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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_0709,Dark,chocolate,Tunnocks,mallow,teacakes,and,caramel,wafers,on,a,wafer,biscuit,Scottish,confectionery,sweets,snack,food,coated,marshmallow,sweet,UK,teacake,Scotland,packaging,wrapper,coating
Description: Tony Smith image Alamy 3FYW5X8 - . A close-up food arrangement features foil-wrapped Tunnock's dark chocolate teacakes alongside wrapped dark chocolate caramel wafer biscuits. One wafer bar is cut or opened, showing crisp layered wafer and caramel beneath its dark chocolate coating. The shiny silver and blue teacake wrappers and blue wafer packaging contrast with the exposed brown confectionery. Tunnock's is a Scottish biscuit and confectionery manufacturer known for teacakes and caramel wafers. The image makes the packaging, texture and construction of these products the central subject. The close-up arrangement includes several individual silver-and-blue foil-wrapped dark chocolate teacakes, a blue Tunnock's packet and a dark chocolate caramel wafer bar that has been cut to expose its internal layers. The caramel wafer shows alternating crisp wafer and caramel beneath a thick coating of dark chocolate. On the teacake wrappers the Tunnock's name and decorative star motif are clearly visible. Tunnock's is a family-run Scottish confectionery producer based in Uddingston, South Lanarkshire, widely associated with teacakes and caramel wafers. The teacake product combines a biscuit base and soft marshmallow-like filling under a chocolate shell, while the caramel wafer uses multiple layers of biscuit wafer and caramel. Different wrappers and the exposed cut surface help customers distinguish the flavours, construction and textures of the products. Dark chocolate has a different flavour profile from milk chocolate, typically reflecting a greater proportion of cocoa solids, although individual recipes vary. The image brings together blue printed wrappers, metallic teacake foils, smooth dark chocolate surfaces and the exposed wafer layers in a closely arranged group. Blue, silver and dark brown form a distinctive palette, with the open bar drawing attention to the contrast between its outer coating and layered centre.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_8826,Two,pints,pies,at,ATVH,Appleton,Thorn,village,hall,Camra,real,ale,pork,beer,pub,pie,cider,drinks,food,festival,community,dining,social,gathering,glasses,pale,amber,dark,stand,UK,pork pie,2,pint,snacks,bar,two,busy,CAMRA,listed
Description: Tony Smith image Alamy 3FYF1X6 - . Two glasses of real ale, one pale amber and one dark, stand beside two individual pork pies on a wooden table at Appleton Thorn Village Hall. White cardboard trays, a spoonful of red chutney and another yellow condiment are arranged around the pies
drinkers and seated visitors fill the room behind. The pale pint and darker pint sit behind the golden pastry lids, while the vivid red chutney and yellow condiment give the individual servings contrasting colours. The sealed crusts and split surface of the pies are visible beside the beer glasses, connecting refreshments with the community event. The amber ale shows through its clear glass and the darker drink carries a much deeper brown tone. This juxtaposition is useful for identifying cask ale tasting, a village-hall social event, snack food and the traditional pairing of beer with pork pies in Britain. The people and drinking tables in the background establish the refreshments as part of a shared occasion. The visible metal pie tins give each portion a neat rounded edge, and the generous crust tops dominate the front of the composition. The different beer colours are easy to compare because the glasses stand together at the back of the table. The arranged food and drink form a compact still-life in the foreground, framed by the social gathering behind. Appleton Thorn is a village in Warrington, Cheshire, and the hall setting provides a precise locality for this hospitality scene. The two individual pies occupy separate white trays, and one tray has a little white container of bright red relish. The second condiment is yellow and grainy. The long, narrow beer glasses stand further back on the wood-grain table, providing a comparison between translucent golden ale and a near-black pint. Drinkers seated closely together behind the table make the village hall gathering an important part of the photograph. The contrasting ales and the colour of each condiment remain identifiable in the same frame.
Appleton Thorn Village Hall, Warrington, Cheshire
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_6307,Hyde,Sons,Wine,shippers,gold,mirror,merchant,shop,lettering,glass,signage,drinks,trade,dark,shopfront,window,spells,elegant,traditional,typographic,arrangement,light,reflects,decorative,interior,fittings,behind,UK,Hyde and Sons,wine shippers,gold lettering
Description: Tony Smith image Alamy 3FYF1TD - . Gold lettering on a dark shopfront window spells HYDE AND SONS WINE SHIPPERS in an elegant traditional typographic arrangement. Warm light reflects from decorative interior fittings behind the glass. The shopfront window reads HYDE AND SONS WINE SHIPPERS in large gilded letters, with a reflection of warm hanging lights and the street beyond. Ornamental gold typography is prominent against a dark interior. The image centres on the traditional wine-merchant name, the retail frontage and the presentation of specialist alcohol retailing through lettering and window design. This setting also connects product branding with the social environment in which drinks are served or sold. A pub pump, a supermarket display and a community-hall table each illustrate a different stage of consumption, with different forms of social interaction, licensing, marketing and spending. Gold and cream lettering stands out through reflections on the window, with a warm amber glow behind the glass. The typography gives the business a traditional merchant identity in contrast to the contemporary shopfronts around it. The camera focuses on the sign itself, making this especially relevant to the name of the wine merchant, retail branding and local commercial lettering. Large gold serif letters reading HYDE AND SONS WINE SHIPPERS appear on dark glazing. The lettering is arranged vertically and reflected decorative lights surround it. The photograph focuses on the typographic treatment and reflective shop window, with warm interior light and distorted street reflections giving the glass considerable depth. The words on the sign are the direct evidence of how the merchant presented its name and trade. The words HYDE AND SONS occupy the centre of a reflective window in large, widely spaced gold capitals. WINE SHIPPERS appears below in smaller lettering, and warm chandeliers glow through the glass, giving the exterior sign a distinctive layered appearance.
Liverpool
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_6316,William,Hill,bookies,Betting,shop,Church,st,Liverpool,UK,money,back,as,free,bet,bookmaker,gambling,high,street,promotion,exterior,features,dark,blue,façade,yellow,lettering,window,posters,advertising,money-back,offer
Description: Tony Smith image Alamy 3FYF1TJ - . William Hill betting shop exterior in Church Street, Liverpool features a dark blue façade, yellow William Hill lettering and window posters advertising a money-back offer as a free bet. The dark navy William Hill betting shop entrance has yellow branding and posters in the window advertising MONEY BACK AS A FREE BET. The Church Street frontage is photographed head on, with the distinct shop fascia and promotional panel visible. The offer is advertising text, and its eligibility depends on the bookmaker's applicable published terms. The blue-painted William Hill betting-shop frontage includes gold shop lettering and promotional material in the window. A clearly visible panel advertises money back as a free bet under specified circumstances, while smaller condition text forms part of the displayed offer. The building's traditional shopfront design makes a striking contrast with the printed gambling promotion. This is a photographed advertisement and retail premises, not independent verification of the offer's terms. The collection unit has a highly visible green panel and wire sides, designed to accommodate food parcels or packets selected elsewhere in the supermarket. The words about food poverty and holiday hunger make the campaign's purpose explicit. Customers encounter the request while doing normal grocery shopping, with the display encouraging a practical purchase and donation. The Morrisons identity connects a nationally familiar retailer with a local charitable collection mechanism. The immediate subject is the appeal and the physical donation point. A blue William Hill shopfront carries the bookmaker's gold script logo above large glass windows. Inside the glazing, a black and green poster advertises a MONEY BACK free bet and smaller qualifying information, supplying the main editorial emphasis of the premises. The deep blue betting-shop frontage has William Hill in gold script over the entrance.
Church Street, Liverpool
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,IMG_0700,Dark,chocolate,Tunnocks,mallow,teacakes,and,caramel,wafers,on,a,plate,wafer,wrapper,nutritional,packaging,biscuits,Scotland,Tunnock,cake,chocolates,dark,treat,treats,Uddingston,South Lanarkshire
Description: Tony Smith image Alamy 3FXKY2P - . A close-up of Tunnock's dark chocolate confectionery displays blue-and-gold foil-wrapped tea cakes alongside rectangular dark chocolate caramel wafer biscuit packs. The circular foil wrappers carry repeated star-shaped emblems and Tunnock's lettering
their crumpled metallic surfaces catch the light around the edges of the arrangement. The contrast between the flattened paper-like wafer packets and the moulded, crumpled foil around the tea cakes is particularly clear. Some packet ends and folds conceal small parts of the printed text, while an exposed side panel provides a closer view of ingredient labelling and product identification. The sweets are grouped on a household plate in a consumer product still life. White, blue and gold caramel wafer packets overlap behind them. One packet is turned over, revealing a barcode, printed ingredients and other product information, while the exposed fronts show the large blue CARAMEL name and the DARK CHOCOLATE COATED description. A 30g weight marking is visible on the packaging. The mixture of front and reverse wrappers distinguishes this particular composition by giving both the branding and the consumer labelling a prominent place in the photograph. Tunnock's is a family-owned confectionery manufacturer based in Uddingston, South Lanarkshire, Scotland, known for its individually wrapped tea cakes and caramel wafers. Its tea cakes combine a biscuit base with a soft mallow filling under chocolate
its caramel wafers contain layered wafer and caramel. The tightly framed arrangement concentrates on the texture of the foil, the printed packet typography and the presentation of two familiar Scottish sweet products.
UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,IMG_0713,Dark,chocolate,Tunnocks,mallow,teacakes,and,caramel,wafers,on,a,plate,wafer,unwrapped,biscuit,Scottish,confectionery,tray,Tunnock,cake,chocolates,dark,treat,treats,Uddingston,South Lanarkshire
Description: Tony Smith image Alamy 3FXKY2T - . A close-up of dark chocolate Tunnock's confectionery arranged on a plate. A caramel wafer has been unwrapped and laid diagonally above several foil-wrapped dark chocolate tea cakes, revealing its rectangular form and textured chocolate covering. The distinctive dark blue and gold tea cake wrappers, printed with the Tunnock's name and star motif, form a vivid backdrop. The unwrapped rectangular wafer lies over the other products, displaying shallow ridges formed in its outer chocolate layer. The arrangement combines loose food with recognisable packaging in a carefully grouped still-life presentation. It highlights the layered biscuit and caramel-wafer format, the dark chocolate range and the commercial branding of a traditional Scottish confectionery maker. The opened bar exposes its corrugated coating and layered wafer structure. The other individually wrapped round tea cakes show the Scottish brand's distinctive blue-and-gold foil design. The composition brings the cross-section of a rectangular chocolate-coated wafer bar into the foreground. Alternating thin wafer sheets and caramel layers make a visible striped pattern beneath the dark chocolate coating. Around the opened biscuit sit several round blue-and-gold foil packages holding Tunnock's tea cakes, with a mix of fully covered domes and partially unfolded wrappers. Light-blue caramel wafer packets lie behind the opened bar, showing the recognisable broad CARAMEL lettering. The mixture of package sizes, biscuit shapes and colours helps distinguish the two product lines. Tunnock's, based in Uddingston in South Lanarkshire, has long manufactured wrapped biscuits and sweet snacks sold throughout Britain. The round tea cake pairs a biscuit base with a mallow centre and chocolate covering, while the wafer combines repeated crisp layers with caramel. The close crop makes the exposed wafer structure, wrapper graphics and foil textures the defining details of this particular food photograph.
UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,IMG_0715,Dark,chocolate,Tunnocks,mallow,teacakes,and,caramel,wafers,on,a,saucer,wafer,Scottish,sweet,snacks,wrapped,packaging,Tunnock,cake,chocolates,dark,treat,treats,Uddingston,South Lanarkshire
Description: Tony Smith image Alamy 3FXKY2W - . Dark chocolate Tunnock's tea cakes in blue-and-gold foil and individually wrapped dark caramel wafer biscuits are grouped closely together on a light-coloured saucer. The dark blue Tunnock's star emblem is prominent on several circular tea cake wrappers, while the blue-and-white caramel wafer packets show the CARAmEL product branding. The arrangement draws attention to the branded packaging, contrasting shapes and familiar Scottish confectionery products. Several foil wrappers are packed closely around the wafer-biscuit packets, producing a repeating pattern of blue, gold and white. The overlapping wrappers show how the two product types are sold as separate individually wrapped snacks while being presented together as Scottish confectionery. The image is framed from above, with portions of the serving plate visible around the pile. Light catches the metallic foil of the tea cakes, creating a reflective surface against the matte paper of the biscuit wrappers. The photograph is a product-focused still life depicting packaged sweets and biscuits associated with a longstanding manufacturer in Uddingston, Scotland. Blue and gold foil covers the rounded confectionery, with repeated white lettering and an emblem around the circular crown. The rectangular bars are wrapped in light blue, white and gold material, their bold CARAMEL lettering clearly visible across the packet. The differing package shapes allow the two snack products to be recognised at a glance. Tunnock's is a family-owned Scottish biscuit and confectionery company established in Uddingston, South Lanarkshire. Its tea cakes contain a biscuit base and marshmallow-style mallow under a chocolate shell, and its caramel wafers are layered sweet biscuits. The close overhead arrangement concentrates on product identity, wrapper design, familiar British food brands and the presentation of individually wrapped sweet treats on a domestic plate.
UK
Description
Keywords: GoTonySmith,HotpixUK,monument,era,monuments,socialist,realism,socialist realist,sculpture,Hungarian,post communist Hungary,Cold War,Hungary,Eastern Bloc,public,propaganda,art,political,park,open air,museum,heritage,history,historic,Republic of Councils Monument,Tanácsköztársasági emlékmű,István Kiss,charging sailor statue,Hungarian Fighters in the Spanish International Brigades Memorial,Makrisz Agamemnon,Memos Makris,Spanish Civil War memorial,dictatorship memory,authoritarian propaganda,totalitarian art,removed communist statues,fall of communism,1989 revolution,dark
Description: Tony Smith image Alamy 3E9AN1A - Memento Park in Budapest, Hungary, showing Soviet era and communist period public monuments removed from the city after the fall of the Hungarian People's Republic. The bronze figure on the right is the Republic of Councils Monument, or Tanácsköztársasági emlékmű, by István Kiss, completed in 1969 and based on a dynamic revolutionary sailor image associated with the short-lived Hungarian Soviet Republic of 1919. The foreground relief appears to be the Hungarian Fighters in the Spanish International Brigades Memorial by Makrisz Agamemnon, also known as Memos Makris, made in 1968 to commemorate Hungarian volunteers who fought in the Spanish Civil War. The photograph is valuable for editorial use around Cold War history, communist propaganda, socialist realism, dictatorship memory, post-communist heritage, Eastern Bloc public art, political sculpture, regime change and the contested afterlife of monuments. Memento Park is an open-air museum where Budapest gathered many statues, busts, plaques and memorials that once stood in prominent public locations and carried the official visual language of party power, liberation myth, worker heroism and Soviet friendship. The composition contrasts the flat carved memorial figures with the dramatic running bronze statue, creating a strong visual example of how communist public art used heroic bodies, flags, movement and scale to communicate ideological certainty. The site is not simply nostalgic display: it is a carefully framed museum of authoritarian imagery, useful for understanding how art, architecture and public space were used to legitimise power. The green grass, open sky and park setting soften the scene visually, but the subjects remain linked to repression, censorship, propaganda, revolution, anti-fascist memory, Hungarian communism and the wider political history of Central Europe. The image suits travel guides, history publishing, education, museum features, political commentary, heritage tourism, dark tourism and art
Republic of Councils Monument and Spanish International Brigades memorial at Memento Park, Budapest.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,foods,France,French signage,escargots,advertising,hand painted sign,rustic,typography,old price sign,culinary heritage,menu,dark,French cuisine,snails food,escargot dish,traditional gastronomy,vintage lettering,distressed paint,aged surface,patina texture,historic food advertising,market sign,bistro sign,old café signage,European food culture,retro design,typographic detail,worn signboard,brown and orange tones,close up detail,editorial photography,documentary image,brown,hand-made
Description: Tony Smith image Alamy 2R64KDA - This image shows a close-up of a weathered vintage sign advertising Escargots 60c , referring to snails, a traditional dish in French cuisine. The hand-painted lettering and decorative flourishes are rendered in warm tones of orange, green, and brown, set against a heavily worn background that shows cracking paint, surface abrasion, and age-related patina.
Signs such as this were commonly used in cafés, bistros, markets, and street food settings to advertise menu items and prices before standardised printed menus became widespread. The simple pricing and bold typography reflect a period when food was sold informally and visually, often catering to passing trade.
Escargots have long been associated with regional and national French gastronomy, symbolising traditional cooking methods and local culinary identity. The inclusion of the price in centimes suggests historical context, reinforcing the sign's value as an artefact of everyday food culture rather than formal advertising.
Photographed tightly to emphasise texture, lettering, and wear, the image works well as editorial material illustrating culinary heritage, vintage food marketing, typography, and the aesthetics of aged signage. It is particularly suited to features on French culture, gastronomy, retro design, and the material history of everyday commerce.
France or French-themed interior
Description
Keywords: transport,rail,railway,train,trains,passenger,traveler,journey,traveller,travelers,infrasructure,infrastructure,Network,transit,TOC,privatised,public,ownership,public,building,Victorian,platform,Scotrail,City,Centre,Glaswegian,walking down,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scotland,Street,Glasgow,G1,3SL,at,red,lights,dawn,travel,tourism,delay,shadow,shadows,dark,nighttime,Virgin,trains,WCML,Virgin,trains,West,Coast,Main,Line,Intercity,Inter-City,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Gordon St,G1 3SL,Gordon Street,Gordon St,Platform passengers,In The Evening,On the platform,Dawn Train,walking down the platform,Virgin Trains,Virgin Trains,Main Line
Description: Tony Smith image Alamy H9PM3H - Avanti West Coast is a train operating company in the United Kingdom owned by FirstGroup (70%) and Trenitalia (30%) that operates the West Coast Partnership.
During November 2016, the Department for Transport (DfT) announced the InterCity West Coast franchise would be replaced by the West Coast Partnership (WCP). In August 2019, the DfT awarded the WCP franchise to the First Trenitalia consortium. On 8 December 2019, Avanti West Coast took over operations from the prior operating company Virgin Trains, which had run the franchise since 1997. Originally, the franchise was initially scheduled to run until March 2030, and had also been set to operate the initial High Speed 2 services from 2026. However, during December 2020, it was announced that First Trenitalia and the DfT had agreed to terminate the WCP franchise at the earlier date of 31 March 2026 as part of the abolition of the franchise system. Since then a number of contract changes have taken place due to COVID-19 and then poor performance by the company. As of March 2023, the company's contract will expire in October 2023.
Between 14 August and 18 September 2022, Avanti West Coast reduced its timetable, citing unofficial strike action from its employees. However, this allegation was disputed by Aslef, which accused the company of lying and blamed their lack of recruitment, especially of train drivers, for the problems. Trains were running at one service per hour on the majority of routes, as opposed to the three which would typically occur on the London Euston to Manchester Piccadilly route. Following these changes, Avanti West Coast was subject to public criticism
news stories emerged of numerous train cancellations, overcrowded services, delays, and expensive fares. Many commuters faced difficulties reaching their destinations on the reduced services and some travellers have been left to wait for to two days before travel for tickets to be released for sale
Gordon St, Glasgow G1 3SL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,railway,train,Inn,clock,SK13,High Peak,peaks,hill,hills,countryside,dark,peak,moor,moors,Star,pub,pubs,bar,bars,Glossop Station,Peak,B&M,parking town,centre,history,historic,view,views,historical,heritage,rural,Norfolk St
Description: Tony Smith image Alamy 2K1RDE6 - . This dated editorial view of Norfolk Street, Glossop, Derbyshire, stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England, UK, SK13 8BS in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The scene records Glossop Town centre and High Peak hills, Norfolk Street, Glossop, Derbyshire, England, UK, SK13 8BS. The locality and subject together evoke rail operations, social history, rail infrastructure, station environment, freight wagon, place-making, community identity, trackside history, period architecture, town-centre renewal, local character, period detail, adaptive reuse, and before-and-after reference. Today's relevance is strengthened by station investment, railway preservation and the continuing question of how Crewe's identity remains tied to railway engineering and operations. From a 2025-onward perspective, adaptive reuse and planning are closely linked to this subject, alongside the value of reusing existing buildings rather than wholesale demolition. The archival value lies partly in recording public access and movement around Norfolk Street, Glossop, Derbyshire, England, UK, SK13 8BS before new construction alters the character of the place. The subject also sits alongside historical comparison, heritage-led regeneration, rail transport history, urban fabric, historic townscape, historic rolling stock, public-realm investment, and signal-box architecture. Details involving Glossop, Norfolk, Derbyshire, hills, and centre make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Norfolk Street, Glossop, Derbyshire, England, UK, SK13 8BS matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes station investment and the role of rail in lower-carbon regional transport as part of the longer story of Norfolk Street, Glossop, Derbyshire, England, UK, SK13 8BS.
Norfolk Street, Glossop, Derbyshire, England, UK, SK13 8BS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,cold cathode,cold-cathode,lights,lighting,tube,tubes,buddy-Christ,God,Christianity,saviour,halo,dark,entries,green,red,of,&,and,action,statue,statues,funky,spooky,mystic,religion,religions,subversive,symbol,icon,iconic,figure,irreverent,unresentful,blasphemous,God is not dead
Description: Tony Smith image Alamy 2RADT1D - . Jesus statue buddy Christ, with neon light design - The Ministry of Love & Action, Dark Entries. Photographed on 21 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is London, England, Great Britain, UK, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include cold cathode, cold-cathode, lights, lighting, tube, tubes, buddy-Christ, God, Christianity, saviour, halo, dark, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The scene contributes a specific, place-based record rather than a generic illustration.
London, England, Great Britain, UK
-Oxford-Road-Manchester---at-night--England--UK--2JG5JM1.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Oxford Road Manchester,at night,at,Palace Theatre,M1 6FU,M1,the,arts,art,theatre,night,dusk,in,city,centre,Refuge Insurance Building),Refuge Insurance Building,Refuge,ex,Insurance,Building,Palace,entertainment,show,shows,clock,tower,clocktower,cloudy,dark,main road,artery,hotel
Description: Tony Smith image Alamy 2JG5JM1 - . This dated documentary view of Oxford Rd, Manchester, England, UK, M1 6FU in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The subject captured here is Palace Theatre, Kimpton (Refuge Insurance Building) Oxford Road Manchester , at night, England, UK,. Other connected aspects include conservation architecture, public realm, conservation interest, architectural character, local landmark, place identity, built heritage, restaurant culture, destination dining, contemporary social history, period streetscape, local character, regional identity, and food-and-drink business. Today's relevance is strengthened by redevelopment pressure, maintenance and the continuing question of how historic fabric can be retained while places adapt to modern use. From a 2025-onward perspective, changing dining habits and consumer spending are closely linked to this subject, alongside the resilience of customer-facing businesses in a high-cost economy. The archival value lies partly in recording building condition and alterations around Oxford Rd, Manchester, England, UK, M1 6FU before redevelopment alters the character of the place. The wider setting retains connections with changing streetscape, local history, independent food retail, historic townscape, heritage asset, local dining scene, historic frontage, and licensed hospitality. Details involving night, Theatre, Palace, Kimpton, and Manchester make the image more specific than a generic view and strengthen its local or historical value. The period setting at Oxford Rd, Manchester, England, UK, M1 6FU helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is redevelopment pressure and how historic fabric can be retained while places adapt to modern use in a form that can be compared with future views of Oxford Rd, Manchester, England, UK, M1 6FU.
Oxford Rd, Manchester, England, UK, M1 6FU
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,hand,pull,pulled,pump,CAMRA,realale,dark,porter,stout,with,Onyx Stout,5%,stouts,sample,colour,black,coloured,English,boozer,slate,beer,clip,beerclip,style,brew,at,Appleton Thorn,Village,hall,drink,local,community,guest,ale
Description: Tony Smith image Alamy 2JDJ52B - . Photographed at Stretton Rd, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 4RT in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The image documents Traditional country brewery real ale, handpump with Mobberley Brewery, Onyx Stout 5%, dark porter style brew, at Appleton Thorn village hall,Cheshire. The broader subject matter reaches into public realm, local history, food tourism, hospitality trade, before-and-after reference, changing land use, historical comparison, licensed hospitality, urban social history, night-time economy, independent food retail, pedestrian environment, visual archive, and customer-facing service. From a 2025-onward perspective, staffing pressure and business rates are closely linked to this subject, alongside the resilience of customer-facing businesses in a high-cost economy. The wider contemporary story combines local identity, street safety and how regeneration alters the character of familiar places. As a dated visual record of Stretton Rd, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 4RT, the frame retains materials and architectural details, making it especially useful if new construction subsequently changes the scene. The photograph additionally reflects townscape record, food-and-drink business, place identity, street-level documentary, visitor economy, local character, urban change, and restaurant culture. Details involving Appleton, Thorn, porter, brewery, and Stout make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Stretton Rd, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 4RT, the image preserves more than the headline object or building: it records part of the locality's everyday history. The view records period character before later change alters the scene.
Stretton Rd, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 4RT
Description
Keywords: England,UK,GoTonySmith,HotpixUK,@HotpixUK,John Rylands Library,Research Institute,John Rylands Research Institute and Library,M3,M3 3EH,150,Deansgate,gentlemen,fashioned,toilets,WC,WCs,sink,sinks,marble,library,John Rylands,John Ryland,Ryland,history,historic,pipes,plumbing,toilet,dark,English,indoor,inside,light,water tank,tank,wash hand basin,WHB,out of order,inaccessible
Description: Tony Smith image Alamy 2PP0NK7 - . Victorian urinals, John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH. Photographed on 22 May 2010, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include John Rylands Library, Research Institute, John Rylands Research Institute and Library, M3 3EH, Deansgate, gentlemen, fashioned, toilets, WCs, sink, sinks, marble, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The scene contributes a specific, place-based record rather than a generic illustration.
John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,England,UK,with,dark,furniture,Cheshire,coal,fireplaces,chair,seat,seating,bare,rug,carpet,history,historic,English,British,1800,1800s,inside,interior,basic,room,rooms,living room,quarters,clock,ornaments,ornament,fire,fireplace,light,candle
Description: Tony Smith image Alamy 2K244D5 - . Photographed at England, Great Britain , UK in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The main point of reference is Victorian living room, with furniture, coal fire place, candles, Cheshire, England, UK. The setting additionally reflects mid-century timepiece, visual archive, community identity, everyday life, horological collecting, heritage-led regeneration, mechanical watchmaking, documentary photography, collectable wristwatch, historic townscape, mechanical movement, architectural character, public realm, and Swiss horology. Viewed from the mid-2020s, the subject also connects with second-hand markets, mechanical craftsmanship and how watch design preserves industrial and graphic story.htm Target=_Blank>history. The modern context includes continuing discussion of adaptive reuse, housing pressure and how public investment can reshape pedestrian movement and evening activity. The archival value lies partly in recording local activity and public use around England, Great Britain , UK before closure or conversion alters the character of the place. The subject also sits alongside period watch design, watchmaking heritage, changing land use, built heritage, local history, vintage wristwear, contemporary social history, and local character. References to candles, place, furniture, Victorian, and living give the picture a strong period identity and tie it closely to its named subject. The period setting at England, Great Britain , UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is second-hand markets and the contrast between mechanical timekeeping and connected wearables as part of the longer story of England, Great Britain , UK. It also preserves evidence of changing use as part of England, Great Britain , UK's history.
England, Great Britain , UK
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,England,UK,with,dark,furniture,Cheshire,coal,fireplaces,lamp,gas light,gas,gaslight,wallpaper,dog grate,doggrate,history,historic,English,British,1800,1800s,inside,interior,basic,room,rooms,living room,quarters,clock,ornaments,ornament,fire,fireplace,light,candle
Description: Tony Smith image Alamy 2K244E3 - . Photographed at England, Great Britain , UK in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The defining feature is Victorian living room, with furniture, coal fire place, oil lamps, gaslight , wallpaper, Cheshire, England, UK. Another layer of the photograph includes watch dial typography, mechanical watchmaking, local character, town-centre renewal, watchmaking heritage, before-and-after reference, period detail, adaptive reuse, documentary photography, architectural character, historical comparison, archival record, social history, and horological collecting. For current editorial use, collectable watches and second-hand markets provide additional context, especially through the collector interest created by original boxes, dials and period movements. Current relevance extends to public-realm investment and heritage conservation, particularly through how public investment can reshape pedestrian movement and evening activity. As a dated visual record of England, Great Britain , UK, the frame retains lettering, decoration and surface detail, making it especially useful if closure or conversion subsequently changes the scene. The photograph additionally reflects vintage wristwear, analogue timekeeping, mixed-use redevelopment, visual archive, place-making, historic townscape, changing streetscape, and vintage timepiece. The recorded references to place, wallpaper, Victorian, furniture, and living preserve clues about how the subject was presented, used or understood at the time. The wider setting at England, Great Britain , UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The record includes period character as a date-specific reference. The frame retains a trace of local identity for later comparison.
England, Great Britain , UK
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,England,UK,with,dark,furniture,Cheshire,keyboard,USA,wood,hardwood,ivories,ivory,pump,organs,organ,household,entertainment,antique,Great Britain,music,vintage,instrument,instruments,keyboards,pumporgan,pumps,free reed,free-reed,harmonium,melodeon,stop,stops,controls
Description: Tony Smith image Alamy 2K244EW - . A grounded documentary photograph made at England, Great Britain , UK in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Victorian living room, with antique furniture, The Lakeside pump organ Chicago USA, Cheshire, England, UK. Other connected aspects include historic domestic technology, everyday household history, mixed-use redevelopment, commercial redevelopment, historic home life, archival record, interior heritage, household material culture, regional identity, heritage-led regeneration, social history, period detail, civic architecture, and changing streetscape. The modern context includes continuing discussion of social history, material culture and how interiors reveal everyday life more clearly than formal public buildings. For current editorial use, town-centre regeneration and planning provide additional context, especially through how public investment can reshape pedestrian movement and evening activity. The archival value lies partly in recording period objects and surrounding context around England, Great Britain , UK before conservation work alters the character of the place. Other useful contextual ideas include changing land use, antique furnishings, place identity, local history, urban regeneration, heritage interior, period furniture, and visual archive. The combination of organ, Victorian, living, Lakeside, and Chicago anchors the frame to a recognisable activity, place or moment. A later view of England, Great Britain , UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to social history and how interiors reveal everyday life more clearly than formal public buildings as part of the longer story of England, Great Britain , UK. The photograph keeps period character for future local research.
England, Great Britain , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L3 9BP,building,architecture,office,Littlewoods,mainframe,Honeywell,COBOL,centre,curved,mirror,mirrored,glass,façade,facade,server building,facility,computer,ICT,IT,hardware,kit,room,black,dark,computer centre,retail,operations,GMS,Group Management Services
Description: Tony Smith image Alamy 2MGWK0F - . Photographed at 122 Old Hall St, Llverpool, city, centre, Merseyside, England, UK, L3 9BP in 2023, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Littlewoods mainframe ICT building, 122 Old Hall St, Llverpool city, centre, Merseyside, England, UK, L3 9BP. The locality and subject together evoke contemporary social history, brand display, archival record, heritage asset, retail property, built heritage, visual archive, changing streetscape, consumer retail, community identity, urban fabric, shopfront economy, independent retail, and high-street commerce. Viewed from the mid-2020s, the subject also connects with tourism, adaptive reuse and keeping older buildings useful without erasing their character. The modern context includes continuing discussion of online shopping, consumer spending and the role of independent businesses in maintaining active town centres. Future viewers can use this scene from 122 Old Hall St, Llverpool, city, centre, Merseyside, England, UK, L3 9BP to compare signage and branding with whatever follows after changed technology. The wider setting retains connections with traditional materials, street-level trading, town-centre economy, local enterprise, small-business culture, historical comparison, period detail, and before-and-after reference. The combination of Littlewoods, mainframe, Merseyside, centre, and Llverpool anchors the frame to a recognisable activity, place or moment. For 122 Old Hall St, Llverpool, city, centre, Merseyside, England, UK, L3 9BP, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. It also preserves a trace of local identity before later change alters the scene. The photograph keeps a local visual benchmark as a date-specific reference.
122 Old Hall St, Llverpool, city, centre, Merseyside, England, UK, L3 9BP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,West Midlands,England,UK,WV1,WV1 1TY,inside,interior,of,Episcopal,dark,wood,screens,carving,carvings,carved,wooden,history,historic,artisan,Midlands,Wolverhampton city,city centre,religion,Anglican,heritage,Victorian dark,religious,internal,architecture,tall,towering,ceiling
Description: Tony Smith image Alamy 2M6GBBN - . Recorded at Lich Gates, Wolverhampton, West Midlands, England, UK, WV1 1TY in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Interior carved screens, of St Peter's Collegiate Episcopal Church, Lich Gates, Wolverhampton, West Midlands, England, UK, WV1 1TY. The image also relates to visual archive, contemporary social history, conservation architecture, heritage landmark, local history, social history, historic streetscape, historical comparison, documentary photography, urban fabric, period detail, changing land use, before-and-after reference, and community identity. The modern context includes continuing discussion of maintenance, planning control and the balance between conservation and modern commercial use. The archival value lies partly in recording commercial use and occupation around Lich Gates, Wolverhampton, West Midlands, England, UK, WV1 1TY before new ownership alters the character of the place. The photograph additionally reflects period architecture, architectural detailing, regional identity, everyday life, local character, adaptive reuse, built heritage, and traditional materials. Elements such as Midlands, Church, carved, Gates, and Peter's add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Lich Gates, Wolverhampton, West Midlands, England, UK, WV1 1TY, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another useful connection is maintenance and how historic fabric can support regeneration rather than demolition in a form that can be compared with future views of Lich Gates, Wolverhampton, West Midlands, England, UK, WV1 1TY. The photograph keeps evidence of changing use as part of Lich Gates, Wolverhampton, West Midlands, England, UK, WV1 1TY's history.
Lich Gates, Wolverhampton, West Midlands, England, UK, WV1 1TY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,M1,M1 2BN,dark,evening,nighttime,time,stuck,down,emergency,track,blocking,blockage,tram,tracks,3113,Not,In,service,out of service,not in service,stop,stopped,night,light rail,tramway,tramways,network,route,routes,3113a,Market street,Market St
Description: Tony Smith image Alamy 2KG3MER - . Recorded at Piccadilly, Manchester,England, UK, M1 2BN in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. At the centre of the view is Manchester Metrolink tram 3113, Not In service, Market street, blocking tram tracks, Piccadilly, Manchester,England, UK, M1 2BN. The frame also records themes of waterborne transport, contemporary social history, everyday life, industrial waterway history, transport interchange, changing land use, trackside heritage, before-and-after reference, rail corridor, mass transit, public realm, visual archive, period detail, and inland boating. Current relevance extends to public access and heritage conservation, particularly through the cost of keeping ageing locks and canal structures operational. In present-day coverage, the subject reaches into fares and rail reform, not least because of the role of public transport in reducing congestion and emissions. Future viewers can use this scene from Piccadilly, Manchester,England, UK, M1 2BN to compare equipment and working practice with whatever follows after different community use. A second descriptive layer includes rail modernisation, urban rail transport, rail infrastructure, documentary photography, managed navigation, station environment, community identity, and regional identity. Details involving Piccadilly, Metrolink, Manchester, tracks, and service make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Piccadilly, Manchester,England, UK, M1 2BN matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes public access and the transition of industrial waterways toward leisure and heritage use in a form that can be compared with future views of Piccadilly, Manchester,England, UK, M1 2BN.
Piccadilly, Manchester,England, UK, M1 2BN
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England,UK,British,London,freezing,conditions,cold,effect,on,poor,poorer,people,users,climbing,increasing,outside,comfort,zone,Rishi Sunak,enough is enough,campaign,blue,icy,dark,days,snow,sustained,period,of,Thermometer,cooking,heating,power,cuts,blackout,blackouts,fahrenheit
Description: Tony Smith image Alamy 2JPF7MD - . A grounded documentary photograph made at England, UK in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through Effects on domestic households, increasing energy costs and onset of colder winter weather, UK. The wider scene also brings together historic townscape, before-and-after reference, local character, period detail, architectural detail, adaptive reuse, regional identity, visual archive, built heritage, changing streetscape, local history, historic streetscape, archival record, and historical comparison. The wider contemporary story combines planning control, maintenance and the value of architectural landmarks to local identity and tourism. Small period details of commercial use and occupation at England, UK may become more significant with time, particularly following different community use. The surrounding story also includes period building, place identity, heritage landmark, social history, urban fabric, contemporary social history, conservation architecture, and changing land use. The recorded references to onset, costs, winter, households, and domestic preserve clues about how the subject was presented, used or understood at the time. The period setting at England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects planning control and how historic buildings acquire new uses as cities change when considered against later change at England, UK. Its period value extends to adaptive reuse and the value of architectural landmarks to local identity and tourism without losing the local specificity of England, UK. The location additionally provides evidence of adaptive reuse and keeping older buildings useful without erasing their distinctive character in a form that can be compared with future views of England, UK.
England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,London,NW1 2AR,NW1,sign,rail,ironwork,iron,history,historic,St Pancras steel sign,iron work,terminus,stations,city,centre,Victorian,heritage,railway,old,ornate,design,grate,fence,fencing,entrance,signs,dark,moody,strike,strikes,railways,lost
Description: Tony Smith image Alamy 2K16ARM - . An on-location photograph from Euston Rd, London, England, UK, NW1 2AR in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The main point of reference is London St Pancras steel sign, at the entrance to railway terminus and hotel, Euston Rd, London, England, UK, NW1 2AR. A broader reading of the photograph includes place-making, documentary photography, industrial railway, rail infrastructure, everyday life, civic architecture, urban regeneration, adaptive reuse, signal-box architecture, changing land use, regional identity, changing streetscape, commercial redevelopment, and public-realm investment. For current editorial use, decarbonisation and rail reform provide additional context, especially through how Crewe's identity remains tied to railway engineering and operations. Current relevance extends to public-realm investment and housing pressure, particularly through how public investment can reshape pedestrian movement and evening activity. Small period details of signage and branding at Euston Rd, London, England, UK, NW1 2AR may become more significant with time, particularly following conservation work. A second descriptive layer includes historic rolling stock, working railway heritage, rail operations, local history, mechanical signalling, mixed-use redevelopment, freight wagon, and trackside history. The recorded references to entrance, Euston, steel, railway, and London preserve clues about how the subject was presented, used or understood at the time. For Euston Rd, London, England, UK, NW1 2AR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is decarbonisation and the contrast between mechanical railway systems and digital signalling when considered against later change at Euston Rd, London, England, UK, NW1 2AR.
Euston Rd, London, England, UK, NW1 2AR
Description
Keywords: HotpixUK,GoTonySmith,A beer paddle allowing a taster of thirds of real,Appleton Thorn Village Hall,Warrington,Cheshire,UK,WA4 4RT,beer paddle,beers,beer,allowing,taste,buying,CAMRA,taster,pint,of,ale,bar,pub,WA4,Appaloosa,porter,stout,dark,light,IPA,IPAs,three,3,3rds,India Pale Ale,glasses,glass,serving,served,Plum Porter,Campaign for Real Ale,tastings
Description: Tony Smith image Alamy 2JCRPBJ - A great way to allow your punters to carry their beer, the Wooden Beer Flight Paddle also doubles as a beer tasting flight making it a great choice for beer festivals and pubs. Holding three of the included Third of a Pint Glasses, this paddle is a great way to sample three different beers which are equal to a pint.
Making light work of carrying multiple drinks, this beer paddle allows you to carry enough beers for all your friends.
Appleton Thorn , village, Warrington, Cheshire, England, UK, WA4 4RT
Description
Keywords: @HotpixUK,Hotpixuk,GoTonySmith,TOC,Station St,Birmingham,England,UK,B2 4QA,Train,info,coach,rolling stock,rail,railways,transport,door,New Street,RMT,Rail Workers,Union,cancellations,delays,disruption,destination,next,seats,1-40,this end,CrossCountry,pink,silver,livery,platform,dark,drama,dramatic,Cross Country
Description: Tony Smith image Alamy 2AERPEW - . Recorded at Station St, Birmingham,England,UK, B2 4QA in 2019, the image fixes a particular place, use and appearance for later comparison as buildings, businesses, signs and public activity change. The image documents Cross Country Train,TOC,Birmingham New Street station,Station St, Birmingham,England,UK, B2 4QA. The wider subject matter also includes commuter travel, urban mobility, changing land use, motor traffic, historical comparison, road engineering, contemporary social history, documentary photography, visual archive, transport corridor, roadside environment, local transport, passenger railway, and rail modernisation. Current discussion around this subject increasingly includes decarbonisation alongside integrated transport, with particular attention to reducing congestion and car dependency. From a 2025-onward perspective, the scene also connects with active travel, maintenance and the continuing need to maintain ageing transport infrastructure. From an archival perspective, the photograph anchors the way the place functioned before later physical or commercial change around Station St, Birmingham,England,UK, B2 4QA. A second layer of the scene includes public transport network, regional rail, changing streetscape, motorway travel, surface transport, railway branding, rail mobility, and traffic management. References to Country, Cross, Train, Birmingham, and station help fix the photograph to its own subject and period rather than reducing it to a generic view. A later view of Station St, Birmingham,England,UK, B2 4QA may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects decarbonisation and reducing congestion and car dependency in a form that can be compared with future views of Station St, Birmingham,England,UK, B2 4QA. The view records a trace of local identity for future local research.
Station St, Birmingham,England,UK, B2 4QA
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,Greater Manchester,Manchester,Cheshire,England,UK,town,TheLight,Stockport,SK1 1PD,complex,building,walkway,struggling to cope,dont commit suicide,award,dull,concrete,suicide,risk,of,cloudy,dark,moody,sky,skies,cross,crossing,bridge,bridges,ugly,ugliest,buildings,outside,struggling,coping,not,sanctuary
Description: Tony Smith image Alamy 2BCTGY4 - It's been dubbed ˜an unrepentant relic of yesteryear' - but fans of Stockport's Redrock development have come to its defence.
The sprawling complex has made the shortlist for Business Design magazine's Carbuncle Cup - the annual gong which is dished out in a bid to pinpoint ˜Britain's worst building completed in the past 12 months'.
Many M.E.N readers have taken to social media to share their views about Redrock since the news was announced.
And while the majority thought the nomination was justified, with one commentator describing the imposing structure as a ˜leaning Lego warehouse', others were quick to leap to its defence.
(Image: Manchester Evening News)
Although glowing praise for its exterior wasn't exactly forthcoming, many pointed out that it's what's on the inside that counts.
The £45m complex has a 10-screen cinema, restaurants, a bar, gym, large car park and public open space.
Michelle Ferris said: I love it! Best cinema!
Yvonne Brookes said: The cinema is fab. I won't go anywhere else now.
Read More
New £45m leisure complex by the M60 in Stockport is up for an award - but it's one they won't want
Charlotte Cloud posted: Glad to see the Light cinema getting plenty of love. Great place. Reclining arm chairs for the win.
Joanne Marie wrote: From the motorway I agree. But from street level looks nice and the gardens and restaurant have definitely massively improved the area.
Lorien Telfer posted: I think it's pretty quirky looking. Like 80s throwback. I kinda like it.
Brenda Major said: Eyesore from the outside but good on the inside cinema great, food places good.
Bridgefield St, Stockport SK1 1DH
Description
Keywords: GoTonySmith,HotpixUK,drinks,drink,alcoholic,pub,bar,pint,bitter,dark,malty,South West England,Drink Moor Beer,bar pump,Somerset,England,UK,angram,pump,beer on a bar,Moor beer glass,glass,pale ale,ale,traditional,Pale Modern Ale,Positive Mental attitude,For those with a,brewer,brewing,pints,head,glasses,clip,beer clip,Days Road,Bristol,BS2,pint of beer,on
Description: Tony Smith image Alamy P4HWM5 - . Made at Somerset,England,UK in 2018, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Moor Beer Company,PMA,Drink Moor Beer,Drink more beer,bar pump,handpull,Somerset,England,UK,Pale Modern Ale. The locality and subject together evoke contemporary social history, fermented drink production, place identity, visual archive, archival record, drinks packaging, period detail, public realm, changing land use, orchard-to-bottle industry, changing streetscape, factory bottling line, bottle-filling machinery, and cider brand history. The wider contemporary story combines energy costs, tourism and Herefordshire's long association with commercial cider production. For later comparison, the photograph preserves equipment and working practice at Somerset,England,UK, details that may look very different after replacement signage. Further associations within the scene are beverage production, drinks manufacturing, before-and-after reference, regional drinks industry, local history, documentary photography, historic beverage advertising, and historical comparison. Elements such as Somerset, Company, Drink, handpull, and Modern add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Somerset,England,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is energy costs and Herefordshire's long association with commercial cider production within the specific setting of Somerset,England,UK. The setting also helps illustrate energy costs and Herefordshire's long association with commercial cider production as part of the longer story of Somerset,England,UK. The image fixes part of the area's social history within the wider story of Somerset,England,UK.
Somerset,England,UK
Description
Keywords: Wealth,empire,night,dusk,nightshot,dark,in the dark,arch,stone,building,architecture,grand,grandeur,wealth,rich,riches,Merchant City area,City Lights,Glasgow Building,Glasgow Buildings,Dec,Christmas,December,Winter,curtain,light,lights,shopping,bar,pub,bars,entertainment,gallery,GOMA,royal,exchange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,The Citation Bars,Citation,glaswegians,glaswegian,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ5MJ - The medieval Glasgow Cross was located on the road between High Street and Saltgait. Its modern replacement was built to the south-east of the original location to aid traffic. The town's tron was placed on the steeple of the town house in the 1550s. The Tron Steeple, as it became known, still stands in Glasgow Cross, one of the few remaining pre-Victorian buildings in Glasgow.
The area now known as 'Merchant City' was developed from the 1750s onwards. Residences and warehouses of the wealthy merchant tobacco lords (who prospered in shipping and, amongst other things, tobacco, sugar and tea) were built in the area. The district west of the High Street formed the historic backbone of the city, the development of what is now known as with wide, straight streets, vistas, and squares, marked the beginning of a process of aspirational residential movement westwards that would continue throughout the 19th century and into the 20th with the development of Blythswood Hill, Hillhead and the West End of Glasgow.
Exchange Square,Merchant City,Glasgow,Scotland,UK
Description
Keywords: Wealth,empire,night,dusk,nightshot,dark,in the dark,arch,stone,building,architecture,grand,grandeur,wealth,rich,riches,Merchant City area,City Lights,Glasgow Building,Glasgow Buildings,Dec,Christmas,December,Winter,curtain,light,lights,shopping,bar,pub,bars,entertainment,gallery,GOMA,royal,exchange,GoTonySmith,Glasgow,British,Isles,Glasgow,City,Centre,City,Centre,Stock,Images,Tony,Smith,United,Kingdom,Great,Britain,British,Isles,City,Centre,Buy Pictures of,Buy Images Of,Images of,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Entrance,gate,Entrance,gate,arch,entrance,arch,glaswegians,glaswegian,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,English,England,Shakespeare,tourism,tourist,tour,destination,city,centre,Mancunian,Manc
Description: Tony Smith image Alamy HEJ5KN - The medieval Glasgow Cross was located on the road between High Street and Saltgait. Its modern replacement was built to the south-east of the original location to aid traffic. The town's tron was placed on the steeple of the town house in the 1550s. The Tron Steeple, as it became known, still stands in Glasgow Cross, one of the few remaining pre-Victorian buildings in Glasgow.
The area now known as 'Merchant City' was developed from the 1750s onwards. Residences and warehouses of the wealthy merchant tobacco lords (who prospered in shipping and, amongst other things, tobacco, sugar and tea) were built in the area. The district west of the High Street formed the historic backbone of the city, the development of what is now known as with wide, straight streets, vistas, and squares, marked the beginning of a process of aspirational residential movement westwards that would continue throughout the 19th century and into the 20th with the development of Blythswood Hill, Hillhead and the West End of Glasgow.
Exchange Square,Merchant City,Glasgow,Scotland,UK
Description
Keywords: Wealth,empire,night,dusk,nightshot,dark,in the dark,arch,stone,building,architecture,grand,grandeur,wealth,rich,riches,Merchant City area,City Lights,Glasgow Building,Glasgow Buildings,Dec,Christmas,December,Winter,curtain,light,lights,shopping,bar,pub,bars,entertainment,gallery,GOMA,royal,exchange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,sign,gold,golden,words,glaswegians,glaswegian,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre,Merchant City
Description: Tony Smith image Alamy HEJ5KT - The medieval Glasgow Cross was located on the road between High Street and Saltgait. Its modern replacement was built to the south-east of the original location to aid traffic. The town's tron was placed on the steeple of the town house in the 1550s. The Tron Steeple, as it became known, still stands in Glasgow Cross, one of the few remaining pre-Victorian buildings in Glasgow.
The area now known as 'Merchant City' was developed from the 1750s onwards. Residences and warehouses of the wealthy merchant tobacco lords (who prospered in shipping and, amongst other things, tobacco, sugar and tea) were built in the area. The district west of the High Street formed the historic backbone of the city, the development of what is now known as with wide, straight streets, vistas, and squares, marked the beginning of a process of aspirational residential movement westwards that would continue throughout the 19th century and into the 20th with the development of Blythswood Hill, Hillhead and the West End of Glasgow.
Exchange Square,Merchant City,Glasgow,Scotland,UK
Description
Keywords: Wealth,empire,night,dusk,nightshot,dark,in the dark,arch,stone,building,architecture,grand,grandeur,wealth,rich,riches,Merchant City area,City Lights,Glasgow Building,Glasgow Buildings,Dec,Christmas,December,Winter,curtain,light,lights,shopping,bar,pub,bars,entertainment,gallery,GOMA,royal,exchange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,GOMA,and,traffic cone,traffic,cone,on,head,of,Duke Of Wellington,Duke,Wellington,statue,glaswegians,glaswegian,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ5MB - The medieval Glasgow Cross was located on the road between High Street and Saltgait. Its modern replacement was built to the south-east of the original location to aid traffic. The town's tron was placed on the steeple of the town house in the 1550s. The Tron Steeple, as it became known, still stands in Glasgow Cross, one of the few remaining pre-Victorian buildings in Glasgow.
The area now known as 'Merchant City' was developed from the 1750s onwards. Residences and warehouses of the wealthy merchant tobacco lords (who prospered in shipping and, amongst other things, tobacco, sugar and tea) were built in the area. The district west of the High Street formed the historic backbone of the city, the development of what is now known as with wide, straight streets, vistas, and squares, marked the beginning of a process of aspirational residential movement westwards that would continue throughout the 19th century and into the 20th with the development of Blythswood Hill, Hillhead and the West End of Glasgow.
Exchange Square,Merchant City,Glasgow,Scotland,UK
Description
Keywords: seedy,danger,dangerous,dark,Warrington,Bank,Quay,Cheshire,England,UK,station,WBC,2,two,no2,Slutchers,ln,lane,way,in,rape,attack,fear,feared,gate,gates,barrier,barriers,pay,evening,United Kingdom,Warrington Bank Quay,Night Time,Pay Station,GoTonySmith,@HotpixUK,Tony,different,unique,Stock Images
Description: Tony Smith image Alamy H04HAB - . This scene at Slutchers Lane, Warrington,stock-photo/gotonysmith-Cheshire.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Cheshire,England, UK in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is Night time in a deserted car park, Warrington Bank Quay, Cheshire, England, UK. Another layer of the photograph includes signal-box architecture, social history, industrial railway, railway heritage, everyday life, local history, changing streetscape, mechanical signalling, place identity, changing land use, documentary photography, rail infrastructure, historic rolling stock, and rail corridor. Viewed from the mid-2020s, the subject also connects with decarbonisation, railway preservation and the importance of preserving signal boxes and rolling stock as industrial heritage. The archival value lies partly in recording materials and architectural details around Slutchers Lane, Warrington,Cheshire,England, UK before replacement signage alters the character of the place. A second descriptive layer includes working railway heritage, period detail, before-and-after reference, historical comparison, rail transport history, community identity, trackside history, and archival record. Details involving Night and deserted make the image more specific than a generic view and strengthen its local or historical value. For Slutchers Lane, Warrington,Cheshire,England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of decarbonisation and the importance of preserving signal boxes and rolling stock as industrial heritage within the specific setting of Slutchers Lane, Warrington,Cheshire,England, UK. It also preserves details of everyday use as a date-specific reference. The photograph keeps evidence of changing use for later comparison.
Slutchers Lane, Warrington,Cheshire,England, UK
Description
Keywords: Great,Saints,inside,and,religion,Christian,Christianity,Wooden,wood,Alleluia,carving,carved,hallelujah,St Marys,All Saints Church,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,ornate,history,historic,brown,dark,CW9,CW9 6HF
Description: Tony Smith image Alamy GGWHA4 - . Made at High Street, Great Budworth, Cheshire, England, UK CW9 6HF in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows St Marys & All Saints Church Gt Budworth Interior, Cheshire, England,UK - Wooden Alleluia carving. The setting additionally reflects everyday life, visual archive, parish history, local history, documentary photography, faith community, heritage worship space, regional identity, community identity, before-and-after reference, changing streetscape, social history, changing land use, and Christian heritage. The modern context includes continuing discussion of community use, faith communities and the importance of church buildings to genealogy and local identity. As a dated visual record of High Street, Great Budworth, Cheshire, England, UK CW9 6HF, the frame retains materials and architectural details, making it especially useful if later reinterpretation subsequently changes the scene. Further associations within the scene are archival record, sacred space, contemporary social history, religious heritage, public realm, historic church fabric, historical comparison, and ecclesiastical art. Elements such as Marys, Alleluia, Church, Budworth, and Saints add documentary specificity and may become increasingly useful when compared with later records. For High Street, Great Budworth, Cheshire, England, UK CW9 6HF, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another useful connection is community use and the importance of church buildings to genealogy and local identity within the specific setting of High Street, Great Budworth, Cheshire, England, UK CW9 6HF. The photograph keeps evidence of changing use within the wider story of High Street, Great Budworth, Cheshire, England, UK CW9 6HF.
High Street, Great Budworth, Cheshire, England, UK CW9 6HF
Description
Keywords: Great,Saints,inside,and,religion,Christian,Christianity,Wooden,wood,Alleluia,carving,carved,hallelujah,St Marys,All Saints Church,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,ornate,history,historic,brown,dark,CW9,CW9 6HF
Description: Tony Smith image Alamy GGWHA8 - . This location-specific image from High Street, Great Budworth, Cheshire, England, UK CW9 6HF in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records St Marys & All Saints Church Gt Budworth Interior, Cheshire, England,UK - Wooden Alleluia carving. A broader reading of the photograph includes parish history, changing land use, public realm, community identity, contemporary social history, religious heritage, ecclesiastical art, documentary photography, sacred architecture, archival record, visual archive, before-and-after reference, faith community, and everyday life. Viewed from the mid-2020s, the subject also connects with energy use, faith communities and how churches combine active worship with heritage and community roles. As a dated visual record of High Street, Great Budworth, Cheshire, England, UK CW9 6HF, the frame retains lettering, decoration and surface detail, making it especially useful if refurbishment subsequently changes the scene. The wider setting retains connections with regional identity, ecclesiastical architecture, local history, period detail, Christian heritage, sacred space, religious landmark, and historic church fabric. The recorded references to Budworth, carving, Marys, Saints, and Church preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within High Street, Great Budworth, Cheshire, England, UK CW9 6HF, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate energy use and the importance of church buildings to genealogy and local identity without losing the local specificity of High Street, Great Budworth, Cheshire, England, UK CW9 6HF. It also preserves a local visual benchmark for later comparison.
High Street, Great Budworth, Cheshire, England, UK CW9 6HF
Description
Keywords: Octoberfest,October,drinks,drinking,bier,beir,beer,three,beers,beirs,dark,light,alt,GoTonySmith,ale,ammer,autumn,beer,bier,blaukraut,bread,brezen,bright,building,buildings,buy images of,buy pictures of,center,centre,chicken,dirndl,dumplings,enjoyment,event,fairgrounds,festival,field,fun,funfair,garden,garten,germany,gotonysmith,happy,in,kndel,ksesptzle,lederhosen,meadow,munchen,munich,munich octoberfest,munich oktoberfest,october,octoberfest,oktoberfest,oktoberfest beer,pancake,pork,potato,pretzels,reiberdatschi,roast,rotkohl,sauerkraut,scenes,sennerhut,sunny,table,tables,tent,therese,theresienwiese,ticket,tickets,tourism,tourist,tourists,tradition,traditional,travelling,tree,trees,unity day,volksfest,wiesn,Deutsche,Deutschland,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F7N81F - . Made at Theresienwiese, Theresienhöhe, 80339 München, Germany in 2015, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Oktoberfest in Munich,Baveria,Germany,three beers. A broader reading of the photograph includes hospitality economy, regional identity, night-time economy, archival record, period detail, traditional ale house, historical comparison, real-ale culture, cask-beer tradition, before-and-after reference, changing streetscape, pub heritage, licensed hospitality, and contemporary social history. The modern context includes continuing discussion of staffing pressure, consumer spending and the survival of pubs as both businesses and informal community spaces. The archival value lies partly in recording public access and movement around Theresienwiese, Theresienhöhe, 80339 München, Germany before new construction alters the character of the place. The location also brings in licensed trade, local social venue, community drinking venue, place identity, visitor hospitality, traditional pub, changing land use, and community identity. The combination of Baveria, Oktoberfest, beers, Germany, and Munich anchors the frame to a recognisable activity, place or moment. By fixing the subject within Theresienwiese, Theresienhöhe, 80339 München, Germany, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate staffing pressure and the survival of pubs as both businesses and informal community spaces within the specific setting of Theresienwiese, Theresienhöhe, 80339 München, Germany. The image also provides a reference for beer duty and pressure on hospitality margins in the mid-2020s as part of the longer story of Theresienwiese, Theresienhöhe, 80339 München, Germany.
Theresienwiese, Theresienhöhe, 80339 München, Germany
Description
Keywords: outside,exterior,Xmas,decorations,decoration,illuminated,illuminations,Santa,Sleigh,at,night,dusk,in,the,dark,bright,taste,chav,chavy,low,class,cheap,excess,wasted,power,electric,electricity,waste,low,efficiency,bah,humbug,love,hate,relationship,gaudiness,gaudy,outdoor,GoTonySmith England,Scotland,English,Scottish,welsh bahhumbug love-hate artful DIYer DIY ioBridge IO-204 module,an Arduino Wave Kit,an,Arduino,Duemilanove,board,solid,state,relays,relay,in,Witney,Oxen,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ECW52Y - . Christmas lights being overdone on a house. Photographed at Witney, Oxfordshire, England, UK. The photograph was taken on 18 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with Christmas, lights, overdone, bad, outside, exterior, Xmas, decorations, decoration and illuminated, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is a documentary record of an identifiable subject and location, useful for editorial, archive, travel, local-history and social-history picture research. It can support features about everyday life, place, public space, local identity, tourism, consumer behaviour and the changing appearance of towns, cities and communities. Visible objects, signs, buildings and environmental details provide contextual clues that make the image useful beyond its immediate subject. As a dated stock photograph it also offers a reference point for later comparison, especially where businesses, streets, public services or local surroundings subsequently change. Search themes include documentary photography, local history, everyday life, place, public space, travel, community identity, social history and changing surroundings. Its specificity makes it more useful than a generic concept image when an editor needs a recognisable real-world subject and setting. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Witney, Oxfordshire, England, UK
Description
Keywords: Christmas traditional CAMRA listed pub bar dark winter ale Birmingham,England,UK,British,Great,Britain,WM,West,dark,Santa,drink,drinks,drinking,booze,beer,boozer,bitter,traditional,Campaign,for,real,47,Upper,Gough,Street,Birmingham,England,UK B1 1JL B11JL,GoTonySmith,the,Brum,ales,described,with,review,classic,Campaign for Real Ale,CAMRA
Description: Tony Smith image Alamy ECW52J - . Three Xmas British real Ales, on a bar, CAMRA listed Craven Arms, Birmingham, England, UK. Photographed at 47 Upper Gough Street, Birmingham, England, UK B1 1JL. The photograph was taken on 16 December 2014. The image metadata records 1 person in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Three Xmas British Ales on a bar, craven Arms Brum, Craven Arms, Xmas, Christmas, tasting, notes, winter, reviewed and Midlands, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The subject has clear editorial relevance to alcohol consumption, drinking culture, health messaging, festive behaviour and the social settings in which alcoholic drinks are consumed. It can support features about responsible drinking, alcohol-related health risks, Christmas and holiday consumption, wine, beer or spirits, licensing, hospitality and public-health campaigns. Glasses, bottles, decorations, bar or domestic surroundings and other contextual details can help editors illustrate drinking as an everyday social behaviour rather than an abstract medical concept. The documentary treatment is useful for news, health, lifestyle and social-history coverage, particularly where the image connects alcohol with celebration, excess or changing attitudes to consumption. Search themes include alcohol, drinking, wine, beer, festive consumption, responsible drinking, public health, alcohol harm, hospitality and lifestyle. The image can support both consumer and health-related editorial coverage, particularly where the visual context suggests celebration, temptation or excess. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
47 Upper Gough Street, Birmingham, England, UK B1 1JL
Description
Keywords: Jewellers,Jeweller,dusk,evening,dark,neon,sign,colorful,colourful,asian,pakistan,afghan,gold,silver,bangles,ring,rings,Manchester,City,Centre,England at Night bright,Gotonysmith,Buy Pictures of,Buy Images Of,Afghanistan,top,india,Top Jewellers,on,the,Rusholme,Manc,Asia,Asian,Pakistan
Description: Tony Smith image Alamy E6HY50 - . Top Indian Jewellers on the Rusholme Curry Mile, Manchester City Centre, England at Night. Photographed at Rusholme, Manchester, United Kingdom. The photograph was taken on 17 November 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Top, Indian, Jewelers, Rusholme, Curry, Mile, Pakistani, Jewellers, Jeweller and dusk, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value.
Rusholme, Manchester, United Kingdom
Description
Keywords: Jewellers,Jeweller,dusk,evening,dark,neon,sign,colorful,colourful,asian,pakistan,afghan,gold,silver,bangles,ring,rings,Manchester,City,Centre,England at Night bright,Gotonysmith,illuminated,Afghanistan,top,india,Top Jewellers,on,the,Rusholme,Manc,Asia,Asian,Pakistan,Manchester at night,Currymile at night,at night
Description: Tony Smith image Alamy E6HY52 - . Top Indian Jewellers on the Rusholme Curry Mile, Manchester City Centre, England at Night. Photographed at Rusholme, Manchester, United Kingdom. The photograph was taken on 17 November 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Top, Indian, Jewelers, Rusholme, Curry, Mile, Pakistani, Jewellers, Jeweller and dusk, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value.
Rusholme, Manchester, United Kingdom
Description
Keywords: Pottery,chandelier,lit,lights,painting,dark,fire,Dunham,Town,Massey,National,Trust,evening,dusk,night,at night,near,Altrincham,Cheshire,England,UK,GB,United Kingdom,Great Britain,GoTonySmith,UK,GB,United Kingdom,Great Britain,British,country,house,houses,old,history,historic,inside,interior
Description: Tony Smith image Alamy DHGY56 - . The Great Hall, Dunham Massey, in the evening. NT near Altrincham, Cheshire, England, UK. Photographed at Dunham Massey, Altrincham, Cheshire, England, UK. The photograph was taken on 15 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The interior viewpoint records fittings, surfaces, decoration and spatial details that help show how the premises or public space was arranged when photographed. The scene is closely associated with The Great Hall, Dunham Massey, in the evening. NT, family, room, fire place, fireplace, paintings, Great Hall and National Trust, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building.
Dunham Massey, Altrincham, Cheshire, England, UK
Description
Keywords: Pottery,lit,lights,painting,dark,fire,fire place,fireplace,Great Hall,Town,Massey,National,Trust,dusk,night,at night,near,Altrincham,Cheshire,England,UK,GB,United Kingdom,Great Britain,arm chair,books,painting,UK,GB,United Kingdom,GoTonySmith,UK,GB,United Kingdom,Great Britain,British,country,house,houses,old,historic,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DHGYDE - . Play room, Dunham Massey, in the evening. NT near Altrincham, Cheshire, England, UK. Photographed at Dunham Massey, Altrincham, Cheshire, England, UK. The photograph was taken on 15 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with Play room, Dunham Massey, in the evening. NT, Playroom, paintings, evening, armchair, Dunham, National Trust and Pottery, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Dunham Massey, Altrincham, Cheshire, England, UK
Description
Keywords: Pottery,lit,lights,painting,dark,fire,fireplace,Great Hall,Town,National,Trust,evening,dusk,night,at night,near,Altrincham,Cheshire,England,UK,GB,United Kingdom,Great Britain,GoTonySmith,UK,GB,United Kingdom,Great Britain,British,country,house,houses,old,historic,stately home,Victorian,WA14 4SJ,WA14,inside,interior
Description: Tony Smith image Alamy DHGYHJ - . The Great Hall, Dunham Massey, in the evening. NT near Altrincham, Cheshire, England, UK, WA14 4SJ. Photographed at Dunham Massey, Altrincham, Cheshire, England, UK, WA14 4SJ. The photograph was taken on 15 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The interior viewpoint records fittings, surfaces, decoration and spatial details that help show how the premises or public space was arranged when photographed. The scene is closely associated with The Great Hall, Dunham Massey, in the evening. NT, chandelier, paintings, Dunham, Massey, National Trust, fire place and Pottery, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped.
Dunham Massey, Altrincham, Cheshire, England, UK, WA14 4SJ
Description
Keywords: Two,2,in,the,Edinburgh,Scotland,UK,café,Royale,bar,pub,Scottish,connection,whisky,beer,ale,ales,2 drinkers,dark,winter,dusk,GoTonySmith,history,historic,Victorian,bars,pubs,entertainment,classic,tourist,tourism,attraction,businessmen,two,drinkers,people
Description: Tony Smith image Alamy DG385X - . Two drinkers in the Cafe Royal, Edinburgh, Scotland, UK. Photographed at West Register Place, Edinburgh, Scotland, UK. The photograph was taken on 30 August 2013. The image metadata records 2 people in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with Two drinkers, in the Cafe Royal, Edinburgh, 19 West Register Street, drinkers, Royal, Cafe, Two, café and Royale, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. The view is firmly rooted in a real location rather than a constructed studio setting.
West Register Place, Edinburgh, Scotland, UK
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,bathroom,showrom,made,making,ceramics,fashion,gaffes,gaffe,fail,failure,showroom,green,dark,mistake,mistakes,gold,taps,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRC3 - . Fashion gaffe's, the late 1970's avocado bath with gold taps. Photographed on 27 July 2013. The recorded location is Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ. The historical context is that fashion is often best understood through small details such as buttons, cuts, textiles and finishes
These elements show how garments are constructed and can distinguish bespoke tailoring, formalwear, uniforms or the distinctive styles of a specific decade. As background, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local history, design, industry and social life across different periods. The subject remains topical in 2026 because current discussion of clothing often contrasts disposable fast fashion with quality, longevity and skilled manufacture
Tailoring details can therefore support stories about craftsmanship, sustainability and consumer choice. Against the 2026 backdrop, conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it provides about materials, local identity and how places change. Historically, textiles and clothing form part of material culture, linking personal appearance with skilled trades, manufacturing and retail
A close-up can therefore illustrate not only fashion but the techniques and labour behind a garment. In historical terms, clothing details record both craftsmanship and changing taste
Tailoring, buttons, fabrics and formal dress can reveal manufacturing quality, social conventions and fashion cycles that move between bespoke production and mass-market clothing. Other closely matched search terms include menswear, fashion history, sartorial, garment construction, quality clothing, traditional tailoring, heritage, and historic environment.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: The,historic,history,of,city,Merseyside,libraries,service,classic,new,central,building,erected,by,James,JamesPicton,Grade,II,grade2,2,listed,Sir,circular,inscription,corporation,of,history,historic,dark,wood,crest,city,tourist,attraction,impressive,public,municipal,L3,8EW,L38EW,gotonysmith,This,building,erected,by,the,corporation,of,Liverpoolwas,a,resolution,of,the,council,dated,6th,October,1875,ordered,to,be,named,The,Picton,Reading,Room,in,recognition,of,the,valuable,services,rendered,by,James,Allanson,Picton,Esquire,JP,FSA,in,his,capacity,as,chairman,of,the,Public,Library,Museum,and,gallery,of,Arts,Committee,which,position,he,had,then,occupied,for,a,period,exceeding,a,quarter,of,a,century.,Thomas,Bland,Royden,Mayor attractions Mersey Scouse scouser
Description: Tony Smith image Alamy DB6P25 - The old Plaque in the Picton reading room, Liverpool City Central Library
The inscription reads:
This building erected by the corporation of Liverpoolwas a resolution of the council dated 6th October 1875 ordered to be named The Picton Reading Room in recognition of the valuable services rendered by James Allanson Picton Esquire JP FSA in his capacity as chairman of the Public Library Museum and gallery of Arts Committee, which position he had then occupied for a period exceeding a quarter of a century.
Thomas Bland Royden , Mayor.
Liverpool Central Library , Liverpool , England, UK L3 8EW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,London,city,centre,South East England,capital,Southbank,Southwark,dusk,night,cityhall,Central London,mayor,Mayor London,office,offices,HQ,headquarters,London Assembly,evening,dark,river Thames,Tower Bridge,architecture,building,blue,Foster and Partners,Norman Foster,unusual,bulbous,shape,glass,public building,council
Description: Tony Smith image Alamy RM9AT1 - City Hall is the headquarters of the Greater London Authority (GLA), which comprises the Mayor of London and the London Assembly. It is located in Southwark, on the south bank of the River Thames near Tower Bridge. It was designed by Norman Foster and opened in July 2002, two years after the Greater London Authority was created.
For the first two years of its existence, the Greater London Authority was based at Romney House, Marsham Street in Westminster. Meetings of the London Assembly took place at Emmanuel Centre, also on Marsham Street.
City Hall was constructed at a cost of £43 million on a site formerly occupied by wharves serving the Pool of London. The building does not belong to the GLA but is leased under a 25-year rent. Despite its name, City Hall is not in and does not serve a city (according to UK law), which often adds to the confusion of Greater London with the City of London, which has its headquarters at Guildhall. In June 2011, Mayor Boris Johnson announced that for the duration of the London 2012 Olympic Games, the building would be called London House.
The predecessors of the Greater London Authority, the Greater London Council and the London County Council, had their headquarters at County Hall, upstream on the South Bank. Although County Hall's old council chamber is still intact, the building is unavailable for use by the GLA because of its conversion into, among other things, a luxury hotel, amusement arcade and aquarium.
The Queen's Walk, London SE1 2AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,London,city,centre,South East England,capital,Southbank,Southwark,dusk,night,cityhall,Central London,mayor,Mayor London,office,offices,HQ,headquarters,London Assembly,evening,dark,river Thames,Tower Bridge,architecture,building,blue,Foster and Partners,Norman Foster,unusual,bulbous,shape,glass,public building,council
Description: Tony Smith image Alamy RM9AT2 - City Hall is the headquarters of the Greater London Authority (GLA), which comprises the Mayor of London and the London Assembly. It is located in Southwark, on the south bank of the River Thames near Tower Bridge. It was designed by Norman Foster and opened in July 2002, two years after the Greater London Authority was created.
For the first two years of its existence, the Greater London Authority was based at Romney House, Marsham Street in Westminster. Meetings of the London Assembly took place at Emmanuel Centre, also on Marsham Street.
City Hall was constructed at a cost of £43 million on a site formerly occupied by wharves serving the Pool of London. The building does not belong to the GLA but is leased under a 25-year rent. Despite its name, City Hall is not in and does not serve a city (according to UK law), which often adds to the confusion of Greater London with the City of London, which has its headquarters at Guildhall. In June 2011, Mayor Boris Johnson announced that for the duration of the London 2012 Olympic Games, the building would be called London House.
The predecessors of the Greater London Authority, the Greater London Council and the London County Council, had their headquarters at County Hall, upstream on the South Bank. Although County Hall's old council chamber is still intact, the building is unavailable for use by the GLA because of its conversion into, among other things, a luxury hotel, amusement arcade and aquarium.
The Queen's Walk, London SE1 2AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,London,city,centre,South East England,capital,Southbank,Southwark,dusk,night,cityhall,Central London,mayor,Mayor London,office,offices,HQ,headquarters,London Assembly,evening,dark,river Thames,Tower Bridge,architecture,building,blue,Foster and Partners,Norman Foster,unusual,bulbous,shape,glass,public building,council
Description: Tony Smith image Alamy RM9AT5 - City Hall is the headquarters of the Greater London Authority (GLA), which comprises the Mayor of London and the London Assembly. It is located in Southwark, on the south bank of the River Thames near Tower Bridge. It was designed by Norman Foster and opened in July 2002, two years after the Greater London Authority was created.
For the first two years of its existence, the Greater London Authority was based at Romney House, Marsham Street in Westminster. Meetings of the London Assembly took place at Emmanuel Centre, also on Marsham Street.
City Hall was constructed at a cost of £43 million on a site formerly occupied by wharves serving the Pool of London. The building does not belong to the GLA but is leased under a 25-year rent. Despite its name, City Hall is not in and does not serve a city (according to UK law), which often adds to the confusion of Greater London with the City of London, which has its headquarters at Guildhall. In June 2011, Mayor Boris Johnson announced that for the duration of the London 2012 Olympic Games, the building would be called London House.
The predecessors of the Greater London Authority, the Greater London Council and the London County Council, had their headquarters at County Hall, upstream on the South Bank. Although County Hall's old council chamber is still intact, the building is unavailable for use by the GLA because of its conversion into, among other things, a luxury hotel, amusement arcade and aquarium.
The Queen's Walk, London SE1 2AA
Description
Keywords: travel,travellers,Capita,life,night,time,NightTime,Britain,GB,British,capital,cities,Metropolis,evening,people,person,Oyster,Zone,One,Zone1,financial,dark,seedy,Threadneedle,St,Street,Bank Tube,Tube Station,City Of London,London City,City Life,Night Time,Great Britain,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,exterior,outside,stairs,lamp,lights,streetlights,TFL,subway,symbol,sign,letters,lettering,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of,Threadneedle St,Threadneedle Street,Entrance To Bank
Description: Tony Smith image Alamy H2MB14 - This documentary stock photograph shows Bank Tube Station and passengers, City Of London, at Dusk. The image records Bank Underground station and passengers in the City of London, making it useful for editorial features on commuting, public transport, the Tube, City workers, finance district footfall and the pressure on central London interchanges. The City of London and Liverpool Street area is a dense mix of railway infrastructure, Underground stations, offices, historic streets, pubs, retail units and constant pedestrian movement, so even a modest street or station view carries strong relevance for stories about commuting, working life, commercial property, transport investment and the post-pandemic future of the office. The caption and visible detail suggest low light, dusk or evening atmosphere, readable signage, giving the photograph a practical, real-world quality that works for news, business and travel use. It can support articles about the Square Mile, banking, insurance, office rents, rail usage, Tube crowding, cycling, public art, tourism, station redevelopment, after-work hospitality and London as both a workplace and visitor destination. Search-friendly composite terms include City of London commuters, Liverpool Street railway station, Bank Underground station, Cornhill financial district, London office economy, Square Mile public realm, London 2012 Olympic legacy and central London transport hub. The photograph can also illustrate wider themes of regeneration, heritage, carbon-conscious travel, pedestrian movement, evening economy, retail footfall and how transport nodes shape urban property values. Its editorial strength lies in being specific enough for captions and broad enough for business, transport, finance, urban planning, tourism and local history stories. The image is also useful where editors need a recognisable London environment without relying on the most overused postcard views.
Threadneedle St, City of London, England UK
Description
Keywords: West,Oxfordshire,DC,District,Council,WODC,Night,shot,time,nighttime,England,GB,UK,Great,Britain,Cottswold,town,David,Cameron,constituency,blue,bar,public,house,houses,at,in,wet,pavement,drinking,CAMRA,drinker,beer,ale,lager,bitter,tourist,tourism,Cotswold,Cotswolds,Cottswolds,dark,spooky,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HDN3 - . This location-specific image from Witney, West Oxfordshire, England, UK in 2010 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Three Horseshoes Pub Witney at Dusk Oxen. The frame also records themes of everyday life, social history, visual archive, before-and-after reference, licensed trade, regional identity, night-time economy, local character, community identity, local social venue, changing streetscape, licensed hospitality, changing land use, and community drinking venue. In present-day coverage, the subject reaches into pub closures and energy costs, not least because of the value of historic pubs to tourism and local identity. For later comparison, the photograph preserves street furniture and boundaries at Witney, West Oxfordshire, England, UK, details that may look very different after closure or conversion. The surrounding story also includes documentary photography, archival record, historic hostelry, public realm, contemporary social history, visitor hospitality, place identity, and beer-led hospitality. The recorded references to Three, Witney, and Horseshoes preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Witney, West Oxfordshire, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate pub closures and the value of historic pubs to tourism and local identity in a form that can be compared with future views of Witney, West Oxfordshire, England, UK. The image also provides a reference for consumer spending and the survival of pubs as both businesses and informal community spaces within the real-world context of Witney, West Oxfordshire, England, UK. The scene captures a local visual benchmark within the wider story of Witney, West Oxfordshire, England, UK.
Witney, West Oxfordshire, England, UK
Description
Keywords: Blue Cap historic Pub and drinking place A556 at Dusk,Cheshire,England,United Kingdom gotonysmith Blue Cap,Cheshire,named,after,a,noted,18th,century,foxhound,marked,with,a,dark,patch,on,its,head,night,shot,blue,hour,bluehour,near,road,fast,country,inn,tourist,attraction,Blue,Cap,Pub,A556,Dusk,The,Blue,Cap,in,Cheshire,was,named,after,a,noted,18th,century,foxhound,marked,with,a,dark,patch,on,its,head,ales,CAMRA,public,house,Dark,beer,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF2211 - . Blue Cap historic Pub and drinking place A556 at Dusk , Cheshire , England, United Kingdom. Photographed on 9 February 2010. The recorded location is Blue Cap Hotel, A556, , Sandiway, Cheshire, England, Great Britain. The Blue Cap in Cheshire was named after a noted 18th century foxhound marked with a dark patch on its head. Historically, british pubs evolved from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, drinking houses, music venues and landmarks within town and village life
Their architecture, signs, interiors and evolving names often preserve layers of local commercial and social history. As background, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. Historically, seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. In 2026, in England the sector remains under pressure from operating costs and business rates, although eligible pubs and live-music venues receive a 15% business-rates relief/27
That makes historical and contemporary pub photographs particularly relevant to coverage of hospitality, community assets and evolving town centres. Against the 2026 backdrop, conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it provides about materials, local identity and how places change. Relevant synonyms and subject phrases include public house, licensed premises, hostelry, bar trade, real ale, cask ale, beer culture, and local pub.
Blue Cap Hotel, A556, , Sandiway, Cheshire, England, Great Britain
Description
Keywords: St,Wilfrids,Catholic,Church,Panorama,Northwich,showing,wooden,roof,gotonysmith,wide,shot,joiner,stitched,dark,hard,wood,impressive,historic,building,inside,interior,Irish,upturned,boat,victorian,buildings,St Wilfrids Church Panorama Northwich unique,gotonysmith,gotonysmith,Buy Pictures of,Buy Images Of,Buy Pictures of,Buy Images Of,RC
Description: Tony Smith image Alamy CF0N0W - . St Wilfrids Catholic Church Panorama Northwich showing wooden roof. Photographed on 22 December 2009. The recorded location is Witton Street, Northwich, Cheshire, England, UK. In the longer view, churches combine worship with architecture, local memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, evolving liturgy, local benefactors, war remembrance and family history. In historical terms, panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can offer clues to the changing form of a town or coastline. Current 2026 relevance comes from the fact that historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant. During 2026, landscape imagery is increasingly used alongside discussion of climate, resilience, tourism and development
Older panoramas can show how skylines, waterfronts and vegetation have changed over a comparatively short period. In historical terms, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single building, reflecting generations of worship and local patronage. From a heritage perspective, ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space.
Witton Street, Northwich, Cheshire, England, UK
Description
Keywords: Example,of,long,exposure,painting,with,light.,LED,torch,with,a,camera,mounted,on,a,tripod,Citroen,Picasso,gotonysmith,dark,photographic,technique,photo,tech,how,to,do,it,fun,photography,using,a,tripod,howto,how,to,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEY9K7 - Example of long exposure painting with light. LED torch with a camera mounted on a tripod. The car used here was a Citroen Picasso.
Light painting is a photographic technique in which exposures are made by moving a hand-held light source or by moving the camera.
The term light painting also encompasses images lit from outside the frame with hand-held light sources. Light Painting Photography can be traced back to the year 1914 when Frank Gilbreth, along with his wife Lillian Moller Gilbreth, used small lights and the open shutter of a camera to track the motion of manufacturing and clerical workers.
Man Ray, in his 1935 series Space Writing, was the first known art photographer to use the technique and Barbara Morgan began making light paintings in 1940.
Rudheath, Northwich, Cheshire, England, UK
Description
Keywords: goth,gothic,face,portrait,lady,woman,female,women,fashion,alternative,alt,black,sexy,teen,teenager,costume,dark,tony,smith,tonysmith,hotpix,tonysmithhotpix,uk,england,english,fetish,cool,hat,lace,whitby,weekend,north,east,yorkshire,Yorks,coast,harbour,port,october,halloween,@hotpixuk
Description: Tony Smith image Flickr 6340727155 - 'Alice Cooper - 'Black Widow' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
This is one of my favourite tracks from 'Welcome to My Nightmare', the eighth album by Alice Cooper, released in 1975. This was Alice Cooper's first solo album (all previous Alice Cooper releases were band efforts). The cover artwork was created by Drew Struzan for Pacific Eye &
Ear. Rolling Stone would later rank it as one of the 'Top 100 Album Covers Of All Time'.
Welcome to My Nightmare is a concept album. The songs, heard in sequence, form a journey through the nightmares of a child named Steven. Welcome to My Nightmare inspired the Alice Cooper: The Nightmare TV special and a worldwide concert tour in 1975, and the Welcome To My Nightmare concert film in 1976.
The song Welcome to my Nightmare is a parody of the 1968 novel 'There's a Nightmare in My Closet' by Mercer Mayer. Famed film actor of the Horror genre Vincent Price provided the introductory monologue in the song 'The Black Widow'. VP can be seen in the video link.
Alice Cooper was born Vincent Damon Furnier in 1948. He is an American rock singer, songwriter and musician whose career spans more than four decades. With a stage show that features guillotines, electric chairs, fake blood, boa constrictors and baby dolls, Cooper has drawn equally from horror movies, vaudeville and garage rock to pioneer a grandly theatrical and violent brand of heavy metal designed to shock. He came decades before the likes of Marilyn Manson and others.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: sepia,black,white,b/w,mono,monocheromr,man,boy,male,tat,tat2,tattoo,ink,skin,designs,art,pierced,piercing,wales,north,west,convention,exhibition,stand,uk,britain,showcase,interesting,sitting,sit,boots,Tatuada,tatoo,tatto,tats,bodyart,body,dark,disturbia,people,person,persons,persona,interesante,tatouage,color,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,hotpix!,amazing selection of Groups!
Description: Tony Smith image Flickr 4475562999 - 'Some excellent arm and leg tattoos (artist unknown) from the Marchweil Tattoo Convention in Wales, near Wrexham.
Selective Colour of Black and White Image.
Have a look at some of my other tattoo images on Flickr - w=33062170@N08\'>www.flickr.com/search/?q=Tattoo&
w=33062170@N08 .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: paper,target,law,enforcement,holes,used,glock,17,9mm,black,white,guns,people,death,fire,arm,firearm,dark,disturbia,stillife,stilllife,still,life,hotpix!
Description: Tony Smith image Flickr 4492605381 - 'A used law enforcement target with holes from a standard US police issue 9mm Glock 17 pistol.
The Glock is a series of semi-automatic pistols designed and produced by Glock GmbH, located in Deutsch-Wagram, Austria. Glock commands over 65% of the market share of handguns for United States law enforcement agencies.
The Glock 17 became a standard NATO-classified sidearm and was granted a NATO Stock Number 1005/25/133/6775.
The Glock 17 is a 9mm short recoil-operated locked breech semi-automatic pistol that uses a modified Browning cam-lock system adapted from the Hi-Power pistol. The firearm's locking mechanism utilizes a linkless, vertically tilting barrel with a rectangular breech that locks into the ejection port cut-out in the slide. During the recoil stroke, the barrel moves rearward initially locked together with the slide approximately 3 mm (0.12 in) until the bullet leaves the barrel and chamber pressure drops to a safe level. Thus care must be taken to keep your lower thumb of the hand clear when using the pistol. Otherwise your skin can aquire a tasty rip or bruise.
If you want to buy a target like this (without the holes), get online to www.letargets.com/
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: rick,dave,face,science,fiction,cool,people,image,tattoo,tat2,musician,muso,b/w,black,white,mono,sepia,hat,headset,eyes,hotpix,hotpixuk,tonysmith,tony,smith,male,men,boys,lads,couple,two,pair,movie,film,set,Tatuada,tatoo,tatto,tats,ink,bodyart,body,art,dark,disturbia,Hotpicks,hotpics,interesting,person,persons,persona,interesante,tatouage,retro,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 4446315490 - 'You Give Me Friction
But I Dig Friction
You Know I'm Crazy About Friction
Warrington artists and musicians Rick Hagan and Crazy Dave. They would not look out of place in a science fiction space opera.
They could be on a distant planet, or maybe just popped out of Sigourney Weaver's air conditioning duct (or maybe the Spar on Thelwall New Road). I remember reading a few Edward E (Doc) Smith books in my wasted youth, from his Skylark and Lensman series. Rick or Dave could drop out of any of these, straight off the page.
In the Mos Eisley Cantina watering hole maybe you might find them in a booth, Rick with a mug of white tea (as he doesn't normally drink) and Dave with a two bottles (double round) of Colt 45s with Lando.
More classic sepia and black and white www.flickr.com/photos/hotpixuk/3828011848/
Have a look at some of my other cool people images on Flickr -
w=33062170@N08&
m=tags\'>www.flickr.com/search/?q=cool+people&
w=33062170@N08&
m=tags .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: tatoo,sexy,tattoo,attractive,ace,kustom,custom,shop,parlour,tat,tat2,manchester,england,urban,shoulders,selective,color,colour,colores,black,white,portrait,person,people,lady,giry,woman,exotic,ink,skin,needle,flesh,canvas,tonysmith,hotpix,tony,smith,city,cool,image,selctive,Tatuada,tatto,tats,bodyart,body,art,dark,disturbia,tatouage,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,sensual,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,female,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,tony smith photography,tdktonysmith,@hotpixuk
Description: Tony Smith image Flickr 4438149327 - 'Another brilliant tattoo from the Manchester Tattoo Convention 2010 ( 6th March 2010). Some nice tribal designs on the ladies upper shoulders, arms and chest. She has also great ear rings and face piercings.
Have a look at their myspace page at www.myspace.com/acekustomtattoo , Dai Cann does some lovely stuff down at Church Road.
More tattoos www.flickr.com/photos/hotpixuk/4393545884/
Have a look at some of my other tattoo images on Flickr - w=33062170@N08\'>www.flickr.com/search/?q=Tattoo&
w=33062170@N08 .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899 ',
Description
Keywords: rob,roy,macgregor,macgreger,mcgregor,brave,heart,braveheart,scotland,grave,balquidder,balquider,kirk,church,yard,kirkyard,heritage,b/w,black,white,selective,color,coloured,mono,monochrome,dramatic,tourist,where,visit,hdr,dark,disturbia,hotpics,hotpic,hotpick,hotpicks,graves,tomb,tombs,cemetario,cemetary,cemetery,interesting,place,places,building,buildings,built,architecture,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,art,arty,sex,sexy,wide,angle,wideangle,lens,sigma,12-24mm,10-20mm,edinbrugh,hotpix!
Description: Tony Smith image Flickr 4393241074 - 'The grave of Rob Roy MacGregor, who died 28th December 1734 aged 70 is within the grounds of Balquhidder church looking over Loch Voil.
The stone over Rob Roy's grave reads 'MacGregor Despite Them' The MacGregor clan was the only clan in history to be 'proscribed' - that is, it became illegal to be a MacGregor, on three separate occasions. To survive, clan members took on other names, many of which their descendants still use today.
The Graves of Rob Roy and Helen/Mary MacGregor and their sons Coll and Robert are also interred there.
In the kirkyard of Balquhidder's Parish Church, the ruins of the Old Church it replaced can be clearly seen up the hill behind Rob Roy's grave. Its situated on the lower slopes of the north side of Balquhidder Glen. It reflects the continuation of a tradition of worship in the glen that goes back 4000 years or more. The Celts believed this to be a 'thin place' where the spiritual world and the earthly world came close together. To the south is a spur of Ben Ledi ('the hill of God') and traces of a Neolithic temple dating back to 1800 BC have been found in the glen.
A graveyard stone describes how the MacLarens were attacked by the MacGregors of Glen Dochart. 18 MacLaren families resident in Balquhidder were murdered in the Glen before settling on their land. At the time the MacGregors largely evaded responsibility for what would today be called an act of genocide. But it was one of the factors later held against them (the more immediate being their slaying of several hundred members of Clan Colquhoun at the Battle of Glen Fruin on 7 February 1603) when the entire Clan MacGregor was outlawed by James VI in April 1603. These were very bloody times. It became a capital offence even to carry the name MacGregor.
Standing Stones further west in Lewis www.flickr.com/photos/hotpixuk/3828011848/
(2010 week 7)
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC ',
Description
Keywords: night,danger,tunnel,path,urban,suburbs,balaclava,eyes,sepia,bw,black,white,monchrome,seedy,wet,passage,girl,bad,man,men,male,Latchford,Cheshire,Warrington,UK,GB,britain,england,mencal,mental,Jon,John,this photo rocks,cool,person,people,portrait,image,tonysmith,tony,smith,dark,disturbia,Hotpicks,hotpics,hot,pics,pix,picks,interesting,persons,persona,interesante,HOT PIX,@hotpixuk
Description: Tony Smith image Flickr 4335154861 - 'Beware, don't let him invade yours. If john keeps to his medication he is generally fine. If you see him, you are advised not to approach him.
More tunnel trouble www.flickr.com/photos/hotpixuk/4272766026/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: kevin,cwgc,commonwealth,war,grave,commision,air,men,airmen,soldiers,navy,portland,stone,chrch,graveyard,yard,respect,cheshire,northwich,middlewich,UK,England,GB,great,britain,plane,crash,force,army,HDR,high dynamic range,dark,disturbia,graves,tomb,tombs,cemetario,cemetary,cemetery,hotpix!
Description: Tony Smith image Flickr 4341451515 - 'THe CWGC maintain the graves of commonwealth and British Empire armed forces staff around the UK. Kevin has worked with them for several years. Here he is photographed in the graveyard of St John the Evangelist's Church in Byley between Northwich and Middlewich in the Cheshire countryside.
The Portland stone on the left is the resting place of 402813 Flight Sergeant LD Watson (Royal Australian Air Force, died 20th March 1943 aged 24). On the right is 401498 Flight sergeant WDK Forbes (Royal Australian Air Force, died 20th March 1943 aged 23).
The airmen here most likely were in a plane that crashed nearby, hence the mix of nationalities including Canadian airmen.
The CWGC was established by Royal Charter in 1917, founded by Sir Fabian Ware and is non profit making. Each gravestone is named, uniform and permanent. No distinction is made on account of rank, race or creed.
Remember the fallen www.flickr.com/photos/hotpixuk/4086830044/
The CWGC hold comprehensive records of casualties, more details at submenuid=11&
id=11&
menuname=Records&
menu=sub\' rel=\'nofollow\'>www.cwgc.org/content.asp?menuid=2&
submenuid=11&
id...
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899
',
Description
Keywords: frame,punk,punkx,punx,stockport,brinnington,cheshire,england,UK,GB,britain,british,red,orange,hair,surgical,supplies,canon,50D,5D,mark,II,tony,smith,camera,dslr,screen,this photo rocks,Tatuaje,\u0442\u0430\u0442\u0443\u0438\u0440\u043e\u0432\u043a\u0430,T\u00e4towierung,tatouage,tatoegering,\u7d0b\u8eab\u82b1\u523a,tatoo,cool,person,people,portrait,image,Tatuada,tat2,tatto,tats,tattoo,ink,bodyart,body,art,dark,disturbia,interesting,persons,persona,interesante,hotpicks,hotpix!,@hotpixuk
Description: Tony Smith image Flickr 4331017264 - 'A photoshoot in Stockport with Chad and Cheryl Channon in low light.
Cheryl wears a red rinse with mouth and nose piercings and Chad sports orange mohawk spiky hair (a la 1976, those were the days). Taken outside Robert Bailey Surgical Dressings factory.
Another shot of my dear sister, enjoying a toke on a ciggie at home www.flickr.com/photos/hotpixuk/3804964709/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: lonely,walk,loneliness,graffitti,grafitti,inner,city,housing,estate,sink,social,deprevation,deprivation,ice,snow,concrete,urban,decay,grey,gray,selective,color,colour,black,white,selctive,colores,tonysmith,tony,smith,dark,disturbia,interesting,place,places,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,art,arty,graffiti,grafiti,street,edinburgh,scotland,lotian,lothian,lothians,UK,life,edinbrugh,hotpix!,Edinburg,tony smith photography,tdktony,tdk,tdktonysmith,#tonysmithhotpix,edimburgh
Description: Tony Smith image Flickr 4369946057 - 'Caressing the marble and stone
Love that was special for one
The waste and the fever and hate
How I wish you were here with me now
The body that kills and hides
Matches an awful delight
Warm like a dog 'round your feet
How I wish you were here with me now
The hangman looks 'round as he waits
Gullet stretches tight and it breaks
Someday we will die in your dreams
How I wish we were here with you now
The city is large and gray, it can break your spirit. It can break your bones. Never let it break your spirit.
A face of modern Scotland here www.flickr.com/photos/hotpixuk/4259345043/
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
Have a look at some of my other selective colour images on Flickr -
w=33062170@N08&
m=tags\'>www.flickr.com/search/?q=selective+colour&
w=33062170@N08&
m=tags .
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Goth,Graveyard,BW,Monochrome,painted,developer,grave,stone,gravestone,girl,woman,female,gave,yard,RIP,dead,men,women,cemetary,cemetery,wirral,wirrel,cheshire,new,brighton,sepia,toned,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photographic,photography,SLR,DSLR,group,GYCA,Bellhouse,bellhouse Club,black,white,mono,sex,sexy,porn,porno,lady,girlie,erotic,pretty,fetish,fetishist,cool,person,people,portrait,image,gothic,gothess,gothy,gothing,babes,tonysmith,tony,smith,dark,disturbia,HOT PIX,retro,sensual,Altfashion
Description: Tony Smith image Flickr 3804964715 - 'Chemical print, hand painted with developer.
Original image taken in New Brighton, Wirral, Merseyside, England UK of Sarah caressing an old forgotton grave stone in a church yard.
Alternative creative portrait here www.flickr.com/photos/hotpixuk/3874778425/in/set-72157621...
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: tattoo,pair,black,white,dark,side,woman,lady,girl,man,male,female,light,tattoos,tattood,tattooed,pierced,piercing,leather,leatherman,tatoo,tatto,tat2,ink,skin,tattwo,tatuaje,\u0442\u0430\u0442\u0443\u0438\u0440\u043e\u0432\u043a\u0430,T\u00e4towierung,tatouage,tatoegering,\u7d0b\u8eab\u82b1\u523a,equality,fetish,fashion,clothing,clothes,sex,sexy,porn,porno,girlie,this photo rocks,erotic,pretty,fetishist,Marchweil,North,wales,inkintheskin,party,hotel,cool,person,people,portrait,image,tonysmith,tony,smith,Tatuada,tats,bodyart,body,art,HOT PIX,sensual,hotpicks,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 3805002961 - 'A woman in white and a man in black leather, both with tattoos. They are both opposite, but form a one harmonious whole.
Yin and yang describes how apparently disjunct or opposing forces are interconnected and interdependent in the natural world, giving rise to each other in turn. Like male and female, war and peace.
He sits in his leather trousers, hands forming a shape of a house, a happy home, while his german iron cross suggests possible violence to come
Another tattoo here www.flickr.com/photos/hotpixuk/3711773981/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: portrait,Fraulein,with,newspaper,suddeutsche,zeitung,reading,Goth,bleached,hair,dark,makeup,BW,monochrome,Michelle,Mechelle,Manion,Manian,Northwich,weaverham,village,black,white,mono,contrast,texture,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photography,SLR,DSLR,group,GYCA,Bellhouse,bellhouse Club,goddess,Gothess,cool,person,people,image,gothic,gothy,gothing,babes,lady,female,girl,woman,tonysmith,tony,smith,HOT PIX,retro,german,hotpicks,SuperShot,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,de,femme,dame,therealwomanbeauty,racy,bestportraitsaoi,elitegalleryaoi,altfashion
Description: Tony Smith image Flickr 3805743676 - 'Waiting for the S-Bahn on platform 11, Alexanderplatz Station.
Danke!
These are my 2008-2015 images, view my most recent images at HotpixUK-2019 - www.flickr.com/people/167831053@N02/ including my second 365 one a day project
Another portrait here www.flickr.com/photos/hotpixuk/3827213647/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: St,Wilfrids,Grappenhall,IR,Warrington,Cheshire,Church,UK,Hoya,E72,kodak,HIE,wilfreds,gb,britain,grave,graves,graveyard,village,cobbled,parr,arms,rams,head,canal,Grappenhall, St Wilfrid,wilfrid,St Wilfrid,St Wilfrids,Medieval,dark,age,ages,Grappenhall Village,England,A50,A56,gave,yard,gravestone,stone,RIP,dead,men,women,cemetary,cemetery,B/W,black,white,mono,monochrome,this photo rocks,tonysmith,tony,smith,Hotpicks,hotpics,hot,pics,pix,picks,hotpix.freeserve.co.uk,tomb,tombs,cemetario,fujifilm,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,hotpix!
Description: Tony Smith image Flickr 3813282382 - 'Church and graveyard in the village of Grappenhall, Cheshire, England, UK.
Taken in the middle of summer.
Another infra-red here www.flickr.com/photos/hotpixuk/3874263992/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Belfast,Shankill,Road,Shankhill,unionist,britain,soldier,soldiers,paramiliary,peace,war,struggle,black,white,monochrome,BW,toned,red,boy,football,peoples,army,1912,years,resistance,mural,painting,montage,UDF,DUP,hand,defender,defenders,LPA,red hand commando,commando,fight,independence,independance,Protestant,anglican,orange,orangemen,men,NI,n ireland,north ireland,northern,ireland,emerald,isle,Eire,mono,pictures,tonysmith,tony,smith,dark,disturbia,hotpics,hotpic,hotpick,hotpicks,hotpix!,#tonysmithhotpix
Description: Tony Smith image Flickr 4140133209 - 'Unionist mural just off the Shankill.
The inscriptions are:
The Peoples Army 1912-2002 90 years of resistance.
scenes are
The train at Fernhill Estate Glencairn 1912
West Belfast UVF over the top at the Somme 1916
Volunteers defend Shankill community from rebublican attack 1969
At the crossroads 2002
Thankfully most of the time the direction has been to peace and steps to continued reconciliation.
Checkout a republican mural here www.flickr.com/photos/hotpixuk/4140163405/
www.flickr.com/photos/hotpixuk/3809054537/in/set-72157617...
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Black,Country,Ales,47,Upper,Gough Street,Birmingham,B1 1JG,B11JG,A,bar,pub,real,Craven,Arms,Birmingham,pump,pumps,handpumps,hand pumps,seasonal,summer,blond,light,dark,hoppy,wide,pano,panorama,inside,tasting,Christmas,Xmas,gotonysmith
Description: Tony Smith image Alamy ECW4EE - Photo shows A bar of CAMRA real ale,Craven Arms,Birmingham. The image is useful for illustrating British and Irish pub culture, real ale, traditional bars, hospitality, visitor economy stories and the continued importance of pubs as social places. Where a named pub, brewery, beer pump, pint glass or drinking street is visible, it can support articles on licensed premises, cask ale, CAMRA interest, tourism, nightlife, local character and changing high streets. The supplied location evidence places the subject at or near Birmingham, which adds value for buyers searching by town, city, region or postcode. Weather and season may be visible outside or through the setting
the subject has clear hospitality and leisure value. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news. Search relevance is helped by including concise place names, visible brand or wording, functional subject terms, and wider editorial concepts such as public realm, consumer behaviour, heritage, travel, leisure and community life where they genuinely match the picture.
47, Upper Gough Street, Birmingham B1 1JG
Description
Keywords: outside,exterior,Xmas,decorations,illuminations,Santa,Sleigh,at,night,dusk,in,the,dark,bright,taste,chav,chavy,low,class,cheap,excess,wasted,power,electric,electricity,waste,low,efficiency,bah,humbug,love,hate,relationship,gaudiness,gaudy,outdoor,GoTonySmith England,Scotland,English,Scottish,welsh bahhumbug love-hate artful DIYer DIY ioBridge IO-204 module,an Arduino Wave Kit,an,Arduino,Duemilanove,board,solid,state,relays,relay,in,Witney,Oxen
Description: Tony Smith image Alamy ECW52W - Photo shows Christmas lights being overdone on a British house - Festive celebrations in December for Xmas. The photograph is useful for Christmas, Hogmanay, festive leisure, winter tourism, night-time economy and family entertainment themes. Seasonal images like this can work for travel, shopping, hospitality, energy use, household celebration, public events and wider stories about how towns and cities create atmosphere during darker months. The supplied workbook does not give a precise location, so the image should be treated as a concept or documentary subject unless the location can be verified separately. The image is strongly seasonal, with winter or Christmas context visible or implied by the caption. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news. Search relevance is helped by including concise place names, visible brand or wording, functional subject terms, and wider editorial concepts such as public realm, consumer behaviour, heritage, travel, leisure and community life where they genuinely match the picture.
Witney, Oxfordshire, England, UK
