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Description
Keywords: GoTonySmith,HotpixUK,green,go,cross,walk,light,signal,Mainzelmännchen,Mainz pedestrian signal,Mainz traffic lights,pedestrian crossing light,German,traffic,Große Bleiche Mainz,Ampel,1960s,cartoon,character,novelty,pedestrian,safety,road,crossing,figure,lights,sightseeing,German television history,Wolf Gerlach cartoons,1960s German television,ZDF advertising separators,German pop culture,Mainz cultural identity,regional,city,branding,broadcasting,west,Lerchenberg,man
Description: Tony Smith image Alamy 3F8BCDF - A close-up editorial photograph of the distinctive green Det Mainzelmännchen pedestrian traffic light in Mainz,Rhineland-Palatinate, Germany, replacing the standard standing pedestrian figure with one of Germany's best-known television cartoon characters.The illuminated LED road crossing signal forms part of a unique series of Mainzelmännchen traffic lights installed by the City of Mainz, celebrating the city's long association with ZDF (Zweites Deutsches Fernsehen), Germany's national public broadcaster, whose headquarters are located in Mainz-Lerchenberg. The six Mainzelmännchen characters, Anton, Berti, Conni, Det, Edi and Fritzchen, were created by illustrator Wolf Gerlach in 1962 and first appeared on German television in 1963. Originally designed as short animated interludes separating television programmes from advertising, they rapidly became cultural icons recognised across Germany and remain an enduring symbol of German broadcasting and popular culture.
The first Mainzelmännchen pedestrian signals were unveiled in Mainz in 2016 near Neubrunnenplatz and Große Bleiche, with Det chosen as the red standing figure instructing pedestrians to stop, while a walking version appears in green to indicate it is safe to cross. Similar to Berlin's famous Ampelmännchen, the Mainz signals have become a popular tourist attraction, frequently photographed by visitors exploring the city's historic centre, Roman heritage, cathedral, museums and riverside. The customised traffic lights combine road safety, public art, urban design and local identity, transforming everyday street furniture into a recognisable landmark reflecting more than sixty years of German television history. This editorial image illustrates German transport infrastructure, pedestrian safety, city branding, tourism, broadcasting heritage, European street culture, urban design, public realm innovation and the unique relationship between Mainz and ZDF, making it suitable for travel, transport, architecture,
Große Bleiche / Neubrunnenplatz, 55116 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,red,stop,dont walk,light,signal,Mainzelmännchen,Mainz pedestrian signal,Mainz traffic lights,pedestrian crossing light,German,traffic,Große Bleiche Mainz,Ampel,1960s,cartoon,character,novelty,pedestrian,safety,road,crossing,figure,lights,sightseeing,German television history,Wolf Gerlach cartoons,1960s German television,ZDF advertising separators,German pop culture,Mainz cultural identity,regional,city,branding,broadcasting,west,Lerchenberg,man
Description: Tony Smith image Alamy 3F8BCDH - A close-up editorial photograph of the distinctive red Det Mainzelmännchen pedestrian traffic light in Mainz, Rhineland-Palatinate, Germany, replacing the standard standing pedestrian figure with one of Germany's best-known television cartoon characters. The illuminated LED road crossing signal forms part of a unique series of Mainzelmännchen traffic lights installed by the City of Mainz, celebrating the city's long association with ZDF (Zweites Deutsches Fernsehen), Germany's national public broadcaster, whose headquarters are located in Mainz-Lerchenberg. The six Mainzelmännchen characters, Anton, Berti, Conni, Det, Edi and Fritzchen, were created by illustrator Wolf Gerlach in 1962 and first appeared on German television in 1963. Originally designed as short animated interludes separating television programmes from advertising, they rapidly became cultural icons recognised across Germany and remain an enduring symbol of German broadcasting and popular culture.
The first Mainzelmännchen pedestrian signals were unveiled in Mainz in 2016 near Neubrunnenplatz and Große Bleiche, with Det chosen as the red standing figure instructing pedestrians to stop, while a walking version appears in green to indicate it is safe to cross. Similar to Berlin's famous Ampelmännchen, the Mainz signals have become a popular tourist attraction, frequently photographed by visitors exploring the city's historic centre, Roman heritage, cathedral, museums and riverside. The customised traffic lights combine road safety, public art, urban design and local identity, transforming everyday street furniture into a recognisable landmark reflecting more than sixty years of German television history. This editorial image illustrates German transport infrastructure, pedestrian safety, city branding, tourism, broadcasting heritage, European street culture, urban design, public realm innovation and the unique relationship between Mainz and ZDF, making it suitable for travel, transport, architecture,
Große Bleiche / Neubrunnenplatz, 55116 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,traffic,monument,sculpture,Sir John Steell statue,Arthur Wellesley,memorial,equestrian,bronze,Copenhagen war horse,public art,Scottish,street,humour,prank,historic,landmark,city centre,cone on statue tradition,playful civic irreverence,urban cultural identity,unconventional tourist attraction,custom,contemporary,folklore,social,commentary,listed,victorian,military,commemoration,debate,figure,reinterpreted,city sightseeing destination,leader,napoleonic wars,history
Description: Tony Smith image Alamy 3EX1RCY - Equestrian monument to Arthur Wellesley, 1st Duke of Wellington, stands outside General Register House at the east end of Princes Street in central Edinburgh. In this humorous contemporary scene, an orange-and-white road cone has been placed on the military leader's head, creating a striking contrast between the formal bronze sculpture, its rearing horse and the everyday object balanced above the figure.
Sir John Steell's monument depicts Wellington mounted on Copenhagen, his celebrated war horse. Commissioned in 1842, the bronze work was created during the 1840s and unveiled on 18 June 1852, the thirty-seventh anniversary of the Battle of Waterloo. The sculpture is mounted on a substantial red Aberdeen granite pedestal and forms part of the historic setting of Register House. It is protected as a Category A listed monument.
Traffic cones placed on statues have become a familiar feature of Scottish urban humour, most famously associated with the Duke of Wellington outside Glasgow's Gallery of Modern Art. The appearance of a cone on Edinburgh's Wellington creates an obvious visual echo of that better-known tradition, combining public art, irreverence and playful street culture. The intervention also prompts debate about civic identity, imitation, harmless mischief, vandalism, public safety and the treatment of historic monuments.
Pedestrians gather around the base while the classical stone façade of General Register House fills the background. Bright daylight reveals the bronze surface, architectural masonry, sash windows and decorative street lighting. The photograph is suitable for editorial coverage of Edinburgh tourism, Scottish humour, public sculpture, heritage conservation, city-centre culture, traffic-cone pranks and changing attitudes towards monuments in public space
General Register House, Princes Street, Edinburgh, EH1 3YY, Scotland, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,gay,village,Canal Street,tourist,tourism,LGBT,LGBTQ,LGBTQ+,venue,Manchester,break,tiptoe,IMG_9465,Drag queen,artwork,The Church,pub,Manchester Gay Village,England,UK,drag,street,art,mural,nightlife,queer,hospitality,culture,Canal,urban,figure
Description: Tony Smith image Alamy 3EJD0FD - . Drag queen artwork on The Church pub in Manchester Gay Village, Manchester, England, UK. Photographed on 23 May 2026. The recorded location is The Church, Manchester Gay Village, Manchester, Greater Manchester, England, UK. The black-clad figure is painted on a pale exterior wall in the Canal Street area, creating a distinctive piece of queer street art linked to one of the district's nightlife venues. The artwork provides a compact visual symbol of the theatrical and inclusive character associated with the Gay Village and can illustrate stories about drag performance, LGBTQ+ businesses, urban art, nightlife economies, cultural identity and Manchester's internationally recognised queer quarter. Looking at mural, the longer history is that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can change the meaning of an apparently permanent object. The background to religious symbolism is that ecclesiastical buildings are both active places of worship and repositories of local evidence
Churchyard monuments, carved stone, stained glass and plaques offer material for genealogy, architectural history, religious practice and remembrance. Within the history of cask ale, british pubs developed from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, music venues and landmarks
Names, brewery signs, etched glass, tiled interiors and changing fascias can preserve local history even when ownership or use changes. In 2026, mural remains relevant because contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and place-making. Its wider subject context includes cask ale, beer culture, local pub, historic pub, and nightlife.
The Church, Manchester Gay Village, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9496,Wrexham AFC,mural,football,figure,building,Wrexham,Wales,UK,monochrome,artwork,red,club,public,art,fan,culture,sports,tourism,Welsh,city,branding,street,landmark,AFC
Description: Tony Smith image Alamy 3ETMY6J - . Wrexham AFC mural showing a football figure on a building in Wrexham, Wales, UK. Photographed on 17 May 2026. The monochrome artwork is accented with red club colours and forms part of the expanding football-themed street art associated with Wrexham's renewed global profile. The towering mural creates a strong visual landmark in the street. Wrexham AFC, founded in 1864, is one of the oldest professional football clubs in the world. Its Racecourse Ground, now known as STōK Cae Ras, is recognised as the world's oldest international football stadium still hosting international matches. The club's global profile rose dramatically after its 2021 takeover by actors Ryan Reynolds and Rob McElhenney. Looking at visual culture, the longer history is that street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. The background to sports tourism is that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. Within the history of social history, material culture includes the ordinary products people bought, used, collected or displayed
Small manufactured objects can reveal national identity, advertising, technology and popular taste in ways that formal records do not. In 2026, visual culture remains relevant because contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and place-making. Its wider subject context includes fan, culture, sports, tourism, Welsh, landmark, AFC, and public art.
Wrexham, Wales, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Roman,gladiator,figure,often,nicknamed,Golden Balls,at,Bulldog,Forge,in,Ince,Wigan,359255A9071,Bulldog Forge,Greater Manchester,England,UK,gold,painted,landmark,sculpture,industrial,heritage,roadside,curiosity,statue,local,history,quirky,culture,public,art
Description: Tony Smith image Alamy 3EKD7TR - . Roman gladiator Golden Balls figure at Bulldog Forge in Ince, Wigan, Greater Manchester, England, UK. Photographed on 6 May 2026. The recorded location is Bulldog Forge, Ince, Wigan, Greater Manchester, England, UK. The unusual gold-painted male figure stands with one arm raised and has become a distinctive local roadside landmark associated with the former industrial forge site. Often nicknamed Golden Balls, the muscular Roman-style figure provides a striking contrast with the industrial surroundings and has the character of vernacular public art rather than formal civic sculpture. The historical setting for factory is that industrial heritage links architecture and machinery with the people who worked in mines, potteries, foundries and factories
As production declined or modernised, many sites were demolished, adapted or preserved as museums and regeneration projects. Seen through consumer culture, the earlier context is that everyday objects often become better historical evidence with age because packaging, typography, materials and branding evolution more rapidly than their basic function
Souvenirs, games and household items can therefore date consumer culture very precisely. For place-making, the historical context is that town and neighbourhood photographs record the accumulation of ordinary change: road layouts, shop names, signage, public art and building uses
Their value increases when compared over decades because apparently minor details can become the clearest evidence of transformation. In the 2026 discussion of factory, industrial heritage is increasingly tied to regeneration, tourism, conservation and skills education, particularly in former manufacturing towns seeking new uses for historic sites. The 2026 relevance of consumer culture comes from the fact that sustainability and reuse also give older objects new relevance, encouraging repair, second-hand sales and appreciation of durable material culture.
Bulldog Forge, Ince, Wigan, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Roman,gladiator,figure,often,nicknamed,Golden Balls,at,Bulldog,Forge,in,Ince,Wigan,399255A9075,Bulldog Forge,Greater Manchester,England,UK,gold,painted,landmark,sculpture,industrial,heritage,roadside,curiosity,statue,local,history,quirky,culture,public,art
Description: Tony Smith image Alamy 3EKD7WJ - . Roman gladiator Golden Balls figure at Bulldog Forge in Ince, Wigan, Greater Manchester, England, UK. Photographed on 6 May 2026. The recorded location is Bulldog Forge, Ince, Wigan, Greater Manchester, England, UK. The unusual gold-painted male figure stands with one arm raised and has become a distinctive local roadside landmark associated with the former industrial forge site. Often nicknamed Golden Balls, the muscular Roman-style figure provides a striking contrast with the industrial surroundings and has the character of vernacular public art rather than formal civic sculpture. For the story of historic machinery, it is useful to note that factories, mills, mines and workshops record the technologies and labour that powered industrial expansion
Machinery, inscriptions and specialist buildings are valuable evidence of engineering practice, working conditions and regional industries. The historical setting for design history is that collectable items gain meaning through provenance and context
A board game, badge, souvenir or branded package may connect a national event or local place with mass manufacturing and personal memory. Seen through public realm, the earlier context is that local place names and small landmarks can be as significant to community history as nationally famous buildings
Streets, neighbourhood businesses and informal attractions offer reference points that may vanish during redevelopment or rebranding. For present-day historic machinery, 2026 is significant because former industrial sites continue to be repurposed for housing, offices and cultural attractions
Historic machinery and surviving fabric therefore illustrate both deindustrialisation and current debates about adaptive reuse, local identity and heritage-led regeneration. In the 2026 discussion of design history, online resale, nostalgia and interest in vintage design have made many ordinary twentieth-century objects active collecting categories rather than.
Bulldog Forge, Ince, Wigan, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,744255A9075,Roman,gladiator,Golden Balls,figure,Bulldog Forge,Ince,Wigan,Greater Manchester,England,UK,gold,painted,landmark,sculpture,industrial,heritage,roadside,curiosity,statue,local,history,quirky,culture,public,art
Description: Tony Smith image Alamy 3EKNXGE - Roman gladiator Golden Balls figure at Bulldog Forge in Ince, Wigan, Greater Manchester, England, UK. The unusual gold-painted male figure stands with one arm raised and has become a distinctive local roadside landmark associated with the former industrial forge site. The photograph is suitable for editorial coverage of quirky British landmarks, Wigan heritage, Ince, public sculpture, industrial sites, roadside curiosities, local history, unusual statues and Greater Manchester culture. Often nicknamed Golden Balls, the muscular Roman-style figure provides a striking contrast with the industrial surroundings and has the character of vernacular public art rather than formal civic sculpture. The image can illustrate stories about local identity, surviving industrial landmarks, eccentric roadside attractions, community memory and the unexpected objects that become familiar reference points within former manufacturing districts.
Bulldog Forge, Ince, Wigan, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Monsignor,mural,town,street,art,county,Irish,Ireland,priest,portrait,Second World War,WWII,rescuer,escape,network,Nazi,occupied,Rome,Allied,prisoners,rescue,Jewish refugees,rescues,humanitarian,memorial,history,historical,figure,OFlaherty,tribute,Daniel OConnell,Memorial Church,red cassock,resistance,religious,wall painting,Irish public art
Description: Tony Smith image Alamy 3F3NDJT - Large gable-end mural in Cahersiveen, County Kerry, commemorates Monsignor Hugh O'Flaherty, the Irish priest known as the Pimpernel of the Vatican . The artwork depicts O'Flaherty in spectacles and a vivid red cassock against a pale wall, with his name, title, Cahersiveen connection and the dates 18981963 displayed. Its red, grey, black and white palette gives the portrait the character of a public memorial and makes it a conspicuous feature of the townscape.
O'Flaherty became internationally known during the Second World War, when Rome was occupied by German forces. From Vatican City, he helped coordinate a clandestine network of safe houses for escaped Allied prisoners of war, Jewish people, political fugitives and civilians threatened by Nazi persecution. Working with clergy, diplomats, local families and other volunteers, the network provided shelter, food, money, false papers and routes to safety. O'Flaherty repeatedly crossed between Vatican territory and occupied Rome despite Gestapo surveillance and attempts to capture him.
Born in County Cork in 1898 and raised in Killarney, County Kerry, O'Flaherty trained for the priesthood in Rome and was ordained in 1925. He later served in the Vatican diplomatic service and as an official of the Holy Office. His wartime work made him one of Ireland's best-known humanitarian figures, associated with courage, ingenuity, resistance to fascism and help offered regardless of nationality or religion.
After suffering a stroke in 1960, O'Flaherty returned to Ireland and lived with his sister in Cahersiveen during his final years. He died in 1963 and was buried near the town's Daniel O'Connell Memorial Church. The mural has a strong local connection and wider importance within Irish, Vatican, Holocaust and wartime history. For visitors travelling through Cahersiveen, the Ring of Kerry and the Iveragh Peninsula, it is a striking reminder of an Irish priest whose underground rescue work protected thousands in occupied Rome.
O'Connell Street, beside Daniel O'Connell Memorial Church, Cahersiveen, County Kerry, Ireland, V23 E
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,the,USA,dump,2024,2023,elections,far,hard,far-right,dictionary,definition,word,words,toy,model,figure,of,candidate,chief,anti-Trump,antiTrump,politician,concept,democracy,under threat,American,impeachment,government,GOP,satire,voting,elected,45,felon,NoKings,#NoKings,National Strike
Description: Tony Smith image Alamy 2RXHH92 - Donald John Trump (born June 14, 1946) is an American politician, media personality, and businessman who served as the 45th president of the United States from 2017 to 2021
On November 15, 2022, Trump announced his candidacy for the 2024 United States presidential election and set up a fundraising account. In March 2023, the campaign began diverting 10 percent of the donations to Trump's leadership PAC which had paid $16 million for his legal bills by June 2023
On August 14 2023, a Fulton County, Georgia, grand jury indicted Trump and 18 allies for racketeering among other felonies after Trump campaign officials accessed voting machines with election officials. On August 24, Trump surrendered, was placed under arrest and processed at Fulton County Jail, and released on bail. He posted the booking photo on Twitter and on his campaign website with a fundraising pitch. On August 31, he pleaded not guilty.
United States of America, USA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,the,USA,dump,2024,2023,elections,right,far,hard,far-right,map,maps,Georgia,and,Florida,toy,model,figure,effigy,of,candidate,chief,anti-Trump,antiTrump,politics,casting,a,shadow,concept,democracy,under threat,American,impeach,elected,45,campaign,criminal
Description: Tony Smith image Alamy 2RXHHBF - Donald John Trump (born June 14, 1946) is an American politician, media personality, and businessman who served as the 45th president of the United States from 2017 to 2021
On November 15, 2022, Trump announced his candidacy for the 2024 United States presidential election and set up a fundraising account. In March 2023, the campaign began diverting 10 percent of the donations to Trump's leadership PAC which had paid $16 million for his legal bills by June 2023
On August 14 2023, a Fulton County, Georgia, grand jury indicted Trump and 18 allies for racketeering among other felonies after Trump campaign officials accessed voting machines with election officials. On August 24, Trump surrendered, was placed under arrest and processed at Fulton County Jail, and released on bail. He posted the booking photo on Twitter and on his campaign website with a fundraising pitch. On August 31, he pleaded not guilty.
United States of America, USA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,map,atlas,world,maps,Republicans,of,the,USA,America,American,model,doll,shadows,right wing,right-wing,democracy,45,Lock Him Up,figure,racist,elections,felony,not,guilty,charges,toy,bankruptcy,merchandise,policy,policies,concept,ratings,tariffs,#NoKings,NoKings,National Strike,47
Description: Tony Smith image Alamy 2RWW5W3 - Donald John Trump (born June 14, 1946) is an American politician, media personality, and businessman who served as the 45th president of the United States from 2017 to 2021.
Trump won the 2016 presidential election as the Republican nominee against Democratic nominee Hillary Clinton while losing the popular vote. During the campaign, his political positions were described as populist, protectionist, isolationist, and nationalist. His election and policies sparked numerous protests. He was the first U.S. president with no prior military or government service. The 20172019 special counsel investigation established that Russia interfered in the 2016 election to favor his campaign. Trump promoted conspiracy theories and made many false and misleading statements during his campaigns and presidency, to a degree unprecedented in American politics. Many of his comments and actions have been characterized as racially charged or racist and many as misogynistic
Georgia , GA, USA, United States of America
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,Merseyside,England,UK,tourist,summer,sunny,the,club,pub,pubs,bar,bars,Mathew Street,track,song,all,lonely,people,L1 6AA,L1,lady,Eleanor Rigby,statue,statues,sitting,figure,entertainer,Tommy Steele,sculpture,sculptor,cast,casting
Description: Tony Smith image Alamy 2RJAFAR - Eleanor Rigby is a statue in Stanley Street, Liverpool, England, designed and made by the entertainer Tommy Steele. It is based on the subject of the Beatles' 1966 song Eleanor Rigby, which is credited to the LennonMcCartney partnership
The statue consists of a bronze figure on a stone bench. The figure is 128 cm high, 120 cm wide, and 96 cm deep. It depicts a seated woman with a handbag on her lap, a shopping bag on her right, and a copy of the Liverpool Echo on her left. Poking from the shopping bag is a milk bottle, and on the newspaper is a sparrow and a piece of bread. The woman is looking down at the sparrow.
Steele included what he described as magical properties in his design, all hidden inside the bronze figure and representing a different facet of life. These were: a four-leaf clover (for good luck), a page from the Bible (for spiritual guidance), football boots (representing sport and fun), a comic book (for comedy and adventure), and a sonnet (for love)
On the wall behind the figure is an inscribed plaque which originally read:
ELEANOR RIGBY
DEDICATED TO
ALL THE LONELY PEOPLE ...
This statue was sculpted and donated to the City of Liverpool
by Tommy Steele as a tribute to the Beatles.
The casting was sponsored by the Liverpool Echo.
DECEMBER 1982
Stanley St, Mathew St, Liverpool, Merseyside, England, UK, L1 6AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,James,Broad Lane,Cheshire,WA4,WA4 3EX,wood,figure,gate,carved,person,sculpture,Dedicated in memory,of,plaque,sign,25/10/1966,plate,remember,remembering,Age 33 yrs,missed,village,death,dead,loss,especially,son,Joe,and,friends,the,Woodland Trust,fence
Description: Tony Smith image Alamy 2R55JH5 - . Nigel James Coultert, memorial , Broad Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EX. Photographed on 26 May 2023. Dedicated in memory, of ,. Nigel James Coultert, 25.10.66-23.5.00, 25/10/1966, 23/05/2000, Age 33 yrs,
missed and forever loved by family,
espechially son Joe and friends,
The Woodland Trust. Historically, memorials and inscriptions are primary sources for community and family history, preserving names, dates, occupations, military service and the language of remembrance
They range from private graves to civic monuments and can reveal how communities chose to commemorate loss in different periods. Historically, street signs, shop fascias, notices and inscriptions combine practical communication with graphic design
Typefaces, colours and wording can identify an era, organisation or local custom, making close photographs valuable for social, transport and commercial history. In 2026, interest in community history, genealogy and the conservation of memorials remains strong, while weathering, redevelopment and vandalism can threaten smaller monuments and inscriptions
Detailed photographs help preserve lettering, names and physical condition before further weathering or alteration. In 2026, digital wayfinding is widespread, but physical signage remains essential for safety, accessibility and identity
Historic notices and ghost signs are also increasingly appreciated as part of the character of streets and buildings. The historical context is that commemorative plaques, gravestones and monuments transform individual or collective memory into a permanent feature of the landscape
Their wording, materials and location can illuminate genealogy, social history, military service and changing attitudes to public remembrance. Related search language includes commemoration, memorial inscription, local history, grave marker, heritage, public memory, historic inscription, memorial culture, archival record, and typography.
Broad Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,James,Broad Lane,Cheshire,WA4,WA4 3EX,wood,figure,gate,carved,person,sculpture,Dedicated in memory,of,plaque,sign,25/10/1966,plate,remember,remembering,Age 33 yrs,missed,village,death,dead,loss,especially,son,Joe,and,friends,the,Woodland Trust,fence
Description: Tony Smith image Alamy 2R55JHB - . Nigel James Coultert, memorial , Broad Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EX. Photographed on 26 May 2023. Dedicated in memory, of ,. Nigel James Coultert, 25.10.66-23.5.00, 25/10/1966, 23/05/2000, Age 33 yrs,
missed and forever loved by family,
espechially son Joe and friends,
The Woodland Trust. The wider historical story is that historic inscriptions provide unusually direct documentary evidence
Names, dates, dedications and symbolic imagery can connect a present-day location with former residents, workers, congregations or wartime casualties, making the object relevant to both genealogy and wider social history. The wider historical story is that signs and notices are ephemeral pieces of design that can become important historical evidence
Lettering, logos, warnings and directions record former businesses, regulations, transport systems and public messages that may disappear long before the surrounding property changes. In the present 2026 context, memorials continue to play an active role in public history, supporting remembrance, genealogy, education and heritage tourism
Images can also record inscriptions before erosion or redevelopment alters the physical object. In the present 2026 context, much public information has moved onto smartphones and digital displays, making older fixed signs and printed notices increasingly useful as evidence of how people once navigated places, bought services and followed rules. Looking at the subject's development, memorials and inscriptions are primary sources for local and family history, preserving names, dates, occupations, military service and the language of remembrance
They range from private graves to civic monuments and can reveal how communities chose to commemorate loss in different periods. Additional discoverability terms include commemoration, memorial inscription, local history, grave marker, public memory, commemorative plaque, memorial culture, and archival record.
Broad Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,cold cathode,cold-cathode,lights,lighting,tube,tubes,buddy-Christ,God,Christianity,saviour,rock,music,roll,roller,devils,guitars,rocker,rockers,the,new,statue,statues,funky,spooky,mystic,religion,subversive,symbol,icon,iconic,figure,irreverent,unresentful,blasphemous,God is not dead
Description: Tony Smith image Alamy 2RADT1A - . Jesus statue buddy Christ, with neon light design - Rock and Roll guitar. Photographed on 21 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is London, England, Great Britain, UK, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include cold cathode, cold-cathode, lights, lighting, tube, tubes, buddy-Christ, God, Christianity, saviour, rock, music, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The music context makes the image useful for editorial coverage of performers, venues, concerts, popular culture, local music heritage, audiences, nightlife and the creative industries. Such scenes can become important cultural records as bands, venues, festivals and city music districts change, linking contemporary entertainment with wider stories about tourism, identity and regeneration. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The scene contributes a specific, place-based record rather than a generic illustration.
London, England, Great Britain, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,cold cathode,cold-cathode,lights,lighting,tube,tubes,buddy-Christ,God,Christianity,saviour,halo,dark,entries,green,red,of,&,and,action,statue,statues,funky,spooky,mystic,religion,religions,subversive,symbol,icon,iconic,figure,irreverent,unresentful,blasphemous,God is not dead
Description: Tony Smith image Alamy 2RADT1D - . Jesus statue buddy Christ, with neon light design - The Ministry of Love & Action, Dark Entries. Photographed on 21 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is London, England, Great Britain, UK, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include cold cathode, cold-cathode, lights, lighting, tube, tubes, buddy-Christ, God, Christianity, saviour, halo, dark, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The scene contributes a specific, place-based record rather than a generic illustration.
London, England, Great Britain, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,grave,graves,graveyard,memorials,east,side,eastside,and,headstone,head,stone,of,face,image,facemask,1946-2010,MM,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,Too Fast To Live Too Young To Die,historic,figure,McLaran
Description: Tony Smith image Alamy 2RA236D - Malcolm Robert Andrew McLaren (22 January 1946 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,grave,graves,graveyard,memorials,east,side,eastside,and,headstone,head,stone,of,face,image,facemask,1946-2010,MM,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,Too Fast To Live Too Young To Die,historic,figure,McLaran
Description: Tony Smith image Alamy 2RA238A - Malcolm Robert Andrew McLaren (22 January 1946 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,grave,graves,graveyard,memorials,east,side,headstone,head,stone,of,face,image,facemask,1946-2010,MM,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,Too Fast To Live Too Young To Die,historic,figure,McLaran,Johnny Rotten,Sex Pistols
Description: Tony Smith image Alamy 2RA238D - Malcolm Robert Andrew McLaren (22 January 1946 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,monochrome,BW,east,mask,grave,graves,graveyard,memorials,side,eastside,and,headstone,head,stone,of,face,image,facemask,1946-2010,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,historic,figure,McLaran
Description: Tony Smith image Alamy 2RADRM8 - Malcolm Robert Andrew McLaren (22 January 1946 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery eastside, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,east,mask,grave,graves,graveyard,memorials,side,eastside,and,headstone,head,stone,of,face,image,facemask,1946-2010,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,historic,figure,McLaran
Description: Tony Smith image Alamy 2RADRMX - Malcolm Robert Andrew McLaren (22 January 1946 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery eastside, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Britain,L23,at,sculpture,on,in,seaside,sunset,evening,dusk,English,L23 6SX,face,body,torso,cast,iron,figure,people,figures,Joseph and Jesse Siddons Foundry,West Bromwich,West Brom,Waterloo,and,Blundellsands,Hargreaves Foundry,Halifax,Derek Alexander,Another Place Ltd,Sefton Metropolitan Borough Council,Sefton,Gormly
Description: Tony Smith image Alamy 2R15NFM - Another Place is a piece of modern sculpture by British artist Antony Gormley located at Crosby Beach in Merseyside, England. It consists of 100 cast iron figures facing towards the sea. The figures are modelled on the artist's own naked body.[1] The work proved controversial due to the naked statues but has increased tourism to the beach. After being exhibited at two other locations it was put on display at Crosby on 1 July 2005. After some controversy Sefton Metropolitan Borough Council decided on 7 March 2007 that the sculptures should be permanently installed at the beach
The work consists of cast iron figures which face out to sea, spread over a 2-mile (3.2 km) stretch of beach between Waterloo and Blundellsands. Each figure is 189 centimetres (6 ft 2 in) tall and weighs around 650 kilograms (1,430 lb). The figures are cast replicas of Gormley's own body. As the tides ebb and flow, the figures are revealed and submerged by the sea, and are subject to corrosion by seawater and colonisation by marine animals. The figures were cast at Hargreaves Foundry in Halifax, West Yorkshire and the Joseph and Jesse Siddons Foundry in West Bromwich by foundryman Derek Alexander
Mariners Road, Crosby Beach, Liverpool, Merseyside, England, UK, L23 6SX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Britain,L23,at,sculpture,on,in,seaside,sunset,evening,dusk,English,L23 6SX,face,body,torso,cast,iron,figure,people,figures,Joseph and Jesse Siddons Foundry,West Bromwich,West Brom,Waterloo,and,Blundellsands,Hargreaves Foundry,Halifax,Derek Alexander,Another Place Ltd,Sefton Metropolitan Borough Council,Sefton,Gormly
Description: Tony Smith image Alamy 2R15NFN - Another Place is a piece of modern sculpture by British artist Antony Gormley located at Crosby Beach in Merseyside, England. It consists of 100 cast iron figures facing towards the sea. The figures are modelled on the artist's own naked body.[1] The work proved controversial due to the naked statues but has increased tourism to the beach. After being exhibited at two other locations it was put on display at Crosby on 1 July 2005. After some controversy Sefton Metropolitan Borough Council decided on 7 March 2007 that the sculptures should be permanently installed at the beach
The work consists of cast iron figures which face out to sea, spread over a 2-mile (3.2 km) stretch of beach between Waterloo and Blundellsands. Each figure is 189 centimetres (6 ft 2 in) tall and weighs around 650 kilograms (1,430 lb). The figures are cast replicas of Gormley's own body. As the tides ebb and flow, the figures are revealed and submerged by the sea, and are subject to corrosion by seawater and colonisation by marine animals. The figures were cast at Hargreaves Foundry in Halifax, West Yorkshire and the Joseph and Jesse Siddons Foundry in West Bromwich by foundryman Derek Alexander
Mariners Road, Crosby Beach, Liverpool, Merseyside, England, UK, L23 6SX
Description
Keywords: GoTonySmith,HotpixUK,soviet,heroes,hero,icon,iconic,men,together,architects,of,Marxist,Marxists,CCCP,statue,Memento Park,Hungary,open-air,museum,Communism,cold,iron curtain,Coldwar,Cold-War,war,regime,retro,sculpture,socialist,socialism,theme,unique,characters,memorial,history,historic,figures,figure,Marx/Engels Collected Works,MECW
Description: Tony Smith image Alamy 2R0MKT0 - . Marx & Engels statue, Budapest Memento Park, Szoborpark, Hungary - Karl Marx & Friedrich Engels. Photographed on 30 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Budapest Memento Park, Szoborpark, Hungary, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include soviet, heroes, hero, icon, iconic, men, together, architects, Marxist, Marxists, CCCP, statue, providing natural SEO coverage without losing the specific documentary identity of the photograph. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
Budapest Memento Park, Szoborpark, Hungary
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lincolnshire,England,UK,centre,the,and,shopping,mall,shop,shops,Wilko,retail,area,in,spring,waterway,boat,boats,cherry,flowers,blossom,waterside,street,st,two,figures,figure,tourist,tourism,attraction,LN5 7EU,LN5,artist,Stephen Broadbent,square,council,blue sky
Description: Tony Smith image Alamy 2PNA0Y6 - Empowerment is a public sculpture in the centre of the city of Lincoln in England.
Designed by the artist Stephen Broadbent, sponsored by Alstom UK Ltd, Lincoln Co-operative Society, and other Lincoln businesses and organisations, donated to Lincoln City Council.
The sculpture was completed in 2002, unveiled on 2 February, and spans the River Witham in Lincoln's City Square. It takes the form of two aluminium-and-steel human figures reaching to each other across the water. The design is intended to echo the shape of turbine blades, in recognition of Lincoln's industrial heritage, which transform into dynamic figures that reach out to empower one another, just as the blades empower one another within the turbine.
The statue was commissioned with the intent to create a bold and striking sculpture to celebrate the millennium, that spans the River Witham in Lincoln's city centre and act as a focal point in the space.
At 16 m (17 yd) tall, Empowerment is the largest sculpture in Lincolnshire. Increasingly, it is now used alongside more traditional images of Lincoln the cathedral and castle as a recognisable 'tourist emblem' of the city, similar to the adoption of the Angel of the North as a symbol of North East England
Waterside South, Lincoln, Lincolnshire, England, UK, LN5 7EU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,the,WA1,regigion,building,buildings,architecture,Warrington,Cheshire,England,UK,WA1 1XG,history,historic,Diocese of Liverpool,stained glass,window,stained,glass,colour,coloured,design,designs,Crucifiction,Crucifixion,scene,art,representation,religion,Christian,Christianity,figure,figures,saint,saints,Grade II,listed
Description: Tony Smith image Alamy 2R5PPDT - Holy Trinity Church is in the centre of the town of Warrington, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II listed building. It is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Warrington and the deanery of Warrington.
History
A chapel of ease known as Trinity Chapel was built on the site in 1708 to relieve pressure on the parish church of St Elphin's. It was built as an oratory by Peter Legh of Lyme Park. By the 1750s the chapel was too small for its congregation and in 1758 subscriptions were raised to build a new church, which was consecrated in 1760. The architecture is in the style of James Gibbs, but he was ill at the time the church was built and it is thought it was designed by one of Gibbs' associates. In 1862 a west clock tower was added which was designed by W. P. Coxon, the Borough Surveyor
the tower belongs to the town rather than to the church. In 1974 the south aisle was re-designed to form the Garven Room, a servery, a vestry and toilets. By the 1970s the roof had been damaged by wet and dry rot, woodworm and death watch beetle and was replaced in 197879. By 1990 the pipe organ was beyond repair and it has been replaced by a Makin electronic organ. In 1988 the west end was remodelled, forming a lobby. In 1997 the east end was reordered, adding a room and extending the sanctuary area. In 1999 the clock was refurbished by Warrington Borough Council as a Millennium project.
Architecture
Exterior
The church is built in Georgian style. Its front is constructed in sandstone, and the rear in brick with stone dressings. The stonework at the front is rusticated. The front aspect is in four stages
at the base is a rusticated plinth, above which is a tier of windows with a Doric doorcase at the west of the front. Then comes an upper tier of windows with Ionic pilasters and at the top a cornice and a plain parapet. In the east wall is a Palladian window.
Market Gate, Sankey St, Warrington , Cheshire, England, UK, WA1 1XG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,the,WA1,regigion,building,buildings,architecture,Warrington,Cheshire,England,UK,WA1 1XG,history,historic,Diocese of Liverpool,stained glass,window,stained,glass,colour,coloured,design,designs,William Sharp,scene,art,representation,religion,Christian,Christianity,figure,figures,saint,saints,Grade II,listed
Description: Tony Smith image Alamy 2R5PPE6 - Holy Trinity Church is in the centre of the town of Warrington, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II listed building. It is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Warrington and the deanery of Warrington.
History
A chapel of ease known as Trinity Chapel was built on the site in 1708 to relieve pressure on the parish church of St Elphin's. It was built as an oratory by Peter Legh of Lyme Park. By the 1750s the chapel was too small for its congregation and in 1758 subscriptions were raised to build a new church, which was consecrated in 1760. The architecture is in the style of James Gibbs, but he was ill at the time the church was built and it is thought it was designed by one of Gibbs' associates. In 1862 a west clock tower was added which was designed by W. P. Coxon, the Borough Surveyor
the tower belongs to the town rather than to the church. In 1974 the south aisle was re-designed to form the Garven Room, a servery, a vestry and toilets. By the 1970s the roof had been damaged by wet and dry rot, woodworm and death watch beetle and was replaced in 197879. By 1990 the pipe organ was beyond repair and it has been replaced by a Makin electronic organ. In 1988 the west end was remodelled, forming a lobby. In 1997 the east end was reordered, adding a room and extending the sanctuary area. In 1999 the clock was refurbished by Warrington Borough Council as a Millennium project.
Architecture
Exterior
The church is built in Georgian style. Its front is constructed in sandstone, and the rear in brick with stone dressings. The stonework at the front is rusticated. The front aspect is in four stages
at the base is a rusticated plinth, above which is a tier of windows with a Doric doorcase at the west of the front. Then comes an upper tier of windows with Ionic pilasters and at the top a cornice and a plain parapet. In the east wall is a Palladian window.
Market Gate, Sankey St, Warrington , Cheshire, England, UK, WA1 1XG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,coast,coastal,sand,Filey seafront,Filey promenade,beaches,seaside,eastern,pano,panorama,GB,lonely,man,figure,on,sands,stone sea wall,seaside buildings,autumn coastal scene,off season seaside,quiet beach,solitary man,lone figure on beach,man walking alone,sense of isolation,scale and space,human presence landscape,reflective mood,calm seaside scene,expansive shoreline,low tide beach,travel and tourism England,British coast panorama
Description: Tony Smith image Alamy 2RD23X4 - This panoramic image shows the beach and seafront at Filey on the North Yorkshire coast. The wide sandy shoreline curves gently away from the promenade, emphasising the scale and openness of Filey Bay. In the foreground and lower right of the image, a solitary man stands alone on the sand, providing a strong sense of scale against the expansive coastal landscape.
Above the beach, people gather along the stone promenade and near the seafront buildings, creating a contrast between social activity and solitude. The lone figure on the beach appears detached from the busier promenade above, introducing a quiet, reflective mood to the scene without overt action.
The photograph was taken in daylight under calm conditions, likely outside peak summer season, when Filey's beach often feels spacious and uncrowded. The combination of wide sand, gentle sea, and restrained human presence reflects the character of Filey as a traditional British seaside resort with a slower pace than larger coastal towns.
The image works well for editorial use illustrating British coastal life, seaside tourism, solitude, contemplation, and the relationship between people and open coastal environments.
Filey Seafront, Filey, North Yorkshire, England, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA1,centre,Anna,Laetitia,Barbauld,Writer,poetry,woman,figure,literary,history,historic,Academy,1758-1774,this,by,the,society,Eighteen Hundred and Eleven,Mrs Barbauld,6 Dial St,WA1 2NX,head,portrait,Conservative Club,sunny,preserved,town,towns,famous,site
Description: Tony Smith image Alamy 2JTK73N - Anna Laetitia Barbauld , as in French, née Aikin
20 June 1743 9 March 1825) was a prominent English poet, essayist, literary critic, editor, and author of children's literature. A woman of letters who published in multiple genres, Barbauld had a successful writing career that spanned more than half a century.
She was a noted teacher at the Palgrave Academy and an innovative writer of works for children. Her primers provided a model for more than a century. Her essays showed it was possible for a woman to be engaged in the public sphere
other women authors such as Elizabeth Benger emulated her.
The publication of Eighteen Hundred and Eleven in 1812, which criticised Britain's participation in the Napoleonic Wars received negative reviews
In 1758, the family moved to Warrington Academy, halfway between the growing industrial cities of Liverpool and Manchester, where Barbauld's father had been offered a teaching position.
In May 1774, despite some misgivings, Barbauld married Rochemont Barbauld (17491808), the grandson of a French Huguenot and a former pupil at Warrington.
After the wedding, the couple moved to Suffolk, near where Rochemont had been offered a congregation and a school for boys
6 Dial St, Warrington, Cheshire, England, UK, WA1 2NX
Description
Keywords: Manchester,city,centre,Greater,England,UK,M1 1EG,Northern Quarter gable end,in,a,red,dress,tribute,to,all,that,stand against injustice,Suffragette,Stevenson Square,project,paint,painted,painting,wall,gable-end,gable,end,people,figure,figures,portrait,portraits,float,floating,hover,hovering,levitate
Description: Tony Smith image Alamy 2JTD2N0 - Serenity is a large mural by street art duo SNIK at the back of the Greater Manchester Police Museum & Archives. It is a tribute to all women that stand against injustice. Over 100 years ago the Suffragettes gathered around the corner in Stevenson Square in a stance for equality so it is fitting that this mural is located just off the square on Little Lever Street.
This piece was organised by the Cities of Hope project.
Little Lever Street, Northern Quarter gable end, NQ4, Manchester, England, UK, M1 1EG
Description
Keywords: Manchester,city,centre,Greater,England,UK,Northern Quarter,M1 1JF,M1,Akse_P19,Akse,P19,of,Ste_Wing,project,art,graffiti,street art,streetart,free,tattoo,hand,covering,covers,eye,Crew,paint,painted,painting,wall,gable-end,gable,end,people,figure,figures,portrait,portraits
Description: Tony Smith image Alamy 2JTD2N4 - . An identifiable period record of Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The image documents Stevenson Square / Little Lever St, Akse_P19 portrait of Ste_Wing, , Northern Quarter, Manchester, England, UK, M1 1JF. The wider scene also brings together adaptive reuse, period architecture, civic architecture, public-realm investment, mixed-use redevelopment, public realm, regional identity, local history, social history, architectural character, everyday life, visual archive, built heritage, and period detail. Today's relevance is strengthened by housing pressure, planning and the continuing question of how regeneration tries to create reasons to visit traditional town centres. Small period details of local activity and public use at Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF may become more significant with time, particularly following later reinterpretation. The subject also sits alongside contemporary social history, community identity, changing land use, commercial redevelopment, urban regeneration, urban fabric, place-making, and historic townscape. The recorded references to Quarter, Little, Square, portrait, and Lever preserve clues about how the subject was presented, used or understood at the time. A later view of Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes housing pressure and the tension between preserving local character and creating modern commercial space when considered against later change at Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF. The period view preserves part of the area's social history as a date-specific reference.
Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,man,GB,site,OX7 5QB,England,Warwickshire,UK,Little Rollright,ancient,stones,stone,border,located,early,monument,monuments,British,legend,drought,dry,fields,field,grass,figure,effigy,diviner,magic,wand,magick,mystery,pagan,paganism,sacred,statue,art,artwork
Description: Tony Smith image Alamy 2JP9HYJ - . Photographed at Little Rollright, Long Compton, Warwickshire, England, UK, OX7 5QB in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. At the centre of the view is Rollright stones - wicker water diviner , The Whispering Knights, Little Rollright, Long Compton, Warwickshire, England, UK, OX7 5QB. The locality and subject together evoke creative placemaking, stencil art, local history, changing streetscape, public-realm art, urban graphics, public art, documentary photography, visual archive, community art, public realm, archival record, changing land use, and regional identity. From a 2025-onward perspective, temporary works and local identity are closely linked to this subject, alongside how regeneration can both promote and displace informal urban art. Small period details of transport arrangements and footfall at Little Rollright, Long Compton, Warwickshire, England, UK, OX7 5QB may become more significant with time, particularly following conservation work. The subject also sits alongside social history, street creativity, graffiti heritage, contemporary social history, visual street culture, contemporary mural, street-level design, and community identity. Details involving Rollright, Warwickshire, Little, water, and wicker make the image more specific than a generic view and strengthen its local or historical value. Around Little Rollright, Long Compton, Warwickshire, England, UK, OX7 5QB, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate temporary works and how regeneration can both promote and displace informal urban art when considered against later change at Little Rollright, Long Compton, Warwickshire, England, UK, OX7 5QB. The view records period character for later comparison.
Little Rollright, Long Compton, Warwickshire, England, UK, OX7 5QB
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,by,in,the,garden,limitations,Sculpture Academy,in London,John,OConnor,O,Connor,Conner,art,artwork,work,sculpture,Lady Arbour Cloister Garden,Lady Arbour,Cloister Garden,reach up,reachup,reach for the sky,sculptor,arms,aloft,figure,male,man,modern,modern sculpture,iron,metal,outside,statue,public
Description: Tony Smith image Alamy 2JPB8MW - The sculpture is by John O'Connor, he studied at the Sculpture Academy in London for four years, before going on to teach sculpture, moulding and casting.
The piece is cast in bronze resin and is called Beyond Limitations. It was placed in the Lady Arbour Clouster Gardens in 2013. . On the picturesque estuary border between Essex and Suffolk there is a hidden artist's studio. It remains a secret to the general public but the studio receives commissions from across the globe. A true asset to the local community and the international art scene alike.
This secret is sculptor John O'Connor. He works prolifically in his studio at Manningtree, a world away from the hustle and bustle of any art capital. He has as much talent and focus as any artist you would expect to find working in a major city and has been producing figurative contemporary sculpture for the last 18 years.
John's work has become increasingly popular and much sought after, in fact, business is booming. Amidst the glamour of celebrities and the household names of the garden design world, John was once again exhibiting his art works at the recent RHS Chelsea Flower Show. He was delighted to have again been working in collaboration with award winning garden designer James Basson. This year Basson designed the M&G show garden.
This summer he exhibited at two other RHS shows, Chatsworth House (June 711), and Hampton Court Flower Show (July 39).
Collaborating with John on the RHS shows will be various local companies including Dedham Vale Vineyards who will be sponsoring the private view with their delicious sparkling English Brut, and Essex based stonemasons, Wood For Stone, who will be providing the stone for this years exhibit. This years planting will also be provided by the Oxford based Water Perry Gardens. John also has various other prominent shows planned for this year.
Hereford City Centre, Herefordshire, England, UK, HR1 2NG
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England,UK,Hereford,Herefordshire,in,5 College Cloisters,Cathedral Close,HR1 2NG,cross,cloak,crucifix,culture,history,historic,art,religion,religious,saint,monument,monkish,pilgrim,pilgrimage,pilgrimages,heritage,monk,monks,figure,figures,the,garden,gardens,wood,wooden
Description: Tony Smith image Alamy 2JPDJKH - . An identifiable period record of 5 College Cloisters ,Cathedral Close, Hereford , Herefordshire, England, UK, HR1 2NG in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Carved monk, in Hereford Cathedral garden, 5 College Cloisters ,Cathedral Close, Hereford , Herefordshire, England, UK, HR1 2NG. The setting additionally reflects cityscape history, medieval church setting, heritage landmark, faith heritage, ecclesiastical decoration, architectural character, historic streetscape, changing land use, place identity, contemporary social history, architectural detail, period detail, historic townscape, and adaptive reuse. Today's relevance is strengthened by heritage conservation, visitor tourism and the continuing question of the role of cathedrals as cultural landmarks beyond their congregations. From a 2025-onward perspective, energy retrofit and heritage conservation are closely linked to this subject, alongside the value of architectural landmarks to local identity and tourism. For later comparison, the photograph preserves building condition and alterations at 5 College Cloisters ,Cathedral Close, Hereford , Herefordshire, England, UK, HR1 2NG, details that may look very different after redevelopment. The wider setting retains connections with period building, historical comparison, built heritage, archival record, religious artwork, public realm, changing streetscape, and community identity. The combination of Cloisters, Herefordshire, Close, College, and Carved anchors the frame to a recognisable activity, place or moment. The period setting at 5 College Cloisters ,Cathedral Close, Hereford , Herefordshire, England, UK, HR1 2NG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves evidence of changing use for later comparison.
5 College Cloisters ,Cathedral Close, Hereford , Herefordshire, England, UK, HR1 2NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,centre,Denton,and,his,first,wife,her,dressed,in,swaddling,clothes,recumbent,effigy,St Mary the Virgin,St Ethelbert,the,King,inside,interior,infant,mortality,history,heritage,traditional,classic,cathedrals,fixtures,figure,nobleman,noblemans,tomb,memorial,buried
Description: Tony Smith image Alamy 2JPH6JR - . An on-location photograph from 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The photograph centres on Monument of Alexander Denton and his first wife Anne Willison, and her baby dressed in swaddling clothes in St Mary the Virgin cathedral Hereford. The broader subject matter reaches into church conservation, religious heritage, Christian iconography, changing streetscape, community memory, historic glazing, community identity, faith heritage, historic commemoration, ecclesiastical decoration, regional identity, contemporary social history, sacred architecture, and stained-glass craftsmanship. From a 2025-onward perspective, historic fabric and church maintenance are closely linked to this subject, alongside how sacred art preserves local patrons, stories and beliefs. The wider contemporary story combines heritage conservation, genealogy and the conservation challenge posed by weathered historic stone and lettering. Future viewers can use this scene from 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG to compare building condition and alterations with whatever follows after later reinterpretation. The photograph additionally reflects epitaph, changing land use, before-and-after reference, local remembrance, public realm, sacred space, commemorative text, and period detail. The combination of Virgin, cathedral, swaddling, first, and dressed anchors the frame to a recognisable activity, place or moment. By fixing the subject within 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The view records a point of historical comparison for future local research.
5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,paint,vennel,blue,art,in,man,male,figure,figures,Orange Yard,Manette Street,economy,run,entertainments,reason,to,visit,liberal,liberated,area,colourful,street art,street,style,spray,expression,vibrant,community,inclusive,neighbourhood,lego,men
Description: Tony Smith image Alamy 2JJGAR9 - . This location-specific image from Manette Street, London, England, UK, W1D 4JB in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Blue Lego spaceman art graffiti in Manette Street,, Soho, London, England, UK, W1D 4JB. The locality and subject together evoke visual archive, community safe space, historical comparison, inclusive night-time venue, contemporary social history, nightlife heritage, place identity, social history, period detail, gay hospitality, community identity, Soho nightlife, gay bar culture, and LGBTQ community venue. From a 2025-onward perspective, Pride visibility and community safety are closely linked to this subject, alongside how Soho remains a symbolic centre of LGBTQ nightlife. The wider contemporary story combines transport, regeneration and how regeneration alters the character of familiar places. Small period details of public access and movement at Manette Street, London, England, UK, W1D 4JB may become more significant with time, particularly following changed technology. The wider setting retains connections with urban social history, inclusive hospitality, social landscape, urban change, before-and-after reference, regional identity, pedestrian environment, and queer London. Details involving Manette, graffiti, and spaceman make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Manette Street, London, England, UK, W1D 4JB, the image preserves more than the headline object or building: it records part of the locality's everyday history. Its period value extends to Pride visibility and how Soho remains a symbolic centre of LGBTQ nightlife when considered against later change at Manette Street, London, England, UK, W1D 4JB. The view records a trace of local identity as a date-specific reference.
Manette Street, London, England, UK, W1D 4JB
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,West End,London,Soho,England,UK,W1,woman,dancing,on,the,cocktail bar,and,restaurant,El Camion,art,artwork,Spaniard,Mexican,figures,figure,scanty,scantily,clad,chilli,Brewer Street,Brewer St,W1F 0RR,W1F,25-27,Camion,pepper,red,leotard
Description: Tony Smith image Alamy 2JJYRE5 - . This location-specific image from Brewer Street, Soho, London, England, UK, W1F 0RR in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The image documents Soho woman dancer mosaic, pes2010 - mosaic on the cocktail bar and restaurant El Camion on Brewer Street. The subject also carries associations with pedestrian environment, changing streetscape, city-centre activity, social history, inclusive hospitality, historical comparison, gay hospitality, local character, community identity, changing land use, street-level documentary, before-and-after reference, community safe space, and documentary photography. In present-day coverage, the subject reaches into gentrification and LGBTQ heritage, not least because of how Soho remains a symbolic centre of LGBTQ nightlife. Today's relevance is strengthened by local identity, street safety and the continuing question of the relationship between public space and local social life. For later comparison, the photograph preserves signage and branding at Brewer Street, Soho, London, England, UK, W1F 0RR, details that may look very different after replacement signage. The wider setting retains connections with queer London, contemporary city life, public realm, contemporary social history, LGBTQ social history, inclusive night-time venue, local history, and everyday life. The combination of pes2010, woman, cocktail, dancer, and Camion anchors the frame to a recognisable activity, place or moment. By fixing the subject within Brewer Street, Soho, London, England, UK, W1F 0RR, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is gentrification and how Soho remains a symbolic centre of LGBTQ nightlife as part of the longer story of Brewer Street, Soho, London, England, UK, W1F 0RR.
Brewer Street, Soho, London, England, UK, W1F 0RR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,RBKC,England,UK,Royal Borough,of,Kensington,Chelsea,86 Portobello Rd,W11 2QD,junk,store,shop,and,curios,antiques,86,wooden figures,in,wood,figure,joker,hat,junk shop,junk shops,curio,old,ancient,sinister,fibreglass,painted,figures,blue jacket,nose,huge
Description: Tony Smith image Alamy 2M0KWW2 - . An on-location photograph from Alices junk shop & antiques, 86 Portobello Rd, Notting Hill, RBKC,London, England, UK, W11 2QD in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The subject captured here is Wooden figures in Alices junk shop & antiques, 86 Portobello Rd, Notting Hill, RBKC,London, England, UK, W11 2QD. The wider scene also brings together London visitor economy, city branding, heritage tourism, social history, metropolitan identity, changing land use, contemporary social history, place identity, historical comparison, historic London streetscape, iconic London transport, London cityscape, period detail, and changing streetscape. In present-day coverage, the subject reaches into urban mobility and air quality, not least because of how iconic streets and landmarks change while retaining strong visual identity. The image fixes street furniture and boundaries within Alices junk shop & antiques, 86 Portobello Rd, Notting Hill, RBKC,London, England, UK, W11 2QD at one identifiable point, providing a benchmark against later reinterpretation. The surrounding story also includes public realm, local character, documentary photography, archival record, everyday life, regional identity, visual archive, and capital landmark imagery. Details involving Notting, Wooden, antiques, Alices, and Portobello make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Alices junk shop & antiques, 86 Portobello Rd, Notting Hill, RBKC,London, England, UK, W11 2QD, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene captures a trace of local identity within the wider story of Alices junk shop & antiques, 86 Portobello Rd, Notting Hill, RBKC,London, England, UK, W11 2QD.
Alices junk shop & antiques, 86 Portobello Rd, Notting Hill, RBKC,London, England, UK, W11 2QD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,RBKC,England,UK,Royal Borough,of,Kensington,Chelsea,Japanese,240,Portobello Rd,Engalnd,W11 1LL,busy,face,figure,pub,eating,eatery,Alessandro Verros,Notting Hill,icon,iconic,painting,Asian,corner,building,restaurant,restaurants,Japan,bar,bars,Robata Japanese cuisine
Description: Tony Smith image Alamy 2M0KX6P - Ukai brings an innovative combination of contemporary Robata Japanese cuisine, modern and sophisticated cocktails and stunning design.
UKAI's menus blend the simplicity of modern Japanese cuisine with stunning influences of Mediterranean and South America flavours and techniques
the carefully crafted cocktail list mixes Japanese sakes and whiskies with European creativity and flare
and the stylish interior delivers the perfect backdrop for both an intimate dining experience and a vibrant live performance space.
An alumnus of fine-dining establishments, has equipped Head Chef Alessandro Verros with outstanding culinary skills, leading to an irresistible and unique menu, cooked to order using only the finest and freshest ingredients. From sizzling Robata grills such as Beef Tenderloin Toban Yaki and Pork Belly to signature dishes including white tuna tataki and yuzu truffle dressing, Black cod marinated in lime ginger miso, Steamed Bao Buns a revisited selection of ceviches with a Japanese twist. UKAI's offerings make up an eclectic playlist of delicious dining choices.
240 Portobello Rd, Notting Hill, London, England, UK, W11 1LL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,RBKC,England,UK,Royal Borough,of,Kensington,Chelsea,Japanese,240,Portobello Rd,Engalnd,W11 1LL,busy,face,figure,pub,eating,eatery,Alessandro Verros,Notting Hill,icon,iconic,painting,Asian,corner,building,restaurant,restaurants,Japan,bar,bars,Robata Japanese cuisine
Description: Tony Smith image Alamy 2M0KX6X - Ukai brings an innovative combination of contemporary Robata Japanese cuisine, modern and sophisticated cocktails and stunning design.
UKAI's menus blend the simplicity of modern Japanese cuisine with stunning influences of Mediterranean and South America flavours and techniques
the carefully crafted cocktail list mixes Japanese sakes and whiskies with European creativity and flare
and the stylish interior delivers the perfect backdrop for both an intimate dining experience and a vibrant live performance space.
An alumnus of fine-dining establishments, has equipped Head Chef Alessandro Verros with outstanding culinary skills, leading to an irresistible and unique menu, cooked to order using only the finest and freshest ingredients. From sizzling Robata grills such as Beef Tenderloin Toban Yaki and Pork Belly to signature dishes including white tuna tataki and yuzu truffle dressing, Black cod marinated in lime ginger miso, Steamed Bao Buns a revisited selection of ceviches with a Japanese twist. UKAI's offerings make up an eclectic playlist of delicious dining choices.
240 Portobello Rd, Notting Hill, London, England, UK, W11 1LL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,St Andrews Chambers,office,offices,chamber,21,window,windows,door,M2 5DB,Scottish Widows Fund,Life Assurance,Society,insurance,building,architecture,corner,of,Mount Street,Grade II listed,George Tunstall Redmayne,Alfred Waterhouse,St. Andrews Chambers,Scottish Widows Building,arch,arched,ornate,hoy,saint,saintly,figure,figures
Description: Tony Smith image Alamy 2JG5JKW - St. Andrew's Chambers - Scottish Widow's Building
Built for the Scottish Widows' Fund Life Assurance Society, St Andrew's Chambers, sits at the corner of Mount Street in Albert Square.
This Grade II listed building was designed by George Tunstall Redmayne and is dated 1872. Redmayne was a pupil of Alfred Waterhouse, the architect of the Town Hall which sits across from it in Albert Square.
Albert Square, Manchester, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,City Centre,scouse,with art-deco carving,art,artistic,stone work,stonework,exhaust,river,with,art-deco,carving,light,artdeco,history,historic,heritage,deco,art deco,design,carvings,lamp,post,lamp post,lamppost,posts,green,gold,painted,tunnels,exhausts,ornate,wall,figures,figure
Description: Tony Smith image Alamy 2JCW1W7 - . Made at Pier Head Liverpool, Merseyside, England, UK, L3 1HN in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Historic Mersey Tunnel exhaust lamp, with art-deco carving, Pier Head Liverpool, Merseyside, England, UK, L3 1HN. The setting additionally reflects historic streetscape, seaside souvenir, conservation architecture, regional identity, everyday life, coastal tourism, contemporary social history, coastal visitor economy, British seaside culture, heritage landmark, coastal leisure, heritage asset, documentary photography, and place identity. Today's relevance is strengthened by retail pressure, town-centre renewal and the continuing question of the role of regeneration in keeping coastal destinations competitive. From a 2025-onward perspective, maintenance and adaptive reuse are closely linked to this subject, alongside keeping older structures useful without erasing their character. The archival value lies partly in recording transport arrangements and footfall around Pier Head Liverpool, Merseyside, England, UK, L3 1HN before different community use alters the character of the place. Other useful contextual ideas include local landmark, local history, day-trip culture, public realm, architectural character, urban fabric, built heritage, and archival record. Elements such as Liverpool, Merseyside, Historic, carving, and Tunnel add documentary specificity and may become increasingly useful when compared with later records. The period setting at Pier Head Liverpool, Merseyside, England, UK, L3 1HN helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves a local visual benchmark for future local research. The view records a point of historical comparison before later change alters the scene.
Pier Head Liverpool, Merseyside, England, UK, L3 1HN
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,Warrington,Cheshire,England,UK,WA4,Xmas,Christmas,nativity,fun,funny,Santa,Reindeer,snowman,sleigh,blue,festive,festival,Dec,December,santa,figure,fugures,house,neighbours,snow,door,garden,block,base,bird,robin,robins,holder
Description: Tony Smith image Alamy 2DKW81A - . This authentic period view of Grappenhall, Warrington, Cheshire, England, UK, WA4 in 2020 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The photograph centres on Lego nativity scene, Christmas scene,in a garden, Grappenhall,Warrington, Cheshire,England,UK,WA4. Another layer of the photograph includes historical comparison, contemporary social history, urban social history, place identity, visual archive, local identity, public realm, informal play space, urban leisure, social landscape, archival record, local history, changing land use, and community recreation. For current editorial use, heatwaves and city-centre footfall provide additional context, especially through how active public realms support footfall and neighbourhood vitality. Current relevance extends to community use and regeneration, particularly through the relationship between public space and local social life. The image fixes materials and architectural details within Grappenhall, Warrington, Cheshire, England, UK, WA4 at one identifiable point, providing a benchmark against new construction. The subject also sits alongside street-level documentary, open-air leisure, regional identity, city-centre public space, changing streetscape, urban gathering place, everyday life, and pedestrian square. Elements such as Grappenhall, scene, Christmas, garden, and nativity add documentary specificity and may become increasingly useful when compared with later records. The period setting at Grappenhall, Warrington, Cheshire, England, UK, WA4 helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects heatwaves and the growing need for shade, water and cooling during hotter summers without losing the local specificity of Grappenhall, Warrington, Cheshire, England, UK, WA4.
Grappenhall, Warrington, Cheshire, England, UK, WA4
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,London,England,UK,South East,South bank,doctor,medical practitioner,wife,art,statue,MP,Settlement firebrand,militant Socialist,militant Agnostic,militant Teetotaller,militant Pacifist,Southwark Council,ILP,SE16,bronze,history,historic,man,sculpture,metal,beside,Salter,Statues,Campaign,group,hat,brolly,doctors,sitting,figure,person
Description: Tony Smith image Alamy 2AYHJ9T - The original statue of Dr Salter seated on a bench, was stolen, presumably for the value of its bronze, in November 2011. The Salter Statues Campaign group raised £60k, which Southwark Council matched, to pay for replacement statues, and these were unveiled on 30 November 2014.
A Salter Memorial Lecture is promoted by the Quaker Socialist Society each year as a fringe event at the Britain Yearly Meeting of the Religious Society of Friends (Quakers).
Alfred Salter (16 June 1873 24 August 1945) was a British medical practitioner and Labour Party politician
Salter was born in Greenwich in 1873, the son of W H Salter. Following education at John Roan School, Greenwich, he went on to study medicine at Guy's Hospital, London
While at the Bermondsey Methodist Settlement, which had been established by Rev. John Scott Lidgett, Salter set up mutual health insurance schemes and adult education classes on health matters. In 1900 he married Ada Brown, who shared his political and social views
In the year of his marriage he established his medical practice in Bermondsey, and the couple worked together in trying to alleviate the effects of poverty in the largely working class area. He chose to offer services free to those who could not pay.[4] This work was to lead the establishment of a pioneering comprehensive health service in the area
Salter decided that by entering politics he could effect changes to the squalid environment in Bermondsey far more quickly and profoundly than he could outside the political arena. He was elected to Bermondsey Borough Council in 1903
In the 1922 general election he was again nominated as Labour candidate for Bermondsey West. Salter secured 7,550 votes, a majority of 2,325. His wife Ada, as mayor of the borough, was the returning officer who declared him elected. According to Fenner Brockway, the anti-war activist, Salter in his youth was known as the Settlement firebrand militant Republican, militant Socialist, militant Agnostic,etc
101 Bermondsey Wall East, Rotherhithe, London, England,UK, SE16 4NB
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,Wales,01686-625548,Market St,High Class,butcher,Newtown,Cymru,welsh,high,class,family,butchers,town,centre,mid-Wales,trad,traditional,SY16,figure,standing,outside,awning,exterior,independent,meat,meats,beef,lamb,Market Street,625548,hotpix.org.uk
Description: Tony Smith image Alamy 2AAT347 - . An on-location image from 6 Market St, Newtown, Powys, Wales, SY16 2PQ in 2019, useful both for the specific subject shown and for the evidence it retains about local identity, design, use and everyday life. The image documents Peter Jacks High Class Family Butcher 01686-625548, 6 Market St, Newtown, Powys, Wales, SY16 2PQ. The locality and subject together evoke place identity, conservation interest, urban commerce, historic townscape, regional identity, heritage landmark, social history, heritage asset, historical comparison, documentary photography, architectural detailing, independent trading, high-street commerce, and period streetscape. For contemporary context, business rates and changing footfall are closely related themes, especially where the issue becomes the shift toward mixed retail, leisure, service and residential centres. Viewed from the mid-2020s, the subject sits within continuing debate about redevelopment pressure, maintenance costs and reusing existing buildings rather than demolishing them. From an archival perspective, the photograph anchors local appearance, occupation, access and public activity around 6 Market St, Newtown, Powys, Wales, SY16 2PQ. A second layer of the scene includes urban fabric, local character, changing streetscape, commercial streetscape, customer footfall, shopfront economy, changing land use, and historic context. Elements such as Powys, Butcher, Jacks, Peter, and Market add documentary specificity and may become more useful when compared with later records. The surrounding context at 6 Market St, Newtown, Powys, Wales, SY16 2PQ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is business rates and the rapid turnover of shopfronts and trading names in a form that can be compared with future views of 6 Market St, Newtown, Powys, Wales, SY16 2PQ.
6 Market St, Newtown, Powys, Wales, SY16 2PQ
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,street,art,artwork,steel,aluminium,metal,figure,playing,a,8,N,North,Dublin,D07 X704,attached,to,brick,wall,building,Irish,artist,sculpture,stainless steel,centre,sights,vibe,atmosphere,buildings,urban,architecture
Description: Tony Smith image Alamy 2M84JGM - . Photographed at the recorded location in 2019, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The location is represented through Metal art, figure playing a flute, attached to a brick wall, 8 King St N, Dublin, D07 X704, Eire, Ireland. The image also relates to traditional materials, street-level design, heritage asset, social history, heritage landmark, community identity, documentary photography, community art, street creativity, visual street culture, regional identity, architectural detailing, architectural character, and public-realm art. From a 2025-onward perspective, public art and regeneration are closely linked to this subject, alongside the blurred boundary between commissioned public art and graffiti. The wider contemporary story combines adaptive reuse, heritage conservation and keeping older buildings useful without erasing their character. The archival value lies partly in recording commercial use and occupation around the recorded location before refurbishment alters the character of the place. The location also brings in before-and-after reference, period architecture, local character, built heritage, changing land use, mural culture, period detail, and creative placemaking. Details involving playing, Metal, attached, Ireland, and Dublin make the image more specific than a generic view and strengthen its local or historical value. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate public art and how temporary street art can become an important visual archive as part of the longer story of the recorded location. The image also provides a reference for tourism and the value of architectural landmarks to local identity when considered against later change at the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,pub,flags,music,traditional,Temple Bar,heart,of,sessions,Dublins Cultural Quarter,food,restaurant,Anglesea Street,poet,author,otolaryngologist,athlete,politician,Sinn Féiner,statue,statues,James Joyce,literary,figure,famous,Irishmen,Irishman,seats,table,craic,Dublins,bars,pubs,ornate,watering holes
Description: Tony Smith image Alamy 2M8BNN6 - Oliver Joseph St. John Gogarty (17 August 1878 22 September 1957) was an Irish poet, author, otolaryngologist, athlete, politician, and well-known conversationalist. He served as the inspiration for Buck Mulligan in James Joyce's novel Ulysses.
Gogarty was born 17 August 1878 in Rutland Square, Dublin, the eldest child of Henry Gogarty, a well-to-do Dublin physician, and Margaret Gogarty (née Oliver), the daughter of a Galway mill owner. Three siblings (Henry, Mary, and Richard) were born later. Gogarty's father, himself the son of a medical doctor, had been educated at Trinity College and owned two fashionable homes in Dublin, which set the Gogartys apart from other Irish Catholic families at that time and allowed them access to the same social circles as the Protestant Ascendancy
As one of Dublin's medicos, Gogarty was known to be fond of public pranks and midnight carousing in the Kips, Dublin's red-light district. He had a talent for humorous and bawdy verse, which quickly made the rounds through the city, and sometimes composed mnemonic lyrics to aid his medical studies. He also enjoyed a highly successful cycling career before being banned from the tracks in 1901 for bad language, and between 1898 and 1901 he rescued at least four people from drowning. He became interested in Irish nationalism after meeting Arthur Griffith in 1899, and contributed propaganda pieces to The United Irishman over subsequent years
As a Sinn Féiner during the Irish War of Independence, Gogarty participated in a variety of anti-Black and Tan schemes, allowing his home to be used as a safe house and transporting disguised IRA volunteers in his car. Following the ratification of the Anglo-Irish Treaty, Gogarty sided with the pro-Treaty government (headed by his close friend Arthur Griffith) and was made a Free State Senator. When Griffith fell ill during the summer of 1922, Gogarty frequently attended his bedside. His death on 12 August 1922 had a profound effect on Gogarty
18-21 Anglesea St, Temple Bar, Dublin 2, D02 RX38
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,Sinn Féiner,otolaryngologist,Anglesea Street,Dublins Cultural Quarter,Temple Bar,pub,traditional,sessions,restaurant,author,politician,athlete,poet,food,of,heart,music,flags,statue,statues,James Joyce,literary,figure,famous,Irishmen,Irishman,seats,table,craic,Ulysses
Description: Tony Smith image Alamy 2M8BNTG - . An on-location photograph from 18-21 Anglesea St, Temple Bar, Dublin 2, D02 RX38 in 2019, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows Oliver St. John Gogartys bar, James Joyce statue,in the Heart of Temple Bar, Dublin, Eire, Ireland - 18-21 Anglesea St, Temple Bar, Dublin 2, D02 RX38. The subject also carries associations with period detail, night-time economy, local social venue, fruit-topped cereal, documentary photography, public realm, licensed trade, community identity, food-and-drink business, everyday nutrition, fresh fruit breakfast, archival record, historic hostelry, and place identity. Viewed from the mid-2020s, the subject also connects with consumer spending, hospitality costs and pressure on hospitality margins in a high-cost economy. The modern context includes continuing discussion of food prices, dietary fibre and the effect of food prices on healthier choices. Small period details of building condition and alterations at 18-21 Anglesea St, Temple Bar, Dublin 2, D02 RX38 may become more significant with time, particularly following closure or conversion. The photograph additionally reflects hospitality economy, balanced breakfast, historical comparison, local character, community drinking venue, regional identity, nutrient-rich breakfast, and social history. Elements such as statue, Ireland, Heart, Joyce, and 18-21 add documentary specificity and may become increasingly useful when compared with later records. The period setting at 18-21 Anglesea St, Temple Bar, Dublin 2, D02 RX38 helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes consumer spending and the survival of local pubs as social meeting places within the specific setting of 18-21 Anglesea St, Temple Bar, Dublin 2, D02 RX38.
18-21 Anglesea St, Temple Bar, Dublin 2, D02 RX38
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,history,historic,heritage,family,family history,clan history,clan,clans,memorial,memorials,figure,character,1775,1975,years
Description: Tony Smith image Alamy 2K3XN3G - . This scene at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 in 2019 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The frame specifically shows Grave and last resting place of Rob Roy 1775 1975, Robert Roy MacGregor, Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. Further facets of the scene include before-and-after reference, community identity, music-scene memorial, archival record, historical comparison, visual archive, club-music history, popular-music heritage, documentary photography, changing streetscape, place identity, local character, public realm, and cultural memory. For current editorial use, creative industries and nightlife history provide additional context, especially through how public plaques turn personal remembrance into shared cultural memory. The archival value lies partly in recording commercial use and occupation around Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 before replacement signage alters the character of the place. Other useful contextual ideas include DJ culture, place-based commemoration, local remembrance, social history, music memorial, community tribute, period detail, and commemorative plaque. The recorded references to MacGregor, Robert, Perthshire, Balquhidder, and resting preserve clues about how the subject was presented, used or understood at the time. The wider setting at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is creative industries and how public plaques turn personal remembrance into shared cultural memory in a form that can be compared with future views of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The record includes a point of historical comparison before later change alters the scene.
Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,inside,FK17,Main St,Main Street,Callander,Perthshire,Scotland,UK,FK17 8BQ,Display,Hero,Villain,Audio,Visual,red,Robert,Raibeart Ruadh MacGriogair,outlaw,folk hero,Highland,clansmen,rising,of,1689,Alba,history,Scottish,historic,figure,clan,legend,the,Highland Rogue,hotpix.org.uk
Description: Tony Smith image Alamy 2K3XN95 - Robert Roy MacGregor (Scottish Gaelic: Raibeart Ruadh MacGriogair
7 March 1671 28 December 1734) was a Scottish outlaw, who later became a folk hero.
Rob Roy was born in the Kingdom of Scotland at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were the local Clan MacGregor Tacksman, Donald Glas MacGregor, and Margaret Campbell. He was also descended from the Clan MacDonald of Keppoch through his paternal grandmother.
In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary MacGregor of Comar (16711745), who was born at Leny Farm, Strathyre. The couple had four sons: James Mor MacGregor (16951754), Ranald (17061786), Coll (died 1735) and Robert (17151754)known as Robìn Òig or Young Rob.
Along with many Highland clansmen, at the age of eighteen Rob Roy MacGregor together with his father joined the Jacobite rising of 1689 led by John Graham, 1st Viscount Dundee and Sir Ewen Cameron of Lochiel, to support the Stuart King James VII, whose flight from Britain had been declared by Parliament to be an abdication, following the Glorious Revolution of 1688. Although victorious in initial battles, Dundee was killed at the Battle of Killiecrankie in 1689, deflating the rebellion. MacGregor's father was taken to jail, where he was held on high treason charges for two years. MacGregor's mother Margaret's health failed during Donald's time in prison. By the time Donald was finally released, his wife was dead.
Main Street, Callander, Perthshire, Scotland, UK, FK17 8BQ
Description
Keywords: Cross,Bones,face,parrot,evil,Cornwall,Cornish,man,Cornishman,England,South,West,smuggler,Toby,Jug,ornament,art,UK,United,Kingdom,GB,vintage,classic,face,novelty,character,collector,Kernow,decorative,earthenware,figure,figurine,glazedTobyJug,jugs,novelty,old,Cross Bones,SouthWest,South West,GoTonySmith,Great,Britain,British,English,ceramics,character,glaze,antique,pirates,Fillpot,Philpot,of,the,Caribbean,Jack,Sparrow,Disney,spooky,folklore,tales,Buy Pictures of,Buy Images Of,Pirates of the Caribbean,Pirates of the Caribean,Jack Sparrow,pirate legends
Description: Tony Smith image Alamy F7DC5C - A Toby Jug - also sometimes known as a Fillpot (or Philpot) - is a pottery jug in the form of a seated person, or the head of a recognizable person (often an English king). Typically the seated figure is a heavy-set, jovial man holding a mug of beer in one hand and a pipe of tobacco in the other and wearing 18th century attire: a long coat and a tricorn hat. The tricorn hat forms a pouring spout, often with a removable lid, and a handle is attached at the rear. Jugs depicting just the head and shoulders of a figure are also referred to as Toby Jugs, although these should strictly be called Character Jugs
Cornwall, England, UK
Description
Keywords: floor,jar,Rank,Hovis,Premier,Mill,or,figure,black,white,plastic,ceramic,shaker,1970,1970s,Home,Pride,green,cream,creme,smiling,figures,GoTonySmith,jars,antique,1960s,ad,campaign,icon,iconic,British,kitchen,baking,baker,GBBO,great,bake,off
Description: Tony Smith image Alamy ED4MNH - . Henry, or Fred, the Homepride Spillers flour man, next to a flour jar. Photographed in England. The photograph was taken on 20 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Henry the Homepride Spillers flour man, next to a, Henry, Homepride, flour, man, Spillers, HomePrideFred, Fred and advertising, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
England
Description
Keywords: Supermarionation,Gerry Anderson,ITC Entertainment,vintage,classic,toys,Brains,Scott Tracy,Scott,Tracy,Jeff,FAB,AreGo,Thunderbirds,International Rescue,International,Rescue,Sylvia Anderson,Sylvia,Anderson,Gerry,puppet,puppets,models,figure,figures,Lady Penelope,Parker,replica,replicas,uniform,Gotonysmith,uniformed,superhero,superheros,TV,show,TV Show,broadcast,television,ITV,Thunderbirds-themed,product,products,Thunderbirds Are Go,APF
Description: Tony Smith image Alamy ED4MP7 - Thunderbirds is a British science-fiction television series created by Gerry and Sylvia Anderson, filmed by their production company AP Films (APF), and distributed by ITC Entertainment. It was produced between 1964 and 1966 using a combination of marionette puppetry and scale-model special effects sequences a hybrid filming technique known as Supermarionation.
Two series comprising a total of thirty-two episodes were filmed
production came to an end after the Andersons' financial backer, Lew Grade, failed in his bid to sell the programme to American network television.
England, UK
Description
Keywords: WS137LD Staffordshire,England,UK,WS13,7LD,church,churches,religion,religious,symbols,ceramic,ceramics,tiled,14th,century,historic,building,magnificent,high,altar,city,cities,English,British,GB,curve,curving,Oluma,figure,face,detail,of,Diocese,medieval,GoTonySmith tourism tourist attraction,Buy Pictures of,Buy Images Of,Elred,blue,tourist
Description: Tony Smith image Alamy ED9DKT - . Tiles on floor at Lichfield cathedral, Staffordshire, England UK WS13 7LD leading to the high altar. Photographed at 19A The Close, Lichfield, Staffordshire, england, UK WS13 7LD. The photograph was taken on 01 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Tiles on floor at Lichfield cathedral, Stafford, medieval, symbols, ceramic, Offa, curve, Mercia, symbolism and 7LD, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
19A The Close, Lichfield, Staffordshire, england, UK WS13 7LD
-in-Warrington--Cheshire--England--UK-ED9ETG.jpg)
Description
Keywords: Bridgefoot,Bridge foot,Bridge-foot,famous,historic,history,Warrington Academy,Warrington,Academy,Guardian,Newspaper,Guardian Newspaper,Cheshire,England,UK,Oliver Cromwell,military,political,figure,famous,town,WBC,borough,council,independent,puritan,religious,men,man,tourist,attraction,GoTonySmith,United,Kingdom,United Kingdom,GB,great,Britain,Great Britain,army,cheshire,civil,English Civil war,dawa,england,English,leader,lord,model,new,oliver,parliament,protector,statue,war,Member of Parliament,Parliament,MP,member,New Model Army,new,model,army,monument,outside,palace,of,Westminster,Palace of Westminster,Cromwells,troops,Cromwells Troops,public statues of Cromwell,public,statues,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ED9ETG - Oliver Cromwell (25 April 1599 3 September 1658) was an English military and political leader and later Lord Protector of the Commonwealth of England, Scotland and Ireland.
The Academy, a dissenters' institute where Joseph Priestley once taught. After being moved from their original location, the building now houses the offices of the local newspaper The Warrington Guardian. A statue of Oliver Cromwell stands in front.
Bridge-foot, Warrington,Cheshire, England, UK
-in-Warrington--Cheshire--England--UK-ED9ETH.jpg)
Description
Keywords: Bridgefoot,Bridge foot,Bridge-foot,famous,historic,history,Warrington Academy,Warrington,Academy,Guardian,Newspaper,Guardian Newspaper,Cheshire,England,UK,Oliver Cromwell,military,political,figure,famous,town,WBC,borough,council,independent,puritan,religious,men,man,tourist,attraction,GoTonySmith,United,Kingdom,United Kingdom,GB,great,Britain,Great Britain,army,cheshire,civil,English Civil war,dawa,england,English,leader,lord,model,new,oliver,parliament,protector,statue,war,Member of Parliament,Parliament,MP,member,New Model Army,new,model,army,monument,outside,palace,of,Westminster,Palace of Westminster,Cromwells,troops,Cromwells Troops,public statues of Cromwell,public,statues,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ED9ETH - Oliver Cromwell (25 April 1599 3 September 1658) was an English military and political leader and later Lord Protector of the Commonwealth of England, Scotland and Ireland.
The Academy, a dissenters' institute where Joseph Priestley once taught. After being moved from their original location, the building now houses the offices of the local newspaper The Warrington Guardian. A statue of Oliver Cromwell stands in front.
Bridge-foot, Warrington,Cheshire, England, UK
Description
Keywords: screen keys key toy toys blue grey gray,Buy Pictures of,Buy Images Of,GoTonySmith,screen,keys,key,toy,figure,human,plastic,toys,blue,grey,gray,arab,hair,haired,Islamic,ICT,IT,computer,laptop,keyboard,building,blocks,technology,tech,equality,users,diverse,diversity,support,team,mates,mate,teammate,teammates
Description: Tony Smith image Alamy E6HY4X - . Two Lego men on a laptop keyboard. The photograph was taken on 17 November 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Two, Lego, men, laptop, keyboard, Muslim, ginger, figures, screen keys key toy toys blue grey gray and screen, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to digital technology, smartphones, software, online services and the way screens and apps increasingly mediate everyday activity. It can support editorial coverage of mobile applications, consumer technology, digital services, user interfaces, online communication, artificial intelligence, software platforms, data and the changing relationship between people and connected devices. Visible screen text, icons, branding, controls and handset details can give picture buyers a recognisable real-world technology context. As a dated photograph, it is particularly useful for documenting a specific version of an interface, product or digital service before later updates alter its appearance or functionality. Search themes include smartphones, apps, software, digital services, screen interfaces, online platforms, consumer electronics, artificial intelligence and changing technology. A dated screen or device photograph is useful because software interfaces, branding and product designs can alter rapidly through updates and replacement. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Description
Keywords: ampelmann,ampelmannchen,berlin,blue,city,cloud,color,control,crossing,crossroads,ddr,deutschland,east,europe,european,famous,figure,funny,gdr,german,germany,go,green,illuminated,intersection,lamp,light,man,manikin,mass,original,pedestrian,post,public,green,road,GoTonySmith,classic,unique,Euro,roads,sign,sky,street,traffic,transit,transport,transportation,travel,trip,urban,walker,walking,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F0G6XG - This documentary stock photograph shows Berlin Green Ampelmann traffic crossing light. The image records the green Ampelmann pedestrian traffic light, making it useful for editorial features on East German design heritage, road crossings, nostalgia, branding and everyday street furniture. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and wider editorial needs.
Mitte,Berlin,Germany
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,go away leave me alone,leave me alone,obey,of,Christmas,Xmas,grinch,this,Santa,Santa gnome,Santa gnomes,bad,poor,antisocial,attitude,attitudes,busy,left,alone,heads,figure,figures,grump,grumps,grumpy,Santas,old,elderly,beard,bearded,boot,boots,for,sale,selling
Description: Tony Smith image Alamy 2BKC2CK - . Recorded at Great Britain, UK, this image forms part of the visual history of the locality and the activity, building, object or service shown. At the heart of the image is Go Away Xmas gnomes, garden centre antisocial attitude. Beyond the immediate subject, the image contains elements of cityscape history, changing streetscape, social landscape, period building, historic townscape, conservation architecture, built heritage, heritage landmark, architectural contrast, architectural character, everyday Britain, traditional masonry, local character, and urban fabric. The subject remains useful for current coverage of maintenance and adaptive reuse, not least because of preserving local identity during urban change. As a dated visual record of Great Britain, UK, the frame retains signage and branding, making it useful if different community use subsequently changes the scene. The photograph additionally reflects built environment, archival record, public realm, before-and-after reference, place identity, regional identity, period detail, and visual archive. The recorded references to centre, garden, attitude, gnomes, and antisocial preserve clues that can help identify how the subject was presented or used at the time. A later view of Great Britain, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. A further contemporary connection is maintenance and the contrast between historic fabric and modern development as part of the longer story of Great Britain, UK. The image also provides a reference for adaptive reuse and the contrast between historic fabric and modern development when considered against later change at Great Britain, UK. The wider significance includes redevelopment pressure and the contrast between historic fabric and modern development without losing the local specificity of Great Britain, UK.
Great Britain, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,For who so him in his hart shall find,Which from the prophett springs the virgins boy,WA14,Dunham Massey,NT,Altrincham,Cheshire,England,UK,WA14 4PE,character,characters,history,historic,Sibylla,Europea,stained,glass,the,reading,room,reading room,figure,figures,2,Two,Sybils,yellow,window,pane,Trafford,panes,Flemish
Description: Tony Smith image Alamy 2BKC2F1 - . A detailed documentary view from Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE, preserving the appearance and character of the subject at a particular point in time. The photograph centres on Sibylla Europea Flemish stained glass, the reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE. The picture additionally relates to everyday Britain, documentary photography, period building, historic streetscape, urban change, traditional masonry, archival record, heritage asset, local character, urban fabric, architectural contrast, historical comparison, community identity, and visual archive. Viewed from the mid-2020s, the subject sits within continuing debate about embodied carbon, heritage conservation and using existing buildings rather than demolishing them. As a dated visual record of Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE, the frame retains commercial identity and local use, making it useful if altered transport patterns subsequently changes the scene. The wider local story also touches on contemporary history, social landscape, built environment, public realm, regional identity, place identity, before-and-after reference, and period detail. The recorded references to Sibylla, Europea, stained, reading, and glass preserve clues that can help identify how the subject was presented or used at the time. The surrounding context at Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. That also gives the frame relevance to embodied carbon and keeping older buildings useful without erasing their character within the real-world context of Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE. Another useful connection is energy retrofit and keeping older buildings useful without erasing their character within the specific setting of Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE.
Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Pass through the mountaines high and valleyes low,He shall be poore and in a manger lye,Borne of a virgin riding on an asse,A prince beloud and one that brings to pass,Safety to droping mortalls happly then,Turmoyling,WA14,window,Sibylla Europea,Dunham Massey,NT,Altrincham,Cheshire,England,UK,WA14 4PE,character,characters,history,historic,Sibylla,Europea,stained,glass,the,reading,room,figure,figures,2,Two,Sybils,pane,Trafford,panes
Description: Tony Smith image Alamy 2BKC2F3 - . This scene at reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE documents an everyday subject with wider connections to local identity, social history and changing patterns of use. The location is represented through Stained glass,windows,sibylla samia-sibilla eritraea Eritrea,reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE. Other aspects of the subject include place identity, conservation interest, conservation architecture, regional identity, contemporary history, built environment, architectural character, cityscape history, social landscape, period building, period detail, local history, urban fabric, and changing streetscape. For contemporary context, planning control and historic townscape are closely related themes, especially where the issue becomes the contrast between historic fabric and modern development. The archival value lies partly in recording landscape and surrounding development around reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE before different community use alters the character of the place. A second layer of the scene includes everyday Britain, architectural contrast, traditional masonry, documentary photography, visual archive, before-and-after reference, historical comparison, and archival record. Elements such as eritraea, Altrincham, glass, sibylla, and Dunham add documentary specificity and may become useful when the scene is compared with later records. A later view of reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes planning control and the contrast between historic fabric and modern development as part of the longer story of reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE. The location retains a record of the surrounding environment for retrospective editorial use.
reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE
Description
Keywords: Salford,Quays,Bridge,across,Lowry,Centre,blue,mono,monochrome,black,white,person,people,figure,crossing,365days,B/W,this photo rocks,HDR,high dynamic range,city,hotpix!
Description: Tony Smith image Flickr 3710095855 - 'On the way for a Subway 6' for lunch.
The lift bridge (proper name Salford Quays Millennium footbridge) is a 95m vertical lift bridge bridge spanning the Manchester Ship Canal at the manchester Pomona dock end. The bridge, was completed in the year 2000 and links the Lowry Centre to Trafford Wharfside.
The bridge has a total lift of 18 metres and can be raised or lowered very quickly in less than three minutes.
This area is now given over now to shopping, flats, bars and the BBC northern outpost, rather than the ships of over 40 or more years ago.
A night shot of the LS Lowry arts centre can be seen here www.flickr.com/photos/hotpixuk/3809823828/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Wire mesh,wire,made by,Haste,Modern,art,animal,sculpture,near,ruins,of the,Lion Tower,Tower of London,grass,Royal Beasts,Royal,Beasts,exhibition,capital,outside,exterior,figure,figures,figurine,figurines,front,landmarks,landscape,gotonysmith,United Kingdom,GB,Great Britain,steel,metal,structures,structure,fun,african,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EC2T2F - . Lion Tower mesh lions, Tower of London,England,UK. Photographed at Tower of London, London, England, UK. The photograph was taken on 17 November 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Lion Tower mesh lions, Tower of London, animal sculpture, Kendra, Kendra Haste, mesh, Lions, Artist, Wire mesh and wire, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Tower of London, London, England, UK
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Keywords: Africa,WA144SJ,native,racist,racism,old,fashioned,Hall,near,Altrincham,Cheshire,England,UK,WA14,4SJ,Sculptures,Sculpture,moor,moors,slave,servant,front,of,house,lead,figure,metal,statue,statues,of,the,soul,by,the,body,NT,national,trust,and,Indian,kneeling,Gotonysmith Sculptures of black men,which were called blackamoors,sometimes represented slaves or servants. In Baroque interiors such figures,made of carved and painted wood,served,as,candlestands,and,tables.,People,at,the,time,seemed,to,be,happy,to,live,with,images,of,slaves,in,chains,which,today,we,would,obviously,find,disturbing,kneel,Figures,(including,those,of,other,races),like,this,one,represented,the,four,continents,as,they,were,defined,in,the,seventeenth,and,eighteenth,centuries,Africa,America,Asia,and,Europe.,By,extension,they,would,then,stand,for,the,known,world,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DHGYMP - File Under: BLM, Black Statue, Do Black Lives Matter. Figures (including those of other races) like this one, represented the four continents as they were defined in the seventeenth and eighteenth centuries: Africa, America, Asia and Europe. By extension they would then stand for the known world'. Statue attributed to Andries Carpentière or Jan van Nost
Dunham Massey Hall , near Altrincham Cheshire England , UK WA14 4SJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Britain,L23,at,sculpture,on,in,seaside,sunset,evening,dusk,English,L23 6SX,face,body,torso,cast,iron,figure,people,figures,Joseph and Jesse Siddons Foundry,West Bromwich,West Brom,Waterloo,and,Blundellsands,Hargreaves Foundry,Halifax,Derek Alexander,Another Place Ltd,Sefton Metropolitan Borough Council,Sefton,Gormly
Description: Tony Smith image Alamy 2R15NFR - Another Place is a piece of modern sculpture by British artist Antony Gormley located at Crosby Beach in Merseyside, England. It consists of 100 cast iron figures facing towards the sea. The figures are modelled on the artist's own naked body.[1] The work proved controversial due to the naked statues but has increased tourism to the beach. After being exhibited at two other locations it was put on display at Crosby on 1 July 2005. After some controversy Sefton Metropolitan Borough Council decided on 7 March 2007 that the sculptures should be permanently installed at the beach
The work consists of cast iron figures which face out to sea, spread over a 2-mile (3.2 km) stretch of beach between Waterloo and Blundellsands. Each figure is 189 centimetres (6 ft 2 in) tall and weighs around 650 kilograms (1,430 lb). The figures are cast replicas of Gormley's own body. As the tides ebb and flow, the figures are revealed and submerged by the sea, and are subject to corrosion by seawater and colonisation by marine animals. The figures were cast at Hargreaves Foundry in Halifax, West Yorkshire and the Joseph and Jesse Siddons Foundry in West Bromwich by foundryman Derek Alexander
Mariners Road, Crosby Beach, Liverpool, Merseyside, England, UK, L23 6SX
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Keywords: GoTonySmith,HotpixUK,@HotpixUK,Stirling John Cowanes Hospital entrance statue and tower,Scotland,UK,St John St,Stirling,lamp,post,history,historic,tourist,tourism,attraction,heritage,memorial,exterior,outside,outdoor,outdoors,view,Scots,attractions,visit,feature,features,ornate,medieval,ancient,light,gas,lamps,windows,window,figure,figures
Description: Tony Smith image Alamy 2DA91J7 - . This period photograph records 49 St John St, Stirling,Scotland,UK, FK8 1ED as an identifiable real-world setting rather than a generic illustration. At the heart of the image is Stirling John Cowanes Hospital entrance statue and tower,Stirlingshire,Scotland,UK. The picture additionally relates to patient outcomes, local history, clinical innovation, changing streetscape, community identity, historical comparison, contemporary history, urban change, period detail, health-service capacity, everyday Britain, clinical services, before-and-after reference, and NHS funding. From a 2025-onward perspective, the scene also connects with workforce capacity, prevention and how quickly patients can access effective treatment. The archival value lies partly in recording street furniture and boundaries around 49 St John St, Stirling,Scotland,UK, FK8 1ED before altered transport patterns alters the character of the place. Other connected aspects are public-health provision, regional identity, social history, documentary photography, diagnostic services, social landscape, public realm, and place identity. Details involving Scotland, Cowanes, Stirling, tower, and Stirlingshire make the image more specific than a generic illustration and strengthen its local or historical value. Around 49 St John St, Stirling,Scotland,UK, FK8 1ED, apparently routine features can become historically useful once businesses close, buildings change use or familiar street details disappear. Another useful connection is workforce capacity and how quickly patients can access effective treatment as part of the longer story of 49 St John St, Stirling,Scotland,UK, FK8 1ED. The scene further reflects NHS funding and pressure on staff and clinical capacity when considered against later change at 49 St John St, Stirling,Scotland,UK, FK8 1ED. The frame therefore remains a dated reference for 49 St John St, Stirling,Scotland,UK, FK8 1ED and the changing story of the subject shown.
49 St John St, Stirling,Scotland,UK, FK8 1ED
Description
Keywords: Africa,WA144SJ,native,old,fashioned,Hall,near,Altrincham,Cheshire,England,UK,WA14,4SJ,Sculptures,Sculpture,blackamoors,moor,moors,slave,servant,front,of,house,lead,figure,metal,statue,statues,enslavement,of,the,soul,by,the,body,NT,national,trust,African,and,Indian,kneeling,Gotonysmith Sculptures of black men,which were called blackamoors,sometimes represented slaves or servants. In Baroque interiors such figures,made of carved and painted wood,served,as,candlestands,and,tables.,People,at,the,time,seemed,to,be,happy,to,live,with,images,of,slaves,in,chains,which,today,we,would,obviously,find,disturbing,kneel,Figures,(including,those,of,other,races),like,this,one,represented,the,four,continents,as,they,were,defined,in,the,seventeenth,and,eighteenth,centuries,Africa,America,Asia,and,Europe.,By,extension,they,would,then,stand,for,the,known,world,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DHGYTB - File under: BLM, Black Statue, Do Black Lives Matter. Figures (including those of other races) like this one, represented the four continents as they were defined in the seventeenth and eighteenth centuries: Africa, America, Asia and Europe. By extension they would then stand for the known world'. Statue / Sundial is attributed to Andries Carpentière or Jan van Nost
Dunham Massey Hall , near Altrincham Cheshire England , UK WA14 4SJ
Description
Keywords: gotonysmith,A,man,in,a,tunnel,at,night,tunnelvision,vision,under,ground,lights,shaking,a,sparkler,swimming,with,light,night,dusk,time,book,cover,path,man,person,figure,walk,walking,london,firework,of,light,painting,with,light,Latchford,London Underground,painting with light,Warrington Cheshire A50 road bridge,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEY8TT - . A man in an underground tunnel at night tunnelvision vision, creating a path of light. Photographed on 29 October 2009. The recorded location is Latchford Pedestrian Tunnel, Knutsford Road, Warrington, Cheshire, England, UK WA4 1JR. Man in a pedestrian tunnel having tunnel vision. Latchford A50 near the swingbridge, warrington Cheshire. The historical context is that walking routes, tunnels and footpaths reveal the small-scale infrastructure that connects neighbourhoods away from main roads
Underpasses, canal paths and pedestrian passages can become familiar local shortcuts while also reflecting the planning priorities of the period in which they were built. Historically, town and city centres are continually rewritten by new buildings, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. In the longer view, seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. The subject remains topical in 2026 because walking and active travel are prominent in transport and public-health policy, with continuing attention to safe pedestrian routes, accessibility and connections between neighbourhoods
Older paths and tunnels can illustrate both useful permeability and the design problems associated with underpasses. In 2026, current regeneration programmes make older urban photographs particularly useful
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change. Useful indexing vocabulary includes dog walking, public access, pedestrian infrastructure, and local route.
Latchford Pedestrian Tunnel, Knutsford Road, Warrington, Cheshire, England, UK WA4 1JR
