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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,midlands,England,UK,cup,tea,brew,coffee,the,trustworthy,Bilston,Brownhills,Darlo,Darlaston,Dudley,Halesowen,Netherton,Oldbury,Rowley Regis,Sedgley,Smethwick,Stourbridge,Tipton,Wednesbury,Wednesfield,West Brom,West Bromwich,Willenhall,town,towns,ceramic,pot,clay,county,drinking,travel,poster
Description: Tony Smith image Alamy 2NAWGJT - The Black Country is a loosely defined area of southern Staffordshire and northern Worcestershire which lies to the north and west of Birmingham, and to the south and east of Wolverhampton. The town of Dudley (Worcestershire) is sometimes referred to as being the Black Country's unofficial capital.
The Black Country is divided between the counties of Stafford and Worcester, the greater part belonging to Staffordshire. Dudley is a detached part of Worcestershire surrounded by Staffordshire, separated from the main body of its own shire by a narrow strip.
By the late 19th century, the Black Country had become one of the most intensely industrialised in the nation. The South Staffordshire coal mines, the coal coking operations, and the iron foundries and steel mills that used the local coal to fire their furnaces, produced a level of air pollution that had few equals anywhere in the world at the time.
West Midlands, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Greater Manchester,WN3 4BF,redevelopment,area,conservation,industrial,industry,North West,1837-1901,1837,1901,foundation,stone,terracotta,Lancashire Cotton Corporation,Courtaulds,Rina and Helen,next,to,the,Leeds and Liverpool Canal,face,head,1837 to 1901,red brick,red,clay,circle,plate,Charles Gidlow Jackson,Charles,Gidlow,Jackson
Description: Tony Smith image Alamy 2PFKG5X - . A grounded documentary photograph made at Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF in 2023, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through Historic Trencherfield Mill, 1837-1901 Wallgate, Wigan, Lancs, Lancashire, Greater Manchester, WN3 4BF - Wigan Pier redevelopment area. The wider scene also brings together DJ culture, regional music heritage, community identity, changing land use, music memorial, everyday life, before-and-after reference, visual archive, commemorative plaque, public realm, place identity, local history, music-scene memorial, and local character. Today's relevance is strengthened by commemoration, venue closures and the continuing question of how memorials preserve figures from regional music scenes outside formal institutions. Small period details of materials and architectural details at Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF may become more significant with time, particularly following changed technology. The subject also sits alongside documentary photography, club-music history, popular-music heritage, archival record, memorial culture, cultural memory, place-based commemoration, and local remembrance. References to Lancs, 1837-1901, Wallgate, redevelopment, and Greater give the picture a strong period identity and tie it closely to its named subject. A later view of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to commemoration and the importance of documenting club and dance-music history without losing the local specificity of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF. Image 2PFKG5X also remains a dated record of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF.
Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,stone,Cheshire,England,WA1 1AG,centre,conservation,area,courthouse,court room,court rooms,history,historic,engraved,clay,tile,tiles,crime,crimes,punishment,architecture,architectural,buildings,building,sunny,blue sky,British,English,counties,justice,crime rate,judge,judging,sentencing,sentence,Abuse,enquiry,grooming gangs
Description: Tony Smith image Alamy 2JN828G - . Inland Revenue office, Warrington, former County Court and Inland Revenue building at the junction of Winmarleigh Street, Cheshire, England, WA1 1AG. Photographed on 6 August 2022. The recorded location is Winmarleigh Street, Warrington, Cheshire, England, WA1 1AG. As background, buildings are often the most durable evidence of former institutions and businesses
Stonework, brickwork, windows, signs and decorative details can survive changes of ownership and use, allowing photographs to document both architectural style and the evolution of a street. Historically, city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban change than landmark images alone. The historical context is that historic objects and places gain meaning through survival
Materials, craftsmanship, inscriptions and later alterations can reveal how a building, machine or everyday item was made, used and valued, while preservation decisions show which parts of the past communities choose to retain. Against the 2026 backdrop, the reuse of existing buildings is increasingly discussed alongside conservation, embodied carbon and town-centre regeneration
Images of older façades and converted premises can therefore illustrate both architectural heritage and the practical pressures of adapting buildings for new uses. In 2026, current regeneration programmes make older urban photographs particularly useful
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change. During 2026, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse.
Winmarleigh Street, Warrington, Cheshire, England, WA1 1AG
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England,UK,Herefordshire,alcohol,drinking,fermentation,alcoholism,alcoholics,cyder,pot,clay,cup,prize,cidre,maker,the,cider,Hereford city,ceramic,cups,glasses,marketting,selling,promotion,promoting,sales,adverts,Hereford,production,manufacture,factory,site,Bosley,Bosleys
Description: Tony Smith image Alamy 2JPF7HN - . A grounded documentary photograph made at Hereford city, Herefordshire, England, UK in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents The Cider Cup, John Bosley, Hereford city, Herefordshire, England, UK. The image also relates to historical comparison, historic beverage advertising, before-and-after reference, period detail, fermented drink production, cider-making heritage, public realm, social history, place identity, factory bottling line, visual archive, changing streetscape, beverage production, and community identity. The modern context includes continuing discussion of responsible drinking, manufacturing automation and how historic drinks advertising and machinery become industrial heritage. Future viewers can use this scene from Hereford city, Herefordshire, England, UK to compare transport arrangements and footfall with whatever follows after redevelopment. Further associations within the scene are drinks packaging, local history, regional identity, archival record, orchard-to-bottle industry, regional drinks industry, cider brand history, and bottling technology. References to Herefordshire, Cider, and Bosley give the picture a strong period identity and tie it closely to its named subject. The wider setting at Hereford city, Herefordshire, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene further reflects responsible drinking and how historic drinks advertising and machinery become industrial heritage within the real-world context of Hereford city, Herefordshire, England, UK. Its period value extends to alcohol duty and Herefordshire's long association with commercial cider production within the specific setting of Hereford city, Herefordshire, England, UK.
Hereford city, Herefordshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,WBC,South Warrington,Cheshire,North West England,UK,Old,gardens,garden pots,stack,group,terra cotta,terra-cotta,clay,earthenware,porous,natural terracotta pots,natural,terracotta pots,discarded,old,pots,pot,traditional,corner,many,of,ceramic,forgotten,dirty,vintage,reusable,flower flowerpot,flowerpots
Description: Tony Smith image Alamy T3RF4J - Terracotta, terra cotta or terra-cotta
Italian: baked earth, from the Latin terra cocta), a type of earthenware, is a clay-based unglazed or glazed ceramic, where the fired body is porous. Terracotta is the term normally used for sculpture made in earthenware, and also for various practical uses including vessels (notably flower pots), water and waste water pipes, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural brownish orange color of most terracotta, which varies considerably.
This article covers the senses of terracotta as a medium in sculpture, as in the Terracotta Army and Greek terracotta figurines, and architectural decoration. Asian and European sculpture in porcelain is not covered. Glazed architectural terracotta and its unglazed version as exterior surfaces for buildings were used in Asia for some centuries before becoming popular in the West in the 19th century. Architectural terracotta can also refer to decorated ceramic elements such as antefixes and revetments, which made a large contribution to the appearance of temples and other buildings in the classical architecture of Europe, as well as in the Ancient Near East.
In archaeology and art history, terracotta is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery
the choice of term depends on the type of object rather than the material or firing technique. Unglazed pieces, and those made for building construction and industry, are also more likely to be referred to as terracotta, whereas tableware and other vessels are called earthenware (though sometimes terracotta if unglazed), or by a more precise term such as faience.
Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,socialhousing,cup,UKhousing,flat,house,houses,flats,maisonette,maisonettes,complaint,complement,issue,solution,repair,DN4,St. Leger Court,White Rose Way,Doncaster,South Yorkshire,social housing,estate,estates,InsideHousing,ceramic,clay,pot,brew,tea,coffee,home,letting,CBL,choice based letting,scheme
Description: Tony Smith image Alamy 2K3XNMD - . A grounded documentary photograph made at St. Leger Court, White Rose Way, Doncaster, South Yorkshire, England, UK, DN4 5ND in 2019, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. At the centre of the view is St Leger Homes Doncaster mug, Yorkshire, England, UK. The subject also carries associations with changing streetscape, social history, regional identity, public realm, commercial frontage, specialist shop, changing land use, local enterprise, local character, place identity, before-and-after reference, community identity, contemporary social history, and bricks-and-mortar retail. Current relevance extends to store closures and business rates, particularly through the resilience of specialist shops in an online retail economy. The image fixes commercial use and occupation within St. Leger Court, White Rose Way, Doncaster, South Yorkshire, England, UK, DN4 5ND at one identifiable point, providing a benchmark against redevelopment. Other useful contextual ideas include customer footfall, shopfront economy, documentary photography, retail property, historical comparison, archival record, local history, and everyday life. The recorded references to Yorkshire, Doncaster, Homes, and Leger preserve clues about how the subject was presented, used or understood at the time. A later view of St. Leger Court, White Rose Way, Doncaster, South Yorkshire, England, UK, DN4 5ND may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another useful connection is store closures and the contribution of independents to distinctive high streets within the specific setting of St. Leger Court, White Rose Way, Doncaster, South Yorkshire, England, UK, DN4 5ND. The frame retains a local visual benchmark as part of St. Leger Court, White Rose Way, Doncaster, South Yorkshire, England, UK, DN4 5ND's history.
St. Leger Court, White Rose Way, Doncaster, South Yorkshire, England, UK, DN4 5ND
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,brick,Burnley,hilton brick works,building,material,materials,North West,northwest,Northern powerhouse,Halsall,plastic,clay,Bury,fireclay,fire clay,clays,works,Darwen,town,towns,factory,factories,bricks,maker,makers,example,examples,Lancs,Lancashire,NW,red,creme,red brick,red bricks
Description: Tony Smith image Alamy 2BBXPAK - . Made at Darwen , Lancs, England, UK in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The scene shows Halsall plastic brick bury, fireclay works Darwen, Burnley,brick, hilton brick works. The setting also relates to urban fabric, period detail, historical comparison, production works, architectural character, historic manufacturing, before-and-after reference, engineering heritage, everyday life, public realm, contemporary social history, changing land use, heritage asset, and conservation architecture. In the mid-2020s, industrial conservation and manufacturing history keep the subject current, particularly through the relationship between local geology, manufacturing and the built environment. The subject remains useful for current coverage of energy retrofit and redevelopment pressure, not least because of the role of distinctive architecture in local identity. As a dated visual record, the scene keeps a record of the way the place functioned before later physical or commercial change as seen at Darwen , Lancs, England, UK. The surrounding context also covers heritage landmark, industrial material culture, industrial archaeology, traditional building materials, traditional masonry, visual archive, industrial supply chain, and historic frontage. Elements such as plastic, Burnley, brick, hilton, and works add documentary specificity and may become more useful when compared with later records. By fixing the subject within Darwen , Lancs, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for industrial conservation and the historical importance of everyday manufactured objects and materials in a form that can be compared with future views of Darwen , Lancs, England, UK.
Darwen , Lancs, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Office,Staff,clay,China Clay,closed,Belleek Pottery Group,Belleek,Aynsley China Ltd,dark days,sold,bankrupt,redundancy,redundancies,dying,industry,Abandoned Factory
Description: Tony Smith image Alamy DBHPT4 - The company was founded in 1775 by John Aynsley in Lane End, Longton, Staffordshire. In 1861 his grandson John Aynsley built the historic Portland Works on Sutherland Road, Longton, Staffordshire.The company's profitability made it a desirable acquisition. In June 1970 Spode put in a bid, this was then topped in July by Denbyware. Discussions then followed with Waterford Glass and a £1 million bid was agreed. In 1970 John Aynsley and Sons was taken over by Waterford and renamed Aynsley China Ltd. In 1987 Waterford sold the company in order to focus the group's fine china sales on the worldwide Wedgwood brand.
In May 1997, Aynsley China was acquired by The Belleek Pottery Group in Ireland. The company closed its Stoke-on-Trent factory in September 2014. As of July 2015 the factory shop is still open but its future is uncertain as the site is being advertised as for sale.
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,clay,clayhead,clayheads,potters,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRKA - . Various molds, mould room from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum. Photographed on 27 July 2013. The recorded location is Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ. Gladstone Pottery Museum preserves a complete former pottery works in Longton, one of the six towns of Stoke-on-Trent. Bottle ovens, workshops, mould rooms and surviving equipment explain the labour-intensive processes behind the Staffordshire ceramics industry, which made the Potteries internationally famous. The site is particularly valuable because so many similar potbanks and kilns disappeared during industrial restructuring and later redevelopment. In historical terms, factories, mills, engines and workshops record the technologies and labour that powered Britain's industrial expansion
Their machinery, inscriptions and specialist structures are valuable evidence of engineering practice, working conditions, regional industries and the later shift from heavy industry to heritage, housing or new commercial uses. As background, visitor attractions based on historical houses, industrial sites and specialist collections combine conservation with education
Exhibits can evolution over time, so photographs also document how institutions presented their collections at a particular date. In historical terms, historic objects and places gain meaning through survival
Materials, craftsmanship, inscriptions and later alterations can reveal how a building, machine or everyday item was made, used and valued, while preservation decisions show which parts of the past communities choose to retain. During 2026, former industrial sites continue to be repurposed as housing, offices, cultural attractions and heritage venues
That makes historic machinery and surviving industrial fabric relevant both to the story of deindustrialisation and to current regeneration of northern English and Midlands towns.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,backview,back,view,SOT,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass,beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,SOT,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRXT - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,wildlife,wild,life,ad,Vincula,side,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies,products,glass,beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT09 - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,side,sideview,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT17 - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,front,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT2D - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,tell,good,news,to,the,poor,proclaim,release,to,the,families,and,recover,of,sight,to,the,blind,to,let,the,oppressed,go,free,to,year,of,the,favour,bishop,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT37 - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge. GoTonySmith
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,healing,scott,parkin,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT4M - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,Boddingtons,ber,ale,brewery,Boddingtons bitter,bitter,bee,Manchester,Strangeways,BiCentenary,brown,yellow,logo,two bees,2 bees,Boddies,Cream of,regional,brewer,pubs,bars,city,pot,mug,cup,ceramic,clay,special,promotion,North West England,Lowe Howard-Spink,Anheuser""“Busch InBev,brand
Description: Tony Smith image Alamy RM9AWT - Boddingtons Brewery was a regional brewery in Manchester, England, which owned pubs throughout the North West. Boddingtons was best known for Boddingtons Bitter (Boddies), a straw-golden, hoppy bitter which was one of the first beers to be packaged in cans containing a widget, giving it a creamy draught-style head. In the 1990s, the beer was promoted as The Cream of Manchester in a popular advertising campaign credited with raising Manchester's profile. Boddingtons became one of the city's most famous products after Manchester United and Coronation Street.
Whitbread bought Boddingtons Brewery in 1989 and Boddingtons Bitter received an increased marketing budget and nationwide distribution. Boddingtons achieved its peak market share in 1997 and at the time was exported to over forty countries. Boddingtons beer brands are now owned by the global brewer Anheuser“Busch InBev which acquired the Whitbread Beer Company in 2000. Strangeways Brewery closed in 2004 and production of pasteurised (keg and can) Boddingtons was moved to Samlesbury in Lancashire. Production of the cask conditioned beer moved to Hydes Brewery in Moss Side, Manchester, until it was discontinued in 2012, ending the beer's association with the city.
The Boddingtons two bees logo was introduced in 1900. The bees are a symbol of Manchester, from a time when it was a hive of industry, but the two bees also represent a pun on the company name of Boddingtons Breweries.
Boddingtons largely eschewed above the line advertising until 1987, when it was first advertised on Granada television in the North West of England. The tagline from 1987 until 1991 was If you don't get Boddies, you'll just get bitter. Under Whitbread's custodianship the comedian Frankie Howerd fronted the campaign in a series of six television advertisements which mainly aired in the North West in 1990“1991. Lowe Howard-Spink was the advertising agency responsible for the Howerd advertisements.
Manchester, North West England, UK
Description
Keywords: on,trent,on-trent,Stokeontrent,SOT,historic,potter,pot,clay,china,last,steam-powered,powered,GB,great,Britain,England,English,tourist,tourism,in-steam,moody,sky,interesting,1903,boiler,is,fired,and,machinery,red,barge,longboat,Trent,&,Mersey,Caldon,Canal,gotonysmith,Canals,chimney,toepath,toe,path,Friends,of,charity,HDR,supporters,volunteers,heritage,steaming,festival,Lower,Bedford,St,Street,UK,ST47AF,ST4,7AF,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHR0H - Etruria Industrial Museum is the last steam-powered potters' mill in Britain. The mill is ˜in steam' several times a year when the 1903 boiler is fired and historic machinery can be seen working. Situated in a pleasant location at the junction of the Trent & Mersey, and Caldon Canals the museum is also a perfect stop-off for walkers, cyclists and boaters.
Although the museum currently operates as part of Stoke-on-Trent City Council's Museum Service, the Friends of Etruria Industrial Museum “ a group of enthusiastic supporters and volunteers “ have decided to set up a small charity to help preserve and develop Etruria Industrial Museum for the benefit of the public
Lower Bedford St, Stoke-on-Trent , England , UK ST4 7AF
