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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,No 729,council,social,housing,doing good,store,stall,clothes,clothing,footwear,shoes,curtains,Southern Gate,729 Princess Road,M20 2LT,South Manchester,housing association,free,clothing store,household goods,resident support,tenant,support,welfare support,tenancy,sustainment,action,initiative,clothing bank,household essentials,furniture poverty,poverty prevention,low income families,social landlord,not for profit landlord,community-based housing provider,waiting lists
Description: Tony Smith image Alamy 3ENF26E - Southway Housing's free clothing and household store for residents at Southern Gate, 729 Princess Road, Manchester, M20 2LT. The subject is useful for illustrating practical tenant support by a community-based housing association in South Manchester, including help for people on low incomes, social housing residents, council housing tenants, families setting up or sustaining a tenancy, people affected by the cost of living, and residents needing clothing, household goods or basic essentials. Southway Housing describes itself as a community-focused housing association with more than 6,500 homes across Greater Manchester, while its contact information gives Southern Gate on Princess Road as its office address. Manchester's local advice directory also describes Southway as a community-based provider and social enterprise working in and around South Manchester, with support and advice services to help tenants maintain tenancies, manage household bills and debts and access other agencies. This makes the image relevant to editorial features on social housing, charitable help, tenancy sustainment, welfare support, poverty prevention, household budgeting, resident engagement, neighbourhood services and practical community assistance. The location on Princess Road in Didsbury places the service within a busy South Manchester corridor, making it suitable for stories about local authority housing transfer legacy, housing association customer services, tenant hardship, reuse of donated goods, circular economy, community resilience and the role of landlords beyond rent collection and repairs. Keywords and captions can connect the image with wider themes such as food and fuel poverty, furniture poverty, clothing banks, cost-of-living pressure, anti-poverty support, resident wellbeing, sustainable reuse, public service partnerships and the everyday social value delivered by not-for-profit housing providers.
Southern Gate, 729 Princess Road, Manchester, M20 2LT.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,CW9,historic,mosaics,Witton St,Witton Street,Northwich,Cheshire,CW9 5BY,Bullring,Bull ring,the,AB,store,traditional,door,doorway,entrance,front,exterior,outside,old-fashioned,old fashioned,Worsley,Worsley.,threshold,thesholds,AB Worsley Tailor shop,clothes,clothing,suit,suits,alterations
Description: Tony Smith image Alamy 2RCDJ2R - . Entrance doorway, AB Worsley Tailor, Northwich, the Bull Ring, Witton Street, Northwich, Cheshire, England, UK, CW9 5BY. Photographed on 13 July 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Bull Ring, Witton Street, Northwich, Cheshire, England, UK, CW9 5BY, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include CW9, historic, mosaics, Witton St, Witton Street, Northwich, Cheshire, CW9 5BY, Bullring, Bull ring, store, traditional, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include door, doorway, entrance, front, exterior, old-fashioned, broadening discoverability while remaining tied to the supplied subject information.
Bull Ring, Witton Street, Northwich, Cheshire, England, UK, CW9 5BY
Description
Keywords: Greater Manchester,centre,England,UK,NW,North West,GoTonySmith,HotpixUK,@HotpixUK,the,CoOp,Co Op,OL12,OL12 0NU,CWS Rochdale,Manchester,Co-Op,T Shirt,top,clothes,clothing,staff,apparel,people,who,care,about,customers,customer,service,1960s,1970s,logo,brand,brands,cooperative,movement,group
Description: Tony Smith image Alamy 2RCA2J5 - . Co-Op People who care blue on white T-Shirt, CWS Rochdale, Manchester, England, UK, OL12 0NU. Photographed on 10 June 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Toad Lane, Rochdale, Greater Manchester, England, UK OL12 0NU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Greater Manchester, North West, CoOp, Co Op, OL12, OL12 0NU, CWS Rochdale, Manchester, Co-Op, T Shirt, top, clothes, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include clothing, staff, apparel, people, who, care, broadening discoverability while remaining tied to the supplied subject information. The scene contributes a specific, place-based record rather than a generic illustration.
Toad Lane, Rochdale, Greater Manchester, England, UK OL12 0NU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M11,clothing,Store,England,UK,M11 2NN,east,2022,logo,profits,profitability,downturn,clothes,front,shopfront,high street,high st,storefront,warehouse,British,fashion,homeware,retailer,John Hargreaves,Jason Hargreaves,source,Rana Plaza factory,Bangladesh,made,vietnam,labour rights,campaign,Matalan Retail Limited,Missouri Topco Limited,Steve Johnson
Description: Tony Smith image Alamy 2K7NBGX - Matalan is a British fashion and homeware retailer based in Knowsley, Merseyside. It was established by John Hargreaves in 1985, and is still owned by the Hargreaves family. As of 2020, the company employed over 13,000, and had 230 stores in the United Kingdom, together with franchise stores in the Middle East.
John Hargreaves opened the first Matalan store in 1985 at Bamber Bridge, near Preston, Lancashire. There were fifty stores by 1995, and in 1997, the company moved its headquarters from Preston to Skelmersdale, also in Lancashire. The company was floated on the London Stock Exchange in 1998, but taken private again by the Hargreaves family in October 2006.
During 2009, John Hargreaves sought to sell off Matalan, but by February 2010, had failed to find buyers willing to meet the £1.5 billion price.[4] Jason Hargreaves was appointed managing director in July 2013. The headquarters moved to a purpose built site at Knowsley, Merseyside in 2014. The company won approval for this scheme in October 2012.
Controversy
Matalan was among the companies who sourced clothes from the Rana Plaza factory in Bangladesh which collapsed, killing 1,134, in April 2013. In July 2014, they were the focus of a campaign by 38 Degrees and Labour Behind the Label, for failing to contribute to the official compensation fund coordinated by the ILO. This was in contrast to some of their main competitors, such as Primark who contributed $9 million.
After pressure, they announced that they would contribute an undisclosed amount. It was later revealed that they had paid £60,000 into the fund, which labour rights campaigns challenged as being an insufficient amount compared with other retailers.
Structure
Matalan Retail Limited is a wholly owned subsidiary of Missouri Topco Limited, a holding company which is based in Guernsey, and is controlled by the Hargreaves family.
In the Middle East, the Matalan brand is franchised to BTC Fashion General Trading, based in Qatar. BTC have stores in
Ashton Old Rd, Openshaw, Greater Manchester, England, UK, M11 2NN
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,external,Welcome,to,Manchesters,entrance,into,Arndale Centre Market,Manchester,England,UK,award winning,markets,small,retailers,community,urban,welcoming,bargain,bargains,welcome,outside,exterior,door,Arndale Market,Arndale Markets,the,famous,central,food,clothes,cost of living,inflation,making ends meet,international foods,trader,traders
Description: Tony Smith image Alamy 2JYYR7Y - . sign, Welcome to Manchester Arndale Market. Photographed on 26 August 2022. The recorded location is Arndale Centre Market, Manchester, England, UK, M4 3AB. Stalls inside the Arndale Shopping Centre selling international foods, plus fashions. Historically, markets and high-street businesses combine commercial history with everyday social life
Their changing occupiers, branding and uses document local economies, consumer culture, town-centre regeneration and the long shift from traditional retailing towards mixed shopping, food and leisure destinations. From a heritage perspective, signs and notices are ephemeral pieces of design that can become important historical evidence
Lettering, logos, warnings and directions record former businesses, regulations, transport systems and public messages that may disappear long before the surrounding building changes. In 2026, town-centre resilience continues to be a major policy issue in England, with government programmes aimed at high streets and community ownership of valued local assets
Changing retail patterns, vacancies and the growth of food-led destinations make older shop and market photographs useful for comparison. As of 2026, digital wayfinding is widespread, but physical signage remains essential for safety, accessibility and identity
Historic notices and ghost signs are also increasingly appreciated as part of the character of streets and buildings. The historical context is that shops and markets are a visible record of changing consumer life, from family businesses and specialist traders to chain stores, department stores and regenerated market halls
Fascias, signs and shopfronts can date a street scene as clearly as architecture or vehicles. Against the 2026 backdrop, much public information has moved onto smartphones and digital displays, making older fixed signs and printed notices increasingly valuable as evidence of how people once navigated places, bought services and followed rules.
Arndale Centre Market, Manchester, England, UK, M4 3AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,cathedral church of the Anglican Diocese of Hereford,HR1,England,UK,5,College Cloisters,HR1 2NG,cathedral,building,city,centre,and,his,first,wife,in,clothes,history,heritage,traditional,classic,cathedrals,fixtures,stained glass,colour,coloured,story,stories,cityscape,skyline,knight,knights,tomb,Nobleman
Description: Tony Smith image Alamy 2JPH6JH - Alexander Denton (1542-8 January 1576) of Hillesden in Buckinghamshire was a landowner and member of the Buckinghamshire gentry. He is best known for his two monuments, one in Hereford Cathedral the other in Hillesden Church.
Origins
He was the only child and heir of Thomas Denton (1515-1558) of Hillesden, several times a Member of Parliament, by his wife Margaret Mordaunt, a daughter of John Mordaunt, 1st Baron Mordaunt, of Turvey, Bedfordshire, and widow of Edmund Fettiplace (d.1540) of Besselsleigh, Berkshire.[1]
Marriages - he married twice:
Firstly to Anne Willison (1548-1566), who died aged 18, a daughter of Richard Willison (d.1575) of Sugwas near Hereford, by his wife Anne Elton of Ledbury,[2] whose joint monument with recumbent effigies survives, mutilated, in Madley Church.[3] Arms of Willison: A chevron between three lions rampant, as visible on the Madley Church monument and on the Denton monument in Hereford Cathedral.
Secondly he married Mary Martin (d.1574) a 15-year-old daughter and co-heiress of Sir Roger Martyn, Lord Mayor of London in 1567. Her portrait by George Gower to commemorate her marriage survives in the York Art Gallery.
5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,centre,Denton,and,his,first,wife,her,dressed,in,swaddling,clothes,recumbent,effigy,St Mary the Virgin,St Ethelbert,the,King,inside,interior,infant,mortality,history,heritage,traditional,classic,cathedrals,fixtures,figure,nobleman,noblemans,tomb,memorial,buried
Description: Tony Smith image Alamy 2JPH6JR - . An on-location photograph from 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The photograph centres on Monument of Alexander Denton and his first wife Anne Willison, and her baby dressed in swaddling clothes in St Mary the Virgin cathedral Hereford. The broader subject matter reaches into church conservation, religious heritage, Christian iconography, changing streetscape, community memory, historic glazing, community identity, faith heritage, historic commemoration, ecclesiastical decoration, regional identity, contemporary social history, sacred architecture, and stained-glass craftsmanship. From a 2025-onward perspective, historic fabric and church maintenance are closely linked to this subject, alongside how sacred art preserves local patrons, stories and beliefs. The wider contemporary story combines heritage conservation, genealogy and the conservation challenge posed by weathered historic stone and lettering. Future viewers can use this scene from 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG to compare building condition and alterations with whatever follows after later reinterpretation. The photograph additionally reflects epitaph, changing land use, before-and-after reference, local remembrance, public realm, sacred space, commemorative text, and period detail. The combination of Virgin, cathedral, swaddling, first, and dressed anchors the frame to a recognisable activity, place or moment. By fixing the subject within 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The view records a point of historical comparison for future local research.
5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,London,England,UK,West End,15,W1F 0HP,shops,stores,dry,cleaner,retail,small business,shutter,graffiti,clean,cleaning,west end,outside,British,exterior,sign,shop,store,laundry,wash,clothes,suit,washing,traditional,old,long established,facade,front
Description: Tony Smith image Alamy 2JJPKRA - . Photographed at 15 ,Berwick St, London, England, UK, W1F 0HP in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Soho Dry Cleaners shop, 15 Berwick St, London, England, UK, W1F 0HP. The image also relates to everyday street life, consumer retail, changing land use, regional identity, retail chain, retail property, visual archive, social history, physical store, urban change, townscape record, everyday life, local character, and place identity. In present-day coverage, the subject reaches into town-centre regeneration and changing footfall, not least because of the role of large retailers in town-centre and edge-of-centre economies. Today's relevance is strengthened by footfall, local identity and the continuing question of how ordinary street scenes become valuable records as businesses and infrastructure change. As a dated visual record of 15 ,Berwick St, London, England, UK, W1F 0HP, the frame retains landscape treatment and surrounding development, making it especially useful if replacement signage subsequently changes the scene. A second descriptive layer includes changing streetscape, commercial streetscape, public realm, period detail, street-level documentary, before-and-after reference, contemporary social history, and brand-led retail. Elements such as Cleaners and Berwick add documentary specificity and may become increasingly useful when compared with later records. The period setting at 15 ,Berwick St, London, England, UK, W1F 0HP helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes town-centre regeneration and the speed at which branding and store formats change as part of the longer story of 15 ,Berwick St, London, England, UK, W1F 0HP.
15 ,Berwick St, London, England, UK, W1F 0HP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,recycled,recycling,used,hung,outside,the,223,coloured,dyed,leather,clothes,clothing,NW1 7BU,223 Camden High Street,North London,fashion,secondhand,jacket,jackets,from,browse,browsing,biker,leathers,worn,Belstaff,Black Hills,BlackHills,shopping,London,suede,skin,animal,fashions
Description: Tony Smith image Alamy 2K16AW3 - . Recorded at 223 Camden High Street, North London, England, UK, NW1 7BU in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Fashion pre-loved secondhand jackets, from House Of Leather shop, 223 Camden High Street, North London, England, UK, NW1 7BU. A broader reading of the photograph includes place identity, inland transport history, waterway conservation, towpath landscape, town-centre economy, contemporary social history, consumer retail, public realm, archival record, canal transport, commercial streetscape, destination shopping, historical comparison, and heritage boating. Today's relevance is strengthened by heritage conservation, public access and the continuing question of how museum collections preserve working waterway history. From a 2025-onward perspective, consumer spending and town-centre regeneration are closely linked to this subject, alongside the rapid turnover of shopfronts and trading names. The archival value lies partly in recording materials and architectural details around 223 Camden High Street, North London, England, UK, NW1 7BU before conservation work alters the character of the place. Further associations within the scene are inland navigation, changing streetscape, high-street commerce, street-level business, canal heritage, industrial navigation, customer footfall, and regional identity. Elements such as pre-loved, Leather, House, London, and Fashion add documentary specificity and may become increasingly useful when compared with later records. The wider setting at 223 Camden High Street, North London, England, UK, NW1 7BU matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The period view preserves details of everyday use as a date-specific reference.
223 Camden High Street, North London, England, UK, NW1 7BU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,fashionable,footwear,clothes,chic,and,secondhand,212,NW1 8QR,NW1,Vans,off the wall,shoes,branded,retail,independent,business,small,trendy,vibe,selling,rock,heritage,punk,rocker,vintage,new,leather,vegan,alternative,van,vans
Description: Tony Smith image Alamy 2K16AX3 - . This location-specific image from 249 Camden High Street, Camden Town, London, England, UK, NW1 7BU in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The image documents 4FeetShoes Chic and pre-loved Fashion 249 Camden High Street, Camden Town, London, England, UK, NW1 7BU. Further facets of the scene include boat museum collection, industrial navigation, high-street commerce, archival record, period detail, destination shopping, waterborne freight, everyday life, independent trading, documentary photography, canal heritage, public realm, mixed-use town centre, and historic narrowboat. In present-day coverage, the subject reaches into funding and biodiversity, not least because of the cost of maintaining ageing locks, boats and canal structures. Today's relevance is strengthened by changing footfall, store closures and the continuing question of how mixed retail, leisure and residential uses are reshaping high streets. The archival value lies partly in recording equipment and working practice around 249 Camden High Street, Camden Town, London, England, UK, NW1 7BU before replacement signage alters the character of the place. Further associations within the scene are inland transport history, local character, visual archive, customer footfall, bricks-and-mortar retail, consumer retail, local enterprise, and waterway conservation. Details involving Fashion, 4FeetShoes, Camden, pre-loved, and London make the image more specific than a generic view and strengthen its local or historical value. Around 249 Camden High Street, Camden Town, London, England, UK, NW1 7BU, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene captures a local visual benchmark within the wider story of 249 Camden High Street, Camden Town, London, England, UK, NW1 7BU.
249 Camden High Street, Camden Town, London, England, UK, NW1 7BU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,fashionable,footwear,clothes,chic,and,secondhand,212,NW1 8QR,NW1,culture cant be forgotten,Tower LDN Camden,shoe,shoes,boot,boots,retail,independent,business,small,trendy,vibe,selling,rock,heritage,punk,rocker,vintage,new,leather,vegan,alternative
Description: Tony Smith image Alamy 2K16AX5 - . This scene at 210 Camden High Street, Camden Town, London, England, UK, NW1 8QR in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Tower LDN Camden, chic and pre-loved Fashion 210 Camden High Street, Camden Town, London, England, UK, NW1 8QR. The frame also records themes of street-level business, commercial frontage, customer footfall, archival record, canal transport, community identity, waterborne freight, boat museum collection, destination shopping, regional identity, local history, working waterway, local enterprise, and mixed-use town centre. For current editorial use, industrial heritage and public access provide additional context, especially through how museum collections preserve working waterway history. Current relevance extends to consumer spending and business rates, particularly through how physical retail adapts to online competition. Future viewers can use this scene from 210 Camden High Street, Camden Town, London, England, UK, NW1 8QR to compare transport arrangements and footfall with whatever follows after redevelopment. Further associations within the scene are waterway conservation, industrial waterway history, navigation engineering, public realm, place identity, period detail, consumer retail, and social history. Elements such as Fashion, Tower, London, Camden, and pre-loved add documentary specificity and may become increasingly useful when compared with later records. The wider setting at 210 Camden High Street, Camden Town, London, England, UK, NW1 8QR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is industrial heritage and how museum collections preserve working waterway history within the real-world context of 210 Camden High Street, Camden Town, London, England, UK, NW1 8QR.
210 Camden High Street, Camden Town, London, England, UK, NW1 8QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,fashionable,footwear,clothes,chic,and,secondhand,212,NW1 8QR,NW1,the,leather,&,boot,shop,store,New Rock,shoes,shoe,retail,independent,business,small,trendy,vibe,selling,rock,heritage,punk,rocker,vintage,new
Description: Tony Smith image Alamy 2K16AX8 - . Made at 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents New Rock boots Chic and pre-loved Fashion 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR. The broader subject matter reaches into canal heritage, bricks-and-mortar retail, place identity, changing land use, visual archive, local character, commercial streetscape, waterway conservation, inland navigation, street-level business, regional identity, historical comparison, boat museum collection, and contemporary social history. The wider contemporary story combines store closures, consumer spending and how physical retail adapts to online competition. Viewed from the mid-2020s, the subject also connects with biodiversity, volunteering and the value of canals as both historic infrastructure and blue-green corridors. The archival value lies partly in recording materials and architectural details around 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR before new ownership alters the character of the place. The surrounding story also includes working waterway, inland transport history, before-and-after reference, towpath landscape, customer footfall, commercial frontage, public realm, and documentary photography. The combination of London, boots, Camden, pre-loved, and Fashion anchors the frame to a recognisable activity, place or moment. By fixing the subject within 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another useful connection is store closures and how physical retail adapts to online competition within the real-world context of 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR.
212 Camden High Street, Camden Town, London, England, UK, NW1 8QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,fashionable,footwear,clothes,chic,and,secondhand,212,NW1 8QR,NW1,the,leather,&,boot,shop,store,New Rock,shoes,shoe,retail,independent,business,small,trendy,vibe,selling,rock,heritage,punk,rocker,vintage,new
Description: Tony Smith image Alamy 2K16AXB - . An on-location photograph from 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is New Rock boots Chic and pre-loved Fashion 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR. The setting additionally reflects retail property, inland navigation, consumer retail, heritage boating, local character, town-centre economy, street-level business, industrial navigation, shopfront economy, independent trading, before-and-after reference, documentary photography, destination shopping, and community identity. Viewed from the mid-2020s, the subject also connects with changing footfall, business rates and the role of markets and independent shops in keeping town centres active. The modern context includes continuing discussion of heritage conservation, flood resilience and the cost of maintaining ageing locks, boats and canal structures. The archival value lies partly in recording lettering, decoration and surface detail around 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR before new construction alters the character of the place. The location also brings in archival record, waterway conservation, changing streetscape, navigation engineering, everyday life, waterborne freight, mixed-use town centre, and regional identity. The combination of London, Camden, Fashion, boots, and pre-loved anchors the frame to a recognisable activity, place or moment. A later view of 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. It also preserves evidence of changing use as a date-specific reference. The photograph keeps evidence of earlier appearance for later comparison.
212 Camden High Street, Camden Town, London, England, UK, NW1 8QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,fashionable,footwear,clothes,chic,and,secondhand,NW1 8QR,NW1,214,gift,shop,store,souvenir,tat,crap,souvenirs,visitor,visitors,tourist,tourism,families,toy,toys,symbol,symbols,icon,iconic,city,image,beefeaters,telephone,box,boxes,Big Ben
Description: Tony Smith image Alamy 2K16AXE - . This dated editorial view of 214 Camden High Street, Camden Town, London, England, UK, NW1 8QR in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The main point of reference is London Family gift shop, The Elephants Head, 214, Camden Town, London, England, UK, NW1 8QR. Further facets of the scene include mixed-use town centre, retail property, changing land use, customer footfall, commercial frontage, local history, place identity, community identity, boat museum collection, independent trading, inland transport history, local character, historical comparison, and waterborne freight. Today's relevance is strengthened by brand consolidation, town-centre regeneration and the continuing question of how mixed retail, leisure and residential uses are reshaping high streets. From a 2025-onward perspective, biodiversity and volunteering are closely linked to this subject, alongside the cost of maintaining ageing locks, boats and canal structures. The archival value lies partly in recording building condition and alterations around 214 Camden High Street, Camden Town, London, England, UK, NW1 8QR before replacement signage alters the character of the place. The subject also sits alongside period detail, regional identity, town-centre economy, towpath landscape, before-and-after reference, everyday life, bricks-and-mortar retail, and destination shopping. References to Camden, Elephants, Family, and London give the picture a strong period identity and tie it closely to its named subject. The wider setting at 214 Camden High Street, Camden Town, London, England, UK, NW1 8QR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The period view preserves period character as part of 214 Camden High Street, Camden Town, London, England, UK, NW1 8QR's history.
214 Camden High Street, Camden Town, London, England, UK, NW1 8QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,fashionable,footwear,clothes,chic,and,secondhand,NW1 8QR,NW1,sweets,USA,US,chocolate,candies,American,soda,cans,cereal,cereals,Co,company,scandal,money laundering,American Candy World,American Candy Land,Candy Surprise,business rates evasion,counterfeit,illegal goods,style,neighbourhood,art,expression
Description: Tony Smith image Alamy 2K16AXM - . An on-location photograph from 197 Camden High Street, Camden Town, London, England, UK, NW1 8QR in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows American Candy Co 197 Camden High Street, Camden Town, London, England, UK, NW1 8QR. The frame also records themes of public realm, boat museum collection, heritage boating, changing streetscape, contemporary social history, local character, inland navigation, towpath landscape, bricks-and-mortar retail, navigation engineering, documentary photography, inland transport history, period detail, and changing land use. For current editorial use, heritage conservation and industrial heritage provide additional context, especially through the value of canals as both historic infrastructure and blue-green corridors. Current relevance extends to consumer spending and commercial rents, particularly through the role of markets and independent shops in keeping town centres active. The image fixes landscape treatment and surrounding development within 197 Camden High Street, Camden Town, London, England, UK, NW1 8QR at one identifiable point, providing a benchmark against refurbishment. Other useful contextual ideas include industrial waterway history, working waterway, industrial navigation, everyday life, independent trading, street-level business, mixed-use town centre, and waterway conservation. References to American, Camden, London, and Candy give the picture a strong period identity and tie it closely to its named subject. Around 197 Camden High Street, Camden Town, London, England, UK, NW1 8QR, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The record includes period character as part of 197 Camden High Street, Camden Town, London, England, UK, NW1 8QR's history.
197 Camden High Street, Camden Town, London, England, UK, NW1 8QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,fashionable,footwear,clothes,chic,and,secondhand,212,NW1 8QR,NW1,stores,stalls,leather,T-Shirt,Bureau de Change,shopper,shoppers,crowd,crowded,British,second hand,vintage,pavement,display,displays,tourist,destination,tourism,attraction,clothing,Great Britain,colourful,shopfronts,shop fronts
Description: Tony Smith image Alamy 2K16AY0 - . This authentic period view of 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. At the centre of the view is Busy shops in Camden High Street, Camden Town, London, England, UK, NW1 8QR. The setting additionally reflects local character, local enterprise, community identity, mixed-use town centre, commercial streetscape, period detail, commercial frontage, customer footfall, waterway conservation, changing streetscape, inland navigation, changing land use, working waterway, and street-level business. From a 2025-onward perspective, biodiversity and funding are closely linked to this subject, alongside the value of canals as both historic infrastructure and blue-green corridors. The wider contemporary story combines brand consolidation, changing footfall and the rapid turnover of shopfronts and trading names. Future viewers can use this scene from 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR to compare lettering, decoration and surface detail with whatever follows after replacement signage. Further associations within the scene are everyday life, bricks-and-mortar retail, historical comparison, consumer retail, public realm, shopfront economy, place identity, and high-street commerce. Elements such as shops, Camden, and London add documentary specificity and may become increasingly useful when compared with later records. For 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is biodiversity and how museum collections preserve working waterway history when considered against later change at 212 Camden High Street, Camden Town, London, England, UK, NW1 8QR.
212 Camden High Street, Camden Town, London, England, UK, NW1 8QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,fashion,trendy,busy,shops,fashionable,footwear,clothes,chic,and,secondhand,212,NW1 8QR,NW1,stores,stalls,leather,T-Shirt,shopper,crowd,British,second hand,vintage,pavement,display,displays,destination,tourism,colourful,shopfronts,Britain,retail,markets
Description: Tony Smith image Alamy 2K16AY2 - . This location-specific image from Camden High Street, Camden Town, London, England, UK, NW1 8QR in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The photograph centres on Shops with tourists & shoppers, in Camden High Street, Camden Town, London, England, UK, NW1 8QR. Other connected aspects include before-and-after reference, changing land use, boat museum collection, regional identity, canal heritage, documentary photography, changing streetscape, community identity, navigation engineering, commercial streetscape, place identity, customer footfall, local character, and bricks-and-mortar retail. From a 2025-onward perspective, business rates and online shopping are closely linked to this subject, alongside how physical retail adapts to online competition. The wider contemporary story combines heritage conservation, funding and how museum collections preserve working waterway history. The archival value lies partly in recording lettering, decoration and surface detail around Camden High Street, Camden Town, London, England, UK, NW1 8QR before later reinterpretation alters the character of the place. The subject also sits alongside canal transport, inland transport history, independent trading, social history, industrial navigation, visual archive, heritage boating, and local history. Details involving shoppers, Shops, London, Camden, and tourists make the image more specific than a generic view and strengthen its local or historical value. For Camden High Street, Camden Town, London, England, UK, NW1 8QR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes business rates and how physical retail adapts to online competition within the specific setting of Camden High Street, Camden Town, London, England, UK, NW1 8QR.
Camden High Street, Camden Town, London, England, UK, NW1 8QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,fashion,trendy,busy,shops,fashionable,footwear,clothes,chic,and,secondhand,212,NW1 8QR,NW1,stores,stalls,leather,T-Shirt,shopper,crowd,British,second hand,vintage,pavement,display,displays,destination,tourism,colourful,shopfronts,Britain,retail,markets
Description: Tony Smith image Alamy 2K16AY5 - . An identifiable period record of Camden High Street, Camden Town, London, England, UK, NW1 8QR in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The location is represented through Shops with tourists & shoppers, in Camden High Street, Camden Town, London, England, UK, NW1 8QR. Other connected aspects include canal transport, towpath landscape, consumer retail, industrial waterway history, documentary photography, archival record, social history, public realm, commercial frontage, everyday life, destination shopping, bricks-and-mortar retail, waterway conservation, and street-level business. The wider contemporary story combines town-centre regeneration, consumer spending and the role of markets and independent shops in keeping town centres active. Viewed from the mid-2020s, the subject also connects with heritage conservation, industrial heritage and how museum collections preserve working waterway history. Small period details of lettering, decoration and surface detail at Camden High Street, Camden Town, London, England, UK, NW1 8QR may become more significant with time, particularly following replacement signage. The subject also sits alongside waterborne freight, customer footfall, historical comparison, canal heritage, contemporary social history, industrial navigation, mixed-use town centre, and place identity. The combination of shoppers, Shops, tourists, London, and Camden anchors the frame to a recognisable activity, place or moment. For Camden High Street, Camden Town, London, England, UK, NW1 8QR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image fixes evidence of earlier appearance within the wider story of Camden High Street, Camden Town, London, England, UK, NW1 8QR. That local specificity strengthens the long-term documentary value of image 2K16AY5.
Camden High Street, Camden Town, London, England, UK, NW1 8QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,history,historic,gold,letters,lettering,shop,store,entrance,retail,premises,Halton,Cheshire,England,UK,WA7 1LX,former,tailors,clothes,clothing,Runcorn town centre,heritage,streets,old town,Runcorns,sunny,summer,blue sky,blue skies,clear sky,walk,walking,Old fashioned,memory,memories
Description: Tony Smith image Alamy 2K1417E - . An identifiable period record of 19 Church St, Runcorn , England, UK, WA7 1LX in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The location is represented through Window, 19-23 Church St, Runcorn old town, Halton, Cheshire, England, UK, WA7 1LX - Former Burton Store. Other connected aspects include visual archive, parish church heritage, destination shopping, customer footfall, commercial streetscape, everyday life, ecclesiastical craftsmanship, commercial frontage, mixed-use town centre, changing land use, retail property, historic church fabric, social history, and faith heritage. The wider contemporary story combines business rates, commercial rents and how physical retail adapts to online competition. Viewed from the mid-2020s, the subject also connects with faith communities, accessibility and how sacred art preserves religious, artistic and community history. The image fixes equipment and working practice within 19 Church St, Runcorn , England, UK, WA7 1LX at one identifiable point, providing a benchmark against altered transport patterns. The location also brings in church interior, period detail, sacred architecture, bricks-and-mortar retail, historical comparison, local enterprise, archival record, and Christian iconography. Details involving Store, Window, Former, Runcorn, and Halton make the image more specific than a generic view and strengthen its local or historical value. A later view of 19 Church St, Runcorn , England, UK, WA7 1LX may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects business rates and how mixed retail, leisure and residential uses are reshaping high streets within the real-world context of 19 Church St, Runcorn , England, UK, WA7 1LX. The image fixes evidence of changing use for future local research.
19 Church St, Runcorn , England, UK, WA7 1LX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,2022,GrandPrix,Formula1,GP F1,William of Orange,Dutch,Netherland,Netherlands,the,in,orange,shirts,T-Shirts,tops,top,clothing,clothes,and,wigs,F1,Grand Prix,England,UK,Formula 1,formula1,Max Verstappen,fan,fun,funny,drinking,race,teams,Max,wig,motorsport,orangemen
Description: Tony Smith image Alamy 2JFTMNP - . Made at Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The main point of reference is Silverstone Max Verstappen, Red Bull racing fans, in orange tops and wigs , F1 Grand Prix 2022, England, UK. Another layer of the photograph includes local history, social history, family recreation, changing streetscape, informal play space, public realm, summer city life, open-air leisure, public-realm activation, regional identity, interactive public realm, documentary photography, urban gathering place, and city-centre public space. The wider contemporary story combines city-centre footfall, urban cooling and the growing need for shade, water and cooling during hotter summers. As a dated visual record of Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN, the frame retains commercial use and occupation, making it especially useful if different community use subsequently changes the scene. The subject also sits alongside pedestrian square, archival record, period detail, before-and-after reference, local character, historical comparison, contemporary social history, and changing land use. Details involving racing, Verstappen, Grand, Silverstone, and orange make the image more specific than a generic view and strengthen its local or historical value. The period setting at Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image fixes period character as part of Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN's history.
Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Warrington,town,centre,Cheshire,UK,England,retailing,stock,GoOutdoors,Go-Outdoors,WA1,Wilson Patten Street,WA1 1PS,JD,JD Sports Fashion plc,sales floor,retail,sports,outdoor,retailer,bankrupt,redundancy,warehouse,outlet,shop,shops,store,stores,clothes,clothing,hiking,tents,door,doors,entrance
Description: Tony Smith image Alamy 2E0F12X - JD Sports Fashion plc, more commonly known as JD Sports or JD, is a British sports-fashion retail company based in Bury, Greater Manchester, England with shops throughout the United Kingdom, Europe, the United States, Asia and Australia. It is listed on the London Stock Exchange and is a constituent of the FTSE 100 Index. It is a subsidiary of the Pentland Group.
In 2016 and again in 2019, JD Sports was profiled in British media amid allegations of mistreatment of its UK warehouse staff
letters JD in JD Sports stand for the initials of the founders of the company, John & David. In 1981, the company was established by John Wardle and David Makin, trading from a single shop in Bury, Greater Manchester. In 1983, the company opened a store in the Arndale Centre in Manchester.
In 2020, JD Sports was anticipated to appoint administrators for its nearly bankrupt Go Outdoors brand, placing additional high street workers at risk amid the Covid-19 pandemic.
On October 16, 2020 JD Sports opened a new flagship Store in Times Square New York. In December 2020, it was announced that the company had pulled out of talks aimed at rescuing department store chain Debenhams.
Wilson Patten Street,Warrington,Cheshire,England, UK, WA1 1PS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,label,sewn,coat,hides,clothing,clothes,from Altrincham,Trafford,Greater Manchester,England,UK,the,store,from,fur,coats,outerwear,ethical nonethical,brown,fox,vintage,1950s,1960s,squirrel,squirrels,Alty,Altrincham,Cheshire,furry,history,historic,heritage,old,practices,trade,trades
Description: Tony Smith image Alamy 2K41M2A - . Photographed at Altrincham, Cheshire, England, UK in 2019, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The scene records Mertons The furriers, fur coat, from Altrincham, Trafford, Greater Manchester, England, UK,. The setting additionally reflects historical comparison, wedding retail, marriage culture, public realm, documentary photography, social history, changing streetscape, community identity, archival record, bridal fashion, period detail, formalwear display, occasionwear, and local character. For current editorial use, changing traditions and consumer spending provide additional context, especially through how sustainability is influencing occasionwear and clothing reuse. As a dated visual record of Altrincham, Cheshire, England, UK, the frame retains lettering, decoration and surface detail, making it especially useful if altered transport patterns subsequently changes the scene. The wider setting retains connections with visual archive, everyday life, white wedding tradition, wedding industry, fashion merchandising, bridal gown, fashion shop window, and before-and-after reference. The combination of Trafford, Greater, Altrincham, furriers, and Manchester anchors the frame to a recognisable activity, place or moment. For Altrincham, Cheshire, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for changing traditions and the rising cost of weddings and growth of pre-owned or lower-cost alternatives without losing the local specificity of Altrincham, Cheshire, England, UK. Another useful connection is wedding costs and the rising cost of weddings and growth of pre-owned or lower-cost alternatives in a form that can be compared with future views of Altrincham, Cheshire, England, UK.
Altrincham, Cheshire, England, UK
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,Greater Manchester,Manchester,Cheshire,England,UK,town,SK1,famous,mens,shop,retail,clothes,boutique,Ivor,fashion accessories,fashion,casualwear,casual,Stolen From Ivor shop,store,stores,shops,sign,front,exterior,outside,1960,1960s,1970s,Stolen,from,men,male
Description: Tony Smith image Alamy 2BCTGY0 - Iconic clothing chain Stolen from Ivor's last shop has been saved - thanks to the M.E.N.
Founder Ivor Hazan, 67, opened his first boutique on the King Street West in Manchester city stock-photo/gotonysmith-Centre.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>centre in 1965 and his 40 stores became a Mecca for fashion hipsters across the region.
He announced last month he was to shut the doors on his last remaining shop in Stockport, which opened in 1974, due to declining sales.
However after the story was featured in the pages of the M.E.N and on our website, the brand has undergone a revival.
Ivor says he has been inundated with people coming into the shop and sharing their stories of the off-the-wall clobber they bought from him in their youth.
One man even broke down in tears whilst other wanted to buy his distinctive yellow carrier bags and sell them online.
And after seeing a spike in sales Ivor says he will keep the shop open - for now at least.
His first store opened at the height of the ˜swinging' Sixties.
It was close to a boutique owned by United hero George Best and he had a gentleman's agreement that he would not sell suits if the United ace didn't sell jeans.
In 1966 it became the first store in the north of England to stock Levis jeans, which then cost £2.37 a pair.
The brand grew and at its peak it had 43 stores across the north west, including Stockport, Altrincham, Bolton and Bury.
However all but seven of them were forced to close in 2002 after the company went into administration.
And Ivor said stores such as Primark were ˜killing' independent stores like his.
But due to the phenomenal response after we featured their plight he has shelved plans to take his operation solely online and he will keep the doors open of the shop on Prince's Street in Stockport town centre.
The Didsbury entrepreneur said: It's just been absolutely amazing.
Since the M.E.N ran our story we've had so many people coming in and telling us about things they bought 20 years ago.
Telling us that their mums used to bring them as kids.
77-79 Prince's St, Stockport, Greater Manchester, Cheshire, England, UK, SK1 1RW
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,laundry room,Somerset,South West England,UK,TA6,self-service,machines,washing,machine,dryers,tumbledryer,coin,operated,1950,1960,1970,£4,wash,clothes wash,inside,interior,clothes,poor,cheap,dry,drying,dryer,rent,rented,commercial,retail,urban,town,centre,outside,laundromat,dolly tub
Description: Tony Smith image Alamy 2AF1453 - . This period scene at 65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX in 2019 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. The scene shows The laundry room, Launderette Eastover,Bridgwater,Somerset, South West England,UK, TA6. The frame also contains themes of high-street commerce, changing land use, historic context, independent trading, shopfront economy, archival record, local trading, period detail, public realm, place identity, consumer retail, local character, local history, and retail vacancy. Viewed from the mid-2020s, the subject sits within continuing debate about town-centre regeneration, business rates and how high streets adapt when traditional retail contracts. As a piece of social history, the photograph preserves the way the place functioned before later physical or commercial change within the setting of 65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX. A second layer of the scene includes everyday life, historical comparison, bricks-and-mortar retail, regional identity, urban commerce, before-and-after reference, customer footfall, and retail property. Details involving Launderette, Eastover, Bridgwater, Somerset, and laundry give the scene useful specificity and strengthen its local, cultural or historical identity. By fixing the subject within 65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of town-centre regeneration and bringing underused premises back into productive use within the real-world context of 65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX. A further contemporary connection is consumer spending and the shift toward mixed retail, leisure, service and residential centres within the specific setting of 65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX.
65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,laundry room,Somerset,South West England,UK,TA6,self-service,machines,washing,machine,dryers,tumbledryer,coin,operated,1950,1960,1970,£4,wash,clothes wash,inside,interior,clothes,poor,cheap,dry,drying,dryer,rent,rented,commercial,retail,urban,town,centre,outside,laundromat
Description: Tony Smith image Alamy 2AF145H - . An on-location image from 65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX in 2019, useful both for the specific subject shown and for the evidence it retains about local identity, design, use and everyday life. The location is represented through The laundry room, Launderette Eastover,Bridgwater,Somerset, South West England,UK, TA6. Another layer of the scene includes retail vacancy, shopfront economy, contemporary social history, town-centre economy, historical comparison, documentary photography, changing land use, retail property, local trading, everyday life, high-street commerce, bricks-and-mortar retail, community identity, and changing streetscape. The present-day relevance extends to changing footfall and commercial rents, while a wider concern is the rapid turnover of shopfronts and trading names. As a dated visual record, the view leaves evidence of the combination of built form, activity and local identity at the recorded site in 65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX. Other useful associations include customer footfall, commercial streetscape, commercial frontage, urban commerce, before-and-after reference, public realm, period detail, and archival record. Details involving Somerset, Launderette, Eastover, Bridgwater, and laundry give the scene useful specificity and strengthen its local, cultural or historical identity. The surrounding context at 65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to changing footfall and the shift toward mixed retail, leisure, service and residential centres in a form that can be compared with future views of 65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX. The photograph keeps period character as part of 65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX's history.
65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,laundry room,Somerset,South West England,UK,TA6,self-service,machines,washing,machine,dryers,tumbledryer,coin,operated,1950,1960,1970,£4,wash,clothes wash,inside,interior,clothes,poor,cheap,dry,drying,dryer,rent,rented,commercial,retail,urban,town,centre,drying cycle prices,public washing facilities,affordable laundry service
Description: Tony Smith image Alamy 2AF1466 - The clean, brightly lit interior of Eastover Launderette in Bridgwater, Somerset, photographed in January 2019. Rows of stainless steel, grey and blue commercial washing machines line the left side of the premises, while banks of large front-loading washers and stacked tumble dryers occupy the rear and right-hand walls. Circular glass doors, digital control panels, coin slots and operating labels are clearly visible across the professional laundry equipment.
Wall-mounted notices advertise wash and drying charges, including a wash priced at £4.00 and a drying service costing £5.00 for approximately 20 minutes. The uncluttered room has white tiled walls, fluorescent lighting and an easy-clean grey floor, creating a practical and functional environment for customers bringing clothes, bedding and other household textiles for washing and drying.
Public launderettes provide an essential local service for people who do not own a washing machine or tumble dryer, including those living in rented accommodation, flats, temporary housing or homes with restricted space. They are also useful when domestic appliances break down, when customers need to wash unusually large loads, or when bulky items cannot be accommodated in a standard household machine. Commercial dryers can also reduce the time needed to dry clothing during wet winter weather.
The photograph documents a traditional British high street service business and the everyday machinery involved in maintaining clean clothes and household fabrics. It is relevant to themes including domestic chores, household expenditure, the cost of living, rental housing, student accommodation, shared laundry facilities, small businesses, consumer services, appliance ownership and changing patterns of town-centre retail.
The empty customer area provides a clear view of the machinery and layout without people obscuring the equipment. The image can therefore illustrate self-service laundry operations, commercial washing technology
65 St John St, Bridgwater,Somerset,England,UK, TA6 5HX
-industrial-sewing-machine-in-an-empty-alterations-shop-workshop-2K3XNAJ.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,in,an,alterations,clothing,clothes,changes,taking up,taking in,workshop,shop,store,sweatshop,repair,alteration,C111-3,Lockstitch,AP0280,C111,industrial,commercial,tailoring,dry cleaners,curtain making,empty,mend,mending,alter,sew,sewing,machine,machines,automatic,fixing,fixes,zips,turning up
Description: Tony Smith image Alamy 2K3XNAJ - Prosew C111-3 Lockstitch Straight Stitch Industrial Sewing Machine
Come & Try it before you Buy it!
This machine comes complete with head, motor, stand, table and cotton stand.
This machine is ideal for light, medium & heavy work with fabrics such as cotton, leather, silk, voil, synthetics plus more.
This machine is recommended for tailoring, home alterations, dry cleaners & curtain makers.
Features:
Straight Stitch
Lockstitch
Sewing Speed (2000 spm)
Adjustable Stitch Length (0 - 4.2mm)
Presser Lift Height (6mm/13mm)
Knee Lift
Reverse/Back Tack
Needle System (DBx1)
Single Phase 240v 13 amp (can be used at home)
Accessories Included:
Needles
Bobbins
Oil
England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NYC,New York City,street,USA,America,City Centre,city,centre,center,city center,Eastvillage,store,stores,shop,25 St Marks Pl A,New York,NY 10003,sign,Search and Destroy,2nd hand clothing,second hand Clothing,NY,10003,used clothes,used,secondhand,clothes,dolls,shop window,display,doll heads,dolls heads,Come get your ass blasted,Loud speakers,East Village,New York St Marks Place,St Marks Place
Description: Tony Smith image Alamy RBF05G - . An editorial view records the visible identity of 25 St Marks Place A, New York, NY 10003, USA, as photographed in 2018. The documentary focus is Search and Destroy second hand Clothing shop, 25 St Marks Place , New York, NY 10003, USA. The location can also be described in terms of commercial frontage, independent retail, shopping habits, consumer retail, retail property, shopfront economy, chain-store economy, retail vacancy, retail decline and renewal, local trading, city-centre economy, and consumer spending. Current debate around independent trading often combines brand consolidation, shifts in leisure spending and the practical challenge of mixed-use town centres. Because this is a time-specific record of 25 St Marks Place A, New York, NY 10003, USA, later comparison can reveal changes in signage, ownership, land use, transport, street furniture, building condition and the way the public uses the surrounding space. The location additionally reflects town-centre trading, urban commerce, customer footfall, commercial streetscape, storefront culture, shopping district. Associated details include St Marks Place NYC, New York St Marks Place, New York Street, New York Travel Tourism, used clothing, East Village. A more expansive reading adds bricks-and-mortar retail, and high-street commerce. The wider contemporary story of independent trading now includes changing footfall alongside shifts in leisure spending, while policy and investment increasingly consider mixed-use town centres. The combination preserved here provides evidence of public activity, period design, the appearance of the built environment, local character, and changes of use as part of the area's longer social history. That gives this view of 25 St Marks Place A, New York, NY 10003, USA continuing value for local history, retrospective reporting and visual comparison. Details around 25 St Marks Place A, New York, NY 10003, USA strengthen its value as a dated record of the place.
25 St Marks Place A, New York, NY 10003, USA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NOHO NYC,NYC,New York City,St Marks Place,New York St Marks Place,street,USA,America,City Centre,city,centre,center,city center,East Village,New York Travel Tourism,Loud speakers,dolls heads,secondhand,NY,10003,Search and Destroy,sign,2nd hand clothing,25 St Marks Pl A,store,Come get your ass blasted,doll heads,dolls,clothes,display,used clothes,used,second hand Clothing,NY 10003,shop,New York,stores
Description: Tony Smith image Alamy RBF05N - . This descriptive scene shows the physical context of 25 St Marks Place A, New York, NY 10003, USA, in an image captured in 2018. Within that setting the photograph concentrates on Search and Destroy second hand Clothing shop, 25 St Marks Place , New York, NY 10003, USA. The location can also be described in terms of independent retail, shopping habits, consumer retail, commercial frontage, local trading, city-centre economy, bricks-and-mortar retail, storefront culture, chain-store economy, shopfront economy, retail property, and customer footfall. For present-day editorial use, town-centre commerce can also illustrate debates about shifts in leisure spending and changing footfall, particularly where these affect mixed-use town centres. Over time, this view of 25 St Marks Place A, New York, NY 10003, USA can support local-history and planning research by preserving details of appearance, occupation, signage, public access and everyday use that written records may omit. The surrounding context also touches on retail vacancy, town-centre trading, consumer spending, shopping district, retail decline and renewal, commercial streetscape. Further recorded details include East Village, New York Travel Tourism, New York St Marks Place, NOHO NYC, St Marks Place NYC, New York Street. Other relevant facets include high-street commerce, and urban commerce. In the mid-2020s, consumer spending is increasingly discussed through online shopping and operating costs, with attention turning to mixed-use town centres. The lasting documentary value lies in its record of the appearance of the built environment, period design, changes of use, local character, and public activity within the surrounding area. For future comparison, the scene preserves commercial identity, signage and branding, community life, local continuity, and physical infrastructure as part of the area's longer social history.
25 St Marks Place A, New York, NY 10003, USA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NOHO NYC,NYC,New York City,street,New York Street,USA,America,City Centre,city,centre,center,city center,Eastvillage,New York Travel Tourism,store,stores,wash,washing,Cosmo,Cosmos,Launderama,clothes,Dolly Tub,inner city,downtown,drop off,service,services,inc,dollytub,machine,machines,busy
Description: Tony Smith image Alamy RBF05R - . A local-history photograph shows a moment within 142 1st Avenue #9, New York, NY 10009, USA, in a 2018 record. The source caption identifies Cosmo Launderama, launderette, 142 1st Avenue #9, New York, NY 10009, USA. Other closely connected aspects of the subject are shopping district, local trading, commercial frontage, high-street commerce, town-centre trading, storefront culture, retail decline and renewal, bricks-and-mortar retail, city-centre economy, commercial streetscape, urban commerce, and independent retail. Modern coverage of physical shops frequently reaches beyond the immediate scene to questions of shifts in leisure spending, brand consolidation and bringing empty units back into use. Documentary value is strengthened by the precise setting at 142 1st Avenue #9, New York, NY 10009, USA, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The resulting scene connects with consumer spending, retail property, chain-store economy, retail vacancy, shopping habits, customer footfall. The scene is further associated with St Marks Place, St Marks Place NYC, New York St Marks Place, East Village. A more expansive reading adds shopfront economy, and consumer retail. For present-day editorial use, town-centre commerce can also illustrate debates about online shopping and hybrid working, particularly where these affect heritage-led regeneration. The combination preserved here provides evidence of community life, signage and branding, physical infrastructure, local continuity, and commercial identity without relying on a generic or reconstructed view. As the location changes, the frame remains a reference for movement through the area, everyday services, historic fabric, planning and redevelopment, and social change in a form that can be compared with later photographs. The documentary frame records the character of the setting against later redevelopment.
142 1st Avenue #9, New York, NY 10009, USA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NYC,New York St Marks Place,street,New York Street,USA,America,City Centre,city,centre,center,city center,East Village,Eastvillage,New York Travel Tourism,store,stores,NY 10003,secondhand,shop window,dolls heads,Loud speakers,Come get your ass blasted,display,doll heads,dolls,clothes,used clothes,second hand Clothing,2nd hand clothing,NY,10003,25 St Marks Pl A,Search and Destroy,sign,shop
Description: Tony Smith image Alamy RBF061 - . A contemporary documentary view records the working environment around the recorded location, in a photograph originating in 2018. The frame is associated with Search and Destroy second hand Clothing shop, 25 St Marks Place , New York, NY 10003, USA. The physical and social setting additionally connects with retail vacancy, shopping habits, shopfront economy, storefront culture, city-centre economy, high-street commerce, retail property, customer footfall, consumer spending, consumer retail, urban commerce, and town-centre trading. Current debate around physical shops often combines online shopping, vacant premises and the practical challenge of bringing empty units back into use. The date and location give the photograph archival strength: future views of the recorded location may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison, specifically in relation to Search and Destroy second hand Clothing shop. The view also records themes involving shopping district, retail decline and renewal, independent retail, commercial streetscape, chain-store economy, local trading. Further recorded details include St Marks Place NYC, New York City, NOHO NYC. Its context additionally embraces commercial frontage, and bricks-and-mortar retail. The wider contemporary story of independent trading now includes operating costs alongside changing footfall, while policy and investment increasingly consider mixed-use town centres. Taken together, these details make the photograph a useful record of local character, the appearance of the built environment, public activity, period design, and changes of use without relying on a generic or reconstructed view. The combination preserved here provides evidence of community life, local continuity, signage and branding, commercial identity, and physical infrastructure in a form that can be compared with later photographs.
Description
Keywords: @HotpixUK,GoTonySmith,Doncaster,South Yorkshire,Yorkshire,England,town centre,shop,shops,retail,Doncaster Town Centre,Roman Danum,DN1,DN1 Postcode,tailor,clothes,logo,store in Doncaster,UK,stonework,store,white,stone,building,clothing,men,mens,Burtons Logo,Burton Logo,British,High Street Tailor,chain,Burton Menswear,Menswear,Montague Maurice Burton,Burtons clothes shops,readymade suits,suits,Arcadia Group Brands Ltd,Arcadia Group
Description: Tony Smith image Alamy P8KF00 - Sir Montague Maurice Burton (15 August 1885 “ 21 September 1952) founded Burton Menswear, one of Britain's largest chains of clothes shops.
Born a Lithuanian Jew (Meshe David Osinsky) in Kaunas province, he came alone to Britain in 1900, to escape the Russian pogroms. He was well-educated, having studied in a yeshiva, but arrived unable to speak English.
By 1913 Burton had five men's tailor shops with headquarters in Sheffield and manufacturing in Leeds. He had four hundred shops, and factories and mills, by 1929, when the company went public. His firm made a quarter of the British military uniforms during World War II and a third of demobilisation clothing.
Burton declined the offer to be Lord Mayor of Leeds in 1930 but was knighted in 1931 for services to industrial relations and was a Justice of the Peace from 1924. He became a Fellow of the Royal Society of Antiquaries in 1940 and was awarded an honorary doctorate (DLitt) by the University of Leeds in 1944.
Legacy
Burton endowed chairs in industrial relations in the University of Leeds and Cardiff in 1929 and Cambridge in 1930. He also endowed chairs of international relations in Jerusalem (1929), and at Oxford University (1930), the London School of Economics and Political Science (LSE) (1936) and The University of Edinburgh (1948).
He is commemorated in the Montague Burton Residences, which are student flats at the University of Leeds.
Burton is a large United Kingdom high street clothing retailer. The company was once a constituent of the FTSE 100 Index, but became a trading name of Arcadia Group Brands Ltd, part of the Arcadia Group. Sir Philip Green acquired the Arcadia Group in 2002, and is now the sole owner of Burton. There are over 400 stores in the UK. It has also expanded to branches at out of town sites since the 1980s, such as at the Merry Hill Shopping Centre in the West Midlands, where it has had a store since November 1989.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,world-famous,fruit,and,&,vegetable,summer,England,UK,roof,stall,WC2E,East Colonnade,handmade,hand-made,art,design,goods,unique,such,as,soaps,watercolours,canopy,clothes,Covent Garden,Apple Market Hall,London,hall,inside,interior,former,vegetable market,historic,history,heritage,tourist,attraction
Description: Tony Smith image Alamy 2JHBJPE - Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as Covent Garden. The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane.
By 1654 a small open-air fruit-and-vegetable market had developed on the south side of the fashionable square. Gradually, both the market and the surrounding area fell into disrepute, as taverns, theatres, coffee-houses and brothels opened up. By the 18th century it had become notorious for its abundance of brothels. An Act of Parliament was drawn up to control the area, and Charles Fowler's neo-classical building was erected in 1830 to cover and help organise the market. The market grew and further buildings were added: the Floral Hall, Charter Market, and in 1904 the Jubilee Market. By the end of the 1960s traffic congestion was causing problems, and in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. The central building re-opened as a shopping centre in 1980 and is now a tourist location containing cafes, pubs, small shops, and a craft market called the Apple Market, along with another market held in the Jubilee Hall.
Covent Garden, Apple Market Hall, London, England, UK, WC2E
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,world-famous,fruit,and,&,vegetable,summer,England,UK,roof,stall,WC2E,East Colonnade,handmade,hand-made,art,design,goods,unique,such,as,soaps,watercolours,canopy,clothes,Covent Garden,Apple Market Hall,London,hall,inside,interior,former,vegetable market,historic,history,heritage,tourist,attraction
Description: Tony Smith image Alamy 2JHBJPK - Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as Covent Garden. The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane.
By 1654 a small open-air fruit-and-vegetable market had developed on the south side of the fashionable square. Gradually, both the market and the surrounding area fell into disrepute, as taverns, theatres, coffee-houses and brothels opened up. By the 18th century it had become notorious for its abundance of brothels. An Act of Parliament was drawn up to control the area, and Charles Fowler's neo-classical building was erected in 1830 to cover and help organise the market. The market grew and further buildings were added: the Floral Hall, Charter Market, and in 1904 the Jubilee Market. By the end of the 1960s traffic congestion was causing problems, and in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. The central building re-opened as a shopping centre in 1980 and is now a tourist location containing cafes, pubs, small shops, and a craft market called the Apple Market, along with another market held in the Jubilee Hall.
Covent Garden, Apple Market Hall, London, England, UK, WC2E
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,world-famous,fruit,and,&,vegetable,summer,England,UK,roof,stall,WC2E,East Colonnade,handmade,hand-made,art,design,goods,unique,such,as,soaps,watercolours,canopy,clothes,Covent Garden,Apple Market Hall,London,hall,inside,interior,former,vegetable market,historic,history,heritage,tourist,attraction
Description: Tony Smith image Alamy 2JHBJPW - Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as Covent Garden. The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane.
By 1654 a small open-air fruit-and-vegetable market had developed on the south side of the fashionable square. Gradually, both the market and the surrounding area fell into disrepute, as taverns, theatres, coffee-houses and brothels opened up. By the 18th century it had become notorious for its abundance of brothels. An Act of Parliament was drawn up to control the area, and Charles Fowler's neo-classical building was erected in 1830 to cover and help organise the market. The market grew and further buildings were added: the Floral Hall, Charter Market, and in 1904 the Jubilee Market. By the end of the 1960s traffic congestion was causing problems, and in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. The central building re-opened as a shopping centre in 1980 and is now a tourist location containing cafes, pubs, small shops, and a craft market called the Apple Market, along with another market held in the Jubilee Hall.
Covent Garden, Apple Market Hall, London, England, UK, WC2E
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Manchester,Afflecks,Palace,market,shop,store,NQ4,entrance,door,outside,external,sign,established,1982,mosiac,art,Tib Street,Dale Street,Oldham Street,Victorian,trendy,on-trend,Madchester,small shops,boutiques,fashion,James Walsh,Elaine Walsh,icon,retro,clothing,Bruntwood,cafes,vintage,clothes
Description: Tony Smith image Alamy RM252F - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1982 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period, when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
On 31 March 2008, Affleck's Palace ceased trading. It re-opened on 1 April 2008 as Afflecks under new management. Afflecks is now managed by Mancunian property developer Bruntwood after the expiry of a 25-year lease in 2007. It had been previously suggested that Bruntwood would redevelop the building, possibly leading to its closure as a market, with many traders having feared that closure would be likely and that notice could have been given as soon as the end of January
52 Church St, Manchester, North West England, UK, M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Manchester,Afflecks,Palace,market,shop,store,NQ4,entrance,door,outside,external,sign,established,1982,mosiac,art,Tib Street,Dale Street,Oldham Street,Victorian,trendy,on-trend,Madchester,small shops,boutiques,fashion,James Walsh,Elaine Walsh,icon,retro,clothing,Bruntwood,cafes,vintage,clothes
Description: Tony Smith image Alamy RM252T - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1982 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period, when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
On 31 March 2008, Affleck's Palace ceased trading. It re-opened on 1 April 2008 as Afflecks under new management. Afflecks is now managed by Mancunian property developer Bruntwood after the expiry of a 25-year lease in 2007. It had been previously suggested that Bruntwood would redevelop the building, possibly leading to its closure as a market, with many traders having feared that closure would be likely and that notice could have been given as soon as the end of January
52 Church St, Manchester, North West England, UK, M4 1PW
Description
Keywords: sale,prices,for,sale,reduced,Octoberfest,beer,bier,festival,railway,station,gear,Hbf,central,stall,market,price,prices,Bavarian,lederhosen,hat,tourist,tourists,Dirndl,leather,clothing,clothes,dress,skirt,cheap,euro,euros,dummy,showroom,For Sale,GoTonySmith,Munich,Oktoberfest,in,Germany,Volksfest,beer,festival,and,travelling,funfair,Bavaria,event,Wiesn,fairgrounds,Octoberfest,October,Autumn,Theresienwiese,field,or,meadow,of,Therese,centre,beer,center,bier,roast,pork,chicken,building,buildings,Brezen,pretzels,Knödel,potato,bread,dumplings,Käsespätzle,Reiberdatschi,pancake,Sauerkraut,or,Rotkohl,Blaukraut,ale,Dirndl,Lederhosen,Sennerhut,tent,Buy Pictures of,Buy Images Of,Unity Day,Oktoberfest beer,Beer festival
Description: Tony Smith image Alamy F7N8B3 - Munich Oktoberfest
Only beer conforming to the Reinheitsgebot, and brewed within the city limits of Munich, can be served at the Munich Oktoberfest. Beers meeting these criteria are designated Oktoberfest Beer. Veteran bartenders take a mere 1.5 seconds to fill up a litre stein.
Bayerstraße 10A, 80335 München, Germany
Description
Keywords: sale,for,sale,reduced,Octoberfest,beer,bier,festival,railway,gear,Hbf,central,market,price,prices,Bavarian,lederhosen,hat,tourist,tourists,Dirndl,Bundhosen,Kniebundhosen,traditional,clothing,clothes,Alpine,dress,skirt,For Sale,GoTonySmith,Munich,Oktoberfest,in,Germany,Volksfest,beer,festival,and,travelling,funfair,Bavaria,event,Wiesn,fairgrounds,Octoberfest,October,Autumn,Theresienwiese,field,or,meadow,of,Therese,centre,beer,center,bier,roast,pork,chicken,building,buildings,Brezen,pretzels,Knödel,potato,bread,dumplings,Käsespätzle,Reiberdatschi,pancake,Sauerkraut,or,Rotkohl,Blaukraut,ale,Dirndl,Lederhosen,Sennerhut,tent,Buy Pictures of,Buy Images Of,Unity Day,Oktoberfest beer,Beer festival
Description: Tony Smith image Alamy F7N8C8 - Munich Oktoberfest
Only beer conforming to the Reinheitsgebot, and brewed within the city limits of Munich, can be served at the Munich Oktoberfest. Beers meeting these criteria are designated Oktoberfest Beer. Veteran bartenders take a mere 1.5 seconds to fill up a litre stein.
Bayerstrasse 10A, 80335 München, Germany
Description
Keywords: class,mate,mates.classmate,bond,bonding,primary,secondary,name,names,rite,of,passage,Right,school leaver,leaving,sign,signed,remember,remembrance,year6,memories,new,sad,uniform,scribble,schools,out,wrecked,uniform,Rite of passage,Right of passage,school leavers,School memories,schools out,GoTonySmith,sirt,shrt,year,six,6,writing,on,his,top,blue,graffiti,good,luck,celebrating,junior,best,time,times,of,our,lives,end,term,English,England,UK,GB,British,Great,Britain,break,secondary,higher,high,high school,dress,blouse,clothes,top,girl,boy,schoolboy,schoolgirl,schoolboys,schoolgirls,ready,for,big,year 6,Year Six,leaving junior school,best times of our lives,end of term,end of school,junior school leaver,junior school leavers,Schools Out For Summer,Summer break,6 week holiday,6 weeks holiday,wrecked uniform,big school,ready for big school,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY7XT7 - . Recorded at England in 2015, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is School Leavers Shirt with signatures of classmates. The locality and subject together evoke community identity, everyday life, wayfinding detail, changing streetscape, archival record, period detail, local history, contemporary social history, social history, place identity, material sign design, public realm, graphic street detail, and historical comparison. Current relevance extends to commercial branding and public communication, particularly through how ordinary signs become time-specific evidence of language and design. For later comparison, the photograph preserves signage and branding at England, details that may look very different after changed technology. The location also brings in public information notice, historic sign, urban typography, regional identity, before-and-after reference, commercial ephemera, local character, and visual communication. The recorded references to signatures, Leavers, School, classmates, and Shirt preserve clues about how the subject was presented, used or understood at the time. The period setting at England helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is commercial branding and the way lettering and materials contribute to local visual identity within the specific setting of England. The setting also helps illustrate visual identity and how signs can document commercial, social or regulatory change as part of the longer story of England. The image also provides a reference for street design and how signs can document commercial, social or regulatory change when considered against later change at England. The frame retains period character before later change alters the scene.
England
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,Carnaval,De,Venise,black,brown,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E50 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,Tie,rack,Charleston,made,in,italy,gotonysmith close up close-up macro mode moda textile italian accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E51 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,rack,Charleston,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E52 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Charles,Tyrwhitt,gotonysmith,close,up,close-up,macro,mode,moda,textile,maker,of,fine,shirts,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E53 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Austin,Reed,1970,gotonysmith close up close-up macro mode moda textile Cue accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E54 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,Austin,Reed,1970s,Cue,gotonysmith,close,up,close-up,macro,mode,moda,textile,1970,70s,70,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E56 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Austin,Reed,1970,gotonysmith,close,up,close-up,macro,mode,moda,textile,1970s,70s,Cue,paisley,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E58 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Daffy,Duck,gotonysmith close up close-up macro mode moda textile cartoon accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E59 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,Le,Rinayers,York,Penna,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E6E - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,Le,Rinayers,York,Penna,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E6J - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,lion,maroon,gotonysmith close up close-up macro mode moda textile brown accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E6R - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,hand,made,Parksder,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9E7M - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,gotonysmith,close,up,close-up,macro,mode,moda,textile,red,crackers,Christmas,Tree,Trees,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9ER0 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,red,santa,xmas,gotonysmith close up close-up macro mode moda textile Christmas,festive,party,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9ER1 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Yule,Xmas,gotonysmith close up close-up macro mode moda textile Christmas,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9ER2 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Yule,Xmas,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9ER3 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,merry,Xmas,Yule,gotonysmith,close,up,close-up,macro,mode,moda,textile,Christmas,USA,Yuletie,American accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on ties
Description: Tony Smith image Alamy ED9ER5 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,Christmas,comedy,gotonysmith,close,up,close-up,macro,mode,moda,textile,trees,green,red,accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9ER6 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,cotton,polyester,YSL,autumn,black,gotonysmith close up close-up macro mode moda textile accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on ties
Description: Tony Smith image Alamy ED9ER8 - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened
Description
Keywords: UK,grey,gray,concrete,building,material,materials,70s,1970s,Gotonysmith Built in 1971,it,was,a,celebrated,piece,of,Brutalist,architecture,at,its,opening,but,quickly,fell,out,of,favour.,Consisting,of,an,11-storey,office,tower,and an,indoor,market,on,the,ground,and,first,floors.,Full,of,tacky,clothes,shops,greasy spoon cafes,amusement,arcades,and,stalls,where,you,can,get,a,new,drive,belt,for,your,vacuum,cleaner.,You,get,the,picture.,Amazingly,it,is,part,of,a,grand,scheme,to,gut,the,building,completely,extend the office tower to a whopping 32-storeys,add,a,smaller,16-storey,one,for,good,measure,and,repackage,it,as,a,state,of,the,art,multi-use,complex.,This,was,all,reported,in,the,Evening,Times,in,2009,but,sadly,you,can,still,buy,a,processed,burger,in,the,Savoy,Centre.,Nearby,cities,Glasgow,Paisley,Greenock,In-Shops,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG3948 - Built in 1971, it was a celebrated piece of Brutalist architecture at its opening, but quickly fell out of favour. Consisting of an 11-storey office tower, and an In-Shops indoor market on the ground and first floors. Full of tacky clothes shops, greasy spoon cafes, amusement arcades and stalls where you can get a new drive belt for your vacuum cleaner. You get the picture.
Amazingly it is part of a grand scheme to gut the building completely, extend the office tower to a whopping 32-storeys, add a smaller 16-storey one for good measure and repackage it as a state of the art multi-use complex. This was all reported in the Evening Times in 2009, but sadly you can still buy a processed burger in the Savoy Centre.
Nearby cities: Glasgow, Paisley, Greenock
Savoy Centre, Glasgow scotland , UK
Description
Keywords: girl,red,gel,gels,bike,skimpy,top,bra,motor,motorbike,skull,skulls,ride,sexy,rubber,lace,fishnet,net,body,suit,bodysuit,fishnets,woman,lady,female,erotic,tony,smith,hotpix,tonysmith,tonysmithhotpix,UK,England,band,dancer,private,tight,clothes,rouge,rojo,color,colour,big,breasts,very,chesty,bouncy,from,where,I,am,standing,live,concert,gig,shot,face,portrait,MIS,@hotpixUK,ActiveH,housingtechnology
Description: Tony Smith image Flickr 6346892333 - 'Alberta Cross - 'Lucy Rider' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
A cracking track from 'The Thief and the Heartbreaker' album.
Alberta Cross is a New York-based band, formed by Petter Ericson Stakee (vocals, guitar) &
Terry Wolfers (bass). Despite their different upbringings - Stakee travelled from an early age between Sweden and England with his singer-songwriter father, whilst Wolfers was brought up in London's East End - they formed what would later become Alberta Cross. After relocating to Brooklyn, New York, Stakee and Wolfers solidified the line-up with the addition of Austin Beede, Alec Higgins and Sam Kearney.
The band's sound has been compared to The Band, Neil Young, The Raconteurs and other blues-influenced rock bands.
'Lucy Rider' is heard in the series premiere of the BBC One series Survivors, as well as episode 3 of Season 1 of Dirty Sexy Money. The album is well worth checking out.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: couple,two,people,sepia,B/W,black,white,mono,monochrome,goth,gothic,clothes,robes,man,woman,gentleman,tony,smith,tonysmith,hotpix,tonysmithhotpix,recognition,MIS,@hotpixUK,ActiveH,housingtechnology
Description: Tony Smith image Flickr 6488842835 - 'Bauhaus - 'Terror Couple Kill Colonel' - Play this track here.
A band that I am convinced never had the recognician they deserved.
The group consisted of Peter Murphy (vocals), Daniel Ash (guitar), Kevin Haskins (drums) and David J (bass). The band was originally Bauhaus 1919 before they dropped the numerical portion within a year of formation. With their dark and gloomy sound and image, Bauhaus are generally considered the first gothic rock group.
Bauhaus first broke up in 1983. Peter Murphy began a solo career while the other members continued as Tones on Tail and, later, Love and Rockets. Both enjoyed greater commercial success in the United States than Bauhaus had, but disappeared from the charts in their homeland. The band reunited for a 1998 tour and on a more permanent basis in 2005. The group announced plans to disband again following the release of their final album, Go Away White, in 2008.
The band started on the 4AD label and moved quickly to Beggars Banquet, who was their parent. 'Kick in the Eye' was the debut release on the label.
Bauhaus combined a number of influences including punk music, glam rock, and Krautrock\u2014even funk and dub\u2014to create a gloomy and introspective sound which appealed to many fans left disillusioned by the New Wave that arose in the wake of punk's collapse.
Their sound proved influential, inspiring or bringing attention to a whole wave of post-punk groups delving into the intense, gloomy style that would eventually come to be known as gothic rock. Its crucial elements included Peter Murphy's deep and sonorous voice, Daniel Ash's innovative guitar playing and David J's dub-influenced bass.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Thethe,Matt,johnson,man,male,bloke,lad,grafitti,graffiti,graffitti,door,way,doorway,sepia,replay,shirt,clothes,clothing,UK,tonysmith,tony,smith,hotpix,tonysmithhotpix,manchester,england,Northern,quarter,ancoats,north,west,northwest,Concrete,Penguin,Band,@hotpixuk
Description: Tony Smith image Flickr 6139633525 - 'The The - Slow Emotion Replay - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
Forming a soundtrack to much of my 1980's, 'The The' are an English musical and multimedia group that have been active in various forms since 1979, with singer/songwriter Matt Johnson being the only constant band member.
In 1993, the five-piece line-up issued the album Dusk containing this single. It debuted at no 2 in the UK and spun off three Top 40 singles in the UK, led by 'Dogs of Lust'. A world tour followed, the Lonely Planet tour, at which point the band's line-up was reshuffled
Johnny Marr and James Eller left, and were replaced by Atlanta based guitarist Keith Joyner and New York bassist Jared Nickerson, respectively.
Also added was Boston harmonica player Jim Fitting, who auditioned in New York in early 1993. The version of their hit 'This Is The Day' featuring Jim Fitting was often dubbed 'That Was The Day'. Palmer bowed out partway through the tour and was replaced by ex Stabbing Westward drummer Andy Kubiszewski.
A full length film, directed by long time collaborator Tim Pope, was made for this album. From Dusk Til Dawn was shot in New Orleans and New York and along with Johnson and Johnny Marr also featured various characters from the New York underground scene such as sexologist Annie Sprinkle, writer and raconteur Quentin Crisp, Guardian Angels founder Curtis Sliwa, and porn star Rick Savage amongst many other carnival characters.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>faces in places from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',
Description
Keywords: tattoo,pair,black,white,dark,side,woman,lady,girl,man,male,female,light,tattoos,tattood,tattooed,pierced,piercing,leather,leatherman,tatoo,tatto,tat2,ink,skin,tattwo,tatuaje,\u0442\u0430\u0442\u0443\u0438\u0440\u043e\u0432\u043a\u0430,T\u00e4towierung,tatouage,tatoegering,\u7d0b\u8eab\u82b1\u523a,equality,fetish,fashion,clothing,clothes,sex,sexy,porn,porno,girlie,this photo rocks,erotic,pretty,fetishist,Marchweil,North,wales,inkintheskin,party,hotel,cool,person,people,portrait,image,tonysmith,tony,smith,Tatuada,tats,bodyart,body,art,HOT PIX,sensual,hotpicks,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 3805002961 - 'A woman in white and a man in black leather, both with tattoos. They are both opposite, but form a one harmonious whole.
Yin and yang describes how apparently disjunct or opposing forces are interconnected and interdependent in the natural world, giving rise to each other in turn. Like male and female, war and peace.
He sits in his leather trousers, hands forming a shape of a house, a happy home, while his german iron cross suggests possible violence to come
Another tattoo here www.flickr.com/photos/hotpixuk/3711773981/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA16,UK,WA16 6HG,4,Cheshire,town,centre,England,mannequin,clothes,fashion,expensive,store,retail,small,independent,retailer,window,with,sale,bricks and morter,dresses,traditional,off,discount,reduction,reductions,challenging,environment,Nicola Young,Kerry Finn,designer,designs,ladies,clothing,boutique
Description: Tony Smith image Alamy 2R9X4NM - . The Naked Mannequin shop window with 50% sale, 4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG. Photographed on 6 July 2009, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include WA16, WA16 6HG, Cheshire, mannequin, clothes, fashion, expensive, store, retail, small, independent, retailer, providing natural SEO coverage without losing the specific documentary identity of the photograph. The retail context supports editorial themes around high streets, shopping centres, consumer behaviour, independent and chain businesses, store branding, commercial property, hospitality and the changing economics of town and city centres. Shopfronts, promotional material, prices, signage and surrounding public space can become valuable historical evidence as businesses close, rebrand, relocate or adapt to online competition and changing consumer demand. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. Additional relevant search concepts include window, sale, bricks and morter, dresses, traditional, off, broadening discoverability while remaining tied to the supplied subject information.
4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA16,4,Cheshire,England,UK,WA16 6HG,town,centre,mannequin,clothes,fashion,expensive,store,retail,small,independent,retailer,window,with,sale,bricks and morter,dresses,traditional,off,discount,reduction,reductions,challenging,environment,Nicola Young,Kerry Finn,designer,designs,ladies,clothing,boutique
Description: Tony Smith image Alamy 2R9X4NX - . The Naked Mannequin shop window with 50% sale, 4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG. Photographed on 6 July 2009, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include WA16, Cheshire, WA16 6HG, mannequin, clothes, fashion, expensive, store, retail, small, independent, retailer, providing natural SEO coverage without losing the specific documentary identity of the photograph. The retail context supports editorial themes around high streets, shopping centres, consumer behaviour, independent and chain businesses, store branding, commercial property, hospitality and the changing economics of town and city centres. Shopfronts, promotional material, prices, signage and surrounding public space can become valuable historical evidence as businesses close, rebrand, relocate or adapt to online competition and changing consumer demand. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. Additional relevant search concepts include window, sale, bricks and morter, dresses, traditional, off, broadening discoverability while remaining tied to the supplied subject information.
4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,dusk,One,flagship,retail,sport,goods,4,Msu4B,L1 8JF,King of Trainers,trainer,trainers,iconic,Liverpool One,store,busy,sports,gear,equipment,clothes,brand,branded,popular,fashion,plc,group,John Wardle,David Makin,FTSE 100,company,Go Outdoors,Footasylum,Mistreatment of staff
Description: Tony Smith image Alamy 2P4JTD4 - JD Sports Fashion plc, more commonly known as JD Sports, JD or JD Group[3] is a British sports-fashion retail company based in Bury, Greater Manchester, England. It is listed on the London Stock Exchange and is a constituent of the FTSE 100 Index. Pentland Group owns 55% of the company.
History
A JD Sports store in Westfield Carousel, Perth
The company was established by John Wardle and David Makin (hence the name JD), trading from a single shop in Bury, Greater Manchester, in 1981. The company opened a store in the Arndale Centre in Manchester in 1983. Pentland Group bought Wardle's and Makin's shares for £44.6M in May 2005, so acquiring 45% of the business.
Acquisitions
Early acquisitions of stores included 209 stores with the acquisition of First Sport from Blacks Leisure Group in December 2001 and 70 stores from the administrators of Allsports in October 2005
In addition, the company acquired the rugby heritage brands 'Canterbury' and 'Canterbury of New Zealand' as well as 'The Duffer of St. George' and 'Kooga Rugby' brands
The company has been the subject of accusations of mistreatment of its UK warehouse staff, with comparisons being made to Victorian dark satanic mills and prison conditions in 2016 and 2019
4 Paradise St, Msu4B, Liverpool , Merseyside, England, UK, L1 8JF
Description
Keywords: Scotland,Britain,Great,GB,sexy,lady,female,advert,advertising,England,UK,legs,leggy,women,BooHoo,BooHoo.com,ASA,Buy Pictures of,Buy Images Of,sex,ad,GoTonySmith,HotpixUK,@HotpixUK,driving,driver,hazard,hazards,sells,girl,Warrington,Boohoo,online,clothing advert,clothing,clothes,distraction,temptation,sexist,woman
Description: Tony Smith image Alamy EY5KB3 - Woman on poster distracting drivers on the road, Warrington England, UK - Boohoo online clothing advert captures the kind of ordinary visual evidence that helps editors illustrate a broader story without resorting to a generic symbol. A large fashion advert beside the road raises questions about outdoor advertising, attention, road safety and the way online retail brands occupy physical urban space. Boohoo's presence also links the scene to fast fashion, influencer culture, body image, consumer behaviour, planning controls and the visual clutter of modern roadside environments. The named location, Warrington, makes the scene useful where regional accuracy matters, including local press, travel features, planning stories and heritage articles. Possible editorial uses include articles on signage, street sign, commercial sign, public notice, especially where the story needs a concrete example rather than a studio illustration. Important searchable clues include woman, poster, distracting, drivers, warrington, boohoo, giving the description both factual precision and broader editorial reach.
Warrington, Cheshire, England, UK
Description
Keywords: sale,prices,for,sale,reduced,beer,bier,festival,railway,station,gear,Hbf,central,stall,market,price,prices,hat,tourist,tourists,Dirndl,Bundhosen,Kniebundhosen,traditional,clothing,clothes,Alpine,dress,skirt,mixed,mixture of dress,DB,For Sale,GoTonySmith,Munich,Oktoberfest,in,Germany,Volksfest,beer,festival,and,travelling,funfair,Bavaria,event,Wiesn,fairgrounds,Octoberfest,October,Autumn,Theresienwiese,field,or,meadow,of,Therese,centre,beer,center,bier,roast,pork,chicken,building,buildings,Brezen,pretzels,Knödel,potato,bread,dumplings,Käsespätzle,Reiberdatschi,pancake,Sauerkraut,or,Rotkohl,Blaukraut,ale,Dirndl,Lederhosen,Sennerhut,tent,Buy Pictures of,Buy Images Of,Unity Day,Oktoberfest beer,Beer festival
Description: Tony Smith image Alamy F7N89X - Munich Oktoberfest
Only beer conforming to the Reinheitsgebot, and brewed within the city limits of Munich, can be served at the Munich Oktoberfest. Beers meeting these criteria are designated Oktoberfest Beer. Veteran bartenders take a mere 1.5 seconds to fill up a litre stein.
Bayerstraße 10A, 80335 München, Germany
Description
Keywords: class,mate,mates.classmate,bond,bonding,primary,secondary,name,names,rite,of,passage,Right,school leaver,sign,signed,remember,remembrance,year6,memories,new,sad,uniform,scribble,schools,out,wrecked,uniform,Right of passage,school leavers,School memories,GoTonySmith,sirt,shrt,year,six,6,writing,on,his,top,blue,graffiti,good,luck,celebrating,junior,best,time,times,of,our,lives,end,term,English,England,UK,GB,British,Great,Britain,break,secondary,higher,high,high school,dress,blouse,clothes,top,girl,boy,schoolboy,schoolgirl,schoolboys,schoolgirls,ready,for,big,year 6,Year Six,leaving junior school,best times of our lives,end of term,end of school,junior school leaver,junior school leavers,Schools Out For Summer,Summer break,6 week holiday,6 weeks holiday,wrecked uniform,big school,ready for big school,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY7XT2 - Photo shows Schools out - School Leavers Shirt, with signatures of leaving classmates, a rite of passage in Great Britain. The photograph is useful as a documentary record of a real place, object or public-facing scene. It can support local history, travel, social observation, news features and web articles where authentic context matters more than a polished studio image. The supplied workbook does not give a precise location, so the image should be treated as a concept or documentary subject unless the location can be verified separately. Visible wording, branding or signage noted in the supplied caption should be kept as search evidence because it helps buyers looking for specific editorial concepts, public messages, commercial streets, transport detail or local identity. The supplied caption gives the main editorial context
visible weather, signage and surrounding detail should be checked on upload. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news. Search relevance is helped by including concise place names, visible brand or wording, functional subject terms, and wider editorial concepts such as public realm, consumer behaviour, heritage, travel, leisure and community life where they genuinely match the picture.
UK
