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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,bar,terrace,spelled,out,large,city,centre,Yorkshire,craft,beer bar,outdoor,seating,rooftop,beer,railway station,city centre,watering hole,red,sign,urban,exterior,West Yorkshire,CAMRA,venue,British,Leeds hospitality venue,best pubs near Leeds station,places to drink in Leeds,Leeds real ale scene,Yorkshire beer tourism,Leeds weekend city break,pre train drinks venue,post work drinks,British brewing heritage,northern England nightlife,urban leisure economy,hospitality industry
Description: Tony Smith image Alamy 3F2PH92 - Large red capital letters spell out LEEDS across a cream-painted exterior wall on the private first-floor terrace at The Brewery Tap in Leeds city centre, West Yorkshire. The oversized lettering, enhanced by a dark offset shadow, creates a bold graphic celebration of the city's identity and provides an immediately recognisable backdrop for customers using the outdoor drinking area. Decorative strings of exposed light bulbs cross the terrace above a mixture of orange, blue and black metal chairs, tall bar stools, wooden tables and a long communal counter fixed against the wall.
Exposed red brickwork, wall-mounted outdoor heaters, security equipment and visible utility fittings give the compact space an informal urban character. Bright daylight illuminates the terrace and colourful furniture, although the seating area is empty at the moment photographed. The close composition concentrates attention on the distinctive typography, hospitality design and strong sense of local civic pride rather than showing the wider pub frontage or surrounding street.
The Brewery Tap stands on New Station Street, only a short walk from Leeds railway station, making it a convenient city-centre meeting place for commuters, rail passengers, residents, shoppers and visitors. The pub promotes a broad choice of craft beer, Yorkshire ales, wines, spirits and food, while its upstairs facilities include a private bar, function space and outside terrace. Its location places it within the busy hospitality district around the station, where pubs, bars, restaurants and cafés serve both the daytime economy and Leeds nightlife.
The combination of the city name, relaxed outdoor furniture, festoon lighting and railway-quarter location makes the scene suitable for illustrating Leeds tourism, regional identity, British pub culture, urban leisure, independent hospitality, social drinking and the economic importance of city-centre food and beverage venues.
The Brewery Tap, 18 New Station Street, Leeds, West Yorkshire, England, UK, LS1 5DL
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,reduced,postal,alternate,delivery,withdrawal,British,UK,red,postbox,pillar box,information,leaflet,universal postal service,reform,letter,cut,cuts,public anger,mail delivery,controversy,Royal Mail service,decline,second class post,EP Group,ownership,Daniel Kretinsky,takeover,foreign-owned,postal operator,privatisation,consequences,Ofcom,service regulation,Universal Service,Obligation,declining letter volumes,cost-cutting programme
Description: Tony Smith image Alamy 3F1P4A8 - Royal Mail information leaflet headed 2nd Class Mail Is Changing is held in front of a traditional red British pillar box in warm outdoor sunlight. Its promise to deliver a better all-round service accompanies a major reduction in the frequency of routine Second Class letter deliveries, creating a striking image of the tension between corporate messaging and public concern about declining postal provision.
Second Class letters and bulk business mail are moving to delivery on alternate weekdays from Monday to Friday, rather than six days each week, with routine Saturday delivery removed. Royal Mail says letters should continue to arrive within three working days and argues that restructuring is necessary as letter volumes decline and operating costs rise.
Critics describe the change more bluntly as a service cut. They question how fewer rounds can constitute an improvement when Royal Mail has repeatedly missed regulated delivery targets and customers already report late hospital appointments, delayed NHS correspondence, court documents, bills, benefit decisions, birthday cards and other important letters arriving after they are needed.
The issue has wider significance for elderly people, rural households, digitally excluded residents and small businesses that remain dependent on physical post. Postal workers and unions have also raised concerns about route reductions, workload pressure, job losses and the operational prioritisation of parcels over letters.
The changes follow the acquisition of Royal Mail's parent company, International Distribution Services, by Daniel Kretinsky's EP Group, placing the historic postal operator under foreign ownership. That takeover has intensified debate about privatisation, commercial cost cutting, regulatory accountability and the protection of a nationwide public service.
Supporters of reform argue that the one-price-goes-anywhere universal network cannot remain sustainable without adapting to reduced demand
The address is 16 Lindi Avenue, Grappenhall, Warrington, WA4 2SJ
Description
Keywords: Gotonysmith,HotpixUK,@HotpixUK,train,interior,Edinburgh to Aberdeen,railway,coach,evening,service,Scottish,intercity,travel,modern,Class 800,rail journey,passenger seating,British,transport,northbound,Scotland train,long-distance,rail service,contemporary,sustainable public transport,low-carbon domestic travel,UK railway modernisation,Scotland business journey,intercity passenger experience,railway tourism,mass transit infrastructure,regional connectivity,public mobility,modern rolling stock,cross-country transportation,rail network investment,environmentally responsible travel,domestic tourism transport,seated travellers,table seating
Description: Tony Smith image Alamy 3EW7BWY - Passengers travel north through Scotland in the Standard Class carriage of an LNER Azuma train on an evening service from Edinburgh Waverley to Aberdeen. The view looks along the modern saloon between rows of high-backed grey seats with red headrests and trim. Several tables are visible, passengers are seated throughout the coach, and a large travel bag has been placed on the overhead luggage rack. Bright linear ceiling lights illuminate the carriage while fading daylight and blurred trackside scenery can be seen through the windows.
Electronic reservation indicators above the windows show seat availability, while red seat-back notices and table fittings reflect LNER branding. The carriage has a two-plus-two seating arrangement, overhead storage, individual window blinds, power connections and onboard passenger-information equipment. The relatively quiet interior conveys the practical atmosphere of long-distance rail travel during the later part of the day.
Azuma is LNER's name for its Hitachi-built Class 800 and Class 801 intercity trains. Introduced into passenger service from 2019, the fleet replaced older InterCity 125 and InterCity 225 trains on East Coast routes. Bi-mode Class 800 units can operate using overhead electric power or diesel engines, allowing through journeys beyond fully electrified sections of the network. Class 801 trains are principally electric.
LNER operates direct services between Edinburgh Waverley and Aberdeen over the East Coast Main Line and the railway north through Fife, Dundee, Angus and north-east Scotland. The journey covers approximately 92 miles and normally takes around two and a half hours, linking the Scottish capital with Dundee and the Granite City. North of Edinburgh, trains cross the Forth Bridge before continuing along Scotland's eastern coastline.
The photograph documents contemporary British public transport, intercity passenger accommodation and evening rail travel aboard a modern Hitachi train.
Haymarket Terrace, Edinburgh, EH12 5EY
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_0899,Mixed,artisan,pies,sale,Knutsford Makers Market,Knutsford,Cheshire,England,UK,Lancashire,pasty,fruited,pork,Siskins,traditional,sausage,roll,food,market,baking,bakery,stall,local,produce,independent,business,British,handmade,savoury,retail,labels,pastry
Description: Tony Smith image Alamy 3ENF28H - Mixed artisan pies for sale at Knutsford Makers Market in Knutsford, Cheshire, England, UK. The close-up display shows individually labelled savoury pies including Lancashire pasty, fruited pie pork, Siskins pie pork, traditional pork pie and traditional sausage roll, presented in a metal tray at a specialist food stall. Knutsford Makers Market is a regular artisan market bringing together independent makers, food producers and small businesses in the town centre, with food ranging from baked goods and pies to specialist street food. The photograph is suitable for editorial coverage of British pies, artisan food, farmers and makers markets, independent food producers, Cheshire food culture, traditional baking, pork pies, sausage rolls, market stalls, local produce, small businesses, food retail and consumer choice. Handwritten and printed product labels provide useful detail about the range on sale and give the scene a strong authentic market character. The image can also illustrate stories about regional food traditions, handmade products, food prices, local shopping and the continuing popularity of traditional savoury bakery products at outdoor markets.
Princess Street, Knutsford WA16 6BW, Cheshire, England, UK
Description
Keywords: Gotonysmith,HotpixUK,@HotpixUK,IMG_0908,Pie prices,handmade,savoury,products,Knutsford Market Hall,Knutsford,Cheshire,England,UK,pies,sausage,rolls,pasties,market,bakery,food,retail,prices,artisan,independent,shopping,local,business,produce,baskets,wrapped,British,traditional,makers,stall,stalls,pastry
Description: Tony Smith image Alamy 3EW7BWJ - . Pie prices and handmade savoury products displayed at Knutsford Makers Market & Market Hall in Knutsford, Cheshire, England, UK. Photographed on 7 June 2026. The recorded location is Knutsford Market Hall, Knutsford, Cheshire, England, UK. Chalkboard-style signs advertise small and large pies, sausage rolls and pasties beside baskets filled with individually wrapped bakery products. Knutsford Market Hall is a traditional indoor market with permanent traders and pop-up stalls selling food, produce and specialist goods. The close view of price boards and packaged goods gives strong context for consumer costs and traditional market retailing. For home cooking, the historical context is that packaging and utensils also matter: corks, bottles and branded labels preserve evidence of production and trade alongside the food or drink itself. Looking at commercial property, the longer history is that markets and shops are direct records of changing consumer life
Trader names, fascias, product displays and market-hall directories can date a town-centre scene precisely and preserve independent businesses that may later close or relocate. For home cooking, the 2026 context is that food affordability, provenance, nutrition and environmental impact remain prominent issues, while consumers increasingly balance convenience with interest in local ingredients, international cuisines and lower-waste packaging. In 2026, commercial property remains relevant because high streets continue to change rapidly , with vacancies, redevelopment and food-led destinations altering the balance between retail and leisure
Earlier photographs of traders and shopfronts provide useful evidence of business turnover and changing commercial character. Useful related concepts include food culture, hospitality, restaurant, street food, food photography, regional food, consumer culture, food retail, meal, culinary tradition, food provenance, eating out, retail premises, and local business.
Knutsford Market Hall, Knutsford, Cheshire, England, UK
Description
Keywords: Gotonysmith,HotpixUK,@HotpixUK,IMG_0909,Knutsford Market Hall,trader,directory,sign,Knutsford,Cheshire,England,UK,market,businesses,traders,indoor,retail,food,shopping,independent,town-centre,regeneration,local,commerce,community,traditional,British,board,stalls,services,A-Board,A,welcome,tourism,travel,visit,town,centre
Description: Tony Smith image Alamy 3EW7BWT - . Knutsford Market Hall trader directory A-Board sign in Knutsford, Cheshire, England, UK. Photographed on 7 June 2026. The recorded location is Knutsford Market Hall, Knutsford, Cheshire, England, UK. The black freestanding board lists businesses and traders operating inside the indoor market, giving visitors an overview of food, retail and service stalls. Knutsford Market Hall is a long-established town-centre market that combines traditional independent traders with newer pop-up businesses and specialist retailers. The sign also documents the range of businesses present at the market at the time the photograph was taken. Looking at lettering, the longer history is that signs are functional pieces of graphic design that organise movement and communicate rules, names or destinations
Lettering, symbols, colours and materials can date public space as clearly as architecture, particularly when organisations rebrand or regulations change. The background to food retail is that restaurants, street vendors and domestic dishes illustrate migration and cultural exchange as much as appetite
Foods once considered specialist can become familiar through travel, supermarkets and changing urban populations. Within the history of architectural history, the built environment is continually reused
Warehouses become apartments, stations become event spaces and commercial premises acquire new occupants, making older photographs particularly valuable for tracing regeneration, demolition, conservation and adaptive reuse. In 2026, lettering remains relevant because current public-realm design increasingly expects signs to be legible, inclusive and consistent, while bilingual and accessibility information reflects wider policy around language and equal access. Current 2026 context around food retail is that food affordability, provenance, nutrition and environmental impact remain prominent issues, while consumers increasingly balance convenience with interest in local.
Knutsford Market Hall, Knutsford, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,years,century,movement,trade,union,unions,industrial,action,solidarity,collective,Manchester,Tib Street,Northern Quarter,red,black,poster,BUILDHOLLYWOOD,street,political,protest,campaign,public,history,British,class,TUC,coal,miners,wage,cuts,longer,hours,radical,political communication,Peterloo,legacy,placard design,fair pay
Description: Tony Smith image Alamy 3EENGKH - Street advertising poster on Tib Street in Manchester's Northern Quarter marking the centenary of the 1926 General Strike, photographed on an urban wall with graffiti and a BUILDHOLLYWOOD poster frame. The design uses bold red, black and white graphic lettering, picket placard motifs and trade union branding to promote the 100 year anniversary of one of Britain's most important labour disputes. The General Strike began in May 1926 after the Trades Union Congress called action in support of coal miners resisting wage cuts and longer hours, becoming a defining moment in the history of organised labour, industrial relations, class politics and workers' rights in the UK. Manchester is a particularly resonant setting for this image, with its long associations with trade unionism, Chartism, co-operation, radical publishing, the labour movement, the Peterloo legacy and working-class political history. The image may be useful for editorial features on the General Strike centenary, labour history, protest culture, industrial action, union organisation, public history campaigns, poster art, political communication, street media, outdoor advertising, Manchester heritage and Northern Quarter street culture. The visible design references mass mobilisation, collective action and solidarity, while the surrounding graffiti and city-centre setting place the commemoration in a contemporary urban landscape. The photograph has a documentary feel, with overcast or shaded daylight and muted street tones contrasting with the vivid red poster graphics. It can illustrate debates about strike action, public sector disputes, union rights, pay, working conditions, political memory, social history education and the continuing relevance of 1926 to modern Britain. The poster also connects to 2026 centenary events and exhibitions exploring a century of strikes, solidarity and democratic protest.
General Strike centenary poster on Tib Street, Manchester, marking 100 years since the 1926 workers'
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Dancer,Notting Hill Carnival,London,carnival,Caribbean,culture,masquerader,mas,street,parade,soca,calypso,steelpan,Black,British,multicultural,August,Bank,Holiday,West,festival,costume,diaspora,Windrush,legacy,tourism,celebration,2025,Tears,frontline,vivid,West Indian,heritage,Black British,BME,enjoyment,party
Description: Tony Smith image Alamy 3FC8C0G - . Tears mas frontline dancer in vivid feathered costume is photographed on the Notting Hill Carnival route in west London during the 2025 August Bank Holiday celebrations. Notting Hill Carnival remains one of the most photographed examples of Britain's post-war multicultural history. Caribbean migrants and community organisers created the foundations from which the modern festival grew, and the event has evolved into a vast annual showcase for mas, steelpan, calypso, soca, reggae and sound-system culture. The 2025 Carnival culminated in the Monday 25 August main parade, when coordinated bands and independent revellers moved through west London. Beyond the colour, the festival supports designers, musicians, food traders and local businesses while prompting recurring debate about funding, safety, crowd control and the pressure of hosting an event of exceptional scale in residential streets. The scene can illustrate carnival fashion, Black British identity, Caribbean heritage, dance, music culture, tourism and the creative labour behind parade presentation. It also records how a residential part of London is temporarily remade by barriers, buses, spectators, sound and movement, producing one of the country's most distinctive annual public events. The setting gives the subject a clear sense of place rather than treating it as a generic concept. It therefore works for local reporting, heritage features and broader UK stories where publishers need recognisable real-world context and accurately dated visual detail. It additionally captures ordinary material culture of 2026, including the graphic design, technology, clothing or infrastructure through which broader trends become visible at street level. For archive users, the frame is a useful factual record of how Tears Mas frontline dancer in vivid feathered costume appeared before later redevelopment, replacement or rebranding altered the scene. Useful for dated UK editorial coverage.
Notting Hill, London, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A2658,Sinclairs Oyster Bar,hanging,sign,Shambles Square,Manchester,England,UK,Queen Elizabeth II,traditional,pub,royal,portrait,timber-framed,heritage,British,drinking,culture,hospitality,historic,architecture,tourism,lettering,Tudor-style,licensed,premises
Description: Tony Smith image Alamy 3EM1W96 - Sinclair's Oyster Bar hanging sign in Shambles Square, Manchester, England, UK, showing a painted portrait of Queen Elizabeth II. The traditional pub sign is mounted on the black-and-white timber-framed exterior and uses royal imagery as part of the distinctive visual character of one of Manchester's best-known historic pub complexes. Sinclair's and the neighbouring Old Wellington form a prominent heritage landmark close to Manchester Cathedral and Exchange Square. The photograph is suitable for editorial coverage of Sinclair's Oyster Bar, British pubs, pub signs, Queen Elizabeth II, royal imagery, Manchester heritage, Shambles Square, traditional drinking culture, hospitality, historic architecture and city-centre tourism. The close-up composition emphasises the sign, lettering and Tudor-style timber framing rather than the wider square, making it useful for features on pub iconography, historic signage and the decorative traditions of British licensed premises.
Shambles Square, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,plays,taxi,cabs,pun,punning,literature,firm,taxis,town,centre,local,Skakespeare,the,bard,hackney carriage,01789,336226,William Shakespeare,tourism,reference,literary,attraction,theatre,Royal Shakespeare Company,RSC,Shakespeares,Birthplace,Warwickshire,England,United Kingdom,visitor,transport,attractions,to,24 hour,transfer,British
Description: Tony Smith image Alamy 3E8E1DH - Othello Taxis vehicle seen in Stratford-upon-Avon town stock-photo/gotonysmith-Centre.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>centre, Warwickshire, using a Shakespeare-themed company name in the playwright's home town. The black taxi-style vehicle carries large white Othello Taxis branding, the phone number 01789 336226 and a Download Our App message, linking traditional local taxi services with app-based booking. The name Othello is a clear literary reference to William Shakespeare's tragedy, making the image useful for editorial features on Stratford-upon-Avon tourism, Shakespeare heritage, local transport, theatre travel, visitor services, branding, small businesses and the way the town's cultural identity is reflected in everyday commercial life. Othello Taxis describes itself as a Stratford-upon-Avon taxi service offering local journeys, airport transfers and long-distance travel for personal and business customers, and its contact page gives a Bishopton operating address in Stratford-upon-Avon. The photograph works well for stories about visitors moving between Shakespeare's Birthplace, the Royal Shakespeare Theatre, Anne Hathaway's Cottage, Holy Trinity Church, hotels, restaurants, railway station and town centre attractions. It also suits articles on taxi apps, local cab operators, independent transport firms, tourism infrastructure, accessible town-centre mobility and the visitor economy in Warwickshire. Stratford-upon-Avon is deeply associated with Shakespeare, so a taxi firm named after one of his major plays becomes more than a simple vehicle shot: it shows how literary tourism shapes names, signage, marketing and local business identity. The town-centre setting, parked vehicles, shopfronts and street activity give the image a practical documentary feel rather than a staged advertising view. It is a useful stock image for travel guides, theatre-going features, local news, transport reporting, business directories, tourism blogs and articles about how Shakespeare remains woven into the commercial and civic fabric.
Othello Taxis vehicle in Stratford-upon-Avon town centre, using a Shakespeare-themed name in the pla
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cardiff,Wales,Cymru,UK,city,centre,night,statue,statues,dusk,evening,of,1897-1960,founder,founded,the,Welsh,famous,CF10,Queen St,CF10 2BU,MP,member,parliament,Minister of Health,most,influential,left-wing,socialist,Sylfaenydd y Gwasanaeth Iechyd Gwladol,British,1987,sculptor,sculpture,bronze,icon,medical centre
Description: Tony Smith image Alamy 2RFER1H - A statue of Aneurin Bevan stands at the western end of Queen Street, Cardiff, Wales in recognition of Aneurin Bevan (1897 1960) who is credited with founding the National Health Service (NHS). It has been described as perhaps one of Wales' most iconic statues
Aneurin Nye Bevan PC (15 November 1897 6 July 1960) was a Welsh Labour Party politician, noted for tenure as Minister of Health in Clement Attlee's government in which he spearheaded the creation of the British National Health Service. He is also known for his wider contribution to the founding of the British welfare state.
Bevan is widely regarded as one of the most influential left-wing politicians in British history.
The statue was erected in 1987, designed by Robert Thomas.
Bevan became Labour MP for Ebbw Vale in 1929, subsequently an effective public speaker known for his left wing views and being temporarily expelled from the party on two occasions (one of them for his opposition to nuclear weapons). He was elected to the Labour's National Executive and became Minister for Health in the post-war Labour government, where he was behind the nationalisation of healthcare and founding of the NHS. As Minister for Housing he took steps to solve the post-war housing shortage. Bevan remained MP for Tredegar until his death in 1960.
The statue was commissioned by South Glamorgan County Council and designed by Welsh sculptor, Robert Thomas, who also created a number of other sculptures in Cardiff city centre. The statue was erected in 1987 at the far end of Queen Street. It is the only statue of Bevan (as of 2021) in the United Kingdom.
The figure of Bevan, wearing a suit and leaning forward in a typical pose, is cast in bronze and stands on top of a polished granite pedestal. The statue is 1.83 metres (6.0 ft) in height, while the pedestal is 2.14 metres (7.0 ft) high. In gold on the front of the pedestal are the words Founder of the National Health Service.
Queen Street, Cardiff, Wales, UK,CF10 2BU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,Cymru,Wales,Welsh,UK,retail,department store,dept store,Howell,city,history,historic,heritage,building,British,architecture,St Mary Street,St Mary St,Edwardian,commerce,commercial,neoclassical,facade,declining,decline,high street,retailing,regeneration,outside,exterior,scene,empty,closed,new era,initiative,columns,CF10
Description: Tony Smith image Alamy 2RFJ3D6 - The exterior of the former James Howell & Co department store on St Mary Street in Cardiff city centre, photographed in daylight under bright but overcast conditions. The building retains its original carved stone signage reading James Howell & Co above the main entrance, a clear surviving marker of its long retail history.
James Howell & Co was one of Wales's best-known independent department stores, trading from this site for over 150 years and forming a cornerstone of Cardiff's traditional shopping district. The architecture reflects early twentieth-century department store design, with a symmetrical façade, tall pilasters and large display windows intended to convey stability, quality and civic pride.
Visible within the shopfront windows are contemporary panels and graphics referencing a New Era , indicating redevelopment and reuse following the store's closure. This juxtaposition of historic branding and modern regeneration messaging highlights the broader transformation of British high streets, where long-established department stores have struggled amid changing consumer behaviour, online retail and shifting urban economics.
The image captures a moment of transition in Cardiff's retail landscape, where heritage commercial buildings are being reconsidered for new purposes. It is well suited for editorial use covering high-street decline, retail regeneration, Welsh urban history, department store culture, and the changing identity of city-centre shopping streets in the UK.
James Howell Building, St Mary Street, Cardiff, Wales, UK, CF10 1AP
Description
Keywords: 2023,July,British,UK,England,GoTonySmith,HotpixUK,@HotpixUK,NN12,at,driver,Silverstone,Towcester,Northamptonshire,NN12 8TL,the,mural,painting,paintings,art,union,flag,union jack,patriotic,English,three current,British drivers,MurWalls x Silverstone,MurWallsxSilverstone,Street Artists,Street Artist,British Grand Prix,Grand Prix,face,faces,Hamilton,Norris,Russell
Description: Tony Smith image Alamy 2RCC5T3 - . Lewis Hamilton, Lando Norris and George Russell, Mural by Murwalls , at Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL. Photographed on 7 July 2023. The recorded location is Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL. Murwalls - Portrait created for British and Belgian racing driver. @LandoNorris. who is competing for McLaren in F1 ðŸŽï¸. This was done in Silverstone ahead of the British Grand Prix last Sunday, where Lando placed second ðŸ. #F1 #LandoNorris #McLaren #Silverstone #britishgrandprix #StreetArt. Silverstone Circuit occupies a former Second World War RAF airfield and hosted the first Formula One World Championship race in 1950. It remains the home of the British Grand Prix and one of the UK's most important motorsport venues, combining historic track heritage with continually upgraded spectator, hospitality and safety infrastructure. In relation to urban culture, historical context shows that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. For the story of motorsport engineering, it is useful to note that motor racing venues combine sport with engineering, hospitality and large-scale event management
Circuit buildings, grandstands and temporary branding can change rapidly as safety standards, sponsorship and commercial expectations evolve. The historical setting for supporter culture is that british sports venues often have histories extending far beyond their present-day appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. Further relevant terminology includes stadium architecture, sports memorabilia, Murwalls, and drivers.
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Godalming,Surrey,UK,England,GU7,GU7 1AB,poster,Ready,For,The,Red Nose,day,bake,sale,at,a,workplace,make,donation,donations,activity,activities,comedy,BBC,Comic Relief,success,failure,annual,telethon,TV,British,event,fundraising,14th,16th,Lenny Henry,donated
Description: Tony Smith image Alamy 2PG60W0 - . Recorded at England, UK in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Comic Relief Red Nose Day poster, March, Ready For The Best Day Ever? - Red Nose Bake Sale, at a workplace, make a donation. Other connected aspects include public information notice, instructional wording, local history, period lettering, community identity, documentary photography, visual archive, local character, public-facing signage, commercial ephemera, urban typography, social history, historic sign, and public realm. The modern context includes continuing discussion of accessibility, local history and the way lettering and materials contribute to local visual identity. The image fixes lettering, decoration and surface detail within England, UK at one identifiable point, providing a benchmark against changing commercial priorities. The photograph additionally reflects street-level message, changing streetscape, wayfinding detail, regional identity, place identity, contemporary social history, everyday life, and visual communication. Elements such as Relief, March, donation, Ready, and Comic add documentary specificity and may become increasingly useful when compared with later records. The period setting at England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate accessibility and the way lettering and materials contribute to local visual identity in a form that can be compared with future views of England, UK. The image also provides a reference for street design and the survival of physical messages in an increasingly digital environment within the real-world context of England, UK. The photograph keeps a local visual benchmark for future local research. Image 2PG60W0 also remains a dated record of England, UK.
England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,LS24 9AP,LS24,old,and,Delicatessen,Samuel Smith,columns,doorway,HQ,Headquarters,head,office,offices,eccentric,3,British,GB,Great British,tradition,independent,Taddy,bitter,lager,Yorkshire products,product,proud,digital detx,pub,pubs,bars,Smiths,1758,obituary
Description: Tony Smith image Alamy 2K3JX13 - Taken on 26 Sep 2022, the photograph focuses on Samuel Smiths, old brewery & Deli, 3 High Street, Tadcaster, North Yorkshire, England, UK, LS24 9AP. The thumbnail shows brewery architecture, gates, signs, brick elevations or the edge of the street, anchoring the description in brewing heritage, industrial buildings, commercial identity and the visual character of Tadcaster. Tadcaster is a long-established Yorkshire brewing town on the River Wharfe, and its streets still carry the visual imprint of beer production, coaching routes, stone buildings, flood risk and local trade.
Samuel Smith's Old Brewery is associated with 1758 and remains a distinctive survivor in a brewing landscape where local family firms, pub estates and national beer brands are often discussed together. For stock photography use, the value is in the precise subject: Samuel Smiths, old brewery & Deli, 3 High Street, Tadcaster, North Yorkshire, England, UK, LS24 9AP. It can support articles and publications about British beer heritage, brewery architecture, pub culture, beer branding, industrial employment, hospitality history, Yorkshire brewing, traditional ale, drinks industry commentary, town-centre heritage, as well as more specific searches using Tadcaster, The Old Brewery, building, old brewery, Samuel Smiths, sam Smiths, Sam Smith, brewery, brewing, entrance, Yorkshire, LS24 9AP, LS24, old, and, Delicatessen, Samuel Smith, columns. The composition also gives space for tighter crops, captions, web thumbnails, report illustrations and social media use, while the Alamy reference 2K3JX13 and the row caption help connect the image to a real place rather than a vague concept. The picture can be used by writers covering heritage, conservation, planning, tourism, retail, transport, public services, nostalgia, local identity, architectural survival, industrial change and the way familiar objects
3 High Street, Tadcaster, North Yorkshire, England, UK, LS24 9AP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,29/08/2022,Warrington,Cheshire,England,UK,sport,South Warrington,X1,XI,vs,Kuckoo XI,Kuckoo,Cheshire league,English,British,running,Broad Lane,Grappenhall,WA4 3ER,WA4,ward,match,matches,competition,competitions,batsman,bowler,bowling,traditional,sporting,summer,summers,afternoon,runs,overs,hotpix.org.uk
Description: Tony Smith image Alamy 2JTD3AH - . Made at Grappenhall Cricket club, Broad Lane, Grappenhall, Warrington, Cheshire, England, UK in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. At the centre of the view is Grappenhall Cricket club - Grappers X1 vs Kuckoo XI, Bank Holiday Monday 29th Aug 2022, Broad Lane, Grappenhall, Warrington, Cheshire, WA4 3ER. The setting additionally reflects grain quality, historical comparison, changing land use, summer fieldwork, documentary photography, contemporary social history, cereal crop, regional identity, local history, place identity, farm produce, British agriculture, crop production, and visual archive. Today's relevance is strengthened by food security, farm costs and the continuing question of the relationship between rural landscapes and national food security. Small period details of period objects and surrounding context at Grappenhall Cricket club, Broad Lane, Grappenhall, Warrington, Cheshire, England, UK may become more significant with time, particularly following new ownership. A second descriptive layer includes before-and-after reference, food supply chain, field crop, archival record, barley cultivation, rural economy, everyday life, and grain harvest. The combination of Broad, Cricket, Kuckoo, Holiday, and Grappenhall anchors the frame to a recognisable activity, place or moment. A later view of Grappenhall Cricket club, Broad Lane, Grappenhall, Warrington, Cheshire, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes food security and the pressure on farmers from energy, fertiliser and machinery costs without losing the local specificity of Grappenhall Cricket club, Broad Lane, Grappenhall, Warrington, Cheshire, England, UK.
Grappenhall Cricket club, Broad Lane, Grappenhall, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,entrance,closed,pub,bar,nightclub,club,venue,Benidorm,resort,fun,seaside,British,Woody,FunnyBoyz,North Promenade,sport,sports,sportbar,sportsbar,karaoke,free,food,event,events,pubs,bars,wood,get,got,clubbing,night club
Description: Tony Smith image Alamy 2JRFFBP - . This authentic period view of 168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents World famous, Woodys, where Benidorm meets Blackpool, 168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE. Further facets of the scene include music tourism, popular culture, hospitality economy, tribute venue, local character, music-themed hospitality, food-and-drink business, music iconography, changing streetscape, contemporary social history, licensed hospitality, place identity, neighbourhood drinking venue, and local history. For current editorial use, staffing pressure and food inflation provide additional context, especially through the survival of local venues as social meeting places. Current relevance extends to music tourism and creative industries, particularly through how popular music is reused in hospitality and tourism branding. Future viewers can use this scene from 168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE to compare street furniture and boundaries with whatever follows after conservation work. The surrounding story also includes public realm, casual dining, night-time economy, pub heritage, song-inspired design, cultural nostalgia, community pub, and community identity. References to World, where, meets, Lancs, and famous give the picture a strong period identity and tie it closely to its named subject. A later view of 168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is staffing pressure and the survival of local venues as social meeting places as part of the longer story of 168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE.
168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancashire,England,UK,holidays,holiday,coast,coastline,hotel,hotels,B&B,examples,summer,blue,sky,skies,and,apartment,453-459,Promenade,Blackpool,Lancs,FY4 1AR,The Waterfront,Beach Hotel,apartments,beach,North West,Britain,GB,British,hospitality,Great Britain,northern,great,landlady
Description: Tony Smith image Alamy 2JRM337 - . An identifiable period record of 453-459 , Promenade, Blackpool , Lancs, England, UK, FY4 1AR in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The image documents The Waterfront Beach Hotel and apartments, 453-459 , Promenade, Blackpool , Lancs, England, UK, FY4 1AR. A broader reading of the photograph includes neighbourhood drinking venue, period detail, rural economy, documentary photography, customer-facing leisure, social history, crop production, place identity, food supply chain, pub heritage, licensed trade, archival record, licensed hospitality, and historical comparison. Current relevance extends to food security and farm costs, particularly through how hotter and wetter weather affects crop reliability. In present-day coverage, the subject reaches into staffing pressure and consumer spending, not least because of the pressure on customer-facing businesses in a high-cost economy. The archival value lies partly in recording equipment and working practice around 453-459 , Promenade, Blackpool , Lancs, England, UK, FY4 1AR before changing commercial priorities alters the character of the place. A second descriptive layer includes local social venue, British agriculture, hospitality economy, traditional hostelry, changing land use, hospitality trade, before-and-after reference, and night-time economy. The recorded references to Waterfront, Beach, Blackpool, apartments, and Lancs preserve clues about how the subject was presented, used or understood at the time. The period setting at 453-459 , Promenade, Blackpool , Lancs, England, UK, FY4 1AR helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The frame retains a point of historical comparison for later comparison. The scene captures part of the area's social history within the wider story of 453-459 , Promenade, Blackpool , Lancs, England, UK, FY4 1AR.
453-459 , Promenade, Blackpool , Lancs, England, UK, FY4 1AR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,BigBen,clock,tower,HOC,HOL,Houses,British,GB,Great,Britain,seat,power,time,face,iconic,London Bus,icons,icon,flags,flag,red,SW1,commonwealth,Victorian,gothic,bong,bongs,evening,flagpole,flagpoles,AndyBurnham,Andy Burnham,Burnham,proportional representation
Description: Tony Smith image Alamy 2M0MBA6 - . Made at Parliament Square, Westminster, London, England, UK, SW1A 0AA in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The photograph centres on Big Ben clock and houses of parliament, square, British seat of government, Westminster, London, England, UK, SW1A 0AA. The setting additionally reflects community identity, towpath landscape, inland navigation, before-and-after reference, public realm, local character, navigation engineering, historic London streetscape, documentary photography, Thames city view, visual archive, archival record, social history, and everyday life. The wider contemporary story combines climate adaptation, public access and the cost of keeping ageing locks and canal structures operational. Viewed from the mid-2020s, the subject also connects with security, visitor economy and how iconic streets and landmarks change while retaining strong visual identity. Small period details of equipment and working practice at Parliament Square, Westminster, London, England, UK, SW1A 0AA may become more significant with time, particularly following altered transport patterns. The location also brings in place identity, heritage boating, urban tourism, metropolitan identity, historical comparison, changing streetscape, capital landmark imagery, and Westminster landmark. Details involving square, Westminster, houses, government, and parliament make the image more specific than a generic view and strengthen its local or historical value. For Parliament Square, Westminster, London, England, UK, SW1A 0AA, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image fixes period character as a date-specific reference. It also preserves a trace of local identity for later comparison.
Parliament Square, Westminster, London, England, UK, SW1A 0AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,statue,station,rail,railway,art,artist,romance,affair,affairs,infidelity,adultery,sexual,attraction,kiss,kissing,lovers,international,amorous,romantic,passion,bronze,British,Eurostar terminal,a very good example of the crap out there,Lonely Planet,woman,checks,phone,messages,iphone,glued,to,phones,Paul Day,carriage
Description: Tony Smith image Alamy 2K16ARC - The Meeting Place is a 9-metre-high (30 ft), 20-tonne (20-long-ton) bronze sculpture that stands at the south end of the upper level of St Pancras railway station. Designed by the British artist Paul Day and unveiled in 2007, it is intended to evoke the romance of travel through the depiction of a couple locked in an amorous embrace.
The statue, which stands in the Eurostar terminal, is reported to have cost £1 million and was installed as the centrepiece of the refurbished station. The work, commissioned by London and Continental Railways, is modelled on the sculptor and his wife
The sculpture received a poor critical reception, being cited by Antony Gormley as a very good example of the crap out there, comparing it to other examples of public art in the UK,[4] and later referred to as a terrible, schmaltzy, sentimental piece of kitsch by Tim Marlow of the Royal Academy of Arts. Jeremy Deller dismissed it as barely a work of art. Day commented that lot of people will no doubt detest it because it is not violent or controversial.
Further controversy was caused by Day's 2008 planned addition of a bronze relief frieze around the plinth. Originally depicting a commuter falling into the path of an Underground train driven by the Grim Reaper, Day believed the piece to be a tragi-comic style and was supposed to be a metaphor for the way people's imaginations ran wild but revised the frieze before the final version was installed.
Despite harsh criticism from major figures in the British art world, the statue has become popular with the public and contributed to its perception of St Pancras. In 2011, an edition of The World's Most Romantic Spots by Lonely Planet described the station as one of the most romantic meeting places in the world, citing the statue as a key reason
The Grand Terrace, St Pancras International, London, England, UK, N1C 4QP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,statue,station,rail,railway,Paul Day,art,artist,Eurostar terminal,out,of,carriage,goodbye,man,Lonely Planet,a very good example of the crap out there,passion,bronze,British,romantic,amorous,international,attraction,kiss,kissing,lovers,phone,to,messages,iphone,checks,woman,phones
Description: Tony Smith image Alamy 2K16ARE - The Meeting Place is a 9-metre-high (30 ft), 20-tonne (20-long-ton) bronze sculpture that stands at the south end of the upper level of St Pancras railway station. Designed by the British artist Paul Day and unveiled in 2007, it is intended to evoke the romance of travel through the depiction of a couple locked in an amorous embrace.
The statue, which stands in the Eurostar terminal, is reported to have cost £1 million and was installed as the centrepiece of the refurbished station. The work, commissioned by London and Continental Railways, is modelled on the sculptor and his wife
The sculpture received a poor critical reception, being cited by Antony Gormley as a very good example of the crap out there, comparing it to other examples of public art in the UK,[4] and later referred to as a terrible, schmaltzy, sentimental piece of kitsch by Tim Marlow of the Royal Academy of Arts. Jeremy Deller dismissed it as barely a work of art. Day commented that lot of people will no doubt detest it because it is not violent or controversial.
Further controversy was caused by Day's 2008 planned addition of a bronze relief frieze around the plinth. Originally depicting a commuter falling into the path of an Underground train driven by the Grim Reaper, Day believed the piece to be a tragi-comic style and was supposed to be a metaphor for the way people's imaginations ran wild but revised the frieze before the final version was installed.
Despite harsh criticism from major figures in the British art world, the statue has become popular with the public and contributed to its perception of St Pancras. In 2011, an edition of The World's Most Romantic Spots by Lonely Planet described the station as one of the most romantic meeting places in the world, citing the statue as a key reason
The Grand Terrace, St Pancras International, London, England, UK, N1C 4QP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,statue,station,rail,railway,art,artist,romance,affair,affairs,infidelity,adultery,sexual,attraction,kiss,kissing,lovers,international,amorous,romantic,passion,bronze,British,Eurostar terminal,a very good example of the crap out there,Lonely Planet,holds,holding,each,other,erotic,the,Meeting Place,iconic,statues
Description: Tony Smith image Alamy 2K16ARF - The Meeting Place is a 9-metre-high (30 ft), 20-tonne (20-long-ton) bronze sculpture that stands at the south end of the upper level of St Pancras railway station. Designed by the British artist Paul Day and unveiled in 2007, it is intended to evoke the romance of travel through the depiction of a couple locked in an amorous embrace.
The statue, which stands in the Eurostar terminal, is reported to have cost £1 million and was installed as the centrepiece of the refurbished station. The work, commissioned by London and Continental Railways, is modelled on the sculptor and his wife
The sculpture received a poor critical reception, being cited by Antony Gormley as a very good example of the crap out there, comparing it to other examples of public art in the UK,[4] and later referred to as a terrible, schmaltzy, sentimental piece of kitsch by Tim Marlow of the Royal Academy of Arts. Jeremy Deller dismissed it as barely a work of art. Day commented that lot of people will no doubt detest it because it is not violent or controversial.
Further controversy was caused by Day's 2008 planned addition of a bronze relief frieze around the plinth. Originally depicting a commuter falling into the path of an Underground train driven by the Grim Reaper, Day believed the piece to be a tragi-comic style and was supposed to be a metaphor for the way people's imaginations ran wild but revised the frieze before the final version was installed.
Despite harsh criticism from major figures in the British art world, the statue has become popular with the public and contributed to its perception of St Pancras. In 2011, an edition of The World's Most Romantic Spots by Lonely Planet described the station as one of the most romantic meeting places in the world, citing the statue as a key reason
The Grand Terrace, St Pancras International, London, England, UK, N1C 4QP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,statue,station,rail,railway,art,artist,romance,affair,infidelity,adultery,sexual,attraction,kiss,kissing,lovers,international,amorous,romantic,passion,bronze,British,Eurostar terminal,a very good example of the crap out there,Lonely Planet,holds,holding,each,other,erotic,the,Meeting Place,iconic,statues,people,dating
Description: Tony Smith image Alamy 2K16ARG - The Meeting Place is a 9-metre-high (30 ft), 20-tonne (20-long-ton) bronze sculpture that stands at the south end of the upper level of St Pancras railway station. Designed by the British artist Paul Day and unveiled in 2007, it is intended to evoke the romance of travel through the depiction of a couple locked in an amorous embrace.
The statue, which stands in the Eurostar terminal, is reported to have cost £1 million and was installed as the centrepiece of the refurbished station. The work, commissioned by London and Continental Railways, is modelled on the sculptor and his wife
The sculpture received a poor critical reception, being cited by Antony Gormley as a very good example of the crap out there, comparing it to other examples of public art in the UK,[4] and later referred to as a terrible, schmaltzy, sentimental piece of kitsch by Tim Marlow of the Royal Academy of Arts. Jeremy Deller dismissed it as barely a work of art. Day commented that lot of people will no doubt detest it because it is not violent or controversial.
Further controversy was caused by Day's 2008 planned addition of a bronze relief frieze around the plinth. Originally depicting a commuter falling into the path of an Underground train driven by the Grim Reaper, Day believed the piece to be a tragi-comic style and was supposed to be a metaphor for the way people's imaginations ran wild but revised the frieze before the final version was installed.
Despite harsh criticism from major figures in the British art world, the statue has become popular with the public and contributed to its perception of St Pancras. In 2011, an edition of The World's Most Romantic Spots by Lonely Planet described the station as one of the most romantic meeting places in the world, citing the statue as a key reason
The Grand Terrace, St Pancras International, London, England, UK, N1C 4QP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,statue,station,rail,railway,art,artist,romance,affair,affairs,infidelity,adultery,sexual,attraction,kiss,kissing,lovers,international,amorous,romantic,passion,bronze,British,Eurostar terminal,a very good example of the crap out there,Lonely Planet,holds,holding,each,other,erotic,the,Meeting Place,iconic,statues
Description: Tony Smith image Alamy 2K16ARH - The Meeting Place is a 9-metre-high (30 ft), 20-tonne (20-long-ton) bronze sculpture that stands at the south end of the upper level of St Pancras railway station. Designed by the British artist Paul Day and unveiled in 2007, it is intended to evoke the romance of travel through the depiction of a couple locked in an amorous embrace.
The statue, which stands in the Eurostar terminal, is reported to have cost £1 million and was installed as the centrepiece of the refurbished station. The work, commissioned by London and Continental Railways, is modelled on the sculptor and his wife
The sculpture received a poor critical reception, being cited by Antony Gormley as a very good example of the crap out there, comparing it to other examples of public art in the UK,[4] and later referred to as a terrible, schmaltzy, sentimental piece of kitsch by Tim Marlow of the Royal Academy of Arts. Jeremy Deller dismissed it as barely a work of art. Day commented that lot of people will no doubt detest it because it is not violent or controversial.
Further controversy was caused by Day's 2008 planned addition of a bronze relief frieze around the plinth. Originally depicting a commuter falling into the path of an Underground train driven by the Grim Reaper, Day believed the piece to be a tragi-comic style and was supposed to be a metaphor for the way people's imaginations ran wild but revised the frieze before the final version was installed.
Despite harsh criticism from major figures in the British art world, the statue has become popular with the public and contributed to its perception of St Pancras. In 2011, an edition of The World's Most Romantic Spots by Lonely Planet described the station as one of the most romantic meeting places in the world, citing the statue as a key reason
The Grand Terrace, St Pancras International, London, England, UK, N1C 4QP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,formula,presentation,sovereign,union,flag,marching,racing,royal,spectators,England,Northamptonshire,NN12,stand,race,band,anthem,giant,King,start,one,1,before,Queen,jack,national,bands,British,and,intro,crowd,UK,Towcester,NN12 8T,crowds,to,the
Description: Tony Smith image Alamy 2JG2200 - The 2022 British Grand Prix (officially known as the Formula 1 Lenovo British Grand Prix 2022) was a Formula One motor race held on 3 July 2022 at the Silverstone Circuit in Northamptonshire, England.
Carlos Sainz Jr. took both his first pole position and Formula One victory, ahead of Sergio Pérez and Lewis Hamilton. Championship leader, Max Verstappen finished seventh after acquiring car damage early in the race. A multi-car crash occurred on the opening lap, in which Zhou Guanyu's car flipped over the tyre wall marking the circuit boundaries.
Background
The event was held across the weekend of the 13 July. It was the tenth round of the 2022 Formula One World Championship. It was the 73rd time the British Grand Prix has been held and the race took place two weeks after the Canadian Grand Prix and preceded the Austrian Grand Prix.
Championship standings before the race
Following the Canadian Grand Prix, Max Verstappen led the Drivers' Championship by 46 points from teammate Sergio Pérez, with Charles Leclerc third, a further three points behind. Red Bull Racing led the Constructors' Championship, leading Ferrari by 74 points. Mercedes were in third place, trailing Ferrari by 40 points
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,summer,waterway,water,Cheshire,England,UK,WA4 2YG,at,the,navigation,bank,towpath,canals,North West,English,British,barge,barges,narrowboat,leisure,rural,hire,tourist,boating,boats,narrowboats,family,hired,sail,cruise,cruising,day,dayboat,Stanny Lunt,bridge,under,hotpix.org.uk
Description: Tony Smith image Alamy 2JEKRCC - . An identifiable period record of Grappenhall, South Warrington, Cheshire, England, UK, WA4 2YG in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The main point of reference is Bridgewater Canal at Stanny Lunt bridge, Grappenhall, South Warrington, Cheshire, England, UK, WA4 2YG. The setting additionally reflects river transport, working waterway, changing streetscape, documentary photography, before-and-after reference, local character, contemporary social history, regional identity, community identity, marine mobility, contemporary city life, riverfront regeneration, social landscape, and changing land use. Today's relevance is strengthened by climate adaptation, waterway maintenance and the continuing question of the need to balance navigation, ecology and flood resilience. From a 2025-onward perspective, footfall and regeneration are closely linked to this subject, alongside how regeneration alters the character of familiar places. The archival value lies partly in recording street furniture and boundaries around Grappenhall, South Warrington, Cheshire, England, UK, WA4 2YG before replacement signage alters the character of the place. The surrounding story also includes city-centre activity, inland navigation, historical comparison, urban change, everyday life, canal heritage, visual archive, and river crossing. References to Stanny, Canal, Bridgewater, bridge, and Grappenhall give the picture a strong period identity and tie it closely to its named subject. Around Grappenhall, South Warrington, Cheshire, England, UK, WA4 2YG, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The period view preserves period character as a date-specific reference. The view records a trace of local identity for later comparison.
Grappenhall, South Warrington, Cheshire, England, UK, WA4 2YG
Description
Keywords: gotonysmith,HotpixUK,@HotpixUK,UK,notes,plastic,currency,10,5,ten,five,pound note,STG,British,bank,banking,accepted,acceptable,currency conversion,sterling,conversion from sterling,investment,budget,save,savings,Clydesdale,RBS,£5,£10,£20,twenty,finance,investments,debt,Universal Credit,cash,black,market,economy,Cash In Hand
Description: Tony Smith image Alamy RBAPR4 - . This contextual photograph depicts a moment within the recorded location, as recorded during 2019. The location is represented through Bank Of Scotland, Clydesdale & RBS plastic £5 £10 Five pound and ten pound bank notes, with coins. The physical and social setting additionally connects with regional identity, changing Britain, urban and rural change, local character, place and memory, community life, everyday Britain, community environment, place-based history, documentary photography, cultural landscape, and documentary record. Modern coverage of place and memory frequently reaches beyond the immediate scene to questions of new technology, changing use and a clearer record of local change. Over time, this view of the recorded location can support local-history and planning research by preserving details of appearance, occupation, signage, public access and everyday use that written records may omit, specifically in relation to Bank Of Scotland. The view also records themes involving everyday infrastructure, public realm, social landscape, social context, local identity, modern history. The record also refers to Sterling, plastic currency, plastic notes, pound notes, five pound notes, ten pound notes. For present-day editorial use, everyday local life can also illustrate debates about business turnover and changing use, particularly where these affect stronger archival comparison. Taken together, these details make the photograph a useful record of transport patterns, public access, neighbourhood identity, architecture and streetscape, and ownership or occupation within the surrounding area. The combination preserved here provides evidence of local business activity, public-realm details, the condition of buildings, regional identity, and patterns of everyday use as part of the area's longer social history. The photograph preserves a moment in the site's history within the evolving townscape.
Description
Keywords: HotpixUK,@HotpixUK,UK,GoTonySmith,England,English,North West England,Blue,lamp,light,Warrington WA4 2AF,Grappenhall Road,ward,history,historic,Grappenhall Rd,Warrington,Cheshire,WA4 2AF,WA4,traditional,lantern,blue lamp,blue light,blue,polis,constabulary,data breach,data breaches,data leak,Victorian,Dixon of Dock Green,part-time,British,GB,old,style,Great Britain
Description: Tony Smith image Alamy RBAPR3 - . A close documentary record records the character of Grappenhall Rd, Warrington, Cheshire, UK, WA4 2AF, in an image captured in 2019. The supplied image information identifies Traditional & historic Blue Police Station Lamp, Stockton Heath Police Station, South Warrington, Cheshire, North West England, UK, WA4 2AF. Related ideas embodied by the location include historic environment, road connectivity, intercity travel, heritage streetscape, traffic management, strategic road network, offender management, historic townscape, transport corridor, legal system, commuter transport, and penal system. In the mid-2020s, integrated public transport is increasingly discussed through public ownership and town-centre connectivity, with attention turning to renewed station districts. For present-day editorial use, place and memory can also illustrate debates about altered public space and redevelopment, particularly where these affect preservation of everyday detail. Modern coverage of public safety frequently reaches beyond the immediate scene to questions of reoffending, staffing and better maintained justice estates. The date and location give the photograph archival strength: future views of Grappenhall Rd, Warrington, Cheshire, UK, WA4 2AF may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The view also records themes involving local landmark, townscape identity, road transport, heritage asset, custodial estate, historic fabric. Further recorded details include blue lamp, Stockton Heath Village, Grappenhall Rd, village. The same setting also brings together law enforcement, custody infrastructure, urban fabric, court and custody, train travel, highway infrastructure, conservation architecture, local transport, adaptive reuse, and urban conservation. It also preserves details of public use within the wider local story.
Grappenhall Rd, Warrington, Cheshire, UK, WA4 2AF
Description
Keywords: @HotpixUK,GoTonySmith,British GP 2018,car,Formula One,track,people,spectators,spectator,Denim,TAG,Fly Saudia,Miti,the circuit,circuit,F1,F1 Circuit,British,British Formula 1 Championship,white,Keke Rosberg / Formula One F1 racing car,sponsored by Denim - Williams Cosworth FW08C driven by,racing,vehicle,sponsored,Williams Cosworth,Keke Rosbergs,racing car,FlySaudia,1982,Keijo Erik Rosberg,first,Finnish,champion,Finland,Cosworth FW08C
Description: Tony Smith image Alamy P8HWBR - . This scene at Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL in 2018 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is Keke Rosberg / Formula One F1 racing car, sponsored by Denim - Williams Cosworth FW08C driven by Ayrton Senna. The image also relates to visual archive, before-and-after reference, historic streetscape, local history, conservation architecture, documentary photography, social history, cityscape history, period architecture, architectural character, public realm, conservation interest, changing land use, and architectural detail. In present-day coverage, the subject reaches into adaptive reuse and redevelopment pressure, not least because of the balance between conservation, retrofit and modern accessibility. The archival value lies partly in recording landscape treatment and surrounding development around Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL before closure or conversion alters the character of the place. Further associations within the scene are everyday life, period building, place identity, urban fabric, changing streetscape, community identity, contemporary social history, and historical comparison. The combination of Denim, Rosberg, Williams, FW08C, and Ayrton anchors the frame to a recognisable activity, place or moment. Around Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate adaptive reuse and the balance between conservation, retrofit and modern accessibility within the real-world context of Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL.
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL
Description
Keywords: wideangle,angle,cityscape,day,time,daytime,Quarter,Piccadilly,Gardens,Primark,shopping,concrete,brick,CIS,centre,cloud,summer,horizon,landscape,hotel,retail,Mancunian,Manc,urban,north,Manchester City,Northern Powerhouse,Northern Quarter,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,aerial,aerial view from air,air,arndale centre,birdseye,birds,eye,view,viewpoint,overhead,seen,from,above,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,birds eye view,panoramic view,Seen From Above
Description: Tony Smith image Alamy H3TPH9 - . Made at Piccadilly, Manchester, England, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Manchester City wide panorama, Lancashire,England, daytime. The image also relates to before-and-after reference, cityscape history, conservation interest, historic streetscape, local character, period building, architectural character, local history, changing streetscape, built heritage, contemporary social history, urban fabric, community identity, and conservation architecture. Today's relevance is strengthened by energy retrofit, tourism and the continuing question of keeping older buildings useful without erasing their distinctive character. Future viewers can use this scene from Piccadilly, Manchester, England, UK to compare public access and movement with whatever follows after later reinterpretation. A second descriptive layer includes regional identity, place identity, heritage landmark, public realm, historical comparison, historic townscape, adaptive reuse, and archival record. Details involving panorama, Lancashire, daytime, and Manchester make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Piccadilly, Manchester, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Its period value extends to energy retrofit and the balance between conservation, retrofit and modern accessibility as part of the longer story of Piccadilly, Manchester, England, UK. The location additionally provides evidence of maintenance and the value of architectural landmarks to local identity and tourism when considered against later change at Piccadilly, Manchester, England, UK. The period view preserves a point of historical comparison as a date-specific reference.
Piccadilly, Manchester, England, UK
Description
Keywords: WCML,Cheshire,railway,rail,Virgin,train,trains,TOC,electric,electrified,public,transport,transit,sunny,summer,trip,excursion,refurbished,efficient,network,BR,northern,powerhouse,sign,Crossfields,Warrington Bank Quay,Rail Station,Virgin Trains,blue sky,West Coast Main Line,British Rail,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Crossfield,factory,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H5424P - Warrington Bank Quay railway station is one of two railway stations serving the town centre of Warrington in Cheshire, England.
Warrington Bank Quay is a north-south oriented mainline station on one side of the main shopping area, with the west-east oriented Warrington Central on the other side to the north west operating a more frequent service to the neighbouring cities of Liverpool and Manchester.
A bus shuttle service operated every 20 minutes from Monday to Friday daytime between the two stations and the Centre Park business park. The station is directly on the West Coast Main Line.
Bank Quay, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Warrington,Cheshire,summer,cobbled,centre,Houses,in,Church Lane,house,village centre,property,village property,Grappenhall Property,Gropenhale
Description: Tony Smith image Alamy H0GDCP - Grappenhall is a suburban village in Warrington, Cheshire, England. It is situated along the Bridgewater Canal, and forms one of the principal settlements of Grappenhall and Thelwall civil parish. According to the 2001 UK census, the population of the entire civil parish was 9,377.
Grappenhall is mentioned in the Domesday Book with the name Gropenhale and with a valuation of five shillings.
St Wilfrid's Church has a carving of a cat on the west face of the tower. This is believed to be Lewis Carroll's inspiration for the grinning Cheshire Cat in Alice's Adventures in Wonderland. The church itself was first constructed in 1120, though was rebuilt 400 years later. The church was also, at a time, in the possession of the Boidelle (Boydell) family.
Along with the church, the centre of the village contains two pubs the Parr Arms and the Ram's Head and Grappenhall Hall Residential School (no longer a Residential School) and St. Wilfrid's Primary School. Bradshaw Community Primary School is located north of the village centre.
Parts of the Case-Book of Sherlock Holmes were filmed in the centre of Grappenhall. The village name appears in the title of the song Grappenhall Rag, by the Darwen singer-songwriter Bryn Haworth.
Grappenhall is home to the 25th Warrington East (St. Wilfrid's) Scout Troop. There is also a cricket ground, which is the home of Grappenhall Cricket Club.
Grappenhall Village, Warrington, Cheshire, England, WA4 3EP
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,swung,swinging,Latchford,Peel Ports,at,Warrington,Cheshire,cars,swing bridge,swing bridges,gate,evening,road
Description: Tony Smith image Alamy H8FH99 - . Recorded at the recorded location in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on Waiting to cross Knutsford Road Swing Bridge, Latchford,Crossing the Manchester Ship Canal at Warrington, Cheshire, England, UK. The subject also carries associations with everyday life, transport accessibility, roadside stop, English identity, residential flag display, place identity, passenger transport, historical comparison, national emblem, street-side transport, street-level symbolism, national flag display, local bus network, and public realm. The modern context includes continuing discussion of reliability, integrated transport and the shift toward cleaner buses and integrated ticketing. For current editorial use, community cohesion and political symbolism provide additional context, especially through the way familiar symbols acquire different meanings during major events. For later comparison, the photograph preserves signage and branding at the recorded location, details that may look very different after refurbishment. The subject also sits alongside bus route infrastructure, national symbolism, before-and-after reference, public transport information, community identity, local mobility, roadside transit, and civic identity. The combination of Crossing, Knutsford, cross, Waiting, and Latchford anchors the frame to a recognisable activity, place or moment. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of reliability and the shift toward cleaner buses and integrated ticketing without losing the local specificity of the recorded location. The photograph keeps evidence of earlier appearance for future local research.
Description
Keywords: hotel,B&B,Bed,Breakfast,WA4,Heath,Warrington,Cheshire,00441925601111,blue,plaque,musician,singer,comedian,entertainers,home,Amado Boutique,WA4 6LG,Hill Crest,George Formby,Stockton Heath,George Hoy Booth,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy GXYYR5 - . This scene at 143 London Road , Stockton Heath , Warrington, Cheshire, WA4 6LG in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is Hill Crest,Residence of George Formby OBE, Stockton Heath,Warrington,Cheshire,England. Another layer of the photograph includes local mobility, bus infrastructure, passenger transport, public realm, local bus network, roadside transit, local character, period detail, regional identity, community identity, public-transport wayfinding, transport accessibility, surface public transport, and bus route infrastructure. In present-day coverage, the subject reaches into passenger information and local connectivity, not least because of the role of bus stops as the physical interface between passengers and the network. For later comparison, the photograph preserves signage and branding at 143 London Road , Stockton Heath , Warrington, Cheshire, WA4 6LG, details that may look very different after altered transport patterns. The location also brings in local history, visual archive, changing streetscape, contemporary social history, place identity, everyday life, changing land use, and street-side transport. References to Residence, George, Stockton, Crest, and Heath give the picture a strong period identity and tie it closely to its named subject. A later view of 143 London Road , Stockton Heath , Warrington, Cheshire, WA4 6LG may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate passenger information and the role of bus stops as the physical interface between passengers and the network within the specific setting of 143 London Road , Stockton Heath , Warrington, Cheshire, WA4 6LG. The scene captures evidence of changing use for future local research.
143 London Road , Stockton Heath , Warrington, Cheshire, WA4 6LG
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,M1,M4,art work,North West England,M1 1JR,painted,murals,stencil,man,woman,stenciled,naked,door
Description: Tony Smith image Alamy GJ795B - . Made at the recorded location in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Man & Woman on door, Northern Quarter Artwork, NQ, Manchester, North West England, UK, M1 1JR. The frame also records themes of visual archive, graffiti heritage, creative placemaking, place identity, contemporary mural, changing streetscape, local character, archival record, period detail, public art, public-realm art, mural culture, historical comparison, and creative district. The wider contemporary story combines graffiti policy, public art and the role of murals in defining creative neighbourhoods. Future viewers can use this scene from the recorded location to compare transport arrangements and footfall with whatever follows after different community use. The wider setting retains connections with temporary artwork, street creativity, regional identity, public realm, everyday life, documentary photography, before-and-after reference, and urban artwork. The recorded references to Manchester, Quarter, Artwork, Northern, and Woman preserve clues about how the subject was presented, used or understood at the time. The dated record from the recorded location makes the broader context more tangible. A further contemporary connection is graffiti policy and how regeneration can support and displace informal culture at the same time in a form that can be compared with future views of the recorded location. The wider significance includes gentrification and the blurred line between commissioned public art and unsanctioned graffiti within the real-world context of the recorded location. Another strand within the photograph is tourism and the role of murals in defining creative neighbourhoods within the specific setting of the recorded location. Image GJ795B also preserves another period-specific detail for later comparison.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Tib Street,bar,pub,North West England,M4,CAMRA,lamp,front,flowers,boozer,food,pub food,get stuck in
Description: Tony Smith image Alamy GJ795E - . This scene at 74 Tib St, Manchester M4 1LG in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The image documents The Tib St Tavern, Northern Quarter, 74 Tib St, Manchester, North West England, UK, M4 1LG. Further facets of the scene include street-level design, licensed hospitality, traditional ale house, public art, social history, local character, archival record, regional identity, traditional pub, public realm, contemporary social history, historical comparison, contemporary mural, and visitor hospitality. From a 2025-onward perspective, local identity and public art are closely linked to this subject, alongside the role of murals in defining creative neighbourhoods. The wider contemporary story combines changing drinking habits, staffing pressure and pressure on hospitality margins in the mid-2020s. Small period details of transport arrangements and footfall at 74 Tib St, Manchester M4 1LG may become more significant with time, particularly following new construction. Further associations within the scene are creative district, documentary photography, licensed trade, place identity, mural culture, local social venue, pub heritage, and changing streetscape. The combination of Quarter, Tavern, Manchester, and Northern anchors the frame to a recognisable activity, place or moment. For 74 Tib St, Manchester M4 1LG, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is local identity and how regeneration can support and displace informal culture at the same time in a form that can be compared with future views of 74 Tib St, Manchester M4 1LG. The setting also helps illustrate pub closures and the value of historic pubs to tourism and local identity within the real-world context of 74 Tib St, Manchester M4 1LG.
74 Tib St, Manchester M4 1LG
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,craft,design,city centre,NQ,studio,cafe,pottery,village,art,artists,jewelry,M4,M4 5JD,Oak St
Description: Tony Smith image Alamy GJ795F - . An on-location photograph from 17 Oak St, Manchester M4 5JD, UK in 2016, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The scene records Manchester Craft and Design Centre, 17 Oak St, Manchester, UK M4 5JD. The surrounding context encompasses commercial ephemera, everyday life, social history, local character, historical comparison, street-level message, place identity, urban typography, changing land use, historic sign, printed message, community identity, period lettering, and regional identity. From a 2025-onward perspective, local history and digital substitution are closely linked to this subject, alongside the way lettering and materials contribute to local visual identity. The image fixes period objects and surrounding context within 17 Oak St, Manchester M4 5JD, UK at one identifiable point, providing a benchmark against different community use. The wider setting retains connections with public-facing signage, visual communication, graphic street detail, wayfinding detail, public realm, changing streetscape, material sign design, and period detail. Elements such as Centre, Manchester, Design, and Craft add documentary specificity and may become increasingly useful when compared with later records. A later view of 17 Oak St, Manchester M4 5JD, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for local history and the way lettering and materials contribute to local visual identity without losing the local specificity of 17 Oak St, Manchester M4 5JD, UK. Another useful connection is local history and the way lettering and materials contribute to local visual identity in a form that can be compared with future views of 17 Oak St, Manchester M4 5JD, UK. The view records evidence of changing use for future local research.
17 Oak St, Manchester M4 5JD, UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Author,Brightwell walk,Manchester,M4 5JD,M4,wall,walls,gableend,gable end,side,side of building,Burgess,art,N4Q
Description: Tony Smith image Alamy GJ795M - . This location-specific image from Brightwell walk, Manchester M4 5JD in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Author Anthony Burgess mural art work, Northern Quarter, Brightwell walk, Manchester M4 5JD. The setting additionally reflects period detail, public realm, contemporary mural, regional identity, visual archive, urban artwork, changing land use, place identity, visual street culture, community identity, street creativity, before-and-after reference, public-realm art, and documentary photography. For current editorial use, tourism and local identity provide additional context, especially through the blurred line between commissioned public art and unsanctioned graffiti. The image fixes public access and movement within Brightwell walk, Manchester M4 5JD at one identifiable point, providing a benchmark against new ownership. Other useful contextual ideas include mural culture, urban graphics, street-level design, creative placemaking, archival record, temporary artwork, graffiti heritage, and local character. The recorded references to Manchester, Burgess, Quarter, Northern, and Author preserve clues about how the subject was presented, used or understood at the time. Around Brightwell walk, Manchester M4 5JD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for tourism and the blurred line between commissioned public art and unsanctioned graffiti within the real-world context of Brightwell walk, Manchester M4 5JD. Another useful connection is temporary works and the blurred line between commissioned public art and unsanctioned graffiti within the specific setting of Brightwell walk, Manchester M4 5JD. The record includes part of the area's social history before later change alters the scene.
Brightwell walk, Manchester M4 5JD
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Author,Brightwell walk,Manchester,M4 5JD,M4,wall,walls,gableend,gable end,side,side of building,Burgess,Mancunian,Manc
Description: Tony Smith image Alamy GJ795P - . This scene at Brightwell walk, Manchester M4 5JD in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Author Anthony Burgess mural art work, with blindfolded child holding gun, Northern Quarter, Brightwell walk, Manchester M4 5JD. The broader subject matter reaches into documentary photography, public realm, graffiti heritage, historical comparison, period detail, creative district, mural culture, creative placemaking, changing land use, local character, everyday life, temporary artwork, urban graphics, and public art. In present-day coverage, the subject reaches into local identity and creative industries, not least because of how regeneration can support and displace informal culture at the same time. Future viewers can use this scene from Brightwell walk, Manchester M4 5JD to compare transport arrangements and footfall with whatever follows after replacement signage. Other useful contextual ideas include visual archive, archival record, street-level design, urban artwork, before-and-after reference, public-realm art, regional identity, and place identity. The recorded references to Northern, Brightwell, blindfolded, Burgess, and Author preserve clues about how the subject was presented, used or understood at the time. For Brightwell walk, Manchester M4 5JD, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate local identity and how regeneration can support and displace informal culture at the same time in a form that can be compared with future views of Brightwell walk, Manchester M4 5JD. The image also provides a reference for local identity and how temporary street art becomes an important visual archive within the real-world context of Brightwell walk, Manchester M4 5JD.
Brightwell walk, Manchester M4 5JD
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,NQ,M4,Kula,edge st,North West England,M4 1HW,sexy,sensual,pink,shop,front,trendy,terrace,retail
Description: Tony Smith image Alamy GJ795R - . An identifiable period record of the recorded location in 2016, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The subject captured here is Edge Street, Northern Quarter,artwork of a woman, Manchester, North West England, UK, M4 1HW. Further facets of the scene include temporary artwork, regional identity, visual street culture, street-level design, changing land use, urban graphics, urban artwork, graffiti heritage, social history, visual archive, mural culture, creative district, documentary photography, and community identity. The wider contemporary story combines gentrification, tourism and how regeneration can support and displace informal culture at the same time. The image fixes signage and branding within the recorded location at one identifiable point, providing a benchmark against changed technology. The surrounding story also includes archival record, public art, creative placemaking, period detail, contemporary mural, public-realm art, contemporary social history, and public realm. The combination of woman, Quarter, Northern, Manchester, and artwork anchors the frame to a recognisable activity, place or moment. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to gentrification and how regeneration can support and displace informal culture at the same time as part of the longer story of the recorded location. The location additionally provides evidence of gentrification and how temporary street art becomes an important visual archive when considered against later change at the recorded location. A further contemporary connection is regeneration and how regeneration can support and displace informal culture at the same time without losing the local specificity of the recorded location.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,NQ,M4,Kula,edge st,North West England,M4 1HW,sexy,sensual,pink,shop,front,trendy,terrace,retail
Description: Tony Smith image Alamy GJ795W - . This location-specific image from the recorded location in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The defining feature is Edge Street, Northern Quarter,artwork of a woman, Manchester, North West England, UK, M4 1HW. Further facets of the scene include regional identity, before-and-after reference, street-level design, creative district, mural culture, visual street culture, documentary photography, archival record, local history, temporary artwork, historical comparison, public realm, visual archive, and contemporary mural. From a 2025-onward perspective, local identity and temporary works are closely linked to this subject, alongside the blurred line between commissioned public art and unsanctioned graffiti. The image fixes materials and architectural details within the recorded location at one identifiable point, providing a benchmark against changing commercial priorities. The surrounding story also includes everyday life, graffiti heritage, creative placemaking, public-realm art, urban graphics, street creativity, community identity, and social history. The combination of Northern, Manchester, artwork, Quarter, and woman anchors the frame to a recognisable activity, place or moment. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence of local identity and the blurred line between commissioned public art and unsanctioned graffiti as part of the longer story of the recorded location. A further contemporary connection is regeneration and the blurred line between commissioned public art and unsanctioned graffiti when considered against later change at the recorded location. The view records evidence of changing use as a date-specific reference.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Building of the Phase 2CC "" Second City Crossing for,North West England,M2 5PD,M2,2CC,transport,system,tram,MPT,GMPTE,Exchange Square,tram stop,central library,track,workers,Second Manchester Metrolink City Crossing
Description: Tony Smith image Alamy GJBN6M - Phase 2CC Second Manchester Metrolink City Crossing
With increased tram traffic brought about by the expansion of the Metrolink network, it became necessary to build a new route across Manchester City Centre to alleviate congestion and improve capacity.
Known as the Second City Crossing (or 2CC), the project involved laying 0.8 miles (1.3 km) of tram tracks from St Peter's Square tram stop via Princess Street, Albert Square, Cross Street and Corporation Street to rejoin the original Metrolink line just before Victoria station. One new tram stop was built at Exchange Square. The project also involved re-ordering St Peter's Square and re-siting the Cenotaph to accommodate an enlarged tram interchange and junction. Construction began in 2014 and the 2CC route opened fully in February 2017
St Peter's Square, Manchester M2 5PD
Description
Keywords: Lancashire,GB,great,britain,british,ale,bitter,Lancs,England,UK,2017,2018,2019,2020,Cider,ales,beers,manc,Jan,January,bar,pump,York,local,brew,brewing,pint,half,glass,celebrate,celebrating,ticket,drink,drinkers,alcohol,United Kingdom,Manchester Central,Beer Festival,GoTonySmith,@HotpixUK,glass,cheers,bottoms,up,Buy Pictures of,Buy Images Of,Images of,Stock Images,beer glass,Festival Glass,Bottoms Up
Description: Tony Smith image Alamy FDNMBF - Manchester Beer and Cider Festival is held every January. The festival features over 600 beers, ciders and perries. As well as a massive selection of cask conditioned craft ales, key-keg conditioned ales and traditional ciders & perries
There are bottled and draught beers from around the world.
The festival is organised by the Greater Manchester Branches of The Campaign For Real Ale (CAMRA).
Manchester Central, Windmill St, Manchester, England, UK, M2 3GX
Description
Keywords: International Post,star,Used and Postmarked,Used,and,postmarked,perforated,stamp,Used,and,postmarked,Stamp,post,posting,mail,hobby,perforation,mark,postage,stamp,print,stamp,cancelled,stamp,payment,correspondence,postman,collection,collector,phila,USSR,Soviet,Bloc,Block,East,Eastern,Europe,Russia,Yuri Gagarin,Moscow,Russian,Gotonysmith,post,posting,mail,hobby,perforation,mark,postage,stamp,print,stamp,cancelled,canceled,stamp,payment,correspondence,postman,collection,collector,philately,philatelist,letter,price,history,retro,Vintage,delivery,date,relationship,communication,Oz,DownUnder,classic rare unique Austrailian financial,investment,invest,value,British,empire,nation,canceled,printed on black background,close-up,closeup,close,up,sent,send,philately,mailing,shipping,postoffice,office,isolated,circa,special,colour,color,postmarked,marked,airmail,aged,antique,retro,cutting,historic,old,stamps,collection,stamp collection,album,Timbre,Sello,Stempel,Selo,Buy Pictures of,Buy Images Of,Down Under,Black background
Description: Tony Smith image Alamy F15NXX - . This authentic period view of Red Square, Moscow, Russia, 109012 in 2015 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The main point of reference is 4 and 2 Kon Kopek Mockba 1966 CCCP USSR space stamps. The wider scene also brings together postal artefact, public realm, contemporary social history, postal ephemera, commemorative issue, local character, philatelic material, period detail, regional identity, social history, place identity, stamp design, everyday life, and postal graphic design. For current editorial use, graphic design and national identity provide additional context, especially through the collector interest created by discontinued currencies, states and signs.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>designs. As a dated visual record of Red Square, Moscow, Russia, 109012, the frame retains lettering, decoration and surface detail, making it especially useful if closure or conversion subsequently changes the scene. A second descriptive layer includes visual archive, community identity, documentary photography, archival record, collectable stamp, changing land use, historical comparison, and paper communication. The combination of Kopek, space, stamps, and Mockba anchors the frame to a recognisable activity, place or moment. For Red Square, Moscow, Russia, 109012, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to graphic design and the collector interest created by discontinued currencies, states and designs as part of the longer story of Red Square, Moscow, Russia, 109012. The location additionally provides evidence of postal services and the contrast between physical postal culture and digital communication when considered against later change at Red Square, Moscow, Russia, 109012. The record includes a point of historical comparison as a date-specific reference.
Red Square, Moscow, Russia, 109012
Description
Keywords: ale,CAMRA,realale,real,west,hotel,dusk,boozer,public,house,historic,pubs,bars,accommodation,architecture,break,britain,building,centre,city,colour,distinctive,elegant,england,GB,lit,grandeur,great,vertical,horse,hotel,kingdom,leeds,magnificent,northern,sign,GoTonySmith,lighting,lamps,lamp,51-53 The Headrow,Leeds,England,UK,LS1,6LR,British,Buy Pictures of,Buy Images Of,West Yorkshire,LS1 6LR,British Pub
Description: Tony Smith image Alamy EY7XF1 - . The Horse and Trumpet pub,Leeds at night, Yorkshire, England, UK. Photographed at 51-53 The Headrow, Leeds, West Yorkshire, England,UK LS1 6LR. The photograph was taken on 23 July 2015. The image metadata records 1 person in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Horse, Trumpet, pub, Leeds, night, Yorkshire, ale, CAMRA, realale and hotel, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
51-53 The Headrow, Leeds, West Yorkshire, England,UK LS1 6LR
Description
Keywords: brewing,ale,beer,candle,light,head,CAMRA,West,Yorkshire,England,United,Kingdom,GB,Great,Britain,British,pub,bar,pubs,bitter,IPA,Blond,Leeds,Huddersfield,pint,pot,glasses,GoTonySmith,Buy Pictures of,Buy Images Of,burn,burning,regional,local
Description: Tony Smith image Alamy EY7XCH - . Beer Glass, Brewed in Ilkley logo,Craft brewery, West Yorkshire, England. Photographed at Ilkley, West Yorkshire, England, UK. The photograph was taken on 22 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Beer, Glass, Brewed, Ilkley, logo, Craft, brewery, Brewed in Ilkley, brewing and ale, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Ilkley, West Yorkshire, England, UK
Description
Keywords: Tower,of,Greater,London,England,UK,installation,art,moat,between,July,and,November,2014,commemorating,the,centenary,of,the,outbreak,of,World,War,I,one,ceramic,poppies,888,246,British,or,Colonial,serviceman,killed,in,the,War,Paul,Cummings,Cummins,Tom,Piper,attraction,2014,tourist,tourism,red,flower,Gotonysmith,first,line,of,a,poem,by,an,unknown,World,War,I,soldier,pool,of,blood,which,appeared,to,be,pouring,out,of,a,bastion,window,(the,Buy,Pictures,of,Buy Images Of,Weeping,Window,remembrance,respect,ex-serviceman,ex-servicemen,flowers,summer,autumn,sun,sky,blue,bluesky,pano,panorama,from,north,tower,hill,towerhill,,,
Description: Tony Smith image Alamy EC2T10 - Blood Swept Lands and Seas of Red was a work of installation art placed in the moat of the Tower of London, England, between July and November 2014, commemorating the centenary of the outbreak of World War I.
It consisted of 888,246 ceramic red poppies, each intended to represent one British or Colonial serviceman killed in the War. The artist was Paul Cummins, with setting by stage designer Tom Piper. The work's title was taken from the first line of a poem by an unknown World War I soldier.
The installation was visited by the Princes William and Harry and the Duchess of Cambridge on the day of its opening, and by the Queen and Duke of Edinburgh on 16 October. It is estimated that five million people saw the memorial, and the huge visitor demand saw Prime Minister David Cameron and other politicians join calls to try and extend the period for which the installation remained at the Tower so that more visitors would be able to pay their respects.
Tower officials resisted such calls, stating that the transience of the installation was a key part of the artistic concept, and that the poppies would be removed as planned and distributed to their purchasers. On 8 November it was announced that the Wave segment a steel construction with poppies around the Tower entrance would remain in place until the end of the month, and that the Wave and the Weeping Window segments (both made by the Theatre Royal, Plymouth) would be taken on a tour of the UK lasting until 2018, and would then go on permanent display at the Imperial War Museums in London and Manchester.
Tower Hill, London, England UK
Description
Keywords: night,light,rail,system,in,RAPT,six,lines,city,centre,Ashton-under-Lyne,Bury,Eccles,and,Rochdale,integrated,and,efficient,system,of,public,transport,light,rail,street-running,street,running,tram,standard-gauge,track,standard,guage,gotonysmith system systems integrated commuter service Bombardier Flexity Swift M5000s,but,also,used,Ansaldo,Firema,T-68/T-68As,T-68/T-68A,M5000,FlexitySwift,LRVs,LRV,aquamarine,identity,colour,colouring,3a,3b,2CC,phase,phases,tram-train,technology.,GMPTE,SELNEC,PTE,Passenger,Transport,Executive,British,rail,East,Lancashire,Railway,(Bury-to-Victoria),and,South,Junction,and,Railway,network,GMA,Transport,and,Works,Act,1992,Salford,Quays,eccles,line,lines,European,Regional,Development,Fund,little,mini,bang,TMS,thales,3a,services,mediacityUK,mediacity,UK,serco,Stagecoach,dev,Peter,cushing,Fitch,RS,and,Design,Triangle,Hemisphere,Design,and,Marketing,Consultancy,Peter,Saville,Dalton Maag and Design Triangle M5000 systems operator system
Description: Tony Smith image Alamy E6HY59 - Metrolink is a light rail system in Greater Manchester, England. The network consists of six lines which radiate from Manchester city centre and terminate at Altrincham, Ashton-under-Lyne, Bury, Didsbury, Eccles, and Rochdale. The system is owned by Transport for Greater Manchester (TfGM) and operated and maintained under contract by RATP In 2013/14, 29.2 million passenger journeys were made on the system, also known as Manchester Metrolink.
A light rail system for Greater Manchester was borne of Greater Manchester County Council's obligations to provide an integrated and efficient system of public transport under its structure plan and the Transport Act 1968. Greater Manchester's public transport network suffered from poor northsouth connections, exacerbated by the location of Manchester's main railway stations, Piccadilly and Victoria, which were unconnected and lay at opposite edges of central Manchester. Abandoning the monorail and underground options conceived in the 1960s and 1970s, light rail was proposed in 1982 as the best and most economical public transport solution for Manchester city centre and the surrounding Greater Manchester metropolitan area, and gathered support throughout the 1980s as an appropriate integrated commuter service.
Government approval was granted in 1988 and the network began operating services between Bury Interchange and Victoria on 6 April 1992. This founded the United Kingdom's first modern street-running rail system and its second operational public tram system, the 1885-built Blackpool tramway being the only heritage tram system in the UK that had endured up to Metrolink's creation.
Metrolink has 77 stops along 48.5 miles (78.1 km) of standard-gauge track routed through seven of the ten boroughs of Greater Manchester. The system has a mix of designated light railway (segregated from other traffic) and on-street tramway.
St Peters Square, Manchester, England, UK
Description
Keywords: United Kingdom,tour,music,guitar,guitarist,act,17/11/2003,November,Manchester,Academy,supporting,Television,England,UK,GB,British,British Tour,Great,Britain,playing,playing live,singing,singer-songwriter,songwriter,electric guitar,gotonysmith,plays,artist,tracks,song,songs,Wimbledon
Description: Tony Smith image Alamy E6HY55 - Misty Miller (born May 10, 1994) is a musician from Wimbledon, England. The young songstress has grown enormously since emerging as a sweet-singing ukulele player when her debut album was released in 2011. But having left college and discovered her own path, Misty has now returned with her own band (guitarist Jak Payne, drummer Dan Lyons and bassist Jack Everett) and two EPs released in 2013 - Next to You and Girlfriend. Her third EP, Sweet Nothing was released through Relentless/Sony in March 2015.
Influenced by the local South London music scene in Brixton, she has matured her sound into something she is far more comfortable in. A strong 60s influence is also evident in the raw vocals, edgy guitar licks and varied verse progressions. Citing the likes of Patti Smith, The Stooges and The Velvet Underground in her eclectic' music taste, this girl goes a long way in capturing the essence of an era of music she adores so much. And, with her debut album set for a July 2015 release, she is just getting started.
Manchester Academy, Manchester, England, UK
Description
Keywords: England,WA1,UK,GB,Great,britain,British,gay,lesbian,trans,transgender,LGBT,Bi,Bi-sexual,bisexual,people,men,women,marching,rights,WarringtonPride,march,marches,WBC,borough,council,unitary,local,authority,GGHT,golden,gates,housing,trust,events,celebrating,event,annual,yearly,flag,7th,seventh,gotonysmith,Warington,gayrights,Sep,Sept,Stonewall,town,demonstrate,demonstrators,demonstrator,Liberation,Front,GLF,gayness,gayboy,boy,boys,girls,girl,population,world,worldpride,Canal,St,street,rugby,player,players,team,cup,rugbyworldcup,07/09/2013,09/07/2013,Rylands,Palmyra,Sq,square,Bond,Bridge,WarringtonLGBT,LGBTWarrington,members,volunteers,stigma,services,service,HIV,aids,sexuality,sex,lgbtwarrington.co.uk,WA1,1JL,WA11JL,charity,Karamba,Samba,Pyramid,Parr,Hall,Parrhall,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXKNX - LGBT Warrington is organised by LGBT members who are all volunteers. The group has built great relationships with partners, which include the Council, police, health and local businesses.
They are here to help and welcome anyone who would like to join us to stamp out the stigma people may have on the LGBT community.
The group offers support to those who need it on a 1-2-1 basis and is treated with great confidentiality, and point people in the right direction of the services they require.
They meet throughout the year mainly to have a brew and chat about life in general, to meet and make new friends, and for those who require extra support, to help by signposting to relevant services in Warrington. We also at times hold activities such as bowling, theatre trips, quizzes and games.
They also have nights out in the town centre at Cotton Mill or Show Bar and take part with events they are holding, or even have the odd night out to Manchester to Canal Street or to the theatre.
During the year they are also visited by guest speakers.
They welcome visitors and potential new members whatever their sexuality, though is open to 18+ only.
More info at http://www.lgbtwarrington.co.uk/
Bold St, Warrington, Cheshire, England , UK WA1 1JL
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,7-9,EH1 1EG,doorway,city,council,public,library,old town,capital city,Andrew
Description: Tony Smith image Alamy DDXH8Y - Today there are 28 public libraries in the Scottish capital[2] but, as the first, the creation of Central Library was funded with £50,000 from philanthropist Andrew Carnegie. At the opening ceremony a telegram from Carnegie was read out stating: We trust that this Library is to grow in usefullness year after year, and prove one of the most potent agencies for the good of the people for all time to come.
The site selected for the library was the former home of Sir Thomas Hope, 1st Baronet Hope of Craighall, advocate for King Charles I. The structure, built in 1616, was demolished in March of 1887 to make way for the library. The lintel from Hope's home, bearing the carved inscription TECUM HABITA 1616 from the fourth satire of Persius, is preserved above an inner doorway of the library.
Carnegie's funding was initially an offer of £25,000 in 1886 which was doubled, overcoming prior opposition to the establishment of a public library, the citylast of those to do so in Scotlandadopted the Public Libraries Act and on 9 July 1887, Carnegie laid the foundation stone of architect George Washington Browne's French Renaissance-styled building.
Records for 1890, the first full year the library was open, show that over 440,000 book loans were issued
current records indicate that today, over a century on, the library issues over 500,000 book loans annually
In November 2017, on the 100th anniversary of her death, a memorial to Dr Elsie Inglis, the founder of the Scottish Women's Hospitals, was unveiled at Central Library
7-9 George IV Bridge, Edinburgh, Scotland EH1 1EG
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,EH1 2QE,EH1,loyal,Looking down,above,bar,from above,Edinburgh Capital City,Scotland UK,tourist,travel,attraction
Description: Tony Smith image Alamy DDXJ32 - . Looking down on Greyfriars Bobby Pub from above, Edinburgh Capital City, Scotland UK. Photographed at 30-34, Candlemaker Row, Edinburgh EH1 2QE. The photograph was taken on 31 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Bobby, Greyfriars, Bobbys bar, Greyfriars Bobby Pub, real ale, Candlemaker Row, dog, loyal dog, tourist attraction and Greyfriars Bobby Bar, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors. The view is firmly rooted in a real location rather than a constructed studio setting.
30-34, Candlemaker Row, Edinburgh EH1 2QE
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,female,woman,blue,background,blue background,posing,dance,moves,lady,in a,fan,Flamenco dancer with traditional dress,Flamenco dancer traditional dress,Gypsy,folkloric music traditions of Southern Spain
Description: Tony Smith image Alamy DD4GT5 - Flamenco, in its strictest sense, is a professionalized art-form based on the various folkloric music traditions of Southern Spain in the autonomous communities of Andalusia, Extremadura and Murcia. In a wider sense, it refers to these musical traditions and more modern musical styles which have themselves been deeply influenced by and become blurred with the development of flamenco over the past two centuries. It includes cante (singing), toque (guitar playing), baile (dance), jaleo (vocalizations), palmas (handclapping) and pitos (finger snapping).
The oldest record of flamenco dates to 1774 in the book Las Cartas Marruecas by José Cadalso. Flamenco has been influenced by and associated with the Romani people in Spain
however, its origin and style are uniquely Andalusian.
Although the Diccionario de la lengua española associates it especially with the Gypsy ethnicity, is more than perceptible the fusion of the different cultures that coincided in the Andalusia of the time. Of all the hypotheses about its origin, the most widespread thesis is that which exposes the Morisco origin, only that the cultural miscegenation that occurred then in Andalusia: Natives, Muslims, Gypsies, Castilians and Jews
propitiated its creation. In fact, it already existed in the region of Andalusia its germ long before the Gypsies arrived, also taking into account that there were gypsies in other regions of Spain and Europe, flamenco was only cultivated by those who were in Andalusia.
Flamenco has become popular all over the world and is taught in many non-Hispanic countries, especially the United States and Japan. In Japan, there are more flamenco academies than there are in Spain. On November 16, 2010, UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,1970,1970s,Giovanni Michelotti,green car,Green,2+2 sports tourer,Triumph,Stag,Leyland,BLMC,British Leyland,racing car,British racing car,classic,vintage
Description: Tony Smith image Alamy DCYR62 - . Green Triumph Stag, 2+2 sports tourer, British Triumph Motor Company, styled by Italian designer Giovanni Michelotti. The photograph was taken on 08 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Triumph Motor Company, British Triumph Motor Company, Triumph Stag, coupe, coupé, four-seater, convertible, Triumph Motors, Green Triumph Stag and Green Triumph, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to sport, supporters, venues, clubs, competition and the strong connection between sporting institutions and local identity. It can support editorial features about football, rugby or other spectator sports, stadiums, club heritage, matchday culture, investment, redevelopment, fans, sponsorship and the commercial side of professional sport. Signs, colours, banners, buildings, entrances and surrounding streets can help establish a recognisable sporting context without relying on a posed action image. The dated scene also has archive value as clubs, grounds, branding and neighbourhoods evolve over time. Search themes include sport, clubs, stadiums, supporters, venues, matchday culture, sponsorship, sporting heritage, redevelopment and local identity. A dated view is valuable where club branding, grounds, surrounding streets or the commercial presentation of a venue subsequently changes. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,HotpixUK,Brympton,funeral,Statues,St Andrews Church,Brympton dEvercy,Yeovil,South West England,sculptures,sculpture,carved,stone,effigy,effigies
Description: Tony Smith image Alamy DCYFFR - The Church of St Andrew in Brympton, Somerset, England, dates from the 13th century and has been designated as a Grade I listed building.[1]
It is closely associated with the manor house of Brympton d'Evercy. The d'Evercy family were responsible for building the church. Thomas d'Evercy purchased the estate in 1220. Sir Peter founded a chantry at Brympton d'Evercy in 1306, endowing a priest with a messuage and 40 acres (16 ha) in the parish. New aisles were added in 1469.
It has been suggested that this is the building today known as the priest house, but no structural evidence exists to support this claim. The church contains monuments to Sir John Sydenham (died 1626) and his family who were lords of the manor.
Some of the effigies within the church were originally in the churchyard but were moved into the church in the 19th century and restored by John Edward Carew.
The parish is within the benefice of Odcombe with Brympton, Lufton and Montacute, which is within the deanery of Yeovil
Brympton d'Evercy, Yeovil, South West England,UK, BA22 8TD
Description
Keywords: British,GP,Grand,Prix,Woodlands,stage,with,his,guitar,GB,Great,Britain,UK,United,Kingdom,stage,rock,act,live,gig,gigs,English,rock,guitarist,guitar,wild,turkey,Paice,Ashton,Lord,David,Coverdale,band,bands,Company,of,Snakes,M3,summer,June,played,playing,plays,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDJNHA - Bernard John Bernie Marsden (born 7 May 1951) is an English rock guitarist. Having played with Glenn Cornick's Wild Turkey in 1974, he then played with Babe Ruth, from 197576, before becoming an original member of Paice Ashton Lord in 1977 and then joining the hard rock band, Whitesnake, after having the possibility of playing with his boy-time hero Paul McCartney and Wings because while waiting, David Coverdale asked him to form Whitesnake.
In more recent years, Marsden has toured with his bands Company of Snakes, M3 (both formed with fellow former Whitesnake members Micky Moody and Neil Murray), and performed with Elkie Brooks. Over the years he has taken part in a number of sessions and has released a handful of solo albums (And About Time, Too!, Look at Me Now, Green & Blues, Stacks). He has also collaborated with Micky Moody on a number of Marsden-Moody live and studio projects.
On the Sweden Rock Festival on 10 June 2011 Bernie Marsden played with Whitesnake for the first time since 1981, thus becoming the second of only two former Whitesnake band members who have played with Whitesnake in recent years, the other person being Adrian Vandenberg, who also played with them on the Sweden Rock Festival. In the last ten years, Marsden has been involved in very different projects. The most unusual being two engagements at the National Theatre in London for Nickolas Hytner's productions of Shakespeare's The Winter's Tale and Henry the V in collaboration with Simon Webb. Also, he appeared in ZDF television in Germany for their production of Frankie, a six-part TV special.
After this, Marsden has worked alongside Robert Plant, Paul Weller, Ian Paice and Jon Lord for a charity concert in London. Bernie also played Guitar with Ringo Starr and his son Zak Starkey in Monte Carlo. Most recently, he has been playing and writing for guitar virtuoso Joe Bonamassa.
Silverstone Woods Campsite, Northamptonshire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Hanover Building,M60 0AS,CIS,North West England,buildings,1920s,offices,office,block,office blocks,skyline
Description: Tony Smith image Alamy DB0HD8 - . An identifiable period record of Hanover Building, Holyoake House, Manchester M60 0AS in 2013, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The photograph centres on CIS and New Century House Cooperative Wholesale Society buildings, Manchester , North West England, UK. The locality and subject together evoke commercial frontage, community identity, small business, documentary photography, archival record, street-level business, specialist shop, contemporary social history, historical comparison, regional identity, town-centre trading, social history, visual archive, and independent retail. Current relevance extends to independent business and business rates, particularly through how commercial property costs affect small retailers. Small period details of lettering, decoration and surface detail at Hanover Building, Holyoake House, Manchester M60 0AS may become more significant with time, particularly following changed technology. A second descriptive layer includes bricks-and-mortar retail, high-street commerce, changing streetscape, before-and-after reference, changing land use, shopfront economy, local enterprise, and customer footfall. References to Wholesale, buildings, Cooperative, Manchester, and Society give the picture a strong period identity and tie it closely to its named subject. The wider setting at Hanover Building, Holyoake House, Manchester M60 0AS matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence of independent business and the contribution of independents to distinctive high streets as part of the longer story of Hanover Building, Holyoake House, Manchester M60 0AS. The frame retains a trace of local identity for future local research. The scene captures a local visual benchmark before later change alters the scene.
Hanover Building, Holyoake House, Manchester M60 0AS
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,city centre,busker,EH1 1QS,EH1,Artists,artist,acts
Description: Tony Smith image Alamy D8HW5B - . Recorded at High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS in 2012, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is Edinburgh Festival Fringe Act, Scotland, UK, EH1 1QS. The frame also records themes of small business, street-level business, changing streetscape, regional identity, retail property, public realm, specialist retailer, changing land use, place identity, period detail, contemporary social history, high-street commerce, local enterprise, and social history. Current relevance extends to business rates and store closures, particularly through the contribution of independents to distinctive high streets. As a dated visual record of High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS, the frame retains equipment and working practice, making it especially useful if changing commercial priorities subsequently changes the scene. The photograph additionally reflects independent retail, community identity, local history, customer footfall, historical comparison, town-centre trading, archival record, and commercial frontage. Details involving Edinburgh, Festival, and Fringe make the image more specific than a generic view and strengthen its local or historical value. Around High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is business rates and the contribution of independents to distinctive high streets in a form that can be compared with future views of High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS. The scene further reflects business rates and the contribution of independents to distinctive high streets within the real-world context of High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS.
High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS
Description
Keywords: Nationalism,Roy,MacGregor,red,hair,haired,hero,martyr,outlaw,Balquidder,Inverlochlarig,Beg,graveyard,burial,buried,tomb,Robert,MacGregor,white,post,finger,fingerpost,village,Braes,2 miles,red,Killin,Crianlarich,Oban,hills,mountain,Scottish Nationalism,Rob Roy,red hair,Scottish Outlaw,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,problem,with,problem with,issue with,Raibeart,Ruadh,MacGriogair,tourist,tour,tourism,attraction,tourist attraction,travel,famous,grave,yard,tombstone,stone,sign,YES,Stirling,Sterlingshire,rural,countryside,Scottish,SNP,independance party,independence,indyref,referendum,2nd,second,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Raibeart Ruadh MacGriogair,Robert MacGregor,Scottish Countryside
Description: Tony Smith image Alamy HG4AAE - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair.
Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother.
In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: Nationalism,Roy,MacGregor,red,hair,haired,hero,martyr,outlaw,Balquidder,Inverlochlarig,Beg,graveyard,burial,buried,tomb,Robert,MacGregor,white,post,finger,fingerpost,village,Braes,2 miles,red,Scottish Nationalism,Rob Roy,red hair,Scottish Outlaw,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,problem,with,problem with,issue with,Raibeart,Ruadh,MacGriogair,tourist,tour,tourism,attraction,tourist attraction,travel,famous,grave,yard,tombstone,stone,sign,YES,Stirling,Sterlingshire,rural,countryside,Scottish,SNP,independance party,independence,indyref,referendum,2nd,second,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Raibeart Ruadh MacGriogair,Robert MacGregor,Scottish Countryside
Description: Tony Smith image Alamy HG4AAH - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair.
Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother.
In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,Cheshire,England,UK,reflection,barges,503490 B1420,boat,navigation,transport,decorative,Waterway,British,Canal and river trust,historic,history,holiday,heritage,olden,days,olden times,barge,narrowboats,waterway,waterways,canals,reflected,reflections,freight,houseboat,houseboats,mooring,moored,up
Description: Tony Smith image Alamy 2BTY7B1 - . A detailed documentary view from Cheshire, England, UK, preserving the appearance and character of the subject at a particular point in time. The defining feature is 503490 ,B1420 White Harriet Valencia Wharf narrowboat ,barge on canal , Cheshire, England, UK, reflection. The locality and subject together evoke visual archive, social landscape, community identity, place identity, towpath landscape, built environment, documentary photography, historic transport corridor, blue-green infrastructure, riparian setting, waterside infrastructure, local history, inland navigation, and changing streetscape. Today's wider story includes flood resilience, waterway maintenance and the practical question of balancing leisure use with engineering and environmental needs. Future viewers can use this scene from Cheshire, England, UK to compare signage and branding with whatever follows after changing public expectations. The subject also sits alongside lock-side environment, archival record, urban change, navigation engineering, social history, historical comparison, managed navigation, and contemporary history. The recorded references to Harriet, Wharf, 503490, narrowboat, and B1420 preserve clues that can help identify how the subject was presented or used at the time. The surrounding context at Cheshire, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. That also gives the frame relevance to flood resilience and keeping historic infrastructure safe and operational as part of the longer story of Cheshire, England, UK. Another useful connection is navigation funding and the value of canals and rivers as blue-green corridors when considered against later change at Cheshire, England, UK. The scene further reflects navigation funding and the long transition from freight route to leisure and heritage asset without losing the local specificity of Cheshire, England, UK.
Cheshire, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Bridge,Tollls,GMC,England,Uk,north west,historic,type,typeface,typefaces,history,heritage,ancient,worn out,used,British,Victoria,the,past,collectable,collectables,artefact,artefacts,English,worn,decayed,wearing,dust,dusty,dirty,toll bridges,bridges,AUL,A-U-L,listing
Description: Tony Smith image Alamy 2BKC2C5 - . An authentic period record of Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ, retaining the practical visual detail that later redevelopment, rebranding or altered use can remove. The location is represented through Ashton Under Lyne,Dukinfield, Bridge,Tollls , List of Tolls, greater Manchester, GMC, Manchester,England,Uk. The setting additionally reflects waterside infrastructure, local character, visual archive, lock-side environment, documentary photography, urban change, riparian setting, boating network, social landscape, changing streetscape, parliamentary correspondence, waterborne travel, historic transport corridor, and place identity. Viewed from the mid-2020s, the subject sits within continuing debate about ageing locks and bridges, waterside regeneration and the long transition from freight route to leisure and heritage asset. From a 2025-onward perspective, the scene also connects with public spending, constituency representation and preserving campaign language that can quickly date. As a dated visual record of Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ, the frame retains commercial identity and local use, making it useful if new construction subsequently changes the scene. The photograph additionally reflects contemporary history, political campaigning, navigation engineering, community identity, democratic accountability, constituency politics, managed navigation, and inland navigation. The recorded references to Tollls, Bridge, Under, Dukinfield, and Ashton preserve clues that can help identify how the subject was presented or used at the time. For Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The image adds a further period reference to the visual history of Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ.
Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Bridge,Tollls,GMC,England,Uk,north west,historic,type,typeface,typefaces,history,heritage,ancient,worn out,used,British,Victoria,the,past,collectable,collectables,artefact,artefacts,English,worn,decayed,wearing,dust,dusty,dirty,toll bridges,bridges,AUL,A-U-L,listing
Description: Tony Smith image Alamy 2BKC2C7 - . An authentic period record of Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ, retaining the practical visual detail that later redevelopment, rebranding or altered use can remove. The photograph centres on Ashton Under Lyne,Dukinfield, Bridge,Tollls , List of Tolls, greater Manchester, GMC, Manchester,England,Uk. The locality and subject together evoke local history, managed navigation, public administration, inland navigation, contemporary history, local character, place identity, archival record, public realm, river transport, changing streetscape, urban change, constituency politics, and historic transport corridor. In the mid-2020s, heritage conservation and waterside regeneration keep this subject current, particularly through balancing leisure use with engineering and environmental needs. For contemporary context, Westminster politics and political accountability are closely related themes, especially where the issue becomes preserving campaign language that can quickly date. The archival value lies partly in recording ownership and occupation around Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ before different community use alters the character of the place. A second layer of the scene includes towpath landscape, blue-green infrastructure, social landscape, historical comparison, community identity, democratic accountability, visual archive, and electoral messaging. The recorded references to Under, Tollls, Ashton, greater, and Bridge preserve clues that can help identify how the subject was presented or used at the time. A later view of Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The frame therefore remains a dated reference for Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ and the changing story of the subject shown.
Ashton Canal Basin, Ducie Street, Manchester, England, UK, M1 2JQ
Description
Keywords: tagged,face,orange,Spoom tag,grafitti,Belfast City,Northern,Ireland,UK,city,centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,painting,wall,walls,tribute,West,Beal,feirste,fun,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M8F - . Made at Belfast, Northern Ireland, UK in 2011, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Spoom tag grafitti,Belfast,Northern Ireland,UK. The wider scene also brings together street-level design, documentary photography, regional identity, temporary artwork, public art, graffiti heritage, street creativity, archival record, urban graphics, before-and-after reference, creative placemaking, community identity, visual archive, and changing land use. Current relevance extends to gentrification and local identity, particularly through the blurred boundary between commissioned public art and unsanctioned graffiti. Future viewers can use this scene from Belfast, Northern Ireland, UK to compare equipment and working practice with whatever follows after new ownership. The surrounding story also includes place identity, local history, historical comparison, public realm, community art, social history, everyday life, and visual street culture. The combination of Northern, Spoom, Ireland, Belfast, and grafitti anchors the frame to a recognisable activity, place or moment. Around Belfast, Northern Ireland, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate gentrification and how regeneration can both promote and displace informal urban art when considered against later change at Belfast, Northern Ireland, UK. The image also provides a reference for regeneration and the blurred boundary between commissioned public art and unsanctioned graffiti without losing the local specificity of Belfast, Northern Ireland, UK. The frame retains a trace of local identity before later change alters the scene. The scene captures a local visual benchmark as a date-specific reference.
Belfast, Northern Ireland, UK
Description
Keywords: charity,collection,Gt Budworth,St Marys Church,ten bob,50p,GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,village,UK,history,CW9 6HF,CW9,ten,shilling,note,coins,Anglican,CofE,religion,Church of England,pews,arches,inside,interior,BW,black and white,threepenny piece,thruppny bit,British,parishioner,charitable
Description: Tony Smith image Alamy CF23PW - A view from the collection plate, St Mary and All Saints church, Great Budworth, Northwich, Cheshire.
A church in a delightful setting of thatched cottages and the George and Dragon pub. If you visit on a sunday, check out the cakes and afternoon teas served by the church helpers (summer only).
Parishioners use the collection envelope to leave an anonymous donation. These days they can gift aid it etc, this was not the case in the 1960's when a ten bob not would be a quite vast sum and six pence (from two three penny bits) maybe more the norm to be dropped into the plate.
The nickel brass threepence was used between 19371970. A strange coin sometimes called thripp'nce, thrupp'nce, threpp'nce or thripp'ny bit, thrupp'ny bit by grannies and others alike.
The english brown ten bob note note here was issued by issued by the Bank of England. It started to disappear when the multi-edged fifty pence piece was introduced, a great silver medalion of a thing, larger than the one today in circulation
Saint Mary's Church, Great Budworth, Northwich, Cheshire, Northwest England, UK, CW9 6HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,in,the,house,around,home,alarm,time,pain,irritating,change,reset,all,annual,event,to,from,summer time,British,Daylight saving time,DST,October,one,hour,changes,three,3,hand,hands,gain,an,02,00,2am
Description: Tony Smith image Alamy 2PHEJCR - Daylight saving time (DST), also referred to as daylight savings time, daylight time (United States, Canada, and Australia), or summer time (United Kingdom, European Union, and others), is the practice of advancing clocks (typically by one hour) during warmer months so that darkness falls at a later clock time. The typical implementation of DST is to set clocks forward by one hour in either the late winter or spring (spring forward), and to set clocks back by one hour in the fall (fall back) to return to standard time. As a result, there is one 23-hour day in early spring and one 25-hour day in the middle of autumn.
The idea of aligning waking hours to daylight hours to conserve candles was first proposed in 1784 by U.S. polymath Benjamin Franklin. In a satirical letter to the editor of The Journal of Paris, Franklin suggested that waking up earlier in the summer would economize on candle usage
and calculated considerable savings
After synchronously resetting all clocks in a region to one hour ahead of standard time, individuals following a clock-based schedule will awaken an hour earlier than they would have otherwiseor rather an hour's worth of darkness earlier
they will begin and complete daily work routines an hour of daylight earlier: they will have available to them an extra hour of daylight after their workday activities. They will have one less hour of daylight at the start of the workday, making the policy less practical during winter.
Proponents of daylight saving time argue that most people prefer a greater increase in daylight hours after the typical nine to five workday. Supporters have also argued that DST decreases energy consumption by reducing the need for lighting and heating, but the actual effect on overall energy use is heavily disputed
United Kingdom
-DDXKNE.jpg)
Description
Keywords: town,centre,WBC,family,families,killed,terrorist,terror,attack,justice,forgive,forgiveness,of,IRA,bomb,in,20/03/1993,Cheshire,UK,Ireland,Irish,Republican,Replacement,Memorial,commemoration,flowers,headstone,in,memory,history,Warrington Town Centre,Jonathon Ball,Tim Parry,GoTonySmith,@HotpixUK,history,historic,death,died,dead,murder,murdered,UK,England,English,British
Description: Tony Smith image Alamy DDXKNE - Thieves stolen a metal plaque erected in memory of two young boys who were killed in an IRA bomb attack in Warrington, Cheshire.
Tim Parry, who was 12, and Johnathan Ball, aged three, died in 1993 when two bombs detonated in the town centre injuring 54 people. The A3 size plaque is thought to have a scrap metal value of no more than £30.
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: Manchester,Piccadilly,Oxford,rd,Road,Liverpool,Lime,St,street,suburban,urban,trains,purple,seat,seats,backs,seatbacks,BR,British,Rail,britishrail,subsidy,city,centre,commuter,travel,travelers,revelers,people,going,to,work,morning,evening,dark,British,train,operating,company,owned,by,Serco,Gotonysmith,Serco-Abellio,Abellio,SercoAbellio,service,services,Britain,system,network,rail,railway,Cheshire,County Durham,Cumbria,Greater Manchester,Merseyside,Northumberland,Teesside,Tyne,and,Wear,and,Yorkshire.,Northerns,services,also,extend,to,the,north,Midland,counties,of,Derbyshire,Lincolnshire,Nottinghamshire,and,Staffordshire.,Most,services,are,supported,by,passenger,transport,executives.,Of,all,Train,Operating,Companies,in,the,UK,Northern,Rail,operates,the,most,stations,Serco-NedRailways,NedRailways,Class,142,Pacers,Secretary,of,State,for,express,slower,route,routes,Operator,of,the,Year,2007,national,NR,150,150s,inside,interior,151,sprinter,sprinters,multiple,unit,units,electric
Description: Tony Smith image Alamy E6HY57 - Northern Rail, often referred to as Northern, is a British train operating company owned by Serco-Abellio operating the Northern Rail franchise.
Northern runs a mix of commuter rural and some longer-distance services around Cheshire, County Durham, Cumbria, Greater Manchester, Lancashire, Merseyside, Northumberland, Teesside, Tyne and Wear and Yorkshire.
Northern's services also extend to the north Midland counties of Derbyshire, Lincolnshire, Nottinghamshire, and Staffordshire. Most services are supported by passenger transport executives. Of all the Train Operating Companies in the UK, Northern Rail operates the most stations
Warrington Station, NW England, UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Author,Brightwell walk,Manchester,M4 5JD,M4,wall,walls,gableend,gable end,side,side of building,literary heritage,A Clockwork Orange author,public art regeneration,creative quarter,Burgess
Description: Tony Smith image Alamy GJ795J - Author Anthony Burgess mural art work, Northern Quarter, Brightwell walk, Manchester M4 5JD gives a direct editorial record of a recognisable subject, with location, signage, architecture or everyday behaviour carrying much of the meaning. Manchester's Northern Quarter uses murals, graffiti, shutters and old warehouse streets as part of its creative identity, turning former industrial fabric into a backdrop for bars, studios and independent shops. Street art here can illustrate regeneration, gentrification, local authorship, cultural tourism, public art, music heritage and the way cities use rough edges as part of their brand. The location detail, Manchester, M4 5JD, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. For buyers, the strength lies in the combination of a named subject, a lived-in setting and enough visual specificity to carry stories about how places are used, remembered, funded, visited or contested.
Brightwell walk, Manchester M4 5JD
Description
Keywords: Lancashire,GB,great,britain,british,ale,bitter,Lancs,England,UK,2017,2018,2019,2020,Cider,ales,manc,Jan,January,bar,pump,York,local,brew,brewing,brewery,pint,half,glass,celebrate,celebrating,ticket,drink,drinkers,alcohol,United Kingdom,Manchester Central,Beer Festival,GoTonySmith,@HotpixUK,at,the,barman,serve,server,serving,landlord,berrmats,mats,beermats,beermat,pull,pulling,cheers,bottoms,up,abuse,Buy Pictures of,Buy Images Of,Images of,Stock Images,Pulling a pint,Bottoms Up
Description: Tony Smith image Alamy FDNMRM - Manchester Beer and Cider Festival is held every January. The festival features over 600 beers, ciders and perries. As well as a massive selection of cask conditioned craft ales, key-keg conditioned ales and traditional ciders & perries
There are bottled and draught beers from around the world.
The festival is organised by the Greater Manchester Branches of The Campaign For Real Ale (CAMRA).
Manchester Central, Windmill St, Manchester, England, UK, M2 3GX
