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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4236,Greetings From Eccles,We Love Eccles,Eccles,Salford,art,mural,community,hoardings,regeneration,redevelopment,public,artwork,mosaic,colourful,Manchester,Greater,town,centre,identity,culture,local,heritage,placemaking,construction,demolition,streetart,August,2026,urban,creative,project
Description: Tony Smith image Alamy 3FAP94C - . Colourful Greetings From Eccles community artwork displayed on We Love Eccles regeneration hoardings in the centre of Eccles, Salford, Greater Manchester, in August 2026. The montage-style design combines local words, symbols, landmarks and decorative imagery to create an upbeat visual identity for the town while major redevelopment work takes place behind the temporary barriers. Public art on construction hoardings can soften the appearance of demolition sites and provide a way for communities to express local pride during periods when familiar streets and buildings are changing rapidly. This photograph records that placemaking approach in Eccles, where the existing shopping-centre area was being transformed through a substantial regeneration programme. The image is relevant to editorial themes including community art, regeneration, civic identity, street art, public realm, local culture, creative placemaking, redevelopment hoardings and the social impact of urban change. Its dense collage of imagery also offers a visual snapshot of how Eccles chooses to represent itself, turning a temporary construction boundary into a bright piece of public-facing cultural material rather than leaving a blank or purely commercial barrier.
Eccles town centre, Salford, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_3204,London Bridge,London,bridge,decorative,image,etched glass,etched,glass,glass panel,panel,Stockton Heath,Warrington,England,UK,British,architecture,architectural,detail,design,graphic,historic,historical,landmark,heritage,urban,city,interior,display,window,signage,illustration,artwork,travel,tourism,building,public,commercial,scene,representation,traditional,vintage
Description: Tony Smith image Alamy 3F512E4 - Decorative London Bridge image or etched glass panel photographed in Stockton Heath, Warrington, Cheshire, England, UK. The composition shows a stylised historic representation of the famous London crossing, with the words London Bridge prominently incorporated into the design. The photograph records an architectural or interior decorative detail rather than the bridge itself, combining British landmark imagery with graphic design, glazing and heritage-inspired decoration. London Bridge is one of the best-known crossings of the River Thames and its name has been associated with successive bridges on the site for centuries. The modern bridge links the City of London with Southwark, while historic depictions of earlier structures remain widely used in art, advertising, souvenirs and decorative schemes. This Birmingham image therefore provides useful editorial material for themes including representations of London outside the capital, British landmarks, decorative glass, architectural details, graphic imagery, heritage design, tourism, urban identity and the use of famous place names in commercial or public interiors. The precise venue containing the panel is not identifiable from the available thumbnail and should be checked if a more specific location is required before final submission.
Stockton Heath, Warrington, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,worker,heritage,unions,Victorian,unionism,emblem,artwork,Manchester,museum,British,labour,construction,building,builders,trades,historic,banner,trade union,art,movement,workers rights,nineteenth century,Britain,Industry is the Source of Prosperity,Unity is Strength,In All Labour There is Profit,membership,employee representation,collective organisation,construction industry history,skilled craftsmen,mutual support,friendly society tradition,workplace welfare,worker compensation,industrial relations,iconography
Description: Tony Smith image Alamy 3F4BGGJ - Richly decorated 1869 emblem of the Operative Bricklayers' Society, a historic British trade union representing skilled bricklayers, displayed at the People's History Museum in Manchester. Painted by A. J. Arthur Waudby, the elaborate Victorian composition combines depictions of the bricklaying trade with allegorical female figures representing truth, architecture and science. A wooden scaffold and bricklayers' workshop occupy the central section, while smaller scenes refer to workplace injury and the financial support or compensation provided through organised labour. Prominent slogans include By Industry We Flourish, In All Labour There Is Profit, Unity Is Strength and Industry Is the Source of Prosperity, reflecting Victorian ideas of work, solidarity, mutual assistance and collective advancement. The provenance on the emblem records London 1869. The Operative Bricklayers' Society traced its origins to the London Bricklayers' Society founded in 1818 and developed into an important national craft union during the nineteenth century. It became involved in campaigns over wages and working hours and formed part of the growth of organised building-trade labour in Victorian Britain. In 1921 it merged with other building unions to form the Amalgamated Union of Building Trade Workers. The original emblem was historically displayed at the Bricklayers' head office in London and is now held within the collections of the People's History Museum. The ornate painted imagery, industrial scenes, union mottos and classical symbolism make the object an important surviving example of the visual culture created by early British trade unions. Photographed indoors, the framed artwork provides a striking record of working-class organisation, craft identity, workplace welfare, labour solidarity and the history of organised construction workers in Britain.
England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Yard,memorial art,portrait,local character,city,centre,artwork,public house,pub,remembrance,West Yorkshire,contemporary,public art,VYT,friendship and loss,northern English pub culture,memorial artwork in Yorkshire,contemporary mosaic craftsmanship,personality,to a,Leeds legend,Leeds pub culture,Yorkshire community figure,commemorative,local hero,nightlife,history,urban,social history,remembered,local,character,black and white mosaic,monochrome male portrait,bearded man artwork,fragmented ceramic tiles,Briggate
Description: Tony Smith image Alamy 3F2PH3C - Handmade mosaic memorial portrait of Terry McCann, the popular Leeds figure widely known by the nickname Pudsey Macca , displayed on a red brick wall in the yard of the Angel Inn in Leeds city centre. The rectangular artwork presents a detailed monochrome image of McCann with swept hair and a beard, constructed from numerous irregular fragments of black, white and grey ceramic material.
Small pale-yellow sections form an abstract background around the head, while the letters VYT appear prominently in yellow, white and blue at the lower right of the portrait. The fragmented surface, visible joins and changing shades give the face a textured, expressive appearance. Close attention has been given to the eyes, hair and facial features, creating a recognisable and personal commemorative image rather than a formal public monument.
Terry McCann was remembered locally as a well-known Leeds character, regular pubgoer and familiar personality within the city's social, music and nightlife communities. Tributes following his death referred to him affectionately as Pudsey Macca and described him as a Leeds legend and a true gentleman. The placement of the mosaic at the Angel Inn reflects his connection with the traditional city-centre pub and the friendships formed there.
The Angel Inn stands within Angel Inn Yard, one of the historic passages leading from Briggate in central Leeds. The secluded courtyard setting provides an intimate location for this community memorial, allowing friends, regular customers and visitors to encounter the portrait as part of the everyday life of the pub.
The image documents contemporary memorial art, local identity and grassroots cultural heritage. It also illustrates how pubs and social spaces can become informal places of remembrance, using individually commissioned artwork to celebrate a much-loved local personality and preserve their presence within the community.
The Angel Inn, Angel Inn Yard, Briggate, Leeds, West Yorkshire, England, UK, LS1 6LN
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,FK2 7ZT,reflection,reflections,Falkirk Kelpies,horse,sculptures,steel,heads,iconic,Scottish,landmark,tourist,attraction,public art monument,equine,visitor,destination,canal side,monumental,artwork,head,dramatic storm clouds,reflection in puddle,giant steel sculptures,modern Scottish icon,family day out,UK short break,Central Belt tourism,travel photography,outdoor sculpture park,heritage and tourism,engineering meets art,horse inspired artwork,weekend trip Scotland,Falkirk attractions,Scottish folklore,mythical water horse
Description: Tony Smith image Alamy 3F3F04F - Atmospheric view of the Kelpies at The Helix near Falkirk and Grangemouth in central Scotland. The pair of monumental horse head sculptures rise above the surrounding parkland under dark, dramatic clouds, while rainwater in the foreground creates a reflective pool that echoes their distinctive outline. The image captures both the scale of the artwork and the shifting Scottish weather, giving the famous landmark an impressive and moody presence.
Designed by sculptor Andy Scott and opened in 2013, the Kelpies stand around 30 metres high and are among Scotland's best-known contemporary public artworks. The sculptures are modelled on Clydesdale horses and were created to celebrate the strength, endurance and contribution of working horses to Scottish industry, agriculture, transport and canal history. Their name comes from the kelpie, the shape-shifting water spirit of Scottish folklore, linking myth with the waterways and wetland setting of The Helix.
Located between Falkirk and Grangemouth, beside the Forth and Clyde Canal, the Kelpies form the centrepiece of a wider regeneration and leisure landscape that includes paths, open green space and visitor facilities. Since opening, they have become a major Scottish tourist attraction, drawing visitors for sightseeing, photography, family days out and short breaks. The close-cropped composition, dark sky and water reflection emphasise the sculptures' steel-clad surfaces, muscular form and striking architectural character. The photograph works well for themes including Scottish tourism, iconic landmarks, public art, engineering-inspired design, horse sculpture, visitor attractions and atmospheric travel imagery. As one of the most recognisable sights in central Scotland, the Kelpies are regularly used to represent Falkirk, modern Scottish culture and successful post-industrial regeneration.
The Kelpies, Helix park, Falkirk, Scotland, FK2 7ZT
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,public art,Cheshire,street,art,town,centre,cultural,quarter,artwork,history,heritage,large,gable end,colourful,urban,landmark,North West,England,building,exterior,creative placemaking UK,arts centre architecture,local identity artwork,visitor attraction Warrington,street art photography,painted building facade,civic culture Cheshire,independent arts scene,visual storytelling mural,performing arts destination,historic town cultural quarter,English urban art,creative industries,theatre venue,Parr Hall neighbourhood,Cheshire tourist destination,townscape
Description: Tony Smith image Alamy 3ERK65H - Large and colourful public mural covers the brick gable end of the Pyramid Arts Centre in Warrington's Cultural Quarter, Cheshire, England. Photographed beneath a bright blue sky with scattered white cloud, the artwork creates a distinctive visual landmark within the town centre's principal arts and entertainment district.
The detailed mural brings together an imaginative mixture of people, animals, architecture, stage imagery and geometric forms. Figures appear to perform, create and interact across the composition, while painted theatrical curtains, musicians, dancers and stylised urban scenes reflect the building's association with drama, music, performance and community arts. The word PYRAMID is incorporated prominently into the design, identifying the cultural venue and connecting the artwork directly with its surroundings.
Painted across a tall Victorian-style brick elevation, the mural contrasts strongly with the traditional red-brick architecture and prominent chimney stacks of the building. Shades of turquoise, purple, red, pink, grey and cream combine to produce a busy visual narrative that rewards closer inspection. Its scale allows the picture to be seen from surrounding streets and helps announce the entrance to Warrington's established cultural district.
Pyramid Arts Centre stands near Parr Hall and Warrington Museum and Art Gallery around Palmyra Square. Together, these venues form the heart of Warrington's Cultural Quarter and provide exhibitions, theatre, live music, comedy, workshops and other creative activities. The exterior artwork therefore acts both as decorative street art and as a representation of the performing and visual arts available within the area.
The image records an example of large-scale civic artwork used to enliven a town-centre building, strengthen local identity and encourage cultural tourism. It also illustrates creative placemaking, architectural reuse and the contribution made by public art to the character of establi
Pyramid Arts Centre, Palmyra Square South, Warrington, Cheshire, North West England, UK, WA1 1BL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9483,Mining-themed,memorial,clock,Wrexham Miners Project,Wrexham,Wales,UK,mining,heritage,miners,brickwork,artwork,museum,rescue,station,industrial,history,coalfield,community,display,historic,coal
Description: Tony Smith image Alamy 3ERX6D8 - . Mining-themed memorial clock at the Wrexham Miners Project in Wrexham, Wales, UK. Photographed on 17 May 2026. The recorded location is Wrexham Miners Project, 3 Maesgwyn Road, Wrexham LL11 2AP, Wales, UK. The clock is mounted against brickwork and surrounded by monochrome mining imagery, creating a small public-history artwork within the former Miners Rescue Station complex. The distinctive object contributes to the wider interpretation of North Wales mining history at the site. In relation to heritage feature, historical context shows that public clocks were once essential pieces of civic infrastructure, allowing travellers, workers and shoppers to coordinate time before personal watches became universal
Decorative clock cases also became architectural landmarks. For the story of material culture, it is useful to note that material culture includes the ordinary products people bought, used, collected or displayed
Small manufactured objects can reveal national identity, advertising, technology and popular taste in ways that formal records do not. The historical setting for manufacturing is that industrial heritage links architecture and machinery with the people who worked in mines, potteries, foundries and factories
As production declined or modernised, many sites were demolished, adapted or preserved as museums and regeneration projects. As of 2026, the position for heritage feature is that public clocks are no longer necessary for basic timekeeping but remain valued as heritage features and familiar landmarks, requiring specialist maintenance to keep mechanical systems operating. For present-day material culture, 2026 is significant because sustainability and reuse also give older objects new relevance, encouraging repair, second-hand sales and appreciation of durable material culture. Relevant long-tail terms include heritage clock, clock face, historic clock, mechanical clock, street clock, civic landmark, horology, and architectural detail.
Wrexham Miners Project, 3 Maesgwyn Road, Wrexham LL11 2AP, Wales, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9492,Colourful,mural,building,Eagles Meadow,Wrexham,Wales,UK,artwork,floral,lettering,graphics,public,art,retail,regeneration,street,shopping,centre,city,branding,urban,community,commercial,bright
Description: Tony Smith image Alamy 3ETMXTW - . Colourful mural on a building at Eagles Meadow in Wrexham, Wales, UK. Photographed on 17 May 2026. The recorded location is Eagles Meadow, Wrexham, Wales, UK. The artwork combines bright floral shapes, lettering and graphic motifs on the side of a brick commercial building, adding a strong piece of public art to the retail district. Strong sunlight and the vivid painted colours give the image high visual impact. The background to community art is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. Within the history of manufactured object, material culture includes the ordinary products people bought, used, collected or displayed
Small manufactured objects can reveal national identity, advertising, technology and popular taste in ways that formal records do not. Current 2026 context around community art is that public art is closely connected with regeneration, tourism, identity and debate about representation
Murals and sculptures can become visitor landmarks while also prompting discussion about whose past is visible in public space. Against the 2026 backdrop for manufactured object, sustainability and reuse also give older objects new relevance, encouraging repair, second-hand sales and appreciation of durable material culture. Relevant alternative phrases include street art, urban culture, cultural identity, visual culture, place-making, memorial art, creative industries, public realm, cultural landmark, collectable, souvenir, consumer object, vintage object, memorabilia, branding, design history, and consumer culture. Useful alternative terminology includes retro, household object, collecting, product history, social history, 255A9492, graphics, shopping, and urban.
Eagles Meadow, Wrexham, Wales, UK
Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,255A9791,Manchester,Stu,Allan,DJ,music,mural,tribute,artwork
Description: Tony Smith image Alamy 3E3P8TF - . Stu Allan DJ tribute artwork in Manchester. Photographed on 28 June 2025. The recorded location is Manchester, Greater Manchester, England, UK. Seen through community art, the earlier context is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. The 2026 relevance of community art comes from the fact that contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and place-making. Relevant synonyms and subject phrases include cultural identity, visual culture, memorial art, public realm, cultural landmark, 255A9791, and music. For creative industries, the historical context is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. Looking at public art, the longer history is that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can change the meaning of an apparently permanent object. The background to sculpture is that street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. The image also relates directly to cultural identity, visual culture and memorial art. Its wider context brings together memorial art, public realm and cultural landmark.
Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,historic,heritage,facade,façade,building,buildings,ornate,shops,shop,Leeds,city,murals,art,centre,autimn,sunset,Yorkshire,LS1 6DN,LS1,painting,artwork,arts,Jim,Jims,Place,Cornucopia Mural,Cornucopia,mural,cities,symbol,of,abundance,and,nurishment,nourishment,atlas,obscura
Description: Tony Smith image Alamy 2T2845B - Taken on 07 Oct 2023, this photograph shows Jim's Place , Cornucopia Mural - 16 Call Lane, Leeds city centre, Yorkshire, LS1 6DN. The location is 16 Call Lane, Leeds, Yorkshire, LS1 6DN. The picture is not just a record shot: it contains street art, painted wall detail and surrounding urban fabric, giving the image a clear sense of place. It would suit editorial use on shopping, retail change, independent traders, high-street survival, tourism, local economies, consumer habits and the visual identity of British town and city centres. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Leeds, artwork, art work, art, architecture, English, mural, Yorkshire, history, centre, historic, heritage, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. It also has a useful contemporary feel, because it shows how long-standing places, policies, products or institutions are encountered by ordinary people in daily life. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history, public infrastructure, consumer behaviour, community identity and documentary evidence for newsletters, blogs, policy papers and web features.
16 Call Lane, Leeds, Yorkshire, LS1 6DN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Bury,England,UK,Chips@No8,M25,murals,music,musicians,bands,mural,on,at,of,chippy,fish and chip,shop,fish & chip,art,artwork,artist,painting,painted,smokes,cigarettes,building,Prestwich Arts Festival,giant,village,centre,Akse P19,Akse,P19,AkseP19,obesity
Description: Tony Smith image Alamy 2RGPNA3 - Large mural of Mark E Smith, frontman of The Fall, painted on the gable end of Chips at No8 on Clifton Road in Prestwich, Greater Manchester. The wider street view shows the famous portrait beside the blue frontage of the independent fish and chip shop, with visible signage for Chips@No.8, fish and chips, take away and eat in. Smith is shown in a white open neck shirt and dark jacket with a cigarette, a confrontational and instantly recognisable image that reflects the abrasive wit and cult presence of one of British post-punk's most uncompromising performers. The mural was created by street artist Akse P19 for Prestwich Arts Festival in 2018 after Smith's death, and was reported as a six metre painting on the side of the local chippy. Pitchfork also reported that the mural was based on a photograph by Alex Whitton. The Fall emerged from Prestwich and Greater Manchester in the late 1970s, building a fierce reputation through jagged repetition, literary bite, dry northern humour and Smith's unmistakable vocal delivery. The setting matters because this is not a formal monument in a gallery or civic square, but a music icon painted on a working chippy in a local high street environment. The image is useful for editorial stories about Manchester music heritage, The Fall, Mark E Smith, post-punk, fan pilgrimage, public art, grassroots culture, Prestwich identity, independent businesses and the role of murals in preserving local memory. Details such as the red brick shop, blue fascia, rendered side wall, flue pipe, overhead wires, drainpipe, clear blue sky and strong sunshine place the artwork firmly in an everyday northern street scene. The photograph also works for wider coverage of music tourism, urban art, cultural landmarks, British alternative rock, working class creativity and the way ordinary local businesses become points of pilgrimage for fans.
8 Clifton Road, Prestwich, Bury, Manchester, England, UK, M25 3HQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,cold cathode,cold-cathode,lights,lighting,tube,tubes,love,in love,love me,come,and,display,design,lit,light,night,romance,romantic,art,artwork,warmth,warm,couple,couples,happy,day,Valentine,Valentines,lover,celebration,feeling,passion,passionate,dates,dating
Description: Tony Smith image Alamy 2RADT19 - . Love - baby it lights my fire, neon on a red background. Photographed on 21 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. Key searchable subjects associated with the scene include cold cathode, cold-cathode, lights, lighting, tube, tubes, love, in love, love me, come, display, design, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include lit, light, night, romance, romantic, art, broadening discoverability while remaining tied to the supplied subject information. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,dressed,as,in,green,speech,speeches,councillor,Cllr,Ireland,patron
Description: Tony Smith image Alamy 2PBE700 - . An on-location photograph from 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW in 2023, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The photograph centres on St Patricks Day parade 2023 by the local Irish Community, Bridge Street Warrington, Cheshire, England, UK, WA1 to the IRA bombing memorial. Another layer of the photograph includes Irish cultural identity, period detail, Irish diaspora, local character, documentary photography, Irish social history, civic procession, historical comparison, local history, diaspora celebration, Irish heritage, visual archive, St Patrick's Day tradition, and everyday life. Viewed from the mid-2020s, the subject also connects with cross-community relations, security history and how Irish cultural events connect migration history with contemporary civic life. As a dated visual record of 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW, the frame retains transport arrangements and footfall, making it especially useful if closure or conversion subsequently changes the scene. Other useful contextual ideas include public commemoration, Irish-British history, before-and-after reference, archival record, community identity, public realm, regional identity, and changing streetscape. References to local, bombing, memorial, Bridge, and Patricks give the picture a strong period identity and tie it closely to its named subject. A later view of 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to cross-community relations and how Irish cultural events connect migration history with contemporary civic life within the real-world context of 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW.
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,Ireland,patron,carry,carries,WA1 2QW,St Patrick
Description: Tony Smith image Alamy 2PBE7B4 - . This location-specific image from 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The defining feature is St Patricks Day parade 2023 by the local Irish Community, Bridge Street Warrington, Cheshire, England, UK, WA1 to the IRA bombing memorial. Further facets of the scene include St Patrick's Day tradition, regional identity, community identity, Irish-British history, place identity, Irish community culture, visual archive, social history, changing streetscape, contemporary social history, archival record, diaspora celebration, local character, and local history. Viewed from the mid-2020s, the subject also connects with cultural celebration, public remembrance and how Irish cultural events connect migration history with contemporary civic life. The archival value lies partly in recording landscape treatment and surrounding development around 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW before new ownership alters the character of the place. A second descriptive layer includes public commemoration, period detail, civic procession, public realm, Irish heritage, Irish cultural identity, before-and-after reference, and everyday life. Details involving parade, Patricks, bombing, memorial, and Irish make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another useful connection is cultural celebration and the role of annual parades in maintaining community identity within the specific setting of 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW. That local specificity strengthens the long-term documentary value of image 2PBE7B4.
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,walking,with,Ireland,patron,WA1 2QW,banner,NI troubles,troubles
Description: Tony Smith image Alamy 2PBE7DR - . This dated editorial view of 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW in 2023 captures more than the immediate subject, retaining clues about local use, design, activity and change. The subject captured here is St Patricks Day parade 2023 by the local Irish Community, Bridge Street Warrington, Cheshire, England, UK, WA1 to the IRA bombing memorial. Further facets of the scene include contemporary social history, public realm, public commemoration, Irish heritage, Irish cultural identity, Irish community culture, community identity, civic procession, documentary photography, place identity, local character, Irish diaspora, Irish-British history, and social history. The modern context includes continuing discussion of migration, diaspora identity and the coexistence of celebration and remembrance in places marked by historic violence. For later comparison, the photograph preserves period objects and surrounding context at 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW, details that may look very different after new ownership. Other useful contextual ideas include Irish social history, archival record, local history, everyday life, historical comparison, diaspora celebration, St Patrick's Day tradition, and regional identity. Details involving memorial, Patricks, Bridge, local, and parade make the image more specific than a generic view and strengthen its local or historical value. The wider setting at 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to migration and how diaspora communities sustain national traditions in British towns within the real-world context of 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW. The photograph keeps period character before later change alters the scene.
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Fab4,Fab 4,the,Sir,art,artwork,painting,portrait,of,L2,L2 6RE,fifth,famous,EMI,Sgt Peppers,Lonely Hearts Club Band,Matthew Street,George Martin,Beatle,Beatles,5th,record producer,music,arranger,composer,conductor,musician,record,producers,responsible,assisted
Description: Tony Smith image Alamy 2P6JJF6 - Sir George Henry Martin CBE (3 January 1926 “ 8 March 2016) was an English record producer, arranger, composer, conductor, and musician. He was commonly referred to as the Fifth Beatle because of his extensive involvement in each of the Beatles' original albums. AllMusic has described him as the world's most famous record producer. Martin's formal musical expertise and interest in novel recording practices complemented the Beatles' rudimentary musical education and relentless quest for new musical sounds to record. Most of the Beatles' orchestral arrangements and instrumentation were written or performed by Martin, and he played piano or keyboards on a number of their records. Martin's collaboration with the Beatles resulted in popular, highly acclaimed records with innovative sounds, such as the 1967 album Sgt. Pepper's Lonely Hearts Club Band”the first rock album to win a Grammy Award for Album of the Year.
Martin's career spanned more than six decades in music, film, television and live performance. Before working with the Beatles and other pop musicians, he produced comedy and novelty records in the 1950s and early 1960s as the head of EMI's Parlophone label, working with Peter Sellers, Spike Milligan and Bernard Cribbins, among others. His work with other Liverpool rock groups in the early“mid 1960s helped popularize the Merseybeat sound. In 1965, he left EMI and formed his own production company, Associated Independent Recording.
Mathew Street, Cavern Walks, Liverpool, Merseyside, England, UK, L2 6RE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,UK,Warrington,Cheshire,England,store,Golden Square,WA1,band,used,vintage,pre-loved,secondhand,second-hand,irony,ironic,old,1970,1960s,art,artwork,home,95,The Mall,WA1 1QE,dubious,bad taste,Kitsch,JH Lynch,Joseph Henry Lynch,British,70s,80s,kitsch,copies,cheap,wall,prints
Description: Tony Smith image Alamy 2M3JBA9 - . This authentic period view of 95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The principal subject is Old 1970s mass-produced paintings , in bad taste, for irony, in the Vintage Viola shop, Warrington Golden Square, England. Other connected aspects include regional identity, customer footfall, changing streetscape, historical comparison, changing land use, specialist retailer, before-and-after reference, local character, high-street commerce, bricks-and-mortar retail, period detail, street-level business, archival record, and small business. In present-day coverage, the subject reaches into commercial rents and town-centre regeneration, not least because of how commercial property costs affect small retailers. Future viewers can use this scene from 95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE to compare street furniture and boundaries with whatever follows after redevelopment. The location also brings in commercial frontage, social history, specialist shop, visual archive, contemporary social history, shopfront economy, everyday life, and town-centre trading. The combination of irony, Vintage, paintings, Golden, and Viola anchors the frame to a recognisable activity, place or moment. For 95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another useful connection is commercial rents and how commercial property costs affect small retailers within the specific setting of 95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE. The scene captures evidence of earlier appearance as part of 95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE's history.
95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,Yorkshire,England,UK,sea front,Lonsdale,steel,metal,sculpture,for,a,High Tide,In,Scarborough Borough Council,A High Tide In Short Wellies,in,Short Wellies,wellies,wellington,boots,art,artwork,artworks,Yorks,contemplating,the,end,of,Fileys,fishing,industry,Coble Landing,Seafront Sculpture Trail,trail,YO14 9LW,YO14
Description: Tony Smith image Alamy 2RD23T4 - . Steel sculpture for Filey - A High Tide In Short Wellies, by artist Ray Lonsdale, The Beach Rd, Filey, North Yorkshire, England, UK, YO14 9LW. Photographed on 25 September 2022. A larger than life 12 feet weathering steel figure of a fisherman holding a fishing rod whilst gazing out to sea. At his feet is a fish wrapped in paper. Ray Lonsdale's A High Tide in Short Wellies is a larger-than-life weathering-steel fisherman, about 12 feet high, installed at Filey's Coble Landing. The figure looks towards the North Sea with a fishing rod, while a wrapped fish at his feet refers to the town's fishing tradition and the decline of the old inshore industry. The sculpture is both public art and an interpretation of Filey's working maritime past, using rust-coloured steel that weathers naturally in the coastal environment. The historical context is that art in public and historic settings adds another layer to the built environment
Sculpture, mosaic, painting and street art can interpret heritage, provoke debate, memorialise communities or create landmarks, and images preserve works that may later change or disappear. Looking at the subject's development, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a specific moment
Repeated views can later become valuable evidence of development, environmental change and shifting patterns of use. From a heritage perspective, popular destinations are shaped by repeated waves of visitors, transport investment and changing ideas of leisure
Beaches, resorts, historic streets and attractions can therefore be read as both travel imagery and social history. The subject remains topical in 2026 because contemporary interest in public art is closely linked to regeneration and cultural tourism. Other closely matched search terms include mural, artwork, visual culture, cultural identity, place-making, community art, and urban art.
The Beach Rd, Filey, North Yorkshire, England, UK, YO14 9LW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,town,centre,Cheshire,England,UK,WA1,buses,borough,council,WBC,transport,WA2,integrated,Warringtons Own,bus,Culture Warrington,art,artist,artwork,portraits,As you are now so once were we,window,entrance,people,of,James Joyces,novel,Ullyses,Warrington BID,BID,funding,Arts Council England,pride
Description: Tony Smith image Alamy 2JTJYM1 - Everyday heroes honoured in Warrington bus station art
A visionary young artist has created a buzz around Warrington with a jaw-dropping display created to celebrate the relationship between the town and its people.
Warrington artist Cameron Brown has transformed Warrington Bus Interchange with a powerfully poignant collection of portraits.
As you are now so once were we is a thought-provoking display of 48 portraits painted onto the glass of the bus station as a touching tribute to the people of Warrington, the impact they have had on their town, and the role our town played in their lives.
Cameron explained: The aim behind the piece was to celebrate the impact that the people of Warrington can have on the town, often without realising, and to recognise the impact that the town can have on us as a collective.
It was an attempt to try and remember the people that came before, appreciate the people that are presently having an effect on the town, and to be aware of the impact we can have on what is still to come.
Taking its name from James Joyce's novel Ullyses, Cameron's work attempts to add a sense of context and belonging to our own individual lives, to encourage people to look back at what has gone before and how they have arrived in the position they find themselves in today.
Horsemarket St,Warrington, Cheshire, England, UK, WA2 7TS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,poster,banner,art,artwork,The Unfurlings,the,unfurling,unfurlings,banners,for,hope,and,change,created,by,dementia,Bradford,West Yorkshire,England,UK,Yorkshire,2022,Photography,memory,creativity,camera,2017,SLR,Dementia,blue,mills,creation,flag,flags,artworks,colourful,colour
Description: Tony Smith image Alamy 2JTNA1B - Let us celebrate the gradual opening
Of a banner taking its place in the world
A long unravelling and a fine unwinding,
Like a flower unwrapping itself from itself,
A parcel of thinking softly untying
Or an origami of ideas hugely unfolding
As, caught by the breeze, image and language
Spread their twin messages into the air.
Ian McMillan
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,poster,banner,art,artwork,The Unfurlings,the,unfurlings,banners,for,hope,and,change,created,by,dementia,Bradford,West Yorkshire,England,UK,Yorkshire,2022,green,red,white rose,Dementia,creation,flag,flags,artworks,colourful,colour,celebrating,celebration
Description: Tony Smith image Alamy 2JTNA1D - Let us celebrate the gradual opening
Of a banner taking its place in the world
A long unravelling and a fine unwinding,
Like a flower unwrapping itself from itself,
A parcel of thinking softly untying
Or an origami of ideas hugely unfolding
As, caught by the breeze, image and language
Spread their twin messages into the air.
Ian McMillan
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,poster,banner,art,artwork,The Unfurlings,the,unfurling,unfurlings,banners,for,hope,and,change,created,by,dementia,Bradford,West Yorkshire,England,UK,Yorkshire,2022,red,Dementia,creation,flag,flags,artworks,colourful,colour,celebrating,celebration,empowerment,esta,2017
Description: Tony Smith image Alamy 2JTNA1E - Let us celebrate the gradual opening
Of a banner taking its place in the world
A long unravelling and a fine unwinding,
Like a flower unwrapping itself from itself,
A parcel of thinking softly untying
Or an origami of ideas hugely unfolding
As, caught by the breeze, image and language
Spread their twin messages into the air.
Ian McMillan
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,poster,banner,art,artwork,The Unfurlings,the,unfurling,unfurlings,banners,for,hope,and,change,created,by,dementia,Bradford,West Yorkshire,England,UK,Yorkshire,2022,2015,yellow,Dementia,creation,flag,flags,artworks,colourful,colour,celebrating,celebration
Description: Tony Smith image Alamy 2JTNA1G - Let us celebrate the gradual opening
Of a banner taking its place in the world
A long unravelling and a fine unwinding,
Like a flower unwrapping itself from itself,
A parcel of thinking softly untying
Or an origami of ideas hugely unfolding
As, caught by the breeze, image and language
Spread their twin messages into the air.
Ian McMillan
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,poster,banner,art,artwork,The Unfurlings,the,unfurling,unfurlings,banners,for,hope,and,change,created,by,dementia,Bradford,West Yorkshire,England,UK,Yorkshire,2022,standing,together,growing,a,the new seasiders,pathfinders,Swale,Creating a dementia friendly community,East Kent Forget-Me-Nots,white,Dementia
Description: Tony Smith image Alamy 2JTNA1M - Let us celebrate the gradual opening
Of a banner taking its place in the world
A long unravelling and a fine unwinding,
Like a flower unwrapping itself from itself,
A parcel of thinking softly untying
Or an origami of ideas hugely unfolding
As, caught by the breeze, image and language
Spread their twin messages into the air.
Ian McMillan
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,comedy duo statue 2016 in the Winter Gardens,Church street,FY1 1HL,and,British,statue,2016,in the,designed,Graham Ibbeson,by,sculpture,venue,duo,FY1,art,icons,bronzed,has,been,artist,bronze,Morecombe and Wise,artwork,comedy,artists,legends,comedian,comedians
Description: Tony Smith image Alamy 2JRFEPG - Morecambe & Wise Statue
Have you seen the Morecambe & Wise statue in the Winter Gardens, Blackpool? In 2016 it's unveiling celebrated the comedy double-acts 75th anniversary.
Morecambe and Wise are comedy classics, favourites of their time. Eric and Ernie performed in Blackpool more than 1,000 times in their career, first appearing on stage together in 1941.
During their years in Blackpool, the pair entertained hundreds of thousands of people. They played at seven theatres and six summer seasons, also enjoying a starring role in the 1955 Royal Variety Performance at the Winter Gardens.
You can see it on permanent display in the spectacular domed entrance to the Winter Gardens.
97 Church St, Blackpool,lancs, England,UK, FY1 1HL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,England,UK,FY1,FY1 1HL,art,artwork,and,comedy,duo,icons,statue,Morecombe and Wise,venue,2016,bronzed,bronze,sculpture,has,been,artist,designed,by,Graham Ibbeson,Lancashire,comedy duo statue 2016 in the Winter Gardens,Church street,British,in the,artists,legends,comedian,comedians
Description: Tony Smith image Alamy 2JRG8Y1 - Morecambe & Wise Statue
Have you seen the Morecambe & Wise statue in the Winter Gardens, Blackpool? In 2016 it's unveiling celebrated the comedy double-acts 75th anniversary.
Morecambe and Wise are comedy classics, favourites of their time. Eric and Ernie performed in Blackpool more than 1,000 times in their career, first appearing on stage together in 1941.
During their years in Blackpool, the pair entertained hundreds of thousands of people. They played at seven theatres and six summer seasons, also enjoying a starring role in the 1955 Royal Variety Performance at the Winter Gardens.
You can see it on permanent display in the spectacular domed entrance to the Winter Gardens.
97 Church St, Blackpool,lancs, England,UK, FY1 1HL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,FY1,The,pub,bar,9,FY1 5DE,Liverpool,fab4,Fab 4,John,Paul,George,Ringo,McCartney,Lennon,Harrison,Starr,nostalgia,pop,music,fab,vibe,vibes,1960,1960s,art,artwork,nightclub,club,venue,tribute,to
Description: Tony Smith image Alamy 2JRM3C5 - . An identifiable period record of 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The subject captured here is The yellow Submarine Beatles bar - 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE. The wider scene also brings together local music culture, music-themed venue, popular-music heritage, music tourism, neighbourhood drinking venue, traditional hostelry, archival record, song-inspired design, everyday life, music iconography, licensed hospitality, street-level dining, place identity, and customer-facing leisure. Today's relevance is strengthened by licensing, cultural heritage and the continuing question of the role of music heritage in attracting visitors beyond conventional attractions. From a 2025-onward perspective, hospitality costs and food inflation are closely linked to this subject, alongside how familiar pubs and restaurants shape neighbourhood identity. The image fixes commercial use and occupation within 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE at one identifiable point, providing a benchmark against conservation work. The photograph additionally reflects popular culture, Beatles memorabilia, community identity, local history, cultural branding, casual dining, contemporary social history, and regional identity. References to Blackpool, yellow, Rigby, Beatles, and Lancashire give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for licensing and how memorial benches and themed venues turn music into place-based memory as part of the longer story of 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE.
9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,British,entrance,to,Euston Rd,96,NW1 2DB,books,The,national,Department for Digital Culture Media and Sport,media misrepresentation,becoming an anti-racist organisation,slave trade,statues,artwork,printed,word,Grade I listed building,door,doorway,donations,acquisitions,historical,collections,collection,legal deposit,Copyright Act 1911,reading,room,rooms,front,deposit library,national library of the UK,metal
Description: Tony Smith image Alamy 2M108BX - The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport.
The British Library is a major research library, with items in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library's collections include around 14 million books, along with substantial holdings of manuscripts and items dating as far back as 2000 BC. The library maintains a programme for content acquisition and adds some three million items each year occupying 9.6 kilometres (6 mi) of new shelf space.
Prior to 1973, the Library was part of the British Museum. The Library is now located in a building purpose-built on the disused site of Midland Railway's Somers Town Goods Yard and Potato Market, on the north side of Euston Road in Somers Town, London (between Euston railway station and St Pancras railway station), and has an additional storage building and reading room in the branch library near Boston Spa, in the Leeds district of West Yorkshire. The St Pancras building was officially opened by Queen Elizabeth II on 25 June 1998, and is classified as a Grade I listed building of exceptional interest for its architecture and history
The British Library was created on 1 July 1973 as a result of the British Library Act 1972. Prior to this, the national library was part of the British Museum, which provided the bulk of the holdings of the new library.
96 Euston Rd, London, England, UK, NW1 2DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,firing,guns,uniform,white,armour,rose,artist,art,artwork,Runcorn old town,town,WA7 1LR,storm trooper,fires,flower,flowers,peace,StarWars,blaster,gun,Halton,Cheshire,England,UK,black,graffiti,Star Wars,starwars,Banksy Style,stencilled,streetart,on,white wall
Description: Tony Smith image Alamy 2K14187 - . An identifiable period record of Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The frame specifically shows Stormtrooper fires a gun and a red rose comes out, stencil art in Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. Another layer of the photograph includes local history, devotional artwork, sacred architecture, Christian iconography, historical comparison, everyday life, liturgical art, documentary photography, regional identity, historic church fabric, archival record, religious heritage, period detail, and parish church heritage. The modern context includes continuing discussion of historic fabric, church maintenance and how sacred art preserves religious, artistic and community history. The image fixes equipment and working practice within Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR at one identifiable point, providing a benchmark against closure or conversion. The photograph additionally reflects ecclesiastical craftsmanship, church interior, faith heritage, changing streetscape, community identity, contemporary social history, changing land use, and sacred decoration. Details involving comes, Stormtrooper, fires, Church, and Halton make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is historic fabric and the conservation challenge of historic interiors and artwork within the real-world context of Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. The photograph keeps a local visual benchmark before later change alters the scene.
Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,UK,BL1,English,TV,television,personality,statue,art,artwork,backstreet mechanic,famous,chimney,felling,industry,industrial,age,mills,revered son,of,1938-2004,2004,Jane Robbins,sculpture,working,class,kind,bloke,northern,north west,Fred,Dibnar,Dibner
Description: Tony Smith image Alamy 2K0WRK7 - Frederick Travis Dibnah, MBE (29 April 1938 “ 6 November 2004) was an English steeplejack and television personality, with a keen interest in mechanical engineering, who described himself as a backstreet mechanic
After his National Service, once demobilised, he returned to steeplejacking but met with limited success until he was asked to repair Bolton's parish church. The resulting publicity provided a boost to his business, ensuring he was almost never out of work
In 1978, while making repairs to Bolton Town Hall, Dibnah was filmed by a regional BBC news crew. The BBC then commissioned a documentary, which followed the rough-hewn steeplejack as he worked on chimneys, interacted with his family and talked about his favourite hobby - steam
The massive statue of steeplejack Fred Dibnah has been crafted by a Shropshire, Shrewsbury artist to stand in the centre of the star's home town of Bolton.Jane Robbins won the 2008 commission for the statue. Its set in bronze and shows Fred holding a lightning conductor on one of his trademark chimneys
Jane, who lives in Church Stretton and works out of a studio in Abbey Foregate, Shrewsbury, has finished crafting an 8ft tall clay statue of Fred.
It will be taken from her studio in pieces on Monday, before a lighter wax replica is created and cast in bronze at Castle Fine Art Gallery, near Oswestry
Bolton, Greater Manchester, Lancashire, England, UK, BL1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,UK,BL1,English,TV,television,personality,statue,art,artwork,backstreet mechanic,famous,chimney,felling,industry,industrial,age,mills,revered son,of,1938-2004,2004,Jane Robbins,sculpture,working,class,kind,bloke,northern,north west,Fred,Dibnar,Dibner
Description: Tony Smith image Alamy 2K0WRKT - Frederick Travis Dibnah, MBE (29 April 1938 “ 6 November 2004) was an English steeplejack and television personality, with a keen interest in mechanical engineering, who described himself as a backstreet mechanic
After his National Service, once demobilised, he returned to steeplejacking but met with limited success until he was asked to repair Bolton's parish church. The resulting publicity provided a boost to his business, ensuring he was almost never out of work
In 1978, while making repairs to Bolton Town Hall, Dibnah was filmed by a regional BBC news crew. The BBC then commissioned a documentary, which followed the rough-hewn steeplejack as he worked on chimneys, interacted with his family and talked about his favourite hobby - steam
The massive statue of steeplejack Fred Dibnah has been crafted by a Shropshire, Shrewsbury artist to stand in the centre of the star's home town of Bolton.Jane Robbins won the 2008 commission for the statue. Its set in bronze and shows Fred holding a lightning conductor on one of his trademark chimneys
Jane, who lives in Church Stretton and works out of a studio in Abbey Foregate, Shrewsbury, has finished crafting an 8ft tall clay statue of Fred.
It will be taken from her studio in pieces on Monday, before a lighter wax replica is created and cast in bronze at Castle Fine Art Gallery, near Oswestry
Bolton, Greater Manchester, Lancashire, England, UK, BL1
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,HotpixUK,south,Cheshire,England,UK,ward,wood,person,child,hooded,art,artwork,the,village,WA4,WA4 2SJ,rural,countryside,farming,statue,wooden,Carved,Grappenhall,off Broad Lane,Broad Lane,the Mersey Forest,Mersey Forest,explore woods,Woods on Your Doorstep,female figure holding a ball,holding a ball,female carving,female figure,Grappenhall Heys,North West England,South Warrington,hotpix.org.uk
Description: Tony Smith image Alamy 2JCMKCE - . Recorded at the recorded location in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is Wooden carved figure, Broad Lane, Grappenhall village, south Warrington, Cheshire, England, UK, WA4. Another layer of the photograph includes public realm, historical comparison, community healthcare, social landscape, community identity, clinical environment, local history, changing streetscape, regional identity, place identity, city-centre activity, medical wayfinding, care-sector development, and street-level documentary. The wider contemporary story combines NHS funding, social-care staffing and how ageing populations increase demand for care facilities. Viewed from the mid-2020s, the subject also connects with community use, street safety and the documentary importance of recording everyday urban environments. The archival value lies partly in recording materials and architectural details around the recorded location before changing commercial priorities alters the character of the place. Other useful contextual ideas include health-service capacity, health infrastructure, urban change, contemporary city life, townscape record, community life, documentary photography, and clinical services. The recorded references to Broad, Grappenhall, Wooden, carved, and figure preserve clues about how the subject was presented, used or understood at the time. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is NHS funding and how ageing populations increase demand for care facilities within the real-world context of the recorded location. The wider significance includes footfall and the documentary importance of recording everyday urban environments within the specific setting of the recorded location.
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,Latchy,Cheshire,England,UK,WA4,community,local,dusk,evening,lighting,lights,well lit,safe,LatchfordPartnership,Latchford ward,suburb,residential area,Læccford,boggy-stream ford,Latchford Without,canal,canals,painting,artwork,urban art,Latchford east,Latchford Big Local Partnership,character,school,schools,village,underpass,tunnels,art
Description: Tony Smith image Alamy 2DKW7N6 - Latchford is a suburb and electoral ward of Warrington, Cheshire, England. It is around one mile south-east of Warrington town centre and has a total resident population of 7,856.
Latchford is a predominantly residential area, Latchford lies between the River Mersey and the Manchester Ship Canal, and broadly consists of 19th-century terraced housing and some open space. The canal is crossed here by a swing bridge, a high-level road bridge and the now disused Latchford railway viaduct.
Its name came from Anglo-Saxon Læccford meaning boggy-stream ford
Latchford was originally a township in the ancient parish of Grappenhall, in Cheshire. It was also part of Bucklow Hundred, and was close to the border with Lancashire.
Between 1894 and 1974, part of Latchford was placed within the County Borough of Warrington, and the registration county of Lancashire, whilst the rest of Latchford became a civil parish named Latchford Without and was transferred to Lancashire.
With the local government reforms of 1974, as part of the newly formed Cheshire borough of Warrington, Latchford was transferred back to Cheshire
Knutsford Rd,Latchford East,Warrington, Cheshire,England, UK, WA4 1JR
Description
Keywords: GotonySmith,UK,city,city centre,HotpixUK,@HotpixUK,beverage,beer,G31 1JD,G31,Duke Street,Duke St,Tennents Lager Lovelies,Women on cans of Scottish lager,Fiona,May,painting artwork Glasgow East End,banned cans,Tennents Lager,Lovelies,Women depicted,models,on cans,of Scottish lager,of lager,painting,artwork,Glasgow East End,Glasgow,sexy,lager,Scottish Lager,not politically correct,women selling lager,sex selling lager,sex sells,sexist,lovelies,C&C Group,lager cans
Description: Tony Smith image Alamy 2AAEJ3X - Wellpark Brewery is a brewery in Duke Street in the East End of Glasgow, Scotland.
It was founded in 1740 on the bank of the Molendinar Burn by Hugh and Robert Tennent. It is owned by C&C Group plc, which purchased the Tennent Caledonian Breweries subsidiary in late August 2009 from Belgian brewing company Anheuser-Busch InBev (formerly known as InBev).
The company produces Tennent's Lager, Scotland's market leading brand of pale lager since it was first produced at the Wellpark Brewery in 1885.
Wellpark Brewery was originally known as the Drygate Brewery. It was founded as H & R Tennent in 1740 at Drygate Bridge, near Glasgow Cathedral, by Hugh and Robert Tennent, although brewing had taken place at the same site on the banks of the Molendinar Burn by their ancestor, Robert Tennent, since 1556, making it the oldest continuous commercial concern in Glasgow.
Hugh Tennent's sons, John and Robert, continued the family business, trading as J & R Tennent from 1769. The business expanded in the 1790s when the Tennent family purchased the neighbouring brewery of William McLehose, and renamed the 5-acre (20,000 m2) site Wellpark Brewery.
The firm originally brewed stout and strong export ales. By the mid-19th century J&R Tennent was the world's largest bottled beer exporter. Robert Tennent died in 1826 and John Tennent in 1827. Hugh Tennent (the eldest son of Robert) then assumed control of the business. Hugh Tennent retired in 1855 with his fifth son, Charles Tennent, taking over, but he died in 1864, some months before his father. The brewery was subsequently operated by trustees on behalf of Charles Tennent's sons, Archibald and Hugh.
In 1884 Hugh Tennent took control of the company and first brewed Tennent's lager in 1885. He later built a new lager brewery on the Wellpark site, which was begun in 1889 and completed in 1891. J&R Tennent produced the first draught lager in 1924, the first canned lager in 1935 and the first keg lager in 1963.
Wellpark, 161 Duke St, Glasgow, Scotland, UK, G31 1JD
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Scotland,City Centre,Strathclyde,Artist,verses,Glasgow Poem Sculpture,Glasgow Poem steel Sculpture,Glasgow Poem metal Sculpture,art in the city,Glasgow art,Glasgow artists,sun,sky,Hunter,St,Street,Drygate,art,artwork,sculpture,poem,poems,streaming,through,history,trade,bird,fish,never,flew,swam,story,of,Glasgow City
Description: Tony Smith image Alamy 2ABJGCG - . A dated documentary view of corner of Duke Wynd and Hunter Street, Drygate, Glasgow, Scotland in 2019, recording the subject as it appeared at that point rather than as a generic stock illustration. The subject recorded here is Artist Jennifer Grant Sculpture, corner of Duke Wynd and Hunter Street, Glasgow - The Tree that Never Grew - verses from the Glasgow Story. The locality and subject together evoke built heritage, national food identity, urban fabric, changing land use, food-and-drink tradition, heritage dish, everyday life, historic townscape, archival record, place identity, public realm, conservation architecture, heritage asset, and traditional masonry. Current discussion around this subject increasingly includes hospitality costs alongside consumer spending, with particular attention to how food traditions survive alongside changing diets and lifestyles. From a 2025-onward perspective, the scene also connects with heritage conservation, embodied carbon and keeping older buildings useful without erasing their character. For future researchers, the scene keeps a record of signage, materials, design and everyday use in this part of corner of Duke Wynd and Hunter Street, Drygate, Glasgow, Scotland. The photograph additionally reflects historic frontage, comfort food, culinary tradition, historical comparison, local history, festive eating, period detail, and social history. The combination of Hunter, Artist, verses, Sculpture, and Never anchors the image to a recognisable activity, place or moment. By fixing the subject within corner of Duke Wynd and Hunter Street, Drygate, Glasgow, Scotland, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene further reflects hospitality costs and how food traditions survive alongside changing diets and lifestyles in a form that can be compared with future views of corner of Duke Wynd and Hunter Street, Drygate, Glasgow, Scotland.
corner of Duke Wynd and Hunter Street, Drygate, Glasgow, Scotland
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Scotland,City Centre,Strathclyde,G40,WingedOx,St Lukes,bar and kitchen,17 Bain St,Glasgow G40 2JZ,kitchen,Bain St,art,artwork,buildings,architecture,city,centre,urban,Saint Lukes,venue,sunny,blue sky,blue skies,Luke,Lukes,17,Bain Street,food,meals,drinks,drinking,Saint Lukes & The Winged Ox
Description: Tony Smith image Alamy 2ABJGCY - . A dated documentary view of 17 Bain St, Glasgow,Scotland,UK, G40 2JZ in 2019, recording the subject as it appeared at that point rather than as a generic stock illustration. The principal point of reference is Winged Ox artwork,St Lukes,bar and kitchen,17 Bain St, Calton,Glasgow G40 2JZ. The wider subject matter also includes historic context, ceremonial meal, regional speciality, food-and-drink tradition, archival record, everyday life, traditional recipe, local character, regional identity, hand-pulled beer, period detail, community drinking venue, beer judging, and independent brewing. Today's wider story includes changing drinking habits, hospitality costs and the practical question of the survival of community pubs. For contemporary context, cultural identity and local sourcing are closely related themes, especially where the issue becomes the tourism and cultural value of distinctive local cuisine. For future researchers, the frame preserves local appearance, occupation, access and public activity in this part of 17 Bain St, Glasgow,Scotland,UK, G40 2JZ. A second layer of the scene includes heritage dish, festive eating, contemporary social history, beer festival scene, festival bar service, changing land use, regional food culture, and pub trade. The recorded references to Winged, kitchen, artwork, Calton, and Glasgow preserve clues about how the subject was presented, used or understood at the time. For 17 Bain St, Glasgow,Scotland,UK, G40 2JZ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes changing drinking habits and the survival of community pubs within the specific setting of 17 Bain St, Glasgow,Scotland,UK, G40 2JZ. Another strand within the photograph is regional tourism and how food traditions survive alongside changing diets and lifestyles as part of the longer story of 17 Bain St, Glasgow,Scotland,UK, G40 2JZ.
17 Bain St, Glasgow,Scotland,UK, G40 2JZ
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,B3,ScD DD LLD FRS,liberal,St Phillips Cathedral,Bishop Barnes of Birmingham,Should Such a Faith Offend?,The Rise of Christianity,Scientific Theory and Religion,voluntary sterilisation,Nazi ideology,eugenics,Ernest Barnes,Ernest W Barnes,Ernest,William,Barnes,sculpture,frieze,art,artwork,Brummie,icon,icons,bishops,St Philips,St Philip,Cathedral,cathedrals,side,view,on,side-on
Description: Tony Smith image Alamy 2AAT2P1 - Ernest William Barnes FRS (1 April 1874 “ 29 November 1953) was an English mathematician and scientist who later became a liberal theologian and bishop.
He was educated at King Edward's School, Birmingham, and Trinity College, Cambridge. He was Master of the Temple from 1915 to 1919. He was made Bishop of Birmingham in 1924, the only bishop appointed during Ramsay MacDonald's first term in office. His modernist views, in particular objection to Reservation, led to conflict with the Anglo-Catholics in his diocese. A biography by his son, Sir John Barnes, Ahead of His Age: Bishop Barnes of Birmingham, was published in 1979.
Barnes was perhaps the best known liberal bishop of his time, identified with the modernist or broad church movement. His episcopate was marked by continual controversy.[9]
His book The Rise of Christianity (1947) attacked many Christian claims, including the Virgin Birth and the bodily resurrection of Christ. This led to calls that he should resign as a bishop. This Barnes refused to do. Earlier he had written Should Such a Faith Offend? (1927) and Scientific Theory and Religion (1933), and he was a contributor to 18 other books. His attack on Francis of Assisi as probably verminous drew a rebuke in verse from G. K. Chesterton.
He was also politically active. In 1940, he lost a libel case in which he had attacked the Cement Makers' Federation for allegedly holding up the supply of cement, for their own profit at a time of great national need, in the construction of air-raid shelters. Undaunted by this set-back, Barnes returned to his accusations on the cement ring in a speech he delivered in the House of Lords the following year.
He was an uncompromising pacifist, and spoke out against British participation in the Second World War. He also expressed eugenic views. Though a member of the Eugenic Society from 1924 until his death in 1953, it was not until after the 2nd World War that he openly argued in favour of voluntary sterilisation.
Colmore Row, Birmingham, England, UK, B3 2QB
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,street,art,artwork,steel,aluminium,metal,figure,playing,a,8,N,North,Dublin,D07 X704,attached,to,brick,wall,building,Irish,artist,sculpture,stainless steel,centre,sights,vibe,atmosphere,buildings,urban,architecture
Description: Tony Smith image Alamy 2M84JGM - . Photographed at the recorded location in 2019, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The location is represented through Metal art, figure playing a flute, attached to a brick wall, 8 King St N, Dublin, D07 X704, Eire, Ireland. The image also relates to traditional materials, street-level design, heritage asset, social history, heritage landmark, community identity, documentary photography, community art, street creativity, visual street culture, regional identity, architectural detailing, architectural character, and public-realm art. From a 2025-onward perspective, public art and regeneration are closely linked to this subject, alongside the blurred boundary between commissioned public art and graffiti. The wider contemporary story combines adaptive reuse, heritage conservation and keeping older buildings useful without erasing their character. The archival value lies partly in recording commercial use and occupation around the recorded location before refurbishment alters the character of the place. The location also brings in before-and-after reference, period architecture, local character, built heritage, changing land use, mural culture, period detail, and creative placemaking. Details involving playing, Metal, attached, Ireland, and Dublin make the image more specific than a generic view and strengthen its local or historical value. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate public art and how temporary street art can become an important visual archive as part of the longer story of the recorded location. The image also provides a reference for tourism and the value of architectural landmarks to local identity when considered against later change at the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,Molly Malone,Malone,by,Jeanne,Rynhart,large,chest,breast,breasts,voluptuous,woman,lady,wench,girl,hussy,urban,centre,legend,art,artwork,revealing,Mary Malone,heroine,song,music,Georgian Quarter,History,historic,Cockles and Mussels,lyrics,folk ballad,cart,The Tart With The Cart
Description: Tony Smith image Alamy 2M8DJJM - Molly Malone is the enigmatic heroine of the famous song of the same name, widely recognised as Dublin's unofficial anthem. Immortalised in bronze during the 1988 Dublin Millennium celebrations, the Molly Malone statue stands in the heart of the city's historic Georgian Quarter. Though regularly upheld as a traditional Irish ballad, it's not known where the song originated or if Molly Malone ever existed
According to the lyrics of the undeniably catchy tune “ also known as Cockles and Mussels “ Molly was a young and beautiful fishmonger who sold her yield from a cart on the streets of Dublin. The song's final verse states that after she died of a fever, she began haunting the city.
Although set in Ireland's capital and beloved by many Dubliners, the song was originally published in the USA in 1876. While this version might be based on an older Irish folk ballad, cultural academics have argued that the melody and tragicomic lyrics are more akin to the music-hall style that was popular in Britain during the Victorian era. Indeed, in 1884, a version attributed to the Scottish composer James Yorkston was published in London.
To complicate matters further, in 2010, an earlier mention of Molly Malone was found in an 18th-century book of songs called Apollo's Medley, printed in England in 1790. This more risqué version describes Molly as living in Howth, a fishing village northeast of Dublin. It recounts the singer's yearning to share her bed, contributing to widespread speculation that the song's leading lady worked as both a street vendor and a prostitute.
Created by the Irish sculptor Jeanne Rynhart, the statue depicts Molly in traditional but revealing 17th-century dress, hinting at her supposed job as a part-time prostitute and leading the bronze figure to be colloquially christened The Tart with the Cart.
Suffolk St, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,Molly Malone,Malone,by,Jeanne,Rynhart,large,chest,breast,breasts,voluptuous,woman,lady,wench,girl,hussy,urban,centre,legend,art,artwork,revealing,Mary Malone,heroine,song,music,Georgian Quarter,History,historic,Cockles and Mussels,lyrics,folk ballad,cart,The Tart With The Cart
Description: Tony Smith image Alamy 2M8DJJX - Molly Malone is the enigmatic heroine of the famous song of the same name, widely recognised as Dublin's unofficial anthem. Immortalised in bronze during the 1988 Dublin Millennium celebrations, the Molly Malone statue stands in the heart of the city's historic Georgian Quarter. Though regularly upheld as a traditional Irish ballad, it's not known where the song originated or if Molly Malone ever existed
According to the lyrics of the undeniably catchy tune “ also known as Cockles and Mussels “ Molly was a young and beautiful fishmonger who sold her yield from a cart on the streets of Dublin. The song's final verse states that after she died of a fever, she began haunting the city.
Although set in Ireland's capital and beloved by many Dubliners, the song was originally published in the USA in 1876. While this version might be based on an older Irish folk ballad, cultural academics have argued that the melody and tragicomic lyrics are more akin to the music-hall style that was popular in Britain during the Victorian era. Indeed, in 1884, a version attributed to the Scottish composer James Yorkston was published in London.
To complicate matters further, in 2010, an earlier mention of Molly Malone was found in an 18th-century book of songs called Apollo's Medley, printed in England in 1790. This more risqué version describes Molly as living in Howth, a fishing village northeast of Dublin. It recounts the singer's yearning to share her bed, contributing to widespread speculation that the song's leading lady worked as both a street vendor and a prostitute.
Created by the Irish sculptor Jeanne Rynhart, the statue depicts Molly in traditional but revealing 17th-century dress, hinting at her supposed job as a part-time prostitute and leading the bronze figure to be colloquially christened The Tart with the Cart.
Suffolk St, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,boozer,Temple Bar,Temple Lane South,Dublin 2,exterior,bars,pubs,famous,D02 N725,47-48,47-48 Temple Bar,art,artwork,Dublin2,man,male,icon,iconic,Bill,William,Sir,bronze,metal,outside,profile,view,in profile,in,the
Description: Tony Smith image Alamy 2MCGAW9 - William Temple was born the son of the Leicestershire man Anthony Temple, whose family name was said to descend from the Knight Templars, a once powerful monastic order during the Crusades, but which was outlawed by Pope Clement V. The rituals and the secrets of the order survived and many of the Knight Templars families came to prominence in 16th-century England when Protestantism was embraced. He was educated at Eton College and passed with a scholarship to King's College, Cambridge, in 1573. In 1576 he was elected a fellow of King's, and graduated with a B.A. in 1577“8 and M.A. in philosophy in 1581. He became Master of Lincoln Grammar School that same year. Though originally destined for the law, he became a tutor in logic at his college. In his logic readings, wrote a pupil, Anthony Wotton, in his Runne from Rome (1624), he always laboured to fit his pupils for the true use of that art rather than for vain and idle speculations. He accepted with enthusiasm the logical methods and views of Petrus Ramus, and became the most active champion of the Ramists in England.
William Temple's first sight of Ireland came as he landed at Howth in April 1599 to take up his position as secretary to the new lord lieutenant, Robert Devereux, and 2nd Earl of Essex. It was a baptism of fire as their first great task was to suppress a major rebellion of the native Irish tribes who had now united with the Anglo-Normans. While Essex campaigned around the country, Temple stayed behind in Dublin that summer relaying news of military deployment and successes to the Royal Court, Essex, once Elizabeth's most trusted confidant and intimate advisor, now became the unappreciated and maligned viceroy falling foul of the ageing queen. Both he and William Temple were ignominiously recalled to London that same autumn.
47-48 Temple Bar, Dublin 2, D02 N725, Ireland
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Somerset,SDC,Sedgemoor,Sedgemoor District Council,South West England,England,UK,South West,town,TA6,The Spirit of Carnival,art,artwork,Spirit of Carnival statue Bridgwater,sculptor David Faulks,sculptor,David Faulks,2005,Bridgwater Guy Fawkes Carnival,Bridgwater Carnival,400th anniversary,Gunpowder Plot,parliament,lighted Bridgwater squib,squib cosh,blow up the Houses of Parliament,blow up,the Houses of Parliament,TA6 3BY,Gunpowder Plotter Guy Fawkes,Gunpowder plot,Plotter,Guy Fawkes,Bridgwater,dusk,night,night time
Description: Tony Smith image Alamy 2AFMK0K - Spirit of Carnival statue, Bridgwater
The town centre bank branch on the left is at 9 York Buildings, Cornhill, Bridgwater.
The work of sculptor David Faulks, the statue on the right was erected in 2005 by Bridgwater Guy Fawkes Carnival to mark the 400th anniversary of the Gunpowder Plot. It depicts a masquerader dressed in early 17th century clothing, holding aloft a lighted Bridgwater squib attached to a squib cosh. For centuries on November 5th, residents of Bridgwater gathered around a bonfire located here in Cornhill to celebrate the failure of Guy Fawkes and his co-conspirators to blow up the Houses of Parliament.
9 York Buildings, Cornhill, Bridgwater, Somerset,England, UK, TA6 3BY
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Somerset,SDC,Sedgemoor,Sedgemoor District Council,South West England,England,UK,South West,town,TA6,The Spirit of Carnival,art,artwork,Spirit of Carnival statue Bridgwater,sculptor David Faulks,sculptor,David Faulks,2005,Bridgwater Guy Fawkes Carnival,Bridgwater Carnival,400th anniversary,Gunpowder Plot,parliament,lighted Bridgwater squib,squib cosh,blow up the Houses of Parliament,blow up,the Houses of Parliament,TA6 3BY,Gunpowder Plotter Guy Fawkes,Gunpowder plot,Plotter,Guy Fawkes,Bridgwater,dusk,night,night time
Description: Tony Smith image Alamy 2AFMK0X - Spirit of Carnival statue, Bridgwater
The town centre bank branch on the left is at 9 York Buildings, Cornhill, Bridgwater.
The work of sculptor David Faulks, the statue on the right was erected in 2005 by Bridgwater Guy Fawkes Carnival to mark the 400th anniversary of the Gunpowder Plot. It depicts a masquerader dressed in early 17th century clothing, holding aloft a lighted Bridgwater squib attached to a squib cosh. For centuries on November 5th, residents of Bridgwater gathered around a bonfire located here in Cornhill to celebrate the failure of Guy Fawkes and his co-conspirators to blow up the Houses of Parliament.
9 York Buildings, Cornhill, Bridgwater, Somerset,England, UK, TA6 3BY
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Bridgwater,Somerset,SDC,Sedgemoor,Sedgemoor District Council,South West England,England,UK,South West,town,TA6,artwork,sculptor David Faulks,David Faulks,Bridgwater Guy Fawkes Carnival,Bridgwater Carnival,400th anniversary,2005,sculptor,Spirit of Carnival statue Bridgwater,The Spirit of Carnival,art,Plotter,Gunpowder Plotter Guy Fawkes,the Houses of Parliament,blow up the Houses of Parliament,lighted Bridgwater squib,Gunpowder Plot,parliament,squib cosh,blow up,TA6 3BY,Gunpowder plot,Guy Fawkes,squibbing
Description: Tony Smith image Alamy 2AFMJTW - Spirit of Carnival statue, Bridgwater
The town centre bank branch on the left is at 9 York Buildings, Cornhill, Bridgwater.
The work of sculptor David Faulks, the statue on the right was erected in 2005 by Bridgwater Guy Fawkes Carnival to mark the 400th anniversary of the Gunpowder Plot. It depicts a masquerader dressed in early 17th century clothing, holding aloft a lighted Bridgwater squib attached to a squib cosh. For centuries on November 5th, residents of Bridgwater gathered around a bonfire located here in Cornhill to celebrate the failure of Guy Fawkes and his co-conspirators to blow up the Houses of Parliament.
9 York Buildings, Cornhill, Bridgwater, Somerset,England, UK, TA6 3BY
Description
Keywords: Dusk,night,art,Face Of wigan,The Face Of Wigan,Wigan,Town Centre,HousingITguy,Project365,2nd 365,HotpixUK365,Tone Smith,GoTonySmith,365,2365,one a day,Tony Smith,Hotpix,stainless steel,sculpture,face,Rick Kirby,artwork,artist,Greater Manchester,Wigan Council
Description: Tony Smith image Flickr 3991987026 - 'The Face of Wigan, located in the town centre since 2008, is a stainless steel sculpture of a face. Created by sculptor Rick Kirby, The Face stands at 18-foot-tall (5.5 m) and cost \u00a380,000.
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All images (c) Tony Smith - @HotpixUK - No images to be used without express permission',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,Town,dusk,night,at night,nighttime,Face of wigan at Night,stainless steel sculpture of a face,stainless steel,art,artist,sculpture,of a face,sculptor Rick Kirby,sculptor,centre,town centre,nightlife,night life,night image,steel structure,artwork,icon,iconic,Marylebone,Wigan,Marylebone Wigan,sculpture of a face,face,English sculptor,English,public art,WN1,illuminated,statue
Description: Tony Smith image Alamy RG982H - Face of Wigan sculpture, Wigan
The Face of Wigan is a dramatic 5.5m high stainless steel sculpture of a face, which is destined to become another iconic image of the borough.
The piece is a new take on an old favourite as its creator, acclaimed English sculptor Rick Kirby explains: The face is a play on the many portraits and busts of the ˜good and glorious' that adorn the parks and centres of every town and city throughout Britain.
The sculptured portrait is intended to represent not a single celebrity, but all of the inhabitants of the area, the very people of Wigan. These are the people who make the place what it is today, and indeed have the power to determine what will be the future.
The rear of the piece is a highly reflective surface set at different angles which will mirror fragments of people passing as well as the surrounding landscape.
Mr Kirby is known for a vast collection of striking public art works including ˜Continuum' at Alexandra Park Lake in Hastings and ˜Cross the divide' at the South Bank in London.
Funding for the project totalling almost £80,000 was provided by Modus Properties, developers of Wigan's Grand Arcade shopping centre as part of an agreement with Wigan Council to provide a major piece of public art in the town centre.
Louise Pearson, Development Manager for Modus says: We are delighted to have assisted in the delivery of this important piece of public art. Plus, we're happy to see that it is in a prime location to oversee the next phase of regeneration in the town centre.
Consultation about the piece took place with shoppers and visitors to the town centre over the summer of 2007, with people giving their thoughts and suggestions on a number of designs. At the end of the process, The Face of Wigan was the clear winner.
The Face came to its new home at The Wiend in Wigan town centre on Tuesday (December 9).
It will spend up to 18 months in this location before embarking on a tour of different locations in the borough ov
Wigan, England, UK, WN1 1YB
Description
Keywords: Manchester,City Centre,city,NQ,NQ4,Northern Quarter,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,buildings,streets,Store St,long mural,art,artwork,New York street artist,New York,street artist,Doodle,on,Matt Peacock,Manchester Artists,wide,long,pano,panorama,Joel,International Arts,Festival,M1 2JQ,M1,North West England,orange,Cookies Doodle,Cookies,Emmaus Mossley,Homelessness Mural
Description: Tony Smith image Alamy RF7M10 - 40 homeless people, a New York street artist and two local creatives create a massive Manchester mural
The Doodle on Ducie Street has been created to launch the inaugural International Arts and Homelessness Summit and Festival
The mural, The Doodle on Ducie Street, has been created to launch the inaugural International Arts and Homelessness Summit and Festival in November which aims to raise awareness of homelessness and support homeless people.
We had almost 40 artists working on this and we came together just one week ago, said street artist and activist Joel.
It's been an intense week. We got together and asked what we could create that would represent everyone and what message or story we wanted to tell. Everyone made sketches and we made a composition, then each day we came out and worked on it.
Now the wall is a wondrous array of colour, inspired by Joel's signature style, designed to encourage conversation “ perfect for the upcoming festival.
The unique creative team was organised with the help of With One Voice, an organisation which sets out to tackle homelessness in a creative way.
Everyone came together and decided what was important to them. We came up with this concept of the guy on the mural, he's flying through the air from challenges in his life to a brighter future, said With One Voice director, Matt Peacock.
It's been an amazing experience, says Matt. We were really conscious that we were putting this piece of public art in the centre of Manchester, where homelessness has been on the rise. For many years people would rightly say, ˜why art?'
And the reasons for that, which I hope you can see, are so many things “ it's about personal and societal regeneration, it's about telling a different story about homelessness, and giving a voice to people who are and have been homeless to say what they want to say to the public.
The artists have found the experience a boost to their confidence.
I wanted to get involved with the mural because I
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,art work,Newton St,Northern Quarter,M1,artwork,urban art,NQ4 Manchester,old love,older love,love in old age,cloth cap,northerners,kissing,Coronation Street,Coronation St,spark of love,painting,old age love,cute old people,northern,stereotype,seniors,retired love,memories,of love,love,affection,backstreet,Love Has No Age Limit
Description: Tony Smith image Alamy RFF676 - . A contemporary documentary view sets out the visible identity of Newton St, Manchester, England, UK, in a photograph originating in 2019. Within that setting the photograph concentrates on Two old people kissing, art work, Newton St, Northern Quarter, Manchester, M1, England, UK. The location also connects regional identity, place and memory, cultural landscape, modern history, urban and rural change, social context, visual record, contemporary social history, local character, public realm, everyday infrastructure, and documentary photography. Current debate around community change often combines changing use, new technology and the practical challenge of before-and-after study. The photograph fixes Newton St, Manchester, England, UK at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. Beyond the immediate subject, the setting involves social landscape, community environment, place-based history, community life, local identity, changing Britain. Associated details include NQ4, NorthernQuarter, Newton Street, pensioners kissing, elderly couple, Everlasting Love. The same setting also brings together documentary record, and everyday Britain. The wider contemporary story of everyday local life now includes altered public space alongside new technology, while policy and investment increasingly consider future historical research. The combination preserved here provides evidence of movement through the area, historic fabric, everyday services, planning and redevelopment, and social change at this precise location. As the location changes, the frame remains a reference for neighbourhood identity, transport patterns, architecture and streetscape, ownership or occupation, and public access within the surrounding area. The view of Newton St, Manchester, England, UK also preserves another layer of local identity and period change.
Newton St, Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Taunton,England,art,artwork,and,work,2017,mural,Theatre,venue,40th,birthday,film and theatre,film,skull,from,Hamlet,Tommy Cooper,fez,a,conductor,singers,Charlie Chaplin,artist,artists,artscene,scene,South West,Tom,Jack,painting,theatre
Description: Tony Smith image Alamy 2K3XN90 - Read more at https://www.somersetcountygazette.co.uk/news/15432401.the-paint-has-dried-on-a-mural-entitled-perchance-to-dream-to-celebrate-the-brewhouse-theatres-40th-birthday/
The paint has dried on a mural entitled Perchance to Dream to celebrate the Brewhouse Theatre's 40th birthday
After one week the specially commissioned mural on the side of the Brewhouse Theatre and Arts Centre finishes today, Tuesday, July 25.
The curtain will come down on Tom Sledmore and Jack Tierney's work as they have completed the brief given to them by the theatre.
The mural has been painted as part of the Brewhouse's 40th birthday and it shows all the different aspects of theatre and theatre at the Brewhouse.
The mural depicts different elements of film and theatre such as the skull from Hamlet, Tommy Cooper's fez, a conductor, singers, Charlie Chaplin, a child watching a performance and even an astronaut who comes from the film Space Odessy 2001.
For both Tom and Jack this has been one of their biggest jobs and one of the most interesting.
Coal Orchard, Taunton, Somerset, England ,TA1 1JL
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Great Britain,GB,Nottingham,city centre,Notts,Nottinghamshire,famous,at Nottingham Castle,Nottingham Castle,Nottinghams legendary outlaw,outlaw,East Midlands,1952,Robin Hood statue,Castle Place,NG1 6EL,NG1,bronze statue,metal,art,artwork,vandals.,vandalized,vandalised,Nottingham City,sculpture,Philip E F Clay,Philip EF Clay,Royal Academy sculptor,James Woodford,folklore hero,English folklore,woke,culture wars,war on woke
Description: Tony Smith image Alamy 2D8NX32 - Cast in eight pieces of half-inch thick bronze (made to last 6,000 years) and weighing half a ton, the 7ft effigy of Nottingham's legendary outlaw proudly stands on a two-and-a-half ton block of white Clipsham stone. It is surrounded by small studies of Little John, Friar Tuck, Alan A Dale and Will Scarlett, whilst wall plaques illustrate scenes from the tales of Robin Hood & his Merry Men.
In typical outlaw style Robin Hood stands outside of Nottingham Castle, the point of his arrow aimed at the gatehouse and the establishment within.
Join celebrities and millions of visitors who have had their photo taken at the famous Robin Hood statue at Nottingham Castle.
History of the famous figure:
On 24th July 1952, the statue of Robin Hood was unveiled by the Duchess of Portland on the Robin Hood Lawn, beneath Nottingham Castle, in the remains of the moat on Castle Road.
It was a warm sunny day when 500 schoolchildren sat attentively on the grass in the special VIP enclosure to watch the ceremony of the statue and its complementary plaques and sculptures being revealed to the public, accompanied by a fanfare from the band of the Royal Lincolnshire Regiment.
Gifted to the city by local businessman, Philip E F Clay, the impressive figure was intended to provide something tangible for visitors to see relating to Robin Hood, Nottingham's world-famous folk hero. Mr Clay was a successful director of well-known city firms Elastic Yarns Ltd and Fine Wires Ltd and in 1949, at a cost of £5,000, he commissioned the respected Royal Academy sculptor, James Woodford, to design and make the Robin Hood statue, plaques and statuary.
On completion, they were to be presented to the city to commemorate the visit of Princess Elizabeth and The Duke of Edinburgh on 28th June 1949 during the city's quincentenary celebrations. Mr Clay had originally wished to remain anonymous.
Robin Hood statue, Castle Place, Nottingham, Notts,Nottinghamshire,England,UK, NG1 6EL
-P8KEYA.jpg)
Description
Keywords: @HotpixUK,GoTonySmith,Big,Y,Yorkshire,Way,Art,artwork,England,UK,Doncaster South,Park,Ride,Park & Ride,Park And Ride,free parking,integrated travel,integrated,travel,Council,scheme,Doncaster Council,Chris Brammall,artist,Welcome to Yorkshire,Airport Link Road,Robin Hood Airport,link,road,rd,Bawtry Road,route of the Tour de Yorkshire,Gateway Feature,landmark,parking,gateway into Yorkshire,Ulverston,sculpture,BigY,Big Why
Description: Tony Smith image Alamy P8KEYA - Standing at nearly nine metres in height and about the same in width, the iconic installation is based on the popular Welcome to Yorkshire 'Y' logo. It will be seen by millions of people arriving at Doncaster Sheffield Airport and marks the imminent completion of the Great Yorkshire Way airport link road.
Chris Brammall (artist) comments:
This piece is a modern symbol representing Yorkshire in the now, creating a landmark of significance with the capacity to capture a moment in time and form a lasting memory. This symbol will communicate on a visual and physical level and allow interaction, experience and memories to be formed.
Chris attended the official installation press launch on 26th April with Sir Gary Verity, Chief Executive Welcome to Yorkshire and Ros Jones Mayor of Doncaster pictured above.
Located on the route of the Tour de Yorkshire, the gateway feature will be incorporated into local cycling routes encouraging people to interact with the new landmark. Parking and seating will also be provided for those who want to 'stop for a selfie' at the site.
The artwork was commissioned to Chris Brammall by Doncaster Council. Ros Jones, Mayor of Doncaster, said The simplicity of its design, scale and quality is a bold statement reflecting the importance of Great Yorkshire Way as the gateway into Yorkshire and driver of economic growth for the local and regional economy.
Most of the Chris Brammall team were involved in the fabrication of the sculpture in our workshop in Ulverston and the piece was fitted by a three man team - Phil, Paul and Duncan.
Bawtry Road, Rossington, South Yorkshire, England, UK, DN11 0GT
-P8KEYC.jpg)
Description
Keywords: @HotpixUK,GoTonySmith,Big,Y,Yorkshire,Way,Art,artwork,England,UK,Doncaster South,Park,Ride,Park & Ride,Park And Ride,free parking,integrated travel,integrated,travel,Council,scheme,Doncaster Council,Chris Brammall,artist,Welcome to Yorkshire,Airport Link Road,Robin Hood Airport,link,road,rd,Bawtry Road,route of the Tour de Yorkshire,Gateway Feature,landmark,parking,gateway into Yorkshire,Ulverston,sculpture,BigY,Big Why
Description: Tony Smith image Alamy P8KEYC - Standing at nearly nine metres in height and about the same in width, the iconic installation is based on the popular Welcome to Yorkshire 'Y' logo. It will be seen by millions of people arriving at Doncaster Sheffield Airport and marks the imminent completion of the Great Yorkshire Way airport link road.
Chris Brammall (artist) comments:
This piece is a modern symbol representing Yorkshire in the now, creating a landmark of significance with the capacity to capture a moment in time and form a lasting memory. This symbol will communicate on a visual and physical level and allow interaction, experience and memories to be formed.
Chris attended the official installation press launch on 26th April with Sir Gary Verity, Chief Executive Welcome to Yorkshire and Ros Jones Mayor of Doncaster pictured above.
Located on the route of the Tour de Yorkshire, the gateway feature will be incorporated into local cycling routes encouraging people to interact with the new landmark. Parking and seating will also be provided for those who want to 'stop for a selfie' at the site.
The artwork was commissioned to Chris Brammall by Doncaster Council. Ros Jones, Mayor of Doncaster, said The simplicity of its design, scale and quality is a bold statement reflecting the importance of Great Yorkshire Way as the gateway into Yorkshire and driver of economic growth for the local and regional economy.
Most of the Chris Brammall team were involved in the fabrication of the sculpture in our workshop in Ulverston and the piece was fitted by a three man team - Phil, Paul and Duncan.
Bawtry Road, Rossington, South Yorkshire, England, UK, DN11 0GT
Description
Keywords: Northern Ireland,Peace,Belfast,Irish,art,artworks,tagged,graffitti,grafitti,No,Days,Off,art,work,artwork,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM00F - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,West Belfast,Irish,artworks,artwork,May,we,all,Learn,To,Be,Bridge,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM08W - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,wide,shot,wideshot,wall,mural,murals,face,faces,fence,high,high,fences,history,Irish,Catholic,Protestant,divided,sectarian,religious,boundary,interface,zone,interzone,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM12B - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,common,than,divides,separates,us,peace,space invaders,space,invaders,wire,barbed,barbed wire,razor wire,invader,PacMan,Pac-man,Pac,man,Berlin wall,Theres more in common,Than what divides us,Irish history,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM16Y - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
-statue-FDNKB8.jpg)
Description
Keywords: 150,Deansgate,Manchester,England,UK,book,books,libraries,learn,learning,learned,learned,Victorian,University,of,Enriqueta,(1907) statue,founder,benefactor,sculptor,art,artwork,artworks,M3 3EH,John Cassidy,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,statues,history,historic
Description: Tony Smith image Alamy FDNKB8 - The John Rylands Library is home to one of the world's richest and most unique collections - around 1.4 million items spanning over five thousand years and derived from all corners of the world.
John Cassidy created two matching statues, in white Saravezza marble, of John Rylands and Mrs Rylands, which stand guard over the two ends of the Library's Historic Reading Room. John Rylands (1801 - 1888) occupies a prominent position at one end, and Mrs Rylands presides over the other, near to what used to be the Library's service counter. The picture above dates from 2003.
Although the statues appear as a pair, they were not conceived or commissioned together. 'John Rylands' was commissioned by Mrs Rylands in 1894 as an integral part of the library dedicated to her late husband, and has had pride of place since the building opened in 1900, whilst her own likeness was commissioned by supporters of the Library, and unveiled on 9 December 1907, a few months before her death on 4 February 1908.
150 Deansgate, Manchester,England,UK, M3 3EH
Description
Keywords: religion religious church of England Oxfordshire,England,United Kingdom Oxen Oxon art artwork catholic cross crucifix disciples,GoTonySmith,The Last Supper,by,Leonardo da Vinci,wooden,Oxen,disciples,church,scene,from,Saint Marys,Ardley,Oxfordshire,United Kingdom,UK,wood,carving,last supper,St Marys,disciple,crucifixion,crucifix,crucifixes,art,artwork,cross,Easter,crosses,Jesus,Christ
Description: Tony Smith image Alamy ECW509 - . Wood carved last supper scene from St Marys Ardley, Oxfordshire, England, United Kingdom. The photograph was taken on 19 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Wood, carved, last, supper, scene, Marys, Ardley, St Marys, religion religious church of England Oxfordshire and United Kingdom Oxen Oxon art artwork catholic cross crucifix disciples, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
St Marys Ardley, Oxfordshire, England, United Kingdom
Description
Keywords: Oxen Oxon United Kingdom,UK,English,Saint,Marys,Church,of,chancel,and,the,bell,tower,2000,new,art,artwork,Norman,stonework,Early,Gothic,chancel,Cherwell,Valley,Benefice,middle,window,on,south,side,of,nave,built,in,1792,England,early,in,the,21st,century,postcard,classic,historic,parishes,Somerton
Description: Tony Smith image Alamy ECW51T - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley, Oxfordshire, England, United Kingdom
Description
Keywords: UK,English,Saint,Marys,Church,of,chancel,and,the,bell,tower,2000,new,art,artwork,Norman,stonework,Early,Gothic,chancel,Benefice,middle,window,south,side,of,nave,built,1792,blocked,for,years,and,with,a,new,stained,glass,GoTonySmith
Description: Tony Smith image Alamy ECW524 - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley with Fewcott civil parish in Oxfordshire, England, UK
Description
Keywords: UK,English,Saint,Marys,Church,of,chancel,and,the,bell,tower,2000,new,art,artwork,Norman,stonework,Early,Gothic,chancel,Benefice,middle,window,south,side,of,nave,built,1792,blocked,for,years,and,with,a,new,stained,glass,GoTonySmith
Description: Tony Smith image Alamy ECW525 - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley with Fewcott civil parish in Oxfordshire, England, UK
Description
Keywords: Oxen Oxon United Kingdom,UK,English,Saint,Church,of,chancel,and,the,2000,new,art,artwork,Norman,stonework,Early,Gothic,chancel,Benefice,middle,window,on,south,side,of,nave,built,in,GotonySmith Ardley with Fewcott civil parish in Oxfordshire,England,early,in,the,21st,century,postcard,classic,historic,history,ecclesiastical,parishes,Fritwell,Lower Heyford,Somerton,Souldern and Upper Heyford,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ECW526 - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley, Oxfordshire, England, United Kingdom
Description
Keywords: Oxen Oxon United Kingdom,UK,English,Saint,Marys,of,chancel,and,the,2000,new,art,artwork,stonework,Early,Gothic,chancel,Benefice,middle,window,on,south,side,of,nave,built,in,1792,pano,panorama,wide,angle,wideangle,winter,sunset,sunrise,GotonySmith Ardley with Fewcott civil parish in Oxfordshire,England,early,in,the,21st,century,postcard,classic,historic,history,ecclesiastical,parishes,Fritwell,Lower Heyford,Somerton,Souldern and Upper Heyford,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ECW528 - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley, Oxfordshire, England, United Kingdom
Description
Keywords: BT1,bars,alley,off,street,drinks,drinking,classic,ale,beer,bers,ales,half,bap,area,craic,murals,art,painting,painting,artwork,artworks,Patrick,Moore,Cathedral Quarter,Half Bap,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M2Y - Nestled along a narrow cobbled alleyway in the historic Half Bap area, the Duke offers a traditional Belfast welcome of craic, music and humour in contrast to the modern fashionable establishments currently blowing into the surrounding streets. Hosting regular traditional sessions there is no better place to sample the real taste of our city “ simply step in and drink an Irish whiskey washed down with a pint of creamy stout.
Imagine Belfast with only five streets. Protected by earth ramparts and the city walls, the area where the Dark Horse now stands was convenient to the old iron foundry, the pottery, the whiskey merchants and the brown linen hall. Appreciate the superb décor and special atmosphere with beautiful antique mirrors, Belfast furniture and artefacts from some of the city's most famous hotels and buildings from bygone times “ providing a rather rare and unique glimpse of Belfast's historical past. Just call in and you will enjoy a huge warm welcome from a truly Belfast institution with a huge heart.
Duke of York, 7-11 Commercial Court, Belfast, Northern Ireland, BT1 2NB Duke of York 02890 241062
7-11 Commercial Ct, Belfast, Northern Ireland,UK BT1 2NB
Description
Keywords: Edward The elder inscription detail South Warrington,Cheshire England UK United Kingdom,All Saints Church Thelwall,Edward The elder inscription detail South Warrington,Cheshire England UK United Kingdom,gotonysmith,Church,England,UK,gold,iconic,All Saints Drive,Thelwall,Edward,the,Elder,WA4,WA4 2SX,icon,south,Warrington,VII,inside,interior,ornate,history,historic,decoration,decorated,Edward VII,to the,glory,of,god,art,artwork,Anglican,inscription,inscriptions,heritage
Description: Tony Smith image Alamy CEMWBE - . All Saints Church Thelwall, Edward The elder inscription detail South Warrington, Cheshire England UK United Kingdom, WA4 2SX. Photographed on 27 June 2009. The recorded location is All Saints Drive, Thelwall, South Warrington, Cheshire, England ,UK, WA4 2SX. The wider historical story is that churches combine worship with architecture, community memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, changing liturgy, community benefactors, war remembrance and family history. From a heritage perspective, commemorative plaques, gravestones and monuments transform individual or collective memory into a permanent feature of the landscape
Their wording, materials and location can illuminate genealogy, social history, military service and changing attitudes to public remembrance. From a heritage perspective, public wording is part of the visual landscape
Direction signs, warning notices, painted advertisements and engraved plaques show how authorities and businesses communicated before digital screens and app-based information became widespread. In the present 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and community identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage structures while keeping them accessible and relevant. As of 2026, interest in local history, genealogy and the conservation of memorials remains strong, while weathering, redevelopment and vandalism can threaten smaller monuments and inscriptions
Detailed images help preserve lettering, names and physical condition before further weathering or alteration. Further subject-specific language includes ecclesiastical architecture, parish church, Christian heritage, sacred art, religious symbolism, church interior, and place of worship.
All Saints Drive, Thelwall, South Warrington, Cheshire, England ,UK, WA4 2SX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,UK,BL1,English,TV,television,personality,statue,art,artwork,backstreet mechanic,famous,chimney,felling,industry,industrial,age,mills,revered son,of,1938-2004,2004,Jane Robbins,sculpture,working,class,kind,bloke,northern,north west,Fred,Dibnar,Dibner
Description: Tony Smith image Alamy 2K0WRK9 - Frederick Travis Dibnah, MBE (29 April 1938 “ 6 November 2004) was an English steeplejack and television personality, with a keen interest in mechanical engineering, who described himself as a backstreet mechanic
After his National Service, once demobilised, he returned to steeplejacking but met with limited success until he was asked to repair Bolton's parish church. The resulting publicity provided a boost to his business, ensuring he was almost never out of work
In 1978, while making repairs to Bolton Town Hall, Dibnah was filmed by a regional BBC news crew. The BBC then commissioned a documentary, which followed the rough-hewn steeplejack as he worked on chimneys, interacted with his family and talked about his favourite hobby - steam
The massive statue of steeplejack Fred Dibnah has been crafted by a Shropshire, Shrewsbury artist to stand in the centre of the star's home town of Bolton.Jane Robbins won the 2008 commission for the statue. Its set in bronze and shows Fred holding a lightning conductor on one of his trademark chimneys
Jane, who lives in Church Stretton and works out of a studio in Abbey Foregate, Shrewsbury, has finished crafting an 8ft tall clay statue of Fred.
It will be taken from her studio in pieces on Monday, before a lighter wax replica is created and cast in bronze at Castle Fine Art Gallery, near Oswestry
Bolton, Greater Manchester, Lancashire, England, UK, BL1
Description
Keywords: Liverpool,Old Haymarket,LFC,Anfield,St Johns Gardens,remembrance,GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,L1,L1 6ER,disaster,bronze,artwork,football,club,soccer,relief,the,dead,tragedy,deaths,we will,remember,them,frieze,names,of,memory,stadium,match,Scousers,crest
Description: Tony Smith image Alamy 2RJ3YPF - The Hillsborough Monument Memorial - Sculptor's Notes more at https://liverpoolsculptures.co.uk/the-hillsborough-monument-memorial/
The Hillsborough monument was comissioned by the Hillsborough Justice Campaign and sculpted by Tom Murphy.
Background: A young girl asked her Father, where is the Hillsborough Memorial? She was told: ˜There is one in Anfield.' She said: ˜Why can't we have one in the city centre for everyone to see.' This simple question was the catalyst for this monument
The monument is circular with a raised design in low relief. The imagery shows an imaginary place,which is meant to guide our thoughts of remembrance and all that has happened since the tragedy
The people depicted in the design are ˜the guardians of the memory', or ˜people like us' Their purpose is symbolic and other figures represent justice, hope and loss. The setting is a beautiful and quiet place, which may help us to think about the characters and individual personalities of those who died. The people who passed away are represented by the birds who fly freely throughout the work.
We reflect and empathise with those who died while considering the people they were, and might have been, were it not for the disaster
Description of the raised relief on the maquette
The design begins with two large tablets that list the names those who died. A dedication and information plaque is situated between the tablets of names with a poem, written especially for the moument, by David Charters (journalist and author). Immediately above the central dedication is a wreath of spring flowers. This reminds us of the season and number of victims who died. A Liver Bird stands guard. Below the information plaque is a rail of football scarves from differing clubs signifying the way football fans responded nationally in the days after the disaster. Around the top rim of the monument is the proclamation: ˜HILLSBOROUGH DISASTER. WE WILL REMEMBER THEM.'.
St John's Gardens,, Old Haymarket, Liverpool , Merseyside, England, UK, L1 6ER
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Keywords: art,tat,tats,tat2,tatoo,religion,religious,catholic,sex,sexy,shaved,bald,head,headed,male,bloke,chap,against,up,wall,shutter,selective,selectively,colored,coloured,crucifixion,jesus,artwork,work,ink,skin,flesh,homoerotic,homo,erotic,sexual,in,the,boy,lokking,away,punished,being,ready,to,be,whipped,gotonysmith whip torture tortured,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HF3B - . Naked Man with Cross tattoo on his back. Photographed on 5 March 2011. The recorded location is Manchester, England, UK. Looking at the subject's development, the cross is Christianity's most recognisable symbol, referring to the crucifixion of Jesus while also carrying wider meanings of faith, sacrifice, remembrance and identity
When used in jewellery, tattoos or public art it can be devotional, cultural, commemorative or personal rather than simply decorative. The wider historical story is that body art is both a craft and a form of self-presentation
Improvements in equipment, inks and hygiene helped professional tattooing expand dramatically from the late twentieth century onwards, while conventions created large public spaces for artists and enthusiasts to exchange styles. For the 2026 context, religious symbolism continues to appear in highly personal forms such as tattoos as well as churches, memorials and jewellery
Such imagery can therefore illustrate the overlap between faith, identity, body art and individual expression. In the present 2026 context, tattooing is an established part of British popular culture, with conventions, specialist studios and highly visible styles ranging from traditional flash to realism and extensive facial or body work
Images remain relevant to fashion, identity, subculture, religion and evolving attitudes to appearance. The wider historical story is that religious symbols often move beyond formal places of worship into clothing, body art, memorials and popular culture
Their meaning depends on context, but a cross remains strongly associated with Christian belief and the visual history of Western religion. In the present 2026 context, religious symbolism continues to appear in highly personal forms such as tattoos as well as churches, memorials and jewellery
Such imagery can therefore illustrate the overlap between faith, identity, body art and individual expression.
Manchester, England, UK
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Keywords: @Hotpixuk,Hotpixuk,GotonySmith,England,UK,M1,NQ4,art,artwork,mural,painting,Manchester Northern Quarter,M1 2EG,street artist,FQM9+2Q Manchester,FQM9+2Q,JD,music,history,Manchester Music,Aitch,Philippe Carly,painted,over,new album,Close To Home,August,2022,Aitch Apologizes For Album Promo Painting Over Manchesters Ian Curtis,Aitch apologised for painting over,https,//jnews.uk/aitch-apologizes-fo,icon,iconic,man,singer,vocals,vocalist
Description: Tony Smith image Alamy 2J880EP - Ian Curtis mural unveiled in the Northern Quarter ahead of mental health music festival.
A mural paying tribute to the late Ian Curtis has been unveiled in the Northern Quarter just in time for World Mental Health Day (today, Saturday 10 October)
The legendary musician, who was the lead singer and lyricist of post-punk band Joy Division, took his own life aged just 23 during a long struggle with depression.
The artwork was heartfully revealed by the late singer's former Joy Division bandmate Peter Hook (also The Light). The artist, Manchester-based Akse P19, says Ian Curtis was the perfect subject to try to create a conversation around mental health:
It was a pleasure meeting Peter Hook this week at the mural of Ian Curtis, says Akse. It's based on a photo by [photographer] Philip Pecarly.
It's hoped this striking homage to a Manchester music legend will encourage people to continue to speak out and seek help if they need it.
The brief was commissioned to launch Headstock Weekender festival “ a music and wellbeing festival taking place online this weekend “ which was originally scheduled for May.
Throughout today (Saturday) and Sunday, a programme of live performances, DJ sets, talks and wellbeing workshops are being streamed for free on the United We Stream platform.
The festival founder, Atheer Al-Salim, hopes it will help bring people together during a worrying and stressful time for those both in and out of the music industry.
More at https://ilovemanchester.com/ian-curtis-mural-manchester-mental-health
75 Port St, Manchester, England, UK, M1 2EG
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Keywords: Northern Ireland,Peace,Wall,Cupar way,Belfast,Irish,art,artworks,artwork,Hope,Lost,ingenuity,rd,Road,boat,ship,weld,Berlin wall,Shankill ingenuity,RMS Titanic,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM12J - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
