Search full image library
Enter words, names or reference numbers. This opens Alamy results in a new tab.
Other languages and quick categories
Search HotpixUK images in Spanish, French, German, Italian, or English. Use the dropdown for shortcuts.
Search Belfast in other languages
Search All in French
FR Belfast,
Search All German
DE Belfast,
Search All Italian
IT Belfast,
Search All Spanish
ES Belfast,
Back to all images preview
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,and,improvements,development,developments,to,existing,housing,association,HA,stock,homes,houses,northern Irish,NI,community,chest,property,Ulster,low-cost,low cost,cash,note,plastic,BT1,1-11,May Street,Belfast,Co Antrim,Northern Ireland,UK,BT1 4NA,budget,Housing Executive,the,Development Programme,DPG
Description: Tony Smith image Alamy 2RDF3T7 - . Northern Irish community chest, for provision of new Social Housing and improvements to existing HA and NIHE stock. Photographed on 20 July 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 1-11 May Street, Belfast, Co Antrim, Northern Ireland, UK, BT1 4NA, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include improvements, development, developments, existing, housing, association, stock, homes, houses, northern Irish, community, chest, providing natural SEO coverage without losing the specific documentary identity of the photograph. The housing context makes the image suitable for coverage of homes, neighbourhoods, residential estates, social and affordable housing, landlord investment, repairs, regeneration, planning and the lived environment. It can support reporting on housing condition, estate renewal, energy efficiency, building safety, development, tenure and the long-term transformation of residential areas. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
1-11 May Street, Belfast, Co Antrim, Northern Ireland, UK, BT1 4NA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,historic,Crumb,road,Belfast,building,British,troubles,injustice,Crumlin Road Courthouse (The Crum),Crumlin Road,Belfast BT14 6ST,The Crum,historic courthouse,Victorian architecture,heritage building,landmark building,judicial history,Crumlin Road Belfast,BT14 6ST,North Belfast,listed building,nineteenth century architecture,Victorian civic building,former courthouse,historic justice system,architectural detail,ornate stonework,iron railings,security fencing,urban decay and regeneration,Belfast history,Troubles era context
Description: Tony Smith image Alamy 2RFJ33C - The Crumlin Road Courthouse, commonly referred to as The Crum, located on Crumlin Road in North Belfast, Northern Ireland, postcode BT14 6ST. The image shows the exterior of the nineteenth-century courthouse, with ornate stone detailing and iron railings in the foreground, reflecting the building's imposing civic design.
Completed in the Victorian period, the courthouse formed part of a significant complex of judicial and penal buildings in this area of Belfast, most notably its proximity to Crumlin Road Gaol. The courthouse played a central role in Northern Ireland's legal system and is closely associated with key periods of social and political history, including the Troubles.
Architecturally, the building demonstrates the grandeur and authority typical of Victorian civic architecture, with decorative façades, classical elements, and elevated positioning above the street. Over time, security measures such as fencing and restricted access have become part of the site's visual character, reflecting changing uses and concerns.
Now repurposed as a visitor attraction and event venue, the Crumlin Road Courthouse forms part of Belfast's wider heritage tourism offer, interpreting the city's judicial history alongside its complex social past. Photographed in daylight under a partly cloudy sky, the image documents an important historic landmark within North Belfast and is suitable for editorial use relating to architecture, history, justice, and urban regeneration.
Crumlin Road Courthouse (""The Crum"" ), Crumlin Road, Belfast BT14 6ST, Crumlin Rd , Belfast, Northern
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,ship,shipbuilding,city,tourists,travel,dock,H&W,attractions,Belfast Harbour,Titanic Belfast,Belfast,harbour scene,maritime heritage,waterfront,boats and yachts,iconic architecture,tourism landmark,Titanic Quarter,Belfast docks,River Lagan,shipbuilding heritage,Harland and Wolff,maritime history,museum exterior,modern architecture,regeneration,waterfront regeneration,leisure boats,marina,working harbour,city skyline,Northern Ireland tourism
Description: Tony Smith image Alamy 2RFJ33H - A view across Belfast Harbour showing moored boats and small working vessels in the foreground, with the distinctive angular form of Titanic Belfast rising in the background. The museum stands on the site of the former Harland and Wolff shipyard in the Titanic Quarter, an area central to Belfast's shipbuilding history.
Titanic Belfast is a major cultural and tourism landmark, opened as part of the wider regeneration of Belfast's historic docklands. The building's faceted aluminium-clad design references the hull forms of ships and the industrial heritage of the surrounding area, where RMS Titanic was designed and built in the early twentieth century.
The harbour remains an active maritime environment, combining leisure craft, working boats, and commercial activity alongside cultural attractions and new residential and commercial development. This juxtaposition highlights the transformation of Belfast's waterfront from heavy industry to a mixed-use urban quarter focused on tourism, heritage, and economic renewal.
Photographed in daylight under a cloudy sky, the image documents both the historic and contemporary character of Belfast Harbour. It is suitable for editorial use illustrating maritime heritage, urban regeneration, Northern Ireland tourism, and the continuing evolution of former industrial docklands.
Belfast Harbour with Titanic Belfast, Northern Ireland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,ship,shipbuilding,city,tourists,travel,dock,H&W,attractions,SS Nomadic at Hamilton Dock with Titanic Belfast,Titanic Quarter,Belfast,SS Nomadic,Nomadic Cherbourg,historic ship,maritime heritage,dry dock,White Star Line,Titanic Belfast,Hamilton Dock,Queens Road Belfast,BT3 9DT,Titanic Belfast museum,1 Olympic Way Belfast,BT3 9EP,Northern Ireland maritime history,RMS Titanic tender ship,preserved ship,historic vessel restoration,Belfast docks,shipbuilding heritage,Harland and Wolff,waterfront landmark,cultural regeneration
Description: Tony Smith image Alamy 2RFJ33J - The SS Nomadic, officially named Nomadic Cherbourg, photographed bow-on while moored in Hamilton Dock in the Titanic Quarter of Belfast, Northern Ireland. The dock is located off Queen's Road, postcode BT3 9DT, adjacent to the wider Titanic Quarter redevelopment and within walking distance of Titanic Belfast at 1 Olympic Way, BT3 9EP.
Built in 1911 by Harland and Wolff, the SS Nomadic is the last remaining White Star Line vessel and served as a tender to RMS Titanic, ferrying first- and second-class passengers to the liner at Cherbourg. The ship later had a varied working life before being restored and returned to Belfast as a key maritime heritage attraction.
Behind the vessel stands Titanic Belfast, the landmark museum commemorating the city's shipbuilding history and the story of RMS Titanic. The juxtaposition of the preserved ship within the historic dry dock and the modern museum building highlights the transformation of Belfast's former industrial docklands into a major cultural and tourism destination.
Photographed in daylight under a cloudy sky, the image documents both historic and contemporary elements of Belfast Harbour. It is suitable for editorial use covering maritime history, heritage conservation, tourism, urban regeneration, and Northern Ireland's industrial legacy.
SS Nomadic at Hamilton Dock with Titanic Belfast, Titanic Quarter, Belfast, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,ship,shipbuilding,city,tourists,travel,dock,H&W,attractions,Charlie Chaplin statue beside SS Nomadic,Titanic Quarter,Belfast BT3 9EP,Charlie Chaplin statue,Charlie Chaplin sculpture,SS Nomadic,Belfast,public art,film history,cultural landmark,waterfront sculpture,Titanic Quarter Belfast,SS Nomadic Belfast,Nomadic Belfast,BT3 9EP,Queens Road Belfast,Olympic Way Belfast,Titanic Belfast area,Northern Ireland tourism,public art installation,steel sculpture,rusted metal sculpture,silent film icon
Description: Tony Smith image Alamy 2RFJ348 - A metal sculpture of Charlie Chaplin stands beside the SS Nomadic in the Titanic Quarter of Belfast, Northern Ireland. The artwork is located close to Titanic Belfast on Olympic Way, postcode BT3 9EP, within the regenerated docklands area that once formed part of the Harland and Wolff shipyard.
The statue depicts Charlie Chaplin in his iconic Little Tramp persona, complete with bowler hat and cane, rendered in cut steel with a weathered finish. Chaplin, one of the most influential figures in early cinema, symbolises the global cultural impact of silent film and twentieth-century popular entertainment.
The SS Nomadic, moored nearby, is the last remaining White Star Line ship and served as a tender to RMS Titanic, transporting passengers to and from the liner in Cherbourg. The proximity of the sculpture to the historic vessel highlights the Titanic Quarter's blend of maritime heritage, public art, and contemporary cultural tourism.
Photographed outdoors in daylight, with cobbled dock surfaces and harbour features visible, the image documents the reuse of historic docklands as a visitor destination. It is suitable for editorial use relating to film history, public art, tourism in Northern Ireland, maritime heritage, and the ongoing regeneration of Belfast's waterfront.
Charlie Chaplin statue beside SS Nomadic, Titanic Quarter, Belfast BT3 9EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,Titanic,steel,rust,logo,rusty,1,Belfast,County Antrim,BT3 9EP,BT3,iron,metal,signs,words,spelt,culture,docks,exhibit,history,heritage,historic,shipyards,quarter,tourist,attraction,sunny,blue sky,White Star,building,architecture
Description: Tony Smith image Alamy 2RFJ35G - Titanic Belfast is a visitor attraction opened in 2012, a monument to Belfast's maritime heritage on the site of the former Harland & Wolff shipyard in the city's Titanic Quarter where the RMS Titanic was built. It tells the stories of the Titanic, which hit an iceberg and sank during her maiden voyage in 1912, and her sister ships RMS Olympic and HMHS Britannic. The building contains more than 12,000 square metres (130,000 sq ft) of floor space, most of which is occupied by a series of galleries, private function rooms and community facilities.
Titanic Belfast is owned by the Maritime Belfast Trust and commercially operated by Titanic Belfast Limited under a 25-year operator agreement which commenced in 2011.
The building is located on Queen's Island, an area of land at the entrance of Belfast Lough which was reclaimed from the water in the mid-19th century. It was used for many years by the shipbuilders Harland and Wolff, who built huge slipways and graving docks to accommodate the simultaneous construction of the Olympic and Titanic. The decline of shipbuilding in Belfast left much of the area derelict. Most of the disused structures on the island were demolished. A number of heritage features were given listed status, including the Olympic and Titanic slipways and graving docks, as well as the iconic Samson and Goliath cranes.
The derelict land was renamed the Titanic Quarter in 2001 and was earmarked for regeneration. Development rights over 185 acres was subsequently bought by Harcourt Developments at a cost of £47 million, with 23 more acres set aside for a science park. The redevelopment plans included houses, hotels and entertainment amenities plus a maritime heritage museum and science centre. In 2005, plans were announced to build a museum dedicated to Titanic to attract tourists to the area, with the aim of completing it by 2012 to mark the centenary of Titanic's maiden voyage and sinking.
1 Olympic Way, Belfast, County Antrim, Northern Ireland, UK, BT3 9EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,centre,history,historic,heritage,Belfast,shipyard,ships,builders,builder,Harland,&,and,Wolff,wall,ship,shipbuilding,Titanic,shipbuilder,shipbuilders,ship yard,Queens Island,BT3 9EU,BT3,yards,industry heavy,traditional,work,workplace,employer,Royalist,community,Shankill
Description: Tony Smith image Alamy 2RFJ35J - . Harland & Wolff, Belfast shipyard, Northern Ireland, UK. Photographed on 24 June 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Queen's Island, Belfast , BT3 9EU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include history, historic, heritage, Belfast, shipyard, ships, builders, builder, Harland, Wolff, wall, ship, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include shipbuilding, Titanic, shipbuilder, shipbuilders, ship yard, Queens Island, broadening discoverability while remaining tied to the supplied subject information. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Queen's Island, Belfast , BT3 9EU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,centre,history,historic,heritage,Belfast,shipyard,ships,builders,builder,Harland,&,and,Wolff,yard,Nos 2 & 3,ship,shipbuilding,Titanic,shipbuilder,shipbuilders,ship yard,Queens Island,BT3 9EU,BT3,yards,industry heavy,traditional,work,workplace,employer,Royalist,community,Shankill
Description: Tony Smith image Alamy 2RFJ35K - . Arrol Gantry Slip Nos 2 & 3 blackboard, Harland & Wolff, Belfast shipyard, Northern Ireland, UK. Photographed on 24 June 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Queen's Island, Belfast , BT3 9EU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include history, historic, heritage, Belfast, shipyard, ships, builders, builder, Harland, Wolff, yard, Nos 2 & 3, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include ship, shipbuilding, Titanic, shipbuilder, shipbuilders, ship yard, broadening discoverability while remaining tied to the supplied subject information. The scene contributes a specific, place-based record rather than a generic illustration.
Queen's Island, Belfast , BT3 9EU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,ship,shipbuilding,city,tourists,travel,dock,H&W,attractions,Belfast Harbour,Titanic Belfast,Belfast,harbour scene,maritime heritage,waterfront,boats and yachts,iconic architecture,tourism landmark,Titanic Quarter,Belfast docks,River Lagan,shipbuilding heritage,Harland and Wolff,maritime history,museum exterior,modern architecture,regeneration,waterfront regeneration,leisure boats,marina,working harbour,city skyline,Northern Ireland tourism
Description: Tony Smith image Alamy 2RFJ387 - A view across Belfast Harbour showing moored boats and small working vessels in the foreground, with the distinctive angular form of Titanic Belfast rising in the background. The museum stands on the site of the former Harland and Wolff shipyard in the Titanic Quarter, an area central to Belfast's shipbuilding history.
Titanic Belfast is a major cultural and tourism landmark, opened as part of the wider regeneration of Belfast's historic docklands. The building's faceted aluminium-clad design references the hull forms of ships and the industrial heritage of the surrounding area, where RMS Titanic was designed and built in the early twentieth century.
The harbour remains an active maritime environment, combining leisure craft, working boats, and commercial activity alongside cultural attractions and new residential and commercial development. This juxtaposition highlights the transformation of Belfast's waterfront from heavy industry to a mixed-use urban quarter focused on tourism, heritage, and economic renewal.
Photographed in daylight under a cloudy sky, the image documents both the historic and contemporary character of Belfast Harbour. It is suitable for editorial use illustrating maritime heritage, urban regeneration, Northern Ireland tourism, and the continuing evolution of former industrial docklands.
Belfast Harbour with Titanic Belfast, Northern Ireland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,Translink,service,services,Belfast,Belfast bus,articulated bus,rapid transit,Northern Ireland transport,urban bus,mass transit,Glider Belfast,bus rapid transit,BRT system,articulated vehicle,sustainable transport,low emission transport,city transport Belfast,public transport Northern Ireland,urban mobility,modern bus design,dedicated bus corridor,road transport,infrastructure investment,UK transport policy,editorial transport,daytime exterior,city street,sunny,summer,day
Description: Tony Smith image Alamy 2RFJ3B1 - A Translink Glider articulated bus travelling along a dedicated corridor in Belfast, Northern Ireland. The Glider service forms the backbone of the city's bus rapid transit system, designed to provide high-capacity, frequent public transport along key east“west routes.
Introduced as a major investment in Belfast's transport infrastructure, the Glider uses long articulated vehicles to increase passenger capacity while maintaining flexibility compared with fixed rail systems. The service aims to reduce congestion, support sustainable travel, and improve connectivity between residential areas, the city centre, and key employment and retail destinations.
The distinctive purple-liveried buses are a prominent feature of Belfast's streetscape and represent a shift towards modern, integrated public transport provision in Northern Ireland. Dedicated lanes and priority measures allow the Glider to operate more efficiently than conventional bus services.
Photographed in daylight with trees and urban surroundings visible, the image documents contemporary public transport in use and is suitable for editorial coverage of urban mobility, infrastructure investment, sustainable transport, and public services in Belfast.
Translink Glider articulated bus, Belfast, Northern Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,history,historic,heritage,Belfast,venue,theatres,historic theatre,building,Edwardian,architecture,listed,performing,arts,production,cultural,landmark,facade,front,entrance,door,doors,restored,BT2 7HR,BT2,city,urban,streetscape,arts and culture Northern Ireland,reflected light,bright blue sky
Description: Tony Smith image Alamy 2RFJ3B3 - This image shows the Grand Opera House on Great Victoria Street in Belfast city centre, one of Northern Ireland's most prominent cultural and architectural landmarks. The theatre's striking red brick and cream stone facade, with its ornate detailing, circular windows, and domed corner turrets, reflects the Edwardian baroque style popular in the early twentieth century.
The words GRAND OPERA HOUSE are clearly visible across the upper facade, confirming the building's identity. The modern glazed entrance contrasts with the historic exterior, illustrating sensitive adaptation to contemporary access and audience needs while retaining the building's original character.
The photograph appears to have been taken during summer, under clear blue skies, with strong sunlight creating highlights and subtle reflections across the curved frontage and decorative stonework. The reflected light enhances the texture of the brickwork and architectural detailing, giving the building a warm, vibrant appearance. Pedestrians and passing vehicles provide a sense of scale and everyday city life.
Opened in 1895, the Grand Opera House has long been a central venue for opera, theatre, comedy, dance, and touring productions, playing a key role in Belfast's cultural life. The image captures both the building's historic grandeur and its continuing presence as a working city-centre theatre within a modern urban environment.
Grand Opera House, Great Victoria Street, Belfast, Northern Ireland, United Kingdom, BT2 7HR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,history,historic,heritage,in,city,Belfast,pubs,bar,bars,boozers,NT,outside,exterior,door,entrance,Crown Dining Rooms,Crown Liquor Saloon,historic pub,Victorian pub,Irish pub,heritage building,pub exterior,Belfast city centre,tiled signage,pub frontage,traditional public house,Irish heritage,cultural landmark,listed building,pub sign
Description: Tony Smith image Alamy 2RFJ3B4 - The exterior of the Crown Dining Rooms, commonly known as the Crown Liquor Saloon, located on Great Victoria Street in Belfast city centre, Northern Ireland (BT2 7HE). The image focuses on the historic pub frontage and decorative signage, a defining feature of one of Belfast's most famous licensed premises.
Dating from the nineteenth century, the Crown is celebrated as one of the finest surviving examples of a Victorian gin palace in the British Isles. The building is distinguished by its richly decorated exterior and famously ornate interior, including tiled walls, stained glass, and private snugs that reflect the social drinking culture of the era.
Situated opposite the former Great Victoria Street railway station and near the Grand Opera House, the Crown Dining Rooms has long been associated with travellers, theatre-goers, and local patrons. Its continued operation as a pub and visitor attraction highlights the importance of historic hospitality venues within Belfast's cultural and tourism economy.
Photographed in daylight, the image documents an iconic Belfast landmark and is suitable for editorial use relating to Irish pubs, Victorian architecture, heritage conservation, tourism, and the social history of drinking establishments in Northern Ireland.
The Crown Dining Rooms (Crown Liquor Saloon), Belfast, Northern Ireland, Great Victoria Street in Be
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CH41 6DU,CH41,Merseyside,England,UK,Liverpool waterfront,panorama,pano,from,river,Stena,ferry,service,sailing,Belfast,on,ship,boat,route,Ireland,sunny,summer,blue sky,blue skies,Liver,building,white,ferries,direct,sailings,bow,car ferry,mooring,moored
Description: Tony Smith image Alamy 2R64KH5 - . Stena Embla ferry to Belfast on the Liverpool waterfront panorama from Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU. Photographed on 27 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include CH41 6DU, CH41, Merseyside, Liverpool waterfront, panorama, pano, river, Stena, ferry, service, sailing, Belfast, providing natural SEO coverage without losing the specific documentary identity of the photograph. The broad field of view gives useful spatial context, showing how the main subject sits within the wider urban or landscape setting. The transport setting gives the image wider relevance to mobility, infrastructure, roads and public transport, travel behaviour, local connectivity, logistics and the relationship between vehicles and the built environment. It can illustrate planning, transport policy, accessibility, congestion, public investment and the changing technologies and services used to move people or goods. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The wider panoramic composition places the principal subject within its surrounding streetscape or landscape, giving additional context about scale, neighbouring buildings, public space and the relationship between different landmarks. The scene contributes a specific, place-based record rather than a generic illustration.
Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CH41 6DU,CH41,Merseyside,England,UK,Liverpool waterfront,panorama,pano,from,river,Stena,ferry,service,sailing,Belfast,on,ship,boat,route,Ireland,sunny,summer,blue sky,blue skies,Liver,building,white,ferries,direct,sailings,mooring,moored,dock,dock area
Description: Tony Smith image Alamy 2R64KH8 - . Stena Embla ferry to Belfast on the Liverpool waterfront panorama from Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU. Photographed on 27 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include CH41 6DU, CH41, Merseyside, Liverpool waterfront, panorama, pano, river, Stena, ferry, service, sailing, Belfast, providing natural SEO coverage without losing the specific documentary identity of the photograph. The broad field of view gives useful spatial context, showing how the main subject sits within the wider urban or landscape setting. The transport setting gives the image wider relevance to mobility, infrastructure, roads and public transport, travel behaviour, local connectivity, logistics and the relationship between vehicles and the built environment. It can illustrate planning, transport policy, accessibility, congestion, public investment and the changing technologies and services used to move people or goods. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The wider panoramic composition places the principal subject within its surrounding streetscape or landscape, giving additional context about scale, neighbouring buildings, public space and the relationship between different landmarks. The scene contributes a specific, place-based record rather than a generic illustration.
Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CH41 6DU,CH41,Merseyside,England,UK,Liverpool waterfront,panorama,pano,from,river,Stena,ferry,service,sailing,Belfast,on,ship,boat,route,Ireland,sunny,summer,blue sky,blue skies,direct,sailings,mooring,moored,dock,dock area,tunnel exhaust,docks,Liverpool Port,Alfred dock
Description: Tony Smith image Alamy 2R64KP3 - . Stena Embla ferry to Belfast on the Liverpool waterfront panorama from Alfred dock, Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU. Photographed on 27 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include CH41 6DU, CH41, Merseyside, Liverpool waterfront, panorama, pano, river, Stena, ferry, service, sailing, Belfast, providing natural SEO coverage without losing the specific documentary identity of the photograph. The broad field of view gives useful spatial context, showing how the main subject sits within the wider urban or landscape setting. The transport setting gives the image wider relevance to mobility, infrastructure, roads and public transport, travel behaviour, local connectivity, logistics and the relationship between vehicles and the built environment. It can illustrate planning, transport policy, accessibility, congestion, public investment and the changing technologies and services used to move people or goods. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The wider panoramic composition places the principal subject within its surrounding streetscape or landscape, giving additional context about scale, neighbouring buildings, public space and the relationship between different landmarks. The scene contributes a specific, place-based record rather than a generic illustration.
Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,covered,East Bridge Street,Belfast,Antrim,Northern Ireland,BT1 3NQ,BT1,Victorian,crowds,busy,crowd,eating,bar,crowded,enjoying,customer,shopper,shoppers,Buster,rolls,roll,the,bargain,fast,food,breakfast,stall,vibrant
Description: Tony Smith image Alamy 2PM6261 - Belfast Bellybusters food stall inside St George's Market, Belfast, with customers standing at the counter and signs advertising hearty breakfast rolls. The large cream banner reads Belfast Bellybusters and There's fast food & then there's good food , while the front menu board promotes The Bust'R with two bacon, two sausages, egg and black pudding for £5. The photograph captures the everyday bustle of a covered city market, with café tables, hot drinks, counter service, cooking equipment, bread rolls and traders working beneath the market roof. St George's Market is one of Belfast's best-known visitor attractions and a working food, craft and produce market, so this scene is useful for editorial stories about Northern Irish street food, local independent traders, weekend markets, city-break tourism, breakfast culture, indoor markets, small businesses, hospitality and affordable eating out. The bacon and sausage baps, black pudding and cooked breakfast wording give the image a strong food photography angle, while the visible Belfast branding anchors it firmly in place. The composition also illustrates traditional market trading adapting to contemporary casual dining, with shoppers and tourists able to buy hot food, sit at informal tables and enjoy the atmosphere of a historic Victorian market building. It would suit features on Belfast's food scene, UK and Ireland market halls, artisan and casual food stalls, local economies, visitor attractions, weekend leisure, independent catering, public markets, city centre regeneration, heritage buildings used for modern retail, and the social role of markets as places to eat, meet, browse and support local enterprise. The indoor lighting, visible signage and customers in practical casual clothing suggest a typical market trading day rather than a staged restaurant scene, giving the image an authentic documentary feel.
East Bridge Street, Belfast, Antrim, Northern Ireland, UK, BT1 3NQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,covered,East Bridge Street,Belfast,Antrim,Northern Ireland,BT1 3NQ,BT1,Victorian,crowds,busy,crowd,eating,bar,crowded,enjoying,bread,stall,baking,traditional,Irish,food,delicacy,delicacies,customer,shopper,shoppers,vibrant
Description: Tony Smith image Alamy 2PM6264 - St George's Market is the last surviving Victorian covered market in Belfast, Northern Ireland. It is located on May Street, close to the River Lagan and the Waterfront Hall. Belfast Corporation (now Belfast City Council) commissioned the building of St George's Market, which was built in three phases between 1890 and 1896. Before 1890 St George's Market was an open market and most likely contained a slaughterhouse and a meat market. Today it is a thriving market with 300 traders, crafters, musicians, and food vendors.
By the 1980s, St George's Market had developed into a general market and it became the last of Belfast's thriving Victorian markets. The market was pressured with increased maintenance costs and changes to hygiene regulations, among other issues, and Belfast City Council decided to source other uses for the listed building. A campaign backed by the city council, traders and the general public resulted in a Heritage Lottery Fund-backed £3.5 million refurbishment programme assisted by the Environment and Heritage Agency. Brick and stonework that had badly deteriorated was returned to good condition, and special bricks were produced in England to match the original unusually sized bricks. The fully renovated St George's Market reopened its doors on 14 May 1999.
St George's Market is primarily used as a market, however a number of other events are held at the site. These range from food festivals, art initiatives, exhibitions, charity launches, fashion shoots and live music events. Local software company Northbrook Technology hold their annual Staff Christmas Party at the venue.
The market has won a number of recent awards, including being voted Best Large Indoor Market 2014 and as one of the UK's top five markets by the National Association of British Market Authorities in 2006, and winning third place in the best markets category of the Observer Food Monthly/Waitrose Awards in 2004
East Bridge Street, Belfast, Antrim, Northern Ireland, UK, BT1 3NQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,the,April,14,1912,BT4,Dee Street,Belfast,Northern Ireland,BT4 1FT,HW,April 14 1912,mural,Est,1861,RMS,gable,end,history,historic,heritage,ECHR
Description: Tony Smith image Alamy 2PM62P8 - . HW, RMS Titanic 14 April ,1912 H&W Est 1861 mural, Dee Street, Belfast, Northern Ireland, UK, BT4 1FT. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Dee Street, Belfast, Northern Ireland, UK, BT4 1FT, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, April, BT4, Dee Street, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. The scene contributes a specific, place-based record rather than a generic illustration.
Dee Street, Belfast, Northern Ireland, UK, BT4 1FT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,the past,future,peace,gable,end,211,Newtownards Rd,Belfast,Northern Ireland,BT4 1EA,mural,traditional,history,historic,end-terrace,gable-end,understanding,futures,Belfast peace,ECHR
Description: Tony Smith image Alamy 2PM64N2 - . Community mural - Peace cannot be kept by force, it can only be achieved by understanding - Belfast Looking to a better future. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 211 Newtownards Rd, Belfast , Northern Ireland, UK, BT4 1EA, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, the past, future, peace, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
211 Newtownards Rd, Belfast , Northern Ireland, UK, BT4 1EA
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,column,outside,exterior,liquor,The Crown,Saloon,Crown Saloon,Irish Pub,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYM3 - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,round,window,side,external,outside,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYM6 - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,round,window,glass,beautiful,Victorian,side,Amelia,Amelia Street,external,outside,Irish Pub,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYM8 - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,Amelia,wines,brandies,whiskies,beers,Irish Pub,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYM9 - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Spanish,Civil War,Civil,War,1936-1939,1936,1939,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYRA - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,barbed,wire,razorwire,candle,red,Amnesty International,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HDEYRF - Amnesty International (commonly known as Amnesty and AI) is a non-governmental organisation focused on human rights with over 7 million members and supporters around the world. The stated objective of the organisation is to conduct research and generate action to prevent and end grave abuses of human rights, and to demand justice for those whose rights have been violated.
Amnesty International was founded in London in 1961, following the publication of the article The Forgotten Prisoners in The Observer on 28 May 1961, by the lawyer Peter Benenson. Amnesty draws attention to human rights abuses and campaigns for compliance with international laws and standards. It works to mobilise public opinion to put pressure on governments that let abuse take place. Amnesty considers capital punishment to be the ultimate, irreversible denial of human rights. The organisation was awarded the 1977 Nobel Peace Prize for its campaign against torture, and the United Nations Prize in the Field of Human Rights in 1978.
In the field of international human rights organisations, Amnesty has the second longest history, after the International Federation for Human Rights and broadest name recognition, and is believed by many to set standards for the movement as a whole
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Welcome,To,the,Shankill,Road,panorama,Welcome To the Shankill Road,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYW3 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,shankill,Titanic,ship,H&W,White,star,Line,Shankill and the Titanic,IdentityHeritage,the white star,the white star line,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDEYW7 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,creativity,Belfast,Inventiveness,yellow,orange,metal,steel,iron,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYW8 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,MP,Bobby,Sands,Mural,and,Carnegie Library,Carnegie,Library,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDKYJ4 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Northern Ireland,Peace,Belfast,Irish,art,artworks,tagged,graffitti,grafitti,No,Days,Off,art,work,artwork,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM00F - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,West Belfast,Irish,artworks,artwork,May,we,all,Learn,To,Be,Bridge,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM08W - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,wide,shot,wideshot,wall,mural,murals,face,faces,fence,high,high,fences,history,Irish,Catholic,Protestant,divided,sectarian,religious,boundary,interface,zone,interzone,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM12B - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,Hope,Lost,rd,Road,boat,ship,weld,welded,Berlin wall,Shankill ingenuity,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM12W - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,Hope,Lost,rd,Road,boat,ship,weld,welded,Berlin wall,Shankill ingenuity,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM137 - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,common,than,divides,separates,us,peace,space invaders,space,invaders,wire,barbed,barbed wire,razor wire,invader,PacMan,Pac-man,Pac,man,Berlin wall,Theres more in common,Than what divides us,Irish history,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM16Y - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDM1DF - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Unionist,Peace Wall,Mural,Climate Change,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDM1FR - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,famous,world,wide angle,wide,angle,Bobby,Sands,Poet,Revolutionary,IRA Volunteer,IRA,Volunteer,martyr,on,gable end,terrace,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Belfast streets,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDM1JX - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Falls,Road,rd,Garden,of,remembrance,deceased,West,Belfast,NI,UK,Falls,Cultural,Society,roll,of,honour,soldier,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPM35 - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: historic,history,City Centre,Northern Ireland,UK,Belfast,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWRWG - . Photographed at North St, Belfast,City Centre, Northern Ireland, UK in 2016, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The defining feature is North St Belfast buildings,City Centre, Northern Ireland, UK. The subject also carries associations with visual archive, historic inscription, documentary photography, local-story.htm Target=_Blank>history evidence, changing streetscape, public realm, decorative metalwork, place identity, local character, before-and-after reference, commemorative plaque, antique object, period craftsmanship, and material culture. For current editorial use, provenance and public history provide additional context, especially through how museums turn individual objects into wider stories about place and people. Small period details of equipment and working practice at North St, Belfast,City Centre, Northern Ireland, UK may become more significant with time, particularly following redevelopment. A second descriptive layer includes changing land use, contemporary social history, collectable heritage item, everyday life, community identity, museum object, historic material culture, and regional identity. The recorded references to Ireland, Northern, buildings, Belfast, and Centre preserve clues about how the subject was presented, used or understood at the time. The wider setting at North St, Belfast,City Centre, Northern Ireland, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for provenance and how museums turn individual objects into wider stories about place and people as part of the longer story of North St, Belfast,City Centre, Northern Ireland, UK. The record includes a point of historical comparison for future local research. The frame retains part of the area's social history before later change alters the scene.
North St, Belfast,City Centre, Northern Ireland, UK
Description
Keywords: history,City Centre,Northern Ireland,UK,Belfast,Belfast City Centre,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWRWP - . This authentic period view of North St, Belfast,City Centre, Northern Ireland, UK in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents North St Belfast buildings,City Centre, Northern Ireland, UK. The wider scene also brings together historic inscription, public realm, commemorative plaque, documentary photography, regional identity, community identity, heritage interpretation, collectable heritage item, antique object, period craftsmanship, archival record, changing land use, local-history evidence, and place identity. In present-day coverage, the subject reaches into museum conservation and object conservation, not least because of the value of craftsmanship and material evidence in a digital age. The image fixes signage and branding within North St, Belfast,City Centre, Northern Ireland, UK at one identifiable point, providing a benchmark against changing commercial priorities. Other useful contextual ideas include material culture, local history, changing streetscape, contemporary social history, before-and-after reference, historic artefact, period detail, and decorative metalwork. The combination of Northern, Ireland, Centre, Belfast, and buildings anchors the frame to a recognisable activity, place or moment. The period setting at North St, Belfast,City Centre, Northern Ireland, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of museum conservation and how everyday objects can survive as evidence of earlier work and domestic life as part of the longer story of North St, Belfast,City Centre, Northern Ireland, UK. The scene captures a local visual benchmark within the wider story of North St, Belfast,City Centre, Northern Ireland, UK. That local specificity strengthens the long-term documentary value of image HDWRWP.
North St, Belfast,City Centre, Northern Ireland, UK
Description
Keywords: Ulster,memorial,UFF,Unionist,mural,off,Road,Northern Ireland,UK,Ireland,fighter,fighting,empty,building,buildings,terrace,Shankill Rd,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Peoples army
Description: Tony Smith image Alamy HDWT5G - . An identifiable period record of Shankill Road, West Belfast, NI, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The image documents Empty buildings in the Shankill Road, West Belfast, Northern Ireland, UK. Other connected aspects include community identity, place identity, social history, public transport stop, before-and-after reference, local mobility, public realm, transport accessibility, changing land use, surface public transport, contemporary social history, archival record, bus infrastructure, and roadside transit. The wider contemporary story combines passenger information, rural transport and how local bus services affect access to work, education and healthcare. Small period details of public access and movement at Shankill Road, West Belfast, NI, UK may become more significant with time, particularly following changing commercial priorities. The surrounding story also includes documentary photography, everyday life, passenger transport, local bus network, regional identity, roadside stop, local character, and bus route infrastructure. The combination of Belfast, Northern, buildings, Shankill, and Ireland anchors the frame to a recognisable activity, place or moment. For Shankill Road, West Belfast, NI, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes passenger information and how local bus services affect access to work, education and healthcare without losing the local specificity of Shankill Road, West Belfast, NI, UK. Another strand within the photograph is local connectivity and how local bus services affect access to work, education and healthcare in a form that can be compared with future views of Shankill Road, West Belfast, NI, UK. The image fixes evidence of earlier appearance for future local research.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,Ulster,memorial,UFF,Unionist,off,Shankill,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,flag,union,jack,sign,for,sale,poor,decay,decayed,run,down,For Sale,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT5Y - . This authentic period view of Shankill Road, West Belfast, NI, UK in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The photograph centres on British flags, off Shankill Road West Belfast,Northern Ireland,UK. The subject also carries associations with street-level symbolism, transport accessibility, bus infrastructure, local character, place identity, public transport stop, patriotic symbolism, flag culture, regional identity, local mobility, changing streetscape, roadside stop, social history, and archival record. In present-day coverage, the subject reaches into political symbolism and social division, not least because of the visibility of English identity in residential streets and public space. Today's relevance is strengthened by integrated transport, local connectivity and the continuing question of the shift toward cleaner buses and integrated ticketing. Small period details of local activity and public use at Shankill Road, West Belfast, NI, UK may become more significant with time, particularly following refurbishment. Other useful contextual ideas include contemporary social history, local bus network, documentary photography, public realm, passenger transport, national flag display, public transport information, and changing land use. Elements such as flags, Shankill, Ireland, Belfast, and British add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Shankill Road, West Belfast, NI, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate political symbolism and the visibility of English identity in residential streets and public space when considered against later change at Shankill Road, West Belfast, NI, UK.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Belfast,Northern Ireland,England,UK,pano,retail,shopping,city,centre,Belfast,Belfast City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,with,problem with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,space,stores,architecture,area,wide,Dunn
Description: Tony Smith image Alamy HGM7GM - . An identifiable period record of High St, Belfast, Northern Ireland, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Dunns Stores Panorama, Belfast, Northern Ireland, England, UK. The frame also records themes of local trading, town-centre economy, bricks-and-mortar retail, specialist retailer, contemporary social history, commercial frontage, local enterprise, regional identity, independent retail, before-and-after reference, high-street commerce, archival record, documentary photography, and place identity. The modern context includes continuing discussion of independent business, business rates and the role of small retailers in maintaining active town centres. Future viewers can use this scene from High St, Belfast, Northern Ireland, UK to compare street furniture and boundaries with whatever follows after changed technology. The photograph additionally reflects local character, community identity, changing land use, small business, changing streetscape, commercial streetscape, retail property, and visual archive. References to Belfast, Dunns, Panorama, Northern, and Stores give the picture a strong period identity and tie it closely to its named subject. The wider setting at High St, Belfast, Northern Ireland, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for independent business and how shopfronts become short-lived records of changing businesses and branding as part of the longer story of High St, Belfast, Northern Ireland, UK. Another useful connection is commercial rents and the resilience of independent shops in an online retail economy when considered against later change at High St, Belfast, Northern Ireland, UK. The photograph keeps period character as a date-specific reference.
High St, Belfast, Northern Ireland, UK
Description
Keywords: Note,Eire,republic,of,coin,Sterling,legal tender,from the,Bank Of Ireland,Belfast,bank,of,Ireland,region,regional,economy,economic,monetary,union,UK,United Kingdom,housekeeping,good,bad,currency,wealth,capital,worth,rich,wealthy,fund,funds,ready money,hard cash,ten,five,fiver,wallet,next,GoTonySmith,legal,tender,small,smallest,banks,Europe,european,GB,Great Britain,Great Britain,EC,EU,EEC,hard,cash,ready,Derry,Londonderry,DUP,Sinn Fein,politics,political,tenner,twentypence,twenty,pence,banknote,billetes,bureau,business,buy,buying,caja,change,commerce,commercialism,capitalism,austerity,global,crash,global crash,cuenta,debt,dinero,dollar,enterprise,euro,exchange,export,exporting,global,globalization,historical,history,monetary,negocio,number,paper,paper money,folding,power,saving,spending,profit,prosperity,prosperous,queen,rate,spend,spending,system,trade,viajar,vintage,wealth,world,bailout,bail out,bail,out,six counties,6,six,county,counties,to,a,next to a wallet,brown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EWAR53 - . Northern Irish £5, £10 notes and pound coins, legal tender from the Bank Of Ireland Belfast, next a wallet. Photographed on 21 June 2015. The recorded location is Belfast, Northern Ireland, UK. Northern Ireland has a distinctive banknote system in which several commercial banks issue sterling notes under statutory arrangements, alongside Bank of England currency. Bank of Ireland is one of the authorised issuers. The notes are denominated in pounds sterling and are legal currency, but they are not technically 'legal tender' in Northern Ireland or elsewhere in the UK, a distinction often misunderstood by the public. Images of older paper issues also document changing security features and the transition to polymer notes. From a heritage perspective, cash, banknotes and banking equipment document the everyday financial system before contactless cards and mobile payments became dominant
Bank buildings, notes, coins, cheques and cash machines also trace the history of regional banking, savings institutions and the changing design of money. Looking at the subject's development, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. As of 2026, cash is used less often than in earlier decades but remains significant, particularly for vulnerable consumers and some small businesses
FCA access-to-cash rules require designated banks and building societies to assess local provision and address significant gaps, making images of ATMs, notes and former branches relevant to financial inclusion. For the 2026 context, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historical fabric creates continuing debate about conservation and reuse.
Belfast, Northern Ireland, UK
Description
Keywords: Note,Eire,republic,of,Sterling,legal tender,from the,Bank Of Ireland,Belfast,bank,of,Ireland,region,regional,economy,economic,money,monetary,union,UK,United Kingdom,housekeeping,good,bad,currency,wealth,capital,worth,rich,wealthy,fund,funds,ready money,hard cash,ten,five,fiver,wallet,next,GoTonySmith,legal,tender,small,smallest,banks,Europe,european,GB,Great Britain,Great Britain,EC,EU,EEC,hard,cash,ready,Derry,Londonderry,DUP,Sinn Fein,politics,political,tenner,twentypence,twenty,pence,banknote,billetes,bureau,business,buy,buying,caja,change,commerce,commercialism,capitalism,austerity,global,crash,global crash,cuenta,debt,dinero,dollar,enterprise,euro,exchange,export,exporting,global,globalization,historical,history,monetary,negocio,number,paper,paper money,folding,power,saving,spending,profit,prosperity,prosperous,queen,rate,spend,spending,system,trade,viajar,vintage,wealth,world,bailout,bail out,bail,out,six counties,6,six,county,counties,to,a,next to a wallet,brown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EWAR56 - . Northern Irish £5, £10 notes and pound coins, legal tender from the Bank Of Ireland Belfast, next a wallet. Photographed on 21 June 2015. The recorded location is Belfast, Northern Ireland, UK. Northern Ireland has a distinctive banknote system in which several commercial banks issue sterling notes under statutory arrangements, alongside Bank of England currency. Bank of Ireland is one of the authorised issuers. The notes are denominated in pounds sterling and are legal currency, but they are not technically 'legal tender' in Northern Ireland or elsewhere in the UK, a distinction often misunderstood by the public. Images of older paper issues also document changing security features and the transition to polymer notes. In historical terms, banking imagery can range from grand Victorian branch architecture to the small physical objects of personal finance
Together, notes, coins, cards, cheques and cashpoints chart a shift from cash and branch-based services towards electronic and online banking. From a heritage perspective, historic objects and places gain meaning through survival
Materials, craftsmanship, inscriptions and later alterations can reveal how a building, machine or everyday item was made, used and valued, while preservation decisions show which parts of the past communities choose to retain. During 2026, access to cash remains a live issue despite the growth of cards and mobile payments
FCA rules now require major banks and building societies to protect reasonable local access to cash, so photographs of cashpoints, banknotes and closed branches can illustrate the tension between digital banking and physical financial services. As of 2026, conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it offers about materials, local identity and how places change.
Belfast, Northern Ireland, UK
Description
Keywords: BT1,bars,alley,off,street,drinks,drinking,classic,ale,beer,bers,ales,half,bap,area,craic,murals,art,painting,painting,artwork,artworks,Patrick,Moore,Cathedral Quarter,Half Bap,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M2Y - Nestled along a narrow cobbled alleyway in the historic Half Bap area, the Duke offers a traditional Belfast welcome of craic, music and humour in contrast to the modern fashionable establishments currently blowing into the surrounding streets. Hosting regular traditional sessions there is no better place to sample the real taste of our city “ simply step in and drink an Irish whiskey washed down with a pint of creamy stout.
Imagine Belfast with only five streets. Protected by earth ramparts and the city walls, the area where the Dark Horse now stands was convenient to the old iron foundry, the pottery, the whiskey merchants and the brown linen hall. Appreciate the superb décor and special atmosphere with beautiful antique mirrors, Belfast furniture and artefacts from some of the city's most famous hotels and buildings from bygone times “ providing a rather rare and unique glimpse of Belfast's historical past. Just call in and you will enjoy a huge warm welcome from a truly Belfast institution with a huge heart.
Duke of York, 7-11 Commercial Court, Belfast, Northern Ireland, BT1 2NB Duke of York 02890 241062
7-11 Commercial Ct, Belfast, Northern Ireland,UK BT1 2NB
Description
Keywords: pano,House,Northern Ireland Office panorama,rain,UK,building,architecture,NIO,Speakers,headquarters,estate,Edwin Lutyens,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MBT - A wet, overcast view of Parliament Buildings at Stormont, Belfast, the formal home of the Northern Ireland Assembly and one of the most recognisable political landmarks in Northern Ireland. The photograph looks straight along the broad approach road through Stormont Estate towards the imposing neoclassical façade, with its long symmetrical wings, central portico, columns, pediment and elevated position giving the building a strong sense of civic authority. Rain on the tarmac creates reflective surfaces, while the grey sky, damp lawns, clipped trees, benches and lamp standards add atmosphere and a documentary sense of government business on a bleak day. The scene is useful for editorial coverage of devolved government, Northern Ireland politics, Stormont debates, power sharing, public administration, constitutional issues, public sector policy, elections, legislation, political accountability, civil service decision making, Belfast landmarks, tourism, heritage, architecture and UK political institutions. Parliament Buildings opened in 1932 and is widely known simply as Stormont because of its location in Stormont Estate. The building is associated with the Northern Ireland Assembly, the devolved legislature for Northern Ireland, and is a key visual shorthand for political stories about the region, including executive formation, assembly sittings, budget pressures, public services, housing policy, health policy, education, infrastructure, community relations and post Brexit governance. Its restrained classical design, pale stone exterior and ceremonial avenue make it a strong establishing image for news features, analysis pieces, travel guides, education material and historical context about Northern Ireland. The rainy conditions, empty roadway and muted colours give the image a sober, serious mood suitable for articles about public policy, institutional debate, democratic scrutiny, political stalemate, reform, governance risk and civic life in Belfast.
Stormont Estate,Belfast,Northern Ireland,UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,POW,Prisoner of war,status,We,demand,Hunger,Strike,27th,October 1980,strikers,Support The Five Demands,John Turnley,Mairead Nugent,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HEEF7J - Irish republican political mural on the Falls Road in West Belfast commemorates prisoners involved in the 1980 hunger strike and the campaign demanding prisoner-of-war status. The central slogan reads We Demand POW Status Now , while painted portraits, newspaper imagery, prison references and historical text combine to present the protest as part of a wider story of republican resistance, imprisonment and political identity.
Across the top of the mural, lettering refers to prisoners enduring years of brutality, humiliation and degradation and records the commencement of the hunger strike on 27 October 1980. The artwork recalls the first republican hunger strike at HM Prison Maze, also widely known as Long Kesh, during which prisoners protested over prison conditions and the removal of Special Category Status. Their demands concerned matters such as prison clothing, prison work, association, visits and recognition of their political motivation.
The composition uses strong reds, greens, blacks and whites against a painted brick background. Several figures are shown holding newspapers, photographs and campaign material, while a large female portrait occupies the right-hand side. Barbed and razor wire above the wall reinforce themes of incarceration, security and conflict. The adjacent information panel for the Irish Republican History Museum places the mural within a broader local presentation of republican history and memory.
Murals have long formed a distinctive part of Belfast's visual landscape, particularly in working-class neighbourhoods affected by the Troubles. They may act as memorials, political statements, historical narratives, expressions of community identity or attractions within conflict-heritage tourism. Their interpretation can vary considerably according to political background, personal experience and differing understandings of Northern Ireland's recent history.
This image is suitable for editorial coverage of the Troubles, republican prisoner
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,prisoner,prisoners,Maghaberry Prisoners,Not,Forgotten,LRPWA,Internment by remand,Internment,by,Remand,Happy,War,POW,Prisoner of war,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HEEF7Y - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,panorama,Glencairn,reviews,West Belfast,UVF Glencairn 6th June,CYV,protestant,farmer,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,lady,woman,female,orange,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFJ2 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,well,I,can,stand,alone,rifle,CYV,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFJ9 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,gate,arch,archway gate,boat,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAD - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,beer,wine,spirit,whiskies,direct,barrel,barrels,Guinness,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAM - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,inside,interior,glass,barrel,old,high,class,whiskies,spirits,Irish Pub,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MBD - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,Tonic Wine Drink,eye,sore,dilapidation,decrepitude,shabby,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,Rick,104,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDA - . Photographed at Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The principal subject is Tonic Wine Drunk, Graffiti art, Belfast city Garfield St, City Centre, Northern Ireland, UK. The locality and subject together evoke street creativity, stencil art, contemporary social history, urban artwork, mural culture, documentary photography, urban graphics, public art, local history, changing streetscape, social history, public realm, public-realm art, and before-and-after reference. In present-day coverage, the subject reaches into gentrification and tourism, not least because of how regeneration can both promote and displace informal urban art. The archival value lies partly in recording local activity and public use around Garfield street,Belfast,County Antrim,Northern Ireland,UK before altered transport patterns alters the character of the place. Further associations within the scene are changing land use, visual street culture, community art, regional identity, local character, contemporary mural, street-level design, and creative placemaking. The combination of Garfield, Tonic, Belfast, Drunk, and Centre anchors the frame to a recognisable activity, place or moment. By fixing the subject within Garfield street,Belfast,County Antrim,Northern Ireland,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate gentrification and how regeneration can both promote and displace informal urban art within the real-world context of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The scene captures details of everyday use as part of Garfield street,Belfast,County Antrim,Northern Ireland,UK's history. The period view preserves evidence of changing use for future local research.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,streetArt,Street,Art,TMNFC,eye,sore,shabby,ruin,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDD - . An on-location photograph from Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The location is represented through Belfast Street Art, Garfield St City Centre, Northern Ireland, UK. A broader reading of the photograph includes regional identity, everyday life, visual archive, historical comparison, public-realm art, graffiti heritage, archival record, period detail, local history, contemporary social history, local character, public realm, public art, and documentary photography. From a 2025-onward perspective, tourism and regeneration are closely linked to this subject, alongside the role of murals and stencils in giving creative districts a distinctive identity. For later comparison, the photograph preserves landscape treatment and surrounding development at Garfield street,Belfast,County Antrim,Northern Ireland,UK, details that may look very different after changing commercial priorities. The wider setting retains connections with mural culture, before-and-after reference, creative placemaking, temporary artwork, street creativity, street-level design, changing land use, and changing streetscape. References to Ireland, Centre, Garfield, Northern, and Belfast give the picture a strong period identity and tie it closely to its named subject. Around Garfield street,Belfast,County Antrim,Northern Ireland,UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for tourism and how temporary street art can become an important record of neighbourhood culture when considered against later change at Garfield street,Belfast,County Antrim,Northern Ireland,UK. The view records evidence of changing use before later change alters the scene.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,colour,colourful,eyesore,eye,sore,dilapidation,decrepitude,shabby,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDG - . Photographed at Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The frame specifically shows Graffiti Belfast Garfield St, City Centre, Northern Ireland, UK. The setting additionally reflects visual street culture, local history, graffiti heritage, social history, public realm, mural culture, before-and-after reference, temporary artwork, period detail, local character, stencil art, contemporary mural, archival record, and creative placemaking. In present-day coverage, the subject reaches into temporary works and regeneration, not least because of the blurred boundary between commissioned public art and unsanctioned graffiti. Future viewers can use this scene from Garfield street,Belfast,County Antrim,Northern Ireland,UK to compare building condition and alterations with whatever follows after altered transport patterns. A second descriptive layer includes public-realm art, changing land use, street creativity, documentary photography, changing streetscape, place identity, everyday life, and community art. Elements such as Garfield, Centre, Northern, Graffiti, and Belfast add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Garfield street,Belfast,County Antrim,Northern Ireland,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for temporary works and how temporary street art can become an important record of neighbourhood culture within the real-world context of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The scene captures details of everyday use for future local research. The period view preserves evidence of changing use before later change alters the scene.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,shutter,shuttered,up,shuttered up,boarded,boarded up,closed,eye,eyes,hels,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDH - . Photographed at Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The scene records Belfast Garfield St Graffiti City Centre, Northern Ireland, UK. Further facets of the scene include community identity, changing land use, public realm, visual street culture, social history, creative placemaking, local character, public-realm art, contemporary social history, temporary artwork, community art, place identity, archival record, and stencil art. Viewed from the mid-2020s, the subject also connects with regeneration, graffiti policy and the role of murals and stencils in giving creative districts a distinctive identity. Small period details of local activity and public use at Garfield street,Belfast,County Antrim,Northern Ireland,UK may become more significant with time, particularly following new ownership. The location also brings in everyday life, changing streetscape, urban graphics, public art, mural culture, before-and-after reference, urban artwork, and visual archive. Details involving Graffiti, Northern, Garfield, Ireland, and Belfast make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Garfield street,Belfast,County Antrim,Northern Ireland,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. A further contemporary connection is regeneration and how temporary street art can become an important record of neighbourhood culture in a form that can be compared with future views of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The wider significance includes temporary works and how regeneration can both promote and displace informal urban art within the real-world context of Garfield street,Belfast,County Antrim,Northern Ireland,UK.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,streets,city,centre,Northern Ireland,UK,eye,sore,dilapidation,decrepitude,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded up,building,The,Clearing,Centre,Menswear,mens,wear,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDN - . Recorded at Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on Belfast Garfield St graffiti,panorama,City Centre, Northern Ireland, UK. Other connected aspects include urban graphics, urban artwork, archival record, community art, public realm, visual street culture, changing land use, public art, mural culture, street-level design, place identity, community identity, historical comparison, and regional identity. Current relevance extends to local identity and graffiti policy, particularly through how regeneration can both promote and displace informal urban art. The image fixes landscape treatment and surrounding development within Garfield street,Belfast,County Antrim,Northern Ireland,UK at one identifiable point, providing a benchmark against new construction. The wider setting retains connections with local character, social history, period detail, before-and-after reference, stencil art, contemporary mural, temporary artwork, and changing streetscape. The recorded references to Ireland, graffiti, Garfield, Centre, and Belfast preserve clues about how the subject was presented, used or understood at the time. The period setting at Garfield street,Belfast,County Antrim,Northern Ireland,UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is local identity and how regeneration can both promote and displace informal urban art without losing the local specificity of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The wider significance includes temporary works and the blurred boundary between commissioned public art and unsanctioned graffiti in a form that can be compared with future views of Garfield street,Belfast,County Antrim,Northern Ireland,UK.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,streets,city,centre,Northern Ireland,UK,bar,bars,pub,pubs,eye,sore,dilapidation,decrepitude,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded up,building,The,Clearing,Centre,Menswear,mens,wear,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MDR - . This dated editorial view of Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on Belfast Garfield St The Clearing Centre Menswear, City Centre, Northern Ireland, UK. Further facets of the scene include contemporary social history, contemporary mural, local history, temporary artwork, changing streetscape, street creativity, stencil art, mural culture, archival record, everyday life, regional identity, period detail, changing land use, and public-realm art. The wider contemporary story combines local identity, public art and the blurred boundary between commissioned public art and unsanctioned graffiti. For later comparison, the photograph preserves equipment and working practice at Garfield street,Belfast,County Antrim,Northern Ireland,UK, details that may look very different after redevelopment. The photograph additionally reflects public realm, historical comparison, documentary photography, community identity, urban artwork, street-level design, visual street culture, and community art. The recorded references to Belfast, Ireland, Menswear, Garfield, and Centre preserve clues about how the subject was presented, used or understood at the time. The wider setting at Garfield street,Belfast,County Antrim,Northern Ireland,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is local identity and the role of murals and stencils in giving creative districts a distinctive identity in a form that can be compared with future views of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The image fixes evidence of earlier appearance as a date-specific reference. It also preserves period character for later comparison.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast City Hall,Baroque,Revival,Architecture,building,white,stone,Donegall Square,Northern,Ireland,exhibition,Edwardian,Edwardian City,display,white,star,line,White star Line,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAN - Belfast City Hall is the civic building of Belfast City Council. Located in Donegall Square, Belfast, County Antrim, Northern Ireland, it faces north and effectively divides the commercial and business areas of the city centre.
The site now occupied by Belfast City Hall was once the home of the White Linen Hall, an important international Linen Exchange. The Street that runs from the back door of Belfast City Hall through the middle of Linen Quarter is Linen Hall Street.
Plans for the City Hall began in 1888 when Belfast was awarded city status by Queen Victoria. This was in recognition of Belfast's rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries. During this period Belfast briefly overtook Dublin as the most populous city in Ireland.
Construction began in 1898 under the supervision of architect Sir Alfred Brumwell Thomas and was completed in 1906 at a cost of £369,000. Belfast Corporation (now the council) used their profits from the gas industry to pay for the construction of Belfast City Hall. Local firms H&J Martin and WH Stephens were among the companies involved in construction. James G. Gamble, architect, was the clerk of works.
Donegall Square, Belfast, Northern Ireland, UK
Description
Keywords: Belfast City Hall,Baroque,Revival,building,white,stone,Donegall Square,Northern,Ireland,white,star,line,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAT - Belfast City Hall is the civic building of Belfast City Council. Located in Donegall Square, Belfast, County Antrim, Northern Ireland, it faces north and effectively divides the commercial and business areas of the city centre.
The site now occupied by Belfast City Hall was once the home of the White Linen Hall, an important international Linen Exchange. The Street that runs from the back door of Belfast City Hall through the middle of Linen Quarter is Linen Hall Street.
Plans for the City Hall began in 1888 when Belfast was awarded city status by Queen Victoria. This was in recognition of Belfast's rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries. During this period Belfast briefly overtook Dublin as the most populous city in Ireland.
Construction began in 1898 under the supervision of architect Sir Alfred Brumwell Thomas and was completed in 1906 at a cost of £369,000. Belfast Corporation (now the council) used their profits from the gas industry to pay for the construction of Belfast City Hall. Local firms H&J Martin and WH Stephens were among the companies involved in construction. James G. Gamble, architect, was the clerk of works.
Donegall Square, Belfast, Northern Ireland, UK
Description
Keywords: Belfast City Hall,white,stone,Donegall Square,Northern,Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HEEGAX - Belfast City Hall is the civic building of Belfast City Council. Located in Donegall Square, Belfast, County Antrim, Northern Ireland, it faces north and effectively divides the commercial and business areas of the city centre.
The site now occupied by Belfast City Hall was once the home of the White Linen Hall, an important international Linen Exchange. The Street that runs from the back door of Belfast City Hall through the middle of Linen Quarter is Linen Hall Street.
Plans for the City Hall began in 1888 when Belfast was awarded city status by Queen Victoria. This was in recognition of Belfast's rapid expansion and thriving linen, rope-making, shipbuilding and engineering industries. During this period Belfast briefly overtook Dublin as the most populous city in Ireland.
Construction began in 1898 under the supervision of architect Sir Alfred Brumwell Thomas and was completed in 1906 at a cost of £369,000. Belfast Corporation (now the council) used their profits from the gas industry to pay for the construction of Belfast City Hall. Local firms H&J Martin and WH Stephens were among the companies involved in construction. James G. Gamble, architect, was the clerk of works.
Donegall Square, Belfast, Northern Ireland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,UK,BT14,45-51,Belfast,BT14 6AB,Mater,Infirmorum,fair pay,inflation,real,rise,RCN,Royal College of Nursing,the,organisation,=,equal,equals,sign,on,fences,industrial action,Carmel Gates,President Brian Smyth,strikers,solidarity,support,members,protest,protests,cuts,1970s,1980s
Description: Tony Smith image Alamy 2R9J0FG - The Northern Ireland Public Service Alliance (NIPSA) is a trade union in Northern Ireland affiliated to the Irish Congress of Trade Unions. It is the largest trade union in Northern Ireland, with around 46,000 members, and is organised into two groups, the Civil Service Group, for the staff of public bodies employed on civil service terms and conditions, and the Public Officers Group, for employees of education and library boards, health and social services boards, the Northern Ireland Housing Executive, district councils, other public bodies and voluntary organisations.
Its current General Secretary is Carmel Gates, and President Brian Smyth.
In the wake of the First World War and Partition of Ireland, the Northern Ireland Civil Service was organised out of the remnants of the Dublin Castle administration. The Unionist Government set up six Ministries (Finance, Home Affairs, Education, Agriculture, Commerce and Labour) and a Prime Minister's Office. It essentially mirrored the set-up in Great Britain, with the Permanent Secretary of the Ministry of Finance becoming the Head of the Northern Ireland Civil Service.
The earliest incarnation of what was to become NIPSA was the Belfast and District Public Officers' Association (BDPOA), but it was short-lived, down to its own success, when it opened a Derry branch and became the Ulster Public Officers' Association. Its first General Secretary was John Walters
The NICSA, AECS and Civil Service Association merged in 1971 to become NIPSA, with Brendan Harkin as its first General Secretary.
45-51 Crumlin Rd, Belfast, Northern Ireland, UK, BT14 6AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,red,Liverpool FC,Liverpool Football Club,FC,disaster,memorial,Justice For The 96,Hillsbough,Merseyside,England,UK,names,dead,fans,shirt,signatures,Belfast,Hillsborough Stadium,Sheffield,premier league,flowers,Paris,teargas,memory,memories,mistreated,wronged,final,matchscary,Champions League final,fixture,respect,UEFA,FA,Eurovision,2023,Andy Burnham
Description: Tony Smith image Alamy 2DA91H8 - . An authentic period record of the recorded location, retaining the practical visual detail that later redevelopment, rebranding or altered use can remove. The photograph is concerned with Liverpool FC,Justice For The 96,Hillsbough,disaster,Anfield,Liverpool,Merseyside,England,UK. Its broader subject matter includes archival record, documentary photography, local character, built heritage, historical comparison, community identity, contemporary history, social landscape, conservation interest, heritage asset, conservation architecture, architectural character, everyday Britain, and urban change. Viewed from the mid-2020s, the subject sits within continuing debate about maintenance, heritage conservation and preserving local identity during urban change. The archival value lies partly in recording transport arrangements and public activity around the recorded location before different community use alters the character of the place. A second layer of the scene includes period detail, public realm, changing streetscape, cityscape history, local history, historic streetscape, social history, and visual archive. The combination of Justice, Merseyside, Hillsbough, disaster, and Anfield helps anchor the frame to a recognisable activity, place or period. A later view of the recorded location may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is maintenance and keeping older buildings useful without erasing their character when considered against later change at the recorded location. The scene retains a connection with historic townscape and keeping older buildings useful without erasing their character without losing the local specificity of the recorded location. That also gives the frame relevance to adaptive reuse and preserving local identity during urban change in a form that can be compared with future views of the recorded location.
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,Belfast,Irish,art,artworks,artwork,Hope,Lost,ingenuity,rd,Road,boat,ship,weld,Berlin wall,Shankill ingenuity,RMS Titanic,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM12J - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
-HDM14K.jpg)
Description
Keywords: GoTonySmith,not,gone,away,terrorists,Ulster,Belfast,Northern,Ireland,Irish,dove,doves,peace,increased,threat,level,of,violence,Unionist,Unionists,danger,to,the,chaos,UFF,UDA,terrorism,Joe Biden,paramilitary,organisations,raised,Rishi Sunak,severe,MI5,terror threat,EU,Eire,trade,light touch,instability
Description: Tony Smith image Alamy HDM14K - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: religion,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDM1C8 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,inside,area,bar area,high,class,whiskies,direct,importers,sanderson,drinks,spirits,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEGAK - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
