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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,IMG_7781,Turning,of,Tides,large,scale,street,art,mural,in,Blackpool,by,High,butterfly,seaside,artwork,street art,large scale,coastal,wildlife,painted,gable,public,Hayley,Garner,AYLO
Description: Tony Smith image Alamy 3FXKY07 - . Turning of Tides is a large outdoor mural covering the gable wall of a building at the end of High Street near Blackpool North railway station in Blackpool, Lancashire. The painted surface follows the triangular roofline, giving the composition an unusually tall, broad canvas. A muted sage-green background supports a flowing arrangement of pale birds in flight, swirling organic forms and sweeping areas of pink, rust-red, orange and white. Near the centre, winged figures overlap slender curved shapes, while a larger cluster of red and orange forms occupies the lower left of the artwork. The mural extends towards a hard-surfaced area at the base of the wall, where nearby objects and the adjacent light-coloured building provide a sense of scale. Exposed adjoining walls, roof edges and the surrounding urban setting establish it as a piece of public street art painted directly onto an existing building. The artwork was included in Blackpool's Lightpool Festival 2024 art trail. The festival programme identifies Turning of Tides as a mural from The Butterfly Effected, developed collaboratively with local young people to reflect the community's creativity and energy. A Blackpool street-art record also places the mural at the end of High Street and dates its creation to 2024. The Butterfly Effected is a Blackpool-based creative organisation associated with large-scale public artworks and community participation. The coastal title, bird imagery and expressive shapes connect the mural's visual language to movement, nature and Blackpool's seaside setting.
High Street, Blackpool, Lancashire, UK
Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,255A9791,Manchester,Stu,Allan,DJ,music,mural,tribute,artwork,Stu Allan,Manchester DJ,dance music DJ,Stu Allan memorial,Stu Allan DJ 1962-2022 Fairfield St,Stu Allan DJ 1962,2022 Fairfield St,Fairfield,Greater Manchester,England,English,Manchester local history,Manchester documentary photography,Manchester public realm,Manchester urban life,Manchester place photography,documentary photography,local history,urban life,British culture,place photography,contemporary Britain,public realm,street scene,local identity,social history,everyday life,regional England,city life,town centre,community,built environment,public space,modern Britain,local landmark,urban detail,street art
Description: Tony Smith image Alamy 3E3P8TF - Stu Allan DJ tribute artwork in Manchester. Photographed on 28 June 2025. The image is centred on Stu Allan DJ 1962-2022 Fairfield St, with enough of the surrounding setting at Manchester retained to establish how Stu Allan DJ 1962-2022 Fairfield St appears in everyday life. Visible lettering, materials, neighbouring buildings and street furniture around Stu Allan DJ 1962-2022 Fairfield St add specific physical context rather than reducing the scene to an isolated object. The photograph preserves the appearance of Stu Allan DJ 1962-2022 Fairfield St and its immediate surroundings at one identifiable moment in the recent history of the location. The surrounding physical details help identify Stu Allan DJ 1962-2022 Fairfield St precisely and distinguish the location from a generic urban scene. The composition therefore preserves both Stu Allan DJ 1962-2022 Fairfield St and the immediate environment in which it was encountered. Stu Allan, 1962-2022, was a Manchester DJ and broadcaster strongly associated with dance music, house, rave and radio in the North West. A plaque or memorial carrying his name records the local cultural legacy of a figure remembered by generations of club and radio listeners. The city has long been shaped by railways, industry, music, retail and large-scale regeneration, giving ordinary street details a useful place in Manchester's visual history
in this batch it provides context specifically for Stu Allan DJ 1962-2022 Fairfield St. Stu Allan DJ 1962-2022 Fairfield St is closely tied to Manchester
the surrounding street, building or public-space details help explain how the subject functioned or was encountered at the time. The setting around Stu Allan DJ 1962-2022 Fairfield St records a recognisable part of everyday life in Manchester, retaining local context that can be lost when businesses, buildings or public spaces change.
Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,gay,village,Canal Street,tourist,tourism,LGBT,LGBTQ,LGBTQ+,venue,Manchester,break,tiptoe,IMG_9465,Drag queen,artwork,The Church,pub,Manchester Gay Village,England,UK,drag,street,art,mural,nightlife,queer,hospitality,culture,Canal,urban,figure,street art
Description: Tony Smith image Alamy 3EJD0FD - . Drag queen artwork on The Church pub in Manchester Gay Village, Manchester, England, UK. Photographed on 23 May 2026. The recorded location is The Church, Manchester Gay Village, Manchester, Greater Manchester, England, UK. The black-clad figure is painted on a pale exterior wall in the Canal Street area, creating a distinctive piece of queer street art linked to one of the district's nightlife venues. The artwork provides a compact visual symbol of the theatrical and inclusive character associated with the Gay Village and can illustrate stories about drag performance, LGBTQ+ businesses, urban art, nightlife economies, cultural identity and Manchester's internationally recognised queer quarter. Looking at mural, the longer history is that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can change the meaning of an apparently permanent object. The background to religious symbolism is that ecclesiastical buildings are both active places of worship and repositories of local evidence
Churchyard monuments, carved stone, stained glass and plaques offer material for genealogy, architectural history, religious practice and remembrance. Within the history of cask ale, british pubs developed from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, music venues and landmarks
Names, brewery signs, etched glass, tiled interiors and changing fascias can preserve local history even when ownership or use changes. In 2026, mural remains relevant because contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and place-making. Its wider subject context includes cask ale, beer culture, local pub, historic pub, and nightlife.
The Church, Manchester Gay Village, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,gay,village,Canal Street,tourist,tourism,queer,as folk,LGBT,LGBTQ,LGBTQ+,venue,Manchester,break,tiptoe,IMG_9467,The Church,pub,Lily Savage,artwork,Manchester Gay Village,England,UK,drag,nightlife,mural,street,art,hospitality,portrait,colourful,Canal,entertainment,street art
Description: Tony Smith image Alamy 3EJD0G3 - . The Church pub Lily Savage artwork in Manchester Gay Village, Manchester, England, UK. Photographed on 23 May 2026. The recorded location is The Church, Manchester Gay Village, Manchester, Greater Manchester, England, UK. A vivid mural on the exterior of the venue depicts the flamboyant drag persona created by entertainer Paul O'Grady, placing a familiar figure from British television and cabaret culture in the heart of the Canal Street nightlife district. The expressive portrait and bright colours reflect the theatrical character of the Gay Village and provide a strong image for stories about drag entertainment, British popular culture, queer nightlife, memorial and tribute artwork, independent pubs and the cultural identity of Canal Street. For ecclesiastical architecture, the historical context is that churches combine worship with architecture, local memory and centuries of community history
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family history. Looking at streetscape, the longer history is that town and neighbourhood images record the accumulation of ordinary change: road layouts, shop names, signage, public art and building uses
Their value increases when compared over decades because apparently minor details can become the clearest evidence of transformation. The background to real ale is that public houses form a distinctive strand of British social past
Coaching routes, tied brewery estates, Victorian urban growth and twentieth-century leisure each shaped the location and appearance of pubs, many of which later became restaurants, shops, housing or community assets. For ecclesiastical architecture, the 2026 context is that many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events.
The Church, Manchester Gay Village, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,gay,village,Canal Street,tourist,tourism,LGBT,LGBTQ,LGBTQ+,venue,Manchester,break,tiptoe,863IMG_9471,The Vivienne,drag,performer,artwork,Manchester Gay Village,England,UK,nightlife,queer,entertainment,street,art,tribute,television,culture,Canal,community,identity,costume,urban
Description: Tony Smith image Alamy 3EJD0G5 - . The Vivienne drag performer artwork in Manchester Gay Village, Manchester, England, UK. Photographed on 23 May 2026. The recorded location is Manchester Gay Village, Manchester, Greater Manchester, England, UK. The colourful exterior artwork depicts the Liverpool-born entertainer and winner of RuPaul's Drag Race UK, shown in a dramatic black costume beside a doorway in the Canal Street area. The vivid figure and urban setting provide a strong record of how performers and cultural personalities are represented within the Gay Village. The historical setting for public realm is that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can evolution the meaning of an apparently permanent object. Seen through place identity, the earlier context is that place-based photography helps document the relationship between named locations and the people or businesses associated with them, especially where formal architectural records are limited. For navigation, the historical context is that britain's canals were built principally in the eighteenth and early nineteenth centuries to move coal, raw materials and manufactured goods cheaply between industrial districts, ports and growing towns
Locks, basins, bridges and towpaths survive as engineering heritage. In the 2026 discussion of public realm, public art is closely connected with regeneration, tourism, identity and debate about representation
Murals and sculptures can become visitor landmarks while also prompting discussion about whose history is visible in public space. The 2026 relevance of place identity comes from the fact that current place-making policy increasingly emphasises distinctive local identity rather than generic development, so small landmarks and community businesses can become important parts of how an area is represented.
Manchester Gay Village, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9483,Mining-themed,memorial,clock,Wrexham Miners Project,Wrexham,Wales,UK,mining,heritage,miners,brickwork,artwork,museum,rescue,station,industrial,history,coalfield,community,display,historic,coal
Description: Tony Smith image Alamy 3ERX6D8 - . Mining-themed memorial clock at the Wrexham Miners Project in Wrexham, Wales, UK. Photographed on 17 May 2026. The recorded location is Wrexham Miners Project, 3 Maesgwyn Road, Wrexham LL11 2AP, Wales, UK. The clock is mounted against brickwork and surrounded by monochrome mining imagery, creating a small public-history artwork within the former Miners Rescue Station complex. The distinctive object contributes to the wider interpretation of North Wales mining history at the site. In relation to heritage feature, historical context shows that public clocks were once essential pieces of civic infrastructure, allowing travellers, workers and shoppers to coordinate time before personal watches became universal
Decorative clock cases also became architectural landmarks. For the story of material culture, it is useful to note that material culture includes the ordinary products people bought, used, collected or displayed
Small manufactured objects can reveal national identity, advertising, technology and popular taste in ways that formal records do not. The historical setting for manufacturing is that industrial heritage links architecture and machinery with the people who worked in mines, potteries, foundries and factories
As production declined or modernised, many sites were demolished, adapted or preserved as museums and regeneration projects. As of 2026, the position for heritage feature is that public clocks are no longer necessary for basic timekeeping but remain valued as heritage features and familiar landmarks, requiring specialist maintenance to keep mechanical systems operating. For present-day material culture, 2026 is significant because sustainability and reuse also give older objects new relevance, encouraging repair, second-hand sales and appreciation of durable material culture. Relevant long-tail terms include heritage clock, clock face, historic clock, mechanical clock, street clock, civic landmark, horology, and architectural detail.
Wrexham Miners Project, 3 Maesgwyn Road, Wrexham LL11 2AP, Wales, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9492,Colourful,mural,building,Eagles Meadow,Wrexham,Wales,UK,artwork,floral,lettering,graphics,public,art,retail,regeneration,street,shopping,centre,city,branding,urban,community,commercial,bright,Wrecsam
Description: Tony Smith image Alamy 3ETMXTW - . Colourful mural on a building at Eagles Meadow in Wrexham, Wales, UK. Photographed on 17 May 2026. The recorded location is Eagles Meadow, Wrexham, Wales, UK. The artwork combines bright floral shapes, lettering and graphic motifs on the side of a brick commercial building, adding a strong piece of public art to the retail district. Strong sunlight and the vivid painted colours give the image high visual impact. The background to community art is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. Within the history of manufactured object, material culture includes the ordinary products people bought, used, collected or displayed
Small manufactured objects can reveal national identity, advertising, technology and popular taste in ways that formal records do not. Current 2026 context around community art is that public art is closely connected with regeneration, tourism, identity and debate about representation
Murals and sculptures can become visitor landmarks while also prompting discussion about whose past is visible in public space. Against the 2026 backdrop for manufactured object, sustainability and reuse also give older objects new relevance, encouraging repair, second-hand sales and appreciation of durable material culture. Relevant alternative phrases include street art, urban culture, cultural identity, visual culture, place-making, memorial art, creative industries, public realm, cultural landmark, collectable, souvenir, consumer object, vintage object, memorabilia, branding, design history, and consumer culture. Useful alternative terminology includes retro, household object, collecting, product history, social history, 255A9492, graphics, shopping, and urban.
Eagles Meadow, Wrexham, Wales, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,worker,heritage,unions,Victorian,unionism,emblem,artwork,Manchester,museum,British,labour,construction,building,builders,trades,historic,banner,trade union,art,movement,workers rights,nineteenth century,Britain,Industry is the Source of Prosperity,Unity is Strength,In All Labour There is Profit,membership,employee representation,collective organisation,construction industry history,skilled craftsmen,mutual support,friendly society tradition,workplace welfare,worker compensation,industrial relations,iconography
Description: Tony Smith image Alamy 3F4BGGJ - Richly decorated 1869 emblem of the Operative Bricklayers' Society, a historic British trade union representing skilled bricklayers, displayed at the People's History Museum in Manchester. Painted by A. J. Arthur Waudby, the elaborate Victorian composition combines depictions of the bricklaying trade with allegorical female figures representing truth, architecture and science. A wooden scaffold and bricklayers' workshop occupy the central section, while smaller scenes refer to workplace injury and the financial support or compensation provided through organised labour. Prominent slogans include By Industry We Flourish, In All Labour There Is Profit, Unity Is Strength and Industry Is the Source of Prosperity, reflecting Victorian ideas of work, solidarity, mutual assistance and collective advancement. The provenance on the emblem records London 1869. The Operative Bricklayers' Society traced its origins to the London Bricklayers' Society founded in 1818 and developed into an important national craft union during the nineteenth century. It became involved in campaigns over wages and working hours and formed part of the growth of organised building-trade labour in Victorian Britain. In 1921 it merged with other building unions to form the Amalgamated Union of Building Trade Workers. The original emblem was historically displayed at the Bricklayers' head office in London and is now held within the collections of the People's History Museum. The ornate painted imagery, industrial scenes, union mottos and classical symbolism make the object an important surviving example of the visual culture created by early British trade unions. Photographed indoors, the framed artwork provides a striking record of working-class organisation, craft identity, workplace welfare, labour solidarity and the history of organised construction workers in Britain.
England, UK
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,public art,Cheshire,street,art,town,centre,cultural,quarter,artwork,history,heritage,large,gable end,colourful,urban,landmark,North West,England,building,exterior,creative placemaking UK,arts centre architecture,local identity artwork,visitor attraction Warrington,street art photography,painted building facade,civic culture Cheshire,independent arts scene,visual storytelling mural,performing arts destination,historic town cultural quarter,English urban art,creative industries,theatre venue,Parr Hall neighbourhood,Cheshire tourist destination,townscape
Description: Tony Smith image Alamy 3ERK65H - Large and colourful public mural covers the brick gable end of the Pyramid Arts Centre in Warrington's Cultural Quarter, Cheshire, England. Photographed beneath a bright blue sky with scattered white cloud, the artwork creates a distinctive visual landmark within the town centre's principal arts and entertainment district.
The detailed mural brings together an imaginative mixture of people, animals, architecture, stage imagery and geometric forms. Figures appear to perform, create and interact across the composition, while painted theatrical curtains, musicians, dancers and stylised urban scenes reflect the building's association with drama, music, performance and community arts. The word PYRAMID is incorporated prominently into the design, identifying the cultural venue and connecting the artwork directly with its surroundings.
Painted across a tall Victorian-style brick elevation, the mural contrasts strongly with the traditional red-brick architecture and prominent chimney stacks of the building. Shades of turquoise, purple, red, pink, grey and cream combine to produce a busy visual narrative that rewards closer inspection. Its scale allows the picture to be seen from surrounding streets and helps announce the entrance to Warrington's established cultural district.
Pyramid Arts Centre stands near Parr Hall and Warrington Museum and Art Gallery around Palmyra Square. Together, these venues form the heart of Warrington's Cultural Quarter and provide exhibitions, theatre, live music, comedy, workshops and other creative activities. The exterior artwork therefore acts both as decorative street art and as a representation of the performing and visual arts available within the area.
The image records an example of large-scale civic artwork used to enliven a town-centre building, strengthen local identity and encourage cultural tourism. It also illustrates creative placemaking, architectural reuse and the contribution made by public art to the character of establi
Pyramid Arts Centre, Palmyra Square South, Warrington, Cheshire, North West England, UK, WA1 1BL
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,FK2 7ZT,reflection,reflections,Falkirk Kelpies,horse,sculptures,steel,heads,iconic,Scottish,landmark,tourist,attraction,public art monument,equine,visitor,destination,canal side,monumental,artwork,head,dramatic storm clouds,reflection in puddle,giant steel sculptures,modern Scottish icon,family day out,UK short break,Central Belt tourism,travel photography,outdoor sculpture park,heritage and tourism,engineering meets art,horse inspired artwork,weekend trip Scotland,Falkirk attractions,Scottish folklore,mythical water horse
Description: Tony Smith image Alamy 3F3F04F - Atmospheric view of the Kelpies at The Helix near Falkirk and Grangemouth in central Scotland. The pair of monumental horse head sculptures rise above the surrounding parkland under dark, dramatic clouds, while rainwater in the foreground creates a reflective pool that echoes their distinctive outline. The image captures both the scale of the artwork and the shifting Scottish weather, giving the famous landmark an impressive and moody presence.
Designed by sculptor Andy Scott and opened in 2013, the Kelpies stand around 30 metres high and are among Scotland's best-known contemporary public artworks. The sculptures are modelled on Clydesdale horses and were created to celebrate the strength, endurance and contribution of working horses to Scottish industry, agriculture, transport and canal history. Their name comes from the kelpie, the shape-shifting water spirit of Scottish folklore, linking myth with the waterways and wetland setting of The Helix.
Located between Falkirk and Grangemouth, beside the Forth and Clyde Canal, the Kelpies form the centrepiece of a wider regeneration and leisure landscape that includes paths, open green space and visitor facilities. Since opening, they have become a major Scottish tourist attraction, drawing visitors for sightseeing, photography, family days out and short breaks. The close-cropped composition, dark sky and water reflection emphasise the sculptures' steel-clad surfaces, muscular form and striking architectural character. The photograph works well for themes including Scottish tourism, iconic landmarks, public art, engineering-inspired design, horse sculpture, visitor attractions and atmospheric travel imagery. As one of the most recognisable sights in central Scotland, the Kelpies are regularly used to represent Falkirk, modern Scottish culture and successful post-industrial regeneration.
The Kelpies, Helix park, Falkirk, Scotland, FK2 7ZT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,UK,BL1,English,TV,television,personality,statue,art,artwork,backstreet mechanic,famous,chimney,felling,industry,industrial,age,mills,revered son,of,1938-2004,2004,Jane Robbins,sculpture,working,class,kind,bloke,northern,north west,Fred,Dibnar,Dibner
Description: Tony Smith image Alamy 2K0WRK9 - Frederick Travis Dibnah, MBE (29 April 1938 “ 6 November 2004) was an English steeplejack and television personality, with a keen interest in mechanical engineering, who described himself as a backstreet mechanic
After his National Service, once demobilised, he returned to steeplejacking but met with limited success until he was asked to repair Bolton's parish church. The resulting publicity provided a boost to his business, ensuring he was almost never out of work
In 1978, while making repairs to Bolton Town Hall, Dibnah was filmed by a regional BBC news crew. The BBC then commissioned a documentary, which followed the rough-hewn steeplejack as he worked on chimneys, interacted with his family and talked about his favourite hobby - steam
The massive statue of steeplejack Fred Dibnah has been crafted by a Shropshire, Shrewsbury artist to stand in the centre of the star's home town of Bolton.Jane Robbins won the 2008 commission for the statue. Its set in bronze and shows Fred holding a lightning conductor on one of his trademark chimneys
Jane, who lives in Church Stretton and works out of a studio in Abbey Foregate, Shrewsbury, has finished crafting an 8ft tall clay statue of Fred.
It will be taken from her studio in pieces on Monday, before a lighter wax replica is created and cast in bronze at Castle Fine Art Gallery, near Oswestry
Bolton, Greater Manchester, Lancashire, England, UK, BL1
Description
Keywords: Liverpool,Old Haymarket,LFC,Anfield,St Johns Gardens,remembrance,GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,L1,L1 6ER,disaster,bronze,artwork,football,club,soccer,relief,the,dead,tragedy,deaths,we will,remember,them,frieze,names,of,memory,stadium,match,Scousers,crest
Description: Tony Smith image Alamy 2RJ3YPF - The Hillsborough Monument Memorial - Sculptor's Notes more at https://liverpoolsculptures.co.uk/the-hillsborough-monument-memorial/
The Hillsborough monument was comissioned by the Hillsborough Justice Campaign and sculpted by Tom Murphy.
Background: A young girl asked her Father, where is the Hillsborough Memorial? She was told: ˜There is one in Anfield.' She said: ˜Why can't we have one in the city centre for everyone to see.' This simple question was the catalyst for this monument
The monument is circular with a raised design in low relief. The imagery shows an imaginary place,which is meant to guide our thoughts of remembrance and all that has happened since the tragedy
The people depicted in the design are ˜the guardians of the memory', or ˜people like us' Their purpose is symbolic and other figures represent justice, hope and loss. The setting is a beautiful and quiet place, which may help us to think about the characters and individual personalities of those who died. The people who passed away are represented by the birds who fly freely throughout the work.
We reflect and empathise with those who died while considering the people they were, and might have been, were it not for the disaster
Description of the raised relief on the maquette
The design begins with two large tablets that list the names those who died. A dedication and information plaque is situated between the tablets of names with a poem, written especially for the moument, by David Charters (journalist and author). Immediately above the central dedication is a wreath of spring flowers. This reminds us of the season and number of victims who died. A Liver Bird stands guard. Below the information plaque is a rail of football scarves from differing clubs signifying the way football fans responded nationally in the days after the disaster. Around the top rim of the monument is the proclamation: ˜HILLSBOROUGH DISASTER. WE WILL REMEMBER THEM.'.
St John's Gardens,, Old Haymarket, Liverpool , Merseyside, England, UK, L1 6ER
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Bury,England,UK,Chips@No8,M25,murals,music,musicians,bands,mural,on,at,of,chippy,fish and chip,shop,fish & chip,art,artwork,artist,painting,painted,smokes,cigarettes,building,Prestwich Arts Festival,giant,village,centre,Akse P19,Akse,P19,AkseP19,obesity,MES
Description: Tony Smith image Alamy 2RGPNA3 - Large mural of Mark E Smith, frontman of The Fall, painted on the gable end of Chips at No8 on Clifton Road in Prestwich, Greater Manchester. The wider street view shows the famous portrait beside the blue frontage of the independent fish and chip shop, with visible signage for Chips@No.8, fish and chips, take away and eat in. Smith is shown in a white open neck shirt and dark jacket with a cigarette, a confrontational and instantly recognisable image that reflects the abrasive wit and cult presence of one of British post-punk's most uncompromising performers. The mural was created by street artist Akse P19 for Prestwich Arts Festival in 2018 after Smith's death, and was reported as a six metre painting on the side of the local chippy. Pitchfork also reported that the mural was based on a photograph by Alex Whitton. The Fall emerged from Prestwich and Greater Manchester in the late 1970s, building a fierce reputation through jagged repetition, literary bite, dry northern humour and Smith's unmistakable vocal delivery. The setting matters because this is not a formal monument in a gallery or civic square, but a music icon painted on a working chippy in a local high street environment. The image is useful for editorial stories about Manchester music heritage, The Fall, Mark E Smith, post-punk, fan pilgrimage, public art, grassroots culture, Prestwich identity, independent businesses and the role of murals in preserving local memory. Details such as the red brick shop, blue fascia, rendered side wall, flue pipe, overhead wires, drainpipe, clear blue sky and strong sunshine place the artwork firmly in an everyday northern street scene. The photograph also works for wider coverage of music tourism, urban art, cultural landmarks, British alternative rock, working class creativity and the way ordinary local businesses become points of pilgrimage for fans.
8 Clifton Road, Prestwich, Bury, Manchester, England, UK, M25 3HQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,Yorkshire,England,UK,sea front,Lonsdale,steel,metal,sculpture,for,a,High Tide,In,Scarborough Borough Council,A High Tide In Short Wellies,in,Short Wellies,wellies,wellington,boots,art,artwork,artworks,Yorks,contemplating,the,end,of,Fileys,fishing,industry,Coble Landing,Seafront Sculpture Trail,trail,YO14 9LW,YO14
Description: Tony Smith image Alamy 2RD23T4 - . Steel sculpture for Filey - A High Tide In Short Wellies, by artist Ray Lonsdale, The Beach Rd, Filey, North Yorkshire, England, UK, YO14 9LW. Photographed on 25 September 2022. A larger than life 12 feet weathering steel figure of a fisherman holding a fishing rod whilst gazing out to sea. At his feet is a fish wrapped in paper. Ray Lonsdale's A High Tide in Short Wellies is a larger-than-life weathering-steel fisherman, about 12 feet high, installed at Filey's Coble Landing. The figure looks towards the North Sea with a fishing rod, while a wrapped fish at his feet refers to the town's fishing tradition and the decline of the old inshore industry. The sculpture is both public art and an interpretation of Filey's working maritime past, using rust-coloured steel that weathers naturally in the coastal environment. The historical context is that art in public and historic settings adds another layer to the built environment
Sculpture, mosaic, painting and street art can interpret heritage, provoke debate, memorialise communities or create landmarks, and images preserve works that may later change or disappear. Looking at the subject's development, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a specific moment
Repeated views can later become valuable evidence of development, environmental change and shifting patterns of use. From a heritage perspective, popular destinations are shaped by repeated waves of visitors, transport investment and changing ideas of leisure
Beaches, resorts, historic streets and attractions can therefore be read as both travel imagery and social history. The subject remains topical in 2026 because contemporary interest in public art is closely linked to regeneration and cultural tourism. Other closely matched search terms include mural, artwork, visual culture, cultural identity, place-making, community art, and urban art.
The Beach Rd, Filey, North Yorkshire, England, UK, YO14 9LW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Northern Ireland,UK,centre,walled,moural,girls,comedy,show,series,C4,channel,four,channel4,Ulster,BT48 6EG,BT48,art,tourism,NW,North West,Orchard St,artwork,UVArts,18,Badgers Bar,Lisa McGee,Elizabeth McGee,city,uniforms,Catholic,school,Catholics,Erin Orla Clare michelle James
Description: Tony Smith image Alamy 2RD738X - Derry Girls is a British teen sitcom, created and written by Lisa McGee, that premiered on 4 January 2018 on Channel 4 and ran for three series. The channel's most successful comedy since Father Ted, the series was inspired by McGee's own experiences growing up in Derry, Northern Ireland, in the 1990s, during the final years of the Troubles. It stars Saoirse-Monica Jackson, Louisa Harland, Nicola Coughlan, Jamie-Lee O'Donnell, and Dylan Llewellyn as five teenagers living in mid-1990s Derry while attending Our Lady Immaculate College, a fictional girls' Catholic secondary school based on the real-life Thornhill College, where McGee herself studied. Produced by British production company Hat Trick Productions, Derry Girls is filmed in Northern Ireland, with most scenes shot on location in Derry and some in Belfast.
Although the plot lines of Derry Girls are fictional, the series frequently references actual events of the Troubles and the Northern Ireland peace process, including the 1994 IRA ceasefire announcement, the 1995 visit to Northern Ireland of President Bill Clinton and First Lady Hillary Clinton, and the Good Friday referendum of 1998. Archival
Derry Girls has inspired a mural of its main characters painted on the side of Badgers Bar and Restaurant at 18 Orchard Street, Derry, which has become a popular tourist attraction.
18 Orchard St, Derry, Londonderry, Ulster, Northern Ireland, UK, BT48 6EG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,cold cathode,cold-cathode,lights,lighting,tube,tubes,love,in love,love me,come,and,display,design,lit,light,night,romance,romantic,art,artwork,warmth,warm,couple,couples,happy,day,Valentine,Valentines,lover,celebration,feeling,passion,passionate,dates,dating
Description: Tony Smith image Alamy 2RADT19 - . Love - baby it lights my fire, neon on a red background. Photographed on 21 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. Key searchable subjects associated with the scene include cold cathode, cold-cathode, lights, lighting, tube, tubes, love, in love, love me, come, display, design, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include lit, light, night, romance, romantic, art, broadening discoverability while remaining tied to the supplied subject information. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,Lancs,Lancashire,concrete,architecture,brutalist,architects,1970s,meeting rooms,fascia,The fascia is graced by a grand cast concrete relief,community interest company,LoveLeigh,WN7 1EB,WN7,Turnpike Centre,Civic Square,Market Street WN7 1EB,Market Street,Leigh,UK,block,art,artwork,70s,sunny,blue sky,blue skies,public,in,the,Leigh Art
Description: Tony Smith image Alamy 2JH06NN - . Concrete artwork, Leigh Turnpike Centre Library - J C Prestwich and Sons architects, Turnpike Centre, Civic Square, Market Street WN7 1EB. Photographed on 13 July 2022. The recorded location is Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB. Looking at the subject's development, historic library buildings and everyday service scenes document changing ideas about public education and access to knowledge
Even small branches can play an important social role beyond book lending. Historically, public art can become part of the identity of a street or neighbourhood, recording political ideas, local history, humour, memory and evolving cultural tastes
Murals, sculpture and decorative art are especially valuable as documentary subjects because they may be altered, moved, weathered or removed. The historical context is that retail premises reveal the evolution of high streets and town centres: independent shops, markets, bakeries, butchers and larger chains respond continually to changing tastes, rents, competition and shopping habits
Photographs can preserve businesses and shopfronts that later disappear. For the 2026 context, libraries continue to evolve as community hubs offering digital access, study, events and support alongside books
Funding pressures and volunteer involvement remain important issues, making older photographs useful for examining changes in local public services. In 2026, contemporary interest in public art is closely linked to regeneration and cultural tourism. murals and sculpture continue to be used to express identity and animate public space, while redevelopment can make photographic records of earlier works increasingly valuable. Further editorial search language includes public library, library service, learning, information access, librarian, local services, digital inclusion, civic building, community library, reading, street art, visual culture, cultural identity, place-making, and community art.
Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,Ireland,patron,Red Action,wide,pano,panorama,crowd,Mayor,Warrington mayoress,River of Life memorial,River of Life,NI troubles,troubles
Description: Tony Smith image Alamy 2PBE6RT - . Photographed at Bridge Street, Warrington, Cheshire, England, UK, WA1 2HE in 2023, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The frame specifically shows St Patricks Day parade 2023 by the local Irish Community, Bridge Street Warrington, Cheshire, England, UK, WA1 to the IRA bombing memorial. Further facets of the scene include social history, contemporary social history, Irish diaspora, changing land use, Irish social history, Irish community culture, visual archive, before-and-after reference, Irish heritage, civic procession, archival record, regional identity, Irish-British history, and diaspora celebration. Viewed from the mid-2020s, the subject also connects with cultural celebration, diaspora identity and how Irish cultural events connect migration history with contemporary civic life. Future viewers can use this scene from Bridge Street, Warrington, Cheshire, England, UK, WA1 2HE to compare commercial use and occupation with whatever follows after later reinterpretation. The surrounding story also includes everyday life, changing streetscape, historical comparison, period detail, St Patrick's Day tradition, documentary photography, public commemoration, and place identity. The combination of parade, Patricks, memorial, Community, and Irish anchors the frame to a recognisable activity, place or moment. A later view of Bridge Street, Warrington, Cheshire, England, UK, WA1 2HE may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes cultural celebration and how diaspora communities sustain national traditions in British towns without losing the local specificity of Bridge Street, Warrington, Cheshire, England, UK, WA1 2HE. It also preserves period character before later change alters the scene.
Bridge Street, Warrington, Cheshire, England, UK, WA1 2HE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bomb,terrorist,St,Paddy,celebration,remembrance,saint,march,parade,2023,by,the,local,Irish,Community,river of life,artwork,fountain,Cheshire,England,UK,WA1,to,IRA,bombing,memorial,flag,Ireland,patron,carry,carries,WA1 2QW,St Patrick
Description: Tony Smith image Alamy 2PBE7B4 - . This location-specific image from 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The defining feature is St Patricks Day parade 2023 by the local Irish Community, Bridge Street Warrington, Cheshire, England, UK, WA1 to the IRA bombing memorial. Further facets of the scene include St Patrick's Day tradition, regional identity, community identity, Irish-British history, place identity, Irish community culture, visual archive, social history, changing streetscape, contemporary social history, archival record, diaspora celebration, local character, and local history. Viewed from the mid-2020s, the subject also connects with cultural celebration, public remembrance and how Irish cultural events connect migration history with contemporary civic life. The archival value lies partly in recording landscape treatment and surrounding development around 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW before new ownership alters the character of the place. A second descriptive layer includes public commemoration, period detail, civic procession, public realm, Irish heritage, Irish cultural identity, before-and-after reference, and everyday life. Details involving parade, Patricks, bombing, memorial, and Irish make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another useful connection is cultural celebration and the role of annual parades in maintaining community identity within the specific setting of 16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW. That local specificity strengthens the long-term documentary value of image 2PBE7B4.
16 Bridge Street, Warrington, Cheshire, England, UK, WA1 2QW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Fab4,Fab 4,the,Sir,art,artwork,painting,portrait,of,L2,L2 6RE,fifth,famous,EMI,Sgt Peppers,Lonely Hearts Club Band,Matthew Street,George Martin,Beatle,Beatles,5th,record producer,music,arranger,composer,conductor,musician,record,producers,responsible,assisted
Description: Tony Smith image Alamy 2P6JJF6 - Sir George Henry Martin CBE (3 January 1926 “ 8 March 2016) was an English record producer, arranger, composer, conductor, and musician. He was commonly referred to as the Fifth Beatle because of his extensive involvement in each of the Beatles' original albums. AllMusic has described him as the world's most famous record producer. Martin's formal musical expertise and interest in novel recording practices complemented the Beatles' rudimentary musical education and relentless quest for new musical sounds to record. Most of the Beatles' orchestral arrangements and instrumentation were written or performed by Martin, and he played piano or keyboards on a number of their records. Martin's collaboration with the Beatles resulted in popular, highly acclaimed records with innovative sounds, such as the 1967 album Sgt. Pepper's Lonely Hearts Club Band”the first rock album to win a Grammy Award for Album of the Year.
Martin's career spanned more than six decades in music, film, television and live performance. Before working with the Beatles and other pop musicians, he produced comedy and novelty records in the 1950s and early 1960s as the head of EMI's Parlophone label, working with Peter Sellers, Spike Milligan and Bernard Cribbins, among others. His work with other Liverpool rock groups in the early“mid 1960s helped popularize the Merseybeat sound. In 1965, he left EMI and formed his own production company, Associated Independent Recording.
Mathew Street, Cavern Walks, Liverpool, Merseyside, England, UK, L2 6RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,canals,boat,barge,narrowboat,waterway,transport,Vale of Llangollen,Trevor,Llangollen,Wales,UK,Vale of Llangollen Canal,canal,track,railway,art,work,artwork,from,stone,beside,the,and,cast,iron,metal,mine,working,waggon,rail,tracks,chain,chains,Cymru
Description: Tony Smith image Alamy 2JRAHWW - . Recorded at Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on Art work from stone and cast iron mine working waggon and rails, Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP. The wider scene also brings together rail corridor, inland transport history, canal heritage, industrial stock-photo/gotonysmith-Waterway.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>waterway history, documentary photography, local history, trackside history, waterway conservation, rail transport history, working railway heritage, signal-box architecture, social history, changing land use, and before-and-after reference. The wider contemporary story combines waterway maintenance, biodiversity and how museum collections preserve working waterway history. Viewed from the mid-2020s, the subject also connects with signalling technology, decarbonisation and how Crewe's identity remains tied to railway engineering and operations. The image fixes commercial use and occupation within Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP at one identifiable point, providing a benchmark against changing commercial priorities. The location also brings in community identity, heritage boating, place identity, period detail, boat museum collection, public realm, historic rolling stock, and freight wagon. The combination of Trevor, stone, rails, Llangollen, and Wales anchors the frame to a recognisable activity, place or moment. The wider setting at Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes waterway maintenance and the value of canals as both historic infrastructure and blue-green corridors within the specific setting of Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP.
Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,street,art,artwork,steel,aluminium,metal,figure,playing,a,8,N,North,Dublin,D07 X704,attached,to,brick,wall,building,Irish,artist,sculpture,stainless steel,centre,sights,vibe,atmosphere,buildings,urban,architecture
Description: Tony Smith image Alamy 2M84JGM - . Photographed at the recorded location in 2019, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The location is represented through Metal art, figure playing a flute, attached to a brick wall, 8 King St N, Dublin, D07 X704, Eire, Ireland. The image also relates to traditional materials, street-level design, heritage asset, social history, heritage landmark, community identity, documentary photography, community art, street creativity, visual street culture, regional identity, architectural detailing, architectural character, and public-realm art. From a 2025-onward perspective, public art and regeneration are closely linked to this subject, alongside the blurred boundary between commissioned public art and graffiti. The wider contemporary story combines adaptive reuse, heritage conservation and keeping older buildings useful without erasing their character. The archival value lies partly in recording commercial use and occupation around the recorded location before refurbishment alters the character of the place. The location also brings in before-and-after reference, period architecture, local character, built heritage, changing land use, mural culture, period detail, and creative placemaking. Details involving playing, Metal, attached, Ireland, and Dublin make the image more specific than a generic view and strengthen its local or historical value. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate public art and how temporary street art can become an important visual archive as part of the longer story of the recorded location. The image also provides a reference for tourism and the value of architectural landmarks to local identity when considered against later change at the recorded location.
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,HotpixUK,south,Cheshire,England,UK,ward,wood,person,child,hooded,art,artwork,the,village,WA4,WA4 2SJ,rural,countryside,farming,statue,wooden,Carved,Grappenhall,off Broad Lane,Broad Lane,the Mersey Forest,Mersey Forest,explore woods,Woods on Your Doorstep,female figure holding a ball,holding a ball,female carving,female figure,Grappenhall Heys,North West England,South Warrington,hotpix.org.uk
Description: Tony Smith image Alamy 2JCMKCE - . Recorded at the recorded location in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is Wooden carved figure, Broad Lane, Grappenhall village, south Warrington, Cheshire, England, UK, WA4. Another layer of the photograph includes public realm, historical comparison, community healthcare, social landscape, community identity, clinical environment, local history, changing streetscape, regional identity, place identity, city-centre activity, medical wayfinding, care-sector development, and street-level documentary. The wider contemporary story combines NHS funding, social-care staffing and how ageing populations increase demand for care facilities. Viewed from the mid-2020s, the subject also connects with community use, street safety and the documentary importance of recording everyday urban environments. The archival value lies partly in recording materials and architectural details around the recorded location before changing commercial priorities alters the character of the place. Other useful contextual ideas include health-service capacity, health infrastructure, urban change, contemporary city life, townscape record, community life, documentary photography, and clinical services. The recorded references to Broad, Grappenhall, Wooden, carved, and figure preserve clues about how the subject was presented, used or understood at the time. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is NHS funding and how ageing populations increase demand for care facilities within the real-world context of the recorded location. The wider significance includes footfall and the documentary importance of recording everyday urban environments within the specific setting of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,poster,banner,art,artwork,The Unfurlings,the,unfurling,unfurlings,banners,for,hope,and,change,created,by,dementia,Bradford,West Yorkshire,England,UK,Yorkshire,2022,Photography,memory,creativity,camera,2017,SLR,Dementia,blue,mills,creation,flag,flags,artworks,colourful,colour
Description: Tony Smith image Alamy 2JTNA1B - Let us celebrate the gradual opening
Of a banner taking its place in the world
A long unravelling and a fine unwinding,
Like a flower unwrapping itself from itself,
A parcel of thinking softly untying
Or an origami of ideas hugely unfolding
As, caught by the breeze, image and language
Spread their twin messages into the air.
Ian McMillan
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,poster,banner,art,artwork,The Unfurlings,the,unfurlings,banners,for,hope,and,change,created,by,dementia,Bradford,West Yorkshire,England,UK,Yorkshire,2022,green,red,white rose,Dementia,creation,flag,flags,artworks,colourful,colour,celebrating,celebration
Description: Tony Smith image Alamy 2JTNA1D - Let us celebrate the gradual opening
Of a banner taking its place in the world
A long unravelling and a fine unwinding,
Like a flower unwrapping itself from itself,
A parcel of thinking softly untying
Or an origami of ideas hugely unfolding
As, caught by the breeze, image and language
Spread their twin messages into the air.
Ian McMillan
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,poster,banner,art,artwork,The Unfurlings,the,unfurling,unfurlings,banners,for,hope,and,change,created,by,dementia,Bradford,West Yorkshire,England,UK,Yorkshire,2022,red,Dementia,creation,flag,flags,artworks,colourful,colour,celebrating,celebration,empowerment,esta,2017
Description: Tony Smith image Alamy 2JTNA1E - Let us celebrate the gradual opening
Of a banner taking its place in the world
A long unravelling and a fine unwinding,
Like a flower unwrapping itself from itself,
A parcel of thinking softly untying
Or an origami of ideas hugely unfolding
As, caught by the breeze, image and language
Spread their twin messages into the air.
Ian McMillan
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,poster,banner,art,artwork,The Unfurlings,the,unfurling,unfurlings,banners,for,hope,and,change,created,by,dementia,Bradford,West Yorkshire,England,UK,Yorkshire,2022,2015,yellow,Dementia,creation,flag,flags,artworks,colourful,colour,celebrating,celebration
Description: Tony Smith image Alamy 2JTNA1G - Let us celebrate the gradual opening
Of a banner taking its place in the world
A long unravelling and a fine unwinding,
Like a flower unwrapping itself from itself,
A parcel of thinking softly untying
Or an origami of ideas hugely unfolding
As, caught by the breeze, image and language
Spread their twin messages into the air.
Ian McMillan
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,poster,banner,art,artwork,The Unfurlings,the,unfurling,unfurlings,banners,for,hope,and,change,created,by,dementia,Bradford,West Yorkshire,England,UK,Yorkshire,2022,standing,together,growing,a,the new seasiders,pathfinders,Swale,Creating a dementia friendly community,East Kent Forget-Me-Nots,white,Dementia
Description: Tony Smith image Alamy 2JTNA1M - Let us celebrate the gradual opening
Of a banner taking its place in the world
A long unravelling and a fine unwinding,
Like a flower unwrapping itself from itself,
A parcel of thinking softly untying
Or an origami of ideas hugely unfolding
As, caught by the breeze, image and language
Spread their twin messages into the air.
Ian McMillan
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L3 9BP,building,architecture,office,art,artwork,by,Broadbent Studio,Broadbent,Studio,2006,Beetham Organisation,Beetham,Organisation,artist,artists,works,of,faces,life,city,centre,business,district,offices,steel,rust,rusty,rusting,sunny,blue sky,rotating,ring
Description: Tony Smith image Alamy 2MGWK0Y - Connections - Face of Liverpool
NAME : Connections - Face of Liverpool DATE : 2006 CLIENT : Beetham Organisation LOCATION : Liverpool PARTNERS : Landscape Architect: BCA Landscape, Designers: Smiling Wolf, PR Agency: Leapfrog PHOTOGRAPHER : Guy Woodland MANUFACTURE PARTNERS: Main Contractor: Carillion, Timber: Eves Joinery, Concrete: Evans Concrete.
Old Hall St, Llverpool, city, centre, Merseyside, England, UK, L3 9BP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,boozer,Temple Bar,Temple Lane South,Dublin 2,exterior,bars,pubs,famous,D02 N725,47-48,47-48 Temple Bar,art,artwork,Dublin2,man,male,icon,iconic,Bill,William,Sir,bronze,metal,outside,profile,view,in profile,in,the
Description: Tony Smith image Alamy 2MCGAW9 - William Temple was born the son of the Leicestershire man Anthony Temple, whose family name was said to descend from the Knight Templars, a once powerful monastic order during the Crusades, but which was outlawed by Pope Clement V. The rituals and the secrets of the order survived and many of the Knight Templars families came to prominence in 16th-century England when Protestantism was embraced. He was educated at Eton College and passed with a scholarship to King's College, Cambridge, in 1573. In 1576 he was elected a fellow of King's, and graduated with a B.A. in 1577“8 and M.A. in philosophy in 1581. He became Master of Lincoln Grammar School that same year. Though originally destined for the law, he became a tutor in logic at his college. In his logic readings, wrote a pupil, Anthony Wotton, in his Runne from Rome (1624), he always laboured to fit his pupils for the true use of that art rather than for vain and idle speculations. He accepted with enthusiasm the logical methods and views of Petrus Ramus, and became the most active champion of the Ramists in England.
William Temple's first sight of Ireland came as he landed at Howth in April 1599 to take up his position as secretary to the new lord lieutenant, Robert Devereux, and 2nd Earl of Essex. It was a baptism of fire as their first great task was to suppress a major rebellion of the native Irish tribes who had now united with the Anglo-Normans. While Essex campaigned around the country, Temple stayed behind in Dublin that summer relaying news of military deployment and successes to the Royal Court, Essex, once Elizabeth's most trusted confidant and intimate advisor, now became the unappreciated and maligned viceroy falling foul of the ageing queen. Both he and William Temple were ignominiously recalled to London that same autumn.
47-48 Temple Bar, Dublin 2, D02 N725, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,Molly Malone,Malone,by,Jeanne,Rynhart,large,chest,breast,breasts,voluptuous,woman,lady,wench,girl,hussy,urban,centre,legend,art,artwork,revealing,Mary Malone,heroine,song,music,Georgian Quarter,History,historic,Cockles and Mussels,lyrics,folk ballad,cart,The Tart With The Cart
Description: Tony Smith image Alamy 2M8DJJM - Molly Malone is the enigmatic heroine of the famous song of the same name, widely recognised as Dublin's unofficial anthem. Immortalised in bronze during the 1988 Dublin Millennium celebrations, the Molly Malone statue stands in the heart of the city's historic Georgian Quarter. Though regularly upheld as a traditional Irish ballad, it's not known where the song originated or if Molly Malone ever existed
According to the lyrics of the undeniably catchy tune “ also known as Cockles and Mussels “ Molly was a young and beautiful fishmonger who sold her yield from a cart on the streets of Dublin. The song's final verse states that after she died of a fever, she began haunting the city.
Although set in Ireland's capital and beloved by many Dubliners, the song was originally published in the USA in 1876. While this version might be based on an older Irish folk ballad, cultural academics have argued that the melody and tragicomic lyrics are more akin to the music-hall style that was popular in Britain during the Victorian era. Indeed, in 1884, a version attributed to the Scottish composer James Yorkston was published in London.
To complicate matters further, in 2010, an earlier mention of Molly Malone was found in an 18th-century book of songs called Apollo's Medley, printed in England in 1790. This more risqué version describes Molly as living in Howth, a fishing village northeast of Dublin. It recounts the singer's yearning to share her bed, contributing to widespread speculation that the song's leading lady worked as both a street vendor and a prostitute.
Created by the Irish sculptor Jeanne Rynhart, the statue depicts Molly in traditional but revealing 17th-century dress, hinting at her supposed job as a part-time prostitute and leading the bronze figure to be colloquially christened The Tart with the Cart.
Suffolk St, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,Molly Malone,Malone,by,Jeanne,Rynhart,large,chest,breast,breasts,voluptuous,woman,lady,wench,girl,hussy,urban,centre,legend,art,artwork,revealing,Mary Malone,heroine,song,music,Georgian Quarter,History,historic,Cockles and Mussels,lyrics,folk ballad,cart,The Tart With The Cart
Description: Tony Smith image Alamy 2M8DJJX - Molly Malone is the enigmatic heroine of the famous song of the same name, widely recognised as Dublin's unofficial anthem. Immortalised in bronze during the 1988 Dublin Millennium celebrations, the Molly Malone statue stands in the heart of the city's historic Georgian Quarter. Though regularly upheld as a traditional Irish ballad, it's not known where the song originated or if Molly Malone ever existed
According to the lyrics of the undeniably catchy tune “ also known as Cockles and Mussels “ Molly was a young and beautiful fishmonger who sold her yield from a cart on the streets of Dublin. The song's final verse states that after she died of a fever, she began haunting the city.
Although set in Ireland's capital and beloved by many Dubliners, the song was originally published in the USA in 1876. While this version might be based on an older Irish folk ballad, cultural academics have argued that the melody and tragicomic lyrics are more akin to the music-hall style that was popular in Britain during the Victorian era. Indeed, in 1884, a version attributed to the Scottish composer James Yorkston was published in London.
To complicate matters further, in 2010, an earlier mention of Molly Malone was found in an 18th-century book of songs called Apollo's Medley, printed in England in 1790. This more risqué version describes Molly as living in Howth, a fishing village northeast of Dublin. It recounts the singer's yearning to share her bed, contributing to widespread speculation that the song's leading lady worked as both a street vendor and a prostitute.
Created by the Irish sculptor Jeanne Rynhart, the statue depicts Molly in traditional but revealing 17th-century dress, hinting at her supposed job as a part-time prostitute and leading the bronze figure to be colloquially christened The Tart with the Cart.
Suffolk St, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Taunton,England,art,artwork,and,work,2017,mural,Theatre,venue,40th,birthday,film and theatre,film,skull,from,Hamlet,Tommy Cooper,fez,a,conductor,singers,Charlie Chaplin,artist,artists,artscene,scene,South West,Tom,Jack,painting,theatre
Description: Tony Smith image Alamy 2K3XN90 - Read more at https://www.somersetcountygazette.co.uk/news/15432401.the-paint-has-dried-on-a-mural-entitled-perchance-to-dream-to-celebrate-the-brewhouse-theatres-40th-birthday/
The paint has dried on a mural entitled Perchance to Dream to celebrate the Brewhouse Theatre's 40th birthday
After one week the specially commissioned mural on the side of the Brewhouse Theatre and Arts Centre finishes today, Tuesday, July 25.
The curtain will come down on Tom Sledmore and Jack Tierney's work as they have completed the brief given to them by the theatre.
The mural has been painted as part of the Brewhouse's 40th birthday and it shows all the different aspects of theatre and theatre at the Brewhouse.
The mural depicts different elements of film and theatre such as the skull from Hamlet, Tommy Cooper's fez, a conductor, singers, Charlie Chaplin, a child watching a performance and even an astronaut who comes from the film Space Odessy 2001.
For both Tom and Jack this has been one of their biggest jobs and one of the most interesting.
Coal Orchard, Taunton, Somerset, England ,TA1 1JL
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,UK,Warrington,Cheshire,England,store,Golden Square,WA1,band,used,vintage,pre-loved,secondhand,second-hand,irony,ironic,old,1970,1960s,art,artwork,home,95,The Mall,WA1 1QE,dubious,bad taste,Kitsch,JH Lynch,Joseph Henry Lynch,British,70s,80s,kitsch,copies,cheap,wall,prints
Description: Tony Smith image Alamy 2M3JBA9 - . This authentic period view of 95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The principal subject is Old 1970s mass-produced paintings , in bad taste, for irony, in the Vintage Viola shop, Warrington Golden Square, England. Other connected aspects include regional identity, customer footfall, changing streetscape, historical comparison, changing land use, specialist retailer, before-and-after reference, local character, high-street commerce, bricks-and-mortar retail, period detail, street-level business, archival record, and small business. In present-day coverage, the subject reaches into commercial rents and town-centre regeneration, not least because of how commercial property costs affect small retailers. Future viewers can use this scene from 95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE to compare street furniture and boundaries with whatever follows after redevelopment. The location also brings in commercial frontage, social history, specialist shop, visual archive, contemporary social history, shopfront economy, everyday life, and town-centre trading. The combination of irony, Vintage, paintings, Golden, and Viola anchors the frame to a recognisable activity, place or moment. For 95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another useful connection is commercial rents and how commercial property costs affect small retailers within the specific setting of 95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE. The scene captures evidence of earlier appearance as part of 95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE's history.
95, The Mall, Golden Square, Warrington, Cheshire, England, UK, WA1 1QE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,new,art,painting,artwork,The Beatles,gable,end,of,L18,icons,guitar,Merseybeat,Merseyside,1960s,building,shop,centre,street,large,big,Scouse,Scouser,There beneath the blue suburban skies,fresh from,Hamburg,PennyLane,JohnLennon,paulmccartney,Penny,Lane,work,works,Penny Lane,pennylane
Description: Tony Smith image Alamy 2K0KPR1 - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the Lennon“McCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Penny Lane, Moseley Hill, South Liverpool, Merseyside, England, UK, L18 1DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,town,centre,Cheshire,England,UK,WA1,buses,borough,council,WBC,transport,WA2,integrated,Warringtons Own,bus,Culture Warrington,art,artist,artwork,portraits,As you are now so once were we,window,entrance,people,of,James Joyces,novel,Ullyses,Warrington BID,BID,funding,Arts Council England,pride
Description: Tony Smith image Alamy 2JTJYM1 - Everyday heroes honoured in Warrington bus station art
A visionary young artist has created a buzz around Warrington with a jaw-dropping display created to celebrate the relationship between the town and its people.
Warrington artist Cameron Brown has transformed Warrington Bus Interchange with a powerfully poignant collection of portraits.
As you are now so once were we is a thought-provoking display of 48 portraits painted onto the glass of the bus station as a touching tribute to the people of Warrington, the impact they have had on their town, and the role our town played in their lives.
Cameron explained: The aim behind the piece was to celebrate the impact that the people of Warrington can have on the town, often without realising, and to recognise the impact that the town can have on us as a collective.
It was an attempt to try and remember the people that came before, appreciate the people that are presently having an effect on the town, and to be aware of the impact we can have on what is still to come.
Taking its name from James Joyce's novel Ullyses, Cameron's work attempts to add a sense of context and belonging to our own individual lives, to encourage people to look back at what has gone before and how they have arrived in the position they find themselves in today.
Horsemarket St,Warrington, Cheshire, England, UK, WA2 7TS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,comedy duo statue 2016 in the Winter Gardens,Church street,FY1 1HL,and,British,statue,2016,in the,designed,Graham Ibbeson,by,sculpture,venue,duo,FY1,art,icons,bronzed,has,been,artist,bronze,Morecombe and Wise,artwork,comedy,artists,legends,comedian,comedians
Description: Tony Smith image Alamy 2JRFEPG - Morecambe & Wise Statue
Have you seen the Morecambe & Wise statue in the Winter Gardens, Blackpool? In 2016 it's unveiling celebrated the comedy double-acts 75th anniversary.
Morecambe and Wise are comedy classics, favourites of their time. Eric and Ernie performed in Blackpool more than 1,000 times in their career, first appearing on stage together in 1941.
During their years in Blackpool, the pair entertained hundreds of thousands of people. They played at seven theatres and six summer seasons, also enjoying a starring role in the 1955 Royal Variety Performance at the Winter Gardens.
You can see it on permanent display in the spectacular domed entrance to the Winter Gardens.
97 Church St, Blackpool,lancs, England,UK, FY1 1HL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,England,UK,FY1,FY1 1HL,art,artwork,and,comedy,duo,icons,statue,Morecombe and Wise,venue,2016,bronzed,bronze,sculpture,has,been,artist,designed,by,Graham Ibbeson,Lancashire,comedy duo statue 2016 in the Winter Gardens,Church street,British,in the,artists,legends,comedian,comedians
Description: Tony Smith image Alamy 2JRG8Y1 - Morecambe & Wise Statue
Have you seen the Morecambe & Wise statue in the Winter Gardens, Blackpool? In 2016 it's unveiling celebrated the comedy double-acts 75th anniversary.
Morecambe and Wise are comedy classics, favourites of their time. Eric and Ernie performed in Blackpool more than 1,000 times in their career, first appearing on stage together in 1941.
During their years in Blackpool, the pair entertained hundreds of thousands of people. They played at seven theatres and six summer seasons, also enjoying a starring role in the 1955 Royal Variety Performance at the Winter Gardens.
You can see it on permanent display in the spectacular domed entrance to the Winter Gardens.
97 Church St, Blackpool,lancs, England,UK, FY1 1HL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,FY1,The,pub,bar,9,FY1 5DE,Liverpool,fab4,Fab 4,John,Paul,George,Ringo,McCartney,Lennon,Harrison,Starr,nostalgia,pop,music,fab,vibe,vibes,1960,1960s,art,artwork,nightclub,club,venue,tribute,to
Description: Tony Smith image Alamy 2JRM3C5 - . An identifiable period record of 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The subject captured here is The yellow Submarine Beatles bar - 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE. The wider scene also brings together local music culture, music-themed venue, popular-music heritage, music tourism, neighbourhood drinking venue, traditional hostelry, archival record, song-inspired design, everyday life, music iconography, licensed hospitality, street-level dining, place identity, and customer-facing leisure. Today's relevance is strengthened by licensing, cultural heritage and the continuing question of the role of music heritage in attracting visitors beyond conventional attractions. From a 2025-onward perspective, hospitality costs and food inflation are closely linked to this subject, alongside how familiar pubs and restaurants shape neighbourhood identity. The image fixes commercial use and occupation within 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE at one identifiable point, providing a benchmark against conservation work. The photograph additionally reflects popular culture, Beatles memorabilia, community identity, local history, cultural branding, casual dining, contemporary social history, and regional identity. References to Blackpool, yellow, Rigby, Beatles, and Lancashire give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for licensing and how memorial benches and themed venues turn music into place-based memory as part of the longer story of 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE.
9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE
--Station-Rd-South--Padgate--Warrington--Cheshire--England--UK--WA2-0QS-2JRR06B.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,town,centre,WA2,village,Northern,trains,TOC,Station Rd South,transport,art,award,Friends of Padgate Station,community,group,station master,3D,artwork,work,artists,at,the,local,rail,railway,stations,memories,historic,history,heritage,lost,jobs,workers,skills,railwaymen
Description: Tony Smith image Alamy 2JRR06B - . This scene at Station Rd South, Padgate, Warrington, Cheshire, England, UK, WA2 0QS in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The principal subject is Padgate railway station platform station master 3D art (Northern trains), Station Rd South, Padgate, Warrington, Cheshire, England, UK, WA2 0QS. Further facets of the scene include freight wagon, commercial redevelopment, historic rolling stock, rail infrastructure, adaptive reuse, documentary photography, period architecture, before-and-after reference, industrial railway, signal-box architecture, community identity, social history, local character, and urban regeneration. In present-day coverage, the subject reaches into regional connectivity and rail reform, not least because of the contrast between mechanical railway systems and digital signalling. Today's relevance is strengthened by town-centre regeneration, housing pressure and the continuing question of the tension between preserving local character and creating modern commercial space. For later comparison, the photograph preserves period objects and surrounding context at Station Rd South, Padgate, Warrington, Cheshire, England, UK, WA2 0QS, details that may look very different after altered transport patterns. The wider setting retains connections with mechanical signalling, architectural character, period detail, public-realm investment, place identity, changing land use, built heritage, and working railway heritage. Elements such as platform, Northern, railway, Padgate, and station add documentary specificity and may become increasingly useful when compared with later records. The period setting at Station Rd South, Padgate, Warrington, Cheshire, England, UK, WA2 0QS helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object.
Station Rd South, Padgate, Warrington, Cheshire, England, UK, WA2 0QS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,UK,BL1,English,TV,television,personality,statue,art,artwork,backstreet mechanic,famous,chimney,felling,industry,industrial,age,mills,revered son,of,1938-2004,2004,Jane Robbins,sculpture,working,class,kind,bloke,northern,north west,Fred,Dibnar,Dibner
Description: Tony Smith image Alamy 2K0WRK7 - Frederick Travis Dibnah, MBE (29 April 1938 “ 6 November 2004) was an English steeplejack and television personality, with a keen interest in mechanical engineering, who described himself as a backstreet mechanic
After his National Service, once demobilised, he returned to steeplejacking but met with limited success until he was asked to repair Bolton's parish church. The resulting publicity provided a boost to his business, ensuring he was almost never out of work
In 1978, while making repairs to Bolton Town Hall, Dibnah was filmed by a regional BBC news crew. The BBC then commissioned a documentary, which followed the rough-hewn steeplejack as he worked on chimneys, interacted with his family and talked about his favourite hobby - steam
The massive statue of steeplejack Fred Dibnah has been crafted by a Shropshire, Shrewsbury artist to stand in the centre of the star's home town of Bolton.Jane Robbins won the 2008 commission for the statue. Its set in bronze and shows Fred holding a lightning conductor on one of his trademark chimneys
Jane, who lives in Church Stretton and works out of a studio in Abbey Foregate, Shrewsbury, has finished crafting an 8ft tall clay statue of Fred.
It will be taken from her studio in pieces on Monday, before a lighter wax replica is created and cast in bronze at Castle Fine Art Gallery, near Oswestry
Bolton, Greater Manchester, Lancashire, England, UK, BL1
Description
Keywords: @Hotpixuk,Hotpixuk,GotonySmith,England,UK,M1,NQ4,art,artwork,mural,painting,Manchester Northern Quarter,M1 2EG,street artist,FQM9+2Q Manchester,FQM9+2Q,JD,music,history,Manchester Music,Aitch,Philippe Carly,painted,over,new album,Close To Home,August,2022,Aitch Apologizes For Album Promo Painting Over Manchesters Ian Curtis,Aitch apologised for painting over,https,//jnews.uk/aitch-apologizes-fo,icon,iconic,man,singer,vocals,vocalist,street art
Description: Tony Smith image Alamy 2J880EP - Ian Curtis mural unveiled in the Northern Quarter ahead of mental health music festival.
A mural paying tribute to the late Ian Curtis has been unveiled in the Northern Quarter just in time for World Mental Health Day (today, Saturday 10 October)
The legendary musician, who was the lead singer and lyricist of post-punk band Joy Division, took his own life aged just 23 during a long struggle with depression.
The artwork was heartfully revealed by the late singer's former Joy Division bandmate Peter Hook (also The Light). The artist, Manchester-based Akse P19, says Ian Curtis was the perfect subject to try to create a conversation around mental health:
It was a pleasure meeting Peter Hook this week at the mural of Ian Curtis, says Akse. It's based on a photo by [photographer] Philip Pecarly.
It's hoped this striking homage to a Manchester music legend will encourage people to continue to speak out and seek help if they need it.
The brief was commissioned to launch Headstock Weekender festival “ a music and wellbeing festival taking place online this weekend “ which was originally scheduled for May.
Throughout today (Saturday) and Sunday, a programme of live performances, DJ sets, talks and wellbeing workshops are being streamed for free on the United We Stream platform.
The festival founder, Atheer Al-Salim, hopes it will help bring people together during a worrying and stressful time for those both in and out of the music industry.
More at https://ilovemanchester.com/ian-curtis-mural-manchester-mental-health
75 Port St, Manchester, England, UK, M1 2EG
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,Belfast,Irish,art,artworks,artwork,Hope,Lost,ingenuity,rd,Road,boat,ship,weld,Berlin wall,Shankill ingenuity,RMS Titanic,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM12J - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,Latchy,Cheshire,England,UK,WA4,community,local,dusk,evening,lighting,lights,well lit,safe,LatchfordPartnership,Latchford ward,suburb,residential area,Læccford,boggy-stream ford,Latchford Without,canal,canals,painting,artwork,urban art,Latchford east,Latchford Big Local Partnership,character,school,schools,village,underpass,tunnels,art
Description: Tony Smith image Alamy 2DKW7N6 - Latchford is a suburb and electoral ward of Warrington, Cheshire, England. It is around one mile south-east of Warrington town centre and has a total resident population of 7,856.
Latchford is a predominantly residential area, Latchford lies between the River Mersey and the Manchester Ship Canal, and broadly consists of 19th-century terraced housing and some open space. The canal is crossed here by a swing bridge, a high-level road bridge and the now disused Latchford railway viaduct.
Its name came from Anglo-Saxon Læccford meaning boggy-stream ford
Latchford was originally a township in the ancient parish of Grappenhall, in Cheshire. It was also part of Bucklow Hundred, and was close to the border with Lancashire.
Between 1894 and 1974, part of Latchford was placed within the County Borough of Warrington, and the registration county of Lancashire, whilst the rest of Latchford became a civil parish named Latchford Without and was transferred to Lancashire.
With the local government reforms of 1974, as part of the newly formed Cheshire borough of Warrington, Latchford was transferred back to Cheshire
Knutsford Rd,Latchford East,Warrington, Cheshire,England, UK, WA4 1JR
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Bridgwater,Somerset,SDC,Sedgemoor,Sedgemoor District Council,South West England,England,UK,South West,town,TA6,artwork,sculptor David Faulks,David Faulks,Bridgwater Guy Fawkes Carnival,Bridgwater Carnival,400th anniversary,2005,sculptor,Spirit of Carnival statue Bridgwater,The Spirit of Carnival,art,Plotter,Gunpowder Plotter Guy Fawkes,the Houses of Parliament,blow up the Houses of Parliament,lighted Bridgwater squib,Gunpowder Plot,parliament,squib cosh,blow up,TA6 3BY,Gunpowder plot,Guy Fawkes,squibbing
Description: Tony Smith image Alamy 2AFMJTW - Spirit of Carnival statue, Bridgwater
The town centre bank branch on the left is at 9 York Buildings, Cornhill, Bridgwater.
The work of sculptor David Faulks, the statue on the right was erected in 2005 by Bridgwater Guy Fawkes Carnival to mark the 400th anniversary of the Gunpowder Plot. It depicts a masquerader dressed in early 17th century clothing, holding aloft a lighted Bridgwater squib attached to a squib cosh. For centuries on November 5th, residents of Bridgwater gathered around a bonfire located here in Cornhill to celebrate the failure of Guy Fawkes and his co-conspirators to blow up the Houses of Parliament.
9 York Buildings, Cornhill, Bridgwater, Somerset,England, UK, TA6 3BY
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Somerset,SDC,Sedgemoor,Sedgemoor District Council,South West England,England,UK,South West,town,TA6,The Spirit of Carnival,art,artwork,Spirit of Carnival statue Bridgwater,sculptor David Faulks,sculptor,David Faulks,2005,Bridgwater Guy Fawkes Carnival,Bridgwater Carnival,400th anniversary,Gunpowder Plot,parliament,lighted Bridgwater squib,squib cosh,blow up the Houses of Parliament,blow up,the Houses of Parliament,TA6 3BY,Gunpowder Plotter Guy Fawkes,Gunpowder plot,Plotter,Guy Fawkes,Bridgwater,dusk,night,night time
Description: Tony Smith image Alamy 2AFMK0K - Spirit of Carnival statue, Bridgwater
The town centre bank branch on the left is at 9 York Buildings, Cornhill, Bridgwater.
The work of sculptor David Faulks, the statue on the right was erected in 2005 by Bridgwater Guy Fawkes Carnival to mark the 400th anniversary of the Gunpowder Plot. It depicts a masquerader dressed in early 17th century clothing, holding aloft a lighted Bridgwater squib attached to a squib cosh. For centuries on November 5th, residents of Bridgwater gathered around a bonfire located here in Cornhill to celebrate the failure of Guy Fawkes and his co-conspirators to blow up the Houses of Parliament.
9 York Buildings, Cornhill, Bridgwater, Somerset,England, UK, TA6 3BY
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Somerset,SDC,Sedgemoor,Sedgemoor District Council,South West England,England,UK,South West,town,TA6,The Spirit of Carnival,art,artwork,Spirit of Carnival statue Bridgwater,sculptor David Faulks,sculptor,David Faulks,2005,Bridgwater Guy Fawkes Carnival,Bridgwater Carnival,400th anniversary,Gunpowder Plot,parliament,lighted Bridgwater squib,squib cosh,blow up the Houses of Parliament,blow up,the Houses of Parliament,TA6 3BY,Gunpowder Plotter Guy Fawkes,Gunpowder plot,Plotter,Guy Fawkes,Bridgwater,dusk,night,night time
Description: Tony Smith image Alamy 2AFMK0X - Spirit of Carnival statue, Bridgwater
The town centre bank branch on the left is at 9 York Buildings, Cornhill, Bridgwater.
The work of sculptor David Faulks, the statue on the right was erected in 2005 by Bridgwater Guy Fawkes Carnival to mark the 400th anniversary of the Gunpowder Plot. It depicts a masquerader dressed in early 17th century clothing, holding aloft a lighted Bridgwater squib attached to a squib cosh. For centuries on November 5th, residents of Bridgwater gathered around a bonfire located here in Cornhill to celebrate the failure of Guy Fawkes and his co-conspirators to blow up the Houses of Parliament.
9 York Buildings, Cornhill, Bridgwater, Somerset,England, UK, TA6 3BY
Description
Keywords: GotonySmith,UK,city,city centre,HotpixUK,@HotpixUK,beverage,beer,G31 1JD,G31,Duke Street,Duke St,Tennents Lager Lovelies,Women on cans of Scottish lager,Fiona,May,painting artwork Glasgow East End,banned cans,Tennents Lager,Lovelies,Women depicted,models,on cans,of Scottish lager,of lager,painting,artwork,Glasgow East End,Glasgow,sexy,lager,Scottish Lager,not politically correct,women selling lager,sex selling lager,sex sells,sexist,lovelies,C&C Group,lager cans
Description: Tony Smith image Alamy 2AAEJ3X - Wellpark Brewery is a brewery in Duke Street in the East End of Glasgow, Scotland.
It was founded in 1740 on the bank of the Molendinar Burn by Hugh and Robert Tennent. It is owned by C&C Group plc, which purchased the Tennent Caledonian Breweries subsidiary in late August 2009 from Belgian brewing company Anheuser-Busch InBev (formerly known as InBev).
The company produces Tennent's Lager, Scotland's market leading brand of pale lager since it was first produced at the Wellpark Brewery in 1885.
Wellpark Brewery was originally known as the Drygate Brewery. It was founded as H & R Tennent in 1740 at Drygate Bridge, near Glasgow Cathedral, by Hugh and Robert Tennent, although brewing had taken place at the same site on the banks of the Molendinar Burn by their ancestor, Robert Tennent, since 1556, making it the oldest continuous commercial concern in Glasgow.
Hugh Tennent's sons, John and Robert, continued the family business, trading as J & R Tennent from 1769. The business expanded in the 1790s when the Tennent family purchased the neighbouring brewery of William McLehose, and renamed the 5-acre (20,000 m2) site Wellpark Brewery.
The firm originally brewed stout and strong export ales. By the mid-19th century J&R Tennent was the world's largest bottled beer exporter. Robert Tennent died in 1826 and John Tennent in 1827. Hugh Tennent (the eldest son of Robert) then assumed control of the business. Hugh Tennent retired in 1855 with his fifth son, Charles Tennent, taking over, but he died in 1864, some months before his father. The brewery was subsequently operated by trustees on behalf of Charles Tennent's sons, Archibald and Hugh.
In 1884 Hugh Tennent took control of the company and first brewed Tennent's lager in 1885. He later built a new lager brewery on the Wellpark site, which was begun in 1889 and completed in 1891. J&R Tennent produced the first draught lager in 1924, the first canned lager in 1935 and the first keg lager in 1963.
Wellpark, 161 Duke St, Glasgow, Scotland, UK, G31 1JD
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,Glasgow,Scotland,G2 1AL,city centre,horse,textured,green,historic,art,artwork,Clydesdale Horse,painted,G2,George Square,George Sq,city,hall,Glaswegian,working,history,heritage,horses,paintings,painting,Glasgow Green,old,antique,scene,classic,annual,fayre,fair,fairs
Description: Tony Smith image Alamy 2AAT2T5 - The City Chambers or Municipal Buildings in Glasgow, Scotland, has functioned as the headquarters of Glasgow City Council since 1996, and of preceding forms of municipal government in the city since 1889, located on the eastern side of the city's George Square. An eminent example of Victorian civic architecture, the building was constructed between 1882 and 1888 to a competition winning design by Scottish architect William Young. a native of Paisley.
Inaugurated in August 1888 by Queen Victoria, the first council meeting was held within the chambers in October 1889. The building originally had an area of 5,016 m2 (53,990 sq ft). In 1923, an extension to the east side of the building in John Street was opened and in 1984 Exchange House in George Street was completed, increasing the size of the City Chambers complex to some 14,000 m2
George Square, Glasgow, Scotland,UK, G2 1AL
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,B3,ScD DD LLD FRS,liberal,St Phillips Cathedral,Bishop Barnes of Birmingham,Should Such a Faith Offend?,The Rise of Christianity,Scientific Theory and Religion,voluntary sterilisation,Nazi ideology,eugenics,Ernest Barnes,Ernest W Barnes,Ernest,William,Barnes,sculpture,frieze,art,artwork,Brummie,icon,icons,bishops,St Philips,St Philip,Cathedral,cathedrals,side,view,on,side-on
Description: Tony Smith image Alamy 2AAT2P1 - Ernest William Barnes FRS (1 April 1874 “ 29 November 1953) was an English mathematician and scientist who later became a liberal theologian and bishop.
He was educated at King Edward's School, Birmingham, and Trinity College, Cambridge. He was Master of the Temple from 1915 to 1919. He was made Bishop of Birmingham in 1924, the only bishop appointed during Ramsay MacDonald's first term in office. His modernist views, in particular objection to Reservation, led to conflict with the Anglo-Catholics in his diocese. A biography by his son, Sir John Barnes, Ahead of His Age: Bishop Barnes of Birmingham, was published in 1979.
Barnes was perhaps the best known liberal bishop of his time, identified with the modernist or broad church movement. His episcopate was marked by continual controversy.[9]
His book The Rise of Christianity (1947) attacked many Christian claims, including the Virgin Birth and the bodily resurrection of Christ. This led to calls that he should resign as a bishop. This Barnes refused to do. Earlier he had written Should Such a Faith Offend? (1927) and Scientific Theory and Religion (1933), and he was a contributor to 18 other books. His attack on Francis of Assisi as probably verminous drew a rebuke in verse from G. K. Chesterton.
He was also politically active. In 1940, he lost a libel case in which he had attacked the Cement Makers' Federation for allegedly holding up the supply of cement, for their own profit at a time of great national need, in the construction of air-raid shelters. Undaunted by this set-back, Barnes returned to his accusations on the cement ring in a speech he delivered in the House of Lords the following year.
He was an uncompromising pacifist, and spoke out against British participation in the Second World War. He also expressed eugenic views. Though a member of the Eugenic Society from 1924 until his death in 1953, it was not until after the 2nd World War that he openly argued in favour of voluntary sterilisation.
Colmore Row, Birmingham, England, UK, B3 2QB
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,HotpixUk,art,artwork,Northern Quarter,50 Newton St,listed building,Bluetit,history,city,centre,historic
Description: Tony Smith image Alamy GJ7916 - . 50 Newton St, Blue Tit bird graffiti , Manchester, England, M1 2EA
- Clegg & Knowles. Photographed on 9 August 2016. The recorded location is 50 Newton Street, Manchester, England, UK, M1 2EA. Clegg & Knowles grade II listed building. The historical context is that murals, sculptures and civic artworks turn public space into a record of local culture
They can commemorate people and events, respond to politics, celebrate industry or simply enliven streets, while the artists' materials and styles place the work within a particular period. The wider historical story is that city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban change than landmark images alone. The subject remains topical in 2026 because contemporary interest in public art is closely linked to regeneration and cultural tourism. murals and sculpture continue to be used to express identity and animate public space, while redevelopment can make photographic records of earlier works increasingly valuable. In the present 2026 context, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way. Historically, art in public and historical settings adds another layer to the built environment
Sculpture, mosaic, painting and street art can interpret heritage, provoke debate, memorialise communities or create landmarks, and photographs preserve works that may later evolution or disappear. Associated subject terminology includes visual culture, cultural identity, place-making, community art, urban art, decorative art, visual storytelling, heritage interpretation, creative city, urban landscape, and city centre.
50 Newton Street, Manchester, England, UK, M1 2EA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,Town,dusk,night,at night,nighttime,Face of wigan at Night,stainless steel sculpture of a face,stainless steel,art,artist,sculpture,of a face,sculptor Rick Kirby,sculptor,centre,town centre,nightlife,night life,night image,steel structure,artwork,icon,iconic,Marylebone,Wigan,Marylebone Wigan,sculpture of a face,face,English sculptor,English,public art,WN1,illuminated,statue
Description: Tony Smith image Alamy RG982H - Face of Wigan sculpture, Wigan
The Face of Wigan is a dramatic 5.5m high stainless steel sculpture of a face, which is destined to become another iconic image of the borough.
The piece is a new take on an old favourite as its creator, acclaimed English sculptor Rick Kirby explains: The face is a play on the many portraits and busts of the ˜good and glorious' that adorn the parks and centres of every town and city throughout Britain.
The sculptured portrait is intended to represent not a single celebrity, but all of the inhabitants of the area, the very people of Wigan. These are the people who make the place what it is today, and indeed have the power to determine what will be the future.
The rear of the piece is a highly reflective surface set at different angles which will mirror fragments of people passing as well as the surrounding landscape.
Mr Kirby is known for a vast collection of striking public art works including ˜Continuum' at Alexandra Park Lake in Hastings and ˜Cross the divide' at the South Bank in London.
Funding for the project totalling almost £80,000 was provided by Modus Properties, developers of Wigan's Grand Arcade shopping centre as part of an agreement with Wigan Council to provide a major piece of public art in the town centre.
Louise Pearson, Development Manager for Modus says: We are delighted to have assisted in the delivery of this important piece of public art. Plus, we're happy to see that it is in a prime location to oversee the next phase of regeneration in the town centre.
Consultation about the piece took place with shoppers and visitors to the town centre over the summer of 2007, with people giving their thoughts and suggestions on a number of designs. At the end of the process, The Face of Wigan was the clear winner.
The Face came to its new home at The Wiend in Wigan town centre on Tuesday (December 9).
It will spend up to 18 months in this location before embarking on a tour of different locations in the borough ov
Wigan, England, UK, WN1 1YB
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,art work,Newton St,Northern Quarter,M1,artwork,urban art,NQ4 Manchester,old love,older love,love in old age,cloth cap,northerners,kissing,Coronation Street,Coronation St,spark of love,painting,old age love,cute old people,northern,stereotype,seniors,retired love,memories,of love,love,affection,backstreet,Love Has No Age Limit
Description: Tony Smith image Alamy RFF676 - . A contemporary documentary view sets out the visible identity of Newton St, Manchester, England, UK, in a photograph originating in 2019. Within that setting the photograph concentrates on Two old people kissing, art work, Newton St, Northern Quarter, Manchester, M1, England, UK. The location also connects regional identity, place and memory, cultural landscape, modern history, urban and rural change, social context, visual record, contemporary social history, local character, public realm, everyday infrastructure, and documentary photography. Current debate around community change often combines changing use, new technology and the practical challenge of before-and-after study. The photograph fixes Newton St, Manchester, England, UK at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. Beyond the immediate subject, the setting involves social landscape, community environment, place-based history, community life, local identity, changing Britain. Associated details include NQ4, NorthernQuarter, Newton Street, pensioners kissing, elderly couple, Everlasting Love. The same setting also brings together documentary record, and everyday Britain. The wider contemporary story of everyday local life now includes altered public space alongside new technology, while policy and investment increasingly consider future historical research. The combination preserved here provides evidence of movement through the area, historic fabric, everyday services, planning and redevelopment, and social change at this precise location. As the location changes, the frame remains a reference for neighbourhood identity, transport patterns, architecture and streetscape, ownership or occupation, and public access within the surrounding area. The view of Newton St, Manchester, England, UK also preserves another layer of local identity and period change.
Newton St, Manchester, England, UK
-P8KEYA.jpg)
Description
Keywords: @HotpixUK,GoTonySmith,Big,Y,Yorkshire,Way,Art,artwork,England,UK,Doncaster South,Park,Ride,Park & Ride,Park And Ride,free parking,integrated travel,integrated,travel,Council,scheme,Doncaster Council,Chris Brammall,artist,Welcome to Yorkshire,Airport Link Road,Robin Hood Airport,link,road,rd,Bawtry Road,route of the Tour de Yorkshire,Gateway Feature,landmark,parking,gateway into Yorkshire,Ulverston,sculpture,BigY,Big Why
Description: Tony Smith image Alamy P8KEYA - Standing at nearly nine metres in height and about the same in width, the iconic installation is based on the popular Welcome to Yorkshire 'Y' logo. It will be seen by millions of people arriving at Doncaster Sheffield Airport and marks the imminent completion of the Great Yorkshire Way airport link road.
Chris Brammall (artist) comments:
This piece is a modern symbol representing Yorkshire in the now, creating a landmark of significance with the capacity to capture a moment in time and form a lasting memory. This symbol will communicate on a visual and physical level and allow interaction, experience and memories to be formed.
Chris attended the official installation press launch on 26th April with Sir Gary Verity, Chief Executive Welcome to Yorkshire and Ros Jones Mayor of Doncaster pictured above.
Located on the route of the Tour de Yorkshire, the gateway feature will be incorporated into local cycling routes encouraging people to interact with the new landmark. Parking and seating will also be provided for those who want to 'stop for a selfie' at the site.
The artwork was commissioned to Chris Brammall by Doncaster Council. Ros Jones, Mayor of Doncaster, said The simplicity of its design, scale and quality is a bold statement reflecting the importance of Great Yorkshire Way as the gateway into Yorkshire and driver of economic growth for the local and regional economy.
Most of the Chris Brammall team were involved in the fabrication of the sculpture in our workshop in Ulverston and the piece was fitted by a three man team - Phil, Paul and Duncan.
Bawtry Road, Rossington, South Yorkshire, England, UK, DN11 0GT
-P8KEYC.jpg)
Description
Keywords: @HotpixUK,GoTonySmith,Big,Y,Yorkshire,Way,Art,artwork,England,UK,Doncaster South,Park,Ride,Park & Ride,Park And Ride,free parking,integrated travel,integrated,travel,Council,scheme,Doncaster Council,Chris Brammall,artist,Welcome to Yorkshire,Airport Link Road,Robin Hood Airport,link,road,rd,Bawtry Road,route of the Tour de Yorkshire,Gateway Feature,landmark,parking,gateway into Yorkshire,Ulverston,sculpture,BigY,Big Why
Description: Tony Smith image Alamy P8KEYC - Standing at nearly nine metres in height and about the same in width, the iconic installation is based on the popular Welcome to Yorkshire 'Y' logo. It will be seen by millions of people arriving at Doncaster Sheffield Airport and marks the imminent completion of the Great Yorkshire Way airport link road.
Chris Brammall (artist) comments:
This piece is a modern symbol representing Yorkshire in the now, creating a landmark of significance with the capacity to capture a moment in time and form a lasting memory. This symbol will communicate on a visual and physical level and allow interaction, experience and memories to be formed.
Chris attended the official installation press launch on 26th April with Sir Gary Verity, Chief Executive Welcome to Yorkshire and Ros Jones Mayor of Doncaster pictured above.
Located on the route of the Tour de Yorkshire, the gateway feature will be incorporated into local cycling routes encouraging people to interact with the new landmark. Parking and seating will also be provided for those who want to 'stop for a selfie' at the site.
The artwork was commissioned to Chris Brammall by Doncaster Council. Ros Jones, Mayor of Doncaster, said The simplicity of its design, scale and quality is a bold statement reflecting the importance of Great Yorkshire Way as the gateway into Yorkshire and driver of economic growth for the local and regional economy.
Most of the Chris Brammall team were involved in the fabrication of the sculpture in our workshop in Ulverston and the piece was fitted by a three man team - Phil, Paul and Duncan.
Bawtry Road, Rossington, South Yorkshire, England, UK, DN11 0GT
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,Berlin wall,Dalai Lama,Open Your Arms To Change,but dont let go of your values,Open,your,arms,to,change,,but,dont,let,go,of,your,values,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDF039 - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023. GoTonySmith
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Belfast,Irish,art,artworks,tagged,graffitti,grafitti,No,Days,Off,art,work,artwork,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM00F - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,West Belfast,Irish,artworks,artwork,May,we,all,Learn,To,Be,Bridge,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM08W - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,wide,shot,wideshot,wall,mural,murals,face,faces,fence,high,high,fences,history,Irish,Catholic,Protestant,divided,sectarian,religious,boundary,interface,zone,interzone,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM12B - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,common,than,divides,separates,us,peace,space invaders,space,invaders,wire,barbed,barbed wire,razor wire,invader,PacMan,Pac-man,Pac,man,Berlin wall,Theres more in common,Than what divides us,Irish history,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDM16Y - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: UFF,Unionist,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,Shankill,Protestant,Flute,Band,mural,artwork,art,SPB,USSF,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Shankill Protestant Boys
Description: Tony Smith image Alamy HDWT1N - SHANKILL PROTESTANT BOYS FLUTE BAND
The Shankill Protestant Boys Flute Band”or as they are more famously known now”The SPB”were formed in the Shankill area in 1980. The reasons for forming the band were much more than simply establishing another flute band”the Shankill had many at that time. The men behind the formation had other ideas. They wanted to promote and express their Protestant culture and also remember the brave Volunteers and Servicemen who had fought and died during two World Wars”in particular during the Somme offensive”and to remember those in more recent times who perished during the conflict in the war against violent Republicanism.
Sadly many of those who served the band since their beginnings 33 years ago are no longer with us”either passed away or in many instances murdered. However of the original founders around ten remain. Some, remarkably are still marching while others retain honorary membership. Gary Lenaghan”The Hunters”Harold Reynolds-The Young's”The Freel's”John McQuade”Derek Mawhinney”The Finlay's were all there at the start and remain heavily involved today.
The SPB were the first flute band to receive and carry the colours of the 1st Battalion of the Ulster Volunteer Force”in 1982”and to this day carry those colours with pride and dignity. It is a commonly known fact that these colours are carried on ALL occasions”at no time are they excluded”and in the past this has caused some difficulties”with both the Police and indeed with certain sections of the Loyal Orders. At one stage during the Eighties the band came into conflict with the Scottish Orange Institution which forced the band off the road because of their refusal to parade without their beloved colours. Since then the SPB have not walked in Scotland with the Orange.
Around the same time and with the concept of the Supergrass system being implemented the band became heavily involved with Families For Legal Rights. For ma
Shankill Road, West Belfast, NI, UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Author Anthony Burgess,Anthony Burgess,mural,artwork,Oak St,M4 5JD,M4,international artists,Cities Of Hope,COH,artists,local Manchester artists,Outhouse MCR,Brightwell Walk,TankPetrol freehand portrait
Description: Tony Smith image Alamy GJBPK3 - . This location-specific image from Brightwell walk, Manchester M4 5JD in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The principal subject is Author Anthony Burgess mural art work, Northern Quarter, Brightwell walk, Manchester M4 5JD. Other connected aspects include creative placemaking, public art, visual archive, before-and-after reference, period detail, everyday life, documentary photography, place identity, urban artwork, archival record, regional identity, local history, contemporary social history, and local character. From a 2025-onward perspective, temporary works and local identity are closely linked to this subject, alongside how temporary street art becomes an important visual archive. For later comparison, the photograph preserves local activity and public use at Brightwell walk, Manchester M4 5JD, details that may look very different after closure or conversion. A second descriptive layer includes visual street culture, temporary artwork, graffiti heritage, changing streetscape, street creativity, creative district, public-realm art, and changing land use. Elements such as Burgess, Northern, Anthony, mural, and Author add documentary specificity and may become increasingly useful when compared with later records. The period setting at Brightwell walk, Manchester M4 5JD helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes temporary works and the blurred line between commissioned public art and unsanctioned graffiti without losing the local specificity of Brightwell walk, Manchester M4 5JD. Another strand within the photograph is tourism and how regeneration can support and displace informal culture at the same time in a form that can be compared with future views of Brightwell walk, Manchester M4 5JD.
Brightwell walk, Manchester M4 5JD
-statue-FDNKB8.jpg)
Description
Keywords: 150,Deansgate,Manchester,England,UK,book,books,libraries,learn,learning,learned,learned,Victorian,University,of,Enriqueta,(1907) statue,founder,benefactor,sculptor,art,artwork,artworks,M3 3EH,John Cassidy,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,statues,history,historic
Description: Tony Smith image Alamy FDNKB8 - The John Rylands Library is home to one of the world's richest and most unique collections - around 1.4 million items spanning over five thousand years and derived from all corners of the world.
John Cassidy created two matching statues, in white Saravezza marble, of John Rylands and Mrs Rylands, which stand guard over the two ends of the Library's Historic Reading Room. John Rylands (1801 - 1888) occupies a prominent position at one end, and Mrs Rylands presides over the other, near to what used to be the Library's service counter. The picture above dates from 2003.
Although the statues appear as a pair, they were not conceived or commissioned together. 'John Rylands' was commissioned by Mrs Rylands in 1894 as an integral part of the library dedicated to her late husband, and has had pride of place since the building opened in 1900, whilst her own likeness was commissioned by supporters of the Library, and unveiled on 9 December 1907, a few months before her death on 4 February 1908.
150 Deansgate, Manchester,England,UK, M3 3EH
Description
Keywords: religion religious church of England Oxfordshire,England,United Kingdom Oxen Oxon art artwork catholic cross crucifix disciples,GoTonySmith,The Last Supper,by,Leonardo da Vinci,wooden,Oxen,disciples,church,scene,from,Saint Marys,Ardley,Oxfordshire,United Kingdom,UK,wood,carving,last supper,St Marys,disciple,crucifixion,crucifix,crucifixes,art,artwork,cross,Easter,crosses,Jesus,Christ
Description: Tony Smith image Alamy ECW509 - . Wood carved last supper scene from St Marys Ardley, Oxfordshire, England, United Kingdom. The photograph was taken on 19 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Wood, carved, last, supper, scene, Marys, Ardley, St Marys, religion religious church of England Oxfordshire and United Kingdom Oxen Oxon art artwork catholic cross crucifix disciples, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
St Marys Ardley, Oxfordshire, England, United Kingdom
Description
Keywords: Oxen Oxon United Kingdom,UK,English,Saint,Marys,Church,of,chancel,and,the,bell,tower,2000,new,art,artwork,Norman,stonework,Early,Gothic,chancel,Cherwell,Valley,Benefice,middle,window,on,south,side,of,nave,built,in,1792,England,early,in,the,21st,century,postcard,classic,historic,parishes,Somerton
Description: Tony Smith image Alamy ECW51T - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley, Oxfordshire, England, United Kingdom
Description
Keywords: UK,English,Saint,Marys,Church,of,chancel,and,the,bell,tower,2000,new,art,artwork,Norman,stonework,Early,Gothic,chancel,Benefice,middle,window,south,side,of,nave,built,1792,blocked,for,years,and,with,a,new,stained,glass,GoTonySmith
Description: Tony Smith image Alamy ECW524 - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley with Fewcott civil parish in Oxfordshire, England, UK
Description
Keywords: UK,English,Saint,Marys,Church,of,chancel,and,the,bell,tower,2000,new,art,artwork,Norman,stonework,Early,Gothic,chancel,Benefice,middle,window,south,side,of,nave,built,1792,blocked,for,years,and,with,a,new,stained,glass,GoTonySmith
Description: Tony Smith image Alamy ECW525 - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley with Fewcott civil parish in Oxfordshire, England, UK
Description
Keywords: Oxen Oxon United Kingdom,UK,English,Saint,Church,of,chancel,and,the,2000,new,art,artwork,Norman,stonework,Early,Gothic,chancel,Benefice,middle,window,on,south,side,of,nave,built,in,GotonySmith Ardley with Fewcott civil parish in Oxfordshire,England,early,in,the,21st,century,postcard,classic,historic,history,ecclesiastical,parishes,Fritwell,Lower Heyford,Somerton,Souldern and Upper Heyford,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ECW526 - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley, Oxfordshire, England, United Kingdom
Description
Keywords: Oxen Oxon United Kingdom,UK,English,Saint,Marys,of,chancel,and,the,2000,new,art,artwork,stonework,Early,Gothic,chancel,Benefice,middle,window,on,south,side,of,nave,built,in,1792,pano,panorama,wide,angle,wideangle,winter,sunset,sunrise,GotonySmith Ardley with Fewcott civil parish in Oxfordshire,England,early,in,the,21st,century,postcard,classic,historic,history,ecclesiastical,parishes,Fritwell,Lower Heyford,Somerton,Souldern and Upper Heyford,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ECW528 - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley, Oxfordshire, England, United Kingdom
Description
Keywords: BT1,bars,alley,off,street,drinks,drinking,classic,ale,beer,bers,ales,half,bap,area,craic,murals,art,painting,painting,artwork,artworks,Patrick,Moore,Cathedral Quarter,Half Bap,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M2Y - Nestled along a narrow cobbled alleyway in the historic Half Bap area, the Duke offers a traditional Belfast welcome of craic, music and humour in contrast to the modern fashionable establishments currently blowing into the surrounding streets. Hosting regular traditional sessions there is no better place to sample the real taste of our city “ simply step in and drink an Irish whiskey washed down with a pint of creamy stout.
Imagine Belfast with only five streets. Protected by earth ramparts and the city walls, the area where the Dark Horse now stands was convenient to the old iron foundry, the pottery, the whiskey merchants and the brown linen hall. Appreciate the superb décor and special atmosphere with beautiful antique mirrors, Belfast furniture and artefacts from some of the city's most famous hotels and buildings from bygone times “ providing a rather rare and unique glimpse of Belfast's historical past. Just call in and you will enjoy a huge warm welcome from a truly Belfast institution with a huge heart.
Duke of York, 7-11 Commercial Court, Belfast, Northern Ireland, BT1 2NB Duke of York 02890 241062
7-11 Commercial Ct, Belfast, Northern Ireland,UK BT1 2NB
