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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A8945,Rangers,Ibrox,Glasgow,football,stadium,Scotland,RFC,brick,stand,sport,club,architecture,heritage,supporters,RangersFC,Rangers FC,soccer,Premier League,league,team,teams,Old firm,Protestant teams,1872,Gers,Light Blues,ground,Unionist,community,culture,Shankill,road,Andrew Cavenagh,49ers,Enterprises,classic,crest,logo
Description: Tony Smith image Alamy 3FA7X85 - . Rangers FC Ibrox Stadium red-brick Main Stand exterior in Glasgow. Photographed on 17 August 2025. The recorded location is Ibrox, Glasgow, Scotland, UK. The club's name and architectural details are prominent against a clear sky. This image documents the physical identity of Ibrox and can illustrate Rangers FC, Scottish football, stadium architecture, heritage conservation, sporting venues, supporters and the business and cultural importance of a major football ground. In relation to club identity, historical context shows that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. As of 2026, the position for club identity is that professional sport remains closely tied to broadcast rights, tourism, sponsorship and stadium redevelopment, while supporter experience, policing, ticket prices and transport continue to shape matchday debate. Relevant long-tail terms include football club, fan culture, sporting heritage, sports venue, football history, major event, sports tourism, supporter culture, sports memorabilia, 255A8945, and RFC. For the story of football history, it is useful to note that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. The historical setting for supporter culture is that football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture. Its wider context brings together fan culture, sporting heritage and sports venue.
Ibrox, Glasgow, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A8948,Rangers,Ibrox,Glasgow,football,stadium,Scotland,RFC,Main,Stand,architecture,brick,sport,club,heritage,supporters,RangersFC,Rangers FC,soccer,Premier League,league,team,teams,Old firm,Protestant teams,1872,Gers,Light Blues,ground,Unionist,community,culture,Shankill,road,Andrew Cavenagh,49ers,Enterprises,classic,fines,behind,closed,doors,play,players,crest
Description: Tony Smith image Alamy 3FA7X89 - . Rangers FC Main Stand frontage at Ibrox Stadium, Glasgow. Photographed on 17 August 2025. The recorded location is Ibrox, Glasgow, Scotland, UK. Frontage of the historic red-brick Rangers FC Main Stand at Ibrox Stadium in Glasgow. The monumental stadium architecture, club name and entrance details are clearly visible, recording one of the most recognisable football grounds in Scotland. The image provides editorial context for Rangers, Scottish football, stadium heritage, matchday culture, sporting architecture, club identity and the long history of Ibrox as the home of Rangers FC. Within the history of sporting heritage, british sports venues often have histories extending far beyond their current appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. Against the 2026 backdrop for sporting heritage, sporting imagery has relevance beyond results, illustrating club identity, fan culture, major-event economics, venue investment and the role of sport in local regeneration. Associated subject terminology includes football club, supporters, professional sport, football history, major event, sports tourism, supporter culture, sports memorabilia, 255A8948, and RFC. In relation to professional sport, historical context shows that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. For the story of sports tourism, it is useful to note that football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture.
Ibrox, Glasgow, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A8959,Rangers,Ibrox,memorial,1971,disaster,Glasgow,football,Scotland,statue,supporters,tragedy,remembering,RFC,heritage,RangersFC,Rangers FC,soccer,Premier League,league,team,teams,Old firm,Protestant teams,1872,Gers,Light Blues,ground,Unionist,community,culture,Shankill,road,Andrew Cavenagh,49ers,Enterprises,classic
Description: Tony Smith image Alamy 3FA7X99 - . Rangers Ibrox memorial sculpture remembering the 1971 stadium disaster. Photographed on 17 August 2025. The recorded location is Ibrox, Glasgow, Scotland, UK. The bronze figure forms part of Rangers FC's remembrance area at the stadium and provides a solemn visual link to one of the most significant tragedies in Scottish football history. The image is suitable for respectful editorial coverage of football safety, memorials, supporter remembrance, Rangers heritage, Ibrox history and the continuing commemoration of those who lost their lives. For supporters, the historical context is that british sports venues often have histories extending far beyond their present-day appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. Looking at artwork, the longer history is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. The background to memorial is that parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, later chapels, organs, altars, monuments and inscriptions can coexist within a single building, revealing generations of craftsmanship and changing liturgy. For supporters, the 2026 context is that professional sport continues to be closely tied to broadcast rights, tourism, sponsorship and stadium redevelopment, while supporter experience, policing, ticket prices and transport continue to shape matchday debate. In 2026, artwork remains relevant because contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and.
Ibrox, Glasgow, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A8962,Walter,Smith,Rangers,Ibrox,Glasgow,football,manager,statue,Scotland,RFC,memorial,sport,heritage,bronze,RangersFC,Rangers FC,soccer,Premier League,league,team,teams,Old firm,Protestant teams,1872,Gers,Light Blues,ground,Unionist,community,culture,Shankill,road,Andrew Cavenagh,49ers,Enterprises,classic
Description: Tony Smith image Alamy 3FA7X9E - . Walter Smith memorial statue at Rangers FC Ibrox Stadium, Glasgow. Photographed on 17 August 2025. The recorded location is Ibrox, Glasgow, Scotland, UK. The bronze figure commemorates the former Rangers and Scotland manager, whose career is closely associated with the club. Photographed against the stadium setting, the sculpture provides a strong editorial image for Rangers history, Scottish football, management, supporters, sporting remembrance and the way major clubs commemorate influential figures. For the story of cultural landmark, it is useful to note that street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. The historical setting for supporters is that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. Seen through stained glass, the earlier context is that parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, later chapels, organs, altars, monuments and inscriptions can coexist within a single building, revealing generations of craftsmanship and evolving liturgy. For present-day cultural landmark, 2026 is significant because contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and place-making. In the 2026 discussion of supporters, professional sport remains closely tied to broadcast rights, tourism, sponsorship and stadium redevelopment, while supporter experience, policing, ticket prices and transport continue to shape.
Ibrox, Glasgow, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A8964,Walter,Smith,Rangers,Ibrox,Glasgow,football,manager,statue,Scotland,RFC,bronze,memorial,sport,supporters,RangersFC,Rangers FC,soccer,Premier League,league,team,teams,Old firm,Protestant teams,1872,Gers,Light Blues,ground,Unionist,community,culture,Shankill,road,Andrew Cavenagh,49ers,Enterprises,classic
Description: Tony Smith image Alamy 3FA7X9J - . Walter Smith bronze statue with raised arms outside Rangers Ibrox. Photographed on 17 August 2025. The recorded location is Ibrox, Glasgow, Scotland, UK. Full-length view of the Walter Smith bronze statue outside Rangers FC's Ibrox Stadium in Glasgow. The former manager is depicted with both arms raised in celebration, creating a strong sporting memorial image. The statue reflects Smith's enduring association with Rangers and can illustrate Scottish football history, football management, club legends, supporter culture, memorial art and the heritage of Ibrox Stadium. Seen through mural, the earlier context is that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can change the meaning of an apparently permanent object. For matchday, the historical context is that british sports venues often have histories extending far beyond their present-day appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. Looking at business signage, the longer history is that local businesses provide unusually precise social-history evidence because names, branding and uses change more quickly than the buildings they occupy
A shop, café, pub or service company can disappear while the façade survives, leaving photographs as a record of the previous commercial life of the street. The 2026 relevance of mural comes from the fact that contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and place-making. For matchday, the 2026 context is that professional sport continues to be closely tied to broadcast rights, tourism, sponsorship and stadium redevelopment, while supporter experience, policing, ticket.
Ibrox, Glasgow, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A8969,Walter,Smith,Rangers,Ibrox,Glasgow,football,manager,statue,Scotland,RFC,memorial,sport,legend,bronze,RangersFC,Rangers FC,soccer,Premier League,league,team,teams,Old firm,Protestant teams,1872,Gers,Light Blues,ground,Unionist,community,culture,Shankill,road,Andrew Cavenagh,49ers,Enterprises,classic
Description: Tony Smith image Alamy 3FA7X9K - . Walter Smith statue outside Ibrox Stadium, home of Rangers FC. Photographed on 17 August 2025. The recorded location is Ibrox, Glasgow, Scotland, UK. Bronze statue of former Rangers manager Walter Smith outside Ibrox Stadium in Glasgow. Smith is shown in a celebratory pose with both arms raised, commemorating a manager strongly associated with Rangers and Scottish football. The sculpture forms part of the club's memorial landscape around Ibrox and provides editorial context for Rangers history, football management, sporting heritage, supporters, memorials and the legacy of Walter Smith. Within the history of creative industries, public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. In relation to football club, historical context shows that football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture. For the story of sacred art, it is useful to note that ecclesiastical buildings are both active places of worship and repositories of local evidence
Churchyard monuments, carved stone, stained glass and plaques provide material for genealogy, architectural history, religious practice and remembrance. Against the 2026 backdrop for creative industries, contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and place-making. As of 2026, the position for football club is that professional sport remains closely tied to broadcast rights, tourism, sponsorship and stadium redevelopment, while.
Ibrox, Glasgow, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A8970,Rangers,crest,Ibrox,Glasgow,Bill,Struth,football,stadium,Scotland,RFC,brickwork,heritage,club,sport,architecture,RangersFC,Rangers FC,soccer,Premier League,league,team,teams,Old firm,Protestant teams,1872,Gers,Light Blues,ground,Unionist,community,culture,Shankill,road,Andrew Cavenagh,49ers,Enterprises,classic
Description: Tony Smith image Alamy 3FA7X9R - . Rangers crest and Bill Struth Main Stand brickwork at Ibrox Stadium. Photographed on 17 August 2025. The recorded location is Ibrox, Glasgow, Scotland, UK. Rangers FC crest displayed on the red-brick exterior at Ibrox Stadium in Glasgow, associated with the historic Bill Struth Main Stand. The close architectural detail highlights club identity and the traditional brick character of the stadium. The historical setting for football club is that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. In the 2026 discussion of football club, professional sport remains closely tied to broadcast rights, tourism, sponsorship and stadium redevelopment, while supporter experience, policing, ticket prices and transport continue to shape matchday debate. Useful indexing vocabulary includes fan culture, sporting heritage, sports venue, football history, major event, sports tourism, supporter culture, sports memorabilia, 255A8970, RFC, and heritage. Seen through fan culture, the earlier context is that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. For club identity, the historical context is that football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture. A further layer of meaning comes from fan culture, sporting heritage and sports venue. The image also relates directly to sporting heritage, sports venue and football history.
Ibrox, Glasgow, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A8978,Rangers,Argyle,House,Ibrox,Glasgow,football,Scotland,RFC,offices,club,stadium,sport,administration,crest,RangersFC,Rangers FC,soccer,Premier League,league,team,teams,Old firm,Protestant teams,1872,Gers,Light Blues,ground,Unionist,community,culture,Shankill,road,Andrew Cavenagh,49ers,Enterprises,classic
Description: Tony Smith image Alamy 3FA7XAE - . Rangers FC Argyle House offices beside Ibrox Stadium, Glasgow. Photographed on 17 August 2025. The recorded location is Ibrox, Glasgow, Scotland, UK. Club branding and the Rangers crest identify the administrative building associated with the football club. This contemporary exterior provides editorial context for club management, football administration, Rangers FC, Ibrox, Scottish sport, stadium operations and the business infrastructure behind a major professional football organisation. The background to sports tourism is that british sports venues often have histories extending far beyond their present-day appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. Within the history of building conservation, architecture records the priorities of the period in which a structure was designed: materials, ornament, scale and planning reveal technology, status and intended use
Later alterations, extensions and new tenants add further layers, so a single façade can embody several phases of local past. Current 2026 context around sports tourism is that professional sport continues to be closely tied to broadcast rights, tourism, sponsorship and stadium redevelopment, while supporter experience, policing, ticket prices and transport continue to shape matchday debate. Against the 2026 backdrop for building conservation, current planning debates place growing emphasis on housing delivery, retrofit, accessibility and the reuse of brownfield sites
Architectural photographs therefore connect design past with present-day questions about regeneration, sustainability and urban density. Alternative search wording includes supporters, fan culture, sporting heritage, club identity, football history, major event, supporter culture, stadium architecture, sports memorabilia, built environment, architectural detail, historic building, facade, streetscape, and urban design.
Ibrox, Glasgow, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_0047,rail,railway,road,UK,network,EUS,cancelled,delayrepay,delay repay,winter,cold,wet,weather,commuters,late,on,preparing,West Coast,WCML,services,NW,Glasgow,Manchester,Liverpool,Preston,luggage,tired,patient,wait,waiting,central,railways,British,travel,public,transport
Description: Tony Smith image Alamy 3FAFBEM - Crowd of passengers waiting beneath electronic departure boards at London Euston, one of Britain's busiest mainline railway termini. Travellers congregate on the concourse while awaiting platform information, a familiar feature of journeys from Euston where boarding details may be announced shortly before departure. The station is the London terminus for West Coast Main Line services to destinations including Birmingham, Manchester, Liverpool, Glasgow and north-west England. The image is suitable for editorial coverage of rail travel, Network Rail, passenger crowding, disruption, commuting, intercity trains, station capacity, timetable information and the passenger experience. Euston has also been central to long-running debate about redevelopment and HS2, adding relevance to stories about major transport infrastructure and investment. Photographed as a documentary travel scene, the image shows the practical pressure created when large numbers of passengers must monitor shared information screens and then move quickly towards platforms. The image also contributes to wider discussion about how Britain encourages a shift from private cars to public transport while keeping services affordable, reliable and accessible. Passenger information, interchange quality, frequency, capacity and digital ticketing all shape whether travellers find rail and bus networks practical for everyday journeys. As an unstaged documentary photograph it can be used for reporting on transport policy, fares, infrastructure investment, accessibility, decarbonisation and the passenger experience, while also providing a time-specific record of vehicles, branding and station environments that may change.
London Euston railway station, Euston Road, London NW1, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,station,train,trains,APT,BREL,WCML,West Coast mainline,370006,Crewe,APT-P,Crewe Heritage Centre,Scotland,blue,carriage,1st class,1st,class,Glasgow,Euston,tartan,table,tables,HST,high,speed,prototype,prototypes,inside,interior,seats,seating
Description: Tony Smith image Alamy 2JX2T4N - The Advanced Passenger Train (APT) was a tilting high speed train developed by British Rail during the 1970s and early 1980s, for use on the West Coast Main Line (WCML). The WCML contained many curves, and the APT pioneered the concept of active tilting to address these, a feature that has since been copied on designs around the world. The experimental APT-E achieved a new British railway speed record on 10 August 1975 when it reached 152.3 miles per hour (245.1 km/h), only to be bested by the service prototype APT-P at 162.2 miles per hour (261.0 km/h) in December 1979, a record that stood until September 2006.
Development of the service prototypes dragged on, and by the late 1970s the design had been under construction for a decade and the trains were still not ready for service. The election of Margaret Thatcher brought matters to a head and she alluded to funding cuts for the project. Facing the possibility of cancellation, BR management decided to put the prototypes into service, with the first runs along the London-Glasgow route taking place in December 1981. The result was a media circus when every problem large or small received front-page coverage and the entire project derided as an example of BR's incompetence. The trains were withdrawn from service again by the end of the month, to the great amusement of the press.
In spite of the APT's troubled history, the design was highly influential and directly inspired other high speed trains such as the Pendolino. The considerable work on electrification that was carried out hand-in-hand with APT was put to good use with newer non-tilting designs like the British Rail Class 91. The APT's tilt system was returned to the WCML on the British Rail Class 390, based on the Fiat Ferroviaria tilting train design and built by Alstom.
Crewe Heritage Centre, Vernon Way,Crewe,Cheshire,England,UK, CW1 2DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,station,train,trains,APT,BREL,WCML,West Coast mainline,370006,Crewe,APT-P,Crewe Heritage Centre,pendolino,passing,1st class,1st,class,carriage,TrenItalia,infrastructure,blue,tartan,Euston,Glasgow,Scotland,HST,high,speed,prototype,prototypes,inside,interior
Description: Tony Smith image Alamy 2JX2TD7 - The Advanced Passenger Train (APT) was a tilting high speed train developed by British Rail during the 1970s and early 1980s, for use on the West Coast Main Line (WCML). The WCML contained many curves, and the APT pioneered the concept of active tilting to address these, a feature that has since been copied on designs around the world. The experimental APT-E achieved a new British railway speed record on 10 August 1975 when it reached 152.3 miles per hour (245.1 km/h), only to be bested by the service prototype APT-P at 162.2 miles per hour (261.0 km/h) in December 1979, a record that stood until September 2006.
Development of the service prototypes dragged on, and by the late 1970s the design had been under construction for a decade and the trains were still not ready for service. The election of Margaret Thatcher brought matters to a head and she alluded to funding cuts for the project. Facing the possibility of cancellation, BR management decided to put the prototypes into service, with the first runs along the London-Glasgow route taking place in December 1981. The result was a media circus when every problem large or small received front-page coverage and the entire project derided as an example of BR's incompetence. The trains were withdrawn from service again by the end of the month, to the great amusement of the press.
In spite of the APT's troubled history, the design was highly influential and directly inspired other high speed trains such as the Pendolino. The considerable work on electrification that was carried out hand-in-hand with APT was put to good use with newer non-tilting designs like the British Rail Class 91. The APT's tilt system was returned to the WCML on the British Rail Class 390, based on the Fiat Ferroviaria tilting train design and built by Alstom.
Crewe Heritage Centre, Vernon Way,Crewe,Cheshire,England,UK, CW1 2DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,train,WCML,trains,Manchester,Glasgow,Euston,Birmingham,Liverpool,operating,company,TOC,poor,service,overbooked,late,driver,shortage,union,RMT,overtime,ASLEF,excuses,excuse,for a,room for improvement,tickets,peak,travel,emergency,timetable,awful,management,overcrowding,overcrowded,dirty
Description: Tony Smith image Alamy 2K148W6 - Avanti West Coast is a train operating company in the United Kingdom owned by FirstGroup (70%) and Trenitalia (30%) that operates the West Coast Partnership.
During November 2016, the Department for Transport (DfT) announced the InterCity West Coast franchise would be replaced by the West Coast Partnership (WCP). In August 2019, the DfT awarded the WCP franchise to the First Trenitalia consortium. On 8 December 2019, Avanti West Coast took over operations from the prior operating company Virgin Trains, which had run the franchise since 1997. Originally, the franchise was initially scheduled to run until March 2030, and had also been set to operate the initial High Speed 2 services from 2026. However, during December 2020, it was announced that First Trenitalia and the DfT had agreed to terminate the WCP franchise at the earlier date of 31 March 2026 as part of the abolition of the franchise system. Since then a number of contract changes have taken place due to COVID-19 and then poor performance by the company. As of March 2023, the company's contract will expire in October 2023.
Between 14 August and 18 September 2022, Avanti West Coast reduced its timetable, citing unofficial strike action from its employees. However, this allegation was disputed by Aslef, which accused the company of lying and blamed their lack of recruitment, especially of train drivers, for the problems. Trains were running at one service per hour on the majority of routes, as opposed to the three which would typically occur on the London Euston to Manchester Piccadilly route. Following these changes, Avanti West Coast was subject to public criticism
news stories emerged of numerous train cancellations, overcrowded services, delays, and expensive fares. Many commuters faced difficulties reaching their destinations on the reduced services and some travellers have been left to wait for to two days before travel for tickets to be released for sale
Warrington Bank Quay, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Glasgow,Scotland,UK,tea,restaurant,signs,G2,Chaakoo Bombay Cafe,79 St Vincent Street,G2 5TF,message,messages,warn,to,customer,customers,diner,diners,overhead,cafe,theme,Iranian,vibe,feel,atmosphere,eating,place,all,chai,without,drug,drugs,hanging,ceiling
Description: Tony Smith image Alamy 2ADE4EC - . Recorded at Chaakoo Bombay Cafe, 79 St Vincent Street, Glasgow,Scotland,UK, G2 5TF in 2019, the image fixes a particular place, use and appearance for later comparison as buildings, businesses, signs and public activity change. The view centres on Indian Sign,All Chai is coming strictly without opium,Chaakoo Bombay Cafe, 79 St Vincent Street, Glasgow,Scotland,UK, G2 5TF. The image connects the immediate subject with traditional cuisine, comfort food, access-control notice, before-and-after reference, compliance notice, culinary tradition, place identity, public information notice, instructional sign, regional identity, customer guidance, local character, visitor instruction, and public realm. Current discussion around this subject increasingly includes regional tourism alongside traditional celebrations, with particular attention to how food traditions survive alongside changing diets and lifestyles. From a 2025-onward perspective, the scene also connects with venue policy, liability and the role of signs in shaping behaviour without staff intervention. For later comparison, the photograph anchors signage, materials, design and everyday use at the recorded site in Chaakoo Bombay Cafe, 79 St Vincent Street, Glasgow,Scotland,UK, G2 5TF. The subject sits alongside ceremonial meal, historic context, safety messaging, regional food culture, rule enforcement, public-facing notice, changing streetscape, and regional speciality. The recorded references to opium, coming, Chaakoo, Indian, and Bombay preserve clues about how the subject was presented, used or understood at the time. For Chaakoo Bombay Cafe, 79 St Vincent Street, Glasgow,Scotland,UK, G2 5TF, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The view records evidence of changing use for later comparison. That local specificity strengthens the long-term documentary value of image 2ADE4EC.
Chaakoo Bombay Cafe, 79 St Vincent Street, Glasgow,Scotland,UK, G2 5TF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Glasgow,Scotland,UK,tea,restaurant,signs,G2,Chaakoo Bombay Cafe,79 St Vincent Street,G2 5TF,message,messages,warn,to,customer,customers,diner,diners,overhead,cafe,theme,Iranian,vibe,feel,atmosphere,eating,place,all,chai,without,drug,drugs,hanging,ceiling
Description: Tony Smith image Alamy 2ADE4EY - . Made at Chaakoo Bombay Cafe, 79 St Vincent Street, Glasgow,Scotland,UK, G2 5TF in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. At the centre of the frame is Indian Sign,All Chai is coming strictly without opium,Chaakoo Bombay Cafe, 79 St Vincent Street, Glasgow,Scotland,UK, G2 5TF. The wider subject matter also includes comfort food, food heritage, cultural gastronomy, contemporary social story.htm Target=_Blank>history, historic context, festive eating, local character, customer guidance, ceremonial meal, regional food culture, public realm, documentary photography, historical comparison, and period detail. Viewed from the mid-2020s, the subject sits within continuing debate about local sourcing, regional tourism and the role of ceremonial food in annual celebrations. The present-day relevance extends to public safety and access rules, while a wider concern is the balance between access, safety and venue responsibility. As a dated visual record, the photograph preserves period details that may disappear after redevelopment or refurbishment within Chaakoo Bombay Cafe, 79 St Vincent Street, Glasgow,Scotland,UK, G2 5TF. The wider local story also touches on behavioural signage, safety messaging, public-facing notice, place identity, heritage dish, traditional cuisine, food-and-drink tradition, and regional identity. The recorded references to Glasgow, without, Chaakoo, Indian, and strictly preserve clues about how the subject was presented, used or understood at the time. For Chaakoo Bombay Cafe, 79 St Vincent Street, Glasgow,Scotland,UK, G2 5TF, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene captures details of everyday use before later change alters the scene. The period view preserves evidence of changing use as a date-specific reference.
Chaakoo Bombay Cafe, 79 St Vincent Street, Glasgow,Scotland,UK, G2 5TF
Description
Keywords: GotonySmith,UK,Scotland,city,city centre,HotpixUK,@HotpixUK,stall,G1 5DX,Calton,G1,The Barras,East End,signs,seedy,Glaswegian,covered markets,notorious,Glasgow,red,red sign,world,famous,Scottish,market,markets,history,historic,area,stalls,bargains,bargain,retail,entrance,outside,gate,gates,entrances,hotpix.org.uk,trader
Description: Tony Smith image Alamy 2AAEHT4 - . Made at 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The principal point of reference is The Barras, Gallowgate, East End, Glasgow, Scotland, UK, G1 5DX. The surrounding context brings together venue rules, visual archive, social history, commercial streetscape, commercial frontage, high-street commerce, access-control notice, urban commerce, public realm, period detail, town-centre economy, changing streetscape, place identity, and contemporary social history. Current discussion around this subject increasingly includes consumer spending alongside hybrid working, with particular attention to the rapid turnover of shopfronts and trading names. From a 2025-onward perspective, the scene also connects with customer management, child safeguarding and how public spaces communicate rules quickly and visibly. With the passage of time, the frame records a particular stage in the life of the location at 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX. Other useful associations include regional identity, bricks-and-mortar retail, operational signage, public information notice, local trading, changing land use, site information, and community identity. Elements such as Scotland, Barras, Glasgow, and Gallowgate add documentary specificity and may become more useful when compared with later records. By fixing the subject within 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene further reflects consumer spending and the rapid turnover of shopfronts and trading names in a form that can be compared with future views of 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX. The view records evidence of earlier appearance as a date-specific reference.
242 Gallowgate, Glasgow, Scotland, UK, G1 5DX
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,HotpixUK,@HotpixUK,Art Deco,Cocktail Bar,sign,outside,exterior,design,architecture,lettering,1935,G1 3AN,Exchange Place,G1,Oyster Bar,bar,pub,venue,famous,history,historic,cafe,seafood,sea food,meals,logo,oysters,Scottish,Scots,sourced,crab,lobster,fish,restaurant,artdeco
Description: Tony Smith image Alamy 2AAEJ1F - In 1935, as the great Cunard liner 'Queen Mary' took shape on the Clyde, a restaurant was refitted in the same Art Deco style and a Glasgow legend was born.
With its unique 1930's ambience, Rogano is the oldest surviving restaurant in Glasgow. For over seventy five years its chefs have dedicated themselves to the delicate art of cooking and serving the finest fish and seafood in the world from Scottish waters.
For all its inimitable style, and its local clientele, Rogano is a friendly place, with a special welcome for the traveller, being perfectly situated with close proximity to the city's most elegant shops and many of its leading cultural venues.
The Rogano Oyster and Cocktail Bar has been a bastion of Glasgow's bar scene since 1935, our customers enjoy drinks in original art deco surrounding with soft jazz filtering throughout the bar to create a truly unique bar experience.
Rogano customers are spoiled for choice from a variety of house wines, champagne (by the glass) and an extensive cocktail list all of which are served with the upmost standard of service from our bar waiting staff.
Food is served from the bar menu which includes a selection of seafood, light meals and sandwiches. Food is best enjoyed in one of our highly coveted booths which provide customers with a little world of their own within a bustling bar.
The Oyster Bar opens at 11.00 am until midnight, every day except Sunday when it opens at 12.00 noon. The Bar Menu is available throughout the day until 10.00pm. The Oyster and Cocktail bar operates a no reservation policy.
11 Exchange Place, Glasgow, Scotland, UK, G1 3AN
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,HotpixUK,@HotpixUK,Art Deco,Cocktail Bar,sign,outside,exterior,design,architecture,lettering,1935,G1 3AN,Exchange Place,G1,Oyster Bar,bar,pub,venue,famous,history,historic,cafe,seafood,sea food,meals,logo,oysters,Scottish,Scots,sourced,crab,lobster,fish,restaurant,artdeco
Description: Tony Smith image Alamy 2AAEJ1R - In 1935, as the great Cunard liner 'Queen Mary' took shape on the Clyde, a restaurant was refitted in the same Art Deco style and a Glasgow legend was born.
With its unique 1930's ambience, Rogano is the oldest surviving restaurant in Glasgow. For over seventy five years its chefs have dedicated themselves to the delicate art of cooking and serving the finest fish and seafood in the world from Scottish waters.
For all its inimitable style, and its local clientele, Rogano is a friendly place, with a special welcome for the traveller, being perfectly situated with close proximity to the city's most elegant shops and many of its leading cultural venues.
The Rogano Oyster and Cocktail Bar has been a bastion of Glasgow's bar scene since 1935, our customers enjoy drinks in original art deco surrounding with soft jazz filtering throughout the bar to create a truly unique bar experience.
Rogano customers are spoiled for choice from a variety of house wines, champagne (by the glass) and an extensive cocktail list all of which are served with the upmost standard of service from our bar waiting staff.
Food is served from the bar menu which includes a selection of seafood, light meals and sandwiches. Food is best enjoyed in one of our highly coveted booths which provide customers with a little world of their own within a bustling bar.
The Oyster Bar opens at 11.00 am until midnight, every day except Sunday when it opens at 12.00 noon. The Bar Menu is available throughout the day until 10.00pm. The Oyster and Cocktail bar operates a no reservation policy.
11 Exchange Place, Glasgow, Scotland, UK, G1 3AN
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,city centre,HotpixUK,@HotpixUK,standard measures,1 yard,1 inch,1 foot,G2 1AL,G2,measures,Corporation,brown,plaque,fair trading,standards of measurement,measurement standards,George Square,standard chain,George Square Heritage Trail,Imperial measures,imperial,measure,measurement,measurements,standards,1882,board of trade,chain,link,feet,yard
Description: Tony Smith image Alamy 2AAEJ3J - In the times before you could buy a ruler in your local stationers or a tape measure in a hardware store, people estimated the length of objects from the lengths of parts of their body. For example:
(i) An inch is roughly the length of the end of your thumb (i.e. from the joint to its end)
(ii) A foot is what you would expect, i.e. the length of a foot, originally the length of the Kings foot.
(iii) A yard was a Bowmans pull (i.e. from your breastbone to your hand).
Such rules of thumb are adequate if all that is required is a rough estimate of the length of an object, but you can imagine the arguments that would ensue if you were buying or selling cloth for example. If you are selling cloth you would make the most profit if you used someone with short arms as your measure, however if you are a tailor buying cloth, you would prefer someone with long arms! To ensure fair trading, standards of measurements were provided in public places in towns and cities throughout the UK.
The chain is the unit of measure used by surveyors, as recently as 50 years ago a young apprentice surveyor was sent to George Square to check the length of his company's chain against the length of the standard chain. In the days before metrication every child had to learn 3 feet make a yard, 22 yards make a chain, 10 chains make a furlong and 8 furlongs make a mile.
There are three sets of measurement standards to be found in George Square:
(a) The standard inch, foot, 2 foot, and 3 foot are mounted on the wall of the City Chambers (locate them on the right hand side of the entrance to the City Chambers as you face the building with your back to the Square).
(b) There is a standard chain with its links in the Square (locate these between the benches and the grassed area on the east side of square.)
(c) 100 feet. (Again these are located beside the benches, this time at the grassed area at the west side.)
City Chambers, George Square Glasgow, Scotland, UK, G2 1AL
Description
Keywords: GotonySmith,UK,city,city centre,HotpixUK,@HotpixUK,beverage,beer,G31 1JD,G31,Duke Street,Duke St,Tennents Lager Lovelies,Women on cans of Scottish lager,Fiona,May,painting artwork Glasgow East End,banned cans,Tennents Lager,Lovelies,Women depicted,models,on cans,of Scottish lager,of lager,painting,artwork,Glasgow East End,Glasgow,sexy,lager,Scottish Lager,not politically correct,women selling lager,sex selling lager,sex sells,sexist,lovelies,C&C Group,lager cans
Description: Tony Smith image Alamy 2AAEJ3X - Wellpark Brewery is a brewery in Duke Street in the East End of Glasgow, Scotland.
It was founded in 1740 on the bank of the Molendinar Burn by Hugh and Robert Tennent. It is owned by C&C Group plc, which purchased the Tennent Caledonian Breweries subsidiary in late August 2009 from Belgian brewing company Anheuser-Busch InBev (formerly known as InBev).
The company produces Tennent's Lager, Scotland's market leading brand of pale lager since it was first produced at the Wellpark Brewery in 1885.
Wellpark Brewery was originally known as the Drygate Brewery. It was founded as H & R Tennent in 1740 at Drygate Bridge, near Glasgow Cathedral, by Hugh and Robert Tennent, although brewing had taken place at the same site on the banks of the Molendinar Burn by their ancestor, Robert Tennent, since 1556, making it the oldest continuous commercial concern in Glasgow.
Hugh Tennent's sons, John and Robert, continued the family business, trading as J & R Tennent from 1769. The business expanded in the 1790s when the Tennent family purchased the neighbouring brewery of William McLehose, and renamed the 5-acre (20,000 m2) site Wellpark Brewery.
The firm originally brewed stout and strong export ales. By the mid-19th century J&R Tennent was the world's largest bottled beer exporter. Robert Tennent died in 1826 and John Tennent in 1827. Hugh Tennent (the eldest son of Robert) then assumed control of the business. Hugh Tennent retired in 1855 with his fifth son, Charles Tennent, taking over, but he died in 1864, some months before his father. The brewery was subsequently operated by trustees on behalf of Charles Tennent's sons, Archibald and Hugh.
In 1884 Hugh Tennent took control of the company and first brewed Tennent's lager in 1885. He later built a new lager brewery on the Wellpark site, which was begun in 1889 and completed in 1891. J&R Tennent produced the first draught lager in 1924, the first canned lager in 1935 and the first keg lager in 1963.
Wellpark, 161 Duke St, Glasgow, Scotland, UK, G31 1JD
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,The Barras,Markets,Gallowgate,G1,G1 5DX,Calton,bar,pub,supporters,green,white,football,soccer,sports,Catholic,sectarian,live,sport,music,Mick,Paddy,&,and,city,centre,popular,local,Celticbars.com,Celticbars,FC
Description: Tony Smith image Alamy 2ABJGC0 - The Barras is a major street and indoor weekend market in the East End of Glasgow, Scotland. The term barra is Glaswegian dialect for barrow, relating to the market's early years, where traders sold their wares from handcarts. Barrowland is sometimes used to describe the district itself where the market is located, which is actually officially known as Calton.
Because of its location on Gallowgate the main thoroughfare from the city centre to Parkhead and Celtic Park, Barrowlands is also notable for its large concentration of public houses and shops devoted to fans of Celtic Football Club. Baird's Bar was one of the best known Celtic-oriented pubs next door to the Barrowland Ballroom building, the bar has since closed down due to violent incidents that have occurred in the premises. The bar is to be reopened as a furniture store.
Glasgow Antiques and Randalls Antique and vintage Center, the Cartwheel and the Square Yard can all be found next to the Squirrel Bar.
242 Gallowgate, Glasgow, Scotland,UK, G1 5DX
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,G2,Lord Provost,portraits,Portraits,Gallery,Glasgow City Chambers,George Sq,George Square,painting,art,P Lally,Pat,Lally,ceremonial chain,Pat Lally,Patrick James Lally,nicknamed,Lazarus,nickname,1926,2018,Scottish,politician,leader,Glasgow City Council,Lord Provost of Glasgow,Gorbals,portrait,votes for trips
Description: Tony Smith image Alamy 2ABJGC6 - Patrick James Lally (February 1926 8 June 2018) was a Scottish politician who was Leader of Glasgow City Council and Lord Provost of Glasgow.
Early years
Pat Lally was born and brought up in the Gorbals, a poor district of Glasgow. He left school at 13, and was conscripted to the RAF after the War. He joined the Labour Party in 1950 and was elected as a Glasgow Corporation councillor in 1966.
Glasgow Council
Lally was involved in local government politics from 1966 to 1999. Although he was suspended from Labour's candidates list in 1977 in a housing allocation row, he returned to the City Chambers in 1980. He was council leader of Glasgow City District Council in the early 1990s and became Lord Provost of the new City Council in 1995, serving until 1999. During this time he did much to promote Glasgow on the national and international stage. He was credited as the driving force behind civic successes such as the 1988 Glasgow Garden Festival, Glasgow becoming European City of Culture in 1990, and European City of Architecture in 1999. He also played an important role in the creation of the Glasgow Royal Concert Hall, which is sometimes dubbed 'Lally's Palais'.
In 1997 he and Alex Mosson were suspended by the Labour party in a votes for trips scandal. Both took the party to the Court of Session and had the suspension revoked. Lally retired from local government in 1999.
Pat Lally is nicknamed 'Lazarus', as a result of his numerous political comebacks.
Retirement
He quit the Labour Party in 2003, but later that year stood at the age of 77 against Mike Watson in Glasgow Cathcart to be an MSP as a health campaign candidate, and stood again to be an MSP in the October 2005 by-election, against ex-council leader Charlie Gordon, as an independent for the same constituency.
Lally stood as a candidate for the Scottish Senior Citizens Unity Party in the 2007 Scottish Parliament election on the Glasgow list. His wife, Peggy, died on polling day, 3 May.
George Square, Glasgow, Scotland, G2 1AL
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,G2,Lord Provost,Glasgow City Chambers,George Sq,George Square,painting,art,Alex Mosson,Alex Mosson portrait,Alex Mosson painting,ceremonial chain,wall,wall of portraits,portrait wall,born,Alexander,Francis,Mosson,Scottish,Labour Party,politician,politicians,Anderston,as,the,councillor,prison,sentences,sentence,row,of,portraits
Description: Tony Smith image Alamy 2ABJGCA - Alexander Francis Mosson (born 27 August 1940) is a Scottish Labour Party politician and a former Lord Provost of Glasgow. He has also represented Anderston as a councillor and served as an official of the Transport and General Workers' Union.
Political career
Mosson served prison sentences in the 1960s for housebreaking, shoplifting and assault, which he attributed to being an alcoholic at the time
an affliction he later overcame.[2] He was first elected as a Glasgow councillor for Anderston in 1984. He was elected Lord Provost in 1999, replacing Pat Lally. He was succeeded in 2003 by Liz Cameron.
Mosson was associated with many notable events during his time as Lord Provost. These included: the UEFA Champions League Final between Real Madrid and Bayer Leverkusen at Hampden Park in 2002, the twinning of the city with Havana and the promotion of the £500,000,000 Glasgow Harbour Development.
As Lord Lieutenant of the City of Glasgow, the Lord Provost accompanied the Queen at the opening of the Glasgow Science Centre and the Lighthouse. He represented the city at the funerals of The Queen Mother and Cardinal Thomas Winning.
In November 2013, Mosson announced that he had decided to vote Yes in the 2014 Scottish independence referendum, insisting the referendum campaign is not a time for party politics
George Square, Glasgow, Scotland, G2 1AL
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,High St,Tol booth,1626,mechanism,blue,G1,G1 5ES,at,tower,history,historic,monument,monuments,city,centre,structure,old,oldest,building,buildings,in,the,clock,clockface,face,Steeples,landmark,cityscape,skyline
Description: Tony Smith image Alamy 2ABJGCX - Standing at the foot of High Street is the Tolbooth Steeple, built in 1626 at what was the meeting point of the main streets of Glasgow at that time. The Steeple is all that remains of the original Tolbooth buildings which contained the town hall, court and jail. The Tolbooth housed the Glasgow Council Chambers until 1814, when the council sold the Tolbooth building (later demolished in 1921) and moved to Jail Square in the Saltmarket, before eventually moving to the current City Chambers in George Square. The 126-foot-tall (38-metre) steeple, complete with clock mechanism, was repaired in 2008 after cracks were discovered in the structure, along with masonry, lead and guttering improvements. Along with the nearby Tron Theatre, formerly the Tron Kirk built in 1794, the Tolbooth Steeple is one of the oldest buildings in the city.
Glasgow Cross,High Street,Glasgow Cross,Glasgow,Scotland,UK,G1 5ES
Description
Keywords: @HotpixUK,Hotpixuk,GoTonySmith,pano,Scotland,UK,G1 4RJ,clyde river,Broomielaw,G1,roulette,Grosvenor,Casino,boat,waterside,County Clubs,poker,UK Gambling Commission,Loyalty card,When the fun stops,stop,pub,pubs,bar,bars,night,evening,reflection,new,history,historic,incident,gamble,61 Broomielaw,Glasgow,wide,view,image
Description: Tony Smith image Alamy 2AERR5W - . An authentic period view of 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ in 2019, showing a subject whose value extends beyond the immediate scene into local history and changing social context. The view centres on Grosvenor Casino panorama, Glasgow Riverboat,Clyde river, 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ,at dusk,evening. The scene additionally carries associations with local character, towpath landscape, before-and-after reference, community drinking venue, contemporary social history, changing land use, festival bar service, local history, public realm, place identity, historical comparison, inland navigation, boating network, and changing streetscape. From a 2025-onward perspective, the scene also connects with changing drinking habits, pub closures and the survival of community pubs. In the mid-2020s, biodiversity and towpath access keep the subject current, particularly through balancing leisure, ecology and engineering needs. Looking back from the mid-2020s, the frame records the relationship between the subject and its surroundings in the immediate surroundings of 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ. The photograph additionally reflects everyday life, real-ale culture, drinks hospitality, period detail, independent brewing, blue-green infrastructure, community identity, and industrial waterway history. Elements such as Broomielaw, Riverboat, Glasgow, Clyde, and evening add documentary specificity and may become more useful when compared with later records. The surrounding context at 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is changing drinking habits and the economics of beer festivals and licensed venues within the real-world context of 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ. Image 2AERR5W also remains a dated record of 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ.
61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,&,and,exhibition,SEC,river,bank,Clyde,dock,Hydro,crane,disused,giant,Scotland,UK,Scottish,event,campus,G3,Glasgow city,Glasgow,G3 8LD,Glaswegian,Stobcross,Finnieston,summer,SSE Hydro,skyline,pano,panorama,site,venue,exhibitions,conference,conferences,icon,iconic,hotpix.org.uk
Description: Tony Smith image Alamy 2K41KW3 - . A grounded documentary photograph made at Glasgow city, Glasgow, Scotland, UK, G3 8LD in 2019, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. At the centre of the view is Glasgow Exhibition Centre, Hydro & Clydeport Finnieston crane, Glasgow city, Glasgow, Scotland, UK, G3 8LD. The frame also records themes of specialist retailer, bricks-and-mortar retail, everyday life, changing streetscape, town-centre trading, local history, contemporary social history, independent retail, place identity, specialist shop, period detail, community identity, before-and-after reference, and shopfront economy. The modern context includes continuing discussion of store closures, online shopping and how commercial property costs affect small retailers. As a dated visual record of Glasgow city, Glasgow, Scotland, UK, G3 8LD, the frame retains street furniture and boundaries, making it especially useful if later reinterpretation subsequently changes the scene. The wider setting retains connections with regional identity, archival record, street-level business, small business, customer footfall, visual archive, changing land use, and local enterprise. Elements such as crane, Clydeport, Centre, Exhibition, and Finnieston add documentary specificity and may become increasingly useful when compared with later records. The period setting at Glasgow city, Glasgow, Scotland, UK, G3 8LD helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is store closures and the resilience of specialist shops in an online retail economy within the specific setting of Glasgow city, Glasgow, Scotland, UK, G3 8LD. The wider significance includes independent business and how commercial property costs affect small retailers as part of the longer story of Glasgow city, Glasgow, Scotland, UK, G3 8LD.
Glasgow city, Glasgow, Scotland, UK, G3 8LD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,G51,&,Alba,office,offices,and,studios,40,Pacific Quay,Glasgow,UK,G51 1DA,misinformation,bias,anti-Scottish,anti-Scotland,pro,union,unionist,pro-union,anti-SNP,SNP,against,for,independence,anti-independence,regional,programming,blatant,Scottish,pitch,no,yes,brainwashed,gaslighting,hotpix.org.uk,broadcaster,British TV
Description: Tony Smith image Alamy 2K41M0G - . Photographed at 40 Pacific Quay, Glasgow, Scotland, UK, G51 1DA in 2019, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The subject captured here is BBC Scotland & BBC ALBA building and studios, 40 Pacific Quay, Glasgow, Scotland, UK, G51 1DA. The image also relates to specialist shop, independent retail, before-and-after reference, regional identity, everyday life, changing land use, community identity, place identity, local enterprise, street-level business, historical comparison, small business, retail property, and visual archive. For current editorial use, store closures and business rates provide additional context, especially through how commercial property costs affect small retailers. For later comparison, the photograph preserves signage and branding at 40 Pacific Quay, Glasgow, Scotland, UK, G51 1DA, details that may look very different after replacement signage. Other useful contextual ideas include local character, contemporary social history, shopfront economy, specialist retailer, period detail, social history, high-street commerce, and archival record. References to studios, building, Glasgow, and Pacific give the picture a strong period identity and tie it closely to its named subject. The wider setting at 40 Pacific Quay, Glasgow, Scotland, UK, G51 1DA matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is store closures and the contribution of independents to distinctive high streets when considered against later change at 40 Pacific Quay, Glasgow, Scotland, UK, G51 1DA. The wider significance includes town-centre regeneration and the resilience of specialist shops in an online retail economy without losing the local specificity of 40 Pacific Quay, Glasgow, Scotland, UK, G51 1DA.
40 Pacific Quay, Glasgow, Scotland, UK, G51 1DA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Glasgow,Mediterranean,vegetarian,Cypress,hard cheese,recipe,recipes,Mezze,restaurant,G2,Halloumi neon sign,161 Hope St,Strathclyde,Scotland,UK,G2 2UQ,161,goat,sheep,goats,milk,ḥalūm,Greek,Cyprus,Cypriot,cheese,cheeses,Med,Halloumi,haloumi,hellim,hard,eats,blue,neon
Description: Tony Smith image Alamy 2K3XN9F - Halloumi or haloumi (/həˈluːmi/, Greek: χαλούμι, romanized: haloúmi
Turkish: hellim) is a traditional Cypriot cheese made from a mixture of goat's and sheep's milk, and sometimes also cow's milk. Its texture is described as squeaky.[8] It has a high melting point and so can easily be fried or grilled, a property that makes it a popular meat substitute. Rennet (mostly vegetarian or microbial) is used to curdle the milk in halloumi production, although no acid-producing bacteria are used in its preparation.
Halloumi is often associated with the island of Cyprus, where it has been produced by a multi-ethnic population for many centuries. It is also popular throughout the Eastern Mediterranean. It became widely available in Turkey after 2000. By 2013, demand in the United Kingdom had surpassed that in every other European country except Cyprus.
In the United States, Halloumi is a registered trademark owned by the government of Cyprus, while in the UK it is owned by the Foundation for the Protection of the Traditional Cheese of Cyprus named Halloumi. It is also protected as a geographical indication in the EU, as a Protected Designation of Origin (PDO), which means within the EU only products made in certain parts of Cyprus can be called halloumi
161 Hope St, Glasgow, Strathclyde, Scotland, UK, G2 2UQ
Description
Keywords: GoTonySmith @HotpixUK,GoTonySmith,@HotpixUK,Blue police call box,Glasgow,Scotland,UK,Blue,city centre,Scottish,blue box,blue police box,Gilbert MacKenzie Trench,public police telephone,window,shed,kiosks,kiosk,Strathclyde Police,Civil Defence & Emergency Service Preservation Trust,Civil Defence & Emergency Service Preservation Trust and the Glasgow,Glasgow Building Preservation Trust,boxes,Glasgow police box,on top,miniature police station,light on top,Glasgow police boxes,telephone,light,architectural heritage,HotpixUK,Police,British Broadcasting Corporation,Merchant City,Police box,Public Call Box,police box,hotpix.org.uk
Description: Tony Smith image Alamy PE1J49 - A police box is a public phone.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>telephone kiosk or callbox for the use of members of the police, or for members of the public to contact the police. It was used in the United Kingdom throughout the 20th century from the early 1920s. Unlike an ordinary callbox, its telephone was located behind a hinged door so it could be used from the outside, and the interior of the box was, in effect, a miniature police station for use by police officers to read and fill in reports, take meal breaks and even temporarily hold prisoners until the arrival of transport.
Police boxes predate the era of mobile telecommunications
now members of the British police carry two-way radios and mobile phones rather than relying on fixed kiosks. Most boxes are now disused or have been withdrawn from service.
The typical police box contained a telephone linked directly to the local police station, allowing patrolling officers to keep in contact with the station, reporting anything unusual or requesting help if necessary. A light on top of the box would flash to alert an officer that they were requested to contact the station. Members of the public could also use the phone to contact a police station in an emergency or, in the case of the Metropolitan Police, for assistance with any matter normally within the purview of the police.
Police boxes were usually blue, with the most notable exception being Glasgow, where they were red until the late 1960s. In addition to a telephone, they contained equipment such as an incident book, a fire extinguisher and a first aid kit.
The blue police box is often associated with the science fiction television programme Doctor Who, in which the protagonist's time machine, a TARDIS, is in the shape of a 1960s British police box
High Street, Glasgow, UK
Description
Keywords: @HotpixUK,HotpixUK,Real Life,Glasgow,Love,Love Glasgow,love,We Love,neon,sign,shop,office,city,centre,UK,heart,GSofA,School of art,art,2017,Sinclair,Ross,Ross Sinclair artist,GSA,Neon Sculptural Installation,Neon Sculpture,red,yellow,red heart,Glasgow School Of Art,writer,musician,Scottish,Professor of Contemporary Art Practice,School of Fine Art,Real Life project,project,lighting,GoTonysmith,Commonwealth Games
Description: Tony Smith image Alamy 2A4PJJX - Ross Sinclair is an artist, writer and musician who is Professor of Contemporary Art Practice within the School of Fine Art at The Glasgow School of Art. He is best known for his Real Life' research project initiated when he had the words REAL LIFE tattooed in black ink across his back, at Terry's Tattoo parlour in Glasgow, 1994.
Sinclair completed a PhD by Published Work in 2016 where he interrogated and articulated the innovative nature of the Real Life project, unusual in its scale and duration, defining the contribution to contemporary art practice across the fields of sculpture, painting, performance, installation, critical writing and music. Drawing on these multi-disciplinary methodologies Sinclair maps out the forms, materials and processes activated over almost 25 Years of Real Life Projects, that often combine unusual and unorthodox approaches challenging conventional modes of exhibition practice, enabling new means of engagement with the viewer. The multi part thesis submitted claims these routes as an autonomous, artist initiated project, connecting with the public at a dynamic intersection of ideas, context, performance and art-practice.
Sinclair's Real Life Project is set in a critical framework of contested paradigms of Everyday Life and The Real and acknowledges the influence of key critical thinkers over the quarter century of its development from Barthes, Baudrillard and De Certeau, through Bourriaud, Bishop and Kester and more recently in Harman, Mark Fisher and Paul O'Neill amongst many others. The project has been punctuated by the exploration of individual and collective relationships with Real Life particularly viewed through contemporary paradigms constructing society such as: Democracy, Utopia, Justice, Capitalism, Geography and History, the Church, the Bank, the State, while in parallel addressing the role of the tattooed artist himself.
Description
Keywords: HotpixUK,GoTonySmith,UK,local government body local government,Glasgow,G2 1DU,Glasgow Corporation,Corporation,local authority,Glasgow District Council,Strathclyde,Glasgow City Council,George Square,George Sq,gothic,building,architecture,listed,Beaux arts style,Beaux arts,style,The Chambers,council,labour,councillors,accountability,liberal,SNP,local government,town hall,city,hall,1880,1880s,GB,Great Britain,Commonwealth Games,2026,pride
Description: Tony Smith image Alamy P72CW0 - The City Chambers or Municipal Buildings in Glasgow, Scotland, has functioned as the headquarters of Glasgow City Council since 1996, and of preceding forms of municipal government in the city since 1889, located on the eastern side of the city's George Square. An eminent example of Victorian civic architecture, the building was constructed between 1882 and 1888 to a competition winning design by Scottish architect William Young a native of Paisley.
Inaugurated in August 1888 by Queen Victoria, the first council meeting was held within the chambers in October 1889. The building originally had an area of 5,016 square metres. In 1923, an extension to the east side of the building in John Street was opened and in 1984 Exchange House in George Street was completed, increasing the size of the City Chambers complex to some 14,000 square metres.
The need for a new city chambers had been apparent since the 18th century, with the old Tolbooth at Glasgow Cross becoming insufficient for the purposes of civic government in a growing town with greater political responsibilities. In 1814, the Tolbooth was sold with the exception of the steeple, which still remains and the council chambers moved to Jail Square in the Saltmarket, near Glasgow Green. Subsequent moves were made to Wilson Street and Ingram Street. In the early 1880s, City Architect John Carrick was asked to identify a suitable site for a purpose built City Council Chambers. Carrick identified the east side of George Square, which was then bought.
The new City Chambers initially housed Glasgow Town Council from 1888 to 1895, when it was replaced by Glasgow Corporation. It remained the Corporation's headquarters until it was replaced by Glasgow District Council under the wider Strathclyde Regional Council in May 1975. The City Chambers has been the headquarters of Glasgow City Council since April 1996, when it replaced the District Council with the abolition of the Strathclyde Region.
82 George Square, Glasgow, Scotland, UK, G2 1DU
Description
Keywords: HotpixUK,GoTonySmith,police box,blue,Police,Scotland,City Centre,area,British Broadcasting Corporation,Public Call Box,Glasgow,Merchant City,UK,box,Police box,blue police box,miniature police station,telephone,light,on top,top,light on top,Glasgow police box,Glasgow police boxes,boxes,Civil Defence & Emergency Service Preservation Trust and the Glasgow,Glasgow Building Preservation Trust,Civil Defence & Emergency Service Preservation Trust,architectural heritage,Strathclyde Police,shed,kiosks,kiosk,door,window,public police telephone,Gilbert MacKenzie Trench,G1,blue box,Scottish
Description: Tony Smith image Alamy P72DHC - A police box is a public telephone kiosk or callbox for the use of members of the police, or for members of the public to contact the police. It was used in the United Kingdom throughout the 20th century from the early 1920s. Unlike an ordinary callbox, its telephone was located behind a hinged door so it could be used from the outside, and the interior of the box was, in effect, a miniature police station for use by police officers to read and fill in reports, take meal breaks and even temporarily hold detainees until the arrival of transport.
The TARDIS Time And Relative Dimension In Space is a fictional time machine and spacecraft that appears in the British science fiction television series Doctor Who and its various spin-offs.
The TV show Doctor Who mainly features a single TARDIS used by the central character the Doctor. However, in the series other TARDISes are sometimes seen or used. The Doctor's TARDIS has a number of features peculiar to it, notably due to its age and personality. While other TARDISes have the ability to change their appearance in order to blend in with their surroundings, the chameleon circuit in the Doctor's TARDIS is broken, and it always resembles a police box. However, in the new series, a perception filter is used to blend in with the surroundings so it is often ignored by passersby. While the exterior is of limited size, the TARDIS is much bigger on the inside, containing an apparently infinite number of rooms, corridors and storage spaces within.
Doctor Who has become so much a part of British popular culture that the shape of the police box has become associated with the TARDIS rather than with its real-world inspiration. The name TARDIS is a registered trademark of the British Broadcasting Corporation (BBC). The police box design has also been registered as a trademark by the BBC, despite the design having been created by the Metropolitan Police. The word TARDIS is listed in the Oxford English Dictionary.
Brunswick St, Glasgow, Scotland, UK, G1 1HD
Description
Keywords: style,Glasgow Queen St,Scotland,gotonysmith,grafitti,art,vandelism,UK,walking,walks,a,dog street art,Banksy,G1,Queen Street,Glasgow,G1 3DD,yard,alley,alleyway,back entry,boy,dog,stencil,stencils,walk,pasteup,paste up,hoodie,youth,young,adolescent,adolescents,threat,threatening,stencilled,Hip-Hop,HipHop
Description: Tony Smith image Alamy HKHW64 - . Made at Queen Street, Glasgow, Scotland, UK, G1 3DD in 2017, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Boy walking his dog stencil, Queen Street, Glasgow, Scotland, UK, G1 3DD. Another layer of the photograph includes local history, visual archive, everyday life, temporary artwork, street creativity, visual street culture, changing land use, local character, public art, period detail, mural culture, street-level design, documentary photography, and community art. The wider contemporary story combines local identity, temporary works and the role of murals and stencils in giving creative districts a distinctive identity. For later comparison, the photograph preserves equipment and working practice at Queen Street, Glasgow, Scotland, UK, G1 3DD, details that may look very different after replacement signage. Further associations within the scene are community identity, archival record, public realm, social history, before-and-after reference, graffiti heritage, regional identity, and historical comparison. The combination of Scotland, walking, stencil, Queen, and Glasgow anchors the frame to a recognisable activity, place or moment. Around Queen Street, Glasgow, Scotland, UK, G1 3DD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is local identity and the blurred boundary between commissioned public art and unsanctioned graffiti as part of the longer story of Queen Street, Glasgow, Scotland, UK, G1 3DD. The setting also helps illustrate regeneration and the role of murals and stencils in giving creative districts a distinctive identity when considered against later change at Queen Street, Glasgow, Scotland, UK, G1 3DD.
Queen Street, Glasgow, Scotland, UK, G1 3DD
Description
Keywords: Glasgow,city,centre,gotonysmith,stairs,arts,artscentre,center,11,Mitchell Ln,Scotland,UK,G1 3NU,G1,the,building,architecture,stair,spiral,Glasgow City Council,GCG,Centre for Design and Architecture,Scotlands,offices,Glasgow Herald newspaper.,trust,Mackintosh Tower,tower,helical,tourist,attraction,tourism,view,viewpoint,1895,architect Charles Rennie Mackintosh
Description: Tony Smith image Alamy HKHWCP - The Lighthouse in Glasgow is Scotland's Centre for Design and Architecture. It was opened as part of Glasgow's status as the UK City of Architecture and Design in 1999.
The Lighthouse is the renamed conversion of the former offices of the Glasgow Herald newspaper. Completed in 1895, it was designed by the architect Charles Rennie Mackintosh. The centre's vision is to develop the links between design, architecture, and the creative industries, seeing these as interconnected social, educational, economic and cultural issues of concern to everyone.
The Lighthouse today
The Lighthouse Trust went into administration in August 2009. At its peak the Lighthouse Trust employed around 90 staff. Its directors moved on: Nick Barley became director of the Edinburgh International Book Festival. Following a substantial redundancy programme the remaining staff were transferred to Architecture and Design Scotland (A+DS) and Glasgow City Council (GCC). The Lighthouse building remains in the ownership of Glasgow City Council, which has made financial provision to meet the costs of operating the centre, re-establishing it as Scotland's National Centre for Architecture and Design
11 Mitchell Ln, Glasgow, Scotland, UK, G1 3NU
Description
Keywords: Caledonian,railway,Caledonian railway,names,to the honoured memory of the men,served,the railways,in memoriam,sacrificed,their,lives,Glasgow Central,Great War,Glaswegian,Glaswegians,G1,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ66C - Inscription:
To the honoured memory of the men of the Caledonian Railway who gave their lives for their country in the Great War 1914 - 1918
Adam, Harry Alexander, David Alexander, John Allan, Matthew Allison, George Anderson, John Anderson, John Anderson, Thomas Anderson, Thomas Anderson, William Archibald, Geo. Archibald, John Archibald, Robert Baillie, John Baird, William Bairden, Andrew Ballantyne W. G. Ballentine, Jas. Barclay, Geo. Barclay, Robert Barker, Herbert R. Barnes, Douglas Barnes, John Barnes, John Barr, William Barron, John Bateman, Henry Beaton, John Begg, William Pollock Bell, John W. Bell, Robert Bell, Thomas Black, Francis A. Black, Henry Blair, Jas. McLay Blair, John A. Blythman, Charles Borland, Henry Borthwick, Hugh Boyd, Hugh Boyd, Robert S. Boyle, John Boyle, John Boyle, Patrick Boyle, Peter Boyles, Charles Braid, George Briggs, Wiliam C. Brodie, Thomas R. Brodie, William Brooks, Robert Brough, Alfred Brown, Charles Brown, Donald Brown, George Brown, Hugh Brown, James Brown, James Brown, Thomas Brown, Thomas Brown, William Brown, William J. Brownlie, John Bruce, Robert Buchanan, Jas. Buchanan, John Buchanan, Lauchlan Budd, James Buick, William Burnett, Geo. Burnett, Gladstone Burns, David Burrell, Adam Butchart, William Cairney, William Cairns, William Calderwood, William Cameron, Peter Cameron, Robert Cameron, Roderick Campbell, Jas. Campbell, Jas. Campbell, John Campbell, John Campbell, John Campbell, John K. Campbell, Matthew J. Campbell, Samuel Campbell, William Campbell, William S. Cargill, Daniel Cartner, John Casey, Bernard Cation, Thomas Chalmers, Archibald Chapman, John Cherry, Thomas Chilcott, Edward Christie, Jas. Church, Robert Clapperton, John Clark, Alexander Clark, James Clark, John B. Clark, Robert Cleghorn, Herbert S. Clink, John Cloughley, David Coates, Alexander Cogan, John Colquhoun, Archibald Colvin, James Connell, Hugh Connor, John J. Cooper, Hubert Couper, Thomas S. Cowan, Alexander Cowan, and others....
Glasgow Central Station, Gordon Street, Glasgow, G1 3SL, Scotland,UK
Description
Keywords: Caledonian,railway,Caledonian railway,names,to the honoured memory of the men,served,the railways,in memoriam,sacrificed,their,lives,Glasgow Central,Great War,Glaswegian,Glaswegians,G1,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ66R - Inscription:
To the honoured memory of the men of the Caledonian Railway who gave their lives for their country in the Great War 1914 - 1918
Adam, Harry Alexander, David Alexander, John Allan, Matthew Allison, George Anderson, John Anderson, John Anderson, Thomas Anderson, Thomas Anderson, William Archibald, Geo. Archibald, John Archibald, Robert Baillie, John Baird, William Bairden, Andrew Ballantyne W. G. Ballentine, Jas. Barclay, Geo. Barclay, Robert Barker, Herbert R. Barnes, Douglas Barnes, John Barnes, John Barr, William Barron, John Bateman, Henry Beaton, John Begg, William Pollock Bell, John W. Bell, Robert Bell, Thomas Black, Francis A. Black, Henry Blair, Jas. McLay Blair, John A. Blythman, Charles Borland, Henry Borthwick, Hugh Boyd, Hugh Boyd, Robert S. Boyle, John Boyle, John Boyle, Patrick Boyle, Peter Boyles, Charles Braid, George Briggs, Wiliam C. Brodie, Thomas R. Brodie, William Brooks, Robert Brough, Alfred Brown, Charles Brown, Donald Brown, George Brown, Hugh Brown, James Brown, James Brown, Thomas Brown, Thomas Brown, William Brown, William J. Brownlie, John Bruce, Robert Buchanan, Jas. Buchanan, John Buchanan, Lauchlan Budd, James Buick, William Burnett, Geo. Burnett, Gladstone Burns, David Burrell, Adam Butchart, William Cairney, William Cairns, William Calderwood, William Cameron, Peter Cameron, Robert Cameron, Roderick Campbell, Jas. Campbell, Jas. Campbell, John Campbell, John Campbell, John Campbell, John K. Campbell, Matthew J. Campbell, Samuel Campbell, William Campbell, William S. Cargill, Daniel Cartner, John Casey, Bernard Cation, Thomas Chalmers, Archibald Chapman, John Cherry, Thomas Chilcott, Edward Christie, Jas. Church, Robert Clapperton, John Clark, Alexander Clark, James Clark, John B. Clark, Robert Cleghorn, Herbert S. Clink, John Cloughley, David Coates, Alexander Cogan, John Colquhoun, Archibald Colvin, James Connell, Hugh Connor, John J. Cooper, Hubert Couper, Thomas S. Cowan, Alexander Cowan, and others....
Glasgow Central Station, Gordon Street, Glasgow, G1 3SL, Scotland,UK
Description
Keywords: SNP,Hollyrood,back,into,state,ownership,after,poor,service,renationalise,nationalised,TOC,national,late,overcrowded,trains,fines,fine,penalty,penalties,transport,travel,infrastructure,slow,packed,Dutch,operator,devolved,powers,Scottish National Party,train operating company,Scotrail Franchise,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,livery,electric multiple-unit,Strathclyde rail network,Alba,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre,Scotrail problems,Scotrail delays,Scot Rail problems,Scot rail delays,British Rail Class 320,Reile na h-Alba
Description: Tony Smith image Alamy HEJ6B0 - Thousands sign petition calling for Dutch firm Abellio to be stripped of ScotRail contract
THE Dutch firm running ScotRail have come under constant criticism due to the poor performances. NEARLY 14,000 people have called for the controversial Dutch firm in charge of Scotland's train service to be stripped of their contract unless ScotRail improves.
The online petition urges the Scottish Government to take action against Abellio over the delays and cancellations suffered by commuters using ScotRail. The firm have already been hit with £1.5million in fines for poor service.
Glasgow, Scotland, UK
Description
Keywords: SNP,Hollyrood,back,into,state,ownership,after,poor,service,renationalise,nationalised,TOC,national,late,overcrowded,trains,fines,fine,penalty,penalties,transport,travel,infrastructure,slow,packed,Dutch,operator,devolved,powers,Scottish National Party,train operating company,Scotrail Franchise,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,livery,EMU,320412,Class 320,electric multiple-unit,Strathclyde rail network,wide,pano,panorama,Alba,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre,Scotrail problems,Scotrail delays,Scot Rail problems,Scot rail delays,British Rail Class 320,Reile na h-Alba
Description: Tony Smith image Alamy HEJ6B6 - The British Rail Class 320 is an alternating current (AC) electric multiple-unit (EMU) train found on the Strathclyde rail network in Central Scotland, and used on the North Clyde Line between Balloch and Airdrie via Glasgow Queen Street and also the Argyle Line between Dalmuir and Milngavie to Motherwell and Larkhall stations via Glasgow Central they can also be seen on Glasgow Central to Lanark duties along with Class 318 and British Rail Class 380 trains
Thousands sign petition calling for Dutch firm Abellio to be stripped of ScotRail contract
THE Dutch firm running ScotRail have come under constant criticism due to the poor performances. NEARLY 14,000 people have called for the controversial Dutch firm in charge of Scotland's train service to be stripped of their contract unless ScotRail improves.
The online petition urges the Scottish Government to take action against Abellio over the delays and cancellations suffered by commuters using ScotRail. The firm have already been hit with £1.5million in fines for poor service.
Glasgow, Scotland, UK
Description
Keywords: street,Wilson street,time,night,night time,nighttime,Wilson St,Glasgow,Scotland,UK,city,centre,window,Time And Relative Dimension In Space,city centre,Glasgow City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism
Description: Tony Smith image Alamy HEJ5NC - The TARDIS (UK /ˈtɑːdɪs/
US /ˈtɑːrdɪs/
Time And Relative Dimension In Space) is a fictional time machine and spacecraft that appears in the British science fiction television programme Doctor Who and its various spin-offs.
A TARDIS is a product of the advanced technology of the Time Lords, an extraterrestrial civilisation to which the programme's central character, the Doctor, belongs. A properly maintained and piloted TARDIS can transport its occupants to any point in time and space. The interior of a TARDIS is much larger than its exterior. It can blend in with its surroundings using the ship's chameleon circuit. TARDISes also possess a degree of sapience and provide their users with additional tools and abilities including a universal translation system based on telepathy.
In the series, the Doctor pilots an apparently unreliable, obsolete TARDIS
in the episode Let's Kill Hitler (2011), it is designated TT Type 40, Mark 3. Its chameleon circuit is broken, leaving it stuck in the shape of a 1960s-style London police box after a visit to London in 1963. The Doctor's TARDIS was for most of the series' history said to have been stolen from the Time Lords' home planet, Gallifrey, where it was old, decommissioned and derelict.
The unpredictability of the TARDIS' short-range guidance (relative to the size of the Universe) has often been a plot point in the Doctor's travels. In The Doctor's Wife, the TARDIS reveals that much of this unpredictability was actually intentional on its part in order to get the Doctor where he needed to go as opposed to where he wanted to go.
Doctor Who has become so much a part of British popular culture that the shape of the police box become more immediately associated with the TARDIS than with its real-world inspiration. The name TARDIS is a registered trademark of the British Broadcasting Corporation (BBC)
Wilson st, Glasgow, Scotland, UK
Description
Keywords: City Centre,office,building,architecture,G1,30,St Vincent,Pl,place,Victorian,old,Bank,Chambers,chamber,PLC,headquarter,office,banking,money,licence,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ5WT - . An identifiable period record of 30 St Vincent Pl, Glasgow, Glasgow, Scotland G1 2HL in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The photograph centres on Clydesdale Bank Chambers at Night,Glasgow,near George Square, Scotland, UK. The frame also records themes of public transport stop, archival record, local mobility, contemporary social history, changing streetscape, community identity, roadside stop, visual archive, social history, everyday life, public realm, roadside transit, street-side transport, and public transport information. The wider contemporary story combines reliability, bus service funding and the importance of bus stops as the physical interface between passengers and public transport. The archival value lies partly in recording signage and branding around 30 St Vincent Pl, Glasgow, Glasgow, Scotland G1 2HL before later reinterpretation alters the character of the place. The wider setting retains connections with documentary photography, changing land use, surface public transport, regional identity, local character, period detail, transport accessibility, and local bus network. Elements such as George, Chambers, Square, Night, and Glasgow add documentary specificity and may become increasingly useful when compared with later records. A later view of 30 St Vincent Pl, Glasgow, Glasgow, Scotland G1 2HL may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate reliability and the importance of bus stops as the physical interface between passengers and public transport when considered against later change at 30 St Vincent Pl, Glasgow, Glasgow, Scotland G1 2HL. The image fixes details of everyday use as a date-specific reference. It also preserves evidence of changing use for later comparison.
30 St Vincent Pl, Glasgow, Glasgow, Scotland G1 2HL
Description
Keywords: Glaswegian,hello,Hello Glasgow,lit,lighted,up,illumination,illuminated,Hola,Glasgow,neon,sign,city,centre,Glasgow!,signs,electric,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ5YG - . This scene at Glasgow City, Scotland, UK in 2016 forms part of the visual story.htm Target=_Blank>history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Hola Glasgow red neon sign, city Centre,Scotland,UK. Further facets of the scene include social history, wayfinding marker, place identity, local information board, local character, community identity, route marker, street furniture, public realm, transport stop marker, changing land use, local history, regional identity, and before-and-after reference. For current editorial use, inclusive design and accessibility provide additional context, especially through the importance of clear wayfinding in public and transport environments. As a dated visual record of Glasgow City, Scotland, UK, the frame retains transport arrangements and footfall, making it especially useful if refurbishment subsequently changes the scene. Further associations within the scene are archival record, contemporary social history, visual archive, roadside information, documentary photography, navigation aid, directional sign, and visitor guidance. References to Glasgow, Scotland, and Centre give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Glasgow City, Scotland, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for inclusive design and how small pieces of street furniture become recognisable parts of local identity as part of the longer story of Glasgow City, Scotland, UK. Another useful connection is maintenance and how signs record changing road names, destinations and administrative responsibility when considered against later change at Glasgow City, Scotland, UK. The record includes part of the area's social history for future local research.
Glasgow City, Scotland, UK
Description
Keywords: SNP,Hollyrood,back,into,state,ownership,after,poor,service,renationalise,nationalised,TOC,national,late,overcrowded,trains,fines,fine,penalty,penalties,transport,travel,infrastructure,slow,packed,Dutch,operator,devolved,powers,Scottish National Party,train operating company,Scotrail Franchise,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,livery,EMU,Motherwell,dusk,evening,morning,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre,Scotrail problems,Scotrail delays,Scot Rail problems,Scot rail delays
Description: Tony Smith image Alamy HEJ61X - Thousands sign petition calling for Dutch firm Abellio to be stripped of ScotRail contract
THE Dutch firm running ScotRail have come under constant criticism due to the poor performances. NEARLY 14,000 people have called for the controversial Dutch firm in charge of Scotland's train service to be stripped of their contract unless ScotRail improves.
The online petition urges the Scottish Government to take action against Abellio over the delays and cancellations suffered by commuters using ScotRail. The firm have already been hit with £1.5million in fines for poor service.
Glasgow, Scotland, UK
Description
Keywords: Postit,postits,board,white,whiteboard,flip,chart,flipchart,teambuilding,brain,storming,activity,team,building,session,technique,techniques,idea,ideas,business,candid,connect,diagram,discussion,discussions,idea,ideas,meeting,sticky,note,notes,sticky notes,working,work,strategy,brainstorm,planning,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,city,problem,with,problem with,issue with,What are the anchors of our strategy?,What,are,the,anchors,of,our,strategy,Office Team Building,Office Team Building,Office,Team,Building,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEJ632 - . This dated editorial view of Motherwell,North Lanarkshire, Scotland,UK in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The frame specifically shows Strategy and Values brainstorming office training team building session- What are the anchors of our strategy?. A broader reading of the photograph includes historic townscape, heritage landmark, conservation interest, place identity, changing land use, cityscape history, before-and-after reference, documentary photography, historical comparison, visual archive, regional identity, community identity, built heritage, and period architecture. The modern context includes continuing discussion of redevelopment pressure, planning control and the value of architectural landmarks to local identity and tourism. For later comparison, the photograph preserves street furniture and boundaries at Motherwell,North Lanarkshire, Scotland,UK, details that may look very different after later reinterpretation. A second descriptive layer includes contemporary social history, conservation architecture, social history, archival record, period building, urban fabric, everyday life, and architectural detail. The recorded references to session-, brainstorming, building, Values, and office preserve clues about how the subject was presented, used or understood at the time. Around Motherwell,North Lanarkshire, Scotland,UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is redevelopment pressure and the value of architectural landmarks to local identity and tourism within the real-world context of Motherwell,North Lanarkshire, Scotland,UK. The wider significance includes embodied carbon and the value of architectural landmarks to local identity and tourism within the specific setting of Motherwell,North Lanarkshire, Scotland,UK.
Motherwell,North Lanarkshire, Scotland,UK
Description
Keywords: Glasgow,in,wood,Swoosh,Europe,City,Centre,Orange Nike,shop logo,shop window,Swoosh Logo,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotland,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,brand,logos,trading,shoes,shoe,running,runner,popular
Description: Tony Smith image Alamy H9PM3A - . This location-specific image from Buchanon St,Glasgow,Scotland,UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The main point of reference is Orange Nike shop logo in shop window,Glasgow. A broader reading of the photograph includes visual archive, place identity, customer footfall, documentary photography, period detail, small business, historical comparison, commercial frontage, public realm, everyday life, local trading, specialist retailer, before-and-after reference, and retail property. In present-day coverage, the subject reaches into online shopping and consumer spending, not least because of how shopfronts become short-lived records of changing businesses and branding. Future viewers can use this scene from Buchanon St,Glasgow,Scotland,UK to compare transport arrangements and footfall with whatever follows after later reinterpretation. The subject also sits alongside changing land use, town-centre economy, archival record, local story.htm Target=_Blank>history, independent retail, regional identity, social history, and shopfront economy. The combination of Orange, window, and Glasgow anchors the frame to a recognisable activity, place or moment. A later view of Buchanon St,Glasgow,Scotland,UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects online shopping and how consumer spending and property costs shape local commercial streets within the specific setting of Buchanon St,Glasgow,Scotland,UK. Its period value extends to store closures and how consumer spending and property costs shape local commercial streets as part of the longer story of Buchanon St,Glasgow,Scotland,UK. The scene captures a trace of local identity as part of Buchanon St,Glasgow,Scotland,UK's history. The period view preserves a local visual benchmark for future local research.
Buchanon St,Glasgow,Scotland,UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,Glasgow,Station,City Centre,Centre,metro,line,SPT,Strathclyde Partnership for Transport,train,trains,Inner Circle
Description: Tony Smith image Alamy H9PM3C - . Recorded at the recorded location in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows St Enoch subway Underground Station, Glasgow,Scotland. Other connected aspects include transport accessibility, public transport stop, public realm, period detail, public transport information, bus route infrastructure, changing land use, community identity, historical comparison, street-side transport, bus infrastructure, documentary photography, local history, and contemporary social history. Today's relevance is strengthened by local connectivity, passenger information and the continuing question of the importance of bus stops as the physical interface between passengers and public transport. For later comparison, the photograph preserves commercial use and occupation at the recorded location, details that may look very different after different community use. The subject also sits alongside roadside transit, surface public transport, place identity, visual archive, local mobility, changing streetscape, before-and-after reference, and roadside stop. Elements such as Enoch, Glasgow, Scotland, Underground, and subway add documentary specificity and may become increasingly useful when compared with later records. The lack of a more precise address does not reduce the archival value of H9PM3C: the photographed subject, St Enoch subway Underground Station, Glasgow,Scotland, remains tied to a specific date and visual context. Another useful connection is local connectivity and the importance of bus stops as the physical interface between passengers and public transport when considered against later change at the recorded location. The scene further reflects accessibility and the importance of bus stops as the physical interface between passengers and public transport without losing the local specificity of the recorded location.
Description
Keywords: trains,traveler,journey,traveller,travelers,infrasructure,infrastructure,Network,transit,TOC,privatised,public,ownership,public,building,Victorian,platform,Scotrail,City,Centre,Glasgow Central,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scotland,Street,Glasgow,G1,3SL,at,dusk,evening,red,lights,dawn,travel,tourism,delay,Virgin,trains,WCML,Virgin,trains,WCML,West,Coast,Main,Line,Intercity,Inter-City,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Gordon St,G1 3SL,Gordon Street,Gordon St,Platform passengers,In The Evening,On the platform,Dawn Train,Network Rail,Virgin Trains,Virgin Trains,Main Line
Description: Tony Smith image Alamy H9PM3E - . This authentic period view of Gordon St, Glasgow G1 3SL in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The frame specifically shows Glasgow Central Station - Passengers waiting on concourse. A broader reading of the photograph includes local mobility, changing land use, before-and-after reference, street-side transport, community identity, transport accessibility, public transport information, social history, place identity, visual archive, local history, contemporary social history, regional identity, and local character. For current editorial use, reliability and rural transport provide additional context, especially through the importance of bus stops as the physical interface between passengers and public transport. Future viewers can use this scene from Gordon St, Glasgow G1 3SL to compare street furniture and boundaries with whatever follows after changing commercial priorities. The surrounding story also includes archival record, public transport stop, period detail, changing streetscape, bus route infrastructure, everyday life, local bus network, and surface public transport. The combination of concourse, waiting, Central, Glasgow, and Passengers anchors the frame to a recognisable activity, place or moment. By fixing the subject within Gordon St, Glasgow G1 3SL, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate reliability and the importance of bus stops as the physical interface between passengers and public transport within the specific setting of Gordon St, Glasgow G1 3SL. The image also provides a reference for rural transport and how local bus services affect access to work, education and healthcare as part of the longer story of Gordon St, Glasgow G1 3SL. Image H9PM3E also remains a dated record of Gordon St, Glasgow G1 3SL.
Gordon St, Glasgow G1 3SL
Description
Keywords: transport,rail,train,passenger,journey,traveller,passengers,infrasructure,infrastructure,Network,transit,TOC,privatised,public,public,building,Victorian,platform,Scotrail,Euston,Passengers boarding,West Coast Main Line,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scotland,Street,Glasgow,G1,3SL,at,dusk,evening,red,lights,dawn,travel,tourism,light,daytime,Virgin,trains,WCML,West,Coast,Main,Line,Intercity,Inter-City,City,Centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Gordon St,G1 3SL,Gordon Street,Gordon St,Platform passengers,In The Evening,On the platform,Dawn Train,Network Rail,walking down the platform,Virgin Trains,Main Line,City Centre
Description: Tony Smith image Alamy H9PM3F - . Made at Gordon St, Glasgow G1 3SL in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Glasgow Central Station - Passengers boarding Euston West Coast Main Line Train. The broader subject matter reaches into regional identity, public transport information, bus infrastructure, before-and-after reference, changing land use, place identity, local mobility, public transport stop, changing streetscape, surface public transport, bus route infrastructure, community identity, documentary photography, and period detail. Today's relevance is strengthened by passenger information, rural transport and the continuing question of the shift toward cleaner buses and integrated ticketing. The image fixes street furniture and boundaries within Gordon St, Glasgow G1 3SL at one identifiable point, providing a benchmark against changing commercial priorities. The wider setting retains connections with roadside stop, public realm, street-side transport, local character, contemporary social history, visual archive, everyday life, and local bus network. References to Coast, Station, Euston, Glasgow, and boarding give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Gordon St, Glasgow G1 3SL, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is passenger information and the shift toward cleaner buses and integrated ticketing within the specific setting of Gordon St, Glasgow G1 3SL. The setting also helps illustrate integrated transport and the challenge of maintaining reliable services outside dense city centres as part of the longer story of Gordon St, Glasgow G1 3SL. The period view preserves evidence of earlier appearance for later comparison.
Gordon St, Glasgow G1 3SL
Description
Keywords: Annan,Scottish,Churches,religion,Anglican,Anglicans,clockface,history,historic,spire,summer,evening,morning,iconic,annandale,britain,clock,dumfriesshire,great,kingdom,red,sandstone,scotland,scottish,tower,town,Old Parish Church,of Scotland,GoTonySmith,AD 573 "" St Mungo passes through Annandale,AD,686,"",Abbot,Adamnan,of,Iona,at,Annan,Waterfoot,AD,1148,"",St,Malachi,Bishop of Clairvaux,visits,Bruce,at,Annan.,AD,1171,"",Church,of,Annan,built,by,Robert,Bruce,near,the,site,of,the,Town,Hall.,AD,1187,"",William,Dean of the Valley of Annan,witnesses,the,charter.,AD,1196,"",Incumbent,of,Annan,Ministers,in,plague.,AD,1223,"",Church,transferred,to,See,of,Glasgow,from,Gwsborough.,AD,1265,"",Stipend,increased,by,forty,shillings,Robert,the,rector,collects,a,hundred,shillings.,AD,1213,"",Rector,established,in,Annan,by,the,Dean,of,Glasgow,succeeding Robert the Rector. AD 1327 "" Robert,Rector of Annan. AD 1335 "" Walter,Rector of Annan,translated to Dronnok (Dornock) AD 1474 "" Gilbert Maxwell,Rector of Annan. AD 1487 "" William Turnbull,Rector of An,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY3KN4 - AD 573 St Mungo passes through Annandale
AD 686 Abbot Adamnan of Iona at Annan Waterfoot
AD 1148 St Malachi, Bishop of Clairvaux, visits Bruce at Annan.
AD 1171 Church of Annan built by Robert Bruce near the site of the Town Hall.
AD 1187 William, Dean of the Valley of Annan, witnesses the charter.
AD 1196 Incumbent of Annan Ministers in plague.
AD 1223 Church transferred to See of Glasgow from Gwsborough.
AD 1265 Stipend increased by forty shillings, Robert the rector collects a hundred shillings.
AD 1213 Rector established in Annan by the Dean of Glasgow, succeeding Robert the Rector.
AD 1327 Robert, Rector of Annan.
AD 1335 Walter, Rector of Annan, translated to Dronnok (Dornock)
AD 1474 Gilbert Maxwell, Rector of Annan.
AD 1487 William Turnbull, Rector of Annan.
AD 1510 Sir Adam Turnbull, Rector of Annan.
AD 1535 John Tumour, Rector of Annan.
AD 1538 In recognition of the towns loyalty a Charter was granted to Annan by King James V.
AD 1560 The reformation. The Scottish church breaks its ties with Rome.
AD 1597 David Miller
AD 1605 James French MA
AD 1607 Simon Johnstone MA
AD 1609 Church built behind site of Town Hall
AD 1612 The town's Royal Burgh status was reaffirmed by King James VI
AD 1660 Wilaim Bailhie MA
AD 1664 Patrick Inglis
AD 1687 James Kinnear MA
AD 1696 Robert Colville MA
AD 1703 Thomas Howie
AD 1754 William Moncreiff
AD 1783 William Hardie Moncreiff
AD 1789 The present church is built
AD 1825 James Monilaws
AD 1871 James Alexander Crichton MA (1893 DD)
AD 1909 Rev Neil McCaig MA, BD
AD 1950 Rev G.L.Heatley, MA, BD
AD 1974 Rev W.B.Ferguson, BA, BD
AD 1987 Rev A. Frater, BA, BD
AD 1995 Rev S.D.Rogerson, BSc, BD
AD 1997 Rev D.J.Macpherson, BSc, BD
AD 2004 Rev H.D. Steele, L.Th.Dip,Min
Scotts Street,Annan,Scotland,UK
Description
Keywords: train,line,track,platform,Scotrail,Scot,rail,Abellio,transport,co,company,Ned,Nedrailways,privatised,subsidy,subsidised,network,Dutch,national,operator,Nederlandse,Spoorwegen,Serco-Abellio,Serco,GB,Great,Britain,British,BR,Station Road,Annan,Dumfries and Galloway,Scotland,UK,Humza,Yousaf,GoTonySmith,anainn,gaelic,national,cycle,network,interchange,Glasgow,Carlisle,Abelio,poor,service,battle,with,Scotish,Scottish,Parliament,Govt,Government,political,pressure,mounts,2025,Alba,Abellio,transport,operator,Dutch,company,performance,late,fined,delay,delays,regulation,strip,viable,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Franchise Battle,political pressure,transport operator Abellio,Humza Yousaf,Rail passengers,public sector bid
Description: Tony Smith image Alamy EY3RM6 - Telegraph News from Nov 2016 - Abellio braces for Scotrail franchise battle as political pressure mounts
Transport operator Abellio is bracing for a battle with the Scottish Government to hold on to its Scotrail franchise as fresh data showed the number of delayed trains is increasing.
The Dutch company has admitted that its performance is not good enough but said after a scathing attack at the weekend from the Scottish Government that it would have no problem competing with a public-sector bidder for Scotrail.
Abellio won the franchise to run Scotland's train services until 2025 two years ago, but has since been fined £438,000 due to continued delays on its trains.
More info, see http://www.telegraph.co.uk/business/2016/11/21/abellio-braces-for-scotrail-franchise-battle-as-political-pressu/
Station Road,Annan,Dumfries and Galloway,Scotland, UK
Description
Keywords: buttons linked to bells apartments doorbell chime,chimes,control,pushes,original,dirty,tenement,edinburgh,glasgow,Scotland,england,london,typical,estate,agent,agents,Flat1,Flat2,Flat4,Flat5,GoTonySmith controls,Buy Pictures of,Buy Images Of,flat,button,buttons,intercom,brass,plate,leaseholders,renters,tenants,tenant,block,scheme,renters rights act,England,eviction notice,slump
Description: Tony Smith image Alamy ED4M2R - . A brass plate with buzzers for flats 1 to 5 with buttons linked to bells. The photograph was taken on 26 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with brass, plate, buzzers, flats, buttons linked to bells apartments doorbell chime, chimes, control, pushes, original and dirty, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Description
Keywords: Centre,hidden,off,the,tourist,track,places,to,visit,in,Strathclyde,Victorian,Glasgow,shopping,mall,Scotland,UK,shoppers,tourists,shopping,in,olde,fashioned,glass,roof,roofed,building,upmarket,center,luxury,expensive,jewelry,jewellry,covered,jewellers,shops,stores,store,retail,traditional,scottish,Gotonysmith,in,the,city,United,kingdom,Great,Britain,30,Buchanan,Street,Merchant City,Glasgow G2 8BG G28BG City Centre,Merchant City,Buchanan Street,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG38H8 - . Mr Harold & Sons shop in the Argyll Arcade Victorian Glasgow shopping mall , Scotland, UK. Photographed at 30 Buchanan Street, Merchant City, Glasgow, Scotland UK G2 8BG. The photograph was taken on 29 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Harold, Sons, shop, Argyll, Arcade, hidden, off, track, places and visit, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
30 Buchanan Street, Merchant City, Glasgow, Scotland UK G2 8BG
Description
Keywords: Princes,sq,Square,Glasgow,City,Scotland,UK,old,building,buildings,stone,architecture,retail,shopping,shops,november,Buy Pictures of,Buy Images Of,GoTonySmith,restaurant,buzzys,banners,glasswork,inside,frontage,Street,Sq,Sq.,40-48,Buchanan,Strathclyde,3JX,G1,to,Queen,glass,facade,interior,space
Description: Tony Smith image Alamy DG38WF - . Princes Square, Glasgow City, Scotland, UK. Photographed at Princes Square, Glasgow, Scotland, UK. The photograph was taken on 29 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The interior viewpoint records fittings, surfaces, decoration and spatial details that help show how the premises or public space was arranged when photographed. The scene is closely associated with Princes Square, Glasgow City, shop, Princes, Shopping, Glasgow, Interior, Square, buildings and stone, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is useful for editorial coverage of eating out, restaurant culture, food presentation, hospitality and the way international cuisine has become part of everyday dining in British cities. Food, crockery, tableware, menus, serving dishes and restaurant surroundings can provide strong visual cues for features about cuisine, ingredients, dining habits, tourism, leisure spending and the hospitality economy. The image is documentary rather than studio food photography, giving it relevance to real-world restaurant reviews, travel features, local food guides and stories about consumer choice. It also records the appearance and presentation of a meal at a particular time and place, useful for archive, lifestyle and social-history contexts. Search themes include restaurant dining, cuisine, food presentation, hospitality, eating out, table settings, tourism, consumer lifestyle and the local food economy. Because this is a real meal in a real venue rather than a studio arrangement, it has particular value for travel, dining and social-history features. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Princes Square, Glasgow, Scotland, UK
Description
Keywords: sq,sq.,centre,center,green,bronze,naked,man,Statue,outside,Princes,Square,shopping,Mall,48,Buchanan,Street,in,central,Glasgow,Scotland,UK,G1,3JN,As,proud,As,art,artist,work,works,gotonysmith,parts,dick,Shona,Kinloch,willy,Private Parts,penis,private,Glaswegian,wanger
Description: Tony Smith image Alamy DG391X - Shona Kinloch Born Glasgow, she studied sculpture at GSA , 1980-85, and was the winner of the Millie and Benno Schotz Award, 1985, and a Saltire Society Award, 1992.
Specialising in animal and figure sculptures, she has received several commissions for public sculpture in Glasgow:
Seven Glasgow Dogs, a popular though temporary feature of the 1988 Glasgow Garden Festival, As the Crow Flies, West Princes Street (1993), Chookie Burdies, on lampposts in Garnethill (1993), Thinking of Bella, Italian Centre, 179-180 Ingram Street (1994), In Pursuit of..., on the west wall of the Chancellor's Hall, University of Strathclyde (1996), and As Proud As..., Princes Square, Glasgow (2000).
She has also received commissions for work in Edinburgh, Kilmarnock, Loughborough (The Sock, 1998), East Kilbride and Hamilton (The Square Stars, 1998).
She has exhibited regularly throughout the UK since 1984, including at the RGIFA : showing Man With a Dog on His Shoulder, 1985, and Fish With a Dog Under Its Nose, 1987.
Her work is represented in numerous public collections including Pecking Hen, at the Lillie Art Gallery, Milngavie.
A number of her small-scale works form part of the Dr Helen Cargill Thomson Collection which was the subject of an exhibition at the Collins Gallery in 2000, for which the sculptor donated her sketches for In Pursuit of....
Further example's of Shona's small-scale, animal and figurative bronzes were exhibited at Ewan Mundy Fine Art, 221 West George Street, Glasgow, in April, 2002, and these will be shown again at The Scottish Gallery, Edinburgh from 8th June, 2002, including The Three Fancy Pigeons (Together) (2001).
She currently lives in East Kilbride
48 Buchanan Street, Glasgow Scotland UK G1 3JN
Description
Keywords: UK,grey,gray,concrete,building,material,materials,70s,1970s,Gotonysmith Built in 1971,it,was,a,celebrated,piece,of,Brutalist,architecture,at,its,opening,but,quickly,fell,out,of,favour.,Consisting,of,an,11-storey,office,tower,and an,indoor,market,on,the,ground,and,first,floors.,Full,of,tacky,clothes,shops,greasy spoon cafes,amusement,arcades,and,stalls,where,you,can,get,a,new,drive,belt,for,your,vacuum,cleaner.,You,get,the,picture.,Amazingly,it,is,part,of,a,grand,scheme,to,gut,the,building,completely,extend the office tower to a whopping 32-storeys,add,a,smaller,16-storey,one,for,good,measure,and,repackage,it,as,a,state,of,the,art,multi-use,complex.,This,was,all,reported,in,the,Evening,Times,in,2009,but,sadly,you,can,still,buy,a,processed,burger,in,the,Savoy,Centre.,Nearby,cities,Glasgow,Paisley,Greenock,In-Shops,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG3948 - Built in 1971, it was a celebrated piece of Brutalist architecture at its opening, but quickly fell out of favour. Consisting of an 11-storey office tower, and an In-Shops indoor market on the ground and first floors. Full of tacky clothes shops, greasy spoon cafes, amusement arcades and stalls where you can get a new drive belt for your vacuum cleaner. You get the picture.
Amazingly it is part of a grand scheme to gut the building completely, extend the office tower to a whopping 32-storeys, add a smaller 16-storey one for good measure and repackage it as a state of the art multi-use complex. This was all reported in the Evening Times in 2009, but sadly you can still buy a processed burger in the Savoy Centre.
Nearby cities: Glasgow, Paisley, Greenock
Savoy Centre, Glasgow scotland , UK
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,critics,architecture,eco,eco-friendly,largest,glass-covered,enclosed,area,in,Europe,Greenhouse,Scott,Lithgow,Roof,and,arty,Gotonysmith,lighting,lights,inside,interior,teal,colourful,colorful,shoppingmall,shoppingmalls
Description: Tony Smith image Alamy DG395F - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,critics,architecture,eco,eco-friendly,largest,glass-covered,enclosed,area,in,Europe,Greenhouse,Scott,Lithgow,Gotonysmith,inside,interior,space,art,lamps,lights,art,arty,design,innovation,innovative,ceailing,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG3968 - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,critics,architecture,eco,eco-friendly,largest,glass-covered,enclosed,area,in,Europe,Greenhouse,Scott,Lithgow,Gotonysmith,inside,interior,space,art,lamps,lights,firstforfamilies,first,for,families
Description: Tony Smith image Alamy DG39AE - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,architecture,glass,roof,eco,largest,glass-covered,enclosed,Europe,Greenhouse,Scott,Lithgow,dept,Gotonysmith,department,store,space,wifi,hotspot,hot,Arcadia
Description: Tony Smith image Alamy DG39CJ - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,architectural,critics,architecture,glass,roof,eco,eco-friendly,ecofriendly,largest,glass-covered,enclosed,area,in,Europe,Scott,Lithgow,Gotonysmith,close,up,closeup,close-up
Description: Tony Smith image Alamy DG39FN - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,critics,architecture,eco,eco-friendly,largest,glass-covered,enclosed,area,in,Europe,Greenhouse,Scott,Lithgow,Gotonysmith stenoch stenochs canopy entrance conservatory,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG39GJ - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: Waverley,station,at,dusk,in,winter,snow,Princes,St,Edinburgh,Scotland,UK,mainline,main,line,railway,station,train,gotonysmith,blue,evening,night,shot,red,lights,signals,signal,platforms,RF,hotel,clock,national,british,rail,Edinburgh,and,Glasgow,Railway,LEcosse,Edimbourg,Schotland,Schottland,La,Scozia,Edimburgo,Escocia,Edimburgo,railroad,tour,tours,tourist,BR,railtrack,Scotrail,scottish,independance,independence,home,rule,devolution,parliament,SNP,national,party,@Hotpixuk,Government,2014,Scots,vote,voting,gotonysmith,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre,Tourist Attraction,city Centre
Description: Tony Smith image Alamy CF7D88 - Waverley station at dusk in winter snow, Princes St, Edinburgh, Scotland, UK
Edinburgh Waverley railway station (referred to by National Rail simply as Edinburgh but also commonly called Waverley) is the main railway station in the Scottish capital Edinburgh. Covering an area of over 25 acres (101,000 m²) in the centre of the city, it is the second-largest main line railway station in the United Kingdom in terms of area, the largest being London Waterloo
it is one of 18 stations managed by Network Rail. It is the northern terminus of the East Coast Main Line, and the terminus of the Edinburgh branch of the West Coast Main Line.
Waverley is the second-busiest railway station in Scotland, with only Glasgow Central handling more passengers. According to Network Rail, which manages the station, over 19.2 million people use it annually
Waverley station, Princes St, Edinburgh, Scotland, UK
Description
Keywords: ginger,beer,alcoholic,crabbies,charing,cross,x,charingx,glasgow,clyde,scotland,grappenhall,warrington,cheshire,england,UK,GB,glass,gold,golden,ale,bubbles,logo,festival,GYCA,bellhouse,club,lane,cat,cheshire cat,hotpix,hotpixuk,tony,smith,this photo rocks,Hotpicks,hotpics,hot,pics,pix,picks,hotpix.freeserve.co.uk,edinbrugh
Description: Tony Smith image Flickr 4276902767 - 'Enjoying a nice cold ginger beer tinight in an old Grappenhall beer festival 2005 glass. Grappenhall is a village in Cheshire, England, UK just south of Warrington. Hence the cheshire cat on teh glass.
The beer festival is usually held around the May bank holiday over Friday until Sunday afternoon if the beer holds out. Phoenix (Oak Brewing Co.) Wobbly Bob usually is the ale that runs out first for good reason. Its a nice strong traditional english ale.
What a great idea mixing the ginger wine stuff with beer. I must admit I am a real ginger nut and a sucker for anything with stem or root ginger in it.
Another beery image here www.flickr.com/photos/hotpixuk/4103319483/
(2010 week 2)
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: glasgow,merchant,city,bar,barmen,babbitty,bowsters,babbittybowsters,real,ale,pub,man,barman,eye,patch,eyepatch,pint,serving,tonysmith,tony,smith,hotpics,hotpic,hotpick,hotpicks,favourite,pubs,public,houses,HOT PIX
Description: Tony Smith image Flickr 3813065342 - 'Every time I am up in Glagow I make a point of getting over to Babbities. Lovely food, cullen Skink, Stovies and all that, real ales, genuine atmosphere.
I go for the guest real ale rather than the Belhaven 70/- bitter though!
And talking of atmosphere, check out a pub from one of Glasgows spiritual sister cities www.flickr.com/photos/hotpixuk/3804831303/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Glasgow,nightshot,John,St,Mercent,City,Night,Shot,tonysmith,tony,smith,hotpix,merchant,merchent,empire,scotland,celtic,rangers,reflections,lights,UK,Britain,GB,Babity,bowsters,babbity,towers,listed,building,buildings,single,ends,tron,cross,toun,\u201cGlasgow\u201fs,miles,better\u201d,Glasgows miles better,glasgows,better,glasgay,Schotland,l'Ecosse,Ecosse,Schottland,\u03a3\u03ba\u03c9\u03c4\u03af\u03b1,la,Scozia,\u30b9\u30b3\u30c3\u30c8\u30e9\u30f3\u30c9,\uc2a4\ucf54\ud2c0\ub780\ub4dc,\u0428\u043e\u0442\u043b\u0430\u043d\u0434\u0438\u044f,Escocia,hotpics,hotpic,hotpick,hotpicks,edinbrugh,#HotpixUK,#TonySmithHotpix,dusk
Description: Tony Smith image Flickr 3520381638 - 'Glasgow's, John Street at night. Just after a shower while I was on my way to Babbity Bowsters , light reflecting off the wet pavement. A lovely bit of the city. For more on this vibrant part of toun visit www.glasgowmerchantcity.net/
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The Merchant City is a district of the city of Glasgow. The area was first formed during the 18th century to house the wealthy merchant 'tobacco lords' who prospered shipping, amongst other things, tobacco, sugar and tea to the Clyde and fabricated goods to the Americas at this time many classical villas were built in the area. The name 'Merchant City' was coined during 1980's 'Glasgows Smiles Better' regeneration. Historically the area was called 'the tron' or 'cross' or simply by most Glaswegians 'the toun' or 'the town'. An annual Merchant City Festival takes place around the last week of September attracting tens of thousands to the area with a multi-arts programme.
If you visit the Merchant city don't miss the best pint and Cullen Skink in toun www.flickr.com/photos/hotpixuk/3813065342/
Checkout more w=33062170@N08\'>Scotland from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
These are my 2008-2015 images, view my most recent images at HotpixUK-2019 - www.flickr.com/people/167831053@N02/ including my second 365 one a day project
(c) TonySmith Hotpix / HotpixUK This image not to be used on websites or reproduced without permission.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,HotpixUK,@HotpixUK,Art Deco,Cocktail Bar,sign,outside,exterior,design,architecture,lettering,1935,G1 3AN,Exchange Place,G1,Oyster Bar,bar,pub,venue,famous,history,historic,cafe,seafood,sea food,meals,logo,oysters,Scottish,Scots,sourced,crab,lobster,fish,restaurant,artdeco
Description: Tony Smith image Alamy 2AAEJ1K - In 1935, as the great Cunard liner 'Queen Mary' took shape on the Clyde, a restaurant was refitted in the same Art Deco style and a Glasgow legend was born.
With its unique 1930's ambience, Rogano is the oldest surviving restaurant in Glasgow. For over seventy five years its chefs have dedicated themselves to the delicate art of cooking and serving the finest fish and seafood in the world from Scottish waters.
For all its inimitable style, and its local clientele, Rogano is a friendly place, with a special welcome for the traveller, being perfectly situated with close proximity to the city's most elegant shops and many of its leading cultural venues.
The Rogano Oyster and Cocktail Bar has been a bastion of Glasgow's bar scene since 1935, our customers enjoy drinks in original art deco surrounding with soft jazz filtering throughout the bar to create a truly unique bar experience.
Rogano customers are spoiled for choice from a variety of house wines, champagne (by the glass) and an extensive cocktail list all of which are served with the upmost standard of service from our bar waiting staff.
Food is served from the bar menu which includes a selection of seafood, light meals and sandwiches. Food is best enjoyed in one of our highly coveted booths which provide customers with a little world of their own within a bustling bar.
The Oyster Bar opens at 11.00 am until midnight, every day except Sunday when it opens at 12.00 noon. The Bar Menu is available throughout the day until 10.00pm. The Oyster and Cocktail bar operates a no reservation policy.
11 Exchange Place, Glasgow, Scotland, UK, G1 3AN
Description
Keywords: HotpixUK,GoTonySmith,UK,local government body local government,Glasgow,G2 1DU,Glasgow Corporation,Corporation,local authority,Glasgow District Council,Strathclyde,Glasgow City Council,George Square,George Sq,gothic,building,architecture,listed,Beaux arts style,Beaux arts,style,The Chambers,council,labour,councillors,accountability,liberal,SNP,local government,town hall,city,hall,1880,1880s,GB,Great Britain
Description: Tony Smith image Alamy P72D3B - The City Chambers or Municipal Buildings in Glasgow, Scotland, has functioned as the headquarters of Glasgow City Council since 1996, and of preceding forms of municipal government in the city since 1889, located on the eastern side of the city's George Square. An eminent example of Victorian civic architecture, the building was constructed between 1882 and 1888 to a competition winning design by Scottish architect William Young a native of Paisley.
Inaugurated in August 1888 by Queen Victoria, the first council meeting was held within the chambers in October 1889. The building originally had an area of 5,016 square metres. In 1923, an extension to the east side of the building in John Street was opened and in 1984 Exchange House in George Street was completed, increasing the size of the City Chambers complex to some 14,000 square metres.
The need for a new city chambers had been apparent since the 18th century, with the old Tolbooth at Glasgow Cross becoming insufficient for the purposes of civic government in a growing town with greater political responsibilities. In 1814, the Tolbooth was sold with the exception of the steeple, which still remains and the council chambers moved to Jail Square in the Saltmarket, near Glasgow Green. Subsequent moves were made to Wilson Street and Ingram Street. In the early 1880s, City Architect John Carrick was asked to identify a suitable site for a purpose built City Council Chambers. Carrick identified the east side of George Square, which was then bought.
The new City Chambers initially housed Glasgow Town Council from 1888 to 1895, when it was replaced by Glasgow Corporation. It remained the Corporation's headquarters until it was replaced by Glasgow District Council under the wider Strathclyde Regional Council in May 1975. The City Chambers has been the headquarters of Glasgow City Council since April 1996, when it replaced the District Council with the abolition of the Strathclyde Region.
82 George Square, Glasgow, Scotland, UK, G2 1DU
Description
Keywords: transport,rail,railway,train,trains,passenger,traveler,journey,traveller,travelers,infrasructure,infrastructure,Network,transit,TOC,privatised,public,ownership,public,building,Victorian,platform,Scotrail,City,Centre,Glaswegian,walking down,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scotland,Street,Glasgow,G1,3SL,at,red,lights,dawn,travel,tourism,delay,shadow,shadows,dark,nighttime,Virgin,trains,WCML,Virgin,trains,West,Coast,Main,Line,Intercity,Inter-City,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Gordon St,G1 3SL,Gordon Street,Gordon St,Platform passengers,In The Evening,On the platform,Dawn Train,walking down the platform,Virgin Trains,Virgin Trains,Main Line
Description: Tony Smith image Alamy H9PM3H - Avanti West Coast is a train operating company in the United Kingdom owned by FirstGroup (70%) and Trenitalia (30%) that operates the West Coast Partnership.
During November 2016, the Department for Transport (DfT) announced the InterCity West Coast franchise would be replaced by the West Coast Partnership (WCP). In August 2019, the DfT awarded the WCP franchise to the First Trenitalia consortium. On 8 December 2019, Avanti West Coast took over operations from the prior operating company Virgin Trains, which had run the franchise since 1997. Originally, the franchise was initially scheduled to run until March 2030, and had also been set to operate the initial High Speed 2 services from 2026. However, during December 2020, it was announced that First Trenitalia and the DfT had agreed to terminate the WCP franchise at the earlier date of 31 March 2026 as part of the abolition of the franchise system. Since then a number of contract changes have taken place due to COVID-19 and then poor performance by the company. As of March 2023, the company's contract will expire in October 2023.
Between 14 August and 18 September 2022, Avanti West Coast reduced its timetable, citing unofficial strike action from its employees. However, this allegation was disputed by Aslef, which accused the company of lying and blamed their lack of recruitment, especially of train drivers, for the problems. Trains were running at one service per hour on the majority of routes, as opposed to the three which would typically occur on the London Euston to Manchester Piccadilly route. Following these changes, Avanti West Coast was subject to public criticism
news stories emerged of numerous train cancellations, overcrowded services, delays, and expensive fares. Many commuters faced difficulties reaching their destinations on the reduced services and some travellers have been left to wait for to two days before travel for tickets to be released for sale
Gordon St, Glasgow G1 3SL
Description
Keywords: @HotpixUK,HotpixUK,Real Life,Glasgow,Love,Love Glasgow,love,We Love,neon,sign,shop,office,city,centre,UK,heart,GSofA,School of art,art,2017,Sinclair,Ross,Ross Sinclair artist,GSA,Neon Sculptural Installation,Neon Sculpture,red,yellow,red heart,Glasgow School Of Art,writer,musician,Scottish,Professor of Contemporary Art Practice,School of Fine Art,Real Life project,project,lighting,GoTonysmith
Description: Tony Smith image Alamy 2A4PJJP - Ross Sinclair is an artist, writer and musician who is Professor of Contemporary Art Practice within the School of Fine Art at The Glasgow School of Art. He is best known for his Real Life' research project initiated when he had the words REAL LIFE tattooed in black ink across his back, at Terry's Tattoo parlour in Glasgow, 1994.
Sinclair completed a PhD by Published Work in 2016 where he interrogated and articulated the innovative nature of the Real Life project, unusual in its scale and duration, defining the contribution to contemporary art practice across the fields of sculpture, painting, performance, installation, critical writing and music. Drawing on these multi-disciplinary methodologies Sinclair maps out the forms, materials and processes activated over almost 25 Years of Real Life Projects, that often combine unusual and unorthodox approaches challenging conventional modes of exhibition practice, enabling new means of engagement with the viewer. The multi part thesis submitted claims these routes as an autonomous, artist initiated project, connecting with the public at a dynamic intersection of ideas, context, performance and art-practice.
Sinclair's Real Life Project is set in a critical framework of contested paradigms of Everyday Life and The Real and acknowledges the influence of key critical thinkers over the quarter century of its development from Barthes, Baudrillard and De Certeau, through Bourriaud, Bishop and Kester and more recently in Harman, Mark Fisher and Paul O'Neill amongst many others. The project has been punctuated by the exploration of individual and collective relationships with Real Life particularly viewed through contemporary paradigms constructing society such as: Democracy, Utopia, Justice, Capitalism, Geography and History, the Church, the Bank, the State, while in parallel addressing the role of the tattooed artist himself.
Description
Keywords: SLC,night,shot,night,time,nighttime,Hamilton,ML3,0AA,lights,on,SNP,councilors,councilor,building,architecture,buildings,party,politics,unitary,authorities,authority,Glasgow,suburb,suburbs,ward,leader,election,elected,South Lanarkshire Council,ML3 0AA,lights on,Council Wards,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,Scotch,British,Scotland,problem,with,problem with,issue with,local,gov,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HK3H36 - . This scene at Almada St, Hamilton, Scotland, UK ML3 0AA in 2017 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. At the centre of the view is South Lanarkshire Council HQ at dusk,Almada St, Hamilton ML3 0AA. Another layer of the photograph includes period detail, changing land use, local character, changing streetscape, public realm, regional identity, architectural detail, contemporary social history, community identity, place identity, adaptive reuse, cityscape history, documentary photography, and visual archive. In present-day coverage, the subject reaches into tourism and adaptive reuse, not least because of how historic buildings acquire new uses as cities change. The archival value lies partly in recording equipment and working practice around Almada St, Hamilton, Scotland, UK ML3 0AA before different community use alters the character of the place. The wider setting retains connections with conservation architecture, period building, architectural character, period architecture, heritage asset, historic streetscape, historic townscape, and built heritage. References to Lanarkshire, Hamilton, Almada, and Council give the picture a strong period identity and tie it closely to its named subject. The wider setting at Almada St, Hamilton, Scotland, UK ML3 0AA matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is tourism and the value of architectural landmarks to local identity and tourism in a form that can be compared with future views of Almada St, Hamilton, Scotland, UK ML3 0AA. The wider significance includes energy retrofit and keeping older buildings useful without erasing their distinctive character within the real-world context of Almada St, Hamilton, Scotland, UK ML3 0AA.
Almada St, Hamilton, Scotland, UK ML3 0AA
Description
Keywords: HotpixUK,GoTonySmith,UK,local government body local government,Glasgow,G2 1DU,Glasgow Corporation,Corporation,local authority,Glasgow District Council,Strathclyde,Glasgow City Council,George Square,George Sq,gothic,building,architecture,listed,Beaux arts style,Beaux arts,style,The Chambers,local government,accountability,labour,SNP,liberal,councillors,council,town hall,city,hall,1880,1880s,GB,Great Britain
Description: Tony Smith image Alamy P72D9D - The City Chambers or Municipal Buildings in Glasgow, Scotland, has functioned as the headquarters of Glasgow City Council since 1996, and of preceding forms of municipal government in the city since 1889, located on the eastern side of the city's George Square. An eminent example of Victorian civic architecture, the building was constructed between 1882 and 1888 to a competition winning design by Scottish architect William Young a native of Paisley.
Inaugurated in August 1888 by Queen Victoria, the first council meeting was held within the chambers in October 1889. The building originally had an area of 5,016 square metres. In 1923, an extension to the east side of the building in John Street was opened and in 1984 Exchange House in George Street was completed, increasing the size of the City Chambers complex to some 14,000 square metres.
The need for a new city chambers had been apparent since the 18th century, with the old Tolbooth at Glasgow Cross becoming insufficient for the purposes of civic government in a growing town with greater political responsibilities. In 1814, the Tolbooth was sold with the exception of the steeple, which still remains and the council chambers moved to Jail Square in the Saltmarket, near Glasgow Green. Subsequent moves were made to Wilson Street and Ingram Street. In the early 1880s, City Architect John Carrick was asked to identify a suitable site for a purpose built City Council Chambers. Carrick identified the east side of George Square, which was then bought.
The new City Chambers initially housed Glasgow Town Council from 1888 to 1895, when it was replaced by Glasgow Corporation. It remained the Corporation's headquarters until it was replaced by Glasgow District Council under the wider Strathclyde Regional Council in May 1975. The City Chambers has been the headquarters of Glasgow City Council since April 1996, when it replaced the District Council with the abolition of the Strathclyde Region.
82 George Square, Glasgow, Scotland, UK, G2 1DU
Description
Keywords: SNP,Hollyrood,back,into,state,ownership,after,poor,service,renationalise,nationalised,TOC,national,late,trains,fines,fine,penalty,penalties,transport,travel,infrastructure,Dutch,operator,devolved,powers,Scottish National Party,train operating company,Scotrail Franchise,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,livery,Central,station,very,busy,delay,delays,delayed.late,later,passengers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre,Scotrail problems,Scotrail delays,Scot Rail problems,Scot rail delays,very busy
Description: Tony Smith image Alamy HEJ66Y - Thousands sign petition calling for Dutch firm Abellio to be stripped of ScotRail contract
THE Dutch firm running ScotRail have come under constant criticism due to the poor performances. NEARLY 14,000 people have called for the controversial Dutch firm in charge of Scotland's train service to be stripped of their contract unless ScotRail improves.
The online petition urges the Scottish Government to take action against Abellio over the delays and cancellations suffered by commuters using ScotRail. The firm have already been hit with £1.5million in fines for poor service.
Glasgow, Scotland, UK
