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Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,Donald,USA,map,Los Angeles,San Francisco,Nevada,Arizona,Salt Lake City,West Coast,protest slogan,Scrabble letters,letter tiles,Donald Trump protest,anti authoritarian protest,democracy concept,Trump opposition,anti authoritarian politics,anti strongman message,presidential power,democratic values,protest movement,campaign messaging,political resistance,resistance slogan,street protest,rally message,placard wording,culture war politics,constitutional limits,republican ideals,American democracy,editorial illustration,symbolic resistance,western states politics,California politics,US election season,political dissent
Description: Tony Smith image Alamy 3E424H8 - Conceptual political image showing the words NO KINGS spelt with Scrabble-style letter tiles placed across a printed map of the western United States, including California, Nevada, Utah, Arizona and New Mexico, with the Pacific coast and major cities such as Los Angeles and San Diego visible. The composition works as an editorial metaphor for anti-authoritarian protest, democratic resistance, civic dissent and opposition to any US president being seen as behaving like a monarch rather than an elected leader. In current American political discourse, the phrase No Kings has been widely used as a protest slogan against perceived executive overreach, personality politics, strongman behaviour and attempts to place presidential power above democratic norms, constitutional limits and checks and balances. With the map focused on the American West and West Coast states, the image is especially suitable for stories about protest politics in California and the wider western USA, liberal opposition movements, street demonstrations, campaign messaging, constitutional values, civil liberties, federal power and activism. The Scrabble-style tiles create a handmade protest aesthetic that suits opinion journalism, magazine features, newspaper comment, blog illustration, campaign analysis and editorial design. Search relevance includes No Kings slogan, Donald Trump protest, anti-Trump message, anti-authoritarian politics, West Coast protest image, California politics, western states map, American democracy, constitutional government, executive overreach, protest symbol, civic activism, public dissent, political resistance and symbolic opposition to presidential behaviour viewed by critics as monarchical. It also suits coverage of rallies, placards, movement branding, resistance messaging, culture war politics, election season tensions, anti-monarchy language in a US republican context, and wider debates about democracy, freedom, accountability and the limits of presidential power.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,think positive sign,under Manchester Oxford Road railway station,Greater Manchester,England,UK,urban art,street art,brick wall,railway arch,railway station undercroft,editorial image,Manchester street culture,urban creativity,positive thinking message,mental health concept,optimism,resilience,civic tribute,local culture,underground city detail,QR code artwork,regeneration area,railway infrastructure,tourism image,documentary photography,northern England,industrial backdrop,contemporary street scene,public message,city identity,unusual Manchester photography,public art,installation art,unusual artwork,street installation,human head sculpture,hand on chin
Description: Tony Smith image Alamy 3E0NXAG - 2 Wakefield St, Manchester M1 5NE - A striking piece of urban street art beneath or close to Manchester Oxford Road railway station in Manchester, England, showing a wall-mounted sculpted human head with hand on chin beside a printed sign reading Tribute to the City of Manchester' and Think Positive!' with a QR code beneath. Set against dark, weathered brickwork and rough concrete blocks, the image combines a reflective human face, gritty railway-arch textures and an upbeat civic message, creating a strong visual contrast between urban decay and optimism. The artwork has the look of an unofficial installation or intervention, using the classic thinking pose to reinforce ideas of reflection, resilience, creativity and positive mental attitude in a tough city environment. This makes the photograph useful for editorial and commercial themes linked to Manchester street culture, public art, alternative tourism, mental health messaging, urban regeneration, civic identity and hidden corners of the city. The visible QR code and printed tribute sign add a contemporary layer, suggesting digital interaction, local tribute and a deliberate attempt to engage passers-by in one of Manchester's busiest transport corridors. Oxford Road is closely associated with rail travel, students, commuters, music venues, universities and city-centre movement, so an artwork in this setting also speaks to the everyday experience of encountering unexpected creativity within the built environment. The blackened brickwork, cobwebs, worn surfaces and handmade appearance all add documentary value, anchoring the scene in the rough textures of an older industrial city while the words Think Positive!' push the image towards wider conceptual use. As a stock photograph it can illustrate positivity, urban resilience, public messaging, Manchester culture, street installation art, overlooked city details, industrial backdrops, underground spaces, creativity in neglected places and the role of public expres
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Afflecks entrance,Manchester,Short Street,Manchester city centre,Greater Manchester,England,UK,entrance,market entrance,indoor market,red neon sign,street sign,independent retail,red,door,landmark,alternative retail,cultural destination,independent businesses,indoor market hall,multi level market,shopping in Manchester,creative industries,northern England tourism,urban heritage,music and fashion culture,bohemian Manchester,visitor attraction,retail history,city identity,travel photography,UK streetscape,architectural detail,Afflecks building,Northern Quarter Manchester,iconic Manchester,alternative culture
Description: Tony Smith image Alamy 3E0NXM4 - Entrance view of Afflecks in Manchester's Northern Quarter, showing the distinctive red neon sign above the arched doorway on the corner with Short Street in the city centre. Long associated with independent retail, youth culture, alternative fashion, music scenes and creative small traders, Afflecks is one of Manchester's best-known shopping destinations and a recognised cultural landmark within the Northern Quarter. The brick facade, glowing signage and mosaic-style inner panel create a strong visual identity that is instantly recognisable to many people familiar with the city's alternative shopping and cultural life. This image is useful for editorial and commercial themes linked to Manchester tourism, independent businesses, urban culture, creative districts, retail heritage and the continuing appeal of multi-level indoor markets and arcade-style shopping spaces. The Northern Quarter has become closely associated with vintage fashion, record shops, cafes, bars, street art and small creative enterprises, and Afflecks has played an important role in that wider identity for decades. As a result, the photograph works well for features on city branding, cultural tourism, local enterprise, subcultures, architecture, shopping streets and the historic evolution of Manchester's independent retail scene. The visible Short Street sign helps anchor the image geographically, while the warm red neon contrasts with the darker brickwork to produce an atmospheric street-level scene suited to travel, documentary and editorial stock usage. It can illustrate stories about the resilience of independent trading, Manchester's reputation for originality and non-mainstream culture, and the way iconic retail venues help shape the personality of a city centre. Overall, this is a clear documentary image of a famous Manchester entrance, combining architectural character, local identity and strong place recognition in one frame, with particular relevance to the Northern Quarter's long-standi
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,live music,Live Music sign,white neon sign,Manchester,Northern Quarter bar,bar sign,live music venue,glowing sign,wall sign,England,UK,entertainment sign,The Smiths,editorial image,Manchester music heritage,music tourism,nightlife economy,live entertainment,urban culture,cultural identity,legendary music city,northern city nightlife,concert promotion,bar marketing,hospitality sector,creative industries,music destination,youth culture,evening economy,city break photography,travel image,UK music scene,iconic Manchester theme,nightlife culture,evening scene,urban nightlife,concert culture
Description: Tony Smith image Alamy 3E0NXM9 - Close-up photograph of a glowing white neon sign reading Live Music The Best of Manchester', seen at a bar or music venue in Manchester's Northern Quarter, England. The sign uses simple illuminated lettering against a dark background to create a bold, instantly readable nightlife image rooted in the city's long-established musical reputation. Manchester is widely associated with influential bands, independent venues, club culture, live performance and a nightlife economy shaped by decades of music history, so a sign like this carries strong place identity even without showing the whole venue exterior. It works particularly well for editorial and commercial themes linked to live entertainment, Manchester music culture, gig-going, bar promotion, nightlife branding, cultural tourism and the city's enduring image as one of Britain's best-known music centres. The phrase The Best of Manchester' adds a promotional edge that makes the image useful for travel features, destination marketing, blog illustrations, event listings, venue reviews and wider commentary about the appeal of the Northern Quarter as a centre for independent bars, creative businesses and alternative culture. The clean neon lines and high contrast also give the photograph a stylish retro-modern feel, making it suitable for concepts such as evening economy, urban culture, hospitality marketing, music tourism and city-centre leisure. In stock use, the image can illustrate Manchester's identity as a place of gigs, club nights, emerging talent, established acts and music-led social life, as well as broader topics such as local branding, cultural economy, creative industries and post-industrial city reinvention through nightlife and entertainment. The photograph also has strong relevance for themes of youth culture, subculture, independent venues and the visual language of bars and clubs in northern England. Overall, it captures a concise but effective statement of Manchester's musical self-image, with the n
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,CAMRA,real ale,Manchester LGBTQ+,LGBTQ+ icons,painted gable end,street art,wall art,Manchester city centre,Manchester,Greater Manchester,England,UK,gay village,public art,urban art,red brick building,bar exterior,queer history,culture,queer heritage,public mural,urban regeneration,creative city,nightlife district,visual culture,street photography,cultural tourism,alternative Manchester,mural tourism,equality,community memory,placemaking,modern Britain,northern city life,artistic cityscape,heritage and identity,iconic Manchester
Description: Tony Smith image Alamy 3E26WGA - Exterior view of The Molly House at 26 Richmond Street in Manchester city centre, showing the large painted mural on the gable end of the red brick building in the Gay Village area. The colourful wall artwork is strongly associated with LGBTQ+ culture and queer visibility in Manchester, combining rainbow imagery with painted portraits and decorative lettering to create a striking piece of urban public art. The mural gives the building a distinctive visual identity and makes the image useful for themes such as LGBTQ+ heritage, nightlife districts, inclusive cities, public art, cultural tourism, city branding, queer history and the role of murals in shaping the character of urban neighbourhoods. The red brick architecture, narrow street setting and recognisable Molly House signage also help root the picture firmly in central Manchester.
The Molly House is a well-known bar and restaurant on Richmond Street, close to Canal Street and the wider Gay Village, giving the image added place value for editorial and commercial use around Manchester nightlife, city centre culture, tourism, creative districts and the visual history of LGBTQ+ spaces in northern England. The mural has been described as a major LGBT street artwork in Manchester and depicts notable LGBTQIA+ icons associated with the city, which strengthens its usefulness for searches linked to equality, diversity, community memory and public representation. The image can also support broader themes such as placemaking, street photography, urban art, city identity, alternative Manchester and modern British social history.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Doctor Duncans pub,pub exterior,window signage,DOCTOR DUNCANS sign,Liverpool pub,real ale pub,city centre pub,Liverpool city centre,Merseyside,England,bar,pubs,Liverpool attractions,Liverpool travel,UK city break,nightlife Liverpool,hospitality UK,heritage buildings,architectural detail,urban reflections,documentary photography,editorial illustration,culture and identity Liverpool,real ale culture,CAMRA pub,pub tourism,Victorian architecture,heritage pub,tiled interior (known feature),pub window art,Liverpool skyline illustration,Liver Bird motif,St Johns Gardens reflection,winter trees,overcast day,people inside pub,street scene Liverpool
Description: Tony Smith image Alamy 3DPP003 - A street-facing view of Doctor Duncan's, a well known Liverpool city centre pub set within St Johns House, the former Pearl Assurance building. The image centres on the dark painted frontage with bold red and gold DOCTOR DUNCAN'S lettering above large window panes, where white line artwork celebrates Liverpool with skyline style illustrations and a Liver Bird motif. Through the glass, warm pendant lighting glows over customers inside, while the exterior scene is layered with reflections of bare winter trees and the open space of St John's Gardens opposite, giving the frame a strong sense of place and season.
Shot in natural daylight under grey, overcast skies, the lighting is flat and even, bringing out surface detail in the stone surround and the crisp typography of the pub sign, while allowing the interior warmth to stand out behind the reflective glass. The combination of heritage architecture, graphic window decoration and everyday pub life makes the picture useful as an editorial illustration of Liverpool's hospitality scene and the character of its historic buildings repurposed for modern social life. It also works commercially for travel features, culture and leisure, real ale and pub heritage, and stories about the city's architectural fabric, with Doctor Duncan's specifically associated with the Pearl Insurance building and its early 1900s origins
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,YNWA,brick wall,fan culture,Liverpool supporter,urban wall art,Merseyside,England,soccer,footy,Premier League,football loyalty,terrace anthem,Scouse culture,Liverpool tourism,Anfield area (unconfirmed),sports culture,local pride,social solidarity,community message,editorial illustration,UK city life,street culture photography,Good will never walk alone,red lettering,orange background,spray paint,tags,vandalism,tribute message,memorial graffiti,community spirit,solidarity,football chant,identity,city street scene,urban texture,peeling paint
Description: Tony Smith image Alamy 3DPP00B - A bold piece of Liverpool football graffiti stretches across a worn brick wall, dominated by the famous words You Will Never Walk Alone, with an added line reading Good will never walk alone. The lettering is painted in strong reds with an orange fill behind it, giving a flame-like warmth against the pale, weathered bricks. Around the main message, smaller tags and scrawled phrases overlap the artwork, showing how public walls in busy cities become layered, contested canvases rather than finished murals. The chipped paint, uneven spray coverage and rough mortar lines add texture and grit, making this a natural editorial image of street culture rather than a polished piece of public art.
Photographed in flat daylight under likely overcast skies, the colours still punch through, while the soft light emphasises surface detail, brickwork and the hand-made character of the paint. The slogan is widely recognised as part of Liverpool FC supporter culture, but it also reads as a wider message of loyalty and solidarity, the sort of phrase that gets repurposed beyond football into everyday civic identity. This image works well for editorial use covering Liverpool, Merseyside and English football, fan culture, terrace anthems, local pride, community spirit, and the way street art and graffiti communicate belonging, optimism and defiance in the urban landscape
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,pub entrance,entrance sign,humorous signage,Covent Garden Liverpool,Liverpool city centre,Merseyside pub,UK pub,British pub,arrow sign,street scene Liverpool,pedestrians,city street,Liverpool travel,Liverpool attractions,city break UK,UK hospitality,historic buildings Liverpool,Northern England city,streetscape,urban regeneration,cultural identity,local character,editorial use,destination marketing,nightlife economy,tourism photography,Chapel Street area,Moorfields Liverpool,traditional pub,local landmark,tourism Liverpool,nightlife district,bars Liverpool,pub culture,British humour,quirky sign,heritage building
Description: Tony Smith image Alamy 3DPP00M - A street-level view of the Pig & Whistle pub in Liverpool city centre, focused on a painted exterior wall carrying an ENTRANCE arrow and the wry line Not a brothel since 1875. The sign plays on a local historical anecdote, adding typical Liverpool humour to an otherwise straightforward wayfinding message. The scene is photographed in natural daylight under overcast skies, giving a soft, muted look to the colours and textures of the wall and surrounding streetscape. In the background, pedestrians and modern city-centre buildings frame the pub setting, capturing everyday footfall in the commercial core close to Moorfields and the business district. The image works well as an editorial illustration of British pub culture, heritage and changing urban uses over time, as well as Liverpool tourism and the characterful details that make city-centre pubs memorable.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,alehouse,eatery,Liverpool pub,Liverpool bar,since 1860,red neon,window reflection,nightlife,city centre,Tower Gardens,Merseyside,England,United Kingdom,UK pub culture,historic venues,heritage hospitality,city break Liverpool,visitor economy,food and drink destination,bar and restaurant marketing,neon typography,illuminated advertising,urban culture,travel editorial,British heritage,independent venue,pub interior (implied),pub exterior (implied),restaurant sign,bistro,traditional pub,heritage branding,typography,glowing letters,night scene (implied),evening light,drinking culture
Description: Tony Smith image Alamy 3DPP00T - A tight, documentary close up of a bright red neon sign in a window reading Ma Boyle's Alehouse & Eatery since 1860, photographed in Liverpool city centre. The illuminated lettering and classic pub phrasing give the image a strong sense of local hospitality and heritage branding, while reflections in the glass hint at the street outside and suggest low light conditions, likely evening or a dim winter afternoon. The neon glow dominates the frame, creating a warm, saturated red tone against the darker background, with the sign acting as both wayfinding and advertising for the venue. As a detail shot, it works well for editorial and commercial use, illustrating British pub culture, Liverpool nightlife, and the visual language of traditional city bars that trade on longevity and local reputation. The emphasis on since 1860 supports a narrative of historic continuity, and the reflected surroundings add an authentic, in situ feel rather than a studio style sign photograph.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,club shop,official merchandise,fan shop,Liverpool ONE,South John Street,Liverpool,Merseyside,England,United Kingdom,shopfront,storefront,retail entrance,window display,window graphics,Everton crest,Everton shirts,football retail,sports shop,city centre shopping,shoppers,pedestrian footfall,EFC 2 LFC 1,footy,football fandom,sports marketing,retail and leisure,city centre regeneration,visitor economy,UK shopping destination,club merchandising,fan culture,matchday culture (concept),sports tourism,British football,branded retail,high street shopping,travel editorial
Description: Tony Smith image Alamy 3DPP010 - A documentary street level view of the Everton Two club shop at Liverpool ONE in Liverpool city centre, showing the bold blue entrance and large storefront branding reading evertontwo. The shopfront features oversized promotional imagery of Everton players across the top window, with club colours and sponsor text visible, making the store easy to spot in the busy retail environment. In front of the entrance, shoppers and passers by move through the pedestrian area, adding everyday scale and a sense of city centre footfall. The modern glazed frontage, bright interior lighting and visible merchandise displays signal a dedicated football retail space aimed at supporters and visitors looking for official Everton FC kits, sportswear and memorabilia. The name Everton Two plays on the Liverpool ONE location and reinforces the club's merchandising presence beyond Goodison Park, capturing a small slice of Liverpool's football culture and the wider visitor economy around the city's main shopping district.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,fire horse sculpture,horse lantern,illuminated horse,lantern sculpture,light installation,public art,festival display,Liverpool,Merseyside,England,United Kingdom,outdoor installation,cultural celebration,visitor attraction,glowing flowers,lantern flowers,temporary artwork,UK cultural events,destination marketing,city break Liverpool,public realm art,festival tourism,visitor economy,arts and culture,seasonal attractions,winter city centre,civic celebration,cultural diversity,community heritage,event production,outdoor exhibition,travel and leisure imagery,Liverpool city centre attractions,Chinese culture,East Asian culture,city festival,winter event
Description: Tony Smith image Alamy 3DPP02W - A bright Chinese New Year Fire Horse lantern installation displayed in Liverpool city centre at Liverpool ONE, featuring a rearing horse sculpture set above oversized illuminated flowers in vivid pinks, oranges and warm gold tones. The artwork is mounted on a low plinth with event branding, with freestanding lantern spheres and stylised white flame shapes placed around the base, creating a dramatic, photo friendly festival scene. Behind the installation, leafless winter trees and a modern glass and steel office building frame the display, contrasting contemporary city architecture with traditional Lunar New Year symbolism. The ground appears wet and reflective, and the light is flat and cool, suggesting an overcast winter day with typical damp conditions for the Liverpool waterfront and city centre. This image captures Liverpool's seasonal cultural programming and the way major public spaces are temporarily transformed for Lunar New Year celebrations, drawing visitors into the retail district while showcasing the city's diverse cultural calendar and event led tourism offer
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,lantern dragon,light installation,public art,Liverpool,Liverpool waterfront,Merseyside,England,United Kingdom,festival installation,outdoor display,waterfront attraction,heritage dock,dock warehouses,event decoration,tourism,colourful dragon,community,Chinese,UK cultural events,winter events,seasonal attractions,heritage tourism,destination marketing,public realm art,event production,city break Liverpool,waterfront leisure,visitor economy,arts and culture,festival programming,family friendly activities,photography of festivals,cultural tourism UK,Liverpool events calendar,tourism marketing imagery,Chinese culture,East Asian culture
Description: Tony Smith image Alamy 3DPP033 - A vivid public art scene at Liverpool's Royal Albert Dock showing a large illuminated dragon lantern installation displayed on the dockside promenade in front of the area's distinctive red brick warehouse buildings. The dragon is brightly coloured, with an open mouth, flared crest and flowing mane like elements, and a long segmented body posed upright as if rearing up from the plinth. The base includes prominent safety messaging asking visitors not to climb or stand on the installation, underlining that this is a temporary, curated artwork intended for public viewing and photos. In the background, the dock's historic industrial architecture forms a strong textured backdrop of brickwork and windows, reinforcing Albert Dock's heritage setting while the contemporary light sculpture adds a modern festival atmosphere. The overall light suggests a grey, overcast winter day with flat, cool conditions, typical of the Liverpool waterfront at this time of year, which helps the saturated colours of the dragon stand out sharply against the muted surroundings. The installation aligns with Chinese New Year and Lunar New Year programming at the Royal Albert Dock, created to draw visitors during the seasonal celebrations and support the city's wider cultural events and tourism offer.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Beatles retail,Liverpool Pier Head,Liverpool waterfront,Beatles silhouettes,shopfront,storefront,window graphics,tourism retail,visitor attraction shop,Liverpool city centre,Merseyside,England,United Kingdom,British music history,1960s culture,pop culture icons,music landmark,Liverpool attractions,Beatles tourism Liverpool,UK tourism,retail exterior,shop window display,city architecture details,waterfront district,travel and leisure,souvenir shopping,Beatles Story Pier Head,iconic band imagery,heritage destination,Fab4,Fab Four,The Beatles,John Lennon,Paul McCartney,George Harrison,Ringo Starr,Beatles fan shop
Description: Tony Smith image Alamy 3DPP03K - A documentary exterior view of The Fab4 Store at Pier Head on Liverpool's world famous waterfront, positioned within the Gerry Marsden Ferry Terminal building used by Mersey Ferries. The shop is clearly branded for Beatles fans, with large fab4 store graphics across the glass frontage and the website beatlesstory.com printed along the lower window panels, linking the retail space directly to The Beatles Story attraction. Above the entrance, four bold pop art style colour blocks display simplified portrait silhouettes of The Beatles, creating an instantly recognisable landmark for visitors arriving at this key tourism gateway beside the River Mersey. The scene shows a modern, glazed commercial frontage set under the terminal canopy, with the surrounding city and waterfront promenade reflected in the windows. The light is flat and cool, suggesting winter or early spring conditions with an overcast sky and typical damp, breezy riverside weather, rather than bright sun. This image captures Liverpool's enduring music heritage in a practical, real world setting: a Beatles themed souvenir and memorabilia shopfront at one of the city's busiest visitor locations, close to other Pier Head attractions and the historic waterfront buildings
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Liverpool city centre,Merseyside,England,UK,street art,mural,wall art,urban art,public art,Liverpool mural,city centre mural,large scale mural,landmark artwork,urban regeneration,placemaking,creative quarter,visual culture,cultural tourism,city identity,modern Liverpool,architectural intervention,destination art,street photography,city branding,alternative Liverpool,civic pride,public realm,contemporary Britain,northern city life,mural trail,outdoor gallery,women in art,symbolic art,large scale wall painting,creative industries,city break Liverpool,commercial district
Description: Tony Smith image Alamy 3E26WH7 - Large-scale mural by Nomad Clan on the side of the Tempest Building on Tithebarn Street in Liverpool city centre, Merseyside, England. Commissioned by Capital & Centric and completed in 2015, the artwork covers the side elevation of the refurbished commercial building and has become one of the best-known pieces of public street art in central Liverpool. The mural depicts a striking female nomadic figure surrounded by symbolic imagery including bees, a bird, flowers, bright geometric forms and layered decorative elements, creating a rich and visually complex composition that rewards close viewing. The bees reference the beehives installed on the Tempest Building roof, linking the painting directly to the building and adding an environmental detail to the work. The image is highly useful for themes such as public art, mural culture, urban regeneration, placemaking, city branding, cultural tourism, visual identity, women in art and the creative transformation of blank city walls into memorable landmarks. It also works strongly for searches around Liverpool street art, Nomad Clan, Tempest Building, Tithebarn Street, Merseyside culture, large-scale mural painting, contemporary public art and the changing appearance of Liverpool's commercial district. The dramatic vertical format, painterly style and highly visible city centre setting make the mural an important piece of outdoor art in northern England, suitable for editorial, documentary and travel features about modern Liverpool, urban creativity, architecture, tourism and the role of public art in shaping sense of place.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Liverpool street art,Liverpool graffiti,mermaid graffiti,Merseyside,England,UK,wall art,mural,graffiti art,street art mural,painted brick wall,public art,city art,fantasy art,mermaids,LGBTQ,urban regeneration,cultural quarter,alternative Liverpool,creative city,visual culture,modern mythology,street culture,youth culture,public realm,placemaking,artistic cityscape,outsider art,romance theme,love symbolism,fantasy symbolism,women in art,city centre attraction,tourism asset,colourful city,Instagrammable spot,mural tourism,contemporary mural,urban photography,urban creativity
Description: Tony Smith image Alamy 3E26WRM - Street art mural in Liverpool city centre, Merseyside, England, depicting two kissing mermaids painted on a weathered brick wall. The image shows a colourful piece of urban graffiti or mural art with flowing hair, intertwined tails and a romantic, fantasy-inspired composition, blending mermaid mythology with contemporary street art aesthetics. The painted figures are rendered in pastel and jewel tones against an aged wall surface, giving the work texture, character and a slightly faded documentary feel. This makes the photograph highly suitable for themes such as public art, urban creativity, mural culture, fantasy imagery, romance, LGBTQ-friendly interpretation, female figures, outsider art, bohemian city culture and the visual transformation of neglected spaces through art. The composition also works well for searches around graffiti, wall painting, city centre artwork, creative districts, tourism, alternative culture and the expressive use of colour in the built environment.
Liverpool has a strong reputation for independent creativity, music, nightlife, popular culture and street-level artistic expression, and this mural fits well within that wider city identity. The image is useful for editorial, documentary and commercial uses connected to street art, travel, city breaks, Merseyside tourism, urban regeneration, cultural quarters, artistic communities and the role of murals in shaping local character. It can also support broader themes such as fantasy art in public spaces, mermaid symbolism, love and intimacy, contemporary illustration styles, women in art, decorative murals, brick wall textures, alternative Liverpool, youthful city culture and everyday encounters with unexpected artwork in northern England. With its hand-painted look, vivid subject matter and strong vertical framing, the photograph has good search value for Liverpool street art, mermaid mural, city centre graffiti, wall art, romantic urban art and creative public space in the UK.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,sale,retail sale,up to 30% off,30 percent off,promotional sign,shop window,retail store,shopping,Manchester,Greater Manchester,England,United Kingdom,winter,evening,night,holiday shopping,Christmas shopping,UK retail,consumer spending,cost of living,retail footfall,impulse purchase,brand marketing,promotional messaging,shopping culture,sales event,commercial photography,editorial retail image,urban shopping district,British city retail,seasonal promotion,limited time offer,marketing,advertising,signage,illuminated sign,typography
Description: Tony Smith image Alamy 3DM9906 - A tight, documentary close-up of a retail shop window promotion in Manchester during November, dominated by bold illuminated text reading BLACK FRIDAY EVENT and UP TO 30% OFF. The typography is clean and high-contrast, designed for instant legibility from the pavement, with the bright lettering standing out against a dark background that suggests evening or indoor low-light conditions. To the left edge of the frame, a large display figure or mannequin is partially visible, hinting at a curated in-store visual merchandising setup without revealing a specific brand identity. Reflections and glossy surfaces add a modern, commercial feel, reinforcing the physical, bricks-and-mortar shopping context rather than online retail.
The image is well suited to editorial and commercial themes around seasonal discounting, high street promotions, consumer behaviour, and the annual Black Friday sales cycle in the UK. It can illustrate stories about retail footfall, marketing tactics, price-led campaigns, and pre-Christmas shopping activity, as well as broader business coverage of the retail economy and consumer spending trends. The clear, readable wording makes it highly searchable and immediately usable as a generic visual for Black Friday, sale events, and in-store discount messaging in a British city setting.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,town centre,Greater Manchester,public house,traditional pub,Heaton Lane,Stockport,SK4 1AR,England,United Kingdom,Stockport Viaduct,under the viaduct,Victorian brick arch,streetscape,winter,winter sunlight,North West England,Northern England,pub culture,British drinking culture,hospitality,visitor economy,community pub,documentary editorial,travel UK,architecture and infrastructure,Victorian engineering,city break Manchester area,local business,place identity,CAMRA pub,cask ale,beer pub,British pub,historic pub,local landmark,chimney pots,painted facade
Description: Tony Smith image Alamy 3DM987K - A wide, documentary winter view of The Crown Inn on Heaton Lane in Stockport, a classic North West England pub set hard against the dramatic brick arches of the railway viaduct. The pub's pale painted frontage and traditional multi-chimney roofline sit in sharp contrast to the deep red viaduct masonry towering immediately to the right of frame. The main fascia sign clearly reads Crown Inn, with Boddingtons Beer also visible, anchoring the image in familiar Northern pub history and branding. The scene is lit by low, bright winter sun under a clear blue sky, giving crisp shadows and a clean, cold-weather feel rather than rain or snow.
Outdoor benches and simple railings line the frontage, suggesting a spot where regulars and visitors can sit out when the weather behaves, while the street-level perspective keeps the composition grounded in everyday urban life. The close proximity of the viaduct creates a strong sense of place: a pub that feels shaped by infrastructure, with Victorian engineering looming overhead and the building tucked into the shadow of the arches. It is the kind of location that reads immediately as real rather than curated, with honest materials, working-city textures, and a slightly gritty beauty.
Editorially, the photograph is useful for stories about British pub culture, real ale, community hospitality, and the changing fortunes of traditional pubs in Greater Manchester. It also supports broader themes of industrial heritage and the relationship between historic transport structures and local neighbourhood businesses. The combination of readable signage, recognisable setting, and winter atmosphere makes it a strong general illustration for Stockport, Northern England streetscapes, and heritage pubs beneath the railway lines.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,town centre,Greater Manchester,parking enforcement,PLEASE NOTE sign,warning notice,parking charge,pay and display,parking control,security notice,signage,sign behind fence,metal security fence,wire mesh fence,urban street detail,Stockport,England,United Kingdom,UK parking issues,cost of living pressures,consumer frustration,private parking companies,enforcement culture,urban driving,commuting,city parking,transport policy,civil enforcement,editorial illustration,news background,regulation debate,small print and signage,public space management,everyday bureaucracy,car park entrance,off Heaton Lane,Heaton Lane area,parking management
Description: Tony Smith image Alamy 3DM987T - A tight, documentary close-up of a private car park enforcement notice in Stockport, photographed through a green metal security fence. The sign uses large, high-contrast red lettering on a pale background and is designed for immediate impact, with the key message CLAMPED dominating the lower half. Above it, the full warning reads PLEASE NOTE and NON PAYMENT OF CAR PARKING WILL RESULT IN YOUR CAR BEING CLAMPED, making the threat and the trigger condition clearly legible at a glance. The framing and the fence lines create a slightly confrontational, controlled feel, reinforcing the theme of restriction and enforcement on private land.
The image works well for editorial stories about parking enforcement, private car parks, deterrent signage, and the everyday tensions between motorists and property owners. It can also illustrate wider debates about the fairness and regulation of clamping and parking penalties, consumer awareness of rules, and the importance of prominent signage in disputes. The utilitarian setting, visible fixings, and the barrier fence suggest a backstreet or service-area car park rather than a polished retail environment, adding an authentic, gritty urban texture suitable for news, transport, and local business coverage in Greater Manchester.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Stockport Marketplace,Stockport town centre,Greater Manchester,England,UK,Victorian market hall,glass umbrella,market hall exterior,street scene,blue sky,winter sunshine,St Marys Church,church tower,clock tower,town centre,town centre regeneration,high street revival,independent traders,local economy,community hub,heritage tourism,travel editorial,architecture photography,Greater Manchester culture,British market town,documentary,editorial illustration,civic landmark,place identity,walkable town centre,winter cityscape,historic market,gabled roofline,arched glazing,painted framing,red doors,bollards
Description: Tony Smith image Alamy 3DNNR46 - A wide winter street scene of Stockport Market Place showing the long, distinctive exterior of Stockport Market Hall stretching into the distance, with the tower of St Mary's in the Marketplace visible further along the street. The market hall's repeating gabled bays and tall arched glazing create a strong rhythm of iron, timber and glass, a recognisable Victorian civic style that is often nicknamed the glass umbrella. The frontage includes painted structural framing and red entrance doors, while the open space of the Market Place is defined by a line of black bollards, a few street lamps and the gentle curve of the roadway. The view works as a clean establishing shot for Stockport town centre, combining retail heritage architecture with a clear landmark church tower to anchor the location.
The weather reads as cold but settled. The sky is a vivid blue with scattered white cloud, and the light is crisp, suggesting bright winter sunshine rather than flat overcast. Shadows are present but not heavy, consistent with low seasonal sun. The ground surface looks dry, with no obvious rain sheen, which supports a dry spell or a clear interval after earlier cloud. The overall clarity and contrast help the architectural detail stand out, making the image useful for editorial picture desks that need legible, recognisable townscape.
Stockport Council describes the restored covered Market Hall as dominating the Market Place area and dating from the 1860s, underlining its importance as a heritage asset in the historic core. Historic England lists the Market Hall on Market Place as a Grade II listed building, reinforcing its significance in national built heritage terms. With St Mary's church tower in the same frame, the photograph supports stories about high street life, markets and independent traders, heritage-led regeneration, visitor economy, and the way northern English towns use historic civic buildings to sustain modern retail and community activity.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Stockport Market,Market Place,Greater Manchester,England,UK,covered market,glass umbrella,market hall exterior,Market Hall sign,red doors,street scene,winter sunshine,church tower,clock tower,SK1,town centre regeneration,high street revival,independent traders,local economy,community hub,heritage tourism,travel editorial,architecture photography,Greater Manchester culture,documentary,editorial illustration,place identity,walkable town centre,winter cityscape,civic pride,gabled roofline,arched glazing,painted framing,heritage architecture,historic market,town centre,pedestrian area
Description: Tony Smith image Alamy 3DNNR4Y - A wide view along Stockport Market Place showing the entrance frontage of Stockport Market Hall on the right, with the tower of St Mary's in the Marketplace standing further down the street. The market hall's distinctive Victorian structure is immediately recognisable, with repeating gabled bays, tall arched glazing and painted framing that emphasise its iron, timber and glass construction. The MARKET HALL sign is readable above the entrance, and the red doors and sheltered glazing give the scene a clear focal point for editorial use. The street itself is broad and largely uncluttered, with a line of black bollards and traditional street lamps defining the pedestrian-friendly market area, helping the image work as a clean establishing shot of Stockport town centre.
The weather reads as cold but bright. A vivid blue sky with scattered white cloud sits behind the roofline, and the light is crisp with gentle winter shadows, consistent with low seasonal sun rather than midsummer glare. Surfaces appear dry, with no visible rain sheen on the paving, suggesting settled conditions or a dry interval after earlier cloud. This clarity helps the architectural detail stand out, making the photograph useful for travel features, local news, and regeneration stories where recognisable location context matters.
Stockport Council describes the covered Market Hall as a restored centrepiece of the Market Place and dates its origins to the 1860s, reflecting the period when English towns invested in purpose-built indoor markets to support regulated, weatherproof trading. (stockport.gov.uk
) Historic England lists the Market Hall on Market Place as Grade II, underlining its heritage significance. (historicengland.org.uk
) With St Mary's clock tower visible in the same frame, the image supports editorial themes including markets and independent traders, heritage tourism, town-centre identity, and the wider story of northern English high streets using historic civic buildings well.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Wentworth Street Market,Wentworth Street,29 Wentworth Street,London E1 7TB,Spitalfields,East London,market scene,financial district backdrop,outdoor market,London shopping,urban commerce,London cultural attraction,East End shopping,London financial district,City skyline London,traditional market London,fashion stalls London,bargain market UK,London visitor attraction,urban retail scene,city market atmosphere,street commerce,destination photography,London culture,tourism England,authentic London,shopping district London,old East End market,community marketplace,documentary travel image,traditional street market,historic East End,city street life,everyday London,London tourism,local economy,poverty
Description: Tony Smith image Alamy 3E2A1T4 - Editorial market scene at Petticoat Lane on Wentworth Street in Spitalfields, East London, showing clothing stalls, shoppers, traders and rails of low-cost fashion set against the striking backdrop of modern City of London office towers. The image captures a classic East End contrast, where one of London's best-known traditional street markets operates in the shadow of the capital's global finance district. Temporary awnings, price signs, hanging garments and casual pedestrian movement create a vivid sense of everyday commerce, while the glass and steel skyscrapers in the background underline the pressure of urban change, rising land values, and the continuing coexistence of informal retail with corporate London.
This photograph is highly useful for editorial, documentary, travel, publishing and educational use around themes such as Petticoat Lane Market, Wentworth Street Market, London street trading, East End retail, urban diversity, regeneration, gentrification, independent traders, budget shopping, and the visual relationship between historic market culture and the modern financial economy. It works especially well because it is not just a market photograph, but a wider social and geographic image of London as a city of contrasts, where long-established local trading traditions survive beside some of Europe's tallest commercial buildings.
Historically, Petticoat Lane remains one of the most recognisable market names in London, even though the market area now spans several streets including Wentworth Street and Middlesex Street. That gives the image strong search value for both Petticoat Lane and Wentworth Street keywords. The scene is relevant for stories about London markets, East End identity, multicultural commerce, city growth, tourism, street fashion, and the everyday lived environment around Aldgate and Spitalfields. The mixture of human activity, affordable clothing displays, and dense city architecture gives the photograph a strong documentary quality,
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,42 Osborn Street,Osborn Street,London E1 6TD,East London pub,Spitalfields pub,historic pub building,corner pub,London public house,traditional hostelry,pub architecture,pub and hotel,city pub,historic pub London,traditional London pub,East End landmark,London cultural attraction,Victorian commercial architecture,Brick Lane destination,London hospitality,heritage streetscape,urban travel image,classic British pub,destination photography,London architecture,tourism England,old and new London,city culture,authentic London,pub exterior UK,London day out,documentary architecture,pub frontage,landmark pub,restaurant pub,licensed premises,London tourism,authentic
Description: Tony Smith image Alamy 3E2A1X8 - Exterior view of The Buxton at 42 Osborn Street in East London, a prominent red-brick corner pub and hotel close to Brick Lane, Spitalfields and Aldgate East. The photograph shows a distinctive multi-storey Victorian-style hospitality building with bold stonework lettering, arched ground-floor openings, awnings, and upper floors adapted for hotel use, creating a strong example of surviving urban hostelry architecture in the modern city. This is a useful editorial and documentary image for themes such as London pubs, East End heritage, traditional public houses, historic commercial buildings, hospitality venues, and the changing streetscape of inner London.
The image works especially well because it captures both the architectural character and the continued active use of the building. The Buxton stands out as a substantial corner-site pub property in an area shaped by migration, street markets, nightlife, tourism, and constant redevelopment pressure. In that sense, it can be read not just as a pub exterior but as part of the surviving social fabric of the East End, where older forms of street-level hospitality continue alongside newer bars, hotels, restaurants, and global city investment. The red brickwork, decorative masonry, vertical scale, and corner prominence give the building a landmark quality that suits searches around heritage pubs, Victorian pub exteriors, Brick Lane drinking venues, and traditional London hostelries.
As a stock image, it is relevant for editorial, travel, publishing, architecture, lifestyle, and urban-history use. It suits searches linked to Osborn Street, East London pubs, Brick Lane landmarks, London hospitality buildings, adaptive reuse, and streetscape photography. The scene also reflects the wider appeal of London pub culture as both a local amenity and a visitor attraction. With its combination of historic appearance, contemporary operation, and central East End location, this photograph offers a strong visual record of a survivin
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Brick Lane mural,street art London,Brick Lane street art,London E1,East London mural,public art London,large wall mural,mural artwork,urban art,cultural mural,contemporary mural,Tower Hamlets,London cultural attraction,East London arts,Brick Lane destination,London street art tour,public mural London,heritage and identity,multicultural London,urban creativity,community storytelling,London visitor attraction,destination photography,arts and culture England,authentic London,East End landmark,city culture,social history London,mural tourism,cultural diversity London,outdoor art installation,documentary travel image,Banglatown,British Bangladeshi art,mural painter,boatman mural,riverscape mural
Description: Tony Smith image Alamy 3E2A1XW - Large-scale mural on the corner of Hopetown Street beside Brick Lane in East London, painted by British Bangladeshi street artist Mohammed Ali. The artwork shows a boatman in a rural landscape, using bold figurative imagery to evoke memory, migration, homeland, and the continuing emotional ties between London's Bangladeshi community and Bangladesh itself. This is a strong editorial and documentary image of public art in Banglatown, useful for themes including street art, East End identity, immigrant heritage, cultural expression, urban regeneration, and contemporary mural painting in the UK capital.
The image works especially well because it places a vivid, human figure onto a large urban wall in one of London's most culturally layered districts. Brick Lane has long been associated with migration, political activism, food culture, street markets, creativity, and changing urban identity, and this mural fits squarely within that wider story. The painted boatman and watery landscape introduce a visual connection to rural Bangladesh, creating a deliberate contrast with the surrounding brick-built London streetscape. That gives the image extra value for searches around British Bangladeshi culture, public mural projects, identity and belonging, and community-led artistic expression in East London.
As a stock image, it is relevant for editorial, publishing, travel, arts journalism, education, and social history use. It suits searches linked to Brick Lane mural, Hopetown Street mural, Mohammed Ali artwork, London street art, Banglatown public art, Tower Hamlets culture, and multicultural London. The vertical format, strong colour blocks, and clear figurative style make it visually distinctive and commercially useful for articles or features about London neighbourhoods, creative placemaking, heritage celebration, and the role of mural art in representing communities within the modern city.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,47 Brick Lane,London E1 6PU,coffee shop sign,cafe signage,street sign,drinks shop,takeaway drinks,flavoured tea,dessert drinks,hospitality signage,London street scene,Brick Lane destination,East London food scene,London drinks culture,cafe culture London,street photography London,shop sign London,urban retail London,London visitor attraction,authentic London,neighbourhood business,commercial streetscape,destination photography,London culture,tourism England,everyday London,independent hospitality,city branding,food outlet exterior,documentary travel image,East End commerce,tourist,tourists,London food and drink,independent cafe,takeaway culture,sweet drinks
Description: Tony Smith image Alamy 3E2A202 - Editorial close-up of bubble tea and coffee shop signage outside Brick Lane Coffee Shop at 47 Brick Lane in Spitalfields, East London. The photograph shows a colourful projecting sign advertising bubble tea above branded Brick Lane Coffee Shop signage on a busy commercial frontage in one of the capital's best-known food, drink, and street culture districts. With its playful illustrated cup graphic, bright pastel tones, and layered shopfront presentation, the image captures the visual language of modern takeaway drinks culture in an area long associated with independent businesses, tourism, changing food trends, and highly recognisable urban identity.
This is a useful documentary and editorial image for themes such as Brick Lane cafes, London bubble tea, East End hospitality, shop signs, cafe branding, street-level retail, modern consumer culture, and the evolving food-and-drink economy of inner London. It works well because it focuses tightly on signage and branding rather than the whole street, making it suitable for searches linked to commercial identity, independent coffee shops, dessert drinks, milk tea trends, and local business visibility. The image also reflects the changing character of Brick Lane, where long-established East End trading patterns now sit alongside newer international food fashions, youth-oriented drinks brands, and visually distinctive hospitality businesses competing for attention in a dense urban environment.
As a stock image, it is relevant for travel, publishing, lifestyle, food-and-drink journalism, local business coverage, hospitality commentary, and broader features about London high streets and multicultural retail. The combination of brick architecture, projecting signs, and recognisable Bubble Tea wording gives the image strong search value for London cafe culture, East London street scenes, takeaway branding, and contemporary urban consumption. It offers a grounded, location-specific view of the small-scale commercial details
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,London,Brick Lane,Gilbert & George Centre,Gilbert and George Centre,Heneage Street,Spitalfields,East London,art gallery courtyard,London art gallery,contemporary art venue,cobbled courtyard,brick courtyard,urban garden,landscaped courtyard,exhibition venue,courtyard approach,arts architecture,London cultural attraction,East London arts,contemporary gallery London,famous artists London,urban art destination,Spitalfields visitor attraction,London architecture,gallery courtyard,art tourism UK,independent gallery,creative industries London,London exhibition space,cultural heritage London,editorial travel image,destination photography,peaceful city space,hidden courtyard London,London urban landscape,arts and culture England,London day out
Description: Tony Smith image Alamy 3E2A20G - View of the courtyard at The Gilbert & George Centre, 5a Heneage Street, in Spitalfields, East London, showing the cobbled pathway, planted borders, mature trees, and the brick-built gallery structure beyond. This contemporary art venue, founded by the celebrated British artist duo Gilbert & George, sits close to Brick Lane and forms part of the rich cultural landscape of the East End. The image captures the calm, enclosed approach to the gallery, where urban greenery, restored brick architecture, and a carefully designed external space combine to create a quiet transition from busy surrounding streets into an environment dedicated to art, reflection, and exhibition.
The photograph works strongly as an editorial and documentary image for themes including London art galleries, East London culture, artist-founded institutions, gallery courtyards, urban design, architectural reuse, creative London, and cultural tourism in the UK capital. The balance of hard landscaping, soft planting, and historic brick fabric gives the scene a distinct sense of place, suggesting both privacy and permanence. It also reflects the wider character of Spitalfields, an area known for layered history, migration, commerce, changing land use, and a long-standing connection to independent creativity and visual culture.
Because the setting is relatively understated, this image is especially useful where a more atmospheric, location-based view of the Gilbert & George Centre is needed, rather than a straightforward signage shot. It suits searches around London courtyards, hidden London spaces, art destinations near Brick Lane, gallery exteriors, urban gardens, and restored buildings in the East End. The soft daylight, muted sky, and surrounding foliage help present the centre as a distinctive urban oasis within inner London, combining architecture, culture, and landscape in a way that is highly relevant for travel, arts, editorial, education, and publishing use.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,summer,sunny,blue sky,Dundee Art Gallery and Museum,Scottish civic pride,museum and identity,Victorian philanthropy,education and culture,national and local history,public institutions Scotland,heritage preservation,architecture as civic statement,city museums UK,learning and memory,The McManus Albert Square,Dundee DD1 1DA,Dundee Scotland UK,historic civic building,nineteenth century architecture,stone façade,museum steps,city centre Dundee,Scottish history museum,arts and culture Scotland,editorial image,daytime exterior,Exterior of The McManus,Dundees Art Gallery & Museum on Albert Square,Scotland,UK,DD1,DD1 1DA
Description: Tony Smith image Alamy 3DCX6CX - The exterior of The McManus: Dundee's Art Gallery & Museum, photographed on Albert Square in Dundee city centre, Dundee DD1 1DA. The imposing building, constructed in the Victorian Gothic Revival style, features symmetrical stone façades, arched windows, decorative staircases and a central spire, reflecting the civic ambition of nineteenth-century Dundee.
Originally opened in 1867 as a memorial to Prince Albert, the building later became the city's principal museum and art gallery. Today, The McManus houses collections covering fine art, local and national history, archaeology, natural history and decorative arts, making it a key cultural and educational institution in eastern Scotland.
The museum's prominent position facing Albert Square places it at the heart of Dundee's civic life, surrounded by historic buildings, green spaces and pedestrian routes. Its architecture was designed not only to impress but to communicate the importance of public learning, philanthropy and cultural enrichment during a period when Dundee was a rapidly expanding industrial city.
The McManus continues to play a central role in Dundee's cultural identity, linking the city's industrial past with contemporary artistic and historical interpretation. Photographed in daylight under a bright sky, the image highlights the building's architectural detail and formal symmetry, offering strong editorial value for themes including Scottish heritage, museums and education, civic architecture, cultural tourism and the role of public institutions in urban identity.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,Dundee public art,Scottish comic character,British comics heritage,Dundee city centre sculpture,national icon Scotland,Dudley D. Watkins,iconic,Scottish identity,national character symbolism,popular culture Scotland,comics and publishing history,childhood nostalgia UK,humour and social commentary,illustrated characters in public space,cultural memory,place-making through heritage,McManus Galleries Dundee,Albert Square Dundee,Dundee DD1 1DA,Dundee Scotland UK,bronze statue,childrens comic character,Scottish humour,publishing heritage Dundee,civic square sculpture,editorial image,daytime exterior,summer,unusual,wide angle,different,DD1,DD1 1DA
Description: Tony Smith image Alamy 3DCX6DC - A bronze statue of Oor Wullie, photographed in Albert Square outside The McManus: Dundee's Art Gallery & Museum, Dundee DD1 1DA. The sculpture shows the mischievous character seated casually, capturing the humour, cheekiness and working-class spirit for which Oor Wullie is widely known.
Oor Wullie first appeared in 1936 in The Sunday Post and quickly became one of Scotland's most enduring and recognisable comic characters. Created and published by DC Thomson in Dundee, the strip offered gentle social commentary on Scottish life, often reflecting everyday experiences, childhood mischief and community values. Alongside characters such as Desperate Dan and Minnie the Minx, Oor Wullie occupies a central place in Britain's comic and publishing history.
The statue forms part of Dundee's wider celebration of its comics and creative-industries heritage, embedding cultural storytelling directly into the city's public realm. Positioned in a prominent civic space near a major museum, the sculpture connects popular culture with formal cultural institutions, reinforcing Dundee's identity as a city shaped by publishing, humour and creativity.
Public artworks like this play a role in expressing Scottish national identity, using familiar characters to evoke nostalgia, accessibility and shared cultural memory. Photographed in daylight with historic stone architecture visible in the background, the image offers strong editorial value for themes including Scottish culture, national icons, comics history, creative industries and the use of public art to express place and identity.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,characters,DC Thompson,Desparate Dan,Overgate Dundee sculpture,British comics heritage,cartoon character statue,Desperate Dan and Gnasher,cultural landmark Dundee,British popular culture,comics publishing history,childhood nostalgia UK,creative industries Dundee,humour and masculinity in comics,illustrated characters in public space,city identity through culture,media heritage Britain,family-friendly public art,place-making through culture,Overgate Shopping Centre Dundee,Dundee DD1 1UF,High Street Dundee,Dundee Scotland UK,bronze statue,childrens comic character,The Beano history,publishing heritage Dundee,public sculpture city centre,editorial image,daytime exterior,bronze,wide angle,unusual
Description: Tony Smith image Alamy 3DCX6DH - A bronze statue of Desperate Dan, photographed in Dundee city centre within the Overgate shopping area, Dundee DD1 1UF. The sculpture shows the iconic Beano character captured mid-stride, holding a rolled newspaper and accompanied by his small dog Gnasher, reflecting the exaggerated strength, humour and bravado that defined the character.
Desperate Dan is one of the most recognisable figures from The Beano, the long-running British children's comic first published in 1938. Dundee has a central place in British comics history as the home of DC Thomson, whose publications, including The Beano and The Dandy, became staples of twentieth-century childhood reading and shaped British popular culture.
The statue forms part of Dundee's deliberate celebration of its comics and publishing heritage, with Beano characters installed as permanent public artworks within the city centre. Positioned in a busy pedestrian and retail environment, the sculpture integrates popular culture into everyday urban life, encouraging interaction, photography and engagement from residents and visitors.
Public artworks such as this play a role in reinforcing Dundee's identity as a creative and cultural city, linking its historic publishing industry with contemporary regeneration and place-making. Photographed in daylight with surrounding buildings and paving visible, the image offers strong editorial value for themes including British comics history, nostalgia, creative industries, public art and cultural identity in Scottish cities.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,characters,DC Thompson,Beano character statue,The Beano Dundee,cartoon character statue,Dundee shopping area,cultural landmark Dundee,Minnie,Minx,British popular culture,comics publishing heritage,childhood nostalgia UK,creative industries Dundee,humour and rebellion,illustrated characters in public space,city identity through culture,literary tourism,media history Britain,public art and storytelling,family-friendly city centres,Overgate Dundee,High Street Dundee,Dundee DD1 1UF,Dundee Scotland UK,public art Dundee,childrens comic character,British comic history,DC Thomson publishing,playful public sculpture,shopping centre Dundee,editorial image,daytime exterior,unusual,view,original
Description: Tony Smith image Alamy 3DCX6DN - A bronze statue of Minnie the Minx, photographed in Dundee city centre close to the Overgate shopping area on High Street, Dundee DD1 1UF. The sculpture depicts the mischievous Beano character in an energetic pose, complete with oversized boots and slingshot, reflecting her rebellious personality and comic-strip origins.
Minnie the Minx is one of the best-known characters from The Beano, the long-running British children's comic first published in 1938. Dundee has a unique connection to British comics history as the home of DC Thomson, the publisher behind The Beano and The Dandy, whose titles shaped generations of childhood reading in the UK and beyond.
The statue forms part of Dundee's wider celebration of its comics and publishing heritage, embedding illustrated characters directly into the city's public realm. Positioned within a busy retail and pedestrian area, the sculpture bridges popular culture and everyday urban life, inviting interaction from shoppers, families and visitors.
Public artworks such as this play a role in reinforcing Dundee's identity as a creative city, linking its historic publishing industry with contemporary place-making and tourism. The presence of Beano characters in the city centre highlights the cultural and economic significance of comics as part of Britain's creative industries.
Photographed in daylight with surrounding pedestrians and paving visible, the image offers strong editorial value for themes including British popular culture, children's literature, nostalgia, creative-industries heritage and the use of public art in city centres.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,Bash St,The Beano,heritage,publishing,Bash Street Dundee,The Beano Dundee,Dundee comics heritage,British comics history,Dundee city centre landmark,British popular culture,comics and publishing heritage,childhood nostalgia UK,visual storytelling,cultural branding of place,literary tourism,creative industries Dundee,humour and satire,twentieth century media history,city identity through culture,public art and illustration,educational publishing legacy,Bash Street Dundee DD1 1LQ,Dundee Scotland UK,DC Thomson House nearby,childrens comics UK,British humour comics,Dennis the Menace context,illustrated street sign,playful urban signage,comic art in public space,Dundee publishing history,editorial image,stone wall sign,DD1 1LQ,DD1
Description: Tony Smith image Alamy 3DCX6E7 - A decorative street sign for Bash Street, photographed in Dundee city centre at DD1 1LQ, mounted on a traditional stone wall and illustrated with cartoon figures referencing characters from The Beano, one of Britain's longest-running and most influential children's comics. The sign uses playful artwork and dialogue-style illustrations that directly evoke the comic strip The Bash Street Kids, first published in 1954.
Dundee holds a unique place in British publishing history as the long-time home of DC Thomson, the company behind The Beano, The Dandy and numerous other magazines that shaped generations of British childhood reading. Characters such as the Bash Street Kids, Dennis the Menace, Minnie the Minx and others became cultural touchstones, blending humour, mild anarchy and social satire in a style closely associated with post-war British popular culture.
The naming of Bash Street and the inclusion of comic-style signage reflect Dundee's conscious celebration of its comics and creative-industries heritage, embedding publishing history directly into the city's physical environment. Rather than a conventional street nameplate, the sign functions as a form of informal public art, combining wayfinding with storytelling and nostalgia.
Photographed in daylight with the textured stone background clearly visible, the image highlights the contrast between historic urban fabric and playful illustrated design. It offers strong editorial value for themes including British comics history, cultural memory, publishing heritage, humour in public space, and Dundee's role in the UK's creative economy, making it suitable for use in books, magazines, educational resources and cultural features.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,Bash St,The Beano,heritage,publishing,Bash Street Dundee,The Beano Dundee,Dundee comics heritage,British comics history,Dundee city centre landmark,British popular culture,comics and publishing heritage,childhood nostalgia UK,visual storytelling,cultural branding of place,literary tourism,creative industries Dundee,humour and satire,twentieth century media history,city identity through culture,public art and illustration,educational publishing legacy,Bash Street Dundee DD1 1LQ,Dundee Scotland UK,DC Thomson House nearby,childrens comics UK,British humour comics,Dennis the Menace context,illustrated street sign,playful urban signage,comic art in public space,Dundee publishing history,editorial image,stone wall sign,DD1 1LQ,DD1
Description: Tony Smith image Alamy 3DCX6E9 - A decorative street sign for Bash Street, photographed in Dundee city centre at DD1 1LQ, mounted on a traditional stone wall and illustrated with cartoon figures referencing characters from The Beano, one of Britain's longest-running and most influential children's comics. The sign uses playful artwork and dialogue-style illustrations that directly evoke the comic strip The Bash Street Kids, first published in 1954.
Dundee holds a unique place in British publishing history as the long-time home of DC Thomson, the company behind The Beano, The Dandy and numerous other magazines that shaped generations of British childhood reading. Characters such as the Bash Street Kids, Dennis the Menace, Minnie the Minx and others became cultural touchstones, blending humour, mild anarchy and social satire in a style closely associated with post-war British popular culture.
The naming of Bash Street and the inclusion of comic-style signage reflect Dundee's conscious celebration of its comics and creative-industries heritage, embedding publishing history directly into the city's physical environment. Rather than a conventional street nameplate, the sign functions as a form of informal public art, combining wayfinding with storytelling and nostalgia.
Photographed in daylight with the textured stone background clearly visible, the image highlights the contrast between historic urban fabric and playful illustrated design. It offers strong editorial value for themes including British comics history, cultural memory, publishing heritage, humour in public space, and Dundee's role in the UK's creative economy, making it suitable for use in books, magazines, educational resources and cultural features.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Greater Manchester,England,sculptor,by,outside,Barbirolli,statue,art,bust,Manchester,Sir,John Barbirolli,classical,venue,heritage,Hallé Orchestra,cultural,culture,landmark,public,history,UK,Sir John Barbirolli conductor,bronze bust UK,civic art Manchester,modern concert hall England,Manchester cultural quarter,arts heritage England,urban public art UK,autumn light Manchester,daylight city scene,overcast,bright,conditions,cultural tourism,M2 3WS,M2
Description: Tony Smith image Alamy 3CGCJYH - A bronze bust of Sir John Barbirolli stands outside the Bridgewater Hall in Manchester city centre, set against the warm red sandstone façade of the city's principal concert hall. The sculpture portrays Barbirolli with a reflective, slightly austere expression, capturing the seriousness and intensity associated with one of Britain's most influential twentieth-century conductors.
Sir John Barbirolli is inseparably linked with Manchester through his long tenure as principal conductor of the Hallé Orchestra, which he rebuilt after the Second World War and led to international prominence. His contribution to the musical life of the city is widely regarded as foundational to Manchester's reputation as a centre for classical music.
The bust was created by Eduardo Paolozzi, one of Britain's most significant post-war sculptors, known for his public artworks and association with both modernism and pop art. Paolozzi's treatment combines realism with subtle abstraction, lending the memorial both gravitas and contemporary relevance.
The Bridgewater Hall, opened in 1996, occupies a key position within Manchester's cultural quarter and symbolises the city's investment in arts-led regeneration. The juxtaposition of the modern concert hall architecture with a commemorative sculpture rooted in twentieth-century musical heritage reflects Manchester's wider narrative of continuity and reinvention.
Photographed in daylight under calm conditions, the image is well suited for editorial use illustrating British classical music, cultural heritage, public art, Manchester's civic identity, and the role of the arts in urban regeneration.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Greater Manchester,England,the,pubs,bar,pub,exterior,historic,history,city,centre,traditional,English,British,heritage,culture,Victorian,public house,streetscape,architecture,hospitality,urban,late,afternoon,daylight,blue sky,daytime,sign,signage,1811,est,lamp,lantern
Description: Tony Smith image Alamy 3CGCK3C - The exterior of The Britons Protection, a well-known historic public house on Great Bridgewater Street in Manchester city centre. The pub's distinctive black-and-white façade, traditional signage and architectural detailing reflect its Victorian origins and long-standing place within Manchester's drinking and social history.
Photographed in daylight under a clear sky, suggesting fair spring or summer weather, the image captures the building in calm urban conditions, with soft natural light highlighting the decorative frontage and windows. The Britons Protection is widely regarded as one of Manchester's most traditional real-ale pubs and has long been associated with CAMRA and Britain's cask ale movement.
Surrounded by modern city-centre development and cultural venues, the pub stands as a surviving example of historic hospitality architecture in a rapidly changing urban environment. The image is well suited for editorial use illustrating British pub heritage, real-ale culture, independent hospitality, listed buildings, and Manchester's evolving cityscape.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,Northern Quarter Manchester,Manchester nightlife,Manchester culture,urban slogan,neon typography,street art Manchester,nightlife message,modern urban culture,N4Q,nightlife,challenges,energy,staff,prices,30-32,Thomas Street,M4 1ER,M4,culture,social commentary,contemporary slogan,nightlife economy,bars and restaurants Manchester,creative quarter,graffiti backdrop,brick wall,evening culture,modern Britain,post-pandemic messaging,high-value,experiences,bar,bars,restaurants
Description: Tony Smith image Alamy 3DCX6GW - A red neon sign displaying the phrase Going Out Is The New Staying In mounted in a window on Thomas Street in Manchester's Northern Quarter, photographed at 3032 Thomas Street, Manchester M4 1ER. The sign is set against a background of layered graffiti and urban textures, reinforcing the area's long-established reputation for independent culture, nightlife and creative expression.
Thomas Street is one of the central arteries of the Northern Quarter, an area closely associated with Manchester's music scene, alternative nightlife, independent bars, cafés and retail. Neon signage of this kind has become a visual motif within the district, often used by venues to convey attitude, humour and social commentary rather than straightforward advertising.
The slogan reflects a wider cultural shift in urban social habits, particularly in the period following the COVID-19 pandemic, where renewed emphasis was placed on socialising outside the home and supporting city-centre hospitality venues. Photographed in close-up, the image highlights the glow of the red neon tubing, the reflective glass surface and the surrounding street-level textures, providing strong editorial context for themes of nightlife, urban culture and contemporary social attitudes in Manchester.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,2025,Oasis Live 25,Oasis reunion tour,Manchester music,MCR Live 25,UK music tour,Manchester bands,concert advertising,Heaton Park Manchester,Manchester street banner,city centre street scene,music promotion,outdoor advertising,UK live music,summer concerts,July 2025,Manchester culture,pop music heritage,iconic British band,music tourism,lamppost banner,urban streetscape,promotional signage,event marketing,event,gig,gigs,11,12,16,19,20 July,Love
Description: Tony Smith image Alamy 3DCX6GX - A vertical street banner displayed on a lamppost in Manchester city centre, promoting Oasis Live '25, a run of major outdoor concerts by the Manchester band Oasis at Heaton Park, Sheepfoot Lane, Manchester M25 2SW, England. The banner features black-and-white portraits of band members Liam Gallagher and Noel Gallagher, alongside the official MCR Live '25 branding used across the city for large-scale summer music events.
The Oasis concerts, scheduled for 11, 12, 16, 19 and 20 July 2025, mark the band's first live performances together in many years and have attracted significant national and international attention. Heaton Park, one of Europe's largest municipal parks, has previously hosted landmark performances by major global artists and is closely associated with Manchester's live-music identity.
The image reflects Manchester's continued promotion of its musical heritage and its role as a major UK destination for live music tourism. Photographed in daylight conditions, the scene shows the banner within the urban streetscape, emphasising the city's cultural branding and anticipation surrounding one of the most high-profile British music reunions of the decade.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Victoria Square,with,fountains,fountain,in,summer,freedom,of,the,icon,icons,2025,city,West Midlands,sun,sunny,bright,day,display,info,information,special,tourist,tourism,attraction,awarded,award,Council House.,this,heavy,metal,music,death,RIP,cultural,culture,identity
Description: Tony Smith image Alamy 3C4CX9N -
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,sign,Fat Burgers sign,Fat Burgers Birmingham,fast food Birmingham,Birmingham street food,fast food branding,city centre takeaway,burger bar signage,burgers,fast food culture UK,independent takeaways,urban eating habits,takeaway branding,late night food economy,everyday city life,informal dining,youth food culture,changing high streets,local food businesses,Birmingham city centre,Birmingham B5,West Midlands UK,fast food outlet exterior,restaurant signage detail,independent food business,casual dining UK,takeaway culture,bold typography sign,editorial image,daytime exterior,delivery,apps,snack,snacking
Description: Tony Smith image Alamy 3DCX6BY - Close-up view of a Fat Burgers sign photographed in Birmingham city centre, Birmingham B5, West Midlands. The bold, graphic design features large white lettering and coloured stripes associated with burger branding, making the sign highly visible within the urban streetscape.
Independent fast-food outlets such as Fat Burgers form a significant part of Birmingham's diverse food scene, serving local residents, students and night-time economy customers alongside national chains. Burger takeaways in particular have become a staple of UK high streets, reflecting changing eating habits that favour convenience, affordability and informal dining.
Birmingham is known for its multicultural food culture and dense concentration of independent eateries, especially in and around the city centre. Signs like this contribute to the visual identity of urban food districts, where branding, colour and typography are used to compete for attention in busy commercial areas.
Images of takeaway signage are often used editorially to illustrate stories about high-street change, small food businesses, fast-food consumption, urban lifestyles and the economics of independent hospitality. Photographed in daylight with the sign filling the frame, the image isolates the branding from its surroundings, making it suitable for reuse in a wide range of editorial and design contexts.
The photograph offers strong editorial value for themes including fast-food culture, independent retail, urban eating habits and contemporary life in British cities, particularly within discussions about the evolving role of takeaways on UK high streets.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,signage,sign,Dublin,pub,bar Dublin,inside,interior,red neon sign,Irish,music,nightlife,vintage,Ireland,bar interior Dublin,cultural,Dublin pubs,is,was,pubs,bars,2000,Twenty-First,Harry Street,city centre,bar,nightlife Ireland,artificial lighting interior,evening bar atmosphere,warm red lighting,urban culture Dublin,iconic,Dublin pub,and,arts
Description: Tony Smith image Alamy 3CPAWR2 - A vivid red neon sign displaying the phrase Twenty First Century's Yesterday mounted on an exposed brick wall inside Bruxelles, a long-established bar on Harry Street in Dublin city centre. The sign glows under warm artificial lighting, creating a distinctive evening atmosphere typical of Dublin's nightlife and pub culture.
The image is taken indoors, with no natural daylight visible, suggesting night-time or late-evening trading hours. The saturated red neon contrasts strongly with the dark brick background, giving the scene a retro, slightly underground aesthetic associated with music, arts and alternative culture in the city.
Bruxelles is widely recognised as a cultural meeting place in Dublin, frequented by musicians, artists and writers over many decades. Interior details such as this neon sign contribute to the venue's character and are often used editorially to illustrate stories about Dublin nightlife, urban culture, hospitality, music scenes and creative spaces in Ireland's capital.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Manchester,Greater Manchester,England,games,gaming,UK,fandom,darktide,nerdy,miniature,nerds,M1,M1 1AD,Warhammer shop Manchester,Warhammer store sign,Games Workshop Manchester,Warhammer retail UK,tabletop gaming shop,fantasy gaming brand,hobby shop UK,Manchester city centre retail,gaming culture UK,Games Workshop signage,Warhammer logo,miniature wargaming,tabletop roleplaying games,fantasy and science fiction gaming,hobby retail,branded shopfront,specialist retailer UK,urban shopping street,Manchester Arndale area,pop culture retail,geek culture UK,independent style retail,Games Workshop
Description: Tony Smith image Alamy 3CGCJPB - This photograph shows the exterior signage of a Warhammer store in Manchester city centre, featuring the distinctive hammer-and-wing logo and bold black-and-white branding associated with the tabletop gaming franchise. Warhammer is produced and retailed by Games Workshop, a British company founded in the 1970s that has grown into a globally recognised name in fantasy and science fiction gaming.
The Manchester store forms part of Games Workshop's network of dedicated retail outlets across the UK and internationally, selling miniature figures, rulebooks, paints, and accessories for Warhammer games such as Warhammer 40,000 and Age of Sigmar. These shops often double as community spaces, hosting demonstrations, painting sessions, and organised play, helping sustain a strong hobby culture alongside direct retail.
The sign's clean, high-contrast design makes it instantly recognisable to fans of the brand, while its placement on a modern city centre frontage reflects the mainstreaming of gaming and hobby retail within high street environments. Once considered niche, tabletop gaming now sits comfortably alongside fashion, technology, and food outlets in major urban shopping areas.
Taken in daylight, the image works both as a straightforward record of branded retail signage and as an illustration of contemporary pop culture presence on the British high street. It is suitable for editorial use in stories about gaming culture, specialist retail, leisure industries, and the changing mix of city centre shopping in Manchester and other UK cities.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Granada,TV,from,radio,Timperleys,will,cut,the,ribbon,aquatics,hotline,hot-line,1988,head,poster,0619691909,Frank Sidebottom poster,British comedy poster,Manchester cultural history,alternative comedy UK,vintage event poster,hand drawn poster,outsider art UK,Greater Manchester culture,1980s British comedy,surreal humour,cult comedy character,DIY graphic design,photocopied poster,underground culture UK,British eccentricity,northern humour,community event poster,fish ponds opening,local radio promotion,Radio Timperley
Description: Tony Smith image Alamy 3CPAX84 - This image shows an original hand drawn and photocopied poster from 1988 advertising an appearance by Frank Sidebottom, the surreal comic creation of Chris Sievey. The poster announces that Frank Sidebottom would cut the ribbon for the official opening of the Timperley Aquatics water garden on 2 April 1988, at 10.30am GMT, with a live appearance lasting five minutes.
The artwork features Frank Sidebottom's instantly recognisable wide eyed papier mache head, rendered in a deliberately naïve black and white illustration style. Surrounding text and drawings, including fish motifs and playful handwritten lettering, reflect the DIY, low budget aesthetic that defined Sievey's work and the wider British alternative comedy scene of the 1980s.
The poster references Radio Timperley and includes local contact details, reinforcing the strong connection between Frank Sidebottom and community level events in south Manchester. Rather than mainstream venues, Sievey frequently performed at small local openings, shops, and civic events, using absurdity and deadpan humour to parody celebrity culture and public ceremonies.
As a piece of ephemera, the poster offers a valuable snapshot of grassroots British cultural history. It illustrates how alternative comedy, outsider art, and local radio intersected in late twentieth century Manchester, and why Frank Sidebottom became a lasting cult figure associated with Timperley, Greater Manchester, and northern English eccentricity.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,neon sign,Greek restaurant,restaurant signage,Deansgate Manchester,restaurant interior,hospitality industry,Mediterranean food,city centre Manchester,cultural dining,night time interior,documentary photography,editorial image,Campfield Arcade,Liverpool Road Manchester,restaurant branding,illuminated sign,blue neon,dining culture,Manchester nightlife,eating out,European cuisine,long established business,independent hospitality,urban,leisure,city life,everyday Britain,cultural diversity,street photography,interior detail,contemporary,Britain,British,Greek,venue
Description: Tony Smith image Alamy 3CPAXHX - A blue neon sign reading Dimitri's inside Campfield Arcade on Deansgate in Manchester city centre, England. The sign marks Dimitri's, a long-established independent Greek and Mediterranean restaurant known for its mezzé-style dining. Dimitri's has operated in Manchester since 1989, making it one of the city's longest-running Mediterranean restaurants and a well-known part of Manchester's food and nightlife scene.
The restaurant specialises in Greek and eastern Mediterranean dishes served as small sharing plates, reflecting a social style of dining that has remained popular with both local residents and visitors for decades. Located close to Deansgate and Liverpool Road, Dimitri's forms part of the wider Campfield and Castlefield area, a district that has seen significant regeneration while retaining long-standing independent businesses.
The neon signage reflects late-20th-century restaurant branding and contributes to the character of Manchester's evening economy, where independent eateries, bars, and cultural venues coexist alongside newer developments. The image captures themes of longevity in the hospitality sector, independent food culture, and the role of established restaurants in shaping the social life and identity of city centres in contemporary Britain.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,historic theatre,cultural venue,arts and entertainment,listed building,live performance,music and theatre,cultural heritage,documentary photography,editorial image,Greater Manchester,North West England,historic building,architectural detail,neoclassical architecture,entertainment district,city streetscape,urban culture,performing arts,theatre entrance,cultural landmark,tourism,British culture,evening venue,arts venue exterior,urban regeneration,contemporary city,everyday Britain,street photography,white,history,historic,world,class,classical
Description: Tony Smith image Alamy 3CPAXJC - The Manchester Opera House photographed on Quay Street in Manchester city centre, England. The image shows the ornate Edwardian facade of the historic theatre, a long-established venue for opera, musicals, concerts, comedy, and touring West End productions. Originally opened in the early 20th century, the Opera House has remained a prominent part of Manchester's cultural life, combining classical architectural detailing with a central role in the modern entertainment economy of the city. Surrounded by contemporary office buildings and located close to Manchester's main commercial and cultural districts, the theatre illustrates the contrast between historic performance venues and the modern urban landscape. The building continues to attract audiences from across Greater Manchester and beyond, highlighting the enduring importance of live performance, heritage venues, and cultural infrastructure within major British cities.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Aviva Studios,Factory International,cultural venue,arts venue,creative industries,urban culture,modern building,city centre Manchester,North West England,British culture,documentary photography,bench,outside,Manchester city centre,St Johns,urban regeneration,creative economy,glass facade,interior lighting,modern design,public seating,picnic benches,colourful benches,leisure space,cultural infrastructure,evening lights,social space,city life,everyday Britain,European city,tourism,architectural detail,street photography,contemporary Britain
Description: Tony Smith image Alamy 3CPAXM2 - Aviva Studios, the home of Factory International, photographed at the St John's development in Manchester city centre, England. The image shows a contemporary cultural venue with a large glazed facade revealing interior lighting and activity, alongside brightly coloured picnic-style benches used as informal public seating. Opened as a flagship arts space, Aviva Studios was developed to host large-scale theatre, music, dance, exhibitions, and international festivals, reinforcing Manchester's reputation as a major centre for culture and the creative industries. The building forms a central part of the St John's regeneration scheme, a former industrial area transformed into a mixed-use district focused on arts, leisure, and public realm. The scene reflects modern approaches to cultural infrastructure, where landmark venues are designed to be accessible and integrated into everyday urban life, highlighting wider themes of urban regeneration, investment in culture, and the changing character of post-industrial British city centres.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,Manchester vinyl records,Manchester music culture,independent music retailer,vinyl revival UK,Manchester record shop,urban music heritage,vinyl,music,releases,independent retail survival,cultural infrastructure,grassroots music economy,vinyl resurgence,anti-mainstream culture,DIY music scenes,creative industries UK,cultural resistance,nostalgia and modernity,analogue media,music collectors,subculture identity,Manchester M1 2BA,city centre,9""11,Paton Street,M1 2BA,M1,red,exterior,punk and post-punk culture,indie,scene,N4Q
Description: Tony Smith image Alamy 3DCX6FJ - Clampdown Records is an independent record shop located at 911 Paton Street, Manchester M1 2BA, in Manchester city centre. The venue is part of the city's long-standing tradition of independent music retail, occupying a niche space away from mainstream high-street chains and reflecting Manchester's deep-rooted alternative music culture.
The shop's signage, prominently displaying the name Clampdown Records, references a confrontational, anti-establishment aesthetic closely associated with punk, post-punk and politically engaged music cultures. Such naming conventions have historically signalled alignment with underground scenes rather than commercial chart music, positioning shops like Clampdown as cultural hubs rather than purely retail outlets.
Independent record shops have played a crucial role in Manchester's music history, acting as meeting points for musicians, fans, collectors and promoters, and serving as informal distribution centres for local and international underground releases. In an era of digital streaming and declining physical retail, stores such as Clampdown Records are often cited as symbols of the vinyl revival and the persistence of analogue music formats valued for their tactile, collectible and cultural qualities.
Paton Street sits close to areas historically associated with Manchester's music and nightlife economy, and the presence of an independent record shop here contributes to wider discussions about urban regeneration, cultural survival and the future of independent high streets in UK cities. The image captures not only the physical storefront but also the broader cultural significance of independent music retail within Manchester's identity as a city shaped by sound, subculture and creative resistance.
Photographed in close-up with architectural details and signage clearly visible, the image offers strong editorial value for themes including music heritage, independent business, cultural economics and the continuing relevance
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,grassroots music venue,Manchester live music venue,historic Manchester pub,Manchester alternative music scene,18""20 Fairfield Street Manchester,Fairfield Street,18""20 Fairfield Street,Manchester M1 2QF,Piccadilly Station area,red brick architecture,corner pub Manchester,independent music venue UK,post-punk Manchester,DIY music culture,urban streetscape,night-time economy,British pub culture,heritage architecture,street photography,editorial image,northern England city,near,Piccadilly,London Road,M1,famous,gig,night,gigs,Smiths,corner,community venues,venue,venues
Description: Tony Smith image Alamy 3DCX6FM - The Star and Garter is a historic public house and long-established grassroots live music venue located on Fairfield Street in Ardwick, Manchester, at 1820 Fairfield Street, Manchester M1 2QF. The building occupies a prominent corner site close to Manchester Piccadilly Station, an area historically shaped by rail infrastructure, warehouses and working-city activity.
Constructed in Victorian red brick with ornate stone detailing, the pub's distinctive architecture reflects late nineteenth-century urban development in Manchester, when public houses functioned not only as drinking establishments but as important social and cultural meeting places. Architectural features visible in the image include arched windows, decorative cornices and prominent corner signage identifying both the venue and the surrounding street.
Beyond its architectural significance, the Star and Garter has earned national recognition for its role in Manchester's alternative and independent music culture. Over several decades it has operated as a key grassroots venue, hosting live performances spanning post-punk, indie, experimental, noise and DIY music scenes. The venue is widely regarded as an essential testing ground for emerging bands and touring underground acts, contributing to Manchester's reputation as a city with a deep and continually evolving music heritage.
In recent years, venues such as the Star and Garter have also come to symbolise broader debates around the future of independent cultural spaces, rising urban land values, and the pressures faced by small live-music venues within regenerating city centres. As such, the building represents not just a pub or concert space, but a wider narrative about cultural survival, community identity and the importance of grassroots infrastructure within the UK's creative industries.
Photographed in daylight with street signage and surrounding urban context visible, the image documents the physical presence of the Star and Garter
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,Manchester historic pub,Manchester music venue,Manchester city centre pub,Fairfield Street,pub,pubs,bar,bars,history,heritage,18""20 Fairfield Street Manchester,Manchester M1 2QF,Star and Garter sign,Fairfield Street Ardwick,Piccadilly Station area,red brick architecture,ornate stonework,historic streetscape,Manchester nightlife,live music pub,UK pub heritage,street name sign,urban architecture,England pub exterior,daytime exterior,M1,famous,Smiths,night,gig,gigs,grassroots music venue,Manchester alternative music scene,British pub culture,urban streetscape
Description: Tony Smith image Alamy 3DCX6FP - The street sign and architectural frontage of The Star and Garter, a well-known historic pub and live-music venue on Fairfield Street in Ardwick, Manchester, photographed at 1820 Fairfield Street, Manchester M1 2QF. The pub stands close to Manchester Piccadilly Station, an area long associated with rail travel, warehousing and late-nineteenth-century urban development.
The building features characteristic Victorian red-brick construction with decorative stonework and a prominent street-corner sign identifying Fairfield Street and Ardwick. The Star and Garter has operated as a public house for over a century and is widely recognised in Manchester for its association with alternative music, independent culture and the city's grassroots live-music scene.
In recent decades, the venue has gained national recognition as an important space for emerging bands and experimental music, contributing to Manchester's reputation as a city with a strong and diverse musical heritage. The image documents both the architectural detail of the building and its place within Manchester's historic streetscape, offering editorial value for themes of urban history, pub culture and music venues in northern England. The Star and Garter has long been regarded as one of Manchester's most important grass-roots live-music pubs, particularly for post-punk, indie, noise and DIY scenes. Over the years it has hosted performances by bands closely associated with the city's alternative music heritage, including The Fall, whose members were known to frequent and play small, informal venues around Piccadilly and Ardwick, as well as later generations of experimental and underground acts. More recently, the venue has become a key stop for touring and local artists such as Gnod, Hey Colossus, and Pigs Pigs Pigs Pigs Pigs Pigs Pigs, reinforcing its reputation as a place where loud, uncompromising music thrives. Rather than hosting polished mainstream shows, the Star and Garter's significance lies in rock.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,LGBTQ+ rights,LGBTQ+ activism,equality message,street banner,pride messaging,UK,human rights,ECHR,Canal Street Manchester M1 3WD,Manchester city centre,LGBTQ+ community,inclusive society,anti-discrimination message,public demonstration,social justice,urban street scene,civic space,protest banner,UK LGBTQ+ culture,contemporary Britain,outdoor signage,editorial image,freedom,rights,out,proud,out and proud,road,Sackville Park,innate identity,gender dysphoria,sex,gender,M1,M1 3WD
Description: Tony Smith image Alamy 3DCX6FW - A large street banner carrying the message Trans Is Not A Choice / Transphobia Is displayed in Manchester's Gay Village along Canal Street, photographed at Canal Street, Manchester M1 3WD. The banner is positioned within a public pedestrian area close to historic brick civic buildings, situating the message firmly within the everyday urban environment of Manchester city centre.
Canal Street is internationally recognised as the heart of Manchester's Gay Village and has long been associated with LGBTQ+ visibility, nightlife, activism and community life. Public banners and temporary installations such as this are frequently used in the area to express messages of inclusion, equality and opposition to discrimination.
The wording of the banner reflects contemporary debates around transgender rights and social acceptance in the UK, emphasising that gender identity is inherent while prejudice is a matter of choice. Photographed in daylight, the image documents a moment of public expression within a well-known LGBTQ+ space, providing strong editorial value for themes of human rights, equality, activism and modern urban culture.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,LGBTQ+ bar Manchester,gay bar Manchester,Manchester nightlife,LGBTQ+ venue UK,Manchester city centre bar,LGBT,LGBTQ,Pride,23 Sackville Street Manchester,Manchester M1 3NJ,LGBTQ+ culture,inclusive nightlife,urban street scene,British gay village,night-time economy,pub exterior,bar frontage,colourful signage,pride colours,city nightlife,UK LGBTQ history,social spaces,evening lighting,hospitality sector,pub,pubs,bar,bars,sounds like the village,under a car park,Thompsons,outside,exterior,Thompsons Arms,Queer As Folk
Description: Tony Smith image Alamy 3DCX6G4 - The exterior of Thompson's Bar, a prominent LGBTQ+ bar situated in Manchester's Gay Village, photographed at 23 Sackville Street, Manchester M1 3NJ. The venue is located close to the Canal Street area, which has been central to Manchester's LGBTQ+ social life for several decades and is internationally recognised as one of the UK's most visible and established gay districts.
The building façade features bold, colourful signage incorporating rainbow imagery, symbolising inclusivity and LGBTQ+ pride. Decorative lighting and hanging baskets contribute to the bar's lively street presence, reflecting the area's role in Manchester's night-time economy and cultural identity.
Manchester's Gay Village has played an important role in the city's social history, activism and visibility for LGBTQ+ communities, particularly from the late twentieth century onwards. Venues such as Thompson's Bar continue to function as social hubs, meeting places and cultural landmarks within the city centre.
Photographed in daylight with urban surroundings visible, the image documents both the physical streetscape of Sackville Street and the wider cultural significance of LGBTQ+ venues within contemporary Manchester.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,L2,L2 2JH,Merseyside,classic,pubs,bars,pub,Dale Street,boozer,boozers,history,historic,heritage,ale,stout,British,premier,freehouse,real ale pub,traditional pub,British pub,exterior,pub frontage,architecture,city centre,Stouts Ship & Mitre,CAMRA pub,cask ale,beer pub,historic building,Edwardian architecture,stone facade,urban streetscape,Liverpool city centre,Dale Street Liverpool,pub culture,dramatic perspective
Description: Tony Smith image Alamy 3BR177C - A dramatic low-angle photograph of the Ship & Mitre public house on Dale Street in Liverpool city centre, England. The image emphasises the imposing stone façade of the historic pub, with its bold blue signage reading Ship & Mitre and decorative architectural details that reflect the building's early twentieth-century origins.
The Ship & Mitre, formally known as Stout's Ship & Mitre, is one of Liverpool's most famous traditional pubs and is particularly well known for its extensive range of cask ales, craft beers, and strong association with the Campaign for Real Ale (CAMRA). The pub occupies a prominent position on Dale Street, close to the city's commercial district and historic waterfront.
The strong vertical perspective and wide-angle composition lend a dramatic quality to the image, highlighting the scale and solidity of the building against the surrounding cityscape. The exterior appearance reflects Liverpool's rich architectural heritage, shaped by the city's mercantile history and role as a major port.
This image is suitable for editorial use illustrating British pub culture, real ale heritage, historic pubs, Liverpool architecture, urban streetscapes, tourism in Liverpool, and the enduring cultural importance of independent pubs in UK city centres.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,mural,Jurgen Klopp Liverpool mural,Spanish Caravan Liverpool mural,Erdinger Weissbräu advert mural,Liverpool street art,Liverpool football mural,Jürgen Klopp street art,Liverpool city centre mural,German beer advert mural,football manager mural,celebrity mural UK,public art Liverpool,Erdinger beer advertising,Spanish Caravan pub Liverpool,Hope Street Liverpool,Merseyside street art,UK urban mural,football culture Liverpool,Liverpool FC culture,Jürgen Klopp portrait mural,beer branding mural,hospitality exterior artwork,pub exterior mural,European football culture,modern mural painting,large scale wall art,city centre Liverpool streetscape,cultural Liverpool,tourism Liverpool,city,centre,gable,gable-end,art,Ropewalks,Slater Street
Description: Tony Smith image Alamy 3CPAX1Y - A large-scale mural portrait of Jürgen Klopp, long-serving manager of Liverpool FC, painted on the gable wall of the Spanish Caravan pub on Slater Street in Liverpool city centre. The artwork incorporates prominent Erdinger Weissbräu branding, including the brewery logo and a detailed illustration of a glass of Erdinger wheat beer, blending commercial advertising with contemporary street art.
Klopp is shown smiling in a relaxed pose, capturing his popular public image and close association with Liverpool's football identity. The mural reflects the strong cultural crossover between football, pubs and social life in the city, where football figures often become symbols extending beyond sport into wider civic pride.
Situated close to Liverpool's Georgian Quarter and cultural venues, the mural contributes to the city's vibrant street-level visual culture and acts as a recognisable landmark for football fans and visitors. It also illustrates how branded murals and public art are increasingly used by hospitality venues to create distinctive urban presence while celebrating local sporting heroes.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,EH1,Scottish treat,novelty food,tourist food,Edinburgh,Edinburgh Scotland,Cafe Piccante,Broughton Street,takeaway,carry out,chip shop,fast food,street food,dessert,sweet treat,batter,fried dessert,window sign,shop window,evening,night,nightlife,New Town,EH1 3JU,chocolate,bar,bars,unhealthy,diet,Edinburgh city centre,Scottish cuisine,tourist attraction food,food culture,street photography,night photography,neon typography,late evening economy
Description: Tony Smith image Alamy 3DYWT2B - A brightly lit window display at Café Piccante on Broughton Street in Edinburgh, photographed in the evening, promotes the famously indulgent Scottish takeaway treat Deep Fried Mars Bar. The purple and white poster sits behind glass beneath a glowing neon sign reading Pizza & Kebabs, with illuminated menu boards and a stainless steel counter visible inside the shop. The scene captures the classic look of a late night chip shop and carry out in Scotland, where fast food, comfort food and after hours snacks are part of the city's street life.
Deep fried confectionery has become a widely recognised curiosity for visitors, and the Mars bar version is often treated as a humorous must try by tourists exploring Edinburgh's New Town, the city centre and the pub and club circuit. In practical terms it is a simple idea executed with showmanship: a chocolate bar is battered, deep fried until the outside is crisp, then served hot so the filling becomes soft and gooey. That contrast of crunchy batter and molten sweet centre is exactly what the sign is selling, along with the wider promise of quick, filling food for people on the move.
Editorially, the photograph works as a visual shorthand for Scottish food culture, travel and tourism, British fast food, and the late evening economy. It also speaks to how takeaway shops use bold typography, saturated colours, and bright lighting to cut through the dark and attract passing trade, especially when street footfall is driven by nightlife and late trains. The reflections on the glass and the warm interior lighting add atmosphere and a documentary feel, showing a real working premises rather than a staged studio shot. The image can illustrate stories about Edinburgh city breaks, independent local businesses, menu culture, neon signage, snack foods, guilty pleasure desserts, and the marketing of regional specialities and novelty food to visitors. It is also a strong night street photography detail for editorial use.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,history,historic,heritage,&,133,Dale St,Merseyside,England,UK,L2 2JH,L2,real ale,beer,beers,Ship and Mitre,Liverpool pub,Dale Street,Liverpool,historic pub,real ale pub,free house,traditional pub,pub exterior,city centre,cask ale,British pub culture,heritage pub,Edwardian building,stone facade,corner building,urban streetscape,Liverpool architecture,independent pub,beer pub,pub signage
Description: Tony Smith image Alamy 2X9BPBB - A side-angle view of the Ship & Mitre public house, located at 133 Dale Street in Liverpool city centre, England. The image shows the full height of the historic stone-built corner building, with prominent blue signage identifying the pub as a free house and highlighting its long-established presence in Liverpool's drinking culture.
The Ship & Mitre, formally known as Stout's Ship & Mitre, is one of Liverpool's best-known traditional pubs and is particularly renowned for its extensive range of cask ales, bottled beers, and strong association with the Campaign for Real Ale (CAMRA). The building dates from the early twentieth century and reflects the solid commercial architecture of Liverpool's former mercantile district.
Dale Street lies close to Liverpool's waterfront and civic quarter and has long been a hub for offices, shipping companies, and public houses serving the working city. The side view captured here emphasises the scale and prominence of the pub within the streetscape, while pedestrians nearby give a sense of everyday city life.
This image is suitable for editorial use illustrating British pub culture, historic pubs, real ale heritage, Liverpool architecture, urban streetscapes, tourism in Liverpool, and the continuing role of independent pubs in UK city centres.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,english,illumination,illuminated,lit,lighted,up,sourdough,pizzas,punk,restaurant,chain,restaurants,punks,pub,pubs,37,Bond Street,Leeds,West Yorkshire,England,LS1 5BQ,LS1,Yorkshire,location,locations,Leeds city centre,night photography,urban food culture,pizza chain UK,pizza restaurant Leeds,Pizza Punks branding,modern restaurant,British restaurant chain,contemporary Britain,street photography,commercial signage,food and drink industry
Description: Tony Smith image Alamy 2X2CG3G - This night-time image shows the exterior of the Pizza Punks restaurant in Leeds city centre, illuminated by bold red neon signage. Multiple neon signs are visible through the glass frontage, including the words Pizza Punks and Sourdough Pizza, reinforcing the brand's focus on customisable sourdough-based pizzas. The intense red glow of the neon lighting reflects off the windows and interior surfaces, creating a striking urban visual typical of contemporary city-centre dining districts.
Pizza Punks is a UK restaurant chain known for its informal, fast-casual approach to pizza, combining sourdough bases with a wide choice of toppings in a modern, industrial-style setting. The Leeds branch is located on Park Row, a central commercial street close to major retail, office, and nightlife areas, making it a popular destination for evening dining.
The photograph captures broader themes of modern British food culture, the hospitality and casual dining sector, and the visual language of urban nightlife. Neon signage, once associated with traditional takeaways and late-night venues, has been adopted by newer restaurant brands to create a bold, contemporary identity. The image is suitable for editorial use illustrating UK restaurant chains, city-centre nightlife, food culture, branding, and the hospitality economy.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,history,pub,bar,city,centre,stag,hen,night,nighttime,economy,old,Victorian,UK,tourist,travel,drinking,drinks,EH2 2PJ,EH2,Scottish hospitality,licensed premises,pub signage,New Town Edinburgh,city pub,drinking culture Scotland,evening lights,bar windows,urban nightlife,tourism Edinburgh,hospitality industry,independent pub,traditional bar,street scene Edinburgh
Description: Tony Smith image Alamy 2X2CG2F - This image shows the exterior of Milnes of Rose Street, a well-known traditional pub situated on Rose Street in the heart of Edinburgh's New Town, Scotland. The photograph captures the distinctive frontage of the bar, with its ornate gold lettering reading Milnes of Rose Street mounted above large street-facing windows. Warm interior lighting is visible through the glass, creating a welcoming contrast with the darker exterior and reflecting the pub's role as a social space within the busy city centre.
Rose Street runs parallel to Princes Street and has long been associated with Edinburgh's pub culture, serving office workers, shoppers, tourists, and locals alike. Milnes is one of a number of independent and long-established bars on the street, contributing to its reputation as a lively yet traditional drinking destination within the Georgian New Town. The surrounding architecture and streetscape form part of Edinburgh's UNESCO World Heritage Site, adding cultural and historical context to the location.
The image highlights elements of contemporary urban hospitality, including visible bar fittings, hanging lights, and signage, while retaining the character of a classic Scottish city pub. It is suitable for editorial and commercial use relating to Scottish pubs, urban nightlife, tourism, hospitality, independent businesses, and the social life of Edinburgh's city centre.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WF1 3AE,WF1,the,West Yorkshire,England,UK,At,Wakefield,city,centre,buy,in,February,on,history,historic,heritage,Wakefield rhubarb festival,Yorkshire rhubarb,E Oldroyd & Sons,rhubarb,food market,local produce,traditional farming,Rhubarb Triangle,Wakefield food festival,February festival,forced rhubarb,Yorkshire food heritage,market stall,local trader,seasonal produce,British agriculture,traditional crops,regional food,customer buying rhubarb,Timperley Early
Description: Tony Smith image Alamy 2X2CG25 - A customer purchases bundles of bright red Yorkshire forced rhubarb from E Oldroyd & Sons at the Wakefield Rhubarb Festival, held annually in Wakefield city centre, West Yorkshire, England. The image shows neatly stacked rhubarb stems displayed on a traditional wooden market stall, with handwritten price signs visible, reflecting the practical, small-scale nature of regional food trading.
The Wakefield Rhubarb Festival takes place each February and celebrates the area's long association with rhubarb growing as part of the Rhubarb Triangle, a historic agricultural region covering parts of Wakefield, Leeds, and Bradford. Forced rhubarb is traditionally grown by candlelight in dark sheds during winter months, producing the vivid colour and delicate flavour seen in the crop.
E Oldroyd & Sons are among the long-standing growers associated with Yorkshire rhubarb production, supplying both local markets and national retailers. The festival attracts visitors from across the region and beyond, combining food stalls, cookery demonstrations, and cultural events celebrating local food heritage.
This image is suitable for editorial use illustrating British food festivals, regional agriculture, traditional crops, local markets, seasonal produce, Yorkshire food culture, and community events celebrating rural heritage within urban settings.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,LS2,city,centre,LS2 7HN,traditional,classic,retail,cheap,value,history,historic,heritage,facade,façade,English,building,buildings,architecture,ornate,shops,shop,Vicar St,Vicar Street,theres so much,to see,taste,and,do,Year of Culture,sign,banner,poster
Description: Tony Smith image Alamy 2T2845D -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,LS2,city,centre,LS2 7HN,traditional,classic,retail,cheap,value,history,historic,heritage,facade,façade,English,building,buildings,architecture,ornate,shops,shop,Vicar St,Vicar Street,theres so much,to see,taste,and,do,Year of Culture,sign,banner,poster
Description: Tony Smith image Alamy 2T2845F -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,LS2,city,centre,LS2 7HN,traditional,classic,retail,cheap,value,history,historic,heritage,facade,façade,English,building,buildings,architecture,ornate,shops,shop,Vicar St,Vicar Street,theres so much,to see,taste,and,do,Year of Culture,sign,banner,poster
Description: Tony Smith image Alamy 2T2845G -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,art,artwork,Warrington mural,street art,public art,community mural,stronger together,urban,town centre,Warrington town centre,As a team we can do so much more,We are stronger together,inspirational mural,social message art,collaboration,togetherness,equality and inclusion,city regeneration,urban culture,colourful mural,bird illustration,green background,British street art,documentary photography,editorial image,shopping,retail,area,corner,1980,1980s,local,identity
Description: Tony Smith image Alamy 2RC31A0 - This photograph shows a large painted mural on Bold Street in Warrington, Cheshire, carrying the message As a team we can do so much more. We are stronger together. The artwork combines bold illustrated imagery, including a stylised bird and red wings set against a green woodland background, with a clear statement promoting unity, cooperation, and collective strength.
Murals such as this have become an increasingly visible part of urban regeneration and placemaking in UK town centres, using public art to reinforce positive social values and local identity. The wording emphasises teamwork and solidarity, themes that resonate strongly within community-focused environments and periods of social or economic challenge.
Positioned along a prominent street frontage, the mural transforms an otherwise plain exterior wall into a visual statement that engages passers-by and contributes to the character of the area. The bright colours and accessible message make the artwork legible from a distance while encouraging reflection on shared responsibility and mutual support.
Photographed in daylight, the image documents contemporary British street art as both creative expression and civic messaging. It is well suited for editorial use covering community engagement, urban regeneration, public art, and the role of murals in shaping modern town centre environments in England
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,history,historic,heritage,Belfast,venue,theatres,historic theatre,building,Edwardian,architecture,listed,performing,arts,production,cultural,landmark,facade,front,entrance,door,doors,restored,BT2 7HR,BT2,city,urban,streetscape,arts and culture Northern Ireland,reflected light,bright blue sky
Description: Tony Smith image Alamy 2RFJ3B3 - This image shows the Grand Opera House on Great Victoria Street in Belfast city centre, one of Northern Ireland's most prominent cultural and architectural landmarks. The theatre's striking red brick and cream stone facade, with its ornate detailing, circular windows, and domed corner turrets, reflects the Edwardian baroque style popular in the early twentieth century.
The words GRAND OPERA HOUSE are clearly visible across the upper facade, confirming the building's identity. The modern glazed entrance contrasts with the historic exterior, illustrating sensitive adaptation to contemporary access and audience needs while retaining the building's original character.
The photograph appears to have been taken during summer, under clear blue skies, with strong sunlight creating highlights and subtle reflections across the curved frontage and decorative stonework. The reflected light enhances the texture of the brickwork and architectural detailing, giving the building a warm, vibrant appearance. Pedestrians and passing vehicles provide a sense of scale and everyday city life.
Opened in 1895, the Grand Opera House has long been a central venue for opera, theatre, comedy, dance, and touring productions, playing a key role in Belfast's cultural life. The image captures both the building's historic grandeur and its continuing presence as a working city-centre theatre within a modern urban environment.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,town centre event,community market,Lancaster city centre,England,UK,outdoor,banners,banner,promotion,tourist,Lancs,Lancasters Seasonal Markets,summer event banner,Friday 16 June market,local traders,street decorations,triangular bunting,civic celebration,town festival atmosphere,community event signage,public realm,historic street Lancaster,heritage buildings backdrop,blue sky,summer sunshine,local economy,market culture UK,editorial photography,documentary image,food,drink,local,artisan
Description: Tony Smith image Alamy 2R64RFH - This image shows a promotional banner advertising Lancaster's seasonal summer markets, strung across a city centre street and framed by rows of colourful triangular bunting. The banner announces a summer market date and opening times, celebrating local traders, seasonal produce, and community activity in the heart of the city.
Seasonal markets play an important role in Lancaster's civic and economic life, supporting independent businesses, encouraging footfall, and creating a festival atmosphere within the historic urban environment. The bunting and signage transform the street into a shared public space, signalling celebration, sociability, and local pride.
Historic stone buildings provide a strong architectural backdrop, reinforcing Lancaster's identity as a traditional English city with a well-preserved townscape. The clear blue sky and bright colours emphasise the summery character of the event and the positive, welcoming tone of the promotion.
Photographed in daylight, the image is well suited for editorial use covering UK market culture, town-centre regeneration, community events, local economies, and the visual language of civic celebration in English towns and cities.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Lancaster,pub,history,Market Street Lancaster,traditional English pub,Lancaster city centre,England,UK,pubs,bars,tourist,tourism,windows,John of Gaunt,medieval history,historic inn,British pub culture,old town Lancaster,timber frontage,Victorian pub interior,family friendly pub,people outside pub,street life Lancaster,licensed premises,hospitality industry UK,tourism Lancaster,character pub,local landmark,editorial photography,documentary image,outside,LA1 1JG,LA1
Description: Tony Smith image Alamy 2R64T7M - This photograph shows the exterior of Ye Olde John O'Gaunt, a long-established public house located at 53 Market Street in Lancaster city centre. The pub's traditional frontage features painted timberwork, decorative stained glass windows, and prominent gold lettering, marking it out as a character building within the historic streetscape of Lancaster.
The pub is named after John of Gaunt, Duke of Lancaster and one of the most powerful figures in fourteenth-century England. As the fourth son of King Edward III, John of Gaunt gave his name to the Duchy of Lancaster, which remains closely associated with the city. Pubs bearing his name are found across England, reflecting his enduring place in national and regional history.
Ye Olde John O'Gaunt has served generations of locals and visitors and forms part of Lancaster's rich pub heritage, linked to the city's role as a historic county town, port, and centre of trade. Market Street itself lies close to other significant civic and commercial buildings, reinforcing the pub's role as a social hub within the urban fabric.
The image captures everyday life outside the pub, with people gathered at the entrance and window, illustrating the continued social function of traditional British pubs in town centres. Photographed in daylight, the scene is well suited for editorial use covering British pub culture, historic inns, Lancaster heritage, and the lived character of English market towns.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,outdoor event,wayfinding sign,England,Cheshire,summer,festivals,festival,signs,Victoria Park,ticket,tickets,band,bands,neighbourhood weekender festival,temporary signage,walking symbol,pedestrian direction,grass verge,daylight,community event,live music,UK festival culture,urban park,city branding,leisure,tourism,local event,navigation sign,outdoor advertising,British summer,gig,gigs,Knutsford Road,WA4 1QN
Description: Tony Smith image Alamy 2R59WP4 - This photograph shows a bright yellow directional sign for the Neighbourhood Weekender festival, positioned on a grassy verge in Warrington, Cheshire. The sign features bold black text reading Neighbourhood Weekender, accompanied by a pedestrian symbol and a right-pointing arrow, clearly indicating the walking route towards the event location.
Neighbourhood Weekender is a large outdoor music festival held annually in Warrington, typically in Victoria Park, and has become a significant fixture in the North West of England's live music calendar. The use of high-visibility yellow colouring and simple graphic symbols reflects practical event wayfinding design, intended to be easily readable by large numbers of festivalgoers moving through public spaces.
The image appears to have been taken in daylight during the late spring or summer months, suggested by the green grass and bright natural light. The sign shows minor wear and surface marks, consistent with temporary outdoor signage used during multi-day public events.
Images like this are commonly used to illustrate themes of British festival culture, live music events, community gatherings, urban parks, and temporary public signage. It captures an everyday but recognisable detail of large-scale outdoor events in the UK, where clear pedestrian guidance is essential to managing crowds and movement within shared public spaces.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,outdoor event,wayfinding sign,England,Cheshire,summer,festivals,festival,signs,Victoria Park,ticket,tickets,band,bands,neighbourhood weekender festival,temporary signage,walking symbol,pedestrian direction,grass verge,daylight,community event,live music,UK festival culture,urban park,city branding,leisure,tourism,local event,navigation sign,outdoor advertising,British summer,gig,gigs,Knutsford Road,WA4 1QN
Description: Tony Smith image Alamy 2R59WP8 - This photograph shows a bright yellow directional sign for the Neighbourhood Weekender festival, positioned on a grassy verge in Warrington, Cheshire. The sign features bold black text reading Neighbourhood Weekender, accompanied by a pedestrian symbol and a right-pointing arrow, clearly indicating the walking route towards the event location.
Neighbourhood Weekender is a large outdoor music festival held annually in Warrington, typically in Victoria Park, and has become a significant fixture in the North West of England's live music calendar. The use of high-visibility yellow colouring and simple graphic symbols reflects practical event wayfinding design, intended to be easily readable by large numbers of festivalgoers moving through public spaces.
The image appears to have been taken in daylight during the late spring or summer months, suggested by the green grass and bright natural light. The sign shows minor wear and surface marks, consistent with temporary outdoor signage used during multi-day public events.
Images like this are commonly used to illustrate themes of British festival culture, live music events, community gatherings, urban parks, and temporary public signage. It captures an everyday but recognisable detail of large-scale outdoor events in the UK, where clear pedestrian guidance is essential to managing crowds and movement within shared public spaces.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,evader,diddymen,Liverpool,Merseyside,England,UK,public art,British comedy,Sir Ken Dodd,Diddymen,Liverpool humour,cultural heritage,bronze statue,mainline railway station,Northern rail,intercity rail,station concourse,travel hub,British entertainers,civic tribute,memorial sculpture,urban public art,transport and culture,everyday city life,editorial photography,documentary image,civic,famous,scouser,scousers,platform,terminus,high level,L1,L1 1JD
Description: Tony Smith image Alamy 2R64K9D - This image shows the bronze statue of Ken Dodd situated on the concourse beside the platforms at Liverpool Lime Street railway station. The sculpture depicts the comedian in animated pose, reflecting his distinctive performance style and enduring association with Liverpool humour and popular culture.
Ken Dodd, born in Knotty Ash, Liverpool, was one of Britain's most recognisable comedians and entertainers, renowned for his marathon stand-up performances, rapid-fire jokes, and the fictional Diddymen. He became a cultural icon closely identified with the city, and the statue serves as a civic tribute to his contribution to British comedy and entertainment.
Liverpool Lime Street is the city's principal mainline railway station and a major gateway for visitors arriving by rail. The placement of the statue within an active transport environment connects Liverpool's cultural identity with everyday movement, travel, and public space, allowing commuters and visitors to encounter a figure central to the city's character.
The background of platforms, departure boards, and trains situates the artwork within the working life of the station, blending public art with transport infrastructure. Photographed in daylight, the image is well suited for editorial use covering British cultural heritage, public sculpture, Liverpool identity, rail travel, and the commemoration of nationally significant entertainers.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,English,British,UK,city,centre,retro fashion,second hand clothing,film noir figure,fedora hat,mannequin,shop display,vintage sale sign,East London,Spitalfields,Tower Hamlets,London fashion,vintage retail,retro style,classic Hollywood,cinema icon,noir detective style,trench coat and hat,gun prop,display figure,quirky shop display,market culture,independent retailers,alternative fashion,street photography,documentary photography,editorial image,UK retail,pop culture reference
Description: Tony Smith image Alamy 2R39XKK - This image shows a life-size model styled to resemble classic Hollywood actor Humphrey Bogart, dressed in a trench coat and fedora and holding a gun prop, positioned inside a stall at Brick Lane Vintage Market in East London. The figure is used as an eye-catching display to advertise a Vintage Burberry Sale, combining cinematic nostalgia with fashion retail.
Brick Lane is well known for its long association with alternative culture, vintage clothing, and independent markets, where traders frequently use bold, humorous, or pop-culture references to stand out in crowded retail spaces. The use of a Bogart-style noir character evokes classic detective films of the 1940s and 1950s, reinforcing themes of timeless style and enduring fashion.
The sign references Burberry, a brand strongly associated with trench coats and British heritage, making the visual connection immediately recognisable to passers-by. Surrounding racks of second-hand clothing and jackets further situate the scene within the busy, eclectic environment of the Brick Lane markets.
Photographed indoors under ambient market lighting, the image captures the playful, slightly theatrical nature of London's vintage retail scene. It is well suited to editorial use covering street markets, vintage fashion, pop-culture influence on retail, independent traders, and the distinctive character of Brick Lane in East London.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,city,centre,central,historic,architecture,religion,building,exterior,British,history,travel,tourism,parish,medieval,gothic,tower,clock,windows,stone,facade,cemetery,garden,trees,greenery,summer,daylight,peaceful,tranquil,community,local,neighbourhood,East,culture,listed,urban,faith
Description: Tony Smith image Alamy 2R3WMPN - This image shows St Mary's Church, the historic parish church of Walthamstow, located at Church End in East London. The church is set within a landscaped churchyard containing gravestones, flowers and mature trees, creating a calm green space within the surrounding urban area.
St Mary's has medieval origins and has been altered and extended over centuries, resulting in a distinctive exterior that reflects different periods of church architecture. The tower with its clock face forms a prominent local landmark, while the long nave and arched windows emphasise the building's role as a place of worship and community gathering.
The photograph was taken in daylight during the warmer months, with trees in leaf and wildflowers visible in the churchyard, adding seasonal colour and softness to the scene. The combination of historic stonework and greenery makes the location attractive to visitors, walkers and those interested in London's religious and architectural heritage.
St Mary's Church remains an important focal point in Walthamstow Village, illustrating the area's transformation from a rural settlement to part of the modern capital, while preserving a strong sense of continuity, local identity and spiritual history.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,brewery barrel store,Walthamstow brewery,barrel aged beer,independent brewery,beer manufacturing,industrial unit,Ravenswood Industrial Estate,Walthamstow,East London,London Borough of Waltham Forest,craft beer scene,small batch beer,beer maturation,oak barrels,industrial architecture,painted wall signage,typography,brewery branding,taproom culture,outdoor seating,picnic benches,independent business,local economy,documentary photography,editorial image,UK food and drink,UK,drink,beers,pub,bars
Description: Tony Smith image Alamy 2R3WMRX - This image shows the exterior of the Barrel Store operated by Wild Card Brewery, located on the Ravenswood Industrial Estate in Walthamstow, East London. Bold painted lettering on the rendered wall advertises the Barrel Store and highlights the brewery's focus on the retail and manufacture of barrel-aged beer, a specialist area within the UK craft brewing scene.
Wild Card Brewery is part of a wider cluster of independent creative and food-and-drink businesses that have taken root in former light-industrial premises across Walthamstow. Facilities such as the Barrel Store are used for ageing beer in oak barrels, allowing flavours to develop over extended periods and linking modern craft brewing with traditional production techniques.
The scene is photographed in daylight under a partly cloudy sky, with picnic-style outdoor seating visible in front of the building, suggesting use as both a working production space and a customer-facing retail or tasting area. The utilitarian industrial setting contrasts with the growing cultural and social role of craft breweries as community hubs.
This image is well suited to editorial use covering London's craft beer movement, independent breweries, small-scale manufacturing, urban regeneration, food and drink culture, and the reuse of industrial estates by creative businesses in East London.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,historic,Gods Own Junkyard,Walthamstow,London cafe,independent cafe,coffee shop,neon signage,illuminated sign,red neon sign,creative space cafe,arts venue cafe,Rolling Stones,Ravenswood Industrial Estate,London Borough of Waltham Forest,East London,neon art gallery,creative industries,independent hospitality,food and drink,visitor attraction cafe,cultural venue,small business,retro signage,typography,sign writing,brick wall,industrial architecture,documentary photography,editorial image,UK culture
Description: Tony Smith image Alamy 2R3WMTW - This image shows the illuminated neon sign for The Rolling Scones Cafe, located within God's Own Junkyard on the Ravenswood Industrial Estate in Walthamstow, East London. The café forms an integral part of the visitor experience at the venue, providing food and drink amid one of London's most distinctive collections of neon signage.
God's Own Junkyard is internationally recognised for its dense, immersive displays of vintage and custom-made neon signs, many of which have appeared in films, television, and music videos. The Rolling Scones Café sits among this visual overload, serving visitors, photographers, and tourists who come to experience the space as both an art installation and a cultural attraction.
The sign itself uses flowing red neon script spelling The Rolling Scones, with a smaller illuminated Cafe panel beneath, mounted against industrial brickwork typical of former light-industrial buildings in the area. The contrast between utilitarian architecture and expressive neon typography reflects the wider character of the Junkyard, where commercial signage is recontextualised as art.
Photographed in daylight, the image highlights the continued relevance of neon signage in contemporary creative spaces. It is well suited to editorial use covering London cafes, independent hospitality, creative venues, neon art, cultural tourism, and the adaptive reuse of industrial estates in East London.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,historic,neon wedding sign,marriage,romance,romantic symbolism,neon heart,illuminated heart,neon lighting,wedding theme,love sign,romantic decor,neon art,colourful neon,glowing sign,commitment,Gods Own Junkyard,neon art installation,relationship symbolism,adult relationships,intimacy,sexuality,romance and desire,love and sex,marriage culture,wedding culture,honeymoon symbolism,passion,devotion,heart shape,decorative lighting,vintage neon
Description: Tony Smith image Alamy 2R3WMW0 - This image shows a heart-shaped neon sign reading Wedding Chapel, glowing in red and turquoise light and surrounded by multicoloured bulbs. The sign is displayed within God's Own Junkyard, a renowned neon art space in Walthamstow, East London, known for its dense, immersive displays of reclaimed and custom-made illuminated signage.
The heart motif, combined with the language of weddings and chapels, evokes themes of love, commitment, marriage, and romantic union. Neon signage like this draws on visual traditions associated with Las Vegas wedding chapels, roadside Americana, and popular culture, where romance, sexuality, and spectacle are closely intertwined.
The bright, saturated colours and glowing tubes lend the sign a playful yet provocative tone, suggesting both the celebration of long-term commitment and the intimacy and desire often associated with romantic relationships. The handwritten script visible above the main lettering adds a personal, sentimental layer to the otherwise bold graphic design.
Photographed indoors under low ambient light, the image emphasises the warmth and intensity of the neon glow, making it well suited to editorial use covering themes of love, marriage, romance, adult relationships, sexuality, visual culture, and contemporary neon art.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,historic,neon sign,neon lighting,vintage neon,neon typography,illuminated sign,colourful neon,electric sign,light art,neon art installation,London neon,visual spectacle,interior display,neon,sign,The Jam,Gods Own Junkyard,Walthamstow,East London,sign makers,traditional craftsmanship,British pub reference,typography design,graphic design,light sculpture,pop culture,nostalgia,saturated colour,night time lighting,creative space,art gallery interior,decorative lighting
Description: Tony Smith image Alamy 2R3WMW6 - This image shows a brightly illuminated vintage neon sign reading Eton Rifles, displayed amid a dense arrangement of colourful electric signage at God's Own Junkyard in Walthamstow, East London. The sign features bold red lettering and a circular target motif, surrounded by overlapping neon forms that create a visually saturated and immersive environment.
God's Own Junkyard is internationally known for its collection of reclaimed and commissioned neon signs, many of which reference British pubs, popular culture, film, music, and advertising. Signs like this one reflect the craftsmanship of traditional sign making, where hand-bent glass tubes and vivid gases were used to create durable, eye-catching illumination long before the rise of digital displays.
Photographed indoors under low ambient light, the intense glow of the neon dominates the frame, emphasising colour, contrast, and texture. The overlapping lights create a sense of visual overload that is central to the Junkyard's appeal, turning commercial signage into a form of contemporary light art.
This image is well suited to editorial use covering neon art, visual culture, design history, creative reuse, London subculture, and the continuing fascination with analogue signage in a digital age.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,mural,wall art,Walthamstow street art,BAT Studio,urban art,large scale mural,creative studios,contemporary mural,animal characters,London Borough of Waltham Forest,East London,artist studios,creative industries,warehouse buildings,roller shutter doors,industrial architecture,colourful artwork,visual storytelling,surreal illustration,community art,regeneration,urban culture,neighbourhood identity,travel photography,documentary photography,editorial image,UK city life,artistic
Description: Tony Smith image Alamy 2R3Y9B7 - This image shows a large, multi-panel street art mural covering the exterior walls of BAT Studio in Walthamstow, East London. The building has been transformed into a vibrant outdoor artwork, with bold blocks of colour and illustrated characters painted directly onto the brickwork and roller shutter doors.
The mural combines human and animal figures rendered in a graphic, storybook-like style, reflecting the playful yet slightly unsettling tone common in contemporary urban illustration. Elements such as expressive faces, hybrid characters, and narrative fragments encourage viewers to interpret the scene rather than presenting a single fixed meaning.
BAT Studio forms part of Walthamstow's wider creative ecosystem, where former industrial and warehouse spaces have been repurposed for artist studios, makers, and small creative businesses. Street art plays a significant role in shaping the area's visual identity, contributing to local character while also signalling cultural regeneration and community engagement.
Photographed in daylight under an overcast sky, the image evenly captures the scale, colour, and detail of the artwork without harsh shadows. It is well suited to editorial use covering street art, urban creativity, public art, regeneration, contemporary illustration, and the evolving cultural landscape of East London.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,city,centre,street art,graffiti art,Brick Lane area,urban art,large scale mural,face mural,contemporary mural,London graffiti,Shepard Fairey artwork,Obey Giant campaign,counterculture,protest art,political messaging,urban culture,public art,brick wall mural,layered graffiti,tags and posters,YMC building,fashion district,London creative quarter,Tower Hamlets,street photography,documentary photography,editorial image,UK city life,art,Shepard Faireys,Obey movement.,eyes
Description: Tony Smith image Alamy 2R3YBA2 - This image shows a large-scale Obey street art mural by Shepard Fairey on Hanbury Street in the Spitalfields area of East London. The mural features Fairey's distinctive visual style, with a bold, stylised face rendered in high-contrast colours and graphic symmetry, immediately recognisable from his long-running Obey Giant campaign.
The artwork occupies a prominent brick wall in one of London's most active street art districts, close to Brick Lane and surrounded by layers of graffiti tags, posters, and paste-ups. This constant turnover of visual material reflects the dynamic, contested nature of public space in urban street art culture, where murals are frequently added to, defaced, or recontextualised over time.
Shepard Fairey's work is closely associated with political commentary, counterculture, and anti-authoritarian themes, using visual language influenced by propaganda, punk graphics, and activist design. Its presence in Spitalfields aligns with the area's history of radical politics, migration, and creative subcultures.
The image was photographed in daylight, capturing not only the mural itself but also the surrounding street-level detail, including posters, refuse bags, and street furniture, which ground the artwork in everyday urban life. This photograph is well suited to editorial use covering street art, contemporary urban culture, political art, graffiti, London neighbourhoods, and the global influence of Shepard Fairey's Obey movement.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,city,Mann Island,Liverpool,L3 1BP,shortlisted,artwork,art,in,light,St Georges Pumping House,words,sentence,all the worlds futures,artist,performance,intrigue,landmark,co-commission,commissioned,between,Liverpool Biennial,and,Culture Liverpool,Biennial,Culture,text-based,text,based,sculpture,From Here,All the Worlds Pasts,Walter Benjamin
Description: Tony Smith image Alamy 2R1WX6X - From Here' by Turner Prize shortlisted artist Nathan Coley is a landmark new co-commission between Liverpool Biennial and Culture Liverpool on Liverpool's UNESCO World Heritage Waterfront.
The text-based light sculpture is made up of the words From Here, All the Worlds Futures, From Here, All the Worlds Pasts. Inspired by the writing of German philosopher, Walter Benjamin, and acknowledging the curator, Okwui Enwezor's influential exhibition All The World's Futures at Venice Biennale 2015, Nathan Coley's expansion of the phrase presents a new meaning that reinforces the power of Liverpool as a place, its history and speaks to the hope for the future.
Measuring twenty metres in length, the largest text work made to date by the artist, has been designed specifically to wrap around the four sides of the St. George's Dock Pumping Station, an iconic Victorian red brick building located on Mann Island in the heart of the city, and still used on a daily basis by the building's owners Network Rail.
Nathan Coley lives and works in Glasgow. This will be the first time he has shown in Liverpool since his work was featured in the Turner Prize Exhibition at Tate Liverpool in 2007, for which he was shortlisted.
Recent solo exhibitions have included Parliament Hall, Edinburgh (2019), Parafin, London (2019, 2017)
EAST Gallery, Norwich (2018)
Scottish National Gallery of Modern Art, Edinburgh (2017)
New Art Centre, Roche Court, Salisbury (2016), while notable group exhibitions comprise Utopias, Whitworth Art Gallery, Manchester (2020)
Stories for an Uncertain World, Edinburgh Art Festival (2019)
The Aerodrome, Ikon, Birmingham (2019)
Sculpture In The City, London (2019)
Possibilities For a Non-Alienated Life, Kochi Muziris Biennale (2018)
Arhus2017 European Capital of Culture (2017)
Actions The Image of the World can be Different, Kettle's Yard, Cambridge (2018)
Age of Terror Art since 9/11, Imperial War Museum, London (2018)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,sunny,bright,Rhien,west,cities,urban,City Centre,at,advert,advertising,time,old,historic,buildings,history,heritage,Mainz Fastnacht,Mainz Carnival,Fastnacht stage Mainz,carnival stage Germany,Mainz carnival venue,Fastnacht celebration,Mainz city carnival,German carnival culture,event stage setup,public festival Germany,Fastnacht banners,carnival decorations,temporary seating,grandstand seating,cultural festival,seasonal event,city celebration,public square event,traditional German festival,urban event space
Description: Tony Smith image Alamy 2RKGH56 - This image shows a central carnival stage and temporary seating installed in Mainz city centre for the annual Fastnacht celebrations. The structure features colourful banners and signage associated with Mainz's long-established carnival traditions, with tiered grandstand seating erected to accommodate spectators. The historic sandstone building behind the stage provides a striking architectural backdrop, emphasising the integration of cultural events within the city's civic spaces.
Fastnacht, also known as Fasching or Karneval in other parts of Germany, is one of Mainz's most important cultural events and a defining feature of the city's identity. Celebrations typically include speeches, satire, music, costumes, and public performances, with events taking place in prominent city locations. Mainz Fastnacht is particularly known for its political humour and televised sessions, drawing large crowds each year.
The image captures themes of tradition, civic celebration, seasonal events, and urban cultural life. It illustrates how public spaces are temporarily transformed to host large-scale festivals and communal gatherings. The photograph is suitable for editorial and commercial use relating to German culture, carnival traditions, public events, festival infrastructure, tourism, and the social life of European cities.
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Description
Keywords: St Peter,Rhineland-Palatinate,view,church,GoTonySmith,HotpixUK,@HotpixUK,post tower,Mainz-Bingen,district,in,Germany,pano,panorama,over,town,city,gorge,tourist,tourism,attraction,vineyard,grape,grapes,vine,agriculture,farmed,farming,high,hillside,steep,field,drama,dramatic,Bacharch,towers
Description: Tony Smith image Alamy 2PJ2A1C - Bacharach (pronunciation (help·info), also known as Bacharach am Rhein) is a town in the Mainz-Bingen district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde of Rhein-Nahe, whose seat is in Bingen am Rhein, although that town is not within its bounds.
The original name Baccaracus suggests a Celtic origin. Above the town stands Stahleck Castle (Burg Stahleck), now a youth hostel.
Geography
Location
The town lies in the Rhine Gorge, 48 km south of Koblenz.
Constituent communities
Bacharach is divided into several Ortsteile. The outlying centre of Steeg lies in the Steeg Valley (Steeger Tal) off to the side, away from the Rhine. This glen lies between Medenscheid and Neurath to the south and Henschhausen to the north on the heights.
History
In the early 11th century, Bacharach had its first documentary mention. It may have been that as early as the 7th century, the kingly domain passed into Archbishop of Cologne Kunibert's ownership
pointing to this is a Kunibertskapelle (chapel) on the spot where now stands the Wernerkapelle. The Vögte of the Cologne estate were the Elector of the Palatinate, who over time pushed back Cologne's influence.
Caring for and maintaining Bacharach's building monuments, spurred on in the early 20th century by the Rhenish Association for Monument Care and Landscape Preservation (Rheinischer Verein für Denkmalpflege und Landschaftsschutz) which took on the then highly endangered town wall and Stahleck Castle ruin jobs, and the great dedication of the state of Rhineland-Palatinate to the Wernerkapelle have seen to it that Bacharach is still a jewel of the Rheinromantik and a multifaceted documentary site of mediaeval architecture on the Middle Rhine. The Wernerkapelle ruin is under monumental protection and before it a plaque has been placed recalling the inhuman crimes against Jewish residents and also containing a quotation from a prayer by Pope John XXIII for a change in Christians' thinking in their relationship
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,tourist,attraction,the,royal,maritime,port,Mersey,river,historic,ports,signage,sign,outside,Tate and Lyle,an,and,collection,of,exhibitions,exhibition,modern,art,British,gallery,galleries,docks,culture,building,greenwashing
Description: Tony Smith image Alamy 2NYNDXF - Tate Liverpool is an art gallery and museum in Liverpool, Merseyside, England, and part of Tate, along with Tate St Ives, Cornwall, Tate Britain, London, and Tate Modern, London. The museum was an initiative of the Merseyside Development Corporation. Tate Liverpool was created to display work from the Tate Collection which comprises the national collection of British art from the year 1500 to the present day, and international modern art. The gallery also has a programme of temporary exhibitions. Until 2003, Tate Liverpool was the largest gallery of modern and contemporary art in the UK outside London.
History
Housed in a converted warehouse within the Albert Dock on Liverpool's waterfront, the gallery was opened on 24 May 1988 by Prince Charles, an event covered by BBC Two television. The original conversion was done by James Stirling but the building was given a major refurbishment in 1998 to create additional gallery space.
In 2007, the foyer area was redesigned by architects Arca to create an updated appearance and better proportions, as well as to improve visitor handling. The gallery cafe was also redesigned by Peter Blake and Liverpool-based architects, Architectural Emporium. The centrepiece of the space is a new timber desk with an undulating orange fascia, which links to the retained colour scheme of the original conversion work by Stirling. A colour-changing wall acts as a backdrop to the simplified brick volume, visible from across Albert Dock. Behind the scenes, Arca also made alterations to the hospitality, cloakroom, events and education areas.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,architecture,building,new,Pierhead,designed,by,architects,architect,and,engineers,iconic,icon,Museum of Liverpool Life,collection,scouse,L3,L3 1DG,Eurovision,2023,Eurovision2023,sunny,blue,sky,skies,display,impressive,culture
Description: Tony Smith image Alamy 2NYNE7N - The Museum of Liverpool in Liverpool, England, tells the story of Liverpool and its people, and reflects the city's global significance. It opened 2011 as newest addition to the National Museums Liverpool group replacing the former Museum of Liverpool Life. The museum is housed in a new purpose-built building on the Mann Island site at the Pier Head.
The museum, which was designed by architects 3XN and engineers Buro Happold and built by Galliford Try at cost of £72 million, provides 8,000 square metres of exhibition space, housing more than 6,000 objects. It has flexible spaces that regularly change to enable National Museums Liverpool to show more of their collections. It was opened to the public on 19 June 2011. in January and February 2017, the museum was closed for two months for essential works
From 10 to 12 December 2021, the museum hosted the G7 summit of foreign ministers
The museum displays are divided into four main themes: The Great Port, Global City, People's Republic, and Wondrous Place, located in four large gallery spaces. On the ground floor, displays look at the city's urban and technological evolution, both local and national, including the Industrial Revolution and the changes in the British Empire, and how these changes have impacted the city's economic development. The upper floor looks at Liverpool's particular and strong identity through examining the social history of the city, from settlement in the area from Neolithic times to the present day, migration, and the various communities and cultures which contribute to the city's diversity
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,architecture,building,new,Pierhead,designed,by,architects,architect,and,engineers,iconic,icon,Museum of Liverpool Life,collection,scouse,L3,L3 1DG,popular,impressive,culture,history,display,sunny,blue,sky,skies
Description: Tony Smith image Alamy 2P08KEX - The Museum of Liverpool in Liverpool, England, tells the story of Liverpool and its people, and reflects the city's global significance. It opened 2011 as newest addition to the National Museums Liverpool group replacing the former Museum of Liverpool Life. The museum is housed in a new purpose-built building on the Mann Island site at the Pier Head.
The museum, which was designed by architects 3XN and engineers Buro Happold and built by Galliford Try at cost of £72 million, provides 8,000 square metres of exhibition space, housing more than 6,000 objects. It has flexible spaces that regularly change to enable National Museums Liverpool to show more of their collections. It was opened to the public on 19 June 2011. in January and February 2017, the museum was closed for two months for essential works
From 10 to 12 December 2021, the museum hosted the G7 summit of foreign ministers
The museum displays are divided into four main themes: The Great Port, Global City, People's Republic, and Wondrous Place, located in four large gallery spaces. On the ground floor, displays look at the city's urban and technological evolution, both local and national, including the Industrial Revolution and the changes in the British Empire, and how these changes have impacted the city's economic development. The upper floor looks at Liverpool's particular and strong identity through examining the social history of the city, from settlement in the area from Neolithic times to the present day, migration, and the various communities and cultures which contribute to the city's diversity
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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Welsh language,indoor market,Cardiff city centre,Wales,traditional shopping,market hall sign,heritage,jeweller,Welsh culture,Cymraeg language,bilingual Wales,heritage signage,Cardiff history,local produce market,independent traders,Victorian architecture,arched entrance,decorative sign,festive lights,tourism Wales,travel photography,documentary photography,editorial image,UK heritage,wood,wooden,inside,interior,tourist,travel,tourism,clocks,wall,on
Description: Tony Smith image Alamy 2R59X72 - This image shows bilingual signage at the entrance to Cardiff Market, also known in Welsh as Marchnad Caerdydd, located in the heart of Cardiff city centre. The sign prominently displays the Welsh-language name above the English wording Cardiff Market, reflecting Wales's official bilingual status and the everyday public use of the Welsh language.
Cardiff Market is a Grade II listed Victorian indoor market dating back to the late 19th century and has long been a focal point for local trade, food retail, and social life in the Welsh capital. The use of Welsh alongside English on public signage is part of a wider national effort to promote and normalise the Welsh language in civic spaces.
The photograph captures the arched architectural detail of the market entrance, with decorative lighting adding warmth and atmosphere, suggesting an evening or festive setting. The combination of historic typography, traditional materials, and bilingual text highlights the intersection of heritage, language, and contemporary urban life in modern Wales.
This image is well suited to editorial use covering Welsh language policy, bilingual Britain, Welsh culture and identity, historic markets, Cardiff tourism, and the preservation of civic heritage in Wales.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Yorkshire,England,UK,of,Roman,emperor,from,AD,306,to,337,in,York,front,minster,YO1 7HH,bronze,throne,Civic Trust,sculptor,Philip Jackson,Minster Yard,theft of sword,sword theft,sword,Verdigris,culture,war,scandal,art,artistic
Description: Tony Smith image Alamy 2KF7FCB - The Statue of Constantine the Great is a bronze statue depicting the Roman Emperor Constantine I seated on a throne, commissioned by York Civic Trust and designed by the sculptor Philip Jackson. It was unveiled in 1998 and is situated on Minster Yard, outside York Minster. It commemorates the accession of Constantine as Roman Emperor in AD 306 on this site, after the death of his father Constantius Chlorus in York
The statue depicts a seated Constantine wearing military dress. His right arm is outstretched behind him and his left holds the pommel of a sword, the tip of which is shown to be broken. A legend inscribed on the base reads Constantine by this sign conquer. This phrase is a translation of the latin in hoc signo vinces
a reference to a passage from the historian Eusebius of Caesaria, who recounts how Constantine was marching with his army and looked up to the sun and saw a cross of light above it, and with it the Greek words (ἐν) τούτῳ νίκα (In this, conquer)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Yorkshire,England,UK,of,Roman,emperor,from,AD,306,to,337,in,York,front,minster,YO1 7HH,bronze,throne,Civic Trust,sculptor,Philip Jackson,Minster Yard,theft of sword,sword theft,sword,Verdigris,culture,war,scandal,art,artistic
Description: Tony Smith image Alamy 2KF7FCF - The Statue of Constantine the Great is a bronze statue depicting the Roman Emperor Constantine I seated on a throne, commissioned by York Civic Trust and designed by the sculptor Philip Jackson. It was unveiled in 1998 and is situated on Minster Yard, outside York Minster. It commemorates the accession of Constantine as Roman Emperor in AD 306 on this site, after the death of his father Constantius Chlorus in York
The statue depicts a seated Constantine wearing military dress. His right arm is outstretched behind him and his left holds the pommel of a sword, the tip of which is shown to be broken. A legend inscribed on the base reads Constantine by this sign conquer. This phrase is a translation of the latin in hoc signo vinces
a reference to a passage from the historian Eusebius of Caesaria, who recounts how Constantine was marching with his army and looked up to the sun and saw a cross of light above it, and with it the Greek words (ἐν) τούτῳ νίκα (In this, conquer)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,York,Yorkshire,Micklegate,York cafe interior,modern,cafe,design,city,centre,England,UK,work,internet,coffee shop interior,work booths,private work space,quiet study area,digital nomad workspace,flexible working,hybrid working culture,laptop working cafe,student study space,modern hospitality design,plywood interior,menu board tea selection,contemporary cafe,urban lifestyle,creative workspace,small business interior,editorial photography,documentary image,urban,employment,hybrid
Description: Tony Smith image Alamy 2R59WXF - This image shows the interior of a café in York featuring individual work pods, designed to provide quiet, semi-private spaces for customers working remotely or studying. The pods are constructed with simple, modern materials including plywood panels and muted painted surfaces, reflecting contemporary café and coworking design trends.
Visible signage lists a range of teas and drinks, reinforcing the dual purpose of the space as both a traditional coffee shop and a functional workspace. The numbered pods indicate structured seating, allowing customers to work individually while remaining within a social café environment.
Café work pods have become increasingly common in UK cities, particularly following shifts toward remote and hybrid working. They cater to freelancers, students, digital nomads, and professionals seeking an alternative to home working or formal offices.
Photographed to show layout, materials, and signage, the image documents the evolving role of cafés as multifunctional spaces supporting modern work habits. It is well suited for editorial use covering remote working, urban lifestyle, modern café culture, coworking trends, and contemporary interior design in the UK.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,bar,bars,pubs,riverside pub,York city centre,summer sunshine,England,UK,the,hospitality,historic pub,pub sign,outdoor seating,riverside drinking,British pub culture,York tourism,city landmark,socialising outdoors,beer garden,historic building,riverside walkway,people relaxing,leisure time,sunny day,North Yorkshire city,hospitality industry,local pub,editorial photography,documentary image,history,tourists,tourist,tourism,YO1 9SN,YO1
Description: Tony Smith image Alamy 2R59X4P - This image shows The Kings Arms, a well-known traditional public house located beside the River Ouse in the historic centre of York. The pub is a familiar landmark on King's Staith and is popular with both residents and visitors, particularly during warm summer weather when outdoor seating is in use.
The Kings Arms occupies a characterful historic building and is closely associated with riverside life in York. Its proximity to the river means it is also known for periodic flooding, an issue that has become part of its local identity and media profile over the years.
In this scene, people are gathered outside the pub enjoying drinks and conversation under clear blue skies, reflecting the social role of English pubs as informal community meeting places. The visible pub sign reinforces its identity as a long-established and recognisable venue within the city.
With York's historic riverside architecture and pedestrian activity in the background, the image captures everyday leisure and tourism in one of England's most visited historic cities. It is well suited for editorial use covering British pub culture, urban leisure, tourism, riverside life, and summer social scenes in the UK.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,carryout,carry out,neon lighting,takeaway sign,British food,York,England,street food,takeaway shop,evening,sign,shop,cafe,British,Irish,Scottish,fried,battered,cod,haddock,pies,neon lights,glowing sign,food signage,chip shop,British culture,urban streetscape,city centre,tourism,hospitality,typography,retro style,nightlife,commercial signage,food economy,travel photography,Yorkshire
Description: Tony Smith image Alamy 2R59WT1 - This photograph captures a glowing neon Fish & Chips sign displayed outside a takeaway food premises in the historic city of York, North Yorkshire. The bright neon lettering stands out strongly against the surrounding streetscape, acting as both a functional advertisement and a familiar visual marker of traditional British fast food culture.
Fish and chips has long been regarded as a staple of British cuisine, closely associated with working-class history, seaside towns, and urban high streets. Neon signage such as this became especially common during the mid to late twentieth century, valued for its visibility, durability, and ability to attract passing customers after dark. Today, these signs often evoke a sense of nostalgia while remaining a practical part of modern hospitality trade.
The image was taken during the evening or night, when the neon lighting becomes most prominent, casting a warm, inviting glow that contrasts with the darker surroundings. In a city like York, known for its Roman origins, medieval streets, and strong tourism economy, such signage highlights the coexistence of historic architecture with contemporary commercial life.
Photographs of neon food signs are widely used to illustrate themes of British culture, urban nightlife, traditional cuisine, travel, and everyday street scenes. This image reflects the enduring popularity of fish and chips and its role as both a cultural symbol and a living part of daily life in cities across England.
Description
Keywords: Manchester,city,centre,Greater,England,UK,NQ4,shutters,with,an,old,painting,&,256,Ketzo,No Appointment Necessary,Northern Quarter,M1 1JF,Hilton St,M1,Stephenson Square,Stevenson Square,Stevenson Sq,Mancunian,Mancunians,culture,fashioned,1980,1980s,buses,SELNEC,brown,orange,corber,corners,no,appointments,needed,necessary
Description: Tony Smith image Alamy 2JTD2N9 -
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England,UK,Herefordshire,HR1,HR1 2NG,Speeds,of,from,embossed,city,centre,17th century,with,key,roads,streets,street,lanes,road,river,Wye,bridge,drawing,drawn,culture,history,historic,heritage,buildings,architecture,design,designed,old,maps,diagram
Description: Tony Smith image Alamy 2JPDJK7 -
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Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,UK,city,NW,China,M1,59 Faulkner Street,Manchester. England,M1 4FF,traditional,HK,Hong Kong,Restaurant,open,neon,sign,signs,Restaurants,the,Chinatown,eating,shops,stores,Mandarin,Cantonese,culture,food,Asia,Asian,menu,menus,59,Faulkner Street,Faulkner St
Description: Tony Smith image Alamy 2JGJEDN -
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Keywords: GoTonySmith,HotpixUK,@HotpixUK,city centre,Merseyside,England,UK,Levelling up,Northern Powerhouse,Liverpool,why,are,tattoos,everyone,so,popular,for,in,Liverpool city centre,store,designs,design,ink,inked,teardrop,tear drop,Chinese calligraphy,body modification,artists,artist,machine,rites of passage,rite of passage,Flash,sheets,cosmetic,tribal culture
Description: Tony Smith image Alamy 2JDDR61 -
Description
Keywords: @HotpixUK,Hotpixuk,GoTonySmith,B5,West Midlands,England,UK,92 Floodgate Street,city centre,pub,bar,real ale,CAMRA,public house,Kitchen,Grade II listed building,Grade II,listed building,shabby,ruin bars of Budapest,ruin bars,shabby chic,bar culture,retro,feel,Amstrad,art,arty,boozer,bars,pubs,kitchen,worn,out,The Ruin,quirky,HotpixUK.org.uk
Description: Tony Smith image Alamy 2AERPRY -
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Keywords: GoTonySmith,@HotpixUK,HotpixUK,North East,North East Scotland,Scottish,UK,City Centre,The Granite City,Northeast,neon,sign,draft,small batch,small-batch,bar,pub,drinks,yellow neon,neon sign,cocktail,cocktails,alcohol,another bar,Whisky Bar,gayBar,gay bar,winebar,wine bar,public bar,drinking,bartender,bar drink,bar drinks,culture,Bar Culture,Alcohol Misuse,liquor,spirits
Description: Tony Smith image Alamy TRN10A -
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Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Canal St,Gay Village,gay,village,Sackville,LGBT,LGBTQ,heart,pink,pink heart,square,remember,loved one,lost ones,The Beacon of Hope,Beacon of hope,Warren Chapman,Jess Byrne-Daniels,Jess Byrne Daniels,The Tree of Life,Tree of Life,World AIDS Day,podium,seating,Beacon of hope podium,mosaic tiles,HIV community,time capsule,candle lit vigils,woke,culture war
Description: Tony Smith image Alamy RFF5FX - The Beacon of Hope can be found in Sackville Gardens, a five minute walk from Piccadilly Station and Piccadilly Gardens, in the heart of Manchester's city centre. The park is bounded by Manchester's Gay Village, universities, and residential areas.
The Beacon is sited in a prominent position overlooking the cafe bar society of the world famous Canal Street, and is regularly used by people as a place to chat, have a drink, or remember loved ones.
Sackville Gardens is one of the few green spaces left in the centre of the City and is a peaceful oasis in Manchester's hustle and bustle. As well as the Beacon of Hope memorial, the gardens is also the site of the Tree of Life, the Alan Turing memorial and the National Transgender Remembrance Memorial.
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,pub,club,sign,neon,M1 1DN,M1,Open Late for Cocktails,Cocktail bar neon sign,Stevenson Square,Northern Quarter,Late opening,late bar,open,Open Late,bar,drinking,alcohol,social,share a cocktail,meeting friends,cocktail culture,red,red light,green neon,red neon,wire grate,protected,protection,bouncers
Description: Tony Smith image Alamy RFF66N -
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Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,pub,club,sign,neon,M1 1DN,M1,Open Late for Cocktails,Cocktail bar neon sign,Stevenson Square,Northern Quarter,Late opening,late bar,open,Open Late,bar,drinking,alcohol,social,share a cocktail,meeting friends,cocktail culture,red,red light,green neon,red neon,wire grate,protected,protection,bouncers,Black and White,Monochrome
Description: Tony Smith image Alamy RFF66R -
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Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,restaurants,shops,bakeries,supermarket,supermarkets,46,Faulkner St,England,UK,M1 4FH,wet,rain,rainy,day,Faulkner Street paifang,Chinese traditional gateway,Chinese Arts Centre,paifang,gateway,Chinese culture,HSBC,archway,City Centre,housing,Great Britain,arch,winter,culture,cultural,history,historic
Description: Tony Smith image Alamy 2K3XNA7 -
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Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,boxing,neon sign,red,orange,window,culture,exercise,ring work,9 BLEECKER STREET,NEW YORK,NY 10012,9 Bleecker St,private training,Overthrow Boxing,gritty,downtown,headquarters,eastside,lower manhattan,gym,sport,boxing sport,boxing clubs,local boxing gym,boxing gym,boxing brand
Description: Tony Smith image Alamy 2AFK6NA - Take a Look Inside Overthrow Boxing, Where Celebs Like Usher and J-Lo Train
There is a crowd gathering outside the door of 9 Bleecker Street, the gritty downtown headquarters of Overthrow Boxing.
Passersby slow their pace and turn their heads towards the pulsating hip-hop that blares out Overthrow's doors and onto the sidewalk. Through its ground floor windows, and past an aggressive neon red sign, a few dozen young women chat excitedly as they wrap their hands before squeezing into boxing gloves.
Further back another class is still in session, with the participants jabbing ferociously at shared punching bags as an instructor screams down from a ring set alongside an exposed brick wall.
On any given night, a peek through these same steamed-up windows could result in a story-worthy sighting of Nina Agdal, Usher, Martha Hunt, Jennifer Lopez, the Fat Jewish or Will Smith.
This is exactly what Overthrow founder Joey Goodwin had in mind when he started the gym two years ago. I wanted to create an atmosphere that drew you in, he says. Everyone on the outside is trying to get a better look, wishing they were a part of the action.
Atisha Paulson
The phenomenon was one that Goodwin observed while on the iconic West 4th basketball courts, where he started balling at the age of 10.
There he was introduced to the sport of boxing through a fellow player.
I think he saw me run my mouth and get beaten up too many times, remembers Goodwin, leaning back in his office on the gym's second floor. He took me to East River Park and taught me a few moves. I was hooked immediately.
Enrolling in a local boxing gym, the street-wise Goodwin immediately spotted an opportunity for growth. The room was filled CEOs, models, editors and entrepreneurs, he says. I began to see the potential that could come with creating a real boxing brand, done in the style of SoulCycle or Barry's Bootcamp.
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,boxing,neon sign,red,orange,window,culture,exercise,ring work,9 BLEECKER STREET,NEW YORK,NY 10012,9 Bleecker St,private training,Overthrow Boxing,gritty,downtown,headquarters,eastside,lower manhattan,gym,sport,boxing sport,boxing clubs,local boxing gym,boxing gym,boxing brand
Description: Tony Smith image Alamy 2AFK6NC - Take a Look Inside Overthrow Boxing, Where Celebs Like Usher and J-Lo Train
There is a crowd gathering outside the door of 9 Bleecker Street, the gritty downtown headquarters of Overthrow Boxing.
Passersby slow their pace and turn their heads towards the pulsating hip-hop that blares out Overthrow's doors and onto the sidewalk. Through its ground floor windows, and past an aggressive neon red sign, a few dozen young women chat excitedly as they wrap their hands before squeezing into boxing gloves.
Further back another class is still in session, with the participants jabbing ferociously at shared punching bags as an instructor screams down from a ring set alongside an exposed brick wall.
On any given night, a peek through these same steamed-up windows could result in a story-worthy sighting of Nina Agdal, Usher, Martha Hunt, Jennifer Lopez, the Fat Jewish or Will Smith.
This is exactly what Overthrow founder Joey Goodwin had in mind when he started the gym two years ago. I wanted to create an atmosphere that drew you in, he says. Everyone on the outside is trying to get a better look, wishing they were a part of the action.
Atisha Paulson
The phenomenon was one that Goodwin observed while on the iconic West 4th basketball courts, where he started balling at the age of 10.
There he was introduced to the sport of boxing through a fellow player.
I think he saw me run my mouth and get beaten up too many times, remembers Goodwin, leaning back in his office on the gym's second floor. He took me to East River Park and taught me a few moves. I was hooked immediately.
Enrolling in a local boxing gym, the street-wise Goodwin immediately spotted an opportunity for growth. The room was filled CEOs, models, editors and entrepreneurs, he says. I began to see the potential that could come with creating a real boxing brand, done in the style of SoulCycle or Barry's Bootcamp.
Description
Keywords: GoTonySmith,@HotpixUK,street food,food,inside,interior,Merseyside,City Centre,diners,dining,eating,table,tables,window,windows,design,french,Bold St,54 Bold St,UK,L1 4ER,Lebanese,Lebanon,Restaurant,Bold Street,family,cold mezze,hot mezze,mezze,dip,grill,halal,fresh ingredients,fresh,ingredients,Arabic food culture,Arabic food,culture,Loose Change
Description: Tony Smith image Alamy PCTA02 -
Description
Keywords: GoTonySmith,@HotpixUK,street food,food,inside,interior,Merseyside,City Centre,diners,dining,eating,table,tables,window,windows,design,french,Bold St,54 Bold St,UK,L1 4ER,Lebanese,Lebanon,Restaurant,Bold Street,family,cold mezze,hot mezze,mezze,dip,grill,halal,fresh ingredients,fresh,ingredients,Arabic food culture,Arabic food,culture,Loose Change
Description: Tony Smith image Alamy PCTA03 -
Description
Keywords: Leopold St,Oxfordshire,South East England,UK,Cowley Rd,art,City,GB,Great Britain,Bookies,Bookmaker,words,house,gable end,gable end art,poem,colours,colourful,color,colorful,wall,walls,urban,shopping,unique,Slowly Slowly Cowley Road,Cowley Road Carnival,poem commissioned by the Cowley Road Carnival,Andrew Manson,Mani,local artist,public walls,public art,culture,culturally vibrant place,culturally vibrant,Johannah Aynsley,Cowley Road Works,Mani Artist,GoTonySmith
Description: Tony Smith image Alamy PBRY44 - The poem on the gable end of the terrace at Leopold St reads:
COWLEY RD. SEE THE PEOPLE CLUTCH CONTROL SAFETY IN THE GREEN CROSS GLOW RESTORE THE CALM. LET CYCLES FLOW SLOWLY ON THE COWLEY ROAD NARCOTIC & ORGANIC MEETS GREENERY & ARTFUL STREETS EAT THE GLOBE IN ONE SQUARE MILE BECOME ANOTHER XENOPHILE STOP A WHILE AND SAY HELLO NAMASTE TO ALL NEPAL CZEŚĆ TO ALL THE POLES WAR & FAMINE IN THE WORLD? HERES YOUR DESTINATION CHILD ASYLYM WELCOME. INDEPENDENTS RAISING ASPIRATIONS !!! ALL ARE WELCOME. ALWAYS HAVE BEEN WORKHOUSE POOR & THOSE AFFLICTED WITH DISEASE. DISSORDERS & ADDICTIONS ON SUPPOSED LOWLY COWLEY RD WHERE GOOD THINGS COME TO THOSE THAT KNOW THIS LEPAR-TOLERANCE ZONE AS HOME
More info at http://www.stevelarkin.com/Slowly_Slowly_Cowley_Road.html
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Great Britain,GB,Nottingham,city centre,Notts,Nottinghamshire,famous,at Nottingham Castle,Nottingham Castle,Nottinghams legendary outlaw,outlaw,East Midlands,1952,Robin Hood statue,Castle Place,NG1 6EL,NG1,bronze statue,metal,art,artwork,vandals.,vandalized,vandalised,Nottingham City,sculpture,Philip E F Clay,Philip EF Clay,Royal Academy sculptor,James Woodford,folklore hero,English folklore,woke,culture wars,war on woke
Description: Tony Smith image Alamy 2D8NX32 - Cast in eight pieces of half-inch thick bronze (made to last 6,000 years) and weighing half a ton, the 7ft effigy of Nottingham's legendary outlaw proudly stands on a two-and-a-half ton block of white Clipsham stone. It is surrounded by small studies of Little John, Friar Tuck, Alan A Dale and Will Scarlett, whilst wall plaques illustrate scenes from the tales of Robin Hood & his Merry Men.
In typical outlaw style Robin Hood stands outside of Nottingham Castle, the point of his arrow aimed at the gatehouse and the establishment within.
Join celebrities and millions of visitors who have had their photo taken at the famous Robin Hood statue at Nottingham Castle.
History of the famous figure:
On 24th July 1952, the statue of Robin Hood was unveiled by the Duchess of Portland on the Robin Hood Lawn, beneath Nottingham Castle, in the remains of the moat on Castle Road.
It was a warm sunny day when 500 schoolchildren sat attentively on the grass in the special VIP enclosure to watch the ceremony of the statue and its complementary plaques and sculptures being revealed to the public, accompanied by a fanfare from the band of the Royal Lincolnshire Regiment.
Gifted to the city by local businessman, Philip E F Clay, the impressive figure was intended to provide something tangible for visitors to see relating to Robin Hood, Nottingham's world-famous folk hero. Mr Clay was a successful director of well-known city firms Elastic Yarns Ltd and Fine Wires Ltd and in 1949, at a cost of £5,000, he commissioned the respected Royal Academy sculptor, James Woodford, to design and make the Robin Hood statue, plaques and statuary.
On completion, they were to be presented to the city to commemorate the visit of Princess Elizabeth and The Duke of Edinburgh on 28th June 1949 during the city's quincentenary celebrations. Mr Clay had originally wished to remain anonymous.
Description
Keywords: GoTonySmith,@HotpixUK,Leeds England,Yorkshire,City Centre,Leeds night,dusk,nighttime,dawn,West Yorkshire,architecture,streets,urban,after dark,Leeds after dark,Yorkshire after dark,county of West Yorkshire,LS1,Leeds City Council,Council,cafe culture,outside dining,outside drinking,chairs,tables,table,chairs in the street,evening,late,empty,night time,economy,cafe,bar,bars,pub,pubs
Description: Tony Smith image Alamy PCGHK4 - Leeds is a city in the metropolitan borough of Leeds, in the county of West Yorkshire, England. The city lies within the United Kingdom's fourth-most populous urban area, with a population of 2.6 million.
Leeds was a small manorial borough in the 13th century, and in the 17th and 18th centuries it became a major centre for the production and trading of wool, and in the Industrial Revolution a major mill town
wool was still the dominant industry, but flax, engineering, iron foundries, printing, and other industries were also important. From being a market town in the valley of the River Aire in the 16th century, Leeds expanded and absorbed the surrounding villages to become a populous urban centre by the mid-20th century.
Leeds has one of the most diverse economies of the all the UK's main employment centres and has seen the fastest rate of private-sector jobs growth of any UK city. It also has the highest ratio of private to public sector jobs of all the UK's Core Cities, with 77% of its workforce working in the private sector. Leeds has the third-largest jobs total by local authority area, with 480,000 in employment and self-employment at the beginning of 2015. Leeds is ranked as a gamma world city by the Globalization and World Cities Research Network. Leeds is the cultural, financial and commercial heart of the West Yorkshire Urban Area. Leeds is served by four universities, and has the fourth largest student population in the country and the country's fourth largest urban economy.
Today, Leeds has become the largest legal and financial centre, outside London with the financial and insurance services industry worth £13 billion to the city's economy. The Finance and business service sector account for 38% of total output with more than 30 national and international banks located in the city, including an office of the Bank of England. Leeds is also the UK's third-largest manufacturing centre with around 1,800 firms and 39,000 employees.
Description
Keywords: Irish,Bogside,Troubles,Political,NorthernIreland,tourist,Tourism,Struggle,DerryCity,Peace,Art,Culture,violence,fighter,painting,Magazine St,Magazine street sign,sign,wall,gotonysmith,Sunday Bloody Sunday,SundayBloodySunday,BT48,Foyle,ward,County Londonderry,Magazine,Street,signs,Londonderry,walled,walls,city,brick wall,gun magazine,Magazine Gate,gate,gates
Description: Tony Smith image Alamy JH6747 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,the,Bogside,Inn,development,redevelopment,area,in,of,centre,Northern Ireland,UK,NI,painting,mural,building,21,Westland Street,Londonderry,United Kingdom,BT48 9JE,BT48,city of culture,art,culture,shop,wall,artistic,future,blue,characters,cartoon,cartoons,brain giving birth,to the idea of love,smiley faces
Description: Tony Smith image Alamy 2T3EFRE - This 2015 mural in the Bogside in support of a Twitter campaign shows a brain giving birth to the idea of love, smiley faces giving the V for victory' salute and other cheery images and colours.
Description
Keywords: Irish,Bogside,Troubles,Political,NorthernIreland,tourist,Tourism,Struggle,DerryCity,Peace,Art,Culture,violence,fighter,painting,Bogside Mural,Bogsidemural,colour,gotonysmith,Sunday Bloody Sunday,SundayBloodySunday,County Londonderry,the,Rossville street,Fahan Street,Rossville st,Fahan St,British soldier,teargas,teargassed,tear gas,BT48 6AQ,BT48,area,estate,housing,sunny,cloudy,moody,hotpix.org.uk
Description: Tony Smith image Alamy JH6746 -
Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,Camden Town,Camden,at Night,night,dusk,North London,London,North,England,UK,seedy,Alternative Culture,Camden Lock Village,Camden Lock,Village,Regents,Canal,Camden Lock market,Camden Lock,market,trendy,funky,shoes,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6ET - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,at Night,North London,London,North,England,UK,seedy,Alternative Culture,Camden Lock Village,Village,Regents,Canal,Camden Lock market,Camden Lock,market,trendy,funky,lock,market,Lock and Market,pano,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,at,night,at night,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6HW - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,Camden,at Night,night,dusk,North London,London,North,England,UK,seedy,Alternative Culture,Camden Lock Village,Camden Lock,Village,Regents,Canal,Camden Lock market,market,trendy,funky,Pub,The,dusk,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6J2 - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Description
Keywords: Buckie,fortified,Wino,winos,ned,neds,culture,ASB,drunk,drunkeness,drunkenness,Xmas,Christmas,market,triangle,Buckfast Triangle,Buckfast wine,alcohol,alcoholic,public,health,crime,abuse,Fortified Wine,Ned Culture,German Market,Hot Mulled,Buckfast Tonic Wine,Hot Mulled Buckfast Tonic Wine,GoTonySmith,Glaswegian,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scots,fast,buck fast,problem,with,problem with,issue with,caffeine,licensed,city,centre,city centre,from,Buckfast Abbey,abbey,in,Devon,hot mulled buckfast,shop,stall,owner,server,badge of pride,East Kilbride,Hamilton,Cambuslang,Coatbridge,Three,small,glasses,a,day,for,good,health,and,lively,blood,Three small glasses a day,brand,brands,units,buck,fast,alcohol,Wreck the Hoose Juice,Commotion Lotion,Cumbernauld Rocket Fuel,Buckie Baracas,Coatbridge Table Wine,table wine,sweet,community,crime,disorder,general,social,deprivation,public health,irresponsible drink,West Scotland,Scottish Executive,Strathclyde,George,Sq,Square,offenders,Buy Pictures of,Buy Images Of,Stock Images,Tony Smith,United Kingdom,Great Britain,Buckfast triangle
Description: Tony Smith image Alamy HE7MF1 - Buckfast Tonic Wine, commonly known as Buckfast or Buckie, is a fortified wine with caffeine, licensed from Buckfast Abbey in Devon and distributed by J. Chandler & Company in the United Kingdom and Grants of Ireland in Ireland.
The drink has become a subject of controversy in Scotland due to its links with ned culture
a senior politician labelled it as a badge of pride amongst those who are involved in antisocial behaviour.
Buckfast is very popular in Scotland, the sales of the product were monitored in 2014 by the Scottish government to see if the Buckfast Triangle still stood. The test showed that the towns and cities where Buckfast was sold highest per capita were, in order, Glasgow and the surrounding areas, East Kilbride, Hamilton, Cambuslang, and Coatbridge, all of which are in the northern areas of Lanarkshire, excepting Glasgow.
Several Scottish politicians and social activists have singled out Buckfast Tonic Wine as being particularly responsible for crime, disorder, and general social deprivation in these communities. Although Buckfast accounts for only 0.5% of alcohol sales in Scotland, the figure is markedly higher in Lanarkshire. Helen Liddell, former Secretary of State for Scotland, called for the wine to be banned. In 2005, Scottish Justice Minister Cathy Jamieson suggested that retailers should stop selling the wine. On a subsequent visit to Auchinleck within her constituency, she was greeted by teenagers chanting, Don't ban Buckie. Jamieson then received correspondence from lawyers acting for Buckfast distributors, J. Chandler & Company, in Andover. A further consequence was that Buckfast sales increased substantially in the months following Jamieson's comments
Description
Keywords: Buckie,fortified,Wino,winos,ned,neds,culture,ASB,drunk,drunkeness,drunkenness,Xmas,Christmas,market,triangle,Buckfast Triangle,Buckfast wine,alcohol,alcoholic,public,health,crime,abuse,Fortified Wine,Ned Culture,German Market,Hot Mulled,Buckfast Tonic Wine,Hot Mulled Buckfast Tonic Wine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scots,fast,buck fast,problem,with,problem with,issue with,caffeine,licensed,city,centre,city centre,from,Buckfast Abbey,abbey,in,Devon,hot mulled buckfast,shop,stall,owner,server,badge of pride,East Kilbride,Hamilton,Cambuslang,Coatbridge,Three,small,glasses,a,day,for,good,health,and,lively,blood,Glaswegian,brand,brands,units,buck,fast,alcohol,Wreck the Hoose Juice,Commotion Lotion,Cumbernauld Rocket Fuel,Buckie Baracas,Coatbridge Table Wine,table wine,sweet,community,crime,disorder,general,social,deprivation,public health,irresponsible drink,West Scotland,Scottish Executive,Strathclyde,George,Sq,Square,offenders,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Buckfast triangle
Description: Tony Smith image Alamy HE7MF2 - Buckfast Tonic Wine, commonly known as Buckfast or Buckie, is a fortified wine with caffeine, licensed from Buckfast Abbey in Devon and distributed by J. Chandler & Company in the United Kingdom and Grants of Ireland in Ireland.
The drink has become a subject of controversy in Scotland due to its links with ned culture
a senior politician labelled it as a badge of pride amongst those who are involved in antisocial behaviour.
Buckfast is very popular in Scotland, the sales of the product were monitored in 2014 by the Scottish government to see if the Buckfast Triangle still stood. The test showed that the towns and cities where Buckfast was sold highest per capita were, in order, Glasgow and the surrounding areas, East Kilbride, Hamilton, Cambuslang, and Coatbridge, all of which are in the northern areas of Lanarkshire, excepting Glasgow.
Several Scottish politicians and social activists have singled out Buckfast Tonic Wine as being particularly responsible for crime, disorder, and general social deprivation in these communities. Although Buckfast accounts for only 0.5% of alcohol sales in Scotland, the figure is markedly higher in Lanarkshire. Helen Liddell, former Secretary of State for Scotland, called for the wine to be banned. In 2005, Scottish Justice Minister Cathy Jamieson suggested that retailers should stop selling the wine. On a subsequent visit to Auchinleck within her constituency, she was greeted by teenagers chanting, Don't ban Buckie. Jamieson then received correspondence from lawyers acting for Buckfast distributors, J. Chandler & Company, in Andover. A further consequence was that Buckfast sales increased substantially in the months following Jamieson's comments
Description
Keywords: Buckie,fortified,Wino,winos,ned,neds,culture,ASB,drunk,drunkeness,drunkenness,Xmas,Christmas,market,triangle,abuse,Buckfast wine,alcohol,alcoholic,public,health,crime,buck,Fortified Wine,Ned Culture,German Market,Hot Mulled,Buckfast Tonic Wine,Hot Mulled Buckfast Tonic Wine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scots,fast,buck fast,problem,with,problem with,issue with,caffeine,licensed,city,centre,city centre,from,Buckfast Abbey,abbey,in,Devon,hot mulled buckfast,shop,stall,owner,server,badge of pride,East Kilbride,Hamilton,Cambuslang,Coatbridge,Three,small,glasses,a,day,for,good,health,and,lively,blood,Three small glasses a day,brand,brands,units,buck,fast,alcohol,Wreck the Hoose Juice,Commotion Lotion,Cumbernauld Rocket Fuel,Buckie Baracas,Coatbridge Table Wine,table wine,sweet,community,crime,disorder,general,social,deprivation,public health,irresponsible drink,West Scotland,Scottish Executive,Strathclyde,George,Sq,Square,offenders,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Glaswegian,Great Britain,Buckfast triangle
Description: Tony Smith image Alamy HE7MF4 - Buckfast Tonic Wine, commonly known as Buckfast or Buckie, is a fortified wine with caffeine, licensed from Buckfast Abbey in Devon and distributed by J. Chandler & Company in the United Kingdom and Grants of Ireland in Ireland.
The drink has become a subject of controversy in Scotland due to its links with ned culture
a senior politician labelled it as a badge of pride amongst those who are involved in antisocial behaviour.
Buckfast is very popular in Scotland, the sales of the product were monitored in 2014 by the Scottish government to see if the Buckfast Triangle still stood. The test showed that the towns and cities where Buckfast was sold highest per capita were, in order, Glasgow and the surrounding areas, East Kilbride, Hamilton, Cambuslang, and Coatbridge, all of which are in the northern areas of Lanarkshire, excepting Glasgow.
Several Scottish politicians and social activists have singled out Buckfast Tonic Wine as being particularly responsible for crime, disorder, and general social deprivation in these communities. Although Buckfast accounts for only 0.5% of alcohol sales in Scotland, the figure is markedly higher in Lanarkshire. Helen Liddell, former Secretary of State for Scotland, called for the wine to be banned. In 2005, Scottish Justice Minister Cathy Jamieson suggested that retailers should stop selling the wine. On a subsequent visit to Auchinleck within her constituency, she was greeted by teenagers chanting, Don't ban Buckie. Jamieson then received correspondence from lawyers acting for Buckfast distributors, J. Chandler & Company, in Andover. A further consequence was that Buckfast sales increased substantially in the months following Jamieson's comments
Description
Keywords: City,Centre,art,design,neon,sign,Glasgow,Scotland,UK,culture,architecture,G1,3NU,ln,tourist,tourism,travel,location,destination,designer,blue,Neon Sign,The Lighthouse,Mitchell Lane,G1 3NU,blue neon,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Charles Rennie Mackintosh,Rennie Mackintosh,Glasgow School,The Glasgow School
Description: Tony Smith image Alamy H9PM33 -
Description
Keywords: City,Centre,art,design,neon,sign,Glasgow,Scotland,UK,culture,architecture,G1,3NU,ln,tourist,tourism,travel,location,destination,designer,blue,Glaswegian,Neon Sign,The Lighthouse,Mitchell Lane,G1 3NU,blue neon,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Charles Rennie Mackintosh,Rennie Mackintosh,Glasgow School,The Glasgow School
Description: Tony Smith image Alamy H9PM34 -
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,balaclava,gun,rifle,Red,Hand,Of,Ulster,union,unionist,unionism,protestant,history,culture,community,defaced,written,over,on,shout,Becky + Michael,Becky,and,+,Michael,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDF029 - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,The,Of,union,unionism,history,culture,community,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDF02T - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Description
Keywords: KevinKillen,Killen,West,Belfast,art,artist,If Walls Could Talk"",project,if,walls,could,talk,elements,representing,Belfasts,heritage,and,culture,tangible,sculptural,forms,landmark,landmarks,Shankill,Falls,industry,Belfast industries,Belfast industry,red face,Kevin Killen red face,Peace wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,unionism,royalists,loyalists,loyalist,republican,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,redfaced,rd,road,sculptural,metal,wall,panel,icon,iconic,city,centre,BT13,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Red faced
Description: Tony Smith image Alamy HDF04K - A sculptural metal wall panel designed by young people from the Greater Shankill was installed on one of Northern Ireland's most famous peace walls today. Funded by the Arts Council led Re-imaging Communities programme, the large scale artwork was officially unveiled by Arts Minister Nelson McCausland.
The artwork, inspired by ideas presented by the local community, depicts a face, made up of dozens of smaller images themed around Belfast's industrial heritage. Created by artist Kevin Killen, The Face' has been installed on one of Belfast's most recognisable landmarks, the peace wall which divides the Shankill Road from the Falls Road at Cupar Way.
Arts Minister, Nelson McCausland said: This sculpture is a good example of how the arts have the power to transform a local area. Projects such as 'The Face' create a more welcoming atmosphere and help develop a community where people are proud to live. 'The Face' is part of the If Walls Could Talk programme which aims to create an outdoor art gallery of world-class art pieces and provide a canvas on which to express the rich history and cultural heritage of the area. Re-imaging art projects have been a key element in facilitating positive social change and I congratulate artist Kevin Killen and the participants from Impact Training and the Greater Shankill Alternatives for what they have achieved.
Artist Kevin Killen explained how the artwork was created: The Face relates to the themes of Belfast industries, working with the young adults in Impact Training, we designed and fabricated the artwork. Being a part of the project was rewarding and insightful to everyone involved. As the group was a part of the process from start to finish they have developed ownership of the artwork, which is an important benefit. I hope that the artwork gives pride to all the participants involved in the project.
Description
Keywords: KevinKillen,Killen,West,Belfast,art,artist,If Walls Could Talk"",project,if,walls,could,talk,elements,representing,Belfasts,heritage,and,culture,tangible,sculptural,forms,landmark,landmarks,Shankill,Falls,industry,Belfast industries,Belfast industry,red face,Kevin Killen red face,Peace wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,unionism,royalists,loyalists,loyalist,republican,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,redfaced,rd,road,sculptural,metal,wall,panel,icon,iconic,city,centre,BT13,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Red faced
Description: Tony Smith image Alamy HDF054 - A sculptural metal wall panel designed by young people from the Greater Shankill was installed on one of Northern Ireland's most famous peace walls today. Funded by the Arts Council led Re-imaging Communities programme, the large scale artwork was officially unveiled by Arts Minister Nelson McCausland.
The artwork, inspired by ideas presented by the local community, depicts a face, made up of dozens of smaller images themed around Belfast's industrial heritage. Created by artist Kevin Killen, The Face' has been installed on one of Belfast's most recognisable landmarks, the peace wall which divides the Shankill Road from the Falls Road at Cupar Way.
Arts Minister, Nelson McCausland said: This sculpture is a good example of how the arts have the power to transform a local area. Projects such as 'The Face' create a more welcoming atmosphere and help develop a community where people are proud to live. 'The Face' is part of the If Walls Could Talk programme which aims to create an outdoor art gallery of world-class art pieces and provide a canvas on which to express the rich history and cultural heritage of the area. Re-imaging art projects have been a key element in facilitating positive social change and I congratulate artist Kevin Killen and the participants from Impact Training and the Greater Shankill Alternatives for what they have achieved.
Artist Kevin Killen explained how the artwork was created: The Face relates to the themes of Belfast industries, working with the young adults in Impact Training, we designed and fabricated the artwork. Being a part of the project was rewarding and insightful to everyone involved. As the group was a part of the process from start to finish they have developed ownership of the artwork, which is an important benefit. I hope that the artwork gives pride to all the participants involved in the project.
Description
Keywords: KevinKillen,Killen,West,Belfast,art,artist,If Walls Could Talk"",project,if,walls,could,talk,elements,representing,Belfasts,heritage,and,culture,tangible,sculptural,forms,landmark,landmarks,Shankill,Falls,industry,Belfast industries,Belfast industry,red face,Kevin Killen red face,Peace wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,unionism,royalists,loyalists,loyalist,republican,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,redfaced,rd,road,sculptural,metal,wall,panel,icon,iconic,city,centre,BT13,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Red faced
Description: Tony Smith image Alamy HDF05N - A sculptural metal wall panel designed by young people from the Greater Shankill was installed on one of Northern Ireland's most famous peace walls today. Funded by the Arts Council led Re-imaging Communities programme, the large scale artwork was officially unveiled by Arts Minister Nelson McCausland.
The artwork, inspired by ideas presented by the local community, depicts a face, made up of dozens of smaller images themed around Belfast's industrial heritage. Created by artist Kevin Killen, The Face' has been installed on one of Belfast's most recognisable landmarks, the peace wall which divides the Shankill Road from the Falls Road at Cupar Way.
Arts Minister, Nelson McCausland said: This sculpture is a good example of how the arts have the power to transform a local area. Projects such as 'The Face' create a more welcoming atmosphere and help develop a community where people are proud to live. 'The Face' is part of the If Walls Could Talk programme which aims to create an outdoor art gallery of world-class art pieces and provide a canvas on which to express the rich history and cultural heritage of the area. Re-imaging art projects have been a key element in facilitating positive social change and I congratulate artist Kevin Killen and the participants from Impact Training and the Greater Shankill Alternatives for what they have achieved.
Artist Kevin Killen explained how the artwork was created: The Face relates to the themes of Belfast industries, working with the young adults in Impact Training, we designed and fabricated the artwork. Being a part of the project was rewarding and insightful to everyone involved. As the group was a part of the process from start to finish they have developed ownership of the artwork, which is an important benefit. I hope that the artwork gives pride to all the participants involved in the project.
-HE18C8.jpg)
Description
Keywords: &,Queens,Island,Queens Island,engineering,firm,Krupp,Harland,Wolff,ship,yard,builder,builders,shipbuilder,shipbuilders,crane,Titanic,roots,culture,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18C8 - Samson and Goliath are the twin shipbuilding gantry cranes situated at Queen's Island, Belfast, Northern Ireland. The cranes, which were named after the Biblical figures Samson and Goliath, dominate the Belfast skyline and are landmark structures of the city. Comparative newcomers to the city, the cranes rapidly came to symbolise Belfast in a way that no building or monument had hitherto done.
Harland & Wolff Heavy Industries is an Irish heavy industrial company, specialising in shipbuilding and offshore construction, located in Belfast, Northern Ireland. Harland & Wolff is most famous for having built all of the ships intended for the White Star Line including RMS Titanic. Other well known ships built by Harland & Wolff include Titanic's sister ships RMS Olympic and RMS Britannic, the Royal Navy's HMS Belfast, Royal Mail Line's Andes, Shaw Savill's Southern Cross, Union-Castle's RMS Pendennis Castle, and P&O's Canberra. Harland and Wolff's official history, Shipbuilders to the World, was published in 1986.
As of 2011, the expanding offshore wind power industry has been the prime focus, and 75% of the company's work is based on offshore renewable energy
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scotch,British,Scotland,problem,with,Tony Smith,United Kingdom,Great Britain,British Isles,urban,city,centre,city centre,mural,art,culture,gable,end,gableend,Scots,gotonysmith,Badminton,Glasgow,two,activity,cultural,2014,street
Description: Tony Smith image Alamy HGC817 -
Description
Keywords: Scotland,UK,at,night,blue,hour,bluehour,art,arts,Aberdeenshire,culture,plays,ballet,performing,arts,fund,funding,success,failure,shot,nightshot,evening,Scotland,UK,at,tripod,purple,evening,Rosemount,Viaduct,Scotland,AB25,1GL,AB251GL,His Majestys Theatre,His Majesties Theatre,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,interesting,unique,center,oil,arts,centre,play,performance,performances,building,victorian,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,great pictures of,great photos of,His Majestys,Aberdeen City,His Majestys Theatre,Aberdeen City Centre
Description: Tony Smith image Alamy GMA9A1 -
Description
Keywords: Scotland,UK,at,night,blue,hour,bluehour,art,arts,Aberdeenshire,culture,plays,ballet,performing,arts,fund,funding,success,failure,shot,nightshot,evening,Scotland,UK,at,tripod,purple,evening,Rosemount,Viaduct,Scotland,AB25,1GL,AB251GL,His Majestys Theatre,His Majesties Theatre,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,interesting,unique,center,oil,arts,centre,play,performance,performances,building,victorian,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,great pictures of,great photos of,His Majestys,Aberdeen City,His Majestys Theatre,Aberdeen City Centre
Description: Tony Smith image Alamy GMAA0R -
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,JayEegoArtist,Jay_Eego_Artist,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791C -
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,JayEegoArtist,Jay_Eego_Artist,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791D -
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,#outhousemcr,Jay,eego,artist,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,JayEegoArtist,Jay_Eego_Artist,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791E -
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,Art World,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,ArtWorld,Artist,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791F -
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,#outhousemcr,smile,face,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,laugh,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791G -
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,smoking,smoker,#outhousemcr,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791K -
--Manchester-Chinatown-Faulkner-Street--City-Centre--Manchester--North-West-England--UK-GJBNHG.jpg)
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,City Centre,restaurants,housing,supermarket,archway,HSBC,Chinese culture,Chinese Arts Centre,paifang,gateway,Chinese traditional gateway,Faulkner Street paifang
Description: Tony Smith image Alamy GJBNHG - Chinatown in Manchester, England is an ethnic enclave in the city centre. It is the second largest Chinatown in the United Kingdom and the third largest in Europe. It has an archway on Faulkner Street which was completed in 1987 and contains many Chinese, Thai, Japanese, Nepali, Vietnamese, Singaporean and Malaysian restaurants, shops, bakeries and supermarkets.
The first settlers to arrive in the city came in the early 20th century
according to the BBC, Many arrived alone and were engaged in what was seen as the traditional trade of laundries. Manchester's first Chinese restaurant, Ping Hong, opened on Mosley Street in 1948, on the eve of a Chinese immigration wave that would commence during the 1950s. Manchester did not have a significant Chinese population, reaching only about 2,000. However, after World War II, there were severe labour shortages, and in response, the government passed the British Nationality Act 1948, which allowed easier access into the country. Additionally, Hong Kong's rapid urbanisation meant that many farmers and traditional residents' homes were being destroyed by the urban sprawl, so many decided to migrate.
The area's beginnings are rooted in the restaurant business, as many Chinese restaurants surfaced soon after the immigration boom. By the 1970s other Chinese businesses began to emerge, such as medicine shops, Chinese supermarkets, as well as financial and legal services, all serving the employees of the expanding number of Chinese restaurants in the area. There was even a Hong Kong government office and a branch of The Hongkong and Shanghai Banking Corporation during the 1970s. In 1989 the Chinese Arts Centre opened in Chinatown. In 2013 the Bank of East Asia opted to open their first Manchester branch in Chinatown, situated on Charlotte Street. The branch officially opened on 25 October 2013, in a ceremony attended by the Lord Mayor of Manchester.
--Manchester-Chinatown-Faulkner-Street--City-Centre--Manchester--North-West-England--UK-GJBNJK.jpg)
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,City Centre,restaurants,housing,supermarket,archway,HSBC,Chinese culture,Chinese Arts Centre,paifang,gateway,Chinese traditional gateway,Faulkner Street paifang
Description: Tony Smith image Alamy GJBNJK - Chinatown in Manchester, England is an ethnic enclave in the city centre. It is the second largest Chinatown in the United Kingdom and the third largest in Europe. It has an archway on Faulkner Street which was completed in 1987 and contains many Chinese, Thai, Japanese, Nepali, Vietnamese, Singaporean and Malaysian restaurants, shops, bakeries and supermarkets.
The first settlers to arrive in the city came in the early 20th century
according to the BBC, Many arrived alone and were engaged in what was seen as the traditional trade of laundries. Manchester's first Chinese restaurant, Ping Hong, opened on Mosley Street in 1948, on the eve of a Chinese immigration wave that would commence during the 1950s. Manchester did not have a significant Chinese population, reaching only about 2,000. However, after World War II, there were severe labour shortages, and in response, the government passed the British Nationality Act 1948, which allowed easier access into the country. Additionally, Hong Kong's rapid urbanisation meant that many farmers and traditional residents' homes were being destroyed by the urban sprawl, so many decided to migrate.
The area's beginnings are rooted in the restaurant business, as many Chinese restaurants surfaced soon after the immigration boom. By the 1970s other Chinese businesses began to emerge, such as medicine shops, Chinese supermarkets, as well as financial and legal services, all serving the employees of the expanding number of Chinese restaurants in the area. There was even a Hong Kong government office and a branch of The Hongkong and Shanghai Banking Corporation during the 1970s. In 1989 the Chinese Arts Centre opened in Chinatown. In 2013 the Bank of East Asia opted to open their first Manchester branch in Chinatown, situated on Charlotte Street. The branch officially opened on 25 October 2013, in a ceremony attended by the Lord Mayor of Manchester.
--Manchester-Chinatown-Faulkner-Street--City-Centre--Manchester--North-West-England--UK-GJBNMN.jpg)
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,City Centre,restaurants,housing,supermarket,archway,HSBC,Chinese culture,Chinese Arts Centre,paifang,gateway,Chinese traditional gateway,Faulkner Street paifang,Faulkner St,bakeries,supermarkets
Description: Tony Smith image Alamy GJBNMN - Chinatown in Manchester, England is an ethnic enclave in the city centre. It is the second largest Chinatown in the United Kingdom and the third largest in Europe. It has an archway on Faulkner Street which was completed in 1987 and contains many Chinese, Thai, Japanese, Nepali, Vietnamese, Singaporean and Malaysian restaurants, shops, bakeries and supermarkets.
The first settlers to arrive in the city came in the early 20th century
according to the BBC, Many arrived alone and were engaged in what was seen as the traditional trade of laundries. Manchester's first Chinese restaurant, Ping Hong, opened on Mosley Street in 1948, on the eve of a Chinese immigration wave that would commence during the 1950s. Manchester did not have a significant Chinese population, reaching only about 2,000. However, after World War II, there were severe labour shortages, and in response, the government passed the British Nationality Act 1948, which allowed easier access into the country. Additionally, Hong Kong's rapid urbanisation meant that many farmers and traditional residents' homes were being destroyed by the urban sprawl, so many decided to migrate.
The area's beginnings are rooted in the restaurant business, as many Chinese restaurants surfaced soon after the immigration boom. By the 1970s other Chinese businesses began to emerge, such as medicine shops, Chinese supermarkets, as well as financial and legal services, all serving the employees of the expanding number of Chinese restaurants in the area. There was even a Hong Kong government office and a branch of The Hongkong and Shanghai Banking Corporation during the 1970s. In 1989 the Chinese Arts Centre opened in Chinatown. In 2013 the Bank of East Asia opted to open their first Manchester branch in Chinatown, situated on Charlotte Street. The branch officially opened on 25 October 2013, in a ceremony attended by the Lord Mayor of Manchester.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,City Centre,Manchester,restaurants,housing,supermarket,Chinese Arch,Chinese Archway,arch,archway,HSBC,Chinese culture,Chinese Arts Centre,shop,Chinese foods,rice
Description: Tony Smith image Alamy GJBNNC - Chinatown in Manchester, England is an ethnic enclave in the city centre. It is the second largest Chinatown in the United Kingdom and the third largest in Europe. It has an archway on Faulkner Street which was completed in 1987 and contains many Chinese, Thai, Japanese, Nepali, Vietnamese, Singaporean and Malaysian restaurants, shops, bakeries and supermarkets.
The first settlers to arrive in the city came in the early 20th century
according to the BBC, Many arrived alone and were engaged in what was seen as the traditional trade of laundries. Manchester's first Chinese restaurant, Ping Hong, opened on Mosley Street in 1948, on the eve of a Chinese immigration wave that would commence during the 1950s. Manchester did not have a significant Chinese population, reaching only about 2,000. However, after World War II, there were severe labour shortages, and in response, the government passed the British Nationality Act 1948, which allowed easier access into the country. Additionally, Hong Kong's rapid urbanisation meant that many farmers and traditional residents' homes were being destroyed by the urban sprawl, so many decided to migrate.
The area's beginnings are rooted in the restaurant business, as many Chinese restaurants surfaced soon after the immigration boom. By the 1970s other Chinese businesses began to emerge, such as medicine shops, Chinese supermarkets, as well as financial and legal services, all serving the employees of the expanding number of Chinese restaurants in the area. There was even a Hong Kong government office and a branch of The Hongkong and Shanghai Banking Corporation during the 1970s. In 1989 the Chinese Arts Centre opened in Chinatown. In 2013 the Bank of East Asia opted to open their first Manchester branch in Chinatown, situated on Charlotte Street. The branch officially opened on 25 October 2013, in a ceremony attended by the Lord Mayor of Manchester.
Description
Keywords: Beer,ale,pils,pilsner,advert,advertise,advertisement,German,Germany,brew,capital,city,break,tourist,tourism,travel,culture,euro,europe,european,germans,serving,signage,pub,Silverstone,Woodlands,trip,journey,vacation,holiday,weisse,Berlinar,people,drinker,sunset,sun,set,berliner pilsner,GoTonySmith,drinkers,AreYouBerliner,Buy Pictures of,Buy Images Of,Are You Berliner,Are You Berliner?
Description: Tony Smith image Alamy F0XCGF -
Description
Keywords: Beer,ale,pils,pilsner,advert,advertise,advertisement,German,Germany,brew,capital,city,break,tourist,tourism,travel,culture,euro,europe,european,germans,serving,signage,pub,Silverstone,Woodlands,trip,journey,vacation,holiday,weisse,Berlinar,letters,orange,tungsten,lighting,berliner pilsner,GoTonySmith,blue,sky,AreYouBerliner,Buy Pictures of,Buy Images Of,Are You Berliner,Are You Berliner?
Description: Tony Smith image Alamy F0XCGH -
Description
Keywords: Street,Scotland,UK,word,culture,city,capital,taking,to,the,people,scots,scottish,sir,walter,scott,writer,writers,motives,papercuts,paper,cuts,a,project,by,Astrid Jaekel,Astrid,Jeckel,commission,by,Essential,princes,foundation,Gotonysmith,Unesco City of Literature,Unesco,of,Literature,New Town,New,town,Totem signs,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ETRXNF - This Project came about as a result of a commission by Essential Edinburgh and was kindly supported by the Prince's Foundation, Edinburgh Unesco City of Literature and the Roxburghe Hotel.
Rose Street is located in Edinburgh's New Town and is a vibrant pedestrianised zone well known for its shops and many pubs which hosted the 'Rose Street Poets' during the 1950's and 1960's.
The poetry displayed within the frame is by poets associated with Rose Street or Edinburgh and will be rotating with the seasons. All motives are papercuts, cut by hand and then enlarged for print onto large vinyl sheets, printed and fitted to the walls by Totem Signs.
Description
Keywords: Westend,street,city,centre,Lothian,buses,tram,bus,street,2015,Edinburgh,Scotland,UK,airport,capital,above,architecture,tourist,tourism,attraction,british,people,pedestrians,road,scene,Princes St,Princes Street,city centre,West End,Airport Tram,british culture,GoTonySmith,elevated view,europe,european,heritage,shopping,shops,automobile,coach,double,decker,Buy Pictures of,Buy Images Of,european culture,Shopping Street
Description: Tony Smith image Alamy F89P0N -
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Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED8PRD -
Description
Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED8PRE -
Description
Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED9D41 -
Description
Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Buy Pictures of,Buy Images Of,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED9D42 -
Description
Keywords: Tiller,Tassels,Canalside,canal,side,Canal,Cheshire,England,UK,GB,united,Kingdom,color,colour,colourful,art,craft,crafts,barge,narrowboat,narrow,boat,City Centre,City,Centre,@hotpixUK,gotonysmith,culture,more,inside,tourist,tourists,city,centre,CH1
Description: Tony Smith image Alamy ECW4GF -
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,metal,metalwork,type,GB,UK,Euston Rd,London,Camden,England,books,learning,British library London,blue sky,sky,blue,black,city library,London Library,sign,British Library Sign,statue,national library of the United Kingdom,national library of the UK,legal deposit library,deposit library,Department for Digital Culture Media and Sport,NW1 2DB,The,national,British,entrance,to,96,artwork,doorway,Copyright Act 1911
Description: Tony Smith image Alamy 2AGMNYK - The British Library is the national library of the United Kingdom and the largest library in the world by number of items catalogued. It is estimated to contain 170200 million+ items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Culture, Media and Sport.
The British Library is a major research library, with items in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library's collections include around 14 million books,[10] along with substantial holdings of manuscripts and historical items dating back as far as 2000 BC. In addition to receiving a copy of every publication produced in the UK and Ireland (approximately 8,000 per day), the Library has a programme for content acquisitions. The Library adds some three million items every year occupying 9.6 kilometres (6.0 mi) of new shelf space. There is space in the library for over 1,200 readers.
Prior to 1973, the Library was part of the British Museum. The British Library Act 1972 detached the library department from the museum, but it continued to host the now separated British Library in the same Reading Room and building as the museum until 1997. The Library is now located in a purpose-built building on the north side of Euston Road in St Pancras, London (between Euston railway station and St Pancras railway station), and has a document storage centre and reading room near Boston Spa, near Wetherby in West Yorkshire. The St Pancras building was officially opened by Queen Elizabeth II on 25 June 1998, and is classified as a Grade I listed building of exceptional interest for its architecture.
Description
Keywords: Bar,named,after,Louis,Carroll,night,shot,nightshot,wide,blue,hour,time,nighttime,pubs,bars,camra,Centre,Cheshire,England,UK,at,winter,street,JD,Wetherspoon,house,JDWetherspoon,city,41""43,Buttermarket,Street,GB,WA1,2LY,WA12LY,stabbing,drinking,culture,drinkers,real,ale,cheap,beer,menu,food,JDW,Gotonysmith 41 43 lit up lighted trouble,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DJ7BA8 - A JDW chain pub in Warrington town centre
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,watercolour,watercolours,street,plein air painter,centre,summer in the city,England,UK,art,artworks,working,artist,at,work,easel,pictorial,and,canvas,oil painting,palette and paints,public square,Manchester street life,creative practice,city sketching,observational painting,neoclassical architecture,Central Library backdrop,civic space,everyday creativity,cultural activity,pedestrians and passers-by,tourism Manchester,urban culture,editorial photography,documentary image
Description: Tony Smith image Alamy 2R5PP7K - This image shows an artist working outdoors in St Peter's Square in Manchester, painting on an easel with Manchester Central Library visible in the background. Captured during summer, the scene reflects the use of public space for creative activity within the heart of the city.
St Peter's Square is one of Manchester's principal civic spaces, surrounded by landmark buildings including the circular, neoclassical Manchester Central Library. The square is frequently used by pedestrians, artists, performers, and visitors, functioning as a focal point for everyday urban life as well as cultural expression.
Plein air painting in city centres has become increasingly visible in recent years, with artists choosing to work directly from observation rather than from photographs or studios. Scenes such as this highlight the interaction between architecture, public space, and creative practice.
Photographed in natural summer light, the image documents contemporary urban culture in Manchester and is well suited for editorial use covering arts and creativity, city life, public spaces, tourism, and the lived experience of historic civic environments.
Description
Keywords: performance,performances,Hallé,orchestra,Halle,primary,concert,venue,for,the,canal,music,Central,Development,Corporation,in,Manchester,city,centre,England,UK,dance,event,events,architecture,building,tourist,tourism,tours,venue,venues,culture,M2,3WS,M23WS,wide,angle,shot,wideshot,Gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6MTH - The Bridgewater Hall is an international concert venue in Manchester city centre, England. It cost around £42 million to build and currently hosts over 250 performances a year.
The hall is home to the The Hallé orchestra, the UK's oldest extant symphony orchestra, and is the primary concert venue for the BBC Philharmonic Orchestra. The building sits on a bed of 280 springs, which help reduce external noise.
The venue is named after the Third Duke of Bridgewater who commissioned the eponymous Bridgewater Canal that crosses Manchester, although the hall is situated on a specially constructed arm of the Rochdale Canal.
Description
Keywords: performance,performances,Hallé,orchestra,Halle,primary,concert,venue,for,the,canal,music,Central,Development,Corporation,in,Manchester,city,centre,England,UK,dance,event,events,architecture,building,tourist,tourism,tours,venue,venues,culture,M2,3WS,M23WS,wide,angle,shot,wideshot,Gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6MWD - The Bridgewater Hall is an international concert venue in Manchester city centre, England. It cost around £42 million to build and currently hosts over 250 performances a year.
The hall is home to the The Hallé orchestra, the UK's oldest extant symphony orchestra, and is the primary concert venue for the BBC Philharmonic Orchestra. The building sits on a bed of 280 springs, which help reduce external noise.
The venue is named after the Third Duke of Bridgewater who commissioned the eponymous Bridgewater Canal that crosses Manchester, although the hall is situated on a specially constructed arm of the Rochdale Canal.
Description
Keywords: statue,Hallé,orchestra,primary,concert,venue,for,the,BBC,Philharmonic,canal,music,Central,Development,Corporation,in,city,centre,England,UK,dance,event,building,tourist,tourism,tours,venue,culture,M2,3WS,M23WS,wide,angle,shot,wideshot,Gotonysmith sculpture of Sir John Barbirolli by Byron Howard,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6MXF - The Bridgewater Hall is an international concert venue in Manchester city centre, England. It cost around £42 million to build and currently hosts over 250 performances a year.
The hall is home to the The Hallé orchestra, the UK's oldest extant symphony orchestra, and is the primary concert venue for the BBC Philharmonic Orchestra. The building sits on a bed of 280 springs, which help reduce external noise.
The venue is named after the Third Duke of Bridgewater who commissioned the eponymous Bridgewater Canal that crosses Manchester, although the hall is situated on a specially constructed arm of the Rochdale Canal.
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJFF - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJG2 - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Description
Keywords: city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,Explore,the,diversity,of,natural,world,cultures,art,and,design,technology,Scottish,history,capital,cities,building,buildings,and,technology,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,new,exterior,stone,The,buildings,architecture,was,controversial,from,the,start,and Prince Charles resigned as patron of the museum,in,protest,at,the,lack,of,consultation,over,its,design.,The,building,is,made,up,of,geometric,Corbusian forms,but also has numerous references to Scotland,such as brochs and castellated defensive,architecture,It,is,clad,in,golden,Moray,sandstone,architects,Gordon,Benson,has,called,a,reference,to,Scottish,geology,The,building,was,a,1999,Stirling,Prize,nominee,nominated,the oldest exhibit in the building,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXJJN - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,wide,shot,wideshot,portrait,orientation,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJKC - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Description
Keywords: city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,Explore,the,diversity,of,natural,world,cultures,art,and,design,technology,Scottish,history,capital,cities,building,buildings,science,and,technology,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,white,interior,inside,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJM0 - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,wide,gotonysmith,old,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,shot,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,oldtown,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJM8 - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Description
Keywords: lamp,old,new,town,princess,st,street,princes,on,the,mound,central,tourist,tourism,attraction,visit,visitor,visitors,neoclassical,building,William,Henry,Playfair,Art,culture,cultural,collection,of,reference-only,Research,Library,reference,only,Scottish,Scots,Scot,nationalistic,independance,wide,gotonysmith,independance,painting,paintings,Royal,Scottish,Academy,Building,archival,material,relating,to,the,collections,exhibitions,history,EH22EL,EH2,2EL,free,admission,sky,drama,dramatic,gates,gate,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJN3 - The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859.
The gallery houses the Scottish national collection of fine art, including Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
Description
Keywords: lamp,old,new,town,princess,st,street,princes,on,the,mound,central,tourist,tourism,attraction,visit,visitor,visitors,neoclassical,building,William,Henry,Playfair,Art,culture,cultural,collection,of,reference-only,Research,Library,reference,only,Scottish,Scots,Scot,nationalistic,independance,wide,gotonysmith,independance,painting,paintings,Royal,Scottish,Academy,Building,archival,material,relating,to,the,collections,exhibitions,history,EH22EL,EH2,2EL,union,flag,jack,unionjack,free,admission,sky,drama,dramatic,gates,gate,flying,devolution,country,nation,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJNR - The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859.
The gallery houses the Scottish national collection of fine art, including Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
Description
Keywords: lamp,old,new,town,princess,st,street,princes,on,the,mound,central,tourist,tourism,attraction,visit,visitor,visitors,neoclassical,building,William,Henry,Playfair,Art,culture,cultural,collection,of,reference-only,Research,Library,reference,only,Scottish,Scots,Scot,nationalistic,independance,wide,gotonysmith,independance,painting,paintings,Royal,Scottish,Academy,Building,archival,material,relating,to,the,collections,exhibitions,history,EH22EL,EH2,2EL,free,admission,gates,gate,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJP6 - The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859.
The gallery houses the Scottish national collection of fine art, including Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
Description
Keywords: city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,Explore,the,diversity,of,natural,world,cultures,art,and,design,technology,Scottish,history,capital,cities,building,buildings,and,technology,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,outside,new,building,architecture,summer,blue,sky,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,The,buildings,architecture,was,controversial,from,the,start,and Prince Charles resigned as patron of the museum,in,protest,at,the,lack,of,consultation,over,its,design.,The,building,is,made,up,of,geometric,Corbusian forms,but also has numerous references to Scotland,such as brochs and castellated defensive,architecture,It,is,clad,in,golden,Moray,sandstone,architects,Gordon,Benson,has,called,a,reference,to,Scottish,geology,The,building,was,a,1999,Stirling,Prize,nominee,nominated,oldtown,Tour,tourist,tourism,tourist,Scotland,Capita,the oldest exhibit in the building,Buy Pictures of,Buy Images Of,Tourist Attraction
Description: Tony Smith image Alamy DDXKB3 - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Description
Keywords: lamp,old,new,town,princess,st,street,princes,on,the,mound,central,tourist,tourism,attraction,visit,visitor,visitors,neoclassical,building,William,Henry,Playfair,Art,culture,cultural,collection,of,reference-only,Research,Library,reference,only,Scottish,Scots,Scot,nationalistic,independance,wide,gotonysmith,independance,painting,paintings,Royal,Scottish,Academy,Building,archival,material,relating,to,the,collections,exhibitions,history,EH22EL,EH2,2EL,free,admission,sky,drama,dramatic,gates,gate,newtown,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXKBH - The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859.
The gallery houses the Scottish national collection of fine art, including Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
Description
Keywords: offices,street,st,Edinburgh,city,Scotland,Uk,old,fashioned,restore,the,country,to,its,proper,place,as,a,creative,force,in,European,civilisation,culture,cultural,heritage,natural,flag,of,nation,gotonysmith,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED0D8 - The Saltire Society was established in 1936 to encourage everything that might improve the quality of life in Scotland and restore the country to its proper place as a creative force in European civilisation.
It seeks to preserve all that is best in Scottish tradition and to encourage new developments which can strengthen and enrich the country's cultural life. It has wide ranging interests including history, literature, music, drama, architecture and planning and promotes excellence in many fields through a series of national awards.
The Society also seeks to revive the memory of famous Scots and to make the nation conscious of its heritage. It seeks to influence decision makers in Scotland through its committees. As well as working at national level the Society has members in Branches throughout Scotland, working to promote the Society's aims within their own communities.
Membership to the Society, is available for an annual fee,[1] to all individuals and organisations who support the aims of the Society.
The name is taken from the flag of Scotland, which has the form of a saltire.
Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,green,entrance,classic,bar,Grassmarket,square,old,town,city,capital,pubs,pub,food,drink,tourist,tourism,Gotonysmith,Buy Pictures of,Buy Images Of,grub,pub food,capital city,capital city of Scotland sun,sunny,summer,eating out,cafe culture,White Hart,old town,historic,history,Edinburgh History,Edinburghs history
Description: Tony Smith image Alamy DED4B9 -
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Keywords: Merseyside,city,merchant,Nw,north,west,England,GB,Great,Britain,cool,no78,number,numbers,integers,bar,restaurant,of,culture,European,gotonysmith,Buy Pictures of,Buy Images Of,No78,No 78,door,doorway,entrance,outside,wood,wooden,L1 4BH,L1
Description: Tony Smith image Alamy DB6PET - SeventyEight 78 A doorway in Seel St Liverpool, England UK
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Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,with,building,behind,GoTonySmith,Buy Pictures of,Buy Images Of,body,bodies,history,historic
Description: Tony Smith image Alamy F0G6Y3 - 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible)
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Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,side,view,recline,reclining,GoTonySmith,Buy Pictures of,Buy Images Of,Three girls and one boy,Three girls,and,one boy,3 girls and 1 boy,Wilfried Fitzenreiter,portrait,from
Description: Tony Smith image Alamy F0G6Y4 - 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible)
Description
Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,front,view,frontal,GoTonySmith,Buy Pictures of,Buy Images Of,body,bodies,history,historic
Description: Tony Smith image Alamy F0G6Y6 - 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible)
Description
Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,from,side,sideview,view,portrait,GoTonySmith,Buy Pictures of,Buy Images Of,Wilfried Fitzenreiter,one boy,Three girls and one boy,recline,reclining,Three girls,3 girls and 1 boy
Description: Tony Smith image Alamy F0G6YN - 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible)
Description
Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,side,view,sideview,sit,sitting,GoTonySmith,Buy Pictures of,Buy Images Of,body,bodies,history,historic
Description: Tony Smith image Alamy F0G6YW - 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible)
Description
Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,front,frontal,view,portrait,GoTonySmith,Buy Pictures of,Buy Images Of,Three girls and one boy,Three girls,and,one boy,3 girls and 1 boy,Wilfried Fitzenreiter
Description: Tony Smith image Alamy F0G700 - 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible)
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,football,Supporters,Club,Orange,SandyRow,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEF9E - Sandy Row is a street in south Belfast, Northern Ireland. It lends its name to the surrounding residential community, which is predominantly Protestant working-class. The Sandy Row area had a population of 2,153 in 2001. It is a staunchly loyalist area of Belfast, being a traditional heartland for affiliation with the paramilitary Ulster Defence Association (UDA) and the Orange Order.
Sandy Row is situated in south Belfast, beginning at the edge of the city centre, close to the Europa Hotel. The road runs south from the Boyne Bridge (formerly the Saltwater Bridge) over the old Dublin railway line beside Great Victoria Street station, then crosses the Donegall Road and ends at the bottom of the Lisburn Road. At the north end of the road was the famous Murray's tobacco factory, which was first opened in 1810, while at the other is a large Orange hall.
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,rd,Belfast,with,red,white,blue,bunting,Northern Ireland,polarised,sectarian,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFDC - The Shankill Road is one of the main roads leading through west Belfast, Northern Ireland. It runs through the predominantly loyalist working class area known as the Shankill. The road stretches westwards for about 2.4 km (1.5 mi) from central Belfast and is lined, to an extent, by shops. The residents live in the many streets which branch off the main road. The area along the Shankill Road forms part of Court district electoral area.
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,Bar,Aberdeen St,attack slaughter by IRA Brendan McFarlane,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFDR - The Bayardo Bar attack took place on 13 August 1975 in Belfast, Northern Ireland. A unit of the Provisional IRA Belfast Brigade, led by Brendan McFarlane, launched a bombing and shooting attack on the pub on Aberdeen Street (off the loyalist Shankill Road), which was frequented by Ulster Volunteer Force (UVF) members as well as civilians. Four Protestant civilians and one UVF member were killed.
According to journalists Alan Murray and Peter Taylor, it was retaliation for the Miami Showband massacre almost a fortnight earlier, when the popular Dublin-based band were ambushed by the UVF at a bogus military checkpoint. Three band members were shot dead by the UVF gunmen after their minibus was blown up in a premature explosion.
McFarlane and two other IRA volunteers, Peter Skeet Hamilton and Seamus Clarke, were sentenced to life imprisonment for perpetrating the Bayardo attack.
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,politics,political,road,elections,DUP,PUP,with,union,flags,election,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFE7 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,September,1912,Cherished,position,of,equal,citizenship,in,the,town,union,flag,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFED - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,Donaghadee,April,24th,1914,gunrunning,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFEJ - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,road,Spiers,pl,place,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFF2 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,panorama,Glencairn,reviews,West Belfast,UVF Glencairn 6th June,CYV,protestant,farmer,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,lady,woman,female,orange,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFJ2 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,well,I,can,stand,alone,rifle,CYV,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFJ9 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,Ave,CocaCola,Lawnbrook,Avenue,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG5H - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,UVF Mural,four,platoon,no4,pltn,God,and,Ulster,No 4,Pltn,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG6B - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Description
Keywords: chat,chatting,men,friends,blokes,Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,ppl,people,punters,lager,ale,realale,CAMRA,bar,bars,pubs,pub,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,ornate,culture,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18DC -
Description
Keywords: Port,of,tourist,attractions,tourism,enjoy,merseyside,NW,England,UK,GB,Great,Britain,insurance,building,Mersey,city,of,culture,RoyalLiverBuilding,B/W,Monochrome,Ir,infrared,infra-red,grade,I,listed,buildings,in,UNESCO,designated,World,Heritage,Maritime,Mercantile,City,Three,Graces,3,clock,face,L31HT,gotonysmith,3graces,scouse,scouser,scousers,Royal,Liver,Assurance,group,liver,birds,liverbirds,calendar,shot,Royal,Liver,Group,Atop,each,tower,stand,the,mythical,designed,by,Carl,Bernard,Bartels,different,view,of,the,L3,1HT,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HTT4 - The Royal Liver Building is a Grade I listed building located in Liverpool, England. It is sited at the Pier Head and along with the neighbouring Cunard Building and Port of Liverpool Building is one of Liverpool's Three Graces, which line the city's waterfront. It is also part of Liverpool's UNESCO designated World Heritage Maritime Mercantile City.
Opened in 1911, the building is the purpose-built home of the Royal Liver Assurance group, which had been set up in the city in 1850 to provide locals with assistance related to losing a wage-earning relative. One of the first buildings in the world to be built using reinforced concrete, the Royal Liver Building stands at 90 m (300 ft) tall.
It was the tallest storied building in Europe from completion until 1934 and the tallest in the United Kingdom until 1961. The Royal Liver Building is now however only the joint-fourth tallest structure in the City of Liverpool, having been overtaken in height by West Tower, Radio City Tower and Liverpool Cathedral.
Today the Royal Liver Building is one of the most recognisable landmarks in the city of Liverpool and is home to two fabled Liver Birds that watch over the city and the sea. Legend has it that were these two birds to fly away, then the city would cease to exist.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Birmingham city centre,West Midlands city,civic square UK,public square Birmingham,urban landmark,English city centre,UK urban space,cities,urban life,civic pride,regeneration,public spaces,architecture,travel,tourism,city breaks,British cities,European cities,culture,everyday city life,urban photography,Brum,Birmingham,West Midlands,England,United Kingdom,UK city,civic architecture,historic buildings Birmingham,classical architecture,municipal buildings,city square panorama,wide angle city view,people in public space,city centre regeneration,summer clouds,blue sky,B2 4DU
Description: Tony Smith image Alamy CEMWEJ - A wide panoramic view of Victoria Square in the heart of Birmingham city centre, photographed under a dramatic sky with billowing white clouds against deep blue tones. The image centres on Birmingham's principal civic space, framed by some of the city's most important historic buildings, including the Council House and Birmingham Town Hall. In the foreground, the fountain and sculpture add a reflective element to the composition, mirroring the surrounding architecture and sky and reinforcing the square's role as a focal point for public life.
Victoria Square is a key gathering place in Birmingham, regularly used for civic events, celebrations, protests and everyday movement through the city. The architecture surrounding the square reflects Birmingham's development as a major industrial and commercial centre, with grand nineteenth-century civic buildings designed to project confidence, stability and municipal pride. The open layout and pedestrian-friendly design illustrate wider efforts to reclaim city centres as shared public spaces rather than traffic-dominated environments.
People are visible moving through the square, providing scale and a sense of daily urban activity without dominating the scene. The panoramic format emphasises the breadth of the square and the relationship between architecture, public art and open space. Light and shadow across the paving and facades create depth and texture, highlighting the contrast between historic stone buildings and the modern life that now animates them.
This image is well suited for editorial use covering British cities, urban regeneration, civic architecture, public spaces and everyday city life, as well as commercial applications related to tourism, travel marketing, city branding and representations of Birmingham as a modern European city with strong historical roots.
Description
Keywords: Manchester,UK,england,english,building,buildings,listed,purple,c Manchester,colours,stained,glass,city,centre,beautiful,architecture,interior,inside,theatre,theater,culture,play,plays,performance,performances,Royal Exchange,Royal exchange manchester,Manchester Royal exchange,town,lancs,lancashire,cotton,king,photo,image,photograph,print,SuperShot,wide,angle,wideangle,lens,sigma,12-24mm,10-20mm,hotpix!
Description: Tony Smith image Flickr 4631607472 - 'When I am in Manchester, I usually take a short cut through this fabulous place, which you can do unless a performance is in progress. Many moons ago I used to go to meetings of the junior chamber of commerce here, in one of the side rooms. On this day it was spookily deserted. I stopped to check a text message while my camera with on my shoulder and below me a solitary man, dressed in black crossed the room without sound.
It has a great feeling of history (the last trading values still remain on the trading board for cotton etc) from 1968 and is very modern with its central circular 'pod' of a theatre at its heart. Its great to see events here and I have seen Shakespeare plays as well as the veritable John Shuttleworth (AKA Jilted John).
The Royal Exchange is a grade II listed Victorian building bounded by St Ann\u2019s Square, Market Street and Cross Street. The complex includes the Royal Exchange Theatre, and the Royal Exchange shopping centre.
The current building is the last of several buildings on the site used for commodities exchange, primarily but not exclusively of cotton and textiles.
The first exchange was built near to the present site in 1792. The first exchange was replaced by a second, larger, exchange that was constructed between 1806 and 1809. The second exchange was enlarged between 1847 and 1849. The second exchange was in turn replaced, by a third exchange by 'Mills &
Murgatroyd', constructed between 1867 and 1874. The building was then extended and modified by 'Bradshaw Gass &
Hope' between 1914 and 1931 to form the largest trading room in England. Thus was the importance of Manchester at this time.
The theatre's unique design was conceived by Richard Negri of Wimbledon School of Art, and was intended to create an unusually vivid and immediate relationship between actors and audiences. As the floor of the Exchange would not be able to take the great weight of the theatre and its audience, the module is suspended from four columns that also carry the hall's central dome. Only the stage area and ground-level seating rest on the floor of the hall itself.
The theatre can seat up to 700 people on three levels, making it the largest theatre in the round in Britain. There are 400 seats at ground level in a raked configuration, above which lie two galleries, each with 150 seats set in two rows. Every seat has a clear view of the stage.
Repairs after the IRA bombing adjacent in Corporation Street took over two years to complete and cost \u00a332 million, a sum provided by the National Lottery.
The Royal Exchange building and the theatre itself are reputed to be haunted. One of the ghosts is reputed to be that of the actor and founding artistic director, James Maxwell. Another is that of a maternal Victorian lady, well dressed and with 'a passion for drink'.
In 2006, the building was the subject of a paranormal investigation by the Most Haunted programme on Living TV.
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',
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,capital city,Edinburgh Alexander and bucephalus statue,Royal Mile,Edinburgh,Scotland,UK,and,1832,1883,1884,Edinburgh statue,woke,culture-wars,culture wars,war on woke,Statue dAlexandre et Bucéphale,John Steell,1804""1891,at,City Chambers,High Street,Alexander (356 BC""323 BC),Bucephalus (c.355 BC""326 BC),Equestrian,horse,horse Bucephalus,rearing,unharnessed,EH1 1YJ,EH1,statues,statue,bronze
Description: Tony Smith image Alamy 2BE34DX - Alexander (356 BC323 BC) and Bucephalus (c.355 BC326 BC)
John Steell (18041891)
City Chambers High Street, Edinburgh
A draped standing figure of Alexander holding onto his horse Bucephalus which is unharnessed and rearing. The satue is on a corniced, bow-ended ashlar plinth. It was moved from St Andrew Square to its present site in 1916.
Title
Alexander (356 BC323 BC) and Bucephalus (c.355 BC326 BC)
Date
18321883
Medium
bronze
Measurements
H 300 x W (?) x D (?) cm
Plinth: H 340 x W 240 x D 220 cm
Accession number
EH1_GB_S006
Acquisition method
paid for by public subscription
Work type
Equestrian
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,science,sciences,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,science,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,wide,shot,pano,panorama,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,Tour,tourism,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJGE - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,science,sciences,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,science,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,wide,landscape,view,Tour,tourism,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJGY - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJHT - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,urban,city,centre,Ireland,porter,famous,signs,outside,a,bars,pub,pubs,bar,in,Dublin,1779,Guinness logo,stout beer,classic pub signage,hanging pub sign,Dublin nightlife,Irish culture,historic pub,brick buildings,street lamp,urban streetscape,hospitality industry,tourism Ireland,alcohol branding,evening atmosphere,iconic Irish brand,documentary photography,Europe pubs,evening light,Irish beer
Description: Tony Smith image Alamy 3BKDJGT - A traditional illuminated Guinness pub sign hanging from the exterior of an Irish pub in Dublin city centre, Ireland, photographed at dusk. The sign features the instantly recognisable Guinness branding, including a stylised pint of stout with a creamy head, set against a red background.
Guinness is one of Ireland's most iconic global brands and has been closely associated with Dublin since the eighteenth century. Hanging pub signs such as this are a familiar feature of the city's streetscape, particularly in historic areas where traditional pubs continue to play a central role in social and cultural life.
The warm glow of the illuminated sign contrasts with the surrounding brick and stone architecture and the fading evening light, evoking the atmosphere of Dublin's nightlife and hospitality scene. Street lamps and neighbouring buildings help frame the image within a lived-in urban environment.
This photograph is suitable for editorial use illustrating Irish pub culture, Dublin nightlife, iconic beer branding, tourism in Ireland, traditional hospitality, and urban street scenes in European capital cities.
Description
Keywords: centre,Greater,England,UK,M1 1JF,M1,NQ4,bar,and,pub,open air,summer,culture,eating,drinking,food,drink,crowd,crowds,dining,M1 postcode,area,Northern Quarter,Stevenson Square,Stevenson Sq,crowded,busy,tourist,tourists,attraction,bars,sunny,in,central,city,Eastern Bloc
Description: Tony Smith image Alamy 2JTD2N8 -
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,finger,#outhousemcr,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,shh,city,centre,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791M -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,mural,sport,sports,shop,store,history,by,art,brand,brands,trainers,trainer,historic,1982,Robert Wade Smith,founder,founded,football,culture,1980,1980s,painting,iconic,icon,graffiti,casual,casuals,L1 4EZ,L1
Description: Tony Smith image Alamy 2R22XN8 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,S3,Kelham Island,Kellham Island,Yorkshire,Kelam Island,England,UK,S3 8RD,city,centre,steel,manufacture,the,pink,signs,forging,furnace,furnaces,forge,museum,lit,lighting,symbol,area,river Don,quarter,glow,craft,culture,heritage,history,historic,product,products,metalworking,brownfield
Description: Tony Smith image Alamy 2T0WE16 -
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Royal Exchange Manchester,Manchester city centre,theatre interior,glass dome ceiling,UK theatre,city culture,whats on,gig guide,arts,theatre,performing arts,architecture,heritage,urban life,British cities,public spaces,editorial travel,cultural tourism,interior photography,atmospheric interior,civic buildings,regeneration,Northern England,Manchester,neoclassical interior,Victorian architecture,glass dome,interior architecture,arts venue,cultural heritage,public building,warm lighting,evening interior,urban culture,lone person,man in black coat,scale and space
Description: Tony Smith image Alamy CEMXAF - An atmospheric interior view of the Royal Exchange Theatre in Manchester city centre, photographed inside the grand former Royal Exchange building at St Ann's Square. The scene is dominated by the vast glazed dome overhead, tinted with cool violet-blue light, while the lower hall is washed in warm amber illumination that gives the space a theatrical, almost cathedral-like mood. At the heart of the building sits the distinctive theatre-in-the-round structure, a modern suspended performance pod framed by stairways, platforms and rigging, contrasting sharply with the historic architecture that surrounds it.
A lone man in a dark coat crosses the floor, small against the scale of the hall, adding a strong sense of proportion and human narrative. The motion blur suggests steady movement through a public cultural space, as if arriving early, leaving late, or simply drifting through the building's calm between performances. The surrounding walls and balconies hint at the venue's layered history, from civic monument to working exchange and now one of the most recognisable theatres in the UK.
The Royal Exchange building was originally a Victorian trading hall closely associated with Manchester's mercantile and cotton-era identity. Today, the same volume of space has been repurposed for arts and performance, a visual shorthand for Manchester's wider story of reinvention: commerce becoming culture, industry becoming experience. The lighting, architecture and solitary figure combine to evoke themes of urban identity, heritage, regeneration, culture, and the lived atmosphere of a Northern English city.
This image is suitable for editorial and commercial use illustrating theatre and performing arts, Manchester landmarks, British architecture, historic interiors, cultural tourism, city life, public spaces, and the transformation of heritage buildings into modern civic venues.
Description
Keywords: Irish,Political,NorthernIreland,Tourism,DerryCity,Peace,Art,Culture,No,Border,Brexit,NoBorder,remain,remainers,remoaners,sticker,poster,gotonysmith,city,no,hard,border,Tariff,Free,access,Tariff Free access,open Border,Friction Free,Irish Question,no hard border,Brexit No Hard Border,NIP,Negotiations,Connor Burns,Liz Truss,Border poll,DUP,EU,stalmate,Article 16
Description: Tony Smith image Alamy JH6749 - Brexit: What is the Northern Ireland Protocol?
Northern Ireland Protocol - agreed with the European Union (EU) in 2019 - has been a source of tension since it came into force at the start of 2021.
Special trading arrangements were needed for Northern Ireland after the UK voted for Brexit in 2016. This is because it's the only part of the UK with a land border with an EU country - the Republic of Ireland.
Before Brexit, it was easy to transport goods across this border because both sides had the same EU trade rules. No checks or paperwork were necessary.
After Brexit, a new system was needed because the EU has strict food rules and requires border checks when certain goods - such as milk and eggs - arrive from non-EU countries.
UK and the EU agreed that protecting the 1998 Northern Ireland peace deal - the Good Friday Agreement - was an absolute priority. So, both sides signed the Northern Ireland Protocol as part of the Brexit withdrawal agreement, which is now part of international law.
Foreign Secretary Liz Truss says the Protocol has caused problems which had not been expected when the agreement was signed.
The government now wants to ditch parts of the deal.
It wants to create red lanes and green lanes for goods imported from Britain into Northern Ireland.
read more at https://www.bbc.co.uk/news/explainers-53724381
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Rue Saint-Dominique,Thoumieux restaurant,Parisian restaurant exterior,French urban scene,travel,tourism,city break,European cities,lifestyle,culture,food culture,gastronomy,Parisian life,romance,solitude,walking city,urban mood,editorial travel,cinematic city,everyday Europe,night photography,Paris,Île-de-France,France,European capital,narrow Paris street,café culture,restaurant signage,neon lighting,blue hour Paris,overcast sky,moody atmosphere,street photography,residential Paris,parked cars,everyday Paris,french
Description: Tony Smith image Alamy D8HF85 - A moody dusk street scene in the 7th arrondissement of Paris, showing a lone man walking along Rue Saint-Dominique past the Thoumieux restaurant at number 79. The restaurant's vertical red neon sign glows against the muted tones of the surrounding buildings, casting warm light onto the pavement and contrasting with the cool blue-grey sky above. The narrow street stretches toward the Eiffel Tower, which rises faintly in the distance and anchors the scene unmistakably within the Parisian cityscape.
The composition captures an everyday moment of Parisian life rather than a staged tourist view. Parked cars line the street, shopfronts are closed or dimly lit, and the pedestrian moves forward with purpose, suggesting routine, familiarity and solitude rather than spectacle. The lighting and perspective create a cinematic atmosphere, evoking themes of evening transition, urban rhythm and the quiet intervals between daytime activity and nightlife.
Rue Saint-Dominique runs through one of Paris's most established residential and dining districts, close to the Seine and the Champ de Mars. The presence of the Thoumieux restaurant, a long-standing name in Parisian gastronomy, reinforces associations with food culture, local neighbourhood life and understated elegance. The red neon signage adds a distinctly European visual language, recalling mid-twentieth-century café and brasserie traditions.
This image is well suited for editorial use covering Parisian life, French culture, travel and tourism, urban solitude and everyday street scenes, as well as commercial applications requiring atmospheric imagery of Paris at dusk, European city living, gastronomy districts and cinematic urban environments.
Description
Keywords: blue,hour,historic,tourist,tourism,travel,square,castle,trail,culture,Scottish,history,Alba,Architecture,building,night,shot,nightshot,local,city,centre,destination,Blue Hour,Castle Trail,Local Landmark,Travel Destination,Castle Square,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,terrace,lit,lighted,tower,Dee,Don,rivers,river,statue,castlegate,gate,Mercat,Cross,hub,historical,area,cobbled,scenic,view,buildings,building,granite,Architecturally,union,st,street,sculptures,ancient,Market,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Castle Terrace,Mercat Cross,Compare the Mercat,Historical Area,scenic view,The Mercat Cross,Ancient Market Cross,Market Cross,Scotlands History,Scotlands History
Description: Tony Smith image Alamy H6ETR8 -
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,rd,Culture,Northern Culture,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFGM - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Edinburgh cityscape,Castle Rock,Scottish capital,Scotland capital city,historic city,medieval fortress,defensive architecture,volcanic rock,landmark Scotland,city panorama,panoramic view,elevated viewpoint,stormy,tourism,travel,heritage,history,culture,architecture,defence,monarchy,royal history,Scottish history,sightseeing,editorial travel,dramatic landscape,weather drama,skyline photography,panoramic photography,historic cities,historic architecture,fortress walls,battlements,stone castle,skyline with castle,city and castle,dramatic sky
Description: Tony Smith image Alamy CEMWXK - A dramatic panoramic view of Edinburgh Castle rising above the city from its commanding position on Castle Rock, photographed from the National Museum of Scotland on Chambers Street in the heart of Edinburgh's Old Town. The medieval fortress, one of Scotland's most iconic landmarks, dominates the skyline as dark, brooding storm clouds gather overhead, creating a moody and atmospheric scene.
The image captures the contrast between the rugged volcanic rock of Castle Rock, the historic stone fortifications of the castle, and the dense urban fabric of Edinburgh below, including domes, spires, and rooftops typical of Scotland's capital city. The lighting and cloud cover suggest unsettled weather, common to the Scottish climate, adding drama and a sense of scale to the cityscape.
Edinburgh Castle has played a central role in Scottish history for over a thousand years and is a major symbol of national identity, tourism, and heritage. The wider Old Town and New Town areas of Edinburgh are designated UNESCO World Heritage Sites, recognised for their exceptional historic and architectural significance. This image is well suited for editorial use covering Scottish history, travel, tourism, culture, weather, urban landscapes, and European capital cities, as well as commercial projects requiring an instantly recognisable view of Edinburgh.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Buxton Victorian Opera House,Derbyshire,East Midlands England,historic theatre,Edwardian architecture,opera house exterior,cultural landmark,illuminated building,UK theatre,history,townscape,culture,performing arts,theatre,heritage,architecture,travel,cultural venues,city life at night,evening atmosphere,British heritage,European architecture,editorial travel,night photography,Buxton town centre,Peak District town,Derbyshire architecture,historic building England,theatre at night,heritage venue,classical facade,domed roof,stone architecture,street lighting,public square,civic building,arts venue exterior
Description: Tony Smith image Alamy CEMWGM - An evening exterior view of Buxton Opera House, a landmark Victorian theatre located in the centre of Buxton, Derbyshire, photographed at dusk under a deep blue twilight sky. The ornate stone facade of the opera house is warmly illuminated, highlighting its domed roof, classical detailing and grand entrance, while the surrounding town square and adjacent historic buildings frame the scene. The contrast between the glowing interior lights and the darkening sky creates a strong sense of atmosphere associated with the transition from day to night in a historic English spa town.
Designed by renowned theatre architect Frank Matcham and opened in the early twentieth century, Buxton Opera House is one of the finest surviving examples of Edwardian theatre architecture in the United Kingdom. It remains a central part of the town's cultural life, hosting theatre, opera, music and touring productions, and continues Buxton's long association with arts, leisure and tourism linked to its spa heritage and proximity to the Peak District.
The image captures the opera house as both an architectural statement and a living civic space, conveying themes of culture, heritage, and evening urban life in a provincial British town. Street lighting, reflections on paving, and subtle movement around the entrance suggest activity without overwhelming the calm dignity of the building itself. The scene reflects the enduring role of historic theatres as focal points of community and cultural identity outside major cities.
This photograph is well suited for editorial use covering theatre, arts and culture, historic architecture, British towns, travel and tourism in Derbyshire and the East Midlands, as well as commercial applications requiring a recognisable and atmospheric image of a UK cultural landmark at dusk.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,South Bridge Edinburgh,historic university buildings,Victorian stone buildings,moody cityscape,historic courtyard,education,higher education,heritage,architecture,culture,history,learning,academia,European universities,historic cities,urban atmosphere,editorial travel,cultural tourism,public institutions,civic life,moody photography,atmospheric city,Edinburgh,Scotland,United Kingdom,UK capital,university courtyard,stone architecture,domed building,classical facade,academic institution,cultural venue,gallery exterior,historic education,urban heritage,dramatic sky,overcast weather
Description: Tony Smith image Alamy CF8BK4 - A moody dusk scene within the historic Old College of the University of Edinburgh, showing the neoclassical stone buildings surrounding the central courtyard at South College Street and South Bridge in Edinburgh's Old Town. The imposing architecture, constructed in pale sandstone and crowned by a domed central structure, is set beneath heavy, textured cloud cover that deepens the sense of atmosphere and academic gravitas. The soft, fading light accentuates the worn surfaces, arches and balustrades, revealing centuries of use and civic presence.
In the foreground, a solitary figure stands within the courtyard, adding scale and a quiet human narrative to the monumental surroundings. Ornate iron street lighting and stone steps frame the approach to the buildings, reinforcing the formal layout typical of major eighteenth and nineteenth-century university architecture. The Talbot Rice Gallery, housed within Old College, forms part of this complex, linking contemporary art and culture with one of Scotland's most significant educational institutions.
Old College has long symbolised Edinburgh's role as a centre of learning, philosophy and intellectual life, closely associated with the Scottish Enlightenment and the city's reputation as the Athens of the North. The restrained colour palette, subdued lighting and dramatic sky combine to create an image that feels contemplative and slightly austere, reflecting the seriousness traditionally associated with academia and civic authority.
This image is well suited for editorial use covering higher education, university life, architecture, Scottish history, culture and urban heritage, as well as commercial applications requiring atmospheric imagery of historic institutions, European universities and moody city environments.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,National Gallery of Scotland,The Mound Edinburgh,Edinburgh cityscape,Edinburgh landmark,Scottish art gallery,Edinburgh Old Town,Scotland capital city,dusk Edinburgh,blue hour,tourism,travel,culture,heritage,art and culture,museums,galleries,architecture,European capitals,editorial travel,seasonal weather,night photography,low light photography,urban atmosphere,public art,UNESCO city,Edinburgh,Scotland,United Kingdom,UK capital,art gallery exterior,museum building,classical columns,stone architecture,iron railings,city steps,pedestrian steps,winter snow
Description: Tony Smith image Alamy CF7D6R - A winter dusk view of the National Gallery of Scotland, part of the Edinburgh National Galleries, photographed from the Playfair Steps on The Mound in central Edinburgh. The neoclassical gallery building is illuminated against a deep blue evening sky, while snow covers the steps and surrounding pavements, reflecting the warm glow of street lamps and gallery lighting.
Blurred figures moving across the steps suggest pedestrian activity captured using a longer exposure, adding a sense of motion and life to the cold winter scene. Black iron railings frame the foreground, while the elevated position on The Mound provides a strong architectural perspective across this key cultural site linking Edinburgh's Old Town and New Town.
The National Gallery of Scotland houses one of the country's most important art collections and sits at the heart of Edinburgh's cultural and civic landscape. The image conveys themes of winter weather, urban atmosphere, culture, and tourism in Scotland's capital city, making it suitable for editorial use relating to travel, arts coverage, museums, seasonal city life, and European capital destinations, as well as commercial design projects seeking an atmospheric winter city image.
