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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9071,Oban,harbour,panorama,Distillery,Scotland,Argyll,waterfront,coast,town,chimney,whisky,tourism,maritime,landscape,port,staycation,UK,short,breka,holiday,holidays
Description: Tony Smith image Alamy 3FA7XBB - . Panoramic view of Oban harbour waterfront with Oban Distillery chimney. Photographed on 17 August 2025. The recorded location is Oban, Argyll and Bute, Scotland, UK. Panoramic view across Oban harbour and waterfront, including the distinctive town buildings and the chimney associated with Oban Distillery. Calm water and a broad sweep of the shoreline show the close relationship between the harbour, tourism, retail and whisky heritage in this compact Scottish coastal town. The image provides wide editorial context for Oban, Argyll and Bute, ferry travel, maritime activity, town-centre development, Scotch whisky tourism and the west-coast landscape. Oban grew around a sheltered bay on Scotland's west coast and expanded in the nineteenth century with steamship traffic and the arrival of the railway in 1880. It remains a major gateway to the Inner Hebrides, with CalMac ferries, rail and road connections concentrated around the waterfront. Tourism, seafood, island travel and maritime services all contribute to the town's modern economy. For the story of waterfront, it is useful to note that harbours and ferry ports have shaped coastal communities for centuries, providing sheltered water for fishing, trade and passenger travel
Quays, piers, slipways and terminal buildings record changing vessel sizes and the transition from cargo handling to modern roll-on roll-off ferry operations. The historical setting for spirit production is that scotch whisky became one of Scotland's most recognisable exports, while local liqueurs and gins use ingredients, packaging and place names to build regional identity
Distilleries increasingly developed visitor centres alongside production. Seen through water quality, the earlier context is that coastal safety information is shaped by local hazards such as currents, tides, mud, pollution or shipping, meaning signs can be important evidence of how a shoreline is managed.
Oban, Argyll and Bute, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,city,centre,Northern Ireland,UK,BT14,53-55,Crumlin Road,BT14 6ST,jails,prisons,Irish,buses,in,yard,internal,chimney,cell,cells,secure,penitentiary,inmate,unit,inmates,single,decker,security,from,court,to,door,of,vehicle,vehicles,sweat box,sweatbox,paddywagon,early release,scheme
Description: Tony Smith image Alamy 2R9J0E8 - A prisoner transport vehicle, informally known as a Sweat Box amongst British prisoners, is a specially designed or retrofitted vehicle, usually a van or bus, used to transport prisoners from one secure area, such as a prison or courthouse, to another. Less commonly, aircraft, railcars or vessels are also similarly fitted. These vehicles must be highly protected and may feature bars or wire mesh over the windows, bulletproof glass, segregated prisoner compartments, and additional seating for escorting officers.
Function
Due to their relatively low security and potential isolation from assistance while en route, police or additional corrections vehicles sometimes escort high-risk transports. With this in mind, vehicles may also be equipped with radio communications, global positioning units, additional restraints and weapons, and other emergency equipment. To add additional security, prisoners are typically restrained while in transport and may be physically secured to the vehicle, handcuffed while in the secured area, or a combination of both.
Prisoner transport vehicles may be operated by police services (see paddywagon), correctional services, field officers, court services, federal agencies such as the United States Marshals Service, or be contracted to private security companies. Prison buses were widely used in the late 1900s to transport prisoners, especially to state prisons across the US. They were usually quite secure and offered no way of escape for transporting prisoners.
53-55 Crumlin Road, Belfast, Northern Ireland, UK, BT14 6ST
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WN7,Wigan,Lancashire,England,UK,WN7 2LB,Leigh,cotton,art,arts,historic,venue,community,ring,spindles,Platt Brothers,now,a,heritage,centre,cinema,red,brick,traditional,factory,Cotonopolis,chimney,inscription,town,evening,factories,Leigh Film Society,Park Ln,Bradshaw Gass & Hope,makerfield,Makerfield by-election,Makerfield byelection
Description: Tony Smith image Alamy 2R8T9JC - Leigh Spinners or Leigh Mill is an Art's and Heritage Centre consisting of over 60 independent businesses within the complex. https://www.leighspinnersmill.co.uk/
This includes Leigh Film Factory an independent cinema run by volunteers from Leigh Film Society. The building is Grade II* listed It is a former double cotton spinning mill and is located in Bedford, Leigh, Greater Manchester, England.
Businesses
-Leigh Film Factory To provide an affordable, accessible and welcoming space where everyone can enjoy quality cinema experiences, whether for education, business or pleasure.
https://www.leighfilmfactory.com/
History
A product of the last generation of cotton mill building, Leigh Spinners was designed by Bolton architects Bradshaw, Gass & Hope for the Horrocks Company, and built in two phases. The east section comprising the six-storey mill, boiler house and chimney stack was built in 1913 and the matching west section was completed ten years later. One of the few double mills to be completed, it is one of the most complete still standing in Greater Manchester. Part of the factory is occupied by Leigh Spinners Ltd who have manufactured carpets since 1969 and since 2012, synthetic turf products for landscaping and sport.
The building is in poor condition and considered to be at risk by Historic England. A charity, the Leigh Building Preservation Trust was formed to restore the steam engine and engine house. In September 2013 the charity was awarded a £75,000 grant to restore the steam engine and repair the engine house by Waste Recycling Environmental Limited, a heritage fund that protects buildings of historical importance. The charity was able to turn the engine in 2018 for the first time in many years.
As at January 2019, the younger of the two mill buildings has had extensive roof repairs, allowing the Charity to advance the restoration of several floors. Sport England funding enabled the conversion of one floor to accommodate a Table Tennis Club,
Park Ln, Leigh, Wigan, Lancashire, England, UK, WN7 2LB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Wandsworth.,Art Deco,ArtDeco,London Power Company,LPC,S P Setia,Sime Darby,SP Setia,development,icon,iconic,new,Northern line extension,office,offices,shopping,retail,site,SW11,Nine Elms,Wandsworth,London,SW11 8BJ,44,Electric Boulevard,Battersea,outside,chimney,building,architecture,listed,grade II,this way to,electric experiences,sign
Description: Tony Smith image Alamy 2R4WDHT - Battersea Power Station is a decommissioned Grade II* listed coal-fired power station, located on the south bank of the River Thames, in Nine Elms, Battersea, in the London Borough of Wandsworth. It was built by the London Power Company (LPC) to the design of Leonard Pearce, Engineer in Chief to the LPC, and CS Allott & Son Engineers. The architects were J. Theo Halliday and Giles Gilbert Scott. The station is one of the world's largest brick buildings and notable for its original, Art Deco interior fittings and decor.
The building comprises two power stations, built in two stages, in a single building. Battersea A Power Station was built between 1929 and 1935 and Battersea B Power Station, to its east, between 1937 and 1941, when construction was paused owing to the worsening effects of the Second World War. The building was completed in 1955. Battersea B was built to a design nearly identical to that of Battersea A, creating the iconic four-chimney structure.
Battersea A was decommissioned in 1975. In 1980 the whole structure was given Grade II listed status
Battersea B shut three years later. In 2007 its listed status was upgraded to Grade II*. The building remained empty until 2014, during which time it fell into near ruin. Various plans were made to make use of the building, but none were successful. In 2012, administrators Ernst & Young entered into an exclusivity agreement with Malaysia's S P Setia and Sime Darby to develop the site to include 253 residential units, bars, restaurants, office space (occupied by Apple and No. 18 business members club), shops and entertainment spaces. The plans were approved and redevelopment commenced a few years later. As of 2021, the building and the overall 42-acre (17 ha) site development is owned by a consortium of Malaysian investors.
44 Electric Boulevard, Battersea Power Station, Nine Elms, Wandsworth, London, England, UK, SW11 8BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Wandsworth.,Art Deco,ArtDeco,London Power Company,LPC,S P Setia,Sime Darby,SP Setia,development,icon,iconic,new,Northern line extension,office,offices,shopping,retail,site,SW11,Nine Elms,Wandsworth,London,SW11 8BJ,44,Electric Boulevard,Battersea,outside,chimney,building,architecture,listed,grade II,front view
Description: Tony Smith image Alamy 2R4WDK5 - Battersea Power Station is a decommissioned Grade II* listed coal-fired power station, located on the south bank of the River Thames, in Nine Elms, Battersea, in the London Borough of Wandsworth. It was built by the London Power Company (LPC) to the design of Leonard Pearce, Engineer in Chief to the LPC, and CS Allott & Son Engineers. The architects were J. Theo Halliday and Giles Gilbert Scott. The station is one of the world's largest brick buildings and notable for its original, Art Deco interior fittings and decor.
The building comprises two power stations, built in two stages, in a single building. Battersea A Power Station was built between 1929 and 1935 and Battersea B Power Station, to its east, between 1937 and 1941, when construction was paused owing to the worsening effects of the Second World War. The building was completed in 1955. Battersea B was built to a design nearly identical to that of Battersea A, creating the iconic four-chimney structure.
Battersea A was decommissioned in 1975. In 1980 the whole structure was given Grade II listed status
Battersea B shut three years later. In 2007 its listed status was upgraded to Grade II*. The building remained empty until 2014, during which time it fell into near ruin. Various plans were made to make use of the building, but none were successful. In 2012, administrators Ernst & Young entered into an exclusivity agreement with Malaysia's S P Setia and Sime Darby to develop the site to include 253 residential units, bars, restaurants, office space (occupied by Apple and No. 18 business members club), shops and entertainment spaces. The plans were approved and redevelopment commenced a few years later. As of 2021, the building and the overall 42-acre (17 ha) site development is owned by a consortium of Malaysian investors.
44 Electric Boulevard, Battersea Power Station, Nine Elms, Wandsworth, London, England, UK, SW11 8BJ
Description
Keywords: GoTonySmith,HotpixUK,England,UK,Wandsworth.,Art Deco,ArtDeco,London Power Company,LPC,S P Setia,Sime Darby,development,icon,iconic,new,Northern line extension,office,offices,shopping,retail,site,SW11,Nine Elms,Wandsworth,London,SW11 8BJ,44,Electric Boulevard,Battersea,outside,chimney,building,architecture,listed,grade II,pano,panorama,Northern Line
Description: Tony Smith image Alamy 2R4WDKD - Battersea Power Station is a decommissioned Grade II* listed coal-fired power station, located on the south bank of the River Thames, in Nine Elms, Battersea, in the London Borough of Wandsworth. It was built by the London Power Company (LPC) to the design of Leonard Pearce, Engineer in Chief to the LPC, and CS Allott & Son Engineers. The architects were J. Theo Halliday and Giles Gilbert Scott. The station is one of the world's largest brick buildings and notable for its original, Art Deco interior fittings and decor.
The building comprises two power stations, built in two stages, in a single building. Battersea A Power Station was built between 1929 and 1935 and Battersea B Power Station, to its east, between 1937 and 1941, when construction was paused owing to the worsening effects of the Second World War. The building was completed in 1955. Battersea B was built to a design nearly identical to that of Battersea A, creating the iconic four-chimney structure.
Battersea A was decommissioned in 1975. In 1980 the whole structure was given Grade II listed status
Battersea B shut three years later. In 2007 its listed status was upgraded to Grade II*. The building remained empty until 2014, during which time it fell into near ruin. Various plans were made to make use of the building, but none were successful. In 2012, administrators Ernst & Young entered into an exclusivity agreement with Malaysia's S P Setia and Sime Darby to develop the site to include 253 residential units, bars, restaurants, office space (occupied by Apple and No. 18 business members club), shops and entertainment spaces. The plans were approved and redevelopment commenced a few years later. As of 2021, the building and the overall 42-acre (17 ha) site development is owned by a consortium of Malaysian investors.
44 Electric Boulevard, Battersea Power Station, Nine Elms, Wandsworth, London, England, UK, SW11 8BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Wandsworth.,Art Deco,ArtDeco,London Power Company,LPC,S P Setia,Sime Darby,SP Setia,development,icon,iconic,new,Northern line extension,office,offices,shopping,retail,site,SW11,Nine Elms,Wandsworth,London,SW11 8BJ,44,Electric Boulevard,Battersea,outside,chimney,building,architecture,listed,grade II,front view
Description: Tony Smith image Alamy 2R4WDKH - Battersea Power Station is a decommissioned Grade II* listed coal-fired power station, located on the south bank of the River Thames, in Nine Elms, Battersea, in the London Borough of Wandsworth. It was built by the London Power Company (LPC) to the design of Leonard Pearce, Engineer in Chief to the LPC, and CS Allott & Son Engineers. The architects were J. Theo Halliday and Giles Gilbert Scott. The station is one of the world's largest brick buildings and notable for its original, Art Deco interior fittings and decor.
The building comprises two power stations, built in two stages, in a single building. Battersea A Power Station was built between 1929 and 1935 and Battersea B Power Station, to its east, between 1937 and 1941, when construction was paused owing to the worsening effects of the Second World War. The building was completed in 1955. Battersea B was built to a design nearly identical to that of Battersea A, creating the iconic four-chimney structure.
Battersea A was decommissioned in 1975. In 1980 the whole structure was given Grade II listed status
Battersea B shut three years later. In 2007 its listed status was upgraded to Grade II*. The building remained empty until 2014, during which time it fell into near ruin. Various plans were made to make use of the building, but none were successful. In 2012, administrators Ernst & Young entered into an exclusivity agreement with Malaysia's S P Setia and Sime Darby to develop the site to include 253 residential units, bars, restaurants, office space (occupied by Apple and No. 18 business members club), shops and entertainment spaces. The plans were approved and redevelopment commenced a few years later. As of 2021, the building and the overall 42-acre (17 ha) site development is owned by a consortium of Malaysian investors.
44 Electric Boulevard, Battersea Power Station, Nine Elms, Wandsworth, London, England, UK, SW11 8BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Wandsworth.,Art Deco,ArtDeco,London Power Company,LPC,S P Setia,Sime Darby,SP Setia,development,icon,iconic,new,Northern line extension,office,offices,shopping,retail,site,SW11,Nine Elms,Wandsworth,London,SW11 8BJ,44,Electric Boulevard,Battersea,outside,chimney,building,architecture,listed,grade II,front view
Description: Tony Smith image Alamy 2R4WDKP - Battersea Power Station is a decommissioned Grade II* listed coal-fired power station, located on the south bank of the River Thames, in Nine Elms, Battersea, in the London Borough of Wandsworth. It was built by the London Power Company (LPC) to the design of Leonard Pearce, Engineer in Chief to the LPC, and CS Allott & Son Engineers. The architects were J. Theo Halliday and Giles Gilbert Scott. The station is one of the world's largest brick buildings and notable for its original, Art Deco interior fittings and decor.
The building comprises two power stations, built in two stages, in a single building. Battersea A Power Station was built between 1929 and 1935 and Battersea B Power Station, to its east, between 1937 and 1941, when construction was paused owing to the worsening effects of the Second World War. The building was completed in 1955. Battersea B was built to a design nearly identical to that of Battersea A, creating the iconic four-chimney structure.
Battersea A was decommissioned in 1975. In 1980 the whole structure was given Grade II listed status
Battersea B shut three years later. In 2007 its listed status was upgraded to Grade II*. The building remained empty until 2014, during which time it fell into near ruin. Various plans were made to make use of the building, but none were successful. In 2012, administrators Ernst & Young entered into an exclusivity agreement with Malaysia's S P Setia and Sime Darby to develop the site to include 253 residential units, bars, restaurants, office space (occupied by Apple and No. 18 business members club), shops and entertainment spaces. The plans were approved and redevelopment commenced a few years later. As of 2021, the building and the overall 42-acre (17 ha) site development is owned by a consortium of Malaysian investors.
44 Electric Boulevard, Battersea Power Station, Nine Elms, Wandsworth, London, England, UK, SW11 8BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Wandsworth.,Art Deco,ArtDeco,London Power Company,LPC,S P Setia,Sime Darby,SP Setia,development,icon,iconic,new,Northern line extension,office,offices,shopping,retail,site,SW11,Nine Elms,Wandsworth,London,SW11 8BJ,44,Electric Boulevard,Battersea,outside,chimney,building,architecture,listed,grade II,front view
Description: Tony Smith image Alamy 2R4WDM3 - Battersea Power Station is a decommissioned Grade II* listed coal-fired power station, located on the south bank of the River Thames, in Nine Elms, Battersea, in the London Borough of Wandsworth. It was built by the London Power Company (LPC) to the design of Leonard Pearce, Engineer in Chief to the LPC, and CS Allott & Son Engineers. The architects were J. Theo Halliday and Giles Gilbert Scott. The station is one of the world's largest brick buildings and notable for its original, Art Deco interior fittings and decor.
The building comprises two power stations, built in two stages, in a single building. Battersea A Power Station was built between 1929 and 1935 and Battersea B Power Station, to its east, between 1937 and 1941, when construction was paused owing to the worsening effects of the Second World War. The building was completed in 1955. Battersea B was built to a design nearly identical to that of Battersea A, creating the iconic four-chimney structure.
Battersea A was decommissioned in 1975. In 1980 the whole structure was given Grade II listed status
Battersea B shut three years later. In 2007 its listed status was upgraded to Grade II*. The building remained empty until 2014, during which time it fell into near ruin. Various plans were made to make use of the building, but none were successful. In 2012, administrators Ernst & Young entered into an exclusivity agreement with Malaysia's S P Setia and Sime Darby to develop the site to include 253 residential units, bars, restaurants, office space (occupied by Apple and No. 18 business members club), shops and entertainment spaces. The plans were approved and redevelopment commenced a few years later. As of 2021, the building and the overall 42-acre (17 ha) site development is owned by a consortium of Malaysian investors.
44 Electric Boulevard, Battersea Power Station, Nine Elms, Wandsworth, London, England, UK, SW11 8BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Wandsworth.,Art Deco,ArtDeco,London Power Company,LPC,S P Setia,Sime Darby,SP Setia,development,icon,iconic,new,Northern line extension,office,offices,shopping,retail,site,SW11,Nine Elms,Wandsworth,London,SW11 8BJ,44,Electric Boulevard,Battersea,outside,chimney,building,architecture,listed,grade II
Description: Tony Smith image Alamy 2R4WDNT - Battersea Power Station is a decommissioned Grade II* listed coal-fired power station, located on the south bank of the River Thames, in Nine Elms, Battersea, in the London Borough of Wandsworth. It was built by the London Power Company (LPC) to the design of Leonard Pearce, Engineer in Chief to the LPC, and CS Allott & Son Engineers. The architects were J. Theo Halliday and Giles Gilbert Scott. The station is one of the world's largest brick buildings and notable for its original, Art Deco interior fittings and decor.
The building comprises two power stations, built in two stages, in a single building. Battersea A Power Station was built between 1929 and 1935 and Battersea B Power Station, to its east, between 1937 and 1941, when construction was paused owing to the worsening effects of the Second World War. The building was completed in 1955. Battersea B was built to a design nearly identical to that of Battersea A, creating the iconic four-chimney structure.
Battersea A was decommissioned in 1975. In 1980 the whole structure was given Grade II listed status
Battersea B shut three years later. In 2007 its listed status was upgraded to Grade II*. The building remained empty until 2014, during which time it fell into near ruin. Various plans were made to make use of the building, but none were successful. In 2012, administrators Ernst & Young entered into an exclusivity agreement with Malaysia's S P Setia and Sime Darby to develop the site to include 253 residential units, bars, restaurants, office space (occupied by Apple and No. 18 business members club), shops and entertainment spaces. The plans were approved and redevelopment commenced a few years later. As of 2021, the building and the overall 42-acre (17 ha) site development is owned by a consortium of Malaysian investors.
44 Electric Boulevard, Battersea Power Station, Nine Elms, Wandsworth, London, England, UK, SW11 8BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Wandsworth.,Art Deco,ArtDeco,London Power Company,LPC,S P Setia,Sime Darby,SP Setia,development,icon,iconic,new,Northern line extension,office,offices,shopping,retail,site,SW11,Nine Elms,Wandsworth,London,SW11 8BJ,44,Electric Boulevard,Battersea,outside,chimney,building,architecture,listed,grade II,front view
Description: Tony Smith image Alamy 2R4WDP9 - Battersea Power Station is a decommissioned Grade II* listed coal-fired power station, located on the south bank of the River Thames, in Nine Elms, Battersea, in the London Borough of Wandsworth. It was built by the London Power Company (LPC) to the design of Leonard Pearce, Engineer in Chief to the LPC, and CS Allott & Son Engineers. The architects were J. Theo Halliday and Giles Gilbert Scott. The station is one of the world's largest brick buildings and notable for its original, Art Deco interior fittings and decor.
The building comprises two power stations, built in two stages, in a single building. Battersea A Power Station was built between 1929 and 1935 and Battersea B Power Station, to its east, between 1937 and 1941, when construction was paused owing to the worsening effects of the Second World War. The building was completed in 1955. Battersea B was built to a design nearly identical to that of Battersea A, creating the iconic four-chimney structure.
Battersea A was decommissioned in 1975. In 1980 the whole structure was given Grade II listed status
Battersea B shut three years later. In 2007 its listed status was upgraded to Grade II*. The building remained empty until 2014, during which time it fell into near ruin. Various plans were made to make use of the building, but none were successful. In 2012, administrators Ernst & Young entered into an exclusivity agreement with Malaysia's S P Setia and Sime Darby to develop the site to include 253 residential units, bars, restaurants, office space (occupied by Apple and No. 18 business members club), shops and entertainment spaces. The plans were approved and redevelopment commenced a few years later. As of 2021, the building and the overall 42-acre (17 ha) site development is owned by a consortium of Malaysian investors.
44 Electric Boulevard, Battersea Power Station, Nine Elms, Wandsworth, London, England, UK, SW11 8BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,old,fall,Cheshire,England,UK,WA4,chimney,beer,beers,bitter,ale,family,heritage,Warrington,brewing,architecture,Wilderspool Business Park,building,Greenall Whitley & Co Limited,1787,bars,chain,group,land,bar,pub,Wilderspool Causeway,history,historic,Wilderspool Warrington,office,offices,Mild Ale,Messrs,Grade II listed,old chester ale,Greenalls Avenue
Description: Tony Smith image Alamy 2K90WP4 - . Made at the recorded location in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The main point of reference is Old Greenall Whitley Brewery, Wilderspool, Warrington, Cheshire, England, UK. The setting additionally reflects changing land use, historic hostelry, historical comparison, beer-led hospitality, archival record, changing streetscape, real-ale culture, everyday life, regional identity, hospitality economy, traditional ale house, visitor hospitality, contemporary social history, and local social venue. Today's relevance is strengthened by pub closures, beer duty and the continuing question of the continuing appeal of real ale and regional brewing. Small period details of local activity and public use at the recorded location may become more significant with time, particularly following closure or conversion. The photograph additionally reflects traditional pub, documentary photography, place identity, licensed hospitality, local history, community identity, before-and-after reference, and visual archive. References to Whitley, Greenall, Wilderspool, and Brewery give the picture a strong period identity and tie it closely to its named subject. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects pub closures and the continuing appeal of real ale and regional brewing within the real-world context of the recorded location. Its period value extends to staffing pressure and the survival of pubs as both businesses and informal community spaces within the specific setting of the recorded location. The location additionally provides evidence of energy costs and the survival of pubs as both businesses and informal community spaces as part of the longer story of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,LS24,High Street,Tadcaster,North Yorkshire,LS24 9SA,group,English,John Smiths bitter,bitter,John Smith,nitrogenated Extra Smooth,product,beers,Backhouse & Hartley,brewery,Courage,products,including,Amstel,Kronenbourg 1664,entrance,gate,No Nonsense,No-Nonsense,Yorkshire Bitter,building,architecture,Magnet Pale Ale,Magnet,brewhouse,lager,offices,chimney
Description: Tony Smith image Alamy 2K3JX34 - John Smith's Brewery in Tadcaster, North Yorkshire, England, produces beers including John Smith's, the highest selling bitter in the United Kingdom since the mid-1990s.
The majority of John Smith's sales are of the nitrogenated Extra Smooth product, although a cask conditioned variant is available nationally. A stronger variant called Magnet is also available in the North East of England. John Smith's Cask and Magnet are produced under licence by Cameron's in Hartlepool.
John Smith acquired the Backhouse & Hartley brewery in 1852. Following a series of acquisitions in the post-World War II period, the company became one of the largest regional brewers in the country, operating over 1,800 licensed premises. The company was taken over by Courage in 1970 who extended distribution of the brewery's products into the South of England. Courage was acquired by Scottish & Newcastle in 1995, and the operations were purchased by Heineken in 2008.
John Smith's Extra Smooth and Original are produced at the Tadcaster brewery, as well as a range of Heineken products including Amstel and Kronenbourg 1664. With a 38 million litre capacity, the brewery is one of the largest in the country.
John Smith's became well known for a series of highly successful No Nonsense-themed television advertising campaigns, featuring the dour Yorkshireman character Arkwright during the 1970s and 1980s
The brewery brews 3.8 million hectolitres annually (1.3 million of which is John Smith's beer), and employed around 300 people in 2008. It has two keg lines, two bottle lines and one canning line. It currently brews and packages the ale brands John Smith's Original, John Smith's Extra Smooth and Newcastle Brown Ale, and the lager brands Foster's, Kronenbourg 1664 (Kronenbourg is a Carlsberg-owned brand brewed under license by Heineken in the UK), Amstel and Tiger
High Street, Tadcaster, North Yorkshire, England, UK, LS24 9SA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,LS24,High Street,Tadcaster,North Yorkshire,LS24 9SA,group,English,John Smiths bitter,bitter,John Smith,nitrogenated Extra Smooth,product,beers,Backhouse & Hartley,brewery,Courage,products,including,Amstel,Kronenbourg 1664,entrance,gate,No Nonsense,No-Nonsense,Yorkshire Bitter,building,architecture,Magnet Pale Ale,Magnet,brewhouse,lager,offices,chimney
Description: Tony Smith image Alamy 2K3JX4P - John Smith's Brewery in Tadcaster, North Yorkshire, England, produces beers including John Smith's, the highest selling bitter in the United Kingdom since the mid-1990s.
The majority of John Smith's sales are of the nitrogenated Extra Smooth product, although a cask conditioned variant is available nationally. A stronger variant called Magnet is also available in the North East of England. John Smith's Cask and Magnet are produced under licence by Cameron's in Hartlepool.
John Smith acquired the Backhouse & Hartley brewery in 1852. Following a series of acquisitions in the post-World War II period, the company became one of the largest regional brewers in the country, operating over 1,800 licensed premises. The company was taken over by Courage in 1970 who extended distribution of the brewery's products into the South of England. Courage was acquired by Scottish & Newcastle in 1995, and the operations were purchased by Heineken in 2008.
John Smith's Extra Smooth and Original are produced at the Tadcaster brewery, as well as a range of Heineken products including Amstel and Kronenbourg 1664. With a 38 million litre capacity, the brewery is one of the largest in the country.
John Smith's became well known for a series of highly successful No Nonsense-themed television advertising campaigns, featuring the dour Yorkshireman character Arkwright during the 1970s and 1980s
The brewery brews 3.8 million hectolitres annually (1.3 million of which is John Smith's beer), and employed around 300 people in 2008. It has two keg lines, two bottle lines and one canning line. It currently brews and packages the ale brands John Smith's Original, John Smith's Extra Smooth and Newcastle Brown Ale, and the lager brands Foster's, Kronenbourg 1664 (Kronenbourg is a Carlsberg-owned brand brewed under license by Heineken in the UK), Amstel and Tiger
High Street, Tadcaster, North Yorkshire, England, UK, LS24 9SA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,LS24,High Street,Tadcaster,North Yorkshire,LS24 9SA,group,English,John Smiths bitter,bitter,John Smith,nitrogenated Extra Smooth,product,beers,Backhouse & Hartley,brewery,Courage,products,including,Amstel,Kronenbourg 1664,entrance,gate,No Nonsense,No-Nonsense,Yorkshire Bitter,building,architecture,Magnet Pale Ale,Magnet,brewhouse,lager,offices,chimney
Description: Tony Smith image Alamy 2K3JX59 - Taken on 26 Sep 2022, this photograph shows John Smiths, Tadcaster brewery, High Street, Tadcaster, North Yorkshire, England, UK, LS24 9SA. The thumbnail shows brewery architecture, gates, signs, brick elevations or the edge of the street, anchoring the description in brewing heritage, industrial buildings, commercial identity and the visual character of Tadcaster. Tadcaster is a long-established Yorkshire brewing town on the River Wharfe, and its streets still carry the visual imprint of beer production, coaching routes, stone buildings, flood risk and local trade.
John Smith's is one of the best-known names in British beer, and the Tadcaster site connects the modern drinks market with an older world of maltings, brewhouses, brewery gates and industrial employment. For stock photography use, the value is in the precise subject: John Smiths, Tadcaster brewery, High Street, Tadcaster, North Yorkshire, England, UK, LS24 9SA. It can support articles and publications about British beer heritage, brewery architecture, pub culture, beer branding, industrial employment, hospitality history, Yorkshire brewing, traditional ale, drinks industry commentary, town-centre heritage, as well as more specific searches using Tadcaster, Tadcaster brewery, brewery, John Smiths, brewer, Heineken, historic, history, beer, company, Yorkshire, LS24, High Street, North Yorkshire, LS24 9SA, group, English, John Smiths bitter. The composition also gives space for tighter crops, captions, web thumbnails, report illustrations and social media use, while the Alamy reference 2K3JX59 and the row caption help connect the image to a real place rather than a vague concept. The picture can be used by writers covering heritage, conservation, planning, tourism, retail, transport, public services, nostalgia, local identity, architectural survival, industrial change and the way familiar objects or building
High Street, Tadcaster, North Yorkshire, England, UK, LS24 9SA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,LS24,High Street,Tadcaster,North Yorkshire,LS24 9SA,group,English,John Smiths bitter,bitter,John Smith,nitrogenated Extra Smooth,product,beers,Backhouse & Hartley,brewery,Courage,products,including,Amstel,Kronenbourg 1664,entrance,gate,No Nonsense,No-Nonsense,Yorkshire Bitter,building,architecture,Magnet Pale Ale,Magnet,brewhouse,lager,offices,chimney
Description: Tony Smith image Alamy 2K3JX7T - John Smith's Brewery in Tadcaster, North Yorkshire, England, produces beers including John Smith's, the highest selling bitter in the United Kingdom since the mid-1990s.
The majority of John Smith's sales are of the nitrogenated Extra Smooth product, although a cask conditioned variant is available nationally. A stronger variant called Magnet is also available in the North East of England. John Smith's Cask and Magnet are produced under licence by Cameron's in Hartlepool.
John Smith acquired the Backhouse & Hartley brewery in 1852. Following a series of acquisitions in the post-World War II period, the company became one of the largest regional brewers in the country, operating over 1,800 licensed premises. The company was taken over by Courage in 1970 who extended distribution of the brewery's products into the South of England. Courage was acquired by Scottish & Newcastle in 1995, and the operations were purchased by Heineken in 2008.
John Smith's Extra Smooth and Original are produced at the Tadcaster brewery, as well as a range of Heineken products including Amstel and Kronenbourg 1664. With a 38 million litre capacity, the brewery is one of the largest in the country.
John Smith's became well known for a series of highly successful No Nonsense-themed television advertising campaigns, featuring the dour Yorkshireman character Arkwright during the 1970s and 1980s
The brewery brews 3.8 million hectolitres annually (1.3 million of which is John Smith's beer), and employed around 300 people in 2008. It has two keg lines, two bottle lines and one canning line. It currently brews and packages the ale brands John Smith's Original, John Smith's Extra Smooth and Newcastle Brown Ale, and the lager brands Foster's, Kronenbourg 1664 (Kronenbourg is a Carlsberg-owned brand brewed under license by Heineken in the UK), Amstel and Tiger
High Street, Tadcaster, North Yorkshire, England, UK, LS24 9SA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,LS24,High Street,Tadcaster,North Yorkshire,LS24 9SA,group,English,John Smiths bitter,bitter,John Smith,nitrogenated Extra Smooth,product,beers,Backhouse & Hartley,brewery,Courage,products,including,Amstel,Kronenbourg 1664,entrance,gate,No Nonsense,No-Nonsense,Yorkshire Bitter,building,architecture,Magnet Pale Ale,Magnet,brewhouse,lager,offices,chimney
Description: Tony Smith image Alamy 2K3JX7Y - John Smith's Brewery in Tadcaster, North Yorkshire, England, produces beers including John Smith's, the highest selling bitter in the United Kingdom since the mid-1990s.
The majority of John Smith's sales are of the nitrogenated Extra Smooth product, although a cask conditioned variant is available nationally. A stronger variant called Magnet is also available in the North East of England. John Smith's Cask and Magnet are produced under licence by Cameron's in Hartlepool.
John Smith acquired the Backhouse & Hartley brewery in 1852. Following a series of acquisitions in the post-World War II period, the company became one of the largest regional brewers in the country, operating over 1,800 licensed premises. The company was taken over by Courage in 1970 who extended distribution of the brewery's products into the South of England. Courage was acquired by Scottish & Newcastle in 1995, and the operations were purchased by Heineken in 2008.
John Smith's Extra Smooth and Original are produced at the Tadcaster brewery, as well as a range of Heineken products including Amstel and Kronenbourg 1664. With a 38 million litre capacity, the brewery is one of the largest in the country.
John Smith's became well known for a series of highly successful No Nonsense-themed television advertising campaigns, featuring the dour Yorkshireman character Arkwright during the 1970s and 1980s
The brewery brews 3.8 million hectolitres annually (1.3 million of which is John Smith's beer), and employed around 300 people in 2008. It has two keg lines, two bottle lines and one canning line. It currently brews and packages the ale brands John Smith's Original, John Smith's Extra Smooth and Newcastle Brown Ale, and the lager brands Foster's, Kronenbourg 1664 (Kronenbourg is a Carlsberg-owned brand brewed under license by Heineken in the UK), Amstel and Tiger
High Street, Tadcaster, North Yorkshire, England, UK, LS24 9SA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,CH65 4EY,CH65,Ellesmere Port,Park,Oil Sites,Road,works,MSCC,chimney,industrial,manufacturing,facility,factory,chemicals,plant,additives,formulations,Refinery,refining,oil,product,products,heavy industry,lubricants,skyline,pano,panorama,Octel Corporation,Associated Octel Company,Octel,leaded petrol,tetraethyllead
Description: Tony Smith image Alamy 2K1YM0G - Innospec Inc., formerly known as Octel Corporation and Associated Octel Company, Ltd., is a specialty chemical company. It comprises three business units: Fuel Specialties, responsible for the development and supply of additives for fuels and which also includes the company's activities in its Oilfield Chemicals division, Performance Chemicals, which focuses on products for the Personal Care industry and also provides products for the Polymers markets, and Octane Additives, which is the last remaining non-Chinese producer of tetraethyllead (TEL) used in the manufacture of 100LL avgas throughout the world. The company has recently sparked controversy due to its being the only company that continues to export leaded petrol from the UK to Algeria despite pledging to stop several times
Innospec Manufacturing Park Oil Sites Road Ellesmere Port, Cheshire, England,UK, CH65 4EY
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,blue,boat,at,showing,pumphouse,history,historic,canals,navigation,transport,Narrow boats,narrowboat,narrowboats,moored,mooring,towpath,tow path,chimney,tower,warehouse,pumproom,pump,room,house,vessel,quay,nautical
Description: Tony Smith image Alamy 2K307R8 - . A grounded documentary photograph made at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. At the centre of the view is Shropshire Union Canal locks at Ellesmere Port, showing pump house chimney and old Victorian waterway buildings. A broader reading of the photograph includes contemporary social history, waterway conservation, local character, adaptive reuse, navigation engineering, town-centre renewal, social history, industrial waterway history, documentary photography, commercial redevelopment, place-making, civic architecture, local history, and waterborne freight. Today's relevance is strengthened by industrial heritage, flood resilience and the continuing question of the transition from freight transport to leisure and heritage use. From a 2025-onward perspective, public-realm investment and town-centre regeneration are closely linked to this subject, alongside how public investment can reshape pedestrian movement and evening activity. Small period details of materials and architectural details at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW may become more significant with time, particularly following changed technology. Other useful contextual ideas include period architecture, visual archive, regional identity, heritage boating, heritage-led regeneration, architectural character, built heritage, and historical comparison. Details involving Union, buildings, chimney, waterway, and locks make the image more specific than a generic view and strengthen its local or historical value. The period setting at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,Gloucestershire,England,UK,Cotswold,route,path,around,Cotswolds,Bliss,countryside,industry,mills,mill,set,George Woodhouse,Bolton,manufacture,William Bliss,manufacturing,chimney,strike,weaving,column,Tuscan,tall,1913,chimneystack,trade union,dispute,of,walking,buildings,development,redeveloped,housing,flats
Description: Tony Smith image Alamy 2JKMPTR - . This scene at Chipping Norton, Gloucestershire, England, UK in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. At the centre of the view is Bliss historic Tweed Mill, Chipping Norton, Cotswolds, Gloucestershire, England, UK. The subject also carries associations with architectural character, conservation interest, place identity, cityscape history, period detail, social-history object, historic material culture, regional identity, local history, antique object, heritage asset, visual archive, historic townscape, and material culture. For current editorial use, local history and object conservation provide additional context, especially through the importance of provenance and inscriptions in understanding historic artefacts. Current relevance extends to energy retrofit and adaptive reuse, particularly through the value of architectural landmarks to local identity and tourism. Small period details of landscape treatment and surrounding development at Chipping Norton, Gloucestershire, England, UK may become more significant with time, particularly following conservation work. The surrounding story also includes period craftsmanship, changing streetscape, before-and-after reference, conservation architecture, community identity, decorative metalwork, period building, and documentary photography. References to Tweed, Cotswolds, Bliss, Gloucestershire, and Norton give the picture a strong period identity and tie it closely to its named subject. The period setting at Chipping Norton, Gloucestershire, England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The record includes part of the area's social history for future local research. The frame retains details of everyday use before later change alters the scene.
Chipping Norton, Gloucestershire, England, UK
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,Gloucestershire,England,UK,Cotswold,route,path,around,Cotswolds,Bliss,countryside,industry,mills,mill,set,George Woodhouse,Bolton,manufacture,William Bliss,manufacturing,chimney,strike,weaving,column,Tuscan,tall,1913,chimneystack,trade union,dispute,of,walking,buildings,development,redeveloped,housing,flats
Description: Tony Smith image Alamy 2JKMPWF - . This location-specific image from Chipping Norton, Gloucestershire, England, UK in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The defining feature is Bliss historic Tweed Mill, Chipping Norton, Cotswolds, Gloucestershire, England, UK. The image also relates to heritage landmark, urban fabric, historical comparison, local-history evidence, conservation interest, heritage interpretation, built heritage, antique object, public realm, historic townscape, period detail, changing land use, architectural character, and place identity. For current editorial use, collecting and local history provide additional context, especially through the importance of provenance and inscriptions in understanding historic artefacts. Current relevance extends to adaptive reuse and embodied carbon, particularly through the balance between conservation, retrofit and modern accessibility. The archival value lies partly in recording signage and branding around Chipping Norton, Gloucestershire, England, UK before new construction alters the character of the place. A second descriptive layer includes documentary photography, heritage asset, visual archive, commemorative plaque, before-and-after reference, commemorative object, local character, and decorative metalwork. The combination of historic, Cotswolds, Bliss, Norton, and Gloucestershire anchors the frame to a recognisable activity, place or moment. A later view of Chipping Norton, Gloucestershire, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another useful connection is collecting and the importance of provenance and inscriptions in understanding historic artefacts within the specific setting of Chipping Norton, Gloucestershire, England, UK. The record includes a trace of local identity as a date-specific reference.
Chipping Norton, Gloucestershire, England, UK
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Gloucestershire,England,UK,walking,route,path,around,including,taking,in,Cotswolds,Bliss,mill,mills,industry,countryside,set,George Woodhouse,Bolton,William Bliss,manufacture,of,manufacturing,trade union,dispute,strike,1913,chimneystack,chimney,tall,Tuscan,column,weaving
Description: Tony Smith image Alamy 2JPB8XK - Bliss Tweed Mill is a former mill for the manufacture of tweed. It is located on the edge of Chipping Norton, Oxfordshire, UK. It became a Grade II* listed building in 1980.
The mill was built in 1872 for cloth manufacturer William Bliss, to make fine tweed cloth from locally produced wool. It was designed by the architect George Woodhouse of Bolton, who also designed mills in Lancashire, including Victoria Mill in Miles Platting
Woodhouse was also involved in the construction of Bolton Town Hall.
The main 5-storey spinning building is faced with local limestone and styled to resemble a country house, with square towers at each corner topped by stone urns. Unusually, a large chimney for the furnace to power the mill's steam machinery issues from a dome at the top of a circular tower built into one façade. The chimneystack is styled as a tall Tuscan column. Inside, the building is supported by cast iron columns that carry beams bearing brick vaults. An adjacent lower building was used for weaving the tweed cloth.
The millworkers went on strike for eight months from December 1913 to June 1914, over the right of workers to join a trades union, but the mill prospered in the First World War after receiving a large order for khaki cloth for the British Army.
The mill closed in 1980 and was converted into residential apartments in around 1988
Chipping Norton, Gloucestershire, England, UK
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Gloucestershire,England,UK,walking,route,path,around,including,taking,in,Cotswolds,Bliss,mill,mills,industry,countryside,set,George Woodhouse,Bolton,William Bliss,manufacture,of,manufacturing,trade union,dispute,strike,1913,chimneystack,chimney,tall,Tuscan,column,weaving
Description: Tony Smith image Alamy 2JPB8XN - Bliss Tweed Mill is a former mill for the manufacture of tweed. It is located on the edge of Chipping Norton, Oxfordshire, UK. It became a Grade II* listed building in 1980.
The mill was built in 1872 for cloth manufacturer William Bliss, to make fine tweed cloth from locally produced wool. It was designed by the architect George Woodhouse of Bolton, who also designed mills in Lancashire, including Victoria Mill in Miles Platting
Woodhouse was also involved in the construction of Bolton Town Hall.
The main 5-storey spinning building is faced with local limestone and styled to resemble a country house, with square towers at each corner topped by stone urns. Unusually, a large chimney for the furnace to power the mill's steam machinery issues from a dome at the top of a circular tower built into one façade. The chimneystack is styled as a tall Tuscan column. Inside, the building is supported by cast iron columns that carry beams bearing brick vaults. An adjacent lower building was used for weaving the tweed cloth.
The millworkers went on strike for eight months from December 1913 to June 1914, over the right of workers to join a trades union, but the mill prospered in the First World War after receiving a large order for khaki cloth for the British Army.
The mill closed in 1980 and was converted into residential apartments in around 1988
Chipping Norton, Gloucestershire, England, UK
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,lamps,street,circus,London,England,UK,at,dusk,in,the,evening,Fire,building,streetlamps,night,mixed,light,source,sources,lit,architecture,buildings,Piccadilly Circus,roundabout,West End,Westend,old,insurances,cos,companies,company,red,blue,chimney
Description: Tony Smith image Alamy 2JKGJDE - . This authentic period view of Piccadilly Circus, London, England, UK in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The frame specifically shows Alliance Life Office - County Fire building Piccadilly, London, England, UK at dusk. The frame also records themes of public realm, cityscape history, heritage landmark, changing streetscape, regional identity, historic streetscape, built heritage, architectural detail, documentary photography, urban fabric, heritage asset, architectural character, conservation architecture, and archival record. In present-day coverage, the subject reaches into tourism and redevelopment pressure, not least because of the balance between conservation, retrofit and modern accessibility. The archival value lies partly in recording landscape treatment and surrounding development around Piccadilly Circus, London, England, UK before conservation work alters the character of the place. Other useful contextual ideas include historical comparison, social history, period detail, changing land use, place identity, local history, period architecture, and community identity. The recorded references to Piccadilly, Office, Alliance, building, and London preserve clues about how the subject was presented, used or understood at the time. The wider setting at Piccadilly Circus, London, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes tourism and the balance between conservation, retrofit and modern accessibility when considered against later change at Piccadilly Circus, London, England, UK. Another strand within the photograph is energy retrofit and the value of architectural landmarks to local identity and tourism without losing the local specificity of Piccadilly Circus, London, England, UK.
Piccadilly Circus, London, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,WA7 1AH,high street,Mersey,trade,art,UK,57 High St,Runcorn,Halton,England,WA7,history,boat,Mural,celebrates,celebrating,Queen of Mercia,Of Heroes And Industry,Hazlehurst and Sons,Johnson Brothers,Chimney,Runcorn Widnes Transporter,Bridge,murals,paintings,painting,historic,artist,depiction,Runcorns,Ethelfleda,Ethel
Description: Tony Smith image Alamy 2K141CH - More at http://www.oneredshoe.co.uk/runcornmural.html
Ethelfleda, Queen of Mercia, Credited With Founding Runcorn in The 10th Century. The earliest recorded event in Runcorn's history is the building of a fort to protect the northern frontier of Ethelfleda's kingdom - Mercia against the Vikings in 915.
We placed her at the beginning of ˜Runcorn' and above the Railway bridge (Ethelfleda Bridge) that marks the site of the fort. Depicted in the style of an illuminated letter from the Saxon Chronicles where this event is mentioned.
The letter ˜R' is formed by Ethelfleda sending the Viking ship away. The ship is also copied from an illustration in the Chronicles, with the rune for the north star atop the mast.
A strong, female heroine, she was well known for avoiding bloodshed where possible but willing to physically join the fighting herself if needed.
Hazlehurst and Sons and Johnson Brothers Chimney stacks. -Rival Soap Manufacturers & Huge Industrialists
The massive chimneys shaped Runcorn's skyline and are included here as an essential, but sooty part of its past. The hydrochloric acid vapour polluted the once clean air and together with the soot eliminated the salt water bathing and day-trippers.
Old Town Bloom Community Garden, 57 High St, Runcorn, Halton, Cheshire, England, UK, WA7 1AH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Runcorn,Halton,Cheshire,57 High St,WA7,WA7 1AH,UK,England,high street,art,history,boat,Mersey,trade,Mural,celebrates,celebrating,Queen of Mercia,Of Heroes And Industry,Hazlehurst and Sons,Johnson Brothers,Chimney,Runcorn Widnes Transporter,Bridge,murals,paintings,painting,historic,artist,depiction,Runcorns,Ethelfleda,Ethel
Description: Tony Smith image Alamy 2K141EW - More at http://www.oneredshoe.co.uk/runcornmural.html
Ethelfleda, Queen of Mercia, Credited With Founding Runcorn in The 10th Century. The earliest recorded event in Runcorn's history is the building of a fort to protect the northern frontier of Ethelfleda's kingdom - Mercia against the Vikings in 915.
We placed her at the beginning of ˜Runcorn' and above the Railway bridge (Ethelfleda Bridge) that marks the site of the fort. Depicted in the style of an illuminated letter from the Saxon Chronicles where this event is mentioned.
The letter ˜R' is formed by Ethelfleda sending the Viking ship away. The ship is also copied from an illustration in the Chronicles, with the rune for the north star atop the mast.
A strong, female heroine, she was well known for avoiding bloodshed where possible but willing to physically join the fighting herself if needed.
Hazlehurst and Sons and Johnson Brothers Chimney stacks. -Rival Soap Manufacturers & Huge Industrialists
The massive chimneys shaped Runcorn's skyline and are included here as an essential, but sooty part of its past. The hydrochloric acid vapour polluted the once clean air and together with the soot eliminated the salt water bathing and day-trippers.
Old Town Bloom Community Garden, 57 High St, Runcorn, Halton, Cheshire, England, UK, WA7 1AH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,town,NT,Cheshire,England,UK,WA14 4PE,red,brick,wall,side,building,architecture,village,Dunham village,Trafford,council,Victorian,model,Cheshires,centre,of,green,verdant,ivy,chimney,chimneys,GM,1730,mark,the,builder,builders,top,floor,story,storey
Description: Tony Smith image Alamy 2JH3W2M - . An on-location photograph from Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The scene records Dunham Massey cottages, with GM1730 on outside wall, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE. The setting additionally reflects contemporary social history, local history, everyday life, heritage landmark, social history, period building, period detail, traditional structure, visual archive, urban fabric, built heritage, architectural detailing, public realm, and heritage asset. For current editorial use, maintenance and adaptive reuse provide additional context, especially through keeping older structures useful without erasing their character. As a dated visual record of Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE, the frame retains equipment and working practice, making it especially useful if refurbishment subsequently changes the scene. The subject also sits alongside historical comparison, changing land use, conservation architecture, period streetscape, historic frontage, historic streetscape, historic townscape, and community identity. References to Altrincham, outside, GM1730, Massey, and Dunham give the picture a strong period identity and tie it closely to its named subject. The period setting at Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to maintenance and the value of distinctive buildings and street furniture to local identity when considered against later change at Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE. The record includes a local visual benchmark before later change alters the scene. The frame retains a point of historical comparison as a date-specific reference.
Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,UK,BL1,English,TV,television,personality,statue,art,artwork,backstreet mechanic,famous,chimney,felling,industry,industrial,age,mills,revered son,of,1938-2004,2004,Jane Robbins,sculpture,working,class,kind,bloke,northern,north west,Fred,Dibnar,Dibner
Description: Tony Smith image Alamy 2K0WRK7 - Frederick Travis Dibnah, MBE (29 April 1938 “ 6 November 2004) was an English steeplejack and television personality, with a keen interest in mechanical engineering, who described himself as a backstreet mechanic
After his National Service, once demobilised, he returned to steeplejacking but met with limited success until he was asked to repair Bolton's parish church. The resulting publicity provided a boost to his business, ensuring he was almost never out of work
In 1978, while making repairs to Bolton Town Hall, Dibnah was filmed by a regional BBC news crew. The BBC then commissioned a documentary, which followed the rough-hewn steeplejack as he worked on chimneys, interacted with his family and talked about his favourite hobby - steam
The massive statue of steeplejack Fred Dibnah has been crafted by a Shropshire, Shrewsbury artist to stand in the centre of the star's home town of Bolton.Jane Robbins won the 2008 commission for the statue. Its set in bronze and shows Fred holding a lightning conductor on one of his trademark chimneys
Jane, who lives in Church Stretton and works out of a studio in Abbey Foregate, Shrewsbury, has finished crafting an 8ft tall clay statue of Fred.
It will be taken from her studio in pieces on Monday, before a lighter wax replica is created and cast in bronze at Castle Fine Art Gallery, near Oswestry
Bolton, Greater Manchester, Lancashire, England, UK, BL1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,UK,BL1,English,TV,television,personality,statue,art,artwork,backstreet mechanic,famous,chimney,felling,industry,industrial,age,mills,revered son,of,1938-2004,2004,Jane Robbins,sculpture,working,class,kind,bloke,northern,north west,Fred,Dibnar,Dibner,Bolton town UK,steeplejacks
Description: Tony Smith image Alamy 2K0WRKT - Frederick Travis Dibnah, MBE (29 April 1938 “ 6 November 2004) was an English steeplejack and television personality, with a keen interest in mechanical engineering, who described himself as a backstreet mechanic
After his National Service, once demobilised, he returned to steeplejacking but met with limited success until he was asked to repair Bolton's parish church. The resulting publicity provided a boost to his business, ensuring he was almost never out of work
In 1978, while making repairs to Bolton Town Hall, Dibnah was filmed by a regional BBC news crew. The BBC then commissioned a documentary, which followed the rough-hewn steeplejack as he worked on chimneys, interacted with his family and talked about his favourite hobby - steam
The massive statue of steeplejack Fred Dibnah has been crafted by a Shropshire, Shrewsbury artist to stand in the centre of the star's home town of Bolton.Jane Robbins won the 2008 commission for the statue. Its set in bronze and shows Fred holding a lightning conductor on one of his trademark chimneys
Jane, who lives in Church Stretton and works out of a studio in Abbey Foregate, Shrewsbury, has finished crafting an 8ft tall clay statue of Fred.
It will be taken from her studio in pieces on Monday, before a lighter wax replica is created and cast in bronze at Castle Fine Art Gallery, near Oswestry
Bolton, Greater Manchester, Lancashire, England, UK, BL1
Description
Keywords: pub,bar,public house,historic,Inn,WA4,Walton Arms,148 Old Chester Road,Higher Walton,Warrington,Lancashire,UK,WA4 6TG,village,gable end,chimney,crest,Walton Crest,Vintage Inns,@Hotpixuk,GoTonySmith,heritage,brick,buildings,architecture,Victorian,old,pubs,bars,coaching,inn,style,AD1979,AD,crests,coat of arms
Description: Tony Smith image Alamy 2J843MG - . A grounded documentary photograph made at Walton Arms,pub,148 Old Chester Road, Higher Walton, Warrington, Lancashire,UK, WA4 6TG in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The photograph centres on Walton Arms,pub,148 Old Chester Road, Higher Walton, Warrington, Lancashire,UK, WA4 6TG. The frame also records themes of historical comparison, city-centre activity, built heritage, changing streetscape, urban fabric, pedestrian environment, urban change, social history, changing land use, visual archive, documentary photography, historic streetscape, heritage landmark, and contemporary city life. The wider contemporary story combines planning control, energy retrofit and the value of distinctive buildings and street furniture to local identity. Viewed from the mid-2020s, the subject also connects with transport, community use and how regeneration alters the character of familiar places. For later comparison, the photograph preserves landscape treatment and surrounding development at Walton Arms,pub,148 Old Chester Road, Higher Walton, Warrington, Lancashire,UK, WA4 6TG, details that may look very different after changing commercial priorities. The location also brings in heritage asset, everyday street life, regional identity, before-and-after reference, archival record, local landmark, street-level documentary, and period detail. Details involving Lancashire, Higher, Walton, and Chester make the image more specific than a generic view and strengthen its local or historical value. A later view of Walton Arms,pub,148 Old Chester Road, Higher Walton, Warrington, Lancashire,UK, WA4 6TG may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image fixes details of everyday use for later comparison. That local specificity strengthens the long-term documentary value of image 2J843MG.
Walton Arms,pub,148 Old Chester Road, Higher Walton, Warrington, Lancashire,UK, WA4 6TG
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,E1,Spittalfields,building,listed,grade II,East End,London,gate,gates,beer,Truman,ale,ales,old,history,historic,brewery chimney,Truman Chimney,Chimney,tower,clock,industry,factory,brownfield,brown field,Victorian,outside,exterior,yard,yards,redeveloped,preserved,retail
Description: Tony Smith image Alamy 2AE02BC - . An authentic period view of 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR in 2019, showing a subject whose value extends beyond the immediate scene into local history and changing social context. The main subject is Truman Brewery gates and brewery chimney, old brewhouse,Brick Lane,East End, London,England,UK, E1 6QR. The surrounding context brings together historic townscape, archival record, British brewing tradition, historic frontage, independent brewing, historic context, everyday life, community identity, real-ale culture, built heritage, regional identity, contemporary social history, pub trade, and local character. For contemporary context, hospitality costs and beer duty are closely related themes, especially where the issue becomes the cultural role of real ale and regional brewing. Viewed from the mid-2020s, the subject sits within continuing debate about historic townscape, heritage conservation and the contrast between preservation and redevelopment. With the passage of time, the image retains small features of identity that written records may overlook within 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR. The subject sits alongside adaptive reuse, heritage asset, documentary photography, festival bar service, changing streetscape, changing land use, historical comparison, and cityscape history. Elements such as brewhouse, Truman, gates, chimney, and London add documentary specificity and may become more useful when compared with later records. By fixing the subject within 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR, the image preserves more than the headline object or building: it records part of the locality's everyday history. A further contemporary connection is hospitality costs and the tension between heritage drinking culture and changing consumer habits within the real-world context of 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR.
91 Brick Ln, Spitalfields, London,England,UK, E1 6QR
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,E1,Spittalfields,building,listed,grade II,East End,London,gate,gates,beer,Truman,ale,ales,old,history,historic,brewery chimney,Truman Chimney,Chimney,tower,clock,industry,factory,brownfield,brown field,Victorian,outside,exterior,yard,yards,redeveloped,preserved,retail
Description: Tony Smith image Alamy 2AE02CC - . Made at 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The location is represented through Truman Brewery gates and brewery chimney, old brewhouse,Brick Lane,East End, London,England,UK, E1 6QR. Another layer of the scene includes changing streetscape, social drinking culture, regional identity, drinks hospitality, independent brewing, conservation architecture, documentary photography, changing land use, public realm, period detail, British brewing tradition, architectural detailing, period streetscape, and historic frontage. Today's wider story includes independent brewing, business rates and the practical question of the tension between heritage drinking culture and changing consumer habits. For contemporary context, planning control and heritage conservation are closely related themes, especially where the issue becomes the contrast between preservation and redevelopment. For local-history research, the scene fixes evidence of how the subject fitted into ordinary life as seen at 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR. The surrounding context also covers beer appreciation, traditional masonry, community identity, cask-beer tradition, licensed trade, community drinking venue, conservation interest, and real-ale culture. The recorded references to gates, London, Brewery, brewhouse, and Truman preserve clues about how the subject was presented, used or understood at the time. A later view of 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes independent brewing and the tension between heritage drinking culture and changing consumer habits as part of the longer story of 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR.
91 Brick Ln, Spitalfields, London,England,UK, E1 6QR
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,E1,Spittalfields,building,listed,grade II,East End,London,gate,gates,beer,Truman,ale,ales,old,history,historic,brewery chimney,Truman Chimney,Chimney,industry,factory,brownfield,brown field,Victorian,outside,exterior,yard,yards,redeveloped,preserved,retail
Description: Tony Smith image Alamy 2AE02CE - . A dated documentary view of 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR in 2019, recording the subject as it appeared at that point rather than as a generic stock illustration. The subject recorded here is Truman Brewery gates and brewery chimney, old brewhouse,Brick Lane,East End, London,England,UK, E1 6QR. Another layer of the scene includes period building, heritage landmark, visual archive, conservation architecture, cask-beer tradition, licensed hospitality, public realm, real-ale culture, beer judging, traditional masonry, urban fabric, local character, archival record, and social drinking culture. Viewed from the mid-2020s, the subject sits within continuing debate about pub closures, changing drinking habits and the cultural role of real ale and regional brewing. The present-day relevance extends to historic townscape and energy retrofit, while a wider concern is the role of distinctive architecture in local identity. For local-history research, the photograph preserves the relationship between the subject and its surroundings in the immediate surroundings of 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR. The surrounding context also covers changing streetscape, adaptive reuse, festival bar service, regional identity, documentary photography, contemporary social history, community identity, and period detail. References to Brick, chimney, Truman, gates, and brewhouse help fix the photograph to its own subject and period rather than reducing it to a generic view. The surrounding context at 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence of pub closures and the cultural role of real ale and regional brewing as part of the longer story of 91 Brick Ln, Spitalfields, London,England,UK, E1 6QR.
91 Brick Ln, Spitalfields, London,England,UK, E1 6QR
Description
Keywords: @HotpixUK,Hotpixuk,GoTonySmith,factory,England,UK,brick,bricks,mortar,mortars,chimney,trade,figures,exports,export,decline,output,industry,ONS,Office for national statistics,OBR,accurate,statistics,boost,growth,in,boosting,budget,for,manufacturers,unemployment,labour,shortage,investment,lack of,sector,abandons,GDP,economic growth,worker
Description: Tony Smith image Alamy 2AERPNF - . This location-based editorial photograph from the recorded location in 2019 preserves a recognisable subject together with clues about how the place was used and presented at the time. The location is represented through Birmingham,Digbeth,manufacturers,manufacturing,Black Country,factory,England,UK. Further facets of the subject include public administration, documentary photography, public realm, changing land use, regional identity, social history, political campaigning, industrial material culture, civic debate, factory history, archival record, industrial supply chain, building-material production, and historic manufacturing. In the mid-2020s, construction materials and manufacturing history keep the subject current, particularly through the historical importance of everyday manufactured objects and materials. The subject remains useful for current coverage of local services and cost of living, not least because of preserving campaign language that can quickly date. From an archival perspective, the scene keeps a record of the relationship between the subject and its surroundings in the immediate surroundings of the recorded location. Other useful associations include engineering heritage, public policy, everyday life, labour history, manufacturing heritage, contemporary social history, production works, and local character. References to manufacturing, manufacturers, Black, factory, and Birmingham help fix the photograph to its own subject and period rather than reducing it to a generic view. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for construction materials and the historical importance of everyday manufactured objects and materials when considered against later change at the recorded location. It also preserves period character for future local research.
Description
Keywords: New,Town,Scotland,UK,chimney,roof,classic,symbol,of,a,pawnbroker,pawnshop,financial,crash,secured,loans,personal,property,used,as,collateral,pledge,cash,pawned,to,the,broker,sign,money,to,bank,banking,banks,broke,the,Lombard,gotonysmith,jewelry,electronics,collectibles,musical,instruments,tools,Pawngo,three,spheres,suspended,from,a,bar,symbol,Medici,family,of,Florence,Italy,three,balls,orbs,plates,discs,coins,and,more,as,symbols,of,monetary,success,Buy Pictures of
Description: Tony Smith image Alamy DG3874 - The pawnbrokers' symbol is three spheres suspended from a bar. The three sphere symbol is attributed to the Medici family of Florence, Italy, owing to its symbolic meaning of Lombard.[12] This refers to the Italian province of Lombardy, where pawn shop banking originated under the name of Lombard banking. The three golden spheres were originally a symbol medieval Lombard merchants hung in front of their houses, and not the arms of the Medici family. It has been conjectured that the golden spheres were originally three flat yellow effigies of byzants, or gold coins, laid heraldically upon a sable field, but that they were converted into spheres to better attract attention.
Most European towns called the pawn shop the Lombard. The House of Lombard was a banking community in medieval London, England. According to legend, a Medici employed by Charlemagne slew a giant using three bags of rocks. The three-ball symbol became the family crest. Since the Medicis were so successful in the financial, banking, and moneylending industries, other families also adopted the symbol. Throughout the Middle Ages, coats of arms bore three balls, orbs, plates, discs, coins and more as symbols of monetary success. Pawnbrokers (and their detractors) joke that the three balls mean Two to one, you won't get your stuff back.
Saint Nicholas is the patron saint of pawnbrokers. The symbol has also been attributed to the story of Nicholas giving a poor man's three daughters each a bag of gold so they could get
Frederick St Edinburgh New Town Scotland UK
Description
Keywords: Victoria,Street,Edinburgh,City,Scotland,UK,at,dusk,Shot,Victoria,St,world,heritage,site,Old,Town,Lothian,Lothians,EH1,2JW,EH12JW,st,blue,sky,west,bow,westbow,mixed,lighting,history,historic,building,buildings,architecture,at,night,nightshot,railing,chimney,iron,old,rail,chimney,Gotonysmith,st.,tourist,tourism,trail,walk,walkways,around,tour,tours,chimneys,below,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG38GH - . Victoria Street Edinburgh City Scotland UK at dusk Night Shot. Photographed at Victoria St, West Bow, Edinburgh Old Town , Lothians , Scotland UK EH1 2JW. The photograph was taken on 30 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with Victoria, Street, Edinburgh, dusk, West Bow, Night, Shot, world, heritage and site, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Victoria St, West Bow, Edinburgh Old Town , Lothians , Scotland UK EH1 2JW
--Styal-Greater-Manchester--Lancashire--England--UK-2BK4F7C.jpg)
Description
Keywords: Hotpixuk,@HotpixUk,GoTonySmith,cotton mill,outside,external,outdoor,mill,wide,angle,wideangle,summer,Lancashire,textile mill,mills,factory,manufacture,manufacturing,Greg,Hannah Lightbody,England,UK,Great Britain,River Bollin,history,historic,tourist,windows,chimney,calico,water-powered Georgian mill,water-powered,Georgian mill,Robert Hyde Greg,weaving,Plug Plot riot
Description: Tony Smith image Alamy 2BK4F7C - Quarry Bank Mill (also known as Styal Mill) in Styal, Cheshire, England, is one of the best preserved textile mills of the Industrial Revolution and is now a museum of the cotton industry. Built in 1784, the mill is recorded in the National Heritage List for England as a designated Grade II* listed building, and inspired the 2013 television series The Mill. It was established by Samuel Greg. The mill was notable for the innovative approach to labour relations, largely as a result of the work of Greg's wife, Hannah Lightbody.
Samuel Greg leased land at Quarrell Hole on Pownall Fee from Lord Stamford, who imposed a condition that 'none of the surrounding trees should be pruned, felled or lopped´
maintaining the woodland character of the area. The factory was built in 1784 by Greg to spin cotton. When Greg retired in 1832 it was the largest such business in the United Kingdom. The water-powered Georgian mill still produces cotton calico. The Gregs were careful and pragmatic, paternalistic millowners, and the mill was expanded and changed throughout its history. When Greg's son, Robert Hyde Greg, took over the business, he introduced weaving. Samuel Greg died in 1834.
The Mill was attacked during the Plug Plot riots on 10 August 1842
Styal,Greater Manchester, Lancashire, England, UK , SK9 4LA
Description
Keywords: historic,listed,building,buildings,mill,HDR,cotton,king,owner,po historic,portrait,person,period,costume,sepia,mono,b/w,black,while,posed,tonysmith,365project,project365,styal,NT,national,trust,UK,england,cheshire,britain,industry,industrial,factory,victorian,workhouse,work,worker,workers,cottonopolis,tower,chimney,narrative,sex,sexy,HOT PIX,architecture,retro,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,lady,female,woman,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,@hotpixuk
Description: Tony Smith image Flickr 4594180519 - 'Quarry Bank Mill in Cheshire, England, is one of the best preserved textile mills of the Industrial Revolution and is now a museum of the cotton industry. It is a Grade II listed building and is now in the care of the National Trust.
The mill was founded by Samuel Greg (who is represented here), in 1784 in the village of Styal on the River Bollin. Its original iron water wheel was designed by Thomas Hewes and built between 1816 and 1820.
The Hewes wheel finally broke in 1904. After that the River Bollin continued to power the mill, through two water turbines. Today the Mill is home to the most powerful working waterwheel in Europe, an iron water wheel which was originally at Glasshouses Mill at Patley Bridge. This wheel was designed by Sir William Fairbairn, the Scottish engineer who had been an apprentice of Thomas Hewes.
The estate surrounding the mill, also developed by Greg, is the most complete and least altered factory colony of the Industrial Revolution. The estate and mill were donated to the National Trust in 1939 by Alexander Carlton Greg and are open to the public. The mill continued in commercial production until 1959.
The Greg family were Unitarians and built Norcliffe Chapel in Styal village. Their non-conformist religious beliefs provided the Gregs with important business contacts as many of the major Manchester Industrialists were Unitarian. Methodist workers at the mill later sought a place of worship, and the Gregs converted a grain store in Styal village into a Chapel for their use.
In Britain, a cotton mill is a factory that houses spinning and weaving machinery. Typically built between 1775 and 1930, mills spun cotton which was an important product during the Industrial Revolution.
Cotton mills, and the mechanisation of the spinning process, were instrumental in the growth of the machine tool industry, enabling the construction of larger cotton mills. The requirement for water helped stimulate the construction of the canal system, and the need for power the development of steam engines.
Limited companies were developed to construct the mills. This led to the trading floors of the cotton exchange of Manchester (now the Royal Excahnge Theatre), which in its turn created a vast commercial city. At the top of the town hall in Manchester sits a golden cotton seed, its basis for its wealth.
The mills also created extra employment, leading to the expansion of local populations and the need for extra housing. In response, mill towns with municipal governments were created. The mills provided independent incomes for girls and women. Child labour was used in the mills, and the factory system led to organised labour.
Poor conditions in cotton mills became the subject of exposes and the Factory Acts were written to regulate them. The cotton mill was originally a Lancashire phenomenon that then was copied in New England and later in the southern states of America.
In the twentieth century, North West England lost its supremacy to the United States, then India and then China. In the twenty-first century redundant mills have been accepted as part of a country's industrial heritage.
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Description
Keywords: Black,White,England,UK,Gb,great,Britain,United,Kingdom,national,Trust,mono,monochrome,man,with,cane,oppressive,tourist,tourism,old,olde,victorian,capitalist,manager,leader,jacket,top,hat,chimney,Quarry,Bank,Mill,and,Styal,Estate,River,Bollin,village,cotton,working,waterwheel,capitalism,gotonysmith Manchester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8FBC9 - One of Britain's greatest industrial heritage sites, showing how a complete industrial community lived
Quarry Bank overflows with the atmosphere of the Industrial Revolution. A visit to the cotton mill, built in 1784, and powered by Europe's most powerful working waterwheel, will certainly stimulate your senses.
The clatter of machinery and hiss of steam engines make an astonishing noise. Take a guided tour of the Apprentice House, which housed the pauper children who worked in the Mill and learn about their working and home lives.
Visit the stunning garden, the Greg family's picturesque valley retreat adjoining the Mill. Stroll to Styal village, built by the Greg family to house the Mill workers, and still a thriving community, or walk through ancient woods along the River Bollin.
Styal, Wilmslow, Cheshire, England, UK SK9 4LA
Description
Keywords: Albert Dock Liverpool Dusk Panorama from Wapping,Merseyside,North west England,UK,gotonysmith,blue,hour,pump,house,pub,water,maritime,beatles,city,side,john,lennon,chimney,Albert,Dock,is,a,complex,of,dock,buildings,and,warehouses,in,Liverpool,England. Designed by Jesse Hartley and Philip Hardwick,it was opened in 1846,and,was,the,first,structure,in,Britain,to,be,built,from,cast,iron,brick and stone,with no structural wood. As a result,it,was,the,first,non-combustible,warehouse,system,in,the,world.,At,the,time,of,its,construction,the,Albert,Dock,was,considered,a,revolutionary,docking,system,because,ships,were,loaded,and,unloaded,directly,from/to,the,warehouses.,Two,years,after,it,opened,it,was,modified,to,feature,the,worlds,first,hydraulic,cranes.,Due,to,its,open,yet,secure,design,the Albert Dock became a popular store,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF13A2 - Albert Dock Liverpool Dusk Panorama from Wapping, Merseyside, North west England , UK
Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world.
At the time of its construction the Albert Dock was considered a revolutionary docking system because ships were loaded and unloaded directly from/to the warehouses. Two years after it opened it was modified to feature the world's first hydraulic cranes. Due to its open yet secure design, the Albert Dock became a popular store for valuable cargoes such as brandy, cotton, tea, silk, tobacco, ivory and sugar. However, despite the Albert Dock's advanced design, the rapid development of shipping technology meant that within 50 years, larger, more open docks were required, although it remained a valuable store for cargo.
During the Second World War, the Albert Dock was requisitioned by the Admiralty serving as a base for boats of the British Atlantic Fleet. The complex was damaged during air raids on Liverpool, notably during the May Blitz of 1941. In the aftermath of the war, the financial problems of the owners and the general decline of docking in the city meant that the future of the Albert Dock was uncertain. Numerous plans were developed for the re-use of the buildings but none came to fruition and in 1972 the dock was finally closed. Having lain derelict for nearly ten years, the redevelopment of the dock began in 1981, when the Merseyside Development Corporation was set up, with the Albert Dock being officially re-opened in 1988.
Today the Albert Dock is a major tourist attraction in the city and the most visited multi-use attraction in the United Kingdom, outside of London. It is a vital component of Liverpool's UNESCO area.
Wapping / Albert Dock, Liverpool city, Merseyside , NW England, UK
Description
Keywords: West,Midlands,England,UK,famous,clock,tower,clocks,timepiece,time,piece,gate,entrance,port,portal,red,brick,flowers,summer,best,loved,parks,saddlers,saddler,things,to,see,in,tourist,tourism,attraction,lodge,fine,old,victorian,building,gotonysmith,buildings,flanking,bays,contain,gates,below,a,depressed,gothic,arch,and,slate,saddle-back,roof,linking,to,two,storey,bays,below,a,stepped,gable,with,stone,dressed,tripartite,windows.,Chimney,stacks,are,at,the,extremities,with,that,on,the,right,showing,its,original,crenellated,pot.,Low,single,storey,end,bays,stand,below,slate,saddlebacks,with stepped gable ends and double lancets stone dressed,Black,Country,Buy Pictures of,Buy Images Of,Black Country,Walsall Black Country
Description: Tony Smith image Alamy DHGYW0 - The ˜jewel in the crown' of Walsall town is, perhaps, its famous Victorian park, The Arboretum, and the setting of that jewel is entered through the historic gateways of a fine old Victorian building “ the main Arboretum Lodge, with its distinctive clock tower.
Once home of the legendary Walsall Illuminations festival of lights enjoyed annually by millions since its inauguration in 1952, Walsall Arboretum itself has its origins in another much more ancient activity in the town “ limestone mining.
The area now occupied by the Arboretum was originally part of Rushall until 1876. Limestone had been quarried in the vicinity since at least the late 18th century, with the Persehouse family demolishing Reynolds Hall so that the very profitable quarrying could continue. However, operations had ceased by the 1840's, leaving two great pits to fill up with water, both from the nearby stream and from springs and general drainage. The larger of the two pits, now lakes, was named Hatherton Lake by 1845, and the fine old row of houses now known as Victoria Terrace just to the north was in fact built as Hatherton Lake Villas by the early 1850's.
Lichfield Road, Walsall, West Midlands, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,UK,BL1,English,TV,television,personality,statue,art,artwork,backstreet mechanic,famous,chimney,felling,industry,industrial,age,mills,revered son,of,1938-2004,2004,Jane Robbins,sculpture,working,class,kind,bloke,northern,north west,Fred,Dibnar,Dibner
Description: Tony Smith image Alamy 2K0WRK9 - Frederick Travis Dibnah, MBE (29 April 1938 “ 6 November 2004) was an English steeplejack and television personality, with a keen interest in mechanical engineering, who described himself as a backstreet mechanic
After his National Service, once demobilised, he returned to steeplejacking but met with limited success until he was asked to repair Bolton's parish church. The resulting publicity provided a boost to his business, ensuring he was almost never out of work
In 1978, while making repairs to Bolton Town Hall, Dibnah was filmed by a regional BBC news crew. The BBC then commissioned a documentary, which followed the rough-hewn steeplejack as he worked on chimneys, interacted with his family and talked about his favourite hobby - steam
The massive statue of steeplejack Fred Dibnah has been crafted by a Shropshire, Shrewsbury artist to stand in the centre of the star's home town of Bolton.Jane Robbins won the 2008 commission for the statue. Its set in bronze and shows Fred holding a lightning conductor on one of his trademark chimneys
Jane, who lives in Church Stretton and works out of a studio in Abbey Foregate, Shrewsbury, has finished crafting an 8ft tall clay statue of Fred.
It will be taken from her studio in pieces on Monday, before a lighter wax replica is created and cast in bronze at Castle Fine Art Gallery, near Oswestry
Bolton, Greater Manchester, Lancashire, England, UK, BL1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WN7,Wigan,Lancashire,England,UK,WN7 2LB,Leigh,cotton,art,arts,historic,venue,community,ring,spindles,Platt Brothers,now,a,heritage,centre,cinema,red,brick,traditional,factory,Cotonopolis,chimney,inscription,town,evening,factories,Leigh Film Society,Park Ln,Bradshaw Gass & Hope
Description: Tony Smith image Alamy 2R8T9K2 - Leigh Spinners or Leigh Mill is an Art's and Heritage Centre consisting of over 60 independent businesses within the complex. https://www.leighspinnersmill.co.uk/
This includes Leigh Film Factory an independent cinema run by volunteers from Leigh Film Society. The building is Grade II* listed It is a former double cotton spinning mill and is located in Bedford, Leigh, Greater Manchester, England.
Businesses
-Leigh Film Factory To provide an affordable, accessible and welcoming space where everyone can enjoy quality cinema experiences, whether for education, business or pleasure.
https://www.leighfilmfactory.com/
History
A product of the last generation of cotton mill building, Leigh Spinners was designed by Bolton architects Bradshaw, Gass & Hope for the Horrocks Company, and built in two phases. The east section comprising the six-storey mill, boiler house and chimney stack was built in 1913 and the matching west section was completed ten years later. One of the few double mills to be completed, it is one of the most complete still standing in Greater Manchester. Part of the factory is occupied by Leigh Spinners Ltd who have manufactured carpets since 1969 and since 2012, synthetic turf products for landscaping and sport.
The building is in poor condition and considered to be at risk by Historic England. A charity, the Leigh Building Preservation Trust was formed to restore the steam engine and engine house. In September 2013 the charity was awarded a £75,000 grant to restore the steam engine and repair the engine house by Waste Recycling Environmental Limited, a heritage fund that protects buildings of historical importance. The charity was able to turn the engine in 2018 for the first time in many years.
As at January 2019, the younger of the two mill buildings has had extensive roof repairs, allowing the Charity to advance the restoration of several floors. Sport England funding enabled the conversion of one floor to accommodate a Table Tennis Club,
Park Ln, Leigh, Wigan, Lancashire, England, UK, WN7 2LB
Description
Keywords: GoTonySmith,HotpixUK,England,UK,Warrington,Cheshire,on,a,panel,cost,costs,plummeting,retro-fit,south,facing,dull,weather,pitched,roof,rooves,roofs,chimney,ten,10,system,eco,green,heating,offset,rising,fuel,poverty,local,generation,cloudy,WA4,climate change,photo voltaic,renewable,permitted development
Description: Tony Smith image Alamy 2MN7R73 - Domestic solar photovoltaic panels installed across the tiled roof of a semi-detached house in the WA4 area of Warrington, Cheshire, England. The rooftop array consists of several dark silicon-based modules arranged around the available roof space, demonstrating how renewable electricity generation can be added to an existing suburban home without requiring a purpose-built property. The panels are mounted on the pitched roof beside a traditional red-brick chimney stack, television aerials and established household roof fittings.
The installation illustrates the growing use of small-scale domestic microgeneration within the UK housing stock. Solar photovoltaic cells convert daylight directly into electricity, allowing householders to generate part of their own power, reduce dependence on electricity purchased from the grid and potentially lower energy bills. Production varies according to daylight, season, weather, roof orientation, shading and the size and efficiency of the installed system. Solar panels can still generate electricity in cloudy British conditions, although output is generally higher during brighter periods.
Rooftop solar has become an important feature of residential decarbonisation, energy efficiency and the wider transition towards lower-carbon homes. Systems may be installed independently or combined with battery storage, smart energy controls, electric vehicle charging and other home improvement measures. The technology can help reduce a household's carbon footprint while contributing additional distributed generation to the electricity network.
The photograph also highlights the practical compromises involved when fitting renewable technology to an existing home. The modules have been positioned to make use of the available roof surface while accommodating the chimney and irregular roof shape. The mix of traditional building materials and modern energy equipment provides a clear visual contrast between established suburban housing & policy
Warrington, Cheshire, England, UK , WA4
Description
Keywords: on,trent,on-trent,Stokeontrent,SOT,historic,potter,pot,clay,china,last,steam-powered,powered,GB,great,Britain,England,English,tourist,tourism,in-steam,moody,sky,interesting,1903,boiler,is,fired,and,machinery,red,barge,longboat,Trent,&,Mersey,Caldon,Canal,gotonysmith,Canals,chimney,toepath,toe,path,Friends,of,charity,HDR,supporters,volunteers,heritage,steaming,festival,Lower,Bedford,St,Street,UK,ST47AF,ST4,7AF,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHR0H - Etruria Industrial Museum is the last steam-powered potters' mill in Britain. The mill is ˜in steam' several times a year when the 1903 boiler is fired and historic machinery can be seen working. Situated in a pleasant location at the junction of the Trent & Mersey, and Caldon Canals the museum is also a perfect stop-off for walkers, cyclists and boaters.
Although the museum currently operates as part of Stoke-on-Trent City Council's Museum Service, the Friends of Etruria Industrial Museum “ a group of enthusiastic supporters and volunteers “ have decided to set up a small charity to help preserve and develop Etruria Industrial Museum for the benefit of the public
Lower Bedford St, Stoke-on-Trent , England , UK ST4 7AF
