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--County-Cork--Ireland--3DCX6C0.jpg)
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Ireland,city,centre,Cork Savings Bank building,Cork banking history,historic bank Ireland,County Cork landmark,building,history,historic,financial,cash,is king,Irish banking heritage,savings banks history,Victorian finance institutions,civic trust and thrift,economic development Ireland,architecture of finance,urban commercial history,heritage preservation,historic streetscapes Cork,institutions and memory,South Mall Cork City,Cork T12,Cork Ireland Eire,historic financial institution,stone façade detail,wrought iron railings,engraved bank sign,nineteenth century bank,Irish economic history,editorial image,daytime exterior,cash is king
Description: Tony Smith image Alamy 3DCX6C0 - The engraved stone signage of Cork Savings Bank, photographed on the historic South Mall in Cork City, County Cork, Ireland (postal district T12). The image shows the bank's name set into the building's façade above decorative wrought-iron railings, emphasising craftsmanship and permanence typical of nineteenth-century financial architecture.
Savings banks played a significant role in Irish social and economic history, promoting thrift and financial inclusion among working communities during a period of rapid urban and commercial growth. Cork Savings Bank was part of this wider movement, reflecting the city's importance as a regional centre of trade, shipping and finance in southern Ireland.
South Mall has long been associated with banking, commerce and professional services, forming one of Cork's most prestigious historic streets. Buildings along the Mall were designed to convey stability, trust and civic responsibility, values that were central to public confidence in financial institutions before the modern era of digital banking.
The architectural detailing visible in the image ” carved stonework, restrained classical proportions and ornamental ironwork ” reflects Victorian and Edwardian influences common to bank buildings of the period. Today, such structures contribute to Cork's historic streetscape and remain important markers of the city's commercial heritage.
Photographed in daylight with architectural textures clearly visible, the image offers strong editorial value for themes including Irish banking history, financial institutions, heritage architecture, urban commercial development and the preservation of historic city centres. It is suitable for use in history publications, financial commentary, education, and cultural or architectural features relating to Ireland.
Signage and architectural detail of the Cork Savings Bank building on South Mall, Cork City (postal
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,rail,services,stations,Leeds City,England,LS1 4DY,LS1,public transport,transport,Northern Powerhouse,Northern,lines,electric,LNER,East,Coast,mainline,main line,train,trains,loco,locos,engine,service,West Yorkshire,Metro,building,buildings,architecture,flats,flat,apartments,block,blocks
Description: Tony Smith image Alamy 2T2843A - Taken on 07 Oct 2023, this photograph shows Northern railway trains at New Station St, Leeds, Yorkshire, England, LS1 4DY. The location is New Station St, Leeds, Yorkshire, England, LS1 4DY. The picture is not just a record shot: it contains platform, concourse or service signage details that place the railway scene in a real working transport environment. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Leeds, train, station, New Station Street, railway, Metro, platforms, platform, infrastructure, electrified, Yorkshire, rail, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. Because the subject is clearly labelled or visually distinctive, it can also work well in search-led usage where the buyer needs immediate recognition at small web-preview size. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history, public infrastructure, consumer behaviour, community identity and documentary evidence for newsletters, blogs, policy papers and web features.
New Station St, Leeds, Yorkshire, England, LS1 4DY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,rail,services,stations,Leeds City,England,LS1 4DY,LS1,public transport,transport,Northern Powerhouse,Northern,lines,electric,LNER,East,Coast,mainline,main line,train,trains,loco,locos,engine,service,West Yorkshire,Metro,building,buildings,architecture,flats,flat,apartments,block,blocks
Description: Tony Smith image Alamy 2T2843D - Taken on 07 Oct 2023, this photograph shows Northern railway trains at New Station St, Leeds, Yorkshire, England, LS1 4DY. The location is New Station St, Leeds, Yorkshire, England, LS1 4DY. The picture is not just a record shot: it contains platform, concourse or service signage details that place the railway scene in a real working transport environment. Leeds railway station is one of the busiest transport hubs in the north of England, connecting regional commuter travel with inter-city services and city-centre regeneration. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Leeds, train, station, New Station Street, railway, Metro, platforms, platform, infrastructure, electrified, Yorkshire, rail, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. The photograph should appeal to buyers looking for a grounded visual that says more than a studio icon, because it ties the subject to a real street, building, object or public setting. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history, public infrastructu.
New Station St, Leeds, Yorkshire, England, LS1 4DY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,rail,services,stations,Leeds City,England,LS1 4DY,LS1,public transport,transport,Northern Powerhouse,Northern,come,to,visit,tourism,people,wait,waiting,Welcome To Leeds,welcome,information,BR,British Rail,Network,TheBoookshop,the,Bookshop,WHSmith,WH Smith,passengers,commuters,building,architecture
Description: Tony Smith image Alamy 2T2843E - Taken on 07 Oct 2023, this photograph shows Welcome To Leeds information kiosk at New Station St, Leeds, Yorkshire, England, LS1 4DY. The location is New Station St, Leeds, Yorkshire, England, LS1 4DY. The picture is not just a record shot: it contains platform, concourse or service signage details that place the railway scene in a real working transport environment. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Leeds, train, station, New Station Street, railway, Metro, meeting, point, tourist, attraction, Yorkshire, rail, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. This makes the image useful for comparison pieces, then-and-now features, local news, regeneration stories and plain-English explainers aimed at a general audience. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history, public infrastructure, consumer behaviour, community identity and documentary evidence for newsletters, blogs, policy papers and web features.
New Station St, Leeds, Yorkshire, England, LS1 4DY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,LS1,the,brewery,tap,building,architecture,bar,sell,alcohol,Leeds,city,centre,CAMRA,beer,beers,bars,pub,pubs,brewing,watering hole,boozer,menu,ales,ale,unit,craft,front,outdoor,door,entrance,BigBuns,Big Buns
Description: Tony Smith image Alamy 2T2843K - Taken on 07 Oct 2023, this photograph shows The Brewery Tap, Leeds, 18 New Station St, Leeds, England, UK, LS1 5DL. The location is 18 New Station St, Leeds ,LS1 5DL. The picture is not just a record shot: it contains platform, concourse or service signage details that place the railway scene in a real working transport environment. The image links railway-station footfall with the modern revival of city-centre beer houses, craft ale bars and brewery-branded hospitality in Leeds. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Leeds, brewing, craft, ale, ales, bars, pubs, pub, outside, exterior, Yorkshire, LS1, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. It has value for both local and national stories, especially where writers need to connect a named place or object with wider economic, social, environmental or cultural change. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history, public infrastructure, consumer behaviour, community identity and documentary evidence for newsletters, blogs, polic.
18 New Station St, Leeds ,LS1 5DL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,history,historic,heritage,facade,façade,English,building,buildings,architecture,ornate,shops,shop,churches,West Yorkshire,England,UK,LS1 6HW,the,autumn,Fall,tree,trees,people,crowd,crowds,sunny,blue sky,blue skies,St Georges Church,icon,iconic,skyline
Description: Tony Smith image Alamy 2T2843N - Holy Trinity Church lies on Boar Lane in Leeds, West Yorkshire, England. It is a Grade I listed Church of England parish church in the Parish of Leeds St George in the Diocese of Leeds. It was built in 1722“7, though its steeple dates from 1839. Holy Trinity is in the evangelical church tradition of the Church of England.
History and architecture
A 1714 proposal that a new church should be erected in central Leeds foundered for lack of subscribers, but, in 1722, Lady Elizabeth Hastings of Ledston, backed by leading merchants, revived the project, and the foundation stone of Holy Trinity was laid on 27 August 1722.
The architect of the church was for some time believed to be William Halfpenny. However, it has subsequently been discovered that his designs for the church, for which he was paid £1 11s 6d on 8 May 1723, were never executed, and that the architect was William Etty of York. A letter from William Cookson to Ralph Thoresby dated 15 May 1723, enclosed a draught, the south front of our new church
it was drawn by Mr. Etty of York, who has also made us a wooden modell for our workmen to go by. Etty had been paid nineteen guineas in April of the same year for the model, which survived into the nineteenth century.
The west tower in Halfpenny's design was topped by a square, open colonnade with an obelisk-shaped spire. Etty did not envisage a spire, but a wooden one was later added by an unknown hand. Thomas Dunham Whitaker, Vicar of Whalley, Lancashire, in his Loidis and Elmete (1816), remarked of this spire: unquestionably one instance among many of private interference, by which the better judgment of real architects is often overruled, and for which they are unjustly considered as responsible. When the spire blew down in 1839, it was replaced by a taller stone steeple of three diminishing stages (architect: Robert Dennis Chantrell).
In 2020 a major refurbishment of the building was completed and will soon be home to a midweek ministry for city centre
Boar Ln, Leeds, West Yorkshire, England, UK, LS1 6HW
Description
Keywords: GoTonySmith,HotpixUK,atlas,world,letter,letters,word,words,plan,reform,plans,developments,map of England,English,local,development,and,building,control,controls,map,maps,spelled,out,in,on,council,councils,dept,department,departments,permission,permissions,issue,issues,blocked,UKs,UK,system,political,delay
Description: Tony Smith image Alamy 2RWW5PC - Taken on 17 Sep 2023, this photograph shows Local Plan spelled out in Scrabble letters and words on a map of England - local development and building control. The location is England & Wales, Great Britain, UK. The picture is not just a record shot: it contains a carefully staged close-up of letter tiles arranged as a readable concept phrase, photographed against a map, keyboard, dictionary page, coins or other context props rather than a plain studio background. The planning concept connects with local plans, housing delivery, objections, development management, land value, regeneration, council decision-making and the political argument over how Britain builds. The image can be used as a clear editorial, blog or report illustration where a concept needs to be shown visually without using a person, organisation logo or staged office scene. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include planning, local, development, Scrabble, map, maps, Local plan, Local Planning, atlas, world, letter, letters, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. Because the subject is clearly labelled or visually distinctive, it can also work well in search-led usage where the buyer needs immediate recognition at small web-preview size.
England & Wales, Great Britain, UK
Description
Keywords: GoTonySmith,HotpixUK,atlas,world,letter,letters,word,words,plan,reform,plans,developments,map of England,English,local,development,and,building,control,controls,map,maps,spelled,out,in,on,council,councils,dept,department,departments,permission,permissions,issue,issues,blocked,UKs,UK,system,political,delay
Description: Tony Smith image Alamy 2RWW5PR - Taken on 17 Sep 2023, this photograph shows Planning Reform spelled out in Scrabble letters and words on a map of England - local development and building control. The location is England & Wales, Great Britain, UK. The picture is not just a record shot: it contains a carefully staged close-up of letter tiles arranged as a readable concept phrase, photographed against a map, keyboard, dictionary page, coins or other context props rather than a plain studio background. The planning concept connects with local plans, housing delivery, objections, development management, land value, regeneration, council decision-making and the political argument over how Britain builds. The image can be used as a clear editorial, blog or report illustration where a concept needs to be shown visually without using a person, organisation logo or staged office scene. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include planning, local, development, Scrabble, map, maps, Planning Reform, reforming, atlas, world, letter, letters, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. It has value for both local and national stories, especially where writers need to connect a named place or object with wider economic, social, environmental or cultural change.
England & Wales, Great Britain, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,Cheshire,England,UK,WA4,warned,is,a,development,danger,wall,kids,children,yellow,blue,exclamation,health,and,&,safety,risk,assessment,assessments,plain,simple,building,build,fence,project,keepout,signage,structure,work,working,notice,United Kingdom,Britain
Description: Tony Smith image Alamy 2RX17YD - Taken on 17 Sep 2023, this photograph shows Warning this is a construction site, Keep Out sign, Warrington, Cheshire, England, UK, WA4. The location is Warrington, Cheshire, England, UK, WA4. The picture is not just a record shot: it contains readable commercial or civic signage, colour, typography and street context. It can be used in editorial features, business reports, local-history writing, travel guides, public-policy explainers, educational material and SEO-led stock-photo searches needing a specific real-world image. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Keep Out, this, construction, site, sites, Construction Site, Construction Sites, warning, perimiter, dangerous, Warrington, Cheshire, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. This makes the image useful for comparison pieces, then-and-now features, local news, regeneration stories and plain-English explainers aimed at a general audience. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history, public infrastructure, consumer behaviour, community identity and documentary evidence for newsletters, blogs, policy papers and web features.
Warrington, Cheshire, England, UK, WA4
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Bury,England,UK,Chips@No8,M25,murals,music,musicians,bands,mural,on,at,of,chippy,fish and chip,shop,fish & chip,art,artwork,artist,painting,painted,smokes,cigarettes,building,Prestwich Arts Festival,giant,village,centre,Akse P19,Akse,P19,AkseP19,obesity
Description: Tony Smith image Alamy 2RGPNA3 - Large mural of Mark E Smith, frontman of The Fall, painted on the gable end of Chips at No8 on Clifton Road in Prestwich, Greater Manchester. The wider street view shows the famous portrait beside the blue frontage of the independent fish and chip shop, with visible signage for Chips@No.8, fish and chips, take away and eat in. Smith is shown in a white open neck shirt and dark jacket with a cigarette, a confrontational and instantly recognisable image that reflects the abrasive wit and cult presence of one of British post-punk's most uncompromising performers. The mural was created by street artist Akse P19 for Prestwich Arts Festival in 2018 after Smith's death, and was reported as a six metre painting on the side of the local chippy. Pitchfork also reported that the mural was based on a photograph by Alex Whitton. The Fall emerged from Prestwich and Greater Manchester in the late 1970s, building a fierce reputation through jagged repetition, literary bite, dry northern humour and Smith's unmistakable vocal delivery. The setting matters because this is not a formal monument in a gallery or civic square, but a music icon painted on a working chippy in a local high street environment. The image is useful for editorial stories about Manchester music heritage, The Fall, Mark E Smith, post-punk, fan pilgrimage, public art, grassroots culture, Prestwich identity, independent businesses and the role of murals in preserving local memory. Details such as the red brick shop, blue fascia, rendered side wall, flue pipe, overhead wires, drainpipe, clear blue sky and strong sunshine place the artwork firmly in an everyday northern street scene. The photograph also works for wider coverage of music tourism, urban art, cultural landmarks, British alternative rock, working class creativity and the way ordinary local businesses become points of pilgrimage for fans.
8 Clifton Road, Prestwich, Bury, Manchester, England, UK, M25 3HQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,Cymru,Wales,Welsh,UK,retail,department store,dept store,Howell,city,history,historic,heritage,building,British,architecture,St Mary Street,St Mary St,Edwardian,commerce,commercial,neoclassical,facade,declining,decline,high street,retailing,regeneration,outside,exterior,scene,empty,closed,new era,initiative,columns,CF10
Description: Tony Smith image Alamy 2RFJ3D6 - The exterior of the former James Howell & Co department store on St Mary Street in Cardiff city centre, photographed in daylight under bright but overcast conditions. The building retains its original carved stone signage reading James Howell & Co above the main entrance, a clear surviving marker of its long retail history.
James Howell & Co was one of Wales's best-known independent department stores, trading from this site for over 150 years and forming a cornerstone of Cardiff's traditional shopping district. The architecture reflects early twentieth-century department store design, with a symmetrical façade, tall pilasters and large display windows intended to convey stability, quality and civic pride.
Visible within the shopfront windows are contemporary panels and graphics referencing a New Era , indicating redevelopment and reuse following the store's closure. This juxtaposition of historic branding and modern regeneration messaging highlights the broader transformation of British high streets, where long-established department stores have struggled amid changing consumer behaviour, online retail and shifting urban economics.
The image captures a moment of transition in Cardiff's retail landscape, where heritage commercial buildings are being reconsidered for new purposes. It is well suited for editorial use covering high-street decline, retail regeneration, Welsh urban history, department store culture, and the changing identity of city-centre shopping streets in the UK.
James Howell Building, St Mary Street, Cardiff, Wales, UK, CF10 1AP
Description
Keywords: 2023,July,British,UK,England,GoTonySmith,HotpixUK,@HotpixUK,the,house,fence,fencing,building,build,track,view,stacked,waitlist,clubhouse,hotel,hotels,hospitality,and,accommodation,offerings,offering,investing,investment,VVIP,VIP,guest,guests,BRDC,profit,profitability,rental,income,trackside,residences
Description: Tony Smith image Alamy 2RCC5T7 - More at https://oversteer48.com/escapade-silverstone/#:~:text=Escapade%20Silverstone%20is%20a%20development,live%20in%20them%20full%20time.
How much does an Escapade Silverstone house cost?
Escapade Silverstone prices start at £850,000 for a countryside 2 bedroom property and go up to £2.2m for a trackside 4 bedroom property.
Can you live in them?
This is where it gets interesting. The Escapade Silverstone development is designed to be an extension of Silverstone's current hospitality offering and as such they are fully managed by Silverstone circuit themselves, right down to the matching furnishings.
If you purchase one of the properties you can live in it for a pre-determined number of days each year. Go over that number of days and you have to pay a nightly room rate to stay in your own property, albeit at a 35% discount over standard rates.
You can stay for 30 nights multiplied by the number of bedrooms in your property. If you have a 4 bedroom trackside residency, you have 120 ˜bedroom usage nights' per calendar year that you can stay.
During the major events at Silverstone, nightly bedroom usage rates are multiplied by a preset factor. At the F1 the nights are multiplied by 5, and all of the bedrooms in the property are assumed to be used regardless of how full it is.
So if just one couple stays in a 4 bedroom trackside suite for 3 nights at the F1, they would use up 60 (half) of their yearly bedroom usage nights.
an investment with petrolhead perks
Owning one of the Escapade Silverstone properties is like a cross between owning an AirBnB and a Timeshare.
Think of the whole Escapade development as a hotel complex. Now think of the money to purchase one of the properties as an investment in the hotel. As a perk of your investment you get a number of ˜free' night's accommodation in the property with incredible views of the circuit, as well as a number of other bonuses including free access to Silverstone events, free access to the Escapade clubhouse
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL
Description
Keywords: 2023,July,British,UK,England,GoTonySmith,HotpixUK,@HotpixUK,the,house,fence,fencing,building,build,track,view,stacked,waitlist,clubhouse,hotel,hotels,hospitality,and,accommodation,offerings,offering,investing,investment,VVIP,VIP,guest,guests,BRDC,profit,profitability,rental,income,trackside,residences
Description: Tony Smith image Alamy 2RCC5T9 - More at https://oversteer48.com/escapade-silverstone/#:~:text=Escapade%20Silverstone%20is%20a%20development,live%20in%20them%20full%20time.
How much does an Escapade Silverstone house cost?
Escapade Silverstone prices start at £850,000 for a countryside 2 bedroom property and go up to £2.2m for a trackside 4 bedroom property.
Can you live in them?
This is where it gets interesting. The Escapade Silverstone development is designed to be an extension of Silverstone's current hospitality offering and as such they are fully managed by Silverstone circuit themselves, right down to the matching furnishings.
If you purchase one of the properties you can live in it for a pre-determined number of days each year. Go over that number of days and you have to pay a nightly room rate to stay in your own property, albeit at a 35% discount over standard rates.
You can stay for 30 nights multiplied by the number of bedrooms in your property. If you have a 4 bedroom trackside residency, you have 120 ˜bedroom usage nights' per calendar year that you can stay.
During the major events at Silverstone, nightly bedroom usage rates are multiplied by a preset factor. At the F1 the nights are multiplied by 5, and all of the bedrooms in the property are assumed to be used regardless of how full it is.
So if just one couple stays in a 4 bedroom trackside suite for 3 nights at the F1, they would use up 60 (half) of their yearly bedroom usage nights.
an investment with petrolhead perks
Owning one of the Escapade Silverstone properties is like a cross between owning an AirBnB and a Timeshare.
Think of the whole Escapade development as a hotel complex. Now think of the money to purchase one of the properties as an investment in the hotel. As a perk of your investment you get a number of ˜free' night's accommodation in the property with incredible views of the circuit, as well as a number of other bonuses including free access to Silverstone events, free access to the Escapade clubhouse
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Northern Ireland,UK,of,the,LA,Los Angeles,aqueduct,1913,designer,civil,historic,house,building,BT1 2FL,BT1,Donegal St,203,1855-1935,plaques,Irish,American,commemoration,born,in,baptised,this,parish,self-taught,council,Owens Valley,to,San Fernando Valley
Description: Tony Smith image Alamy 2R9J0BM - William Mulholland (September 11, 1855 “ July 22, 1935) was an Irish American self-taught civil engineer who was responsible for building the infrastructure to provide a water supply that allowed Los Angeles to grow into the largest city in California. As the head of a predecessor to the Los Angeles Department of Water and Power, Mulholland designed and supervised the building of the Los Angeles Aqueduct, a 233-mile-long (375 km) system to move water from Owens Valley to the San Fernando Valley. The creation and operation of the aqueduct led to the disputes known as the California Water Wars. In March 1928, Mulholland's career came to an end when the St. Francis Dam failed just over 12 hours after he and his assistant gave it a safety inspection.
William Mulholland was born in Belfast, Ireland, part of the United Kingdom. His parents Hugh and Ellen Mulholland were Dubliners and they returned to the city a few years after William's birth. His younger brother, Hugh Jr., was born in 1856. At the time of Mulholland's birth, his father was working as a guard for the Royal Mail. In 1862, when William was seven years old, his mother died. Three years later his father remarried. William was educated at O'Connell School by the Christian Brothers in Dublin. After having been beaten by his father for receiving bad marks in school, Mulholland ran off to sea
Mulholland envisioned Los Angeles growing much larger. The limiting factor to the growth of Los Angeles was its water supply, because it has a semi-arid climate with unreliable rainfall. If you don't get the water, you won't need it, Mulholland famously remarked.
Mulholland shared the vision of a much larger Los Angeles with Frederick Eaton, the mayor of Los Angeles from 1898 through 1900. They both worked together in the private Los Angeles Water Company in the 1880s. Eaton and Mulholland realized that the large amount of runoff from the Sierra Nevada in Owens Valley could be delivered to Los Angeles through gravity
203 Donegal Street, Belfast., Northern Ireland, UK, BT1 2FL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M40,J10,junction,ten,10,OX27 7RD,Oxfordshire,England,UK,dusk,evening,night,KFC,Costa,rest,seating,retail,area,court,foodcourt,at,busy,toilet,toilets,Stoke Lyne,Richard Godfrey,new,building,architecture,glass,service area,bakers,chain,branch
Description: Tony Smith image Alamy 2PGAYND - Cherwell Valley services is a Moto motorway service station on the M40 motorway at Stoke Lyne, near Bicester, in Oxfordshire, England. In August 2011 it was rated as 3 stars by quality assessors at Visit England
however, it is unknown whether this was a rating of the new or temporary building.
Location
The services are located at junction 10 of the M40, and are accessed from a roundabout on the junction.
Despite its name, it is neither in the valley nor the drainage basin of the Cherwell, but rather beside a small east-flowing stream that becomes part of the Padbury Brook before joining the Great Ouse at Buckingham.
History
The former main building
It was opened in the spring of 1994 and gave the 89-mile motorway its first service station, more than three years after its completion. The site was previously occupied by a toilet facility, which had been there since the motorway's opening.
Cherwell Valley Moto services, M40 J10, A43, Oxfordshire, England, UK, OX27 7RD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M40,J10,junction,ten,10,OX27 7RD,Oxfordshire,England,UK,dusk,evening,night,wide,pano,KFC,Costa,rest,seating,retail,food,area,court,foodcourt,at,busy,toilet,toilets,Stoke Lyne,Richard Godfrey,new,building,architecture,glass
Description: Tony Smith image Alamy 2PGAYNH - Cherwell Valley services is a Moto motorway service station on the M40 motorway at Stoke Lyne, near Bicester, in Oxfordshire, England. In August 2011 it was rated as 3 stars by quality assessors at Visit England
however, it is unknown whether this was a rating of the new or temporary building.
Location
The services are located at junction 10 of the M40, and are accessed from a roundabout on the junction.
Despite its name, it is neither in the valley nor the drainage basin of the Cherwell, but rather beside a small east-flowing stream that becomes part of the Padbury Brook before joining the Great Ouse at Buckingham.
History
The former main building
It was opened in the spring of 1994 and gave the 89-mile motorway its first service station, more than three years after its completion. The site was previously occupied by a toilet facility, which had been there since the motorway's opening.
Cherwell Valley Moto services, M40 J10, A43, Oxfordshire, England, UK, OX27 7RD
Description
Keywords: centre,gravestone,graves,Anglo Saxon,GoTonySmith,HotpixUK,@HotpixUK,Surrey,Waverley,GU7 1AB,GU7,spire,sunny,historic,UK,England,Borough Road,Borough Rd,GU7 2AG,&,gravestones,history,twelfth,century,12C,12th,remnants,Ranulf Flambard,justiciar,of,William Rufus,Doomsday book,sandstone,religious,building,graveyard,listed,Grade I,Godalming
Description: Tony Smith image Alamy 2PGJ2EH - The present building, the oldest in the town, was built in the twelfth century, replacing an earlier Anglo-Saxon church. Two medieval chapels are integrated into the present building. Its core is made from the local sandstone, Bargate stone from the nearby Greensand Ridge, which is found close to the town. Also found around the church is the old Lammas, or 'common', land.
A church has stood on this site since at least the mid-ninth century. It features several carved stones, which are dated between 820 and 840. A few Anglo Saxon remnants survive in the present structure, which was largely rebuilt in the twelfth century. In 1086, the Domesday Book recorded that Ranulf Flambard, justiciar of William Rufus, held Godalming church.
The lammas, or common land, complemented a substantial glebe, the funds from which allowed for a grand and spacious structure to be built.
First built during the Anglo-Saxon and early Norman periods, the structure has been proven in ecclesiastical records to have been a redevelopment of an Anglo-Saxon church
The Church has a fine set of bells hung for the traditional English-style of bell-ringing. The tenor weighs just over a tonne and weighs in at 1221 kg.
In 2017, all of the bells were recast, with the tenor weighing two hundredweight more than previously (now weighing 24 hundredweight, 0 quarters and 4 pounds, or 1221 kg). The restoration and recasting were carried out by John Taylor & Co, now Britain's largest church-bell firm
Borough Rd, Godalming, Surrey, England, UK, GU7 2AG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,the,new,punk,rock,alternative,acts,bands,gigs,Cavern,venue,Walk,walks,9,L2,L2 6RE,live,music,Pub Invest Group,outdoor,Dead or Alive,Julian Cope,Orchestral Manoeuvres in the Dark,Ellery Bop,Wah! Heat,OMD,clubs,venues,Matthew Street,outside,punks,building,entrance
Description: Tony Smith image Alamy 2P6JJB7 - Eric's Club was a music club in Liverpool, England. It opened on 1 October 1976 in the basement of The Fruit Exchange in Victoria Street, with performances by The Runaways and The Sex Pistols (their only Liverpool gig) before soon moving around the block to its long-term site on Mathew Street opposite The Cavern Club where The Beatles and other bands of the 1960s played, and became notable for hosting early performances by many punk and post-punk bands.[1]
The club was started by Roger Eagle and Ken Testi (manager of cult Liverpool band Deaf School) and joined later by Pete Fulwell (owner of a small record label Inevitable and later to become manager of Liverpool bands It's Immaterial and The Christians). The club was given the name 'Eric's' by Ken Testi as an antidote to disco clubs with names such as 'Tiffany's' and 'Samantha's'
The club played host to many local, national and international bands primarily within the music sub-cultures of the time, such as Elvis Costello, Buzzcocks, The Clash, Joy Division, Ramones, Sex Pistols, Siouxsie and the Banshees, Cardiacs, The Slits, Talking Heads, The Stranglers, Ultravox, Wire, XTC, X-Ray Spex and early gigs by New Order and Mick Hucknall (pre Simply Red).
The club acted as a catalyst for local musicians (often also from the Runcorn, Southport, Skelmersdale, Wirral areas) and saw many local artists later become successful acts, including Dead or Alive, Echo & the Bunnymen, Julian Cope, The Teardrop Explodes, Orchestral Manoeuvres in the Dark, Ellery Bop and Wah! Heat
9 Mathew Street, Cavern Walks, Liverpool, Merseyside, England, UK, L2 6RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA4,at,dusk,in,ice,Church,Grade II,listed,building,architecture,combined with that of St Matthews Church,Stretton,1886,to a,design,by,Rowland Egerton-Warburton,of,Arley Hall,village,Anglican,churches,diocese of Chester,evening,night,Victorian,red,sandstone,decorated,style
Description: Tony Smith image Alamy 2NJXBTW - St Cross Church is in the village of Appleton Thorn, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth. Its benefice is combined with that of St Matthew's Church, Stretton.
History
The church was built in 1886 to a design by Edmund Kirby at the expense of Rowland Egerton-Warburton of Arley Hall.
Architecture
It is built in red sandstone with a red tile roof, in Decorated style. Its plan is cruciform with a two-stage tower over the crossing. It has a three-window nave without aisles, a one-window chancel, an oak-framed north porch on a sandstone plinth, and a baptistry projecting from the west end. Above the baptistry is a rose window. The stained glass in the east window is by Harcourt M. Doyle, dated 1970, and that in the rose window is by Celtic Studios of Swansea, dated 1986. The organ was built in 1906 at a cost of £220 (equivalent to £30,000 in 2021), by E. Wadsworth.
External features
The churchyard contains six war graves of British service personnel, three from World War I and three from World War II
St Cross Church, Stretton Rd, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 4RT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,291 Mare Street,England,UK,E8 1EJ,E8,291,the,120,years,diverse,entertainment,London Borough of Hackney,Frank Matcham,grade II* listed,building,architecture,theatre,opera,comedy,dance,music,hackney Central,central,Mare Street,shows,Mare St,famous,historic,history,120 years,year,classic
Description: Tony Smith image Alamy 2M4K87G - Hackney Empire is a theatre on Mare Street, in the London Borough of Hackney. Originally designed by Frank Matcham it was built in 1901 as a music hall, and expanded in 2001. Described by The Guardian as ˜the most beautiful theatre in London' it is an Arts Council England National Portfolio Organisation.
Hackney Empire is a grade II* listed building. The theatre was built as a music hall in 1901, designed by the architect Frank Matcham. Architecture scholar Nicholas Pevsner described the splendid Hackney Empire, with its ornate terracotta exterior and sumptuous seventy-seven galleried auditorium as a key example of Victorian and Edwardian architecture. There is a statue of Thalia, the Greek muse of comedy, on the roof of the theatre: this was removed in 1979, but later reinstalled.
ATV bought the theatre to use as studios in the mid-1950s and shows such as Take Your Pick and Oh, Boy! were broadcast live. Certain episodes of Opportunity Knocks were also filmed at the theatre. Some scenes from Emergency “ Ward 10 were also filmed there. From 1963 to 1984, the theatre was used by the Mecca Organisation as a bingo hall
wrestling matches also occurred there during the 1960s.
In 1984, Mecca found the building too expensive to maintain as a bingo hall, and it was offered to Cartoon Archetypical Slogan Theatre (CAST), a satirical touring theatre group, headed by Claire and Roland Muldoon, as a London base. They also mounted successful variety nights headlined by a new breed of alternative comedy acts, such as Ben Elton, Dawn French, and Jennifer Saunders.
The theatre was threatened with demolition, and in 1986, actor-manager Roland Muldoon mounted a campaign to acquire the freehold and to re-open the Hackney Empire as a permanent performance space
allowing the theatre to return to theatrical use for its 85th anniversary.
291 Mare Street, London, England, UK ,E8 1EJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,291 Mare Street,England,UK,E8 1EJ,E8,291,the,120,years,entertainment,grade II* listed,building,architecture,theatre,opera,comedy,dance,music,hackney Central,central,120 years,year,of,history,historic,show,shows,front,entrance,Mare Street,Mare St,famous,Frank Matcham,London Borough of Hackney
Description: Tony Smith image Alamy 2M4K87M - Hackney Empire is a theatre on Mare Street, in the London Borough of Hackney. Originally designed by Frank Matcham it was built in 1901 as a music hall, and expanded in 2001. Described by The Guardian as ˜the most beautiful theatre in London' it is an Arts Council England National Portfolio Organisation.
Hackney Empire is a grade II* listed building. The theatre was built as a music hall in 1901, designed by the architect Frank Matcham. Architecture scholar Nicholas Pevsner described the splendid Hackney Empire, with its ornate terracotta exterior and sumptuous seventy-seven galleried auditorium as a key example of Victorian and Edwardian architecture. There is a statue of Thalia, the Greek muse of comedy, on the roof of the theatre: this was removed in 1979, but later reinstalled.
ATV bought the theatre to use as studios in the mid-1950s and shows such as Take Your Pick and Oh, Boy! were broadcast live. Certain episodes of Opportunity Knocks were also filmed at the theatre. Some scenes from Emergency “ Ward 10 were also filmed there. From 1963 to 1984, the theatre was used by the Mecca Organisation as a bingo hall
wrestling matches also occurred there during the 1960s.
In 1984, Mecca found the building too expensive to maintain as a bingo hall, and it was offered to Cartoon Archetypical Slogan Theatre (CAST), a satirical touring theatre group, headed by Claire and Roland Muldoon, as a London base. They also mounted successful variety nights headlined by a new breed of alternative comedy acts, such as Ben Elton, Dawn French, and Jennifer Saunders.
The theatre was threatened with demolition, and in 1986, actor-manager Roland Muldoon mounted a campaign to acquire the freehold and to re-open the Hackney Empire as a permanent performance space
allowing the theatre to return to theatrical use for its 85th anniversary.
291 Mare Street, London, England, UK ,E8 1EJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,291 Mare Street,England,UK,E8 1EJ,E8,291,the,120,years,entertainment,grade II* listed,building,architecture,theatre,opera,comedy,dance,music,hackney Central,central,120 years,year,of,history,historic,show,shows,front,entrance,Mare Street,Mare St,famous
Description: Tony Smith image Alamy 2M4K87W - Hackney Empire is a theatre on Mare Street, in the London Borough of Hackney. Originally designed by Frank Matcham it was built in 1901 as a music hall, and expanded in 2001. Described by The Guardian as ˜the most beautiful theatre in London' it is an Arts Council England National Portfolio Organisation.
Hackney Empire is a grade II* listed building. The theatre was built as a music hall in 1901, designed by the architect Frank Matcham. Architecture scholar Nicholas Pevsner described the splendid Hackney Empire, with its ornate terracotta exterior and sumptuous seventy-seven galleried auditorium as a key example of Victorian and Edwardian architecture. There is a statue of Thalia, the Greek muse of comedy, on the roof of the theatre: this was removed in 1979, but later reinstalled.
ATV bought the theatre to use as studios in the mid-1950s and shows such as Take Your Pick and Oh, Boy! were broadcast live. Certain episodes of Opportunity Knocks were also filmed at the theatre. Some scenes from Emergency “ Ward 10 were also filmed there. From 1963 to 1984, the theatre was used by the Mecca Organisation as a bingo hall
wrestling matches also occurred there during the 1960s.
In 1984, Mecca found the building too expensive to maintain as a bingo hall, and it was offered to Cartoon Archetypical Slogan Theatre (CAST), a satirical touring theatre group, headed by Claire and Roland Muldoon, as a London base. They also mounted successful variety nights headlined by a new breed of alternative comedy acts, such as Ben Elton, Dawn French, and Jennifer Saunders.
The theatre was threatened with demolition, and in 1986, actor-manager Roland Muldoon mounted a campaign to acquire the freehold and to re-open the Hackney Empire as a permanent performance space
allowing the theatre to return to theatrical use for its 85th anniversary.
291 Mare Street, London, England, UK ,E8 1EJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Cheshire,UK,CW1,Heath St,Crewe,CW1 2DA,opened,built,architecture,building,outside,outdoors,1911,with,Saturday,morning,stalls,stall,performing,arts,show,shows,Grade II,Trafalgar Theatres,Trafalgar,theatres,popular,community,culture,cultural,side,front
Description: Tony Smith image Alamy 2JXNFPG - The Lyceum Theatre is an Edwardian theatre in Heath Street, Crewe, Cheshire, England. It originated as a converted Roman Catholic Church in 1876. The church was replaced in 1887 by a purpose-built theatre, which burnt down in 1910. The theatre was rebuilt the following year, and was refurbished in 1994. It continues in use as a theatre, as of 2022 it is managed by Trafalgar Theatres. The theatre is constructed in brick, and adjacent to it is a block containing the entrance and offices. Its interior contains decorated plasterwork.
History
The theatre stands on the site of a former Roman Catholic Church that had been built to serve Irish immigrants working on the local railway. In 1876 the congregation moved into a larger church in the town. The site was acquired by Thomas Cliffe, a local farmer, and he gave permission for Henry Taylor, a local printer, to convert the church into a theatre. Taylor wanted to have a proper theatre on the site and later built the New Lyceum Theatre, which opened on 21 November 1887. It cost £5,000 (equivalent to £590,000 in 2021) and seated 1,250 people. It was re-fitted in 1908 and changed its name to the Opera House. On 11 March 1910 the theatre was destroyed in a fire, and it was decided to rebuild it on the same site. The new theatre was designed by Albert Winstanley, it seated 850, and opened on 6 October 1911. In the early 1930s it was acquired by Terence Byron, who also owned theatres elsewhere in the country. It was bought in 1955 by Crewe Borough Council who formed a management trust in 1964. It operated, with a varying degree of success, as a repertory theatre. During this time actors and actresses who later achieved fame gained experience in the theatre
these included Glenda Jackson, Richard Beckinsale, Judy Loe, and Lynda Bellingham. In 1982 the management of the theatre moved back from the trust to the Crewe and Nantwich Borough Council. The council redecorated the theatre in 1992, and installed new seating
Heath St, Crewe, Cheshire, England, UK, CW1 2DA
Description
Keywords: Salt,Titus,village,West,Yorkshire,England,UK,buildings,listed,site,salts,mill,BD18,Shipley,West Yorkshire,BD18 3LA,river,Titus Salt,mills,office,offices,renovated,preserved,sunny,evening,exterior,outside,building,history,architecture,factory,textile,British,textiles,UNESCO,model
Description: Tony Smith image Alamy 2JTD31C - . This location-specific image from Victoria Rd, Saltaire, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The defining feature is Listed buildings in Saltaire world heritage village site, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA. A broader reading of the photograph includes built heritage, architectural character, historic townscape, commercial redevelopment, period architecture, community identity, regional identity, changing land use, adaptive reuse, civic architecture, everyday life, contemporary social history, urban regeneration, and historical comparison. For current editorial use, construction costs and planning provide additional context, especially through the value of reusing existing buildings rather than wholesale demolition. Future viewers can use this scene from Victoria Rd, Saltaire, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA to compare local activity and public use with whatever follows after closure or conversion. The subject also sits alongside period detail, town-centre renewal, place identity, place-making, changing streetscape, before-and-after reference, documentary photography, and local history. References to Saltaire, Yorkshire, village, Shipley, and Listed give the picture a strong period identity and tie it closely to its named subject. For Victoria Rd, Saltaire, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is construction costs and the tension between preserving local character and creating modern commercial space within the real-world context of Victoria Rd, Saltaire, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA.
Victoria Rd, Saltaire, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA
Description
Keywords: Salt,Titus,village,West,Yorkshire,England,UK,buildings,listed,site,salts,mill,BD18,Shipley,West Yorkshire,BD18 3LA,river,Titus Salt,mills,office,offices,renovated,preserved,evening,exterior,outside,building,history,architecture,factory,textile,British,textiles,model,Pace,Arris,wired,and,wireless communications
Description: Tony Smith image Alamy 2JTD31P - . An on-location photograph from Victoria Rd, Saltaire, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The subject captured here is Listed buildings in Saltaire world heritage village site, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA. Further facets of the scene include everyday life, archival record, visual archive, heritage-led regeneration, urban regeneration, adaptive reuse, local character, regional identity, mixed-use redevelopment, public realm, period architecture, historical comparison, before-and-after reference, and period communications technology. For current editorial use, collecting and repairability provide additional context, especially through the renewed interest in repairable analogue electronics. Current relevance extends to construction costs and public-realm investment, particularly through how public investment can reshape pedestrian movement and evening activity. Future viewers can use this scene from Victoria Rd, Saltaire, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA to compare signage and branding with whatever follows after new construction. Other useful contextual ideas include place-making, broadcast history, analogue broadcasting, urban fabric, social history, architectural character, period detail, and community identity. The combination of world, Yorkshire, Shipley, heritage, and Bradford anchors the frame to a recognisable activity, place or moment. For Victoria Rd, Saltaire, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The record includes a point of historical comparison within the wider story of Victoria Rd, Saltaire, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA.
Victoria Rd, Saltaire, Shipley, Bradford, West Yorkshire, England, UK, BD18 3LA
Description
Keywords: GoTonySmith,HotpixUK,Lancashire,England,FY1,79 Abingdon St,FY1 1PP,empty,void,potential,housing,UKhousing,Guesthouse,derelict,Allandale Private hotel,Allandale,Private,hotel,B&B,old,unsuccessful,deprivation,town,centre,building,architecture,downbeat,depressed,depressing,fail,failing,places,fly,posting,posted,vandalised,deprived,area,rundown,run down
Description: Tony Smith image Alamy 2JRFFBF - . A grounded documentary photograph made at 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Derelict Allandale Private hotel, Guesthouse, 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP. The subject also carries associations with food-and-drink business, hospitality economy, customer-facing leisure, local social venue, heritage-led regeneration, casual dining, changing land use, architectural character, changing streetscape, mixed-use redevelopment, hospitality trade, social history, period architecture, and neighbourhood drinking venue. The wider contemporary story combines adaptive reuse, town-centre regeneration and the tension between preserving local character and creating modern commercial space. Viewed from the mid-2020s, the subject also connects with commercial rents, hospitality costs and how branded and independent hospitality compete for changing leisure spending. Future viewers can use this scene from 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP to compare commercial use and occupation with whatever follows after replacement signage. The photograph additionally reflects historical comparison, community pub, urban fabric, licensed trade, documentary photography, licensed hospitality, civic architecture, and local history. The recorded references to Private, Blackpool, Guesthouse, Derelict, and Abingdon preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image fixes details of everyday use within the wider story of 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP.
79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,FY1,Christian,Christians,Baptists,Baptist,churches,brick,terracotta,red,Town,Centre,Conservation,Area,Talbot Square Conservation Area,history,historic,heritage,old,building,buildings,architecture,traditional,church,religious,place,places,of,worship,sect,style,branch,the
Description: Tony Smith image Alamy 2JRFFBX - . This authentic period view of 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The scene records Baptist Tabernacle Church, 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL. Further facets of the scene include public realm, period detail, mixed-use redevelopment, urban fabric, parish church heritage, everyday life, architectural character, Christian iconography, local character, changing land use, archival record, public-realm investment, social history, and sacred decoration. In present-day coverage, the subject reaches into commercial viability and housing pressure, not least because of the tension between preserving local character and creating modern commercial space. Today's relevance is strengthened by church maintenance, historic fabric and the continuing question of the role of parish churches in local identity and genealogy. The archival value lies partly in recording landscape treatment and surrounding development around 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL before replacement signage alters the character of the place. Further associations within the scene are faith heritage, documentary photography, changing streetscape, community identity, place-making, ecclesiastical art, urban regeneration, and civic architecture. The combination of Tabernacle, Lancashire, Baptist, Blackpool, and Church anchors the frame to a recognisable activity, place or moment. Around 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene captures a trace of local identity as a date-specific reference. The period view preserves a local visual benchmark for later comparison.
2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,in,the,Marsh,Moreton,Cotswold,town,Gloucestershire,England,UK,Evenlode,valley,TC,old,GL56,Moreton-in-Marsh,Evenlode Valley,Cotswold District Council,GL56 0LW,&,building,buildings,architecture,history,historic,House 7,London,8,High St,sunny,blue skies,heritage,attraction,tourism,Harry and Meghan,Moreton in Marsh
Description: Tony Smith image Alamy 2JNBXTA - . Recorded at House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records Cotswold Cards & Gifts, High St, Moreton-in-Marsh, Evenlode Valley, Cotswold District Council, Gloucestershire, England, UK, GL56 0LW. The setting additionally reflects historical comparison, shopfront economy, commercial streetscape, small business, everyday life, customer footfall, contemporary social history, local history, local enterprise, street-level business, independent retail, visual archive, changing streetscape, and documentary photography. Today's relevance is strengthened by consumer spending, town-centre regeneration and the continuing question of the role of small retailers in maintaining active town centres. For later comparison, the photograph preserves lettering, decoration and surface detail at House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH, details that may look very different after closure or conversion. The subject also sits alongside bricks-and-mortar retail, specialist retailer, retail property, commercial frontage, high-street commerce, changing land use, community identity, and before-and-after reference. The combination of District, Cards, Valley, Evenlode, and Gifts anchors the frame to a recognisable activity, place or moment. A later view of House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate consumer spending and the role of small retailers in maintaining active town centres within the real-world context of House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH. The period view preserves period character as part of House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH's history.
House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,England,UK,HR4 9DG,33,The,listed,building,1297461,frontage,outside,front,babies born at home,delivering,midwives,midwife,Hereford Infirmary,Infirmary,office,offices,Georgian,architecture,historic,heritage,history,buildings,decayed,decaying,distinctive,olde,worldly,attractions,streets,older,part,parts
Description: Tony Smith image Alamy 2M07AD2 - House. Early C17 with C18, C19 and C20 alterations. Ashlar sandstone
sham timber-framing
slate roof with gable to left
central brick stack. EXTERIOR: 3 storeys and cellar
3-window range: 2 storey oriels in sham timber-framing, under gabled roofs
C18 ashlar with storeybands and coved cornice to eaves. Plank double doors to central passage
6-panel door to right, in plain case with overlight and moulded architrave under pedimented hood on console brackets
9 panel door to left, under leaded overlight
various leaded lights. The John Gwynne James Memorial Home for Nurses tablet. Tablet to rear: W.J.H. 1766 1883. INTERIOR: dogleg staircase with turned balusters and moulded rail
rear winder stair with boarded balusters. Turret: moulded and boarded ceiling. 2nd floor: picture rail
4-panel doors
panelling
chamfered ceiling beam
architraves. 1st floor: moulded ceiling frame with boarded panels
wood 4-centred arch with architrave
cornice and corbells to stacks
9-panel doors
tiled fireplace with overmantel (dated 1632)
carved frieze to panelled dado (dated 1630)
C19 fireplace
boarded dado
wall panelling door-cupboard
panelled reveals to flat arch
architraves
fireplaces. Ground floor: fireplace
6- and 4-panel doors
overlight
wall cupboard
panelling. Passageway: flagstone floor
C18 timber-framing
cast-iron pillar. Cellar: stone-lined
chamfered ceiling beams
brick vault
2-panel door
bins.
33 Bridge Street, Hereford, Herefordshire, England, UK, HR4 9DG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,construction,building,buildings,Tudor,style,wood,wooden,shop,shops,Mundy,timber frame,5,King St,Hereford,HR4 9BW,4 5 and 5A King Street,grade II listed,1297410,brown,creme,cream,timber building,timber framed buildings,history,historic,beige,old,ancient,listed,King Street,store,stores
Description: Tony Smith image Alamy 2M07AD5 - HEREFORD
SO5039NE KING STREET 683-1/2/204 (South side) 10/06/52 Nos.4, 5 AND 5A (Formerly Listed as: KING STREET (South side) Nos.4 AND 5)
GV II
House, now shop and offices. Late C15(?). Timber-frame and plaster
twin gabled plain tile roof. 2 storeys
2-window range: C20 mullion and transom leaded casements, replacing oriels, in post-and-pan framing
carved barge-boards with pendants and moulded wood eaves. C20 shop fronts with oak fascia board, under moulded and modillioned bressumer. INTERIOR: 1st floor: relict timber-framing. Ground floor: post with arch brace to billeted bressumer. The house has the earliest street elevation in the City. (RCHME).
Listing NGR: SO5088439788
5 King St, Hereford, Herefordshire, England, UK, HR4 9BW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,Church,at,cathedral,building,5,cloisters,diocese,of,place,worship,Norman,Gothic,architecture,1079,Grade I listed,Mappa Mundi,a medieval map of the world,St Mary the Virgin,and,St Ethelbert the King.,Philharmonia,truck,festival,three choirs festival,event,events,3 choirs festival,cathedral cities of Hereford Gloucester and Worcester,TCF,chorus,transport,lorry,on,tour
Description: Tony Smith image Alamy 2M07AD9 - A large Philharmonia Orchestra touring truck stands outside Hereford Cathedral during preparations for the Three Choirs Festival, an internationally recognised celebration of classical and choral music. The articulated Mercedes-Benz lorry carries prominent red, grey and white Philharmonia branding and is used to transport musical instruments, staging equipment and other production material required for major orchestral performances.
Warm evening sunlight illuminates the richly coloured sandstone of the cathedral, highlighting its elaborate pointed arches, carved stonework, tall pinnacles, traceried windows and monumental entrance. The late-day light gives the historic building a strong golden and reddish appearance, while patches of blue sky and soft cloud remain visible above Cathedral Close. Mature trees bordering the precinct provide a contrasting area of deep green shade.
The presence of the specialist tour vehicle reveals some of the substantial backstage organisation behind a large classical music festival. Orchestral concerts require the coordinated movement of instruments, music stands, seating, technical equipment and other material between venues. Although audiences generally encounter only the finished performance, touring trucks and production crews are essential to the operation of professional orchestras.
The Philharmonia is the longstanding resident orchestra of the Three Choirs Festival. The festival rotates annually between the cathedral cities of Hereford, Gloucester and Worcester and is widely described as the longest-running non-competitive classical music festival in the world. Its programmes combine large-scale choral and orchestral concerts with recitals, talks, family activities and smaller performances.
Hereford hosted the festival from 26 July to 2 August 2025, with flagship concerts staged inside the cathedral. The juxtaposition of a modern branded logistics vehicle and the historic ecclesiastical architecture
5 College Cloisters, Cathedral Close, Hereford, Herefordshire, England, UK, HR1 2NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Southport,Lancs,Lancashire,Merseyside,seaside,coast,town,England,UK,PR8,art gallery,art,summer,architecture,listed,blue,sky,box office,culture,arts,Art Gallery,and,&,Library,grade II,buildings,sunny,blue sky,blue skies,building,architect,attraction,attractions,tourist,tourism
Description: Tony Smith image Alamy 2JHW8CC - The Atkinson is a building on the east side of Lord Street extending round the corner into Eastbank Street, Southport, Sefton, Merseyside, England. The building is a combination of two former buildings, the original Atkinson Art Gallery and Library that opened in 1878, and the adjacent Manchester and Liverpool District Bank that was built in 1879. These were combined in 1923“24 and the interiors have been integrated. The original building is in Neoclassical style, and the former bank is in Renaissance style.
The art gallery and library has been integrated with the Southport Arts Centre and is now known as The Atkinson.
The two former buildings are each recorded in the National Heritage List for England as designated Grade II listed buildings.
History
The Atkinson was built following a donation of £6,000 in 1875 by William Atkinson, a cotton manufacturer from Knaresborough, North Yorkshire, and a frequent visitor to Southport. The building was designed by Waddington and Son of Burnley, Lancashire and opened in 1878. The total cost, donated by Atkinson, was £15,000. In 1923“24 the building was extended by incorporating an adjacent bank on the corner of Eastbank Street, that had been built for the Manchester and Liverpool District Bank in 1879. The interior of the combined building was remodeled in the late 20th century, and the interiors were internally integrated. As of 2014 the organisation of the library and art gallery is integrated with the Southport Arts Centre and it is known as The Atkinson.
Original building
The original building is constructed in sandstone with a slate roof in Neoclassical style. It is in three storeys and has a symmetrical three-bay front. The central bay projects forward and contains a square-headed doorway above which is a roundel and a band of three panels. It is flanked by pairs of engaged Corinthian columns, above which is an entablature with a frieze inscribed with ATKINSON FREE LIBRARY and a pediment.
Lord Street, Southport, Lancashire, England, UK, PR8 1DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,PR8,Merseyside,PR8 1DB,skies,elegant,arts,art,venue,staging,music,comedy,and,theatre,pano,wide,panorama,of,the,Atkinson,the Atkinson,major,redevelopment,programme,building,architecture,William Atkinson,Waddington & Son of Burnley,cotton manufacturer,from,Knaresborough,1874,Maxwell & Tuke,Sefton Council
Description: Tony Smith image Alamy 2JHW8CF - The Grade II-listed Cambridge Hall was built in 1874 to designs by Maxwell & Tuke. It is a grandiose stone building on Southport's main shopping boulevard, with an imposing clock tower. Entrance is through the ornamented porte-cochère. Inside the foyer has a large stone fireplace inscribed with the date of the hall. A majestic staircase leads up to the old Cambridge Hall. A public hall created at first floor level, the Cambridge Hall was originally flat-floored with a platform stage, with a raised gallery on three sides and large French windows leading onto the balcony.
In 1875, William Atkinson offered Southport Corporation £6,000 to build an art gallery and library for the town.
William Atkinson was a cotton manufacturer from Knaresborough who frequently visited Southport with his sick wife looking for the refreshing sea air. He eventually moved to Southport and generously donated approximately £40,000 to the town during his lifetime and played an active part in its development. The architects Waddington & Son of Burnley designed the Atkinson Art Gallery and Library, which opened in 1878.
The portrait of William Atkinson, currently on display in the local history gallery you can see the plans for the art gallery being held in his hands.
In 1974, when the entire building was converted to Southport Arts Centre, the hall was transformed into the main auditorium. The gallery was removed, and stadium style seating provided in a single rake, facing the improved stage facilities. The smaller Victoria Hall was converted to a rehearsal room and then, in 1990, to a 300-seat studio theatre.
It had been suggested that retail development permitted in the 1980s to the side and rear of the building would limit the opportunity to improve facilities in the arts centre any further. However funding from Sefton Council, the North West Development Agency and the Government's Sea Change initiative from 2008 onwards led to a major redevelopment programme for the building.
Lord Street, Southport, Merseyside, England, UK, PR8 1DB
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,England,UK,L1 1EJ,L1,logo,ex,history,store,Scouse,Scouser,famous,icon,name,retailer,1920,brand,Lord Mayor of Liverpool,John Lewis Partnership,prime,shopping,street,historic,icons,retail,company,1970s,building,architecture,Lee,painted
Description: Tony Smith image Alamy 2JCW1YE - . This scene at Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The frame specifically shows George Henry Lees logo, ex-department store, Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ. The broader subject matter reaches into retail property, town-centre economy, historic frontage, regional identity, architectural character, retail chain, before-and-after reference, visual archive, period streetscape, outdoor retail, commercial streetscape, local character, destination retail, and built heritage. In present-day coverage, the subject reaches into consumer spending and store closures, not least because of how consumer spending patterns reshape commercial streets. Today's relevance is strengthened by heritage conservation, energy retrofit and the continuing question of the tension between conservation and redevelopment. As a dated visual record of Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ, the frame retains local activity and public use, making it especially useful if redevelopment subsequently changes the scene. Other useful contextual ideas include historic streetscape, customer footfall, conservation architecture, traditional structure, consumer retail, period detail, local history, and brand-led retail. Details involving Merseyside, Liverpool, Square, ex-department, and store make the image more specific than a generic view and strengthen its local or historical value. A later view of Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene captures a local visual benchmark for later comparison. Image 2JCW1YE also remains a dated record of Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ.
Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,England,UK,L1 1EJ,L1,logo,ex,history,historic,store,Scouse,Scouser,famous,and,&,st Johns,tower,icon,icons,iconic,retail,name,retailer,1920,brand,Lord Mayor of Liverpool,John Lewis Partnership,prime,shopping,street,company,1970s,building,architecture,Lee
Description: Tony Smith image Alamy 2JCW1YF - . Made at Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The principal subject is George Henry Lees logo, ex-department store, and St Johns Beacon, Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ. A broader reading of the photograph includes regional identity, architectural detailing, high-street commerce, local history, physical store, conservation architecture, town-centre economy, changing streetscape, shopfront economy, historical comparison, heritage asset, retail property, social history, and changing land use. The wider contemporary story combines changing footfall, commercial rents and the speed at which branding and store formats change. Viewed from the mid-2020s, the subject also connects with redevelopment pressure, heritage conservation and keeping older structures useful without erasing their character. As a dated visual record of Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ, the frame retains street furniture and boundaries, making it especially useful if changing commercial priorities subsequently changes the scene. The photograph additionally reflects period building, commercial frontage, local character, urban fabric, community identity, brand-led retail, destination retail, and historic townscape. The combination of Johns, George, Williamson, store, and Liverpool anchors the frame to a recognisable activity, place or moment. For Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image fixes evidence of earlier appearance for later comparison. It also preserves period character within the wider story of Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ.
Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,WA2 7NE,WA2,Warrington,the,League,Club,Conference Centre,sport,sports,venue,town,centre,Stadium,home,to,ground,sponsor,sponsorship,heritage,modern,rugby football,professional,building,architecture,outside,exterior,old Tetley Walker brewery site,2004,Jack Fish corner,Mike Gregory,neutral,pano,panorama,wide shot
Description: Tony Smith image Alamy 2JBXJMP - The Halliwell Jones Stadium is a rugby league stadium in Warrington, England, which is the home ground of the Warrington Wolves. It has also staged Challenge Cup semi-finals, the European Nations Final, the National League Grand Finals' Day, two games of the 2013 Rugby League World Cup and four games of the 2021 Rugby League World Cup. It is the 62nd largest stadium in England.
Ground was broke at the new site in 2002 and bucked the common trend of modern stadia by including terracing areas rather than being an all-seater stadium, with the South and West stands both containing terracing It also has enormous pitch dimensions of 120 m x 74 m, as requested by Warrington's head coach of the time, Paul Cullen, due to his desire to play expansive rugby. The stadium officially opened in 2004
On 3 March 2011, the club announced that the corners of the East Stand at the stadium would be filled in to create a further 2,000 spaces made up of seating and terracing for the 2012 season. The stadium capacity, set at 15,000 for the first sell-out home match against St. Helens in 2012, was increased to 15,200 and can grow to 15,693 as the club proves it can handle the bigger crowds and get extra safety certificates. The club has also announced plans to increase the stadium's capacity to around 22,000 should the need arise.
Mike Gregory Way, Warrington, Cheshire, England, UK, WA2 7NE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,UTCW Building,Warrington,UTCW,Building,new,adult,building,Professional Standards,technical,college,WA2,Dallam Ln,WA2 7NG,Dallam,architecture,office,offices,classrooms,university,training,colleges,specialist,science,technology academy,technology,academy,teaching,lecture,lecturers,lecturer,cladding,safety,issues,closed,inspection
Description: Tony Smith image Alamy 2JBXJMR - UTC Warrington is a purpose built technical college for 14-19 year olds. The college opened in central Warrington in September 2016.
Our key focus is to support young people prepare for the world of work, develop technical skills and to find meaningful careers. This includes apprenticeships, university, or employment. Partner organisations such as Sellafield Ltd and Manchester Metropolitan University worked together to create the UTC. The result is students have the opportunity to forge valuable relationships and experiences within the STEM industry in the North West and beyond.
UTCW's primary focus is to prepare students for a high quality career within science, technology, and engineering. Students study academic and technical subjects through a range of GCSE and post-16 qualifications. We also offer students the opportunity to focus on developing their practical skills and to work directly with the region's employers. Our dedicated personal development programme encourages students to challenge themselves by using their skills in Leadership, Organisation, Resilience, Initiative, and Communication in all aspects of their UTC career.
Dallam Ln, Warrington, Cheshire, England, UK, WA2 7NG
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,WA2 7NE,WA2,Warrington,the,League,Club,Conference Centre,sport,sports,venue,town,centre,Stadium,home,to,ground,sponsor,sponsorship,heritage,modern,rugby football,professional,building,architecture,outside,exterior,old Tetley Walker brewery site,2004,Jack Fish corner,Mike Gregory,neutral
Description: Tony Smith image Alamy 2JBXJMY - The Halliwell Jones Stadium is a rugby league stadium in Warrington, England, which is the home ground of the Warrington Wolves. It has also staged Challenge Cup semi-finals, the European Nations Final, the National League Grand Finals' Day, two games of the 2013 Rugby League World Cup and four games of the 2021 Rugby League World Cup. It is the 62nd largest stadium in England.
Ground was broke at the new site in 2002 and bucked the common trend of modern stadia by including terracing areas rather than being an all-seater stadium, with the South and West stands both containing terracing It also has enormous pitch dimensions of 120 m x 74 m, as requested by Warrington's head coach of the time, Paul Cullen, due to his desire to play expansive rugby. The stadium officially opened in 2004
On 3 March 2011, the club announced that the corners of the East Stand at the stadium would be filled in to create a further 2,000 spaces made up of seating and terracing for the 2012 season. The stadium capacity, set at 15,000 for the first sell-out home match against St. Helens in 2012, was increased to 15,200 and can grow to 15,693 as the club proves it can handle the bigger crowds and get extra safety certificates. The club has also announced plans to increase the stadium's capacity to around 22,000 should the need arise.
Mike Gregory Way, Warrington, Cheshire, England, UK, WA2 7NE
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,HotpixUK,in,summer,Cheshire,England,UK,WA2 8SZ,village,villages,Grade I listed,building,historic,Newton Le Willows,Domesday Book,the,west tower,Augustus Welby Northmore Pugin,restored,1869,by,Lancaster,partnership,of,Paley and Austin,traditional,grade,listed,architecture,history,heritage,clock,tower,spire
Description: Tony Smith image Alamy 2JC61Y7 - St Oswald's Church, is in the village of Winwick, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I listed building. It is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Warrington and the deanery of Winwick.
History
A church at Winwick is recorded in the Domesday Book. The earliest parts of the present church are the bases of the north arcade which date from the early 13th century, and the walls of the Legh Chapel and the organ chamber which are dated 1330. The west tower was built in 1358, and the walls and north arcade of the nave (except for the Legh Chapel and the organ chamber) date from 1580. Much damage was done to the church in 1648 when Oliver Cromwell stationed his troops in the church after the Battle of Red Bank. The south porch was added in 1720, and the south arcade of the nave was rebuilt in 1836 reusing earlier stones. The chancel, sanctuary and vestry were rebuilt by Pugin in 1847“49 for the 13th Earl of Derby. The spire was rebuilt and the church was restored in 1869 by the Lancaster partnership of Paley and Austin. On Thursday 13 January 1887, Titanic Captain Edward Smith married Sarah Eleanor Pennington in the church. In 1931“32 Henry Paley successor in the Lancaster architectural practice, now known as Austin and Paley, restored the tower at a cost of £463, and in 1934 he added a new vestry, porch and entrance at a cost of £232
The church is built of sandstone with a metal, stainless steel, roof. Its plan consists of a west tower, a nave of six bays with a clerestory, north and south aisles, a south porch, a chapel in the east bay of each aisle, a chancel and sanctuary of three bays, and a north vestry. The south chapel is the Legh Chapel and the north chapel belonged to the Gerard family. The tower is in three stages and has a recessed spire. On the west face is a door above which is a three-light window.
Golborne Rd, Winwick , Warrington, Cheshire, England, UK, WA2 8SZ
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,&,Co,company,brewer,brewery,now,owned,by,Marsden,stained glass,logo,logs,tiled,tiles,design,pubs,bars,CF10,CF10 1GH,junction,of,and,Cymru,traditional,Brain,SA,boozer,bar,grade II,listed,building,ceramic tiling,gay,CAMRA
Description: Tony Smith image Alamy 2JDJ4B1 - The Golden Cross is a Grade II listed public house at the junction of Customhouse Street and Hayes Bridge Road in the centre of Cardiff, Wales. The current building dates from 1903 and is noted for its distinctive ceramic tiling.
History
A pub has existed on the site since 1849, originally named the Shields and Newcastle Tavern. It was renamed the Castle Inn in 1855 and assumed its present name in 1863. The Cardiff historian Brian Lee has said the Golden Cross developed a reputation as the smartest brothel in town in the 19th century. Around 1903/4 it was rebult in its current form for Brains Brewery.
The Golden Cross is alleged to be the site of a fight involving a young Rocky Marciano, who was stationed in Wales during his time in the United States Army during World War 2. Also during the war, the fascist leader Oswald Mosley attempted to hold a meeting at the pub but violent opposition forced him to return to London.
The pub was given listed status by Cadw in May 1975, but despite this it was threatened with demolition in 1979 as part of a road-widening scheme. However it was reprieved after a campaign led by the South Wales Echo. In 2010 it was listed by CAMRA as one of their 10 most unspoilt pubs by the CAMRA Pub Heritage Group and is listed on CAMRA's National Inventory of Historic Pub Interiors.
The Golden Cross has become a popular gay friendly pub, with regular drag acts and entertainment. It was voted in 2004 as the best gay pub in the UK. The pub remains a tied house of the Brains Brewery.
Architecture
Tiled panel showing Cardiff's Old Town Hall and the statue of Lord Bute
CAMRA's Inventory of Historic Pub Interiors describes the Golden Cross as the most spectacularly decorated of any in Wales.
The bar tiles, featuring distinctive corner grotesques, were designed by Craven Dunnill of Shropshire. The interior has several decorative pictorial panels of tiles that depict Cardiff Castle, Brains Brewery in 1890, and Cardiff's Old Town hall
junction of Customhouse Street and Hayes Bridge Road, Cardiff, Wales, UK, CF10 1GH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Cheshire,UK,Thelwall,building,25 years,left,25,years,state of disrepair,state,disrepair,WBC,Warrington Council,Warrington Borough Council,dilapidated,rectory,Grappenhall rectory,church lane,disused,listed building,1139322,closed,derelict,history,historic,heritage,old,town,centre,ornate,lane,road,hotpix.org.uk
Description: Tony Smith image Alamy 2C6RE8M - Rectory circa 1830, stucco with grey slate roof, Gothick. Of 2 storeys and 5 windows
the left and right wings, each of 1 bay and one slightly recessed, are of (or altered during) 1855 (drawings in the possession of the rector). Crenellated Gothick porch has Tudor arch and corner pinnacles. Part-glazed double doors at back of porch under Tudor-arched fan with flowing pattern of cusped iron bars. A 1-storey canted bay to each side of porch has Gothick pointed windows: left bay has ornate iron cresting
that to right bay removed for repair (1983). Upper windows are 2-light casements, each light of 12 panes, margined, above porch and bay windows. Right wing and upper storey of left wing have 12-pane recessed sashes
lower left window is replaced. Interior: Doors have 6 raised and fielded panels. Plain open-string dogleg stair has stick balusters, mahogany rail and curtail.
Legacy System number:
59018
Legacy System:
LBS
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,grafitti,artist,stencil,stencils,London,E1,BrickLane,Tower Hamlets,artists,paint,painting,expression,work,street art,streetart,tags,tagging,derelict,abandoned,spray,can,cans,spraycan,imagination,comment,comments,on,society,closed,shuttered,empty,unused,building
Description: Tony Smith image Alamy 2AE0291 - . An authentic period view of Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL in 2019, showing a subject whose value extends beyond the immediate scene into local history and changing social context. The scene shows Elephant,Abuse tag,Brick Lane,art and graffiti,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL. The image connects the immediate subject with archival record, period streetscape, historical comparison, industrial artefact, changing land use, manufacturing heritage, community identity, urban fabric, working-industry history, conservation interest, built heritage, heritage asset, building-material production, and before-and-after reference. The present-day relevance extends to embodied carbon and factory closures, while a wider concern is the reuse or loss of former production sites. Current discussion around this subject increasingly includes embodied carbon alongside adaptive reuse, with particular attention to reusing existing buildings rather than demolishing them. Looking back from the mid-2020s, the image retains period details that may disappear after redevelopment or refurbishment within the setting of Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL. The wider local story also touches on conservation architecture, industrial material culture, traditional building materials, architectural character, historic manufacturing, historic frontage, historic commercial architecture, and factory history. The combination of London, Elephant, Hamlets, graffiti, and Tower anchors the image to a recognisable activity, place or moment. The period setting at Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. That local specificity strengthens the long-term documentary value of image 2AE0291.
Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Victorian,office,offices,warehouse,Watts Bros Manchester,Watts Brothers,English Heritage Legacy ID,388270,English Heritage Legacy ID 388270,SJ8498SE,LEVER STREET,698-1/29/206 (South East side),Listing NGR SJ8457498405,Hardware,and,furniture,brothers,M1 1DW,M1,centre,Ancoats,history,historic,Lever Street,Lever St,now,listed,building
Description: Tony Smith image Alamy RFF633 - Hardware and furniture warehouse, now offices. Dated 1898 at
3rd floor
altered. Red brick in Flemish bond, with red
sandstone dressings, slate roof. Rectangular plan at
right-angles to street, with loading bay at rear. Free
Elizabethan style. Basement, 4 storeys and attic, 4 bays, with
plinth, cornice over ground floor, slightly-projected outer
bays with tall shaped gables, and chamfered shafts piercing a
prominent cornice. The ground floor has a large round-headed
doorway to the left, with convex jambs, moulded head and
keystone cartouche lettered 24, and a prominent cornice on
elongated consoles
a mullioned 2-light window to the right
over a basement doorway and 2 altered windows further right.
On the upper floors the 2 centre bays have 3-storey
elliptical-headed arches with 3-light wndows to all floors,
the outer bays have vertical-rectangular windows, with
panelled aprons at 2nd floor and large carved aprons at 3rd
floor lettered respectively 18 and 98. The attic has
3-light mullioned windows in the centre bays and vertical
windows in the gables with ornamental architraves including
oculi in steeply-swept gables finished with small segmental
pediments. The right-hand return wall has 2 bays in matching
style, continued with an 8-window range of white glazed brick,
carried down to 2 storeys at the rear, which has a parallel
loading bay.
Bunsen St, Manchester, England, UK, M1 1DW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,office,offices,hotel,Refuge Building,Oxford rd,Insurance,Victorian,Office,listed building,building,Grade II listed,listed,City Centre,Manchester,Principal Hotel,Refuge Friend in Deed Life Assurance and Sick Fund Friendly,central Manchester,M60 7HA,M60,Lancashire,Commerce,business,company,leisure,dining,rooms,hotels,Landmark,Landmark Hotel,insurance,Refuge Insurance,Volta Bar Dining Room Winter Garden Den
Description: Tony Smith image Alamy RG98RH - The Refuge Assurance Company Ltd. was a life insurance and pensions company based in England. It was founded by James Proctor and George Robins in Dukinfield, Cheshire in 1858. The company was originally known by the unwieldy name of the Refuge Friend in Deed Life Assurance and Sick Fund Friendly Society.
From 1895 until 1987, its head office was the magnificent Grade II* listed, Refuge Assurance Building on Oxford Street in central Manchester, now used as the Principal Hotel. In 1987, the company decided to move out of the city centre to new, purpose-built, offices in the grounds of Fulshaw Hall in Wilmslow, around 12 miles south of the old Refuge Building. In October 1996, the Refuge Assurance Company merged with United Friendly to form the United Assurance Group (UAG).
After disappointing performances following the merger, the United Assurance Group was first approached by Britannic Assurance in November 1999, and then by Royal London Mutual Insurance Society in February 2000. Following successful talks, Royal London took over UAG for £1.6 billion.
The Refuge Assurance Building, Manchester, on Oxford Road, was the company's head office between 1895 and 1987
Oxford St, Manchester, Lancashire, UK, M60 7HA
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,USA,city,city centre,US,725 5th Ave,NY 10022,United States,Trump,building,gold,architecture,POTUS,Der Scutt,Poor,Swanke,Hayden & Connell,Midtown Manhattan,escalators,reflections,cafe,skyscraper,busy,people,offices,office,80s,1980,1983,asset,real estate,main lobby,golden,assets
Description: Tony Smith image Alamy 2AFK6Y2 - Trump Tower is a 58-floor, 664-foot-tall (202 m) mixed-use skyscraper at 721“725 Fifth Avenue in the Midtown Manhattan neighborhood of New York City,USA,between East 56th and 57th Streets. It serves as the headquarters for the Trump Organization. Additionally, it houses the penthouse condominium residence of businessman, real estate developer, and former U.S. president Donald Trump, who developed the building and named it after himself. Several members of the Trump family also live, or have resided, in the building. The tower stands on a plot where the flagship store of department-store chain Bonwit Teller was formerly located.
Der Scutt of Poor, Swanke, Hayden & Connell designed Trump Tower, and Trump and the Equitable Life Assurance Company (now the AXA Equitable Life Insurance Company) developed it. Although it is in one of Midtown Manhattan's special zoning districts, the tower was approved because it was to be built as a mixed-use development. Trump was permitted to add more stories to the tower in return for additional retail space and for providing privately owned public space on the ground floor, the lower level, and two outdoor terraces. There were controversies during construction, including the destruction of historically important sculptures from the Bonwit Teller store
Trump's alleged underpaying of contractors
and a lawsuit that Trump filed because the tower was not tax-exempt.
Construction on the building began in 1979. The atrium, apartments, offices, and stores opened on a staggered schedule from February to November 1983. At first, there were few tenants willing to move into the commercial and retail spaces
the residential units were sold out within months of opening. After Trump's 2016 presidential campaign and subsequent election, the tower saw large increases in visitation, though security concerns required the area around the tower to be patrolled for several years.
725 5th Ave, Manhattan , New York, NY 10022, United States
Description
Keywords: Hotpixuk,@Hotpixuk,GoTonySmith,England,UK,GB,Great Britain,Warrington,Cheshire,pano,Livewire,gym,exercise,health,WBC,Warrington council,Wheatley Suite,Capesthorne Suite,keep fit,wellbeing,Orford Community Hub,Orford,building,architecture,architect,818017,Architect Rocco Piliero,Architect,Rocco Piliero,£30m Orford Park complex,Orford Park complex,sport,health and education,complex,Orford Park,sports hub,Technogym,Archial Architects,library
Description: Tony Smith image Alamy 2DC656K - . A grounded documentary photograph made at Festival Avenue Orford Warrington,Cheshire,England, UK, WA2 9EP in 2018, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through Orford Jubilee park Hub Warrington,Livewire, Swimming pool, gym, exercise,£30m Orford Park complex. The surrounding context encompasses place identity, heritage asset, health-service capacity, community identity, clinical services, historic townscape, period streetscape, conservation architecture, health infrastructure, social history, before-and-after reference, documentary photography, visual archive, and healthcare provision. The modern context includes continuing discussion of waiting lists, patient access and how ageing populations increase demand for care facilities. For current editorial use, embodied carbon and energy retrofit provide additional context, especially through the value of distinctive buildings and street furniture to local identity. The archival value lies partly in recording materials and architectural details around Festival Avenue Orford Warrington,Cheshire,England, UK, WA2 9EP before new ownership alters the character of the place. The photograph additionally reflects urban fabric, built heritage, local landmark, contemporary social history, heritage landmark, regional identity, changing land use, and changing streetscape. The combination of exercise, Swimming, Livewire, Jubilee, and complex anchors the frame to a recognisable activity, place or moment. The period setting at Festival Avenue Orford Warrington,Cheshire,England, UK, WA2 9EP helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The photograph keeps a point of historical comparison as part of Festival Avenue Orford Warrington,Cheshire,England, UK, WA2 9EP's history.
Festival Avenue Orford Warrington,Cheshire,England, UK, WA2 9EP
Description
Keywords: GoTonySmith,@HotpixUK,art exhibition,The Gateway Community Resource Centre,Charity Resources,89 Sankey Street,Cheshire,North West England,UK,Charity,Charities,WA1,inside,interior,exhibition space,community space,Clock Tower Cafe,cafe,gateway cafe,charity space,Warrington charity space,Warrington,voluntary organisation,voluntary organisations,office,offices,Gateway Reception,TheGateway,TheGatewayOrg,TheGateway.org,Lynne Bennett,WAND,Warrington Housing Association,WHA,independent charity,building,historic building,art,display boards,art display
Description: Tony Smith image Alamy PCTAD9 - The Gateway Community Resource Centre is a wonderful location for charities in Warrington to be based. The Gateway serves as a bridge between the local community, public sector and voluntary/community organisations and provides assistance, advice and guidance to cater for community needs. It provides a much needed place for people from different backgrounds to engage and interact.
The Gateway has a variety of sized rooms able to cater for all types of events from conferences, seminars and board meetings to exhibitions and we can easily tailor our facilities to suit your requirements. We aim to provide a comprehensive service to fulfil your business needs.
Gateway organisations include:
Acorn Recovery Projects, Cheshire & Warrington Carers Centre, Citizens Advice, Connect, Cooper McCann Counselling Services, Footsteps, Healthwatch Warrington, Housing Plus, Lifetime, Military Veterans Hub, O.P.E.G OPEG, Private Sector Housing, Relate, River Reeves Foundation, Speak Up, The Children's Society, Vunerable Tenancy Support Scheme (VTSS), Warrington Community Living (WCL), Warrington & Halton Eating Disorder Clinic (EDS), Warrington Housing Association (WHA), Warrington Home Improvement Agency (WHiA), Warrington Voluntary Action (WVA), Warrington Wellbeing, Warrington Women's Aid
The Gateway is an independent charity and all of its tenants are committed to improving the quality of life of people in Warrington. Providing a joint 'first stop shop' giving access to advice, services and opportunities for all, whilst enabling the voluntary sector to work together and in partnership with others, efficiently and effectively. Built in 1875 and following a reconstruction in 1972-1974, Warrington Housing Association purchased the building in 2002.
89 Sankey St, Warrington WA1 1SR
--Trafford-Council--Greater-Manchester--North-West-England--UK-P307F5.jpg)
Description
Keywords: GoTonysmith,@HotpixUK,Trafford,Cheshire,town,centre,shopping,retail,similar to Borough Market London,Greater Manchester,Manchester,North West England,UK,shop,shoppers,stall,happy shoppers,food,cheese,meat,vegetables,drink,food court,bar,drinks,diners,dining,destination,Market House,Altrincham Market House,clock,exterior,outside,building,brick,history,historic,historic market,Altrincham historic Market,Alty
Description: Tony Smith image Alamy P307F5 - . A grounded documentary photograph made at 12 Greenwood St, Altrincham, Cheshire, England, UK, WA14, UK in 2018, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Altrincham successful retail town market (similar to Borough Market), Trafford Council, Greater Manchester, North West England, UK. The setting additionally reflects place identity, documentary photography, local history, community identity, changing streetscape, commercial frontage, high-street commerce, local character, shopfront economy, local trading, specialist retailer, regional identity, social history, and independent retail. Today's relevance is strengthened by consumer spending, footfall and the continuing question of the role of small retailers in maintaining active town centres. As a dated visual record of 12 Greenwood St, Altrincham, Cheshire, England, UK, WA14, UK, the frame retains commercial use and occupation, making it especially useful if different community use subsequently changes the scene. The photograph additionally reflects visual archive, commercial streetscape, historical comparison, changing land use, contemporary social history, local enterprise, before-and-after reference, and small business. Details involving Trafford, Altrincham, similar, retail, and successful make the image more specific than a generic view and strengthen its local or historical value. The period setting at 12 Greenwood St, Altrincham, Cheshire, England, UK, WA14, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is consumer spending and the role of small retailers in maintaining active town centres within the real-world context of 12 Greenwood St, Altrincham, Cheshire, England, UK, WA14, UK. The period view preserves details of everyday use for later comparison.
12 Greenwood St, Altrincham, Cheshire, England, UK, WA14, UK
Description
Keywords: Euston,Camden,London,city,centre,building,historic,ale,ales,stout,and,Somers Town,Ales and stout,Ales & Stout,GoTonySmith,@HotpixUK,Tony,Smith,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Pubs Of London,must see,the,ornate,Victorian
Description: Tony Smith image Alamy H04G9C - . Recorded at Cranleigh St, Somers Town, London in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is The Jubilee Pub, Ales & Stout building, Somers Town, Euston,Camden, London. The wider scene also brings together contemporary social history, before-and-after reference, street-level dining, licensed hospitality, neighbourhood drinking venue, public-realm investment, everyday life, adaptive reuse, public realm, pub heritage, customer-facing leisure, local history, hospitality trade, and historical comparison. The modern context includes continuing discussion of housing pressure, heritage conservation and the tension between preserving local character and creating modern commercial space. For current editorial use, commercial rents and hospitality costs provide additional context, especially through how branded and independent hospitality compete for changing leisure spending. Small period details of equipment and working practice at Cranleigh St, Somers Town, London may become more significant with time, particularly following refurbishment. Further associations within the scene are night-time economy, archival record, place-making, licensed trade, urban regeneration, built heritage, place identity, and historic townscape. The recorded references to Jubilee, Stout, Somers, Camden, and building preserve clues about how the subject was presented, used or understood at the time. The wider setting at Cranleigh St, Somers Town, London matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for housing pressure and how public investment can reshape pedestrian movement and evening activity within the specific setting of Cranleigh St, Somers Town, London. The photograph keeps evidence of earlier appearance for future local research.
Cranleigh St, Somers Town, London
Description
Keywords: Octoberfest,wood,wooden,stain,brand,beer,bier,beir,glass,jw,mat,advertising,alcohol,bar,bars,beer,brew,brewery,lager,lagers,pils,liter,litre,surface,Munich,Bavaria,Germany,tables,augustiner brau,Gegrunder 1328,Augustiner Brau,GoTonySmith,ale,ammer,autumn,bavaria,beer,beer festival,beer garden,bier,blaukraut,bread,brezen,bright,building,buildings,buy images of,buy pictures of,center,centre,chicken,dirndl,dumplings,enjoyment,event,fairgrounds,festival,field,fun,funfair,garden,garten,germany,gotonysmith,happy,in,kndel,ksesptzle,lederhosen,meadow,munchen,munich,munich octoberfest,munich oktoberfest,october,octoberfest,oktoberfest,oktoberfest beer,pancake,pork,potato,pretzels,reiberdatschi,roast,rotkohl,sauerkraut,scenes,sennerhut,sunny,table,tables,tent,therese,theresienwiese,ticket,tickets,tourism,tourist,tourists,tradition,traditional,travelling,tree,trees,unity day,volksfest,wiesn,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F7NAJA - Munich Oktoberfest
Only beer conforming to the Reinheitsgebot, and brewed within the city limits of Munich, can be served at the Munich Oktoberfest. Beers meeting these criteria are designated Oktoberfest Beer. Veteran bartenders take a mere 1.5 seconds to fill up a litre stein.
Theresienwiese, Theresienhöhe, 80339 München, Germany
Description
Keywords: ancient,architectural,architecture,auld,barracks,chateau,basalt,britain,british,building,capital,castle,castles,center,central,centre,cities,city,cityscape,cityscapes,cloud,clouds,drama,edinburgh,europe,european,fort,festival,fortification,qfortress,GB,Great,hill,Great Britain,GotonySmith,historic,historical,icon,kingdom,landmarks,lowlands,lothian,medieval,old,outcrop,rock,rocky,Royal,family,scotch,scotland,scots,scottish,sight,sights,scenic,sightseeing,skies,sky,skyline,summer,sun,sunny,sunshine,stronghold,tour,tattoo,tourism,tourists,town,towns,towering,uk,united,white,unesco world heritage,Unesco,old town,Edinburgh Castle,dramatic sky,moody,mody sky,dramatic sky,summer,blue,blue sky,lush,green,trees,vegetation,clouds,Edinburg,Castel,Scots,Scottish,scotland,nationalistic,stone,tour,travel,tourist,attraction,Royal Family,buy pictures of Edinburgh,Buy Pictures of,Buy Images Of,Edinburgh Castle,Scotlands History,Scotlands History
Description: Tony Smith image Alamy EYAX43 - Edinburgh Castle is a historic fortress which dominates the skyline of the city of Edinburgh, Scotland from its position on the Castle Rock. Archaeologists have established human occupation of the rock since at least the Iron Age (2nd century AD), although the nature of the early settlement is unclear. There has been a royal castle on the rock since at least the reign of David I in the 12th century, and the site continued to be a royal residence until the Union of the Crowns in 1603.
From the 15th century the castle's residential role declined, and by the 17th century it was principally used as military barracks with a large garrison. Its importance as a part of Scotland's national heritage was recognised increasingly from the early 19th century onwards, and various restoration programmes have been carried out over the past century and a half. As one of the most important strongholds in the Kingdom of Scotland, Edinburgh Castle was involved in many historical conflicts from the Wars of Scottish Independence in the 14th century to the Jacobite Rising of 1745. Research undertaken in 2014 identified 26 sieges in its 1100 year-old history, giving it a claim to having been the most besieged place in Great Britain and one of the most attacked in the world
Old Town, Edinburgh City, Lothians,Scotland, UK
Description
Keywords: ale,CAMRA,realale,real,west,hotel,dusk,boozer,public,house,historic,pubs,bars,accommodation,architecture,break,britain,building,centre,city,colour,distinctive,elegant,england,GB,lit,grandeur,great,vertical,horse,hotel,kingdom,leeds,magnificent,northern,sign,GoTonySmith,lighting,lamps,lamp,51-53 The Headrow,Leeds,England,UK,LS1,6LR,British,Buy Pictures of,Buy Images Of,West Yorkshire,LS1 6LR,British Pub
Description: Tony Smith image Alamy EY7XF1 - . The Horse and Trumpet pub,Leeds at night, Yorkshire, England, UK. Photographed at 51-53 The Headrow, Leeds, West Yorkshire, England,UK LS1 6LR. The photograph was taken on 23 July 2015. The image metadata records 1 person in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Horse, Trumpet, pub, Leeds, night, Yorkshire, ale, CAMRA, realale and hotel, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
51-53 The Headrow, Leeds, West Yorkshire, England,UK LS1 6LR
-EY7XF8.jpg)
Description
Keywords: United Kingdom,UK,Liverpool,Canal,old,new,building,buildings,evening,sunshine,tourist,area,Granary,water,taxi,Armouries,Clarence,Dock,docks,workspace,cafe,eating,restaurant,boardwalk,pier,newdock,waterside,boat,boats,Leeds wharf,Wharf lock,Great Britain,Leeds Liverpool Canal,Granary Wharf,GoTonySmith,house,boat,interesting,cycle,bicycle,living,in,central,Buy Pictures of,Buy Images Of,House boat
Description: Tony Smith image Alamy EY7XF8 - Leeds Dock (formerly New Dock and also known as Clarence Dock between 2001 and 2012) is a mixed development with retail, office and leisure presence in central Leeds, West Yorkshire, England. It has large residential population in waterside apartments.
New Dock was built in 1843 and was in service until 1990. The Royal Armouries Museum opened in 1996. New Dock was redeveloped as Clarence Dock, a £250 million mixed-use development between 2001 and 2007. The retail and leisure sector was launched on Saturday 11 October 2008 with fashion shows from celebrity fashion consultant and TV presenter Gok Wan. Leeds Dock now attracts around 1.5 million visitors a year although most of these are due to the proximity of the Royal Armouries Museum. Clarence Dock experienced a turbulent time since launch and is largely viewed as a failure in terms of achieving its initial vision.
It is located by the River Aire next to the Royal Armouries Museum, which faces onto Armouries Square. Leeds Dock's main shopping street, 'The Boulevard' radiates southbound from Armouries Square. Another focal point is 'The Anchorage' at the top of the dock. Clarence House is a 218-foot (66 m) tower containing 227 apartments and six retail units. On completion in April 2007, it became the eighth tallest building in Leeds but is now the twelfth tallest building.
Leeds Dock plays host to an annual Waterfront Festival each June with Dragon Boat Racing centred on Armouries Square.
New Dock, Leeds, West Yorkshire, England, UK
-EY7XF3.jpg)
Description
Keywords: United Kingdom,UK,Liverpool,Canal,old,new,building,buildings,evening,sunshine,tourist,area,Granary,water,taxi,Armouries,Clarence,Dock,docks,workspace,cafe,eating,restaurant,boardwalk,pier,newdock,waterside,boat,boats,Leeds wharf,Wharf lock,Great Britain,Leeds Liverpool Canal,Granary Wharf,GoTonySmith,barge,housebarges,leads,Buy Pictures of,Buy Images Of,house barge
Description: Tony Smith image Alamy EY7XF3 - Leeds Dock (formerly New Dock and also known as Clarence Dock between 2001 and 2012) is a mixed development with retail, office and leisure presence in central Leeds, West Yorkshire, England. It has large residential population in waterside apartments.
New Dock was built in 1843 and was in service until 1990. The Royal Armouries Museum opened in 1996. New Dock was redeveloped as Clarence Dock, a £250 million mixed-use development between 2001 and 2007. The retail and leisure sector was launched on Saturday 11 October 2008 with fashion shows from celebrity fashion consultant and TV presenter Gok Wan. Leeds Dock now attracts around 1.5 million visitors a year although most of these are due to the proximity of the Royal Armouries Museum. Clarence Dock experienced a turbulent time since launch and is largely viewed as a failure in terms of achieving its initial vision.
It is located by the River Aire next to the Royal Armouries Museum, which faces onto Armouries Square. Leeds Dock's main shopping street, 'The Boulevard' radiates southbound from Armouries Square. Another focal point is 'The Anchorage' at the top of the dock. Clarence House is a 218-foot (66 m) tower containing 227 apartments and six retail units. On completion in April 2007, it became the eighth tallest building in Leeds but is now the twelfth tallest building.
Leeds Dock plays host to an annual Waterfront Festival each June with Dragon Boat Racing centred on Armouries Square.
New Dock, Leeds, West Yorkshire, England, UK
-EY7XF5.jpg)
Description
Keywords: United Kingdom,UK,Liverpool,Canal,old,new,building,buildings,evening,sunshine,tourist,area,Granary,water,taxi,Armouries,docks,workspace,cafe,eating,restaurant,boardwalk,pier,newdock,waterside,boat,boats,Leeds wharf,Wharf lock,Great Britain,Leeds Liverpool Canal,Granary Wharf,GoTonySmith,houseboat,barge,barges,Buy Pictures of,Buy Images Of,the
Description: Tony Smith image Alamy EY7XF5 - Leeds Dock (formerly New Dock and also known as Clarence Dock between 2001 and 2012) is a mixed development with retail, office and leisure presence in central Leeds, West Yorkshire, England. It has large residential population in waterside apartments.
New Dock was built in 1843 and was in service until 1990. The Royal Armouries Museum opened in 1996. New Dock was redeveloped as Clarence Dock, a £250 million mixed-use development between 2001 and 2007. The retail and leisure sector was launched on Saturday 11 October 2008 with fashion shows from celebrity fashion consultant and TV presenter Gok Wan. Leeds Dock now attracts around 1.5 million visitors a year although most of these are due to the proximity of the Royal Armouries Museum. Clarence Dock experienced a turbulent time since launch and is largely viewed as a failure in terms of achieving its initial vision.
It is located by the River Aire next to the Royal Armouries Museum, which faces onto Armouries Square. Leeds Dock's main shopping street, 'The Boulevard' radiates southbound from Armouries Square. Another focal point is 'The Anchorage' at the top of the dock. Clarence House is a 218-foot (66 m) tower containing 227 apartments and six retail units. On completion in April 2007, it became the eighth tallest building in Leeds but is now the twelfth tallest building.
Leeds Dock plays host to an annual Waterfront Festival each June with Dragon Boat Racing centred on Armouries Square.
New Dock, Leeds, West Yorkshire, England, UK
Description
Keywords: high,st,street,pub,classic,famous,EDN,Edinburgh City,Scotland,UK,castle,drama,dramatic,legend,legendary,Scot,Scots,Scottish,character,beer,ale,alehouse,Billy,hyde,jekyll,High St,High street,Deacon Brodies,Deacon Brodies Tavern,Royal Mile,Edinburgh Castle,Traditional Pub,GoTonySmith,pub,bar,Wide,angle,fisheye,summer,building,history,historic,sign,pubsign,William,Brodie,characters,house,sign,skyline,street,tourism,travel,uk,urban,burglar,thief,thieves,key,copy,copier,wax,impressions,looking,up,lookingup,sky,icon,iconic,Edinburg,Ediburgh,Famous Tavern,Famous Pub,pub sign,British Pub,British Pubs,William Brodie,Jekyll and Hyde,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History
Description: Tony Smith image Alamy DDXHHT - William Brodie (28 September 1741 “ 1 October 1788), more commonly known by his prestigious title of Deacon Brodie, was a Scottish cabinet-maker, deacon of a trades guild and Edinburgh city councillor, who maintained a secret life as a burglar, partly for the thrill, and partly to fund his gambling.
Popular myth holds that Deacon Brodie built the first gallows in Edinburgh and was also its first victim. Of this William Roughead in Classic Crimes states that after research he was sure that although the Deacon may have had some hand in the design, ...it was certainly not of his construction, nor was he the first to benefit by its ingenuity.
Sign at Deacon Brodie's Tavern on Edinburgh's Royal Mile
Brodie's alter ego
Robert Louis Stevenson, whose father owned furniture made by Brodie, wrote a play (with W. E. Henley) entitled Deacon Brodie, or The Double Life, which was unsuccessful. However, Stevenson remained fascinated by the dichotomy between Brodie's respectable façade, and his real nature and was inspired to write The Strange Case of Dr. Jekyll and Mr. Hyde (1886).[1]
Deacon Brodie is commemorated by a pub of that name on Edinburgh's Royal Mile, on the corner of the Lawnmarket and Bank Street which leads down to The Mound, and a close off the Royal Mile, which contained his family residence and workshops, still bears the name Brodie's Close. A pub in New York City carrying his name sits on the south side of the famous west side 46th Street Restaurant Row between 8th Avenue and 9th Avenue.
In 1997 a TV movie of the same name starring Billy Connolly was made in Edinburgh
Royal Mile, High St,Edinburgh Old Town, Scotland, UK
Description
Keywords: The,historic,history,of,city,Merseyside,libraries,service,classic,new,central,building,erected,by,James,JamesPicton,Grade,II,grade2,2,listed,Sir,circular,inscription,corporation,of,history,historic,dark,wood,crest,city,tourist,attraction,impressive,public,municipal,L3,8EW,L38EW,gotonysmith,This,building,erected,by,the,corporation,of,Liverpoolwas,a,resolution,of,the,council,dated,6th,October,1875,ordered,to,be,named,The,Picton,Reading,Room,in,recognition,of,the,valuable,services,rendered,by,James,Allanson,Picton,Esquire,JP,FSA,in,his,capacity,as,chairman,of,the,Public,Library,Museum,and,gallery,of,Arts,Committee,which,position,he,had,then,occupied,for,a,period,exceeding,a,quarter,of,a,century.,Thomas,Bland,Royden,Mayor attractions Mersey Scouse scouser
Description: Tony Smith image Alamy DB6P25 - The old Plaque in the Picton reading room, Liverpool City Central Library
The inscription reads:
This building erected by the corporation of Liverpoolwas a resolution of the council dated 6th October 1875 ordered to be named The Picton Reading Room in recognition of the valuable services rendered by James Allanson Picton Esquire JP FSA in his capacity as chairman of the Public Library Museum and gallery of Arts Committee, which position he had then occupied for a period exceeding a quarter of a century.
Thomas Bland Royden , Mayor.
Liverpool Central Library , Liverpool , England, UK L3 8EW
Description
Keywords: UK,United,Kingdom,green,blue,signs,white,Dockhouse,dock,house,mediacityUK,good,interesting,sky,modern,building,buildings,street,modern,walkway,walk,way,mixed,use,property,development,Peel,Port,of,docks,University,of,city,twin,cities,decentralisation,from,London,tower,the,heart,garage,whereto,where,Manchester,gotonysmith,present,presented,from,presenters,Queys,Quays,Quay,House,QuayHouse,Quey,celeb,snacks,Richard,bacon,bun,burger,food,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D9MJMB - Friday Special at snack bar outside of BBC Quay House Breakfast studio at MediaCityUK.
It is a 200-acre (81 ha) mixed-use property development site on the banks of the Manchester Ship Canal in Salford and Trafford, Greater Manchester, England. The project is being developed by Peel Media, and its principal tenants are media organisations and the University of Salford. The land occupied by the development was part of the Port of Manchester and Manchester Docks.
The BBC signalled its intention to move jobs to Manchester in 2004, and the Salford Quays site was chosen in 2006. The Peel Group was granted planning permission to develop the site in 2007, and construction of the development, with its own energy generation plant and communications network, began the same year. Based in Quay House, the principal tenant is the BBC, whose move marks a large-scale decentralisation from London. BBC Children's, BBC Radio 5 Live, BBC Research and BBC Sport are among the departments which have relocated to the development. ITV Granada completed the first phase of its move to MediaCityUK in March 2013. The Studios on Broadway house seven high-definition studios, claimed to be the largest such facility in Europe.
Snack bar outside Quay House, BBC MediaCityUK, Salford Quays, Manchester, UK
Description
Keywords: UK,United,Kingdom,green,blue,signs,white,Dockhouse,dock,house,mediacityUK,good,interesting,sky,modern,building,buildings,street,modern,walkway,walk,way,mixed,use,property,development,Peel,Port,of,docks,University,of,city,twin,cities,decentralisation,from,London,tower,the,heart,garage,whereto,where,Manchester,gotonysmith,present,presented,from,presenters,Queys,Quays,Quay,House,QuayHouse,Quey,door,doors,entrance,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D9MJMN - The entrance of BBC Quay House Breakfast studio at MediaCityUK.
It is a 200-acre (81 ha) mixed-use property development site on the banks of the Manchester Ship Canal in Salford and Trafford, Greater Manchester, England. The project is being developed by Peel Media, and its principal tenants are media organisations and the University of Salford. The land occupied by the development was part of the Port of Manchester and Manchester Docks.
The BBC signalled its intention to move jobs to Manchester in 2004, and the Salford Quays site was chosen in 2006. The Peel Group was granted planning permission to develop the site in 2007, and construction of the development, with its own energy generation plant and communications network, began the same year. Based in Quay House, the principal tenant is the BBC, whose move marks a large-scale decentralisation from London. BBC Children's, BBC Radio 5 Live, BBC Research and BBC Sport are among the departments which have relocated to the development. ITV Granada completed the first phase of its move to MediaCityUK in March 2013. The Studios on Broadway house seven high-definition studios, claimed to be the largest such facility in Europe.
Quay House, BBC MediaCityUK, Salford Quays, Manchester, UK
Description
Keywords: Christianity,Religion,religious,building,great,fire,of,Christopher,Wren,wide,angle,wideangle,tourist,tourism,travel,view,pilgrimage,famous,heritage,historic,landmark,landmarks,building,citadel,capital,cities,city,worship,faith,bible,dome,icon,iconic,St Pauls,City of London,St Pauls Cathedral,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,famous,visitor,landmark,Great,Britain,UK,GB,GreatBritain,prayer,war,survivor,WWII,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of,Famous visitor landmark,Great Britain,War Survivor
Description: Tony Smith image Alamy H2HA0R - This documentary stock photograph shows St Paul's Cathedral London in the evening. The image is centred on St Paul's Cathedral, giving it strong editorial value for stories about London, architecture, tourism, heritage, public realm, night photography and the way the capital presents itself beside the River Thames. The caption and visible treatment indicate low light, dusk or evening atmosphere, so the photograph can be used as a real city scene rather than a generic skyline. The wider context includes Sir Christopher Wren's cathedral, City of London identity, baroque architecture, wartime memory and the ceremonial heart of the capital. These are subjects with broad stock-photo demand because they connect recognisable landmarks with themes of history, culture, faith, finance, theatre, regeneration, transport, walking routes and visitor spending. The image can support articles about City of London working life, South Bank tourism, Bankside leisure, London at dusk, cathedral heritage, riverside views, public spaces, cultural venues, urban planning, commercial property and the continuing pull of landmark architecture in news and travel publishing. For SEO and Alamy search, useful composite phrases include London dusk skyline, St Pauls Cathedral evening view, River Thames panorama, Bankside cultural quarter, Shakespeare Globe Theatre exterior, Millennium Bridge London, City of London landmark and Southwark riverside tourism. If the image is black and white, the monochrome style adds a more timeless, architectural feel
if it is in colour, the low-light sky and urban illumination add atmosphere and practical editorial appeal. Its value lies in combining a recognisable subject with a specific viewpoint and mood, suitable for guidebooks, blogs, newspapers, magazines, education, heritage, planning, religion, theatre, travel and city-break content.
St. Paul's Churchyard, London, England, UK EC4M 8AD
Description
Keywords: England,UK,GoTonySmith,HotpixUK,@HotpixUK,WA1,Cheshire,WA1 2SZ,pubs,bar,bars,dusk,night,night time,nighttime,at,the,timber,framed,timber-framed,Greenalls,Howley,Seven Years War,heroes,hero,Lieutenant,general,John Manners,timbered,grade II,listed,building,buildings,evening,Studio55,Permanently closed,closed,lost,history,historic
Description: Tony Smith image Alamy 2PP0NC5 - . Dusk at The Marquis Of Granby pub, 53 Church Street, Warrington, Cheshire, England, UK, WA1 2SZ. Photographed on 1 June 2010. Lieutenant general John Manners was famed for his military prowess and for charging at the head of the British cavalry during the Battle of Warburg in 1760. Losing his hat and wig during the charge, legend says that the Marquis' bald head shining in the light helped to guide his troops. Following the war he helped several men who served in the war to become publicans, with their pubs then being named after him as a mark of respect. The historical setting for nightlife is that public houses form a distinctive strand of British social past
Coaching routes, tied brewery estates, Victorian urban growth and twentieth-century leisure each shaped the location and appearance of pubs, many of which later became restaurants, shops, housing or community assets. Seen through religious heritage, the earlier context is that churches combine worship with architecture, local memory and centuries of community past
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family past. For townscape, the historical context is that town and neighbourhood photographs record the accumulation of ordinary change: road layouts, shop names, signage, public art and building uses
Their value increases when compared over decades because apparently minor details can become the clearest evidence of transformation. In the 2026 discussion of nightlife, in England eligible pubs and live-music venues receive a 15% business-rates relief for the 2026/27 billing year, reflecting continuing concern about operating costs, closures and the role of hospitality in town-centre vitality. The 2026 relevance of religious heritage comes from the fact that historic places of worship remain important not only for faith but also for tourism, music, community use and local.
53 Church Street, Warrington, Cheshire, England, UK, WA1 2SZ
Description
Keywords: Spitfire aircraft in front of Manchester town hall,Albert Square,Lancashire,England,UK,gotonysmith,north,west,northwest,england,MOD,military,air,force,drama,best,dramatic,Manchester,Town,Hall,is,a,Victorian-era,Neo-gothic municipal building in Manchester England building,Manchester Town Hall is a Victorian-era,Neo-gothic municipal building in Manchester,England.,The,building,functions,as,the,ceremonial,headquarters,of,Manchester,City,Council,and,houses,a,number,of,local,government,departments.,Designed,by,architect,Alfred,Waterhouse,the,town,hall,was,completed,in,1877.,The,building,occupies,a,triangular,site,facing,Albert,Square,and,contains,offices,and,grand,ceremonial,rooms,such,as,the,Great,Hall,which,is,decorated,with,the,imposing,Manchester,Murals,by,Ford,Madox,Brown,illustrating,the,history,of,the,city.,The,entrance,and,Sculpture,Hall,contain,busts,and,statues,of,influential,figures,including,Dalton,Joule,and,Barbirolli.,The,exterior,is,dominated,by,the,clock,tower,which,rises,to,87,metres,(285,feet),and,houses,Great,Abel,the clock bell.,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF1370 - Spitfire aircraft in front of Manchester town hall, Albert Square, Lancashire England UK
Manchester Town Hall is a Victorian-era, Neo-gothic municipal building in Manchester, England. The building functions as the ceremonial headquarters of Manchester City Council and houses a number of local government departments.
Designed by architect Alfred Waterhouse the town hall was completed in 1877. The building occupies a triangular site facing Albert Square and contains offices and grand ceremonial rooms such as the Great Hall which is decorated with the imposing Manchester Murals by Ford Madox Brown illustrating the history of the city. The entrance and Sculpture Hall contain busts and statues of influential figures including Dalton, Joule and Barbirolli. The exterior is dominated by the clock tower which rises to 87 metres (285 feet) and houses Great Abel, the clock bell.
In 1938, a detached Town Hall Extension was completed and is connected by two covered bridges over Lloyd Street. The town hall, which was granted Grade I listed building status on 25 February 1952[6] is regarded as one of the finest interpretations of neogothic architecture in the United Kingdom
Manchester town hall, Albert Square, Manchester, Lancashire, England, UK
Description
Keywords: Lymm,Sweet,Shop,Sweetshop,sweets,toffee,toffees,bagged,bags,loose,kurly,aniseed,village,cheshire,cross,Christmas,Xmas,Winter,shops,store,England,UK,panorama,joiner,stitcher,confectionary,confectioners,chocolate,boiled,hotpixuk,hotpix,hotpics,tonysmith,tony,smith,warrington,Crimbo,december,2009,candy,candystore,toffies,HDR,high dynamic range,hotpic,hotpick,hotpicks,interesting,place,places,Panoramique,int\u00e9ressant,join,stitch,autostitch,auto,building,buildings,built,architecture,pano,imagen,panor\u00e1mica,image,panoramisches,Bild
Description: Tony Smith image Flickr 4234272947 - 'My favorite sweet shop. (Internationals might call this a candy store). How would you lik eto work in a place like this?
Just in time to grab 6oz of Kurly Aniseed from the nice folks at the Lymm Sweet Shop before hare-ing off for Crimbo.
The scales are just lovely in here www.flickr.com/photos/hotpixuk/3690681811/
Just before taking this I caught this at the Cross www.flickr.com/photos/hotpixuk/4209473520/in/set-72157617...
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Night,shot,up,the,hill,car,brake,light,lights,Dusk,The,Cross,A6144,Lymm,Warrington,Cheshire,gotonysmith,winter,late,slow,village,lymmcross,English,Heritage,Grade,I,listed,building,GradeI,grade1,one,red,sandstone,Bridgewater,Canal,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF0NM1 - . Dusk at The Cross A6144, Lymm, Warrington, Cheshire, England, UK. Photographed on 9 December 2009. Looking up the hill from the cross towards the canal bridge over the Bridgewater Canal. Looking at the subject's development, the cross is Christianity's most recognisable symbol, referring to the crucifixion of Jesus while also carrying wider meanings of faith, sacrifice, remembrance and identity
When used in jewellery, tattoos or public art it can be devotional, cultural, commemorative or personal rather than simply decorative. From a heritage perspective, seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. For the 2026 context, religious symbolism continues to appear in highly personal forms such as tattoos as well as churches, memorials and jewellery
Such imagery can therefore illustrate the overlap between faith, identity, body art and individual expression. As of 2026, current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent. The wider historical story is that religious symbols often move beyond formal places of worship into clothing, body art, memorials and popular culture
Their meaning depends on context, but a cross remains strongly associated with Christian belief and the visual history of Western religion. Historically, the cross is Christianity's most recognisable symbol, referring to the crucifixion of Jesus while also carrying wider meanings of faith, sacrifice, remembrance and identity
When used in jewellery, tattoos or public art it can be devotional, cultural, commemorative or personal rather than simply decorative. Useful related concepts include Christian symbol and religious identity.
The Cross A6144, Lymm, Warrington, Cheshire, England, UK
Description
Keywords: South,Warrington,Cheshire,England,UK,madonna,and,child,woman,holding,baby,village,centre,Lymm,junction,of,the,M6,smallest,in,and,&,civil,parish,English,Heritage,as,a,Grade,II,listed,building,active,Anglican,parish,Gothic,Revival,WA42SX,WA4,2SX,Gotonysmith,Kynge,Edwarde,made,a,cite,at,Thelewall,in,e,northe,parte,of,e Marches,nye the water of Mersee,where he put certeyne knyghtes Higdens Polychronicon,th,th,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HCGE - All Saints Church, Thelwall, is in the village of Thelwall, Cheshire, England. The church is designated by English Heritage as a Grade II listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth
Thelwall South Warrington Cheshire England UK WA4 2SX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Blackpool,Lancs,Lancashire,England,UK,FY1,FY1 1DH,out of use,out of order,boarded,board,up,and,history,historic,heritage,old,building,buildings,church,religious,place,places,of,worship,style,branch,the,B&B,accommodation,surplus,abandoned,secured,rundown,high streets,high street,decline
Description: Tony Smith image Alamy 2JRFFBB - . Recorded at Abingdon Street, Blackpool, Lancashire, England, UK, FY1 1DH in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on ex-Carlton House Hotel, Abingdon Street, boarded up and derelict, Blackpool, Lancashire, England, UK, FY1 1DH. Other connected aspects include historical comparison, community identity, sacred architecture, place identity, urban regeneration, period detail, liturgical art, before-and-after reference, ecclesiastical art, ecclesiastical craftsmanship, commercial redevelopment, changing land use, period architecture, and public-realm investment. Current relevance extends to adaptive reuse and commercial viability, particularly through how public investment can reshape pedestrian movement and evening activity. In present-day coverage, the subject reaches into cultural heritage and accessibility, not least because of the conservation challenge of historic interiors and artwork. Future viewers can use this scene from Abingdon Street, Blackpool, Lancashire, England, UK, FY1 1DH to compare equipment and working practice with whatever follows after later reinterpretation. The surrounding story also includes historic church fabric, changing streetscape, visual archive, devotional artwork, mixed-use redevelopment, heritage worship space, local history, and town-centre renewal. Elements such as Abingdon, derelict, Hotel, ex-Carlton, and boarded add documentary specificity and may become increasingly useful when compared with later records. Around Abingdon Street, Blackpool, Lancashire, England, UK, FY1 1DH, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The frame retains a local visual benchmark before later change alters the scene. The scene captures a point of historical comparison as a date-specific reference.
Abingdon Street, Blackpool, Lancashire, England, UK, FY1 1DH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,in,the,town,England,UK,WA4,Warrington,Cheshire,WA4 3LH,Grappenhall,building,new,homes,at,start,of,newbuild,build,local,infrastructure,planning,unleashing,skip,skips,usage,on,site,sites,development,developments,NIMBY,NIMBYS,slowdown,mortgage,interest,planning permission,local plans
Description: Tony Smith image Alamy 2JNBXTC - . An on-location photograph from Grappenhall Heys, Warrington, Cheshire, England, UK, WA4 3LH in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows Housing development, building new homes at Grappenhall Heys, Warrington, Cheshire, England, UK, WA4 3LH. Other connected aspects include documentary photography, changing streetscape, architectural character, cityscape history, urban fabric, heritage landmark, regional identity, heritage asset, period architecture, everyday life, contemporary social history, conservation interest, historical comparison, and local character. In present-day coverage, the subject reaches into embodied carbon and planning control, not least because of keeping older buildings useful without erasing their distinctive character. Small period details of building condition and alterations at Grappenhall Heys, Warrington, Cheshire, England, UK, WA4 3LH may become more significant with time, particularly following new construction. The surrounding story also includes historic streetscape, archival record, changing land use, period building, built heritage, local history, public realm, and before-and-after reference. The recorded references to building, Housing, development, Grappenhall, and homes preserve clues about how the subject was presented, used or understood at the time. Around Grappenhall Heys, Warrington, Cheshire, England, UK, WA4 3LH, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects embodied carbon and keeping older buildings useful without erasing their distinctive character as part of the longer story of Grappenhall Heys, Warrington, Cheshire, England, UK, WA4 3LH. The scene captures details of everyday use as a date-specific reference.
Grappenhall Heys, Warrington, Cheshire, England, UK, WA4 3LH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA4 4QX,WA4,Grappenhall Lane,Appleton,daffodil,time,scene,chain,brewery,pub,brand,Inn,history,greeneking-pubs.co.uk,greeneking,bar,pubs,bars,building,public house,traditional,English,local,community,meeting place,Bawming,Rowland Egerton-Warburton,Rowland,Egerton,Warburton,annual,ceremony,Epeltune
Description: Tony Smith image Alamy 2PCB4GR - . A grounded documentary photograph made at Grappenhall Lane, Appleton Thorn Village, Warrington, Cheshire, England, UK, WA4 4QX in 2023, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Spring at the Thorn Inn, Greene King hostelry, at Grappenhall Lane, Appleton Thorn Village, Warrington, Cheshire, England, UK, WA4 4QX. The subject also carries associations with place identity, documentary photography, pub heritage, community drinking venue, changing streetscape, period detail, local character, traditional ale house, changing land use, hospitality economy, visitor hospitality, regional identity, social history, and contemporary social history. The modern context includes continuing discussion of beer duty, changing drinking habits and the survival of pubs as both businesses and informal community spaces. The archival value lies partly in recording period objects and surrounding context around Grappenhall Lane, Appleton Thorn Village, Warrington, Cheshire, England, UK, WA4 4QX before altered transport patterns alters the character of the place. The photograph additionally reflects local social venue, historic hostelry, night-time economy, cask-beer tradition, before-and-after reference, licensed trade, everyday life, and visual archive. Details involving Greene, Village, Spring, Grappenhall, and Appleton make the image more specific than a generic view and strengthen its local or historical value. A later view of Grappenhall Lane, Appleton Thorn Village, Warrington, Cheshire, England, UK, WA4 4QX may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes beer duty and the survival of pubs as both businesses and informal community spaces when considered against later change at Grappenhall Lane, Appleton Thorn Village, Warrington, Cheshire, England, UK, WA4 4QX.
Grappenhall Lane, Appleton Thorn Village, Warrington, Cheshire, England, UK, WA4 4QX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,Church Ln,Nantwich,CW5 5RQ,Anglican,parish,religion,building,historic,history,Grade I listed building,architectural treasures,of,restoration,by,south,grade I,listed,buildings,summer,blue,sky,skies,tower,towers,square,Protestant,benches,bench,lamp,lantern,doorway,entrance
Description: Tony Smith image Alamy 2JNN55B - St Mary's Church is an Anglican parish church in Nantwich, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I listed building. It has been called the Cathedral of South Cheshire and it is considered by some to be one of the finest medieval churches, not only in Cheshire, but in the whole of England. The architectural writer Raymond Richards described it as one of the great architectural treasures of Cheshire, and Alec Clifton-Taylor included it in his list of outstanding English parish churches.
The building dates from the 14th century, although a number of changes have since been made, particularly a substantial 19th-century restoration by Sir George Gilbert Scott. The church and its octagonal tower are built in red sandstone. Features of the church's interior include the lierne-vaulted ceiling of the choir, the carved stone canopies of the sedilia in the chancel, and the intricately carved wooden canopies over the choirstalls together with the 20 misericords at the back of the stalls. The church is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Nantwich
The last major work to be carried out on the church was in 1878, under the direction of local architect Thomas Bower, when the south porch was restored at a cost of £900.
The church is built in red sandstone and is cruciform in shape. Its plan consists of a four-bay nave with north and south aisles, a south porch with two storeys, a central tower, north and south transepts, and a three-bay chancel, to the north of which is a two-storey treasury. The tower is square below and octagonal above. Both transepts are of three bays and the northernmost bay of the north transept was formerly a Lady chapel. The other two bays were dedicated to Saint George. The south transept was known as the Kingsley Chapel
Church Ln, Nantwich, Cheshire, England, UK, CW5 5RQ
Description
Keywords: 30s,30,1930,1940,40s,1930s,20s,1920,1920s,design,of,England,Welsh,Wales,Scotland,home,semidetached,bedroom,triangle,Grappenhall,Cheshire,St,Annes,Ave,Avenue,house,with,triangles,over,bedrooms,front garden shared chimney Warrington UK suburbanisation urban suburbs suburban,Gotonysmith,St,Rd,street,road,building,architecture,development,new,duplex,twin,housing,boom,John,Shaw,Art,Deco,movement,council,common,property,type,WA42PL,WA4,2PL
Description: Tony Smith image Alamy DN6MPR - Photo shows Typical 1930s English brick built semi-detached house with triangles over bedrooms, front garden shared chimney Warrington UK. The image is useful for lifestyle, housing, domestic life, gardens, weather, landscape, property, heritage interiors and everyday British place imagery. These subjects can illustrate how people live with buildings, seasons, homes, public spaces and rural or suburban surroundings. The supplied location evidence places the subject at or near Warrington, UK, which adds value for buyers searching by town, city, region or postcode. Season, sky and weather should be read from the photograph where visible
the caption suggests an everyday real location rather than a staged scene. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news. Search relevance is helped by including concise place names, visible brand or wording, functional subject terms, and wider editorial concepts such as public realm, consumer behaviour, heritage, travel, leisure and community life where they genuinely match the picture.
Grappenhall, Warrington, Cheshire, England, UK WA4 2PL
