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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,bar,terrace,spelled,out,large,city,centre,Yorkshire,craft,beer bar,outdoor,seating,rooftop,beer,railway station,city centre,watering hole,red,sign,urban,exterior,West Yorkshire,CAMRA,venue,British,Leeds hospitality venue,best pubs near Leeds station,places to drink in Leeds,Leeds real ale scene,Yorkshire beer tourism,Leeds weekend city break,pre train drinks venue,post work drinks,British brewing heritage,northern England nightlife,urban leisure economy,hospitality industry
Description: Tony Smith image Alamy 3F2PH92 - Large red capital letters spell out LEEDS across a cream-painted exterior wall on the private first-floor terrace at The Brewery Tap in Leeds city centre, West Yorkshire. The oversized lettering, enhanced by a dark offset shadow, creates a bold graphic celebration of the city's identity and provides an immediately recognisable backdrop for customers using the outdoor drinking area. Decorative strings of exposed light bulbs cross the terrace above a mixture of orange, blue and black metal chairs, tall bar stools, wooden tables and a long communal counter fixed against the wall.
Exposed red brickwork, wall-mounted outdoor heaters, security equipment and visible utility fittings give the compact space an informal urban character. Bright daylight illuminates the terrace and colourful furniture, although the seating area is empty at the moment photographed. The close composition concentrates attention on the distinctive typography, hospitality design and strong sense of local civic pride rather than showing the wider pub frontage or surrounding street.
The Brewery Tap stands on New Station Street, only a short walk from Leeds railway station, making it a convenient city-centre meeting place for commuters, rail passengers, residents, shoppers and visitors. The pub promotes a broad choice of craft beer, Yorkshire ales, wines, spirits and food, while its upstairs facilities include a private bar, function space and outside terrace. Its location places it within the busy hospitality district around the station, where pubs, bars, restaurants and cafés serve both the daytime economy and Leeds nightlife.
The combination of the city name, relaxed outdoor furniture, festoon lighting and railway-quarter location makes the scene suitable for illustrating Leeds tourism, regional identity, British pub culture, urban leisure, independent hospitality, social drinking and the economic importance of city-centre food and beverage venues.
The Brewery Tap, 18 New Station Street, Leeds, West Yorkshire, England, UK, LS1 5DL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Return to,BPW,family,friendly,Wales,pro wrestling poster,wrestling event poster,wrestling flyer,British wrestling,UK wrestling,LL13,live,sports,sport,entertainment,event,weekend,community,centre,events,city,North Wales,local,leisure,tickets,QR code,local event advertising,poster in window,shop window poster,pop culture,fan,culture,affordable,show,Basix 20th anniversary,promotional flyer,event notice
Description: Tony Smith image Alamy 3EGWM71 - Poster for Return to Wrex-Slam , a family friendly Basix Pro Wrestling event advertised in Wrexham, Wales. The colourful promotional flyer shows wrestlers posing around bold black, green and white wrestling-style graphics, with the Basix Pro Wrestling 20th anniversary logo, QR code ticketing, event branding and venue details for Hightown Community Resource stock-photo/gotonysmith-Centre.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Centre on Fusilier Way, Wrexham. The poster promotes a Saturday 13 June 2026 show with doors at 4pm and first bell at 4.30pm, positioning the event as live sports entertainment for adults, children and families. TicketSource lists BPW: Return to Wrex-Slam! at Hightown Community Resource Centre, Wrexham, LL13 7YF, while Basix Pro Wrestling's own social promotion gives the same event name, date, venue and show timing. The photograph is useful for editorial coverage of Welsh independent wrestling, grassroots sports entertainment, family events, local leisure, community centre performances, Wrexham city centre advertising, fan culture and the continuing appeal of live wrestling outside the major televised promotions. Reflections in the window glass, creases in the poster and the shop-window setting give the image a real documentary street feel rather than a clean publicity graphic. It can illustrate stories about local event promotion, QR code ticketing, small entertainment businesses, community venues, affordable weekend activities, children's entertainment, Welsh pop culture and independent wrestling in towns and cities across the UK. The poster's strong typography, dramatic wrestler portraits, family friendly wording and Wrex-Slam title make it visually clear and commercially useful for stock searches connected with pro wrestling, live shows, sports posters, Wrexham events and North Wales community entertainment.
Hightown Community Resource Centre, Fusilier Way, Wrexham, LL13 7YF
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,icon,iconic,in,letters,M1,welcome,to,city,gateway,centre,light-up,sculpture,industrial,steel,riveted,rivets,cast iron,style,public,art,urban,transport,hub,tram stop,heritage,manufacturing,history,symbol,branding,hostile vehicle mitigation,proud,regeneration,cottonopolis,northern powerhouse,landmark,selfie spot,design
Description: Tony Smith image Alamy 3EDKYFJ - Large riveted MCR stock-photo/gotonysmith-Sculpture.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>sculpture outside Manchester Piccadilly railway station, photographed by the south side station entrance and taxi rank area on Fairfield Street, with the glass station frontage reflected behind the heavy industrial-style metal letters. The artwork uses bold black steel lettering, visible rivets and a robust engineering look to spell MCR , the familiar shorthand for Manchester, creating a modern city welcome sign that deliberately echoes the city's railway, manufacturing, engineering, cotton, warehouse and industrial heritage. Network Rail announced the 8-foot light-up sculpture in March 2025, describing it as a new artwork outside the station taxi rank on Fairfield Street to welcome passengers in and out of the city while also forming part of a wider project to protect busy pedestrian areas from vehicles. This photograph is useful for editorial and commercial searches about Manchester Piccadilly, MCR sign, MCR sculpture, Manchester public art, station entrance, Metrolink interchange, city branding, railway travel, tram travel, public realm, station security, hostile vehicle mitigation, protective street furniture, transport infrastructure, urban regeneration, industrial design and arrival in Manchester. The scene can illustrate stories about Piccadilly as Manchester's main railway gateway, city centre tourism, transport hubs, rail passengers, commuter journeys, public safety, civic identity, northern England, modern Manchester and the reuse of industrial visual language in contemporary placemaking. The reflective glass, pedestrians, taxi-rank setting, sunny daylight and oversized letters make the image suitable for travel guides, local news, transport features, architecture blogs, urban design reports, tourism marketing and stock photo buyers needing a recognisable Manchester city centre landmark. The sculpture works as both a photo opportunity and a symbolic threshold between station, street, tram, taxi, city centre and the wider Manchester story
Large riveted MCR sculpture at Manchester Piccadilly, reflecting the city's industrial and railway h
--County-Cork--Ireland--3DCX6C0.jpg)
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Ireland,city,centre,Cork Savings Bank building,Cork banking history,historic bank Ireland,County Cork landmark,building,history,historic,financial,cash,is king,Irish banking heritage,savings banks history,Victorian finance institutions,civic trust and thrift,economic development Ireland,architecture of finance,urban commercial history,heritage preservation,historic streetscapes Cork,institutions and memory,South Mall Cork City,Cork T12,Cork Ireland Eire,historic financial institution,stone façade detail,wrought iron railings,engraved bank sign,nineteenth century bank,Irish economic history,editorial image,daytime exterior,cash is king
Description: Tony Smith image Alamy 3DCX6C0 - The engraved stone signage of Cork Savings Bank, photographed on the historic South Mall in Cork City, County Cork, Ireland (postal district T12). The image shows the bank's name set into the building's façade above decorative wrought-iron railings, emphasising craftsmanship and permanence typical of nineteenth-century financial architecture.
Savings banks played a significant role in Irish social and economic history, promoting thrift and financial inclusion among working communities during a period of rapid urban and commercial growth. Cork Savings Bank was part of this wider movement, reflecting the city's importance as a regional centre of trade, shipping and finance in southern Ireland.
South Mall has long been associated with banking, commerce and professional services, forming one of Cork's most prestigious historic streets. Buildings along the Mall were designed to convey stability, trust and civic responsibility, values that were central to public confidence in financial institutions before the modern era of digital banking.
The architectural detailing visible in the image ” carved stonework, restrained classical proportions and ornamental ironwork ” reflects Victorian and Edwardian influences common to bank buildings of the period. Today, such structures contribute to Cork's historic streetscape and remain important markers of the city's commercial heritage.
Photographed in daylight with architectural textures clearly visible, the image offers strong editorial value for themes including Irish banking history, financial institutions, heritage architecture, urban commercial development and the preservation of historic city centres. It is suitable for use in history publications, financial commentary, education, and cultural or architectural features relating to Ireland.
Signage and architectural detail of the Cork Savings Bank building on South Mall, Cork City (postal
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,letter,General Post Office Dublin,GPO Dublin,An Post,OConnell Street Dublin,Easter Rising 1916,historic post office,Irish history,national monument,postal service,historic interior detail,post box,Irish language,heritage building,documentary photography,editorial image,city,centre,Easter Rising,1916 Rising,Irish independence,Dublin landmarks,historic signage,An Post branding,postal history,communication history,civic building,cultural heritage,nationalism,Irish identity,public service,heritage conservation,everyday Ireland,street photography,contemporary Ireland
Description: Tony Smith image Alamy 3CPAX2K - Close-up detail of historic letter boxes inside the General Post Office (GPO) on O'Connell Street, Dublin 1, Ireland. The image shows the original An Post fittings with bilingual Irish and English inscriptions indicating postal destinations, alongside a centrally mounted clock bearing the An Post emblem. The use of Irish language text reflects national identity and the role of the postal service in public life following independence.
The GPO is one of Ireland's most significant historic buildings and served as the headquarters of the leaders of the 1916 Easter Rising, a pivotal event in the struggle for Irish independence. During the uprising, the building was heavily damaged, but it was later restored and remains a functioning post office as well as a symbol of the Irish state.
Today, the GPO continues to operate as a working postal hub while also housing exhibitions dedicated to the Easter Rising and Ireland's revolutionary period. The interior details, including original letter boxes and signage, provide a tangible link between everyday civic services and major historical events. The image captures themes of communication, national memory, heritage conservation, and the enduring presence of historic public institutions in modern urban Ireland.
General Post Office (GPO), O'Connell Street Upper, Dublin 1, D01 F5P2, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,LS1,the,brewery,tap,building,architecture,bar,sell,alcohol,Leeds,city,centre,CAMRA,beer,beers,bars,pub,pubs,brewing,watering hole,boozer,menu,ales,ale,unit,craft,front,outdoor,door,entrance,BigBuns,Big Buns
Description: Tony Smith image Alamy 2T2843K - Taken on 07 Oct 2023, this photograph shows The Brewery Tap, Leeds, 18 New Station St, Leeds, England, UK, LS1 5DL. The location is 18 New Station St, Leeds ,LS1 5DL. The picture is not just a record shot: it contains platform, concourse or service signage details that place the railway scene in a real working transport environment. The image links railway-station footfall with the modern revival of city-centre beer houses, craft ale bars and brewery-branded hospitality in Leeds. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Leeds, brewing, craft, ale, ales, bars, pubs, pub, outside, exterior, Yorkshire, LS1, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. It has value for both local and national stories, especially where writers need to connect a named place or object with wider economic, social, environmental or cultural change. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history, public infrastructure, consumer behaviour, community identity and documentary evidence for newsletters, blogs, polic.
18 New Station St, Leeds ,LS1 5DL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,campaign,the,great,West End,Final,headline,food,scandals,waste,poisoning,WC2B 6AA,stay up to date,newstand,free,wasting,headlines,starving,starve,poverty,foods,news,local London,city,centre,stand,newsstand,wastes,poor,nutrition,English,British,management
Description: Tony Smith image Alamy 2T35C2N - This editorial photograph captures The great Food Scandal, West End Final headline, London evening Standard, Holborn, WC2B 6AA. The row metadata places the subject at Holborn, Bloomsbury, London, England, WC2B 6AA. The spreadsheet date indicates 08 September 2023, so the picture can also work as a time-specific archive record. Plainly, the image is useful because it shows London, London Evening Standard, evening, standard, newspaper, paper, Food Scandal, WC2B, with search-relevant terms including London, London Evening Standard, evening, standard, newspaper, paper, Food Scandal, WC2B, news, stand, England, UK, campaign, the. The value lies in the combination of place, object, wording and context, giving editors something specific and grounded rather than generic filler imagery. London details are useful because the city layers national politics, migration, commerce, tourism, neighbourhood change and local high streets. East End, Westminster and Holborn subjects can all carry wider meaning beyond their immediate street address. The image can support political and civic reporting where the point is not just party branding or protest imagery, but the way public debate appears in streets, media, posters, campaign signs and everyday visual culture. It would suit editorial features, local news reporting, public policy articles, web explainers, travel pieces and business commentary where a real place or recognisable everyday subject is needed rather than a staged studio concept. Historically and socially, this kind of image can help connect past and present: older streets, civic institutions, transport systems, shops, signs, political messages or public services are not frozen museum pieces, but part of how people understand modern life, local identity and economic change. For SEO and stock-photo discovery, the description deliberately supports searches around London.
Holborn, Bloomsbury, London, England, WC2B 6AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,benches,city,centre,this,the,bench,is a,designated,dont buy,The Sun,Merseyside,and,of,dont,buy,read,boycott,Hillsborough,truth,96,dead,LFC,fans,match,football,soccer,brass,never forgotten,warns,warning,S*n,message,protest,public,anger,angry,disaster,sun not welcome
Description: Tony Smith image Alamy 2RJ3YNG - At the end of the decade, The Sun's coverage of the Hillsborough football stadium stock-photo/gotonysmith-Disaster.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>disaster, in which 97 people died as a result of their injuries, proved to be, as the paper later admitted, the most terrible blunder in its history.
Three days after the accident, editor Kelvin MacKenzie published an editorial which accused people of scapegoating the police, saying that the disaster occurred because thousands of fans, many without tickets tried to get into the ground just before kick-off “ either by forcing their way in or by blackmailing the police into opening the gates. The next day, under a front-page headline The Truth, the paper falsely accused Liverpool fans of theft and of urinating on and attacking police officers and emergency services. Conservative Member of Parliament Irvine Patnick was quoted as claiming that a group of Liverpool supporters told a police officer that they would have sex with a dead female victim
Widespread boycotts of the newspaper throughout Merseyside followed immediately and continue to this day. Boycotts include both customers refusing to purchase it, and retailers refusing to stock it. The Financial Times reported in 2019 that Merseyside sales were estimated to drop from 55,000 per day to 12,000 per day, an 80% decrease. Chris Horrie estimated in 2014 that the tabloid's owners had lost £15 million per month since the disaster, in 1989 prices. Sales also declined to a lesser degree in neighbouring parts of Cheshire and Lancashire. It was revealed in a documentary called Alexei Sayle's Liverpool, aired in September 2008, that many Liverpudlians will not even take the newspaper for free, and those who do may simply burn or tear it up. Local people often refer to the newspaper as The Scum, with campaigners believing it limited their fight for justice
Liverpool, city centre, Merseyside, England,UK, L1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cardiff,Wales,Cymru,UK,city,centre,CF10,CF10 1EA,penalty,charges,notices,notice,parking,ticket,issued,vehicle,to,incorrectly,parked,in,Quay St,council,police,traffic,officer,officers,attendant,patrol,patrols,yellow,dusk,night,evening,PCN,offence,offences
Description: Tony Smith image Alamy 2RFER1D - A penalty charge notice from Cardiff council, is an official notification that you have been found to have committed a minor offence, for which there is a standard penalty charge. PCN are used to streamline the process of penalising minor offenders, without the expense and complication of legal proceedings.
Any offence that has a standard penalty charge, is not an offence that you can be prosecuted for. A penalty charge is not the same thing as an enforceable fine. That being said, you can't just ignore a PCN. You will need to either appeal against it or pay it.
Cardiff council issues Penalty Charge Notices (PCN) for a number of reasons. However, the most common reasons why you might either find one attached to your vehicle or be sent one by post, are for minor traffic rule infractions and parking offences.
If you are issued with a PCN, what do you need to do with it? Can you ignore it, or do you have to pay it? Or is there some way to make an appeal against the PCN?
You can't pay a penalty charge notice in instalments. There are three ways to pay a Cardiff council penalty charge notice. You can pay online, as long as you know the PCN number and have a credit or debit card. There is also a payment hotline that is open 7 days a week, around the clock. You can call 029 2044 5900 and give the PCN number, and then pay using a payment card. Lastly, you can make out a cheque or postal order to Cardiff Council, write the PCN number on the back, and then post it to the following address:
Parking Services, PO Box 47, Cardiff, CF11 1QB
Quay St, Cardiff , Wales, UK, CF10 1EA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cardiff,Wales,Cymru,UK,city,centre,night,statue,statues,dusk,evening,of,1897-1960,founder,founded,the,Welsh,famous,CF10,Queen St,CF10 2BU,MP,member,parliament,Minister of Health,most,influential,left-wing,socialist,Sylfaenydd y Gwasanaeth Iechyd Gwladol,British,1987,sculptor,sculpture,bronze,icon,medical centre
Description: Tony Smith image Alamy 2RFER1H - A statue of Aneurin Bevan stands at the western end of Queen Street, Cardiff, Wales in recognition of Aneurin Bevan (1897 “ 1960) who is credited with founding the National Health Service (NHS). It has been described as perhaps one of Wales' most iconic statues
Aneurin Nye Bevan PC (15 November 1897 “ 6 July 1960) was a Welsh Labour Party politician, noted for tenure as Minister of Health in Clement Attlee's government in which he spearheaded the creation of the British National Health Service. He is also known for his wider contribution to the founding of the British welfare state.
Bevan is widely regarded as one of the most influential left-wing politicians in British history.
The statue was erected in 1987, designed by Robert Thomas.
Bevan became Labour MP for Ebbw Vale in 1929, subsequently an effective public speaker known for his left wing views and being temporarily expelled from the party on two occasions (one of them for his opposition to nuclear weapons). He was elected to the Labour's National Executive and became Minister for Health in the post-war Labour government, where he was behind the nationalisation of healthcare and founding of the NHS. As Minister for Housing he took steps to solve the post-war housing shortage. Bevan remained MP for Tredegar until his death in 1960.
The statue was commissioned by South Glamorgan County Council and designed by Welsh sculptor, Robert Thomas, who also created a number of other sculptures in Cardiff city centre. The statue was erected in 1987 at the far end of Queen Street. It is the only statue of Bevan (as of 2021) in the United Kingdom.
The figure of Bevan, wearing a suit and leaning forward in a typical pose, is cast in bronze and stands on top of a polished granite pedestal. The statue is 1.83 metres (6.0 ft) in height, while the pedestal is 2.14 metres (7.0 ft) high. In gold on the front of the pedestal are the words Founder of the National Health Service.
Queen Street, Cardiff, Wales, UK,CF10 2BU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,Cymru,Wales,Welsh,UK,Playhouse,Gentlemens,Club,Cardiff,club sign,mens,club Cardiff,entertainment,venues,seedy,night,life,signs,traditional,outside,misogynistic,exterior,city,strip club,signage,neon,economy,lads,typical,CF10,CF10 2AG,private-members,venue,lonely,men,male entitlement,nightclub
Description: Tony Smith image Alamy 2RFJ3D2 - A close view of an illuminated exterior sign for Playhouse Gentlemen's Club in Cardiff city centre. The circular sign, clearly displaying the name Playhouse along with heraldic-style graphics, is mounted above street level and lit with warm bulbs, designed to attract attention within a busy urban streetscape.
The venue operates as part of Cardiff's night-time leisure economy, which includes bars, clubs, live music venues and adult entertainment establishments concentrated around the city centre. Signs such as this play a functional and symbolic role, marking spaces associated with nightlife, consumption and adult-oriented leisure within the public realm.
The surrounding architecture reflects Cardiff's historic commercial streets, with upper-floor residential or office accommodation above ground-level leisure uses. The contrast between traditional building façades and modern illuminated signage illustrates how historic city centres adapt to changing patterns of entertainment and economic activity.
Photographed under conditions where artificial lighting is prominent, the image is well suited for editorial use covering nightlife economies, urban culture, adult entertainment regulation, city-centre leisure districts, and debates around the role of such venues within modern British cities.
Playhouse Gentlemen's Club, Queen Street, Cardiff, Wales, UK, CF10 2AG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,Cymru,Wales,Welsh,UK,retail,department store,dept store,Howell,city,history,historic,heritage,building,British,architecture,St Mary Street,St Mary St,Edwardian,commerce,commercial,neoclassical,facade,declining,decline,high street,retailing,regeneration,outside,exterior,scene,empty,closed,new era,initiative,columns,CF10
Description: Tony Smith image Alamy 2RFJ3D6 - The exterior of the former James Howell & Co department store on St Mary Street in Cardiff city centre, photographed in daylight under bright but overcast conditions. The building retains its original carved stone signage reading James Howell & Co above the main entrance, a clear surviving marker of its long retail history.
James Howell & Co was one of Wales's best-known independent department stores, trading from this site for over 150 years and forming a cornerstone of Cardiff's traditional shopping district. The architecture reflects early twentieth-century department store design, with a symmetrical façade, tall pilasters and large display windows intended to convey stability, quality and civic pride.
Visible within the shopfront windows are contemporary panels and graphics referencing a New Era , indicating redevelopment and reuse following the store's closure. This juxtaposition of historic branding and modern regeneration messaging highlights the broader transformation of British high streets, where long-established department stores have struggled amid changing consumer behaviour, online retail and shifting urban economics.
The image captures a moment of transition in Cardiff's retail landscape, where heritage commercial buildings are being reconsidered for new purposes. It is well suited for editorial use covering high-street decline, retail regeneration, Welsh urban history, department store culture, and the changing identity of city-centre shopping streets in the UK.
James Howell Building, St Mary Street, Cardiff, Wales, UK, CF10 1AP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Northern Ireland,UK,of,the,LA,Los Angeles,aqueduct,1913,designer,civil,historic,house,building,BT1 2FL,BT1,Donegal St,203,1855-1935,plaques,Irish,American,commemoration,born,in,baptised,this,parish,self-taught,council,Owens Valley,to,San Fernando Valley
Description: Tony Smith image Alamy 2R9J0BM - William Mulholland (September 11, 1855 “ July 22, 1935) was an Irish American self-taught civil engineer who was responsible for building the infrastructure to provide a water supply that allowed Los Angeles to grow into the largest city in California. As the head of a predecessor to the Los Angeles Department of Water and Power, Mulholland designed and supervised the building of the Los Angeles Aqueduct, a 233-mile-long (375 km) system to move water from Owens Valley to the San Fernando Valley. The creation and operation of the aqueduct led to the disputes known as the California Water Wars. In March 1928, Mulholland's career came to an end when the St. Francis Dam failed just over 12 hours after he and his assistant gave it a safety inspection.
William Mulholland was born in Belfast, Ireland, part of the United Kingdom. His parents Hugh and Ellen Mulholland were Dubliners and they returned to the city a few years after William's birth. His younger brother, Hugh Jr., was born in 1856. At the time of Mulholland's birth, his father was working as a guard for the Royal Mail. In 1862, when William was seven years old, his mother died. Three years later his father remarried. William was educated at O'Connell School by the Christian Brothers in Dublin. After having been beaten by his father for receiving bad marks in school, Mulholland ran off to sea
Mulholland envisioned Los Angeles growing much larger. The limiting factor to the growth of Los Angeles was its water supply, because it has a semi-arid climate with unreliable rainfall. If you don't get the water, you won't need it, Mulholland famously remarked.
Mulholland shared the vision of a much larger Los Angeles with Frederick Eaton, the mayor of Los Angeles from 1898 through 1900. They both worked together in the private Los Angeles Water Company in the 1880s. Eaton and Mulholland realized that the large amount of runoff from the Sierra Nevada in Owens Valley could be delivered to Los Angeles through gravity
203 Donegal Street, Belfast., Northern Ireland, UK, BT1 2FL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,ship,shipbuilding,city,tourists,travel,dock,H&W,attractions,Charlie Chaplin statue beside SS Nomadic,Titanic Quarter,Belfast BT3 9EP,Charlie Chaplin statue,Charlie Chaplin sculpture,SS Nomadic,Belfast,public art,film history,cultural landmark,waterfront sculpture,Titanic Quarter Belfast,SS Nomadic Belfast,Nomadic Belfast,BT3 9EP,Queens Road Belfast,Olympic Way Belfast,Titanic Belfast area,Northern Ireland tourism,public art installation,steel sculpture,rusted metal sculpture,silent film icon
Description: Tony Smith image Alamy 2RFJ348 - A metal sculpture of Charlie Chaplin stands beside the SS Nomadic in the Titanic Quarter of Belfast, Northern Ireland. The artwork is located close to Titanic Belfast on Olympic Way, postcode BT3 9EP, within the regenerated docklands area that once formed part of the Harland and Wolff shipyard.
The statue depicts Charlie Chaplin in his iconic Little Tramp persona, complete with bowler hat and cane, rendered in cut steel with a weathered finish. Chaplin, one of the most influential figures in early cinema, symbolises the global cultural impact of silent film and twentieth-century popular entertainment.
The SS Nomadic, moored nearby, is the last remaining White Star Line ship and served as a tender to RMS Titanic, transporting passengers to and from the liner in Cherbourg. The proximity of the sculpture to the historic vessel highlights the Titanic Quarter's blend of maritime heritage, public art, and contemporary cultural tourism.
Photographed outdoors in daylight, with cobbled dock surfaces and harbour features visible, the image documents the reuse of historic docklands as a visitor destination. It is suitable for editorial use relating to film history, public art, tourism in Northern Ireland, maritime heritage, and the ongoing regeneration of Belfast's waterfront.
Charlie Chaplin statue beside SS Nomadic, Titanic Quarter, Belfast BT3 9EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,SE1,Waterloo Station,London,SE1 8SW,rail,train,BR,railway,mainline,busy,crowded,Waterloo Road,outlets,shop,store,Victorian,infrastructure,commuters,passenger,city,centre,London Waterloo,South West Main Line,WAT,times,displays,information,hanging,suspended,ticket,tickets,price,prices
Description: Tony Smith image Alamy 2RBXAM5 - Waterloo station also known as London Waterloo, is a central London terminus on the National Rail network in the United Kingdom, in the Waterloo area of the London Borough of Lambeth. It is connected to a London Underground station of the same name and is adjacent to Waterloo East station on the South Eastern Main Line. The station is the terminus of the South West Main Line to Weymouth via Southampton, the West of England main line to Exeter via Salisbury, the Portsmouth Direct line to Portsmouth Harbour which connects with ferry services to the Isle of Wight, and several commuter services around west and south-west London, Surrey, Hampshire and Berkshire.
The station was opened in 1848 by the London and South Western Railway, and it replaced the earlier Nine Elms as it was closer to the West End. It was never designed to be a terminus, as the original intention was to continue the line towards the City of London, and consequently the station developed in a haphazard fashion, leading to difficulty finding the correct platform. The station was rebuilt in the early 20th century, opening in 1922, and included the Victory Arch over the main entrance, which commemorated World War I. Waterloo was the last London terminus to provide steam-powered services, which ended in 1967. The station was the London terminus for Eurostar international trains from 1994 until 2007, when they were transferred to St. Pancras.
Waterloo is the busiest railway station in the UK, handling 41 million passengers in the year to March 2022. It is also the UK's largest station in terms of floor space and has the greatest number of platforms.
Waterloo Station, Waterloo Rd, Lambeth, London, England, UK, SE1 8SW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,SE1,Waterloo Station,London,SE1 8SW,rail,train,BR,railway,mainline,busy,crowded,Waterloo Road,outlets,shop,store,Victorian,infrastructure,commuters,passenger,city,centre,London Waterloo,South West Main Line,WAT,times,displays,information,hanging,suspended,ticket,tickets,price,prices
Description: Tony Smith image Alamy 2RBXAM8 - Waterloo station also known as London Waterloo, is a central London terminus on the National Rail network in the United Kingdom, in the Waterloo area of the London Borough of Lambeth. It is connected to a London Underground station of the same name and is adjacent to Waterloo East station on the South Eastern Main Line. The station is the terminus of the South West Main Line to Weymouth via Southampton, the West of England main line to Exeter via Salisbury, the Portsmouth Direct line to Portsmouth Harbour which connects with ferry services to the Isle of Wight, and several commuter services around west and south-west London, Surrey, Hampshire and Berkshire.
The station was opened in 1848 by the London and South Western Railway, and it replaced the earlier Nine Elms as it was closer to the West End. It was never designed to be a terminus, as the original intention was to continue the line towards the City of London, and consequently the station developed in a haphazard fashion, leading to difficulty finding the correct platform. The station was rebuilt in the early 20th century, opening in 1922, and included the Victory Arch over the main entrance, which commemorated World War I. Waterloo was the last London terminus to provide steam-powered services, which ended in 1967. The station was the London terminus for Eurostar international trains from 1994 until 2007, when they were transferred to St. Pancras.
Waterloo is the busiest railway station in the UK, handling 41 million passengers in the year to March 2022. It is also the UK's largest station in terms of floor space and has the greatest number of platforms.
Waterloo Station, Waterloo Rd, Lambeth, London, England, UK, SE1 8SW
Description
Keywords: GoTonySmith,HotpixUK,English,British,UK,city,centre,transport,public,service,evening,NW1 1DG,NW1,new,on,a,late,168,Tesco,to,the,Monopoly,Eversholt Street,Camden,for,South End Green,Dunton Road,safe,LTZ1659,safety,of,transportation,vehicle,iconic,hybrid,diesel-electric,Wrightbus,Borismaster,Boris Bus,New Bus For London
Description: Tony Smith image Alamy 2R39Y2F - The New Routemaster, originally referred to as the New Bus for London and colloquially as the Borismaster or Boris Bus, is a low-floor diesel double-decker bus operated in London, England. Designed by Heatherwick Studio and manufactured by Wrightbus, it is notable for featuring a hop-on hop-off rear open platform similar to the original Routemaster bus design but updated to meet requirements for modern buses to be fully accessible. It first entered service in February 2012.
The original AEC Routemaster was used as the standard London bus type, with a rear open platform and crewed by both a driver and conductor. After half a century it was withdrawn from service at the end of 2005 (except for two heritage routes which operated until 2014 and 2019 respectively), in favour of a fully accessible one-man-operated modern fleet (including articulated buses), none of which featured a rear open platform. The withdrawal of the Routemaster became an issue during the 2008 London mayoral election with Boris Johnson elected mayor with a campaign pledge being to introduce a new Routemaster. Following an open design competition in 2008, Wrightbus was awarded the contract to build the bus at the end of 2009, and the final design was announced in May 2010.
The design for the new double-decker bus was inspired by the original AEC Routemaster, and features three doors and two staircases to allow accessible boarding. Unlike the AEC Routemaster, the new bus has a full front end rather than the protruding, bonneted half cab design, and a rear platform with a door that can be closed, rather than being permanently open. The layout of the new bus allows it to be operated by the driver alone. The cost of each bus was £355,000 over the four-year procurement period. The last of the 1,000 New Routemasters was delivered in December 2017
Eversholt St, London, England, UK, NW1 1DG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,housing repairs,MPS Housing,contractor van,housing association,property maintenance,building maintenance,London housing,UK social housing,service vehicle,Orbit,reactive,maintenance,housing repairs contractor,responsive repairs,planned maintenance,estates maintenance,public sector housing,affordable housing,housing services,subcontractor,utilities work,ladders on van roof,branded vehicle,street scene,residential area,London suburb,documentary photography,editorial image,UK infrastructure,everyday work,Awaabs Law,waiting lists
Description: Tony Smith image Alamy 2R3WMRC - This image shows a branded contractor van used by Orbit Building Communities, displaying the logo and web address of MPS Housing, one of its housing repairs and maintenance partners. The white service vehicle is equipped with roof-mounted ladders, indicating use for building maintenance and on-site repair work.
Orbit Building Communities is a major UK housing association providing social and affordable housing across England. Contractors such as MPS Housing deliver frontline services including responsive repairs, planned maintenance, and compliance-related works within occupied residential properties. Vehicles like this are a familiar sight on housing estates and residential streets, representing the operational backbone of social housing delivery.
The photograph was taken in daylight in a residential London setting, with brick housing visible in the background. The clear branding highlights the increasingly professionalised and outsourced nature of housing maintenance services within the UK social housing sector, where housing associations rely on specialist contractors to meet regulatory standards and tenant expectations.
This image is suitable for editorial use covering social housing, housing maintenance, public sector contracting, property repairs, urban living, and the day-to-day infrastructure that supports affordable housing provision in London and across the UK.
Residential street, London, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,brewery barrel store,Walthamstow brewery,barrel aged beer,independent brewery,beer manufacturing,industrial unit,Ravenswood Industrial Estate,Walthamstow,East London,London Borough of Waltham Forest,craft beer scene,small batch beer,beer maturation,oak barrels,industrial architecture,painted wall signage,typography,brewery branding,taproom culture,outdoor seating,picnic benches,independent business,local economy,documentary photography,editorial image,UK food and drink,UK,drink,beers,pub,bars
Description: Tony Smith image Alamy 2R3WMRX - This image shows the exterior of the Barrel Store operated by Wild Card Brewery, located on the Ravenswood Industrial Estate in Walthamstow, East London. Bold painted lettering on the rendered wall advertises the Barrel Store and highlights the brewery's focus on the retail and manufacture of barrel-aged beer, a specialist area within the UK craft brewing scene.
Wild Card Brewery is part of a wider cluster of independent creative and food-and-drink businesses that have taken root in former light-industrial premises across Walthamstow. Facilities such as the Barrel Store are used for ageing beer in oak barrels, allowing flavours to develop over extended periods and linking modern craft brewing with traditional production techniques.
The scene is photographed in daylight under a partly cloudy sky, with picnic-style outdoor seating visible in front of the building, suggesting use as both a working production space and a customer-facing retail or tasting area. The utilitarian industrial setting contrasts with the growing cultural and social role of craft breweries as community hubs.
This image is well suited to editorial use covering London's craft beer movement, independent breweries, small-scale manufacturing, urban regeneration, food and drink culture, and the reuse of industrial estates by creative businesses in East London.
Wild Card Brewery Barrel Store, Ravenswood Industrial Estate, Walthamstow, London Borough of Waltham
Description
Keywords: GoTonySmith,HotpixUK,England,London,city,centre,central,E17,at,UK,E17 7LP,bus,buses,red,Borisbus,depot,fleet,of,vehicle,vehicles,route,routes,Stagecoach,company,W11,Chigford Hall Estate,275,Barkingside,livery,parked,waiting,borough,district,transport,transportation,public,public transport,TfL,Routemasters,interchange
Description: Tony Smith image Alamy 2R3YABP - Walthamstow Central bus station on Selborne Road in the London Borough of Waltham Forest is a busy east London interchange where red Transport for London double-decker buses gather beside the Underground and London Overground station. In this street scene, route 275 is shown for Barkingside while route 55 buses are also visible, illustrating the dense network linking Walthamstow with neighbouring districts and central London. The 275 serves destinations including Woodford, Woodford Green, Chigwell Road and Barkingside, while the 55 provides a direct cross-city connection towards Oxford Circus through areas such as Clapton, Hackney and Old Street. The foreground vehicle is a New Routemaster, commonly nicknamed the Boris bus or Borisbus because the design was strongly associated with Boris Johnson during his period as Mayor of London. Developed for Transport for London and built by Wrightbus in Ballymena, Northern Ireland, the New Routemaster entered passenger service in 2012 and became one of the most recognisable additions to the capital's streets during the 2010s. Its rounded glazing, red bodywork and distinctive front profile deliberately echoed the cultural status of the classic AEC Routemaster while introducing modern low-floor access, hybrid technology and contemporary passenger accommodation. Walthamstow Central itself is an important multimodal transport hub, connecting the Victoria line, London Overground services and numerous bus routes serving Waltham Forest and surrounding north-east London districts. The concentration of buses reflects Walthamstow's role as a major residential, retail and commuting centre, particularly around Selborne Road, Hoe Street and the town centre. Images of everyday bus operations here document London public transport, urban mobility, sustainable travel, commuting culture, road traffic and the continuing visual importance of the iconic red double-decker bus in the identity of the capital and British street life.
Selborne Road, Walthamstow, London, E17 7LP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,L1 7AZ,English,1880-1960,the,on,floor,marble,of,city,centre,Liverpool,Anglican,Cathedral,famous,architects,Scotts,new,plans,plan,Gothic,tradition,with,modernism,architecture,popular,landmarks,landmark,Roman Catholic,cathedral,icon,iconic
Description: Tony Smith image Alamy 2PKA5M6 - Sir Giles Gilbert Scott OM RA FRIBA (9 November 1880 “ 8 February 1960) was a British architect He was noted for his blending of Gothic tradition with modernism, making what might otherwise have been functionally designed buildings into popular landmarks.
Born in Hampstead, London, Scott was one of six children and the third son of George Gilbert Scott Jr. and his wife, Ellen King Samson. His father was an architect who had co-founded the architecture and interior design company Watts & Co. in 1874. His paternal grandfather was Sir (George) Gilbert Scott, a more famous architect, known for designing the Albert Memorial and the Midland Grand Hotel at St Pancras Station
In 1901, while Scott was still a pupil in Moore's practice, the diocese of Liverpool announced a competition to select the architect of a new cathedral. Two well-known architects were appointed as assessors for an open competition for architects wishing to be considered. G. F. Bodley was a leading exponent of the Gothic revival style, and a former pupil and relative by marriage of Scott's grandfather
In 1903, the assessors recommended that Scott should be appointed. There was widespread comment at the nomination of a 22-year-old with no existing buildings to his credit.
In 1910 Scott realised that he was not happy with the main design, which looked like a traditional Gothic cathedral in the style of the previous century. He persuaded the cathedral committee to let him start all over again (a difficult decision, as some of the stonework had already been erected) and redesigned it as a simpler and more symmetrical building with a single massive central tower instead of the original proposal for twin towers. Scott's new plans provided more interior space. At the same time Scott modified the decorative style, losing much of the Gothic detailing and introducing a more modern, monumental style
Liverpool Anglican Cathedral, St James Mt, Church of England Cathedral of the Diocese of Liverpool,
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,Germany,Rhineland-Palatinate,centre,candidates,pink,board,advert,advertising promotion,promoting,runoff,vote,voting,mayor,running,campaign,campaigning,first,OB,elections,promotion,lost,losers,defeated,runner up,runners up,failed,Social Democratic Party,female,woman,lady,Jetzt Jungenfeld,now,for
Description: Tony Smith image Alamy 2RKGH96 - Taken on 21 Feb 2023, this photograph shows Now - Jetzt Jungenfeld Mainz city politician, SPD political candidate poster - Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany. The location is Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany. The picture is not just a record shot: it contains visible signage, colour, materials, location clues and everyday street detail that make the image more specific than a generic stock photograph. Mainz Fastnacht is one of Germany's major carnival traditions, combining political humour, costumes, parades, pub events and local identity in the Rhineland-Palatinate capital. The Mainz election posters document everyday democratic campaigning, party branding, street advertising and local politics during the 2023 mayoral contest. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include 55122 Mainz, Mainz, Mombacher Strasse. 61, Mombacher Strasse, candidate, poster, political, politician, SPD, Mareike von Jungsfeld, city, Germany, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes.
Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,Germany,fastnacht,Meenzer Fassenacht,city,carnival,Rhineland-Palatinate,Ludwigsstraße,MZ,fun,celebration,tourist,tourism,centre,Feb 2023,Shrove Monday,lady,female,protest,protests,Iran,Iranian,the,using,a,satirical,political,Islamic Republic,Mahsa Amini,womans,rights,womans movement,Kasra hospital,morality police,hijab law,brutal,imprisonment,hijab,MCV
Description: Tony Smith image Alamy 2NJ08TR - More at https://www.theguardian.com/global-development/2022/sep/23/mahsa-amini-death-could-be-spark-broader-political-action-iran
Mahsa Amini's death could be the spark that ignites Iran around women's rights
Weronika Strzyżyńska
On the day that news of Mahsa Amini's death spread throughout Iran, a young woman with a shaved head joined protesters who had gathered outside Kasra hospital, where Amini had lain in a coma since her violent arrest by Iran's morality police days earlier.
In her hand she carried a plastic bag full of her long hair, shorn off in a gesture of solidarity with Amini and in defiance of the increasing crackdown on women by the regime.
A week later, and protests sparked by Amini's death are raging in the province of Kurdistan and Tehran as well as cities such as Rasht, Isfahan and Qom, one of Iran's most religiously conservative cities.
The rage across Iran at the brutal pointlessness of Amini's death has lit the fires of protest and the increasing desperation of the authorities to extinguish it are, some believe, a sign of the growing strength and momentum of Iran's women's rights movement.
Women's issues have long been a catalyst for broader political action in Iran, said Annabelle Sreberny, professor emeritus at the Iranian Studies Centre at Soas University of London. This could be it. It could be the moment when people motivated by all the problems facing Iran today, like rising inflation, ecological crisis and lack of democratic participation, coalesce around these women's issues to challenge the regime.
During the past week women have been at the forefront of many of the demonstrations, shaving their heads and burning their headscarves in defiance of the strict hijab law and its brutal enforcement that led to 22-year-old Amini's arrest and allegedly her death.
The women's movement in Iran started in the first month of the Islamic Republic and has been simmering for at least the last 20 years, said Sreberny.
Ludwigsstraße 11, Mainz, Germany, Mainz, Rhineland-Palatinate, Germany, 55116
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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,post tower,posttower,Mainz-Bingen,district,in,Germany,pano,panorama,over,town,city,gorge,tourist,tourism,attraction,walking,tour,cycle,cycling,centre,architecture,view,to,the,Rhine,river,St Peter,church,spires,streets,wide,skyline,townview
Description: Tony Smith image Alamy 2PJ0YY4 - Bacharach (pronunciation (help·info), also known as Bacharach am Rhein) is a town in the Mainz-Bingen district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde of Rhein-Nahe, whose seat is in Bingen am Rhein, although that town is not within its bounds.
The original name Baccaracus suggests a Celtic origin. Above the town stands Stahleck Castle (Burg Stahleck), now a youth hostel.
Geography
Location
The town lies in the Rhine Gorge, 48 km south of Koblenz.
Constituent communities
Bacharach is divided into several Ortsteile. The outlying centre of Steeg lies in the Steeg Valley (Steeger Tal) off to the side, away from the Rhine. This glen lies between Medenscheid and Neurath to the south and Henschhausen to the north on the heights.
History
In the early 11th century, Bacharach had its first documentary mention. It may have been that as early as the 7th century, the kingly domain passed into Archbishop of Cologne Kunibert's ownership
pointing to this is a Kunibertskapelle (chapel) on the spot where now stands the Wernerkapelle. The Vögte of the Cologne estate were the Elector of the Palatinate, who over time pushed back Cologne's influence.
Caring for and maintaining Bacharach's building monuments, spurred on in the early 20th century by the Rhenish Association for Monument Care and Landscape Preservation (Rheinischer Verein für Denkmalpflege und Landschaftsschutz) which took on the then highly endangered town wall and Stahleck Castle ruin jobs, and the great dedication of the state of Rhineland-Palatinate to the Wernerkapelle have seen to it that Bacharach is still a jewel of the Rheinromantik and a multifaceted documentary site of mediaeval architecture on the Middle Rhine. The Wernerkapelle ruin is under monumental protection and before it a plaque has been placed recalling the inhuman crimes against Jewish residents and also containing a quotation from a prayer by Pope John XXIII for a change in Christians' thinking in their relationship
Bacharach, Bacharach am Rhein,, Mainz-Bingen district, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,Authentic,Far East,South east Asia,Master Wok,Chinese,romance
Description: Tony Smith image Alamy 2MA7N05 - . This location-specific image from 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. A broader reading of the photograph includes period detail, balanced breakfast, everyday life, bricks-and-mortar business, changing land use, historical comparison, dietary fibre, small-business culture, consumer retail, changing streetscape, local character, commercial frontage, visual archive, and healthy eating. For current editorial use, cost of living and food prices provide additional context, especially through how fruit and whole grains fit dietary guidance around fibre and micronutrients. Current relevance extends to consumer spending and town-centre regeneration, particularly through how commercial property shifts between retail, leisure and residential use. Small period details of equipment and working practice at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP may become more significant with time, particularly following new ownership. The subject also sits alongside fruit-topped cereal, documentary photography, town-centre economy, morning meal, brand display, regional identity, fresh fruit breakfast, and breakfast nutrition. Elements such as Asian-themed, 85-97, Market, Liverpool, and Renshaw add documentary specificity and may become increasingly useful when compared with later records. Around 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The record includes evidence of earlier appearance as a date-specific reference.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,L1 1QR,night,evening,winter,shoppers,at,signage,door,outside,exterior,mall,B&M,Costa,Quarters,Bon,Boots,McDonalds,Vision Express,The Gym,group,VIP Electronic Cigarettes,retailers,shop,shopping centre,shopping centres,stores,city,centre,shops,main,shopping,area
Description: Tony Smith image Alamy 2P4JXJ1 - . Recorded at Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Dusk shoppers at Clayton Square shopping centre glass roof canopy, Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR. Another layer of the photograph includes changing streetscape, documentary photography, local character, specialist shop, place identity, customer footfall, community identity, period detail, regional identity, contemporary social history, social history, visual archive, shopfront economy, and commercial frontage. Today's relevance is strengthened by footfall, business rates and the continuing question of how commercial property costs affect small retailers. Small period details of period objects and surrounding context at Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR may become more significant with time, particularly following altered transport patterns. The subject also sits alongside before-and-after reference, specialist retailer, high-street commerce, public realm, archival record, local history, small business, and independent retail. The combination of centre, Liverpool, Merseyside, shoppers, and glass anchors the frame to a recognisable activity, place or moment. For Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of footfall and the contribution of independents to distinctive high streets within the real-world context of Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR. The period view preserves period character as a date-specific reference. The view records a trace of local identity for later comparison.
Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,dusk,observation,icon,iconic,Eurovision,2023,host,mall,Financial Partners,owned,owners,125,L1 1LY,L1,St Johns Beacon,Viewing,Gallery,beacon,tower,James A. Roberts,Associates,Eurovision2023,retailers,shop,shopping centre,shopping centres,exterior,stores,city,centre,shops,main,shopping,area
Description: Tony Smith image Alamy 2P4JXJ8 - Radio City Tower (also known as St. John's Beacon) is a radio and observation tower in Liverpool, England, built in 1969 and opened by Queen Elizabeth II. It was designed by James A. Roberts Associates in Birmingham. It is 138 metres tall, and is the second tallest free-standing building in Liverpool and the 32nd tallest in the United Kingdom.
When considering the height of the building, it has a 10m long antenna on the roof, making it the tallest structure in Liverpool (including antennas).
As testament to the importance of its design, which was described by Historic England as embodying the technological bravura and spirit of the space age , the building was listed at Grade II in November 2020.
The tower takes its name from the main radio station that operates from it, Radio City and its sister station Greatest Hits Radio Liverpool & The North West
125 St George's Way, Liverpool, Merseyside, England, UK, L1 1LY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,pork,wurst,cook,cooking,food,poisoning,Festive,cooked,meat,meats,L1,St Georges,pl,place,England,UK,L1 1JJ,sign,visit,tourist,tourism,William Brown,st,street,festive,offerings,offering,eating,out,nightlife,trader,traders
Description: Tony Smith image Alamy 2M1F5KA - . This authentic period view of St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through Liverpool German Christmas market swing grill at St Georges hall 2022, St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. The subject also carries associations with specialist retailer, bricks-and-mortar retail, retail property, shopfront economy, local history, high-street commerce, independent retail, archival record, small business, specialist shop, street-level business, local character, town-centre trading, and historical comparison. Viewed from the mid-2020s, the subject also connects with consumer spending, store closures and how commercial property costs affect small retailers. For later comparison, the photograph preserves signage and branding at St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ, details that may look very different after new ownership. Other useful contextual ideas include local enterprise, visual archive, changing streetscape, before-and-after reference, place identity, public realm, social history, and changing land use. Elements such as Georges, George's, Merseyside, swing, and Liverpool add documentary specificity and may become increasingly useful when compared with later records. A later view of St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes consumer spending and how commercial property costs affect small retailers within the specific setting of St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. It also preserves evidence of changing use before later change alters the scene. The photograph keeps evidence of earlier appearance as a date-specific reference.
St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,pork,wurst,cook,cooking,food,poisoning,Festive,cooked,meat,meats,L1,St Georges,pl,place,England,UK,L1 1JJ,piled,up,hygiene,rating,safe,mobile,catering,caterer,outdoor,eating,festive,re-heating,cooling,pest,control,trader,traders
Description: Tony Smith image Alamy 2M1F5KD - . Recorded at St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. At the centre of the view is Liverpool German Christmas market swing grill at St Georges hall 2022, St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. Another layer of the photograph includes period detail, social history, local history, independent retail, regional identity, shopfront economy, documentary photography, local character, small business, place identity, historical comparison, specialist shop, bricks-and-mortar retail, and visual archive. The wider contemporary story combines commercial rents, independent business and the contribution of independents to distinctive high streets. The archival value lies partly in recording building condition and alterations around St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ before altered transport patterns alters the character of the place. The location also brings in high-street commerce, contemporary social history, community identity, customer footfall, before-and-after reference, specialist retailer, retail property, and local enterprise. The recorded references to German, grill, George's, Christmas, and Merseyside preserve clues about how the subject was presented, used or understood at the time. The period setting at St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate commercial rents and how shopfronts become short-lived records of changing businesses within the real-world context of St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. The image fixes details of everyday use as a date-specific reference. It also preserves evidence of changing use for later comparison.
St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,pork,wurst,cook,cooking,food,poisoning,Festive,cooked,meat,meats,L1,St Georges,pl,place,England,UK,L1 1JJ,piled,up,hygiene,rating,safe,mobile,catering,caterer,outdoor,eating,festive,re-heating,cooling,pest,control,traceability
Description: Tony Smith image Alamy 2M1F5KK - . An on-location photograph from St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The location is represented through Liverpool German Christmas market swing grill at St Georges hall 2022, St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. The locality and subject together evoke changing land use, community identity, high-street commerce, changing streetscape, shopfront economy, specialist retailer, bricks-and-mortar retail, social history, archival record, street-level business, customer footfall, everyday life, public realm, and historical comparison. From a 2025-onward perspective, business rates and commercial rents are closely linked to this subject, alongside the contribution of independents to distinctive high streets. For later comparison, the photograph preserves public access and movement at St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ, details that may look very different after refurbishment. The location also brings in regional identity, contemporary social history, place identity, commercial frontage, independent retail, town-centre trading, visual archive, and period detail. Elements such as Merseyside, market, swing, grill, and Georges add documentary specificity and may become increasingly useful when compared with later records. The period setting at St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of business rates and how shopfronts become short-lived records of changing businesses within the specific setting of St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. The view records a trace of local identity for later comparison.
St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,Lionel Budden,St Georges Plateau,WWI,WWII,St Georges,military,Grade II,listed building,L1,L1 1JJ,poppy,wreaths,remembrance day,we will,remember,them,drama,dramatic,history,historic,poppies,army,dead,forces,stone,memorial,marching,troop,troops,brigade,a,mighty
Description: Tony Smith image Alamy 2M1F5KP - Liverpool Cenotaph stands on St George's Plateau, to the east of St George's Hall in Liverpool, England. It was erected as a memorial to those who had fallen in the First World War. The dates of the Second World War were subsequently added. The cenotaph consists of a rectangular block of stone on a stone platform, with bronze, low-relief sculptures on the sides depicting marching troops and mourners. It was designed by Lionel Budden, with carving by Herbert Tyson Smith. Initially designated as a Grade II listed building, its status was raised to Grade I in 2013.
Liverpool Cenotaph stands on St George's Plateau, to the east of St George's Hall in Liverpool, England. It was erected as a memorial to those who had fallen in the First World War. The dates of the Second World War were subsequently added. The cenotaph consists of a rectangular block of stone on a stone platform, with bronze, low-relief sculptures on the sides depicting marching troops and mourners. It was designed by Lionel Budden, with carving by Herbert Tyson Smith. Initially designated as a Grade II listed building, its status was raised to Grade I in 2013.
The cenotaph was designated as a Grade II listed building on 28 June 1952. On 8 November 2013, the designation was raised to Grade I. The reasons given for the designation include its design context with its impressive location adjacent to St George's Hall. Also noted is the architectural interest of the cenotaph, with its horizontal lines forming a foil to the vertical columns of the hall. Referring to its sculptural interest, the citation states that the sculptural work is exceptional and is arguably Tyson Smith's finest and most powerful work. The design is considered to have contemporary significance in that rather than using allegory and heroic idealisation, it employs powerful and modern realist portrayals. The quality of its craftsmanship is praised, and it is also to have group value in its location near other listed buildings
Lime Street, Liverpool, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,YO1 6GD,of,and,metropolitan church,architecture,stonework,Archbishop of York,archbishop,dean,chapter,York,tower,towers,tree,trees,greenery,autumn,blue sky,history,historic,heritage,classic,city,centre,travel,tourist,attraction,attractions,travellers,old,medieval,preserved
Description: Tony Smith image Alamy 2K7NBKH - The Cathedral and Metropolitical Church of Saint Peter in York, commonly known as York Minster, is the cathedral of York, North Yorkshire, England, and is one of the largest of its kind in Northern Europe. The minster is the seat of the Archbishop of York, the third-highest office of the Church of England (after the monarch as Supreme Governor and the Archbishop of Canterbury), and is the mother church for the Diocese of York and the Province of York. It is run by a dean and chapter, under the Dean of York. The title minster is attributed to churches established in the Anglo-Saxon period as missionary teaching churches, and serves now as an honorific title
the word Metropolitical in the formal name refers to the Archbishop of York's role as the Metropolitan bishop of the Province of York. Services in the minster are sometimes regarded as on the High Church or Anglo-Catholic end of the Anglican continuum.
The minster was completed in 1472 after several centuries of building. It is devoted to Saint Peter, and has a very wide Decorated Gothic nave and chapter house, a Perpendicular Gothic quire and east end and Early English North and South transepts. The nave contains the West Window, constructed in 1338, and over the Lady Chapel in the east end is the Great East Window (finished in 1408), the largest expanse of medieval stained glass in the world. In the north transept is the Five Sisters window, each lancet being over 53 feet (16.3 m) high. The south transept contains a rose window, while the West Window contains a heart-shaped design colloquially known as The Heart of Yorkshire.
On 9 July 1984, York Minster suffered a serious fire in its south transept during the early morning hours. Firefighters made a decision to deliberately collapse the roof of the South Transept by pouring tens of thousands of gallons of water onto it, in order to save the rest of the building from destruction
City of York, Yorkshire, England, UK, YO1 6GD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,on,river,Ouse,at,Yorkshire,England,UK,of,sail,sailing,down,the,YO1,architectural,treasures,wonderful,preserved,medieval,old,travellers,travel,tourist,attraction,attractions,centre,city,classic,heritage,Heart of Yorkshire,historic,history,York,stonework,architecture
Description: Tony Smith image Alamy 2K7NBKM - . An identifiable period record of City of York, Yorkshire, England, UK, YO1 6GD in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. At the centre of the view is River Palace City Cruises boat on Ouse at York, Yorkshire, England, UK, YO1. The image also relates to everyday life, regional identity, blue-green corridor, contemporary social history, period detail, social history, public realm, heritage boating, local history, working waterway, managed navigation, before-and-after reference, inland navigation, and local character. Today's relevance is strengthened by volunteering, public access and the continuing question of the transition of industrial waterways toward leisure and heritage use. The image fixes building condition and alterations within City of York, Yorkshire, England, UK, YO1 6GD at one identifiable point, providing a benchmark against refurbishment. The subject also sits alongside lock flight, inland boating, waterborne transport, towpath landscape, historical comparison, canal infrastructure, changing land use, and place identity. The recorded references to Cruises, Palace, Yorkshire, and River preserve clues about how the subject was presented, used or understood at the time. A later view of City of York, Yorkshire, England, UK, YO1 6GD may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for volunteering and the transition of industrial waterways toward leisure and heritage use in a form that can be compared with future views of City of York, Yorkshire, England, UK, YO1 6GD. Another useful connection is volunteering and the role of canals as blue-green corridors for people and wildlife within the real-world context of City of York, Yorkshire, England, UK, YO1 6GD. Image 2K7NBKM also remains a dated record of City of York, Yorkshire, England, UK, YO1 6GD.
City of York, Yorkshire, England, UK, YO1 6GD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,YO1 6GD,of,and,metropolitan church,architecture,stonework,Archbishop of York,archbishop,dean,chapter,York,wall,walls,river,history,historic,heritage,classic,city,centre,travel,tourist,attraction,attractions,travellers,old,medieval,preserved,architectural,treasures,wonderful
Description: Tony Smith image Alamy 2K7NBKP - . Recorded at City of York, Yorkshire, England, UK, YO1 6GD in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows York Minster, cathedral, and metropolitical church of Saint Peter, wall and river seen from City of York, Yorkshire, England, UK, YO1 6GD. The image also relates to everyday life, changing streetscape, ecclesiastical architecture, place identity, archival record, contemporary social history, historic church fabric, changing land use, Christian heritage, documentary photography, historical comparison, period detail, church interior, and before-and-after reference. The modern context includes continuing discussion of heritage conservation, accessibility and how sacred spaces adapt to changing attendance and wider community use. The image fixes materials and architectural details within City of York, Yorkshire, England, UK, YO1 6GD at one identifiable point, providing a benchmark against altered transport patterns. A second descriptive layer includes religious landmark, ecclesiastical art, faith community, parish history, heritage worship space, regional identity, sacred architecture, and religious heritage. The combination of cathedral, church, Yorkshire, Minster, and Saint anchors the frame to a recognisable activity, place or moment. Around City of York, Yorkshire, England, UK, YO1 6GD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to heritage conservation and how sacred spaces adapt to changing attendance and wider community use in a form that can be compared with future views of City of York, Yorkshire, England, UK, YO1 6GD. The photograph keeps period character as part of City of York, Yorkshire, England, UK, YO1 6GD's history.
City of York, Yorkshire, England, UK, YO1 6GD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wolverhampton,city,centre,West Midlands,England,UK,1209,stall,stalls,shopper,at,open,air,veg,WV3,WV3 0NL,entrance,gate,bike,logo,brand,blue,entry,established,1204,charter,markets,Wolverhampton market,Wolverhampton markets,containers,area,space,district,travel poster
Description: Tony Smith image Alamy 2M6GAR6 - . This authentic period view of Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Entrance at City Of Wolverhampton market, Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL. The setting additionally reflects regional identity, small-business culture, high-street commerce, street-level trading, local character, period detail, independent retail, place identity, changing streetscape, local enterprise, historical comparison, archival record, shopfront economy, and bricks-and-mortar business. From a 2025-onward perspective, brand consolidation and consumer spending are closely linked to this subject, alongside the role of independent businesses in maintaining active town centres. Small period details of signage and branding at Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL may become more significant with time, particularly following redevelopment. The location also brings in contemporary social history, documentary photography, consumer retail, community identity, customer footfall, retail property, visual archive, and changing land use. Elements such as Midlands, Square, Wolverhampton, Entrance, and market add documentary specificity and may become increasingly useful when compared with later records. A later view of Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is brand consolidation and how commercial property shifts between retail, leisure and residential use as part of the longer story of Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL. The view records period character before later change alters the scene.
Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England,UK,Herefordshire,alcohol,drinking,fermentation,alcoholism,alcoholics,bottling,automated,bottle,automatic,filling,filler machine,Bulmers,Bulmer,cider,factory,fizzy,carbonated,carbonation,city,centre,& sons,ltd,limited,and,sons,H,brewery,engineer,engineers,heritage,machine,industry
Description: Tony Smith image Alamy 2JPDJFT - . This location-specific image from Hereford, Herefordshire, England, UK in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The main point of reference is H Pontiflex brewery engineers bottle automatic filler machine, Bulmers cider factory, Hereford, Herefordshire, England, UK. The image also relates to cider-making heritage, beverage production, changing streetscape, orchard-to-bottle industry, historic beverage advertising, drinks manufacturing, fermented drink production, cider brand history, regional identity, public realm, contemporary social history, before-and-after reference, local history, and community identity. For current editorial use, tourism and packaging provide additional context, especially through how bottling technology transformed large-scale drinks manufacturing. As a dated visual record of Hereford, Herefordshire, England, UK, the frame retains street furniture and boundaries, making it especially useful if changed technology subsequently changes the scene. A second descriptive layer includes industrial beverage equipment, regional drinks industry, bottle-filling machinery, visual archive, drinks packaging, archival record, documentary photography, and changing land use. References to Herefordshire, factory, engineers, cider, and Bulmers give the picture a strong period identity and tie it closely to its named subject. Around Hereford, Herefordshire, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is tourism and how bottling technology transformed large-scale drinks manufacturing when considered against later change at Hereford, Herefordshire, England, UK. The record includes details of everyday use for later comparison. Image 2JPDJFT also remains a dated record of Hereford, Herefordshire, England, UK.
Hereford, Herefordshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,passengers,travel,busy,central,line,train,centre,public,sitting,tubes,transit,metro,system,commuters,evening,rush,hour,rushhour,transportation,summer,in,the,city,holding,on,passenger,capital,english,red,Central Line,lines,TFL,seats
Description: Tony Smith image Alamy 2M108HX - . An on-location photograph from London, England, UK in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The main point of reference is Busy Central Line tube underground train London city centre, with passengers, England, UK. The image also relates to mass transit, archival record, station environment, integrated transport, visual archive, public realm, regional identity, rail modernisation, changing land use, railway branding, public transport network, community identity, rail mobility, and place identity. From a 2025-onward perspective, integrated transport and reliability are closely linked to this subject, alongside the archival value of railway branding and infrastructure as operators change. Small period details of landscape treatment and surrounding development at London, England, UK may become more significant with time, particularly following later reinterpretation. The wider setting retains connections with before-and-after reference, trackside heritage, commuter travel, local history, contemporary social history, documentary photography, historical comparison, and regional rail. The recorded references to underground, centre, passengers, Central, and train preserve clues about how the subject was presented, used or understood at the time. A later view of London, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate integrated transport and the role of public transport in reducing congestion and emissions within the real-world context of London, England, UK. The image also provides a reference for accessibility and how rail stations anchor city-centre mobility and regeneration within the specific setting of London, England, UK. The view records period character as part of London, England, UK's history.
London, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,London,NW1 2AR,NW1,sign,rail,ironwork,iron,history,historic,St Pancras steel sign,iron work,terminus,stations,city,centre,Victorian,heritage,railway,old,ornate,design,grate,fence,fencing,entrance,signs,dark,moody,strike,strikes,railways
Description: Tony Smith image Alamy 2K16ARM - . An on-location photograph from Euston Rd, London, England, UK, NW1 2AR in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The main point of reference is London St Pancras steel sign, at the entrance to railway terminus and hotel, Euston Rd, London, England, UK, NW1 2AR. A broader reading of the photograph includes place-making, documentary photography, industrial railway, rail infrastructure, everyday life, civic architecture, urban regeneration, adaptive reuse, signal-box architecture, changing land use, regional identity, changing streetscape, commercial redevelopment, and public-realm investment. For current editorial use, decarbonisation and rail reform provide additional context, especially through how Crewe's identity remains tied to railway engineering and operations. Current relevance extends to public-realm investment and housing pressure, particularly through how public investment can reshape pedestrian movement and evening activity. Small period details of signage and branding at Euston Rd, London, England, UK, NW1 2AR may become more significant with time, particularly following conservation work. A second descriptive layer includes historic rolling stock, working railway heritage, rail operations, local history, mechanical signalling, mixed-use redevelopment, freight wagon, and trackside history. The recorded references to entrance, Euston, steel, railway, and London preserve clues about how the subject was presented, used or understood at the time. For Euston Rd, London, England, UK, NW1 2AR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is decarbonisation and the contrast between mechanical railway systems and digital signalling when considered against later change at Euston Rd, London, England, UK, NW1 2AR.
Euston Rd, London, England, UK, NW1 2AR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,UK,city,centre,NW,China,community,arch,M1,46,Manchester,M1 4FH,history,heritage,Asia,link,links,Hong Kong,HK,historical,landmark,built,paifang,architectural,Manchester Chinatown Community Group,the,Imperial Chinese Archway,decoration,ceramics,lacquer,paint,gold leaf.
Description: Tony Smith image Alamy 2JGJEEJ - One of Chinatown's most noticeable landmarks is the archway on Faulkner Street. The paifang, underneath which road traffic passes, was specially built in China and shipped over in three containers. Construction commenced over Christmas 1986 and was completed by Easter 1987, a year after the city of Manchester was twinned with Wuhan. The structure was a gift from Manchester City Council to the Chinese community, and is adorned with dragons and phoenixes.
After many years exposed to the elements, the arch required restoration work to be undertaken
netting was wrapped around a part of the structure to prevent further tiles from dislodging. The Manchester Chinatown Community Group undertook a series of charity events, including a dry land dragon boat race in June 2012. In early 2013 the archway was repaired by Manchester and Cheshire Construction Company. It is the only one in Europe and regarded as more decorative than the one in San Francisco. Designed and built by a team of engineers from Peking, it is decorated with ceramics, lacquer, paint and gold leaf.
46 Faulkner St, Manchester, England, UK, M1 4FH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,UK,city,centre,NW,China,community,arch,M1,46,Manchester,M1 4FH,history,heritage,Asia,link,links,Hong Kong,HK,historical,landmark,built,paifang,architectural,Manchester Chinatown Community Group,the,Imperial Chinese Archway,decoration,ceramics,lacquer,paint,gold leaf.
Description: Tony Smith image Alamy 2JGJEET - One of Chinatown's most noticeable landmarks is the archway on Faulkner Street. The paifang, underneath which road traffic passes, was specially built in China and shipped over in three containers. Construction commenced over Christmas 1986 and was completed by Easter 1987, a year after the city of Manchester was twinned with Wuhan. The structure was a gift from Manchester City Council to the Chinese community, and is adorned with dragons and phoenixes.
After many years exposed to the elements, the arch required restoration work to be undertaken
netting was wrapped around a part of the structure to prevent further tiles from dislodging. The Manchester Chinatown Community Group undertook a series of charity events, including a dry land dragon boat race in June 2012. In early 2013 the archway was repaired by Manchester and Cheshire Construction Company. It is the only one in Europe and regarded as more decorative than the one in San Francisco. Designed and built by a team of engineers from Peking, it is decorated with ceramics, lacquer, paint and gold leaf.
46 Faulkner St, Manchester, England, UK, M1 4FH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,UK,city,centre,NW,China,community,Super-market,red,blue,electric,Chinese,food,foods,special,specialties,ingredient,ingredients,M1,58-60,George Street,Manchester,M1 4HF,town,Asian,Asia,superstore,store,shop,traditional,late night,night,shelves
Description: Tony Smith image Alamy 2JGJEEX - . Neon signs in Manchester Chinatown, Hang Won Hong Super-market, 58-60 George St, Manchester, England, UK, M1 4HF. Photographed on 29 June 2022. Supermarket specialising in Asian ingredients and meals, selling fresh/frozen food and sauces.
Service options: In-store shopping · In-store pick-up · Delivery. Looking at the subject's development, shops and markets are a visible record of changing consumer life, from family businesses and specialist traders to chain stores, department stores and regenerated market halls
Fascias, signs and shopfronts can date a street scene as clearly as architecture or vehicles. Looking at the subject's development, town and city centres are continually rewritten by new structures, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. As background, ephemeral design is especially valuable to social historians because it was created for immediate use rather than posterity
A ticket, label or novelty card can reveal contemporary humour, branding, consumer habits and printing style in a compact object. For the 2026 context, high streets continue to change rapidly as retailers respond to online competition, costs and changing footfall
Government support for community assets and town-centre renewal gives photographs of independent shops, markets and former businesses added relevance to stories about regeneration and community economies. For the 2026 context, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way. Relevant synonyms and subject phrases include retail premises, local business, independent retailer, town centre, and consumer culture.
58-60 George St, Manchester, England, UK, M1 4HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M2,Manchester M2 5PD,Xmas,decorations,history,Christmas,outside,Christmas hat,on a,Santa,hat,cap,MCR,Manchester,city,centre,Central Library,library,St Peters,Peter,square,Sq,seasonal,decorated,golden,sparkle,sparkly,historic,exterior,display,displays,art,arts,artistic
Description: Tony Smith image Alamy 2ADR2B5 - . A grounded documentary photograph made at St Peter's Square, Manchester,England,UK, M2 5PD in 2019, preserving the main subject alongside smaller details that may become more historically useful with time. The view centres on Christmas hat on a MCR,Christmas decorations,outside Manchester Central Library,St Peter's Square, Manchester M2 5PD. A broader reading of the scene brings in social history, archival record, architectural character, visual archive, heritage landmark, before-and-after reference, built heritage, changing streetscape, period detail, place identity, everyday life, historical comparison, historic commercial architecture, and local history. For contemporary context, energy retrofit and planning control are closely related themes, especially where the issue becomes the contrast between preservation and redevelopment. Looking back from the mid-2020s, the photograph anchors small features of identity that written records may overlook in the immediate surroundings of St Peter's Square, Manchester,England,UK, M2 5PD. The surrounding context also covers regional identity, historic townscape, adaptive reuse, period building, traditional masonry, conservation interest, architectural detailing, and cityscape history. References to decorations, Central, outside, Peter's, and Square help fix the photograph to its own subject and period rather than reducing it to a generic view. The surrounding context at St Peter's Square, Manchester,England,UK, M2 5PD matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is energy retrofit and the contrast between preservation and redevelopment when considered against later change at St Peter's Square, Manchester,England,UK, M2 5PD. The image fixes evidence of earlier appearance as part of St Peter's Square, Manchester,England,UK, M2 5PD's history.
St Peter's Square, Manchester,England,UK, M2 5PD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,Did you know,passenger,commuters,poster,cheapest,train tickets,Liverpool transport,transport,franchise,TOC,Lime Street,Lime St,Merseyrail poster,advert,promotion,subway,underground,Liverpool subway,Merseyside,North West England,cheap,travel,public,city,centre,yellow,MerseyTravel,Mersey Travel,Liverpool,L1 1JD,L1
Description: Tony Smith image Alamy 2AGPHA1 - . A dated documentary view of Lime Street, Liverpool, Merseyside, England, UK, L1 1JD in 2019, recording the subject as it appeared at that point rather than as a generic stock illustration. The principal point of reference is Merseyrail - Buy the cheapest train tickets to anywhere, poster in Lime st station, Liverpool , Merseyside, North West England, UK. The setting also relates to architectural character, rail transport, built heritage, local character, public realm, changing land use, heritage asset, historic townscape, period streetscape, conservation architecture, everyday life, archival record, heritage landmark, and period building. Viewed from the mid-2020s, the subject sits within continuing debate about integrated transport, rail reform and linking trains more effectively with other transport. The present-day relevance extends to historic townscape and heritage conservation, while a wider concern is the contrast between preservation and redevelopment. Looking back from the mid-2020s, the image captures the visual character of the locality at the time in this part of Lime Street, Liverpool, Merseyside, England, UK, L1 1JD. A second layer of the scene includes cityscape history, transport interchange, trackside infrastructure, historical comparison, railway branding, conservation interest, historic context, and regional identity. Details involving tickets, poster, Merseyside, station, and Merseyrail give the scene useful specificity and strengthen its local, cultural or historical identity. Around Lime Street, Liverpool, Merseyside, England, UK, L1 1JD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The location additionally provides evidence of integrated transport and making rail simpler and more dependable when considered against later change at Lime Street, Liverpool, Merseyside, England, UK, L1 1JD.
Lime Street, Liverpool, Merseyside, England, UK, L1 1JD
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Victorian,office,offices,warehouse,Watts Bros Manchester,Monochrome,Black and White,mono,Watts Brothers,English Heritage Legacy ID,388270,English Heritage Legacy ID 388270,SJ8498SE,LEVER STREET,698-1/29/206 (South East side),Listing NGR SJ8457498405,Hardware,and,furniture,brothers,M1 1DW,M1,centre,Ancoats,history,historic,Lever Street,Lever St,buildings
Description: Tony Smith image Alamy RFF632 - Hardware and furniture warehouse, now offices. Dated 1898 at
3rd floor
altered. Red brick in Flemish bond, with red
sandstone dressings, slate roof. Rectangular plan at
right-angles to street, with loading bay at rear. Free
Elizabethan style. Basement, 4 storeys and attic, 4 bays, with
plinth, cornice over ground floor, slightly-projected outer
bays with tall shaped gables, and chamfered shafts piercing a
prominent cornice. The ground floor has a large round-headed
doorway to the left, with convex jambs, moulded head and
keystone cartouche lettered 24, and a prominent cornice on
elongated consoles
a mullioned 2-light window to the right
over a basement doorway and 2 altered windows further right.
On the upper floors the 2 centre bays have 3-storey
elliptical-headed arches with 3-light wndows to all floors,
the outer bays have vertical-rectangular windows, with
panelled aprons at 2nd floor and large carved aprons at 3rd
floor lettered respectively 18 and 98. The attic has
3-light mullioned windows in the centre bays and vertical
windows in the gables with ornamental architraves including
oculi in steeply-swept gables finished with small segmental
pediments. The right-hand return wall has 2 bays in matching
style, continued with an 8-window range of white glazed brick,
carried down to 2 storeys at the rear, which has a parallel
loading bay.
Bunsen St, Manchester, England, UK, M1 1DW
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Victorian,office,offices,warehouse,Watts Bros Manchester,Watts Brothers,English Heritage Legacy ID,388270,English Heritage Legacy ID 388270,SJ8498SE,LEVER STREET,698-1/29/206 (South East side),Listing NGR SJ8457498405,Hardware,and,furniture,brothers,M1 1DW,M1,centre,Ancoats,history,historic,Lever Street,Lever St,now,listed,building
Description: Tony Smith image Alamy RFF633 - Hardware and furniture warehouse, now offices. Dated 1898 at
3rd floor
altered. Red brick in Flemish bond, with red
sandstone dressings, slate roof. Rectangular plan at
right-angles to street, with loading bay at rear. Free
Elizabethan style. Basement, 4 storeys and attic, 4 bays, with
plinth, cornice over ground floor, slightly-projected outer
bays with tall shaped gables, and chamfered shafts piercing a
prominent cornice. The ground floor has a large round-headed
doorway to the left, with convex jambs, moulded head and
keystone cartouche lettered 24, and a prominent cornice on
elongated consoles
a mullioned 2-light window to the right
over a basement doorway and 2 altered windows further right.
On the upper floors the 2 centre bays have 3-storey
elliptical-headed arches with 3-light wndows to all floors,
the outer bays have vertical-rectangular windows, with
panelled aprons at 2nd floor and large carved aprons at 3rd
floor lettered respectively 18 and 98. The attic has
3-light mullioned windows in the centre bays and vertical
windows in the gables with ornamental architraves including
oculi in steeply-swept gables finished with small segmental
pediments. The right-hand return wall has 2 bays in matching
style, continued with an 8-window range of white glazed brick,
carried down to 2 storeys at the rear, which has a parallel
loading bay.
Bunsen St, Manchester, England, UK, M1 1DW
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,paste ups,stickers,tags,from,in various colours,artist,Ready to use,Wheatpaste,pop art,street art,Out House project,OutHouse project,street-art,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,graffiti,art,figures,Northern Quarter,NorthernQuarter,colourful,colorful,colours
Description: Tony Smith image Alamy RFF638 - Here's a little insight into the world of D7606
Picking spots is not always easy, a lot of areas like the east end of London are quite saturated with street art, finding a spot without going over other peoples work and tags is always a priority. Being respectful to others work is very important to me. So I like to find new spots and go into areas where no one has been before, I did a series of Bollywood actors and found myself in a busy Southall one night, that was fun. I have been into the urbex spots around Sheffield where the spray can and letters are king, so adding brightly coloured paste ups to those grimy walls is a risk and one I'm glad I have taken, some will approve and others will not but that's the joy of trying new places.
Mostly I am a lover of other peoples work and my photography of that work is how I find different neighbourhoods. Most areas are well know so often I just wander around taking photos, this then gives me that opportunity to do my own work too. I guess my favourite areas right now are Sheffield in the UK and Kreuzberg in Berlin, the back streets are full of grimy walls and doors, a perfect place for paste ups, stickers and tags..
I love those iconic British symbols, ask an American to name an iconic British symbol and a lot will say our red phone box or post box. They featured in my first work and still do in a big way.
Oh yes, I love to take those iconic British symbols abroad, I have travelled a fair bit in the last year- France, Germany and the USA. Hard to say a favourite place really, all have great art and great spots. Overall New York was the most impressive but maybe that was a size thing? It is massive, so much to see and so much good original work around.
Have you ever got in trouble with the police or other people for putting up your work?
Ha¦ oh no, everything I do is within the law !!! I am sure I have annoyed people with my work, some artists are honest enough to say¦ stop !! That's too much !! or that latest work
Stevenson Square, Northern Quarter,Manchester, England, UK , M1 1DN
Description
Keywords: @HotpixUK,HotpixUK,German,Mainz,Rhineland,Rhine,City Centre,Deutschland,city,Landeshauptstadt,55116,Europe,celebration,celebrate,centre,city centre,fools,figures,Meenzer,people,1967,Blasius Spreng,art,artist,kunst,monument,cityscape,tradition,mythology,stories,Father Rhine,the monk,man with the blockhead,blockhead,Till Eulenspiegel,city goddess,Mogontia,purse scrubber,GoTonySmith,fastnacht
Description: Tony Smith image Alamy RGGE73 - The Mainz Carnival (Mainzer Fastnacht) is a months-long citywide carnival celebration in Mainz, Germany that traditionally begins on 11 November but culminates in the days before Ash Wednesday in the spring.
It is one of the largest carnival events in Germany and, along with the Cologne and Düsseldorfer carnivals, Mainz is one of the three cities prominent in the rhenish carnival tradition. Aside from the celebrations, parades, and jollity which are typical of carnival traditions in many countries, the Mainz carnival has an unusual emphasis on political and literary humor and commentary.
The fountain is vitally important to all real Meenzer (people from Mainz): Every year on 11/11, all people celebrating Carnival in Mainz (fools) gather here when the clock on the balcony of the facing Osteiner Hof (Court of Ostein) strikes 11:11 p.m., which marks the fifth season of Carnival. The carnival is traditionally opened with the announcement of the 11 carnival laws.
The 8.50 metre-high carnival fountain, unveiled in 1967, designed by Blasius Spreng, is a comparatively young monument in Mainz. Nevertheless, you can't imagine it not being in the cityscape. With over 200 figures from carnival and mythology, it is a symbol of typical Mainz joie de vivre
Detailaufnahme des Fastnachtsbrunnens von unten
Detailed view of the fountain© Landeshauptstadt Mainz
Look a little closer - which figures do you recognise? Father Rhine, the monk and the man with the blockhead, the cat, Till Eulenspiegel and the city goddess, Mogontia, the purse scrubber and the paragraph rider. They are all examples of the variety of fantasy motifs that populate the Carnival fountain.
During the 19th century celebrants began using the carnival as an opportunity to mock the military forces occupying the city's fortress. The uniforms of the carnival guards are still reminders of the uniforms of the Austrian, Prussian, and French troops which were present in the town between 1792 and 1866.
Fastnachtsbrunnen, Landeshauptstadt , Schillerpl., 55116 Mainz, Germany, Europe
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,New York City,fries,authentic,food,servings,large,eat,eats,eatery,restaurant,restaurants,New York diner,Brooklyn,centre,center,Manhattan New York,american,dining,going out,out,the,outside,exterior,front,entrance,summer
Description: Tony Smith image Alamy 2AFK6Y8 - . A dated documentary view of 212 W 57th St, New York, NY 10019, United States in 2018, recording the subject as it appeared at that point rather than as a generic stock illustration. The principal point of reference is USA Brooklyn Diner, Times Square,New York City, Manhattan, NY , United States. The photograph also reflects seasonal celebration, regional identity, community identity, contemporary social history, local history, everyday life, before-and-after reference, historic context, regional speciality, archival record, social history, traditional cuisine, place identity, and regional food culture. Viewed from the mid-2020s, the subject sits within continuing debate about traditional celebrations, consumer spending and the persistence of regional dishes as markers of identity. For future researchers, the image retains signage, materials, design and everyday use at 212 W 57th St, New York, NY 10019, United States. The subject sits alongside heritage dish, traditional recipe, changing land use, cultural gastronomy, comfort food, culinary tradition, public realm, and national food identity. Details involving States, Square, Times, Brooklyn, and Diner give the scene useful specificity and strengthen its local, cultural or historical identity. For 212 W 57th St, New York, NY 10019, United States, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of traditional celebrations and the persistence of regional dishes as markers of identity without losing the local specificity of 212 W 57th St, New York, NY 10019, United States. A further contemporary connection is consumer spending and the persistence of regional dishes as markers of identity in a form that can be compared with future views of 212 W 57th St, New York, NY 10019, United States. The scene captures a trace of local identity for future local research.
212 W 57th St, New York, NY 10019, United States
Description
Keywords: @HotpixUK,HotpixUK,Real Life,Glasgow,Love,Love Glasgow,love,We Love,neon,sign,shop,office,city,centre,UK,heart,GSofA,School of art,art,2017,Sinclair,Ross,Ross Sinclair artist,GSA,Neon Sculptural Installation,Neon Sculpture,red,yellow,red heart,Glasgow School Of Art,writer,musician,Scottish,Professor of Contemporary Art Practice,School of Fine Art,Real Life project,project,lighting,GoTonysmith,Commonwealth Games
Description: Tony Smith image Alamy 2A4PJJX - Ross Sinclair is an artist, writer and musician who is Professor of Contemporary Art Practice within the School of Fine Art at The Glasgow School of Art. He is best known for his ˜Real Life' research project initiated when he had the words REAL LIFE tattooed in black ink across his back, at Terry's Tattoo parlour in Glasgow, 1994.
Sinclair completed a PhD by Published Work in 2016 where he interrogated and articulated the innovative nature of the Real Life project, unusual in its scale and duration, defining the contribution to contemporary art practice across the fields of sculpture, painting, performance, installation, critical writing and music. Drawing on these multi-disciplinary methodologies Sinclair maps out the forms, materials and processes activated over almost 25 Years of Real Life Projects, that often combine unusual and unorthodox approaches challenging conventional modes of exhibition practice, enabling new means of engagement with the viewer. The multi part thesis submitted claims these routes as an autonomous, artist initiated project, connecting with the public at a dynamic intersection of ideas, context, performance and art-practice.
Sinclair's Real Life Project is set in a critical framework of contested paradigms of Everyday Life and The Real and acknowledges the influence of key critical thinkers over the quarter century of its development from Barthes, Baudrillard and De Certeau, through Bourriaud, Bishop and Kester and more recently in Harman, Mark Fisher and Paul O'Neill amongst many others. The project has been punctuated by the exploration of individual and collective relationships with Real Life particularly viewed through contemporary paradigms constructing society such as: Democracy, Utopia, Justice, Capitalism, Geography and History, the Church, the Bank, the State, while in parallel addressing the role of the tattooed artist himself.
Description
Keywords: railway,rail,travel,bus travel,integrated,transport,for,Birmingham,city,centre,city centre,on,WM,WM travel,west midlands travel,UK,United Kingdom,Network,Rail,Network Rail,One,One ticket,any permitted,discount,cheap,GB,UNITED KINGDOM,Great Britain,British,Day,Plusbusday,BusWM,Birmingham+busWM,Discount,price,Discount Price,freedom,services,no restrictions,GoTonySmith
Description: Tony Smith image Alamy MJ2YEA - . Recorded at the recorded location in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. At the centre of the view is Plusbus rail ticket bus travel for Birmingham on WM travel, UK. The broader subject matter reaches into regional identity, roadside stop, street-side transport, passenger transport, bus route infrastructure, local character, historical comparison, local mobility, public transport information, changing land use, public realm, local bus network, transport accessibility, and roadside transit. The wider contemporary story combines integrated transport, passenger information and the shift toward cleaner buses and integrated ticketing. The archival value lies partly in recording transport arrangements and footfall around the recorded location before altered transport patterns alters the character of the place. A second descriptive layer includes archival record, changing streetscape, community identity, social history, contemporary social history, place identity, everyday life, and documentary photography. References to Birmingham, Plusbus, ticket, and travel give the picture a strong period identity and tie it closely to its named subject. Rather than relying on a broad place description, MJ2YEA gains specificity from the photographed subject, Plusbus rail ticket bus travel for Birmingham on WM travel, UK, and the period details visible within the frame. Its period value extends to integrated transport and the shift toward cleaner buses and integrated ticketing without losing the local specificity of the recorded location. The location additionally provides evidence of bus service funding and the importance of bus stops as the physical interface between passengers and public transport in a form that can be compared with future views of the recorded location. The image fixes part of the area's social history as part of the recorded location's history.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,Church,Renaissance palace,coronations,David Doig,historic,history,flowers,memorial,Stirling,centre,royal,burgh,Scotland,Scottish,graves,grave,graveyard,churchyard,kirk,kirkyard,heritage,tourism,tourist,attraction,exterior,outside,outdoor,outdoors,view,Scots,attractions,visit
Description: Tony Smith image Alamy 2DA91H9 - The Church of the Holy Rude is the medieval parish church of Stirling, Scotland. It is named after the Holy Rood, a relic of the True Cross on which Jesus was crucified. The church was founded in 1129 during the reign of David I, but earliest part of the present church dates from the 15th century. As such it is the second oldest building in Stirling after Stirling Castle, parts of which date from the later 14th century. The chancel and tower were added in the 16th century.
Stirling Castle has long been a favoured residence of the Scottish monarchs, and was developed as a Renaissance palace during the reigns of the later Stewart Kings. The Church of the Holy Rude, adjacent to the castle, became similarly associated with the monarchy, hosting royal baptisms and coronations. It is one of three churches still in use in Britain that have been the sites of coronations
The church has a historic churchyard lying primarily to the west and north-west of the church. Stones date from the 16th century.
The churchyard was extended in 1851, creating the fascinating Valley Cemetery to the north, divided from the old cemetery by only a path. This contains a series of statues by Alexander Handyside Ritchie to figures of the Reformation.
The old graveyard contains a unique stone with a carved depiction of body snatching, marking the theft of Mary Stevenson (1767“1822) by James McNab, the local gravedigger who had buried her two days earlier, on 16 November 1822, aided by a friend, Daniel Mitchell. The body was passed to John Forrest, for dissection. The two men were caught, but released due to legal technicalities and a riot ensued. Mary's body was reburied and the stone carved to mark the strange event.
Stirling, Scotland, UK
Description
Keywords: Euston,Camden,London,city,centre,building,historic,ale,ales,stout,and,Somers Town,Ales and stout,Ales & Stout,GoTonySmith,@HotpixUK,Tony,Smith,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Pubs Of London,must see,the,ornate,Victorian
Description: Tony Smith image Alamy H04G9C - . Recorded at Cranleigh St, Somers Town, London in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is The Jubilee Pub, Ales & Stout building, Somers Town, Euston,Camden, London. The wider scene also brings together contemporary social history, before-and-after reference, street-level dining, licensed hospitality, neighbourhood drinking venue, public-realm investment, everyday life, adaptive reuse, public realm, pub heritage, customer-facing leisure, local history, hospitality trade, and historical comparison. The modern context includes continuing discussion of housing pressure, heritage conservation and the tension between preserving local character and creating modern commercial space. For current editorial use, commercial rents and hospitality costs provide additional context, especially through how branded and independent hospitality compete for changing leisure spending. Small period details of equipment and working practice at Cranleigh St, Somers Town, London may become more significant with time, particularly following refurbishment. Further associations within the scene are night-time economy, archival record, place-making, licensed trade, urban regeneration, built heritage, place identity, and historic townscape. The recorded references to Jubilee, Stout, Somers, Camden, and building preserve clues about how the subject was presented, used or understood at the time. The wider setting at Cranleigh St, Somers Town, London matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for housing pressure and how public investment can reshape pedestrian movement and evening activity within the specific setting of Cranleigh St, Somers Town, London. The photograph keeps evidence of earlier appearance for future local research.
Cranleigh St, Somers Town, London
Description
Keywords: ancient,architectural,architecture,auld,barracks,chateau,basalt,britain,british,building,capital,castle,castles,center,central,centre,cities,city,cityscape,cityscapes,cloud,clouds,drama,edinburgh,europe,european,fort,festival,fortification,qfortress,GB,Great,hill,Great Britain,GotonySmith,historic,historical,icon,kingdom,landmarks,lowlands,lothian,medieval,old,outcrop,rock,rocky,Royal,family,scotch,scotland,scots,scottish,sight,sights,scenic,sightseeing,skies,sky,skyline,summer,sun,sunny,sunshine,stronghold,tour,tattoo,tourism,tourists,town,towns,towering,uk,united,white,unesco world heritage,Unesco,old town,Edinburgh Castle,dramatic sky,moody,mody sky,dramatic sky,summer,blue,blue sky,lush,green,trees,vegetation,clouds,Edinburg,Castel,Scots,Scottish,scotland,nationalistic,stone,tour,travel,tourist,attraction,Royal Family,buy pictures of Edinburgh,Buy Pictures of,Buy Images Of,Edinburgh Castle,Scotlands History,Scotlands History
Description: Tony Smith image Alamy EYAX43 - Edinburgh Castle is a historic fortress which dominates the skyline of the city of Edinburgh, Scotland from its position on the Castle Rock. Archaeologists have established human occupation of the rock since at least the Iron Age (2nd century AD), although the nature of the early settlement is unclear. There has been a royal castle on the rock since at least the reign of David I in the 12th century, and the site continued to be a royal residence until the Union of the Crowns in 1603.
From the 15th century the castle's residential role declined, and by the 17th century it was principally used as military barracks with a large garrison. Its importance as a part of Scotland's national heritage was recognised increasingly from the early 19th century onwards, and various restoration programmes have been carried out over the past century and a half. As one of the most important strongholds in the Kingdom of Scotland, Edinburgh Castle was involved in many historical conflicts from the Wars of Scottish Independence in the 14th century to the Jacobite Rising of 1745. Research undertaken in 2014 identified 26 sieges in its 1100 year-old history, giving it a claim to having been the most besieged place in Great Britain and one of the most attacked in the world
Old Town, Edinburgh City, Lothians,Scotland, UK
Description
Keywords: ale,CAMRA,realale,real,west,hotel,dusk,boozer,public,house,historic,pubs,bars,accommodation,architecture,break,britain,building,centre,city,colour,distinctive,elegant,england,GB,lit,grandeur,great,vertical,horse,hotel,kingdom,leeds,magnificent,northern,sign,GoTonySmith,lighting,lamps,lamp,51-53 The Headrow,Leeds,England,UK,LS1,6LR,British,Buy Pictures of,Buy Images Of,West Yorkshire,LS1 6LR,British Pub
Description: Tony Smith image Alamy EY7XF1 - . The Horse and Trumpet pub,Leeds at night, Yorkshire, England, UK. Photographed at 51-53 The Headrow, Leeds, West Yorkshire, England,UK LS1 6LR. The photograph was taken on 23 July 2015. The image metadata records 1 person in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Horse, Trumpet, pub, Leeds, night, Yorkshire, ale, CAMRA, realale and hotel, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
51-53 The Headrow, Leeds, West Yorkshire, England,UK LS1 6LR
Description
Keywords: DrWho,Dr,Who,UK,cabin,unusual,tourist,tour,cityofedinburghtours,com,.com,cityofedinburghtours.com,grey,gray,interesting,Royal,Mile,Royalmile,classic,bbc,TV,capital,city,Tardiss,GoTonySmith,Buy Pictures of,Buy Images Of,Victorian,Police,now,the,centre,tours,series,history,historic
Description: Tony Smith image Alamy ED4M2B - . Victorian Police Box, now the City of Edinburgh Tour Tardis, High St, Scotland, UK. Photographed at Royal Mile, Edinburgh, Scotland, UK. The photograph was taken on 26 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with city of Edinburgh Tour Tardis, High St, policebox, box, Edinburgh, old town, Tardis, Dr Who, attraction and DrWho, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Royal Mile, Edinburgh, Scotland, UK
Description
Keywords: harker,England,UK,ale,camra,real,realale,converted warehouse,charm,charming,interesting,tourism,day,daytime The Old Harkers Arms,1 Russell Street,Chester,Cheshire,CH3 5AL,CH35AL,GoTonySmith,City Centre,City,Centre,@hotpixUK,CH3,city,centre,the,bar,chain,history,warehouse
Description: Tony Smith image Alamy ED8PR5 - A traditional Chester Pub.
This is a proper old city of London boozer, only in Chester, that has a really good reputation for its food - it's a great meeting place over a pub lunch, and at different times you'll find half the commercial and professional heart of the city in there.
The Old Harkers Arms, 1 Russell Street, Chester, Cheshire, CH3 5AL, England, UK
Description
Keywords: night,light,rail,system,in,RAPT,six,lines,city,centre,Ashton-under-Lyne,Bury,Eccles,and,Rochdale,integrated,and,efficient,system,of,public,transport,light,rail,street-running,street,running,tram,standard-gauge,track,standard,guage,gotonysmith system systems integrated commuter service Bombardier Flexity Swift M5000s,but,also,used,Ansaldo,Firema,T-68/T-68As,T-68/T-68A,M5000,FlexitySwift,LRVs,LRV,aquamarine,identity,colour,colouring,3a,3b,2CC,phase,phases,tram-train,technology.,GMPTE,SELNEC,PTE,Passenger,Transport,Executive,British,rail,East,Lancashire,Railway,(Bury-to-Victoria),and,South,Junction,and,Railway,network,GMA,Transport,and,Works,Act,1992,Salford,Quays,eccles,line,lines,European,Regional,Development,Fund,little,mini,bang,TMS,thales,3a,services,mediacityUK,mediacity,UK,serco,Stagecoach,dev,Peter,cushing,Fitch,RS,and,Design,Triangle,Hemisphere,Design,and,Marketing,Consultancy,Peter,Saville,Dalton Maag and Design Triangle M5000 systems operator system
Description: Tony Smith image Alamy E6HY59 - Metrolink is a light rail system in Greater Manchester, England. The network consists of six lines which radiate from Manchester city centre and terminate at Altrincham, Ashton-under-Lyne, Bury, Didsbury, Eccles, and Rochdale. The system is owned by Transport for Greater Manchester (TfGM) and operated and maintained under contract by RATP In 2013/14, 29.2 million passenger journeys were made on the system, also known as Manchester Metrolink.
A light rail system for Greater Manchester was borne of Greater Manchester County Council's obligations to provide an integrated and efficient system of public transport under its structure plan and the Transport Act 1968. Greater Manchester's public transport network suffered from poor north“south connections, exacerbated by the location of Manchester's main railway stations, Piccadilly and Victoria, which were unconnected and lay at opposite edges of central Manchester. Abandoning the monorail and underground options conceived in the 1960s and 1970s, light rail was proposed in 1982 as the best and most economical public transport solution for Manchester city centre and the surrounding Greater Manchester metropolitan area, and gathered support throughout the 1980s as an appropriate integrated commuter service.
Government approval was granted in 1988 and the network began operating services between Bury Interchange and Victoria on 6 April 1992. This founded the United Kingdom's first modern street-running rail system and its second operational public tram system, the 1885-built Blackpool tramway being the only heritage tram system in the UK that had endured up to Metrolink's creation.
Metrolink has 77 stops along 48.5 miles (78.1 km) of standard-gauge track routed through seven of the ten boroughs of Greater Manchester. The system has a mix of designated light railway (segregated from other traffic) and on-street tramway.
St Peters Square, Manchester, England, UK
Description
Keywords: Jewellers,Jeweller,dusk,evening,dark,neon,sign,colorful,colourful,asian,pakistan,afghan,gold,silver,bangles,ring,rings,Manchester,City,Centre,England at Night bright,Gotonysmith,Buy Pictures of,Buy Images Of,Afghanistan,top,india,Top Jewellers,on,the,Rusholme,Manc,Asia,Asian,Pakistan
Description: Tony Smith image Alamy E6HY50 - . Top Indian Jewellers on the Rusholme Curry Mile, Manchester City Centre, England at Night. Photographed at Rusholme, Manchester, United Kingdom. The photograph was taken on 17 November 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Top, Indian, Jewelers, Rusholme, Curry, Mile, Pakistani, Jewellers, Jeweller and dusk, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value.
Rusholme, Manchester, United Kingdom
Description
Keywords: Jewellers,Jeweller,dusk,evening,dark,neon,sign,colorful,colourful,asian,pakistan,afghan,gold,silver,bangles,ring,rings,Manchester,City,Centre,England at Night bright,Gotonysmith,illuminated,Afghanistan,top,india,Top Jewellers,on,the,Rusholme,Manc,Asia,Asian,Pakistan
Description: Tony Smith image Alamy E6HY52 - . Top Indian Jewellers on the Rusholme Curry Mile, Manchester City Centre, England at Night. Photographed at Rusholme, Manchester, United Kingdom. The photograph was taken on 17 November 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Top, Indian, Jewelers, Rusholme, Curry, Mile, Pakistani, Jewellers, Jeweller and dusk, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value.
Rusholme, Manchester, United Kingdom
Description
Keywords: night,shot,nightshot,nighttime,evening,architecture,canal,dusk,head,link,lit,Liverpool,museum,night,pier,reflected,reflection,uk,up,waterfront,city,centre,Museum,of,lighted,open,scouser,design,designed,Mann,Island,3XN,Lit up,GoTonySmith,@HotpixUK,museums,Buro,Happold,England,UK,GB,Great,Britain,Buy Pictures of,Buy Images Of,Images of Liverpool,Stock Images,National Museums,National Museums Liverpool,Museum of Liverpool Life,Buro Happold,Great Britain
Description: Tony Smith image Alamy DDXPME - The Museum of Liverpool in Liverpool, England, is the newest addition to the National Museums Liverpool group having opened in 2011 replacing the former Museum of Liverpool Life. National Museums Liverpool intention is for the new venue to tell the story of Liverpool and its people, and reflect the city's global significance. The museum is housed in a new purpose-built building on the Mann Island site at the Pier Head.
The museum, designed by architects 3XN and engineers Buro Happold, was expected to cost £72 million and provide 8,000 square metres of exhibition space, housing more than 6,000 objects. There are also plans to have flexible spaces that regularly change to enable National Museums Liverpool to show more of their collections
Mann Island, Pier Head,Liverpool,Merseyside,England,UK
Description
Keywords: capital,city,centre,pedestrianised,center,pub,bar,pubs,bars,bunting,summer,drinking,eating,dining,out,eat,party,busy,with,people,gift,cut,herbs,old,Tardis,Police,Box,Dr Who,Police Box,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,breaks,nights,crowds,pub signs,brewery
Description: Tony Smith image Alamy DDXK58 - . Rose Street,Edinburgh,Scotland,UK a place to drink,eat,party - with old Tardis Police Box. Photographed at Rose st, Edinburgh, Lothian,Scotland, UK. The photograph was taken on 31 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Rose, Street, Edinburgh, place, drink, stag, hen, capital, pedestrianised and center, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors. This particular view is catalogued under Alamy image reference DDXK58, distinguishing it from other photographs of the same or related subject.
Rose st, Edinburgh, Lothian,Scotland, UK
Description
Keywords: City,cities,grafitti,cartoon,mixed,media,artist,colour,faces,district,ghetto,bilderkombinat,Ihavetogotoparis,poster,el Bocho,GoTonySmith,Deutsche,Deutschland,Buy Pictures of,Buy Images Of,yellow,lips,colors,posters,elBocho,have,the,wash,off,colours,city,centre,hat,hats,street,art,streetart,paste,up,pasted
Description: Tony Smith image Alamy F0G6A5 - This documentary stock photograph shows Girl Grafitti on a Berlin wall,street,art,Germany. The image records Berlin Mitte street art and graffiti, making it useful for editorial features on urban art, alternative tourism, wall culture, counterculture, gentrification, visual satire and layered public space. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and wider editorial needs.
Mitte,DircksenStr,Berlin,Germany
Description
Keywords: City,cities,grafitti,cartoon,mixed,media,artist,colour,faces,district,ghetto,bilderkombinat,Ihavetogotoparis,el Bocho,GoTonySmith,Buy Pictures of,Buy Images Of,Deutsche,poster,yellow,lips,Deutschland,colors,posters,elBocho,have,the,wash,off,colours,city,centre,hat,hats,street,art,streetart,paste,up,pasted
Description: Tony Smith image Alamy F0G6A6 - This documentary stock photograph shows Girl Grafitti on a Berlin wall,street,art,Germany - I have to go to Paris in pink. The image records Berlin Mitte street art and graffiti, making it useful for editorial features on urban art, alternative tourism, wall culture, counterculture, gentrification, visual satire and layered public space. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and wider.
Mitte,DircksenStr,Berlin,Germany
Description
Keywords: tagged,face,orange,Spoom tag,grafitti,Belfast City,Northern,Ireland,UK,city,centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,painting,wall,walls,tribute,West,Beal,feirste,fun,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M8F - . Made at Belfast, Northern Ireland, UK in 2011, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Spoom tag grafitti,Belfast,Northern Ireland,UK. The wider scene also brings together street-level design, documentary photography, regional identity, temporary artwork, public art, graffiti heritage, street creativity, archival record, urban graphics, before-and-after reference, creative placemaking, community identity, visual archive, and changing land use. Current relevance extends to gentrification and local identity, particularly through the blurred boundary between commissioned public art and unsanctioned graffiti. Future viewers can use this scene from Belfast, Northern Ireland, UK to compare equipment and working practice with whatever follows after new ownership. The surrounding story also includes place identity, local history, historical comparison, public realm, community art, social history, everyday life, and visual street culture. The combination of Northern, Spoom, Ireland, Belfast, and grafitti anchors the frame to a recognisable activity, place or moment. Around Belfast, Northern Ireland, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate gentrification and how regeneration can both promote and displace informal urban art when considered against later change at Belfast, Northern Ireland, UK. The image also provides a reference for regeneration and the blurred boundary between commissioned public art and unsanctioned graffiti without losing the local specificity of Belfast, Northern Ireland, UK. The frame retains a trace of local identity before later change alters the scene. The scene captures a local visual benchmark as a date-specific reference.
Belfast, Northern Ireland, UK
Description
Keywords: pub,manchester,city,centre,dusk,night,shot,tony,smith,tonysmith golden,hour,blue,bluehour,goldenhour pub,tonysmith,hotpix,hot,pics,picks,pix,tonysmithhotpix,#tonysmithotpix
Description: Tony Smith image Flickr 5089525963 - 'Macho City - 'Steve Miller' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
The Steve Miller Band is a US rock band formed in 1967 in San Francisco. Familiar tracks include 'The Joker', 'Jet Airliner' and the 1982 hit 'Abracadabra'. This is one of my favourite tracks however, very clever lyrics. El Salvador &
Afghanistan ('ask those people about the macho plan...') are name checked in the song reflecting some cynicism of US foreign policy at the time, early 1980's.
The album 'Circle of love' contains a 16 minutes version of this track (taking up the whole of a side of vinyl. Hear it here.
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The Beetham Tower, completed 2007 is a landmark 47-storey residential skyscraper in Manchester city centre, England. Certain a macho statement for the city and at 168 metres is the highest outside of London.
It consists of a (four star) Hilton Hotel up to level 23 and apartments from level 25 up to the triplex penthouse on level 47. The tower lies on Deansgate and has two postal addresses, with the apartments falling under 301 Deansgate and the hotel under 303 Deansgate.
The architect, Ian Simpson, bought and resides in the top floor penthouse, which is the highest living space in Britain. It cost him \u00a33 million. The residence occupies the top two storeys of the building and apparently features a semi-indoors garden containing 21 four-metre high olive, lemon and oak trees, shipped from Italy, and placed before the roof was built.
During the installation of the glass and steel 'blade' architectural feature on the roof, a strange noise problem emerged. People reported that the building 'whistles' (more like an intermittent hum) in windy weather. The sound is close to standard musical C (approximately 262 Hertz)
some say it is like a 'UFO landing' in sci-fi films. The noise also affected the production of local soap opera, Coronation Street with producers having to create extra background noise as the tower is close to the show's set.
A evacuation occurred in September 2007 when a fire was suspected. BBC Report here. Fortunately it did not become a real life towering inferno.
NB: Like all the images on this stream, full size images are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>night shots from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) TonySmith Hotpix / HotpixUK
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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Germany,German,Rhineland-Palatinate,city,centre,61,55122,Mainz,stones,gravestones,head,headstone,1926,11th,13th,century,dissolution,and,destruction,community,communities,memorial,Dr,Sali,Levi,SHUM,Speyer,Worms,Shpira,Vermayza,Magentza,Jewry,religion,religious,synod
Description: Tony Smith image Alamy 2NW51KA - This cemetery has been documented since the 13th century, but is thought to have existed since the 11th century. Due to the repeated expulsion of the Jews from Mainz and the subsequent dissolution and destruction of the cemetery, one can no longer speak of an ideal situation that has grown over time. Only through the initiative of the then community rabbi Dr. In 1926, Sali Levi managed to create a memorial cemetery. There, the tombstones found in all parts of Mainz, some of which were used as building material, were brought together. Among the 196 stones, 6 are from the 11th century.
Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: @HotpixUK,HotpixUK,Real Life,Glasgow,Love,Love Glasgow,love,We Love,neon,sign,shop,office,city,centre,UK,heart,GSofA,School of art,art,2017,Sinclair,Ross,Ross Sinclair artist,GSA,Neon Sculptural Installation,Neon Sculpture,red,yellow,red heart,Glasgow School Of Art,writer,musician,Scottish,Professor of Contemporary Art Practice,School of Fine Art,Real Life project,project,lighting,GoTonysmith
Description: Tony Smith image Alamy 2A4PJJP - Ross Sinclair is an artist, writer and musician who is Professor of Contemporary Art Practice within the School of Fine Art at The Glasgow School of Art. He is best known for his ˜Real Life' research project initiated when he had the words REAL LIFE tattooed in black ink across his back, at Terry's Tattoo parlour in Glasgow, 1994.
Sinclair completed a PhD by Published Work in 2016 where he interrogated and articulated the innovative nature of the Real Life project, unusual in its scale and duration, defining the contribution to contemporary art practice across the fields of sculpture, painting, performance, installation, critical writing and music. Drawing on these multi-disciplinary methodologies Sinclair maps out the forms, materials and processes activated over almost 25 Years of Real Life Projects, that often combine unusual and unorthodox approaches challenging conventional modes of exhibition practice, enabling new means of engagement with the viewer. The multi part thesis submitted claims these routes as an autonomous, artist initiated project, connecting with the public at a dynamic intersection of ideas, context, performance and art-practice.
Sinclair's Real Life Project is set in a critical framework of contested paradigms of Everyday Life and The Real and acknowledges the influence of key critical thinkers over the quarter century of its development from Barthes, Baudrillard and De Certeau, through Bourriaud, Bishop and Kester and more recently in Harman, Mark Fisher and Paul O'Neill amongst many others. The project has been punctuated by the exploration of individual and collective relationships with Real Life particularly viewed through contemporary paradigms constructing society such as: Democracy, Utopia, Justice, Capitalism, Geography and History, the Church, the Bank, the State, while in parallel addressing the role of the tattooed artist himself.
Description
Keywords: Offices,Office,building,England,UK,14,storey,Place,block,new,city,centre,business,award,winning,Upper,Conservation,Area,blue-chip,organisations,blue,chip,Project,Digital,Tomorrow,M2,4DU,M24DU,Gotonysmith,glass,commercial,working,space,landmark,Brown Street,grade A,grade,A,Northern Powerhouse
Description: Tony Smith image Alamy DN6N56 - The KYOCERA Technology Suite - Manchester
State of the Art Showroom and Offices in Central Manchester
KYOCERA Document Solutions UK Ltd is delighted to have taken the 3,015 sq ft ground floor of 14 storey ˜Chancery Place', one of Manchester's most prestigious office buildings. Designed by award-winning architects to enhance the diverse architecture of the Upper King Street Conservation Area, Chancery Place is home to a range of blue-chip organisations and is part of the first phase of Manchester's ˜Project Digital Tomorrow'.
KYOCERA's ground floor location comprises a showroom, product demonstration suites, meeting rooms and the company's first Northern sales office. Add to that a mezzanine floor and KYOCERA have over 4,000 sq ft of space in Chancery Place overall.
Chancery Place, Upper King Street Conservation Area, Manchester, England UK M2 4DU
Description
Keywords: Manchester,Piccadilly,Oxford,rd,Road,Liverpool,Lime,St,street,suburban,urban,trains,purple,seat,seats,backs,seatbacks,BR,British,Rail,britishrail,subsidy,city,centre,commuter,travel,travelers,revelers,people,going,to,work,morning,evening,dark,British,train,operating,company,owned,by,Serco,Gotonysmith,Serco-Abellio,Abellio,SercoAbellio,service,services,Britain,system,network,rail,railway,Cheshire,County Durham,Cumbria,Greater Manchester,Merseyside,Northumberland,Teesside,Tyne,and,Wear,and,Yorkshire.,Northerns,services,also,extend,to,the,north,Midland,counties,of,Derbyshire,Lincolnshire,Nottinghamshire,and,Staffordshire.,Most,services,are,supported,by,passenger,transport,executives.,Of,all,Train,Operating,Companies,in,the,UK,Northern,Rail,operates,the,most,stations,Serco-NedRailways,NedRailways,Class,142,Pacers,Secretary,of,State,for,express,slower,route,routes,Operator,of,the,Year,2007,national,NR,150,150s,inside,interior,151,sprinter,sprinters,multiple,unit,units,electric
Description: Tony Smith image Alamy E6HY57 - Northern Rail, often referred to as Northern, is a British train operating company owned by Serco-Abellio operating the Northern Rail franchise.
Northern runs a mix of commuter rural and some longer-distance services around Cheshire, County Durham, Cumbria, Greater Manchester, Lancashire, Merseyside, Northumberland, Teesside, Tyne and Wear and Yorkshire.
Northern's services also extend to the north Midland counties of Derbyshire, Lincolnshire, Nottinghamshire, and Staffordshire. Most services are supported by passenger transport executives. Of all the Train Operating Companies in the UK, Northern Rail operates the most stations
Warrington Station, NW England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,red,Liverpool FC,FC,disaster,memorial,Hillsbough,Merseyside,England,UK,names,dead,fans,Hillsborough Stadium,Sheffield,premier league,flowers,hillsborough disaster,hillsborough,football,soccer,list of names,killed,at hillsborough,sheffield,ground,stadium,heritage,Mersey,Scouse,city,centre,tourist,tourism,attraction,Hillsborough justice campaign,football supporter solidarity,sports tragedy memory
Description: Tony Smith image Alamy 2DA91H5 - Liverpool FC,Justice For The 96,Hillsbough,disaster,Anfield,Liverpool,Merseyside,England,UK gives a direct editorial record of a recognisable subject, with location, signage, architecture or everyday behaviour carrying much of the meaning. Justice for the 96 remains one of the most powerful phrases in Liverpool civic life, tied to the Hillsborough disaster, decades of campaigning and the defence of football supporters against institutional failure. At Anfield the subject can illustrate memory, protest, accountability, football culture, fan solidarity, Merseyside identity and the continuing political resonance of sporting tragedy. The location detail, Liverpool, Anfield, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. For buyers, the strength lies in the combination of a named subject, a lived-in setting and enough visual specificity to carry stories about how places are used, remembered, funded, visited or contested.
Liverpool Football Club, Anfield Road, Liverpool, Merseyside, England, UK, L4 0TH
