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Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,LGBTQ+ bar Manchester,gay bar Manchester,Manchester nightlife,LGBTQ+ venue UK,Manchester city centre bar,LGBT,LGBTQ,Pride,23 Sackville Street Manchester,Manchester M1 3NJ,LGBTQ+ culture,inclusive nightlife,urban street scene,British gay village,night-time economy,pub exterior,bar frontage,colourful signage,pride colours,city nightlife,UK LGBTQ history,social spaces,evening lighting,hospitality sector,pub,pubs,bar,bars,sounds like the village,under a car park,Thompsons,outside,exterior,Thompsons Arms,Queer As Folk
Description: Tony Smith image Alamy 3DCX6G4 - The exterior of Thompson's Bar, a prominent LGBTQ+ bar situated in Manchester's Gay Village, photographed at 23 Sackville Street, Manchester M1 3NJ. The venue is located close to the Canal Street area, which has been central to Manchester's LGBTQ+ social life for several decades and is internationally recognised as one of the UK's most visible and established gay districts.
The building fa??ade features bold, colourful signage incorporating rainbow imagery, symbolising inclusivity and LGBTQ+ pride. Decorative lighting and hanging baskets contribute to the bar's lively street presence, reflecting the area's role in Manchester's night-time economy and cultural identity.
Manchester's Gay Village has played an important role in the city's social history, activism and visibility for LGBTQ+ communities, particularly from the late twentieth century onwards. Venues such as Thompson's Bar continue to function as social hubs, meeting places and cultural landmarks within the city centre.
Photographed in daylight with urban surroundings visible, the image documents both the physical streetscape of Sackville Street and the wider cultural significance of LGBTQ+ venues within contemporary Manchester.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Southern,Republic,Dublin city,centre,Ireland,on,a,sunny,blue,sky,summer,evening,Hapenny Bridge,Hapenny,Liffey,river,pedestrian,foot,bridges,history,heritage,iron,tourist,tourism,IE,penny,cast,Suffolk St,Temple Bar,bright,Wellington Bridge,cloud,clouds
Description: Tony Smith image Alamy 3BR17BT -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Cheshire,UK,1100,Warrington,village,historic,heritage,WA4 2SU,WA4,vikings,viking,History and Heritage Day,years,festival,9-24th,September,Sep,2023,men,of,the,in,costume,dressed,traditional,show,demonstration,demonstrations,dance,dancers,dancing,day of dance,folk,club
Description: Tony Smith image Alamy 2RY1R1J - Thelwall Morris Men were formed in October 1973, the nucleus of the side being a group of regulars from the Thelwall Folk Club at the Pickering Arms, which was run by Maggie and Rod Goodall.
All of these men were absolute beginners. Some had seen morris dancing at Keele University Folk Festival earlier in the year and fancied trying it. The only trouble was how to get started?
The answer proved to be a small ad in Folk Review magazine, asking for someone to come and teach the dance. Around this time, Chris Maple, who became the side's first squire and foreman had arrived in the North West to take up a job in Liverpool. Chris proved well equal to the task of getting his raw recruits off on the right foot (or in our case, the left).
The side's first musician was Fred Horrobin (Maggie's dad) who busked on accordion for a couple of weeks until someone unearthed the exceptionally talented Steve Burgess from downtown Stockton Heath. Under Chris's tuition, the side learned an assortment of Cotswold dances, mainly Bampton and Adderbury to begin with. The first public performance took place, without baldricks and badges, at the Pickering Arms in August 1974 before a sceptical audience of wives and girlfriends and members of the folk club.
By 1975 the side had acquired it's kit. Black breeches and shoes, white shirt and socks, with baldricks of pale blue and claret surmounted by a distinctive badge representing the wall of Thells or stakes from which Thelwall, England's smallest city, derived its name in Anglo-Saxon times.
The side's first invitation to a day of dance was from Southport Swords in May 1975, and the inexperienced side made a favourable impression. The following year they attended their first Ring Meeting at Thaxted and have attended a Ring Meeting almost every year since then.
In 1977, the side visited Ireland for the Cobh festival, quickly followed, in 1979, by an invitation to Mallow, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,attached,love and romance,love,romance,Newhaven Harbour,Edinburgh waterfront,relationship symbols,names on padlocks,urban,forever,folklore,Newhaven Edinburgh,harbour fence,rusted padlocks,personal names,romantic gesture,commitment symbol,informal memorial,coastal walkway,human traces,everyday romance,travel detail,street photography,social ritual,modern tradition,metal texture,documentary photography,travel,tourist,tourism,Maya,Sara,Isla,Eva,old,rusty,bridge
Description: Tony Smith image Alamy 2REGJ73 - Four rusted padlocks bearing handwritten personal names are attached to a metal fence at Newhaven Harbour in Edinburgh. Commonly known as love locks, such padlocks are left as informal symbols of affection, friendship or commitment, drawing on a modern urban tradition found in cities and waterfronts across Europe.
The weathered metal, corrosion from sea air and proximity to the harbour water emphasise the contrast between permanence and fragility that often underpins the symbolism of love locks. While sometimes controversial in public spaces, they also function as small personal markers, embedding private stories into shared environments.
Photographed in close-up, the image documents a contemporary social ritual within a historic harbour setting. It is suitable for editorial use relating to romance, urban folklore, travel culture, relationships, and the ways individuals leave traces of meaning in public landscapes. The practice of attaching love locks to bridges, fences and railings is a relatively modern urban ritual that has spread rapidly across cities and tourist destinations, particularly in Europe, since the early 2000s. Couples or friends mark a padlock with names or initials and fasten it to a public structure as a symbolic gesture of commitment, permanence or shared memory, often discarding the key as a sign that the bond is meant to endure. Although the origins are loosely traced to southern Europe and popularised by travel and social media, the custom has been repeatedly reinvented in different places, from famous bridges to working harbours and quiet neighbourhood walkways. The phenomenon sits at an uneasy intersection of romance and public space: for some it represents a democratic, personal form of expression embedded in the city, while for others it raises concerns about visual clutter, safety, and damage to historic infrastructure. As a result, love locks have become not just symbols of private affection, but also markers
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,BR,terminus,Liverpool Street,railway,rail,concourse,public,transport,London Liverpool Street,EC2M 7PY,EC2M,busy,service,network rail,departures,departure,board,to,display,boards,Norfolk,Essex,electronic,mainline,main,line,times,timetable,British,information
Description: Tony Smith image Alamy 2R3YB67 - Liverpool Street station, also known as London Liverpool Street, is a central London railway terminus and connected London Underground station in the north-eastern corner of the City of London, in the ward of Bishopsgate Without. It is the terminus of the West Anglia Main Line to Cambridge, the Great Eastern Main Line to Norwich, commuter trains serving east London and destinations in the East of England, and the Stansted Express service to Stansted Airport.
The station opened in 1874, as a replacement for Bishopsgate station as the Great Eastern Railway's main London terminus. By 1895, it had the most platforms of any London terminal station. During the First World War, an air raid on the station killed 16 on site, and 146 others in nearby areas. In the build-up to the Second World War, the station served as the entry point for thousands of child refugees arriving in London as part of the Kindertransport rescue mission. The station was damaged by the 1993 Bishopsgate bombing and, during the 7 July 2005 bombing, seven passengers were killed when a bomb exploded aboard an Underground train, just after it had departed from Liverpool Street. New platforms for the Elizabeth line opened in 2022 as part of the Crossrail project.
Liverpool Street was built as a dual-level station, with provision for the Underground. A tube station opened in 1875 for the Metropolitan Railway
the tube station is now served by the Central, Circle, Hammersmith & City and Metropolitan lines. It is in fare zone 1 and is managed directly by Network Rail.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,BR,terminus,Liverpool Street,railway,rail,concourse,public,transport,London Liverpool Street,EC2M 7PY,EC2M,busy,service,network rail,departures,departure,board,to,display,boards,Norfolk,Essex,electronic,mainline,main,line,times,timetable,British,information
Description: Tony Smith image Alamy 2R3YB94 - Liverpool Street station, also known as London Liverpool Street, is a central London railway terminus and connected London Underground station in the north-eastern corner of the City of London, in the ward of Bishopsgate Without. It is the terminus of the West Anglia Main Line to Cambridge, the Great Eastern Main Line to Norwich, commuter trains serving east London and destinations in the East of England, and the Stansted Express service to Stansted Airport.
The station opened in 1874, as a replacement for Bishopsgate station as the Great Eastern Railway's main London terminus. By 1895, it had the most platforms of any London terminal station. During the First World War, an air raid on the station killed 16 on site, and 146 others in nearby areas. In the build-up to the Second World War, the station served as the entry point for thousands of child refugees arriving in London as part of the Kindertransport rescue mission. The station was damaged by the 1993 Bishopsgate bombing and, during the 7 July 2005 bombing, seven passengers were killed when a bomb exploded aboard an Underground train, just after it had departed from Liverpool Street. New platforms for the Elizabeth line opened in 2022 as part of the Crossrail project.
Liverpool Street was built as a dual-level station, with provision for the Underground. A tube station opened in 1875 for the Metropolitan Railway
the tube station is now served by the Central, Circle, Hammersmith & City and Metropolitan lines. It is in fare zone 1 and is managed directly by Network Rail.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,2023,city,L1,Eurovision2023,spot,free,recorded,Liverpool Central,Rail,railway,Station,Ranelagh Street,Liverpool,L1 1JT,weve given this busking spot,to,a,Ukrainian musician,who lost theirs,Sounds of the underground,busker,music,Eurovision,contest,Eurovision song contest,centre,busking,pitch,songs,Ukraine busker,folk,Ukrainian busker
Description: Tony Smith image Alamy 2R1MF26 - Sounds of the underground - read more at https://www.creativemoment.co/this-eurovision-musicians-in-liverpool-donate-their-busking-spots-to-help-fellow-ukrainian-artists
Since the beginning of the war in Ukraine buskers have been robbed of their spots, so their music has had to go underground.
But it's not just their music that has been taken, it is also their livelihoods. So this Eurovision, Ketchum UK has created a campaign for buskers from Liverpool to give up their usual spots along the Merseyrail network to Ukrainian musicians, giving them the chance to perform for audiences and keep the conversation alive about this unjust war.
Travellers going through the four biggest stations
Liverpool Central, Lime Street, Moorfields and James Street will be able to enjoy authentic Ukrainian busking music.
Each busking spot has a speaker streaming the artists music and a QR code for passers-by to scan to find out more about the musicians' story, videos about them and to donate to the cause.
All proceeds raised will go directly to Supplies for Ukraine C.I.C., who are working to provide essential, lifesaving equipment to civilians and volunteers on the front lines in Ukraine.
There is an accompanying outdoor poster campaign across the Merseyrail network and all tracks are streamed as a playlist on Spotify.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,city,song,contest,Eurovision2023,Liverpool,Eurovision song contest,Eurovision,centre,busking,music,folk,songs,pitch,GB,Great Britain,2023,L1,spot,free,recorded,Liverpool Central,Rail,railway,Station,Ranelagh Street,L1 1JT,busker,Ukraine busker,Ukrainian busker,Sounds of the underground,Ukrainian musician,weve given this busking spot,to,a
Description: Tony Smith image Alamy 2R1WX3Y - Sounds of the underground - read more at https://www.creativemoment.co/this-eurovision-musicians-in-liverpool-donate-their-busking-spots-to-help-fellow-ukrainian-artists
Since the beginning of the war in Ukraine buskers have been robbed of their spots, so their music has had to go underground.
But it's not just their music that has been taken, it is also their livelihoods. So this Eurovision, Ketchum UK has created a campaign for buskers from Liverpool to give up their usual spots along the Merseyrail network to Ukrainian musicians, giving them the chance to perform for audiences and keep the conversation alive about this unjust war.
Travellers going through the four biggest stations
Liverpool Central, Lime Street, Moorfields and James Street will be able to enjoy authentic Ukrainian busking music.
Each busking spot has a speaker streaming the artists music and a QR code for passers-by to scan to find out more about the musicians' story, videos about them and to donate to the cause.
All proceeds raised will go directly to Supplies for Ukraine C.I.C., who are working to provide essential, lifesaving equipment to civilians and volunteers on the front lines in Ukraine.
There is an accompanying outdoor poster campaign across the Merseyrail network and all tracks are streamed as a playlist on Spotify.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Yorkshire,Stone carving dated 1739,West Yorkshire,1739,sandstone,Yorkshire stone carving,historic building detail,Heptonstall village,Calderdale,Pennine village,Georgian period,eighteenth century building,vernacular architecture,Yorkshire stone,folk art carving,historic craftsmanship,rural heritage,building plaque,masonry detail,old stonework,British history,traditional architecture,editorial heritage,daylight exterior,texture and detail,man,woman,E36,on,North Gate,Quakers
Description: Tony Smith image Alamy 2RG1W41 - Heptonstall is a small village and civil parish within the Calderdale borough of West Yorkshire, England, historically part of the West Riding of Yorkshire. The population of Heptonstall, including the hamlets of Colden and Slack Top, is 1,448, increasing to 1,470 at the 2011 Census. The town of Hebden Bridge lies directly to the south-east. Although Heptonstall is part of Hebden Bridge as a post town, it is not within the Hebden Royd town boundaries.
The village is on the route of the Calderdale Way, a 50-mile (80 km) circular walk around the hills and valleys of Calderdale
The place-name 'Heptonstall' is first recorded as Heptonstall in the 1274 Wakefield Court Rolls, and in 1316 in the Feudal Aids. The name means the stall or stable in Hebden. The name 'Hebden' means rose-hip dene or valley
Heptonstall was the site of a battle during the early part of the English Civil War in 1643.
Historically a centre for hand-loom weaving, Heptonstall's cottages and terraced houses are characterised by large first-floor windows to maximise the light for weaving
In the mid-1980s the paving on a road through Heptonstall was removed, revealing the original stone setts. Although there was a plan to remove the setts, local protests convinced the council to restore them. At the same time the existing concrete street lights were replaced with late 19th-century cast-iron gas lamps. Both developments acted as a traffic calming measure.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Stockport,Cheshire,England,UK,locks,playing,guitar,accordion,woman,man,duo,canal,lock flight,SK6 5LD,SK6,on,the,of the,tow,path,waterway,union,flag,union jack,British,Peak Forest,informal,band,folk,musios,sat,sitting,play
Description: Tony Smith image Alamy 2M4CACW -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Stockport,Cheshire,England,UK,locks,playing,guitar,accordion,woman,man,duo,canal,lock flight,SK6 5LD,SK6,on,the,of the,tow,path,waterway,British,Peak Forest,informal,band,folk,musios,sat,sitting,play,keyboard,keyboards,with,sheet,music
Description: Tony Smith image Alamy 2M4CACX -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Stockport,Cheshire,England,UK,locks,playing,guitar,accordion,woman,man,duo,canal,lock flight,SK6 5LD,SK6,on,the,of the,tow,path,waterway,British,Peak Forest,informal,band,folk,musios,sat,sitting,play,keyboard,keyboards,with,sheet,music
Description: Tony Smith image Alamy 2M4CAE9 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,Yorkshire,England,UK,coast,coastal,centre,seaside,stained glass window,fishing boat,fisherman,stained,colour,glass,theme,traditional,North Yorks,scene,decorative,door,maritime stained glass,small fishing vessel,lone fisherman,oars boat,rough sea depiction,waves glass art,coloured leaded glass,domestic stained glass,front door window,Edwardian style glass,Victorian seaside influence,coastal heritage,maritime folklore,YO14 9BB,YO14
Description: Tony Smith image Alamy 2RD23Y1 - This image shows a decorative stained glass panel set into a residential front door in Filey, a seaside town on the North Yorkshire coast. The artwork depicts a small fishing boat carrying a lone fisherman on stylised blue waves, with dramatic skies rendered in muted purples and greys, evoking the changing conditions of the North Sea.
The stained glass uses coloured and textured panes joined with lead cames, a technique commonly found in late Victorian and Edwardian domestic architecture in British coastal towns. Maritime scenes such as this reflect the historical importance of fishing to communities like Filey, where small boats and inshore fishing once formed a central part of everyday life.
The panel is framed within a shallow arched surround, suggesting it forms part of a traditional front door design rather than a public building. Such decorative glass features were often used to personalise homes while celebrating local identity and coastal heritage.
The image captures a quiet architectural detail that connects domestic life with Filey's maritime past, illustrating how seaside culture and fishing traditions have been embedded into everyday design in historic coastal settlements.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,tea,teas,teabag,red,proper,brew,brewing,whats,in,drinking,Yorkshire,with,reet,folk,Taylor,Taylors,two,packets,held,holding,award,winning,award-winning,English,good,cuppa,a,B&B,bed and Breakfast,Bed & Breakfast,Bettys,and,Fredrick Belmont,pack,packaging
Description: Tony Smith image Alamy 2M1MG94 - Yorkshire Tea is a black tea blend produced by the Bettys & Taylors Group since 1977. It is the most popular traditional black tea brand sold in the UK. In 1886 Charles Edward Taylor Founded CE Taylor & Co., later shortened to Taylors, the company was purchased by 'Betty's Tea Rooms' which today forms Bettys & Taylors Group. Taylors of Harrogate is still based in Harrogate, Yorkshire, in the first 'Betty's' tea room.
The group is still owned by the family of Bettys' founder, Fredrick Belmont and is currently chaired by Lesley Wild. The company is one of the few remaining family tea and coffee merchants in the country, whilst competing with the British-owned PG Tips (Ekaterra) and Tetley (Tata), where Yorkshire Tea is now the most purchased tea brand in the UK, overtaking Twinings (a division of Associated British Foods) and Typhoo
Yorkshire Tea uses varieties of tea grown in India, Sri Lanka, and Kenya, blended to form eight blends: Yorkshire Tea, Yorkshire Decaf, Yorkshire Hardwater (available in the United Kingdom), Yorkshire Gold, Breakfast Brew, Bedtime Brew, Biscuit Brew, and Toast and Jam Brew.
In 2016 the brand launched Breakfast Brew, Breaktime Brew and the decaffeinated Bedtime Brew. Yorkshire Tea introduced Biscuit Brew, a malty flavoured tea, to its range in 2018 and Toast and Jam Brew in 2020.
The Yorkshire Tea brand is being extended to include a range of cakes, biscuits, and fruit loaves, sold as being complementary to drinking tea by its parent company The Bettys & Taylors Group, which owns cookery schools and tea rooms
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,SK13,building,council,service,6 Market St,High Peak,Derbyshire,UK,SK13 8AP,6,the,12th,Duke of Norfolk,Howard,Howards,1938,complex,place,stone,millstone,grit,office,offices,accomodation,public,hall,venue,public consultation,Design and Place Making Strategy,roof,renovation,development,renewal,Getting Building fund,arcade,Howardtown
Description: Tony Smith image Alamy 2K1RDFA - More at https://www.highpeak.gov.uk/article/1465/Glossop-Town-Hall-complex
Glossop Town Hall and Market were built by Bernard Edward Howard, the 12th Duke of Norfolk. The foundation stone was laid in 1938. Municipal Buildings started out as the open fish market part of the current market building before various alterations and additions over the years.
The Municipal Buildings is used mainly for office accommodation
the Market Hall is currently empty whilst work to modernise and renovate the facilities takes place
and the Town Hall was used as a public hall/venue but has been out of use since 2008 due to accessibility issues and limited use.
All of the buildings are listed and were the subject of an extensive public consultation exercise as part of the Glossop Design and Place Making Strategy which expresses the aspirations of the Glossop public.
We are working to bring these iconic buildings back in to community use and secure them for the future.
Projects to replace the roofs at the Town Hall, the Municipal Buildings and Market Hall have now been completed.
In November 2021 we were awarded ?2m in funding from the D2N2 Local Enterprise Partnership via their Getting Building fund. This funding, together with the Council's investment, is being used on the ?7m project to restore and modernise these buildings and return them to public use.
Construction work will start in Autumn in 2022 and is expected to be complete by early 2024.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,SK13,building,council,service,6 Market St,High Peak,Derbyshire,UK,SK13 8AP,6,the,12th,Duke of Norfolk,Howard,Howards,1938,complex,place,stone,millstone,grit,office,offices,accomodation,public,hall,venue,public consultation,Design and Place Making Strategy,roof,renovation,development,renewal,Getting Building fund,arcade,Howardtown
Description: Tony Smith image Alamy 2K1RDFY - More at https://www.highpeak.gov.uk/article/1465/Glossop-Town-Hall-complex
Glossop Town Hall and Market were built by Bernard Edward Howard, the 12th Duke of Norfolk. The foundation stone was laid in 1938. Municipal Buildings started out as the open fish market part of the current market building before various alterations and additions over the years.
The Municipal Buildings is used mainly for office accommodation
the Market Hall is currently empty whilst work to modernise and renovate the facilities takes place
and the Town Hall was used as a public hall/venue but has been out of use since 2008 due to accessibility issues and limited use.
All of the buildings are listed and were the subject of an extensive public consultation exercise as part of the Glossop Design and Place Making Strategy which expresses the aspirations of the Glossop public.
We are working to bring these iconic buildings back in to community use and secure them for the future.
Projects to replace the roofs at the Town Hall, the Municipal Buildings and Market Hall have now been completed.
In November 2021 we were awarded ?2m in funding from the D2N2 Local Enterprise Partnership via their Getting Building fund. This funding, together with the Council's investment, is being used on the ?7m project to restore and modernise these buildings and return them to public use.
Construction work will start in Autumn in 2022 and is expected to be complete by early 2024.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,Norfolk Square,central,garden,High Peak,Derbyshire,England,UK,SK13 8BP,of,centre,remembrance,remember,the,fallen,war,WWII,great,Conservation,Area,historic,history,12th,Duke of Norfolk,Norfolk,millstone grit,town,landmark,landmarks,Committee,winged figure,Victory,holding,laurel wreath,Glossopdale
Description: Tony Smith image Alamy 2K1WB7A - More at https://glossopheritage.co.uk/ghtarchive/warmem01/
Glossop Borough Council had set up a War Memorial Commitee to decide on what memorials should be erected around the Borough. The design that was decided on was a stepped stone base with bronze plaques inscribed with the names of those who lost their lives. On top of the stone base is a winged figure of Victory holding a laurel wreath. She is standing with one foot on the globe and another on the neck of a snake, representing evil. The bronze statue has been attributed to Vernon March, who also made the National War Monument in Ottowa, Ontario, Canada.
Dedication, 26 March 1922
The War Memorials at Glossop and Hadfield are identical. They were both dedicated on the same day, Sunday 26th March 1922. On the day of the dedication miniature evergreens had been planted around the base.
A procession of the Mayor (S. Bamforth), Lord Howard, Lord Doverdale (Edward Partington), the War Memorial Committee and other officials made their way from the Town Hall to Norfolk Square at 2.30pm. Lord Howard had been asked to unveil the War Memorial. He gave a short speech stating:
that he felt much honoured in having been asked to unveil that monument, which all of them had subscribed to, to enable it to be raised in that square.
The Rev. W. M. Martin-Ellis, Vicar of Whitfield, then performed the dedication of the Memorial. Four buglers then played The Last Post. This was followed by the male voice choir singing Sullivan's Homeland and the buglers then played The Reveille. The ceremony ended with the singing of the National Anthem.
Wreaths were then laid by the Mayor, Mr C. Haughton (who had lost three sons in the War) deposited on behalf of ex-servicemen. There were also wreaths from Mrs Partington (the ex-Mayor), the police, Mr Dickinson (headmaster of Glossop Grammar School) and many other organisations.
The Mayor, Lord Howard, Lord Doverdale and Council Officials along with the Glossop Old Band then left
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,Norfolk Square,central,garden,High Peak,Derbyshire,England,UK,SK13 8BP,of,centre,remembrance,remember,the,fallen,war,WWII,great,Conservation,Area,historic,history,12th,Duke of Norfolk,Norfolk,millstone grit,town,landmark,landmarks,Committee,winged figure,Victory,holding,laurel wreath,Glossopdale
Description: Tony Smith image Alamy 2K1WB7B - More at https://glossopheritage.co.uk/ghtarchive/warmem01/
Glossop Borough Council had set up a War Memorial Commitee to decide on what memorials should be erected around the Borough. The design that was decided on was a stepped stone base with bronze plaques inscribed with the names of those who lost their lives. On top of the stone base is a winged figure of Victory holding a laurel wreath. She is standing with one foot on the globe and another on the neck of a snake, representing evil. The bronze statue has been attributed to Vernon March, who also made the National War Monument in Ottowa, Ontario, Canada.
Dedication, 26 March 1922
The War Memorials at Glossop and Hadfield are identical. They were both dedicated on the same day, Sunday 26th March 1922. On the day of the dedication miniature evergreens had been planted around the base.
A procession of the Mayor (S. Bamforth), Lord Howard, Lord Doverdale (Edward Partington), the War Memorial Committee and other officials made their way from the Town Hall to Norfolk Square at 2.30pm. Lord Howard had been asked to unveil the War Memorial. He gave a short speech stating:
that he felt much honoured in having been asked to unveil that monument, which all of them had subscribed to, to enable it to be raised in that square.
The Rev. W. M. Martin-Ellis, Vicar of Whitfield, then performed the dedication of the Memorial. Four buglers then played The Last Post. This was followed by the male voice choir singing Sullivan's Homeland and the buglers then played The Reveille. The ceremony ended with the singing of the National Anthem.
Wreaths were then laid by the Mayor, Mr C. Haughton (who had lost three sons in the War) deposited on behalf of ex-servicemen. There were also wreaths from Mrs Partington (the ex-Mayor), the police, Mr Dickinson (headmaster of Glossop Grammar School) and many other organisations.
The Mayor, Lord Howard, Lord Doverdale and Council Officials along with the Glossop Old Band then left
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,Norfolk Square,central,garden,High Peak,Derbyshire,England,UK,SK13 8BP,of,centre,remembrance,remember,the,fallen,war,WWII,great,Conservation,Area,historic,history,12th,Duke of Norfolk,Norfolk,millstone grit,town,landmark,landmarks,Committee,winged figure,Victory,holding,laurel wreath
Description: Tony Smith image Alamy 2K1WB7K - More at https://glossopheritage.co.uk/ghtarchive/warmem01/
Glossop Borough Council had set up a War Memorial Commitee to decide on what memorials should be erected around the Borough. The design that was decided on was a stepped stone base with bronze plaques inscribed with the names of those who lost their lives. On top of the stone base is a winged figure of Victory holding a laurel wreath. She is standing with one foot on the globe and another on the neck of a snake, representing evil. The bronze statue has been attributed to Vernon March, who also made the National War Monument in Ottowa, Ontario, Canada.
Dedication, 26 March 1922
The War Memorials at Glossop and Hadfield are identical. They were both dedicated on the same day, Sunday 26th March 1922. On the day of the dedication miniature evergreens had been planted around the base.
A procession of the Mayor (S. Bamforth), Lord Howard, Lord Doverdale (Edward Partington), the War Memorial Committee and other officials made their way from the Town Hall to Norfolk Square at 2.30pm. Lord Howard had been asked to unveil the War Memorial. He gave a short speech stating:
that he felt much honoured in having been asked to unveil that monument, which all of them had subscribed to, to enable it to be raised in that square.
The Rev. W. M. Martin-Ellis, Vicar of Whitfield, then performed the dedication of the Memorial. Four buglers then played The Last Post. This was followed by the male voice choir singing Sullivan's Homeland and the buglers then played The Reveille. The ceremony ended with the singing of the National Anthem.
Wreaths were then laid by the Mayor, Mr C. Haughton (who had lost three sons in the War) deposited on behalf of ex-servicemen. There were also wreaths from Mrs Partington (the ex-Mayor), the police, Mr Dickinson (headmaster of Glossop Grammar School) and many other organisations.
The Mayor, Lord Howard, Lord Doverdale and Council Officials along with the Glossop Old Band then left
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,on,in,Derbyshire,the,Association,Norfolk St,Glossop,High Peak,England,UK,SK13,pub,bar,venue,hall,listed,architecture,ltd,limited,22,1909,archaeologist,Robert Hamnett,buildings,heritage,town centre,fixtures,sone,stonework,stone work,memories
Description: Tony Smith image Alamy 2K1WB7R - The Crystal Ballroom, operating as the function room for the former Glossop Conservative Club, has been an integral part of Glossop's community since 1909, regularly accommodating local clubs, musicians, dance schools, performances and parties.
Situated in the heart of Glossop this striking Grade ll listed building notably represents British heritage with it's Welsh slate roof, English millstone grit exterior and imposing body, congratulating late Edwardian architecture.
Previously, in 1838, The Railway Inn pub was built on the same site although this was later demolished in 1909 to make way for the Conservative Club. In 2017 a blue plaque was installed on the front wall to commemorate Glossop's most prominent historian and archaeologist, Robert Hamnett, who lived at The Railway Inn and went on to become the first steward of the Conservative Club upon it's opening.
Over the decades The Crystal Ballroom has served Glossop well and following an extensive and sympathetic restoration we are delighted to be re-opening the venue to the public once again.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,SK13,High Peak,old,architecture,now,Coffee,Glossop,Derbyshire,1 Norfolk Square,SK13 8BP,Glossopdale,buildings,millstonegrit,central,Glossopian,Glossopians,blue sky,blue skies,Character,milltown,cooperative,coop,dept,department,store,stores,shop,shops,corner,sunny,Norfolk,Sq,St
Description: Tony Smith image Alamy 2K1Y801 -
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,Merseyside,L18,famous,song,area,fab four,lyric,lyrics,All The people,that come and go,stop and say hello,Dovedale Towers,pub,Beatle,fab4,the,history,heritage,historic,music,songs,track,Penny Ln,Penny Lane Liverpool,streets,people,of,folk,line,from,all the people,stop and say,Hello
Description: Tony Smith image Alamy 2K0PRYX -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,toasty,toasted,Essex,Wilkin,&,sons,ltd,fine cut,rough,cut,bread,OAP,retired,eaters,people,folk,pensioner,pensioners,Seville,bitter,orange,pectin,citrus,Paddington Bear,Golden Shred,falling,sales,young people,shunning,Brits,British,save,our,UK,Scottish,Millennials killing,James Keiller
Description: Tony Smith image Alamy 2JRMW22 - Marmalade is a fruit preserve made from the juice and peel of citrus fruits boiled with sugar and water. The well-known version is made from bitter orange. It is also made from lemons, limes, grapefruits, mandarins, sweet oranges, bergamots, and other citrus fruits, or a combination. Citrus is the most typical choice of fruit for marmalade, though historically the term has often been used for non-citrus preserves.
The preferred citrus fruit for marmalade production is the Spanish Seville or bitter orange, Citrus aurantium var. aurantium, prized for its high pectin content, which sets readily to the thick consistency expected of marmalade. The peel imparts a bitter taste.
The word marmalade is borrowed from the Portuguese marmelada, from marmelo 'quince'.
Unlike jam, a large quantity of water is added to the fruit in a marmalade, the extra liquid being set by the high pectin content of the fruit. In this respect it is like a jelly, but whereas the fruit pulp and peel is strained out of a jelly to give it its characteristic clarity, it is retained in a marmalade
Paddington Bear is known for his liking of marmalade, particularly in sandwiches, and kept it in his briefcase wherever he went
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,spelt,out,map,in,unable,to,pay,bills,gas,electricity,dual-fuel,prices,increasing,UK,household,business,dying,cold,winter,struggle,struggling,help,government,Britain,Wales,Birmingham,Norfolk,Bristol,Midlands,Manchester,Yorkshire,Cardiff,Stafford,York
Description: Tony Smith image Alamy 2JREC51 -
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Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Artwork,art,sticker,stickers,on,a,telecoms,street furniture,utility,box,depicting,celebrating,disability,disabled,serial killer,killer,murder,murderer,11,Grangegorman Lane,Dublin,beggar,robber,thief,Irish,criminal,Canvas project,Shota Kotake,northside,of,folklore,Robin Hood,Newgate,prison
Description: Tony Smith image Alamy 2M84JJK - Billy in the Bowl (fl. 1780s), beggar and robber, lived on the northside of Dublin. Nothing is known of his earliest years and most of the details of his life are hazy. He first came to public notice in the 1780s begging around Stoneybatter, Grangegorman and Oxmantown. Born with no legs, he propelled himself about in a large bowl to which wheels had been fitted, thereby drawing the nickname ?Billy in the Bowl' from locals. Despite his disability, Billy apparently was a handsome man, with a striking face, dark eyes, and powerful arms and body, and was also graced with great charm. He became a favourite of the maids and servant-girls working the great houses of north Dublin and they plied him with food, drink, money and, it has been suggested, sexual favours.
It was said that he occasionally robbed from wealthy women who stopped to give him alms and that, since he was readily identifiable, followed robbery with murder. On one occasion in 1786 he attempted to rob two women, but they overpowered him by pulling his hair and sticking a thumb in his eye. Some hours later, male friends of the two women captured Billy in a hedge near the back of the Royal Barracks and conveyed him to custody using a wheel-barrow. Convicted of robbery, Billy was sent to Newgate prison where he saw out his days doing hard labour, while city notables came to visit him as an object of curiosity.
In Dublin folklore Billy is sometimes remembered as a Robin Hood-style character who robbed from the rich to give to the poor. He is recalled in traditional songs such as ?The twang-man' and makes an appearance in James Joyce's (qv) Finnegans wake: ?Billi with the Boule, who had mummed and mauled up to that (for he was hesitency in excelcism)'. More recently he featured in Shane MacGowan's song ?The Sick Bed of Cuchulainn' on the album Rum, sodomy and the lash (1985): ?You remember that foul evening when you heard the banshees howl / There was lazy drunken bastards singing Billy in the Bowl
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,2 Cecilia St,Temple Bar,Dublin 2,D02 DP62,vinyl,genre,and,Music,artists,musicians,music,song,songs,Records,trad,traditional,folky,folk,sheet music,Irish,musical,tourist,tourism,attraction,buy,share,discover,tunes,cassette,CD,cultural quarter
Description: Tony Smith image Alamy 2M84KAP - Temple Bar is an area on the south bank of the River Liffey in central Dublin, Ireland. The area is bounded by the Liffey to the north, Dame Street to the south, Westmoreland Street to the east and Fishamble Street to the west. It is promoted as Dublin's 'cultural quarter' and, as a centre of Dublin's city centre's nightlife, is a tourist destination. Temple Bar is in the Dublin 2 postal district.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Dublin,Eire,Irish,bar,flowers,flower,on,the,front,outside,exterior,classic,Dublin bar,2 Suffolk St,Dublin 2,D02 KX03,M.J.ONeills,city,centre,central,restaurant,building,architecture,tavern,Hogan,Brothers,Church Lane,William Butler,published,Volunteers Journal,Fabians,iron,three-dials,clock
Description: Tony Smith image Alamy 2M8DJFN - M.J.O'Neill's is a notable bar and restaurant in central Dublin. It has occupied 2 Suffolk Street and adjacent buildings, continuing round the corner into Church Lane. It is claimed there has been a tavern on the site for some three hundred years. From 1875 it was owned by the Hogan Brothers, until M.J. O'Neill bought and renamed the premises in August 1927.The part in Church Lane was the site of a printing house, where William Butler published The Volunteers Journal and the Irish Herald in 1783, and in 1789 Arthur O'Connor published The Press, supporting Wolfe Tone's republican views.
The corner structure is an impressive four-storey, vaguely of the Arts and Crafts Movement, red-brick and early twentieth century, with prominent Tudor-style projecting bay windows. There is a fine decorated iron three-dials clock on the Suffolk Street frontage. The building is protected and in a conservation area. Now, opposite the Dublin Tourist Centre, it is a fixture on the tourist trail and pub crawls.The house has a mixed clientele.
It is directly opposite Andrew Street Post Office, and near the shopping centre of Grafton Street. The discreet Church Lane door is convenient for the Bank of Ireland and other financial establishments in College Green. It is also the pub nearest to the Front Gate of Trinity College, Dublin and therefore attracting Arts undergraduates and academics. The original structure was divided into definite areas: a cocktail bar in the corner for the gentry, a public bar off Suffolk Street, and a back bar. In recent years the next-door premises in Church Lane have been added, as a carvery, and the interior has been opened up. A small snug, immediately inside the Church Lane entrance, was the significant venue for the Fabians of the early 1960s and for later left-wing students from Trinity College, Dublin.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Dublin,Eire,Irish,bar,flowers,flower,on,the,front,outside,exterior,classic,Dublin bar,2 Suffolk St,Dublin 2,D02 KX03,M.J.ONeills,city,centre,central,restaurant,building,architecture,tavern,Hogan,Brothers,Church Lane,William Butler,published,Volunteers Journal,Fabians,iron,three-dials,clock
Description: Tony Smith image Alamy 2M8DJJD - M.J.O'Neill's is a notable bar and restaurant in central Dublin. It has occupied 2 Suffolk Street and adjacent buildings, continuing round the corner into Church Lane. It is claimed there has been a tavern on the site for some three hundred years. From 1875 it was owned by the Hogan Brothers, until M.J. O'Neill bought and renamed the premises in August 1927.The part in Church Lane was the site of a printing house, where William Butler published The Volunteers Journal and the Irish Herald in 1783, and in 1789 Arthur O'Connor published The Press, supporting Wolfe Tone's republican views.
The corner structure is an impressive four-storey, vaguely of the Arts and Crafts Movement, red-brick and early twentieth century, with prominent Tudor-style projecting bay windows. There is a fine decorated iron three-dials clock on the Suffolk Street frontage. The building is protected and in a conservation area. Now, opposite the Dublin Tourist Centre, it is a fixture on the tourist trail and pub crawls.The house has a mixed clientele.
It is directly opposite Andrew Street Post Office, and near the shopping centre of Grafton Street. The discreet Church Lane door is convenient for the Bank of Ireland and other financial establishments in College Green. It is also the pub nearest to the Front Gate of Trinity College, Dublin and therefore attracting Arts undergraduates and academics. The original structure was divided into definite areas: a cocktail bar in the corner for the gentry, a public bar off Suffolk Street, and a back bar. In recent years the next-door premises in Church Lane have been added, as a carvery, and the interior has been opened up. A small snug, immediately inside the Church Lane entrance, was the significant venue for the Fabians of the early 1960s and for later left-wing students from Trinity College, Dublin.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,Molly Malone,Malone,by,Jeanne,Rynhart,large,chest,breast,breasts,voluptuous,woman,lady,wench,girl,hussy,urban,centre,legend,art,artwork,revealing,Mary Malone,heroine,song,music,Georgian Quarter,History,historic,Cockles and Mussels,lyrics,folk ballad,cart,The Tart With The Cart
Description: Tony Smith image Alamy 2M8DJJM - Molly Malone is the enigmatic heroine of the famous song of the same name, widely recognised as Dublin's unofficial anthem. Immortalised in bronze during the 1988 Dublin Millennium celebrations, the Molly Malone statue stands in the heart of the city's historic Georgian Quarter. Though regularly upheld as a traditional Irish ballad, it's not known where the song originated or if Molly Malone ever existed
According to the lyrics of the undeniably catchy tune ? also known as Cockles and Mussels ? Molly was a young and beautiful fishmonger who sold her yield from a cart on the streets of Dublin. The song's final verse states that after she died of a fever, she began haunting the city.
Although set in Ireland's capital and beloved by many Dubliners, the song was originally published in the USA in 1876. While this version might be based on an older Irish folk ballad, cultural academics have argued that the melody and tragicomic lyrics are more akin to the music-hall style that was popular in Britain during the Victorian era. Indeed, in 1884, a version attributed to the Scottish composer James Yorkston was published in London.
To complicate matters further, in 2010, an earlier mention of Molly Malone was found in an 18th-century book of songs called Apollo's Medley, printed in England in 1790. This more risqu?? version describes Molly as living in Howth, a fishing village northeast of Dublin. It recounts the singer's yearning to share her bed, contributing to widespread speculation that the song's leading lady worked as both a street vendor and a prostitute.
Created by the Irish sculptor Jeanne Rynhart, the statue depicts Molly in traditional but revealing 17th-century dress, hinting at her supposed job as a part-time prostitute and leading the bronze figure to be colloquially christened The Tart with the Cart.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,Molly Malone,Malone,by,Jeanne,Rynhart,large,chest,breast,breasts,voluptuous,woman,lady,wench,girl,hussy,urban,centre,legend,art,artwork,revealing,Mary Malone,heroine,song,music,Georgian Quarter,History,historic,Cockles and Mussels,lyrics,folk ballad,cart,The Tart With The Cart
Description: Tony Smith image Alamy 2M8DJJX - Molly Malone is the enigmatic heroine of the famous song of the same name, widely recognised as Dublin's unofficial anthem. Immortalised in bronze during the 1988 Dublin Millennium celebrations, the Molly Malone statue stands in the heart of the city's historic Georgian Quarter. Though regularly upheld as a traditional Irish ballad, it's not known where the song originated or if Molly Malone ever existed
According to the lyrics of the undeniably catchy tune ? also known as Cockles and Mussels ? Molly was a young and beautiful fishmonger who sold her yield from a cart on the streets of Dublin. The song's final verse states that after she died of a fever, she began haunting the city.
Although set in Ireland's capital and beloved by many Dubliners, the song was originally published in the USA in 1876. While this version might be based on an older Irish folk ballad, cultural academics have argued that the melody and tragicomic lyrics are more akin to the music-hall style that was popular in Britain during the Victorian era. Indeed, in 1884, a version attributed to the Scottish composer James Yorkston was published in London.
To complicate matters further, in 2010, an earlier mention of Molly Malone was found in an 18th-century book of songs called Apollo's Medley, printed in England in 1790. This more risqu?? version describes Molly as living in Howth, a fishing village northeast of Dublin. It recounts the singer's yearning to share her bed, contributing to widespread speculation that the song's leading lady worked as both a street vendor and a prostitute.
Created by the Irish sculptor Jeanne Rynhart, the statue depicts Molly in traditional but revealing 17th-century dress, hinting at her supposed job as a part-time prostitute and leading the bronze figure to be colloquially christened The Tart with the Cart.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,famous,gravestone,Balquhidder village,legend,Roy MacGregor,Robert Roy MacGregor,movement,Balquhidder graveyard,legendary,hero,MacGregor,Rob Roy,red,historic,independence
Description: Tony Smith image Alamy 2K3XMY2 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,famous,gravestone,Balquhidder village,legend,Roy MacGregor,Robert Roy MacGregor,movement,Balquhidder graveyard,legendary,hero,MacGregor,Rob Roy,red,historic,independence
Description: Tony Smith image Alamy 2K3XN2J -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,history,historic,mist,misty,damp,weather,mizzle,drizzle,graveyards,Scottish,old,graves,grave stones,grave stone,village,the,pilgramage
Description: Tony Smith image Alamy 2K3XN32 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,history,historic,mist,misty,damp,weather,mizzle,drizzle,graveyards,Scottish,old,graves,grave stones,grave stone,village,the,pilgramage
Description: Tony Smith image Alamy 2K3XN3B -
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Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,history,historic,heritage,family,family history,clan history,clan,clans,memorial,memorials,figure,character,1775,1975,years
Description: Tony Smith image Alamy 2K3XN3G -
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Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,Rob Roy,Robert Roy MacGregor,MacGregor,Roy MacGregor,red,hero,legend,historic,legendary,Balquhidder village,Balquhidder graveyard,gravestone,independence,movement,famous
Description: Tony Smith image Alamy 2K3XN3M -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,Rob Roy,Robert Roy MacGregor,MacGregor,Roy MacGregor,red,hero,legend,historic,legendary,Balquhidder village,Balquhidder graveyard,gravestone,independence,movement,famous
Description: Tony Smith image Alamy 2K3XN7K -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,Rob Roy,Robert Roy MacGregor,MacGregor,Roy MacGregor,red,hero,legend,historic,legendary,Balquhidder village,Balquhidder graveyard,gravestone,independence,movement,famous,hotpix.org.uk
Description: Tony Smith image Alamy 2K3XN7T -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,inside,FK17,Main St,Main Street,Callander,Perthshire,Scotland,UK,FK17 8BQ,Display,Hero,Villain,Audio,Visual,red,Robert,Raibeart Ruadh MacGriogair,outlaw,folk hero,Highland,clansmen,rising,of,1689,Alba,history,Scottish,historic,figure,clan,legend,the,Highland Rogue,hotpix.org.uk
Description: Tony Smith image Alamy 2K3XN95 - Robert Roy MacGregor (Scottish Gaelic: Raibeart Ruadh MacGriogair
7 March 1671 ? 28 December 1734) was a Scottish outlaw, who later became a folk hero.
Rob Roy was born in the Kingdom of Scotland at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were the local Clan MacGregor Tacksman, Donald Glas MacGregor, and Margaret Campbell. He was also descended from the Clan MacDonald of Keppoch through his paternal grandmother.
In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary MacGregor of Comar (1671?1745), who was born at Leny Farm, Strathyre. The couple had four sons: James Mor MacGregor (1695?1754), Ranald (1706?1786), Coll (died 1735) and Robert (1715?1754)?known as Rob?n ??ig or Young Rob.
Along with many Highland clansmen, at the age of eighteen Rob Roy MacGregor together with his father joined the Jacobite rising of 1689 led by John Graham, 1st Viscount Dundee and Sir Ewen Cameron of Lochiel, to support the Stuart King James VII, whose flight from Britain had been declared by Parliament to be an abdication, following the Glorious Revolution of 1688. Although victorious in initial battles, Dundee was killed at the Battle of Killiecrankie in 1689, deflating the rebellion. MacGregor's father was taken to jail, where he was held on high treason charges for two years. MacGregor's mother Margaret's health failed during Donald's time in prison. By the time Donald was finally released, his wife was dead.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,home-made,home,made,Scotland,UK,Trossachs,FK17 8DU,FK17,local,people,art arts,projects,Stirling,community,project,signs,sign,craft,crafted,handmade,handiwork,communities,folk,town,villages,village,random,arranged,arrangement,in,a,the,up,of,objects,object
Description: Tony Smith image Alamy 2K3XNB8 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,City Centre,office,offices,New Union,New,Union,queer,queer as folk,Gay Pub,Gay Bar,gaybar,bee,bees,rainbow,homosexual,lesbian,bar,pub,Gay city,art,artist,painting,Showbar,Princess Street,M1 6JB,M1,gay village,Manchesters,vibrant gay village,cabaret,karaoke,disco nights
Description: Tony Smith image Alamy RG98N2 - In Manchester's vibrant gay village, the New Union Hotel offers en-suite rooms above a lively bar. You can enjoy drinks deals, cabaret, karaoke and disco nights. Manchester Arndale shopping centre is a 12-minute walk away.
The New Union offers guests 24-hour access to the hotel.
Rooms feature free WiFi, a flat-screen TV, tea/coffee making facilities. Hairdryers and irons are available on request.
In a very lively, central district, New Union hotel is close to Manchester's bars, shops and restaurants. Manchester Coach Station is a 4-minute walk away and Manchester Piccadilly Train Station is an 8-minute walk away. Oxford Road Train Station is just a 5-minute walk away.
Description
Keywords: How best to attract attention when handing out flyers,on the Edinburgh Royal Mile,for fringe show 'Here Be Improv!' ? Well you could tape yourself up to one of the poster cylinders? The funny folks of Durham Improvised Comedy Society,Shellshock! describe it as follows: Join the (dis)Order of Improvised Comedy in their quest to wondrous realms of hilarity. Interactive and dynamic, this family-friendly show brings a new medieval fantasy to life on a (k)nightly basis! The goodly knights,in the taking of this photograph. If you are on Twitter,do add a follow there and I will follow back in return mobile.twitter.com/HotpixUK Find the cast on twitter at @ShellShockImpro All images (c) Tony Smith - @HotpixUK - No images to be used w,GoTonySmith,HotpixUK,Hotpix,Tony Smith,HousingITguy,365,Project365,2nd 365,HotpixUK365,Tone Smith,Edinburgh Festival,August,2018
Description: Tony Smith image Flickr 4507812472 - 'How best to attract attention when handing out flyers, on the Edinburgh Royal Mile, for fringe show 'Here Be Improv!' ?
Well you could tape yourself up to one of the poster cylinders?
The funny folks of Durham Improvised Comedy Society, Shellshock! describe it as follows:
'Join the (dis)Order of Improvised Comedy in their quest to wondrous realms of hilarity. Interactive and dynamic, this family-friendly show brings a new medieval fantasy to life on a (k)nightly basis! The goodly knights and damsels in our audience are invited to shout out scene suggestions, which our bold, brave, and dashingly witty improvisers enact entirely off the cuff. Choose where our characters are, what adventurous task they must fulfil, or maybe roll a die to determine their fate. So make haste, good sir, fair dame, and brave squireling, for the quest is in your hands!'
Note that no squirrels were harmed, in the taking of this photograph.
If you are on Twitter, do add a follow there and I will follow back in return mobile.twitter.com/HotpixUK
Find the cast on twitter at @ShellShockImpro
Have a look at my archived photography, from ten years back at www.flickr.com/photos/hotpixuk/
All images (c) Tony Smith - @HotpixUK - No images to be used without express permission',
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Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Great Britain,GB,Nottingham,city centre,Notts,Nottinghamshire,famous,at Nottingham Castle,Nottingham Castle,Nottinghams legendary outlaw,outlaw,East Midlands,1952,Robin Hood statue,Castle Place,NG1 6EL,NG1,bronze statue,metal,art,artwork,vandals.,vandalized,vandalised,Nottingham City,sculpture,Philip E F Clay,Philip EF Clay,Royal Academy sculptor,James Woodford,folklore hero,English folklore,woke,culture wars,war on woke
Description: Tony Smith image Alamy 2D8NX32 - Cast in eight pieces of half-inch thick bronze (made to last 6,000 years) and weighing half a ton, the 7ft effigy of Nottingham's legendary outlaw proudly stands on a two-and-a-half ton block of white Clipsham stone. It is surrounded by small studies of Little John, Friar Tuck, Alan A Dale and Will Scarlett, whilst wall plaques illustrate scenes from the tales of Robin Hood & his Merry Men.
In typical outlaw style Robin Hood stands outside of Nottingham Castle, the point of his arrow aimed at the gatehouse and the establishment within.
Join celebrities and millions of visitors who have had their photo taken at the famous Robin Hood statue at Nottingham Castle.
History of the famous figure:
On 24th July 1952, the statue of Robin Hood was unveiled by the Duchess of Portland on the Robin Hood Lawn, beneath Nottingham Castle, in the remains of the moat on Castle Road.
It was a warm sunny day when 500 schoolchildren sat attentively on the grass in the special VIP enclosure to watch the ceremony of the statue and its complementary plaques and sculptures being revealed to the public, accompanied by a fanfare from the band of the Royal Lincolnshire Regiment.
Gifted to the city by local businessman, Philip E F Clay, the impressive figure was intended to provide something tangible for visitors to see relating to Robin Hood, Nottingham's world-famous folk hero. Mr Clay was a successful director of well-known city firms Elastic Yarns Ltd and Fine Wires Ltd and in 1949, at a cost of ?5,000, he commissioned the respected Royal Academy sculptor, James Woodford, to design and make the Robin Hood statue, plaques and statuary.
On completion, they were to be presented to the city to commemorate the visit of Princess Elizabeth and The Duke of Edinburgh on 28th June 1949 during the city's quincentenary celebrations. Mr Clay had originally wished to remain anonymous.
Description
Keywords: GoTonysmith,@HotpixUK,beckoning,with,slow,moving,doll,Chinese lucky cat,Chinese,lucky cat,icon,superstition,sculptures,electric,battery operated,battery,operated,statue,statues,wave,waving,reflective,left,left paw,paw,stray cat,stray,cat,folklore,chinese folklore,talisman,good fortune,good luck,Chinatown,Chinese culture,Japanese lucky cat
Description: Tony Smith image Alamy MM9A2P -
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Manto,M1,gay,Manchester Canal St,North West England,M1 3HE,bar,pub,rainbow,Bloom St,Bloom Street,tourist,community,gay community,Queer As Folk
Description: Tony Smith image Alamy GJBNED - Canal Street, the centre of the Manchester Gay Village, is a street in Manchester city centre in North West England. The pedestrianised street, which runs along the west side of the Rochdale Canal, is lined with gay bars and restaurants. At night time, and in daytime in the warmer months, the street is filled with visitors, often including gay and lesbian tourists from all over the world. The northern end of the street meets Minshull Street and the southern meets Princess Street
part of the street looks across the Rochdale Canal into Sackville Park.
The area first begin to be properly associated with gay people. By the 1950s, usage of the canal had greatly declined due to competition from other methods of transport. Whilst assuming the form of an industrial area full of cotton factories, by night the area was a red-light district. With the collapse of the cotton industry in Northern England, the area suffered urban decay. The area along the canal was perfect for gay men to meet clandestinely as it was dark and unvisited, but was near to good transport links such as Oxford Road and Piccadilly railway stations.
In the 1980s, James Anderton, Chief Constable of Greater Manchester, accused gays of swirling in a cesspit of their own making and, according to Beatrix Campbell, encouraged his officers to stalk its dank alleys and expose anyone caught in a clinch, while police motorboats with spotlights cruised for gay men around the canal's locks and bridges. James Anderton, when questioned about the policing of the Canal Street area, denied that he was motivated by anti-gay prejudice and was merely enforcing the law on sexual activity in public toilets. Greater Manchester Police under his leadership ran a strict licensing regime for bars and nightclubs in the central Manchester area. Anderton retired in 1991.
Gay Village and the canal locks
The opening of Manto in 1990 was regarded as a catalyst for the development of many of the current style of bars and clubs.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Manto,M1,gay,Manchester Canal St,North West England,M1 3HE,bar,pub,rainbow,Bloom St,Bloom Street,tourist,community,gay community,Queer As Folk
Description: Tony Smith image Alamy GJBNF6 - Canal Street, the centre of the Manchester Gay Village, is a street in Manchester city centre in North West England. The pedestrianised street, which runs along the west side of the Rochdale Canal, is lined with gay bars and restaurants. At night time, and in daytime in the warmer months, the street is filled with visitors, often including gay and lesbian tourists from all over the world. The northern end of the street meets Minshull Street and the southern meets Princess Street
part of the street looks across the Rochdale Canal into Sackville Park.
The area first begin to be properly associated with gay people. By the 1950s, usage of the canal had greatly declined due to competition from other methods of transport. Whilst assuming the form of an industrial area full of cotton factories, by night the area was a red-light district. With the collapse of the cotton industry in Northern England, the area suffered urban decay. The area along the canal was perfect for gay men to meet clandestinely as it was dark and unvisited, but was near to good transport links such as Oxford Road and Piccadilly railway stations.
In the 1980s, James Anderton, Chief Constable of Greater Manchester, accused gays of swirling in a cesspit of their own making and, according to Beatrix Campbell, encouraged his officers to stalk its dank alleys and expose anyone caught in a clinch, while police motorboats with spotlights cruised for gay men around the canal's locks and bridges. James Anderton, when questioned about the policing of the Canal Street area, denied that he was motivated by anti-gay prejudice and was merely enforcing the law on sexual activity in public toilets. Greater Manchester Police under his leadership ran a strict licensing regime for bars and nightclubs in the central Manchester area. Anderton retired in 1991.
Gay Village and the canal locks
The opening of Manto in 1990 was regarded as a catalyst for the development of many of the current style of bars and clubs.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Manto,M1,gay,Manchester Canal St,North West England,M1 3HE,bar,pub,rainbow,Bloom St,Bloom Street,tourist,community,gay community,Queer As Folk
Description: Tony Smith image Alamy GJBNGF - Canal Street, the centre of the Manchester Gay Village, is a street in Manchester city centre in North West England. The pedestrianised street, which runs along the west side of the Rochdale Canal, is lined with gay bars and restaurants. At night time, and in daytime in the warmer months, the street is filled with visitors, often including gay and lesbian tourists from all over the world. The northern end of the street meets Minshull Street and the southern meets Princess Street
part of the street looks across the Rochdale Canal into Sackville Park.
The area first begin to be properly associated with gay people. By the 1950s, usage of the canal had greatly declined due to competition from other methods of transport. Whilst assuming the form of an industrial area full of cotton factories, by night the area was a red-light district. With the collapse of the cotton industry in Northern England, the area suffered urban decay. The area along the canal was perfect for gay men to meet clandestinely as it was dark and unvisited, but was near to good transport links such as Oxford Road and Piccadilly railway stations.
In the 1980s, James Anderton, Chief Constable of Greater Manchester, accused gays of swirling in a cesspit of their own making and, according to Beatrix Campbell, encouraged his officers to stalk its dank alleys and expose anyone caught in a clinch, while police motorboats with spotlights cruised for gay men around the canal's locks and bridges. James Anderton, when questioned about the policing of the Canal Street area, denied that he was motivated by anti-gay prejudice and was merely enforcing the law on sexual activity in public toilets. Greater Manchester Police under his leadership ran a strict licensing regime for bars and nightclubs in the central Manchester area. Anderton retired in 1991.
Gay Village and the canal locks
The opening of Manto in 1990 was regarded as a catalyst for the development of many of the current style of bars and clubs.
Description
Keywords: Cross,Bones,face,parrot,evil,Cornwall,Cornish,man,Cornishman,England,South,West,smuggler,Toby,Jug,ornament,art,UK,United,Kingdom,GB,vintage,classic,face,novelty,character,collector,Kernow,decorative,earthenware,figure,figurine,glazedTobyJug,jugs,novelty,old,Cross Bones,SouthWest,South West,GoTonySmith,Great,Britain,British,English,ceramics,character,glaze,antique,pirates,Fillpot,Philpot,of,the,Caribbean,Jack,Sparrow,Disney,spooky,folklore,tales,Buy Pictures of,Buy Images Of,Pirates of the Caribbean,Pirates of the Caribean,Jack Sparrow,pirate legends
Description: Tony Smith image Alamy F7DC5C - A Toby Jug - also sometimes known as a Fillpot (or Philpot) - is a pottery jug in the form of a seated person, or the head of a recognizable person (often an English king). Typically the seated figure is a heavy-set, jovial man holding a mug of beer in one hand and a pipe of tobacco in the other and wearing 18th century attire: a long coat and a tricorn hat. The tricorn hat forms a pouring spout, often with a removable lid, and a handle is attached at the rear. Jugs depicting just the head and shoulders of a figure are also referred to as Toby Jugs, although these should strictly be called Character Jugs
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,gotonysmith,close,up,close-up,macro,mode,moda,textile,Folkspeare,red,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E60 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: demo,UK,A,demonstration,united,kingdom,naked,people,eccentric,eccentrics,wierd,strange,folk,ride,rider,odd,demonstrator,demonstrating,green,party,issue,issues,Hyde,HydePark,World,Naked,Bike,Ride,regents,get,your,kit,off,full,nudity,on,show,protest,against,oil,dependency,and,the,way,the,of,the,gotonysmith,riders,cycle,bare,as,car,automobile,three,greenman,green,man,penis,out,penises,dick,dicks,dickheads,elderly,old,bums,rush
Description: Tony Smith image Alamy E6JB5H - The relaxed attitude to suitable bike riding attire this most compelling of spectator sports has a serious agenda: it's a protest against oil dependency and the way the cult of the car dominates contemporary life.
It's also an unfettered celebration of individuality of the human body. Many of the 1000 plus people expected to turn out will opt to bike in the buff. And if you too long to through caution and clothes to the wind, but feel a bit bashful, you can always take something along that's easy to put on when the procession gets held up by traffic, as it inevitably will.
Description
Keywords: demo,UK,A,demonstration,united,kingdom,naked,people,eccentric,eccentrics,wierd,strange,folk,ride,rider,odd,demonstrator,demonstrating,green,party,issue,issues,Hyde,HydePark,World,Naked,Bike,Ride,regents,get,your,kit,off,full,nudity,on,show,protest,against,oil,dependency,and,the,way,the,of,the,gotonysmith,riders,cycle,bare,as,car,automobile,one,less,car
Description: Tony Smith image Alamy E6JB5J - The relaxed attitude to suitable bike riding attire this most compelling of spectator sports has a serious agenda: it's a protest against oil dependency and the way the cult of the car dominates contemporary life.
It's also an unfettered celebration of individuality of the human body. Many of the 1000 plus people expected to turn out will opt to bike in the buff. And if you too long to through caution and clothes to the wind, but feel a bit bashful, you can always take something along that's easy to put on when the procession gets held up by traffic, as it inevitably will.
Description
Keywords: demo,UK,A,demonstration,united,kingdom,naked,people,eccentric,eccentrics,wierd,strange,folk,ride,rider,odd,demonstrator,demonstrating,green,party,issue,issues,Hyde,HydePark,World,Naked,Bike,Ride,regents,get,your,kit,off,full,nudity,on,show,protest,against,oil,dependency,and,the,way,the,of,the,gotonysmith,riders,cycle,bare,as,car,automobile,one,less,car,backside,bum,bottom,buttock,buttocks,man,male,bloke,guy,naturist
Description: Tony Smith image Alamy E6JB5K - The relaxed attitude to suitable bike riding attire this most compelling of spectator sports has a serious agenda: it's a protest against oil dependency and the way the cult of the car dominates contemporary life.
It's also an unfettered celebration of individuality of the human body. Many of the 1000 plus people expected to turn out will opt to bike in the buff. And if you too long to through caution and clothes to the wind, but feel a bit bashful, you can always take something along that's easy to put on when the procession gets held up by traffic, as it inevitably will.
Description
Keywords: demo,UK,A,demonstration,united,kingdom,naked,people,eccentric,eccentrics,wierd,strange,folk,ride,rider,odd,demonstrator,demonstrating,green,party,issue,issues,Hyde,HydePark,World,Naked,Bike,Ride,regents,get,your,kit,off,full,nudity,on,show,protest,against,oil,dependency,and,the,way,the,of,the,gotonysmith,riders,cycle,bare,as,car,automobile,car,males,penis,on,indecent,indecency,in,city
Description: Tony Smith image Alamy E6JB5M - The relaxed attitude to suitable bike riding attire this most compelling of spectator sports has a serious agenda: it's a protest against oil dependency and the way the cult of the car dominates contemporary life.
It's also an unfettered celebration of individuality of the human body. Many of the 1000 plus people expected to turn out will opt to bike in the buff. And if you too long to through caution and clothes to the wind, but feel a bit bashful, you can always take something along that's easy to put on when the procession gets held up by traffic, as it inevitably will.
Description
Keywords: demo,UK,A,demonstration,united,kingdom,naked,people,eccentric,eccentrics,wierd,strange,folk,ride,rider,odd,demonstrator,demonstrating,green,party,issue,issues,Hyde,HydePark,World,Naked,Bike,Ride,regents,get,your,kit,off,full,nudity,on,show,protest,against,oil,dependency,and,the,way,the,of,the,gotonysmith,riders,cycle,bare,as,car,automobile,semi-naked,seminaked,women,girls,females,event
Description: Tony Smith image Alamy E6JB5N - The relaxed attitude to suitable bike riding attire this most compelling of spectator sports has a serious agenda: it's a protest against oil dependency and the way the cult of the car dominates contemporary life.
It's also an unfettered celebration of individuality of the human body. Many of the 1000 plus people expected to turn out will opt to bike in the buff. And if you too long to through caution and clothes to the wind, but feel a bit bashful, you can always take something along that's easy to put on when the procession gets held up by traffic, as it inevitably will.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,West Midlands,England,central,Brum,Broad St,UK,B1 2EA,Midlands,dusk,The,Square,Sq,concert,Musikverein,Concertgebouw,jazz,world,folk,rock,pop and classical concerts,organ recitals,spoken word,dance,Percy Thomas Partnership,Renton Howard Wood Levin,venue,city,centre,B1,City of,Birmingham Symphony Orchestra,night,evening,modern
Description: Tony Smith image Alamy 2K5J0D0 - Symphony Hall is a 2,262 seat concert venue in Birmingham, England. It was officially opened by the Queen on 12 June 1991, although it had been in use since 15 April 1991. It is home to the City of Birmingham Symphony Orchestra and hosts around 270 events a year. It was completed at a cost of ?30 million. The hall's interior is modelled on the Musikverein in Vienna and the Concertgebouw in Amsterdam. The venue, managed alongside Town Hall, presents a programme of jazz, world, folk, rock, pop and classical concerts, organ recitals, spoken word, dance, comedy, educational and community performances, and is also used for conferences and business events as part of the International Convention Centre.
In 2016 the Concert Hall Acoustics expert Leo Beranek ranked Symphony Hall as having the finest acoustics in the United Kingdom, and the seventh best in the world. Proof of these fine acoustics is that a pre-opening acoustic test demonstrated that if a pin was dropped on stage, the sound could be heard from anywhere in the hall
Symphony Hall was designed by Percy Thomas Partnership and Renton Howard Wood Levin, (who together formed the Convention Centre Partnership for the ICC) with specialist help from Russell Johnson, founder of acoustic consultants Artec. A particularly innovative feature is the hall's acoustic flexibility. It has a reverberation chamber behind the stage and extending high along the sides, adding 50% to the hall's volume, the doors to which can be remotely opened or closed. The U-shaped reverberation chamber area has a volume of 12,700 cubic metres (450,000 cu ft). There is an acoustic canopy which can be raised or lowered above the stage. Dampening panels can be extended or retracted to ensure that the sound of the space is perfectly matched to the scale and style of the music to be performed. There are also reverse fan walls at the rear of the hall which provide further reflections of sound
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,female,woman,blue,background,blue background,posing,dance,moves,lady,in a,fan,Flamenco dancer with traditional dress,Flamenco dancer traditional dress,Gypsy,folkloric music traditions of Southern Spain
Description: Tony Smith image Alamy DD4GH1 - Flamenco, in its strictest sense, is a professionalized art-form based on the various folkloric music traditions of Southern Spain in the autonomous communities of Andalusia, Extremadura and Murcia. In a wider sense, it refers to these musical traditions and more modern musical styles which have themselves been deeply influenced by and become blurred with the development of flamenco over the past two centuries. It includes cante (singing), toque (guitar playing), baile (dance), jaleo (vocalizations), palmas (handclapping) and pitos (finger snapping).
The oldest record of flamenco dates to 1774 in the book Las Cartas Marruecas by Jos?? Cadalso. Flamenco has been influenced by and associated with the Romani people in Spain
however, its origin and style are uniquely Andalusian.
Although the Diccionario de la lengua espa?ola associates it especially with the Gypsy ethnicity, is more than perceptible the fusion of the different cultures that coincided in the Andalusia of the time. Of all the hypotheses about its origin, the most widespread thesis is that which exposes the Morisco origin, only that the cultural miscegenation that occurred then in Andalusia: Natives, Muslims, Gypsies, Castilians and Jews
propitiated its creation. In fact, it already existed in the region of Andalusia its germ long before the Gypsies arrived, also taking into account that there were gypsies in other regions of Spain and Europe, flamenco was only cultivated by those who were in Andalusia.
Flamenco has become popular all over the world and is taught in many non-Hispanic countries, especially the United States and Japan. In Japan, there are more flamenco academies than there are in Spain. On November 16, 2010, UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,female,woman,blue,background,blue background,posing,dance,moves,lady,in a,fan,Flamenco dancer with traditional dress,Flamenco dancer traditional dress,Gypsy,folkloric music traditions of Southern Spain
Description: Tony Smith image Alamy DD4GPR - Flamenco, in its strictest sense, is a professionalized art-form based on the various folkloric music traditions of Southern Spain in the autonomous communities of Andalusia, Extremadura and Murcia. In a wider sense, it refers to these musical traditions and more modern musical styles which have themselves been deeply influenced by and become blurred with the development of flamenco over the past two centuries. It includes cante (singing), toque (guitar playing), baile (dance), jaleo (vocalizations), palmas (handclapping) and pitos (finger snapping).
The oldest record of flamenco dates to 1774 in the book Las Cartas Marruecas by Jos?? Cadalso. Flamenco has been influenced by and associated with the Romani people in Spain
however, its origin and style are uniquely Andalusian.
Although the Diccionario de la lengua espa?ola associates it especially with the Gypsy ethnicity, is more than perceptible the fusion of the different cultures that coincided in the Andalusia of the time. Of all the hypotheses about its origin, the most widespread thesis is that which exposes the Morisco origin, only that the cultural miscegenation that occurred then in Andalusia: Natives, Muslims, Gypsies, Castilians and Jews
propitiated its creation. In fact, it already existed in the region of Andalusia its germ long before the Gypsies arrived, also taking into account that there were gypsies in other regions of Spain and Europe, flamenco was only cultivated by those who were in Andalusia.
Flamenco has become popular all over the world and is taught in many non-Hispanic countries, especially the United States and Japan. In Japan, there are more flamenco academies than there are in Spain. On November 16, 2010, UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,female,woman,blue,background,blue background,posing,dance,moves,lady,in a,fan,Flamenco dancer with traditional dress,Flamenco dancer traditional dress,Gypsy,folkloric music traditions of Southern Spain
Description: Tony Smith image Alamy DD4GT5 - Flamenco, in its strictest sense, is a professionalized art-form based on the various folkloric music traditions of Southern Spain in the autonomous communities of Andalusia, Extremadura and Murcia. In a wider sense, it refers to these musical traditions and more modern musical styles which have themselves been deeply influenced by and become blurred with the development of flamenco over the past two centuries. It includes cante (singing), toque (guitar playing), baile (dance), jaleo (vocalizations), palmas (handclapping) and pitos (finger snapping).
The oldest record of flamenco dates to 1774 in the book Las Cartas Marruecas by Jos?? Cadalso. Flamenco has been influenced by and associated with the Romani people in Spain
however, its origin and style are uniquely Andalusian.
Although the Diccionario de la lengua espa?ola associates it especially with the Gypsy ethnicity, is more than perceptible the fusion of the different cultures that coincided in the Andalusia of the time. Of all the hypotheses about its origin, the most widespread thesis is that which exposes the Morisco origin, only that the cultural miscegenation that occurred then in Andalusia: Natives, Muslims, Gypsies, Castilians and Jews
propitiated its creation. In fact, it already existed in the region of Andalusia its germ long before the Gypsies arrived, also taking into account that there were gypsies in other regions of Spain and Europe, flamenco was only cultivated by those who were in Andalusia.
Flamenco has become popular all over the world and is taught in many non-Hispanic countries, especially the United States and Japan. In Japan, there are more flamenco academies than there are in Spain. On November 16, 2010, UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,female,woman,blue,background,blue background,posing,dance,moves,lady,in a,fan,Flamenco dancer with traditional dress,Flamenco dancer traditional dress,Gypsy,folkloric music traditions of Southern Spain
Description: Tony Smith image Alamy DD4R0M - Flamenco, in its strictest sense, is a professionalized art-form based on the various folkloric music traditions of Southern Spain in the autonomous communities of Andalusia, Extremadura and Murcia. In a wider sense, it refers to these musical traditions and more modern musical styles which have themselves been deeply influenced by and become blurred with the development of flamenco over the past two centuries. It includes cante (singing), toque (guitar playing), baile (dance), jaleo (vocalizations), palmas (handclapping) and pitos (finger snapping).
The oldest record of flamenco dates to 1774 in the book Las Cartas Marruecas by Jos?? Cadalso. Flamenco has been influenced by and associated with the Romani people in Spain
however, its origin and style are uniquely Andalusian.
Although the Diccionario de la lengua espa?ola associates it especially with the Gypsy ethnicity, is more than perceptible the fusion of the different cultures that coincided in the Andalusia of the time. Of all the hypotheses about its origin, the most widespread thesis is that which exposes the Morisco origin, only that the cultural miscegenation that occurred then in Andalusia: Natives, Muslims, Gypsies, Castilians and Jews
propitiated its creation. In fact, it already existed in the region of Andalusia its germ long before the Gypsies arrived, also taking into account that there were gypsies in other regions of Spain and Europe, flamenco was only cultivated by those who were in Andalusia.
Flamenco has become popular all over the world and is taught in many non-Hispanic countries, especially the United States and Japan. In Japan, there are more flamenco academies than there are in Spain. On November 16, 2010, UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,female,woman,blue,background,blue background,posing,dance,moves,lady,in a,fan,Flamenco dancer with traditional dress,Flamenco dancer traditional dress,Gypsy,folkloric music traditions of Southern Spain
Description: Tony Smith image Alamy DD4R4E - Flamenco, in its strictest sense, is a professionalized art-form based on the various folkloric music traditions of Southern Spain in the autonomous communities of Andalusia, Extremadura and Murcia. In a wider sense, it refers to these musical traditions and more modern musical styles which have themselves been deeply influenced by and become blurred with the development of flamenco over the past two centuries. It includes cante (singing), toque (guitar playing), baile (dance), jaleo (vocalizations), palmas (handclapping) and pitos (finger snapping).
The oldest record of flamenco dates to 1774 in the book Las Cartas Marruecas by Jos?? Cadalso. Flamenco has been influenced by and associated with the Romani people in Spain
however, its origin and style are uniquely Andalusian.
Although the Diccionario de la lengua espa?ola associates it especially with the Gypsy ethnicity, is more than perceptible the fusion of the different cultures that coincided in the Andalusia of the time. Of all the hypotheses about its origin, the most widespread thesis is that which exposes the Morisco origin, only that the cultural miscegenation that occurred then in Andalusia: Natives, Muslims, Gypsies, Castilians and Jews
propitiated its creation. In fact, it already existed in the region of Andalusia its germ long before the Gypsies arrived, also taking into account that there were gypsies in other regions of Spain and Europe, flamenco was only cultivated by those who were in Andalusia.
Flamenco has become popular all over the world and is taught in many non-Hispanic countries, especially the United States and Japan. In Japan, there are more flamenco academies than there are in Spain. On November 16, 2010, UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,female,woman,blue,background,blue background,posing,dance,moves,lady,in a,fan,Flamenco dancer with traditional dress,Flamenco dancer traditional dress,Gypsy,folkloric music traditions of Southern Spain
Description: Tony Smith image Alamy DD4R55 - Flamenco, in its strictest sense, is a professionalized art-form based on the various folkloric music traditions of Southern Spain in the autonomous communities of Andalusia, Extremadura and Murcia. In a wider sense, it refers to these musical traditions and more modern musical styles which have themselves been deeply influenced by and become blurred with the development of flamenco over the past two centuries. It includes cante (singing), toque (guitar playing), baile (dance), jaleo (vocalizations), palmas (handclapping) and pitos (finger snapping).
The oldest record of flamenco dates to 1774 in the book Las Cartas Marruecas by Jos?? Cadalso. Flamenco has been influenced by and associated with the Romani people in Spain
however, its origin and style are uniquely Andalusian.
Although the Diccionario de la lengua espa?ola associates it especially with the Gypsy ethnicity, is more than perceptible the fusion of the different cultures that coincided in the Andalusia of the time. Of all the hypotheses about its origin, the most widespread thesis is that which exposes the Morisco origin, only that the cultural miscegenation that occurred then in Andalusia: Natives, Muslims, Gypsies, Castilians and Jews
propitiated its creation. In fact, it already existed in the region of Andalusia its germ long before the Gypsies arrived, also taking into account that there were gypsies in other regions of Spain and Europe, flamenco was only cultivated by those who were in Andalusia.
Flamenco has become popular all over the world and is taught in many non-Hispanic countries, especially the United States and Japan. In Japan, there are more flamenco academies than there are in Spain. On November 16, 2010, UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Warwickshire,OX7 5QB,monument,pano,limestone,King Stone,Kings Men,ritual,history,Paganism,folklore,burial,chamber
Description: Tony Smith image Alamy DDD7EH - The Rollright Stones is a complex of three Neolithic and Bronze Age megalithic monuments near the village of Long Compton, on the borders of Oxfordshire and Warwickshire. Constructed from local oolitic limestone, the three monuments now known as the King's Men and the Whispering Knights in Oxfordshire and the King Stone in Warwickshire, are distinct in their design and purpose, and were built at different periods in late prehistory. The stretch of time during which the three monuments were erected bears witness to a continuous tradition of ritual behaviour on sacred ground, from the 4th to the 2nd millennium BCE.
The first to be constructed was the Whispering Knights, a dolmen that dates to the Early or Middle Neolithic period and which was likely to have been used as a place of burial. This was followed by the King's Men, a stone circle which was constructed in the Late Neolithic or Early Bronze Age
unusually, it has parallels to other circles located further north, in the Lake District, implying a trade-based or ritual connection. The third monument, the King Stone, is a single monolith, and although it is not known when it was constructed, the dominant theory amongst archaeologists is that it was a Bronze Age grave marker.
The British philologist Andrew Breeze has proposed that the name Rollright is from the Brittonic phrase *rodland r??x 'wheel enclosure groove', where *r??x 'groove' refers to a narrow valley near Great Rollright and *rodland 'wheel enclosure' refers to the King's Men circle. By the Early Modern period, folkloric stories had grown up around the Stones, telling of how they had once been a king and his knights who had been turned to stone by a witch
such stories continued to be taught amongst local people well into the 19th century. Meanwhile, antiquarians such as William Camden, John Aubrey and William Stukeley had begun to take an interest in the monuments, leading to fuller archaeological investigations in the 20th century, culminating in e
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Description: Tony Smith image Alamy DDD7NB - The Rollright Stones is a complex of three Neolithic and Bronze Age megalithic monuments near the village of Long Compton, on the borders of Oxfordshire and Warwickshire. Constructed from local oolitic limestone, the three monuments now known as the King's Men and the Whispering Knights in Oxfordshire and the King Stone in Warwickshire, are distinct in their design and purpose, and were built at different periods in late prehistory. The stretch of time during which the three monuments were erected bears witness to a continuous tradition of ritual behaviour on sacred ground, from the 4th to the 2nd millennium BCE.
The first to be constructed was the Whispering Knights, a dolmen that dates to the Early or Middle Neolithic period and which was likely to have been used as a place of burial. This was followed by the King's Men, a stone circle which was constructed in the Late Neolithic or Early Bronze Age
unusually, it has parallels to other circles located further north, in the Lake District, implying a trade-based or ritual connection. The third monument, the King Stone, is a single monolith, and although it is not known when it was constructed, the dominant theory amongst archaeologists is that it was a Bronze Age grave marker.
The British philologist Andrew Breeze has proposed that the name Rollright is from the Brittonic phrase *rodland r??x 'wheel enclosure groove', where *r??x 'groove' refers to a narrow valley near Great Rollright and *rodland 'wheel enclosure' refers to the King's Men circle. By the Early Modern period, folkloric stories had grown up around the Stones, telling of how they had once been a king and his knights who had been turned to stone by a witch
such stories continued to be taught amongst local people well into the 19th century. Meanwhile, antiquarians such as William Camden, John Aubrey and William Stukeley had begun to take an interest in the monuments, leading to fuller archaeological investigations in the 20th century, culminating in e
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Description: Tony Smith image Alamy 2BXPYHA -
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Description: Tony Smith image Alamy D8FBE2 -
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Description: Tony Smith image Alamy CEYAAJ - Orange Halloween Pumpkin with a creative firework sparkler for hair.
A modern jack-o'-lantern is a carved pumpkin, although originally large turnips were carved. It is associated chiefly with the holiday of Samhain and Halloween and was named after the phenomenon of strange light flickering over peat bogs, called ignis fatuus or jack-o'-lantern. In a jack-o'-lantern, the top is cut off, and the inside flesh then scooped out
an image, usually a monstrous face, is carved out, and the lid replaced. It is typically seen during Halloween.
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Description: Tony Smith image Alamy 2PM7TEC -
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Description: Tony Smith image Alamy 2K1RDE6 -
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Description: Tony Smith image Alamy 2K0PRYN -
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Description: Tony Smith image Alamy 2D8NX2N - Cast in eight pieces of half-inch thick bronze (made to last 6,000 years) and weighing half a ton, the 7ft effigy of Nottingham's legendary outlaw proudly stands on a two-and-a-half ton block of white Clipsham stone. It is surrounded by small studies of Little John, Friar Tuck, Alan A Dale and Will Scarlett, whilst wall plaques illustrate scenes from the tales of Robin Hood & his Merry Men.
In typical outlaw style Robin Hood stands outside of Nottingham Castle, the point of his arrow aimed at the gatehouse and the establishment within.
Join celebrities and millions of visitors who have had their photo taken at the famous Robin Hood statue at Nottingham Castle.
History of the famous figure:
On 24th July 1952, the statue of Robin Hood was unveiled by the Duchess of Portland on the Robin Hood Lawn, beneath Nottingham Castle, in the remains of the moat on Castle Road.
It was a warm sunny day when 500 schoolchildren sat attentively on the grass in the special VIP enclosure to watch the ceremony of the statue and its complementary plaques and sculptures being revealed to the public, accompanied by a fanfare from the band of the Royal Lincolnshire Regiment.
Gifted to the city by local businessman, Philip E F Clay, the impressive figure was intended to provide something tangible for visitors to see relating to Robin Hood, Nottingham's world-famous folk hero. Mr Clay was a successful director of well-known city firms Elastic Yarns Ltd and Fine Wires Ltd and in 1949, at a cost of ?5,000, he commissioned the respected Royal Academy sculptor, James Woodford, to design and make the Robin Hood statue, plaques and statuary.
On completion, they were to be presented to the city to commemorate the visit of Princess Elizabeth and The Duke of Edinburgh on 28th June 1949 during the city's quincentenary celebrations. Mr Clay had originally wished to remain anonymous.
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Description: Tony Smith image Alamy PGH9HK -
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Description: Tony Smith image Alamy PCTABG -
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Description: Tony Smith image Alamy PG69G6 - Yard Of Ale formed originally in 1972 and had ten successful years on the pub and club circuit, winning the TV Times Pub Entertainers of the Year award, doing well on ITV's New Faces and appearing on many television and radio shows including STV's Thingummyjig and BBC Scotland's Scottish Radio Orchestra Roadshow. During this time they also supported, amongst others, Matt McGinn, Hamish Imlach and Billy Connolly and enjoyed an extended run at the Edinburgh Festival with the legendary Tim Hardin.
Thereafter they went their separate ways........Alistair McDougald performing solo on the club cabaret circuit, Colin Mackenzie forming and playing with North Sea Gas folk group and Ian Lawson leading a successful rock band.
In 1992 the group reformed for a project in the Edinburgh Festival Fringe with Bill Hill in which they performed acoustic music spanning 30 years........Skiffle, Folk, Protest, Calypso, Country and Contemporary.
One of the hits of this year's festival - Danny Kyle, BBC Radio Scotland.
Since then the band have been in great demand for concerts, folk festivals, corporate functions, pub, hotel and club gigs all over Scotland and on tour in Denmark and Ireland.
Peter Gillan joined the band when Ian retired due to work commitments in 1998. Having spent many years as a singer/guitarist playing solo on the folk and country scenes, Peter's experience has added yet another dimension to the band.
Walter Mowat joined Yard Of Ale in 2015. Walter has played in a number of folk and bluegrass bands over the years and also plays violin with the Really Terrible Orchestra.
Ian Lawson and Colin Mackenzie still occasionally feature with the band for larger gigs and as emergency stand-ins.
