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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A00~1,strike poster,trade union,mass rally,picket,industrial action,labour history,workers,strike,union dispute,TGWU,protest poster,campaign poster,industrial relations,workers rights,demonstration,solidarity,British history,political ephemera,graphic design,labour movement,UK,heritage,history,historic,industrial archaeology,local history,architecture,conservation,8 months on strike
Description: Tony Smith image Alamy 3FCW2J3 - . Historic British trade-union strike poster calling for a mass rally and picket after eight months of dispute. The hand-lettered-style poster states 8 months on strike no more waiting and calls supporters to a mass rally and picket, using urgent typography typical of campaigning material produced during industrial disputes. This historic trade-union poster calls for support for a mass rally and picket after a prolonged strike, using bold red, yellow and black lettering designed to be read quickly in the street or workplace. The wording refers to an official dispute and union support, placing the object firmly in the visual culture of organised labour. Such posters were practical campaigning tools rather than decorative prints: they announced meetings, built solidarity, raised visibility and attempted to turn an individual workplace dispute into a wider public cause. Today they are valuable documentary evidence of industrial relations, protest graphics and British labour history. There is also a strong sense of stock-photo/gotonysmith-Contemporary.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>contemporary place: practical objects, signage and architecture are shown as they actually appear in use, without removing the clutter that makes a documentary photograph informative. The image therefore has value not only for current news features but also for retrospective comparisons of how streets, services, brands and public expectations evolve over time. Details that might seem mundane at the moment of photography can later help date a streetscape or explain how a service was delivered, which is one reason straightforward editorial documentation remains useful to archives and publishers. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. This makes the photograph a useful piece of contemporary editorial documentation.
United Kingdom
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,AFC,Racecourse Ground,club,stadium,Macron,stand,Mold Road,Welsh,football,stadia,stadiums,ground,footy,exterior,historic,history,journey,Welcome to Wrexham,world,worlds,oldest,international,Hollywood,owners,owned,by,culture,tourism,Wales,soccer,sponsorship,Cold Brew Coffee,English,Football League,matchday destination,urban sports venue,Red Dragons
Description: Tony Smith image Alamy 3EG4BKY - Mold Road frontage and Macron Stand at STōK Cae Ras, the historic home football ground of Wrexham AFC in Wrexham, North Wales. Traditionally known as the Racecourse Ground and in Welsh as Cae Ras, the stadium stands close to Wrexham General railway station and forms one of the city's most recognisable sporting landmarks.
The photograph shows the curved exterior of the Macron Stand, with its silver cladding, red brick sections, glazed office frontage and prominent Macron sportswear branding. Red and white signs identify the stadium as STōK Cae Ras, reflecting the naming-rights agreement with the STōK Cold Brew Coffee brand. Turnstiles, entrance doors and club facilities are visible along the otherwise quiet Mold Road frontage, with an empty carriageway in the foreground and broken white clouds across a bright blue sky.
Wrexham AFC has played at the ground since the club's formation in 1864, apart from a short period during the nineteenth century. The stadium is recognised as the world's oldest international football ground still in continuous use. It hosted Wales' first home international fixture, against Scotland, on 5 March 1877, establishing its important place within Welsh and international football history.
The ground's profile has increased substantially following the acquisition of Wrexham AFC by actors Ryan Reynolds and Rob McElhenney and the success of the documentary television series Welcome to Wrexham. This has attracted international visitors and football tourists to the city, while renewed investment has supported wider stadium improvements and redevelopment of the Kop end.
The image records the public-facing architecture of a traditional British football ground that combines nineteenth-century sporting heritage with modern commercial sponsorship, media attention and the continuing growth of Wrexham AFC.
STōK Cae Ras, Mold Road, Wrexham, Wales, LL11 2AH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9371,Leeds Corn Exchange,interior,Leeds,West Yorkshire,England,UK,Victorian,architecture,heritage,retail,shopping,independent,historic,market,adaptive,reuse,tourism,regeneration,galleries,staircases,roof
Description: Tony Smith image Alamy 3EGWK7H - Leeds Corn Exchange interior in Leeds city centre, West Yorkshire, England, UK, showing wide central interior. The landmark Victorian building has a dramatic elliptical roof, ornate iron galleries and curved staircases surrounding a large open central trading floor now occupied by independent shops, food outlets and creative businesses. The photograph is suitable for editorial coverage of Leeds Corn Exchange, Victorian architecture, heritage retail, independent shopping, historic markets, adaptive reuse, tourism and city-centre regeneration. Originally built for grain trading, the Corn Exchange has been successfully repurposed as a distinctive retail and leisure destination while retaining its highly recognisable historic structure. The image can illustrate stories about heritage-led regeneration, independent retail, architectural conservation, urban tourism and the reuse of major Victorian commercial buildings.
Leeds Corn Exchange, Call Lane, Leeds, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9380,Leeds Corn Exchange,interior,Leeds,West Yorkshire,England,UK,Victorian,architecture,heritage,retail,shopping,independent,historic,market,adaptive,reuse,tourism,regeneration,galleries,staircases,roof
Description: Tony Smith image Alamy 3EGWKGB - Leeds Corn Exchange interior in Leeds city centre, West Yorkshire, England, UK, showing interior shop and seating view. The landmark Victorian building has a dramatic elliptical roof, ornate iron galleries and curved staircases surrounding a large open central trading floor now occupied by independent shops, food outlets and creative businesses. The photograph is suitable for editorial coverage of Leeds Corn Exchange, Victorian architecture, heritage retail, independent shopping, historic markets, adaptive reuse, tourism and city-centre regeneration. Originally built for grain trading, the Corn Exchange has been successfully repurposed as a distinctive retail and leisure destination while retaining its highly recognisable historic structure. The image can illustrate stories about heritage-led regeneration, independent retail, architectural conservation, urban tourism and the reuse of major Victorian commercial buildings.
Leeds Corn Exchange, Call Lane, Leeds, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A2658,Sinclairs Oyster Bar,hanging,sign,Shambles Square,Manchester,England,UK,Queen Elizabeth II,traditional,pub,royal,portrait,timber-framed,heritage,British,drinking,culture,hospitality,historic,architecture,tourism,lettering,Tudor-style,licensed,premises
Description: Tony Smith image Alamy 3EM1W96 - Sinclair's Oyster Bar hanging sign in Shambles Square, Manchester, England, UK, showing a painted portrait of Queen Elizabeth II. The traditional pub sign is mounted on the black-and-white timber-framed exterior and uses royal imagery as part of the distinctive visual character of one of Manchester's best-known historic pub complexes. Sinclair's and the neighbouring Old Wellington form a prominent heritage landmark close to Manchester Cathedral and Exchange Square. The photograph is suitable for editorial coverage of Sinclair's Oyster Bar, British pubs, pub signs, Queen Elizabeth II, royal imagery, Manchester heritage, Shambles Square, traditional drinking culture, hospitality, historic architecture and city-centre tourism. The close-up composition emphasises the sign, lettering and Tudor-style timber framing rather than the wider square, making it useful for features on pub iconography, historic signage and the decorative traditions of British licensed premises.
Shambles Square, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_0618,Pillars Bar,stained glass,Dundee,Scotland,UK,pub,Victorian,historic,1864,heritage,decorative,glazing,bar,interior,architecture,drinking,culture,traditional,hospitality,windows
Description: Tony Smith image Alamy 3EGWM74 - . Pillars Bar stained glass windows dated 1864 in Dundee, Scotland, UK. Photographed on 17 March 2025. The decorative twin panels use vivid red, green and yellow glass and incorporate the wording PILLARS BAR and Est. 1864, framed by ornate motifs and geometric borders. Traditional pub stained glass is an important surviving element of nineteenth-century commercial design and often provides distinctive local identity. The close-up image clearly records the craftsmanship, lettering and colour of the panels and can illustrate stories about pub conservation, historic hospitality, traditional bars and the preservation of decorative features in long-established Scottish drinking venues. In relation to ecclesiastical architecture, historical context shows that churches combine worship with architecture, local memory and centuries of community history
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family history. For the story of hostelry, it is useful to note that beer culture links agriculture, brewing, distribution and the licensed trade
Cask-conditioned ale, handpumps, brewery branding and pub interiors became especially significant to the real-ale revival from the 1970s onwards, while later craft brewing introduced new styles and independent producers. As of 2026, the position for ecclesiastical architecture is that many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places. For present-day hostelry, 2026 is significant because pub survival remains a live issue as energy, staffing, taxation and changing drinking habits affect the licensed trade
Historic and contemporary pub images therefore have relevance to.
Dundee, Scotland, UK.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_7778,London,Tower,Hamlets,East,Wiltons,music,hall,historic,entrance,Street,UK,IMG,7778,Graces,Alley,8JB
Description: Tony Smith image Alamy 3FAFDDC - Oblique exterior view of Wilton's Music Hall in Graces Alley, Tower Hamlets, East London, with its weathered entrance doors, decorative stone panels, brick upper floors and traditional hanging lantern visible. The image records the unusual historic frontage of the cultural venue and the visibly aged surfaces retained through conservation. Wilton's is an important surviving example of London's music-hall heritage and today functions as a performance and arts venue, making the photograph relevant to stories about theatre history, heritage restoration, conservation, cultural tourism, the creative economy and regeneration in the East End. The narrow urban setting and mix of brick, carved stone, timber and ironwork reflect the layered architecture of the district. It also provides useful visual context for discussion of how historic entertainment buildings are adapted for contemporary public use while preserving original character. The location lies close to Cable Street and the old dockland districts, areas closely connected with London's industrial, maritime and social history. The photograph also provides a contemporary documentary record of surviving East London heritage at a time when property values, development.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>redevelopment and changing commercial uses continue to alter the character of inner-city neighbourhoods. Details in the fabric, signage and surrounding streetscape help locate the subject in its real urban setting rather than presenting it as an isolated landmark. It can therefore support features comparing historic London with twenty-first-century development, tourism and conservation policy, as well as archive-style coverage of places whose appearance may change through restoration, conversion or redevelopment.
1 Graces Alley, London E1 8JB, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_7779,London,Tower,Hamlets,Wiltons,music,hall,historic,doors,entrance,UK,IMG,7779,Graces,Alley,8JB
Description: Tony Smith image Alamy 3FAFDDJ - Front entrance of Wilton's Music Hall at 1 Graces Alley in Tower Hamlets, East London, showing the venue's heavily weathered timber double doors framed by decorative stone and brickwork. The deliberately aged appearance, faded paint and surviving ornamental details are central to the character of the restored historic venue. Wilton's is widely associated with London's nineteenth-century music-hall tradition and with the survival and conservation of performance spaces in the East End. This close frontal view is particularly suitable for editorial coverage of architectural heritage, theatre and entertainment history, conservation-led regeneration, restoration, cultural tourism and the reuse of historic urban buildings. The image also illustrates how visible wear, old materials and imperfect surfaces can be retained as part of a building's identity rather than removed during refurbishment. Located close to Cable Street and the former London docklands, the venue sits within an area shaped by migration, trade, industry and changing patterns of inner-city development. The photograph also provides a contemporary documentary record of surviving East London heritage at a time when property values, redevelopment and changing commercial uses continue to alter the character of inner-city neighbourhoods. Details in the fabric, signage and surrounding streetscape help locate the subject in its real urban setting rather than presenting it as an isolated landmark. It can therefore support features comparing historic London with twenty-first-century development, tourism and conservation policy, as well as archive-style coverage of places whose appearance may change through restoration, conversion or redevelopment.
1 Graces Alley, London E1 8JB, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,Merseyside,England,UK,tourist,summer,sunny,the,club,pub,pubs,bar,bars,Mathew Street,L2,Matthew St,Matthew Street,L2 6RE,crowd,popular,history,historic,The Beatles,Beatles,architecture,people,famous,street,magnet,entertainment,drinkers,theme,themed,holiday,short break,The Cavern
Description: Tony Smith image Alamy 2RJAFBJ - Taken on 19 Aug 2023, this photograph shows Mathew Street, Cavern Quarter, Liverpool, Merseyside, England, UK, L2 6RE. The location is Mathew Street, Cavern Quarter, Liverpool, Merseyside, England, UK, L2 6RE. The picture is not just a record shot: it contains the vehicle livery, route branding, boarding point and street setting that make the public transport subject specific rather than generic. Mathew Street and the Cavern Quarter are inseparable from Beatles tourism, live music heritage, pub culture and Liverpool's visitor economy, with the narrow streets often busy on summer days. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Liverpool, city, tourism, attraction, Mathew St, Cavern Quarter, cavern, crowded, crowds, busy, centre, Merseyside, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. It also has a useful contemporary feel, because it shows how long-standing places, policies, products or institutions are encountered by ordinary people in daily life. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British socia.
Mathew Street, Cavern Quarter, Liverpool, Merseyside, England, UK, L2 6RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,Merseyside,England,UK,tourist,summer,sunny,the,club,pub,pubs,bar,bars,Mathew Street,L2,Matthew St,Matthew Street,L2 6RE,crowd,popular,history,historic,The Beatles,Beatles,architecture,people,famous,street,magnet,entertainment,drinkers,theme,themed,St Johns beacon
Description: Tony Smith image Alamy 2RJAFBW - Taken on 19 Aug 2023, this photograph shows Mathew Street, Cavern Quarter, Liverpool, Merseyside, England, UK, L2 6RE. The location is Mathew Street, Cavern Quarter, Liverpool, Merseyside, England, UK, L2 6RE. The picture is not just a record shot: it contains the vehicle livery, route branding, boarding point and street setting that make the public transport subject specific rather than generic. Mathew Street and the Cavern Quarter are inseparable from Beatles tourism, live music heritage, pub culture and Liverpool's visitor economy, with the narrow streets often busy on summer days. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Liverpool, city, tourism, attraction, Mathew St, Cavern Quarter, cavern, crowded, crowds, busy, centre, Merseyside, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. It has value for both local and national stories, especially where writers need to connect a named place or object with wider economic, social, environmental or cultural change. Further SEO-friendly usage could include local services, town-centre change, heritage branding
Mathew Street, Cavern Quarter, Liverpool, Merseyside, England, UK, L2 6RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,Merseyside,1578""1623,English,village,Hale village,Halton,L24 4WB,L24,centre,buildings,architecture,tourism,history,historic,John,Middleton,man,Whiston Rural District,the,a,giant,at,nine,feet,three,inches,tall,story,bodyguard,sheriff of Lancashire,dyede,1623,St Marys,Church,St Mary
Description: Tony Smith image Alamy 2RG8YPW - Hale is a village and civil parish in the Borough of Halton, Cheshire, England with a population of 1,800. The village is north of the River Mersey, and just to the east of the boundary with Merseyside. It is 2+1⁄2 miles east of Speke in Liverpool, and 4 miles south-west of Widnes. The nearby village of Halebank is to the north-east.
Historically part of Lancashire, until 1 April 1974 the area formed part of the Whiston Rural District.
The population of the parish is stable with a population of 1,898 (2001 census), 1,841 (2011 census) and 1,800 (2021 census).
John Middleton (15781623), the Childe of Hale, was reputed to be nine feet, three inches tall, or 2.8 m. His cottage and grave are located in the village. Just outside St Mary's Church was a wooden carving of the Childe Of Hale that is said to have been life-sized. It was replaced in 2013 by a 3-metre bronze statue by sculptor Diane Gorvin
Middleton was born in the village of Hale, near Liverpool. According to contemporary accounts and his epitaph, he grew to the height of 9 feet 3 inches (2.82 m) and slept with his feet hanging out the window of his house.
Because of his size the landlord and sheriff of Lancashire, Gilbert Ireland, hired him as a bodyguard. When King James I stopped by in 1617 to knight Ireland he heard about Middleton and invited both of them to the court, which they accepted in 1620. Middleton beat the King's champion in wrestling and in doing so broke the man's thumb. He received £20, a large amount of money in those times. Jealous of his wealth, Middleton's companions mugged him or swindled him out of his money while he was returning to Hale. Middleton died impoverished in 1623. He was buried in the cemetery of St Mary's Church in Hale. The epitaph reads, Here lyeth the bodie of John Middleton the Childe of Hale. Nine feet three. Borne 1578 Dyede 1623. He is likely one of the tallest people in history. If these height markings are accurate, he would surpass Robert Wadlow's stature
Hale village, Halton , Merseyside, England, UK, L24 4WB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Northern Ireland,UK,of,the,LA,Los Angeles,aqueduct,1913,designer,civil,historic,house,building,BT1 2FL,BT1,Donegal St,203,1855-1935,plaques,Irish,American,commemoration,born,in,baptised,this,parish,self-taught,council,Owens Valley,to,San Fernando Valley
Description: Tony Smith image Alamy 2R9J0BM - William Mulholland (September 11, 1855 July 22, 1935) was an Irish American self-taught civil engineer who was responsible for building the infrastructure to provide a water supply that allowed Los Angeles to grow into the largest city in California. As the head of a predecessor to the Los Angeles Department of Water and Power, Mulholland designed and supervised the building of the Los Angeles Aqueduct, a 233-mile-long (375 km) system to move water from Owens Valley to the San Fernando Valley. The creation and operation of the aqueduct led to the disputes known as the California Water Wars. In March 1928, Mulholland's career came to an end when the St. Francis Dam failed just over 12 hours after he and his assistant gave it a safety inspection.
William Mulholland was born in Belfast, Ireland, part of the United Kingdom. His parents Hugh and Ellen Mulholland were Dubliners and they returned to the city a few years after William's birth. His younger brother, Hugh Jr., was born in 1856. At the time of Mulholland's birth, his father was working as a guard for the Royal Mail. In 1862, when William was seven years old, his mother died. Three years later his father remarried. William was educated at O'Connell School by the Christian Brothers in Dublin. After having been beaten by his father for receiving bad marks in school, Mulholland ran off to sea
Mulholland envisioned Los Angeles growing much larger. The limiting factor to the growth of Los Angeles was its water supply, because it has a semi-arid climate with unreliable rainfall. If you don't get the water, you won't need it, Mulholland famously remarked.
Mulholland shared the vision of a much larger Los Angeles with Frederick Eaton, the mayor of Los Angeles from 1898 through 1900. They both worked together in the private Los Angeles Water Company in the 1880s. Eaton and Mulholland realized that the large amount of runoff from the Sierra Nevada in Owens Valley could be delivered to Los Angeles through gravity
203 Donegal Street, Belfast., Northern Ireland, UK, BT1 2FL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Merseyside,England,tourism,L1,L1 7AZ,St James Road,St James Mt,Church of England Cathedral of the Diocese of Liverpool,inside,hardback,hardbound,book,ledger,list,of,Liverpool,the,leather,bound,volume,1939-1945,1939,1945,(Liverpool),history,historic,saint James,mount,red,maroon,books,The Kings,regiment
Description: Tony Smith image Alamy 2PK7X7R - . Directory of the fallen , Kings Regiment Liverpool, in the Anglican Cathedral, St James Mt, St James Road, Liverpool , Merseyside, England, UK, L1 7AZ. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St James Mt, St James Road, Liverpool , Merseyside, England, UK, L1 7AZ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, tourism, L1 7AZ, St James Road, St James Mt, Church of England Cathedral of the Diocese of Liverpool, hardback, hardbound, book, ledger, list, Liverpool, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
St James Mt, St James Road, Liverpool , Merseyside, England, UK, L1 7AZ
Description
Keywords: centre,gravestone,graves,Anglo Saxon,GoTonySmith,HotpixUK,@HotpixUK,Surrey,Waverley,GU7 1AB,GU7,spire,sunny,historic,UK,England,Borough Road,Borough Rd,GU7 2AG,&,gravestones,history,twelfth,century,12C,12th,remnants,Ranulf Flambard,justiciar,of,William Rufus,Doomsday book,sandstone,religious,building,graveyard,listed,Grade I,Godalming
Description: Tony Smith image Alamy 2PGJ2EH - The present building, the oldest in the town, was built in the twelfth century, replacing an earlier Anglo-Saxon church. Two medieval chapels are integrated into the present building. Its core is made from the local sandstone, Bargate stone from the nearby Greensand Ridge, which is found close to the town. Also found around the church is the old Lammas, or 'common', land.
A church has stood on this site since at least the mid-ninth century. It features several carved stones, which are dated between 820 and 840. A few Anglo Saxon remnants survive in the present structure, which was largely rebuilt in the twelfth century. In 1086, the Domesday Book recorded that Ranulf Flambard, justiciar of William Rufus, held Godalming church.
The lammas, or common land, complemented a substantial glebe, the funds from which allowed for a grand and spacious structure to be built.
First built during the Anglo-Saxon and early Norman periods, the structure has been proven in ecclesiastical records to have been a redevelopment of an Anglo-Saxon church
The Church has a fine set of bells hung for the traditional English-style of bell-ringing. The tenor weighs just over a tonne and weighs in at 1221 kg.
In 2017, all of the bells were recast, with the tenor weighing two hundredweight more than previously (now weighing 24 hundredweight, 0 quarters and 4 pounds, or 1221 kg). The restoration and recasting were carried out by John Taylor & Co, now Britain's largest church-bell firm
Borough Rd, Godalming, Surrey, England, UK, GU7 2AG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,YO1 6GD,of,and,metropolitan church,architecture,stonework,Archbishop of York,archbishop,dean,chapter,York,tower,towers,tree,trees,greenery,autumn,blue sky,history,historic,heritage,classic,city,centre,travel,tourist,attraction,attractions,travellers,old,medieval,preserved
Description: Tony Smith image Alamy 2K7NBKH - The Cathedral and Metropolitical Church of Saint Peter in York, commonly known as York Minster, is the cathedral of York, North Yorkshire, England, and is one of the largest of its kind in Northern Europe. The minster is the seat of the Archbishop of York, the third-highest office of the Church of England (after the monarch as Supreme Governor and the Archbishop of Canterbury), and is the mother church for the Diocese of York and the Province of York. It is run by a dean and chapter, under the Dean of York. The title minster is attributed to churches established in the Anglo-Saxon period as missionary teaching churches, and serves now as an honorific title
the word Metropolitical in the formal name refers to the Archbishop of York's role as the Metropolitan bishop of the Province of York. Services in the minster are sometimes regarded as on the High Church or Anglo-Catholic end of the Anglican continuum.
The minster was completed in 1472 after several centuries of building. It is devoted to Saint Peter, and has a very wide Decorated Gothic nave and chapter house, a Perpendicular Gothic quire and east end and Early English North and South transepts. The nave contains the West Window, constructed in 1338, and over the Lady Chapel in the east end is the Great East Window (finished in 1408), the largest expanse of medieval stained glass in the world. In the north transept is the Five Sisters window, each lancet being over 53 feet (16.3 m) high. The south transept contains a rose window, while the West Window contains a heart-shaped design colloquially known as The Heart of Yorkshire.
On 9 July 1984, York Minster suffered a serious fire in its south transept during the early morning hours. Firefighters made a decision to deliberately collapse the roof of the South Transept by pouring tens of thousands of gallons of water onto it, in order to save the rest of the building from destruction
City of York, Yorkshire, England, UK, YO1 6GD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,on,river,Ouse,at,Yorkshire,England,UK,of,sail,sailing,down,the,YO1,architectural,treasures,wonderful,preserved,medieval,old,travellers,travel,tourist,attraction,attractions,centre,city,classic,heritage,Heart of Yorkshire,historic,history,York,stonework,architecture
Description: Tony Smith image Alamy 2K7NBKM - . An identifiable period record of City of York, Yorkshire, England, UK, YO1 6GD in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. At the centre of the view is River Palace City Cruises boat on Ouse at York, Yorkshire, England, UK, YO1. The image also relates to everyday life, regional identity, blue-green corridor, contemporary social history, period detail, social history, public realm, heritage boating, local history, working waterway, managed navigation, before-and-after reference, inland navigation, and local character. Today's relevance is strengthened by volunteering, public access and the continuing question of the transition of industrial waterways toward leisure and heritage use. The image fixes building condition and alterations within City of York, Yorkshire, England, UK, YO1 6GD at one identifiable point, providing a benchmark against refurbishment. The subject also sits alongside lock flight, inland boating, waterborne transport, towpath landscape, historical comparison, canal infrastructure, changing land use, and place identity. The recorded references to Cruises, Palace, Yorkshire, and River preserve clues about how the subject was presented, used or understood at the time. A later view of City of York, Yorkshire, England, UK, YO1 6GD may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for volunteering and the transition of industrial waterways toward leisure and heritage use in a form that can be compared with future views of City of York, Yorkshire, England, UK, YO1 6GD. Another useful connection is volunteering and the role of canals as blue-green corridors for people and wildlife within the real-world context of City of York, Yorkshire, England, UK, YO1 6GD. Image 2K7NBKM also remains a dated record of City of York, Yorkshire, England, UK, YO1 6GD.
City of York, Yorkshire, England, UK, YO1 6GD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,YO1 6GD,of,and,metropolitan church,architecture,stonework,Archbishop of York,archbishop,dean,chapter,York,wall,walls,river,history,historic,heritage,classic,city,centre,travel,tourist,attraction,attractions,travellers,old,medieval,preserved,architectural,treasures,wonderful
Description: Tony Smith image Alamy 2K7NBKP - . Recorded at City of York, Yorkshire, England, UK, YO1 6GD in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows York Minster, cathedral, and metropolitical church of Saint Peter, wall and river seen from City of York, Yorkshire, England, UK, YO1 6GD. The image also relates to everyday life, changing streetscape, ecclesiastical architecture, place identity, archival record, contemporary social history, historic church fabric, changing land use, Christian heritage, documentary photography, historical comparison, period detail, church interior, and before-and-after reference. The modern context includes continuing discussion of heritage conservation, accessibility and how sacred spaces adapt to changing attendance and wider community use. The image fixes materials and architectural details within City of York, Yorkshire, England, UK, YO1 6GD at one identifiable point, providing a benchmark against altered transport patterns. A second descriptive layer includes religious landmark, ecclesiastical art, faith community, parish history, heritage worship space, regional identity, sacred architecture, and religious heritage. The combination of cathedral, church, Yorkshire, Minster, and Saint anchors the frame to a recognisable activity, place or moment. Around City of York, Yorkshire, England, UK, YO1 6GD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to heritage conservation and how sacred spaces adapt to changing attendance and wider community use in a form that can be compared with future views of City of York, Yorkshire, England, UK, YO1 6GD. The photograph keeps period character as part of City of York, Yorkshire, England, UK, YO1 6GD's history.
City of York, Yorkshire, England, UK, YO1 6GD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,L18,Beatles,fab four,The Cavern,i Love John,Stuart Sutcliffe,Merseyside,art,wall,I love paul,Only you need is love,love,I love George,A place to remember,Yoko,sign,streetsign,street,tourist,attraction,tourists,tourism,gifted,from,Liverpool City Council,visitor,centre,center,charity,history,historic
Description: Tony Smith image Alamy 2K0KXBG - Penny Lane is a song by the English rock band the Beatles that was released in February 1967 as a double A-side single with Strawberry Fields Forever. It was written primarily by Paul McCartney and credited to the LennonMcCartney songwriting partnership. The lyrics refer to Penny Lane, a street in Liverpool, and make mention of the sights and characters that McCartney recalled from his upbringing in the city.
The Beatles began recording Penny Lane in December 1966, intending it as a song for their album Sgt. Pepper's Lonely Hearts Club Band. Instead, after it was issued as a single to satisfy record company demand for a new release, the band adhered to their policy of omitting previously released singles from their albums. The song features numerous modulations that occur mid-verse and between its choruses. Session musician David Mason played a piccolo trumpet solo for its bridge section
Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the LennonMcCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story
Penny Lane Development Trust, 70 Penny Ln, Liverpool, Merseyside, England, UK, L18 1BW
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,0.25,1/4,of a,arrow,direction,directions,point,points,to,interchange,principle,at,on,old,fashioned,historic,history,maroon,signage,this,way,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics
Description: Tony Smith image Alamy 2JWGT62 - . Recorded at Crewe,Cheshire,England,UK in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The subject captured here is 1/4 of a mile to Crewe railway station, old British rail sign, Cheshire, England, UK, CW1. The image also relates to rail operations, local character, period architecture, station environment, regional identity, commercial redevelopment, built heritage, local history, mixed-use redevelopment, place-making, town-centre renewal, rail transport history, historical comparison, and rail corridor. Today's relevance is strengthened by rail reform, signalling technology and the continuing question of the contrast between mechanical railway systems and digital signalling. From a 2025-onward perspective, adaptive reuse and heritage conservation are closely linked to this subject, alongside how public investment can reshape pedestrian movement and evening activity. The archival value lies partly in recording signage and branding around Crewe,Cheshire,England,UK before closure or conversion alters the character of the place. Further associations within the scene are heritage-led regeneration, public-realm investment, rail infrastructure, historic townscape, railway heritage, trackside history, mechanical signalling, and architectural character. References to British, station, Crewe, and railway give the picture a strong period identity and tie it closely to its named subject. Around Crewe,Cheshire,England,UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects rail reform and the contrast between mechanical railway systems and digital signalling as part of the longer story of Crewe,Cheshire,England,UK. The period view preserves evidence of earlier appearance as a date-specific reference.
Crewe,Cheshire,England,UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,signalbox,sign,monochrome,historic,north,box,signals,signalling,age,heritage,centre,Crewe Railway Age,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes
Description: Tony Smith image Alamy 2JWGT63 - Crewe Heritage Centre is a railway museum located in Crewe, England. Managed by the Crewe Heritage Trust, the museum is located between the railway station and the town centre
the site was the location of the 'Old Works' which was demolished in the early 1980s.
History
The centre was established in the old London, Midland and Scottish Railway yard, which was once part of Crewe Works, between the junction to Chester and the West Coast Main Line. It was officially opened by Queen Elizabeth II, accompanied by the Duke of Edinburgh, on 24 July 1987. It was renamed in 1992 as Crewe Railway Age by the owning registered charity but, after the management of the centre was taken over by a new group of volunteers, the museum returned to its original name of Crewe Heritage Centre in early 2008.
Exhibits
The centre has a series of exhibits, ranging from the only surviving APT-P train, miniature railways, three open signal boxes (Crewe Station A, Crewe North Junction and Exeter West) and a varied collection of standard gauge steam, diesel and electric locomotives, as well as occasional visiting locomotives. The Main Exhibition Hall features many artefacts and exhibits associated with Crewe, from its locomotive and carriage construction to its famous junction railway station. Brake Van rides are available to the public during special events.
Advanced Passenger Train
APT No.370 003/006 at Crewe Heritage Centre
Built by British Rail (BR) the 1970s and 1980s, this Class 370 Advanced Passenger Train (APT) is the only surviving APT set. Numbered 370 003/006, it is open at all times with an occasional cafe run from the original buffet car (selected days only). The APT-P museum can be found inside one of the carriages, with photographs on display from the APT project
Crewe,Cheshire,England,UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,signalbox,historic,signalling,age,north,sign,monochrome,box,heritage,centre,signals,Crewe Railway Age,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes
Description: Tony Smith image Alamy 2JWGT65 - Crewe Heritage Centre is a railway museum located in Crewe, England. Managed by the Crewe Heritage Trust, the museum is located between the railway station and the town centre
the site was the location of the 'Old Works' which was demolished in the early 1980s.
History
The centre was established in the old London, Midland and Scottish Railway yard, which was once part of Crewe Works, between the junction to Chester and the West Coast Main Line. It was officially opened by Queen Elizabeth II, accompanied by the Duke of Edinburgh, on 24 July 1987. It was renamed in 1992 as Crewe Railway Age by the owning registered charity but, after the management of the centre was taken over by a new group of volunteers, the museum returned to its original name of Crewe Heritage Centre in early 2008.
Exhibits
The centre has a series of exhibits, ranging from the only surviving APT-P train, miniature railways, three open signal boxes (Crewe Station A, Crewe North Junction and Exeter West) and a varied collection of standard gauge steam, diesel and electric locomotives, as well as occasional visiting locomotives. The Main Exhibition Hall features many artefacts and exhibits associated with Crewe, from its locomotive and carriage construction to its famous junction railway station. Brake Van rides are available to the public during special events.
Advanced Passenger Train
APT No.370 003/006 at Crewe Heritage Centre
Built by British Rail (BR) the 1970s and 1980s, this Class 370 Advanced Passenger Train (APT) is the only surviving APT set. Numbered 370 003/006, it is open at all times with an occasional cafe run from the original buffet car (selected days only). The APT-P museum can be found inside one of the carriages, with photographs on display from the APT project
Crewe,Cheshire,England,UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,FY1,Christian,Christians,Baptists,Baptist,churches,brick,terracotta,red,Town,Centre,Conservation,Area,Talbot Square Conservation Area,history,historic,heritage,old,building,buildings,architecture,traditional,church,religious,place,places,of,worship,sect,style,branch,the
Description: Tony Smith image Alamy 2JRFFBX - . This authentic period view of 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The scene records Baptist Tabernacle Church, 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL. Further facets of the scene include public realm, period detail, mixed-use redevelopment, urban fabric, parish church heritage, everyday life, architectural character, Christian iconography, local character, changing land use, archival record, public-realm investment, social history, and sacred decoration. In present-day coverage, the subject reaches into commercial viability and housing pressure, not least because of the tension between preserving local character and creating modern commercial space. Today's relevance is strengthened by church maintenance, historic fabric and the continuing question of the role of parish churches in local identity and genealogy. The archival value lies partly in recording landscape treatment and surrounding development around 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL before replacement signage alters the character of the place. Further associations within the scene are faith heritage, documentary photography, changing streetscape, community identity, place-making, ecclesiastical art, urban regeneration, and civic architecture. The combination of Tabernacle, Lancashire, Baptist, Blackpool, and Church anchors the frame to a recognisable activity, place or moment. Around 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene captures a trace of local identity as a date-specific reference. The period view preserves a local visual benchmark for later comparison.
2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,Cheshire,England,UK,CW3,CW3 0AB,canalside,sign,canal,at,signage,store,workshop,old,history,historic,blue sky,heritage,sunny,mills,stores,shops,tourist,tourism,attraction,attractions,brick,red,windows,side,buildings,architecture,waterside,workshops,preserved,developed,Canal & River trust,property
Description: Tony Smith image Alamy 2JP5T1M - . This scene at Audlem, Cheshire, England, UK, CW3 0AB in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Audlem Mill , canal and needlework shop, Audlem, Cheshire, England, UK, CW3 0AB. The image also relates to visual archive, local history, local character, before-and-after reference, commercial streetscape, small business, public realm, bricks-and-mortar retail, street-level business, social history, historical comparison, town-centre economy, independent retail, and place identity. In present-day coverage, the subject reaches into business rates and consumer spending, not least because of the resilience of independent shops in an online retail economy. The image fixes commercial use and occupation within Audlem, Cheshire, England, UK, CW3 0AB at one identifiable point, providing a benchmark against refurbishment. The wider setting retains connections with commercial frontage, changing land use, everyday life, contemporary social history, period detail, retail property, documentary photography, and local trading. Details involving needlework, Audlem, and canal make the image more specific than a generic view and strengthen its local or historical value. The period setting at Audlem, Cheshire, England, UK, CW3 0AB helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to business rates and how consumer spending and property costs shape local commercial streets as part of the longer story of Audlem, Cheshire, England, UK, CW3 0AB. The location additionally provides evidence of footfall and the resilience of independent shops in an online retail economy when considered against later change at Audlem, Cheshire, England, UK, CW3 0AB. The scene captures a point of historical comparison before later change alters the scene.
Audlem, Cheshire, England, UK, CW3 0AB
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,wood,timber-framed,timber,frame,framed,at,number,No,12,Bridge St,Bridge street,lamp,light,lantern,Chester,Cheshire,England,UK,CH1 1NQ,Cowper House,undercroft,brown,creme,cream,external,exterior,outside,timber building,timber framed buildings,history,historic,beige,old,ancient,listed
Description: Tony Smith image Alamy 2JN5MN8 - Half timbered Cowper House, situated at 12 Bridge Street, forms part of the famous Chester Rows, the rows consist of covered walkways at the first floor behind which are entrances to shops and other premises. At street level is another set of shops and other premises, many of which are entered by going down a few steps. Cowper House is a grade I listed building.
The house dates back to 1664 and was constructed following the destruction of many buildings in the city during the Civil War. It was built above medieval undercrofts dating from around 1350-75, or possibly earlier.
Alterations have been carried out on the building in the nineteenth and twentieth centuries. The house's original owner, Thomas Cowper, had been mayor of Chester in 1641-42 and a Royalist supporter in the Civil War.
The rear undercroft was excavated in 1839, and it is thought that the front undercroft is older than that in the rear.
The red sandstone and half timbered building now incorporates a modern shop front on the ground floor. Between this and the street is a walkway, a sloping stallboard and a rail with balusters overlooking the street.
Above the Row opening is a carved fascia. In the storey above is a window running almost the whole width of the building. Its frame projects from the wall and is carried on eight corbels. The window has 14 lights, is mullioned and transomed, and contains leaded lights. Below and on each side of the window are timber-framed panels.
The top storey is jettied. At its base is a bressummer carved centrally with .T.C.1664 (the initials are those of Thomas Cowper), on each side of which are carved patterns. The top storey has a ten-light mullioned and transomed casement window containing leaded lights. Below the window are eight panels containing wooden carvings, and two similar panels are on each side of the window. Above the window are quadrant-braced panels. The bargeboard is decorated with carvings and at its peak is a finial.
2 Bridge street, Chester, Cheshire, England, UK, CH1 1NQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,centre,England,UK,GL5,shops,stores,shopping,incline,around,wander,main,CEX,Clarks,café,family,wheelchair,disabled,demise,return,of,the,Superdrug,bunting,flag,flags,history,historic,retail,urban,clean,shoppers,people,sunny,blue,skies,sky
Description: Tony Smith image Alamy 2JMD5N5 - . A grounded documentary photograph made at High Street, Stroud, Gloucestershire, England, UK, GL5 1AS in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The subject captured here is High Street, Stroud, Gloucestershire, England, UK, GL5 1AS. A broader reading of the photograph includes commercial streetscape, visual archive, shopfront economy, social history, place identity, archival record, documentary photography, high-street commerce, period detail, independent retail, small business, local character, local history, and commercial frontage. The wider contemporary story combines footfall, store closures and how shopfronts become short-lived records of changing businesses and branding. Small period details of transport arrangements and footfall at High Street, Stroud, Gloucestershire, England, UK, GL5 1AS may become more significant with time, particularly following new ownership. The wider setting retains connections with before-and-after reference, regional identity, changing land use, changing streetscape, retail property, local trading, everyday life, and customer footfall. Elements such as Gloucestershire and Stroud add documentary specificity and may become increasingly useful when compared with later records. For High Street, Stroud, Gloucestershire, England, UK, GL5 1AS, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects footfall and how shopfronts become short-lived records of changing businesses and branding when considered against later change at High Street, Stroud, Gloucestershire, England, UK, GL5 1AS. Its period value extends to commercial rents and how shopfronts become short-lived records of changing businesses and branding without losing the local specificity of High Street, Stroud, Gloucestershire, England, UK, GL5 1AS.
High Street, Stroud, Gloucestershire, England, UK, GL5 1AS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,centre,England,UK,GL5,shops,stores,shopping,incline,around,wander,main,CEX,Clarks,café,family,wheelchair,disabled,demise,return,of,the,history,historic,retail,urban,clean,shoppers,people,sunny,blue,skies,sky
Description: Tony Smith image Alamy 2JMD5N9 - . Recorded at High Street, Stroud, Gloucestershire, England, UK, GL5 1AS in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The subject captured here is High Street, Stroud, Gloucestershire, England, UK, GL5 1AS. The setting additionally reflects local trading, community identity, public realm, archival record, before-and-after reference, documentary photography, social history, independent retail, changing streetscape, commercial streetscape, local enterprise, customer footfall, changing land use, and street-level business. The modern context includes continuing discussion of consumer spending, commercial rents and the role of small retailers in maintaining active town centres. For later comparison, the photograph preserves commercial use and occupation at High Street, Stroud, Gloucestershire, England, UK, GL5 1AS, details that may look very different after redevelopment. The photograph additionally reflects visual archive, regional identity, town-centre economy, shopfront economy, high-street commerce, place identity, contemporary social history, and retail property. The combination of Stroud and Gloucestershire anchors the frame to a recognisable activity, place or moment. Around High Street, Stroud, Gloucestershire, England, UK, GL5 1AS, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is consumer spending and the role of small retailers in maintaining active town centres without losing the local specificity of High Street, Stroud, Gloucestershire, England, UK, GL5 1AS. The setting also helps illustrate commercial rents and the role of small retailers in maintaining active town centres in a form that can be compared with future views of High Street, Stroud, Gloucestershire, England, UK, GL5 1AS.
High Street, Stroud, Gloucestershire, England, UK, GL5 1AS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,in,the,Marsh,Moreton,Cotswold,town,Gloucestershire,England,UK,Evenlode,valley,TC,old,GL56,Moreton-in-Marsh,Evenlode Valley,Cotswold District Council,GL56 0LW,&,building,buildings,architecture,history,historic,House 7,London,8,High St,sunny,blue skies,heritage,attraction,tourism,Harry and Meghan,Moreton in Marsh
Description: Tony Smith image Alamy 2JNBXTA - . Recorded at House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records Cotswold Cards & Gifts, High St, Moreton-in-Marsh, Evenlode Valley, Cotswold District Council, Gloucestershire, England, UK, GL56 0LW. The setting additionally reflects historical comparison, shopfront economy, commercial streetscape, small business, everyday life, customer footfall, contemporary social history, local history, local enterprise, street-level business, independent retail, visual archive, changing streetscape, and documentary photography. Today's relevance is strengthened by consumer spending, town-centre regeneration and the continuing question of the role of small retailers in maintaining active town centres. For later comparison, the photograph preserves lettering, decoration and surface detail at House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH, details that may look very different after closure or conversion. The subject also sits alongside bricks-and-mortar retail, specialist retailer, retail property, commercial frontage, high-street commerce, changing land use, community identity, and before-and-after reference. The combination of District, Cards, Valley, Evenlode, and Gifts anchors the frame to a recognisable activity, place or moment. A later view of House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate consumer spending and the role of small retailers in maintaining active town centres within the real-world context of House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH. The period view preserves period character as part of House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH's history.
House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England,UK,Herefordshire,alcohol,drinking,fermentation,alcoholism,alcoholics,cidre,style,making,cider maker,Quieta patent bottle carbonator,carbonation,filler machine,for,cider,Pomagne,historic,brand,old,process,processes,BW,black and white,black & white,carbonator,bubbles,fizz,fizzy,heritage,machine,industry,industrial
Description: Tony Smith image Alamy 2JPDJFG - . This location-specific image from Hereford city centre , Herefordshire, England, UK, HR1 in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The defining feature is Historic Quieta brand ,patent bottle carbonator, Filler machine for cider-BW, cider maker, Hereford, England, UK. The surrounding context encompasses archival record, visual archive, bottle-filling machinery, before-and-after reference, beverage production, drinks manufacturing, industrial beverage equipment, regional identity, historical comparison, Herefordshire cider tradition, cider-making heritage, local history, place identity, and local character. From a 2025-onward perspective, manufacturing automation and regional food heritage are closely linked to this subject, alongside how historic drinks advertising and machinery become industrial heritage. The image fixes lettering, decoration and surface detail within Hereford city centre , Herefordshire, England, UK, HR1 at one identifiable point, providing a benchmark against different community use. The surrounding story also includes cider brand history, changing land use, community identity, period detail, contemporary social history, historic beverage advertising, regional drinks industry, and fermented drink production. References to carbonator, Historic, maker, brand, and Filler give the picture a strong period identity and tie it closely to its named subject. A later view of Hereford city centre , Herefordshire, England, UK, HR1 may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. A further contemporary connection is manufacturing automation and the relationship between orchard agriculture, regional identity and branded cider without losing the local specificity of Hereford city centre , Herefordshire, England, UK, HR1.
Hereford city centre , Herefordshire, England, UK, HR1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,England,UK,HR4 9DG,33,The,listed,building,1297461,frontage,outside,front,babies born at home,delivering,midwives,midwife,Hereford Infirmary,Infirmary,office,offices,Georgian,architecture,historic,heritage,history,buildings,decayed,decaying,distinctive,olde,worldly,attractions,streets,older,part,parts
Description: Tony Smith image Alamy 2M07AD2 - House. Early C17 with C18, C19 and C20 alterations. Ashlar sandstone
sham timber-framing
slate roof with gable to left
central brick stack. EXTERIOR: 3 storeys and cellar
3-window range: 2 storey oriels in sham timber-framing, under gabled roofs
C18 ashlar with storeybands and coved cornice to eaves. Plank double doors to central passage
6-panel door to right, in plain case with overlight and moulded architrave under pedimented hood on console brackets
9 panel door to left, under leaded overlight
various leaded lights. The John Gwynne James Memorial Home for Nurses tablet. Tablet to rear: W.J.H. 1766 1883. INTERIOR: dogleg staircase with turned balusters and moulded rail
rear winder stair with boarded balusters. Turret: moulded and boarded ceiling. 2nd floor: picture rail
4-panel doors
panelling
chamfered ceiling beam
architraves. 1st floor: moulded ceiling frame with boarded panels
wood 4-centred arch with architrave
cornice and corbells to stacks
9-panel doors
tiled fireplace with overmantel (dated 1632)
carved frieze to panelled dado (dated 1630)
C19 fireplace
boarded dado
wall panelling door-cupboard
panelled reveals to flat arch
architraves
fireplaces. Ground floor: fireplace
6- and 4-panel doors
overlight
wall cupboard
panelling. Passageway: flagstone floor
C18 timber-framing
cast-iron pillar. Cellar: stone-lined
chamfered ceiling beams
brick vault
2-panel door
bins.
33 Bridge Street, Hereford, Herefordshire, England, UK, HR4 9DG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,construction,building,buildings,Tudor,style,wood,wooden,shop,shops,Mundy,timber frame,5,King St,Hereford,HR4 9BW,4 5 and 5A King Street,grade II listed,1297410,brown,creme,cream,timber building,timber framed buildings,history,historic,beige,old,ancient,listed,King Street,store,stores
Description: Tony Smith image Alamy 2M07AD5 - HEREFORD
SO5039NE KING STREET 683-1/2/204 (South side) 10/06/52 Nos.4, 5 AND 5A (Formerly Listed as: KING STREET (South side) Nos.4 AND 5)
GV II
House, now shop and offices. Late C15(?). Timber-frame and plaster
twin gabled plain tile roof. 2 storeys
2-window range: C20 mullion and transom leaded casements, replacing oriels, in post-and-pan framing
carved barge-boards with pendants and moulded wood eaves. C20 shop fronts with oak fascia board, under moulded and modillioned bressumer. INTERIOR: 1st floor: relict timber-framing. Ground floor: post with arch brace to billeted bressumer. The house has the earliest street elevation in the City. (RCHME).
Listing NGR: SO5088439788
5 King St, Hereford, Herefordshire, England, UK, HR4 9BW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,London,NW1 2AR,NW1,sign,rail,ironwork,iron,history,historic,St Pancras steel sign,iron work,terminus,stations,city,centre,Victorian,heritage,railway,old,ornate,design,grate,fence,fencing,entrance,signs,dark,moody,strike,strikes,railways
Description: Tony Smith image Alamy 2K16ARM - . An on-location photograph from Euston Rd, London, England, UK, NW1 2AR in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The main point of reference is London St Pancras steel sign, at the entrance to railway terminus and hotel, Euston Rd, London, England, UK, NW1 2AR. A broader reading of the photograph includes place-making, documentary photography, industrial railway, rail infrastructure, everyday life, civic architecture, urban regeneration, adaptive reuse, signal-box architecture, changing land use, regional identity, changing streetscape, commercial redevelopment, and public-realm investment. For current editorial use, decarbonisation and rail reform provide additional context, especially through how Crewe's identity remains tied to railway engineering and operations. Current relevance extends to public-realm investment and housing pressure, particularly through how public investment can reshape pedestrian movement and evening activity. Small period details of signage and branding at Euston Rd, London, England, UK, NW1 2AR may become more significant with time, particularly following conservation work. A second descriptive layer includes historic rolling stock, working railway heritage, rail operations, local history, mechanical signalling, mixed-use redevelopment, freight wagon, and trackside history. The recorded references to entrance, Euston, steel, railway, and London preserve clues about how the subject was presented, used or understood at the time. For Euston Rd, London, England, UK, NW1 2AR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is decarbonisation and the contrast between mechanical railway systems and digital signalling when considered against later change at Euston Rd, London, England, UK, NW1 2AR.
Euston Rd, London, England, UK, NW1 2AR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Runcorn old town,bus,station,town,public,links,infrastructure,in,historic,routes,passenger,passengers,Proud to support Widnes Vikings,WA7,Halton,Cheshire,England,UK,WA7 1LX,transport,service,services,stand,stands,vehicle,vehicles,mini-bus,mini-buses,facility,subsidy,blue,Arriva,Arriva buses,company,operator
Description: Tony Smith image Alamy 2K141AW - . A grounded documentary photograph made at Runcorn High Street Bus Station, Halton,Cheshire, England, UK, WA7 1LX in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Runcorn old town bus station, buses, bus routes, 110, 61, Runcorn High Street Bus Station, Halton,Cheshire, England, UK, WA7 1LX. A broader reading of the photograph includes railway heritage, public-transport wayfinding, trackside history, archival record, freight wagon, mechanical signalling, historic rolling stock, local history, changing land use, industrial railway, historical comparison, working railway heritage, transport accessibility, and community identity. Today's relevance is strengthened by regional connectivity, network modernisation and the continuing question of how Crewe's identity remains tied to railway engineering and operations. From a 2025-onward perspective, service frequency and decarbonisation are closely linked to this subject, alongside the challenge of maintaining reliable services outside dense urban centres. As a dated visual record of Runcorn High Street Bus Station, Halton,Cheshire, England, UK, WA7 1LX, the frame retains commercial use and occupation, making it especially useful if redevelopment subsequently changes the scene. The wider setting retains connections with rail corridor, local bus network, rail infrastructure, everyday life, street-side transport, local mobility, roadside transit, and social history. References to buses, Halton, station, Runcorn, and routes give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Runcorn High Street Bus Station, Halton,Cheshire, England, UK, WA7 1LX, the image preserves more than the headline object or building: it records part of the locality's everyday history. The period view preserves details of everyday use for later comparison.
Runcorn High Street Bus Station, Halton,Cheshire, England, UK, WA7 1LX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,Cheshire,England,UK,WA4 2SU,the,pub,pubs,bar,bars,Punch,at,historic,history,timber,frame,framed,17th,century,coaching,inn,and called it Thelwall,city,here and called it Thelwall,Founded a city,called it Thelwall,punch taverns,Bell Ln,evening,tavern,inscription,outside,exterior,ornate,traditional country pub,night time,night
Description: Tony Smith image Alamy 2JD0MG2 - . This authentic period view of Bell Ln, Thelwall village, Warrington, Cheshire, England, UK, WA4 2SU in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. At the centre of the view is The Pickering Arms 17th c pub at dusk, Bell Lane, Thelwall village, Warrington, Cheshire, England, UK, WA4 2SU. Other connected aspects include commercial hospitality, visual archive, changing streetscape, archival record, visitor economy, food tourism, street-level documentary, everyday street life, social history, regional identity, historical comparison, public realm, city-centre activity, and before-and-after reference. Viewed from the mid-2020s, the subject also connects with staffing pressure, changing dining habits and how food and drink help define neighbourhood identity. The modern context includes continuing discussion of street safety, regeneration and the relationship between public space and local social life. The image fixes materials and architectural details within Bell Ln, Thelwall village, Warrington, Cheshire, England, UK, WA4 2SU at one identifiable point, providing a benchmark against changed technology. The photograph additionally reflects pedestrian environment, social landscape, changing land use, local history, destination dining, documentary photography, restaurant culture, and urban change. Details involving village, Pickering, and Thelwall make the image more specific than a generic view and strengthen its local or historical value. For Bell Ln, Thelwall village, Warrington, Cheshire, England, UK, WA4 2SU, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects staffing pressure and how food and drink help define neighbourhood identity as part of the longer story of Bell Ln, Thelwall village, Warrington, Cheshire, England, UK, WA4 2SU.
Bell Ln, Thelwall village, Warrington, Cheshire, England, UK, WA4 2SU
Description
Keywords: decorating the tree,staff of Joseph of Arimathea,flowers,ribbons,Adam de Dutton,ready for,Bawming Day,St Cross,Glastonbury Thorn,annual ceremony,1880 revival,tree,historic,villages,Hotpixuk,GoTonySmith,@HotpixUK,Cheshire,bush Thorn bush,village,green,ceremony,June,descendant,famous,Christs crown of thorns,parade,church,famous Glastonbury Thorn,Bawming,WA4,bush,thorn tree,rituals,sign,inscription,Crucifixion,plaque,Cross,St
Description: Tony Smith image Alamy 2JCW1YR - Appleton Thorn village is the only village in England where the Bawming of the Thorn' ceremony takes place on the third Saturday of June each year.
The thorn tree, which stands beside the church, is believed to be an offshoot of the Glastonbury thorn, which grew from the staff of Joseph of Arimathea. Adam de Dutton, a knight of the Crusades and local landowner, brought it to Appleton.
Bawming, which means, decorating the tree with flowers and ribbons , has local children dancing and singing the Bawming song.
Not only does this day offer the local community something special to celebrate, but it also forms one of the main sources of fund raising for local projects that aid the community. In the past Bawming has been able to support:
St Cross Church
Appleton Thorn Village Choir
1st Appleton Thorn Girl Guides
Appleton Thorn Mums & Tots
Appleton Thorn Pre School
Appleton Thorn Rainbows
Appleton Thorn Primary School
21st Warrington Scouts
Appleton Thorn Village Hall
Lumb Brook Road, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 4QU
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,England,UK,L1 1EJ,L1,logo,ex,history,store,Scouse,Scouser,famous,icon,name,retailer,1920,brand,Lord Mayor of Liverpool,John Lewis Partnership,prime,shopping,street,historic,icons,retail,company,1970s,building,architecture,Lee,painted
Description: Tony Smith image Alamy 2JCW1YE - . This scene at Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The frame specifically shows George Henry Lees logo, ex-department store, Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ. The broader subject matter reaches into retail property, town-centre economy, historic frontage, regional identity, architectural character, retail chain, before-and-after reference, visual archive, period streetscape, outdoor retail, commercial streetscape, local character, destination retail, and built heritage. In present-day coverage, the subject reaches into consumer spending and store closures, not least because of how consumer spending patterns reshape commercial streets. Today's relevance is strengthened by heritage conservation, energy retrofit and the continuing question of the tension between conservation and redevelopment. As a dated visual record of Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ, the frame retains local activity and public use, making it especially useful if redevelopment subsequently changes the scene. Other useful contextual ideas include historic streetscape, customer footfall, conservation architecture, traditional structure, consumer retail, period detail, local history, and brand-led retail. Details involving Merseyside, Liverpool, Square, ex-department, and store make the image more specific than a generic view and strengthen its local or historical value. A later view of Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene captures a local visual benchmark for later comparison. Image 2JCW1YE also remains a dated record of Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ.
Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,England,UK,L1 1EJ,L1,logo,ex,history,historic,store,Scouse,Scouser,famous,and,&,st Johns,tower,icon,icons,iconic,retail,name,retailer,1920,brand,Lord Mayor of Liverpool,John Lewis Partnership,prime,shopping,street,company,1970s,building,architecture,Lee
Description: Tony Smith image Alamy 2JCW1YF - . Made at Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The principal subject is George Henry Lees logo, ex-department store, and St Johns Beacon, Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ. A broader reading of the photograph includes regional identity, architectural detailing, high-street commerce, local history, physical store, conservation architecture, town-centre economy, changing streetscape, shopfront economy, historical comparison, heritage asset, retail property, social history, and changing land use. The wider contemporary story combines changing footfall, commercial rents and the speed at which branding and store formats change. Viewed from the mid-2020s, the subject also connects with redevelopment pressure, heritage conservation and keeping older structures useful without erasing their character. As a dated visual record of Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ, the frame retains street furniture and boundaries, making it especially useful if changing commercial priorities subsequently changes the scene. The photograph additionally reflects period building, commercial frontage, local character, urban fabric, community identity, brand-led retail, destination retail, and historic townscape. The combination of Johns, George, Williamson, store, and Liverpool anchors the frame to a recognisable activity, place or moment. For Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image fixes evidence of earlier appearance for later comparison. It also preserves period character within the wider story of Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ.
Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,pub,bars,portrait,pub sign,sign,Cain,Cains,brewing,1805-1863,1805,1863,Dr Duncan,real,ale,CAMRA,at,Liverpool,England,UK,L1 1HF,L1,William Henry Duncan,picture,Liverpool physician,Doctor Duncans,Liverpool Pubs,signs,historic,medical,physician,landmark,pubs,bar,Lane
Description: Tony Smith image Alamy 2JCW1YJ - Doctor Duncan's is named after William Henry Duncan, the UK's first Medical Health Officer. Duncan was born and raised in Liverpool before attending Edinburgh University where he qualified as a medical doctor. After moving back to his hometown Doctor Duncan was appointed as Medical Health Officer on 1 st January 1847, the first of this type of Senior Government role in Britain.
The pub, dating back to 1901, was built to house Pearl Insurance and is well known for its elaborately tiled interior. Now, in honour of its namesake, it houses an authentic Victorian pharmacy cabinet.
St John's Lane, Queen Square, Liverpool, Merseyside, England, UK , L1 1HF
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,HotpixUK,in,summer,Cheshire,England,UK,WA2 8SZ,village,villages,Grade I listed,building,historic,Newton Le Willows,Domesday Book,the,west tower,Augustus Welby Northmore Pugin,restored,1869,by,Lancaster,partnership,of,Paley and Austin,traditional,grade,listed,architecture,history,heritage,clock,tower,spire
Description: Tony Smith image Alamy 2JC61Y7 - St Oswald's Church, is in the village of Winwick, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I listed building. It is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Warrington and the deanery of Winwick.
History
A church at Winwick is recorded in the Domesday Book. The earliest parts of the present church are the bases of the north arcade which date from the early 13th century, and the walls of the Legh Chapel and the organ chamber which are dated 1330. The west tower was built in 1358, and the walls and north arcade of the nave (except for the Legh Chapel and the organ chamber) date from 1580. Much damage was done to the church in 1648 when Oliver Cromwell stationed his troops in the church after the Battle of Red Bank. The south porch was added in 1720, and the south arcade of the nave was rebuilt in 1836 reusing earlier stones. The chancel, sanctuary and vestry were rebuilt by Pugin in 184749 for the 13th Earl of Derby. The spire was rebuilt and the church was restored in 1869 by the Lancaster partnership of Paley and Austin. On Thursday 13 January 1887, Titanic Captain Edward Smith married Sarah Eleanor Pennington in the church. In 193132 Henry Paley successor in the Lancaster architectural practice, now known as Austin and Paley, restored the tower at a cost of £463, and in 1934 he added a new vestry, porch and entrance at a cost of £232
The church is built of sandstone with a metal, stainless steel, roof. Its plan consists of a west tower, a nave of six bays with a clerestory, north and south aisles, a south porch, a chapel in the east bay of each aisle, a chancel and sanctuary of three bays, and a north vestry. The south chapel is the Legh Chapel and the north chapel belonged to the Gerard family. The tower is in three stages and has a recessed spire. On the west face is a door above which is a three-light window.
Golborne Rd, Winwick , Warrington, Cheshire, England, UK, WA2 8SZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Warrington,Grappenhall,Thelwall,Chester,metal,scrap,grid thefts,Stolen grid covers,Stolen,grid covers,covers,grids,Manhole covers,grids stolen for scrap,stolen for scrap,history,historic,Deva,manhole,named,grid,cast,iron,rust,rusty,services,sewage,drainage,maintenance,urban,man-hole
Description: Tony Smith image Alamy 2C6RE8F - . A grounded editorial photograph of the recorded location, capturing details that may acquire greater historical value as the location and its use change. The main point of reference is Chester cast iron grid,manhole cover, Cheshire, England, UK. The wider scene also brings together historic streetscape, archival record, public realm, historical comparison, everyday Britain, built heritage, documentary photography, cityscape history, local character, changing streetscape, conservation interest, conservation architecture, heritage asset, and regional identity. Today's wider story includes heritage conservation, embodied carbon and the practical question of the contrast between historic fabric and modern development. Small period details of commercial identity and local use at the recorded location may become more significant with time, especially following refurbishment. The photograph additionally reflects architectural contrast, urban change, social landscape, contemporary history, community identity, place identity, visual archive, and before-and-after reference. Details involving cover, manhole, and Chester make the image more specific than a generic illustration and strengthen its local or historical value. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for heritage conservation and preserving local identity during urban change when considered against later change at the recorded location. The wider significance includes adaptive reuse and keeping older buildings useful without erasing their character without losing the local specificity of the recorded location. Another strand within the photograph is maintenance and the contrast between historic fabric and modern development in a form that can be compared with future views of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Cheshire,UK,Thelwall,building,25 years,left,25,years,state of disrepair,state,disrepair,WBC,Warrington Council,Warrington Borough Council,dilapidated,rectory,Grappenhall rectory,church lane,disused,listed building,1139322,closed,derelict,history,historic,heritage,old,town,centre,ornate,lane,road,hotpix.org.uk
Description: Tony Smith image Alamy 2C6RE8M - Rectory circa 1830, stucco with grey slate roof, Gothick. Of 2 storeys and 5 windows
the left and right wings, each of 1 bay and one slightly recessed, are of (or altered during) 1855 (drawings in the possession of the rector). Crenellated Gothick porch has Tudor arch and corner pinnacles. Part-glazed double doors at back of porch under Tudor-arched fan with flowing pattern of cusped iron bars. A 1-storey canted bay to each side of porch has Gothick pointed windows: left bay has ornate iron cresting
that to right bay removed for repair (1983). Upper windows are 2-light casements, each light of 12 panes, margined, above porch and bay windows. Right wing and upper storey of left wing have 12-pane recessed sashes
lower left window is replaced. Interior: Doors have 6 raised and fielded panels. Plain open-string dogleg stair has stick balusters, mahogany rail and curtail.
Legacy System number:
59018
Legacy System:
LBS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Thelwall,WA4,Rams Head,pub,bar,Inn,empty,abandoned,state,what a state,summer,Punch,Punch Pubs & Co,Punch Pubs,Co,pubs,listed building,grade II,Gropenhale,crest of,the Leghs of Lyme,closed,derelict,history,historic,heritage,old,town,centre,ornate,lane,road
Description: Tony Smith image Alamy 2C6RE8N - . An on-location editorial image made at Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP, showing a subject whose wider significance extends beyond the immediate scene. The main point of reference is The Rams Head Inn, Church Lane,Grappenhall Village,Warrington,Cheshire,England, UK, WA4 3EP. The picture additionally relates to local drinking place, community identity, customer-facing hospitality, local history, local character, neighbourhood pub, community social space, contemporary history, built environment, licensed premises, changing streetscape, community hostelry, leisure venue, and visual archive. Current discussion around this subject increasingly includes changing drinking habits alongside pub closures, with particular attention to the survival of community meeting places. Future viewers can use this scene from Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP to compare transport arrangements and public activity with whatever follows after altered transport patterns. The setting also brings in everyday Britain, regional identity, licensed trade, night-time economy, urban change, before-and-after reference, hospitality venue, and archival record. Elements such as Grappenhall, Village, and Church add documentary specificity and may become useful when the scene is compared with later records. A later view of Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects changing drinking habits and the survival of community meeting places without losing the local specificity of Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP. Its period value extends to independent hospitality and changes in food, drink and leisure spending in a form that can be compared with future views of Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP.
Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Thelwall,WA4,Rams Head,pub,bar,Inn,empty,abandoned,state,what a state,summer,Punch,Punch Pubs & Co,Punch Pubs,Co,pubs,listed building,grade II,crest of,the Leghs of Lyme,closed,derelict,history,historic,heritage,old,town,centre,ornate,lane,road
Description: Tony Smith image Alamy 2C6RE8R - . Photographed at Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP, the scene provides a dated reference to the subject and the surrounding social, commercial or physical environment. The photograph centres on The Rams Head Inn, Church Lane,Grappenhall Village,Warrington,Cheshire,England, UK, WA4 3EP. The photograph also carries associations with social landscape, leisure venue, urban change, hospitality venue, before-and-after reference, local character, archival record, local history, place identity, period detail, licensed trade, changing streetscape, visual archive, and social history. For contemporary context, hospitality operating costs and local footfall are closely related themes, especially where the issue becomes whether local venues can remain commercially viable. The archival value lies partly in recording public access and movement around Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP before refurbishment alters the character of the place. The photograph additionally reflects everyday Britain, community hostelry, licensed premises, night-time economy, town-centre leisure, neighbourhood pub, community identity, and social meeting place. References to Village, Church, and Grappenhall give the picture a strong period identity and tie it closely to the named subject. The surrounding context at Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene retains a connection with hospitality operating costs and whether local venues can remain commercially viable when considered against later change at Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP. That also gives the frame relevance to hospitality operating costs and changes in food, drink and leisure spending without losing the local specificity of Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP.
Church Ln, Grappenhall, Warrington,Cheshire,England,UK, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M2,Manchester M2 5PD,Xmas,decorations,history,Christmas,outside,Christmas bee,symbol,bee symbol,Central Library,library,St Peters,Peter,square,Sq,seasonal,decorated,golden,sparkle,sparkly,MCR,historic,exterior,display,displays,art,arts,artistic,bees,worker bee,symbolic,Xmas bee
Description: Tony Smith image Alamy 2ADR2B8 - . Photographed at St Peter's Square, Manchester,England,UK, M2 5PD in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. The location is represented through Gold bee,Christmas decorations,outside Manchester Central Library,St Peter's Square, Manchester M2 5PD. The locality and subject together evoke local history, period streetscape, architectural detailing, contemporary social history, conservation architecture, changing streetscape, heritage asset, historic frontage, place identity, architectural character, archival record, period building, regional identity, and conservation interest. The present-day relevance extends to maintenance costs and embodied carbon, while a wider concern is the contrast between preservation and redevelopment. With the passage of time, the image retains signage, materials, design and everyday use within the setting of St Peter's Square, Manchester,England,UK, M2 5PD. The setting also brings in historic townscape, documentary photography, visual archive, built heritage, historical comparison, urban fabric, cityscape history, and everyday life. The recorded references to decorations, Peter's, Square, Christmas, and outside preserve clues about how the subject was presented, used or understood at the time. The surrounding context at St Peter's Square, Manchester,England,UK, M2 5PD matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to maintenance costs and the role of distinctive architecture in local identity as part of the longer story of St Peter's Square, Manchester,England,UK, M2 5PD. The location additionally provides evidence of heritage conservation and keeping older buildings useful without erasing their character when considered against later change at St Peter's Square, Manchester,England,UK, M2 5PD.
St Peter's Square, Manchester,England,UK, M2 5PD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,famous,gravestone,Balquhidder village,legend,Roy MacGregor,Robert Roy MacGregor,movement,Balquhidder graveyard,legendary,hero,MacGregor,Rob Roy,red,historic,independence
Description: Tony Smith image Alamy 2K3XN2J - . This authentic period view of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 in 2019 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. At the centre of the view is Grave and last resting place of Rob Roy, Robert Roy MacGregor, Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The frame also records themes of high-street commerce, specialist retailer, visual archive, changing streetscape, historical comparison, small business, shopfront economy, local character, changing land use, everyday life, town-centre trading, regional identity, local history, and community identity. In present-day coverage, the subject reaches into online shopping and town-centre regeneration, not least because of how shopfronts become short-lived records of changing businesses. As a dated visual record of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19, the frame retains materials and architectural details, making it especially useful if redevelopment subsequently changes the scene. A second descriptive layer includes period detail, street-level business, public realm, local enterprise, independent retail, contemporary social history, retail property, and bricks-and-mortar retail. References to Perthshire, Grave, MacGregor, place, and Robert give the picture a strong period identity and tie it closely to its named subject. Around Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The wider significance includes online shopping and how shopfronts become short-lived records of changing businesses within the specific setting of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The scene captures details of everyday use as part of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19's history.
Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,EH46,Deanfoot rd,Scotland,UK,EH46 7DX,small,shop,store,retailer,friendly,Linton books,lost,old,bookshops,shops,stores,bookstore,independent,retail,LintonBooks,door,doorway,entrance,history,historic,village,Derek Watsons,Derek Watson,Uncle Derek,novel by,Alexander McCall Smith,ornate,New and Second Hand,New and Secondhand
Description: Tony Smith image Alamy 2K3XNBJ - Obituary - Derek Watson, musician, author, actor, lecturer and book shop proprietor - read more at https://www.heraldscotland.com/opinion/16969748.obituary---derek-watson-musician-author-actor-lecturer-book-shop-proprietor/
Born: November 6, 1948
Died: September 17, 2018
DEREK Watson, who has died aged 69 following a short illness, was a man of many parts and arts. Those who knew the Edinburgh-born renaissance man as an actor performing under the name Derwent Watson at the Citizens Theatre in Glasgow may not have been aware that Watson began his relationship with the Citz as a musical director on Christmas shows, becoming forever known thereafter as Uncle Derek.
Similarly, the youngsters watching Uncle Derek will not have known of Watson's passion for Wagner and other composers he was an authority on, penning several biographies on them, and slipping little classical passages into his compositions for the Citz's festive fare un-noticed. Nor might those who heard Watson give lectures on Wagner and others be aware of his long-standing role as proprietor of a bookshop in West Linton where he lived for more than 20 years, with both he and the shop immortalised in a novel by Alexander McCall Smith.
In 1994, having been a resident in West Linton for a decade, he opened Linton Books. Once he had retired from the theatre, the shop provided him with an alternative stage, playing' the proprietor of the shop to entertain customers. Book signings by authors included Alexander McCall Smith, whose second novel in the Sunday Philosophy Club series, Friends, Lovers, Chocolate, published in 2005, found the book's heroine Isabel Dalhousie visiting Derek in his capacity as bookseller. The shop itself featured during the unravelling of the story's mystery.
Being immortalised in such a way was the perfect compliment to Watson, who retained a curiosity for the finer things in life that went beyond his considerable intellect to draw out the fun beneath.
Deanfoot rd, West Linton, Scotland, UK, EH46 7DX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Teith Rd,Deanston,Stirlingshire,Scotland,UK,FK16 6AG,distilling,maker,makers,cask,casks,Burn Stewart Distillers,Burn Stewart,Distillers,Perthshire,Scotch,blending,South African spirit and wine producer,Distell Group,Teith Mill,brand,brandname,name,Deanston distillery,Single Malt,Scotch whisky,distillery,Highland,history,historic,factory,wall,sign,lettering,tariff-free,US export,Doune,single malt whisky
Description: Tony Smith image Alamy 2K3XMXM - Deanston distillery is a Single Malt Scotch whisky distillery located on the banks of the River Teith, eight miles from the historic town of Stirling, at the gateway to the dramatic Loch Lomond & Trossachs National Park. It is the largest distillery owned by Scotch whisky producer Distell Group Limited, who also own Bunnahabhain Distillery on the Isle of Islay and Tobermory distillery on the Isle of Mull.
Deanston Distillery started life in 1785 as a cotton mill designed by Sir Richard Arkwright, and remained as such for 180 years until it was transformed into a distillery in 1966. The constant supply of pure water from the River Teith contributed to the decision to turn the mill into a distillery and Deanston is now the only distillery in Scotland to be self-sufficient in electricity, with power generated by an on-site hydro-energy facility. Deanston sits in the Highland single malt region of Scotland and produces whisky which is handmade by ten local craftsmen, un-chill filtered, natural colour and bottled at a strength of 46.3% ABV.
In 1841 James Smith retired from the mill. Operations continued but by 1848, production at Deanston was in decline. The turn of the twentieth century saw a further decrease in demand for cotton and the workforce was scaled down from 1500 to 500 people. Things steadily got worse until the mill was closed on 2 April 1965.
It was the collective efforts of James Finlay & Co, Brodie Hepburn & Co, and A.B (Sandy) Grant, known together as Deanston Distillers Ltd, who converted Deanston Mill into a malt whisky distillery in 1965. The soft, fast flow of the River Teith and a whisky boom in Scotland at the time made the site ideal for whisky production. The distillery was opened on 17 October 1966 after an extensive refurbishment costing £300,000, employing 20 local people, but taking just nine months.Three floors were removed to make room for four copper stills and a mash tun. The constant, cool temperature of the weaving shed made it ideal
Teith Rd, Deanston, Doune, Stirlingshire, Scotland, UK, FK16 6AG
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Victorian,office,offices,warehouse,Watts Bros Manchester,Monochrome,Black and White,mono,Watts Brothers,English Heritage Legacy ID,388270,English Heritage Legacy ID 388270,SJ8498SE,LEVER STREET,698-1/29/206 (South East side),Listing NGR SJ8457498405,Hardware,and,furniture,brothers,M1 1DW,M1,centre,Ancoats,history,historic,Lever Street,Lever St,buildings
Description: Tony Smith image Alamy RFF632 - Hardware and furniture warehouse, now offices. Dated 1898 at
3rd floor
altered. Red brick in Flemish bond, with red
sandstone dressings, slate roof. Rectangular plan at
right-angles to street, with loading bay at rear. Free
Elizabethan style. Basement, 4 storeys and attic, 4 bays, with
plinth, cornice over ground floor, slightly-projected outer
bays with tall shaped gables, and chamfered shafts piercing a
prominent cornice. The ground floor has a large round-headed
doorway to the left, with convex jambs, moulded head and
keystone cartouche lettered 24, and a prominent cornice on
elongated consoles
a mullioned 2-light window to the right
over a basement doorway and 2 altered windows further right.
On the upper floors the 2 centre bays have 3-storey
elliptical-headed arches with 3-light wndows to all floors,
the outer bays have vertical-rectangular windows, with
panelled aprons at 2nd floor and large carved aprons at 3rd
floor lettered respectively 18 and 98. The attic has
3-light mullioned windows in the centre bays and vertical
windows in the gables with ornamental architraves including
oculi in steeply-swept gables finished with small segmental
pediments. The right-hand return wall has 2 bays in matching
style, continued with an 8-window range of white glazed brick,
carried down to 2 storeys at the rear, which has a parallel
loading bay.
Bunsen St, Manchester, England, UK, M1 1DW
Description
Keywords: HotpixUK,@HotpixUK,UK,GoTonySmith,England,English,North West England,Blue,lamp,light,Warrington WA4 2AF,Grappenhall Road,ward,history,historic,Grappenhall Rd,Warrington,Cheshire,WA4 2AF,WA4,traditional,lantern,blue lamp,blue light,blue,polis,constabulary,data breach,data breaches,data leak,Victorian,Dixon of Dock Green,part-time,British,GB,old,style,Great Britain
Description: Tony Smith image Alamy RBAPR3 - . A close documentary record records the character of Grappenhall Rd, Warrington, Cheshire, UK, WA4 2AF, in an image captured in 2019. The supplied image information identifies Traditional & historic Blue Police Station Lamp, Stockton Heath Police Station, South Warrington, Cheshire, North West England, UK, WA4 2AF. Related ideas embodied by the location include historic environment, road connectivity, intercity travel, heritage streetscape, traffic management, strategic road network, offender management, historic townscape, transport corridor, legal system, commuter transport, and penal system. In the mid-2020s, integrated public transport is increasingly discussed through public ownership and town-centre connectivity, with attention turning to renewed station districts. For present-day editorial use, place and memory can also illustrate debates about altered public space and redevelopment, particularly where these affect preservation of everyday detail. Modern coverage of public safety frequently reaches beyond the immediate scene to questions of reoffending, staffing and better maintained justice estates. The date and location give the photograph archival strength: future views of Grappenhall Rd, Warrington, Cheshire, UK, WA4 2AF may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The view also records themes involving local landmark, townscape identity, road transport, heritage asset, custodial estate, historic fabric. Further recorded details include blue lamp, Stockton Heath Village, Grappenhall Rd, village. The same setting also brings together law enforcement, custody infrastructure, urban fabric, court and custody, train travel, highway infrastructure, conservation architecture, local transport, adaptive reuse, and urban conservation. It also preserves details of public use within the wider local story.
Grappenhall Rd, Warrington, Cheshire, UK, WA4 2AF
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Great Britain,GB,Nottingham,city centre,Nottingham city centre,Notts,Nottinghamshire,Traditional pub,Great British,1980,pub,The old castle inn,bar,in a bar/pub,beers,brewhouse,brewery,blue sky,history,historic,heritage,sunny,blue skies,pubs,bars,traditional,local,boozer,the,The Castle,real,ale,ales
Description: Tony Smith image Alamy 2D8NX58 - . A grounded editorial photograph of the recorded location, capturing details that may acquire greater historical value as the location and its use change. At the heart of the image is The Old Castle Inn, Traditional Ales, Stained Glass,1980,in a bar/pub,Nottingham,city centre,Nottinghamshire, England,UK. Other aspects of the subject include local character, community social space, licensed trade, night-time economy, archival record, before-and-after reference, social history, social meeting place, built environment, local drinking place, community identity, contemporary history, neighbourhood pub, and period detail. In the mid-2020s, pub closures and the night-time economy keep this subject current, particularly through changes in food, drink and leisure spending. The photograph fixes ownership and occupation within the recorded location at one identifiable point, providing a benchmark against replacement signage. The wider local story also touches on visual archive, place identity, regional identity, traditional ale house, historical comparison, licensed premises, documentary photography, and beer-led venue. The combination of Nottingham, Castle, Traditional, Nottinghamshire, and Glass helps anchor the frame to a recognisable activity, place or period. The surrounding context at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for pub closures and the survival of community meeting places in a form that can be compared with future views of the recorded location. The wider significance includes local footfall and changes in food, drink and leisure spending within the real-world context of the recorded location. Another strand within the photograph is hospitality operating costs and whether local venues can remain commercially viable within the specific setting of the recorded location.
--Trafford-Council--Greater-Manchester--North-West-England--UK-P307ET.jpg)
Description
Keywords: GoTonysmith,@HotpixUK,Trafford,Cheshire,town,centre,shopping,retail,similar to Borough Market London,Greater Manchester,Manchester,North West England,UK,shop,shoppers,stall,happy shoppers,food,cheese,meat,vegetables,drink,food court,bar,drinks,diners,dining,destination,atmospheric,nice atmosphere,Alty,history,historic,WA14 1SA,WA14,Greenwood Street,successful,busy,Nick Johnson
Description: Tony Smith image Alamy P307ET - Altrincham Market House: Things To Do In Manchester - A Community Revitalised Read more at https://manchesterbites.com/things-to-do-in-manchester-altrincham-market-house/
The revival of the Altrincham Market is nothing short of remarkable. From 1290 (yes, 1290!) the market had been at the centre of community life in Altrincham. Throughout the centuries, the market would have been where townsfolk gathered to buy goods, make a living, and spend time in the company of their neighbours.
And yet, the second half of the 20th century brought a period of stagnation. With the fortunes of the town on the downturn and the population size decreasing year over year, the historic market was being run by the council with little love or care. In fact, around a decade ago, Altrincham was voted as having the worse high street in Britain.
So, what has changed?
Well, Nick Johnson came onto the scene. Nick was a property developer and saw something in Altrincham that others failed to spot. In 2013, he won the contract to run the market and quickly set about changing the face of it and in turn Altrincham.
Nick gave the Victorian building a makeover. Cleaning it from top to bottom and restoring some features that had been neglected. He then got to work contacting some of the area's best, local food vendors.
Nick did the same in Manchester city centre with the Mackie Mayor food hall, the big sister of Altrincham Market House. We previously wrote about Mackie Mayor here.
Food And Drink At Altrincham Market House
Since it reopened in 2014, locals and visitors have filled the food hall week after week, and it should come as no surprise the food on offer is second to none!
Market House is home to 10 indie food stalls, including Honest Crust, Wolfhouse Kitchen, Tender Cow, Jack in the Box, Reserve Wines, Great North Pie Co., Sam Joseph, and Market House Coffee.
Jack in the Box is an award-winning producer of real ale and cider that operate across the Mackie Mayor and Altrincham
12 Greenwood Street, Altrincham, Cheshire, England, UK, WA14 1SA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,Church,Renaissance palace,coronations,David Doig,historic,history,flowers,memorial,Stirling,centre,royal,burgh,Scotland,Scottish,graves,grave,graveyard,churchyard,kirk,kirkyard,heritage,tourism,tourist,attraction,exterior,outside,outdoor,outdoors,view,Scots,attractions,visit
Description: Tony Smith image Alamy 2DA91H9 - The Church of the Holy Rude is the medieval parish church of Stirling, Scotland. It is named after the Holy Rood, a relic of the True Cross on which Jesus was crucified. The church was founded in 1129 during the reign of David I, but earliest part of the present church dates from the 15th century. As such it is the second oldest building in Stirling after Stirling Castle, parts of which date from the later 14th century. The chancel and tower were added in the 16th century.
Stirling Castle has long been a favoured residence of the Scottish monarchs, and was developed as a Renaissance palace during the reigns of the later Stewart Kings. The Church of the Holy Rude, adjacent to the castle, became similarly associated with the monarchy, hosting royal baptisms and coronations. It is one of three churches still in use in Britain that have been the sites of coronations
The church has a historic churchyard lying primarily to the west and north-west of the church. Stones date from the 16th century.
The churchyard was extended in 1851, creating the fascinating Valley Cemetery to the north, divided from the old cemetery by only a path. This contains a series of statues by Alexander Handyside Ritchie to figures of the Reformation.
The old graveyard contains a unique stone with a carved depiction of body snatching, marking the theft of Mary Stevenson (17671822) by James McNab, the local gravedigger who had buried her two days earlier, on 16 November 1822, aided by a friend, Daniel Mitchell. The body was passed to John Forrest, for dissection. The two men were caught, but released due to legal technicalities and a riot ensued. Mary's body was reburied and the stone carved to mark the strange event.
Stirling, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Moriara,Spain,wine,region,Moraira Spain,springtime,spring time,Moraira Wine Tasting,Teulada,production,vineyard,viniculture,history,historic,heritage,Spanish,vine,vines,plant,field,established,Moraira,close to,Alicanti wine region,EU,European,wines,variety,varieties,dry,spring,farm,farming,landscape,fields,HotpixUK.org.uk
Description: Tony Smith image Alamy 2DA91H1 - . A detailed documentary view from Moraira,close to,Alicanti wine region, Spain, preserving the appearance and character of the subject at a particular point in time. The location is represented through Vineyard, Moraira,close to,Alicanti wine region, Spain,Espana, Viticulture. The scene can also be read in terms of heritage landmark, everyday life, historic townscape, public realm, local history, heritage asset, contemporary history, before-and-after reference, cityscape history, traditional masonry, community identity, architectural contrast, built heritage, and conservation interest. Today's wider story includes embodied carbon, maintenance and the practical question of using existing buildings rather than demolishing them. Small period details of building condition and alterations at Moraira,close to,Alicanti wine region, Spain may become more significant with time, especially following later redevelopment. The setting also brings in visual archive, period building, urban fabric, documentary photography, archival record, architectural character, social landscape, and regional identity. The combination of Vineyard, Viticulture, Espana, close, and Alicanti helps anchor the frame to a recognisable activity, place or period. The period setting at Moraira,close to,Alicanti wine region, Spain helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. That also gives the frame relevance to embodied carbon and using existing buildings rather than demolishing them in a form that can be compared with future views of Moraira,close to,Alicanti wine region, Spain. Another useful connection is historic townscape and the contrast between historic fabric and modern development within the real-world context of Moraira,close to,Alicanti wine region, Spain. The frame therefore remains a dated reference for Moraira,close to,Alicanti wine region, Spain and the changing story of the subject shown.
Moraira,close to,Alicanti wine region, Spain
Description
Keywords: Hotpixuk,@Hotpixuk,GoTonySmith,stamp,postal,franked,frank,used stamps,used franked,used,franked stamp,from envelope,history,historic,old,Italy,Italian,Italia,Italy Stamp,italian stamp,franked Italian stamp,used Italian stamp,Italy stamp,Italia 300lire Roma,300L,Italia 300lire,Roma,1981,f.Borrelli Inc,XXIII,collect,collecting,collector,of,rare,rarity
Description: Tony Smith image Alamy 2AT9E80 - . This period scene at Italy in 2015 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. The main subject is Italian stamp, poste Italia used and franked stamp, Italia 300lire Roma 1981 f.Borrelli Inc - XXIII Giornata Del Francobollo. Further facets of the subject include heritage asset, community identity, historic frontage, changing land use, local character, contemporary social history, urban fabric, everyday life, conservation architecture, social history, period streetscape, regional identity, local history, and architectural character. Viewed from the mid-2020s, the subject sits within continuing debate about adaptive reuse, heritage conservation and the contrast between preservation and redevelopment. For later comparison, the frame preserves small features of identity that written records may overlook as seen at Italy. The setting also brings in public realm, documentary photography, archival record, period detail, heritage landmark, period building, conservation interest, and traditional masonry. Elements such as poste, stamp, Borrelli, Italian, and 300lire add documentary specificity and may become more useful when compared with later records. The surrounding context at Italy matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence of adaptive reuse and keeping older buildings useful without erasing their character without losing the local specificity of Italy. A further contemporary connection is adaptive reuse and the role of distinctive architecture in local identity in a form that can be compared with future views of Italy. The wider significance includes heritage conservation and reusing existing buildings rather than demolishing them within the real-world context of Italy.
Italy
Description
Keywords: Hotpixuk,@Hotpixuk,GoTonySmith,stamp,postal,franked,frank,used stamps,used franked,used,franked stamp,from envelope,history,historic,old,Italy,Italian,Italia,Italy Stamp,italian stamp,franked Italian stamp,used Italian stamp,Italy stamp,Roma,150lire,150L,collect,collecting,collector,of,rare,rarity,EU,Europe,city,the,posting
Description: Tony Smith image Alamy 2AT9E89 - . Recorded at Italy in 2015, the image fixes a particular place, use and appearance for later comparison as buildings, businesses, signs and public activity change. At the centre of the frame is Italian stamp, poste Italia used and franked stamp, Roma, 1976 R.Di.Giuseppe Inc, 150lire, 150L,V.Carpaccio, 1455-1526 Carpaccio. The scene additionally carries associations with period streetscape, architectural detailing, regional identity, historic townscape, community identity, visual archive, period detail, conservation interest, heritage asset, before-and-after reference, local history, documentary photography, archival record, and historic commercial architecture. In the mid-2020s, historic townscape and heritage conservation keep the subject current, particularly through reusing existing buildings rather than demolishing them. Looking back from the mid-2020s, the photograph anchors the combination of built form, activity and local identity within the setting of Italy. The subject sits alongside architectural character, changing streetscape, local character, period building, contemporary social history, public realm, changing land use, and cityscape history. References to Italia, Italian, poste, Carpaccio, and Giuseppe help fix the photograph to its own subject and period rather than reducing it to a generic view. For Italy, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for historic townscape and keeping older buildings useful without erasing their character when considered against later change at Italy. Another useful connection is embodied carbon and keeping older buildings useful without erasing their character without losing the local specificity of Italy. The scene further reflects planning control and keeping older buildings useful without erasing their character in a form that can be compared with future views of Italy.
Italy
Description
Keywords: Hotpixuk,@Hotpixuk,GoTonySmith,stamp,postal,franked,frank,used stamps,used franked,used,franked stamp,from envelope,history,historic,old,poste,post office,communications,postage,sending letters,sending,parcels,21 Avril 1926,1926,Queen,Queens birthday,Canada 51c,51c,51cent,51,cent,April 21 1926,Joyeux anniversaire,Canadian,dead,died,King Charles,Iii,Betty,Mark Carney
Description: Tony Smith image Alamy 2AT9EH3 - . A grounded documentary photograph made at Canada in 2015, preserving the main subject alongside smaller details that may become more historically useful with time. The principal point of reference is Canadian Stamp, Canada Stamp, Canada Post,used stamp, Canada 51, Happy Birthday Queen Elizabeth, April 21 1926, Joyeux anniversaire. Other connected aspects include community identity, shopfront economy, period streetscape, retail vacancy, place identity, conservation interest, period building, before-and-after reference, visual archive, contemporary social history, everyday life, historical comparison, heritage landmark, and architectural detailing. For contemporary context, town-centre regeneration and changing footfall are closely related themes, especially where the issue becomes the rapid turnover of shopfronts and trading names. Viewed from the mid-2020s, the subject sits within continuing debate about maintenance costs, redevelopment pressure and reusing existing buildings rather than demolishing them. For retrospective editorial use, the photograph anchors signage, materials, design and everyday use within Canada. A second layer of the scene includes historic commercial architecture, historic townscape, cityscape history, independent trading, urban commerce, traditional masonry, local character, and documentary photography. Elements such as Happy, Stamp, Canadian, Canada, and Birthday add documentary specificity and may become more useful when compared with later records. The period setting at Canada helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is town-centre regeneration and the rapid turnover of shopfronts and trading names as part of the longer story of Canada. The wider significance includes maintenance costs and the contrast between preservation and redevelopment when considered against later change at Canada.
Canada
Description
Keywords: International Post,star,Used and Postmarked,Used,and,postmarked,perforated,stamp,Used,and,postmarked,Stamp,post,posting,mail,hobby,perforation,mark,postage,stamp,print,stamp,cancelled,stamp,payment,correspondence,postman,collection,collector,philately,cents,Classic,Francais,Gotonysmith,post,posting,mail,hobby,perforation,mark,postage,stamp,print,stamp,cancelled,canceled,stamp,payment,correspondence,postman,collection,collector,philately,philatelist,letter,price,history,retro,Vintage,delivery,date,relationship,communication,Oz,DownUnder,classic rare unique Austrailian financial,investment,invest,value,British,empire,nation,canceled,printed on black background,close-up,closeup,close,up,sent,send,philately,mailing,shipping,postoffice,office,isolated,circa,special,colour,color,postmarked,marked,airmail,aged,antique,retro,cutting,historic,old,stamps,collection,stamp collection,album,Timbre,Sello,Stempel,Selo,Buy Pictures of,Buy Images Of,Down Under,Black background
Description: Tony Smith image Alamy F15RPD - . Made at the recorded location in 2015, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Republique Francaise 15c Stamp. The image also relates to paper communication, philatelic collecting, postal ephemera, contemporary social history, postal graphic design, local character, changing land use, local history, community identity, visual archive, changing streetscape, collectable stamp, regional identity, and historical comparison. Current relevance extends to national identity and graphic design, particularly through the collector interest created by discontinued currencies, states and designs. For later comparison, the photograph preserves equipment and working practice at the recorded location, details that may look very different after later reinterpretation. A second descriptive layer includes archival record, commemorative issue, stamp design, postal artefact, documentary photography, before-and-after reference, postal history, and period detail. Details involving Francaise, Stamp, and Republique make the image more specific than a generic view and strengthen its local or historical value. The photograph from the recorded location links the broader issue back to a specific real place. The location additionally provides evidence of national identity and the collector interest created by discontinued currencies, states and designs when considered against later change at the recorded location. A further contemporary connection is digital communication and the contrast between physical postal culture and digital communication without losing the local specificity of the recorded location. The frame retains a trace of local identity within the wider story of the recorded location. Image F15RPD also preserves another period-specific detail for later comparison.
Description
Keywords: DrWho,Dr,Who,UK,cabin,unusual,tourist,tour,cityofedinburghtours,com,.com,cityofedinburghtours.com,grey,gray,interesting,Royal,Mile,Royalmile,classic,bbc,TV,capital,city,Tardiss,GoTonySmith,Buy Pictures of,Buy Images Of,Victorian,Police,now,the,centre,tours,series,history,historic
Description: Tony Smith image Alamy ED4M2B - . Victorian Police Box, now the City of Edinburgh Tour Tardis, High St, Scotland, UK. Photographed at Royal Mile, Edinburgh, Scotland, UK. The photograph was taken on 26 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with city of Edinburgh Tour Tardis, High St, policebox, box, Edinburgh, old town, Tardis, Dr Who, attraction and DrWho, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Royal Mile, Edinburgh, Scotland, UK
Description
Keywords: City,hills,hill,walk,walking,tourist,old,town,Close,two walkers,Scotland,UK,two,walkers,stone,history,historic,Writers Court,writers,court,Gotonysmith,Scotlands History,Scotlands History,EH1 1PG,EH1,up,to,the,high,street,Royal Mile,sign,climb,climbing,step,steps,rail,railing
Description: Tony Smith image Alamy ED4M2H - . Steep steps up Warristons Close, Edinburgh,with two walkers, Scotland, UK, EH1 1PG. Photographed at Warristons Close, Edinburgh,old town,Scotland, UK, EH1 1PG. The photograph was taken on 26 December 2014. The image metadata records 2 people in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Steep, steps, Warristons Close, Edinburgh, tourists, closes, old town, Warristons, hills and hill, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. This particular view is catalogued under Alamy image reference ED4M2H, distinguishing it from other photographs of the same or related subject.
Warristons Close, Edinburgh,old town,Scotland, UK, EH1 1PG
-DDXKNH.jpg)
Description
Keywords: town,centre,WBC,family,families,killed,terrorist,terror,attack,bombing,justice,forgive,forgiveness,of,IRA,bomb,in,Warrington,20/03/1993,Cheshire,UK,Ireland,Irish,Republican,Replacement,Memorial,commemoration,flowers,headstone,in,memory,Warrington Town Centre,Jonathon Ball,Tim Parry,GoTonySmith,@HotpixUK,Bridge,peace,centre,center,St,Street,history,historic,death,died,dead,murder,murdered,Buy Pictures of,Buy Images Of,Images of,Stock Images,Bridge st,Bridge street
Description: Tony Smith image Alamy DDXKNH - Thieves stolen a metal plaque erected in memory of two young boys who were killed in an IRA bomb attack in Warrington, Cheshire.
Tim Parry, who was 12, and Johnathan Ball, aged three, died in 1993 when two bombs detonated in the town centre injuring 54 people. The A3 size plaque is thought to have a scrap metal value of no more than £30.
Bridge Street, Warrington, Cheshire, England, UK
Description
Keywords: silversmith,by,1777,1906,great,works,on,Wright,Garnett and Wright,Messrs,Warrington Society,Mayor Griffith,State of Prisons in England and Wales,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,history,historic,1777-89,lodged,prisons,English,philanthropist,WA1 2HE,erected,1789,bronze,silver smiths shop,mounted,Bridge St,metal,hotpix.org.uk
Description: Tony Smith image Alamy DDXKNP - John Howard, the eighteenth century prison reformer once lodged on this site. The tablet was erected on 31st December 1906 by the Warrington Society. The unveiling ceremony took place in May 1907, on the anniversary of the publication of Howard's work, 'The State of the Prisons in England and Wales'. Mayor Griffith pulled back the green curtain, and addressing those who had gathered for the ceremony, saying that although there had been many memorials to John Howard, he did not think there were any to beat this in beauty or appropriateness, because he was in a way a Warrington man.
John Howard (1726-1790). John Howard became famous for the 'State of Prisons in England and Wales', which was written and published in Warrington in 1777 at Egres Press in Horsemarket Street. He was born in Hackney and the fortune left to him by his father in 1742 allowed him to travel. In 1756, the year after the death of his wife, he travelled to Lisbon. He was captured by a French Privateer and taken to Brest Prison. A short captivity left a lasting impression of the bad treatment given to prisoners of war. He married for a second time and moved to Cardington, near Bedfordshire, where he became the High-Sheriff. He recognised that many prisoners were being held unfairly in prison without being tried and even when they had been found innocent, until family and friends bribed the jailers to let them out. He began a series of tours around Great Britain and Ireland investigating the conditions of prisoners. He wrote about what he observed and made recommendation. As a result of these actions, two laws were passed in 1774, one providing a fixed salary for jailers, the other enforcing cleanliness. Much of the remainder of his life was spent touring the prisons on the mainland and the continent. He visited Warrington many times during his life, for many months at a time. In 1774 he was visiting the northern countries to re-invigorate his prison studies.
Howard Buildings, Warrington, Cheshire, England, UK
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,Cheshire,England,UK,reflection,barges,503490 B1420,boat,navigation,transport,decorative,Waterway,British,Canal and river trust,historic,history,holiday,heritage,olden,days,olden times,barge,narrowboats,waterway,waterways,canals,reflected,reflections,freight,houseboat,houseboats,mooring,moored,up
Description: Tony Smith image Alamy 2BTY7B1 - . A detailed documentary view from Cheshire, England, UK, preserving the appearance and character of the subject at a particular point in time. The defining feature is 503490 ,B1420 White Harriet Valencia Wharf narrowboat ,barge on canal , Cheshire, England, UK, reflection. The locality and subject together evoke visual archive, social landscape, community identity, place identity, towpath landscape, built environment, documentary photography, historic transport corridor, blue-green infrastructure, riparian setting, waterside infrastructure, local history, inland navigation, and changing streetscape. Today's wider story includes flood resilience, waterway maintenance and the practical question of balancing leisure use with engineering and environmental needs. Future viewers can use this scene from Cheshire, England, UK to compare signage and branding with whatever follows after changing public expectations. The subject also sits alongside lock-side environment, archival record, urban change, navigation engineering, social history, historical comparison, managed navigation, and contemporary history. The recorded references to Harriet, Wharf, 503490, narrowboat, and B1420 preserve clues that can help identify how the subject was presented or used at the time. The surrounding context at Cheshire, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. That also gives the frame relevance to flood resilience and keeping historic infrastructure safe and operational as part of the longer story of Cheshire, England, UK. Another useful connection is navigation funding and the value of canals and rivers as blue-green corridors when considered against later change at Cheshire, England, UK. The scene further reflects navigation funding and the long transition from freight route to leisure and heritage asset without losing the local specificity of Cheshire, England, UK.
Cheshire, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Bridge,Tollls,GMC,England,Uk,north west,historic,type,typeface,typefaces,history,heritage,ancient,worn out,used,British,Victoria,the,past,collectable,collectables,artefact,artefacts,English,worn,decayed,wearing,dust,dusty,dirty,toll bridges,bridges,AUL,A-U-L,listing
Description: Tony Smith image Alamy 2BKC2C5 - . An authentic period record of Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ, retaining the practical visual detail that later redevelopment, rebranding or altered use can remove. The location is represented through Ashton Under Lyne,Dukinfield, Bridge,Tollls , List of Tolls, greater Manchester, GMC, Manchester,England,Uk. The setting additionally reflects waterside infrastructure, local character, visual archive, lock-side environment, documentary photography, urban change, riparian setting, boating network, social landscape, changing streetscape, parliamentary correspondence, waterborne travel, historic transport corridor, and place identity. Viewed from the mid-2020s, the subject sits within continuing debate about ageing locks and bridges, waterside regeneration and the long transition from freight route to leisure and heritage asset. From a 2025-onward perspective, the scene also connects with public spending, constituency representation and preserving campaign language that can quickly date. As a dated visual record of Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ, the frame retains commercial identity and local use, making it useful if new construction subsequently changes the scene. The photograph additionally reflects contemporary history, political campaigning, navigation engineering, community identity, democratic accountability, constituency politics, managed navigation, and inland navigation. The recorded references to Tollls, Bridge, Under, Dukinfield, and Ashton preserve clues that can help identify how the subject was presented or used at the time. For Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The image adds a further period reference to the visual history of Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ.
Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Bridge,Tollls,GMC,England,Uk,north west,historic,type,typeface,typefaces,history,heritage,ancient,worn out,used,British,Victoria,the,past,collectable,collectables,artefact,artefacts,English,worn,decayed,wearing,dust,dusty,dirty,toll bridges,bridges,AUL,A-U-L,listing
Description: Tony Smith image Alamy 2BKC2C7 - . An authentic period record of Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ, retaining the practical visual detail that later redevelopment, rebranding or altered use can remove. The photograph centres on Ashton Under Lyne,Dukinfield, Bridge,Tollls , List of Tolls, greater Manchester, GMC, Manchester,England,Uk. The locality and subject together evoke local history, managed navigation, public administration, inland navigation, contemporary history, local character, place identity, archival record, public realm, river transport, changing streetscape, urban change, constituency politics, and historic transport corridor. In the mid-2020s, heritage conservation and waterside regeneration keep this subject current, particularly through balancing leisure use with engineering and environmental needs. For contemporary context, Westminster politics and political accountability are closely related themes, especially where the issue becomes preserving campaign language that can quickly date. The archival value lies partly in recording ownership and occupation around Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ before different community use alters the character of the place. A second layer of the scene includes towpath landscape, blue-green infrastructure, social landscape, historical comparison, community identity, democratic accountability, visual archive, and electoral messaging. The recorded references to Under, Tollls, Ashton, greater, and Bridge preserve clues that can help identify how the subject was presented or used at the time. A later view of Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The frame therefore remains a dated reference for Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ and the changing story of the subject shown.
Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ
Description
Keywords: England,UK,GoTonySmith,HotpixUK,@HotpixUK,WA1,Cheshire,WA1 2SZ,pubs,bar,bars,dusk,night,night time,nighttime,at,the,timber,framed,timber-framed,Greenalls,Howley,Seven Years War,heroes,hero,Lieutenant,general,John Manners,timbered,grade II,listed,building,buildings,evening,Studio55,Permanently closed,closed,lost,history,historic
Description: Tony Smith image Alamy 2PP0NC5 - . Dusk at The Marquis Of Granby pub, 53 Church Street, Warrington, Cheshire, England, UK, WA1 2SZ. Photographed on 1 June 2010. Lieutenant general John Manners was famed for his military prowess and for charging at the head of the British cavalry during the Battle of Warburg in 1760. Losing his hat and wig during the charge, legend says that the Marquis' bald head shining in the light helped to guide his troops. Following the war he helped several men who served in the war to become publicans, with their pubs then being named after him as a mark of respect. The historical setting for nightlife is that public houses form a distinctive strand of British social past
Coaching routes, tied brewery estates, Victorian urban growth and twentieth-century leisure each shaped the location and appearance of pubs, many of which later became restaurants, shops, housing or community assets. Seen through religious heritage, the earlier context is that churches combine worship with architecture, local memory and centuries of community past
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family past. For townscape, the historical context is that town and neighbourhood photographs record the accumulation of ordinary change: road layouts, shop names, signage, public art and building uses
Their value increases when compared over decades because apparently minor details can become the clearest evidence of transformation. In the 2026 discussion of nightlife, in England eligible pubs and live-music venues receive a 15% business-rates relief for the 2026/27 billing year, reflecting continuing concern about operating costs, closures and the role of hospitality in town-centre vitality. The 2026 relevance of religious heritage comes from the fact that historic places of worship remain important not only for faith but also for tourism, music, community use and local.
53 Church Street, Warrington, Cheshire, England, UK, WA1 2SZ
Description
Keywords: Dusk at Old Fish Market Golden Square Marketplace Warrington,Cheshire,UK,night,gotonysmith,blue,hour,bluehour,movement,blur,winter,market,place,Warringtonian,gotonysmith,Buy Pictures of,Buy Images Of,stores,shops,shop,store,LaSalle Investment Management,tourist,tourism,historic,history,Victorian,Old Market Square,event,events,evening,roof
Description: Tony Smith image Alamy CF0NNK - . Dusk at Old Fish Market, Golden Square Marketplace, Warrington, Cheshire , UK. Photographed on 14 November 2009. Dusk during winter at. From a heritage perspective, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a particular moment
Repeated views can later become valuable evidence of development, environmental evolution and shifting patterns of use. Historically, retail premises reveal the evolution of high streets and town centres: independent shops, markets, bakeries, butchers and larger chains respond continually to changing tastes, rents, competition and shopping habits
Photographs can preserve businesses and shopfronts that later disappear. Looking at the subject's development, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local history, design, industry and social life across different periods. As of 2026, current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent. In 2026, town-centre resilience continues to be a major policy issue in England, with government programmes aimed at high streets and community ownership of valued local assets
Changing retail patterns, vacancies and the growth of food-led destinations make older shop and market photographs useful for comparison. As background, panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. Further subject-specific language includes panorama, scenic view, night photography, seasonal landscape, skyline, cityscape, coastal landscape, and urban landscape.
Old Fish Market, Golden Square Marketplace, Warrington, Cheshire , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Blackpool,Lancs,Lancashire,England,UK,FY1,FY1 1DH,out of use,out of order,boarded,board,up,and,history,historic,heritage,old,building,buildings,church,religious,place,places,of,worship,style,branch,the,B&B,accommodation,surplus,abandoned,secured,rundown,high streets,high street,decline
Description: Tony Smith image Alamy 2JRFFBB - . Recorded at Abingdon Street, Blackpool, Lancashire, England, UK, FY1 1DH in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on ex-Carlton House Hotel, Abingdon Street, boarded up and derelict, Blackpool, Lancashire, England, UK, FY1 1DH. Other connected aspects include historical comparison, community identity, sacred architecture, place identity, urban regeneration, period detail, liturgical art, before-and-after reference, ecclesiastical art, ecclesiastical craftsmanship, commercial redevelopment, changing land use, period architecture, and public-realm investment. Current relevance extends to adaptive reuse and commercial viability, particularly through how public investment can reshape pedestrian movement and evening activity. In present-day coverage, the subject reaches into cultural heritage and accessibility, not least because of the conservation challenge of historic interiors and artwork. Future viewers can use this scene from Abingdon Street, Blackpool, Lancashire, England, UK, FY1 1DH to compare equipment and working practice with whatever follows after later reinterpretation. The surrounding story also includes historic church fabric, changing streetscape, visual archive, devotional artwork, mixed-use redevelopment, heritage worship space, local history, and town-centre renewal. Elements such as Abingdon, derelict, Hotel, ex-Carlton, and boarded add documentary specificity and may become increasingly useful when compared with later records. Around Abingdon Street, Blackpool, Lancashire, England, UK, FY1 1DH, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The frame retains a local visual benchmark before later change alters the scene. The scene captures a point of historical comparison as a date-specific reference.
Abingdon Street, Blackpool, Lancashire, England, UK, FY1 1DH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,South Warrington,Cheshire,England,UK,WA4 3DS,Grappenhall Walled Garden,banker,Thomas Parr,Parr,Parrs,Victorian,glasshouses,glasshouse,and,beds,bed,flowers,summer,history,historic,heritage,old,the,past,garden,gardens,mature,walls,walled,healthy,rural,attraction,venue,venues
Description: Tony Smith image Alamy 2JTD3AK - Grappenhall Heys Walled Garden is a historic walled garden in Grappenhall, Warrington, Cheshire, England. The garden was built by Thomas Parr around 1830 as both a pleasure garden for relaxing strolls and as a kitchen garden to produce fruit, vegetables, and herbs. After a period of decline, the garden was restored first by English Partnerships and then by the local parish council in conjunction with the friends of the garden
The walled garden was built around 1830 by Warrington banker Thomas Parr to accompany a mansion house. Thomas Parr's father, Joseph Parr, founded Parr's Bank and Thomas was appointed Chairman of the bank. Before opening the bank, Joseph Parr had made his wealth in the sugar refining industry that supported the slave trade in the British West Indies. Parr's bank amalgamated through acquisitions into the NatWest.
Unusually, Parr included both a pleasure garden and a kitchen garden within the same boundary wall. In addition to enjoying their garden, the Parr family held frequent galas and special events for the community. One annual event called Beating the Bounds involved a walk around the boundaries of the townships of Lymm, Appleton, and Grappenhall, which included the garden. Historical records suggest that the estate was at its height from 1875 to 1899.
By the 1950s, the estate had become derelict and parts of it were sold off. The house was demolished in the 1970s and the garden passed to English Partnerships for renovation. In 2005 control of the garden passed to Grappenhall and Thelwall Parish Council, which continued restoration in conjunction with a community group called The Friends of Grappenhall Heys Walled Garden. In 2012 the garden was given a Heritage Lottery Fund award towards repair of the Victorian glasshouses and completion of the restoration
Witherwin Avenue Grappenhall, South Warrington, Cheshire, England, UK, WA4 3DS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,Church Ln,Nantwich,CW5 5RQ,Anglican,parish,religion,building,historic,history,Grade I listed building,architectural treasures,of,restoration,by,south,grade I,listed,buildings,summer,blue,sky,skies,tower,towers,square,Protestant,benches,bench,lamp,lantern,doorway,entrance
Description: Tony Smith image Alamy 2JNN55B - St Mary's Church is an Anglican parish church in Nantwich, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I listed building. It has been called the Cathedral of South Cheshire and it is considered by some to be one of the finest medieval churches, not only in Cheshire, but in the whole of England. The architectural writer Raymond Richards described it as one of the great architectural treasures of Cheshire, and Alec Clifton-Taylor included it in his list of outstanding English parish churches.
The building dates from the 14th century, although a number of changes have since been made, particularly a substantial 19th-century restoration by Sir George Gilbert Scott. The church and its octagonal tower are built in red sandstone. Features of the church's interior include the lierne-vaulted ceiling of the choir, the carved stone canopies of the sedilia in the chancel, and the intricately carved wooden canopies over the choirstalls together with the 20 misericords at the back of the stalls. The church is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Nantwich
The last major work to be carried out on the church was in 1878, under the direction of local architect Thomas Bower, when the south porch was restored at a cost of £900.
The church is built in red sandstone and is cruciform in shape. Its plan consists of a four-bay nave with north and south aisles, a south porch with two storeys, a central tower, north and south transepts, and a three-bay chancel, to the north of which is a two-storey treasury. The tower is square below and octagonal above. Both transepts are of three bays and the northernmost bay of the north transept was formerly a Lady chapel. The other two bays were dedicated to Saint George. The south transept was known as the Kingsley Chapel
Church Ln, Nantwich, Cheshire, England, UK, CW5 5RQ
Description
Keywords: Hotpixuk,@Hotpixuk,GoTonySmith,stamp,postal,franked,frank,used stamps,used franked,used,franked stamp,from envelope,history,historic,old,Italy,Italian,Italia,Italy Stamp,italian stamp,franked Italian stamp,used Italian stamp,Italy stamp,Poste Italiane,L40,Due Mondi,0.40Lire,L.40,FRANCOBOLLI ITALIA,FRANCOBOLLI,ITALIA,Festival dei Due Mondi,festival,of two worlds,two worlds,composer,Gian Carlo Menotti
Description: Tony Smith image Alamy 2AT9E83 - The Festival dei Due Mondi (Festival of the Two Worlds) is an annual summer music and opera festival held each June to early July in Spoleto, Italy, since its founding by composer Gian Carlo Menotti in 1958. It features a vast array of concerts, opera, dance, drama, visual arts and roundtable discussions on science.
The Two Worlds in the name of the festival comes from Gian Carlo Menotti's intention to have the worlds of American and European culture facing each other in his event
this concept would then be strengthened by the fact that it was held in conjunction with its twin, the Spoleto Festival USA held annually in May/June in Charleston, South Carolina. That twinning lasted some 15 years and, after growing disputes between the Menotti family and the board of Spoleto Festival USA, in the early 1990s a separation occurred. Under Menotti's direction in 1986, a third installment in the Spoleto Festival series was held in Melbourne, Australia. Melbourne's Spoleto Festival changed its name to the Melbourne International Festival of the Arts in 1990.
Following Menotti's death in 2007, changes occurred in the administration with the result that the Italian Minister of Cultural Affairs appointed a new Artistic Administrator who continues to run the Festival.
Spoleto, Italy
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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Rhineland,Rhine,City Centre,city,archeology,pano,panorama,wide,shot,wide angle,ancient Mogontiacum,ancient,Mogontiacum,historic,town,Mainz Römisches Theater station,Mainz,Römisches Theater,theatre,station,railway station,Römisches,remains,Latin vicus,camp,Roman theatre,Roman Theater,summer,sunshine,stone structure,stone,structure,Mainz Citadel,Citadel,Rhineland Palatinate,mogontiacum,tourist attraction
Description: Tony Smith image Alamy RGGE0C - The Roman Theatre in Mainz, Rhineland Palatinate (ancient Mogontiacum) was excavated in the late 1990s. It is located immediately next to the Mainz Römisches Theater station and was once the largest Roman theatre north of the Alps, with a diameter of 116 metres, a stage-width of 42 metres, and a capacity of roughly ten thousand people.
Mogontiacum owed its significance to its location at the meeting point of the Main and the Rhine. The city provided a convenient base for the defense of the nearby border of the Roman empire, the limes, and for the organisation of military campaigns against the Germanii. As a result, a double legionary camp was built on the site in 13/12 BC, which remained in place until some time after AD 350.
Over time a civilian settlement (Latin vicus) also developed on the site, which became the provincial capital of the newly created province of Germania Superior around AD 80. In this city, a Roman theatre was built, which was probably closely associated with the funerary games held in honour of Drusus. From 9 BC, military parades (decursio militum) were held in honour of Drusus at his cenotaph, the Drususstein, which was only 340 metres away from the theatre. Accordingly, the Roman theatre may have been used for the thanksgiving ceremony (supplicatio) by the representations of the sixty local Gallic communities (Galliarum civitates) in honour of Drusus. Suetonius mentions a theatre at Mogontiacum in his account of events in AD 39. Probably the currently visible stone structure was preceded by an earlier structure in wood.
The theatre was the largest Roman theatre north of the Alps, seating some 10,000 visitors. The diameter of the seating area is 116 metres and the diameter of the orchestra in 42 metres. After the construction of the city wall in the middle of the fourth century AD, for which stone from the theatre was used, the theatre was left outside the walled area and fell into ruin. More and more of the stone from the theatre was take
Mainz Römisches Theater, 55116 Mainz, Germany, Europe
