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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,horse,drawn,carriage,funeral,Droylsden,Tameside,director,hearse,minister,disbursements,costs,bereavement,traditional,service,Greater,Manchester,editorial,documentary,2026,British,Britain,Europe,travel,local,community,signage,architecture,streetscape,economy,horse-drawn,horse drawn,horses,for,funerals,death,cost,of,assisted dying
Description: Tony Smith image Alamy 3FCG44B - . A funeral-director window in Droylsden advertises a horse-drawn carriage funeral package, showing how traditional ceremonial options remain part of the modern funeral market. Horse-drawn hearses are associated with highly formal processions, often using teams of black or white horses, plumed harnesses and glass-sided carriages to create a visible public tribute. The displayed price includes items such as the hearse, minister and disbursements, making the image relevant to the practical cost of bereavement as well as ritual and tradition. Funeral pricing has attracted greater consumer attention as families compare packages and regulators encourage transparency in a market where decisions are often made quickly at a difficult emotional time. Droylsden, within Tameside east of Manchester, provides a recognisably urban North West setting. Editorial uses include funeral costs, undertakers, ceremonial transport, bereavement, changing funeral customs, consumer services and the continued demand for distinctive personalised send-offs. Used editorially, the frame can bridge specialist local-history research and broader contemporary reporting. Relevant search and editorial concepts include local history, documentary photography, current affairs, public realm, architecture, community, social change, economic context, regional identity, Britain, 2026. Useful descriptive vocabulary for archive discovery includes horse, drawn, carriage, funeral, Droylsden, Tameside, director, hearse, minister, disbursements, costs, bereavement, traditional, service, Greater, Manchester. The photograph is suitable for editorial, documentary, social-history, planning, business and local-news use where an identifiable real-world example is preferable to a generic illustration. It also provides a dated reference for future comparison, allowing researchers to see whether the premises, branding, public space or surrounding land use changed after August 2026.
Droylsden, Tameside, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,FK2 7ZT,reflection,reflections,Falkirk Kelpies,horse,sculptures,steel,heads,iconic,Scottish,landmark,tourist,attraction,public art monument,equine,visitor,destination,canal side,monumental,artwork,head,dramatic storm clouds,reflection in puddle,giant steel sculptures,modern Scottish icon,family day out,UK short break,Central Belt tourism,travel photography,outdoor sculpture park,heritage and tourism,engineering meets art,horse inspired artwork,weekend trip Scotland,Falkirk attractions,Scottish folklore,mythical water horse
Description: Tony Smith image Alamy 3F3F04F - Atmospheric view of the Kelpies at The Helix near Falkirk and Grangemouth in central Scotland. The pair of monumental horse head sculptures rise above the surrounding parkland under dark, dramatic clouds, while rainwater in the foreground creates a reflective pool that echoes their distinctive outline. The image captures both the scale of the artwork and the shifting Scottish weather, giving the famous landmark an impressive and moody presence.
Designed by sculptor Andy Scott and opened in 2013, the Kelpies stand around 30 metres high and are among Scotland's best-known contemporary public artworks. The sculptures are modelled on Clydesdale horses and were created to celebrate the strength, endurance and contribution of working horses to Scottish industry, agriculture, transport and canal history. Their name comes from the kelpie, the shape-shifting water spirit of Scottish folklore, linking myth with the waterways and wetland setting of The Helix.
Located between Falkirk and Grangemouth, beside the Forth and Clyde Canal, the Kelpies form the centrepiece of a wider regeneration and leisure landscape that includes paths, open green space and visitor facilities. Since opening, they have become a major Scottish tourist attraction, drawing visitors for sightseeing, photography, family days out and short breaks. The close-cropped composition, dark sky and water reflection emphasise the sculptures' steel-clad surfaces, muscular form and striking architectural character. The photograph works well for themes including Scottish tourism, iconic landmarks, public art, engineering-inspired design, horse sculpture, visitor attractions and atmospheric travel imagery. As one of the most recognisable sights in central Scotland, the Kelpies are regularly used to represent Falkirk, modern Scottish culture and successful post-industrial regeneration.
The Kelpies, Helix park, Falkirk, Scotland, FK2 7ZT
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Helix Park,FK2 7ZT,The,Falkirk Kelpies,sculptures,horse,horses,heads,Scottish,tourist,attraction,tourism,public art,iconic,icons,Andy Scott sculptures,monumental,metal structures,equine,modern Scottish sculpture,Falkirk tourist attraction,canal heritage Scotland,outdoor art installation,towering horse heads,Scottish engineering heritage,public artwork Scotland,dramatic cloudy sky,horse powered industrial heritage,tribute to working horses,Scottish canal regeneration,Forth and Clyde Canal,Union Canal gateway,Central Scotland tourism,30 metre high sculptures,300 tonne steel structures,working horses,Andy Scott
Description: Tony Smith image Alamy 3F3F062 - Dramatic close view of The Kelpies at Helix Park near Falkirk, Scotland, showing one enormous horse head framed by part of its companion sculpture beneath a heavy grey and cloudy sky. Thousands of individually shaped metal plates form the expressive heads, necks and muscular contours of the monumental structures. The low viewpoint emphasises their immense height, engineering complexity and powerful presence within the landscaped public space.
Designed by Scottish sculptor Andy Scott, The Kelpies stand approximately 30 metres high and weigh more than 300 tonnes each. They are recognised as the world's largest equine sculptures and were created as monuments to Scotland's horse-powered heritage. The forms were inspired particularly by the strong Clydesdale working horses that hauled wagons, ploughs and canal boats and helped power agriculture, transport and heavy industry.
The sculptures stand beside a specially developed basin and lock on the Forth and Clyde Canal, forming a modern gateway at the canal's eastern end. The canal originally opened in 1790, linking the Firth of Forth with the Firth of Clyde. After declining and closing during the twentieth century, it was restored and reopened in 2001 as part of the wider revival of Scotland's canal network.
Helix Park developed from a regeneration project intended to connect communities between Falkirk and Grangemouth through green space, paths, waterways and public art. The park opened in 2013, and The Kelpies welcomed visitors from April 2014. They have since become an internationally recognised symbol of Falkirk, combining Scottish folklore, industrial history, contemporary art and ambitious structural engineering.
The photograph is suitable for editorial coverage of Scottish tourism, Clydesdale horses, canal history, public sculpture, industrial heritage, regeneration, metal construction, engineering, outdoor attractions and iconic modern landmarks.
The Kelpies, Helix park, Falkirk, Scotland, FK2 7ZT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,County Durham,in,his,studio,at,town,sketch,sketches,https,paulrobinson,animalart,animal,animals,framed,painting,7,DL12 8LY,DL12,7 Horsemarket,horse,horses,PL Robinson,card,sales,selling,artists,independent,retail,business,businesses,monochrome,charcoal,sticks
Description: Tony Smith image Alamy 2RWMEH7 - . Paul Robinson artist, with horse in his studio gallery at 7 Horsemarket, Barnard Castle, County Durham, England, UK, DL12 8LY. Photographed on 15 September 2023. STATEMENT - I mainly use charcoal sticks to create my drawings and take a very gestural approach, i find myself making a virtue out of awkward and accidental marks and often get lost in a frenzy of quick expression. I have many influences which inform my work and also currently engaged in contemporary landscape painting. EDUCATION - 1987 - 1989 newcastle under lyme F.E college, studying a levels and btec art and design. 1989 - 1992 Hallam university,sheffield - BA hons fine art. 94 - 95 Leeds university - M.A cultural theory. My studio space and gallery is currently based on the high street in the lovely town of Barnard Castle !. Current gallery opening times -. MONDAY - 11AM - 4PM. TUESDAY - 11AM - 4PM. THURSDAY - 11AM - 4PM. FRIDAY - 11AM - 4PM. SATURDAY - 10.30 AM - 4.30PM. The background to mural is that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can evolution the meaning of an apparently permanent object. Within the history of heritage attraction, the romantic appreciation of ruined castles during the eighteenth and nineteenth centuries helped turn former military sites into tourist landmarks and subjects for artists and photographers. In relation to business signage, historical context shows that local businesses offer unusually precise social-history evidence because names, branding and uses change more quickly than the buildings they occupy
A shop, café, pub or service company can disappear while the façade survives, leaving photographs as a record of the previous commercial life of the street. Closely related concepts are animalart, animal, animals, framed, painting, 7 Horsemarket, and horse.
7 Horsemarket, Barnard Castle, County Durham, England, UK, DL12 8LY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Musselburgh,racing,British,horse,race,course,racecourse,racecourses,memorabilia,chalkboard,dead,heat,Neck,length,short,1/2 length,3/4 length,1 length,one,half,three quarters,Linkfield Rd,EH21 7RG,EH21,Lothian,Lothians,Linkfield Road,gambling,gamble,bet,bets,betting,lengths,gambleaware,compliance,regulation
Description: Tony Smith image Alamy 2RECE3N - Musselburgh Racecourse is a horse racing venue located in the Millhill area of Musselburgh, East Lothian, Scotland, UK, close to the River Esk. It is the second biggest racecourse in Scotland (the first being Ayr) and is the fourteenth biggest in the UK. In 2016, Musselburgh staged 28 fixtures. It was officially known as Edinburgh Racecourse, and referred to as such in the English press, until the beginning of 1996 but was widely referred to as Musselburgh in Scotland long before that[5] and was widely referred to as Musselburgh in the racing pages of Scottish newspapers.
The course offers both flat racing and National Hunt meetings (though it only introduced jumping in 1987) and is 2 km long. In the middle of the course is a nine-hole golf course, Musselburgh Links, dating from at least 1672. The Royal Musselburgh Golf Club was founded there in 1774.
The racecourse itself sits on Musselburgh common good land. It is situated on the eastern side of the town, less than a mile from the A1 and two miles from the Edinburgh City Bypass. A road bridge over the Esk gives access to the course on race days only
the rest of the time, the gates are kept closed.
History
The first races in Musselburgh took place in 1777 under the auspices of the Royal Caledonian Hunt. Between 1789 and 1816, race meetings were held on the sands at Leith, although some races did still take place in the town. In 1816, they returned permanently to Musselburgh, to a course that had been laid out for them by the town council. The Hunt were so pleased with the new course that they distributed 50 guineas amongst the town's poor
Linkfield Rd, Musselburgh, East Lothian, Scotland, UK, EH21 7RG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,historic,heritage,statues,sculpture,sculptures,old,history,closed,bar,GU1,High St,Surrey,GU1 3BJ,white,horse,statue,of,pubs,a,on,horses,South East,English,town,centre,253,Upper High Street,the,Harbour Hotels,Long Bar,bars
Description: Tony Smith image Alamy 2RPCFMP - . Statue of a plaster mounted knight, on a horse on the former White Horse Hotel in 247-248 High Street, Guildford, Surrey, England, UK, GU1 3BJ. Photographed on 18 June 2023. The recorded location is 243-247 High St, Guildford, Surrey, England, UK, GU1 3BJ. If you visit the top of Guildford town, you might notice a gallant looking knight riding a white horse, charging off the façade of 253 Upper High Street. The unit, part of which is The Harbour Hotel's The Long Bar, used to house a pub, likely dating back to the late 1700s called The White Horse. Pubs named 'The White Horse' were tribute to the House of Hanover, the Royal family of the time period. Guildford's White Horse was a pub until 1964, when it was refurbished and transformed into the Guildford Hotel. In recent years the site underwent a massive redevelopment as part of the Harbour Hotel complex. Despite numerous changes over the years the unusual feature has remained. Looking at visual culture, the longer history is that street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. The background to nightlife is that british pubs developed from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, music venues and landmarks
Names, brewery signs, etched glass, tiled interiors and evolving fascias can preserve local history even when ownership or use changes. Within the history of coastal economy, maritime gateways connect island and mainland economies, carrying residents, visitors, freight and vehicles while also supporting fishing, leisure craft and tourism
Older waterfront buildings often survive beside modern ferry infrastructure, making port landscapes unusually layered records of economic change.
243-247 High St, Guildford, Surrey, England, UK, GU1 3BJ
-L1-1JJ-2R6AHTX.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,statues,bronze,FD,DF,horse,riding,a,horses,1814-1885,of,DG,1870,granite,L1 1JJ,L1,St Georges plateau,St Georges hall,outside,Verdigris,green,summer,Grade I,neoclassical,built,on,horseback,never had a horse
Description: Tony Smith image Alamy 2R6AHTX - Queen Victoria by Thomas Thornycroft (1814-1885)
Dated 1869, unveiled in 1870
Bronze on a granite pedestal
St George's Plateau, Liverpool
This striking sculpture of the young Queen Victoria riding side-saddle was commissioned to match the one of Prince Albert already completed by Thornycroft and unveiled in 1866. The Queen's hat is generously plumed, and, appropriately for this position outside St George's Hall, she bears the St. George's riband as a sash across her breast. The fine detail of the statue is most easily seen from below in the embroidered crown and scrolling, as well as the fringe, of the ceremonial saddle-blanket. In a description from the Art Journal, the horse is seen as full of impatient action, which tells on the sway of the figure
an effect difficult to express well in sculpture (qtd. in Cavanagh 95). The Queen holds what looks like a small sceptre, but is actually the handle of a riding crop, the rest of which has been lost. The drape of her voluminous skirt can be seen in the right-hand profile.
According to Bob Speel, this was the piece that made [Thomas Thornycroft's] name. Compare it with his equestrian statuette of the Queen from 1853.
Bibliography
Cavanagh, Terry. Public Sculpture of Liverpool. Liverpool: Liverpool University Press, 1996.
Speel, Bob. St George's Hall and St John's Gardens, Liverpool.
St Georges plateau, Liverpool, Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,2023,city,L1,weekend,woman,horse,policewoman,PC,PCs,female,females,in,the,saddle,ride,63 Hanover St,Liverpool,L1 3DY,Dogs and Mounted Section,civil police,hi-viz,yellow,helmet,section,we stand for Merseyside,We stand tall,Beau,Mayor,Shire Bay Gelding,Shire Cross Dark Bay Gelding
Description: Tony Smith image Alamy 2R1MFCH - . Mounted police women, Eurovision song contest weekend, city centre Hanover St, Liverpool, Merseyside, England, UK, L1. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 63 Hanover St, Liverpool, Merseyside, England, L1 3DY, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, weekend, woman, horse, policewoman, PCs, female, females, saddle, ride, 63 Hanover St, Liverpool, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include L1 3DY, Dogs and Mounted Section, civil police, hi-viz, yellow, helmet, broadening discoverability while remaining tied to the supplied subject information.
63 Hanover St, Liverpool, Merseyside, England, L1 3DY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Országház,the,architecture,river,of,dome,seat,city,centre,in,on,Kossuth Lajos tér,1-3,1055,1902,completed,architect,Imre Steindl,neo-Gothic,style,central,Renaissance Revival,memorial to the 1956 Hungarian Revolution,equestrian statue,horse,Francis II Rákóczi.,exterior,outside,buildings,Europe,European,government,building,civic,political,politicians,HotpixUK.org.uk
Description: Tony Smith image Alamy 2PYKTCD - The Hungarian Parliament Building (Hungarian: Országház, which translates to House of the Country or House of the Nation), also known as the Parliament of Budapest after its location, is the seat of the National Assembly of Hungary, a notable landmark of Hungary, and a popular tourist destination in Budapest. It is situated on Kossuth Square in the Pest side of the city, on the eastern bank of the Danube. It was designed by Hungarian architect Imre Steindl in neo-Gothic style and opened in 1902. It has been the largest building in Hungary since its completion
Budapest was united from three cities in 1873, namely Buda, Óbuda, and Pest. Seven years later the Diet resolved to establish a new, representative parliament building, expressing the sovereignty of the nation. The building was planned to face the Danube River. An international competition was held, and Imre Steindl emerged as the victor
the plans of two other competitors were later also realized in the form of the Ethnographic Museum and the Hungarian Ministry of Agriculture, both facing the Parliament Building. Construction from the winning plan was started in 1885, and the building was inaugurated on the presumed 1,000th anniversary of the country in 1896. The keys to the building being handed over in 1902, however, It was not fully completed until 1904. The architect of the building first went blind and then later, died before its completion
Since World War II the legislature became unicameral, and today the government uses only a small portion of the building. During the People's Republic of Hungary a red star perched on the top of the dome, but it was removed in 1990 after the fall of communism. Mátyás Szűrös declared the Hungarian Republic from the balcony facing Kossuth Lajos Square on 23 October 1989
Budapest, Kossuth Lajos tér 1-3, 1055 Hungary
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,EU,steered,like,a,horse,tethered,by,his,tie,ride,rides,Budapest,city,centre,in,the,from,Russian,influence,flag,war,special,military,operation,its,breasts,chest,naked,gay,homoerotic,icon,right wing,right-wing,2026
Description: Tony Smith image Alamy 2PYKTB1 - . Vladimir Putin's trojan horse in the EU, Victor Orban - Graffiti from Budapest city centre, naked Putin rides Orban like a horse, tethered by his tie. Photographed on 29 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Budapest, Hungary, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include steered, like, horse, tethered, his, tie, ride, rides, Budapest, Russian, influence, flag, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. The scene contributes a specific, place-based record rather than a generic illustration.
Budapest, Hungary
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,GL50,trailer,traveller,travellers,caravan,travelling,through,the,High St,shire,shirehorse,drawn,truck,contrast,country,way of life,life,style,riding,low tech,transport,transportation,changing times,past,pasttimes,history,historic,families,on the,road,horse,traditional,tradition,culture,vagrant,illegal camps,eviction order
Description: Tony Smith image Alamy 2M4W2JH - More at https://www.gloucestershirelive.co.uk/news/cheltenham-news/plans-permanent-traveller-sites-cheltenham-1503955
Plans for permanent traveller sites in Cheltenham - but will they help stop illegal camps?
The problem is wherever the council puts the sites, the travellers don't want to stop on them
Concerns are mounting that plans for traveller sites will not be enough to stop illegal camps in Cheltenham.
Travellers have pitched up without permission on several patches of land in the spa town over recent weeks.
Cheltenham Borough Council leader, Councillor Steve Jordan, believes this annoying issue will be tackled by the Joint Core Strategy (JCS).
The document includes plans for three traveller and gypsy sites in Cheltenham, two in Gloucester and 78 in the borough of Tewkesbury by 2031.
Recent problems
There have been camps this month in the car parks at the Leisure At Cheltenham centre, Cheltenham Racecourse and North Place.
And travellers moved 15 vehicles onto the borough council-owned Elmfield Park on Monday.
They ignored an eviction order served on Tuesday, but Cheltenham Magistrates' Court today made a new order that they leave.
Plans for more sites
The three sites planned for Cheltenham, all permanent, will be in Castle Dream Stud, in Mill Lane, Charlton Kings, where one traveller family has lived since 2011.
They have permission to stay there until 2022, but this is set to be made permanent.
334 High St, Cheltenham, Gloucestershire, England, UK, GL50 3JF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,GL50,trailer,traveller,travellers,caravan,travelling,through,the,High St,shire,shirehorse,drawn,truck,contrast,country,way of life,life,style,riding,low tech,transport,transportation,changing times,past,pasttimes,history,historic,families,on the,road,horse,traditional,tradition,culture,vagrant,illegal camps,eviction order
Description: Tony Smith image Alamy 2M4W2K4 - More at https://www.gloucestershirelive.co.uk/news/cheltenham-news/plans-permanent-traveller-sites-cheltenham-1503955
Plans for permanent traveller sites in Cheltenham - but will they help stop illegal camps?
The problem is wherever the council puts the sites, the travellers don't want to stop on them
Concerns are mounting that plans for traveller sites will not be enough to stop illegal camps in Cheltenham.
Travellers have pitched up without permission on several patches of land in the spa town over recent weeks.
Cheltenham Borough Council leader, Councillor Steve Jordan, believes this annoying issue will be tackled by the Joint Core Strategy (JCS).
The document includes plans for three traveller and gypsy sites in Cheltenham, two in Gloucester and 78 in the borough of Tewkesbury by 2031.
Recent problems
There have been camps this month in the car parks at the Leisure At Cheltenham centre, Cheltenham Racecourse and North Place.
And travellers moved 15 vehicles onto the borough council-owned Elmfield Park on Monday.
They ignored an eviction order served on Tuesday, but Cheltenham Magistrates' Court today made a new order that they leave.
Plans for more sites
The three sites planned for Cheltenham, all permanent, will be in Castle Dream Stud, in Mill Lane, Charlton Kings, where one traveller family has lived since 2011.
They have permission to stay there until 2022, but this is set to be made permanent.
334 High St, Cheltenham, Gloucestershire, England, UK, GL50 3JF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,YO22,Whitby,YO22 4JT,town,centre,looking,over,the,of,horse,wooden,wood,painted,signage,please,harbour,port,vacation,coast,fence,field,across,near,Abbey,buildings,homes,hill,welfare rail,railing,dont feed the horse,dont,feed the,animals,Please dont feed the animals
Description: Tony Smith image Alamy 2RD24G4 - . Wooden sign in a field, Please don't feed the horses, looking over the town of Whitby, North Yorkshire, England, UK, YO22 4JT. Photographed on 25 September 2022, this autumn image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Whitby, North Yorkshire, England, UK, YO22 4JT, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Yorkshire, YO22, Whitby, YO22 4JT, looking, over, horse, wooden, wood, painted, signage, please, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The scene contributes a specific, place-based record rather than a generic illustration.
Whitby, North Yorkshire, England, UK, YO22 4JT
-between-Grappenhall-and-Thelwall--the-old-Cheshire-lines-railway-between-Warrington-and-Altrincham--North-West-England-2JTWGKM.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,TPT,summer,walking,riding,horse,exercise,outdoor,fresh,air,local,rural,between,and,cheshire,England,UK,path,bike,closed,the,old,Cheshire lines,rail,railway,line,WA4 2TB,WA4,Broadheath,railpath,pathway,paths,leisure,route,waking,hotpix.org.uk
Description: Tony Smith image Alamy 2JTWGKM - Warrington / Altrincham “ Thelwall to Broadheath railpath
Following the old rail line from Thelwall via Lymm, Heatley to Altrincham (approx 7 miles). There is a Ranger Service Information Centre in Lymm and the National Trust's Dunham Massey property is just off this section of the Trail.
Access: There is parking at the Ranger Cabin (on the site of the former station) in Lymm “ follow the signs for the Trail from the A56 and A6144 in Lymm. There is also a car park on Black Moss Road at the eastern end of this section. From junction 7 of the M60 follow the A 56 to Altrincham, after going under the railway bridge turn 3rd right into Atlantic Street. Follow this to the end and the car park is opposite.
Facilities: There are a number of pubs along the route and local facilities in Lymm. There are toilets at the Ranger Cabin in Lymm (Tel 01925 758195 to check opening times).
Thelwall, Warrington, Cheshire, England, UK, WA4 2TB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Blackpool,Lancs,Lancashire,FY1 5AA,building,Las Vegas,architecture,Prom,slots,machines,horses,drawn,horse,carriage,pink,pink carriage on The Promenade,on,the,carriages,transport,arcade,arcades,gateway to,gamble,gambling,FOBTs,Fixed Odds,betting,terminal,terminals,one armed,bandits,penny falls,pennyfalls,games,gaming,electronic
Description: Tony Smith image Alamy 2JRJ9TY - . An on-location photograph from The Golden Mile, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The main point of reference is Golden Mile , Amusements , Family Entertainment, slots, machines, horse drawn carriages, on The Promenade , Blackpool, Lancashire, England,UK, FY1 5AA. The locality and subject together evoke period architecture, bus route infrastructure, local bus network, heritage-led regeneration, public transport stop, urban regeneration, archival record, public realm, period detail, commercial redevelopment, visual archive, built heritage, documentary photography, and social history. For current editorial use, heritage conservation and town-centre regeneration provide additional context, especially through the value of reusing existing buildings rather than wholesale demolition. Current relevance extends to decarbonisation and bus funding, particularly through the challenge of maintaining reliable services outside dense urban centres. The image fixes local activity and public use within The Golden Mile, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ at one identifiable point, providing a benchmark against redevelopment. The wider setting retains connections with contemporary social history, roadside transit, adaptive reuse, regional identity, mixed-use redevelopment, town-centre renewal, local character, and everyday life. Details involving Entertainment, carriages, slots, Blackpool, and machines make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within The Golden Mile, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ, the image preserves more than the headline object or building: it records part of the locality's everyday history.
The Golden Mile, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,FY1,FY1 5DD,off,near,depressed,cleared,pipes,wasted,with,Tower,in,the,background,icon,iconic,terrace,terraced,terraces,horse,horses,development,zone,stalled,Foxhall Village,flagship,council,councils,site,sites,surge,bookings,staycations,going off abroad
Description: Tony Smith image Alamy 2JRM3BB - . This location-specific image from Rigby Rd, Blackpool, Lancashire, England, UK, FY1 5DD in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The principal subject is Wasteland, off Rigby Road, Blackpool, Lancashire, England, UK, FY1 5DD, with Blackpool Tower in the background. The image also relates to documentary photography, local bus network, before-and-after reference, public transport stop, local history, contemporary social history, public-transport wayfinding, public realm, historical comparison, local character, street-side transport, bus route infrastructure, surface public transport, and bus infrastructure. Viewed from the mid-2020s, the subject also connects with local connectivity, passenger information and the shift toward cleaner vehicles and integrated ticketing. The archival value lies partly in recording landscape treatment and surrounding development around Rigby Rd, Blackpool, Lancashire, England, UK, FY1 5DD before altered transport patterns alters the character of the place. The location also brings in transport accessibility, changing streetscape, period detail, everyday life, community identity, passenger transport, local mobility, and place identity. Elements such as Rigby, Blackpool, Wasteland, Lancashire, and background add documentary specificity and may become increasingly useful when compared with later records. The wider setting at Rigby Rd, Blackpool, Lancashire, England, UK, FY1 5DD matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to local connectivity and the shift toward cleaner vehicles and integrated ticketing without losing the local specificity of Rigby Rd, Blackpool, Lancashire, England, UK, FY1 5DD. It also preserves evidence of earlier appearance as part of Rigby Rd, Blackpool, Lancashire, England, UK, FY1 5DD's history.
Rigby Rd, Blackpool, Lancashire, England, UK, FY1 5DD
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,Gloucestershire,village,Cotswold,England,UK,Freehouse,the,pubs,writer,author,GL6,Slad,Slad Rd,Stroud,GL6 7QA,sign,Laurie Lee,Cider with Rosie,authors,famous,tourist,tourism,attraction,pub,bar,bars,overgrown,plant,plants,ivy,horse,free,house
Description: Tony Smith image Alamy 2JM9NX2 - Laurie Lee was an English poet and writer, celebrated for his internationally acclaimed childhood memoir, ˜Cider with Rosie'. Lee was a regular visitor to his local pub and referred to it with great affection. He is buried in the Slad Churchyard and a walker's route around the village of Slad is dedicated to him by name.
The Woolpack is the proud custodian of the Laurie Lee beer bottle collection and a cabinet dedicated to his written works, as part of our tiny book shop.
Slad, Slad Rd, Slad, Stroud , Gloucestershire, England, UK, GL6 7QA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,Westminster,Whitehall,England,UK,SW1A,tourist,SW1A 2BE,history,historic,building,architecture,house,ground,site,ceremonial,stabling,parade,beware,horses,horse,may,kick,or,bite!,Thank You,bite,kicking,kicks,sign,warning,black,at,entrance,gate,British,sunny
Description: Tony Smith image Alamy 2M07AA8 - Horse Guards Parade is a large parade ground off Whitehall in central London. It is the site of the annual ceremonies of Trooping the Colour, which commemorates the monarch's official birthday, and the Beating Retreat.
Horse Guards Parade was formerly the site of the Palace of Whitehall's tiltyard, where tournaments (including jousting) were held in the time of Henry VIII. It was also the scene of annual celebrations of the birthday of Queen Elizabeth I. The area has been used for a variety of reviews, parades and other ceremonies since the 17th century.
The adjacent Horse Guards building was once the Headquarters of the British Army. The Duke of Wellington was based in Horse Guards when he was Commander-in-Chief of the British Army. The current General Officer Commanding London District still occupies the same office and uses the same desk. Wellington also had living quarters within the building, which today are used as offices
The parade ground is open on the west side, where it faces Horse Guards Road and St James's Park. It is enclosed to the north by the Admiralty Citadel and the Admiralty Extension building, to the east by Admiralty House, William Kent's Horse Guards (formerly the headquarters of the British Army) and the rear of Dover House (home of the Scotland Office), and to the south by Kent's Treasury building (now used by the Cabinet Office), garden walls of 10 Downing Street (the official residence and office of the British Prime Minister) and Mountbatten Green before the Foreign and Commonwealth Office's west wing. Access to the south side is restricted for national security.
On the east side, Horse Guards Parade is normally accessible to the public from Whitehall through the arches of Horse Guards
A number of military monuments and trophies ring the outside of the parade ground, including:
To the west, beside St James's Park, the Guards Memorial, designed by the sculptor Gilbert Ledward in 1923“26
Horse Guards Rd, Whitehall, London , England, UK, SW1A 2BE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,Merseyside,seaside,coast,town,Sefton Council,PR8,Sefton,England,UK,PR8 1QX,fair,Victorian,ride,rides,people,on,the,horse,horses,summer,welcome,to,funland,Merry go round,Merry go around,amusements,traditional,gallopers,sunny,family,fun,fayre
Description: Tony Smith image Alamy 2JHW8A7 - . This scene at Pier Forecourt, Promenade, Southport, Sefton, Lancashire, England, UK, PR8 1QX in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Herbert Silcocks original Prancers Southport, Sefton, Lancashire, England, UK, PR9 - Merry go round. The wider scene also brings together regional identity, historical comparison, archival record, holiday resort economy, changing streetscape, community recreation, informal play space, period detail, urban leisure, place identity, seaside retail, local character, documentary photography, and coastal tourism. In present-day coverage, the subject reaches into heritage attractions and seasonality, not least because of the role of regeneration in keeping coastal destinations competitive. Today's relevance is strengthened by heatwaves, urban cooling and the continuing question of the growing need for shade, water and cooling during hotter summers. Future viewers can use this scene from Pier Forecourt, Promenade, Southport, Sefton, Lancashire, England, UK, PR8 1QX to compare public access and movement with whatever follows after changing commercial priorities. The wider setting retains connections with open-air leisure, coastal visitor economy, traditional confectionery, coastal leisure, social history, urban gathering place, local history, and public realm. Details involving Southport, Lancashire, Merry, Silcocks, and Herbert make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Pier Forecourt, Promenade, Southport, Sefton, Lancashire, England, UK, PR8 1QX matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene captures evidence of changing use before later change alters the scene.
Pier Forecourt, Promenade, Southport, Sefton, Lancashire, England, UK, PR8 1QX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,Merseyside,seaside,coast,town,Sefton Council,PR8,Sefton,England,UK,PR8 1QX,fair,Victorian,ride,rides,people,on,the,horse,horses,summer,welcome,to,funland,Merry go round,Merry go around,amusements,traditional,gallopers,sunny,family,fun,fayre
Description: Tony Smith image Alamy 2JHW8A8 - . This scene at Pier Forecourt, Promenade, Southport, Sefton, Lancashire, England, UK, PR8 1QX in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The location is represented through Herbert Silcocks original Prancers Southport, Sefton, Lancashire, England, UK, PR9 - Merry go round. Further facets of the scene include urban gathering place, seasonal outdoor activity, public realm, regional identity, changing streetscape, documentary photography, community identity, traditional holiday town, period detail, informal play space, British seaside culture, urban leisure, everyday life, and archival record. For current editorial use, retail pressure and weather dependence provide additional context, especially through the enduring appeal of traditional British seaside customs. Current relevance extends to maintenance and heatwaves, particularly through how active public realms support footfall and neighbourhood vitality. Small period details of signage and branding at Pier Forecourt, Promenade, Southport, Sefton, Lancashire, England, UK, PR8 1QX may become more significant with time, particularly following changing commercial priorities. The location also brings in holiday resort economy, local character, tourism retail, visual archive, city-centre public space, contemporary social history, coastal tourism, and summer city life. The recorded references to Southport, Lancashire, Merry, Silcocks, and original preserve clues about how the subject was presented, used or understood at the time. The period setting at Pier Forecourt, Promenade, Southport, Sefton, Lancashire, England, UK, PR8 1QX helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The record includes details of everyday use as a date-specific reference.
Pier Forecourt, Promenade, Southport, Sefton, Lancashire, England, UK, PR8 1QX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,UK,Travellers Rest,stone,Given,By,Of,1859,for,the,South East,Warrington,stones,mount,history,historic,heritage,old,walking,ride,riding,horse,horses,rest,resting,travel,travelling,traveller,rural,canalside,waterside,at,side,WA4 2EF,WA4
Description: Tony Smith image Alamy 2JGM7CB - . Recorded at Hill Top Rd, Stockton Heath, Warrington WA4 2EF in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Travellers' Rest stone, Given By Thomas Lawton, Of Grappenhall ,1859, Warrington, Cheshire, England, UK, WA4 2EF. The image also relates to local history, public realm, everyday life, urban social history, heritage landmark, traditional structure, heritage asset, community life, city-centre activity, historic frontage, local landmark, architectural detailing, archival record, and changing streetscape. Today's relevance is strengthened by embodied carbon, maintenance and the continuing question of the value of distinctive buildings and street furniture to local identity. From a 2025-onward perspective, local identity and regeneration are closely linked to this subject, alongside the relationship between public space and local social life. The archival value lies partly in recording commercial use and occupation around Hill Top Rd, Stockton Heath, Warrington WA4 2EF before changing commercial priorities alters the character of the place. The wider setting retains connections with conservation interest, conservation architecture, pedestrian environment, regional identity, period detail, local character, architectural character, and street-level documentary. The combination of Given, Travellers', Thomas, stone, and Lawton anchors the frame to a recognisable activity, place or moment. A later view of Hill Top Rd, Stockton Heath, Warrington WA4 2EF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate embodied carbon and how historic fabric can be retained while places adapt to modern use within the specific setting of Hill Top Rd, Stockton Heath, Warrington WA4 2EF.
Hill Top Rd, Stockton Heath, Warrington WA4 2EF
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,84,Gt Sankey,Cheshire,WA5 1BU,WA5,old,the,coach,and,&,bars,horse,coaches,history,historic,lost,pub,pubs,bar,Victorian,heritage,sunny,sun,blue sky,blue skies,Great Sankey,Liverpool Rd,at,risk,closed,licensed,premises
Description: Tony Smith image Alamy 2JDJ41J - . Photographed at 84 Old Liverpool Rd, Gt Sankey, Warrington , Cheshire, England, UK,WA5 1BU in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The subject captured here is The Coach and Horses pub, 84 Old Liverpool Rd, Gt Sankey, Warrington , Cheshire, England, UK,WA5 1BU. Other connected aspects include urban fabric, customer-facing service, conservation architecture, visual archive, historical comparison, changing streetscape, hospitality venue, before-and-after reference, social history, contemporary social history, historic streetscape, food-and-drink business, local history, and leisure spending. In present-day coverage, the subject reaches into heritage conservation and maintenance, not least because of keeping older structures useful without erasing their character. Today's relevance is strengthened by staffing pressure, food inflation and the continuing question of how changing discretionary spending affects hospitality venues. Small period details of building condition and alterations at 84 Old Liverpool Rd, Gt Sankey, Warrington , Cheshire, England, UK,WA5 1BU may become more significant with time, particularly following changing commercial priorities. The photograph additionally reflects architectural character, destination dining, period streetscape, night-time economy, archival record, period building, public realm, and historic frontage. Details involving Coach, Liverpool, Horses, and Sankey make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within 84 Old Liverpool Rd, Gt Sankey, Warrington , Cheshire, England, UK,WA5 1BU, the image preserves more than the headline object or building: it records part of the locality's everyday history. Image 2JDJ41J also remains a dated record of 84 Old Liverpool Rd, Gt Sankey, Warrington , Cheshire, England, UK,WA5 1BU.
84 Old Liverpool Rd, Gt Sankey, Warrington , Cheshire, England, UK,WA5 1BU
Description
Keywords: HousingITguy,Project365,2nd 365,HotpixUK365,Tone Smith,GoTonySmith,365,2365,one a day,Tony Smith,Hotpix,horse,horses,feeding,eat,eating,Arley,hall,Cheshire,field,Country,countryside,equine
Description: Tony Smith image Flickr 3991248848 - 'If you are on Twitter, do add a follow there and I will follow back in return mobile.twitter.com/HotpixUK
Have a look at my archived photography, from ten years back at www.flickr.com/photos/hotpixuk/
Checkout the rest of this 365 set at www.flickr.com/photos/167831053@N02/albums/72157703214420874
All images (c) Tony Smith - @HotpixUK - No images to be used without express permission',
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures,illuminated
Description: Tony Smith image Alamy 2AFK5D5 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures,illuminated
Description: Tony Smith image Alamy 2AFK5DB - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures,never had a horse
Description: Tony Smith image Alamy 2AFK5DJ - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures,Clydesdale horse tribute,modern monumental sculpture
Description: Tony Smith image Alamy 2AFK5DT - One of The Kelpies at dusk, the monumental horse-head sculptures standing within The Helix parkland beside the Forth and Clyde Canal in the Falkirk council area of central Scotland. Rising dramatically above a reflecting pool, the illuminated structure glows against the blue evening sky, with its open lattice-like steel skin revealing the sculpture's internal structure and adding texture, depth and pattern to the landmark's powerful curved form.
Designed by sculptor Andy Scott, The Kelpies are among Scotland's best-known examples of contemporary public art. The pair each stand around 30 metres high and were created as a tribute to the heavy horse heritage of Scotland, particularly the Clydesdale and other working horses that once powered agriculture, industry, canal transport and urban life. Their position beside the canal reinforces those links with movement, trade, engineering and the industrial history of the Falkirk area.
The wider Helix project, often associated with the theme of connecting communities in the Falkirk council area, transformed former industrial land into a major public landscape and visitor destination. Paths, open space, water features and surrounding parkland help integrate the sculpture with the local environment while making it a gateway landmark for both residents and visitors. By day the stainless steel surfaces reflect changing light and weather, while at dusk and after dark the internal lighting gives the monument a striking, almost theatrical presence.
This image is suitable for editorial themes including Scottish tourism, public art, equine sculpture, canal regeneration, placemaking, landmark architecture, industrial heritage, outdoor lighting, community identity and travel photography. It also works well for features on Falkirk, Central Scotland visitor attractions, modern sculpture design and the continuing cultural importance of The Kelpies as a symbol of regional pride and regeneration.
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures
Description: Tony Smith image Alamy 2AFK5E1 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures
Description: Tony Smith image Alamy 2AFK5E4 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures
Description: Tony Smith image Alamy 2AFK5E8 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures
Description: Tony Smith image Alamy 2AFK5KX - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures,illuminated
Description: Tony Smith image Alamy 2AFK5M1 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: GoTonysmith,@HotpixUK,Horse,Shoe,bar,pub,Horseshoe,24 Drury St,Scotland UK,at night,at dusk,night,dusk,nighttime,night time,JYW,Drury St,city,city centre,drinking,pubs,bars,Scotland,long bar,104 feet,grand,watering hole,Victorian pub,Victorian bar,historic Victorian pub,history,City Centre Pub,central Glasgow,Glasgow Central,Glasgow City Centre,tourist,tourism,outside,exterior
Description: Tony Smith image Alamy MM99XX - At 104 feet and three inches, our grand Victorian bar is apparently the longest in Europe and merits an architectural listing all of its own. It's the centre of the Horseshoe, where you'll find great value pub-food and quality Scottish beers to go with it. We're also pretty big on live sport, with 11 screens and early opening times for major fixtures. The lounge upstairs has been graced by some famous singers
24 Drury St, Glasgow, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT1,Belfast,Antrim,Northern Ireland,BT1 5GS,Donegall Square,city hall,city,centre,color,coloured,colour,windows,harp,crown,North,Northern,Irish,Horse,stained,glass,foyer,WW2,WWII,memorial,war,hotpix.org.uk
Description: Tony Smith image Alamy 2PM626D - . North Irish Horse Regiment, stained glass window, at Belfast City Hall foyer, Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, BT1, Belfast, Antrim, Northern Ireland, BT1 5GS, Donegall Square, city hall, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,city,centre,urban,with traffic,Equestrian,statue,traffic,head,student,fun,horse
Description: Tony Smith image Alamy HGC7X3 - . This dated editorial view of Glasgow, United Kingdom in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The image documents Equestrian statue of the Duke of Wellington, Glasgow, with traffic cone. Another layer of the photograph includes public transport information, street-side transport, period detail, everyday life, documentary photography, community identity, visual archive, bus route infrastructure, changing land use, roadside stop, roadside transit, archival record, local history, and regional identity. The wider contemporary story combines accessibility, rural transport and the challenge of maintaining reliable services outside dense city centres. Future viewers can use this scene from Glasgow, United Kingdom to compare commercial use and occupation with whatever follows after different community use. The subject also sits alongside passenger transport, social history, historical comparison, transport accessibility, contemporary social history, bus infrastructure, local character, and changing streetscape. Elements such as Wellington, Glasgow, Equestrian, traffic, and statue add documentary specificity and may become increasingly useful when compared with later records. The period setting at Glasgow, United Kingdom helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is accessibility and the challenge of maintaining reliable services outside dense city centres when considered against later change at Glasgow, United Kingdom. The setting also helps illustrate reliability and how local bus services affect access to work, education and healthcare without losing the local specificity of Glasgow, United Kingdom. The image fixes a trace of local identity as a date-specific reference. It also preserves a local visual benchmark for later comparison.
Glasgow, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,statue,Glasgow,traffic cone,traffic,cone,horse,Arthur Wellesley,Royal Exchange,Square,Gallery,of,Modern Art,GoMA,landmark,icon,Glaswegian,humour,Scottish,city,centre,Scotland,public art,bronze,Carlo Marochetti,Victorian,sculpture,listed,monument,tourist,attraction,sightseeing,image,quirky,culture,urban,local,street
Description: Tony Smith image Alamy HGC7XD - The equestrian statue of the Duke of Wellington in Glasgow city centre is shown with the famous orange traffic cone balanced on the rider's head, a mischievous local tradition that has become one of the best-known visual symbols of the city. The bronze monument stands outside the Gallery of Modern Art, commonly known as GoMA, in Royal Exchange Square, close to Buchanan Street, George Square and the busy retail and cultural heart of Glasgow. The sculpture depicts Arthur Wellesley, 1st Duke of Wellington, on horseback and was created by Italian-born sculptor Carlo Marochetti, with the statue erected in 1844. Although intended as a formal Victorian memorial connected with Wellington's military reputation and the end of the Napoleonic Wars, its modern fame is now inseparable from the traffic cone, widely seen as an expression of Glaswegian humour, irreverence and civic character. The image shows the contrast clearly: a grand equestrian monument, neoclassical columns, museum frontage and heritage architecture, undercut by an everyday road cone turned into unofficial public art. The scene is valuable for editorial use about Glasgow tourism, Scottish culture, urban identity, public sculpture, listed monuments, heritage conservation, city branding, street humour, visitor attractions and the way communities reinterpret formal civic monuments. The traffic cone tradition is often dated to at least the 1980s and has survived repeated removal, becoming a near-permanent and much-loved feature for residents, students, tourists and photographers. The picture also works for stories about public art, alternative heritage, local protest, playful vandalism, council debates about conservation costs, travel features on unusual British landmarks and wider discussion of how statues gain new meanings over time. The overcast light, blue sky breaks, red-windowed buildings and GoMA exhibition banner add a strong urban context, placing the quirky monument firmly in the everyday streetscape of c
Gallery of Modern Art, Royal Exchange Square, Glasgow, Scotland, G1 3AG.
Description
Keywords: sculpture,sculptor,Alan,Beattie,Herriot,horse,steed,sword,book,night,shot,nightshot,Alan Beattie Herriot,Lord Bruce,Marischal College,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,woke,culture-wars
Description: Tony Smith image Alamy GMABYD - A sculpture of King Robert the Bruce, that measures over 18ft high, has been unveiled outside Marischal College, Broad Street, Aberdeen, Monday 09 May.
Gathered at the statue were, Lord Bruce, Lord Provost Peter Stephen, Alan Beattie Herriot (Statue Artist and Sculptor) , Councillor Kevin Stewart and seven year old Master Benedict Bruce. Lord Bruce and Master Benedict Bruce “ direct descendants of King Robert accompanied by the Lord Provost of Aberdeen Peter Stephen witnessed the ceremonial unveiling of the plinth by Depute Leader of Aberdeen City Council Councillor Kevin Stewart.
The statue created by sculptor Alan Beattie Herriot was commissioned following a motion by Councillor Kevin Stewart.
This sculpture is the culmination of years of hard work by Mr Herriot, and the result is a truly iconic piece which will be cherished by generations of Aberdonians and admired by thousands-upon-thousands of visitors to our city.
Sculptor Alan Beattie Herriot added: Seeing the sculpture in place is amazing. I hope that the people of Aberdeen like what has been done. I rather think King Robert would be very proud.
The total height of the statue including the plinth is 18ft 4in [5.6m].
The £120,000 statue was funded by the Common Good Fund which was originally set up by King Robert.
Broad Street, Aberdeen, Scotland
Description
Keywords: horses,fair,fayre,brass,horsebrass,horsebrasses,&,and,Horse,on,wicker,basket,foxes,different,design,old,badge,badges,traditional,circular,line,lucky,metal,alloy,ornaments,souvenir,Victorian,tacky,English,England,UK,United,Horse Brass,Horse-Brass,Horse Brasses,Horse-Brasses,GoTonySmith,polished,polish,brasso,collection,cultural,culture,country,countryside,esoteric,history,redundant,shire,county,show,agricultural,animal,themes,British,culture,cultural,pride,quaint,rural,Yorkshire,Cumbria,wicker pot,wickerwork,wickerwork pot,woven,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F7DC64 - . This location-specific image from England, United Kingdom in 2015 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The location is represented through Old vintage horse brasses,on leather harness. Fox & Horse on wicker basket. The setting additionally reflects regional identity, small business, high-street commerce, local history, independent retail, specialist shop, bricks-and-mortar retail, changing streetscape, archival record, public realm, specialist retailer, street-level business, shopfront economy, and before-and-after reference. From a 2025-onward perspective, footfall and commercial rents are closely linked to this subject, alongside how shopfronts become short-lived records of changing businesses. Future viewers can use this scene from England, United Kingdom to compare building condition and alterations with whatever follows after refurbishment. The subject also sits alongside visual archive, changing land use, local enterprise, commercial frontage, retail property, period detail, documentary photography, and everyday life. The combination of vintage, horse, wicker, harness, and basket anchors the frame to a recognisable activity, place or moment. For England, United Kingdom, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another useful connection is footfall and how shopfronts become short-lived records of changing businesses when considered against later change at England, United Kingdom. The scene further reflects store closures and the contribution of independents to distinctive high streets without losing the local specificity of England, United Kingdom. Its period value extends to independent business and how commercial property costs affect small retailers in a form that can be compared with future views of England, United Kingdom.
England, United Kingdom
Description
Keywords: historic,craft,horse,leather,manufacture,making,last,decline,declining,sign,labour,fashioned,heritage,museum,town,hundred,trades,British,Great,Britain,GB,Walsall Made,English Riding Saddle,The Stables,old fashioned,Leather Museum,Town of a hundred trades,GoTonySmith,crafted,crafts,craftsmen,made,maker,makers,manufacturing,old,order,pride,products,quality,rack,ready,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F89PTF - The Industrial Revolution changed Walsall from a village of 2,000 people in the 16th century to a town of over 86,000 in approximately 200 years. The town manufactured a wide range of products including saddles, chains, buckles and plated ware. Nearby, limestone quarrying provided the town with much prosperity.
Walsall is usually remembered as the centre of an extensive leatherworking industry, but in reality there was much more. It used to be known as ˜The town of a hundred trades', which included all kinds of metalworking, tube making, iron and brass founding, electrical engineering, car and motor scooter making, chain making, lock making, and much more.
Walsall became a wealthy Black Country town because of its many industries that flourished, thanks to the hard-working, and skilled labour force.
Ablewell, Walsall, West Midlands, England, UK
Description
Keywords: doll,clothes,horse,in,a,shop,window,breasts,chest,lit,dramatically,city,clothes,clothing,euro,European,Europe,fan,fans,decoration,mannequins,shopping,retail,high,st,street,feminine model clothed unsexy sexless,Gotonysmith manakin,manakins,Buy Pictures of,Buy Images Of,retro,1960,unsexy,fashions,fashion
Description: Tony Smith image Alamy ED4M01 - . Showroom dummy, in a clothing retailer display. Photographed at Edinburgh, Scotland, UK. The photograph was taken on 26 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Showroom, dummy, dummies, manikin, store, display, 1960s, high street, female and fashion, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh, Scotland, UK
Description
Keywords: doll,clothes,horse,in,a,shop,window,breasts,chest,lit,dramatically,city,clothes,clothing,euro,European,Europe,fan,fans,decoration,mannequins,shopping,retail,high,st,street,feminine model clothed unsexy sexless,Gotonysmith manakin,manakins,Buy Pictures of,Buy Images Of,retro,1960,unsexy,fashions,fashion
Description: Tony Smith image Alamy ED4M03 - . Showroom dummy, in a clothing retailer display. Photographed at Edinburgh, Scotland, UK. The photograph was taken on 26 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Showroom, dummy, dummies, manikin, store, display, 1960s, high street, female and fashion, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh, Scotland, UK
Description
Keywords: doll,clothes,horse,in,a,shop,window,breasts,chest,lit,dramatically,city,clothes,clothing,euro,European,Europe,fan,fans,decoration,mannequins,shopping,retail,high,st,street,feminine model clothed unsexy sexless,Gotonysmith manakin,manakins,Buy Pictures of,Buy Images Of,retro,1960,unsexy,fashions,fashion
Description: Tony Smith image Alamy ED4M05 - . Showroom dummy, in a clothing retailer display. Photographed at Edinburgh, Scotland, UK. The photograph was taken on 26 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Showroom, dummy, dummies, manikin, store, display, 1960s, high street, female and fashion, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh, Scotland, UK
Description
Keywords: Horse,chestnut,autumn,school,boy,sport,sports,pursuits,ripe,fresh,string,rope,thread,threaded,prepared,prepare,to,get,ready,for,GoTonySmith,Buy Pictures of,Buy Images Of,fight,match,matches,fighting,playground,playgrounds,lad,lads,history,historic,conker,shoelace,shoelaces
Description: Tony Smith image Alamy DRH8B1 - . A green tray of conkers ready for a fight. Photographed in England, UK. The photograph was taken on 12 October 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with green, tray, conkers, ready, fight, schoolboy, Horse, chestnut, autumn and school, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The subject has strong relevance to education, school life, pupils, students, classmates, learning and the rituals that mark transitions between stages of childhood and young adulthood. It can support editorial features about schools, the end of term, friendship, uniforms, memories, examinations, moving to a new school, student identity and the social traditions that develop around education. Handwriting, names, clothing, classroom or school-related details can provide authentic visual evidence of personal experience rather than a staged educational concept. The photograph can therefore work for both contemporary education stories and longer-term social-history coverage of how pupils commemorate school years and friendships. Search themes include education, school life, pupils, classmates, school leavers, uniforms, end-of-term traditions, childhood memories and transitions between stages of education. Personal marks, handwriting, clothing or school-related objects give the subject a human documentary quality that is useful for social-history as well as education coverage. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
England, UK
Description
Keywords: Civic,heraldry,embattled,Sable,city,stone,carving,fountain,Scotland,stonework,work,Nisi,Dominus,Frustra,crest,of,Edinburgh,situate,on,a,rock,Proper,on,city,stone,fountain,Scotland,capital,horse,weathered,Edinburgh Castle,GoTonySmith,@HotpixUK,1975,decayed,decaying,worn,out,Buy Pictures of,Buy Images Of,Images of,Stock Images,Edinburgh District Council,Lothian Regional Council,Edinburgh City Council,worn out
Description: Tony Smith image Alamy DED16J - Incorporated into : 1975 Edinburgh District Council in the Lothian Regional Council (1996 Edinburgh City Council)
Official blazon:
Argent, a castle triple-towered and embattled Sable, masoned of the First, and topped with three fans Gules, windows and portcullis shut of the Last,. situate on a rock Proper.
[Above the Shield is placed a suitable Helmet with a Mantling Sable doubled Argent,] and on a Wreath of the Colours is set for Crest an anchor wreathed about with a cable all Proper. Motto, in an Escrol above, Nisi Dominus Frustra. Supported, on the dexter by a maid richly attired with her hair hanging down on her shoulders, and on the sinister by a doe, [both] Proper.
Origin/meaning
The arms were granted on April 21, 1732.
Edinburgh, the Capital of Scotland, has been a Royal Burgh since the reign of King David I, dating from between 1124 and 1127.
The arms resemble, but are not identical to, the device on the earliest known seals of the City of which fourteenth- and fifteenth-century impressions are on record.
Edinburgh,Scotland,UK
Description
Keywords: The,Scottish,Parliament,Government,in,Edinburgh,which,would,be,home,of,an,independent,Scotland,GB,great,Britain,United,Kingdom,2014,Sep,September,free,nation,sovereign,Holyrood,democratically,elected,body,pro-independence,National,Party,proindependence,pro,independence,gotonysmith,PÃ rlamaid,na,h-Alba,Alba,national,unicameral,legislature,of,solo,vote,voting,freedom,free,MSP,MSPS,act,1998,Acts,of,Union,act,national,nationalistic,fascist,north,south,debate,EH99,1SP,EH991SP,Horse,Wynd,tourist,tourism,travel,tour,destination,Queensberry,house,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DED2RA - . The Scottish Parliament / Government Queensberry House in Edinburgh which would be home of an independent Scotland. Photographed at Horse Wynd, Holyrood, Edinburgh, EH99 1SP. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scottish, Parliament, Government, Edinburgh, referendum, SNP, devolved, which, would and home, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Horse Wynd, Holyrood, Edinburgh, EH99 1SP
Description
Keywords: The,Scottish,Parliament,Government,in,Edinburgh,which,would,be,home,of,an,independent,Scotland,GB,great,Britain,United,Kingdom,2014,Sep,September,free,nation,sovereign,Holyrood,democratically,elected,body,pro-independence,National,Party,proindependence,pro,independence,gotonysmith,PÃ rlamaid,na,h-Alba,Alba,national,unicameral,legislature,of,solo,vote,voting,freedom,free,MSP,MSPS,act,1998,Acts,of,Union,act,national,nationalistic,fascist,north,south,debate,EH99,1SP,EH991SP,Horse,Wynd,tourist,tourism,travel,tour,destination,pass,holder,entrance,canon,gate,canongate,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DED30E - . The Scottish Parliament Canon gate door / Government in Edinburgh which would be home of an independent Scotland. Photographed at Horse Wynd, Holyrood, Edinburgh, EH99 1SP. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scottish, Parliament, Government, Edinburgh, referendum, SNP, devolved, which, would and home, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Horse Wynd, Holyrood, Edinburgh, EH99 1SP
Description
Keywords: The,Scottish,Parliament,Government,in,Edinburgh,which,would,be,home,of,an,independent,Scotland,GB,great,Britain,United,Kingdom,referendum,2014,Sep,September,free,nation,sovereign,Holyrood,democratically,body,referendum,National,Party,proindependence,pro,independence,SNP,gotonysmith,PÃ rlamaid,na,h-Alba,devolved,national,unicameral,legislature,of,solo,vote,voting,freedom,free,MSP,MSPS,act,1998,Acts,of,Union,act,national,nationalistic,fascist,north,south,debate,EH99,1SP,EH991SP,Horse,Wynd,tourist,tourism,travel,tour,destination,canongate,entrance,pass,holders,holder,only,referendum,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DED31Y - . The Scottish Parliament Canongate Entrance / Government in Edinburgh which would be home of an independent Scotland. Photographed at Horse Wynd, Holyrood, Edinburgh, EH99 1SP. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scottish, Parliament, Government, Edinburgh, elected, pro-independence, Alba, which, would and home, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Horse Wynd, Holyrood, Edinburgh, EH99 1SP
Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,in,shops,display,traditional,dress,attire,hairy,furry,leather,plastic,scotsman,scotsmans,classic,horse,hair,horsehair,purse,male,highland,dress,belt-pouch,belt,pouch,wallet,animal,skin,belt,buckle,can,be,very,ornate,day,Gotonysmith,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,brown,leather,shovel,pouches,pouch,cantle,may,have,a,set,stone,jewel,or emblems such as Saint Andrew,a thistle,Clan,or Masonic symbols.,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED35F - The sporran (/ˈspɒrən/
Scottish Gaelic for purse), a traditional part of male Scottish Highland dress, is a pouch that performs the same function as pockets on the pocketless kilt. Made of leather or fur, the ornamentation of the sporran is chosen to complement the formality of dress worn with it. The sporran is worn on a leather strap or chain, conventionally positioned in front of the groin of the wearer.
Since the traditional kilt does not have pockets, the sporran serves as a wallet and container for any other necessary personal items. It is essentially a survival of the common European medieval belt-pouch, superseded elsewhere as clothing came to have pockets, but continuing in the Scottish Highlands because of the lack of these accessories in traditional dress. The sporran hangs below the belt buckle
and much effort is made to match their style and design. The kilt belt buckle can be very ornate, and contain similar motifs to the sporran cantle and the Sgian Dubh. Early sporrans would have been worn suspended from the belt on one or other of the hips, rather than hung from a separate strap in front of the wearer.
When driving a car, dancing, playing drums, or engaging in any activity where a heavy pouch might encumber the wearer, the sporran can be turned around the waist to let it hang on the hip in a more casual position
Edinburgh Old Town, Lothian, Scotland EH1
Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,in,shops,display,traditional,dress,attire,hairy,furry,leather,plastic,scotsman,scotsmans,horse,hair,horsehair,highland,dress,belt-pouch,belt,pouch,wallet,Gotonysmith,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,cantle,may,have,a,set,stone,jewel,or emblems such as Saint Andrew,a thistle,Clan,or Masonic symbols.,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED35Y - The sporran (/ˈspɒrən/
Scottish Gaelic for purse), a traditional part of male Scottish Highland dress, is a pouch that performs the same function as pockets on the pocketless kilt. Made of leather or fur, the ornamentation of the sporran is chosen to complement the formality of dress worn with it. The sporran is worn on a leather strap or chain, conventionally positioned in front of the groin of the wearer.
Since the traditional kilt does not have pockets, the sporran serves as a wallet and container for any other necessary personal items. It is essentially a survival of the common European medieval belt-pouch, superseded elsewhere as clothing came to have pockets, but continuing in the Scottish Highlands because of the lack of these accessories in traditional dress. The sporran hangs below the belt buckle
and much effort is made to match their style and design. The kilt belt buckle can be very ornate, and contain similar motifs to the sporran cantle and the Sgian Dubh. Early sporrans would have been worn suspended from the belt on one or other of the hips, rather than hung from a separate strap in front of the wearer.
When driving a car, dancing, playing drums, or engaging in any activity where a heavy pouch might encumber the wearer, the sporran can be turned around the waist to let it hang on the hip in a more casual position
Edinburgh Old Town, Lothian, Scotland EH1
Description
Keywords: The,Scottish,Parliament,Government,in,Edinburgh,which,would,be,home,of,an,independent,Scotland,GB,great,Britain,United,Kingdom,referendum,2014,Sep,September,free,nation,sovereign,democratically,elected,body,referendum,pro-independence,National,Party,proindependence,pro,independence,SNP,bus,gotonysmith,PÃ rlamaid,na,h-Alba,Alba,national,unicameral,legislature,of,solo,vote,voting,freedom,free,MSPS,act,1998,Acts,of,Union,act,national,nationalistic,fascist,north,south,debate,green,lothian,buses,public,transport,vehicle,EH99,1SP,EH991SP,Horse,Wynd,tourist,tourism,travel,tour,destination,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DED36B - . Bus outside the The Scottish Parliament / Government in Edinburgh which would be home of an independent Scotland. Photographed at Horse Wynd, Holyrood, Edinburgh, EH99 1SP. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scottish, Parliament, Government, Edinburgh, Holyrood, devolved, MSP, which, would and home, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Horse Wynd, Holyrood, Edinburgh, EH99 1SP
Description
Keywords: English,British,stately,homes,houses,national,trust,tourist,tourism,travel,class,system,upper,twit,woman,on,a,horse,Gotonysmith Waddesdon Manor,Bicester Rd,Aylesbury,Buckinghamshire,England,UK HP18 0JH hp180jh,Buy Pictures of,Buy Images Of,statues,equestrian,bronze,metal,bronzes,indoors,interior,HP18 0JH,HP18
Description: Tony Smith image Alamy DCYW49 - . Black cast statue, at Waddesdon Manor NT, Bucks, England UK, HP18 0JH. Photographed on 8 August 2013. The recorded location is Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK HP18 0JH. Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England, UK. The house was built in the Neo-Renaissance style of a French château between 1874 and 1889 for Baron Ferdinand de Rothschild. Waddesdon Manor was built from 1874 for Baron Ferdinand de Rothschild in the style of a French Renaissance château and is now managed by the National Trust on behalf of the Rothschild Foundation. Its collections bring together French decorative arts, furniture, clocks, ceramics, paintings, textiles and sculpture assembled through the Rothschild family's collecting networks. Close-up photographs of individual objects therefore sit within a broader story of nineteenth-century wealth, collecting and European craftsmanship. Historically, public art can become part of the identity of a street or neighbourhood, recording political ideas, local history, humour, memory and evolving cultural tastes
Murals, sculpture and decorative art are especially valuable as documentary subjects because they may be altered, moved, weathered or removed. In 2026, contemporary interest in public art is closely linked to regeneration and cultural tourism. murals and sculpture continue to be used to express identity and animate public space, while redevelopment can make photographic records of earlier works increasingly valuable. The historical context is that murals, sculptures and civic artworks turn public space into a record of local culture
They can commemorate people and events, respond to politics, celebrate industry or simply enliven streets, while the artists' materials and styles place the work within a particular period. Relevant synonyms and subject phrases include street art, visual culture, cultural identity, place-making, and community art.
Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK HP18 0JH
Description
Keywords: conker,conkers,bonkers,boy,holding,shoelace,shoe,lace,horse,chestnut,grappenhall,school,yard,matthew,schoolyard,narrow,dof,depth,field,Warrington,cheshire,England,sepia,selective,colour,color,uk,gb,great,britain,british,games,kid,kids,english,game,pastime,autumn,fall,tony,smith,tonysmith
Description: Tony Smith image Flickr 8124430083 - 'Its about this time of year that The Daily mail and others run articles about the dangers of conkers and other things, usually on slack news days.
'Traditional school games such as conkers and leapfrog are dying out because over-protective teachers have irrational fears about health and safety, a survey suggests.
Researchers found that conkers have been banned from nearly one sixth of playgrounds for fear that they could cause injury or trigger a nut allergy, even though they are not nuts.
British bulldog contests have been banned from more than a quarter of playgrounds and even innocuous games such as leapfrog and marbles are going the same way.
Of 653 heads, teachers and support staff questioned, 29 per cent said British bulldog has been banned in their school, 14 per cent said pupils are forbidden from playing conkers and 9 per cent said leapfrog had been banned.
Some 5 per cent said children were prevented from playing marbles and the same percentage said chasing games, such as tag, had been stopped.
The trend has been blamed on the rise in bureaucracy and red tape in schools and an increase in the number of parents who sue. Education experts have accused \u2018over-zealous\u2019 teachers of ruining childhoods.
Tim Gill, former director of the Children\u2019s Play Council at the National Children\u2019s Bureau, said schools have \u2018forgotten how to give children a good childhood\u2019.
He added: \u2018Bumps and scrapes and dealing with life\u2019s trials are part and parcel of growing into a confident and resilient person.
\u2018You can only learn through experience.\u2019 '
This is one of the oldest chestnuts (geddit?) around, a truly classic myth. A well-meaning head teacher decided children should wear safety goggles to play conkers. Subsequently some schools appear to have banned conkers on 'health &
safety' grounds or made children wear goggles, or even padded gloves!
Realistically the risk from playing conkers is incredibly low and just not worth bothering about. If kids deliberately hit each other over the head with conkers, that's a discipline issue, not health and safety.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
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Description
Keywords: Piccadilly,Circus,London,at,dusk,statue,art,works,of,pieces,1992,people,walking,nearby,on,the,pavement,street,road,water,feature,fountains,Soho,brilliant,horse,Trafalgar,Square,spotlight,spot,light,rushing,crowd,night,shot,nightshot,wide,central,capital,city,tourist,tourism,travel,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HDC3 - . An on-location photograph from Haymarket near Piccadilly Circus London, England UK in 2010, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The scene records The Horses of Helios by Rudy Weller Haymarket near Piccadilly Circus London at dusk. The wider scene also brings together city branding, urban tourism, Westminster landmark, changing streetscape, local character, community identity, heritage tourism, changing land use, period detail, contemporary social history, metropolitan identity, regional identity, capital landmark imagery, and visual archive. For current editorial use, urban mobility and air quality provide additional context, especially through the pressure of visitor economies and housing costs on central neighbourhoods. As a dated visual record of Haymarket near Piccadilly Circus London, England UK, the frame retains building condition and alterations, making it especially useful if changed technology subsequently changes the scene. The wider setting retains connections with documentary photography, historical comparison, Thames city view, everyday life, capital-city heritage, historic London streetscape, iconic London transport, and place identity. References to Haymarket, Horses, Piccadilly, Helios, and Weller give the picture a strong period identity and tie it closely to its named subject. For Haymarket near Piccadilly Circus London, England UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate urban mobility and how iconic streets and landmarks change while retaining strong visual identity within the specific setting of Haymarket near Piccadilly Circus London, England UK. The record includes a trace of local identity for future local research. The frame retains a local visual benchmark before later change alters the scene.
Haymarket near Piccadilly Circus London, England UK
Description
Keywords: Conkers,spiky,horse,chestnut,tree,wet,autumn,countryside,shell,brown,nut,nuts,england,cheshire,UK,365days,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photographic,photography,SLR,DSLR,group,GYCA,Bellhouse,bellhouse Club,HDR,high dynamic range,stillife,stilllife,still,life,hotpix!
Description: Tony Smith image Flickr 4009260974 - '(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
Follow me on Twitter twitter.com/HotpixUK',
Description
Keywords: York,racecource,green,Yorkshire,UK,England,finish,line,stand,stadium,wet,grey,gray,rain,rainy,raining,horse,finishing,post,red,stands,365days,tonysmith,tony,smith,Panoramique,int\u00e9ressant,join,joiner,stitch,stitcher,autostitch,auto,pano,imagen,panor\u00e1mica,image,panoramisches,Bild,hotpicks,hotpix,hotpics,hot,pix,pics,stitched,panorama,joined,images,widescreen,wide,\u043f\u0430\u043d\u043e\u0440\u0430\u043c\u0430,\u30d1\u30ce\u30e9\u30de,\u5168\u666f,\ud55c\uad6d\uc5b4
Description: Tony Smith image Flickr 4003040220 - 'Panorama from the main stand of York racecourse on a wet rainy Yorkshire day.
Another stadium here www.flickr.com/photos/hotpixuk/3959755483/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Holga,Canal,TonySmith,Tony,Smith,35mm,Film,Sprocket,holes,UK,Cheshire,Northwich,barge,canalbank,bank,horse,parseley,tree,trees,sprockets,hotpix!
Description: Tony Smith image Flickr 3809617912 - 'Holga CFN 35mm Film
Also from Northwich www.flickr.com/photos/hotpixuk/3805820568/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: night,nightshot,shot,Salford,Quays,Manchester,docks,dusk,arts,centre,pomona,dock,city,saldford,happy,mondays,tonysmith,tony,smith,interesting,place,places,noche,nuit,hotpix!,chatworth,estate,Shameless,channel4,channel,4,horse,jockey,pub,precinct,arndale,riot,Uk,England,blue,hour,tripod,hotpix.rocketmail.com,hotpixuk.rocketmail.com,contact.tony.smith.gmail.com,tony.smith.gmail.com,tonys@miscs.com,tony.smith@mis-ams.com
Description: Tony Smith image Flickr 3809823828 - 'View from the original car park (now additional shopping).
The Lowry named after the early 20th-Century painter, L.S. Lowry, known for this paintings of industrial scenes in North-West England, particularly Manchester, Salford and Lancashire in general.
The architecture was esigned by Michael Wilford and Buro Happold and it was built in modern expressionist style at a cost in 1999 of around \u00a3120million. It was opened in 2000. The aerofoil canopy at the entrance is clad with perforated steel and as shown here is illuminated from the inside at night
People forget that Salford is a twin city with Manchester (once part of Salfordshire - i kid you not!). Highlights include the Lowry (pictured), Strangeways (prison and title of the Smiths last album, 'Strangeways here we come') and Salfords lads club. Salford is also birthplace of John Cooper Clarke, punk poet.
A scene from a Salford sub-post office here www.flickr.com/photos/hotpixuk/3813000140/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: wild,horse,horses,new,forest,hampshire,dorset,holmsley,christchurch,365days,newforest,pony,animals,wildlife,life,nature,lynhurst,lyndhurst,england,uk,gb,britain,tonysmith,tony,smith,hotpix!,#tonysmithhotpix
Description: Tony Smith image Flickr 3690683323 - 'Near Holmsley, Dorset. England UK
A chot from nearer the coast here www.flickr.com/photos/hotpixuk/3690684063/in/set-72157617...
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,capital city,Edinburgh Alexander and bucephalus statue,Royal Mile,Edinburgh,Scotland,UK,and,1832,1883,1884,Edinburgh statue,woke,culture-wars,culture wars,war on woke,Statue dAlexandre et Bucéphale,John Steell,1804""“1891,at,City Chambers,High Street,Alexander (356 BC""“323 BC),Bucephalus (c.355 BC""“326 BC),Equestrian,horse,horse Bucephalus,rearing,unharnessed,EH1 1YJ,EH1,statues,statue,bronze
Description: Tony Smith image Alamy 2BE34DX - Alexander (356 BC“323 BC) and Bucephalus (c.355 BC“326 BC)
John Steell (1804“1891)
City Chambers High Street, Edinburgh
A draped standing figure of Alexander holding onto his horse Bucephalus which is unharnessed and rearing. The satue is on a corniced, bow-ended ashlar plinth. It was moved from St Andrew Square to its present site in 1916.
Title
Alexander (356 BC“323 BC) and Bucephalus (c.355 BC“326 BC)
Date
1832“1883
Medium
bronze
Measurements
H 300 x W (?) x D (?) cm
Plinth: H 340 x W 240 x D 220 cm
Accession number
EH1_GB_S006
Acquisition method
paid for by public subscription
Work type
Equestrian
City Chambers, High Street, Royal Mile,Edinburgh,Old Town, Scotland,UK, EH1 1YJ
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,city,centre,urban,with traffic,Equestrian,statue,traffic,head,student,fun,horse,Commonwealth Games
Description: Tony Smith image Alamy HGC7WY - Famous equestrian statue of the Duke of Wellington in Glasgow city centre wears an orange traffic cone, continuing one of Scotland's best-known examples of irreverent urban humour. Sculpted by Italian-born Carlo Marochetti and erected in 1844, the bronze monument depicts Arthur Wellesley, 1st Duke of Wellington, mounted on his horse Copenhagen and stands outside Glasgow's Gallery of Modern Art at Royal Exchange Square. The statue is now Category A listed, but since at least the early 1980s members of the public, frequently associated in popular accounts with students, revellers and Glasgow nightlife, have repeatedly climbed the monument and placed a road cone on Wellington's head. The exact first coning is difficult to prove, so claims that one particular student invented the tradition should be treated cautiously. What began as a prank developed into an unofficial Glasgow institution, celebrated as an expression of the city's cheeky, anti-pomp and distinctly Glaswegian sense of humour. Council staff and police repeatedly removed cones, only for replacements to appear, sometimes within hours. The repeated cycle became expensive and increasingly futile. In 2013 Glasgow City Council proposed spending about £65,000 altering and raising the plinth to make the statue harder to climb, arguing that regular cone removal cost around £100 each time and risked damage to the historic monument. The attempt backfired spectacularly. More than 10,000 people signed an online petition opposing the scheme, while a Save the Cone campaign attracted tens of thousands of supporters. Faced with the public reaction, the council withdrew the proposal. The cone consequently survived official attempts to suppress it and evolved from supposed vandalism into an internationally recognised Glasgow emblem. Banksy later cited the permanently coned Wellington as a reason for choosing GoMA for his 2023 exhibition,while Glasgow Life now describes the self-perpetuating cone as an iconic part of the city
Royal Exchange Square, Queen Street at Ingram Street, Glasgow, Scotland, UK
Description
Keywords: horses,fair,fayre,brass,horsebrass,&,and,Horse,on,wicker,basket,different,design,designs,antique,old,badge,badges,traditional,circular,line,lucky,metal,alloy,ornaments,souvenir,Victorian,tacky,English,England,UK,United,Horse Brass,Horse-Brass,Horse Brasses,Horse-Brasses,GoTonySmith,polished,polish,brasso,collection,cultural,culture,country,countryside,esoteric,history,redundant,shire,county,show,agricultural,animal,themes,British,culture,cultural,pride,quaint,rural,Yorkshire,Cumbria,wicker pot,wickerwork,wickerwork pot,woven,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F7DC6D - . An identifiable period record of England, United Kingdom in 2015, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The frame specifically shows Old vintage horse brasses,on leather harness. Fox & Horse on wicker basket. The image also relates to contemporary social story.htm Target=_Blank>history, everyday life, local enterprise, changing land use, town-centre trading, retail property, small business, specialist shop, documentary photography, street-level business, historical comparison, public realm, shopfront economy, and changing streetscape. The wider contemporary story combines store closures, online shopping and how shopfronts become short-lived records of changing businesses. Future viewers can use this scene from England, United Kingdom to compare commercial use and occupation with whatever follows after redevelopment. The location also brings in independent retail, place identity, visual archive, before-and-after reference, local character, period detail, high-street commerce, and community identity. Details involving leather, brasses, basket, vintage, and harness make the image more specific than a generic view and strengthen its local or historical value. The period setting at England, United Kingdom helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for store closures and the resilience of specialist shops in an online retail economy within the real-world context of England, United Kingdom. Another useful connection is consumer spending and the contribution of independents to distinctive high streets within the specific setting of England, United Kingdom. The scene further reflects business rates and how commercial property costs affect small retailers as part of the longer story of England, United Kingdom. The image fixes part of the area's social history for later comparison.
England, United Kingdom
Description
Keywords: The,Scottish,Parliament,Government,in,Edinburgh,which,would,be,home,of,an,independent,Scotland,GB,great,Britain,United,Kingdom,2014,Sep,September,free,nation,sovereign,Holyrood,democratically,elected,body,pro-independence,National,Party,proindependence,pro,independence,gotonysmith,PÃ rlamaid,na,h-Alba,Alba,national,unicameral,legislature,of,solo,vote,voting,freedom,free,MSP,MSPS,act,1998,Acts,of,Union,act,national,nationalistic,fascist,north,south,debate,EH99,1SP,EH991SP,Horse,Wynd,tourist,tourism,travel,tour,destination,welcome,sign,way,in,a-steach,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DED36E - . Welcome to the Scottish Parliament / Government in Edinburgh, which would be home of an independent Scotland. Photographed at Horse Wynd, Holyrood, Edinburgh, EH99 1SP. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Scottish, Parliament, Government, Edinburgh, referendum, SNP, devolved, which, would and home, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Horse Wynd, Holyrood, Edinburgh, EH99 1SP
Description
Keywords: Heritage,History,historic,craft,industry,horse,leather,manufacture,making,last,sign,labour,fashioned,heritage,museum,town,hundred,British,Great,Britain,GB,Walsall Made,English Riding Saddle,The Stables,old fashioned,Leather Museum,Town of a hundred trades,GoTonySmith,crafted,crafts,craftsmen,made,maker,makers,manufacturing,old,order,pride,products,quality,rack,ready,Black,Country,Buy Pictures of,Buy Images Of,Black Country,Walsall Black Country
Description: Tony Smith image Alamy F89PHY - The Industrial Revolution changed Walsall from a village of 2,000 people in the 16th century to a town of over 86,000 in approximately 200 years. The town manufactured a wide range of products including saddles, chains, buckles and plated ware. Nearby, limestone quarrying provided the town with much prosperity.
Walsall is usually remembered as the centre of an extensive leatherworking industry, but in reality there was much more. It used to be known as ˜The town of a hundred trades', which included all kinds of metalworking, tube making, iron and brass founding, electrical engineering, car and motor scooter making, chain making, lock making, and much more.
Walsall became a wealthy Black Country town because of its many industries that flourished, thanks to the hard-working, and skilled labour force.
Ablewell, Walsall, West Midlands, England, UK
