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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_8875,Boarded,up,terraced,house,Latchford,Warrington,void,red,brick,northern,two,down,UK,vacant,housing,property,windows,security,timber,boards,urban,residential,street,vacancy,empty,building,decay,dereliction,estate,closure,renovation,lets,voids,houses,accommodation,crisis,fixer upper
Description: Tony Smith image Alamy 3FYW66G - . The street-facing side of a traditional red-brick terraced house is photographed with its ground-floor window and door openings covered in timber boarding. Brickwork and a first-floor window remain visible above the secured openings, with the upper glazed sash set into lighter trim. The view concentrates on the boarded openings, weathered external fabric and familiar form of older northern English terraced housing. The brickwork is a deep reddish brown, with lintels marking openings that would ordinarily admit daylight and provide access to the property. Sheets of rough timber cover a large lower window and the front door. The contrasting light-coloured wood stands out sharply against the masonry and contrasts with the established red-brick frontage. Above, the first-floor window has a white frame and remains glazed, giving a clear view of the upper-storey residential character. A small alarm or security device is mounted high on the wall near the roofline of the visible section. The pavement meets the façade directly, typical of older terraced housing in compact urban streets of northern England. Timber boarding is one of several ways that property owners or managers secure vulnerable openings at properties undergoing work or needing secured entrances. It can be used to reduce unauthorised entry, vandalism and damage, with the timber sheets fixed directly over the photographed openings. The architectural cues identify a modest brick-built home with the proportions of a residential dwelling: vertically arranged openings, the regular upper window and a short frontage adjoining other structures. Latchford is a district of Warrington in Cheshire and contains a mixture of historic residential streets and later development. The photograph foregrounds the condition of the building envelope, making the timber, brick bonds, boarded openings and surviving upper window the principal visual evidence.
Latchford, Warrington, Cheshire
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IM347A~1,Warrington,Cheshire,red,brick,civic,building,tower,high,rise,urban,architecture,streetscape,heritage,contrast,old,new,townscape,North,West,regeneration,editorial,documentary,2026,British,Britain,Europe,travel,local,community,signage,economy
Description: Tony Smith image Alamy 3FCG6FH - . A red-brick historic or civic building is seen in the foreground with a much taller twentieth-century tower rising behind, creating a strong visual contrast between different periods of urban development in the Warrington area. The image is deliberately described conservatively because the surviving filename does not identify the premises and the thumbnail does not provide enough evidence for a reliable building name. What is clear is the layered townscape: decorated brickwork, traditional pitched roofs and older street architecture sit against a high-rise block that represents a later approach to density and redevelopment. Such juxtapositions are common in post-industrial towns of North West England, where Victorian and Edwardian public buildings, pubs, schools or commercial premises often survive alongside 1960s and 1970s towers and more recent apartment schemes. The picture is useful editorially for themes of changing skylines, heritage versus redevelopment, planning, urban character, adaptive reuse and the visual legacy of successive building booms. From a visual-research perspective, the image combines a clearly recognisable subject with the surrounding built environment. Relevant search and editorial concepts include Warrington, Cheshire, North West England, local community, urban fringe, village heritage, transport links, development pressure, public realm, local services. Useful descriptive vocabulary for archive discovery includes Warrington, Cheshire, red, brick, civic, building, tower, high, rise, urban, architecture, streetscape, heritage, contrast, old, new, townscape, North, West, England, regeneration. The photograph is suitable for editorial, documentary, social-history, planning, business and local-news use where an identifiable real-world example is preferable to a generic illustration. It also provides a dated reference for future comparison, allowing researchers to see whether the premises, branding,
Warrington area, Cheshire, North West England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0070,Audrey,Hepburn,mural,Zabou,Brick,Lane,London,Spitalfields,streetart,art,portrait,actress,cinema,film,graffiti,urban,building,facade,colourful,EastLondon,England,UK,culture,creative,tourism,heritage,wall,publicart,Best in Brick Lane,Audrey Hepburn mural,Zabou mural,Zabou street artist,Brick Lane mural,street art London,Audrey Hepburn,Brick Lane,East London,portrait mural,public art,urban art,London street art,Tower Hamlets,wall painting,celebrity portrait,British street art,colourful façade
Description: Tony Smith image Alamy 3E3029W - . Audrey Hepburn mural on Brick Lane by street artist Zabou, presented with the phrase 'Best in Brick Lane' on a vividly painted east London façade. Hepburn remains one of twentieth-century cinema's most recognisable faces, and her image is repeatedly reinterpreted in popular art, fashion and advertising decades after films such as Breakfast at Tiffany's and Roman Holiday. Using a familiar celebrity portrait allows a mural to communicate immediately to a wide audience, while the surrounding colour and street setting relocate that polished screen image into the rougher visual language of urban art. Zabou is known for large-scale figurative and portrait murals, and work of this kind fits Brick Lane's international reputation as one of London's principal street-art locations. The district attracts commissioned murals as well as unsanctioned graffiti, stencils, stickers and paste-ups, creating a streetscape that can change quickly as new work replaces old. Brick Lane's artistic identity grew alongside the reuse of warehouses and the Old Truman Brewery for studios, markets, music, fashion and other creative industries. The mural therefore forms part of a broader economic and cultural transformation in which former industrial walls became valuable surfaces for art, tourism and brand imagery. The photograph records the work within its architectural context rather than isolating it as a gallery object. That context matters because street art is inseparable from location: weather, neighbouring signs, passing people and later overpainting all affect how a piece is seen and how long it survives. Celebrity murals can also become informal landmarks, photographed and circulated online in ways that strengthen the visitor identity of a neighbourhood. The phrase 'Best in Brick Lane' adds a playful local claim to a global screen icon, combining place branding with portrait art. The work also reinforces Brick Lane's open-air gallery identity.
Brick Lane, London E1, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A8935,Rangers,Ibrox,Glasgow,football,gates,stadium,Scotland,RFC,brick,blue,club,supporters,sport,entrance,RangersFC,Rangers FC,soccer,Premier League,league,team,teams,Old firm,Protestant teams,1872,Gers,Light Blues,ground,Unionist,community,culture,Shankill,road,Andrew Cavenagh,49ers,Enterprises,classic,fines,behind,closed,doors,play,players
Description: Tony Smith image Alamy 3FA7X5C - . Rangers Football Club gates and brick stadium exterior at Ibrox. Photographed on 17 August 2025. The recorded location is Ibrox, Glasgow, Scotland, UK. Rangers Football Club gates set against the red-brick exterior of Ibrox Stadium in Glasgow. The blue metalwork and club wording provide a strong contrast with the traditional stadium architecture. The image records a prominent entrance area and can illustrate Rangers FC, Scottish football, sporting heritage, stadium operations, club identity, supporter culture and the visual landscape around Ibrox. Seen through football history, the earlier context is that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. The 2026 relevance of football history comes from the fact that sporting imagery has relevance beyond results, illustrating club identity, fan culture, major-event economics, venue investment and the role of sport in local regeneration. Relevant synonyms and subject phrases include sports venue, professional sport, major event, sports tourism, sports memorabilia, 255A8935, and RFC. For supporter culture, the historical context is that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. Looking at football club, the longer history is that football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture. The image also relates directly to sports venue, professional sport and major event.
Ibrox, Glasgow, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0078,Brick,Lane,flyposters,London,streetart,posters,EastLondon,graffiti,urban,Spitalfields,culture,music,nightlife,advertising,wall,England,UK,creative,street,art,Brick Lane flyposters,flyposting,street posters,Brick Lane street art,Brick Lane,East London,urban wall,poster layers,street advertising,guerrilla marketing,public notices,paste up art,street culture,London street art,Tower Hamlets,East End London,ephemeral art,urban texture,wall collage,creative quarter,music posters,event posters,independent culture,visual culture,city wall,public realm
Description: Tony Smith image Alamy 3E302AM - . Layers of flyposters, printed notices and street art on a Brick Lane wall in east London, creating a constantly changing collage of commercial promotion, cultural announcements and informal urban graphics. Flyposting has long been associated with music, club nights, political campaigns, small events and businesses that need cheap, immediate access to public attention. Unlike authorised billboard advertising, posters pasted directly onto walls and street furniture occupy a legally and visually contested space, often being removed, covered or replaced within days. That impermanence is particularly characteristic of Brick Lane, where murals, graffiti, stickers, stencils and paste-ups change so frequently that individual walls can become visual records of successive events and subcultures. The street's reputation for independent music, nightlife, fashion, food and art creates a receptive environment for this kind of low-cost promotion. At the same time, widespread flyposting can be treated by councils and property owners as litter, visual clutter or unauthorised advertising, placing it at the boundary between creative expression and environmental enforcement. The photograph focuses on the accumulation rather than on a single poster, showing torn edges, overlapping designs and weathered paper as part of the texture of the street. Such walls reveal how public space is repeatedly claimed by different voices, from professional promoters to artists and local campaigners. Brick Lane's converted warehouses and the Old Truman Brewery have helped make the area a major creative and visitor district, increasing both the audience for posters and the commercial value of its street-art aesthetic. As redevelopment advances, informal surfaces can disappear behind restored façades or controlled advertising spaces, making photographs of flyposted walls useful records of a less regulated visual culture.
Brick Lane, London E1, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,EFC,Everton,FC,football,club,blue,bues,255A9785,Goodison Park,exterior,main,gates,Everton FC,Liverpool,England,UK,stadium,historic,home,stands,brick,supporters,fans,heritage,Premier,League,tourism,architecture,matchday,Goodison,sean dyche everton,Goodison women,Everton women,final,game,match
Description: Tony Smith image Alamy 3EKNYMH - Goodison Park exterior and main gates, historic home of Everton FC in Liverpool, England, UK. The wide street view shows the stadium's blue-clad stands, brick perimeter walls, security gates and distinctive GOODISON lettering across the roofline. Goodison Park opened in 1892 and became one of the most recognisable traditional football grounds in England, closely embedded within the residential streets of Walton and Everton. The photograph is suitable for editorial coverage of Everton FC, Goodison Park, football stadiums, Premier League heritage, historic sports grounds, football architecture, supporters, matchday culture, Liverpool tourism and urban football history. The quiet exterior view documents the stadium fabric and its relationship with surrounding streets, useful for retrospective coverage of Everton's long period at Goodison and for stories about stadium redevelopment, relocation, football heritage and the changing physical landscape of professional football.
Goodison Park, Goodison Road, Liverpool, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,the,bar,Northwich,Cheshire,Greenalls,brewery,Converted,to,Estate Agent,office,offices,red,brick,traditional,boozer,44,CW9,classic,lettering,sign,signage,former,public house,tied,house,facade,decorative,gable frontage,licensed premises,pub closure UK,commercial conversion,adaptive,reuse
Description: Tony Smith image Alamy 2RCDJ39 - image shows the upper frontage of the former Bee Hive Inn, located at 44 High Street in Northwich town centre, Cheshire. The red-brick building retains prominent raised lettering reading Greenall Whitley & Co , identifying it as a former tied house of the well-known Cheshire and Lancashire brewery.
Greenall Whitley was founded in Warrington in the eighteenth century and became one of the North West's most significant regional brewers and pub owners. By the late nineteenth and early twentieth centuries, the company operated hundreds of tied public houses across Cheshire, Lancashire, and North Wales. The Bee Hive Inn formed part of this estate and served generations of local residents as a traditional town-centre public house.
Architecturally, the building reflects late Victorian or Edwardian pub design, with a shaped gable, red brickwork, and strong street presence intended to signal permanence and respectability. Such design features were typical of brewery-owned pubs built or remodelled during this period.
The Bee Hive Inn has since closed as a licensed premises and the building has been repurposed for commercial use, reflecting wider patterns of pub closures and high-street change across the UK. Despite this, the surviving brewery signage and facade detailing preserve a visible link to Northwich's social and brewing history.
The photograph documents the layered history of a former public house, illustrating the transition from traditional pub culture to modern commercial reuse within a changing town-centre environment.
44 High Street Northwich, Cheshire, England, UK, CW9 5BE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,the,bar,Northwich,Cheshire,Greenalls,brewery,Converted,to,Estate Agent,office,offices,red,brick,traditional,boozer,44,CW9,classic,lettering,sign,signage,former,public house,tied,house,facade,decorative,gable frontage,licensed premises,pub closure UK,commercial conversion,adaptive,reuse
Description: Tony Smith image Alamy 2RCDJ50 - image shows the upper frontage of the former Bee Hive Inn, located at 44 High Street in Northwich town centre, Cheshire. The red-brick building retains prominent raised lettering reading Greenall Whitley & Co , identifying it as a former tied house of the well-known Cheshire and Lancashire brewery.
Greenall Whitley was founded in Warrington in the eighteenth century and became one of the North West's most significant regional brewers and pub owners. By the late nineteenth and early twentieth centuries, the company operated hundreds of tied public houses across Cheshire, Lancashire, and North Wales. The Bee Hive Inn formed part of this estate and served generations of local residents as a traditional town-centre public house.
Architecturally, the building reflects late Victorian or Edwardian pub design, with a shaped gable, red brickwork, and strong street presence intended to signal permanence and respectability. Such design features were typical of brewery-owned pubs built or remodelled during this period.
The Bee Hive Inn has since closed as a licensed premises and the building has been repurposed for commercial use, reflecting wider patterns of pub closures and high-street change across the UK. Despite this, the surviving brewery signage and facade detailing preserve a visible link to Northwich's social and brewing history.
The photograph documents the layered history of a former public house, illustrating the transition from traditional pub culture to modern commercial reuse within a changing town-centre environment.
44 High Street Northwich, Cheshire, England, UK, CW9 5BE
Description
Keywords: WA1,Cheshire,England,English,UK,GoTonySmith,HotpixUK,@HotpixUK,Buttermarket Street,WA1 2NN,evening,dusk,drinking,pub,pubs,bar,bars,beer,garden,beer garden,music,nights,live,band,bands,outside,exterior,friendly,local,traditional,British,brick,previously,the,Cross Keys,CrossKeys
Description: Tony Smith image Alamy 2RHH6HP - Taken on 15 Aug 2023, this photograph shows Porters Ale House formally the Cross Keys, evening real ale at Buttermarket St, Warrington, Cheshire, England, WA1 2NN. The location is Buttermarket St, Warrington, Cheshire, England, WA1 2NN. The picture is not just a record shot: it contains public house signs, frontage, street activity or drinking culture details useful for hospitality and heritage features. The Warrington pub frontage links real ale, evening hospitality, town-centre leisure and the reuse of older commercial buildings in a changing high street. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Buttermarket St, Warrington, Porters, Ale House, Porters Ale House, town, centre, Victorian, building, architecture, WA1, Cheshire, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. This makes the image useful for comparison pieces, then-and-now features, local news, regeneration stories and plain-English explainers aimed at a general audience. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history
Buttermarket St, Warrington, Cheshire, England, WA1 2NN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,WA1,94 Bridge St,WA1 2RF,pubs,bars,town,centre,nightlife,hotel,94,Victorian,building,architecture,the,late night,front,exterior,outside,sports bar,cocktails,Gerogian,lodging,lodgings,licensed,premises,premise,brick,facade,façade,Feathers Warrington,refurb,refurbishment,AJP,Pub Group Ltd
Description: Tony Smith image Alamy 2RC31AA - . The Feathers public house 1900, 94 Bridge St, Warrington, Cheshire, England, UK, WA1 2RF. Photographed on 11 July 2023. As background, public houses form a distinctive part of British social history, combining licensed drinking, hospitality and community life
Older pubs can reveal changing fashions in brewing, tied houses, coaching routes, urban development and leisure, while modern bars show how the licensed trade continues to adapt. In historical terms, city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban evolution than landmark images alone. Against the 2026 backdrop, pub survival is a live issue, with government support including a 15% business-rates relief for eligible pubs and live-music venues in England during 2026/27, alongside wider debate about closures, property costs and the value of pubs as community assets. During 2026, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way. From a heritage perspective, pub structures and signs provide a useful record of the licensed trade, from traditional alehouses and brewery estates to contemporary hospitality businesses
They are also part of the story of changing high streets, nightlife, real ale, cask beer and the survival or reuse of historic premises. Looking at the subject's development, british pubs evolved from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, drinking houses, music venues and landmarks within town and village life
Their architecture, signs, interiors and changing names often preserve layers of local commercial and social history.
94 Bridge St, Warrington, Cheshire, England, UK, WA1 2RF
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,WA4,WA4 1HT,Anglo-catholic,churches,stone,stonework,on school,entrance,outside,exterior,door,of,Latchford,village,Victorian,history,historic,arch,archway,brick,building,architecture,enlarged,1872,doorway,old,parish,Wash Lane Schoolroom,Schoolroom,sandstone,gothic
Description: Tony Smith image Alamy 2JDJ4J2 - The parish of Christ Church started with the building of an infant's school when the population of Latchford grew large enough to warrant such a school. This building still exists and it is now known as Wash Lane Schoolroom. However, after the death of Thomas Greenall, and following his wishes, his family decided to build a small sandstone church of Gothic design. The church consisted of a nave and chancel with an ornamental spire and its first priest was the Reverend Richard Greenall. On Tuesday, 16th July 1861 the Bishop of Chester, the Right Rev. Dr. John Graham, consecrated the church under the name of Christ Church. One can still find a brass plate in the chancel of the church commemorating the event: “ To the glory of God, and in affectionate memory of the late Thomas Greenall of Wilderspool and Grappenhall this church was erected Anno Domini 1861.
Christ Church was originally a chapel of ease to the mother church of St. Wilfrid at Grappenhall and was made a parish by Order of Council on 12th March 1866 with a population of 1,031 people. The parish priest at that time was the Reverend W.R. Burgess. The Vicarage was built in 1867 on land adjoining the church bought by Thomas Greenall's sons.
In 1875-76 a gallery at the west end of the nave was removed along with the organ. A transept, organ chamber and a vestry were added on the north side of the church. An organ which originally belonged to St. Wilfrid's church was installed as well as the west tracery window and a sedilia was placed in the
Sanctuary. Stained glass windows were placed at the south side of the chancel and at the southwest end of the nave. At the beginning of September 1882 an alabaster reredos and chancel arch were added.
The church consists of three separate elements joined together. The tower and spire are situated above the porch on the south side of the church and they are attached to the nave by a short corridor. An aisle on the north side of the nave was an addition to the church i
30 Wash Lane, Warrington, Cheshire, England, UK, WA4 1HT
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,flat,flats,apartments,property,properties,Construction of new flats in Latchford,Cheshire,develop,developing,scheme,of,new,in,block,blocks,crane,brick,home,homes,Station Road,Latchford,south Warrington,WA4,development,developments,apartment,clad,cladding,local,plan,planning
Description: Tony Smith image Alamy 2JDJ4J7 - . A grounded documentary photograph made at Station Road, Latchford, south Warrington, Cheshire, England, UK, WA4 in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The main point of reference is Construction of new flats in Station Road, Latchford, south Warrington, Cheshire, England, UK, WA4. The wider scene also brings together site redevelopment, public realm, before-and-after reference, residential development, trackside history, changing land use, building programme, construction project, commercial construction, local character, regional identity, public transport network, period detail, and community identity. Current relevance extends to building safety and housing demand, particularly through the importance of safe, well-managed construction in established communities. In present-day coverage, the subject reaches into fares and decarbonisation, not least because of how historic rolling stock documents the industrial railway. For later comparison, the photograph preserves landscape treatment and surrounding development at Station Road, Latchford, south Warrington, Cheshire, England, UK, WA4, details that may look very different after changing commercial priorities. The surrounding story also includes changing streetscape, care-sector construction, passenger railway, rail mobility, local history, place identity, development pipeline, and historical comparison. Details involving Latchford, Station, flats, and Construction make the image more specific than a generic view and strengthen its local or historical value. A later view of Station Road, Latchford, south Warrington, Cheshire, England, UK, WA4 may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The frame retains details of everyday use for later comparison.
Station Road, Latchford, south Warrington, Cheshire, England, UK, WA4
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,Grappenhall Heys,Grappenhall,rafters,Warrington,Cheshire,WA4,new,green,belt,summer,site,scaffolding,estate,estates,developments,being,built,sub-contractor,subcontractor,subcontractors,brick,bricks,and,mortar,morter,carpentry,sites,secure,trades,design,affordable,sizes
Description: Tony Smith image Alamy 2JDJ44H - . This dated documentary view of Grappenhall Heys, Warrington, Cheshire, England, UK, WA4 3LH in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The image documents Grappenhall Heys development, roof rafters, Warrington, Cheshire, England, UK, WA4. The locality and subject together evoke site redevelopment, local character, changing land use, archival record, urban change, building works, everyday life, construction phase, contemporary social history, site transformation, residential development, community life, development pipeline, and contemporary city life. Current relevance extends to housing demand and local infrastructure, particularly through how temporary building sites mark a visible stage of long-term land-use change. In present-day coverage, the subject reaches into footfall and local identity, not least because of how regeneration alters the character of familiar places. Small period details of transport arrangements and footfall at Grappenhall Heys, Warrington, Cheshire, England, UK, WA4 3LH may become more significant with time, particularly following refurbishment. The surrounding story also includes everyday street life, street-level documentary, construction project, townscape record, new-build scheme, city-centre activity, care-sector construction, and changing streetscape. Elements such as rafters, development, and Grappenhall add documentary specificity and may become increasingly useful when compared with later records. Around Grappenhall Heys, Warrington, Cheshire, England, UK, WA4 3LH, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is housing demand and how temporary building sites mark a visible stage of long-term land-use change when considered against later change at Grappenhall Heys, Warrington, Cheshire, England, UK, WA4 3LH.
Grappenhall Heys, Warrington, Cheshire, England, UK, WA4 3LH
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,AD1897,red,brick,outside,WA5,141,Old Liverpool Rd,Gt Sankey,Warrington,Cheshire,WA5 1AS,shop,cafe,Food 4 Thought,Food-4-Thought,breakfast,lunch,catering,01925,656713,summer,evening,blue,sky,skies,heritage,sunny,sun,blue sky,blue skies,Great Sankey,Liverpool Rd
Description: Tony Smith image Alamy 2JDJ426 - . This dated documentary view of 141 Old Liverpool Rd, Gt Sankey, Warrington, Cheshire, England, UK, WA5 1AS in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The principal subject is Diamond Jubilee 1897 buildings, 141 Old Liverpool Rd, Gt Sankey, Warrington, Cheshire, England, UK, WA5 1AS. Other connected aspects include historic frontage, independent food retail, social history, leisure spending, historic townscape, night-time economy, food tourism, period building, before-and-after reference, documentary photography, destination dining, changing land use, changing streetscape, and historical comparison. Current relevance extends to energy retrofit and planning control, particularly through keeping older structures useful without erasing their character. In present-day coverage, the subject reaches into changing dining habits and staffing pressure, not least because of the role of restaurants and bars in visitor-led regeneration. Small period details of signage and branding at 141 Old Liverpool Rd, Gt Sankey, Warrington, Cheshire, England, UK, WA5 1AS may become more significant with time, particularly following different community use. The location also brings in local dining scene, conservation architecture, period streetscape, public realm, architectural character, everyday life, architectural detailing, and archival record. The recorded references to Sankey, buildings, Jubilee, Diamond, and Liverpool preserve clues about how the subject was presented, used or understood at the time. For 141 Old Liverpool Rd, Gt Sankey, Warrington, Cheshire, England, UK, WA5 1AS, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The frame retains a local visual benchmark within the wider story of 141 Old Liverpool Rd, Gt Sankey, Warrington, Cheshire, England, UK, WA5 1AS.
141 Old Liverpool Rd, Gt Sankey, Warrington, Cheshire, England, UK, WA5 1AS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,Greater Manchester,England,Lancs,Lancashire,centre,WN7,101,Leigh,UK,WN7 4AD,former,and,red,brick,lion,historic,listed,heritage,old,Victorian,NW,northern,powerhouse,towns,colleges,training,technical,college,schools,municipal colleges,empty,for,sale,rent,rental,development
Description: Tony Smith image Alamy 2JH06R4 - . An identifiable period record of 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Former Free Library and Municipal College - 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD. Another layer of the photograph includes changing streetscape, architectural character, contemporary social history, heritage asset, rail corridor, rail transport, period building, passenger railway, rail infrastructure, public transport network, architectural detailing, rail mobility, period detail, and everyday life. Today's relevance is strengthened by redevelopment pressure, maintenance and the continuing question of keeping older structures useful without erasing their character. From a 2025-onward perspective, public ownership and reliability are closely linked to this subject, alongside the balance between railway heritage and network modernisation. As a dated visual record of 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD, the frame retains public access and movement, making it especially useful if changing commercial priorities subsequently changes the scene. A second descriptive layer includes documentary photography, community identity, conservation architecture, changing land use, transport interchange, archival record, local character, and before-and-after reference. References to Manchester, College, Municipal, Lancs, and Railway give the picture a strong period identity and tie it closely to its named subject. The period setting at 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Image 2JH06R4 also remains a dated record of 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD.
101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,Greater Manchester,England,Lancs,Lancashire,centre,WN7,101,Leigh,UK,WN7 4AD,former,and,red,brick,lion,historic,listed,heritage,old,Victorian,NW,northern,powerhouse,towns,colleges,training,technical,college,schools,municipal colleges,empty,for,sale,rent,rental,development
Description: Tony Smith image Alamy 2JH06R6 - . A grounded documentary photograph made at 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through Former Free Library and Municipal College - 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD. The broader subject matter reaches into place identity, period detail, public realm, heritage asset, urban fabric, period streetscape, architectural character, regional rail, social history, changing land use, contemporary social history, industrial railway heritage, freight wagon, and changing streetscape. Today's relevance is strengthened by heritage conservation, local identity and the continuing question of the tension between conservation and redevelopment. From a 2025-onward perspective, regional connectivity and public ownership are closely linked to this subject, alongside the continuing importance of rail to regional connectivity. The image fixes equipment and working practice within 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD at one identifiable point, providing a benchmark against different community use. The surrounding story also includes transport interchange, passenger railway, rail infrastructure, local landmark, heritage landmark, regional identity, visual archive, and public transport network. Details involving Library, College, Greater, Railway, and Former make the image more specific than a generic view and strengthen its local or historical value. For 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The period view preserves details of everyday use for future local research.
101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,lovers,valentine,lyrics,pub,Merseyside,England,tourist,tourism,John Lennon,haunt,brick,wall,slogan,painted,hearts,hope,street art mural,attraction,landmark,love message,Fab Four,connection,Lennon,history,pub Liverpool,Georgian Quarter,music,heritage,city,iconic song,quotation,public graffiti,message,urban culture,tourism photo,Merseybeat,pilgrimage
Description: Tony Smith image Alamy 2PJW6NK - The words Love Is All You Need are painted in turquoise lettering across a weathered red brick wall at 13 Rice Street in Liverpool, accompanied by informal heart shapes and other small pieces of graffiti. The wording reverses the title of the famous Beatles song All You Need Is Love , but its meaning and location create an unmistakable connection with the city's musical heritage.
The wall stands close to Ye Cracke, a historic Liverpool pub long associated with John Lennon. Lennon is said to have frequented the pub while studying at the nearby Liverpool College of Art, before the Beatles achieved international fame. Ye Cracke remains a popular destination for Beatles enthusiasts, music tourists and visitors exploring the Georgian Quarter.
The hand-painted lettering, yellow heart outline and rough brickwork create an informal and affectionate piece of street art. Rather than being an official monument, the message reflects Liverpool's continuing everyday relationship with the Beatles, with references to the group appearing throughout the city's streets, pubs, venues and visitor attractions.
Rice Street lies within Liverpool's Georgian Quarter, near Hope Street, Liverpool Cathedral, the former art college and other locations linked with the city's cultural and musical history. The area is characterised by historic buildings, independent pubs, theatres, educational institutions and lively nightlife.
The image combines a universally recognisable message about love with the local story of John Lennon, the Beatles and Liverpool's Merseybeat legacy. Its weathered and unofficial appearance also gives it the character of a spontaneous public tribute rather than a polished commercial tourist display.
13 Rice Street, Liverpool, Merseyside, L1 9BB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,CW5,CW5 5DG,building,from,architecture,old,theater,northern,play,plays,productions,production,historic,actor,actors,venue,venues,terracotta,sign,signage,outside,external,exterior,red,brick,heritage,Victorian,imaginative,sunny,blue sky,blue skies,village
Description: Tony Smith image Alamy 2JNN59F - . Photographed at Nantwich, Cheshire, England, UK, CW5 5DG in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The image documents Ye Olde Wyche Theatre building from 1919, Nantwich, Cheshire, England, UK, CW5 5DG. The image also relates to heritage asset, conservation interest, place identity, historic townscape, built heritage, conservation architecture, social history, architectural detail, period architecture, local history, adaptive reuse, cityscape history, before-and-after reference, and contemporary social history. For current editorial use, planning control and embodied carbon provide additional context, especially through how historic buildings acquire new uses as cities change. As a dated visual record of Nantwich, Cheshire, England, UK, CW5 5DG, the frame retains street furniture and boundaries, making it especially useful if closure or conversion subsequently changes the scene. Other useful contextual ideas include local character, visual archive, changing land use, archival record, documentary photography, historical comparison, period building, and urban fabric. Details involving building, Nantwich, Wyche, and Theatre make the image more specific than a generic view and strengthen its local or historical value. For Nantwich, Cheshire, England, UK, CW5 5DG, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is planning control and how historic buildings acquire new uses as cities change within the specific setting of Nantwich, Cheshire, England, UK, CW5 5DG. The wider significance includes adaptive reuse and keeping older buildings useful without erasing their distinctive character as part of the longer story of Nantwich, Cheshire, England, UK, CW5 5DG.
Nantwich, Cheshire, England, UK, CW5 5DG
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,Cheshire,England,UK,CW3,CW3 0AB,canalside,sign,canal,at,signage,store,workshop,old,history,historic,blue sky,heritage,sunny,mills,stores,shops,tourist,tourism,attraction,attractions,brick,red,windows,side,buildings,architecture,waterside,workshops,preserved,developed,Canal & River trust,property
Description: Tony Smith image Alamy 2JP5T1M - . This scene at Audlem, Cheshire, England, UK, CW3 0AB in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Audlem Mill , canal and needlework shop, Audlem, Cheshire, England, UK, CW3 0AB. The image also relates to visual archive, local history, local character, before-and-after reference, commercial streetscape, small business, public realm, bricks-and-mortar retail, street-level business, social history, historical comparison, town-centre economy, independent retail, and place identity. In present-day coverage, the subject reaches into business rates and consumer spending, not least because of the resilience of independent shops in an online retail economy. The image fixes commercial use and occupation within Audlem, Cheshire, England, UK, CW3 0AB at one identifiable point, providing a benchmark against refurbishment. The wider setting retains connections with commercial frontage, changing land use, everyday life, contemporary social history, period detail, retail property, documentary photography, and local trading. Details involving needlework, Audlem, and canal make the image more specific than a generic view and strengthen its local or historical value. The period setting at Audlem, Cheshire, England, UK, CW3 0AB helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to business rates and how consumer spending and property costs shape local commercial streets as part of the longer story of Audlem, Cheshire, England, UK, CW3 0AB. The location additionally provides evidence of footfall and the resilience of independent shops in an online retail economy when considered against later change at Audlem, Cheshire, England, UK, CW3 0AB. The scene captures a point of historical comparison before later change alters the scene.
Audlem, Cheshire, England, UK, CW3 0AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,FY1,Christian,Christians,Baptists,Baptist,churches,brick,terracotta,red,Town,Centre,Conservation,Area,Talbot Square Conservation Area,history,historic,heritage,old,building,buildings,architecture,traditional,church,religious,place,places,of,worship,sect,style,branch,the
Description: Tony Smith image Alamy 2JRFFBX - . This authentic period view of 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The scene records Baptist Tabernacle Church, 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL. Further facets of the scene include public realm, period detail, mixed-use redevelopment, urban fabric, parish church heritage, everyday life, architectural character, Christian iconography, local character, changing land use, archival record, public-realm investment, social history, and sacred decoration. In present-day coverage, the subject reaches into commercial viability and housing pressure, not least because of the tension between preserving local character and creating modern commercial space. Today's relevance is strengthened by church maintenance, historic fabric and the continuing question of the role of parish churches in local identity and genealogy. The archival value lies partly in recording landscape treatment and surrounding development around 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL before replacement signage alters the character of the place. Further associations within the scene are faith heritage, documentary photography, changing streetscape, community identity, place-making, ecclesiastical art, urban regeneration, and civic architecture. The combination of Tabernacle, Lancashire, Baptist, Blackpool, and Church anchors the frame to a recognisable activity, place or moment. Around 2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene captures a trace of local identity as a date-specific reference. The period view preserves a local visual benchmark for later comparison.
2 Springfield Rd, Blackpool , Lancashire, England, UK, FY1 1QL
---Godalming--Waverley--Surrey--England--UK--GU7-1DU---Between-The-Lines--Costa-Coffee-2PGAYHB.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Surrey,Waverley,GU7 1AB,GU7,side,history,grade II,Between The Lines,Costa Coffee,House,or,inn,two,shop,shops,and,2 flats,dated,1663,Bargate rubblestone,with,red-brick,dressings,polygonal-paned,polygon,glazing,windows,brick,NGR,SU9699343847,17th,century,1600s
Description: Tony Smith image Alamy 2PGAYHB - SU 9743 NW SU 9643 NE 13/130 and 12/130
GODALMING HIGH STREET (north side) Nos 74, 74A, 76 and 76A
(Formerly listed as Nos 74 (Gateway), 74A, 76 (Country House Curtains) and 76A, previously listed as 28 and 29)
18.12.47
GV II*
House or inn, now two shops and two flats. Dated 1663, altered C19 and C20. Bargate rubblestone with red-brick dressings. Plain tile roof. Two storeys with attic
four bays. Two C20 shop fronts, not of special interest, and panelled door on left (to No 76A). Ground and first floors each have moulded brick cornice, with tile weathering, above a band of raised, brick, ovals and lozenges, first floor cornice rising at centre into segmental pediment (broken by rainwater pipe).
Windows have flat brick arches and are of three lights to first floor, two lights to attic, all with mid-C19 decorative square- and polygonal-paned glazing. First floor has strapwork panels between windows, pendant finials to ends, and more elaborate central panel with oval datestone. Attic originally had four gables, with strapwork, these joined up in C19 to form coped parapet ramping down at each end
three old rainwater heads. Very large multiple-flue, central ridge stack.
Rear: ground-floor, masked by late C19 addition (which is not of special interest), has round arched door on right (to No 76A). First floor has strapwork decoration
wood-mullioned three-light windows with flat brick arches, right-hand window retaining two diamond-leaded lights, left-hand window masked by addition (not of special interest)
stepped cornice.
Attic: four gables, each with header-brick-arched, two-light windows,those on right having iron casements with saddle bars and diamond-leaded glazing, the left-hand gable masked by later stack.
Left return (visible from rear) has the left-hand gable strapwork and cornice as rear
on ground floor a blocked former doorway and window with an inserted doorway on right
a three-light window former floor
gable has over-sailing, brick-banded
76 High St (northside) , Godalming, Waverley, Surrey, England, UK, GU7 1DU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancashire,England,UK,FY1 5QE,1913,Theatre,movie,brick,bricks,bingo,hall,Dutch,style,nightclub,night,club,called,named,The Venue,gable,chequerboard,brickwork,interesting,building,architecture,Family Fun,cinema,treasure,treasures,history,historic,derelict,abandoned,classic
Description: Tony Smith image Alamy 2JREBM5 - The Central Picture Theatre opened its doors for the first time on 11th July 1913. It was renamed the King Edward Picture Palace in 1914.
By 1972 it had closed as a cinema and was in use as a bingo hall, a use that continued until March 1984.
After several years laying empty and un-used, it became a nightclub named ˜The Venue' and the facade was restored in recent years. The chequerboard brickwork and Dutch gable enlivens a rather drab part of town. It became an entertainment venue named Family Fun, the went back to night club use, but was closed by 2011.
The King Edward Picture House is a Grade II Listed building
37 Central Drive, Blackpool , Lancashire, England, UK, FY1 5QE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,England,UK,The,FY1 1BN,old,space,artspace,artist,artists,wall,bear,with,child,at,subversion,street art,pasted,Blackpools,community,derelict,repurposed,canvas,creativity,expression,buildings,brick,walls,characters,fantasy,people,figures,Pip Squeak,Pipsqueak,bears
Description: Tony Smith image Alamy 2JRFF4R - . Recorded at The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is Pipsqueek bear with child at The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN. The surrounding context encompasses built heritage, period architecture, visual archive, social history, changing land use, local history, urban regeneration, before-and-after reference, contemporary social history, documentary photography, civic architecture, historical comparison, mixed-use redevelopment, and heritage-led regeneration. The wider contemporary story combines planning, public-realm investment and the value of reusing existing buildings rather than wholesale demolition. Small period details of local activity and public use at The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN may become more significant with time, particularly following changed technology. The location also brings in commercial redevelopment, archival record, everyday life, place identity, public realm, historic townscape, regional identity, and urban fabric. The recorded references to Pipsqueek, Deansgate, child, Lancs, and factory preserve clues about how the subject was presented, used or understood at the time. A later view of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of planning and the value of reusing existing buildings rather than wholesale demolition within the specific setting of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN. The image fixes part of the area's social history before later change alters the scene.
The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,The,Deansgate,FY1 1BN,old,rock,factory,art,space,artspace,artist,artists,girl,in,the,eye,decay,subversion,street art,pasted,Blackpools,community,derelict,repurposed,canvas,creativity,expression,buildings,brick,walls,concept,watching
Description: Tony Smith image Alamy 2JRFF51 - . This scene at The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The location is represented through Girl in the door - The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN. The subject also carries associations with place-making, contemporary social history, community identity, mixed-use redevelopment, regional identity, town-centre renewal, documentary photography, local history, historic townscape, social history, commercial redevelopment, archival record, visual archive, and changing land use. From a 2025-onward perspective, housing pressure and town-centre regeneration are closely linked to this subject, alongside the tension between preserving local character and creating modern commercial space. As a dated visual record of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN, the frame retains transport arrangements and footfall, making it especially useful if later reinterpretation subsequently changes the scene. Further associations within the scene are urban fabric, period detail, changing streetscape, built heritage, civic architecture, historical comparison, everyday life, and public-realm investment. The combination of Deansgate, factory, Blackpool, and Lancs anchors the frame to a recognisable activity, place or moment. The period setting at The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes housing pressure and how regeneration tries to create reasons to visit traditional town centres within the real-world context of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN.
The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,The,FY1 1BN,artspace,windows,portraits,portrait,head,shots,window,subversion,street art,pasted,Blackpools,community,derelict,repurposed,canvas,creativity,expression,buildings,brick,walls,characters,fantasy,people,figures,Colourful,provocative,sunny
Description: Tony Smith image Alamy 2JRFF55 - . This authentic period view of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN - windows, portraits. The wider scene also brings together community identity, social history, commercial redevelopment, adaptive reuse, everyday life, public-realm investment, public realm, urban regeneration, changing streetscape, urban fabric, before-and-after reference, historic townscape, regional identity, and mixed-use redevelopment. For current editorial use, construction costs and heritage conservation provide additional context, especially through the tension between preserving local character and creating modern commercial space. As a dated visual record of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN, the frame retains landscape treatment and surrounding development, making it especially useful if new construction subsequently changes the scene. A second descriptive layer includes local history, period architecture, period detail, place identity, heritage-led regeneration, built heritage, town-centre renewal, and changing land use. The combination of windows, Deansgate, factory, Lancs, and Blackpool anchors the frame to a recognisable activity, place or moment. Around The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is construction costs and how public investment can reshape pedestrian movement and evening activity in a form that can be compared with future views of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN.
The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,street,art,artwork,steel,aluminium,metal,figure,playing,a,8,N,North,Dublin,D07 X704,attached,to,brick,wall,building,Irish,artist,sculpture,stainless steel,centre,sights,vibe,atmosphere,buildings,urban,architecture
Description: Tony Smith image Alamy 2M84JGM - . Photographed at the recorded location in 2019, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The location is represented through Metal art, figure playing a flute, attached to a brick wall, 8 King St N, Dublin, D07 X704, Eire, Ireland. The image also relates to traditional materials, street-level design, heritage asset, social history, heritage landmark, community identity, documentary photography, community art, street creativity, visual street culture, regional identity, architectural detailing, architectural character, and public-realm art. From a 2025-onward perspective, public art and regeneration are closely linked to this subject, alongside the blurred boundary between commissioned public art and graffiti. The wider contemporary story combines adaptive reuse, heritage conservation and keeping older buildings useful without erasing their character. The archival value lies partly in recording commercial use and occupation around the recorded location before refurbishment alters the character of the place. The location also brings in before-and-after reference, period architecture, local character, built heritage, changing land use, mural culture, period detail, and creative placemaking. Details involving playing, Metal, attached, Ireland, and Dublin make the image more specific than a generic view and strengthen its local or historical value. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate public art and how temporary street art can become an important visual archive as part of the longer story of the recorded location. The image also provides a reference for tourism and the value of architectural landmarks to local identity when considered against later change at the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,England,UK,GL5,22,GL5 1AQ,Walkers the bakers,Walkers,the,baker,historic,upper,floor,floors,corner,shop,store,Kendrick St,British,shopping,exterior,outside,quaint,unusual,interesting,buildings,in,redbrick,red,brick,English,thriving,successful,district,council,DC
Description: Tony Smith image Alamy 2JMD5R0 - . An identifiable period record of 22 Kendrick St , Stroud, Gloucestershire, England, UK, GL5 1AQ in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The location is represented through Walkers the bakers, upper floors at 22 Kendrick St , Stroud, Gloucestershire, England, UK, GL5 1AQ. A broader reading of the photograph includes public realm, shopfront economy, local history, specialist retailer, retail property, local enterprise, small business, contemporary social history, town-centre economy, documentary photography, visual archive, historical comparison, customer footfall, and everyday life. Current relevance extends to independent business and town-centre regeneration, particularly through the resilience of independent shops in an online retail economy. Small period details of landscape treatment and surrounding development at 22 Kendrick St , Stroud, Gloucestershire, England, UK, GL5 1AQ may become more significant with time, particularly following conservation work. The surrounding story also includes community identity, street-level business, local trading, place identity, changing land use, high-street commerce, commercial frontage, and bricks-and-mortar retail. The combination of Stroud, floors, bakers, Walkers, and Gloucestershire anchors the frame to a recognisable activity, place or moment. A later view of 22 Kendrick St , Stroud, Gloucestershire, England, UK, GL5 1AQ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of independent business and the resilience of independent shops in an online retail economy when considered against later change at 22 Kendrick St , Stroud, Gloucestershire, England, UK, GL5 1AQ. The frame retains a trace of local identity before later change alters the scene.
22 Kendrick St , Stroud, Gloucestershire, England, UK, GL5 1AQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,&,and,sons,Ltd,Limited,Liverpool,L1 3BN,brick,old,doc,docks,architecture,in,historic,Mooney,warehouse,building,history,Ropewalks,Rope Walks,business,door,doors,winch,preserved,renovated,Victorian
Description: Tony Smith image Alamy 2M95NHT - . This dated editorial view of Wm Mooney & Sons Ltd, old warehouse building, in College Lane, Liverpool, Merseyside, England, UK, L in 2023 captures more than the immediate subject, retaining clues about local use, design, activity and change. The subject captured here is BarberBarber, in Wm Mooney & Sons Ltd, old warehouse building, in College Lane, Liverpool, Merseyside, England, UK, L1 3BN. Another layer of the photograph includes town-centre economy, period detail, consumer retail, adaptive reuse, visual archive, regional identity, small-business culture, documentary photography, brand display, local character, independent retail, built heritage, place identity, and heritage asset. Current relevance extends to redevelopment pressure and maintenance, particularly through the value of architectural landmarks to local identity. In present-day coverage, the subject reaches into online shopping and consumer spending, not least because of the short lifespan of branding, displays and shopfront identities. The archival value lies partly in recording landscape treatment and surrounding development around Wm Mooney & Sons Ltd, old warehouse building, in College Lane, Liverpool, Merseyside, England, UK, L before conservation work alters the character of the place. The location also brings in local enterprise, public realm, urban fabric, historical comparison, commercial streetscape, customer footfall, local history, and community identity. Details involving BarberBarber, Liverpool, Mooney, College, and warehouse make the image more specific than a generic view and strengthen its local or historical value. Around Wm Mooney & Sons Ltd, old warehouse building, in College Lane, Liverpool, Merseyside, England, UK, L, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The frame retains period character for future local research.
Wm Mooney & Sons Ltd, old warehouse building, in College Lane, Liverpool, Merseyside, England, UK, L
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,2-16,Merseyside,L18 5EF,Historic,terrace,at,listed,building,1068226,workers,worker,working,cat,celebration,no cars,no vehicles,eight,houses,simple,two up,two down,red brick,brick,central gutter,Moseley Hill,buildings,history,heritage,historic,area,district,ward
Description: Tony Smith image Alamy 2K0PRPB - GV II Terrace of eight houses. Late C19. Common brick with red brick and stone dressings, slate roof. Two storeys, one bay to each house. Flush brick band to ground floor and first floor sill band
and top brick cornice. Windows have wedge lintels and mostly C20 casements. Entrances have segmental brick heads with red brick jambs. C20 doors and overlights. Stacks have moulded caps. Nos. 6 and 16 have sashes, no glazing bars, No.10 has four-panel door.
A good example of C19 workers' housing on pedestrian street with blue tiles and central gutter.
Listing NGR: SJ3920587421
2-16, Gordon Place, Liverpool, Merseyside, England, UK, L18 5EF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,5666,1906,terracotta,tiled,brick,bricks,hall,jew,faith,kitchem,food,relief,poor,feeding,the,Strangeways,philanthropic,M3,M3 1JB,Edwardian,Foucault-derived models,Foucault,derived models,penny-brick fund,Exchange Street,Southall Street,architect Thomas Bushell,Manchester Jewish Board of Guardians,Michael Marks,Marks & Spencer,Jewish settlement,history,historic,heritage,charity,charitable,organisation
Description: Tony Smith image Alamy 2JTWGH0 - Soup and Reform: Improving the Poor and Reforming Immigrants through Soup Kitchens 1870“1910 - more at https://link.springer.com/article/10.1007/s10761-017-0403-8
Charitable soup kitchens proliferated in nineteenth-century Europe and North America. Three soup kitchens operating in England between 1870 and 1910 are compared
two were Jewish soup kitchens, the other was an English (non-Jewish) charity. Institutional buildings are often analyzed using Foucault-derived models of control based on surveillance and punishment. Such models may not explain fully charities, their buildings, or their method of reform. Historical archaeology can show how charity that coerces or dehumanizes the poor is less likely to create lasting improvements in the behaviors it is seeking to reform than charity that adopts a more positive approach.
The Manchester Jewish Soup Kitchen
Documentary History
The Jewish soup kitchen in Manchester had its first meeting in November 1895 (Manchester Jewish Soup Kitchen 1912). The committee was formed by local rabbis
the women present formed a sub-committee to organize fund-raising. By 1904, half of the main committee was made up of women. The kitchen opened three times a week from Chanukah (i.e., in early 1896) until Passover. The committee adopted the name The Soup Kitchen for the Jewish Poor Manchester, after the London soup kitchen. In 1908 the name was changed to The Manchester Jewish Soup Kitchen.
The committee located a site on the corner of Exchange Street (now Empire Street) and Southall Street, opposite the northeast corner of Strangeways Prison, on the western side of the Jewish community. Plans were drawn up by architect Thomas Bushell. Fundraising for the new building included a penny-brick fund by which less well-off donors could sponsor a brick for the cost of one penny.
Michael Marks, the co-founder of department store Marks & Spencer and an active committee member, made a substantial donation in 1905 for funding tickets
Empire St Manchester, England, UK, M3 1JB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,Cheshire,England,UK,pub,bar,closed,at,dusk,night,evening,in the,WA4,historic,building,listed,Grade II,686,old,history,brick,Victorian,nighttime,village,centre,old pub,pubs,bars,street,view,cafe,offices,retail,unit
Description: Tony Smith image Alamy 2K3T347 - . Made at 686 Knutsford Road, Latchford village, Warrington, Cheshire, England, UK, WA4 1JW in 2021, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. At the centre of the view is ex-Railway Hotel, 686 Knutsford Road, Latchford village, Warrington, Cheshire, England, UK, WA4 1JW, now Railway Court at dusk. The image also relates to commercial redevelopment, urban fabric, hospitality economy, place identity, visual archive, changing streetscape, historical comparison, adaptive reuse, customer-facing leisure, contemporary social history, changing land use, social history, food-and-drink business, and local character. The modern context includes continuing discussion of commercial viability, planning and the value of reusing existing buildings rather than wholesale demolition. For current editorial use, hospitality costs and consumer spending provide additional context, especially through how branded and independent hospitality compete for changing leisure spending. As a dated visual record of 686 Knutsford Road, Latchford village, Warrington, Cheshire, England, UK, WA4 1JW, the frame retains street furniture and boundaries, making it especially useful if replacement signage subsequently changes the scene. A second descriptive layer includes community pub, heritage-led regeneration, pub heritage, period architecture, casual dining, built heritage, neighbourhood drinking venue, and mixed-use redevelopment. The recorded references to Hotel, Court, Railway, Latchford, and Knutsford preserve clues about how the subject was presented, used or understood at the time. Around 686 Knutsford Road, Latchford village, Warrington, Cheshire, England, UK, WA4 1JW, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear.
686 Knutsford Road, Latchford village, Warrington, Cheshire, England, UK, WA4 1JW
--Station-Rd-South--Padgate--Warrington--Cheshire--England--UK--WA2-0QS-2JRR06D.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,town,centre,WA2,village,Northern,trains,TOC,Station Rd South,transport,art,award,Friends of Padgate Station,community,group,Plaice Station,chippy,chipshop,chip shop,fish & chip shop,takeaway,carry out,local,rail,train,BR,British Rail,history,historic,preserved,brick,built
Description: Tony Smith image Alamy 2JRR06D - . Recorded at Station Rd South, Padgate, Warrington, Cheshire, England, UK, WA2 0QS in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Padgate railway station platform Plaice Station (Northern trains), Station Rd South, Padgate, Warrington, Cheshire, England, UK, WA2 0QS. Another layer of the photograph includes visual archive, public-realm investment, signal-box architecture, before-and-after reference, archival record, contemporary social history, rail infrastructure, freight wagon, everyday life, town-centre renewal, commercial redevelopment, place identity, public realm, and mechanical signalling. Current relevance extends to rail reform and railway preservation, particularly through the importance of preserving signal boxes and rolling stock as industrial heritage. In present-day coverage, the subject reaches into construction costs and commercial viability, not least because of how regeneration tries to create reasons to visit traditional town centres. Future viewers can use this scene from Station Rd South, Padgate, Warrington, Cheshire, England, UK, WA2 0QS to compare street furniture and boundaries with whatever follows after conservation work. Further associations within the scene are trackside history, station environment, regional identity, changing streetscape, local character, adaptive reuse, railway heritage, and rail corridor. Details involving trains, Plaice, Northern, platform, and station make the image more specific than a generic view and strengthen its local or historical value. For Station Rd South, Padgate, Warrington, Cheshire, England, UK, WA2 0QS, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Image 2JRR06D also remains a dated record of Station Rd South, Padgate, Warrington, Cheshire, England, UK, WA2 0QS.
Station Rd South, Padgate, Warrington, Cheshire, England, UK, WA2 0QS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,NW1 2AY,office,offices,Elizabeth Anderson,and,architecture,Victorian,1866,Camden,Area Health Authority,architect,J. M. Brydon,JM Brydon,woman,women,womens,hospitals,clinic,clinics,history,historic,heritage,old,brick,buildings,Elizabeth,Garrett,Anderson,sunny,blue sky,blue skies
Description: Tony Smith image Alamy 2M108BP - . An identifiable period record of 130 Euston Rd, London, England, UK, NW1 2AY in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The scene records Elizabeth Garrett Anderson and Obstetric Hospital, 1866, now occupied by the Unison Union, 130 Euston Rd, London, England, UK, NW1 2AY. The locality and subject together evoke regional identity, heritage tourism, Thames city view, Westminster landmark, changing land use, historic London streetscape, public realm, documentary photography, capital landmark imagery, place identity, everyday life, capital-city heritage, iconic London transport, and local history. Current relevance extends to housing pressure and security, particularly through the pressure of visitor economies and housing costs on central neighbourhoods. The archival value lies partly in recording public access and movement around 130 Euston Rd, London, England, UK, NW1 2AY before different community use alters the character of the place. The photograph additionally reflects period detail, metropolitan identity, changing streetscape, London visitor economy, London cityscape, urban tourism, social history, and before-and-after reference. The combination of Unison, Union, Anderson, Euston, and Garrett anchors the frame to a recognisable activity, place or moment. Around 130 Euston Rd, London, England, UK, NW1 2AY, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The location additionally provides evidence of housing pressure and the pressure of visitor economies and housing costs on central neighbourhoods within the real-world context of 130 Euston Rd, London, England, UK, NW1 2AY. A further contemporary connection is housing pressure and how iconic streets and landmarks change while retaining strong visual identity within the specific setting of 130 Euston Rd, London, England, UK, NW1 2AY.
130 Euston Rd, London, England, UK, NW1 2AY
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,historic,history,Northwich,Cheshire,England,UK,number50,timber,building,brick,mix,wooden door,old,50 Church street,tudor,frame,framed,style,CW9,rural,farming,village,villages,tourist,tourism,attraction,agriculture,near,timberframe,timber-framed,wood,cottages,doorway
Description: Tony Smith image Alamy 2DD8JBA - . This authentic period view of High St, Great Budworth, Northwich,Cheshire,England,UK, CW9 6HF in 2020 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The scene records Number 50,Church Street,Great Budworth,traditional timber framed house,Gt Budworth,Northwich,Cheshire,England,UK,. The subject also carries associations with public realm, everyday life, local character, urban social history, community life, period detail, pedestrian environment, social history, changing streetscape, historic streetscape, local history, regional identity, heritage asset, and archival record. In present-day coverage, the subject reaches into redevelopment pressure and heritage conservation, not least because of the tension between conservation and redevelopment. Today's relevance is strengthened by street safety, commercial change and the continuing question of the relationship between public space and local social life. For later comparison, the photograph preserves street furniture and boundaries at High St, Great Budworth, Northwich,Cheshire,England,UK, CW9 6HF, details that may look very different after new ownership. The location also brings in period streetscape, heritage landmark, visual archive, conservation interest, local landmark, urban fabric, street-level documentary, and historical comparison. Details involving timber, traditional, Budworth, Northwich, and Number make the image more specific than a generic view and strengthen its local or historical value. The wider setting at High St, Great Budworth, Northwich,Cheshire,England,UK, CW9 6HF matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene captures a point of historical comparison for later comparison. Image 2DD8JBA also remains a dated record of High St, Great Budworth, Northwich,Cheshire,England,UK, CW9 6HF.
High St, Great Budworth, Northwich,Cheshire,England,UK, CW9 6HF
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,Middlesex school,Shoreditch,East End,London,E1,47a,erected,plaque,tower hamlets,council,borough,primary,school,schools,old,wall,brick,granite,carved,sculpture,crest,were,elected,Christ Church Middlesex,this house,and,these schools,were elected,AD,1873,in lieu,of
Description: Tony Smith image Alamy 2AE028N - . Christ Church AD1873, Middlesex school,plaque, 47a Brick Lane,Shoreditch,East End,London,England,UK,E1. Photographed on 26 November 2019. Christ Church Middlesex. This house and these
schools were erected A.D. 1973. In lieu of the
house and parochial schools as shewn above
that formerly stood at the north west angle of
the church yard of this parish. In the longer view, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single building, reflecting generations of worship and local patronage. Historically, historic inscriptions provide unusually direct documentary evidence
Names, dates, dedications and symbolic imagery can connect a present-day location with former residents, workers, congregations or wartime casualties, making the object relevant to both genealogy and wider social history. Historically, signs and notices are ephemeral pieces of design that can become important historical evidence
Lettering, logos, warnings and directions record former businesses, regulations, transport systems and public messages that may disappear long before the surrounding building changes. Current 2026 relevance comes from the fact that historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant. In 2026, interest in community history, genealogy and the conservation of memorials remains strong, while weathering, redevelopment and vandalism can threaten smaller monuments and inscriptions
Detailed photographs help preserve lettering, names and physical condition before further weathering or alteration.
47a Brick Lane,Shoreditch,East End,London,England,UK,E1
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,The Buxton pub and hotel,Brick Lane,42 Osborn Street,Buxton,building,outside,external,on,history,historic,brewer,brewery,breweries,Sir Thomas Fowell Buxton,a,19th-century,MP,Thomas Fowell Buxton,Thomas Buxton,Victorian,architecture,traditional East End,east-End,night,evening,dusk,Truman Brewery,The Buxton,brick,red brick,rooms
Description: Tony Smith image Alamy 2AE02DF - In London's East End, this former Victorian pub brings an airy escape to the streets of Spitalfields. Ideal for staycationers, solo travellers and loved-up duos alike, The Buxton hotel invites you to explore the streets of Shoreditch before heading to its panoramic rooftop for sundown cocktails.
We love a rags-to-riches story, so this Eliza Doolittle-esque tale of an East End boozer given a modern East London makeover warms our Cockney cockles. Housed in a former Victorian pub, The Buxton is a big-hearted homage to Sir Thomas Fowell Buxton, a 19th-century MP and previously the owner of the nearby Truman Brewery (itself now a hub for creative businesses and a weekly street-food market). In his day Sir Thomas was committed to abolishing slavery, founding the RSPCA and raising money for the local weaving community - acts of generosity that The Buxton nods to through its work with neighbourhood charity Cardboard Citizens, which uses theatre to tackle the issue of homelessness. Its present incarnation is the work of the team behind nearby Spitalfields gastropub The Culpeper, of gigantic rooftop-gherkin fame. Architect Gareth Roberts and business partner Nico Treguer have revamped the building by adding two extra floors, a rooftop terrace and a stonking street-level restaurant/bar, a much-needed addition to the kebab shops that more commonly characterise this end of Brick Lane.
Interiors avoid the traps of steampunk junk and Edison bulb-lit bareness, instead balancing whitewashed walls and potted plants with cleverly sourced vintage elements such as a Rosso Levanto marble counter, sapphire velvet chairs in the hallways and a 50s terrazzo-patterned floor. While the rooms are compact to say the least, for a flat rate of £100 (including a welcome drink and breakfast) it's a seductive option for staycationers, solo travellers and loved-up duos who fancy travelling no further than a few flights of stairs when going from dinner to duvet.
42 Osborn Street, London,England,UK, E1 6TD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,Speke,aerodrome,airport,historic,1960s,Hotel,hotel building,renovated,airside,Speke Aerodrome Heritage,Group,Liverpool Airport Speke Aerodrome,Liverpool L24 8QD,Bristol Britannia 308F G-ANCF,Percival Prince G-AMLZ,L24,brick,building,plane,aircraft,artdeco,L24 8QD,history,buildings,airfields,airfield
Description: Tony Smith image Alamy 2BFBCDB - The Crowne Plaza Liverpool John Lennon Airport Hotel, formerly the Marriott Liverpool South Hotel, is an airport hotel near to Liverpool John Lennon Airport, serving the English city of Liverpool. Today a member of the Crowne Plaza chain owned by the InterContinental Hotels Group, the Grade II* listed Art Deco hotel building has an unusual history.
The building was constructed in the 1930s, as the terminal building for the airport, then known as Speke Aerodrome. It is still sometimes seen on early television news footage, with its terraces packed with fans waiting to greet the Beatles on their return from tour. The airport terminal was moved to a more modern building at Liverpool John Lennon Airport in 1986, and the original building was left derelict for over a decade. During this time, the building was featured on the cover art of the single Don't Go Away, by Oasis. However it has since been renovated and adapted to become a hotel, opening for business in 2001. The adaption involved adding two new bedroom wings on the frontage of the hotel, but the airside aspect has been preserved intact.
The former apron of the terminal is also listed and retained in its original condition, although it is no longer connected to the airport or subject to airside access control. It is the home of several aircraft, including BAe Jetstream 41 prototype G-JMAC, Hawker Siddeley HS 748 G-BEJD, Bristol Britannia 308F G-ANCF and Percival Prince G-AMLZ, preserved by the Speke Aerodrome Heritage Group. Additionally, the group looks after a replica de Havilland Dragon Rapide that is displayed in front of the hotel entrance
Liverpool Airport Speke Aerodrome, Liverpool,Merseyside, England, UK, L24 8QD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,Speke,aerodrome,airport,historic,1960s,Hotel,hotel building,renovated,airside,Speke Aerodrome Heritage,Group,Liverpool Airport Speke Aerodrome,Liverpool L24 8QD,Bristol Britannia 308F G-ANCF,Percival Prince G-AMLZ,L24,brick,building,plane,aircraft,artdeco,history,heritage airlines,airline,travel air travel,control tower,towers
Description: Tony Smith image Alamy 2BFBCDE - The Crowne Plaza Liverpool John Lennon Airport Hotel, formerly the Marriott Liverpool South Hotel, is an airport hotel near to Liverpool John Lennon Airport, serving the English city of Liverpool. Today a member of the Crowne Plaza chain owned by the InterContinental Hotels Group, the Grade II* listed Art Deco hotel building has an unusual history.
The building was constructed in the 1930s, as the terminal building for the airport, then known as Speke Aerodrome. It is still sometimes seen on early television news footage, with its terraces packed with fans waiting to greet the Beatles on their return from tour. The airport terminal was moved to a more modern building at Liverpool John Lennon Airport in 1986, and the original building was left derelict for over a decade. During this time, the building was featured on the cover art of the single Don't Go Away, by Oasis. However it has since been renovated and adapted to become a hotel, opening for business in 2001. The adaption involved adding two new bedroom wings on the frontage of the hotel, but the airside aspect has been preserved intact.
The former apron of the terminal is also listed and retained in its original condition, although it is no longer connected to the airport or subject to airside access control. It is the home of several aircraft, including BAe Jetstream 41 prototype G-JMAC, Hawker Siddeley HS 748 G-BEJD, Bristol Britannia 308F G-ANCF and Percival Prince G-AMLZ, preserved by the Speke Aerodrome Heritage Group. Additionally, the group looks after a replica de Havilland Dragon Rapide that is displayed in front of the hotel entrance
Liverpool Airport Speke Aerodrome, Liverpool,Merseyside, England, UK, L24 8QD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,Speke,aerodrome,airport,historic,1960s,Hotel,hotel building,renovated,airside,Speke Aerodrome Heritage,Group,Liverpool Airport Speke Aerodrome,Liverpool L24 8QD,Bristol Britannia 308F G-ANCF,Percival Prince G-AMLZ,L24,brick,building,plane,aircraft,artdeco,history,heritage airlines,airline,travel air travel,control tower,towers
Description: Tony Smith image Alamy 2BFBCDP - The Crowne Plaza Liverpool John Lennon Airport Hotel, formerly the Marriott Liverpool South Hotel, is an airport hotel near to Liverpool John Lennon Airport, serving the English city of Liverpool. Today a member of the Crowne Plaza chain owned by the InterContinental Hotels Group, the Grade II* listed Art Deco hotel building has an unusual history.
The building was constructed in the 1930s, as the terminal building for the airport, then known as Speke Aerodrome. It is still sometimes seen on early television news footage, with its terraces packed with fans waiting to greet the Beatles on their return from tour. The airport terminal was moved to a more modern building at Liverpool John Lennon Airport in 1986, and the original building was left derelict for over a decade. During this time, the building was featured on the cover art of the single Don't Go Away, by Oasis. However it has since been renovated and adapted to become a hotel, opening for business in 2001. The adaption involved adding two new bedroom wings on the frontage of the hotel, but the airside aspect has been preserved intact.
The former apron of the terminal is also listed and retained in its original condition, although it is no longer connected to the airport or subject to airside access control. It is the home of several aircraft, including BAe Jetstream 41 prototype G-JMAC, Hawker Siddeley HS 748 G-BEJD, Bristol Britannia 308F G-ANCF and Percival Prince G-AMLZ, preserved by the Speke Aerodrome Heritage Group. Additionally, the group looks after a replica de Havilland Dragon Rapide that is displayed in front of the hotel entrance
Liverpool Airport Speke Aerodrome, Liverpool,Merseyside, England, UK, L24 8QD
-2B1YFRM.jpg)
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,town,Albion,brick,Victorian,windows,flats,apartments,change of use,Midlands,historic,listed building,Albion Flour Mill,Smiths,Birchill,flight of locks,locks,Birchills,red brick,factory,mill,commercial,Albion Flour Mill now Smiths Flour Mill Walsall,EBL751,Steam Mill,Corn Mill,Flour Mill,Wolverhampton St,WS2 8DD,WS2,miller,Thomas Caloe
Description: Tony Smith image Alamy 2B1YFRM - Post Medieval (1540 - 1900) Post Roman (410 - 1900)
Summary: Dated 1849. 4-storey purpose-built flour mill (originally steam-powered). Ranges of arched and half-moon windows with iron grids and fanlights. Includes covered dock opening off a basin on the (Listed) lock flight next door.
Description: On E bank of Walsall Locks (2695), served by canal branch leading to covered wharf inside mill. Steam mill, 1898 (sic - but should this be 1848 - MS 25.4.02), with 2 main, 4 storey blocks flanking an archway. (1) (2)
Outstanding industrial building of 1849. Brick, with orig cast iron windows of small lights. Arched heads on all floors & lunettes at inter mezzanine level etc etc. (3)
IRIS report. (4)
A fine 4-storey brick steam mill built 1848. The central archway once extended over a public road, and there was a covered canal dock as well as a private coal wharf. (5)
Dated 1849. 4-storey purpose-built flour mill (originally steam-powered). Ranges of arched and half-moon windows with iron grids and fanlights. Includes covered dock opening off a basin on the (Listed) lock flight next door. (6)
Detailed analysis and recording ahead of conversion into flats. Four phases identfied: Phase 1 (1849) - rectangular building fronting Wolverhampton Road and adjoining terrace of Georgian houses
Phase 2 (later 19th century) - Phase 1 building extended to north, acquisition of warehouse building to W (which had a purpose built integral canal arm)
Phase 3 (later 19th century) - original mill and adjacent warehouse joined at 2nd and 3rd floor levels
Phase 4 (20th century) various concrete and steel frame and corrugated steel clad structures built to the north of the historic mill buildings. The Albion Flour Mill in Wolverhampton Street was built in 1849, probably for Thomas Caloe, miller there from at least 1851 until the 1890s. By 1900 Smith Bros. (Walsall) Ltd. had taken it over, and the firm was still milling there in 1973.
71 Wolverhampton St, Walsall, England, UK, WS2 8DD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,great northerners,wall,display,entertainment,complex,red,brick,railway,warehouse,Northern,Great,Deansgate,Deansgate Manchester,Great Northerners at the Great Northern Warehouse,famous northern faces,235 Deansgate,M3 4EN,M3,Ian Brown,Caroline Aherne,Victoria Wood,Mancunians,icons,artists,sports,faces,Stanley Chow,Liam Gallagher,Forever Manchester,10 Great Northerners,Ten Great Northerners
Description: Tony Smith image Alamy RPGEE6 - 1. Alan Turing (1912 “ 1954)
A highly influential mathematician and inventor in the development of theoretical computer science, credited for decrypting the German Enigma code during World War Two with his creation of the Turing machine. Turing moved to the University of Manchester after the war to work on software for one of the earliest stored-program computers, devising an experiment called the Turing Test addressing the problem of artificial intelligence.
2. Maxine Peake (1974 “ present)
A Bolton-born film and television actress known for her talent and versatility, appearing in popular shows such as Dinnerladies, Shameless, and Three Girls among many others, as well as being a renowned feminist and socialist.
3. Emmeline Pankhurst (1858 “ 1928)
A leading women's rights and political activist, who led the British Suffragettes Movement which famously helped women win the right to vote in 1918.
4. LS Lowry (1887 “ 1976)
Stretford-born Lowry was a highly successful post-war artist famous for painting urban scenes and industrial landscapes chronicling 20th Century city life, and enjoying a grassroots popularity known by few other artists due to his down-to-earth paintings and nature.
5. Ian McKellen (1939 “ present)
An actor famous for his roles in blockbuster films such as Lord of the Rings and X-Men, as well as being a renowned activist continually championing the LGBT social movement worldwide. Born and bred in Manchester, McKellen regularly returns to Bolton School to give talks and Bolton Little Theatre, of which he is now a patron.
6. Victoria Wood (1953 “ 2016)
A comedian, writer and actress, noted for her skills in observing culture and in satirising social classes with her unique and accessible humour hailed as a product of her northern roots.
7. Tony Wilson (1950 “ 2007)
Radio presenter and record label owner who founded the legendary Factory Records, and credited as the man behind some of Manchester's most successful bands including Joy Division
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,great northerners,wall,display,entertainment,complex,red,brick,railway,warehouse,Northern,Great,Deansgate,Deansgate Manchester,Great Northerners at the Great Northern Warehouse,famous northern faces,235 Deansgate,M3 4EN,M3,Ian Brown,Caroline Aherne,Victoria Wood,Mancunians,icons,artists,sports,faces,Stanley Chow,Liam Gallagher,Forever Manchester,10 Great Northerners,Ten Great Northerners
Description: Tony Smith image Alamy RPGEE8 - 1. Alan Turing (1912 “ 1954)
A highly influential mathematician and inventor in the development of theoretical computer science, credited for decrypting the German Enigma code during World War Two with his creation of the Turing machine. Turing moved to the University of Manchester after the war to work on software for one of the earliest stored-program computers, devising an experiment called the Turing Test addressing the problem of artificial intelligence.
2. Maxine Peake (1974 “ present)
A Bolton-born film and television actress known for her talent and versatility, appearing in popular shows such as Dinnerladies, Shameless, and Three Girls among many others, as well as being a renowned feminist and socialist.
3. Emmeline Pankhurst (1858 “ 1928)
A leading women's rights and political activist, who led the British Suffragettes Movement which famously helped women win the right to vote in 1918.
4. LS Lowry (1887 “ 1976)
Stretford-born Lowry was a highly successful post-war artist famous for painting urban scenes and industrial landscapes chronicling 20th Century city life, and enjoying a grassroots popularity known by few other artists due to his down-to-earth paintings and nature.
5. Ian McKellen (1939 “ present)
An actor famous for his roles in blockbuster films such as Lord of the Rings and X-Men, as well as being a renowned activist continually championing the LGBT social movement worldwide. Born and bred in Manchester, McKellen regularly returns to Bolton School to give talks and Bolton Little Theatre, of which he is now a patron.
6. Victoria Wood (1953 “ 2016)
A comedian, writer and actress, noted for her skills in observing culture and in satirising social classes with her unique and accessible humour hailed as a product of her northern roots.
7. Tony Wilson (1950 “ 2007)
Radio presenter and record label owner who founded the legendary Factory Records, and credited as the man behind some of Manchester's most successful bands including Joy Division
Description
Keywords: Manchester City Centre,Manchester,City Centre,city,NQ,NQ4,Northern Quarter,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,buildings,streets,Railway,sign,Everything Is Connected,Everything Is Connected sign,Fairfield St,Mayfield,history,brick,station,scheme,proposed,development,schemes,poster,posters,property,London and Continental Railways,London & Continental Railways,LNWR,London Midland,Goods Station,disused,Square One development,Square One,Prime Suspect drug dealers haunt
Description: Tony Smith image Alamy RF7KXJ - Manchester Mayfield is a former railway station in Manchester, England, on the south side of Fairfield Street next to Manchester Piccadilly Station. Opened in 1910, Mayfield was constructed as a four-platform relief station adjacent to Piccadilly to alleviate overcrowding. In 1960, the station was closed to passengers and in 1986 it was permanently closed to all services.
After years of abandonment and many proposed development schemes, the station roof was dismantled in February 2013. The site was used for Manchester International Festival in July 2013.
Manchester Mayfield railway station and the surrounding 6.2-acre (25,000 m2) site is the property of London and Continental Railways, the residual government-owned corporation and former partner in Eurostar.
Fairfield street, Piccadilly, Manchester, North West England, UK , M1 2QF
Description
Keywords: Manchester City Centre,Manchester,City Centre,city,NQ,NQ4,Northern Quarter,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,buildings,streets,Railway,sign,Fairfield St,Mayfield,history,brick,station,scheme,proposed,development,schemes,poster,posters,property,London and Continental Railways,London & Continental Railways,LNWR,London Midland,Goods Station,disused,Square One development,Square One,Prime Suspect drug dealers haunt
Description: Tony Smith image Alamy RF7KXX - Manchester Mayfield is a former railway station in Manchester, England, on the south side of Fairfield Street next to Manchester Piccadilly Station. Opened in 1910, Mayfield was constructed as a four-platform relief station adjacent to Piccadilly to alleviate overcrowding. In 1960, the station was closed to passengers and in 1986 it was permanently closed to all services.
After years of abandonment and many proposed development schemes, the station roof was dismantled in February 2013. The site was used for Manchester International Festival in July 2013.
Manchester Mayfield railway station and the surrounding 6.2-acre (25,000 m2) site is the property of London and Continental Railways, the residual government-owned corporation and former partner in Eurostar.
Fairfield street, Piccadilly, Manchester, North West England, UK , M1 2QF
Description
Keywords: Manchester City Centre,Manchester,City Centre,city,NQ,NQ4,Northern Quarter,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,buildings,streets,Railway,sign,Fairfield St,Mayfield,history,brick,station,scheme,proposed,development,schemes,poster,posters,property,London and Continental Railways,London & Continental Railways,LNWR,London Midland,Goods Station,disused,Square One development,Square One,Prime Suspect drug dealers haunt
Description: Tony Smith image Alamy RF7KY2 - Manchester Mayfield is a former railway station in Manchester, England, on the south side of Fairfield Street next to Manchester Piccadilly Station. Opened in 1910, Mayfield was constructed as a four-platform relief station adjacent to Piccadilly to alleviate overcrowding. In 1960, the station was closed to passengers and in 1986 it was permanently closed to all services.
After years of abandonment and many proposed development schemes, the station roof was dismantled in February 2013. The site was used for Manchester International Festival in July 2013.
Manchester Mayfield railway station and the surrounding 6.2-acre (25,000 m2) site is the property of London and Continental Railways, the residual government-owned corporation and former partner in Eurostar.
Fairfield street, Piccadilly, Manchester, North West England, UK , M1 2QF
Description
Keywords: Manchester City Centre,Manchester,City Centre,city,NQ,NQ4,Northern Quarter,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,buildings,streets,Railway,sign,Fairfield St,Mayfield,history,brick,station,scheme,proposed,development,schemes,poster,posters,property,London and Continental Railways,London & Continental Railways,LNWR,London Midland,Goods Station,disused,Square One development,Square One,Prime Suspect drug dealers haunt
Description: Tony Smith image Alamy RF7KY9 - Manchester Mayfield is a former railway station in Manchester, England, on the south side of Fairfield Street next to Manchester Piccadilly Station. Opened in 1910, Mayfield was constructed as a four-platform relief station adjacent to Piccadilly to alleviate overcrowding. In 1960, the station was closed to passengers and in 1986 it was permanently closed to all services.
After years of abandonment and many proposed development schemes, the station roof was dismantled in February 2013. The site was used for Manchester International Festival in July 2013.
Manchester Mayfield railway station and the surrounding 6.2-acre (25,000 m2) site is the property of London and Continental Railways, the residual government-owned corporation and former partner in Eurostar.
Fairfield street, Piccadilly, Manchester, North West England, UK , M1 2QF
Description
Keywords: City Centre,city,NQ,NQ4,Northern Quarter,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,buildings,streets,Basin,brick,Dale St,Dale street,Waterside,Mixed Use,Development Site,site,land,commercial,residential,Urban Exchange,Carvers Warehouse,Ducie House,iconic,history,building,architecture,outside,exterior,listed,centre,parking
Description: Tony Smith image Alamy RF7M2A - . A detailed visual record preserves the visible identity of Dale Street, Manchester, UK, M1 2HG, in a 2019 record. The principal recorded subject is Piccadilly Basin Arch, Car Park, Dale Street, Manchester, UK, M1 2HG. The physical and social setting additionally connects with housing stock, architectural detail, heritage asset, residential development, estate environment, urban living, architectural heritage, community infrastructure, period property, adaptive reuse, housing quality, and local landmark. For present-day editorial use, neighbourhood condition can also illustrate debates about decarbonisation and tenant rights, particularly where these affect more affordable supply. Modern coverage of historic buildings frequently reaches beyond the immediate scene to questions of conservation of original fabric, redevelopment pressure and lower-carbon reuse rather than demolition. Small period details preserved at Dale Street, Manchester, UK, M1 2HG may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. Beyond the immediate subject, the setting involves tenure and occupancy, place-making, affordable homes, urban conservation, housing affordability, domestic architecture. The record also refers to Manchester City Centre, Manchester Piccadily Basin, stone, Stone arch. A second layer of description includes neighbourhood regeneration, historic townscape, conservation interest, local neighbourhood, historic built environment, heritage streetscape, property maintenance, community housing, traditional building, and residential environment. In the mid-2020s, neighbourhood condition is increasingly discussed through decarbonisation and the cost of decent homes, with attention turning to stronger tenant accountability. The view of Dale Street, Manchester, UK, M1 2HG also preserves another layer of local identity and period change.
Dale Street, Manchester, UK, M1 2HG
--Trafford-Council--Greater-Manchester--North-West-England--UK-P307F5.jpg)
Description
Keywords: GoTonysmith,@HotpixUK,Trafford,Cheshire,town,centre,shopping,retail,similar to Borough Market London,Greater Manchester,Manchester,North West England,UK,shop,shoppers,stall,happy shoppers,food,cheese,meat,vegetables,drink,food court,drinks,diners,dining,destination,Market House,Altrincham Market House,clock,exterior,outside,building,brick,history,historic,historic market,Altrincham historic Market,Alty,town centre
Description: Tony Smith image Alamy P307F5 - . A grounded documentary photograph made at 12 Greenwood St, Altrincham, Cheshire, England, UK, WA14, UK in 2018, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Altrincham successful retail town market (similar to Borough Market), Trafford Council, Greater Manchester, North West England, UK. The setting additionally reflects place identity, documentary photography, local history, community identity, changing streetscape, commercial frontage, high-street commerce, local character, shopfront economy, local trading, specialist retailer, regional identity, social history, and independent retail. Today's relevance is strengthened by consumer spending, footfall and the continuing question of the role of small retailers in maintaining active town centres. As a dated visual record of 12 Greenwood St, Altrincham, Cheshire, England, UK, WA14, UK, the frame retains commercial use and occupation, making it especially useful if different community use subsequently changes the scene. The photograph additionally reflects visual archive, commercial streetscape, historical comparison, changing land use, contemporary social history, local enterprise, before-and-after reference, and small business. Details involving Trafford, Altrincham, similar, retail, and successful make the image more specific than a generic view and strengthen its local or historical value. The period setting at 12 Greenwood St, Altrincham, Cheshire, England, UK, WA14, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is consumer spending and the role of small retailers in maintaining active town centres within the real-world context of 12 Greenwood St, Altrincham, Cheshire, England, UK, WA14, UK. The period view preserves details of everyday use for later comparison.
12 Greenwood St, Altrincham, Cheshire, England, UK, WA14, UK
Description
Keywords: SDC,and,District,Civic,Society,blue,plaque,By,Holloway and Hutt,North Somerset,England,UK,GB,Gotonysmith,constructed,1726-1728,three Houses,Bridgwater & District,Bridgewater,wall,brick,chandos St,Chandos,street,home,homes,buildings,cottage,cottages,history,historic,built,3 houses,3 homes,levels,Somerset Levels,Brigg,Brigg-Walter,Somerset
Description: Tony Smith image Alamy MHM6B0 - . This authentic period view of the recorded location in 2018 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through Bridgwater & District Civic Society Blue Plaque Three Houses By Holloway and Hutt, North Somerset, england, UK. The locality and subject together evoke changing land use, visual archive, local history, commemorative object, regional identity, historic inscription, antique object, before-and-after reference, social-history object, everyday life, period craftsmanship, collectable heritage item, historic material culture, and commemorative plaque. For current editorial use, collecting and museum conservation provide additional context, especially through the importance of provenance and inscriptions in understanding historic artefacts. The archival value lies partly in recording commercial use and occupation around the recorded location before refurbishment alters the character of the place. The location also brings in decorative metalwork, historical comparison, local character, local-history evidence, contemporary social history, archival record, period detail, and heritage interpretation. Details involving District, Houses, Holloway, Bridgwater, and Society make the image more specific than a generic view and strengthen its local or historical value. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for collecting and how everyday objects can survive as evidence of earlier work and domestic life when considered against later change at the recorded location. Another useful connection is object conservation and the importance of provenance and inscriptions in understanding historic artefacts without losing the local specificity of the recorded location.
Description
Keywords: Office,space,history,historic,architecture,building,city,centre,ave,L2,grade,listed,II,building,Grayson,Ould,granite,brick,stone,arched,entrance,Corinthian,pilasters,Ionic,Queen Insurance,Queen Insurance Buildings,Queen Avenue,Castle st,Grade II,Grayson and Ould,Grayson & Ould,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Ionic,half-columns,half,columns,lamp,lamps,Victorian,gaslamp,gas,path,pathway,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HM63 - An office building designed by Grayson and Ould. It is in brick with stone dressings, a granite ground floor, and a slate Mansard roof. The building has four storeys, and is five bays wide. In the ground floor, two of the bays form an arched entrance to Queen Avenue. In the first floor, between the windows, are Corinthian pilasters, and between the windows in the second floor are Ionic half-columns. On the front of the building are friezes, and at the top are dormers
Queen Insurance Buildings, Queen Avenue, Liverpool L2 4TZ
Description
Keywords: Office,space,history,historic,architecture,building,city,centre,ave,L2,grade,listed,II,building,Grayson,Ould,granite,brick,stone,arched,entrance,Corinthian,pilasters,Ionic,Queen Insurance,Queen Insurance Buildings,Queen Avenue,Castle st,Grade II,Grayson and Ould,Grayson & Ould,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Ionic,half-columns,half,columns,lamp,lamps,Victorian,gaslamp,gas,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HM7R - An office building designed by Grayson and Ould. It is in brick with stone dressings, a granite ground floor, and a slate Mansard roof. The building has four storeys, and is five bays wide. In the ground floor, two of the bays form an arched entrance to Queen Avenue. In the first floor, between the windows, are Corinthian pilasters, and between the windows in the second floor are Ionic half-columns. On the front of the building are friezes, and at the top are dormers
Queen Insurance Buildings, Queen Avenue, Liverpool L2 4TZ
Description
Keywords: Office,space,history,historic,architecture,building,city,centre,ave,L2,grade,listed,II,building,Grayson,Ould,granite,brick,stone,arched,entrance,Corinthian,pilasters,Ionic,Queen Insurance,Queen Insurance Buildings,Queen Avenue,Castle st,Grade II,Grayson and Ould,Grayson & Ould,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Ionic,half-columns,half,columns,lamp,lamps,Victorian,gaslamp,gas,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HM81 - An office building designed by Grayson and Ould. It is in brick with stone dressings, a granite ground floor, and a slate Mansard roof. The building has four storeys, and is five bays wide. In the ground floor, two of the bays form an arched entrance to Queen Avenue. In the first floor, between the windows, are Corinthian pilasters, and between the windows in the second floor are Ionic half-columns. On the front of the building are friezes, and at the top are dormers
Queen Insurance Buildings, Queen Avenue, Liverpool L2 4TZ
Description
Keywords: wideangle,angle,cityscape,day,time,daytime,Quarter,Piccadilly,Gardens,Primark,shopping,concrete,brick,CIS,centre,cloud,summer,horizon,landscape,hotel,retail,Mancunian,Manc,urban,north,Manchester City,Northern Powerhouse,Northern Quarter,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,aerial,aerial view from air,air,arndale centre,birdseye,birds,eye,view,viewpoint,overhead,seen,from,above,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,birds eye view,panoramic view,Seen From Above
Description: Tony Smith image Alamy H3TPH9 - . Made at Piccadilly, Manchester, England, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Manchester City wide panorama, Lancashire,England, daytime. The image also relates to before-and-after reference, cityscape history, conservation interest, historic streetscape, local character, period building, architectural character, local history, changing streetscape, built heritage, contemporary social history, urban fabric, community identity, and conservation architecture. Today's relevance is strengthened by energy retrofit, tourism and the continuing question of keeping older buildings useful without erasing their distinctive character. Future viewers can use this scene from Piccadilly, Manchester, England, UK to compare public access and movement with whatever follows after later reinterpretation. A second descriptive layer includes regional identity, place identity, heritage landmark, public realm, historical comparison, historic townscape, adaptive reuse, and archival record. Details involving panorama, Lancashire, daytime, and Manchester make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Piccadilly, Manchester, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Its period value extends to energy retrofit and the balance between conservation, retrofit and modern accessibility as part of the longer story of Piccadilly, Manchester, England, UK. The location additionally provides evidence of maintenance and the value of architectural landmarks to local identity and tourism when considered against later change at Piccadilly, Manchester, England, UK. The period view preserves a point of historical comparison as a date-specific reference.
Piccadilly, Manchester, England, UK
Description
Keywords: pano,wideangle,angle,day,time,daytime,Quarter,Piccadilly,Gardens,Primark,shopping,concrete,brick,CIS,Cottonopolis,centre,cloud,summer,horizon,landscape,hotel,retail,Mancunian,Manc,urban,north,Northern Powerhouse,Northern Quarter,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,aerial,aerial view from air,air,arndale centre,birdseye,birds,eye,view,viewpoint,overhead,seen,from,above,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,birds eye view,panoramic view,Seen From Above
Description: Tony Smith image Alamy H3TPKP - . Made at Piccadilly, Manchester, England, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Manchester City wide panorama, Lancashire,England, daytime. The image also relates to architectural character, public realm, built heritage, archival record, documentary photography, architectural detail, regional identity, changing land use, period architecture, social history, period detail, historic townscape, before-and-after reference, and community identity. The modern context includes continuing discussion of embodied carbon, energy retrofit and the balance between conservation, retrofit and modern accessibility. For later comparison, the photograph preserves materials and architectural details at Piccadilly, Manchester, England, UK, details that may look very different after later reinterpretation. The subject also sits alongside conservation architecture, cityscape history, everyday life, place identity, local history, local character, period building, and historical comparison. Elements such as Manchester, Lancashire, daytime, and panorama add documentary specificity and may become increasingly useful when compared with later records. For Piccadilly, Manchester, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of embodied carbon and the balance between conservation, retrofit and modern accessibility in a form that can be compared with future views of Piccadilly, Manchester, England, UK. A further contemporary connection is redevelopment pressure and the value of architectural landmarks to local identity and tourism within the real-world context of Piccadilly, Manchester, England, UK.
Piccadilly, Manchester, England, UK
Description
Keywords: pano,wideangle,angle,cityscape,day,time,daytime,Powerhouse,Gardens,Primark,shopping,concrete,brick,CIS,centre,cloud,summer,horizon,landscape,hotel,retail,Mancunian,Manc,urban,north,night,Manchester City,Northern Powerhouse,Northern Quarter,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,nighttime,blue,hour,tram,trams,transport,light,lit,lighting,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Blue Hour
Description: Tony Smith image Alamy H3TPMT - . Made at Piccadilly, Manchester, England, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The photograph centres on Manchester City night panorama, Lancashire,England, daytime. The subject also carries associations with social history, local bus network, before-and-after reference, changing land use, changing streetscape, passenger transport, surface public transport, historical comparison, public realm, documentary photography, local mobility, roadside stop, public transport information, and place identity. The modern context includes continuing discussion of passenger information, local connectivity and how local bus services affect access to work, education and healthcare. The archival value lies partly in recording landscape treatment and surrounding development around Piccadilly, Manchester, England, UK before altered transport patterns alters the character of the place. The wider setting retains connections with community identity, archival record, visual archive, public transport stop, local history, local character, transport accessibility, and period detail. References to daytime, Lancashire, panorama, night, and Manchester give the picture a strong period identity and tie it closely to its named subject. The wider setting at Piccadilly, Manchester, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate passenger information and how local bus services affect access to work, education and healthcare within the real-world context of Piccadilly, Manchester, England, UK. The image also provides a reference for reliability and the shift toward cleaner buses and integrated ticketing within the specific setting of Piccadilly, Manchester, England, UK.
Piccadilly, Manchester, England, UK
Description
Keywords: Outside,churchyard,Village,Warrington,Cheshire grave,wall,brick,building,architecture,graveyard,Norman,B/W,black,white,mono,monochrome,St Wilfrids,Saint Wilfrids,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Gropenhale
Description: Tony Smith image Alamy GY002A - St Wilfrid's Church is in Church Lane, Grappenhall, a village in Warrington, Cheshire, England. It is designated by Historic England as a Grade I listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth
The church is Norman in origin, built probably in the earlier part of the 12th century and completed about 1120. This was a small and simple church, consisting of a nave, chancel and, possibly, an apse.[3] The foundations of this church were discovered during the 1873“74 restoration.[4]
A chantry chapel was added by the Boydell family in 1334 in a position where the south aisle now stands. From 1529 the church was largely rebuilt in local sandstone. The old church was demolished and a new nave, chancel, north aisle and a west tower were built. In 1539 the south aisle was added, which incorporated the Boydell chapel.
The south porch was added in 1641 and at this time the west wall was strengthened. In 1833 the roof of the nave was raised to form a clerestory and in the 1850s the south aisle was further extended, and a vestry was built. There was a more substantial restoration in 1873“74 by the Lancaster architects Paley and Austin, which included the provision of new floors and roofs, at a cost of about £4,000
Church Lane, Grappenhall, Warrington, Cheshire, England, UK
Description
Keywords: churchyard,Village,Warrington,Cheshire grave,graves,wall,brick,building,architecture,Norman,Anglican,parish,Christian,black,white,mono,monochrome,St Wilfrids,Saint Wilfrids,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy GY00RP - St Wilfrid's Church is in Church Lane, Grappenhall, a village in Warrington, Cheshire, England. It is designated by Historic England as a Grade I listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth
The church is Norman in origin, built probably in the earlier part of the 12th century and completed about 1120. This was a small and simple church, consisting of a nave, chancel and, possibly, an apse.[3] The foundations of this church were discovered during the 1873“74 restoration.[4]
A chantry chapel was added by the Boydell family in 1334 in a position where the south aisle now stands. From 1529 the church was largely rebuilt in local sandstone. The old church was demolished and a new nave, chancel, north aisle and a west tower were built. In 1539 the south aisle was added, which incorporated the Boydell chapel.
The south porch was added in 1641 and at this time the west wall was strengthened. In 1833 the roof of the nave was raised to form a clerestory and in the 1850s the south aisle was further extended, and a vestry was built. There was a more substantial restoration in 1873“74 by the Lancaster architects Paley and Austin, which included the provision of new floors and roofs, at a cost of about £4,000
Church Lane, Grappenhall, Warrington, Cheshire, England, UK
Description
Keywords: Outside,churchyard,Village,Warrington,Cheshire grave,wall,brick,building,architecture,Anglican,parish,Christian,St Wilfrids,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,trimmed,manicured,tidy,neat,burial,burials
Description: Tony Smith image Alamy GY01PN - St Wilfrid's Church is in Church Lane, Grappenhall, a village in Warrington, Cheshire, England. It is designated by Historic England as a Grade I listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth
The church is Norman in origin, built probably in the earlier part of the 12th century and completed about 1120. This was a small and simple church, consisting of a nave, chancel and, possibly, an apse.[3] The foundations of this church were discovered during the 1873“74 restoration.[4]
A chantry chapel was added by the Boydell family in 1334 in a position where the south aisle now stands. From 1529 the church was largely rebuilt in local sandstone. The old church was demolished and a new nave, chancel, north aisle and a west tower were built. In 1539 the south aisle was added, which incorporated the Boydell chapel.
The south porch was added in 1641 and at this time the west wall was strengthened. In 1833 the roof of the nave was raised to form a clerestory and in the 1850s the south aisle was further extended, and a vestry was built. There was a more substantial restoration in 1873“74 by the Lancaster architects Paley and Austin, which included the provision of new floors and roofs, at a cost of about £4,000
Church Lane, Grappenhall, Warrington, Cheshire, England, UK
Description
Keywords: Outside,churchyard,Village,Warrington,Cheshire grave,wall,brick,building,architecture,Anglican,parish,Christian,St Wilfrids,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,neat,burial,burials,tidy,manicured,trimmed
Description: Tony Smith image Alamy GY02DY - St Wilfrid's Church is in Church Lane, Grappenhall, a village in Warrington, Cheshire, England. It is designated by Historic England as a Grade I listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth
The church is Norman in origin, built probably in the earlier part of the 12th century and completed about 1120. This was a small and simple church, consisting of a nave, chancel and, possibly, an apse.[3] The foundations of this church were discovered during the 1873“74 restoration.[4]
A chantry chapel was added by the Boydell family in 1334 in a position where the south aisle now stands. From 1529 the church was largely rebuilt in local sandstone. The old church was demolished and a new nave, chancel, north aisle and a west tower were built. In 1539 the south aisle was added, which incorporated the Boydell chapel.
The south porch was added in 1641 and at this time the west wall was strengthened. In 1833 the roof of the nave was raised to form a clerestory and in the 1850s the south aisle was further extended, and a vestry was built. There was a more substantial restoration in 1873“74 by the Lancaster architects Paley and Austin, which included the provision of new floors and roofs, at a cost of about £4,000
Church Lane, Grappenhall, Warrington, Cheshire, England, UK
Description
Keywords: brick,1876,business,community,town,centre,remarkable,buildings,Peter,Stubbs,Stubs,wires,traditions,traditional,gentlemens,club,gentlemans,John,Earnest Crosfield of Joseph Crosfield & Sons Ltd,Sir Gilbert Greenall MP,Lieut Col. Greenall,GoTonySmith,Captain Grenall of the Greenall Whitley Brewery. Paul,Harry,and,George,Rylands,founders,of,the,world,famous,Rylands,Brothers,Ltd,Wire,&,Nails,manufacturers,""“,hence,the,obvious,connection,with,the,local,Rugby,League,team,known,as,""˜The,Wires'.,Peter,Stubbs,founded,the,firm,of,Stubs,Ltd,again,with,an,international,reputation,for,the,manufacture,of,""˜Files',Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EYAX5J - The Warrington Club is one of this historic town's few remaining traditional establishments
founded in 1876 by leading Victorian industrialists, statesmen and professionals for the sole purpose of providing a venue where members could meet on a regular basis in comfortable surroundings to enjoy each others company and meaningful conversation.
The Club offered an excellent opportunity for business ideas, suggestions and deals to be discussed considering that in those early days there was no other means of communication except for a rather hit and miss postal service. In the modern idiom the Club provided what is now known as ˜net working'.
The building occupied by the Warrington Club in Bold Street was purpose built using monies raised by the original 76 founder members. Those familiar with Warrington will no doubt recognise the names of some of the founder members.
Arthur Bennett (1862- 1931) a chartered accountant, was a remarkable character. He served as a Councellor and Alderman for many years and had hopes of making Warrington a ˜Garden City'. Sadly, the Great War shattered the dream but the quality of the one completed terrace of houses in Sankey gives some evidence of his vision. The foundation stone was laid by the great pioneer of garden cities, Ebenezer Howard. Bennett was a prolific writer. His ˜Dream of a Warringtonian', if romanticised, is still a very readable history of our 1,000 year old town, and his collection of poems ˜Songs of a Chartered Accountant' posesses both warmth and charm. John, Earnest Crosfield of Joseph Crosfield & Sons Ltd. Finally, Sir Gilbert Greenall MP, Lieut Col. Greenall and Captain Grenall of the Greenall Whitley Brewery. Paul, Harry and George Rylands founders of the world famous Rylands Brothers Ltd, Wire & Nails manufacturers “ hence the obvious connection with the local Rugby League team known as ˜The Wires'.
7 Bold St, Warrington, Cheshire , England, UK, WA1 1DN
Description
Keywords: Butts Street,historic,pub,bar,gay,butts,bathhouse,bath house,SF,Canal St,Queer,Homosexual,LGBT,England,UK,Midland,Butts,Tavern,Public House,GoTonySmith,Black,Country,Buy Pictures of,Buy Images Of,Walsall Black Country,the,inn,bars,pubs,beer,red,brick
Description: Tony Smith image Alamy EY7XX7 - . This scene at 44 Butts St, Walsall, West Midlands, England, UK WS4 2BJ in 2015 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The location is represented through The Butts Tavern, Butts St,Walsall,West Midlands,England, UK. The broader subject matter reaches into pub heritage, hospitality economy, documentary photography, changing streetscape, archival record, everyday life, beer-led hospitality, night-time economy, changing land use, licensed hospitality, public realm, regional identity, social history, and visitor hospitality. In present-day coverage, the subject reaches into beer duty and pub closures, not least because of the survival of pubs as both businesses and informal community spaces. Small period details of lettering, decoration and surface detail at 44 Butts St, Walsall, West Midlands, England, UK WS4 2BJ may become more significant with time, particularly following redevelopment. Other useful contextual ideas include real-ale culture, community drinking venue, local history, place identity, community identity, local social venue, traditional ale house, and visual archive. The combination of Butts, Tavern, Midlands, and Walsall anchors the frame to a recognisable activity, place or moment. The period setting at 44 Butts St, Walsall, West Midlands, England, UK WS4 2BJ helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is beer duty and the survival of pubs as both businesses and informal community spaces within the real-world context of 44 Butts St, Walsall, West Midlands, England, UK WS4 2BJ. The scene further reflects energy costs and pressure on hospitality margins in the mid-2020s within the specific setting of 44 Butts St, Walsall, West Midlands, England, UK WS4 2BJ.
44 Butts St, Walsall, West Midlands, England, UK WS4 2BJ
Description
Keywords: 1876,1934,Lancashire,England,UK,on,wall,mounted,wallmounted,brick,fredwood,forgotten,hero,1907,deaths,local,goods,train,station,wagons,Dukinfield,rail,train,trains,TMB,GoTonySmith,metropolitan,borough,runaway,disaster,Buy Images Of,Stalybridge Station Buffet Bar,Stalybridge Station,Buffet Bar
Description: Tony Smith image Alamy EY5KD4 - Fred Wood (1876-1934) In honour of a forgotten hero, who on this day in 1907 undoubtedly prevented the deaths of hundreds of local workers when the couplings broke on a heavily laden goods train as it approached this station. Over 50 laden wagons sped back down the line heading towards Dukinfield Station and an occupied 'workers' train. Turning the points, he forced the runaway train onto a track towards Dukinfield goods yard, narrowly averting a major disaster.
Stalybridge Station, Tameside,Manchester, England, UK
Description
Keywords: Warrington,Public,Baths,Sign,stone,brick,st,bath,street,blue,sky,remainder,of,old,building,historic,Legh,Springfields,medical,centre,Warringtonians,Springfields Medical Centre,GoTonySmith,Buy Pictures of,Buy Images Of,bath house,swimming,pool,retained,listed,NHS,Medical,town
Description: Tony Smith image Alamy EY5KET - The first public baths in the town opened on Church Street on 1 May 1851 The foundation stone for Legh Street Baths was laid in 1865 and they opened in 1866. They were originally privately owned by the Warrington Baths Company who went bankrupt. The council purchased them in 1873 and added two extra pools in 1912. This was commemorated in a foundation stone on Legh Street
The baths closed forever on 31 July 2003 and stood empty until the demolition company Anthony O'Connor & Sons Ltd from Salford moved in on Saturday 16 April 2011. They had a contract to clear the site in preparation for the construction of a new health centre. The baths consisted of four swimming pools, a steam room, laundry, and slipper baths for both ladies and men. The early boilers were typical ships' boilers (there were two of those) running on heavy oil. Phil recalls spending many a happy hour warming the oil line with a blowlamp in order to get the oil thin and warm enough before the boilers would fire up.
Legh St,Warrington,Cheshire,England,UK
Description
Keywords: Tel,244655,Tel 244655,gym,Bold,medical,Centre,St,Street,England,UK,United Kingdom,GB,Great Britain,old,building,brick,red,GoTonySmith,Buy Pictures of,Buy Images Of,Medical Centre,Bold St,Bold St Gym,history,historic,sign,across,white,blue,windows,frame,frames,frontage
Description: Tony Smith image Alamy ED9ERK - . Medical Centre, Bold St, Warrington, Cheshire, England, UK. The photograph was taken on 09 November 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Medical Centre, Bold St, Warrington, Cheshire, Eng, Bold Street Medical Centre, Bold Street, Victorian, red brick and Bold St Gym, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has editorial relevance to the NHS, healthcare buildings, public services, hospitals, clinics and the physical infrastructure through which patients access treatment. It can illustrate stories about healthcare provision, hospital estates, local medical services, public-sector buildings, accessibility, investment, redevelopment and the everyday experience of using the National Health Service. Signage, entrances, road access, building fabric and surrounding streetscape can all be important documentary details when showing how healthcare facilities are presented and reached. As a dated location photograph it provides a visual record of a specific NHS or healthcare site at the time, useful for news, planning, history and public-service features. Search themes include the NHS, hospitals, healthcare infrastructure, public services, medical provision, hospital estates, patient access and local health facilities. The location-specific view can support coverage of redevelopment, investment, service change or the history of healthcare provision in the area. This particular view is catalogued under Alamy image reference ED9ERK, distinguishing it from other photographs of the same or related subject.
Bold St, Warrington, Cheshire, England, UK
Description
Keywords: England,UK,black,first,gigged,here,17,17th,Nov,November,1982,at,the,Heritage,award,on,brick,wall,venue,gig,gigs,live,on,stage,group,st,street,history,musician,musicians,that,played,at,the,gotonysmith,Buy Pictures of,Buy Images Of,Hac,Haçienda
Description: Tony Smith image Alamy DN6NA1 - . James PRS for Music Hacienda plaque Manchester England UK. Photographed at Whitworth St, Manchester, England, UK. The photograph was taken on 24 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with James, PRS, Music, Hacienda, plaque, Manchester, Madchester, Whitworth, black and first, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Whitworth St, Manchester, England, UK
Description
Keywords: affordable,housing,ukhousing,scaffolding,brick,bricks,construction,roof,roofing,refurb,refurbishment,development,dev,building,new,build,capital,works,Affordable Housing,New Build,Capital works,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,remodelling,Latchford,developers,reroof,re-roof
Description: Tony Smith image Alamy DDXM0X - . New homes being built in Warrington, Cheshire, England, UK. Photographed at Latchford, Warrington, Cheshire, England, UK. The photograph was taken on 05 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with homes, built, Warrington, Cheshire, new build properties, new build, new houses, affordable, housing and ukhousing, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The subject is relevant to industry, manufacturing, engineering, infrastructure, employment and the physical sites that support production and utilities. It can illustrate editorial coverage of factories, warehouses, industrial heritage, construction, logistics, investment, redevelopment, energy, engineering and the changing economic use of land. Machinery, structures, signage, yards, plant and surrounding buildings provide documentary evidence of a working or former industrial environment rather than an abstract business concept. The dated photograph also has archive value for future comparison as industrial sites are modernised, repurposed, demolished or incorporated into regeneration schemes. Search themes include industry, manufacturing, engineering, factories, warehouses, infrastructure, employment, logistics, industrial heritage and redevelopment. The view has particular archive value where working sites, plant or industrial buildings are later modernised, repurposed or demolished. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Latchford, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,L3,Merseyside,England,UK,north,west,neon,signage,icon,venue,location,docks,red,brick,L3 4AA,night,dusk,Gower Street,British,English,letters,lettering,entrance,outside,exterior,blue,hour,UNESCO,world heritage,site,buildings,architecture,Eurovision,2023
Description: Tony Smith image Alamy DDXKRH - The Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world.
At the time of its construction the Albert Dock was considered a revolutionary docking system because ships were loaded and unloaded directly from/to the warehouses. Two years after it opened it was modified to feature the world's first hydraulic cranes. Due to its open yet secure design, the Albert Dock became a popular store for valuable cargoes such as brandy, cotton, tea, silk, tobacco, ivory and sugar. However, despite the Albert Dock's advanced design, the rapid development of shipping technology meant that within 50 years, larger, more open docks were required, although it remained a valuable store for cargo.
During the Second World War, the Albert Dock was requisitioned by the Admiralty serving as a base for boats of the British Atlantic Fleet. The complex was damaged during air raids on Liverpool, notably during the May Blitz of 1941. In the aftermath of the war, the financial problems of the owners and the general decline of docking in the city meant that the future of the Albert Dock was uncertain. Numerous plans were developed for the re-use of the buildings but none came to fruition and in 1972 the dock was finally closed. Having lain derelict for nearly ten years, the redevelopment of the dock began in 1981, when the Merseyside Development Corporation was set up, with the Albert Dock being officially re-opened in 1984.
Today the Albert Dock is a major tourist attraction in the city and the most visited multi-use attraction in the United Kingdom, outside of London. It is a vital component of Liverpool's UNESCO designated World Heritage Maritime Mercantile City and the docking complex and warehouses also com
Albert Dock Liverpool , Merseyside , England , UK ,L3 4AA
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Liverpool,beer,Tap,Love Lane,ale,CAMRA,Higsons beers,Daniel Higson,brick,red brick,brewery,Higson Brewery,factory,brewing,Abandoned Factory
Description: Tony Smith image Alamy DDE67F - Higsons Brewery was originally formed in 1780 at 64 Dale Street, Liverpool. The company brewed beer at this site until 1914, when it moved to the Windsor Brewery in Upper Parliament Street.
In 1918 the brewery was bought by J. Sykes & Company. The combined company began to expand further, acquiring several public houses in the Wirral area and the Spraggs Brewery in 1919. In 1923, the company bought the newly merged Walker Cains' Brewery in Liverpool's Stanhope Street following that company's decision to focus production at its Warrington brewery. There was one last push for expansion in 1927, when the firm acquired Joseph Jones & Co. in Knotty Ash. A further 70 public houses were added as a result.
In 1962, Higsons purchased a new head office in North Street, Liverpool. 1974 saw the brewery merge with James Mellor & Sons. In 1978, Higsons acquired the Bent's Brewery, which was based next to its North Street head office. The vendor was the Bass Brewery. Boddingtons of Manchester acquired Higsons in 1985 but decided to abandon brewing in 1989 to focus on its pubs. Boddingtons' brewing arm was sold to Whitbread in 1990 which then subsequently closed the Higsons Stanhope brewery.
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,backview,back,view,SOT,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass,beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,SOT,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRXT - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,tell,good,news,to,the,poor,proclaim,release,to,the,families,and,recover,of,sight,to,the,blind,to,let,the,oppressed,go,free,to,year,of,the,favour,bishop,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT37 - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge. GoTonySmith
Stoke-On-Trent, Staffordshire, England , UK
