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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Merseyside,England,tourism,L1,L1 7AZ,St James Road,St James Mt,Church of England Cathedral of the Diocese of Liverpool,inside,architecture,building,high,altar,at,the,with,and,Reredos,beautiful,elaborate,Nativity,Resurrection,goldleaf,gold leaf,Crucifixion,crucifix,Christs Passion,passion of Christ,sandstone,last supper,stonework,screen,religious,art
Description: Tony Smith image Alamy 2PK7X82 - . High altar and Reredos dressed with palms, at the Anglican Cathedral interior, St James Mt, St James Road, Liverpool , Merseyside, England, UK, L1 7AZ. Photographed on 1 April 2023. The reredos (Screen behind the high altar) is richly carved from sandstone, embellished with gold leaf. The lower panel illustrates the Last Supper and the other central panel depicts the Crucifixion with further scenes of Christ's Passion to each side. The outer panels show the Nativity and Resurrection. The historical setting for religious symbolism is that parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, later chapels, organs, altars, monuments and inscriptions can coexist within a single building, revealing generations of craftsmanship and changing liturgy. Seen through heritage building, the earlier context is that the built environment is continually reused
Warehouses become apartments, stations become event spaces and commercial premises acquire new occupants, making older photographs particularly valuable for tracing regeneration, demolition, conservation and adaptive reuse. In the 2026 discussion of religious symbolism, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places. The 2026 relevance of heritage building comes from the fact that current planning debates place growing emphasis on housing delivery, retrofit, accessibility and the reuse of brownfield sites
Architectural photographs therefore connect design history with present-day questions about regeneration, sustainability and urban density. Closely related image-search terms include ecclesiastical architecture, Christian heritage, sacred art, stained glass, church interior, and churchyard.
St James Mt, St James Road, Liverpool , Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Merseyside,England,tourism,L1,L1 7AZ,St James Road,St James Mt,Church of England Cathedral of the Diocese of Liverpool,inside,architecture,building,high,altar,at,the,and,beautiful,elaborate,goldleaf,Crucifixion,crucifix,Christs Passion,passion of Christ,sandstone,last supper,stonework,screen,religious,art,history,historic,Nativity
Description: Tony Smith image Alamy 2PK7X88 - . High altar, and Reredos at the Anglican Cathedral interior, St James Mt, St James Road, Liverpool , Merseyside, England, UK, L1 7AZ. Photographed on 1 April 2023. The reredos (Screen behind the high altar) is richly carved from sandstone, embellished with gold leaf. The lower panel illustrates the Last Supper and the other central panel depicts the Crucifixion with further scenes of Christ's Passion to each side. The outer panels show the Nativity and Resurrection. For the story of sacred art, it is useful to note that churches combine worship with architecture, local memory and centuries of community past
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family past. The historical setting for adaptive reuse is that buildings are often the most durable evidence of former institutions and businesses
Brickwork, stonework, windows, entrances and signs can survive changes of ownership or use, allowing photography to document architectural style as well as the evolution of a street or district. For present-day sacred art, 2026 is significant because historic places of worship remain important not only for faith but also for tourism, music, community use and local identity
Images of interiors, memorials and churchyards can support stories about conservation, heritage skills and the continuing reuse of sacred buildings. In the 2026 discussion of adaptive reuse, reuse of existing buildings is increasingly discussed alongside embodied carbon, heritage conservation and town-centre regeneration
Photographs of older façades and converted premises can illustrate the practical tension between preservation, energy performance and new development. Closely connected keywords include ecclesiastical architecture, parish church, Christian heritage, religious symbolism, church interior, place of worship, architectural conservation, and local history.
St James Mt, St James Road, Liverpool , Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Merseyside,England,tourism,L1,L1 7AZ,St James Road,St James Mt,Church of England Cathedral of the Diocese of Liverpool,inside,architecture,building,history,historic,COE,Jesus,crucifix,nailed,nails,to,the,cross,artist,crucifixion,sculpture,art,statue,son of god,carved,by,Charles Lutyens,spontaneous work,wood,steel,and,Liverpools Anglican Cathedral
Description: Tony Smith image Alamy 2PK7XBY - Charles Lutyens's Crucifixion recently installed at Liverpool's Anglican Cathedral
By Marianna Lutyens
A 15-ft high, wood and steel sculpture of a crucifixion by Charles Lutyens, first seen in his exhibition of work, Being in the World, at St Paul's Church, Bow Common, London has recently been installed in Liverpool's Anglican Cathedral.
Called Outraged Christ , this was a spontaneous work ” it wasn't commissioned ” created intermittently over a number of years. With the intent of having an encounter with this ˜Man' and with the reality of the event taking place, the sculpture was driven by such questions as Who was this Man? , What did He look like? and Why was this crucifixion remembered for 2,000 years over and above the countless other crucifixions that have taken place? It is a moving and powerful image which, in its making, disclosed itself to Charles as an Outraged Christ . Deeply engaged with this extraordinary event, Charles thought, If the resurrection happened, then was it not already inherent in the crucifixion?
The Grade II-listed St Paul's Church, designed by architects Robert Maguire and Keith Murray and consecrated in 1964, was recently voted Best modern church in Great Britain . It also contains the stunning 800-sq ft mosaic mural, also by Charles, called Angels of the Heavenly Host , the largest single artist-created mosaic mural in the British Isles. Asked by the architects to provide a design for this work I said, at the time, ˜Sorry, it is not possible for me to design an angel, angels appear', recalls Charles. But, incredibly, the architects then said, ˜All right, appear us an angel'. Charles recently gave a talk, in situ, for English Heritage about the mural and its making.
St James Mt, St James Road, Liverpool , Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Yorkshire,West Yorkshire,alongside a cross,candlesticks,and devotional materials.,church pebble pool,Heptonstall church,Christian worship,religious object,altar table,baptism symbolism,spiritual ritual,Calderdale,parish church interior,Christian faith,religious symbolism,prayer stones,devotional objects,liturgical items,church furnishings,cross and candlesticks,Anglican church,British churches,religious practice,spiritual reflection,editorial religion,indoor church setting,still life,cross,crucifix,history,historic,heritage
Description: Tony Smith image Alamy 2RG1TXR - A church pebble pool plate displayed inside a church in the village of Heptonstall, Calderdale, West Yorkshire. The shallow bowl contains small stones arranged within a patterned base and is used as a focus for prayer, reflection, and symbolic participation in Christian worship.
Pebble pools are commonly found in churches as interactive devotional objects, inviting visitors and congregants to place stones in the bowl as acts of prayer, remembrance, or contemplation. The practice draws on biblical symbolism of stones as markers of faith, memory, and spiritual journey.
The pebble pool plate is shown set on a wooden table alongside traditional church furnishings, including a cross, candlesticks, and printed prayers, reinforcing the quiet, contemplative atmosphere of the interior space. The arrangement reflects the blending of historic liturgical tradition with more informal, participatory forms of worship found in many modern Anglican churches.
Photographed indoors under natural light, the image documents an everyday aspect of contemporary church life and provides an editorial illustration of Christian ritual, spiritual reflection, and the lived use of religious spaces in rural West Yorkshire.
Pebble pool plate used for prayer and reflection displayed on a table inside a church in Heptonstall
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,south,Cheshire,England,UK,church,Grappenhall Village,South Warrington,inside,interior,cross,crucifix,frieze,altar,alter,Gropenhale,reredos,The Last Supper,by,Leonardo da Vinci,the cross,Last supper,Easter,meal,background,shallow focus,12,twelve,disciples,wood,wooden,carved,carving,last,supper,hotpix.org.uk
Description: Tony Smith image Alamy 2K7NBPX - . This authentic period view of Church Lane, Grappenhall Village, South Warrington, Cheshire, England, UK in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents St Wilfrids Church interior, crucifix and wood carved last supper frieze, Grappenhall Village, South Warrington, Cheshire, England, UK. The frame also records themes of everyday life, faith community, documentary photography, community identity, contemporary social history, regional identity, ecclesiastical art, parish history, sacred space, before-and-after reference, sacred architecture, ecclesiastical architecture, historical comparison, and social history. In present-day coverage, the subject reaches into community use and energy use, not least because of the challenge of maintaining historic fabric amid rising costs. For later comparison, the photograph preserves lettering, decoration and surface detail at Church Lane, Grappenhall Village, South Warrington, Cheshire, England, UK, details that may look very different after altered transport patterns. A second descriptive layer includes local character, place identity, public realm, period detail, historic church fabric, religious landmark, changing land use, and Christian heritage. Details involving Village, carved, Wilfrids, Grappenhall, and supper make the image more specific than a generic view and strengthen its local or historical value. For Church Lane, Grappenhall Village, South Warrington, Cheshire, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is community use and the challenge of maintaining historic fabric amid rising costs without losing the local specificity of Church Lane, Grappenhall Village, South Warrington, Cheshire, England, UK.
Church Lane, Grappenhall Village, South Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,town,centre,Anglican,church,history,historic,building,listed,grade I,architecture,CW5,CW5 5RQ,colourful,coloured,windows,and,&,stained glass window,in,crucifix,cross,carved,wooden,wood,statues,statue,inside,interior,saints,flowers
Description: Tony Smith image Alamy 2JNN57B - St Mary's Church is an Anglican parish church in Nantwich, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I listed building. It has been called the Cathedral of South Cheshire and it is considered by some to be one of the finest medieval churches, not only in Cheshire, but in the whole of England. The architectural writer Raymond Richards described it as one of the great architectural treasures of Cheshire, and Alec Clifton-Taylor included it in his list of outstanding English parish churches.
The building dates from the 14th century, although a number of changes have since been made, particularly a substantial 19th-century restoration by Sir George Gilbert Scott. The church and its octagonal tower are built in red sandstone. Features of the church's interior include the lierne-vaulted ceiling of the choir, the carved stone canopies of the sedilia in the chancel, and the intricately carved wooden canopies over the choirstalls together with the 20 misericords at the back of the stalls. The church is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Nantwich
Church Lane, Nantwich, Cheshire, England, UK, CW5 5RQ
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England,UK,Herefordshire,religion,listed,building,entrance,St,HR4,Hereford,HR4 9AP,1839,Roman Catholic,Parish church,Grade II,crucifix,cross,neoclassical-style,neoclassical,style,Charles Day,St Francis,Xavier,Xavierians,heritage,buildings,architecture,design,designed,old,place,of,worship,Roman Catholics,RC
Description: Tony Smith image Alamy 2JPDJJF - St Francis Xavier Church is a Roman Catholic Parish church in the city centre of Hereford, Herefordshire. The neoclassical-style church was built in 1839 and was designated a Grade II* listed building on 10 June 1952. It is in the Hereford Deanery of the Archdiocese of Cardiff.
History
The foundation stone of St Francis Xavier's was laid 19 September 1837 and Queen Victoria sent her personal representative to the ceremony. The church was designed by Charles Day, an architect from Worcester, who also designed St Edmund's Church in Bury St Edmunds for the Jesuits. The building's construction cost over £16,000. It was opened on 7 August 1839, before the restoration of the English Catholic hierarchy in 1850, because of this, the church has no windows, fearing that any would be broken during the early 19th century. The church was built on the site of a chapel used by the Society of Jesus during the reformation, hence it was dedicated to St Francis Xavier, a Jesuit missionary from the 16th century who travelled to eastern and southern Asia. The Jesuits were in charge of the Catholic mission to Hereford from at least 1773 (when it was under the care of Dr John Butler, S.J.) to 1858. In 1858, the Benedictines created Belmont Abbey nearby. The church was handed over to them that year. It remained in their hands until 1954 when it was given over the Archdiocese of Cardiff. In 1992, administration of it reverted to the abbey.
The church contains a relic, the hand of St John Kemble a Catholic martyr, who was executed in nearby Widemarsh Common on 22 August 1679. He was beatified in 1929 by Pope Pius XI and canonized on 25 October 1970 by Pope Paul VI. His feast day is 22 August.
The exterior comprises columns and a frieze made of stucco. There is a dome at the back of the church. The front comprises two fluted Doric columns either side of the entrance. The interior is ornate with a decorated ceiling made of plaster. The church is lit by a lightwell.
19 ,Broad Street, Hereford, Herefordshire, England, UK, HR4 9AP
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England,UK,Hereford,Herefordshire,in,5 College Cloisters,Cathedral Close,HR1 2NG,cross,cloak,crucifix,culture,history,historic,art,religion,religious,saint,monument,monkish,pilgrim,pilgrimage,pilgrimages,heritage,monk,monks,figure,figures,the,garden,gardens,wood,wooden
Description: Tony Smith image Alamy 2JPDJKH - . An identifiable period record of 5 College Cloisters ,Cathedral Close, Hereford , Herefordshire, England, UK, HR1 2NG in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Carved monk, in Hereford Cathedral garden, 5 College Cloisters ,Cathedral Close, Hereford , Herefordshire, England, UK, HR1 2NG. The setting additionally reflects cityscape history, medieval church setting, heritage landmark, faith heritage, ecclesiastical decoration, architectural character, historic streetscape, changing land use, place identity, contemporary social history, architectural detail, period detail, historic townscape, and adaptive reuse. Today's relevance is strengthened by heritage conservation, visitor tourism and the continuing question of the role of cathedrals as cultural landmarks beyond their congregations. From a 2025-onward perspective, energy retrofit and heritage conservation are closely linked to this subject, alongside the value of architectural landmarks to local identity and tourism. For later comparison, the photograph preserves building condition and alterations at 5 College Cloisters ,Cathedral Close, Hereford , Herefordshire, England, UK, HR1 2NG, details that may look very different after redevelopment. The wider setting retains connections with period building, historical comparison, built heritage, archival record, religious artwork, public realm, changing streetscape, and community identity. The combination of Cloisters, Herefordshire, Close, College, and Carved anchors the frame to a recognisable activity, place or moment. The period setting at 5 College Cloisters ,Cathedral Close, Hereford , Herefordshire, England, UK, HR1 2NG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves evidence of changing use for later comparison.
5 College Cloisters ,Cathedral Close, Hereford , Herefordshire, England, UK, HR1 2NG
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Birmingham,City Centre,West Midlands,England,Church of England,Anglican,cathedral,B3 2QB,city centre,St Philips Cathedral,Christianity,church,statue,modern,contemporary religion,Christ,Crucifix,Confessor For The Faith,granite,marble,attraction,blue skies,tower,cross,Jesus,crucified,crucifixion,icon,iconic,Colmore Row,Colmore,Row
Description: Tony Smith image Alamy 2ABJGF7 - . An on-location image from Colmore Row, Birmingham, West Midlands, UK, B3 2QB in 2019, useful both for the specific subject shown and for the evidence it retains about local identity, design, use and everyday life. The subject recorded here is heavily stylised modern crucifix,St Philips cathedral, Colmore Row, Birmingham B3 2QB,Church of England, Anglican,. Other connected aspects include period building, historic townscape, regional identity, cityscape history, architectural character, contemporary social history, historic frontage, archival record, local history, conservation interest, period detail, social history, community identity, and historic commercial architecture. The present-day relevance extends to adaptive reuse and redevelopment pressure, while a wider concern is keeping older buildings useful without erasing their character. With the passage of time, the view leaves evidence of local appearance, occupation, access and public activity at Colmore Row, Birmingham, West Midlands, UK, B3 2QB. Other useful associations include urban fabric, changing land use, before-and-after reference, historical comparison, traditional masonry, period streetscape, visual archive, and architectural detailing. The recorded references to cathedral, heavily, stylised, Church, and Philips preserve clues about how the subject was presented, used or understood at the time. The period setting at Colmore Row, Birmingham, West Midlands, UK, B3 2QB helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to adaptive reuse and keeping older buildings useful without erasing their character when considered against later change at Colmore Row, Birmingham, West Midlands, UK, B3 2QB. The photograph keeps a local visual benchmark as a date-specific reference. The record includes a point of historical comparison for later comparison.
Colmore Row, Birmingham, West Midlands, UK, B3 2QB
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Birmingham,City Centre,West Midlands,England,Church of England,Anglican,cathedral,B3 2QB,city centre,St Philips Cathedral,Christianity,church,statue,modern,contemporary religion,Christ,Crucifix,Confessor For The Faith,granite,marble,attraction,blue skies,tower,cross,Jesus,crucified,crucifixion,icon,iconic,Colmore Row,Colmore,Row,God is not dead,Jesus is not dead
Description: Tony Smith image Alamy 2ABJGFA - . Photographed at Colmore Row, Birmingham, West Midlands, UK, B3 2QB in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. The defining feature is heavily stylised modern crucifix,St Philips cathedral, Colmore Row, Birmingham B3 2QB,Church of England, Anglican,. The setting also relates to social history, place identity, changing land use, historic commercial architecture, period streetscape, documentary photography, period building, archival record, historic frontage, historical comparison, urban fabric, historic townscape, built heritage, and period detail. The present-day relevance extends to adaptive reuse and planning control, while a wider concern is the contrast between preservation and redevelopment. From an archival perspective, the frame preserves the visual character of the locality at the time within Colmore Row, Birmingham, West Midlands, UK, B3 2QB. The subject sits alongside architectural character, architectural detailing, local character, heritage asset, public realm, conservation interest, regional identity, and changing streetscape. Elements such as crucifix, heavily, Colmore, Anglican, and Birmingham add documentary specificity and may become more useful when compared with later records. For Colmore Row, Birmingham, West Midlands, UK, B3 2QB, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to adaptive reuse and the contrast between preservation and redevelopment in a form that can be compared with future views of Colmore Row, Birmingham, West Midlands, UK, B3 2QB. The location additionally provides evidence of heritage conservation and the contrast between preservation and redevelopment within the real-world context of Colmore Row, Birmingham, West Midlands, UK, B3 2QB. The photograph keeps period character for future local research.
Colmore Row, Birmingham, West Midlands, UK, B3 2QB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,RAF,air,base,site 4,faith,religions,WA5 9YZ,WA5,services,service,chapel,force,personnel,by,arrangement,heritage,centre,Burtonwood,Warrington,Cheshire,England,airbase,military,US,American,forces,church,faiths,mass,Protestant,Catholic,Muslim,shed,crucifix,tower,nissen,huts
Description: Tony Smith image Alamy 2K3XNKF - . Made at Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ in 2019, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The location is represented through RAF , USAF Burtonwood, services chapel , Protestant, catholic, other faiths, by arrangement ,site4 Chapel, Burtonwood, Warrington, Cheshire, England,. The locality and subject together evoke historical comparison, Christian heritage, community identity, social story.htm Target=_Blank>history, documentary photography, faith community, parish history, religious landmark, before-and-after reference, church interior, contemporary social history, everyday life, local history, and sacred architecture. The wider contemporary story combines tourism, faith communities and how churches combine active worship with heritage and community roles. The image fixes street furniture and boundaries within Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ at one identifiable point, providing a benchmark against later reinterpretation. Other useful contextual ideas include regional identity, historic church fabric, religious heritage, heritage worship space, changing streetscape, visual archive, public realm, and sacred space. The combination of arrangement, Protestant, catholic, faiths, and site4 anchors the frame to a recognisable activity, place or moment. For Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate tourism and the importance of church buildings to genealogy and local identity as part of the longer story of Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ. The image fixes evidence of earlier appearance as part of Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ's history.
Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ
Description
Keywords: @HotpixUK,Gotonysmith,on,Lancashire,England,UK,GB,holy,pano,panorama,wide,shot,wide shot,wideshot,Victoria St,Manchester,M3 1SX,M3,crucifix,gold,golden,brass,metalic,icon,iconic,history,historic,inside,interior,Cathedral and Collegiate Church of St Mary,St Denys,and,St George,the,impressive,religion,building,architecture
Description: Tony Smith image Alamy MNFTG5 - Manchester Cathedral, formally the Cathedral and Collegiate Church of St Mary, St Denys and St George, in Manchester, England, is the mother church of the Anglican Diocese of Manchester, seat of the Bishop of Manchester and the city's parish church. It is on Victoria Street in Manchester city centre and is a grade I listed building.
The former parish church was rebuilt in the Perpendicular Gothic style in the years following the foundation of the collegiate body in 1421. Then at the end of the 15th century, James Stanley II (warden 1485“1506 and later Bishop of Ely 1506“1515) was responsible for rebuilding the nave and collegiate choir with high clerestory windows
also commissioning the late-medieval wooden internal furnishings, including the pulpitum, choir stalls and the nave roof supported by angels with gilded instruments. The collegiate church became the cathedral of the new Diocese of Manchester in 1847. It was extensively refaced, restored and extended in the Victorian period, and again following bomb damage during World War II. It is one of fifteen Grade I listed buildings in Manchester.
Victoria St, Manchester , England, UK, M3 1SX
Description
Keywords: @HotpixUK,Gotonysmith,on,Lancashire,England,UK,GB,stained glass,window,stained glass window,metal,holy,Victoria St,Manchester,M3 1SX,M3,crucifix,gold,golden,brass,metalic,icon,iconic,history,historic,inside,interior,Cathedral and Collegiate Church of St Mary,St Denys,and,St George,the,impressive,religion,building,architecture
Description: Tony Smith image Alamy MNFTH9 - Manchester Cathedral, formally the Cathedral and Collegiate Church of St Mary, St Denys and St George, in Manchester, England, is the mother church of the Anglican Diocese of Manchester, seat of the Bishop of Manchester and the city's parish church. It is on Victoria Street in Manchester city centre and is a grade I listed building.
The former parish church was rebuilt in the Perpendicular Gothic style in the years following the foundation of the collegiate body in 1421. Then at the end of the 15th century, James Stanley II (warden 1485“1506 and later Bishop of Ely 1506“1515) was responsible for rebuilding the nave and collegiate choir with high clerestory windows
also commissioning the late-medieval wooden internal furnishings, including the pulpitum, choir stalls and the nave roof supported by angels with gilded instruments. The collegiate church became the cathedral of the new Diocese of Manchester in 1847. It was extensively refaced, restored and extended in the Victorian period, and again following bomb damage during World War II. It is one of fifteen Grade I listed buildings in Manchester.
Victoria St, Manchester , England, UK, M3 1SX
Description
Keywords: Falls,Road,rd,Garden,of,remembrance,IRA,members,deceased,West,Belfast,NI,UK,Falls,Cultural,Society,memorial,emotional,memorial,memory,of,republican,volunteers,vols,hero,heroes,cross,crucifix,Falls Cultural Society,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDPMAY - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: City,centre,grave,graveyard,wood,wooden,gold,cross,40th,Pathans,Captain,Ypres,26th April 1915,Memorial,Lothian,UK,GB,Dalmahoy,with,remembrance,day,crucifix,on,wall,mounted,British Army,40th Pathans,GoTonySmith,leading,company,into,action,Western,front,Buy Pictures of,Buy Images Of,Western Front
Description: Tony Smith image Alamy F89PKX - . Memorial to John Francis Cecil Dalmahoy,British Army, 40th Pathans, Captain Ypres 26th April 1915, Memorial,St Johns Edinburgh. Photographed on 30 November 2015. The recorded location is St Johns, Lothian Road, Edinburgh, Scotland, UK. Captain John Francis Cecil Dalmahoy. Unit: 40th Pathans, Indian Army. Death: 26 April 1915 Killed in action north of Ypres Western Front. In historical terms, memorials and inscriptions are primary sources for local and family history, preserving names, dates, occupations, military service and the language of remembrance
They range from private graves to civic monuments and can reveal how communities chose to commemorate loss in different periods. From a heritage perspective, objects from the First and Second World Wars often have significance beyond their immediate function
Uniform items, medical equipment, memorials and museum displays illustrate logistics, casualty care, military identity and the long cultural memory of industrialised warfare. During 2026, memorials continue to play an active role in public history, supporting remembrance, genealogy, education and heritage tourism
Images can also record inscriptions before erosion or redevelopment alters the physical object. As of 2026, the two world wars remain central to British remembrance, museum interpretation and family-history research
Surviving objects and inscriptions are increasingly valuable as living memory recedes and institutions rely more heavily on archives and material evidence. In the longer view, commemorative plaques, gravestones and monuments transform individual or collective memory into a permanent feature of the landscape
Their wording, materials and location can illuminate genealogy, social history, military service and changing attitudes to public remembrance. Further subject-specific language includes commemoration, memorial inscription, local history, grave marker, public memory, historic inscription, and memorial culture.
St Johns, Lothian Road, Edinburgh, Scotland, UK
Description
Keywords: Wood,Green,United,Kingdom,with,a,poppy,November,wwI,WWII,world,war,list,of,names,of,the,fallen,wooden,and,crucifix,cross,crucified,christ,rememberance,West Oxfordshire,England,UK english curches historic,GotonySmith,list,of,soldiers,volunteers,neo-Gothic,neoGothic,remembrance,roll
Description: Tony Smith image Alamy ECW4H6 - . Holy Trinity Church Woodgreen Witney plaque of remembrance, West Oxfordshire, England, UK. Photographed on 19 December 2014. The recorded location is Woodgreen, Witney, West Oxfordshire, England, UK. Holy Trinity Church is neo-Gothic in design. The foundation stone was laid on 5th. May, 1848 and the church was consecrated on 11th. July 1849. It stands on Woodgreen and serves a mainly residential part of the town. In the longer view, churches combine worship with architecture, local memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, evolving liturgy, local benefactors, war remembrance and family history. Historically, commemorative plaques, gravestones and monuments transform individual or collective memory into a permanent feature of the landscape
Their wording, materials and location can illuminate genealogy, social history, military service and changing attitudes to public remembrance. Historically, public wording is part of the visual landscape
Direction signs, warning notices, painted advertisements and engraved plaques show how authorities and businesses communicated before digital screens and app-based information became widespread. Current 2026 relevance comes from the fact that historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant. In 2026, interest in community history, genealogy and the conservation of memorials remains strong, while weathering, redevelopment and vandalism can threaten smaller monuments and inscriptions
Detailed photographs help preserve lettering, names and physical condition before further weathering or alteration.
Woodgreen, Witney, West Oxfordshire, England, UK
Description
Keywords: Wood,Green,United,Kingdom,with,a,poppy,November,wwI,WWII,world,war,list,of,names,of,the,fallen,wooden,and,crucifix,cross,crucified,christ,rememberance,West Oxfordshire,England,UK english curches historic lit tabernacle curtain holy consecrated,GotonySmith,list,of,soldiers,volunteers,neo-Gothic,neoGothic,lit,tabernacle,lamp
Description: Tony Smith image Alamy ECW4H8 - . Holy Trinity Church Woodgreen Witney lit tabernacle , West Oxfordshire, England, UK. Photographed on 19 December 2014. The recorded location is Woodgreen, Witney, West Oxfordshire, England, UK. Holy Trinity Church is neo-Gothic in design. The foundation stone was laid on 5th. May, 1848 and the church was consecrated on 11th. July 1849. It stands on Woodgreen and serves a mainly residential part of the town. The historical context is that ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments offer evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space. The wider historical story is that memorials and inscriptions are primary sources for local and family history, preserving names, dates, occupations, military service and the language of remembrance
They range from private graves to civic monuments and can reveal how communities chose to commemorate loss in different periods. The wider historical story is that street signs, shop fascias, notices and inscriptions combine practical communication with graphic design
Typefaces, colours and wording can identify an era, organisation or community custom, making close photographs valuable for social, transport and commercial history. The subject remains topical in 2026 because many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses. In the present 2026 context, memorials continue to play an active role in public history, supporting remembrance, genealogy, education and heritage tourism
Images can also record inscriptions before erosion or redevelopment alters the physical object.
Woodgreen, Witney, West Oxfordshire, England, UK
Description
Keywords: Wood,Green,United,Kingdom,with,a,poppy,November,wwI,WWII,world,war,list,of,names,of,the,fallen,wooden,and,crucifix,cross,crucified,christ,rememberance,West Oxfordshire,England,UK english curches historic,GotonySmith,list,of,soldiers,volunteers,neo-Gothic,neoGothic,remembrance,roll
Description: Tony Smith image Alamy ECW4H9 - . Holy Trinity Church Woodgreen Witney plaque of remembrance, West Oxfordshire, England, UK. Photographed on 19 December 2014. The recorded location is Woodgreen, Witney, West Oxfordshire, England, UK. Holy Trinity Church is neo-Gothic in design. The foundation stone was laid on 5th. May, 1848 and the church was consecrated on 11th. July 1849. It stands on Woodgreen and serves a mainly residential part of the town. Looking at the subject's development, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single building, reflecting generations of worship and local patronage. As background, historic inscriptions provide unusually direct documentary evidence
Names, dates, dedications and symbolic imagery can connect a present-day location with former residents, workers, congregations or wartime casualties, making the object relevant to both genealogy and wider social history. As background, signs and notices are ephemeral pieces of design that can become significant historical evidence
Lettering, logos, warnings and directions record former businesses, regulations, transport systems and public messages that may disappear long before the surrounding building changes. For the 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant. Against the 2026 backdrop, interest in local history, genealogy and the conservation of memorials remains strong, while weathering, redevelopment and vandalism can threaten smaller monuments and inscriptions
Detailed photographs help preserve lettering, names and physical condition before further weathering or alteration.
Woodgreen, Witney, West Oxfordshire, England, UK
Description
Keywords: religion religious church of England Oxfordshire,England,United Kingdom Oxen Oxon art artwork catholic cross crucifix disciples,GoTonySmith,The Last Supper,by,Leonardo da Vinci,wooden,Oxen,disciples,church,scene,from,Saint Marys,Ardley,Oxfordshire,United Kingdom,UK,wood,carving,last supper,St Marys,disciple,crucifixion,crucifix,crucifixes,art,artwork,cross,Easter,crosses,Jesus,Christ
Description: Tony Smith image Alamy ECW509 - . Wood carved last supper scene from St Marys Ardley, Oxfordshire, England, United Kingdom. The photograph was taken on 19 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Wood, carved, last, supper, scene, Marys, Ardley, St Marys, religion religious church of England Oxfordshire and United Kingdom Oxen Oxon art artwork catholic cross crucifix disciples, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
St Marys Ardley, Oxfordshire, England, United Kingdom
Description
Keywords: West Oxfordshire,England,UK,classic,architecture,neogothic,Wood,Green,United,Kingdom,with,a,poppy,November,wwI,WWII,world,war,list,of,names,of,the,fallen,wooden,memorial,and,crucifix,cross,crucified,christ,rememberance,England,UK english curches historic,GoTonySmith
Description: Tony Smith image Alamy ECW52R - . Holy Trinity Church, Woodgreen Witney, Pipe Organ, West Oxfordshire, England, UK. Photographed at Woodgreen, Witney, West Oxfordshire, England, UK. The photograph was taken on 19 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Holy, Trinity, Church, Woodgreen, Witney, Pipe, Organ, neo-Gothic, West Oxfordshire and classic, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph has direct relevance to remembrance, commemoration, war memorials, civic ceremony and the public spaces used to remember military service and loss. It can support editorial features about Remembrance Sunday, Armistice commemorations, poppies, cenotaphs, wreath laying, local military history, veterans and civic participation. Inscriptions, floral tributes, flags, stonework, surrounding streets and temporary commemorative displays can provide important documentary detail for historical and news use. A dated image of a memorial is especially valuable because ceremonies, wreaths, signage and the surrounding public realm change from year to year. Search themes include remembrance, cenotaphs, war memorials, poppies, veterans, civic ceremony, military history, Armistice and public commemoration. Temporary wreaths, poppies and ceremonial displays can make one year's view materially different from another, increasing the archive value of the photograph. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Woodgreen, Witney, West Oxfordshire, England, UK
Description
Keywords: Always,Cross,at,church,Kirk,royal,mile,high,st,street,Old Town,old,Town,Scotland,UK,crucifix,Christian,crown,religion,religion,Church,of,Church of Scotland,Belief,Lo I am with you alway,alway,Lo,I,am,with,you,alway,GoTonySmith,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DECYE4 - . Lo I am with You Always,Cross at Canongate Kirk, Royal Mile, Edinburgh Old Town, Scotland, UK. Photographed at High St,Edinburgh,Scotland,UK. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Lo I am with You Always, Cross, Canongate Kirk, am with you alway, Lo I am with You, Edinburgh, Edinburgh Old Town, Royal Mile, Canongate and Always, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
High St,Edinburgh,Scotland,UK
Description
Keywords: Always,Cross,at,church,Kirk,royal,mile,high,st,street,Old Town,old,Town,Scotland,UK,crucifix,Christian,crown,religion,religion,Church,of,Church of Scotland,Belief,Lo I am with you alway,alway,Lo,I,am,with,you,alway,GoTonySmith,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DECYFN - . Lo I am with You Always,Cross at Canongate Kirk, Royal Mile, Edinburgh Old Town, Scotland, UK. Photographed at High St,Edinburgh,Scotland,UK. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Lo I am with You Always, Cross, Canongate Kirk, am with you alway, Lo I am with You, Edinburgh, Edinburgh Old Town, Royal Mile, Canongate and Always, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
High St,Edinburgh,Scotland,UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,HotpixUK,crucifix,history,St Peters Parish Church,interior,inside,Cotswold,Cheltenham,Gloucestershire,GL54 5LU,GL54,altars
Description: Tony Smith image Alamy DCYCHX - A Brief History of St Peter's Parish Church
There has been a church dedicated to St Peter on this site from the early 800s. The earlier building fell into disrepair in the early 1400s and was rebuilt in the Perpendicular style between about 1452 and 1460 by the Abbot of Winchcombe and the townspeople with the encouragement and support of Ralph Boteler, Lord of Sudeley. He arranged for his father and elder brothers to be reburied in the chapel at the east end of the new St Peter's, and provided them with carved effigies. They were also portrayed in the stained glass of the side windows
his sisters and presumably his mother were portrayed in the chapel on the north side. The new church was almost certainly the first here to be provided with seating, as the clergy responded to the challenge of the radical reformist movement of the Lollards with more instructive sermons. Embroidered panels from the new vestments acquired at that time have survived and are displayed in a cabinet in the north aisle.
Not long after this rebuilding the Church entered a period of great turbulence as part of the English Reformation in the reign of Henry VIII (1509 - 1547). The most dramatic change was the suppression of Winchcombe Abbey in 1539, following which all of the Abbey's (and the Abbot's) possessions and income were transferred into lay hands. As the Abbot was also the Rector of St Peter's, this meant much of the income that had financed St Peter's dried up and the church was left impoverished for centuries. At the same time a translation of the Bible into English was introduced into all churches, followed shortly afterwards by the first version of the Book of Common Prayer. Relics and pictures encouraging ˜idolatry' were removed.
Change continued in the reign of Henry VIII's son Edward VI (1547-1553). More info at https://winchcombeparish.org.uk/a-brief-history-of-st-peters-parish-church.php
Winchcombe, Cotswolds, Cheltenham, Gloucestershire, England, UK, GL54 5LU
Description
Keywords: on-thames,piece,altarpiece,jesus,cross,Dorchester,church,interior,inside,religious,relic,statues,golden,leaf,of,St,Peter,and,St,Paul,is,the,parish,old,quaint,centre,tourist,tourism,pilgrim,pilgrimage,Lady,Chapel,wideshot,wide,shot,stained,glass,window,windows,gotonysmith,relics,carving,crucifix,flags,scotland,england,center,thames,on,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DA8A9E - . Golden Altar art from lady chapel of St Peter & St Paul, parish church, Dorchester on Thames, England, UK. Photographed on 5 July 2013. The recorded location is High St, Dorchester on Thames, Oxen, England, UK OX10 7HH. Dorchester Abbey, formally the Abbey Church of St Peter and St Paul, stands on a site with Christian associations stretching back to the early medieval period. The present church contains major medieval fabric and later restoration, with monuments, stained glass, chapels and decorative work accumulated over centuries. The village itself developed beside the Thames and the River Thame, giving its churches, old post office and historic street details strong local-history value. The historical context is that parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single building, reflecting generations of worship and local patronage. The wider historical story is that historic interiors combine architecture with material culture
Furniture, clocks, silverware, screens, organs and decorative schemes can show craftsmanship, status and institutional use in ways that a façade alone cannot convey. The subject remains topical in 2026 because many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses. In the present 2026 context, adaptive reuse often changes internal layouts dramatically, so photographs of earlier rooms and fittings have particular conservation and design value. Alternative search wording includes ecclesiastical architecture, Christian heritage, sacred art, religious symbolism, church interior, churchyard, and place of worship.
High St, Dorchester on Thames, Oxen, England, UK OX10 7HH
Description
Keywords: Ornate,wood,wooden,gold,pulpit,crucifix,history,historic,in,the,inside,interior,marble,Berlin Cathedral,Berliner Dom,built,building,in,1905,by,King Frederick,William IV,protestant,architecture,baroque,basilica,berlin,berliner,capital,cathedral,church,city,cross,dom,dome,europe,european,GoTonySmith,evangelical,facade,german,germany,gold,interior,island,lutheran,mitte,museum,ornate,pulpit,religion,religious,spree,tourism,travel,Colln,Cölln,western,marbled,Luther,Luthur,Evangelical,Church,Supreme,Parish,Collegiate,Deutsche,Deutschland,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F0G7EN - Berlin Cathedral (German: Berliner Dom) is the short name for the Evangelical (i.e. Protestant) Supreme Parish and Collegiate Church (German: Oberpfarr- und Domkirche) in Berlin, Germany. It is located on Museum Island in the Mitte borough. The current building was finished in 1905 and is a main work of Historicist architecture of the Kaiserzeit.
The Dom is the parish church of the congregation Gemeinde der Oberpfarr- und Domkirche zu Berlin, a member of the umbrella organisation Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia. The Berlin Cathedral has never been a cathedral in the actual sense of that term since it has never been the seat of a bishop. The bishop of the Evangelical Church in Berlin-Brandenburg (under this name 1945“2003) is based at St. Mary's Church and Kaiser Wilhelm Memorial Church in Berlin.
Am Lustgarten, 10178 Berlin, Germany
Description
Keywords: bible,stained,glass,hand,hands,cross,crucifix,refraction,church,religion,tonysmith,hotpix,hotpixuk,hot,pix,pics,hotpics,tony,smith,sepia,b/w,mono,selective,colour,color,colores,book,joshua,holy,catholic,anglican,rome,pope,religious,ipod,music,#tonysmithhotpix,#tonysmithotpix
Description: Tony Smith image Flickr 4824464455 - 'Jesus Hairdo - 'The Charlatans' - Play this track here.
?Whats this iPod Shuffle set all about? Read about it here
A great summer track for a Saturday with the sun flooding through my front window.
This is the eleventh track on the compilation 'Melting Pot'. I pass the cafe on the cover of this album most lunchtimes when I go into Northwich. It looks slightly different now after a recent paint &
decoration job. A few years ago I had the pleasure of having some of my framed live shots on the walls there.
The band consists of Northwich lad Tim Burgess (vox), Mark Collins (guitar), Martin Blunt (bass), Tony Rogers (keyboards) and Jon Brookes (drums and percussion). Northwich is the home of the band's own original 'Dead Dead Good Records' label and have inspired many local musicians.
the Charlatans are back in the studio to work on their eleventh album planned for release in August 2010. This also coincides with twentieth anniversary of the band's debut album, Some Friendly. The album is due for re-issue with bonus material, and an extensive UK tour for both the re-issue and new album launch is due to take place to support these releases.
If you have not heard them before, checkout 'Melting Pot' to be rewarded :-)
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NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>cool stuff from my photostream.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
(fot)',
Description
Keywords: Buddy,Christ,is,a,parody,religious,icon,in,the,film,In,the,film,he,is,part,of,a,campaign,Wow!,to,renew,the,image,of,(and,interest,in),the,Catholic,Church.,Viewing,the,crucifix,image,as,wholly,depressing,the,Church,led,by,Cardinal,Glick,George,Carlin,decides,to,retire,it,catholics,gotonysmith,humour,humorous,humor,funny,fun,joke,jokes,taboo,taboos,religion,religion,religious,blasphemy,buddychrist,Jesus,Saviour,prophet,icon,iconic,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HCHP - Buddy Christ is a parody religious icon in the film Dogma. In the film, he is part of a campaign (Catholicism Wow!) to renew the image of (and interest in) the Catholic Church.
Viewing the crucifix image as wholly depressing, the Church, led by Cardinal Glick (George Carlin) decides to retire it, and creates Buddy Christ as a more uplifting image of Jesus Christ. The icon consists of a statue of Jesus, smiling and winking while pointing at onlookers with one hand and giving the thumbs-up sign with the other hand. The Buddy Christ was later produced as an action figure and a bobblehead
