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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG,Russian,Embassy,Tallinn,Estonia,Ukraine,protest,anti,war,Navalny,memorial,Putin,Russia,invasion,Baltic,state,demonstrations,solidarity,posters,graffiti,old,town,editorial,documentary,2026,British,Britain,Europe,travel,local,community,signage
Description: Tony Smith image Alamy 3FCG3HY - . A panoramic view outside the Russian Embassy in Tallinn records the dense layer of anti-war posters, flags, photographs, messages and improvised memorial material that has accumulated around the diplomatic building since Russia's invasion of Ukraine. Estonia restored its independence from Soviet occupation in 1991 and its security politics are profoundly shaped by that history, its border with Russia and a sizeable Russian-speaking minority. The embassy in Tallinn's medieval Old Town has consequently become a highly visible focus for protest against Vladimir Putin's government, the war in Ukraine and repression inside Russia. After opposition leader Alexei Navalny died in a Russian penal colony in 2024, his image and name also became part of protests and memorials at Russian diplomatic sites across Europe. The photograph captures how a formal embassy frontage can be transformed by public dissent into an unofficial wall of testimony. It is relevant to Baltic politics, NATO's eastern flank, Ukraine solidarity, human rights, Russian opposition, diplomatic relations and contested historical memory. The view is also relevant to the growing importance of place-based journalism, where national trends are explained through local examples. Relevant search and editorial concepts include Ukraine, Ukrainian, Manchester, solidarity, independence, blue and yellow, peace, protest, diaspora, Russia invasion, Europe, freedom, public demonstration, civic square. Useful descriptive vocabulary for archive discovery includes Russian, Embassy, Tallinn, Estonia, Ukraine, protest, anti, war, Navalny, memorial, Putin, Russia, invasion, Baltic, state, embassy, demonstrations, solidarity, posters, graffiti, old, town. The image may be useful to picture editors seeking authentic North West or British context for features on community life, economic change, heritage, services and the evolving built environment.
Russian Embassy, Pikk Street, Tallinn Old Town, Tallinn, Estonia
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_3063,lovelocks,love locks,padlocks,Oxford Road,Manchester,England,UK,fence,metal,street,urban,city centre,romance,love,tokens,couples,tradition,public,detail,close-up,texture,city,tourism,culture,travel,landmark,outdoor,graffiti,installation,locks,Oxford Rd
Description: Tony Smith image Alamy 3F3WNE1 - . Lovelocks attached to a city-centre canal bridge Oxford Road in Manchester, England, UK. Photographed on 25 July 2026. The recorded location is Oxford Road, Manchester, England, UK. Lovelocks attached to a metal fence in Manchester, England, UK. The close view shows a dense cluster of padlocks fastened together in a city-centre location, creating an improvised display of love locks and personal tokens. Such displays are associated with couples, declarations of affection and urban folk traditions, and they have become a recognisable feature in many cities. The image captures street detail, everyday urban culture and the texture of public space in central Manchester. Within the history of landmark bridge, major crossings can reshape travel patterns and regional economies by reducing journey times and creating more reliable routes
Older bridges often continue to be alongside newer structures, producing layered transport landscapes. In relation to cycling route, historical context shows that the canal network changed from commercial freight route to recreational and heritage asset during the twentieth century
Surviving warehouses, locks, mileposts and engineering structures preserve evidence of its original industrial purpose. For the story of mural, it is useful to note that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. Against the 2026 backdrop for landmark bridge, large modern crossings also form part of debates about transport capacity, carbon, tolling and the long-term value of major infrastructure investment. As of 2026, the position for cycling route is that the condition and funding of ageing waterway infrastructure remain recurring issues, while canals are valued for navigation, walking, cycling, biodiversity and urban.
Oxford Road, Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_9855,Liverpool,Graffiti,Caleb,LVP,Merseyside
Description: Tony Smith image Alamy 3E8E1HJ - . Liverpool Graffiti - Caleb LVP. Photographed on 4 April 2026. The recorded location is Liverpool, Merseyside, England, UK. For mural, the historical context is that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can evolution the meaning of an apparently permanent object. For mural, the 2026 context is that public art is closely connected with regeneration, tourism, identity and debate about representation
Murals and sculptures can become visitor landmarks while also prompting discussion about whose history is visible in public space. Further relevant search phrases include street art, statue, urban culture, cultural identity, visual culture, community art, place-making, memorial art, creative industries, public realm, cultural landmark, and IMG_9855. Looking at statue, the longer history is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. The background to cultural identity is that monuments and civic artworks are part of the visual past of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can change the meaning of an apparently permanent object. Within the history of place-making, street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. The subject also connects street art, statue and urban culture within the same editorial theme. Its wider context brings together statue, urban culture and cultural identity.
Liverpool, Merseyside, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,blue tit,bird,nature,urban,green,space,garden,public realm,placemaking,Auto Repair Centre,Chapel Street,regeneration,local,pride,city,wildlife,bird art,butterflies,ladybirds,painted leaves,greening,environmental,small park,benches,suburb,diverse,space improvement,anti graffiti,civic,social value,local garage,MOT,centre,graffiti,signage,outdoors
Description: Tony Smith image Alamy 3EBGJNR - The Village Green in Levenshulme, Manchester, is shown with a colourful community stock-photo/gotonysmith-Mural.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>mural painted across a low brick wall, featuring large white lettering, leaf shapes, butterflies, ladybirds and a striking blue tit perched on a branch. The image captures a small urban green space with benches, planting beds, winter-bare tree branches and the signage of Levenshulme Auto Repair Centre visible above the wall, placing the scene in a mixed residential, commercial and neighbourhood setting. It is useful for editorial stories about Greater Manchester street art, Levenshulme regeneration, community-led public realm improvements, urban nature, local identity, pocket parks, neighbourhood greening, mural art and the reuse of modest city spaces as places to sit, meet and add colour to the street. The blue tit and insects give the mural an accessible wildlife theme, linking the photograph to biodiversity, nature in the city, bird art, environmental education, urban ecology and the softer visual language often used in community arts projects. The setting also reflects Levenshulme's wider character as a diverse south Manchester suburb known for independent shops, railway links, markets, terraced streets, community activism and changing urban culture. The parked benches, damp paving and overcast light give the photograph a documentary feel rather than a polished promotional look, showing how public art sits alongside everyday garages, brick walls, railings and local businesses. The image has stock value for articles about Manchester neighbourhoods, street murals, urban renewal, local parks, anti-graffiti art, community pride, public art funding, social value, placemaking, high street backlands and the role of small green spaces in dense inner-city districts. It can also illustrate wider themes around bringing colour to overlooked corners, creating calmer public spaces, and using birds, flowers and insects as optimistic symbols of local environmental care.
The Village Green mural in Levenshulme, Manchester, with blue tit street art, benches and community
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,town centre,Greater Manchester,36 Bridge Street,SK1 1XY,England,United Kingdom,shop sign,business name,retail closure,vacant premises,empty unit,graffiti,vandalism,cost of living,retail downturn,town centre regeneration,empty shops,small business struggle,commercial property,urban blight,local news illustration,community change,Northern England,Greater Manchester towns,social commentary,decline and renewal,streetscape texture,retail,shopfront detail,signage,hand painted lettering,grunge,neglected storefront,anti social behaviour,tagging,security gate,high street decline
Description: Tony Smith image Alamy 3DM9835 - A documentary close-up of a closed retail unit on Bridge Street in Stockport, showing the distinctive fascia sign reading A Gentlemen's Relish and the number No.36 above a fully shuttered shopfront. The painted lettering has a deliberately old-fashioned, boutique feel, but the scene below it tells a harsher town-centre story: metal roller shutters pulled down, a locked security gate, and multiple layers of graffiti and tagging across the frontage. The contrast between the refined-sounding name and the hard, vandalised surfaces creates an immediate visual narrative about retail vulnerability and the thin line between quirky independent and empty unit .
The framing keeps attention on the textures and cues of closure. Corrugated shutters, scrapes, stickers and sprayed marks signal a space that is no longer actively trading, while the narrow entrance recess and bars suggest basic security measures added after problems with trespass or damage. The colour palette is muted greys and worn paint, consistent with a cold-season or overcast day, which adds to the downbeat, documentary tone. Small details, including adjacent signage such as Retro Reload , hint at a mixed high-street environment where some units continue to operate while others fall vacant.
Editorially, the image is useful for stories about UK high street decline, retail closures, empty shops, and the visible impacts of economic change in northern towns. It also supports regeneration narratives, where photographs of shuttered premises are used as before illustrations for town-centre renewal projects, planning debates, and local authority interventions aimed at bringing footfall and investment back to traditional shopping streets.
Shuttered and graffiti-marked shopfront of ""A Gentlemen's Relish"" at 36 Bridge Street, Stockport tow
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0068,London,Brick,Lane,Earn,graffiti,street,art,lettering,East
Description: Tony Smith image Alamy 3E30281 - . The word Earn in large graffiti lettering near Brick Lane. Photographed on 24 August 2025. The recorded location is Brick Lane, London, England, UK. Brick Lane developed through successive migrant communities and industries in London's East End, becoming especially associated with Jewish tailoring and later the Bangladeshi community. The former Truman Brewery complex has been reused for markets, offices, exhibitions and creative businesses, helping turn the area into a major destination for street art, food, fashion and independent retail. Looking at cultural landmark, the longer history is that street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. In 2026, cultural landmark remains relevant because contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and place-making. Other useful descriptive phrases include public art, sculpture, statue, cultural identity, visual culture, community art, memorial art, public realm, and 255A0068. The background to street art is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. Within the history of artwork, monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can change the meaning of an apparently permanent object. Its wider context brings together public art, sculpture and statue.
Brick Lane, London, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0082,Brick,Lane,Shop,London,sign,streetart,EastLondon,retail,art,urban,Spitalfields,souvenir,creative,culture,England,UK,tourism,graffiti,store
Description: Tony Smith image Alamy 3E302D3 - . Brick Lane Brick Shop sign and artwork in east London. Photographed on 24 August 2025. The recorded location is Brick Lane, London, England, UK. Brick Lane Brick Shop sign and graphic artwork in east London, using the neighbourhood name as part of a bold retail identity. The small storefront detail reflects the way Brick Lane's name, street-art reputation and creative culture are commercially packaged for visitors. The photograph is useful for editorial stories about tourism, independent retail, souvenirs, neighbourhood branding, street art, creative businesses, gentrification and the visitor economy. It also records the layered visual environment of Brick Lane, where historic buildings, signs, graffiti, markets, restaurants and new businesses coexist in a constantly changing streetscape. Brick Lane developed through successive migrant communities and industries in London's East End, becoming especially associated with Jewish tailoring and later the Bangladeshi community. The former Truman Brewery complex has been reused for markets, offices, exhibitions and creative businesses, helping turn the area into a major destination for street art, food, fashion and independent retail. In relation to commercial story.htm Target=_Blank>history, historical context shows that local businesses offer unusually precise social-history evidence because names, branding and uses change more quickly than the buildings they occupy
A shop, café, pub or service company can disappear while the façade survives, leaving photographs as a record of the previous commercial life of the street. For the story of creative industries, it is useful to note that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can change the meaning of an apparently permanent object. Further relevant terminology includes independent business, shopfront, town centre, and local economy.
Brick Lane, London, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A0069,Bank of Ireland,ATM,cash,machine,Dublin,Ireland,banking,financial,services,withdrawals,consumer,finance,bank,high-street,contactless,payments,branch,closures,access,cards,technology,digital,graffiti,urban,money,Irish,automated,teller,inclusion,cash is king,no,cashless,society,finances,home finances
Description: Tony Smith image Alamy 3EM2JKA - Bank of Ireland ATM cash machine set into a stone wall in Dublin, Ireland. The familiar blue Bank of Ireland surround frames the automated teller machine and provides a clear image of everyday banking infrastructure in the Irish capital. ATMs remain an important means of obtaining cash despite the rapid growth of contactless cards, mobile payments and online banking, and their availability is often discussed in relation to bank branch closures and access to cash. The photograph is suitable for editorial coverage of Bank of Ireland, ATMs, cash machines, banking, financial services, cash withdrawals, consumer finance, Irish banks, high-street banking, contactless payments, branch closures, access to cash and changes in retail banking. Graffiti around the lower part of the surround adds an everyday urban detail and contrasts with the formal corporate branding. The close-up composition makes the machine immediately recognisable and useful for stories about cash usage, banking technology, financial inclusion, card services and the changing relationship between physical banking facilities and increasingly digital financial services.
Dublin, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_5450,Dundee,Scotland,waterfront,mural,portrait,streetart,public,art,urban,culture,regeneration,Tay,graffiti,painting,Large,near,the,River
Description: Tony Smith image Alamy 3E5TC5W - Large portrait mural on Dundee Waterfront near the River Tay, Dundee, Scotland, UK. The photograph is a contemporary editorial record of the subject and its surroundings at Dundee Waterfront, Dundee, Scotland, UK. Visible signage, lettering, architecture, street furniture, transport infrastructure, public art, commercial branding or landscape details are retained where present, giving the image value both as a description of the immediate scene and as a reference for how the place looked at the time of photography. The image records contemporary public art within Dundee's regenerated waterfront area. Murals and temporary artworks add another layer to a district transformed by major cultural and infrastructure investment, creating a visual record that may change as sites are redeveloped. The image has wider editorial relevance for local history, heritage, tourism, transport, retail, planning, regeneration, business and social change where those themes apply to the subject. It can support news and feature coverage as well as retrospective comparison if the building, business, artwork, service, route or streetscape is altered, redeveloped, rebranded, closed or otherwise changes in future. The composition also preserves small visual details that are easily lost over time, including materials, signs, logos, road or rail features, shopfront treatment, public-realm design and the relationship of the subject to neighbouring buildings or open space. This makes the photograph useful not only as a straightforward location image but also as a documentary record of everyday urban and cultural life.
Dundee Waterfront, Dundee, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,sign,signs,painting,graffiti,problems,problem,no farting,Heath St,Warrington,Cheshire,flatology,medical,term,gas,gases,intestines,stomach,anus,embarassing,DIY,fun,funny,passing,pass,flatus,rectum,rectal,nasty,unpleasant,odor,vulgar,noise,noises,noisy,farters,symptom
Description: Tony Smith image Alamy 2RX17T4 - Flatulence is the expulsion of gas from the intestines via the anus, commonly referred to as farting. Flatus is the medical word for gas generated in the stomach or bowels. A proportion of intestinal gas may be swallowed environmental air, and hence flatus is not entirely generated in the stomach or bowels. The scientific study of this area of medicine is termed flatology.
Flatus is brought to the rectum and pressurized by muscles in the intestines. It is normal to pass flatus (to fart), though volume and frequency vary greatly among individuals. It is also normal for intestinal gas to have a feculent or unpleasant odor, which may be intense. The noise commonly associated with flatulence is produced by the anus and buttocks, which act together in a manner similar to that of an embouchure. Both the sound and odor are sources of embarrassment, annoyance or amusement (flatulence humor). In many societies, flatus is a taboo. Thus, many people either let their flatus out quietly or even hold it completely. However, holding the gases inside is not healthy.
There are several general symptoms related to intestinal gas: pain, bloating and abdominal distension, excessive flatus volume, excessive flatus odor, and gas incontinence. Furthermore, eructation (colloquially known as burping) is sometimes included under the topic of flatulence. When excessive or malodorous, flatus can be a sign of a health disorder, such as irritable bowel syndrome, celiac disease or lactose intolerance
Heath St, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LP
Description
Keywords: Greater Manchester,centre,England,UK,NW,North West,GoTonySmith,HotpixUK,@HotpixUK,OL16,55 Yorkshire St,Rochdale,OL16 1BT,Seven Sisters,mural,art,streetart,in,the,women,female,females,breast,cancer,treatment,town,casino lounge,44,from,2019,uprising festival,graffiti,tale,tales,personal,odyssey,voyage
Description: Tony Smith image Alamy 2RC95RJ - Tea One “ The Baum / Yorkshire Street
Combining elements of classical painting with inspirations from the world of graffiti Tea One is influenced by the post industrial landscape of Northern Britain. Particularly he draws from those remnants left over from the areas once abundant past. Painting on the alley known as the Baum he has weaved seven stories together from seven different women. Calling the piece the ˜Seven Sisters' he is of course also referencing the famous apartment blocks through placing real life stories into that context.
His stories are those which many of us would have experienced. Each of the women in the mural have their own tale to tell but they are tales that all of us could associate with. From left to right the first woman holds something up to a light. It's unknown what it is but it could be an opportunity or it could be a burden. She doesn't know it yet but her life might be about to change either way. Next to her a woman sits in a boat rowing with her back to her destination. She isn't sure what lies ahead yet she still travels into the unknown, she is on her own personal odyssey.
The third woman is wearing a mask. She is struggling with her own identity. Perhaps living a charade or just not sure what journey she is on or whether it is indeed the right one. The silhouetted figure next to her represents travel. Either leaving or arriving she could be about to go on a journey or may be coming home after a voyage. The fifth woman represents rebirth, pregnant she is about to bring new life into the world. Next to her meanwhile a tear falls down the face of the sixth woman. She is experiencing her own private tragedy. Though we don't know what it is we will have all had similar emotions from time to time.
The mural from ˜Teaone' is called the Seven Sisters
The final woman as part of this mural is deeply personal to the artist. Showing a woman undergoing treatment for breast cancer. He calls this overcoming the monster
55 Yorkshire St, Rochdale, Greater Manchester, England, UK, OL16 1BT
Description
Keywords: Greater Manchester,centre,England,UK,NW,North West,GoTonySmith,HotpixUK,@HotpixUK,OL16,55 Yorkshire St,Rochdale,OL16 1BT,Seven Sisters,mural,art,streetart,in,the,women,female,females,breast,cancer,treatment,town,casino lounge,44,from,2019,uprising festival,graffiti,tale,tales,personal,odyssey,voyage,Hip-Hop,HipHop
Description: Tony Smith image Alamy 2RC95RN - Tea One “ The Baum / Yorkshire Street
Combining elements of classical painting with inspirations from the world of graffiti Tea One is influenced by the post industrial landscape of Northern Britain. Particularly he draws from those remnants left over from the areas once abundant past. Painting on the alley known as the Baum he has weaved seven stories together from seven different women. Calling the piece the ˜Seven Sisters' he is of course also referencing the famous apartment blocks through placing real life stories into that context.
His stories are those which many of us would have experienced. Each of the women in the mural have their own tale to tell but they are tales that all of us could associate with. From left to right the first woman holds something up to a light. It's unknown what it is but it could be an opportunity or it could be a burden. She doesn't know it yet but her life might be about to change either way. Next to her a woman sits in a boat rowing with her back to her destination. She isn't sure what lies ahead yet she still travels into the unknown, she is on her own personal odyssey.
The third woman is wearing a mask. She is struggling with her own identity. Perhaps living a charade or just not sure what journey she is on or whether it is indeed the right one. The silhouetted figure next to her represents travel. Either leaving or arriving she could be about to go on a journey or may be coming home after a voyage. The fifth woman represents rebirth, pregnant she is about to bring new life into the world. Next to her meanwhile a tear falls down the face of the sixth woman. She is experiencing her own private tragedy. Though we don't know what it is we will have all had similar emotions from time to time.
The mural from ˜Teaone' is called the Seven Sisters
The final woman as part of this mural is deeply personal to the artist. Showing a woman undergoing treatment for breast cancer. He calls this overcoming the monster
55 Yorkshire St, Rochdale, Greater Manchester, England, UK, OL16 1BT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Paint Festival,Gloucestershire,England,UK,GL51,GL51 8NJ,237,bin,red,recycling,art,graffiti,spray,stencil,paint festival,and,bins,mixed,race,general waste,street,streetart,roller,rollers,African,Biffa,contrast,contrasts,recycle,female,woman,lady,portrait,face,profile,Hip-Hop,HipHop
Description: Tony Smith image Alamy 2M6YFF5 - . Photographed at 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Koeone, Cheltenham paint festival and Biffa waste bins street art, at 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ. The frame also records themes of street creativity, traditional materials, community art, creative placemaking, adaptive reuse, changing streetscape, contemporary social history, local history, mural culture, temporary artwork, street-level design, visual archive, period detail, and conservation architecture. For current editorial use, public art and gentrification provide additional context, especially through how regeneration can both support and displace urban art. Current relevance extends to energy retrofit and adaptive reuse, particularly through keeping older buildings useful without erasing their character. The archival value lies partly in recording building condition and alterations around 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ before new ownership alters the character of the place. The surrounding story also includes everyday life, visual street culture, architectural character, heritage landmark, regional identity, archival record, period architecture, and historic townscape. The combination of Koeone, Cheltenham, Gloucestershire, festival, and paint anchors the frame to a recognisable activity, place or moment. The wider setting at 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The record includes a trace of local identity before later change alters the scene. The frame retains a local visual benchmark as a date-specific reference.
237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,England,UK,GL50,painting,art,art work,street,street art,Cotswolds,streetart,artworks,Girl,with,female,women,girl,girls,graffiti,arts,festivals,annual,artists,artis,event,events,colourful,bright,brightens,up,Cheltenhams,town centre,ideas,celebration,celebrating,street arts
Description: Tony Smith image Alamy 2M7JH6F - Cheltenham's paint festival is the latest addition to the Cheltenham festivals calendar which brings high-quality artwork from leading national and international street artists to the town centre.
‹Read more at https://www.cheltenhampaintfestival.co.uk/
Sherborne Place Car Park, Cheltenham, Gloucestershire, England, UK, GL50
Description
Keywords: black,wall,gable,end,of,building,GoTonySmith,HotpixUK,@HotpixUK,painted,over,destroyed,art,street,port street,NQ4,Northern Quarter,mental,health,frontman,with,by,Rapper,local hero,outcry,music,icon,album,new,P19,billboard,punk,MC,graffiti,artist,World Mental Health Day,M1
Description: Tony Smith image Alamy 2JTD2MX - Mural of Joy Division frontman Ian Curtis painted over with advert
Rapper Aitch has vowed to remove advert for his new album and restore the painting of ˜local hero' in Manchester
A mural of former Joy Division frontman Ian Curtis on Port Street, Manchester, has been painted over with an advert for local rapper Aitch, prompting such an outcry that the rapper has promised to restore the original painting.
Aitch, an MC from Moston in north Manchester, said he had no control over which billboards were used to advertise his new album and would never have sanctioned such an act of disrespect against a local hero .
It's come to light that the iconic Ian Curtis mural on Port Street has been painted over with my album artwork. This is the first time I've heard of this, me and my team are getting this fixed pronto. No way on earth would I want to disrespect a local hero like Ian, he tweeted. I don't just choose locations for billboards, he added.
The monochrome mural by graffiti artist Akse P19 was created in October 2020 to commemorate World Mental Health Day. It depicts Curtis performing in Brussels in 1979, a year before he killed himself.
Port Street, NQ4, Northern Quarter,Manchester, England, UK, M1 2EQ
Description
Keywords: Manchester,city,centre,Greater,England,UK,Northern Quarter,M1 1JF,M1,Akse_P19,Akse,P19,of,Ste_Wing,project,art,graffiti,street art,streetart,free,tattoo,hand,covering,covers,eye,Crew,paint,painted,painting,wall,gable-end,gable,end,people,figure,figures,portrait,portraits
Description: Tony Smith image Alamy 2JTD2N4 - . An identifiable period record of Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The image documents Stevenson Square / Little Lever St, Akse_P19 portrait of Ste_Wing, , Northern Quarter, Manchester, England, UK, M1 1JF. The wider scene also brings together adaptive reuse, period architecture, civic architecture, public-realm investment, mixed-use redevelopment, public realm, regional identity, local history, social history, architectural character, everyday life, visual archive, built heritage, and period detail. Today's relevance is strengthened by housing pressure, planning and the continuing question of how regeneration tries to create reasons to visit traditional town centres. Small period details of local activity and public use at Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF may become more significant with time, particularly following later reinterpretation. The subject also sits alongside contemporary social history, community identity, changing land use, commercial redevelopment, urban regeneration, urban fabric, place-making, and historic townscape. The recorded references to Quarter, Little, Square, portrait, and Lever preserve clues about how the subject was presented, used or understood at the time. A later view of Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes housing pressure and the tension between preserving local character and creating modern commercial space when considered against later change at Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF. The period view preserves part of the area's social history as a date-specific reference.
Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,Widewalls,project,Is Inviolable,man,disabled,on a,gable end,in,art,German,graffiti,artist,MaClaim,charity,backontrackmanchester,holistic support,community learning,Ancoats,Cities of Hope festival,Swan Buildings,Cable Street,5 Cable St,Manchester,England,UK,M4 5EQ,wide walls,artworks,mind,pain,mental,health,mental health
Description: Tony Smith image Alamy 2JYYR48 - The streets of Manchester have recently gotten richer by a number of gorgeous street art pieces because of the Cities of Hope festival. Case Ma'Claim was one of the invited artists, and he created a stunning piece entitled Human Dignity is Inviolable. He worked with the charity Back on Track and decided to depict one of the people they support. The German graffiti artist employed his signature life-like imagery to create this amazingly realistic piece that sends a positive message that anyone can make their life better. Just like a man depicted in the mural, we all need to recollect for a moment, and reflect on our decisions and think about are plans before venturing onto a wonderful journey called life. And sometimes, in this world full of negativity and death, it is nice to be reminded that not everything is lost and that we can always get back on track when we fail.
Swan Buildings, 5 Cable St, Manchester , England, UK, M4 5EQ
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,graffiti,art,street,stairs,M4,52 Church St,NQ4,Manchester,England,UK,M4 1PW,established 1982,established,est,1982,Hip-Hop,HipHop,Manc,Manchester City centre,Mancunian,trendy,funky,tourist,tourism,attraction,attractions,Affleck,market,vintage,unit,units,history,historic,heritage
Description: Tony Smith image Alamy 2JYYR7T - . An identifiable period record of 52 Church St, NQ4, Manchester, England, UK, M4 1PW in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The frame specifically shows Afflecks Palace, established 1982, 52 Church St, NQ4, Manchester, England, UK, M4 1PW. The subject also carries associations with changing streetscape, regional identity, place-making, community identity, ecclesiastical art, liturgical art, period architecture, architectural character, local history, historical comparison, parish church heritage, documentary photography, town-centre renewal, and place identity. The modern context includes continuing discussion of visitor tourism, heritage conservation and the role of parish churches in local identity and genealogy. For current editorial use, housing pressure and heritage conservation provide additional context, especially through how regeneration tries to create reasons to visit traditional town centres. As a dated visual record of 52 Church St, NQ4, Manchester, England, UK, M4 1PW, the frame retains landscape treatment and surrounding development, making it especially useful if closure or conversion subsequently changes the scene. A second descriptive layer includes ecclesiastical craftsmanship, urban regeneration, sacred decoration, changing land use, visual archive, everyday life, before-and-after reference, and devotional artwork. Details involving established, Afflecks, Palace, Manchester, and Church make the image more specific than a generic view and strengthen its local or historical value. A later view of 52 Church St, NQ4, Manchester, England, UK, M4 1PW may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The photograph keeps period character for future local research. The record includes a trace of local identity before later change alters the scene.
52 Church St, NQ4, Manchester, England, UK, M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,door,entrance,outside,paint,art,artwork,streetart,street,graffiti,handle,and,&,locked,Deansgate,FY1 1BN,subversion,street art,pasted,Blackpools,community,derelict,repurposed,canvas,creativity,expression,buildings,brick,walls,characters,fantasy
Description: Tony Smith image Alamy 2JRFF5D - . An identifiable period record of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The frame specifically shows Old Rock Factory, doorway graffiti and street art, handle & letterbox, Deansgate, Blackpool , Lancs, England, FY1 1BN. The surrounding context encompasses architectural character, place-making, local history, urban fabric, community identity, built heritage, urban regeneration, changing streetscape, contemporary social history, period detail, period architecture, place identity, heritage-led regeneration, and documentary photography. The modern context includes continuing discussion of commercial viability, heritage conservation and how public investment can reshape pedestrian movement and evening activity. For later comparison, the photograph preserves lettering, decoration and surface detail at Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, details that may look very different after replacement signage. A second descriptive layer includes historical comparison, town-centre renewal, public-realm investment, public realm, historic townscape, commercial redevelopment, before-and-after reference, and civic architecture. References to Lancs, Deansgate, Factory, Blackpool, and handle give the picture a strong period identity and tie it closely to its named subject. For Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is commercial viability and how public investment can reshape pedestrian movement and evening activity without losing the local specificity of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN. The photograph keeps a trace of local identity as part of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN's history.
Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Blackpool,Lancs,Lancashire,England,UK,street,centre,FY1,paper,back,town,graffiti,Boris Johnson,Boris,has,image,printed,Deansgate,FY1 1BN,resign,resigned,MP,PM,Spaffer,Johnson,BoJo,Alexander Boris de Pfeffel Johnson,Alexander,de,Pfeffel,PartyGate,No10,parties,disgraced,Member of Parliament,Uxbridge and South Ruislip
Description: Tony Smith image Alamy 2JRFF5R - . This scene at Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The principal subject is Boris Johnson has failed pasted image and cat woman, Deansgate, Blackpool , Lancs, England, FY1 1BN. The subject also carries associations with everyday life, built heritage, architectural character, before-and-after reference, urban fabric, archival record, town-centre renewal, regional identity, mixed-use redevelopment, visual archive, heritage-led regeneration, social history, changing streetscape, and period architecture. For current editorial use, adaptive reuse and construction costs provide additional context, especially through how regeneration tries to create reasons to visit traditional town centres. Future viewers can use this scene from Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN to compare street furniture and boundaries with whatever follows after new construction. The photograph additionally reflects place-making, historical comparison, civic architecture, public-realm investment, changing land use, local character, period detail, and commercial redevelopment. The recorded references to pasted, Boris, Lancs, Blackpool, and failed preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of adaptive reuse and how regeneration tries to create reasons to visit traditional town centres within the real-world context of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN. The record includes part of the area's social history within the wider story of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN.
Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,graffiti,on,bridge,gate,Tinky Winky Wanka,Moore,Cheshire,England,UK,WA4 6T,WA4,Teletubbies,character,characters,BBC,series,heritage,old,olden,days,past,past times,blue sky,blue skies,out,outside,exterior,disused,forgotten,fenced,off,low,bridges
Description: Tony Smith image Alamy 2JWB54K - Teletubbies is a British children's television series created by Anne Wood and Andrew Davenport for the BBC. The programme focuses on four differently coloured characters known as the Teletubbies, named after the television screens on their bellies. Recognised throughout popular culture for the uniquely shaped antenna protruding from the head of each character, the Teletubbies communicate through gibberish and were designed to bear resemblance to toddlers
Tinky Winky (played by Dave Thompson and Simon Shelton in the original series and by Jeremiah Krage in the revival series) is the first Teletubby, as well as the largest and oldest of the group. He is covered in purple terrycloth and has a triangular antenna on his head. He often carries a red bag.
Moore Ln, Warrington, Cheshire, England, UK, WA4 6T
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,London,England,UK,West End,15,W1F 0HP,shops,stores,dry,cleaner,retail,small business,shutter,graffiti,clean,cleaning,west end,outside,British,exterior,sign,shop,store,laundry,wash,clothes,suit,washing,traditional,old,long established,facade,front
Description: Tony Smith image Alamy 2JJPKRA - . Photographed at 15 ,Berwick St, London, England, UK, W1F 0HP in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Soho Dry Cleaners shop, 15 Berwick St, London, England, UK, W1F 0HP. The image also relates to everyday street life, consumer retail, changing land use, regional identity, retail chain, retail property, visual archive, social history, physical store, urban change, townscape record, everyday life, local character, and place identity. In present-day coverage, the subject reaches into town-centre regeneration and changing footfall, not least because of the role of large retailers in town-centre and edge-of-centre economies. Today's relevance is strengthened by footfall, local identity and the continuing question of how ordinary street scenes become valuable records as businesses and infrastructure change. As a dated visual record of 15 ,Berwick St, London, England, UK, W1F 0HP, the frame retains landscape treatment and surrounding development, making it especially useful if replacement signage subsequently changes the scene. A second descriptive layer includes changing streetscape, commercial streetscape, public realm, period detail, street-level documentary, before-and-after reference, contemporary social history, and brand-led retail. Elements such as Cleaners and Berwick add documentary specificity and may become increasingly useful when compared with later records. The period setting at 15 ,Berwick St, London, England, UK, W1F 0HP helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes town-centre regeneration and the speed at which branding and store formats change as part of the longer story of 15 ,Berwick St, London, England, UK, W1F 0HP.
15 ,Berwick St, London, England, UK, W1F 0HP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,firing,guns,uniform,white,armour,rose,artist,art,artwork,Runcorn old town,town,WA7 1LR,storm trooper,fires,flower,flowers,peace,StarWars,blaster,gun,Halton,Cheshire,England,UK,black,graffiti,Star Wars,starwars,Banksy Style,stencilled,streetart,on,white wall
Description: Tony Smith image Alamy 2K14187 - . An identifiable period record of Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The frame specifically shows Stormtrooper fires a gun and a red rose comes out, stencil art in Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. Another layer of the photograph includes local history, devotional artwork, sacred architecture, Christian iconography, historical comparison, everyday life, liturgical art, documentary photography, regional identity, historic church fabric, archival record, religious heritage, period detail, and parish church heritage. The modern context includes continuing discussion of historic fabric, church maintenance and how sacred art preserves religious, artistic and community history. The image fixes equipment and working practice within Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR at one identifiable point, providing a benchmark against closure or conversion. The photograph additionally reflects ecclesiastical craftsmanship, church interior, faith heritage, changing streetscape, community identity, contemporary social history, changing land use, and sacred decoration. Details involving comes, Stormtrooper, fires, Church, and Halton make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is historic fabric and the conservation challenge of historic interiors and artwork within the real-world context of Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. The photograph keeps a local visual benchmark before later change alters the scene.
Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,Greater Manchester,England,Lancs,former,free,and,101,WN7 4AD,LW,graffiti,erected,by,1902,in,the,reign,of,her Majesty,Queen Victoria,sandstone,Lancashire,heritage,old,Victorian,NW,northern,powerhouse,towns,labels,history,historic,greater Manchester,area
Description: Tony Smith image Alamy 2JH06T8 - . Former Free Library and Municipal College Gymnasium stone - 101 Railway Rd, Leigh WN7 4AD. Photographed on 13 July 2022. The recorded location is 101 Railway Rd, Leigh, Lancashire, England, UK, WN7 4AD. (1894 J C Prestwich and J H Stephen). Corner tower with complex ogee cap roof and open fretwork lantern, finial and lead roll ribs emphasising the roof shape. To the side the elaborate Dutch gable and also the window with red sandstone details. Historically, historic library structures and everyday service scenes document changing ideas about public education and access to knowledge
Even small branches can play an important social role beyond book lending. As background, britain's railways reshaped towns, industry and passenger travel from the nineteenth century onwards, creating a dense network of stations, goods yards, signalling infrastructure and long-distance routes
Surviving buildings, signs and operating equipment now document both railway heritage and continuing public transport. Looking at the subject's development, commemorative plaques, gravestones and monuments transform individual or collective memory into a permanent feature of the landscape
Their wording, materials and location can illuminate genealogy, social history, military service and changing attitudes to public remembrance. In 2026, public libraries remain significant community infrastructure, particularly for people needing free access to information, digital services and shared space
Photographs of earlier staffing and structures can support coverage of service change and community ownership. Against the 2026 backdrop, rail policy is especially topical: the Railways Bill is progressing through Parliament and is intended to establish Great British Railways as the publicly owned directing mind for track, stations, timetables and passenger services
Older branded trains and station scenes therefore gain additional documentary value during another major restructuring of the.
101 Railway Rd, Leigh, Lancashire, England, UK, WN7 4AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,2022,GrandPrix,Formula1,GP F1,flag,Union,art,Mural,murals,Sir,Lewis,Hamilton,fanzone,fan zone,cars,automobiles,racing,JimmyC,Jimmy,Jimmy C,street art,street,The Art of James Cochran AKA JimmyC,The Art of,James Cochran,AKA JimmyC,akajimmyc,Jimmy. C,Jimmy.C,Silverstone Circuit,Towcester Northamptonshire,England,UK,NN12 8TN,Towcester,graffiti
Description: Tony Smith image Alamy 2JFTMNX - 03/12/2019 - A mural has been unveiled at Silverstone, the home of the British Grand Prix
A portrait of the British Formula One champion Lewis Hamilton at Silverstone 2019. Project supported by Sky Sport F1
To celebrate his stunning achievements, a mural has been unveiled at Silverstone, the home of the British Grand Prix.
Sky Sports F1 - the home of live and exclusive F1 - hired artist James Cochran , who also created the famous David Bowie mural in Brixton - to design the piece to celebrate Hamilton's latest title crown.
The impressive-looking painting displays Hamilton in his Mercedes gear, with the Union Jack acting as a stunning backdrop.
The mural has been emblazoned on a section of a wall at the world famous Silverstone circuit, a track which has seen Sir Lewis Hamilton triumph a record six times.
More at https://www.mirror.co.uk/sport/formula-1/lewis-hamilton-mural-unveiled-silverstone-21019129
Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,2022,GrandPrix,Formula1,GP F1,flag,Union,art,painting,Lewis Hamilton,Mural,murals,Sir,Lewis,Hamilton,fanzone,fan zone,fan,fans,people posing,beside,cars,automobiles,racing,JimmyC,Jimmy,Jimmy C,street art,street,The Art of James Cochran AKA JimmyC,The Art of,James Cochran,AKA JimmyC,akajimmyc,Jimmy. C,Jimmy.C,graffiti
Description: Tony Smith image Alamy 2JFTMP7 - 03/12/2019 - A mural has been unveiled at Silverstone, the home of the British Grand Prix
A portrait of the British Formula One champion Lewis Hamilton at Silverstone 2019. Project supported by Sky Sport F1
To celebrate his stunning achievements, a mural has been unveiled at Silverstone, the home of the British Grand Prix.
Sky Sports F1 - the home of live and exclusive F1 - hired artist James Cochran , who also created the famous David Bowie mural in Brixton - to design the piece to celebrate Hamilton's latest title crown.
The impressive-looking painting displays Hamilton in his Mercedes gear, with the Union Jack acting as a stunning backdrop.
The mural has been emblazoned on a section of a wall at the world famous Silverstone circuit, a track which has seen Sir Lewis Hamilton triumph a record six times.
More at https://www.mirror.co.uk/sport/formula-1/lewis-hamilton-mural-unveiled-silverstone-21019129
Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,painting,graffiti,spraying,art,girl,girl painting,pigtail,pigtails,pasted,paste up,various,artworks,street,lane,themes,tolerated,E1 6QL,face,faces,image,images,points,pointing,write,writes,is,life,corner,wall,walls,Victorian,East End
Description: Tony Smith image Alamy 2AE024F - . Photographed at Brick Lane, London, England, GB, E1 6QL in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. The scene shows Art is Life,painting,graffiti,Brick Lane,eastend,London,England,UK, E1. Further facets of the subject include conservation interest, urban fabric, historic frontage, period streetscape, industrial supply chain, heritage asset, changing streetscape, regional identity, traditional building materials, historical comparison, public realm, visual archive, factory history, and industrial artefact. For contemporary context, adaptive reuse and factory closures are closely related themes, especially where the issue becomes the historical importance of everyday manufactured objects and materials. Viewed from the mid-2020s, the subject sits within continuing debate about heritage conservation, planning control and the contrast between preservation and redevelopment. As the area changes, the photograph preserves the way the place functioned before later physical or commercial change within Brick Lane, London, England, GB, E1 6QL. The wider local story also touches on changing land use, local character, historic townscape, period building, production technology, contemporary social history, heritage landmark, and building-material production. References to Brick, graffiti, painting, London, and eastend help fix the photograph to its own subject and period rather than reducing it to a generic view. A later view of Brick Lane, London, England, GB, E1 6QL may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. A further contemporary connection is adaptive reuse and the historical importance of everyday manufactured objects and materials as part of the longer story of Brick Lane, London, England, GB, E1 6QL. The image fixes a local visual benchmark as a date-specific reference.
Brick Lane, London, England, GB, E1 6QL
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,Shoreditch,east end,bird,female,paste,paper,superhero,super heroine,superheroine,ear,ears,mask,sexy,erotic,Cat Woman,stencil,graffiti,street-art,street art,sex,black,live,and,let,pasted,paste up,various,artworks,street,lane,themes,tolerated
Description: Tony Smith image Alamy 2AE024W - . This location-based editorial photograph from Brick Lane, London, England, GB, E1 6QL in 2019 preserves a recognisable subject together with clues about how the place was used and presented at the time. The image documents Cat Woman stencil,graffiti, Shoreditch,east end,london, England, UK. The scene additionally carries associations with changing streetscape, period building, working-industry history, before-and-after reference, adaptive reuse, visual archive, historic commercial architecture, traditional building materials, changing land use, community identity, historic townscape, industrial archaeology, architectural detailing, and social history. Today's wider story includes manufacturing history, factory closures and the practical question of recording industries that shaped northern towns. For contemporary context, embodied carbon and energy retrofit are closely related themes, especially where the issue becomes keeping older buildings useful without erasing their character. For place-based research, the view documents period details that may disappear after redevelopment or refurbishment within the setting of Brick Lane, London, England, GB, E1 6QL. The photograph additionally reflects urban fabric, place identity, production works, built heritage, industrial supply chain, documentary photography, local history, and manufacturing heritage. Details involving stencil, Woman, Shoreditch, graffiti, and london give the scene useful specificity and strengthen its local, cultural or historical identity. A later view of Brick Lane, London, England, GB, E1 6QL may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes manufacturing history and recording industries that shaped northern towns within the specific setting of Brick Lane, London, England, GB, E1 6QL. The record includes period character before later change alters the scene.
Brick Lane, London, England, GB, E1 6QL
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,paper and spray paint art,London,Uk,E1,paper,paint,artist,Buxton St,stencils,pano,graffiti,stenciled,papered,and,spray,sprayed,paint art,artists,pasted,paste up,various,artworks,street,lane,themes,tolerated,E1 6QL,face,faces,image,images,Hip-Hop,HipHop
Description: Tony Smith image Alamy 2AE028D - . Stencil, paper and spray paint art, Buxton Street,off Brick Lane,Spitalfields,East End,London,England,Uk, E1,panorama. Photographed on 26 November 2019. In London, art is all around you. This is particularly true in the streets of East London's trendsetting Shoreditch, which are emblazoned with creative street art all year round. In the longer view, city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban change than landmark images alone. From a heritage perspective, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a particular moment
Repeated views can later become valuable evidence of development, environmental evolution and shifting patterns of use. In historical terms, beer production links malt, hops, yeast and water with specialist equipment and cellar practice
Images of brewing vessels, casks and handpumps can illustrate both manufacturing and the pub trade that brings cask ale to the customer. Current 2026 relevance comes from the fact that urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way. As of 2026, current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent. As of 2026, current regeneration programmes make older urban photographs particularly valuable
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change.
Buxton Street,off Brick Lane,Spitalfields,East End,London,England,Uk, E1,panorama
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,art,graffiti,junction,of,create or die,urban,decay,east end,eastend,street,lane,street art,streetart,painted,paintings,spay,can,old,derelict dereliction,abandoned,plastered,covered,completely,paste up,pasteup,pasteups,Victorian,buildings,building,culture,cobbled,flats,apartments,Create or Die,high streets
Description: Tony Smith image Alamy 2AE02EE - . A grounded stock-photo/gotonysmith-Documentary.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>documentary photograph made at Junction of Grimsby Street and Brick Lane,East London, England,UK in 2019, preserving the main subject alongside smaller details that may become more historically useful with time. The subject recorded here is Street art at the Junction of Grimsby Street and Brick Lane,East London, England,UK. Further facets of the subject include building-material production, local history, housing affordability, community housing, production works, public realm, affordable homes, industrial supply chain, historic manufacturing, community identity, social history, place identity, visual archive, and changing streetscape. From a 2025-onward perspective, the scene also connects with industrial conservation, labour history and the reuse or loss of former production sites. In the mid-2020s, planning and repairs keep the subject current, particularly through the balance between new supply and local infrastructure. For local-history research, the photograph preserves small features of identity that written records may overlook in the immediate surroundings of Junction of Grimsby Street and Brick Lane,East London, England,UK. A second layer of the scene includes archival record, residential environment, period detail, housing stock, local character, housing provision, industrial archaeology, and historical comparison. The combination of London, Brick, Junction, and Grimsby anchors the image to a recognisable activity, place or moment. By fixing the subject within Junction of Grimsby Street and Brick Lane,East London, England,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another useful connection is industrial conservation and the reuse or loss of former production sites as part of the longer story of Junction of Grimsby Street and Brick Lane,East London, England,UK. That local specificity strengthens the long-term documentary value of image 2AE02EE.
Junction of Grimsby Street and Brick Lane,East London, England,UK
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,Brick Lane,East London,No Place,For Hate,Bozo,London,racist,racism,British,GB,great Britain,Brexit,Tories,Bozzer,liars,Johnocchio,artists,liar,Conservatives,Conservative,Johnson,clown,clowns,Boris,E1,E1 6QL,graffiti,hard Brexit,soft brexit,art,artist,no-deal,UK Election Dec 2019
Description: Tony Smith image Alamy 2AE02K0 - . An on-location image from Brick Lane, East London, England, UK in 2019, useful both for the specific subject shown and for the evidence it retains about local identity, design, use and everyday life. At the centre of the frame is Brick Lane graffiti,No Place For Hate,Bojo The Bozo,East London,England. Other connected aspects include period detail, contemporary social history, historical comparison, place identity, electoral messaging, engineering heritage, government priorities, industrial archaeology, building-material production, community identity, historic context, social history, constituency representation, and before-and-after reference. The present-day relevance extends to local services and electoral accountability, while a wider concern is tracking how priorities change after elections. Current discussion around this subject increasingly includes manufacturing history alongside adaptive reuse, with particular attention to recording industries that shaped northern towns. From an archival perspective, the photograph anchors small features of identity that written records may overlook around Brick Lane, East London, England, UK. A second layer of the scene includes historic manufacturing, industrial artefact, traditional building materials, public policy, changing streetscape, local character, working-industry history, and civic debate. Details involving graffiti, Place, Brick, and London give the scene useful specificity and strengthen its local, cultural or historical identity. The surrounding context at Brick Lane, East London, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to local services and preserving campaign language that can quickly date when considered against later change at Brick Lane, East London, England, UK. The photograph keeps period character for later comparison.
Brick Lane, East London, England, UK
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,Ireland,Dublin City,Leopold Bloom,James Joyce,Irish graffiti movement,art,public artwork,Temple Bar,Eire,Irish,graffiti,movement,Ulysses,side,of,hotel,colourful,Blooms of Dublin,colour,wall,mural,murals,decorated,outside,exterior,outdoors,rooms,bedrooms,street art,streetart,color,colorful,building,buildings
Description: Tony Smith image Alamy 2AYHHNJ - Every year on June 16th many James Joyce enthusiasts, some dressed in Edwardian costume, re-enact this epic pub crawl, and though it's referred to as a ˜literary event' it's basically an excuse for lots of drinking broken up by a bit of walking and the reading of various excerpts from the book. The event is known as Bloomsday and the first mention of such a thing was found in a letter from James Joyce to a Miss Weaver, dated June 27th 1924 and referring to a group of people who observe what they call ˜Bloom's Day' “ June 16th . The book itself must have made a big impression on someone back in the 1970s as the hotel was named after one of the story's main characters.
Fast forward to the present day and we find James Earley, a Dublin artist whose works are based on his family's artistic past within Irish stained glass art. James has been producing artworks in public spaces since 1997, playing an active role in the Irish graffiti movement, and from 2010 has developed abstract figurative works based on the principles and beauty of stained glass. He has travelled widely with his art throughout Europe, Asia and America and has worked on a variety of large-scale projects with various art-based organisations and multi-nationals which support the arts.
In 2014 James was commissioned to paint the exterior of Blooms Hotel
the project took a full year to complete and to date is the largest public artwork in Ireland. When I first saw it I was quite surprised that this street art wasn't just part of one wall, it was the whole exterior of the building. With my liking for bright colours and abstract, psychedelic designs I just had to take a few photos although the names on the pictures meant nothing to me at the time until I did a bit of later research and found the connection to James Joyce's Ulysses
3-6 Anglesea St, Temple Bar, Dublin 2, D02 FK84, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Flip,&,4,Helter,Skelter,D02 Y798,vintage,gear,clothing,pre-loved,preloved,shop,store,shops,stores,trader,traders,cool,trendy,retail,retailers,area,district,painted,painting,graffiti,hipster,hipsters,tourist,destination,InkSpYre,cultural quarter
Description: Tony Smith image Alamy 2M84KAX - Temple Bar is an area on the south bank of the River Liffey in central Dublin, Ireland. The area is bounded by the Liffey to the north, Dame Street to the south, Westmoreland Street to the east and Fishamble Street to the west. It is promoted as Dublin's 'cultural quarter' and, as a centre of Dublin's city centre's nightlife, is a tourist destination. Temple Bar is in the Dublin 2 postal district.
Temple Bar, Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,into,that,day,get,out,Graffiti,on,fire,door,messages,think,positive,positively,emergency,exit,doors,doorway,historic,heritage,history,quaint,arts,ingenuity,expression,travel,area,district,rundown,neglected,resistance,character,sayings,phrases
Description: Tony Smith image Alamy 2MCGADC - . An identifiable period record of Dublin, Eire, Ireland in 2019, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The main point of reference is Graffiti on exit fire door - Get out into that day - Dublin. The frame also records themes of period detail, heritage asset, street-level design, archival record, historic townscape, everyday life, documentary photography, urban graphics, adaptive reuse, regional identity, contemporary social history, community art, changing land use, and creative placemaking. The modern context includes continuing discussion of tourism, public art and the role of murals in giving neighbourhoods a distinctive identity. For current editorial use, adaptive reuse and planning control provide additional context, especially through the value of architectural landmarks to local identity. For later comparison, the photograph preserves lettering, decoration and surface detail at Dublin, Eire, Ireland, details that may look very different after later reinterpretation. Other useful contextual ideas include conservation architecture, conservation interest, historic streetscape, community identity, period architecture, architectural detailing, mural culture, and heritage landmark. Details involving Dublin and Graffiti make the image more specific than a generic view and strengthen its local or historical value. For Dublin, Eire, Ireland, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects tourism and the role of murals in giving neighbourhoods a distinctive identity within the real-world context of Dublin, Eire, Ireland. Its period value extends to redevelopment pressure and the balance between conservation and modern commercial use within the specific setting of Dublin, Eire, Ireland.
Dublin, Eire, Ireland
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,paste ups,stickers,tags,from,in various colours,artist,Ready to use,Wheatpaste,pop art,street art,Out House project,OutHouse project,street-art,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,graffiti,art,figures,Northern Quarter,NorthernQuarter,colourful,colorful,colours
Description: Tony Smith image Alamy RFF638 - Here's a little insight into the world of D7606
Picking spots is not always easy, a lot of areas like the east end of London are quite saturated with street art, finding a spot without going over other peoples work and tags is always a priority. Being respectful to others work is very important to me. So I like to find new spots and go into areas where no one has been before, I did a series of Bollywood actors and found myself in a busy Southall one night, that was fun. I have been into the urbex spots around Sheffield where the spray can and letters are king, so adding brightly coloured paste ups to those grimy walls is a risk and one I'm glad I have taken, some will approve and others will not but that's the joy of trying new places.
Mostly I am a lover of other peoples work and my photography of that work is how I find different neighbourhoods. Most areas are well know so often I just wander around taking photos, this then gives me that opportunity to do my own work too. I guess my favourite areas right now are Sheffield in the UK and Kreuzberg in Berlin, the back streets are full of grimy walls and doors, a perfect place for paste ups, stickers and tags..
I love those iconic British symbols, ask an American to name an iconic British symbol and a lot will say our red phone box or post box. They featured in my first work and still do in a big way.
Oh yes, I love to take those iconic British symbols abroad, I have travelled a fair bit in the last year- France, Germany and the USA. Hard to say a favourite place really, all have great art and great spots. Overall New York was the most impressive but maybe that was a size thing? It is massive, so much to see and so much good original work around.
Have you ever got in trouble with the police or other people for putting up your work?
Ha¦ oh no, everything I do is within the law !!! I am sure I have annoyed people with my work, some artists are honest enough to say¦ stop !! That's too much !! or that latest work
Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Fuzzylogic75 stencil art,stencil,Northern Quarter,figures,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,artist,stickers,street art,graffiti,paste ups,art,NorthernQuarter,colourful,colorful,colours,arm,pipe,tube,tag,tags,paper,pasted
Description: Tony Smith image Alamy RFF64K - . A grounded editorial photograph records the everyday reality of Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN, as photographed in 2019. The scene is specifically associated with Fuzzylogic75 stencil art, Manchester Northern Quarter, NQ4, Manchester, England, UK. Related ideas embodied by the location include mural culture, urban visual culture, contemporary mural, community expression, creative regeneration, urban graphics, city artwork, public art, graphic intervention, public realm art, street-level design, and creative streetscape. Seen from a 2025-onward perspective, community artwork also connects with local identity, graffiti versus commissioned work and efforts aimed at creative reuse of redevelopment sites. Because this is a time-specific record of Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN, later comparison can reveal changes in signage, ownership, land use, transport, street furniture, building condition and the way the public uses the surrounding space. The location additionally reflects art-led regeneration, temporary artwork, illustrated hoarding, local identity, visual placemaking, urban artwork. The scene is further associated with street art, stencilling, street, facs. The scene also carries the language of , and street creativity. Modern coverage of temporary urban art frequently reaches beyond the immediate scene to questions of graffiti versus commissioned work, youth culture and recording temporary artwork. Viewed retrospectively, the photograph can reveal the condition of buildings, public-realm details, local business activity, patterns of everyday use, and regional identity within the surrounding area. Taken together, these details make the photograph a useful record of changes of use, local character, public activity, the appearance of the built environment, and period design as part of the area's longer social history.
Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Northern Quarter,RIP,NorthernQuarter,SSOSVATIME,art,street art,graffiti,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,artist,stickers,paste ups,figures,colourful,colorful,colours,silver,monochrome,BW,black and white,hat,hatter,mad,time
Description: Tony Smith image Alamy RFF64M - . A grounded editorial photograph captures the physical context of Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN, as it appeared in 2019. The location is represented through SSOSVA TIME RIP the mad hatter, Northern Quarter, Manchester, England, UK. Related ideas embodied by the location include city artwork, street-level design, mural culture, temporary artwork, public realm art, art-led regeneration, urban graphics, community art, local identity, illustrated hoarding, street creativity, and urban artwork. Seen from a 2025-onward perspective, visual placemaking also connects with temporary installations, public-realm investment and efforts aimed at recording temporary artwork. Documentary value is strengthened by the precise setting at Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. Beyond the immediate subject, the setting involves graphic intervention, contemporary mural, community expression, urban visual culture, creative regeneration, public art. Other local associations include pls fix me, I am broke, Alice, Alice in Wonderland, stencil. The scene also carries the language of , and creative streetscape. Modern coverage of visual placemaking frequently reaches beyond the immediate scene to questions of temporary installations, graffiti versus commissioned work and creative reuse of redevelopment sites. The combination preserved here provides evidence of signage and branding, commercial identity, physical infrastructure, community life, and local continuity as an authentic period reference. As the location changes, the frame remains a reference for historic fabric, everyday services, planning and redevelopment, movement through the area, and social change at this precise location. The location view retains the area's visual identity for visual before-and-after study.
Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Bee,Mcr,Bees,Busy Bee,symbol,art,artist,mural,tribute,The Koffee Pot cafe,Tib Street,22 worker bees,representing,22 people killed,Manchester Arena bombing,graffiti artist Russell Meeham,Qubek,Tib St,worker bees,bomb,graffiti,tragic,Mancunian,The North Will Rise Again,Oldham St,M4 1LE,M4,Madchester
Description: Tony Smith image Alamy RFF68B - This new mural is our Manc tribute to those killed in the Manchester Arena attack.
The huge image of 22 Manchester worker bees has been emblazoned on a wall on the side of the Koffee Pot building in the heart of the Northern Quarter.
Each bee, pictured swarming around a honey heart, represents one of the innocent people killed in the horrific attack.
It has been completed over last weekend by graffiti artist Russell Meeham , also know as ˜Qubek'. As word spread about the work of art taking shape people came past to see what he was doing. When the last bee was competed it drew a round of applause.
Manchester bees mural: Amazing Mancunian tribute to the 22 victims of the terror attack
MEN Bee mural being painted on the side of the Koffee Pot on Oldham Street, Manchester by artist Qubek
View gallery
Two days after the attack, Russ painted the old toilet block in Stevenson Square with bees and two hands joined together in a heart.
It prompted the M.E.N to commission him to create the mural.
Working from atop a cherry picker armed with dozens of cans of spray paint and some music, Russ spent two days creating his masterpiece.
Cafe bosses have previously turned down all requests for it to be used for a mural but kindly agreed to this one.
Speaking as he worked on his mammoth tribute Russ said: It's simple but effective, without being too morbid. Everyone will know why we've painted it and it's nice to have been involved in the project.
MEN Bee mural being painted on the side of the Koffee Pot on Oldham Street, Machester by artist Quebek
MEN Bee mural being painted on the side of the Koffee Pot on Oldham Street, Machester by artist Quebek (Image: Manchester Evening News)
I did a piece following the bombing to put a positive message out there to represent the community in Manchester and a tribute to those who lost their lives that wasn't too morbid.
It got people talking and, from what I saw, brightened a lot of people's days.
84-86 Oldham St, Manchester, North West England, UK, M4 1LE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,wall,in,Faulkoner street,England,UK,M1,boxer,boxing,world,champion,art,artwork,punch,punching,Cassius Marcellus Clay Jr,Cassius Clay,professional,the Greatest,activist,fist,Parkinsons,syndrome,streetart,street,stencil,graffiti,fighter,fighting,floats,like,a,butterfly,sting,stings,bee,anti-racism symbol,cultural icon
Description: Tony Smith image Alamy 2K3XNAA - Editorial street art image shows a Muhammad Ali stencil mural on a wall in Manchester Chinatown, in the M1 postcode district of Manchester city centre. The artwork depicts Ali in a boxing stance, with a large clenched fist pushed forward and a butterfly motif painted nearby, connecting visually with his famous sporting persona and cultural legacy. To the right of the black stencil figure is a tribute text panel bearing Ali's name, life dates and an inspirational quote about knowing his own truth and being free to live on his own terms.
The image has strong editorial value because it combines sport, politics, identity, street art and urban memory in a compact Manchester city centre scene. Ali was far more than a heavyweight boxing champion. He became a global symbol of confidence, resistance, anti-war conviction, civil rights, Black pride, religious identity, sporting brilliance and personal freedom. The mural's direct visual language, using a bold black silhouette against a pale wall, suits the subject well. It gives the image a graphic, poster-like quality, while the weathered render, barred window, pipework and side-street setting place it firmly in a real urban environment rather than a gallery or formal memorial.
This photograph is useful for editorial themes around Muhammad Ali, boxing history, sporting icons, Manchester street art, Chinatown, public murals, civil rights, inspirational quotes, urban culture, stencil art, graffiti, social justice, Black history, celebrity tributes, local walking routes, city centre back streets, cultural memory and the use of public walls as informal memorial spaces. It also works for wider stories about how global figures are remembered in British cities, the relationship between sport and politics, and the continued visual power of Ali's image decades after his greatest fights. The butterfly detail, boxing stance and freedom quote make the image instantly recognisable while also giving it strong keyword value for art, sport
Faulkoner street, Chinatown, England, UK, M1
Description
Keywords: HousingITguy,Project365,2nd 365,HotpixUK365,Tone Smith,GoTonySmith,365,2365,one a day,Tony Smith,Hotpix,Wood street,Wood St,Taunton,Somerset,art,Graffiti
Description: Tony Smith image Flickr 4625530145 - 'If you are on Twitter, do add a follow there and I will follow back in return mobile.twitter.com/HotpixUK
Have a look at my archived photography, from ten years back at www.flickr.com/photos/hotpixuk/
All images (c) Tony Smith - @HotpixUK - No images to be used without express permission',
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,German,Rhine,City Centre,ancient Mogontiacum,ancient,Mogontiacum,historic,town,mogontiacum,steps,Graffiti,Kleine Weigasse 12,art,12,55116,city,centre,street,streets,alley,looking,down,downhill,step,tag,tags,writing,vandals,vandalism,high,higher,part,area,of,history
Description: Tony Smith image Alamy RGGE33 - . This location-led image sets out the social and built context of Kleine Weigasse 12, 55116 Mainz, Rhineland-Palatinate, Germany, in this period view from 2018. The location is represented through Graffiti, Kleine Weigasse 12, 55116 Mainz, Rhineland-Palatinate, Germany, Europe. The location also connects creative streetscape, period property, creative regeneration, conservation architecture, adaptive reuse, community art, visual placemaking, temporary artwork, traditional building, architectural detail, community expression, and conservation interest. The wider contemporary story of visual placemaking now includes public-realm investment alongside regeneration, while policy and investment increasingly consider stronger place identity. Current debate around older urban fabric often combines energy retrofit, vacancy and the practical challenge of heritage-led regeneration. Small period details preserved at Kleine Weigasse 12, 55116 Mainz, Rhineland-Palatinate, Germany may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The resulting scene connects with art-led regeneration, heritage streetscape, local identity, public realm art, city artwork, local landmark. Associated details include Rhineland Palatinate, Deutschland, street, city. A second layer of description includes contemporary mural, urban visual culture, architectural heritage, historic built environment, mural culture, urban conservation, street-level design, public art, historic environment, and architectural character. Seen from a 2025-onward perspective, temporary urban art also connects with youth culture, graffiti versus commissioned work and efforts aimed at community-led design. This period image preserves the location's physical context within the evolving townscape. This period image preserves the location's physical context within the evolving townscape.
Kleine Weigasse 12, 55116 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NOHO NYC,NYC,New York City,St Marks Place,St Marks Place NYC,street,New York Street,USA,America,City Centre,city,centre,center,city center,New York Travel Tourism,shop,cafe,poster,front,shopfront,inner city,downtown,streetart,spray,spraycan,expression,neighborhood,graffiti,art,Manhattan,East Village,attraction,tourist,tourism
Description: Tony Smith image Alamy RBF065 - . A place-specific photograph preserves the physical context of the recorded location, in a documentary image made in 2018. Within that setting the photograph concentrates on Physical Graffiti Tea Shop, St Marks, Graffitea, East Village, Manhattan, NYC,NY, USA. Other closely connected aspects of the subject are bricks-and-mortar retail, retail decline and renewal, chain-store economy, creative regeneration, tourism economy, consumer retail, food-and-drink business, urban commerce, hospitality premises, destination economy, public art, and shopping district. The wider contemporary story of retail streets now includes changing footfall alongside brand consolidation, while policy and investment increasingly consider mixed-use town centres. Current debate around community artwork often combines regeneration, public-realm investment and the practical challenge of recording temporary artwork. In the mid-2020s, local dining is increasingly discussed through changing visitor patterns and staffing, with attention turning to sustainable tourism. The photograph fixes the recorded location at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed, specifically in relation to Physical Graffiti Tea Shop. The view also records themes involving visitor economy, temporary artwork, illustrated hoarding, visitor destination, high-street commerce, art-led regeneration. Associated details include New York St Marks Place, Eastvillage. A second layer of description includes customer service, commercial frontage, restaurant sector, shopping habits, food culture, city-centre economy, commercial streetscape, hospitality trade, catering trade, and local trading. Seen from a 2025-onward perspective, high-street retail also connects with hybrid working, changing footfall and efforts aimed at bringing empty units back into use.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NYC,St Marks Place,New York St Marks Place,street,New York Street,USA,America,City Centre,city,centre,center,city center,Eastvillage,Astor Place,mosaic,art,street art,hippy,Manhattan,NY,Street,City,Centre,Lafayette Street,plaza,neighborhood,urban,urban art,graffiti,East Village,NOHO NYC,attraction,tourist,tourism
Description: Tony Smith image Alamy RBF07A - Astor Place is a one-block street in NoHo/East Village, in the lower part of the New York City borough of Manhattan. It runs from Broadway in the west, just below East 8th Street
to Lafayette Street, ending at Alamo plaza. Astor Place is also sometimes used for the neighborhood around the street. It encompasses two plazas at the intersection with Cooper Square, Lafayette Street, Fourth Avenue, and Eighth Street “ Alamo Plaza and Astor Place Station Plaza. It was named for John Jacob Astor (at one time the richest person in the United States), soon after his death in 1848. A $21 million reconstruction to implement a redesign of Astor Place began in 2013
Astor Place, East Village, Manhattan, New York City, NY
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,punk,new wave,music,icon,vocalist,ticket,wall,Lower Manhattan,club,venue,CBGB,CBGB band,1970s,rock band,American,punk band,Chris Stein,Blondie mural,art,graffiti,Deborah Harry,RIP Debbie Harry,Deborah Ann Harry,Playboy Bunny,OMFUG,Country BlueGrass Blues,27,Parallel Lines,rap
Description: Tony Smith image Alamy 2AFK65H - Large graphic mural depicting Debbie Harry, singer and co-founder of the American rock band Blondie, covers a wall at 2 Bleecker Street near its junction with the Bowery in Lower Manhattan, New York City. Created in 2017 by artist Shepard Fairey in association with the LISA Project NYC, the artwork presents Harry with platinum-blonde hair, red lips, angular earrings and leopard-print clothing. Its bold black, cream, orange and red palette combines portraiture with concert posters, typography and imagery linked to Blondie's career.
The central portrait was based on a photograph by New York music photographer Bobby Grossman. Surrounding details include Blondie graphics, stylised band figures and a ticket advertising a Central Park performance on Wednesday 27 June. The collage-like composition reflects Fairey's poster, screen-printing and street-art aesthetic while celebrating Harry as an influential female figure in punk, new wave and popular music.
The mural stood close to the former CBGB nightclub at 315 Bowery. Founded by Hilly Kristal in 1973, CBGB initially took its name from Country, Bluegrass and Blues, although it became internationally associated with original underground rock. During the 1970s, its small stage helped establish a distinctive New York scene that included Blondie, Television, the Ramones, Talking Heads, Patti Smith Group, Richard Hell and the Voidoids, and other emerging performers.
Blondie developed within this downtown artistic community before achieving international commercial success with songs blending punk, pop, disco, reggae and new wave. Harry's distinctive appearance, commanding stage presence and songwriting partnership with Chris Stein made her one of the period's most recognisable performers.
The photograph records the mural beneath a partly cloudy sky before it was replaced in 2022 by Fairey's tribute to the New York hardcore band Bad Brains. It therefore preserves a temporary work of public art and a changing Bowery streetsca
Blecker Street, Lower Manhatten, New York City, NY, USA, North America
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,England,rule,she would rule you through her bankers,landlords and Stormont,BT11,533,Falls Rd,Andersonstown,Belfast,Northern Ireland,BT11 9AA,IRSP,English,Free Marian Price,Marian Price,poster,wall,lettering,stencil
Description: Tony Smith image Alamy 2PM62D2 - . IRSP graffiti - England will still rule you, she would rule you through her bankers, landlords and Stormont, Irish Republican Socialist Party. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 533, Falls Rd, Andersonstown, Belfast , Northern Ireland, UK, BT11 9AA, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, rule, she would rule you through her bankers, landlords and Stormont, providing natural SEO coverage without losing the specific documentary identity of the photograph. The housing context makes the image suitable for coverage of homes, neighbourhoods, residential estates, social and affordable housing, landlord investment, repairs, regeneration, planning and the lived environment. It can support reporting on housing condition, estate renewal, energy efficiency, building safety, development, tenure and the long-term transformation of residential areas. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
533, Falls Rd, Andersonstown, Belfast , Northern Ireland, UK, BT11 9AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,shop,store,retail,flags,Shankill,style,union jack,union,flag,BT4,354,Belfast,Northern Ireland,BT4 1HG,royalist,nw CD,sale,unionJackShop,drums,Born in Ulster,UVF,Covenants Without Swords are only words,NI troubles
Description: Tony Smith image Alamy 2PM63J0 - . The Union Jack Souvenier Shop, World Flag supplies, British By Birthright, 354 Newtownards Rd, Belfast, Northern Ireland, UK, BT4 1HG. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 354 Newtownards Rd, Belfast, Northern Ireland, UK, BT4 1HG, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, shop, store, retail, providing natural SEO coverage without losing the specific documentary identity of the photograph. The retail context supports editorial themes around high streets, shopping centres, consumer behaviour, independent and chain businesses, store branding, commercial property, hospitality and the changing economics of town and city centres. Shopfronts, promotional material, prices, signage and surrounding public space can become valuable historical evidence as businesses close, rebrand, relocate or adapt to online competition and changing consumer demand. The political or campaigning content is suitable for neutral editorial coverage of protest, organised labour, elections, public debate, campaigning, civil society and the way political messages are presented in public. Placards, posters, leaflets, slogans and demonstrations are valuable documentary evidence of a particular moment and can support later historical comparison without implying endorsement of the views displayed. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
354 Newtownards Rd, Belfast, Northern Ireland, UK, BT4 1HG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,the past,future,peace,gable,end,211,Newtownards Rd,Belfast,Northern Ireland,BT4 1EA,mural,traditional,history,historic,end-terrace,gable-end,understanding,futures,Belfast peace
Description: Tony Smith image Alamy 2PM64K4 - . Community mural - Peace cannot be kept by force, it can only be achieved by understanding - Belfast Looking to a better future. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 211 Newtownards Rd, Belfast , Northern Ireland, UK, BT4 1EA, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, the past, future, peace, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
211 Newtownards Rd, Belfast , Northern Ireland, UK, BT4 1EA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,UYM,HW,Newtownards,road,rd,shipbuilding,company,yellow,crane,Harland and Wolff,BT4 1AB,BT4,1974,flag,flags,union,paramilitary,group,groups
Description: Tony Smith image Alamy 2PM64TF - . Ulster Young Militants Freedom Corner,Tomorrow Belongs To Us,HW, Harland & Wolff Shipbuilding company yellow crane in background, Belfast, NI, BT4 1AB. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Newtownards Rd, Belfast, Northern Ireland, UK, BT4 1AB, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, UYM, Newtownards, shipbuilding, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include company, yellow, crane, Harland and Wolff, BT4 1AB, BT4, broadening discoverability while remaining tied to the supplied subject information.
Newtownards Rd, Belfast, Northern Ireland, UK, BT4 1AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Belfast,LGBT,LGBTQ,homosexual,activism,NI,Northern Ireland,Love,Your,Queer,kids,kid,Love your queer kids,graffiti,red,spray paint,North Street,love-your-queer-kids,gay kids,gay children,gay son,gay daughter,lesbian,queer,gay,Ireland,DUP,Protestant,limitations,on a wall,on a,love your,trans kids
Description: Tony Smith image Alamy RM1TFJ - . A local-history photograph depicts the setting around Belfast BT1 1LU, in a view made during 2017. The source caption identifies Love your queer kids, graffiti North Street, Belfast, Northern Ireland, UK. The wider setting includes urban fabric, period architecture, heritage streetscape, community expression, architectural character, graphic intervention, public realm art, historic fabric, architectural heritage, creative regeneration, adaptive reuse, and urban conservation. Modern coverage of visual placemaking frequently reaches beyond the immediate scene to questions of regeneration, public-realm investment and art integrated with regeneration. Seen from a 2025-onward perspective, architectural conservation also connects with adaptive reuse, conservation of original fabric and efforts aimed at sensitive refurbishment. The photograph fixes Belfast BT1 1LU at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. The scene also relates to mural culture, conservation architecture, built heritage, art-led regeneration, traditional building, urban graphics. Other local associations include Love Your gay kids, Love Your gay children, Love Your Queer children, Belfast City, public building, love your kids. Its context additionally embraces historic townscape, community art, architectural detail, conservation interest, urban visual culture, local identity, creative streetscape, local landmark, street-level design, and illustrated hoarding. For present-day editorial use, visual placemaking can also illustrate debates about temporary installations and public-realm investment, particularly where these affect recording temporary artwork. That gives this view of Belfast BT1 1LU continuing value for local history, retrospective reporting and visual comparison.
Belfast BT1 1LU
Description
Keywords: Scotland,gotonysmith,hair,super,hands,retails,city centre,traditional,traditional barbers,barbers art,graffiti,entrance,door,doorway,distinctive,Queen Street,Queen St,trim,shave,shaving,shaves,window,windows,front,exterior,outside,Super,Hands,5 Miller Street,Glasgow,G1 1EA,G1,5,Miller St,hand,finger,fingers,image
Description: Tony Smith image Alamy HKHW74 - . This location-specific image from the recorded location in 2017 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The location is represented through Superhands Barber Shop, Queen St,Glasgow, Scotland / 5 Miller St, Glasgow G1 1EA. The subject also carries associations with local character, bricks-and-mortar retail, period detail, street-level business, everyday life, public realm, commercial streetscape, local history, changing streetscape, contemporary social history, retail property, specialist retailer, before-and-after reference, and historical comparison. In present-day coverage, the subject reaches into online shopping and independent business, not least because of how shopfronts become short-lived records of changing businesses and branding. The archival value lies partly in recording transport arrangements and footfall around the recorded location before later reinterpretation alters the character of the place. The subject also sits alongside changing land use, place identity, small business, regional identity, local enterprise, archival record, commercial frontage, and independent retail. The combination of Glasgow, Miller, Scotland, Queen, and Barber anchors the frame to a recognisable activity, place or moment. Even without a fuller street location, image HKHW74 preserves the period presentation of Superhands Barber Shop, Queen St,Glasgow, Scotland / 5 Miller St, Glasgow G1 1EA, giving later viewers a fixed documentary point for comparison. Its period value extends to online shopping and the resilience of independent shops in an online retail economy within the specific setting of the recorded location. The location additionally provides evidence of footfall and how consumer spending and property costs shape local commercial streets as part of the longer story of the recorded location. The scene captures evidence of changing use for later comparison.
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,street,Amcomri St,resistance,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HEW1G8 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,IRA Volunteer,Joe McDonnell,Joe,McDonnell,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDF0B4 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,MP,Bobby Sands,hero,martyr,soldier,terrorist,hunger striker,hunger,striker,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDF0B8 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,RPG Avenue,IRA Beechmount Cafe,Eiri Amach 1916 na casca,1916,Ave,Avenue,Roll Of Honour,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDPM1E - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Clowney,Street,Hunger Strikers,Maggie Thatche,think again,Hunger Strike,Striker,catholic,community,catholic,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDWTNH - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,You Will Never Walk Alone,You,Will,Never,Walk,Alone,Never Walk Alone,help,line,helpline,Help Line,smartphone,headphones,gable,end,Gable End,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,street,Ballymurphy,St,Ballymurphy St,Belfast streets,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDWTNT - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Ballymurphy St, off Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: class,mate,mates.classmate,bond,bonding,primary,secondary,name,names,rite,of,passage,Right,school leaver,leaving,sign,signed,remember,remembrance,year6,memories,new,sad,uniform,scribble,schools,out,wrecked,uniform,Rite of passage,Right of passage,school leavers,School memories,schools out,GoTonySmith,sirt,shrt,year,six,6,writing,on,his,top,blue,graffiti,good,luck,celebrating,junior,best,time,times,of,our,lives,end,term,English,England,UK,GB,British,Great,Britain,break,secondary,higher,high,high school,dress,blouse,clothes,top,girl,boy,schoolboy,schoolgirl,schoolboys,schoolgirls,ready,for,big,year 6,Year Six,leaving junior school,best times of our lives,end of term,end of school,junior school leaver,junior school leavers,Schools Out For Summer,Summer break,6 week holiday,6 weeks holiday,wrecked uniform,big school,ready for big school,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY7XT7 - . Recorded at England in 2015, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is School Leavers Shirt with signatures of classmates. The locality and subject together evoke community identity, everyday life, wayfinding detail, changing streetscape, archival record, period detail, local history, contemporary social history, social history, place identity, material sign design, public realm, graphic street detail, and historical comparison. Current relevance extends to commercial branding and public communication, particularly through how ordinary signs become time-specific evidence of language and design. For later comparison, the photograph preserves signage and branding at England, details that may look very different after changed technology. The location also brings in public information notice, historic sign, urban typography, regional identity, before-and-after reference, commercial ephemera, local character, and visual communication. The recorded references to signatures, Leavers, School, classmates, and Shirt preserve clues about how the subject was presented, used or understood at the time. The period setting at England helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is commercial branding and the way lettering and materials contribute to local visual identity within the specific setting of England. The setting also helps illustrate visual identity and how signs can document commercial, social or regulatory change as part of the longer story of England. The image also provides a reference for street design and how signs can document commercial, social or regulatory change when considered against later change at England. The frame retains period character before later change alters the scene.
England
Description
Keywords: UK,wall,graffiti,painted,1xtra,live,BBC,radio,one,xtra,#bigupliverpool,2013,2014,2015,Mersey,Merseyside,GoTonySmith,Buy Pictures of,Buy Images Of,in the,scouse,spray,big,up,city,centre,#BigUpLiverpool,BigUpLiverpool,BBC radio,1XtraLive,Oct,October,promotion
Description: Tony Smith image Alamy DRH7RE - . Big Up Liverpool, painting in the City centre, Merseyside, England, UK. Photographed at Liverpool, Merseyside, England, UK. The photograph was taken on 05 October 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Big Up Liverpool painting in City centre, Big Up Liverpool, City centre, painting, street, art, scouser, culture, paint and wall, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Liverpool, Merseyside, England, UK
Description
Keywords: makeup,Germany,democratic,republic,Berlin,beer,graffiti doll,graffiti,doll,hairspray,Action,DDR,hairspray,ale,museum,scary,spooky,toy,toys,1970,1970s,punk,GoTonySmith,Buy Pictures of,Buy Images Of,bottle,bottles,East German,East Germany,product,history,historic,memories,memory,of,the DDR
Description: Tony Smith image Alamy F0G702 - This documentary stock photograph shows Berlin beer graffiti doll Action, DDR hairspray,and make-up,Germany. The image records DDR or East German security equipment and surveillance material, making it useful for editorial features on Cold War memory, state surveillance, the Stasi, civil liberties, museum interpretation and authoritarian control. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and.
Berlin, Germany
Description
Keywords: Inner,City,Manchester,Graffiti,New,wakefield,street,under,railway,arches,gotonysmith,girl,lady,drawing,femail,door,walking,in,woman,entry,entrance,GB,UK,Great,Britain,British,graffitti,grafitti,love,will,win,hummingbird,hummingbirds,ear,ears,earrings
Description: Tony Smith image Alamy CFEFH8 - . Love Will Win - Inner City Manchester Graffiti New Wakefield street under railway arches, England, UK, M1. Photographed on 10 March 2012. The recorded location is New Wakefield street, Manchester, Lancashire, England, UK / Great Britain. From a heritage perspective, british agriculture has repeatedly adapted to mechanisation, changing markets and environmental policy
Tractors, fields, cereal crops and allotment vegetables each represent different scales of food production, while also documenting seasonal work and rural landscapes. Looking at the subject's development, art in public and historic settings adds another layer to the built environment
Sculpture, mosaic, painting and street art can interpret heritage, provoke debate, memorialise communities or create landmarks, and photographs preserve works that may later change or disappear. In the longer view, britain's railways reshaped towns, industry and passenger travel from the nineteenth century onwards, creating a dense network of stations, goods yards, signalling infrastructure and long-distance routes
Surviving buildings, signs and operating equipment now document both railway heritage and continuing public transport. As of 2026, current agricultural debate combines food production with environmental land management, biodiversity and climate adaptation
Photographs of crops and cultivation therefore have both traditional rural and contemporary sustainability relevance. For the 2026 context, public art and murals remain important to place-making, tourism and regeneration, particularly in city districts where street art has become part of the visitor economy
They also raise questions about conservation, ownership, temporary work and the rapid redevelopment of urban neighbourhoods. Useful alternative terminology includes farming, horticulture, grow your own, arable farming, vegetable growing, rural economy, farmland, sustainable agriculture, food security, seasonal crop, and artwork.
New Wakefield street, Manchester, Lancashire, England, UK / Great Britain
Description
Keywords: Garfield St,Community Confidence,Campbell,streets,City Centre,city,centre,Northern Ireland,UK,GoTonySmith,HotpixUK,graffiti,street,art,soup,tins,tin,red tin,think,resist,artists,artist,original,Andy Warhol,homage,Royalist,Republican,tinned,can,canned,alternative,political
Description: Tony Smith image Alamy HE7MDX - . This authentic period view of Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Community Confidence, Campbells,soup tin, graffiti in Belfast Garfield St City Centre, Northern Ireland, UK. A broader reading of the photograph includes creative placemaking, social history, historical comparison, urban artwork, stencil art, contemporary mural, changing streetscape, before-and-after reference, changing land use, local character, visual street culture, documentary photography, public art, and visual archive. In present-day coverage, the subject reaches into graffiti policy and public art, not least because of the role of murals and stencils in giving creative districts a distinctive identity. Future viewers can use this scene from Garfield street,Belfast,County Antrim,Northern Ireland,UK to compare materials and architectural details with whatever follows after different community use. The surrounding story also includes contemporary social history, public-realm art, place identity, public realm, everyday life, community identity, graffiti heritage, and period detail. Details involving Belfast, Garfield, Northern, Ireland, and Community make the image more specific than a generic view and strengthen its local or historical value. For Garfield street,Belfast,County Antrim,Northern Ireland,UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is graffiti policy and the role of murals and stencils in giving creative districts a distinctive identity within the real-world context of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The scene captures a local visual benchmark as part of Garfield street,Belfast,County Antrim,Northern Ireland,UK's history.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: grafiti,graffiti,graffitti,grafitti,stencil,street,streat,art,ar grafiti,artist,spray,can,strictly,no,authorised,revenge,nd,co,company,tonysmith,lomo,holga,hotpicks,hotpix!,#tonysmithhotpix,hotpix.rocketmail.com,hotpixuk.rocketmail.com,contact.tony.smith.gmail.com,tony.smith.gmail.com,tonys@miscs.com,tony.smith@mis-ams.com,@hotpixuk
Description: Tony Smith image Flickr 4738089885 - 'Far from a modern stream of art or general annoyance, graffiti has existed since ancient times, with examples dating back to Ancient Greece and the Roman Empire. Graffiti and graffito are from the Italian word graffiato ('scratched').
The first known example of 'modern style' graffiti survives in the ancient Greek city of Ephesus (in modern-day Turkey). Local guides say it is an advertisement for prostitution. Located near a mosaic and stone walkway, the graffiti shows a handprint that vaguely resembles a heart, along with a footprint and a number. This is believed to indicate that a brothel was nearby, with the handprint symbolizing payment.
In modern times, spray paint, normal paint and markers have become the most commonly used materials. In most countries, defacing property with graffiti without the property owner's consent is considered vandalism, which is punishable by law. Sometimes graffiti is employed to communicate social and political messages or just to be comic or witty.
To some, it is an art form worthy of display in galleries and exhibitions
to others it is merely vandalism. Graffiti has since evolved into a pop culture existence often related to underground hip hop music and b-boying creating a lifestyle that remains hidden from the general public.
Banksy is one of the world's most notorious and popular street artist who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England but his work can be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest.
Much of Banksy's artwork can be seen around the streets of London and surrounding suburbs, though he has painted pictures around the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions have also taken place since 2000, and recent works of art have fetched vast sums of money.
Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art while city officials and law enforcement have deemed all work by Banksy to be vandalism and property destruction. Many members of Bristol's communities feel that Banksy's graffiti reduces property value and encourages rogue behavior.
Before anyone comments, this one is not likely to be a 'Banksy'. If it were I may have taken it into pieces and loaded it into the boot of my car for my retirement fund 8-)
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more images away from home from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: george,osbourne,chancellor,shadow,opposition,manchester,UK,tatton,knutsford,tory,candidate,conservative,sign,general,election,2010,may,6th,true,blue,majority,cheshire,electorial,parliament,westminster,government,britain,british,politition,politicion,politic,politics,taton,graffitti,grafitti,graffiti,graffittied,street,art,Labour,Liberal,Democrats,Green,Party,libdems,lib,dems,Hotpicks,hotpics,hot,pics,pix,picks,politician,hotpix!
Description: Tony Smith image Flickr 4526888778 - 'For goodness sake someone sort the economy (!)
I spotted this on the way to work (and stopping to snap it nearly made me late!).
Check Gideon out at en.wikipedia.org/wiki/George_Osborne . At least his eyebrows are co-ordinated with the hair on his head :-)
I did not notice this yesterday, mabe it has been added after last nights TV debate, who knows. I did also see similar decorations on election posters in Northamptonshire earlier in the week. So we might see more of this across the UK, keep your eyes peeled.
Checkout more of green and pleasant Cheshire from my photostream w=33062170@N08&
m=tags\'>www.flickr.com/search/?q=cheshire&
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...
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Tunnel,strangers,BW,toned,hand,colored,color,colour,Latchford,danger,dangerous,walk,night,path,way,pathway,Warrington,graffitti,grafitti,graffiti,dirty,black,white,mono,monochrome,partial,mixed,selctive,colores,Hotpicks,hotpics,hot,pics,pix,picks,interesting,place,places,hotpix!
Description: Tony Smith image Flickr 4272766026 - 'More tunnel goings on www.flickr.com/photos/hotpixuk/4059561024/
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Thethe,Matt,johnson,man,male,bloke,lad,grafitti,graffiti,graffitti,door,way,doorway,sepia,replay,shirt,clothes,clothing,UK,tonysmith,tony,smith,hotpix,tonysmithhotpix,manchester,england,Northern,quarter,ancoats,north,west,northwest,Concrete,Penguin,Band,@hotpixuk
Description: Tony Smith image Flickr 6139633525 - 'The The - Slow Emotion Replay - Play this track here.
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Forming a soundtrack to much of my 1980's, 'The The' are an English musical and multimedia group that have been active in various forms since 1979, with singer/songwriter Matt Johnson being the only constant band member.
In 1993, the five-piece line-up issued the album Dusk containing this single. It debuted at no 2 in the UK and spun off three Top 40 singles in the UK, led by 'Dogs of Lust'. A world tour followed, the Lonely Planet tour, at which point the band's line-up was reshuffled
Johnny Marr and James Eller left, and were replaced by Atlanta based guitarist Keith Joyner and New York bassist Jared Nickerson, respectively.
Also added was Boston harmonica player Jim Fitting, who auditioned in New York in early 1993. The version of their hit 'This Is The Day' featuring Jim Fitting was often dubbed 'That Was The Day'. Palmer bowed out partway through the tour and was replaced by ex Stabbing Westward drummer Andy Kubiszewski.
A full length film, directed by long time collaborator Tim Pope, was made for this album. From Dusk Til Dawn was shot in New Orleans and New York and along with Johnson and Johnny Marr also featured various characters from the New York underground scene such as sexologist Annie Sprinkle, writer and raconteur Quentin Crisp, Guardian Angels founder Curtis Sliwa, and porn star Rick Savage amongst many other carnival characters.
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Checkout more w=33062170@N08\' target=\'_blank\'>faces in places from my photostream.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',
Description
Keywords: Road,painting,graffiti,IRA,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,ave,Female Resistance,Beechmount Avenue,Ni saoirse go saoirse na mban,lady,Republican Lady,Republican Ladies,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDWTNN - Large republican mural commemorating Cumann na mBan fills the gable wall of a building at the corner of Beechmount Avenue and the Falls Road in West Belfast. The artwork combines portraits, historical photography, Irish-language text and nationalist symbolism to celebrate the contribution of women to the Irish revolutionary movement. A bilingual street sign reading Beechmount Avenue and Ascaill Ard na bhFeá appears above the painted scene.
The dominant portrait on the left depicts Countess Constance Markievicz wearing a green military-style uniform. Across the centre, a formation of Cumann na mBan members marches forward in period dress, while an armed and partly veiled female figure stands at the right. The group's emblem is represented by the abbreviated lettering C na mB incorporated into the outline of a rifle. A Celtic interlace pattern frames the upper and side edges of the blue composition.
The words Céad Bliain , meaning one hundred years, refer to the centenary of Cumann na mBan, founded in Dublin on 2 April 1914. The organisation worked alongside the Irish Volunteers and its members participated in the 1916 Easter Rising as couriers, nurses, intelligence gatherers and combatants. Markievicz served with the Irish Citizen Army during the Rising and was stationed around St Stephen's Green in Dublin.
Painted in 2014, the mural replaced an earlier Fianna Éireann centenary image that also featured Markievicz. The Irish inscription along the bottom reads Nà saoirse go saoirse na mban , commonly translated as There is no freedom until the freedom of women . It links the republican commemoration with a broader statement about women's liberation and political equality. Photograph records one of the many political murals associated with the Falls Road and West Belfast. Such artwork forms part of the area's visible historical landscape, presenting local interpretations of conflict, resistance, identity and remembrance on prominent public walls.
Beechmount Avenue, off Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,are,art,artwork,arty,streets,at,the,John Rocques,1756,map,old,historic,history,Eye walk,these streets,Big city lover,cool,trendy,retail,retailers,area,district,eyewalk,eye,walk,walking,painted,painting,graffiti,hipster,hipsters,tourist,destination,cultural quarter
Description: Tony Smith image Alamy 2M84KD4 - Temple Bar is an area on the south bank of the River Liffey in central Dublin, Ireland. The area is bounded by the Liffey to the north, Dame Street to the south, Westmoreland Street to the east and Fishamble Street to the west. It is promoted as Dublin's 'cultural quarter' and, as a centre of Dublin's city centre's nightlife, is a tourist destination. Temple Bar is in the Dublin 2 postal district.
Temple Bar, Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Blackpool,Lancs,Lancashire,England,UK,street,centre,FY1,paper,back,town,graffiti,1947-2016,1947,2016,1970,1970s,telephone,box,boxes,red,blue,newspaper,cutting,cuttings,Aladdin Sane,aladdinsane,Deansgate,FY1 1BN,subversion,street art,pasted,Blackpools,community
Description: Tony Smith image Alamy 2JRFFAT - . Photographed at Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The location is represented through Equality has no gender, David Bowie, 1947-2016, 01606, red telephone box, blue telephone box, Deansgate, Blackpool , Lancs, England, FY1 1BN. The setting additionally reflects place identity, documentary photography, heritage-led regeneration, period architecture, social history, public-realm investment, regional identity, commercial redevelopment, historical comparison, changing streetscape, historic townscape, built heritage, place-making, and local character. For current editorial use, adaptive reuse and public-realm investment provide additional context, especially through how regeneration tries to create reasons to visit traditional town centres. For later comparison, the photograph preserves landscape treatment and surrounding development at Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, details that may look very different after conservation work. Other useful contextual ideas include before-and-after reference, public realm, changing land use, everyday life, period detail, visual archive, civic architecture, and local history. The combination of 01606, Deansgate, Blackpool, telephone, and Bowie anchors the frame to a recognisable activity, place or moment. Around Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for adaptive reuse and how regeneration tries to create reasons to visit traditional town centres within the specific setting of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN. The record includes a point of historical comparison for later comparison.
Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NOHO NYC,NYC,New York City,St Marks Place,St Marks Place NYC,street,New York Street,USA,America,City Centre,city,centre,center,city center,East Village,Eastvillage,Cash Machine,AutoTeller,street cash machine,Manhattan,New York,NY,Harlem,cash,neighborhood,graffiti,art,attraction,tourist,tourism,streets,24 hrs,24 hours,on,rough,money,bank card
Description: Tony Smith image Alamy RBF07B - Money and Art, ATM at East 7th Street, East Village, Manhattan, New York, NY, USA gives a direct editorial record of a recognisable subject, with location, signage, architecture or everyday behaviour carrying much of the meaning. An ATM in Manhattan's East Village turned into or surrounded by art links money, street culture and neighbourhood identity in a city where cash machines are part of the visual clutter of commerce. The subject can illustrate urban art, financial access, gentrification, consumer culture, New York street life, cash use and the way everyday infrastructure becomes part of a creative streetscape. The location detail, New York, Manhattan, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. For buyers, the strength lies in the combination of a named subject, a lived-in setting and enough visual specificity to carry stories about how places are used, remembered, funded, visited or contested.
East 7th Street, East Village, Manhattan, New York, NY, USA
Description
Keywords: class,mate,mates.classmate,bond,bonding,primary,secondary,name,names,rite,of,passage,Right,school leaver,sign,signed,remember,remembrance,year6,memories,new,sad,uniform,scribble,schools,out,wrecked,uniform,Right of passage,school leavers,School memories,GoTonySmith,sirt,shrt,year,six,6,writing,on,his,top,blue,graffiti,good,luck,celebrating,junior,best,time,times,of,our,lives,end,term,English,England,UK,GB,British,Great,Britain,break,secondary,higher,high,high school,dress,blouse,clothes,top,girl,boy,schoolboy,schoolgirl,schoolboys,schoolgirls,ready,for,big,year 6,Year Six,leaving junior school,best times of our lives,end of term,end of school,junior school leaver,junior school leavers,Schools Out For Summer,Summer break,6 week holiday,6 weeks holiday,wrecked uniform,big school,ready for big school,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY7XT2 - Photo shows Schools out - School Leavers Shirt, with signatures of leaving classmates, a rite of passage in Great Britain. The photograph is useful as a documentary record of a real place, object or public-facing scene. It can support local history, travel, social observation, news features and web articles where authentic context matters more than a polished studio image. The supplied workbook does not give a precise location, so the image should be treated as a concept or documentary subject unless the location can be verified separately. Visible wording, branding or signage noted in the supplied caption should be kept as search evidence because it helps buyers looking for specific editorial concepts, public messages, commercial streets, transport detail or local identity. The supplied caption gives the main editorial context
visible weather, signage and surrounding detail should be checked on upload. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news. Search relevance is helped by including concise place names, visible brand or wording, functional subject terms, and wider editorial concepts such as public realm, consumer behaviour, heritage, travel, leisure and community life where they genuinely match the picture.
UK
