insurance,Building,Palace,entertainment,show,shows,clock,tower,clocktower,cloudy,dark,main road,artery,hotel
Description: Tony Smith image Alamy 2JG5JM1 - . This dated documentary view of Oxford Rd, Manchester, England, UK, M1 6FU in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The subject captured here is Palace Theatre, Kimpton (Refuge Insurance Building) Oxford Road Manchester , at night, England, UK,. Other connected aspects include conservation architecture, public realm, conservation interest, architectural character, local landmark, place identity, built heritage, restaurant culture, destination dining, contemporary social history, period streetscape, local character, regional identity, and food-and-drink business. Today's relevance is strengthened by redevelopment pressure, maintenance and the continuing question of how historic fabric can be retained while places adapt to modern use. From a 2025-onward perspective, changing dining habits and consumer spending are closely linked to this subject, alongside the resilience of customer-facing businesses in a high-cost economy. The archival value lies partly in recording building condition and alterations around Oxford Rd, Manchester, England, UK, M1 6FU before redevelopment alters the character of the place. The wider setting retains connections with changing streetscape, local history, independent food retail, historic townscape, heritage asset, local dining scene, historic frontage, and licensed hospitality. Details involving night, Theatre, Palace, Kimpton, and Manchester make the image more specific than a generic view and strengthen its local or historical value. The period setting at Oxford Rd, Manchester, England, UK, M1 6FU helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is redevelopment pressure and how historic fabric can be retained while places adapt to modern use in a form that can be compared with future views of Oxford Rd, Manchester, England, UK, M1 6FU.
Oxford Rd, Manchester, England, UK, M1 6FU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Oxford Road Manchester,at night,at,Manchester,victorian,building,dusk,M1 6FU,M1,evening,night time,nightime,cityscape,skyline,tall,old,history,historic,insurance,offices,hotel,hotels,office,university,buildings,block,blocks,city,centre,Oxford Rd,lit,illuminated,tower
Description: Tony Smith image Alamy 2JG5JM2 - . An identifiable period record of Oxford Rd, Manchester, England, UK, M1 6FU in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. At the centre of the view is Manchester victorian Kimpton hotel refuge building at dusk, Oxford Road Manchester , at night, England, UK,. Other connected aspects include architectural character, community identity, place identity, period streetscape, historical comparison, customer-facing service, night-time economy, conservation architecture, historic frontage, traditional structure, local character, changing streetscape, independent food retail, and local history. Current relevance extends to embodied carbon and energy retrofit, particularly through the value of distinctive buildings and street furniture to local identity. In present-day coverage, the subject reaches into hospitality costs and changing dining habits, not least because of the resilience of customer-facing businesses in a high-cost economy. As a dated visual record of Oxford Rd, Manchester, England, UK, M1 6FU, the frame retains signage and branding, making it especially useful if altered transport patterns subsequently changes the scene. The wider setting retains connections with period building, visitor economy, historic townscape, historic streetscape, everyday life, social history, visual archive, and food-and-drink business. Details involving night, Oxford, Kimpton, building, and hotel make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Oxford Rd, Manchester, England, UK, M1 6FU, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for embodied carbon and the tension between conservation and redevelopment in a form that can be compared with future views of Oxford Rd, Manchester, England, UK, M1 6FU.
Oxford Rd, Manchester, England, UK, M1 6FU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,City,centre,NW,North West,England,UK,M60,16,M60 2DS,the,hotel,building,architectural,terracotta,detail,details,BW,black,and,&,white,old,fashioned,classic,traditional,1903,Manchester Central railway station,Charles Trubshaw,in,Edwardian Baroque,style,terminus,London St Pancras,railway,rail,Midland Railway Company
Description: Tony Smith image Alamy 2JGAW27 - The Midland Hotel is a grand hotel in Manchester, England. Opened in 1903, it was built by the Midland Railway to serve Manchester Central railway station, its northern terminus for its rail services to London St Pancras. It faces onto St Peter's Square. The hotel was designed by Charles Trubshaw in Edwardian Baroque style and is a Grade II* listed building.
The Midland Hotel at night
Built at the junction of Peter Street and Lower Mosley Street opposite Manchester Central railway station, terminus for Midland Railway express trains to London St Pancras, the hotel was designed by Charles Trubshaw and constructed between 1898 and 1903 for the Midland Railway Company at a cost of more than £1 million. In 1908, The Railway News reported that the hotel had over 70,000 guests in its first year and described it as a twentieth century palace. The hotel had a 1,000-seat purpose-built theatre where opera, drama and early Annie Horniman performances were staged, and a roof terrace where a string quartet performed.
The Midland Hotel was allegedly coveted by Adolf Hitler, who maintained a keen interest in architecture, as a possible Nazi headquarters in Britain. American intelligence speculated that the area of Manchester around the town hall was spared from bombing during the Second World War so as not to damage or destroy the Midland Hotel.
Charles Rolls met Henry Royce in the Midland Hotel, leading to the formation of Rolls-Royce Limited in 1904. The Queen Mother dined in the hotel's Trafford Restaurant in November 1959 after attending a Royal Variety Performance at the Palace Theatre. The Beatles were famously refused access to the French Restaurant for being inappropriately dressed
16 Peter St, Manchester, England, UK, M60 2DS
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,shop,shops,retail,high street,New Street,UK - retail units at Christmas,New St,retail units,Victorian,building,arcade,Victorian arcade,listed,grade II,grade2,Burlington Arcade,Burlington,hotel,bow,red,Xmas,decorated,decorations,decoration,white,arcades,shopping,stores,front,entrance,doorway,council
Description: Tony Smith image Alamy 2AFP0FY - . A grounded documentary photograph made at New Street, Birmingham, England, UK in 2019, preserving the main subject alongside smaller details that may become more historically useful with time. The defining feature is Piccadilly Arcade, New Street, Birmingham, West Midlands, England, UK - retail units at Christmas - decorative bow. A broader reading of the scene brings in customer footfall, period streetscape, visual archive, local character, architectural detailing, historic context, historical comparison, retail property, retail vacancy, place identity, heritage landmark, high-street commerce, changing streetscape, and conservation interest. For contemporary context, heritage conservation and energy retrofit are closely related themes, especially where the issue becomes the role of distinctive architecture in local identity. Viewed from the mid-2020s, the subject sits within continuing debate about online shopping, business rates and how high streets adapt when traditional retail contracts. As the area changes, the scene fixes small features of identity that written records may overlook within the setting of New Street, Birmingham, England, UK. The subject sits alongside local history, traditional masonry, changing land use, built heritage, consumer retail, contemporary social history, historic townscape, and before-and-after reference. The recorded references to decorative, Birmingham, Christmas, Arcade, and Piccadilly preserve clues about how the subject was presented, used or understood at the time. The surrounding context at New Street, Birmingham, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is heritage conservation and reusing existing buildings rather than demolishing them within the real-world context of New Street, Birmingham, England, UK.
New Street, Birmingham, England, UK
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,Ireland,Dublin City,Leopold Bloom,James Joyce,Irish graffiti movement,art,public artwork,Temple Bar,Eire,Irish,graffiti,movement,Ulysses,side,of,hotel,colourful,Blooms of Dublin,colour,wall,mural,murals,decorated,outside,exterior,outdoors,rooms,bedrooms,street art,streetart,color,colorful,building,buildings
Description: Tony Smith image Alamy 2AYHHNJ - Every year on June 16th many James Joyce enthusiasts, some dressed in Edwardian costume, re-enact this epic pub crawl, and though it's referred to as a ˜literary event' it's basically an excuse for lots of drinking broken up by a bit of walking and the reading of various excerpts from the book. The event is known as Bloomsday and the first mention of such a thing was found in a letter from James Joyce to a Miss Weaver, dated June 27th 1924 and referring to a group of people who observe what they call ˜Bloom's Day' “ June 16th . The book itself must have made a big impression on someone back in the 1970s as the hotel was named after one of the story's main characters.
Fast forward to the present day and we find James Earley, a Dublin artist whose works are based on his family's artistic past within Irish stained glass art. James has been producing artworks in public spaces since 1997, playing an active role in the Irish graffiti movement, and from 2010 has developed abstract figurative works based on the principles and beauty of stained glass. He has travelled widely with his art throughout Europe, Asia and America and has worked on a variety of large-scale projects with various art-based organisations and multi-nationals which support the arts.
In 2014 James was commissioned to paint the exterior of Blooms Hotel
the project took a full year to complete and to date is the largest public artwork in Ireland. When I first saw it I was quite surprised that this street art wasn't just part of one wall, it was the whole exterior of the building. With my liking for bright colours and abstract, psychedelic designs I just had to take a few photos although the names on the pictures meant nothing to me at the time until I did a bit of later research and found the connection to James Joyce's Ulysses
3-6 Anglesea St, Temple Bar, Dublin 2, D02 FK84, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,hotel,Dublin 2,D02 FK84,building,architecture,block,rooms,B&B,bed and breakfast,Irish,3-6 Anglesea St,Stephen Dedalus,16 June,1922,Anglesea Street,Temple Bar,wall,city,Ulysses,16th June,James Joyce,Leopold Bloom,centre,3-6,sign,signs,landmark,literary,book,colorful,colourful
Description: Tony Smith image Alamy 2M84KEY - . A grounded documentary photograph made at 3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84 in 2019, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Blooms Hotel, 3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84. The image also relates to contemporary social history, before-and-after reference, hospitality economy, fresh fruit breakfast, visual archive, historic hostelry, night-time economy, healthy eating, licensed hospitality, changing streetscape, fruit-topped cereal, documentary photography, healthy breakfast, and social history. Current relevance extends to food inflation and pub closures, particularly through how food, drink and heritage combine in destination pubs. In present-day coverage, the subject reaches into ultra-processed foods and nutrition, not least because of the effect of food prices on healthier choices. Future viewers can use this scene from 3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84 to compare signage and branding with whatever follows after later reinterpretation. Other useful contextual ideas include public-house heritage, visitor hospitality, breakfast bowl, traditional ale house, balanced breakfast, pub interior heritage, historical comparison, and morning meal. Details involving Dublin, Hotel, Anglesea, Temple, and Blooms make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within 3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for food inflation and how food, drink and heritage combine in destination pubs when considered against later change at 3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84.
3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,3-6 Anglesea St,Temple Bar,Dublin 2,D02 FK84,wall,rooms,3-6,Anglesea Street,city,centre,1922,Ulysses,Leopold Bloom,16 June,16th June,James Joyce,Stephen Dedalus,Republic of Ireland,architecture,bed and breakfast,block,B&B,hotel,building,sign,signs,landmark,literary,book,colorful,colourful
Description: Tony Smith image Alamy 2M8BNT2 - James Joyce's Ulysses was published in 1922 and is considered to be one of the most important books of the 20th century. The narrative follows the journey of two characters, Stephen Dedalus and Leopold Bloom, as they criss-cross Dublin on 16 June 1904. Dublin takes centre stage in the book and the soul of the city is captured in all its gritty glory.
The narrative parallels Homer's Odyssey, with one notable difference, Guinness. The two boys travel across the city in what is basically a marathon pub crawl.
Every year a bunch of Joycean enthusiasts re-enact this epic pub crawl. It's dressed up as literary event, don't let that fool you, its drink broken up by a bit of walking. The event is known as Bloomsday.
2004 was the 100th birthday of the event, and there were lots of events organised that appealed to the high and low brow alike.
We think that the Catholic Church would have beatified Leopold Bloom if he really existed and wasn't Jewish. We decided to name the liveliest and loveliest hotel in Temple Bar after the great literary character - Blooms Hotel.
Blooms of Dublin is a musical play or operetta in two acts with music and text by Anthony Burgess. The work, nearly three hours long, was first performed (in a concert version) for the Dublin Joyce Centenary in 1982 by the RTE Singers and RTE Concert Orchestra and broadcast on BBC and RTE radio. It was produced by John Tydeman and Michael Heffernan.
The operetta is based on James Joyce's 1922 novel Ulysses. It was published in book form in 1986. The texts of some of the songs also appear in the novels Earthly Powers (1980) and The End of World News (1982)
3-6 Anglesea St, Temple Bar, Dublin 2, , Eire, Ireland, D02 FK84
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,listed,building Victorian,Corn Exchange,Triangle,Produce Exchange,Grocery,Victorian,stone,exterior,M3 1BD,Exchange Square Central,Corn Exchange Manchester,Victoria,Hanging Ditch,history,M4 3TR,37 Hanging Ditch,hotel,market,stalls,37,M4,historic,High Street,outside,M3,1,High St
Description: Tony Smith image Alamy RPGEN9 - . This location-led image captures the physical context of 1, Exchange Square Central, High St, Manchester, England, UK, M3 1BD, in an image captured in 2019. The defining subject in the supplied record is Manchester Corn and Grocery Exchange, Hanging Ditch, Central Manchester, City Centre, North West England, UK. The location also connects conservation interest, shopping district, storefront culture, food-and-drink business, destination economy, commercial streetscape, local dining, local tourism, urban fabric, commercial frontage, urban commerce, and retail decline and renewal. The wider contemporary story of consumer spending now includes hybrid working alongside vacant premises, while policy and investment increasingly consider stronger local footfall. Current debate around historic buildings often combines redevelopment pressure, maintenance cost and the practical challenge of heritage-led regeneration. In the mid-2020s, customer-facing businesses is increasingly discussed through delivery-platform competition and changing visitor patterns, with attention turning to distinctive visitor experiences. The photograph fixes 1, Exchange Square Central, High St, Manchester, England, UK, M3 1BD at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. The broader context includes restaurant sector, historic environment, historic fabric, heritage asset, town-centre trading, chain-store economy. Further recorded details include Manchester Corn Exchange, Corn Exchange, building, sandstone, Corn grocery, Triangle. A second layer of description includes traditional building, visitor economy, conservation architecture, architectural character, hospitality employment, shopfront economy, historic townscape, customer service, urban conservation, and customer footfall.
1, Exchange Square Central, High St, Manchester, England, UK, M3 1BD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,office,offices,hotel,Refuge Building,Oxford rd,Insurance,Victorian,Office,listed building,building,Grade II listed,listed,City Centre,Manchester,Principal Hotel,Refuge Friend in Deed Life Assurance and Sick Fund Friendly,central Manchester,M60 7HA,M60,Lancashire,Commerce,business,company,leisure,dining,rooms,hotels,Landmark,Landmark Hotel,insurance,window,windows,etched,buildings
Description: Tony Smith image Alamy RG98NB - The Refuge Assurance Company Ltd. was a life insurance and pensions company based in England. It was founded by James Proctor and George Robins in Dukinfield, Cheshire in 1858. The company was originally known by the unwieldy name of the Refuge Friend in Deed Life Assurance and Sick Fund Friendly Society.
From 1895 until 1987, its head office was the magnificent Grade II* listed, Refuge Assurance Building on Oxford Street in central Manchester, now used as the Principal Hotel. In 1987, the company decided to move out of the city centre to new, purpose-built, offices in the grounds of Fulshaw Hall in Wilmslow, around 12 miles south of the old Refuge Building. In October 1996, the Refuge Assurance Company merged with United Friendly to form the United Assurance Group (UAG).
After disappointing performances following the merger, the United Assurance Group was first approached by Britannic Assurance in November 1999, and then by Royal London Mutual Insurance Society in February 2000. Following successful talks, Royal London took over UAG for £1.6 billion.
The Refuge Assurance Building, Manchester, on Oxford Road, was the company's head office between 1895 and 1987
Oxford St, Manchester, Lancashire, UK, M60 7HA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,office,offices,hotel,Refuge Building,Oxford rd,Insurance,Victorian,Office,listed building,building,Grade II listed,listed,City Centre,Manchester,Principal Hotel,Refuge Friend in Deed Life Assurance and Sick Fund Friendly,central Manchester,M60 7HA,M60,Lancashire,Commerce,business,company,leisure,dining,rooms,hotels,Landmark,Landmark Hotel,insurance,Refuge Insurance,window,windows,etched
Description: Tony Smith image Alamy RG98NH - The Refuge Assurance Company Ltd. was a life insurance and pensions company based in England. It was founded by James Proctor and George Robins in Dukinfield, Cheshire in 1858. The company was originally known by the unwieldy name of the Refuge Friend in Deed Life Assurance and Sick Fund Friendly Society.
From 1895 until 1987, its head office was the magnificent Grade II* listed, Refuge Assurance Building on Oxford Street in central Manchester, now used as the Principal Hotel. In 1987, the company decided to move out of the city centre to new, purpose-built, offices in the grounds of Fulshaw Hall in Wilmslow, around 12 miles south of the old Refuge Building. In October 1996, the Refuge Assurance Company merged with United Friendly to form the United Assurance Group (UAG).
After disappointing performances following the merger, the United Assurance Group was first approached by Britannic Assurance in November 1999, and then by Royal London Mutual Insurance Society in February 2000. Following successful talks, Royal London took over UAG for £1.6 billion.
The Refuge Assurance Building, Manchester, on Oxford Road, was the company's head office between 1895 and 1987
Oxford St, Manchester, Lancashire, UK, M60 7HA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,office,offices,hotel,Refuge Building,Oxford rd,Insurance,Victorian,Office,listed building,building,Grade II listed,listed,City Centre,Manchester,Principal Hotel,Refuge Friend in Deed Life Assurance and Sick Fund Friendly,central Manchester,M60 7HA,M60,Lancashire,Commerce,business,company,leisure,dining,rooms,hotels,Landmark,Landmark Hotel,insurance,Refuge Insurance,courtyard,outside
Description: Tony Smith image Alamy RG98NT - The Refuge Assurance Company Ltd. was a life insurance and pensions company based in England. It was founded by James Proctor and George Robins in Dukinfield, Cheshire in 1858. The company was originally known by the unwieldy name of the Refuge Friend in Deed Life Assurance and Sick Fund Friendly Society.
From 1895 until 1987, its head office was the magnificent Grade II* listed, Refuge Assurance Building on Oxford Street in central Manchester, now used as the Principal Hotel. In 1987, the company decided to move out of the city centre to new, purpose-built, offices in the grounds of Fulshaw Hall in Wilmslow, around 12 miles south of the old Refuge Building. In October 1996, the Refuge Assurance Company merged with United Friendly to form the United Assurance Group (UAG).
After disappointing performances following the merger, the United Assurance Group was first approached by Britannic Assurance in November 1999, and then by Royal London Mutual Insurance Society in February 2000. Following successful talks, Royal London took over UAG for £1.6 billion.
The Refuge Assurance Building, Manchester, on Oxford Road, was the company's head office between 1895 and 1987
Oxford St, Manchester, Lancashire, UK, M60 7HA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,office,offices,hotel,Refuge Building,Oxford rd,Insurance,Victorian,Office,listed building,building,Grade II listed,listed,City Centre,Manchester,Principal Hotel,Refuge Friend in Deed Life Assurance and Sick Fund Friendly,central Manchester,M60 7HA,M60,Lancashire,Commerce,business,company,leisure,dining,rooms,hotels,Landmark,Landmark Hotel,insurance,Refuge Insurance,Volta Bar Dining Room Winter Garden Den
Description: Tony Smith image Alamy RG98RH - The Refuge Assurance Company Ltd. was a life insurance and pensions company based in England. It was founded by James Proctor and George Robins in Dukinfield, Cheshire in 1858. The company was originally known by the unwieldy name of the Refuge Friend in Deed Life Assurance and Sick Fund Friendly Society.
From 1895 until 1987, its head office was the magnificent Grade II* listed, Refuge Assurance Building on Oxford Street in central Manchester, now used as the Principal Hotel. In 1987, the company decided to move out of the city centre to new, purpose-built, offices in the grounds of Fulshaw Hall in Wilmslow, around 12 miles south of the old Refuge Building. In October 1996, the Refuge Assurance Company merged with United Friendly to form the United Assurance Group (UAG).
After disappointing performances following the merger, the United Assurance Group was first approached by Britannic Assurance in November 1999, and then by Royal London Mutual Insurance Society in February 2000. Following successful talks, Royal London took over UAG for £1.6 billion.
The Refuge Assurance Building, Manchester, on Oxford Road, was the company's head office between 1895 and 1987
Oxford St, Manchester, Lancashire, UK, M60 7HA
Description
Keywords: GotonySmith,Hotpixuk,@HotpixUK,UK,For All,signs,doorway,door way,neon sign,electric,sign,drafthouse,terrace,draft house,bar,hotel,pub,restaurant,tank beer,craft beet,craft drinks,gin,black,ivy,black ivy,ale,real ale,Edinburgh,Scotland,neon,light,lighted,lit,EH9,Sctland,EH9 1DU
Description: Tony Smith image Alamy R9GW0X - . A local-history photograph shows the working environment around 4 Alvanley Terrace Edinburgh, Sctland, UK, EH9 1DU, in a time-specific record from 2018. The frame is associated with Black White Local Luxury For All sign, Edinburgh, Scotland, UK. The physical and social setting additionally connects with property maintenance, residential streetscape, catering trade, night-time economy, local neighbourhood, customer service, housing provision, community venue, town-centre hospitality, urban living, place-making, and service economy. Modern coverage of town-centre hospitality frequently reaches beyond the immediate scene to questions of alcohol duty, operating costs and retaining viable community venues. Seen from a 2025-onward perspective, housing quality also connects with tenant rights, repair standards and efforts aimed at stronger tenant accountability. The wider contemporary story of hospitality businesses now includes changing visitor patterns alongside seasonality, while policy and investment increasingly consider adaptable venues. The date and location give the photograph archival strength: future views of 4 Alvanley Terrace Edinburgh, Sctland, UK, EH9 1DU may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The surrounding story includes built environment, licensed trade, hospitality economy, food service, tourism economy, licensed hospitality. The scene is further associated with Bruntsfield, 4 Alvanley Terrace Edinburgh, Alvanley Terrace, 4. A more expansive reading adds beer retail, affordable homes, beer heritage, tourist accommodation, tenure and occupancy, local tourism, hospitality trade, housing affordability, local dining, and domestic architecture. That gives this view of 4 Alvanley Terrace Edinburgh, Sctland, UK, EH9 1DU continuing value for local history, retrospective reporting and visual comparison.
4 Alvanley Terrace Edinburgh, Sctland, UK, EH9 1DU
Description
Keywords: @HotpixUK,GoTonySmith,South,England,UK,Earl,Art,style,hotel,1938,building,town,outside,street,wedding,conference,bedroom,bedrooms,exterior,stylish venue,stylish,venue,catering,bar,pub,ballroom,hotels,Cafe Bar Concerto,Cafe Bar,Concerto,Doncaster,DN2,DN2 6AD,Bennetthorpe Doncaster,01302,361371,history,historic,Richard Walter John Montagu Douglas Scott,daytime
Description: Tony Smith image Alamy P8DCT6 - . This dated editorial view of The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD in 2018 captures more than the immediate subject, retaining clues about local use, design, activity and change. At the centre of the view is The Earl of Doncaster Hotel, Bennetthorpe, Doncaster, South Yorkshire, England, UK, DN2 6AD. The subject also carries associations with historical comparison, commemorative plaque, heritage interpretation, public realm, documentary photography, local character, collectable heritage item, place identity, local-history evidence, historic inscription, period craftsmanship, local history, before-and-after reference, and community identity. Today's relevance is strengthened by museum conservation, public history and the continuing question of the importance of provenance and inscriptions in understanding historic artefacts. Small period details of lettering, decoration and surface detail at The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD may become more significant with time, particularly following different community use. The wider setting retains connections with regional identity, antique object, archival record, material culture, visual archive, contemporary social history, historic material culture, and changing land use. The recorded references to Hotel, Bennetthorpe, Yorkshire, and Doncaster preserve clues about how the subject was presented, used or understood at the time. The period setting at The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for museum conservation and the importance of provenance and inscriptions in understanding historic artefacts when considered against later change at The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD.
The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD
Description
Keywords: @HotpixUK,GoTonySmith,South,England,UK,Earl,Art,style,hotel,1938,building,town,outside,street,wedding,conference,bedroom,bedrooms,exterior,stylish venue,stylish,venue,catering,bar,pub,ballroom,hotels,Cafe Bar Concerto,Cafe Bar,Concerto,Doncaster,DN2,DN2 6AD,Bennetthorpe Doncaster,01302,361371,history,historic,Richard Walter John Montagu Douglas Scott,daytime
Description: Tony Smith image Alamy P8DCT7 - . An identifiable period record of The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD in 2018, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The subject captured here is The Earl of Doncaster Hotel, Bennetthorpe, Doncaster, South Yorkshire, England, UK, DN2 6AD. The setting additionally reflects local history, regional identity, museum object, historic inscription, community identity, everyday life, social-history object, visual archive, heritage interpretation, historic artefact, period craftsmanship, historic material culture, contemporary social history, and documentary photography. The wider contemporary story combines museum conservation, craftsmanship and the value of craftsmanship and material evidence in a digital age. For later comparison, the photograph preserves commercial use and occupation at The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD, details that may look very different after replacement signage. The subject also sits alongside before-and-after reference, changing streetscape, period detail, local-history evidence, archival record, collectable heritage item, public realm, and place identity. Elements such as Hotel, Yorkshire, Doncaster, and Bennetthorpe add documentary specificity and may become increasingly useful when compared with later records. A later view of The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects museum conservation and the value of craftsmanship and material evidence in a digital age in a form that can be compared with future views of The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD. The image fixes a trace of local identity as a date-specific reference.
The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD
Description
Keywords: @HotpixUK,GoTonySmith,South,England,UK,Earl,Art,style,hotel,1938,building,town,outside,street,wedding,conference,bedroom,bedrooms,exterior,stylish venue,stylish,venue,catering,bar,pub,ballroom,hotels,Cafe Bar Concerto,Cafe Bar,Concerto,Doncaster,DN2,DN2 6AD,Bennetthorpe Doncaster,01302,361371,history,historic,Richard Walter John Montagu Douglas Scott,daytime
Description: Tony Smith image Alamy P8DCT8 - . This scene at The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD in 2018 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The location is represented through The Earl of Doncaster Hotel, Bennetthorpe, Doncaster, South Yorkshire, England, UK, DN2 6AD. The surrounding context encompasses period detail, changing land use, community identity, contemporary social history, antique object, historical comparison, regional identity, local character, local history, collectable heritage item, local-history evidence, documentary photography, historic inscription, and decorative metalwork. In present-day coverage, the subject reaches into local history and heritage interpretation, not least because of how everyday objects can survive as evidence of earlier work and domestic life. The image fixes street furniture and boundaries within The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD at one identifiable point, providing a benchmark against changing commercial priorities. Other useful contextual ideas include changing streetscape, before-and-after reference, everyday life, visual archive, material culture, archival record, social-history object, and commemorative plaque. The combination of Hotel, Doncaster, Bennetthorpe, and Yorkshire anchors the frame to a recognisable activity, place or moment. Around The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to local history and the value of craftsmanship and material evidence in a digital age in a form that can be compared with future views of The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD.
The Earl of Doncaster Bennetthorpe Doncaster, Yorkshire, England, UK, DN2 6AD
Description
Keywords: @HotpixUK,GoTonySmith,South Yorkshire,Yorkshire,England,Donny,Doncaster Yorkshire,town,shop,shops,retail,Doncaster Town Centre,Danum,Roman Danum,DN1,DN1 Postcode,UK,Hotel,Frenchgate shopping centre,Sepulchre Gate,centre,history,historic,buildings,store,stores,shopping,high St,High Street,retailing,business,businesses,thriving,Vision,Value,hotel,Art Deco,1930s
Description: Tony Smith image Alamy P8KEYY - . This location-led image depicts the physical context of 33 St Sepulchre Gate, Doncaster, South Yorkshire, England, DN1 1TD, in a photograph originating in 2018. The principal recorded subject is The Nags Head Hotel, now Vision Value, Sepulchre Gate, Frenchgate shopping centre, Doncaster, South Yorkshire, England, UK. Related ideas embodied by the location include historic environment, architectural detail, shopping district, destination economy, visitor destination, adaptive reuse, restaurant sector, heritage asset, heritage streetscape, urban fabric, hospitality trade, and shopping habits. The wider contemporary story of independent trading now includes shifts in leisure spending alongside brand consolidation, while policy and investment increasingly consider stronger local footfall. Current debate around traditional structures often combines redevelopment pressure, maintenance cost and the practical challenge of heritage-led regeneration. In the mid-2020s, visitor-economy venues is increasingly discussed through delivery-platform competition and commercial rents, with attention turning to stronger town-centre leisure economies. The date and location give the photograph archival strength: future views of 33 St Sepulchre Gate, Doncaster, South Yorkshire, England, DN1 1TD may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The scene also relates to hospitality premises, local landmark, built heritage, independent retail, customer service, architectural character. The record also refers to listed, grade, building, historic, town centre. Further aspects present in the subject include visitor economy, consumer leisure, urban commerce, urban conservation, local dining, high-street commerce, local trading, food-and-drink business, conservation architecture, and retail decline and renewal.
33 St Sepulchre Gate, Doncaster, South Yorkshire, England, DN1 1TD
Description
Keywords: GoTonySmith,@HotpixUK,Scotland,UK,PH2 8HE,railway hotel,tower,perthshire,Kinross Council,Perth and Kinross Council,transport,B&B,Fair City.,fair,city,city centre,boutique-style hotel,boutique-style,hotel,Perths,spa,experience,spa experience,Victorian,Perth Care Village,Care Village,rail travel,rail,travel,planning application,planning,application,tourism,tourist,Scottish,board,summer,outside,building,exterior,direct royal passage
Description: Tony Smith image Alamy P69RJC - . A grounded documentary photograph made at 1 Leonard St, Perth, Scotland, UK, PH2 8HE in 2018, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The main point of reference is Station Hotel, 1 Leonard St, Perth, Scotland, UK, PH2 8HE. Another layer of the photograph includes period detail, place identity, documentary photography, care-home development, elderly care, residential care, social-care infrastructure, archival record, contemporary social history, everyday life, social history, visual archive, care workforce, and local history. Current relevance extends to funding and housing with support, particularly through how new care facilities affect local health and housing systems. Small period details of transport arrangements and footfall at 1 Leonard St, Perth, Scotland, UK, PH2 8HE may become more significant with time, particularly following conservation work. Other useful contextual ideas include care capacity, care-sector provision, community identity, regional identity, historical comparison, later-life housing, adult social care, and changing streetscape. The recorded references to Perth, Scotland, Leonard, Station, and Hotel preserve clues about how the subject was presented, used or understood at the time. Around 1 Leonard St, Perth, Scotland, UK, PH2 8HE, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is funding and how new care facilities affect local health and housing systems as part of the longer story of 1 Leonard St, Perth, Scotland, UK, PH2 8HE. The wider significance includes housing with support and the growing demand for care services as the population ages when considered against later change at 1 Leonard St, Perth, Scotland, UK, PH2 8HE. The frame retains details of everyday use for future local research.
1 Leonard St, Perth, Scotland, UK, PH2 8HE
Description
Keywords: GoTonySmith,@HotpixUK,Scotland,UK,PH2 8HE,railway hotel,tower,perthshire,Kinross Council,Perth and Kinross Council,transport,B&B,Fair City.,fair,city,city centre,boutique-style hotel,boutique-style,hotel,Perths,spa,experience,spa experience,Victorian,Perth Care Village,Care Village,rail travel,rail,travel,planning application,planning,application,tourism,tourist,Scottish,board,summer,outside,building,exterior,direct royal passage
Description: Tony Smith image Alamy P69RJF - . Recorded at 1 Leonard St, Perth, Scotland, UK, PH2 8HE in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is Station Hotel, 1 Leonard St, Perth, Scotland, UK, PH2 8HE. The broader subject matter reaches into residential care, social history, changing land use, everyday life, elderly care, community identity, care-home development, care capacity, regional identity, contemporary social history, historical comparison, place identity, care workforce, and adult social care. Today's relevance is strengthened by ageing population, local provision and the continuing question of the long-running pressure on staffing and funding in adult social care. As a dated visual record of 1 Leonard St, Perth, Scotland, UK, PH2 8HE, the frame retains local activity and public use, making it especially useful if new construction subsequently changes the scene. Other useful contextual ideas include local history, archival record, local character, visual archive, later-life housing, social-care infrastructure, public realm, and before-and-after reference. The combination of Leonard, Hotel, Station, Scotland, and Perth anchors the frame to a recognisable activity, place or moment. For 1 Leonard St, Perth, Scotland, UK, PH2 8HE, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another useful connection is ageing population and the long-running pressure on staffing and funding in adult social care when considered against later change at 1 Leonard St, Perth, Scotland, UK, PH2 8HE. The scene further reflects staffing and the importance of designing care settings around dignity and independence without losing the local specificity of 1 Leonard St, Perth, Scotland, UK, PH2 8HE. The period view preserves part of the area's social history as a date-specific reference.
1 Leonard St, Perth, Scotland, UK, PH2 8HE
Description
Keywords: pano,wideangle,angle,day,time,daytime,Quarter,Piccadilly,Gardens,Primark,shopping,concrete,brick,CIS,Cottonopolis,centre,cloud,summer,horizon,landscape,hotel,retail,Mancunian,Manc,urban,north,Northern Powerhouse,Northern Quarter,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,aerial,aerial view from air,air,arndale centre,birdseye,birds,eye,view,viewpoint,overhead,seen,from,above,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,birds eye view,panoramic view,Seen From Above
Description: Tony Smith image Alamy H3TPKP - . Made at Piccadilly, Manchester, England, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Manchester City wide panorama, Lancashire,England, daytime. The image also relates to architectural character, public realm, built heritage, archival record, documentary photography, architectural detail, regional identity, changing land use, period architecture, social history, period detail, historic townscape, before-and-after reference, and community identity. The modern context includes continuing discussion of embodied carbon, energy retrofit and the balance between conservation, retrofit and modern accessibility. For later comparison, the photograph preserves materials and architectural details at Piccadilly, Manchester, England, UK, details that may look very different after later reinterpretation. The subject also sits alongside conservation architecture, cityscape history, everyday life, place identity, local history, local character, period building, and historical comparison. Elements such as Manchester, Lancashire, daytime, and panorama add documentary specificity and may become increasingly useful when compared with later records. For Piccadilly, Manchester, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of embodied carbon and the balance between conservation, retrofit and modern accessibility in a form that can be compared with future views of Piccadilly, Manchester, England, UK. A further contemporary connection is redevelopment pressure and the value of architectural landmarks to local identity and tourism within the real-world context of Piccadilly, Manchester, England, UK.
Piccadilly, Manchester, England, UK
Description
Keywords: pano,wideangle,angle,cityscape,day,time,daytime,Powerhouse,Gardens,Primark,shopping,concrete,brick,CIS,centre,cloud,summer,horizon,landscape,hotel,retail,Mancunian,Manc,urban,north,night,Manchester City,Northern Powerhouse,Northern Quarter,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,nighttime,blue,hour,tram,trams,transport,light,lit,lighting,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Blue Hour
Description: Tony Smith image Alamy H3TPMT - . Made at Piccadilly, Manchester, England, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The photograph centres on Manchester City night panorama, Lancashire,England, daytime. The subject also carries associations with social history, local bus network, before-and-after reference, changing land use, changing streetscape, passenger transport, surface public transport, historical comparison, public realm, documentary photography, local mobility, roadside stop, public transport information, and place identity. The modern context includes continuing discussion of passenger information, local connectivity and how local bus services affect access to work, education and healthcare. The archival value lies partly in recording landscape treatment and surrounding development around Piccadilly, Manchester, England, UK before altered transport patterns alters the character of the place. The wider setting retains connections with community identity, archival record, visual archive, public transport stop, local history, local character, transport accessibility, and period detail. References to daytime, Lancashire, panorama, night, and Manchester give the picture a strong period identity and tie it closely to its named subject. The wider setting at Piccadilly, Manchester, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate passenger information and how local bus services affect access to work, education and healthcare within the real-world context of Piccadilly, Manchester, England, UK. The image also provides a reference for reliability and the shift toward cleaner buses and integrated ticketing within the specific setting of Piccadilly, Manchester, England, UK.
Piccadilly, Manchester, England, UK
Description
Keywords: hotel,B&B,Bed,Breakfast,WA4,Heath,Warrington,Cheshire,00441925601111,blue,plaque,musician,singer,comedian,entertainers,home,Amado Boutique,WA4 6LG,Hill Crest,George Formby,Stockton Heath,George Hoy Booth,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy GXYYR5 - . This scene at 143 London Road , Stockton Heath , Warrington, Cheshire, WA4 6LG in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is Hill Crest,Residence of George Formby OBE, Stockton Heath,Warrington,Cheshire,England. Another layer of the photograph includes local mobility, bus infrastructure, passenger transport, public realm, local bus network, roadside transit, local character, period detail, regional identity, community identity, public-transport wayfinding, transport accessibility, surface public transport, and bus route infrastructure. In present-day coverage, the subject reaches into passenger information and local connectivity, not least because of the role of bus stops as the physical interface between passengers and the network. For later comparison, the photograph preserves signage and branding at 143 London Road , Stockton Heath , Warrington, Cheshire, WA4 6LG, details that may look very different after altered transport patterns. The location also brings in local history, visual archive, changing streetscape, contemporary social history, place identity, everyday life, changing land use, and street-side transport. References to Residence, George, Stockton, Crest, and Heath give the picture a strong period identity and tie it closely to its named subject. A later view of 143 London Road , Stockton Heath , Warrington, Cheshire, WA4 6LG may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate passenger information and the role of bus stops as the physical interface between passengers and the network within the specific setting of 143 London Road , Stockton Heath , Warrington, Cheshire, WA4 6LG. The scene captures evidence of changing use for future local research.
143 London Road , Stockton Heath , Warrington, Cheshire, WA4 6LG
Description
Keywords: GB,Great,Britain,Night,time,nighttime,slide,hotel,Balmoral,Hotel,Clock,street,Mall,Princes Mall,Shopping,Xmas,tourist,travel,lit,low,light,Helter,Skelter,fun,entertainment,Scottish,Scotland,UK,Lothian,Lothians,Midlothian,New Year,Low light,Helter Skelter,GoTonySmith,Buy Pictures of,Buy Images Of,hotpix.org.uk
Description: Tony Smith image Alamy F89PT5 - . This authentic period view of Princes Street,Edinburgh,Scotland,UK in 2015 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Edinburgh Christmas Lights, Princes St,City Centre, Scotland, UK. Another layer of the photograph includes visual archive, historic hostelry, visitor hospitality, public realm, community drinking venue, social history, local character, changing streetscape, traditional pub, historical comparison, before-and-after reference, archival record, contemporary social history, and licensed hospitality. From a 2025-onward perspective, business rates and staffing pressure are closely linked to this subject, alongside the continuing appeal of real ale and regional brewing. For later comparison, the photograph preserves materials and architectural details at Princes Street,Edinburgh,Scotland,UK, details that may look very different after closure or conversion. The subject also sits alongside regional identity, beer-led hospitality, hospitality economy, real-ale culture, local social venue, local history, pub heritage, and licensed trade. Details involving Centre, Edinburgh, Princes, Christmas, and Lights make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Princes Street,Edinburgh,Scotland,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for business rates and the continuing appeal of real ale and regional brewing within the specific setting of Princes Street,Edinburgh,Scotland,UK. Another useful connection is pub closures and the survival of pubs as both businesses and informal community spaces as part of the longer story of Princes Street,Edinburgh,Scotland,UK. Image F89PT5 also remains a dated record of Princes Street,Edinburgh,Scotland,UK.
Princes Street,Edinburgh,Scotland,UK
Description
Keywords: 67,Winwick Rd,Road,Warrington,Cheshire,England,UK,WA2 7DH,WA27DH,bar,public house,tavern,Tetley,brewery,tap,Wire,Wolves,Warrington Wolves,Winwick Road,historic,keg,cask,GoTonySmith,Buy Pictures of,Buy Images Of,English,brewery tap,pub,rooms,hotel,Pub,festival,ale,house,history,was
Description: Tony Smith image Alamy EY5KEX - . The Lord Rodney pub, Winwick Rd, Warrington, Cheshire, England, UK WA2 7DH - an ex-festival ale house. Photographed on 16 July 2015. The recorded location is 67 Winwick Rd, Warrington, Cheshire, England, UK WA2 7DH. It used to be the Tetley Brewery Tap, From a real ale haven to a grubby, keg, dingy hole. In historical terms, public houses form a distinctive part of British social history, combining licensed drinking, hospitality and community life
Older pubs can reveal changing fashions in brewing, tied houses, coaching routes, urban development and leisure, while modern bars show how the licensed trade continues to adapt. As background, the modern real-ale movement helped preserve traditional cask-conditioned beer and encouraged a new generation of independent breweries
Pump clips and branded labels became an significant part of how drinkers identify constantly changing beers at the bar. The historical context is that architecture records the priorities of the period in which a building was designed: materials, ornament, scale and planning can reveal changing technologies, social status and commercial use
Later alterations and changes of tenant add further layers, so a single façade can embody several phases of local history. During 2026, pub survival is a live issue, with government support including a 15% business-rates relief for eligible pubs and live-music venues in England during 2026/27, alongside wider debate about closures, property costs and the value of pubs as community assets. Against the 2026 backdrop, beer culture combines traditional cask ale with craft brewing, cans, keg products and lower-alcohol choices
Photographs of older handpumps and brewery equipment help trace that evolution. For the 2026 context, beer culture combines traditional cask ale with craft brewing, cans, keg products and lower-alcohol choices
Photographs of older handpumps and brewery equipment help trace that evolution.
67 Winwick Rd, Warrington, Cheshire, England, UK WA2 7DH
Description
Keywords: Boats,in,Seahouses,Northumbria,NE,England,UK,North East,water,sea,red,blue,red boats,blue boats,boats,coast,harbor,sea,building,buildings,houses,house,GB,Great Britain,British,history,historic,travel,tourism,summer,gotonysmithgotonysmith,ships,ship,pier,English,castle hotel,hotel,B&B,grass,EU,Fishing,quota,Brexit,freedom,British,waters,territory,territorial,rights,borders,border,sovereignty,territorial waters
Description: Tony Smith image Alamy E6JB5T - . Boats in Seahouses harbour, Northumbria, NE England, UK. Photographed at Seahouses Harbour,Northumbria, England, UK. The photograph was taken on 08 August 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Boats in, Seahouses harbour, Northumbria, NE England, seahouses, northumberland, harbour, fishing, dock and Boats, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Seahouses Harbour,Northumbria, England, UK
Description
Keywords: Boats,in,Seahouses,Northumbria,NE,England,UK,North East,water,sea,red,blue,red boats,blue boats,boats,coast,harbor,sea,building,buildings,houses,house,GB,Great Britain,British,history,historic,travel,tourism,summer,gotonysmith,ships,ship,pier,English,castle hotel,hotel,B&B,grass,EU,Fishing,quota,Brexit,freedom,British,waters,territory,territorial,rights,borders,border,sovereignty,Buy Pictures of,Buy Images Of,territorial waters
Description: Tony Smith image Alamy E6JB5Y - . Boats in Seahouses harbour, Northumbria, NE England, UK. Photographed at Seahouses Harbour,Northumbria, England, UK. The photograph was taken on 08 August 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Boats in, Seahouses harbour, Northumbria, NE England, seahouses, northumberland, harbour, fishing, dock and Boats, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Seahouses Harbour,Northumbria, England, UK
Description
Keywords: number,integer,numbers,integers,square,72,seventy,two,seventytwo,room,key,hotel,hipstamatic
Description: Tony Smith image Flickr 1433539480 - 'View this whole set here. If you do Twitter add me here.
Seventy-two is the sum of four consecutive primes (13 + 17 + 19 + 23), as well as the sum of six consecutive primes (5 + 7 + 11 + 13 + 17 + 19). The product of 8 and 9, 72 is a pronic number. The sum of the eighth row of Lozani\u0107's triangle is 72. In a plane, the exterior angles of a regular pentagon measure 72 degrees each.
72 is the atomic number of hafnium and the life duration of the ovule in 72 hours. In degrees Fahrenheit considered to be room temperature and the average number of heartbeats per minute for a resting adult. The number of languages spoken at the Tower of Babylon according to the bible, number of warriors on the Muslim side at the Battle of Badr, also the number of people martyred along with Imam Hussain at the Battle of Karbala. 72 stupas comprise Borobudur, the world\u2019s largest Buddhist temple, in Magelang, Central Java, Indonesia.
A Persian classical santur, a hammered dulcimer, has 72 strings in 24 triple-stringed courses.
In typography, point sizes are measured in 1/72 of an inch, 72-point characters are 1 inch tall. Hence 72dpi as a basic display screen resolution. Its the ASCII code for 'H'
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',
Description
Keywords: Sq,PricewaterhouseCoopers,LLP,Square,Lower,Mosley,Street,st,M2,3PW,GB,England,UK,M23PW,wide,angle,wideangle,shot,image,landscape,Midland,Hotel,north,west,northwest,centre,city,town,blue,sky,skies,old,new,architecture,building,buildings,architect,named,after,Hallé,Orchestra,Halle,Gotonysmith with canal basin reflections Price waterhouse Coopers,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6N2C - . Wide angle shot of Bridgewater Hall & 101 Barbirolli Square Manchester, England UK with canal basin reflections. Photographed at Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW. The photograph was taken on 24 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Bridgewater, Hall, 101, Barbirolli, Square, Manchester, PricewaterhouseCoopers, LLP, Lower and Mosley, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW
Description
Keywords: Sq,PricewaterhouseCoopers,LLP,Square,Lower,Mosley,Street,st,M2,3PW,GB,England,UK,M23PW,wide,angle,wideangle,shot,image,landscape,Midland,Hotel,north,west,northwest,centre,city,town,blue,sky,skies,old,new,architecture,building,buildings,architect,named,after,Hallé,Orchestra,Halle,Gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6N2N - . Wide angle shot of Bridgewater Hall & 101 Barbirolli Square Manchester, England UK. Photographed at Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW. The photograph was taken on 24 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Bridgewater, Hall, 101, Barbirolli, Square, Manchester, PricewaterhouseCoopers, LLP, Lower and Mosley, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW
Description
Keywords: Windmill St,Manchester,England UK M2 3GX Midland Hotel Manchester,pedestrians,and,Central,Conference,Centre,sign,England,UK,QH,M23GX,hotels,Manchester,Central,sign,England,UK MCC,Gotonysmith,Midland hotel,city,Gmex,central station,NW,north west,Northern Powerhouse,Midland,hotel,signage,16,Peter Street,M60 2DS,M60,GMEX,G-Mex
Description: Tony Smith image Alamy DN6N2Y - Manchester Central Convention Complex (commonly known as Manchester Central or GMEX (Greater Manchester Exhibition Centre)) is an exhibition and conference centre converted from the former Manchester Central railway station in Manchester, England. The building has a distinctive arched roof with a span of 64 metres (210 ft) “ the second-largest railway station roof span in the United Kingdom, and was granted Grade II* listed building status in 1963.
After 89 years as a railway terminus, it closed to passengers in May 1969. It was renovated as an exhibition centre formerly known as the G-Mex Centre in 1982 and was Manchester's primary music concert venue until the construction of the Manchester Arena. After renovation the venue reverted to its former name Manchester Central in 2007.
In 2020, the complex became a temporary field hospital for non-critical coronavirus patients,[8] part of a network of temporary NHS Nightingale Hospitals.
16, Peter Street, Manchester, England, UK, M60 2DS
Description
Keywords: best,city,wide,angle,wideangle,towards,bridges,bridge,blue,sky,skies,hills,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,city centre,oldtown,old,town,image,from,to,the,Hotel,Waverley,station,Princes Street,garden,gardens
Description: Tony Smith image Alamy DDXPGD - . Edinburgh panorama, from The Balmoral Hotel to Royal Mile, Scotland, UK, looking towards North bridges in summer. Photographed at Edinburgh, Scotland, UK, EH1. The photograph was taken on 31 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The wider composition gives a broader sense of the surroundings, showing the principal subject in relation to more of the streetscape, landscape or public space. The scene is closely associated with Edinburgh, panorama, old town, Balmoral, The Balmoral Hotel, Royal Mile, pano, capital, wide and angle, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene has strong relevance to railway travel, public transport, passenger infrastructure and the everyday operation of Britain's rail network. It can illustrate editorial stories about stations, train journeys, commuting, regional connectivity, rail investment, rolling stock, freight, signals, platforms, accessibility and the relationship between railways and the places they serve. Visible railway furniture, signs, tracks, platforms, trains, signals or station buildings help place the photograph firmly in the practical environment experienced by passengers and railway staff. As a dated documentary image it also offers a useful record of transport infrastructure, branding and passenger facilities at the time the photograph was made. Search themes include British rail travel, railway stations, passenger journeys, tracks, platforms, signals, rolling stock, freight, regional connectivity and transport infrastructure. The scene is particularly useful for illustrating how railway facilities, signs and operational surroundings looked at a known point in time. The view is firmly rooted in a real location rather than a constructed studio setting.
Edinburgh, Scotland, UK, EH1
Description
Keywords: North,Bridge,pano,wide,shot,looking,across,city,town,from,the,south,bus,buses,Lothian,Lothien,Waverley,railway,station,unusual,view,vista,from,the,Scotsman,hotel,over,to,Balmoral,capital,city,tourist,destination,Gotonysmith,linking,the,High,Street,with,Princes,Street,and,the,New,Town,with,the,Old,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG37YT - The current North Bridge is 525 feet (160 m) long and has three spans of arched girders each 175 feet (53 m) feet in length. It is 75 feet (23 m) wide. It was constructed from 1894“1897 by Sir William Arrol & Co., which company is also noted for construction of the Forth Bridge. The design of the ornamentation was by the City architect of the time, Robert Morham.
The foundation stone was laid on 25 May 1896 by the then Lord Provost (the Rt. Hon Andrew McDonald, with Masonic ceremonial. A medal[3] was struck commemorating the opening of the bridge on 15 September 1897.[4] The medal shows a view of the bridge with trains underneath and on the obverse a bust of the by then knighted Sir Andrew McDonald, Lord Provost.[5]
K.O.S.B. Memorial by Birnie Rhind, North Bridge
Situated on the bridge is a war memorial, by sculptor William Birnie Rhind which memorialises soldiers of the King's Own Scottish Borderers killed in campaigns between 1878 and 1902.[6]
At the southern end of the bridge (where it meets the Royal Mile and South Bridge, in the Edinburgh's Old Town) are substantial buildings whose main entrances are at carriageway level but which also have entrances in the valley below. Those on the west side are The Scotsman Hotel, former headquarters of The Scotsman newspaper, alongside a block of commercial premises and flats (Royal Mile Mansions). That on the east housed Patrick Thomson's department store from 1906 until 1976 when its then owner the House of Fraser rebranded it as Arnotts department store. The store closed in 1981 and the building was redeveloped as a hotel and smaller shops.
At the northern end of the bridge, where it meets Princes Street in the New Town, on the west side is the Balmoral Hotel, originally built as the North British Hotel, the North British Railway's hotel serving Waverley Station, which lies below. On the east side is Waverley Gate, originally the Edinburgh General Post Office, now
Northbridge Edinburgh Scotland UK EH1
Description
Keywords: Ship,canal,co,company,Peel,holdings,interesting,view,studio,studios,british,broadcasting,corporation,brownfield,development,inner,city,dock,side,dockside,mediacityuk,trafford,wharf,gotonysmith Greater Manchester GreaterManchester,Buy Pictures of,Buy Images Of,GB,UK,Britain,GoTonySmith,HotpixUK,@HotpixUK,hotel,shot,landscape,square,gotonysmith,glass,fronted,wide
Description: Tony Smith image Alamy DA626W - . BBC Media City UK Salford Quays Manchester Lancs England. Photographed on 1 June 2013. The recorded location is Media City UK, Salford Quays, Manchester, England UK. MediaCity at Salford Quays opened in 2011 as a major new base for broadcasting, digital and creative industries, including large BBC operations and later ITV and many technology businesses. It grew from the regeneration of the former Manchester Docks, which had declined after the containerisation era. In 2026 Salford City Council describes MediaCity and the Quays as entering another phase of expansion, with plans for the district to grow substantially and add more homes, jobs and public spaces. Salford Quays occupies the former Manchester Docks, once the inland terminus of the Manchester Ship Canal. After the docks closed in 1982, large-scale regeneration transformed derelict wharves into housing, offices, cultural venues and eventually MediaCity. Salford City Council now describes the Quays as one of Europe's most successful waterfront regeneration projects, and in 2026 further growth is planned around new homes, technology, culture and improved public space. The wider historical story is that broadcasting has repeatedly reshaped where creative work happens, from radio studios and regional television centres to large digital production campuses
BBC buildings, programme graphics and studio complexes document the infrastructure behind news, entertainment and public-service broadcasting. The historical context is that seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. In the present 2026 context, mediaCity at Salford Quays remains one of the UK's major broadcasting, digital and creative clusters, while the wider Quays continues a new phase of residential and commercial growth
Earlier.
Media City UK, Salford Quays, Manchester, England UK
Description
Keywords: Ship,canal,co,company,Peel,holdings,interesting,view,studio,studios,wide,shot,landscape,interesting,sky,glass,fronted,hotel,square,british,broadcasting,corporation,brownfield,development,inner,city,dock,side,dockside,mediacityuk,gotonysmith,Buy Pictures of,Buy Images Of,HotpixUK,GB,gotonysmith Greater Manchester GreaterManchester,wharf,UK,@HotpixUK,GoTonySmith
Description: Tony Smith image Alamy DA628R - . BBC Media City UK Salford Quays Manchester Lancs England wide shot. Photographed on 1 June 2013. The recorded location is Media City UK, Salford Quays, Manchester, England UK. MediaCity at Salford Quays opened in 2011 as a major new base for broadcasting, digital and creative industries, including large BBC operations and later ITV and many technology businesses. It grew from the regeneration of the former Manchester Docks, which had declined after the containerisation era. In 2026 Salford City Council describes MediaCity and the Quays as entering another phase of expansion, with plans for the district to grow substantially and add more homes, jobs and public spaces. Salford Quays occupies the former Manchester Docks, once the inland terminus of the Manchester Ship Canal. After the docks closed in 1982, large-scale regeneration transformed derelict wharves into housing, offices, cultural venues and eventually MediaCity. Salford City Council now describes the Quays as one of Europe's most successful waterfront regeneration projects, and in 2026 further growth is planned around new homes, technology, culture and improved public space. As background, television production combines technology, performance and architecture
Studio buildings and programme imagery can become landmarks in their own right, especially when broadcasters relocate and regenerate former industrial districts. Looking at the subject's development, panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. Against the 2026 backdrop, british broadcasting operates across traditional television, streaming and online platforms, but major studio campuses remain important centres of production
Images of BBC buildings and programme branding connect broadcasting history with the continuing evolution.
Media City UK, Salford Quays, Manchester, England UK
Description
Keywords: Entrance,of,the,Patten,Arms,Hotel,Parker,Street,Cheshire,England,UK,gotonysmith,yellow,brick,gothic,columns,column,red,carpet,rooms,B&B,opposite,station,mainline,main,line,crest,doorway,welcome,stay,rooms,accomodation,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CFEFH4 - . Entrance of the Patten Arms Hotel, Parker Street, Bank Quay, Warrington, Cheshire, England, UK. Photographed on 10 March 2012. The recorded location is Parker st, Bank Quay, Warrington, Cheshire, UK. Historically, banking imagery can range from grand Victorian branch architecture to the small physical objects of personal finance
Together, notes, coins, cards, cheques and cashpoints chart a shift from cash and branch-based services towards electronic and online banking. As background, urban street scenes capture the cumulative effect of planning, architecture, transport, retail and public space
Shopfronts, signs, street furniture and pedestrians can date an image precisely and show how a district changes between periods of investment, decline and regeneration. As background, buildings are often the most durable evidence of former institutions and businesses
Stonework, brickwork, windows, signs and decorative details can survive changes of ownership and use, allowing photographs to document both architectural style and the evolution of a street. In 2026, cash is used less often than in earlier decades but continues to be important, particularly for vulnerable consumers and some small businesses
FCA access-to-cash rules require designated banks and building societies to assess local provision and address significant gaps, making images of ATMs, notes and former branches relevant to financial inclusion. Against the 2026 backdrop, current regeneration programmes make older urban photographs particularly useful
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change. Further relevant search phrases include currency, banknotes, sterling, savings, payment methods, bank branch, money, financial services, urban landscape, city centre, town centre, streetscape, public realm, urban regeneration, and built environment.
Parker st, Bank Quay, Warrington, Cheshire, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,Speke,aerodrome,airport,historic,1960s,Hotel,hotel building,renovated,airside,Speke Aerodrome Heritage,Group,Liverpool Airport Speke Aerodrome,Liverpool L24 8QD,Bristol Britannia 308F G-ANCF,Percival Prince G-AMLZ,L24,brick,building,plane,aircraft,artdeco,L24 8QD,history,buildings,airfields,airfield
Description: Tony Smith image Alamy 2BFBCDB - The Crowne Plaza Liverpool John Lennon Airport Hotel, formerly the Marriott Liverpool South Hotel, is an airport hotel near to Liverpool John Lennon Airport, serving the English city of Liverpool. Today a member of the Crowne Plaza chain owned by the InterContinental Hotels Group, the Grade II* listed Art Deco hotel building has an unusual history.
The building was constructed in the 1930s, as the terminal building for the airport, then known as Speke Aerodrome. It is still sometimes seen on early television news footage, with its terraces packed with fans waiting to greet the Beatles on their return from tour. The airport terminal was moved to a more modern building at Liverpool John Lennon Airport in 1986, and the original building was left derelict for over a decade. During this time, the building was featured on the cover art of the single Don't Go Away, by Oasis. However it has since been renovated and adapted to become a hotel, opening for business in 2001. The adaption involved adding two new bedroom wings on the frontage of the hotel, but the airside aspect has been preserved intact.
The former apron of the terminal is also listed and retained in its original condition, although it is no longer connected to the airport or subject to airside access control. It is the home of several aircraft, including BAe Jetstream 41 prototype G-JMAC, Hawker Siddeley HS 748 G-BEJD, Bristol Britannia 308F G-ANCF and Percival Prince G-AMLZ, preserved by the Speke Aerodrome Heritage Group. Additionally, the group looks after a replica de Havilland Dragon Rapide that is displayed in front of the hotel entrance
Liverpool Airport Speke Aerodrome, Liverpool,Merseyside, England, UK, L24 8QD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,Speke,aerodrome,airport,historic,1960s,Hotel,hotel building,renovated,airside,Speke Aerodrome Heritage,Group,Liverpool Airport Speke Aerodrome,Liverpool L24 8QD,Bristol Britannia 308F G-ANCF,Percival Prince G-AMLZ,L24,brick,building,plane,aircraft,artdeco,history,heritage airlines,airline,travel air travel,control tower,towers
Description: Tony Smith image Alamy 2BFBCDE - The Crowne Plaza Liverpool John Lennon Airport Hotel, formerly the Marriott Liverpool South Hotel, is an airport hotel near to Liverpool John Lennon Airport, serving the English city of Liverpool. Today a member of the Crowne Plaza chain owned by the InterContinental Hotels Group, the Grade II* listed Art Deco hotel building has an unusual history.
The building was constructed in the 1930s, as the terminal building for the airport, then known as Speke Aerodrome. It is still sometimes seen on early television news footage, with its terraces packed with fans waiting to greet the Beatles on their return from tour. The airport terminal was moved to a more modern building at Liverpool John Lennon Airport in 1986, and the original building was left derelict for over a decade. During this time, the building was featured on the cover art of the single Don't Go Away, by Oasis. However it has since been renovated and adapted to become a hotel, opening for business in 2001. The adaption involved adding two new bedroom wings on the frontage of the hotel, but the airside aspect has been preserved intact.
The former apron of the terminal is also listed and retained in its original condition, although it is no longer connected to the airport or subject to airside access control. It is the home of several aircraft, including BAe Jetstream 41 prototype G-JMAC, Hawker Siddeley HS 748 G-BEJD, Bristol Britannia 308F G-ANCF and Percival Prince G-AMLZ, preserved by the Speke Aerodrome Heritage Group. Additionally, the group looks after a replica de Havilland Dragon Rapide that is displayed in front of the hotel entrance
Liverpool Airport Speke Aerodrome, Liverpool,Merseyside, England, UK, L24 8QD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,Speke,aerodrome,airport,historic,1960s,Hotel,hotel building,renovated,airside,Speke Aerodrome Heritage,Group,Liverpool Airport Speke Aerodrome,Liverpool L24 8QD,Bristol Britannia 308F G-ANCF,Percival Prince G-AMLZ,L24,brick,building,plane,aircraft,artdeco,history,heritage airlines,airline,travel air travel,control tower,towers
Description: Tony Smith image Alamy 2BFBCDP - The Crowne Plaza Liverpool John Lennon Airport Hotel, formerly the Marriott Liverpool South Hotel, is an airport hotel near to Liverpool John Lennon Airport, serving the English city of Liverpool. Today a member of the Crowne Plaza chain owned by the InterContinental Hotels Group, the Grade II* listed Art Deco hotel building has an unusual history.
The building was constructed in the 1930s, as the terminal building for the airport, then known as Speke Aerodrome. It is still sometimes seen on early television news footage, with its terraces packed with fans waiting to greet the Beatles on their return from tour. The airport terminal was moved to a more modern building at Liverpool John Lennon Airport in 1986, and the original building was left derelict for over a decade. During this time, the building was featured on the cover art of the single Don't Go Away, by Oasis. However it has since been renovated and adapted to become a hotel, opening for business in 2001. The adaption involved adding two new bedroom wings on the frontage of the hotel, but the airside aspect has been preserved intact.
The former apron of the terminal is also listed and retained in its original condition, although it is no longer connected to the airport or subject to airside access control. It is the home of several aircraft, including BAe Jetstream 41 prototype G-JMAC, Hawker Siddeley HS 748 G-BEJD, Bristol Britannia 308F G-ANCF and Percival Prince G-AMLZ, preserved by the Speke Aerodrome Heritage Group. Additionally, the group looks after a replica de Havilland Dragon Rapide that is displayed in front of the hotel entrance
Liverpool Airport Speke Aerodrome, Liverpool,Merseyside, England, UK, L24 8QD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,Skyscraper,Carillion,L3,building,luxury apartments,flats,penthouse and pavement,highest building in Liverpool,restaurant Panoramic,Panoramic,prize,buy to let,investment,property,properties,sunny,blue skies,blue sky,maritime,port,cities,development,developments,real estate,office,offices,hotel,apartments
Description: Tony Smith image Alamy 2BG7KGP - West Tower is a 40-storey tall skyscraper in Liverpool, England. The building was the second tower to be built by Carillion in Liverpool for property developers Beetham, who now use the building as their headquarters
With a spire height of 134 metres (440 ft) and 40 floors, West Tower is the tallest building in Liverpool. Nationwide, it is ranked at joint 38th tallest in the United Kingdom but is the tallest in the country outside of Greater London and Greater Manchester. The building commands views across the city, over the Mersey to the Wirral and as far as Blackpool on a clear day. The first five floors are the new headquarters for the Beetham Organization and the remaining floors, apart from the 34th, have been divided into luxury apartments and penthouses.
However, unlike St. John's Beacon, West Tower has no antennas on the roof. Therefore, when considering height excluding antennas, West Tower is the highest building in Liverpool.
The five floors of Beetham's offices are set back between concrete columns and are fully glazed. A glazed lift and stair serving the office are accommodated between raking fins with views to the river.
The 127 apartments are clad in a fully glazed perimeter curtain wall of random clear and opaque panels and are orientated to provide views of both the city and river. The upper penthouse floors are tiered back to incorporate external terraces behind glazed balustrade screens.
The 34th floor is home to Liverpool's highest restaurant, Panoramic. This floor is completely clad in a clear glass perimeter offering diners views of the city of Liverpool and further afield
West Tower, Brook Street, Liverpool, Merseyside, England,UK, L3 9PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lothians,Scotland,UK,luxury,hotel,dusk,night,at,nighttime,centre,EH2 2EQ,EH2,four,star,wquality,capital,tourist,tourism,attraction,history,historic,building,evening,moonlight,lit,bus,buses,traffic,cars,car
Description: Tony Smith image Alamy D8HCME - Opened on October 15th 1902, our hotel was originally known as the North British. Acclaimed as one of the great railway hotels, it originally boasted 300 bedrooms and 52 bathrooms. It was later renamed The Balmoral ” which means majestic dwelling in Gaelic.
Hotel porters in red jackets used to meet guests off the train at Waverley Station, taking them into a lift and whisking them from the station hall to the reception desk in the hotel.
Our notable guests have included Sophia Loren, Elizabeth Taylor, Paul McCartney, Edward Heath and Harold Wilson. The Queen Mother was a regular for lunch. Her favourite dish was plain roast lamb.
1 Princes Street, Edinburgh, Scotland, UK EH2 2EQ
Description
Keywords: Chester,city,rushing,around,and,going,about,their,business,in,Street,where,it,meets,Cheshire.,Historic,walled,wall,city,English,england,tourist,shop,gotonysmith,Timber,building,Grosvenor,hotel,mall,malls,pedestrianized,lane,ole,olde,Eastgate,buildings,pedestrianised,river,Dee,Eastgate,East,gate,walls,walled,tour,tourest,authority,tourist,image,best,greatest,interesting,different,slow,motion,shutter,long,exposure,gotonysmith,City Centre,City,Centre,@hotpixUK,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF23NK - Eastgate, shown here and Eastgate Clock in Chester, Cheshire, England, stand on the site of the original entrance to the Roman fortress of Deva Victrix. The clock is a prominent landmark in the city of Chester and is said to be the most photographed clock in England after Big Ben.
The original gate was guarded by a timber tower which was replaced by a stone tower in the 2nd century, and this in turn was replaced probably in the 14th century. The present gateway dates from 1768 and is a three-arched sandstone structure which carries the walkway forming part of Chester city walls. In 1899 a clock was added to the top of the gateway to celebrate the diamond jubilee of Queen Victoria two years earlier. It is carried on openwork iron pylons, has a clock face on all four sides, and a copper ogee cupola. The clock was designed by the Chester architect John Douglas. The whole structure, gateway and clock, was listed by English Heritage on 28 July 1955 as a Grade I listed building. You know you have been on a visit to Chester when you have an image of this clock in your memory card. To avoid this failure of imagination, this photograph was taken from under the clock mechanism.
Eastgate was originally defended by a timber tower. The road running through the gate led to Manchester, then across the Pennines to York. By the 18th century the city walls were no longer needed for defensive purposes and so, rather than being pulled down, they were converted into walkways. The medieval gateways were obstructing the traffic into the city and were replaced by wider arched gateways with balustraded parapets. The first gateway to be replaced was Eastgate in 1768 which was rebuilt as an elegant arch. It was built at the expense of Richard Grosvenor, 1st Earl Grosvenor, and designed by Mr Hayden (or Heyden), the earl's surveyor of buildings.
Eastgate today is a clutch of upmarket shops, Browns Jewellers, banks and the Chester Grosvenor Five Star Hotel.
41-45 Eastgate St, Chester, CH1 1LE
Description
Keywords: Coventry,hotel,medium,rare,david,Traynor,M3,Housing,M3housing,spirit,world,mediumship,ship,mystic,one,eye,you,village,warwickshire,warks,england,UK,DavidTraynor,365days,is anybody there,is,anybody,there,west,midlands,britain,GB,europe,english,hotpix!
Description: Tony Smith image Flickr 4103283717 - 'Is there anybody there?
David Traynor welcomes you to his demonstration of spirit mediumship. In truth I had encountered a few spirits myself that night and my concentration woul dhave been compromised.
View on black and that eye follows you around the room.
Was this the room, the start of it all? www.flickr.com/photos/hotpixuk/3998650601/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC ',
Description
Keywords: Thewheatsheaf,Wheatsheaf,hotel,restaraunt,Swinton,Berwick,Berwickshire,Scotland,scottish,Borders,highland,spring,Walkers,Shortbread,homecoming,home,coming,2009,products,365days,Schotland,l'Ecosse,Ecosse,Schottland,\u03a3\u03ba\u03c9\u03c4\u03af\u03b1,la,Scozia,\u30b9\u30b3\u30c3\u30c8\u30e9\u30f3\u30c9,\uc2a4\ucf54\ud2c0\ub780\ub4dc,\u0428\u043e\u0442\u043b\u0430\u043d\u0434\u0438\u044f,Escocia,blue,toned,b/w,hand,colored,coloured,selective,color,colour,monochrome,macro,closeup,close,up,stillife,stilllife,still,life,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,edinbrugh,hotpix!
Description: Tony Smith image Flickr 3811373842 - 'A real welcome to Scotland in the year of the homecoming. Just needs a wee tot of the water of life (not provided).
Welcome table, room at the Wheatsheaf Inn and restaurant, Swinton Berwickshire, South East Scotland.
2009 is the 250th anniversary of the birth of Robert Burns, the national poet, so the year was designated as the year of the Homecoming. Funded by the Scottish Government at Holyrood, and part-financed by the European Regional Development Fund it celebrated Scotland's culture and heritage, great Scottish minds and innovations, golf and whisky. Spring water and shortbread should have also been on the list to my reckoning too!
Some scottish sporting antiques www.flickr.com/photos/hotpixuk/3812249269/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
',
Description
Keywords: tattoo,pair,black,white,dark,side,woman,lady,girl,man,male,female,light,tattoos,tattood,tattooed,pierced,piercing,leather,leatherman,tatoo,tatto,tat2,ink,skin,tattwo,tatuaje,\u0442\u0430\u0442\u0443\u0438\u0440\u043e\u0432\u043a\u0430,T\u00e4towierung,tatouage,tatoegering,\u7d0b\u8eab\u82b1\u523a,equality,fetish,fashion,clothing,clothes,sex,sexy,porn,porno,girlie,this photo rocks,erotic,pretty,fetishist,Marchweil,North,wales,inkintheskin,party,hotel,cool,person,people,portrait,image,tonysmith,tony,smith,Tatuada,tats,bodyart,body,art,HOT PIX,sensual,hotpicks,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 3805002961 - 'A woman in white and a man in black leather, both with tattoos. They are both opposite, but form a one harmonious whole.
Yin and yang describes how apparently disjunct or opposing forces are interconnected and interdependent in the natural world, giving rise to each other in turn. Like male and female, war and peace.
He sits in his leather trousers, hands forming a shape of a house, a happy home, while his german iron cross suggests possible violence to come
Another tattoo here www.flickr.com/photos/hotpixuk/3711773981/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: UK,Swinton,Scotland,Wheatsheaf,Hotel,Duns,GB,Britain,Borders,Berwickshire,bath,soap,feet,Molton,Brown,365days,Schotland,l'Ecosse,Ecosse,Schottland,\u03a3\u03ba\u03c9\u03c4\u03af\u03b1,la,Scozia,\u30b9\u30b3\u30c3\u30c8\u30e9\u30f3\u30c9,\uc2a4\ucf54\ud2c0\ub780\ub4dc,\u0428\u043e\u0442\u043b\u0430\u043d\u0434\u0438\u044f,Escocia,me,selctive,colour,color,colores,edinbrugh,hotpix!
Description: Tony Smith image Flickr 3708723999 - 'Feet in bath, Molton Brown on the side. Wheatsheaf Hotel, Scotland
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,departures,Hotels,hotel,&,buses,bus,station,1 & 2,1,2,signage,clear,in,flight,transfers,international,transport,integrated,Scamchester Airport,airport,airports,Ringway,holdings,management,Northern Powerhouse,display,direction,directions,hotels,accommodation,other,tram,trams,rail
Description: Tony Smith image Alamy 2PY19E4 - Manchester Airport (IATA: MAN, ICAO: EGCC) is an international airport in Ringway, Manchester, England, 7.5 nautical miles (13.9 km
8.6 mi) south-west of Manchester city centre. In 2019, it was the third busiest airport in the United Kingdom in terms of passenger numbers and the busiest of those not serving London. The airport comprises three passenger terminals and a cargo terminal. It covers an area of 560 hectares (1,400 acres) and has flights to 199 destinations, placing the airport thirteenth globally for total destinations served
Officially opened on 25 June 1938, it was initially known as Ringway Airport, a name still in local use. In World War II, as RAF Ringway, it was a base for the Royal Air Force. The airport is owned and managed by the Manchester Airport Holdings (trading as MAG), a holding company owned by the Australian finance house IFM Investors and the ten metropolitan borough councils of Greater Manchester, with Manchester City Council owning the largest stake. Ringway, after which the airport was named, is a village with a few buildings and a church at the western edge of the airport.
After the airport handled a record 27.8 million passengers in 2017, it underwent major expansion to double the size of Terminal 2, the first elements opening in 2019. The £1 billion expansion will be completed in 2024 and enable Terminal 2 to handle 35 million passengers. Capacity exists for up to 50 million passengers annually with two runways
[10] however, this potential figure is limited by the airport's restriction to 61 aircraft movements per hour as well as existing terminal sizes to process arrivals and departures effectively.
Manchester international airport, North West England, UK, M90 1QX
Description
Keywords: red brick railway B&B grand Midland Railway Central railway station,its,northern,Charles,grade,II,grade2,Paramount,Hotel,Group,Barcelo,UK,hoteles,QHotels,Quintessential,summer,blue,skies,sky,French,Restaurant,Mr.,Coopers,House,&,Garden,and,The,Wyvern,Restaurant,pano,panorama,gotonysmith,hotels,fine,tourist,travel,building,wide,shot,wideshot,Peter,Street,and,Lower,Mosley,rown,polished,granite,and,Burmantoft
Description: Tony Smith image Alamy DN6N6P - The Midland is a grand hotel in Manchester, England. Opened in September 1903, it was built by the Midland Railway to serve Manchester Central railway station, its northern terminus for its rail services to London St. Pancras. The hotel was designed by Charles Trubshaw in a highly-individualistic Edwardian Baroque style. It is a Grade II* listed building
Lower Mosley St, Manchester, England, UK
Description
Keywords: GB,Great,Britain,Night,time,nighttime,slide,hotel,Balmoral,Hotel,Clock,street,Mall,Princes Mall,Shopping,Festive,Hogmanay,tourist,travel,lit,low,light,Helter,Skelter,fun,entertainment,Scottish,UK,Lothian,Lothians,Midlothian,New Year,Low light,Helter Skelter,GoTonySmith,pavement,walkway,walk,way,reflection,blue,Buy Pictures of,Buy Images Of,Princes Mall
Description: Tony Smith image Alamy F89PT4 - Photo shows Edinburgh Christmas Lights, Princes Mall, Princes St,City Centre, Scotland, UK. The photograph is useful for Christmas, Hogmanay, festive leisure, winter tourism, night-time economy and family entertainment themes. Seasonal images like this can work for travel, shopping, hospitality, energy use, household celebration, public events and wider stories about how towns and cities create atmosphere during darker months. The supplied location evidence places the subject at or near Edinburgh, Scotland, UK, which adds value for buyers searching by town, city, region or postcode. The image is strongly seasonal, with winter or Christmas context visible or implied by the caption. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news. Search relevance is helped by including concise place names, visible brand or wording, functional subject terms, and wider editorial concepts such as public realm, consumer behaviour, heritage, travel, leisure and community life where they genuinely match the picture.
Princes Street,Edinburgh,Scotland,UK
