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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9492,Colourful,mural,building,Eagles Meadow,Wrexham,Wales,UK,artwork,floral,lettering,graphics,public,art,retail,regeneration,street,shopping,centre,city,branding,urban,community,commercial,bright
Description: Tony Smith image Alamy 3ETMXTW - . Colourful mural on a building at Eagles Meadow in Wrexham, Wales, UK. Photographed on 17 May 2026. The recorded location is Eagles Meadow, Wrexham, Wales, UK. The artwork combines bright floral shapes, lettering and graphic motifs on the side of a brick commercial building, adding a strong piece of public art to the retail district. Strong sunlight and the vivid painted colours give the image high visual impact. The background to community art is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. Within the history of manufactured object, material culture includes the ordinary products people bought, used, collected or displayed
Small manufactured objects can reveal national identity, advertising, technology and popular taste in ways that formal records do not. Current 2026 context around community art is that public art is closely connected with regeneration, tourism, identity and debate about representation
Murals and sculptures can become visitor landmarks while also prompting discussion about whose past is visible in public space. Against the 2026 backdrop for manufactured object, sustainability and reuse also give older objects new relevance, encouraging repair, second-hand sales and appreciation of durable material culture. Relevant alternative phrases include street art, urban culture, cultural identity, visual culture, place-making, memorial art, creative industries, public realm, cultural landmark, collectable, souvenir, consumer object, vintage object, memorabilia, branding, design history, and consumer culture. Useful alternative terminology includes retro, household object, collecting, product history, social history, 255A9492, graphics, shopping, and urban.
Eagles Meadow, Wrexham, Wales, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,English,British,UK,city,centre,GB,E1 6QL,E1,popular,attraction,colourful,art,arty,lively,fashion,crowds,street,with,on,a,Sunday,tourist,shoppers,visitors,visit,east,looking,towards,and,Aldgate,colorful,neighbourhood,Tower Hamlets,famous
Description: Tony Smith image Alamy 2R39XXB - Brick Lane (Bengali: ব্রিক লেন) is a famous street in the East End of London, in the borough of Tower Hamlets. It runs from Swanfield Street in Bethnal Green in the north, crosses the Bethnal Green Road before reaching the busiest, most commercially active part which runs through Spitalfields, or along its eastern edge. Brick Lane's southern end is connected to Whitechapel High Street by a short extension called Osborn Street.
Today, it is the heart of the country's Bangladeshi community with the vicinity known to some as Banglatown. It is famous for its many curry houses
The street was formerly known as Whitechapel Lane, and wound through fields. It derives its current name from brick and tile manufacture started in the 15th century, which used the local brick earth deposits
In the 19th century, Irish people and Ashkenazi Jews immigrated to the area. Jewish immigration continued into the early 20th century.
In the 20th century the Brick Lane area was important in the second wave of development of Anglo-Indian cuisine, as families from countries such as Bangladesh (mainly the Greater Sylhet region) migrated to London to look for work. Some curry houses of Brick Lane do not sell alcoholic beverages, for most are owned by Muslims. According to EasyJet Traveller magazine, the top three curry houses on Brick Lane in 2021 are Aladin, Sheba and City Spice.
Bengalis in the United Kingdom settled in big cities with industrial employment. In London, many settled in the East End. For centuries the East End has been the first port of call for many immigrants working in the docks and shipping from Chittagong port in Bengal
Brick Lane, London, GB, E1 6QL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,English,British,UK,city,centre,typewriter,shutter,shop,meme,street,artist,art,Street Art,Truth Told,I only put this here,because Im hoping you Instagram It,it,on,E1,E1 6QL,LA,based,WordSmith,stencil,word,words,work,works,Shoreditch,frame,colourful,courier,font
Description: Tony Smith image Alamy 2R39XXX - . Street Art Instagram meme - Truth Told, I only put this here,because I'm hoping you Instagram It, Brick Lane, London, England, GB, E1 6QL. Photographed on 21 May 2023. WRDSMTH is an LA-based street artist who aspires to inspire others on a daily basis with colorful and well-chosen words crafted into indelible thoughts and phrases that he paints/pastes onto walls around the world. Read more at maybe buy some of his merch ! Brick Lane developed through successive migrant communities and industries in London's East End, becoming especially associated with Jewish tailoring and later the Bangladeshi community. The former Truman Brewery complex has been reused for markets, offices, exhibitions and creative businesses, helping turn the area into a major destination for street art, food, fashion and independent retail. Looking at public realm, the longer history is that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can change the meaning of an apparently permanent object. The background to industrial archaeology is that industrial heritage links architecture and machinery with the people who worked in mines, potteries, foundries and factories
As production declined or modernised, many sites were demolished, adapted or preserved as museums and regeneration projects. Within the history of shopfront, local businesses provide unusually precise social-history evidence because names, branding and uses change more quickly than the buildings they occupy
A shop, café, pub or service company can disappear while the façade survives, leaving photographs as a record of the previous commercial life of the street. In 2026, public realm remains relevant because contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative.
Brick Lane, London, England, GB, E1 6QL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,city,the,crowd,entertainment,busy,dance,dancing,style,Ukraine flag,coloured,Royal Albert Dock,Liverpool,Eurovision2023,Eurovision,2023,street,art,fun,L3 4AF,Pierhead,Pier Head,machine,contraption,stunt,marine,submersible,dancer,colours of,colors,of,Ukraine
Description: Tony Smith image Alamy 2R1PY8X - . Beatles style yellow and blue , Ukraine flag coloured submarine DJ and dancer, Royal Albert Dock, Pier Head, Liverpool, Merseyside, England, UK,L3 4AF. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Royal Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, crowd, entertainment, busy, dance, dancing, style, Ukraine flag, coloured, Royal Albert Dock, Liverpool, Eurovision2023, providing natural SEO coverage without losing the specific documentary identity of the photograph. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
Royal Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,Manchester,city,centre,Union St,art,gable,end,fiction,England,UK,M4 1PE,and,of,street,building,buildings,architecture,telephone exchange,BT,Openreach,arts,urban,decoration,decorated,streets,scene,Manc,Manchester City centre,Mancunian,trendy,funky,tourist,tourism,attraction,attractions
Description: Tony Smith image Alamy 2JYYR7W - . Photographed at Church St and junction of Union St, Northern Quarter, Manchester, England, UK, M4 1PE in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The defining feature is Church St and junction of Union St, Northern Quarter, Manchester, England, UK, M4 1PE. Another layer of the photograph includes community identity, heritage worship space, Christian iconography, religious heritage, documentary photography, everyday life, urban regeneration, local history, mixed-use redevelopment, public realm, changing land use, sacred decoration, liturgical art, and sacred architecture. For current editorial use, adaptive reuse and commercial viability provide additional context, especially through the value of reusing existing buildings rather than wholesale demolition. Current relevance extends to visitor tourism and accessibility, particularly through the role of parish churches in local identity and genealogy. Small period details of equipment and working practice at Church St and junction of Union St, Northern Quarter, Manchester, England, UK, M4 1PE may become more significant with time, particularly following new construction. Other useful contextual ideas include changing streetscape, local character, historic townscape, public-realm investment, period architecture, parish church heritage, historical comparison, and archival record. Elements such as Quarter, junction, Church, Union, and Northern add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Church St and junction of Union St, Northern Quarter, Manchester, England, UK, M4 1PE, the image preserves more than the headline object or building: it records part of the locality's everyday history. Image 2JYYR7W also remains a dated record of Church St and junction of Union St, Northern Quarter, Manchester, England, UK, M4 1PE.
Church St and junction of Union St, Northern Quarter, Manchester, England, UK, M4 1PE
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,M4,Manchester,England,UK,M4 3AH,indoor market,city,centre,retail,shop,store,stalls,wall,art,streetart,street,food,eat,eating,bee,youth,cityscape,skyline,markets,small,retailers,community,urban,welcoming,bargain,bargains,welcome,people,cartoon,cartoons,trader,traders
Description: Tony Smith image Alamy 2JYYR80 - . An identifiable period record of 49 High St, Manchester, England, UK, M4 3AH in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The subject captured here is Manchester Arndale centre, indoor market food court wall, 49 High St, Manchester, England, UK, M4 3AH. Another layer of the photograph includes consumer retail, retail property, town-centre economy, archival record, architectural character, street-level business, community identity, built heritage, social history, heritage-led regeneration, commercial frontage, place-making, visual archive, and place identity. Current relevance extends to business rates and commercial rents, particularly through how mixed retail, leisure and residential uses are reshaping high streets. In present-day coverage, the subject reaches into public-realm investment and heritage conservation, not least because of how regeneration tries to create reasons to visit traditional town centres. Small period details of lettering, decoration and surface detail at 49 High St, Manchester, England, UK, M4 3AH may become more significant with time, particularly following new ownership. Other useful contextual ideas include urban regeneration, historic townscape, regional identity, changing land use, commercial streetscape, everyday life, urban fabric, and changing streetscape. References to indoor, Manchester, centre, Arndale, and court give the picture a strong period identity and tie it closely to its named subject. For 49 High St, Manchester, England, UK, M4 3AH, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for business rates and how mixed retail, leisure and residential uses are reshaping high streets within the real-world context of 49 High St, Manchester, England, UK, M4 3AH.
49 High St, Manchester, England, UK, M4 3AH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city centre,Merseyside,England,UK,Levelling up,Northern Powerhouse,L2,office,streetart,street,at,city,centre,parking,Tempest,building,Nomad Clan,NomadClan,art,painting,girl,woman,women,offices,buildings,architecture,car park,car parking,sunny,blue sky,blue skies,Eurovision,2022
Description: Tony Smith image Alamy 2JDDRC0 - . Made at Hackins Hey, Liverpool, Merseyside, England, UK, L2 2AW in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The photograph centres on Nomad Clan Mural artwork at Hackins Hey, Liverpool, Merseyside, England, UK, L2 2AW. The surrounding context encompasses local history, traditional structure, period streetscape, local identity, conservation interest, before-and-after reference, conservation architecture, archival record, period detail, community life, place identity, regional identity, historic townscape, and changing streetscape. Current relevance extends to maintenance and embodied carbon, particularly through the value of distinctive buildings and street furniture to local identity. In present-day coverage, the subject reaches into commercial change and regeneration, not least because of how ordinary street scenes become valuable records as businesses and infrastructure change. Future viewers can use this scene from Hackins Hey, Liverpool, Merseyside, England, UK, L2 2AW to compare building condition and alterations with whatever follows after closure or conversion. Further associations within the scene are street-level documentary, architectural detailing, changing land use, everyday life, urban fabric, townscape record, visual archive, and documentary photography. Elements such as Hackins, Liverpool, Merseyside, artwork, and Mural add documentary specificity and may become increasingly useful when compared with later records. Around Hackins Hey, Liverpool, Merseyside, England, UK, L2 2AW, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The frame retains part of the area's social history before later change alters the scene. The scene captures details of everyday use as a date-specific reference.
Hackins Hey, Liverpool, Merseyside, England, UK, L2 2AW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city centre,Merseyside,England,UK,Levelling up,Northern Powerhouse,L2,office,streetart,street,at,city,centre,parking,Tempest,building,Nomad Clan,NomadClan,art,painting,girl,woman,women,offices,buildings,architecture,car park,car parking,sunny,blue sky,blue skies,Eurovision,2022
Description: Tony Smith image Alamy 2JDDRC4 - . This location-specific image from Hackins Hey, Liverpool, Merseyside, England, UK, L2 2AW in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The image documents Nomad Clan Mural artwork at Hackins Hey, Liverpool, Merseyside, England, UK, L2 2AW. The locality and subject together evoke local landmark, local identity, everyday street life, architectural detailing, social landscape, urban change, contemporary social history, everyday life, social history, changing streetscape, period building, community identity, historic townscape, and urban fabric. For current editorial use, maintenance and adaptive reuse provide additional context, especially through keeping older structures useful without erasing their character. Current relevance extends to local identity and footfall, particularly through the documentary importance of recording everyday urban environments. Small period details of building condition and alterations at Hackins Hey, Liverpool, Merseyside, England, UK, L2 2AW may become more significant with time, particularly following new construction. The surrounding story also includes townscape record, local character, public realm, local history, historic streetscape, city-centre activity, visual archive, and architectural character. The combination of Mural, Nomad, artwork, Liverpool, and Hackins anchors the frame to a recognisable activity, place or moment. The period setting at Hackins Hey, Liverpool, Merseyside, England, UK, L2 2AW helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes maintenance and the value of distinctive buildings and street furniture to local identity when considered against later change at Hackins Hey, Liverpool, Merseyside, England, UK, L2 2AW.
Hackins Hey, Liverpool, Merseyside, England, UK, L2 2AW
--Dublin-2--Eire--Ireland-2MCGB6R.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,guitarist,guitar,Irish,songwriter,musician,musicians,mixed race,Philip P Lynott,of,bronze,metal,statue,1949-1986,artist,by,Harry Street,off,Grafton Street,Dublin 2,street,art,sculptor,bass,bassist,West Bromwich,Lynotts,father Cecil Parris,tourist,attraction,music,icon,legend,ThinLizzy
Description: Tony Smith image Alamy 2MCGB6R - Philip Parris Lynott (20 August 1949 4 January 1986) was an Irish singer, bassist, and songwriter. His most commercially successful group was Thin Lizzy, of which he was a founding member, the principal songwriter, lead vocalist and bassist. He was known for his distinctive plectrum-based style on the bass, and for his imaginative lyrical contributions including working class tales and numerous characters drawn from personal influences and Celtic culture.
Lynott was born in the West Midlands of England, but grew up in Dublin with his grandparents. He remained close to his mother, Philomena, throughout his life. He fronted several bands as a lead vocalist, including Skid Row alongside Gary Moore, before learning the bass guitar and forming Thin Lizzy in 1969. After initial success with Whiskey in the Jar, the band had several hits in the mid-1970s such as The Boys Are Back in Town, Jailbreak and Waiting for an Alibi, and became a popular live attraction combining Lynott's vocal and songwriting skills with dual lead guitars. Towards the end of the 1970s, Lynott embarked upon a solo career, published two books of poetry, and after Thin Lizzy disbanded, he assembled and fronted the band Grand Slam.
In 2005, a life-size bronze statue of Lynott by Dublin sculptor Paul Daly was unveiled on Harry Street, off Grafton Street in Dublin. The ceremony was attended by Lynott's mother Philomena, and former band members Moore, Bell, Robertson, Downey, Gorham and Darren Wharton, who performed live
In the 1980s, Lynott increasingly suffered drug-related problems, particularly an addiction to heroin. In 1985, he had a final chart success with Moore, Out in the Fields, followed by the minor hit Nineteen, before his death in 1986. He remains a popular figure in the rock world
Harry Street, (off Grafton Street), Dublin 2, Eire, Ireland
--Dublin-2--Eire--Ireland-2MCGB9X.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,guitarist,guitar,Irish,songwriter,musician,musicians,mixed race,Philip P Lynott,of,bronze,metal,statue,1949-1986,artist,by,Harry Street,off,near,Grafton Street,Dublin 2,street,art,sculptor,bass,bassist,West Bromwich,Lynotts,father Cecil Parris,tourist,attraction,music,icon,legend
Description: Tony Smith image Alamy 2MCGB9X - Philip Parris Lynott (20 August 1949 4 January 1986) was an Irish singer, bassist, and songwriter. His most commercially successful group was Thin Lizzy, of which he was a founding member, the principal songwriter, lead vocalist and bassist. He was known for his distinctive plectrum-based style on the bass, and for his imaginative lyrical contributions including working class tales and numerous characters drawn from personal influences and Celtic culture.
Lynott was born in the West Midlands of England, but grew up in Dublin with his grandparents. He remained close to his mother, Philomena, throughout his life. He fronted several bands as a lead vocalist, including Skid Row alongside Gary Moore, before learning the bass guitar and forming Thin Lizzy in 1969. After initial success with Whiskey in the Jar, the band had several hits in the mid-1970s such as The Boys Are Back in Town, Jailbreak and Waiting for an Alibi, and became a popular live attraction combining Lynott's vocal and songwriting skills with dual lead guitars. Towards the end of the 1970s, Lynott embarked upon a solo career, published two books of poetry, and after Thin Lizzy disbanded, he assembled and fronted the band Grand Slam.
In 2005, a life-size bronze statue of Lynott by Dublin sculptor Paul Daly was unveiled on Harry Street, off Grafton Street in Dublin. The ceremony was attended by Lynott's mother Philomena, and former band members Moore, Bell, Robertson, Downey, Gorham and Darren Wharton, who performed live
In the 1980s, Lynott increasingly suffered drug-related problems, particularly an addiction to heroin. In 1985, he had a final chart success with Moore, Out in the Fields, followed by the minor hit Nineteen, before his death in 1986. He remains a popular figure in the rock world
Harry Street, (off Grafton Street), Dublin 2, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,art,outside,exterior,gable,end,face,woman,female,Mr Cenz,Mr,Cenz,artist,1F London Rd,1F London Road,blue,L3 8HR,Contrast Mural,fest,festival,girl,women,feminine,ladylike,painting,iF,London Rd,city,centre,impressionistic,street art,street,arts
Description: Tony Smith image Alamy 2M475EA - . This authentic period view of 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR in 2019 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. At the centre of the view is Mr Cenz Street art, on gable end, of Lord Warden, 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR. The wider scene also brings together documentary photography, graffiti heritage, public transport stop, street creativity, place identity, historical comparison, local character, temporary artwork, bus route infrastructure, mural culture, urban artwork, roadside transit, before-and-after reference, and transport accessibility. From a 2025-onward perspective, public art and graffiti policy are closely linked to this subject, alongside how temporary street art becomes an important visual archive. The wider contemporary story combines decarbonisation, integrated transport and the challenge of maintaining reliable local services. Future viewers can use this scene from 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR to compare lettering, decoration and surface detail with whatever follows after replacement signage. A second descriptive layer includes passenger transport, public realm, regional identity, passenger information, surface public transport, period detail, creative placemaking, and social history. The recorded references to Warden, Liverpool, Merseyside, and gable preserve clues about how the subject was presented, used or understood at the time. The wider setting at 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene further reflects public art and how regeneration can support and displace informal culture at the same time within the specific setting of 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR.
1F London Road, Liverpool., Merseyside, England, UK, L3 8HR
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,paste ups,stickers,tags,from,in various colours,artist,Ready to use,Wheatpaste,pop art,street art,Out House project,OutHouse project,street-art,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,graffiti,art,figures,Northern Quarter,NorthernQuarter,colourful,colorful,colours
Description: Tony Smith image Alamy RFF638 - Here's a little insight into the world of D7606
Picking spots is not always easy, a lot of areas like the east end of London are quite saturated with street art, finding a spot without going over other peoples work and tags is always a priority. Being respectful to others work is very important to me. So I like to find new spots and go into areas where no one has been before, I did a series of Bollywood actors and found myself in a busy Southall one night, that was fun. I have been into the urbex spots around Sheffield where the spray can and letters are king, so adding brightly coloured paste ups to those grimy walls is a risk and one I'm glad I have taken, some will approve and others will not but that's the joy of trying new places.
Mostly I am a lover of other peoples work and my photography of that work is how I find different neighbourhoods. Most areas are well know so often I just wander around taking photos, this then gives me that opportunity to do my own work too. I guess my favourite areas right now are Sheffield in the UK and Kreuzberg in Berlin, the back streets are full of grimy walls and doors, a perfect place for paste ups, stickers and tags..
I love those iconic British symbols, ask an American to name an iconic British symbol and a lot will say our red phone box or post box. They featured in my first work and still do in a big way.
Oh yes, I love to take those iconic British symbols abroad, I have travelled a fair bit in the last year- France, Germany and the USA. Hard to say a favourite place really, all have great art and great spots. Overall New York was the most impressive but maybe that was a size thing? It is massive, so much to see and so much good original work around.
Have you ever got in trouble with the police or other people for putting up your work?
Ha oh no, everything I do is within the law !!! I am sure I have annoyed people with my work, some artists are honest enough to say stop !! That's too much !! or that latest work
Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Fuzzylogic75 stencil art,stencil,Northern Quarter,figures,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,artist,stickers,street art,graffiti,paste ups,art,NorthernQuarter,colourful,colorful,colours,arm,pipe,tube,tag,tags,paper,pasted
Description: Tony Smith image Alamy RFF64K - . A grounded editorial photograph records the everyday reality of Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN, as photographed in 2019. The scene is specifically associated with Fuzzylogic75 stencil art, Manchester Northern Quarter, NQ4, Manchester, England, UK. Related ideas embodied by the location include mural culture, urban visual culture, contemporary mural, community expression, creative regeneration, urban graphics, city artwork, public art, graphic intervention, public realm art, street-level design, and creative streetscape. Seen from a 2025-onward perspective, community artwork also connects with local identity, graffiti versus commissioned work and efforts aimed at creative reuse of redevelopment sites. Because this is a time-specific record of Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN, later comparison can reveal changes in signage, ownership, land use, transport, street furniture, building condition and the way the public uses the surrounding space. The location additionally reflects art-led regeneration, temporary artwork, illustrated hoarding, local identity, visual placemaking, urban artwork. The scene is further associated with street art, stencilling, street, facs. The scene also carries the language of , and street creativity. Modern coverage of temporary urban art frequently reaches beyond the immediate scene to questions of graffiti versus commissioned work, youth culture and recording temporary artwork. Viewed retrospectively, the photograph can reveal the condition of buildings, public-realm details, local business activity, patterns of everyday use, and regional identity within the surrounding area. Taken together, these details make the photograph a useful record of changes of use, local character, public activity, the appearance of the built environment, and period design as part of the area's longer social history.
Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Northern Quarter,RIP,NorthernQuarter,SSOSVATIME,art,street art,graffiti,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,artist,stickers,paste ups,figures,colourful,colorful,colours,silver,monochrome,BW,black and white,hat,hatter,mad,time
Description: Tony Smith image Alamy RFF64M - . A grounded editorial photograph captures the physical context of Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN, as it appeared in 2019. The location is represented through SSOSVA TIME RIP the mad hatter, Northern Quarter, Manchester, England, UK. Related ideas embodied by the location include city artwork, street-level design, mural culture, temporary artwork, public realm art, art-led regeneration, urban graphics, community art, local identity, illustrated hoarding, street creativity, and urban artwork. Seen from a 2025-onward perspective, visual placemaking also connects with temporary installations, public-realm investment and efforts aimed at recording temporary artwork. Documentary value is strengthened by the precise setting at Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. Beyond the immediate subject, the setting involves graphic intervention, contemporary mural, community expression, urban visual culture, creative regeneration, public art. Other local associations include pls fix me, I am broke, Alice, Alice in Wonderland, stencil. The scene also carries the language of , and creative streetscape. Modern coverage of visual placemaking frequently reaches beyond the immediate scene to questions of temporary installations, graffiti versus commissioned work and creative reuse of redevelopment sites. The combination preserved here provides evidence of signage and branding, commercial identity, physical infrastructure, community life, and local continuity as an authentic period reference. As the location changes, the frame remains a reference for historic fabric, everyday services, planning and redevelopment, movement through the area, and social change at this precise location. The location view retains the area's visual identity for visual before-and-after study.
Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,M1,North West,art,artist,street art,street artist,mural,Arena Bomb,Arena bombing,arts,street,centre,spray paint,expression,decorated,decoration,M1 1DN,PC,ex,public conveniences,toilet,canvas,outside,square,exterior,pink,cyan
Description: Tony Smith image Alamy RFF66B - . An editorial view documents the setting around Stevenson Square, Northern Quarter, Manchester, North West England, UK, M1 1DN, as photographed in 2019. The supplied image information identifies #OutHouseMcr Bee, Stevenson Square, Northern Quarter, Manchester, North West England, UK, M1 1DN. Further features of the subject include community art, creative regeneration, illustrated hoarding, urban visual culture, art-led regeneration, city artwork, mural culture, graphic intervention, contemporary mural, public realm art, temporary artwork, and local identity. Current debate around street-level design often combines youth culture, graffiti versus commissioned work and the practical challenge of art integrated with regeneration. Because this is a time-specific record of Stevenson Square, Northern Quarter, Manchester, North West England, UK, M1 1DN, later comparison can reveal changes in signage, ownership, land use, transport, street furniture, building condition and the way the public uses the surrounding space. The resulting scene connects with visual placemaking, public art, creative streetscape, street creativity, community expression, street-level design. Further recorded details include NorthernQuarter, Manchester Bee Symbol, Bee Symbol, open air gallery. The scene also carries the language of urban artwork, and urban graphics. The wider contemporary story of visual placemaking now includes regeneration alongside temporary installations, while policy and investment increasingly consider creative reuse of redevelopment sites. For future comparison, the scene preserves the appearance of the built environment, public activity, period design, local character, and changes of use at this precise location. Viewed retrospectively, the photograph can reveal community life, local continuity, physical infrastructure, signage and branding, and commercial identity within the surrounding area.
Stevenson Square, Northern Quarter, Manchester, North West England, UK, M1 1DN
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,German,Rhine,City Centre,ancient Mogontiacum,ancient,Mogontiacum,historic,town,mogontiacum,steps,Graffiti,Kleine Weigasse 12,art,12,55116,city,centre,street,streets,alley,looking,down,downhill,step,tag,tags,writing,vandals,vandalism,high,higher,part,area,of,history
Description: Tony Smith image Alamy RGGE33 - . This location-led image sets out the social and built context of Kleine Weigasse 12, 55116 Mainz, Rhineland-Palatinate, Germany, in this period view from 2018. The location is represented through Graffiti, Kleine Weigasse 12, 55116 Mainz, Rhineland-Palatinate, Germany, Europe. The location also connects creative streetscape, period property, creative regeneration, conservation architecture, adaptive reuse, community art, visual placemaking, temporary artwork, traditional building, architectural detail, community expression, and conservation interest. The wider contemporary story of visual placemaking now includes public-realm investment alongside regeneration, while policy and investment increasingly consider stronger place identity. Current debate around older urban fabric often combines energy retrofit, vacancy and the practical challenge of heritage-led regeneration. Small period details preserved at Kleine Weigasse 12, 55116 Mainz, Rhineland-Palatinate, Germany may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The resulting scene connects with art-led regeneration, heritage streetscape, local identity, public realm art, city artwork, local landmark. Associated details include Rhineland Palatinate, Deutschland, street, city. A second layer of description includes contemporary mural, urban visual culture, architectural heritage, historic built environment, mural culture, urban conservation, street-level design, public art, historic environment, and architectural character. Seen from a 2025-onward perspective, temporary urban art also connects with youth culture, graffiti versus commissioned work and efforts aimed at community-led design. This period image preserves the location's physical context within the evolving townscape. This period image preserves the location's physical context within the evolving townscape.
Kleine Weigasse 12, 55116 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NOHO NYC,NYC,New York City,St Marks Place,St Marks Place NYC,street,New York Street,USA,America,City Centre,city,centre,center,city center,New York Travel Tourism,shop,cafe,poster,front,shopfront,inner city,downtown,streetart,spray,spraycan,expression,neighborhood,graffiti,art,Manhattan,East Village,attraction,tourist,tourism
Description: Tony Smith image Alamy RBF065 - . A place-specific photograph preserves the physical context of the recorded location, in a documentary image made in 2018. Within that setting the photograph concentrates on Physical Graffiti Tea Shop, St Marks, Graffitea, East Village, Manhattan, NYC,NY, USA. Other closely connected aspects of the subject are bricks-and-mortar retail, retail decline and renewal, chain-store economy, creative regeneration, tourism economy, consumer retail, food-and-drink business, urban commerce, hospitality premises, destination economy, public art, and shopping district. The wider contemporary story of retail streets now includes changing footfall alongside brand consolidation, while policy and investment increasingly consider mixed-use town centres. Current debate around community artwork often combines regeneration, public-realm investment and the practical challenge of recording temporary artwork. In the mid-2020s, local dining is increasingly discussed through changing visitor patterns and staffing, with attention turning to sustainable tourism. The photograph fixes the recorded location at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed, specifically in relation to Physical Graffiti Tea Shop. The view also records themes involving visitor economy, temporary artwork, illustrated hoarding, visitor destination, high-street commerce, art-led regeneration. Associated details include New York St Marks Place, Eastvillage. A second layer of description includes customer service, commercial frontage, restaurant sector, shopping habits, food culture, city-centre economy, commercial streetscape, hospitality trade, catering trade, and local trading. Seen from a 2025-onward perspective, high-street retail also connects with hybrid working, changing footfall and efforts aimed at bringing empty units back into use.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NYC,St Marks Place,New York St Marks Place,street,New York Street,USA,America,City Centre,city,centre,center,city center,Eastvillage,Astor Place,mosaic,art,street art,hippy,Manhattan,NY,Street,City,Centre,Lafayette Street,plaza,neighborhood,urban,urban art,graffiti,East Village,NOHO NYC,attraction,tourist,tourism
Description: Tony Smith image Alamy RBF07A - Astor Place is a one-block street in NoHo/East Village, in the lower part of the New York City borough of Manhattan. It runs from Broadway in the west, just below East 8th Street
to Lafayette Street, ending at Alamo plaza. Astor Place is also sometimes used for the neighborhood around the street. It encompasses two plazas at the intersection with Cooper Square, Lafayette Street, Fourth Avenue, and Eighth Street Alamo Plaza and Astor Place Station Plaza. It was named for John Jacob Astor (at one time the richest person in the United States), soon after his death in 1848. A $21 million reconstruction to implement a redesign of Astor Place began in 2013
Astor Place, East Village, Manhattan, New York City, NY
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,New York City,City,Centre,City Centre,street,USA,United states of America,United States,art,Manhattan,LP,CD,album,Tenements,Manhatten,historic,buildings,Swan Song,Peter Corriston artist,fire escapes,New York Fire Escapes,New York Tenements,NewYork,artist,designer,special die-cut cover,special,die-cut cover,cover,album jacket
Description: Tony Smith image Alamy RBJ9PA - Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin. It was released as a double album on 24 February 1975 by the group's new record label, Swan Song Records.
The album was originally released with a die-cut sleeve design depicting a New York City tenement block. The album designer, Peter Corriston, was looking for a building that was symmetrical with interesting details. The two five-storey buildings photographed for the album cover are located at 96 and 98 St. Mark's Place in New York City. The original photograph underwent a number of tweaks to arrive at the final image. The fifth floor of the building had to be cropped out to fit the square album cover format.
The band wrote and recorded eight new songs for the album in early 1974 at Headley Grange, a country house in Hampshire, which gave them ample time to improvise arrangements and experiment with recording. The total playing time covered three sides of an LP, so they decided to expand it into a double by including previously unreleased tracks from the sessions for the earlier albums Led Zeppelin III, Led Zeppelin IV and Houses of the Holy. The album covered a range of styles including hard rock, progressive rock, rock 'n' roll and folk. The album was then mixed over summer 1974 and planned for an end-of year release. It was delayed because of the sleeve, which was designed by Peter Corriston and featured a theme around a tenement block in Manhattan, New York.
Other than the jam Boogie With Stu, which features former Rolling Stones pianist Ian Stewart, the band provided all instrumentation and vocals themselves, being Robert Plant (vocals, harmonica), Jimmy Page (guitar), John Paul Jones (bass, keyboards), and John Bonham (drums). The album was produced by Jimmy Page, with the help of a number of different engineers and mixers.
Physical Graffiti was commercially and critically successful upon its release and debuted at number one on album charts in both the US and the UK. I
96 and 98 St. Mark's Place, East Village, Manhatten, New York City, NY, USA
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,City,Centre,street,USA,United states of America,United States,East Village,art,Manhattan,deli,talking,grocery,NewYork,Jew,Jewish,Israel,Israeli,122,St Marks Place,St Marks Pl,fire escapes,fire escape,Modelo,outside,exterior,shop,shops,store,stores,Hebrew,food,provisions
Description: Tony Smith image Alamy RBJ9PB - . A detailed visual record records the visible identity of 122 St Marks Place, East Village, New York, NYC, NY, USA, in a photograph originating in 2018. The described feature is Two men outside Holyland Market, 122 St Marks Place, East Village, New York, NYC, NY, USA. The location also connects visitor economy, storefront culture, retail property, shopping district, consumer leisure, hospitality premises, town-centre trading, shopfront economy, catering trade, local trading, destination economy, and hospitality employment. For present-day editorial use, town-centre commerce can also illustrate debates about vacant premises and brand consolidation, particularly where these affect heritage-led regeneration. Modern coverage of hospitality businesses frequently reaches beyond the immediate scene to questions of commercial rents, delivery-platform competition and distinctive visitor experiences. Documentary value is strengthened by the precise setting at 122 St Marks Place, East Village, New York, NYC, NY, USA, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The surrounding story includes food-and-drink business, local dining, commercial streetscape, customer footfall, customer service, hospitality trade. Other local associations include grocery, Holyland Market deli, New York City, City Centre, Saint Marks Place. The same setting also brings together retail decline and renewal, visitor destination, chain-store economy, tourist accommodation, leisure venue, city-centre economy, tourism economy, commercial frontage, retail vacancy, and bricks-and-mortar retail. In the mid-2020s, independent trading is increasingly discussed through changing footfall and operating costs, with attention turning to bringing empty units back into use. The scene keeps a record of evidence of changing place as a historical reference.
122 St Marks Place, East Village, New York, NYC, NY, USA
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,City,Centre,street,USA,United states of America,United States,East Village,art,Manhattan,deli,talking,grocery,NewYork,Jew,Jewish,Israel,Israeli,122,St Marks Place,St Marks Pl,fire escapes,fire escape,Modelo,outside,exterior,shop,shops,store,stores,Hebrew,food,provisions
Description: Tony Smith image Alamy RBJ9PE - . This location-led image sets out a moment within 122 St Marks Place, East Village, New York, NYC, NY, USA, in documentary coverage dating from 2018. The described feature is Two men outside Holyland Market, 122 St Marks Place, East Village, New York, NYC, NY, USA. The location can also be described in terms of visitor destination, customer footfall, retail vacancy, shopping habits, service economy, town-centre trading, urban commerce, hospitality premises, bricks-and-mortar retail, high-street commerce, restaurant sector, and shopfront economy. The wider contemporary story of commercial property now includes online shopping alongside shifts in leisure spending, while policy and investment increasingly consider bringing empty units back into use. Current debate around hospitality businesses often combines staffing, commercial rents and the practical challenge of resilient local hospitality. The photograph fixes 122 St Marks Place, East Village, New York, NYC, NY, USA at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. The scene also relates to local dining, customer service, leisure venue, local trading, food-and-drink business, commercial streetscape. The scene is further associated with grocery, Holyland Market deli, New York City, City Centre, Saint Marks Place. A second layer of description includes consumer leisure, tourist accommodation, destination economy, catering trade, visitor economy, food service, retail decline and renewal, commercial frontage, consumer retail, and tourism economy. Seen from a 2025-onward perspective, commercial property also connects with operating costs, shifts in leisure spending and efforts aimed at bringing empty units back into use. This period image preserves a stage in local change within the evolving townscape.
122 St Marks Place, East Village, New York, NYC, NY, USA
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,New York City,City,Centre,City Centre,street,USA,United states of America,United States,East Village,art,Mosaic,trail,Trail,hippy,neighborhood,mosaic,mosaics,181,1987,We the people,we,the,people,ceramic,waste,arty,artist,route,routes,walk,walking
Description: Tony Smith image Alamy RBJ9PF - . This location-led image preserves the working environment around Saint Marks Place Mosaic Trail, St Marks Place, East Village, New York city, NYC, NY, USA, in documentary coverage dating from 2018. The principal point of reference is Saint Marks Place Mosaic Trail, East Village, New York city, NYC, NY, USA. The physical and social setting additionally connects with art-led regeneration, street-level design, illustrated hoarding, creative streetscape, public realm art, street creativity, city artwork, mural culture, community expression, temporary artwork, local identity, and urban graphics. The wider contemporary story of creative hoardings now includes graffiti versus commissioned work alongside regeneration, while policy and investment increasingly consider creative reuse of redevelopment sites. Small period details preserved at Saint Marks Place Mosaic Trail, St Marks Place, East Village, New York city, NYC, NY, USA may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The scene also relates to public art, creative regeneration, urban visual culture, urban artwork, community art, contemporary mural. The record also refers to St Marks Place Mosaic Trail, hobo, street art, Manhattan, St Marks Place. The scene also carries the language of graphic intervention, and visual placemaking. Seen from a 2025-onward perspective, creative hoardings also connects with regeneration, public-realm investment and efforts aimed at creative reuse of redevelopment sites. The lasting documentary value lies in its record of public access, transport patterns, architecture and streetscape, neighbourhood identity, and ownership or occupation at this precise location. This period image preserves a stage in local change for retrospective use. This period image preserves a stage in local change for retrospective use.
Saint Marks Place Mosaic Trail, St Marks Place, East Village, New York city, NYC, NY, USA
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,New York City,City,Centre,City Centre,street,USA,United states of America,United States,East Village,art,Mosaic,trail,Trail,hippy,neighborhood,mosaics,trails,walking,route,routes,trendy,funky,furniture,lamp,standard,lamps,ceramic,tiles,stones,Saint,Marks,PL,Place
Description: Tony Smith image Alamy RBJ9PG - . This descriptive scene shows the physical context of the recorded location, in a 2018 record. The location is represented through Saint Marks Place Mosaic Trail, East Village, New York city, NYC, NY, USA. The wider setting includes graphic intervention, city artwork, mural culture, public art, art-led regeneration, urban artwork, street creativity, illustrated hoarding, urban visual culture, street-level design, public realm art, and local identity. For present-day editorial use, temporary urban art can also illustrate debates about regeneration and youth culture, particularly where these affect recording temporary artwork. Small period details preserved at the recorded location may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage, specifically in relation to Saint Marks Place Mosaic Trail. The surrounding story includes contemporary mural, visual placemaking, creative regeneration, urban graphics, community art, temporary artwork. Further recorded details include St Marks Place Mosaic Trail, hobo, street art, Manhattan, St Marks Place. In the mid-2020s, visual placemaking is increasingly discussed through regeneration and public-realm investment, with attention turning to stronger place identity. The lasting documentary value lies in its record of patterns of everyday use, regional identity, public-realm details, the condition of buildings, and local business activity as part of the area's longer social history. For future comparison, the scene preserves period design, local character, the appearance of the built environment, changes of use, and public activity without relying on a generic or reconstructed view. That gives this view of the recorded location continuing value for local history, retrospective reporting and visual comparison, specifically in relation to Saint Marks Place Mosaic Trail.
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,New York City,City,Centre,City Centre,street,USA,United states of America,United States,beach,resort,Borough Of Brooklyn,peninsular,leisure,entertainment,tourist,tourism,destination,run down,rundown,dilapidated,seaside resort,seaside,US,Fred Trump,Fred,Trump,Thor Equities,parks,NYC Parks,painting,poster,Art,Multi,black man
Description: Tony Smith image Alamy RBJ9T1 - Coney Island is a peninsular residential neighborhood, beach, and leisure/entertainment destination of Long Island on the Coney Island Channel, which is part of the Lower Bay in the southwestern part of the borough of Brooklyn in New York City. Coney Island was formerly the westernmost of the Outer Barrier islands on Long Island's southern shore, but in the early 20th century it became connected to the rest of Long Island by land fill. The residential portion of the peninsula is a community of 60,000 people in its western part, with Sea Gate to its west, Brighton Beach and Manhattan Beach to its east, the Lower Bay to the south, and Gravesend to the north.
Coney Island was originally part of the colonial town of Gravesend. By the mid-19th century, it became a seaside resort, and by the late 19th century, amusement parks were also built at the location. The attractions reached a historical peak during the first half of the 20th century, declining in popularity after World War II and following years of neglect. The area was revitalized with the opening of the MCU Park in 2001 and several amusement rides in the 2010s.
Stillwell Ave, Coney Island, Brooklyn,New York, NY, USA
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,City,Centre,City Centre,street,USA,United states of America,United States,Brooklyn,beach,resort,Borough Of Brooklyn,peninsular,leisure,entertainment,tourist,tourism,destination,run down,rundown,dilapidated,seaside resort,seaside,US,Fred Trump,Fred,Trump,Thor Equities,parks,NYC Parks,painting,poster,cartoon,Art,music,food,walls,Amusement park
Description: Tony Smith image Alamy RBJ9T6 - Coney Island is a peninsular residential neighborhood, beach, and leisure/entertainment destination of Long Island on the Coney Island Channel, which is part of the Lower Bay in the southwestern part of the borough of Brooklyn in New York City. Coney Island was formerly the westernmost of the Outer Barrier islands on Long Island's southern shore, but in the early 20th century it became connected to the rest of Long Island by land fill. The residential portion of the peninsula is a community of 60,000 people in its western part, with Sea Gate to its west, Brighton Beach and Manhattan Beach to its east, the Lower Bay to the south, and Gravesend to the north.
Coney Island was originally part of the colonial town of Gravesend. By the mid-19th century, it became a seaside resort, and by the late 19th century, amusement parks were also built at the location. The attractions reached a historical peak during the first half of the 20th century, declining in popularity after World War II and following years of neglect. The area was revitalized with the opening of the MCU Park in 2001 and several amusement rides in the 2010s.
Stillwell Ave, Coney Island, Brooklyn,New York, NY, USA
Description
Keywords: Brixton,England,UK,Bellefields,Road,city,centre,One,love,luv,street,BRXTN,city,of,London,BlackPoppy,commemoration,commonwealth,soldier,soldiers,Bellefields Road,South London,Brixton London,city centre,City Of London,Black Poppy,The Black Poppy,Artful Dodger,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,London,Cockney,Cockneys,England,LDN,British,England,problem,with,problem with,issue with,art,artist,clever,fun,capital,city,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South London,Capital city
Description: Tony Smith image Alamy HK3H7C - . Made at Bellefields Road, Brixton,South London, England, UK in 2017, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Street art in Brixton London, England, UK. The setting additionally reflects changing streetscape, changing land use, local bus network, public realm, regional identity, visual archive, urban artwork, street-side transport, transport accessibility, everyday life, public art, street-level design, local history, and before-and-after reference. Today's relevance is strengthened by temporary works, gentrification and the continuing question of the role of murals and stencils in giving creative districts a distinctive identity. From a 2025-onward perspective, passenger information and local connectivity are closely linked to this subject, alongside the challenge of maintaining reliable services outside dense city centres. The image fixes signage and branding within Bellefields Road, Brixton,South London, England, UK at one identifiable point, providing a benchmark against redevelopment. Other useful contextual ideas include urban graphics, place identity, passenger transport, public transport stop, public-realm art, period detail, bus infrastructure, and local mobility. Elements such as Brixton and London add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Bellefields Road, Brixton,South London, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene further reflects temporary works and the role of murals and stencils in giving creative districts a distinctive identity in a form that can be compared with future views of Bellefields Road, Brixton,South London, England, UK.
Bellefields Road, Brixton,South London, England, UK
Description
Keywords: Brixton,England,UK,Bellefields,Road,city,centre,One,love,luv,street,BRXTN,city,of,London,BlackPoppy,commemoration,commonwealth,soldier,soldiers,Bellefields Road,South London,Brixton London,city centre,City Of London,Black Poppy,The Black Poppy,Artful Dodger,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,London,Cockney,Cockneys,England,LDN,British,England,problem,with,problem with,issue with,art,artist,clever,fun,capital,city,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South London,Capital city
Description: Tony Smith image Alamy HK3HWX - . Photographed at Bellefields Road, Brixton,South London, England, UK in 2017, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Street art in Brixton London, England, UK. The broader subject matter reaches into public transport information, contemporary social history, public art, historical comparison, transport accessibility, changing land use, local history, social history, local bus network, urban artwork, before-and-after reference, place identity, community identity, and visual archive. For current editorial use, public art and temporary works provide additional context, especially through how temporary street art can become an important record of neighbourhood culture. Current relevance extends to bus service funding and passenger information, particularly through the importance of bus stops as the physical interface between passengers and public transport. As a dated visual record of Bellefields Road, Brixton,South London, England, UK, the frame retains lettering, decoration and surface detail, making it especially useful if refurbishment subsequently changes the scene. The location also brings in local character, regional identity, local mobility, documentary photography, passenger transport, urban graphics, bus route infrastructure, and public-realm art. The recorded references to London and Brixton preserve clues about how the subject was presented, used or understood at the time. A later view of Bellefields Road, Brixton,South London, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is public art and the blurred boundary between commissioned public art and unsanctioned graffiti when considered against later change at Bellefields Road, Brixton,South London, England, UK.
Bellefields Road, Brixton,South London, England, UK
Description
Keywords: Brixton,England,UK,Road,city,centre,One,love,luv,street,city,of,London,word,words,Bellefields Road,South London,city centre,City Of London,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,London,Cockney,Cockneys,England,LDN,British,England,problem,with,problem with,issue with,art,artist,clever,fun,capital,city,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South London,Capital city
Description: Tony Smith image Alamy HK3MEF - . This scene at Bellefields Road, Brixton,South London, England, UK in 2017 forms part of the visual story.htm Target=_Blank>history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Street art in Brixton London, England, UK. A broader reading of the photograph includes surface public transport, everyday life, changing land use, contemporary social history, local character, mural culture, roadside stop, public art, creative placemaking, temporary artwork, archival record, graffiti heritage, visual street culture, and bus infrastructure. In present-day coverage, the subject reaches into public art and temporary works, not least because of the blurred boundary between commissioned public art and unsanctioned graffiti. Today's relevance is strengthened by decarbonisation, accessibility and the continuing question of how local bus services affect access to work, education and healthcare. The image fixes lettering, decoration and surface detail within Bellefields Road, Brixton,South London, England, UK at one identifiable point, providing a benchmark against replacement signage. The surrounding story also includes public realm, regional identity, passenger transport, local history, local mobility, local bus network, visual archive, and contemporary mural. The recorded references to Brixton and London preserve clues about how the subject was presented, used or understood at the time. The wider setting at Bellefields Road, Brixton,South London, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to public art and the blurred boundary between commissioned public art and unsanctioned graffiti as part of the longer story of Bellefields Road, Brixton,South London, England, UK. The scene captures details of everyday use as part of Bellefields Road, Brixton,South London, England, UK's history.
Bellefields Road, Brixton,South London, England, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Hblock,H-Block,Bobby Sands MP,Bobby Sands,hero,heroes,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HEW1FB - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Irelands Pain,made in Britain,RPG Avenue,RPG,Beechmount Avenue,Beechmount Ave,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HEW1GH - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Irelands Pain,made in Britain,RPG Avenue,RPG,Beechmount Avenue,Beechmount Ave,Irish Famine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Irish Famine,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HEW1GM - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Beechmount Avenue, off Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,street,Rockmount St,St James Community watch,B49,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HEW1GR - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,gable,end,gable end,Irish,Sport,Clonard Water Polo Team,Clonard,Water Polo,Team,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Belfast streets,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDF065 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,The,Kashmir,Bar,Failte,The Kashmir Bar,catholic,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDF077 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Carnegie Branch Library,Facade,stone,Entrance,Carnegie,Branch,Library,building,entrance,IG Devlin,blue plaque,Actor,Oranmore,Street,st,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDF0BA - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,MP,Bobby,Sands,Mural,and,Carnegie Library,Carnegie,Library,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDKYC2 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Bobby Sands MP,Poem,Ten,Brave,1981,Hunger Strikers,Freedom,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDPM5C - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Bobby Sands MP,Poem,Ten,Brave,1981,Hunger Strikers,Freedom,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDPM5K - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,People should Not Inform,Police Service Northern Ireland,Not Welcome In This area,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDPM5Y - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,shop,Souvenir Shop,Sniper,Craigavon,H-Block,H Block,flags,Irish Flag,Ireland Flag,support,the,cause,struggle for freedom,Irish Famine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Irish Famine,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HDWTBW - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,EU,funded,Republican Offender,Ex-Prisoner Community,ExPrisoner,Organisation,Coiste Na nIarchimi,Coiste,Na,nIarchimi,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDWTP1 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
10 Beechmount Avenue, Belfast, NI, UK, BT12 7NA
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,Unknown Pleasures,Joy Division,cover,Mark Kennedy,Manchester Hero,Manchester Heroes,Mosaic,album,JD,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Palace,store,on,Oldham,Street,market,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ799A - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,Abert,Tatlock,Hilda,Ogden,Ken,Barlow,Mosaic,Afflecks Palace Manchester,Northern Quarter,Mark Kennedy,Manchester Hero,Manchester Heroes,Coronation St,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,Mosaics,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ799C - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,soccer,Cantona,Mosaic,Mosaics,art,Afflecks Palace Manchester,Northern Quarter,Manchester Hero,Manchester Heroes,Football heroes,Colin Bell,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ799X - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Graffito,Lancs,street,Lancashire,England,UK,sixxis,RideLow,girl,woman,building,funky,city,centre,greater,NW,Northern,Powerhouse,NorthWest,tattoo,paint,art,artist,artists,Northern Quarter,Church St,Church Street,City Centre,Greater Manchester,North West,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy GJBPHG - . This location-specific image from Church St, Manchester,Lancs, England, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows Northern Quarter Graffiti,Church St,Manchester,Lancashire,England,UK. Other connected aspects include social history, everyday life, mural culture, community identity, public realm, place identity, street-level design, temporary artwork, local history, graffiti heritage, creative placemaking, regional identity, urban artwork, and documentary photography. For current editorial use, temporary works and public art provide additional context, especially through how temporary street art becomes an important visual archive. Future viewers can use this scene from Church St, Manchester,Lancs, England, UK to compare landscape treatment and surrounding development with whatever follows after closure or conversion. The subject also sits alongside visual street culture, changing streetscape, period detail, changing land use, contemporary social history, public-realm art, urban graphics, and before-and-after reference. Elements such as Quarter, Lancashire, Manchester, Graffiti, and Northern add documentary specificity and may become increasingly useful when compared with later records. The wider setting at Church St, Manchester,Lancs, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is temporary works and how regeneration can support and displace informal culture at the same time when considered against later change at Church St, Manchester,Lancs, England, UK. The setting also helps illustrate creative industries and how temporary street art becomes an important visual archive without losing the local specificity of Church St, Manchester,Lancs, England, UK.
Church St, Manchester,Lancs, England, UK
Description
Keywords: Mount Pleasant Pleasent Of Art,England,UK,academy,reflect,Mersey,funnel,paddys,paddies,wigwam,1960s,60s,building,Of,Art,England,UK,Duckinfield,Street,in,LJMU,Mount,Pleasant,Campus,LJMUs,RIBA,award,winning,school,scouse,tourist,tourism,beatles,city,Beatle,Gotonysmith Paul Ringo George John,Buy Pictures of,Buy Images Of,religion,religious
Description: Tony Smith image Alamy DRH8BK - The Art and Design Academy in Liverpool, England houses Liverpool John Moores University's School of Art and Design. It is located at Duckinfield Street in LJMU's Mount Pleasant Campus, immediately adjacent to the Liverpool Metropolitan Cathedral. The iconic six storey building was constructed between 2005 and 2008 at a cost of £27 million. The RIBA award winning Art and Design Academy was designed by Rick Mather Architects, during construction the contractor was Wates Construction and the structural and services engineer was Ramboll UK.
The Art and Design Academy has a gross internal area of 11,608 m2 (124,950 sq ft) and contains 175 m2 (1,880 sq ft) of public exhibition space, alongside a number of lecture theatres, seminar rooms and a large auditorium. ICT facilities, workshops and a café are also located in the building - which is also available for conference venue and facility hire. The building houses a public gallery and a public café.
Mount Pleasant, Liverpool, England UK
Description
Keywords: Mount Pleasant Pleasent Of Art,England,UK,academy,reflect,Mersey,funnel,paddys,paddies,wigwam,1960s,60s,building,Of,Art,England,UK,Duckinfield,Street,in,LJMU,Mount,Pleasant,Campus,LJMUs,RIBA,award,winning,school,scouse,tourist,tourism,beatles,city,Beatle,Gotonysmith Paul Ringo George John,Buy Pictures of,Buy Images Of,religion,religious
Description: Tony Smith image Alamy DRH8BW - The Art and Design Academy in Liverpool, England houses Liverpool John Moores University's School of Art and Design. It is located at Duckinfield Street in LJMU's Mount Pleasant Campus, immediately adjacent to the Liverpool Metropolitan Cathedral. The iconic six storey building was constructed between 2005 and 2008 at a cost of £27 million. The RIBA award winning Art and Design Academy was designed by Rick Mather Architects, during construction the contractor was Wates Construction and the structural and services engineer was Ramboll UK.
The Art and Design Academy has a gross internal area of 11,608 m2 (124,950 sq ft) and contains 175 m2 (1,880 sq ft) of public exhibition space, alongside a number of lecture theatres, seminar rooms and a large auditorium. ICT facilities, workshops and a café are also located in the building - which is also available for conference venue and facility hire. The building houses a public gallery and a public café.
Mount Pleasant, Liverpool, England UK
Description
Keywords: Theater,city,centre,tourist,attraction,attractions,GB,United,Kingdom,building,inside,the,interior,play,plays,performance,performances,art,arts,grade2,grade,II,listed,St,Anns,Square,Exchange,Street,Market,Street,Cross,Street,and,Old,Bank,Street,cotton,industry,in,Lancashire,Cottonopolis,Gotonysmith Shopping Centre bombing blitz spun yarn and finished goods,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,English,England,Shakespeare,tourism,tourist,tour,destination,city,centre,Mancunian,Manc,Buy Pictures of,Buy Images Of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy DN6N8T - The Royal Exchange is a grade II listed building in Manchester, England. It is located in the city centre on the land bounded by St Ann's Square, Exchange Street, Market Street, Cross Street and Old Bank Street. The complex includes the Royal Exchange Theatre and the Royal Exchange Shopping Centre.
The Royal Exchange was heavily damaged in the Manchester Blitz and in the 1996 Manchester bombing. The current building is the last of several buildings on the site used for commodities exchange, primarily but not exclusively of cotton and textiles.
The cotton industry in Lancashire was served by the Manchester Royal Exchange which traded in spun yarn and finished goods throughout the world including Africa while the Liverpool Cotton Exchange traded in imported raw cotton. In the 18th century the trade was part of part the slave trade in which African slaves were transported to America where the cotton was grown and then exported to Liverpool where the raw cotton was sold.[2]
The first exchange opened in 1729 but closed by the end of the century. As the cotton industry boomed, the need for a new exchange was recognized. Thomas Harrison designed the new exchange of 1809 at the junction of Market Street and Exchange Street.[2] The expanding cotton industry required a larger building and its extension was completed in 1849. The second exchange was replaced, by a third exchange by Mills & Murgatroyd, constructed between 1867 and 1874. It was extended and modified by Bradshaw Gass & Hope between 1914 and 1931 to form the largest trading hall in England.
The trading hall had three domes and was double the size of the current hall. The colonnade parallel to Cross Street marked the its centre. On trading days merchants and brokers struck deals which supported the jobs of tens of thousands of textile workers in Manchester and the surrounding towns. Manchester's cotton dealers and manufactureres trading from the Royal Exchange earned the city the name, Cottonopolis
Exchange St, Manchester, England, UK
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJFF - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJG2 - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,Explore,the,diversity,of,natural,world,cultures,art,and,design,technology,Scottish,history,capital,cities,building,buildings,and,technology,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,new,exterior,stone,The,buildings,architecture,was,controversial,from,the,start,and Prince Charles resigned as patron of the museum,in,protest,at,the,lack,of,consultation,over,its,design.,The,building,is,made,up,of,geometric,Corbusian forms,but also has numerous references to Scotland,such as brochs and castellated defensive,architecture,It,is,clad,in,golden,Moray,sandstone,architects,Gordon,Benson,has,called,a,reference,to,Scottish,geology,The,building,was,a,1999,Stirling,Prize,nominee,nominated,the oldest exhibit in the building,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXJJN - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,wide,shot,wideshot,portrait,orientation,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJKC - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,Explore,the,diversity,of,natural,world,cultures,art,and,design,technology,Scottish,history,capital,cities,building,buildings,science,and,technology,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,white,interior,inside,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJM0 - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,wide,gotonysmith,old,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,shot,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,oldtown,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJM8 - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: lamp,old,new,town,princess,st,street,princes,on,the,mound,central,tourist,tourism,attraction,visit,visitor,visitors,neoclassical,building,William,Henry,Playfair,Art,culture,cultural,collection,of,reference-only,Research,Library,reference,only,Scottish,Scots,Scot,nationalistic,independance,wide,gotonysmith,independance,painting,paintings,Royal,Scottish,Academy,Building,archival,material,relating,to,the,collections,exhibitions,history,EH22EL,EH2,2EL,free,admission,sky,drama,dramatic,gates,gate,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJN3 - The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859.
The gallery houses the Scottish national collection of fine art, including Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
The Mound, Edinburgh, Scotland, UK EH2 2EL
Description
Keywords: lamp,old,new,town,princess,st,street,princes,on,the,mound,central,tourist,tourism,attraction,visit,visitor,visitors,neoclassical,building,William,Henry,Playfair,Art,culture,cultural,collection,of,reference-only,Research,Library,reference,only,Scottish,Scots,Scot,nationalistic,independance,wide,gotonysmith,independance,painting,paintings,Royal,Scottish,Academy,Building,archival,material,relating,to,the,collections,exhibitions,history,EH22EL,EH2,2EL,union,flag,jack,unionjack,free,admission,sky,drama,dramatic,gates,gate,flying,devolution,country,nation,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJNR - The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859.
The gallery houses the Scottish national collection of fine art, including Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
The Mound, Edinburgh, Scotland, UK EH2 2EL
Description
Keywords: lamp,old,new,town,princess,st,street,princes,on,the,mound,central,tourist,tourism,attraction,visit,visitor,visitors,neoclassical,building,William,Henry,Playfair,Art,culture,cultural,collection,of,reference-only,Research,Library,reference,only,Scottish,Scots,Scot,nationalistic,independance,wide,gotonysmith,independance,painting,paintings,Royal,Scottish,Academy,Building,archival,material,relating,to,the,collections,exhibitions,history,EH22EL,EH2,2EL,free,admission,sky,drama,dramatic,gates,gate,newtown,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXKBH - The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859.
The gallery houses the Scottish national collection of fine art, including Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
The Mound, Edinburgh, Scotland, UK EH2 2EL
Description
Keywords: City,cities,grafitti,cartoon,mixed,media,artist,colour,faces,district,ghetto,bilderkombinat,Ihavetogotoparis,poster,el Bocho,GoTonySmith,Deutsche,Deutschland,Buy Pictures of,Buy Images Of,yellow,lips,colors,posters,elBocho,have,the,wash,off,colours,city,centre,hat,hats,street,art,streetart,paste,up,pasted
Description: Tony Smith image Alamy F0G6A5 - This documentary stock photograph shows Girl Grafitti on a Berlin wall,street,art,Germany. The image records Berlin Mitte street art and graffiti, making it useful for editorial features on urban art, alternative tourism, wall culture, counterculture, gentrification, visual satire and layered public space. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and wider editorial needs.
Mitte,DircksenStr,Berlin,Germany
Description
Keywords: City,cities,grafitti,cartoon,mixed,media,artist,colour,faces,district,ghetto,bilderkombinat,Ihavetogotoparis,el Bocho,GoTonySmith,Buy Pictures of,Buy Images Of,Deutsche,poster,yellow,lips,Deutschland,colors,posters,elBocho,have,the,wash,off,colours,city,centre,hat,hats,street,art,streetart,paste,up,pasted
Description: Tony Smith image Alamy F0G6A6 - This documentary stock photograph shows Girl Grafitti on a Berlin wall,street,art,Germany - I have to go to Paris in pink. The image records Berlin Mitte street art and graffiti, making it useful for editorial features on urban art, alternative tourism, wall culture, counterculture, gentrification, visual satire and layered public space. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and wider.
Mitte,DircksenStr,Berlin,Germany
Description
Keywords: bars,of,york,alley,off,Donegall St,street,drinks,drinking,classic,ale,beer,bers,ales,half,bap,area,craic,art,painting,painting,artworks,Old,Bushmills,Whiskey,ads,adverts,whisky,Colleraine,HC,H&C,Cathedral Quarter,Half Bap,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M90 - Nestled along a narrow cobbled alleyway in the historic Half Bap area, the Duke offers a traditional Belfast welcome of craic, music and humour in contrast to the modern fashionable establishments currently blowing into the surrounding streets. Hosting regular traditional sessions there is no better place to sample the real taste of our city simply step in and drink an Irish whiskey washed down with a pint of creamy stout.
Imagine Belfast with only five streets. Protected by earth ramparts and the city walls, the area where the Dark Horse now stands was convenient to the old iron foundry, the pottery, the whiskey merchants and the brown linen hall. Appreciate the superb décor and special atmosphere with beautiful antique mirrors, Belfast furniture and artefacts from some of the city's most famous hotels and buildings from bygone times providing a rather rare and unique glimpse of Belfast's historical past. Just call in and you will enjoy a huge warm welcome from a truly Belfast institution with a huge heart.
Duke of York, 7-11 Commercial Court, Belfast, Northern Ireland, BT1 2NB Duke of York 02890 241062
7-11 Commercial Ct, Belfast, Northern Ireland,UK BT1 2NB
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Peace,Wall,international,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HEEFC0 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,UVF Mural,four,platoon,no4,pltn,God,and,Ulster,No 4,Pltn,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG6B - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
Description
Keywords: Garfield St,Community Confidence,Campbell,streets,City Centre,city,centre,Northern Ireland,UK,GoTonySmith,HotpixUK,graffiti,street,art,soup,tins,tin,red tin,think,resist,artists,artist,original,Andy Warhol,homage,Royalist,Republican,tinned,can,canned,alternative,political
Description: Tony Smith image Alamy HE7MDX - . This authentic period view of Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Community Confidence, Campbells,soup tin, graffiti in Belfast Garfield St City Centre, Northern Ireland, UK. A broader reading of the photograph includes creative placemaking, social history, historical comparison, urban artwork, stencil art, contemporary mural, changing streetscape, before-and-after reference, changing land use, local character, visual street culture, documentary photography, public art, and visual archive. In present-day coverage, the subject reaches into graffiti policy and public art, not least because of the role of murals and stencils in giving creative districts a distinctive identity. Future viewers can use this scene from Garfield street,Belfast,County Antrim,Northern Ireland,UK to compare materials and architectural details with whatever follows after different community use. The surrounding story also includes contemporary social history, public-realm art, place identity, public realm, everyday life, community identity, graffiti heritage, and period detail. Details involving Belfast, Garfield, Northern, Ireland, and Community make the image more specific than a generic view and strengthen its local or historical value. For Garfield street,Belfast,County Antrim,Northern Ireland,UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is graffiti policy and the role of murals and stencils in giving creative districts a distinctive identity within the real-world context of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The scene captures a local visual benchmark as part of Garfield street,Belfast,County Antrim,Northern Ireland,UK's history.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: lonely,walk,loneliness,graffitti,grafitti,inner,city,housing,estate,sink,social,deprevation,deprivation,ice,snow,concrete,urban,decay,grey,gray,selective,color,colour,black,white,selctive,colores,tonysmith,tony,smith,dark,disturbia,interesting,place,places,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,art,arty,graffiti,grafiti,street,edinburgh,scotland,lotian,lothian,lothians,UK,life,edinbrugh,hotpix!,Edinburg,tony smith photography,tdktony,tdk,tdktonysmith,#tonysmithhotpix,edimburgh
Description: Tony Smith image Flickr 4369946057 - 'Caressing the marble and stone
Love that was special for one
The waste and the fever and hate
How I wish you were here with me now
The body that kills and hides
Matches an awful delight
Warm like a dog 'round your feet
How I wish you were here with me now
The hangman looks 'round as he waits
Gullet stretches tight and it breaks
Someday we will die in your dreams
How I wish we were here with you now
The city is large and gray, it can break your spirit. It can break your bones. Never let it break your spirit.
A face of modern Scotland here www.flickr.com/photos/hotpixuk/4259345043/
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Edinburgh,Graffito,and,old,person,inner,city,scotland,lonely,UK,urban,street,scene,loneliness,cold,icy,ice,frozen,snow,United,Kingdom,shelter,looking,for,warmth,gotonysmith,color,colour,wall,painting,art,gotonysmith,spray art sprayart street streetart tag rags tagging urban decay,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEMWY5 - . Edinburgh Graffiti and old person inner city scotland. A lonely UK urban street scene in icy winter, snow on the ground. Photographed on 28 December 2009. The recorded location is Chambers street, Edinburgh, Scotland UK United Kingdom. An elderly lady navigates through the graffiti, along the ice and the snow in winter. Historically, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. The historical context is that art in public and historic settings adds another layer to the built environment
Sculpture, mosaic, painting and street art can interpret heritage, provoke debate, memorialise communities or create landmarks, and images preserve works that may later change or disappear. The wider historical story is that urban street scenes capture the cumulative effect of planning, architecture, transport, retail and public space
Shopfronts, signs, street furniture and pedestrians can date an image precisely and show how a district changes between periods of investment, decline and regeneration. In 2026, conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it provides about materials, local identity and how places change. The subject remains topical in 2026 because contemporary interest in public art is closely linked to regeneration and cultural tourism. murals and sculpture continue to be used to express identity and animate public space, while redevelopment can make photographic records of earlier works increasingly valuable. Useful related concepts include historic environment, local history, preservation, period detail, historic fabric, heritage asset, social history, and architectural history.
Chambers street, Edinburgh, Scotland UK United Kingdom
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJHT - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: Afflecks,Palace,Manchester,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,Mosaic,Mosaics,art,Cantona,city,soccer,Manc,Afflecks Palace Manchester,Northern Quarter,Mark Kennedy,Manchester Hero,Manchester City,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,no,loading,sign,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ799J - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NOHO NYC,NYC,New York City,St Marks Place,St Marks Place NYC,street,New York Street,USA,America,City Centre,city,centre,center,city center,East Village,Eastvillage,Cash Machine,AutoTeller,street cash machine,Manhattan,New York,NY,Harlem,cash,neighborhood,graffiti,art,attraction,tourist,tourism,streets,24 hrs,24 hours,on,rough,money,bank card
Description: Tony Smith image Alamy RBF07B - Money and Art, ATM at East 7th Street, East Village, Manhattan, New York, NY, USA gives a direct editorial record of a recognisable subject, with location, signage, architecture or everyday behaviour carrying much of the meaning. An ATM in Manhattan's East Village turned into or surrounded by art links money, street culture and neighbourhood identity in a city where cash machines are part of the visual clutter of commerce. The subject can illustrate urban art, financial access, gentrification, consumer culture, New York street life, cash use and the way everyday infrastructure becomes part of a creative streetscape. The location detail, New York, Manhattan, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. For buyers, the strength lies in the combination of a named subject, a lived-in setting and enough visual specificity to carry stories about how places are used, remembered, funded, visited or contested.
East 7th Street, East Village, Manhattan, New York, NY, USA
Description
Keywords: BT1,bars,pubs,duke,of,york,alley,off,Donegall St,street,drinks,drinking,classic,ale,beer,bers,ales,half,bap,area,murals,Titanic,artworks,Irish,famous,people,Cathedral Quarter,Half Bap,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M14 - Nestled along a narrow cobbled alleyway in the historic Half Bap area, the Duke offers a traditional Belfast welcome of craic, music and humour in contrast to the modern fashionable establishments currently blowing into the surrounding streets. Hosting regular traditional sessions there is no better place to sample the real taste of our city simply step in and drink an Irish whiskey washed down with a pint of creamy stout.
Imagine Belfast with only five streets. Protected by earth ramparts and the city walls, the area where the Dark Horse now stands was convenient to the old iron foundry, the pottery, the whiskey merchants and the brown linen hall. Appreciate the superb décor and special atmosphere with beautiful antique mirrors, Belfast furniture and artefacts from some of the city's most famous hotels and buildings from bygone times providing a rather rare and unique glimpse of Belfast's historical past. Just call in and you will enjoy a huge warm welcome from a truly Belfast institution with a huge heart.
Duke of York, 7-11 Commercial Court, Belfast, Northern Ireland, BT1 2NB Duke of York 02890 241062
7-11 Commercial Ct, Belfast, Northern Ireland,UK BT1 2NB
Description
Keywords: Street,city,glad,to,be,gay,lesbian,trans,gender,art,celebration,open,society,fair,equal,nation,The,EH2,2EL,doig,Peter,columns,DOIG,Princes St / Mound,Edinburgh New Town,Scotland UK Scotland's top free visitor attractions building buildings architecture,Gotonysmith,architect,William,Henry,Playfair,two,classical,temples,to,the,arts,style,architectural,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DED1KM - The Scottish National Gallery is one of Scotland's top free visitor attractions. It is made up of three interconnected buildings, right in the heart of Edinburgh. The Gallery is home to a major part of Scotland's sensational national collection of fine art
the Academy is one of Europe's premier venues for international exhibitions
and the Gardens Entrance, which lies beneath the two buildings, connects them together with areas for shopping, learning, eating and drinking.
The National Collection
The Gallery houses the national collection of fine art from the early Renaissance to the end of the nineteenth century. Spend an hour strolling around this peaceful setting and you'll find masterpieces from Raphael, El Greco, Velázquez and Rubens to Van Gogh, Monet, Cézanne, Degas and Gauguin. For a nation of Scotland's size, the collection is rightfully regarded as one of the very best in the world. The most comprehensive part of the collection covers the history of Scottish painting. All the major names, including Ramsay, Raeburn, Wilkie and McTaggart, are represented in depth. Works on show include Raeburn's much-loved The Reverend Robert Walker Skating on Duddingston Loch or, as it has become known, the Skating Minister'.
The Mound, Edinburgh, Scotland, UK EH2 2EL
