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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,SK17,SK17 6XN,the,arts,art,drama,production,productions,outside,exterior,front,entrance,door,doors,old,Victorian,stone,tourist,tourism,attractions,access,accessibility,dress,stalls,way in,venues,Square,by,building,buildings,architecture,Art Nouveau,canopy
Description: Tony Smith image Alamy 2RJ3YR6 - Buxton Opera House is in The Square, Buxton, Derbyshire, England. It is a 902-seat opera house that hosts the annual Buxton Festival and the International Gilbert and Sullivan Festival, among others, as well as pantomime at Christmas, musicals and other entertainments year-round. Hosting live performances until 1927, the theatre then was used mostly as a cinema until 1976. In 1979, it was refurbished and reopened as a venue for live performance.
The Buxton Opera House was built in 1903 and designed by Frank Matcham, who designed the London Palladium, the London Coliseum and many other theatres throughout the UK. The first production at the theatre was Mrs Willoughby's Kiss. The Opera House ran as a successful theatre, receiving touring companies until 1927, when it was turned into a cinema. Silent films were shown until 1932 when the theatre was wired for sound and could present talkies. The Opera House also became the venue for an annual summer theatre festival from 1936 to 1942, two of them in conjunction with Lilian Baylis and her London-based Old Vic company. People who performed at the opera house include the actor Alec Guinness, the comedians Ken Dodd, Peter Kay, Harry Hill, Sarah Millican and John Bishop, the musical artists Howard Jones, Aled Jones, Leo Sayer and Razorlight, and the ballerina Anna Pavlova.
After the Second World War, the theatre continued to serve primarily as a cinema. The building was designated a Grade II* listed building in 1970. The Opera House gradually fell into disrepair.
In 1979, the building was restored, and an orchestra pit was added to the original Matcham design. Since then, the Opera House has been a full-time venue for stage productions, presenting approximately 450 performances per year
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,SK17,SK17 6XN,the,arts,art,drama,production,productions,outside,exterior,front,entrance,door,doors,old,Victorian,stone,tourist,tourism,attractions,access,accessibility,dress,stalls,way in,venues,Full Monty,Upper Circle,Private Boxes,Square,by,building,buildings,architecture,Art Nouveau,canopy
Description: Tony Smith image Alamy 2RJ3YRD - Buxton Opera House is in The Square, Buxton, Derbyshire, England. It is a 902-seat opera house that hosts the annual Buxton Festival and the International Gilbert and Sullivan Festival, among others, as well as pantomime at Christmas, musicals and other entertainments year-round. Hosting live performances until 1927, the theatre then was used mostly as a cinema until 1976. In 1979, it was refurbished and reopened as a venue for live performance.
The Buxton Opera House was built in 1903 and designed by Frank Matcham, who designed the London Palladium, the London Coliseum and many other theatres throughout the UK. The first production at the theatre was Mrs Willoughby's Kiss. The Opera House ran as a successful theatre, receiving touring companies until 1927, when it was turned into a cinema. Silent films were shown until 1932 when the theatre was wired for sound and could present talkies. The Opera House also became the venue for an annual summer theatre festival from 1936 to 1942, two of them in conjunction with Lilian Baylis and her London-based Old Vic company. People who performed at the opera house include the actor Alec Guinness, the comedians Ken Dodd, Peter Kay, Harry Hill, Sarah Millican and John Bishop, the musical artists Howard Jones, Aled Jones, Leo Sayer and Razorlight, and the ballerina Anna Pavlova.
After the Second World War, the theatre continued to serve primarily as a cinema. The building was designated a Grade II* listed building in 1970. The Opera House gradually fell into disrepair.
In 1979, the building was restored, and an orchestra pit was added to the original Matcham design. Since then, the Opera House has been a full-time venue for stage productions, presenting approximately 450 performances per year
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,High Peak,Derbyshire,history,historic,heritage,SK17,SK17 6XN,the,arts,art,drama,production,productions,outside,exterior,front,entrance,door,doors,old,Victorian,stone,tourist,tourism,attraction,attractions,access,accessibility,venues,Square,by,Frank Matcham,building,buildings,architecture,Art Nouveau,canopy
Description: Tony Smith image Alamy 2RJMR2C - Buxton Opera House is in The Square, Buxton, Derbyshire, England. It is a 902-seat opera house that hosts the annual Buxton Festival and the International Gilbert and Sullivan Festival, among others, as well as pantomime at Christmas, musicals and other entertainments year-round. Hosting live performances until 1927, the theatre then was used mostly as a cinema until 1976. In 1979, it was refurbished and reopened as a venue for live performance.
The Buxton Opera House was built in 1903 and designed by Frank Matcham, who designed the London Palladium, the London Coliseum and many other theatres throughout the UK. The first production at the theatre was Mrs Willoughby's Kiss. The Opera House ran as a successful theatre, receiving touring companies until 1927, when it was turned into a cinema. Silent films were shown until 1932 when the theatre was wired for sound and could present talkies. The Opera House also became the venue for an annual summer theatre festival from 1936 to 1942, two of them in conjunction with Lilian Baylis and her London-based Old Vic company. People who performed at the opera house include the actor Alec Guinness, the comedians Ken Dodd, Peter Kay, Harry Hill, Sarah Millican and John Bishop, the musical artists Howard Jones, Aled Jones, Leo Sayer and Razorlight, and the ballerina Anna Pavlova.
After the Second World War, the theatre continued to serve primarily as a cinema. The building was designated a Grade II* listed building in 1970. The Opera House gradually fell into disrepair.
In 1979, the building was restored, and an orchestra pit was added to the original Matcham design. Since then, the Opera House has been a full-time venue for stage productions, presenting approximately 450 performances per year
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,city,centre,Eurovision 2023,tourism,tourist,attraction,36,Liverpool,Merseyside,L1 9BX,L1,door,outside,for,brewer,Robert Cain,Art Nouveau,wrought iron,and,copper,gates,gate,H. Bloomfield Bare,Bloomfield Bare,famous,urinals,The Phil,classic,history,historic,public house,gold,golden,design,embellishment
Description: Tony Smith image Alamy 2PJW6R3 - Quite simply this is the most spectacular pub in England - indeed, throughout the whole of the UK and it is only matched by the Crown in Belfast. Situated halfway between Liverpool's Anglican cathedral and Metropolitan catholic cathedral, this is a ?cathedral' among pubs. It was rebuilt in 1898-1900 to designs by Walter Thomas for Liverpool brewer, Robert Cain. Thomas and Cains went on to build the other prodigy pub of central Liverpool, the Vines. Craftsmen and artists from the then University Department of Architecture & Applied Art worked on it under the superintendence of G. Hall Neale and Arthur Stratton.
The exterior is a freely-treated Tudor style designed to resemble a Scottish castle with all sorts of odd details including stepped gables
turrets
balustraded parapet, oriel windows and a stone sculpture of musicians and musical instruments in low relief and a marble fa??ade. One of the most stunning features are the entrance gates to Hope Street
they are an amazing display of Art Nouveau wrought iron and copper gates by H. Bloomfield Bare which carry the motto and arms of the original Robert Cain brewery. The interior, which is what everyone comes to experience, has an unusual, complex plan.
Tour of the pub
Beyond the grand gates is a large northern drinking lobby, for stand-up drinking, with a mosaic floor in front of a bar counter also encrusted with mosaic and a wooden top. There are a number of heavily carved and polished mahogany partitions, Corinthian pilasters and columns, and a wonderful intricate plasterwork high ceiling with decorative cornice. To the left is the former off sales that was accessed by a door on the left of the lobby and it has a mosaic floor and tiled walls of cream and green topped with brown strips. There is another mosaic bar front, the original bar back has stained and leaded and decorative stained glass panels, and partitions have deep etched and frosted panels.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,city,centre,Eurovision 2023,tourism,tourist,attraction,36,Liverpool,Merseyside,L1 9BX,L1,door,outside,for,brewer,Robert Cain,Art Nouveau,wrought iron,and,copper,gates,gate,H. Bloomfield Bare,Bloomfield Bare,The Phil,classic,history,historic,public house,gold,golden,design,embellishment
Description: Tony Smith image Alamy 2PJW6R7 - Quite simply this is the most spectacular pub in England - indeed, throughout the whole of the UK and it is only matched by the Crown in Belfast. Situated halfway between Liverpool's Anglican cathedral and Metropolitan catholic cathedral, this is a ?cathedral' among pubs. It was rebuilt in 1898-1900 to designs by Walter Thomas for Liverpool brewer, Robert Cain. Thomas and Cains went on to build the other prodigy pub of central Liverpool, the Vines. Craftsmen and artists from the then University Department of Architecture & Applied Art worked on it under the superintendence of G. Hall Neale and Arthur Stratton.
The exterior is a freely-treated Tudor style designed to resemble a Scottish castle with all sorts of odd details including stepped gables
turrets
balustraded parapet, oriel windows and a stone sculpture of musicians and musical instruments in low relief and a marble fa??ade. One of the most stunning features are the entrance gates to Hope Street
they are an amazing display of Art Nouveau wrought iron and copper gates by H. Bloomfield Bare which carry the motto and arms of the original Robert Cain brewery. The interior, which is what everyone comes to experience, has an unusual, complex plan.
Tour of the pub
Beyond the grand gates is a large northern drinking lobby, for stand-up drinking, with a mosaic floor in front of a bar counter also encrusted with mosaic and a wooden top. There are a number of heavily carved and polished mahogany partitions, Corinthian pilasters and columns, and a wonderful intricate plasterwork high ceiling with decorative cornice. To the left is the former off sales that was accessed by a door on the left of the lobby and it has a mosaic floor and tiled walls of cream and green topped with brown strips. There is another mosaic bar front, the original bar back has stained and leaded and decorative stained glass panels, and partitions have deep etched and frosted panels.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Penny lane,Beatles,The Beatles,PennyLane,tour,sign,history,historic,grocer,signage,fresh,butter,dairies,dairy,terrace,terraced,local,community,green,mosaic,tile,tiles,tiled,advert,ad,Art Nouveau,Allerton Road,Liverpool,Merseyside,L18 1LN,L18,royal prize,diaries,old,products
Description: Tony Smith image Alamy 2K0KDGR -
Description
Keywords: GotonySmith,GoTonySmith,HotpixUK,@HotpixUK,Historic CE Taylor & Co Ltd - Imperial Harrogate Toffee,historic,C.E.,&,Co,Ltd,confectionary,tins,container,1960,1960s,design,British,old,Yorkshire,prop,proprietor,proprietors,HG1 1AB,HG1,Empire,sweets,tin,Harrogate,imperial,toffee,Art Nouveau,of,heritage,olden,days,CETaylor,toffees
Description: Tony Smith image Alamy 2JTJ9BM -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wales,welsh,Denbighshire,Cymru,LL20,Victorian frontage,North Wales,UK,LL20 8NU,pub,bar,traditional,decorated,tiles,tiling,brickwork,food,live,music,Marstons,Listed,Building,PH,late,Georgian,style,with,Art Nouveau,alterations,dated,1908,glazed,terracotta,stables,stable,ornate
Description: Tony Smith image Alamy 2JRA3Y5 - History
Mid C19 late Georgian style with Art Nouveau alterations dated 1908.
Exterior
3-storey 3-window painted roughcast front with cill bands
slate roof and roughcast and brick chimney stacks, boarded eaves. Small pane sash windows
12-pane to 2nd floor and cambered heads to 1st floor with stopped labels - one window has had some glazing bars removed
brick jambs. Splayed oriel to left (contemporary with 1908 alterations) with dentil cornice, coloured glass and small pane sash glazing. Public House frontage added to left in 1908 in glazed terracotta. Modern shop front to right.
Interior
Convex tile entablature with raised lettering. The bracket of the oriel cuts across this and is linked to the bulls head keystone over the bar window
(LLB monogram). Round arch headed openings with hoodmoulds and pilasters
fluted keystones over recessed doorways with fanlight over. Flat volutes below window cill and coloured festoons
coloured foliage to the spandrels. To the right is a similar round arch opening with the lettering 'stabling' to the cornice
boarded doors open onto carriage entry.
Reasons for Listing
Group value with neighbouring listed items in Castle Street.
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,pano,panorama,classic,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6K3 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Car??e and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,174,dusk,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6KE - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Car??e and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,ornate,interior ceiling,interior,ceiling,design,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6M8 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Car??e and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Seize Occasion,Seize,Occasion,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6MF - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Car??e and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Wisdom Is Rare,Wisdom,Is,Rare,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6MJ - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Car??e and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Finery Is Foolery,Finery,Is,Foolery,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6N3 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Car??e and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,interior,inside,Haste Is Slow,Haste,Is,Slow,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6NP - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Car??e and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,A,good,thing,is,soon,snatched,up,inside,interior,Henry Poole,Herbert Fuller-Cla,A good thing is soon snatched up,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Art Nouveau,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6P2 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Car??e and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Industry Is All,Industry,Is,All,interior,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6PK - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Car??e and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,saloon bar,174,drinkers,outside,exterior,Henry Poole,Herbert Fuller-Clark,Art Nouveau,174 The Black Friar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6R5 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Car??e and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,saloon bar,174,drinkers,outside,exterior,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6RB - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Car??e and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
Description
Keywords: GB,great,britain,hope,st,street,tourist,trail,tourism,famous,pubs,bars,pub,bar,artdeco,art,deco,victorian,Cain,Cains,Tetley,GB,Great,Britain,British,CAMRA,real,ale,The,Phil,grade,2,gradeii,listed,building,exuberant,free,style,of,architecture,in,Gold,Liverpool,maritime,England,UK,gotonysmith,Art,Nouveau,hardman,st,street,most,richly,decorated,of,Liverpools,Victorian,public,houses,Gem,gems,Pollard,and,Pevsner,in the Buildings of England series,state,that,it,is,the,most,richly,decorated,of,Liverpools,Victorian,public,houses,and that,.,archway,arch,ornate,doorway,The,Grade,II*,listing,means,that,it,is,included,among,.,Pye,describes,it,as,one,of,Liverpools,architectural,gems,heritage,Liverpools,scouse,Merseyside,L7,7EE,L77EE,bar,bars,boozer,bar,bars,boozer,pub,pubs,bars,bar,hotpixuk,@hotpixuk,@hotpixuk,Phillharmonic,Philharmonic pub liverpool pub,Liverpool Pubs,pubs,bars,bar,history,historic,it is of exceptional quality in national terms,particularly important buildings of more than special interest,Buy Pictures of,Buy Images Of,Liverpool Pub,Liverpool Pubs,Liverpool Pub,Liverpool Pubs
Description: Tony Smith image Alamy DRH8DB - The Philharmonic Dining Rooms is a public house at the corner of Hope Street and Hardman Street in Liverpool, Merseyside, England, and stands diagonally opposite the Liverpool Philharmonic Hall.
It is commonly known as The Phil. It has been designated by English Heritage as a Grade II* listed building
Pollard and Pevsner, in the Buildings of England series, state that it is the most richly decorated of Liverpool's Victorian public houses, and that it is of exceptional quality in national terms. The Grade II* listing means that it is included among particularly important buildings of more than special interest. Pye describes it as one of Liverpool's architectural gems
Description
Keywords: GB,great,britain,hope,st,street,tourist,trail,tourism,famous,pubs,bars,pub,bar,artdeco,art,deco,victorian,Cain,Cains,Tetley,GB,Great,Britain,British,CAMRA,real,ale,The,Phil,grade,2,gradeii,listed,building,exuberant,free,style,of,architecture,in,Gold,Liverpool,maritime,England,UK,doorway,archway,gotonysmith,Art,Nouveau,hardman,st,street,most,richly,decorated,of,Liverpools,Victorian,public,houses,Gem,gems,Pollard,and,Pevsner,in the Buildings of England series,state,that,it,is,the,most,richly,decorated,of,Liverpools,Victorian,public,houses,and that,.,arch,detail,details,face,faces,golden,The,Grade,II*,listing,means,that,it,is,included,among,.,Pye,describes,it,as,one,of,Liverpools,architectural,gems,heritage,Liverpools,scouse,Merseyside,L7,7EE,L77EE,bar,bars,boozer,bar,bars,boozer,pub,pubs,bars,bar,hotpixuk,@hotpixuk,@hotpixuk,Phillharmonic,Philharmonic pub liverpool pub,Liverpool Pubs,pubs,bars,bar,history,historic,it is of exceptional quality in national terms,particularly important buildings of more than special interest,Buy Pictures of,Buy Images Of,Liverpool Pub,Liverpool Pubs,Liverpool Pub,Liverpool Pubs
Description: Tony Smith image Alamy DRH8DK - The Philharmonic Dining Rooms is a public house at the corner of Hope Street and Hardman Street in Liverpool, Merseyside, England, and stands diagonally opposite the Liverpool Philharmonic Hall.
It is commonly known as The Phil. It has been designated by English Heritage as a Grade II* listed building
Pollard and Pevsner, in the Buildings of England series, state that it is the most richly decorated of Liverpool's Victorian public houses, and that it is of exceptional quality in national terms. The Grade II* listing means that it is included among particularly important buildings of more than special interest. Pye describes it as one of Liverpool's architectural gems
Description
Keywords: GB,great,britain,hope,st,street,tourist,trail,tourism,famous,pubs,bars,pub,bar,artdeco,art,deco,victorian,Cain,Cains,Tetley,GB,Great,Britain,British,CAMRA,real,ale,The,Phil,grade,2,gradeii,listed,building,exuberant,free,style,of,architecture,in,Gold,Liverpool,maritime,England,UK,gold,face,statue,gotonysmith,Art,Nouveau,hardman,st,street,most,richly,decorated,of,Liverpools,Victorian,public,houses,Gem,gems,Pollard,and,Pevsner,in the Buildings of England series,state,that,it,is,the,most,richly,decorated,of,Liverpools,Victorian,public,houses,and that,particularly,important,buildings,of,more,than,special,interest,Buy,Pictures,of,Buy,Images,Of,Liverpool,Pub,Liverpool,Pubs,Liverpool,Pub,Liverpool Pubs,bar,bars,boozer,pub,pubs,bars,bar,hotpixuk,@hotpixuk,@hotpixuk,Phillharmonic,Philharmonic pub liverpool pub,Liverpool Pubs,pubs,bars,bar,history,historic,it,is,of,exceptional,quality,in,national,terms,doorway,door,way,entrance,door,The,Grade,II*,listing,means,that,it,is,included,among,.,Pye,describes,it,as,one,of,Liverpools,architectural,gems,heritage,Liverpools,scouse,Merseyside,L7,7EE,L77EE,,,,,,,,,,bar,bars,boozer,,,,
Description: Tony Smith image Alamy DRH8DR - The Philharmonic Dining Rooms is a public house at the corner of Hope Street and Hardman Street in Liverpool, Merseyside, England, and stands diagonally opposite the Liverpool Philharmonic Hall.
It is commonly known as The Phil. It has been designated by English Heritage as a Grade II* listed building
Pollard and Pevsner, in the Buildings of England series, state that it is the most richly decorated of Liverpool's Victorian public houses, and that it is of exceptional quality in national terms. The Grade II* listing means that it is included among particularly important buildings of more than special interest. Pye describes it as one of Liverpool's architectural gems
Description
Keywords: GB,great,britain,hope,st,street,tourist,trail,tourism,famous,pubs,bars,pub,bar,artdeco,art,deco,victorian,Cain,Cains,Tetley,GB,Great,Britain,British,CAMRA,real,ale,The,Phil,grade,2,gradeii,listed,building,exuberant,free,style,of,architecture,in,Gold,Liverpool,maritime,England,UK,blue,heritage,plaque,gotonysmith,Art,Nouveau,hardman,st,street,most,richly,decorated,of,Liverpools,Victorian,public,houses,Gem,gems,Pollard,and,Pevsner,in the Buildings of England series,state,that,it,is,the,most,richly,decorated,of,Liverpools,Victorian,public,houses,and that,.,The,Grade,II*,listing,means,that,it,is,included,among,. Pye describes it as one of Liverpools architectural gems,heritage,Liverpools,scouse,Merseyside,L7 7EE,L77EE,bar,bars,boozer,bar,bars,boozer,pub,pubs,bars,bar,hotpixuk,@hotpixuk,@hotpixuk,Phillharmonic,Philharmonic pub liverpool pub,Liverpool Pubs,pubs,bars,bar,history,historic,it is of exceptional quality in national terms,particularly important buildings of more than special interest,Buy Pictures of,Buy Images Of,Liverpool Pub,Liverpool Pubs,Liverpool Pub,Liverpool Pubs
Description: Tony Smith image Alamy DRH8E0 - The Philharmonic Dining Rooms is a public house at the corner of Hope Street and Hardman Street in Liverpool, Merseyside, England, and stands diagonally opposite the Liverpool Philharmonic Hall.
It is commonly known as The Phil. It has been designated by English Heritage as a Grade II* listed building
Pollard and Pevsner, in the Buildings of England series, state that it is the most richly decorated of Liverpool's Victorian public houses, and that it is of exceptional quality in national terms. The Grade II* listing means that it is included among particularly important buildings of more than special interest. Pye describes it as one of Liverpool's architectural gems
Description
Keywords: arts,venue,Nicolson,street,performance,performances,opera,ballet,empire,tourist,attraction,glass-fronted,structure,for,the,new,entrance,created,by,architect,Colin,Ross,glass,fronted,building,architecture,dramatic,mix,of,art,nouveau,beaux,arts,and,neo-classicism,neoclassicism,Gotonysmith,The,Edinburgh,Festival,Theatre,is,a,performing,located,on,Street,in,Edinburgh,Scotland used primarily for performances of opera and ballet,large-scale musical events,and touring groups. After its most recent renovation in 1994,it seats 1,915.,It,is,one,of,the,major,venues,of,the,annual,summer,Edinburgh,International,Festival,and,is,the,venue,for,the,Opera,and,the,Scottish,Ballet.,The,present,theatre's,location,is,Edinburgh's,longest,continuous,theatre,site,for,there,has,been,a,theatre,in,that,location,since,1830.,From,being,Dunedin,Hall,the Royal Amphitheatre,Alhambra Music Hall,the Queen's Theatre,Pablo Fanques Amphitheatre,13-29 Nicolson St,Edinburgh EH89FT EH8 9FT 13 29,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXKFR - The Edinburgh Festival Theatre is a performing arts venue located on Nicolson Street in Edinburgh, Scotland used primarily for performances of opera and ballet, large-scale musical events, and touring groups. After its most recent renovation in 1994, it seats 1,915. It is one of the major venues of the annual summer Edinburgh International Festival and is the Edinburgh venue for the Scottish Opera and the Scottish Ballet.
The present theatre's location is Edinburgh's longest continuous theatre site, for there has been a theatre in that location since 1830. From being Dunedin Hall, the Royal Amphitheatre, Alhambra Music Hall, the Queen's Theatre, Pablo Fanque's Amphitheatre, and Newsome's Circus, the site became the Empire Palace Theatre, the first of the famous Moss Empires' chain, opening on 7 November 1892.
Designed by the great British theatre architect, Frank Matcham, (who built the London Coliseum, among others) its d??cor was lavish, with elephants with Nubian riders, nymphs and cherubs in abundance on the plasterwork, and it seated 3000 people on four levels.
Description
Keywords: arts,Nicolson,street,performance,performances,opera,ballet,empire,tourist,attraction,glass-fronted,structure,for,the,new,entrance,created,by,architect,Colin,Ross,fronted,building,mix,of,art,nouveau,beaux,arts,and,neo-classicism,neoclassicism,Gotonysmith,The,Edinburgh,Festival,Theatre,is,a,performing,arts,venue,located,on,Nicolson,Street,in,Edinburgh,Scotland used primarily for performances of opera and ballet,large-scale musical events,and touring groups. After its most recent renovation in 1994,it seats 1,915.,It,is,one,of,the,major,venues,of,the,annual,summer,Edinburgh,International,Festival,and,is,the,Edinburgh,venue,for,the,Scottish,Opera,and,the,Scottish,Ballet.,The,present,theatre's,location,is,Edinburgh's,longest,continuous,theatre,site,for,there,has,been,a,theatre,in,that,location,since,1830.,From,being,Dunedin,Hall,the Royal Amphitheatre,Alhambra Music Hall,the Queen's Theatre,Pablo Fanques Amphitheatre,13-29 Nicolson St,Edinburgh EH89FT EH8 9FT 13 29,oldtown,attraction,attractions,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXKG1 - The Edinburgh Festival Theatre is a performing arts venue located on Nicolson Street in Edinburgh, Scotland used primarily for performances of opera and ballet, large-scale musical events, and touring groups. After its most recent renovation in 1994, it seats 1,915. It is one of the major venues of the annual summer Edinburgh International Festival and is the Edinburgh venue for the Scottish Opera and the Scottish Ballet.
The present theatre's location is Edinburgh's longest continuous theatre site, for there has been a theatre in that location since 1830. From being Dunedin Hall, the Royal Amphitheatre, Alhambra Music Hall, the Queen's Theatre, Pablo Fanque's Amphitheatre, and Newsome's Circus, the site became the Empire Palace Theatre, the first of the famous Moss Empires' chain, opening on 7 November 1892.
Designed by the great British theatre architect, Frank Matcham, (who built the London Coliseum, among others) its d??cor was lavish, with elephants with Nubian riders, nymphs and cherubs in abundance on the plasterwork, and it seated 3000 people on four levels.
Description
Keywords: designed,by,internationally,renowned,architect,Charles,Rennie,Mackintosh,Glasgows,tearooms,cafe,Margaret,MacDonald,UK,front,exterior,smiles,better,smilesbetter,Argyle,Street,st,The,Room,Deluxe,facade,external,Scottish,tourism,tourist,destinations,independence,identity,art,style,Henderson,the,gotonysmith,Buchanan,Street,Miss,Cranston,Mackintoshs,redesigned,external,facade,was,a,carefully,considered,asymmetric,abstractly,modelled,composition,with,shallow,curves,on,some,areas,of,the,surface,and,varying,depths,of,recesses,to,windows,and,the,main,entrance.,The,composition,respected,the,urban,context,of,the,neighbouring,buildings,matching the major cornice lines and heights of adjoining buildings,whilst,still,exploring,emerging,ideas,of,Art,Nouveau,and,the,modern,movement.,The,ground,floor,entrance,door,is,placed,far,to,the,left,of,a,wide,band,of,fenestration,both of which are recessed below the first-floor level,the,location,of,the,Room,de,Luxe.,To,emphasise,the,importance,of,this,room,Mackintosh designed a full width bay window,projecting the facade outwards with a gentle curve. jewelers,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG39NX - Early in his career, in 1896, Mackintosh met Catherine Cranston (widely known as Kate Cranston or simply Miss Cranston), an entrepreneurial local business woman who was the daughter of a Glasgow tea merchant and a strong believer in temperance.
The temperance movement was becoming increasingly popular in Glasgow at the turn of the century and Miss Cranston had conceived the idea of a series of art tearooms, venues where people could meet to relax and enjoy non-alcoholic refreshments in a variety of different rooms within the same building. This proved to be the start of a long working relationship between Miss Cranston and Mackintosh. Between 1896 and 1917 he designed and re-styled interiors in all four of her Glasgow tearooms, often in collaboration with his wife Margaret MacDonald.
Mackintosh's redesigned external facade was a carefully considered asymmetric, abstractly modelled composition with shallow curves on some areas of the surface, and varying depths of recesses to windows and the main entrance. The composition respected the urban context of the neighbouring buildings, matching the major cornice lines and heights of adjoining buildings, whilst still exploring emerging ideas of Art Nouveau and the modern movement.
The ground floor entrance door is placed far to the left of a wide band of fenestration, both of which are recessed below the first-floor level, the location of the Room de Luxe. To emphasise the importance of this room, Mackintosh designed a full width bay window, projecting the facade outwards with a gentle curve. The two storeys above this featured a more regular pattern of fenestration with three individual windows per floor, recessed to different degrees. The asymmetry of the composition was continued by widening the left side windows and creating another gentle curve in this part of the facade, extending through both storeys. This repeated the curved form of the first floor and emphasised the heavily recessed entrance to the building
Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,the,sign,in,stone,womens,Grassmarket,Thegrassmarket,stone,building,art,deco,artdeco,style,dusk,sunrise,sunset,evening,light,warm,warmlight,low,lowlight,port,westport,Art,Nouveau,Salvation,Army,Womens,Hostel,stonesign,ArtNouveau,Nouve,Gotonysmith,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,Nouvaeu,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED33D - The West Port is a street in Edinburgh's Old Town, Scotland, located just south of Edinburgh Castle. It runs from Main Point (the junction of Bread Street, Lauriston Street, East Fountainbridge and High Riggs) down to the south west corner of the Grassmarket. Its name derives from the fact it sloped up from the West Port, which was the only westwards exit from the city when the city walls stood, allowing one to pass through the Flodden Wall. The port (gate) itself was demolished in 1786.
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,traffic,light,lights,clock,summer,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE742 -
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,traffic,light,lights,clock,summer,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,building,architecture,victorian,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE749 -
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,traffic,light,lights,clock,summer,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,sky,2013,public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,perfect,art,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE754 - Unique' is a much overworked word when it comes to describing pubs. But that's exactly what the Black Friar is. There's nothing else anywhere remotely like its fabulous decorative scheme, either in style or content. On a sharply triangular site opposite Blackfriars station, the pub was built in 1871-2, but what makes it so special is a remodelling from about 1905 by the then publican, Alfred Pettitt, and his architect H. Fuller-Clark. Fuller-Clark trained at the Lambeth School of Art and began practice in 1893. His artist was Henry Poole R.A., and both men were committed to the Arts & Crafts Movement which embraced a love of high-quality materials, hand craftsmanship, and often a very free, original approach to design.
Before entering the pub there is much to admire on the exterior. There is a deep mosaic fascia carrying the words Saloon / 174 / The Black Friar / 174 / Brandies on New Bridge Street side. A grand segmental arched entrance on the far left is surmounted by stone carved figures and above it a colourful mosaic of two monks fishing. The exterior lobby itself has walls and ceiling of marble. All along the exterior (well illuminated at night) are beautiful copper signs most featuring one or two friars such as a ?Worthington Ales in Bottle'
two ?Worthington Ales on Draught' ones
?To the Saloon', ?Booths Gin'
and a couple of ?Saloon Bar' signs, one of which bears a couple of friars pointing you towards the saloon and helpfully tells you it is 9 yards away. Above the corner door (no longer in use) is a ?174' in mosaic
a large stone figure of a friar
and a clock with a mosaic face. Above the Queen Victoria Street entrance on the right is a mosaic of a friar with wine in carafes flanked by stone carvings of friars. The fascia on this side has ?Brandies' in mosaic.
Throughout the pub are friars ? or at least jolly, modern reinvented versions of them ? they appear everywhere in sculptures, mosaics and metal reliefs.
Description
Keywords: Classic,bar,mosaic,station,tube,underground,CAMRA,pubs,GB,Great,British,Britain,English,England,174,Queen,Victoria,Street,EC4V,4EG,EC4V4EG,belonging,to,a,chain,founded,in,in,the,Arts,and,Crafts,Nicholsons,Nicholson,real,ale,beers,beer,cider,art,arty,drink,pint,a,at,gotonysmith north of the Thames traditional unique pubs Bridge,Upper,Thames,Street,and,Fleet,Street,history,historic,Art,Nouveau,Grade,II,masterpiece,of,a,pub,was,built,in,1905,on,the,site,of,a,Dominican,friary,The,building,was,designed,by,architect,H.,Fuller-Clark,and,artist,Henry,Poole,both,committed,to,the,free-thinking,of,the,Arts,and,Crafts,Movement,Jolly,friars,appear,everywhere,in,the,pub,in,sculptures,mosaics,and,reliefs,wonderful,pub,was,saved,from,demolition,by,a,campaign,led,by,Sir,John,Betjeman,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE7HJ - You will find The Blackfriar in Blackfriars London within a short stroll of Blackfriars Bridge, Upper Thames Street and Fleet Street.
Its a historic Art Nouveau Grade II masterpiece of a pub was built in 1905 on the site of a Dominican friary. The building was designed by architect H. Fuller-Clark and artist Henry Poole, both committed to the free-thinking of the Arts and Crafts Movement. Jolly friars appear everywhere in the pub in sculptures, mosaics and reliefs. We are lucky to still be here as our wonderful pub was saved from demolition by a campaign led by Sir John Betjeman.
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,Nicholsons,brewing,history,heritage,brewary,brewery,BlackFriar,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE7J7 - Unique' is a much overworked word when it comes to describing pubs. But that's exactly what the Black Friar is. There's nothing else anywhere remotely like its fabulous decorative scheme, either in style or content. On a sharply triangular site opposite Blackfriars station, the pub was built in 1871-2, but what makes it so special is a remodelling from about 1905 by the then publican, Alfred Pettitt, and his architect H. Fuller-Clark. Fuller-Clark trained at the Lambeth School of Art and began practice in 1893. His artist was Henry Poole R.A., and both men were committed to the Arts & Crafts Movement which embraced a love of high-quality materials, hand craftsmanship, and often a very free, original approach to design.
Before entering the pub there is much to admire on the exterior. There is a deep mosaic fascia carrying the words Saloon / 174 / The Black Friar / 174 / Brandies on New Bridge Street side. A grand segmental arched entrance on the far left is surmounted by stone carved figures and above it a colourful mosaic of two monks fishing. The exterior lobby itself has walls and ceiling of marble. All along the exterior (well illuminated at night) are beautiful copper signs most featuring one or two friars such as a ?Worthington Ales in Bottle'
two ?Worthington Ales on Draught' ones
?To the Saloon', ?Booths Gin'
and a couple of ?Saloon Bar' signs, one of which bears a couple of friars pointing you towards the saloon and helpfully tells you it is 9 yards away. Above the corner door (no longer in use) is a ?174' in mosaic
a large stone figure of a friar
and a clock with a mosaic face. Above the Queen Victoria Street entrance on the right is a mosaic of a friar with wine in carafes flanked by stone carvings of friars. The fascia on this side has ?Brandies' in mosaic.
Throughout the pub are friars ? or at least jolly, modern reinvented versions of them ? they appear everywhere in sculptures, mosaics and metal reliefs.
Description
Keywords: An,Art,Nouveau,Paris,metro,station,entrance,taken,with,an,IR,Infra-Red,adapted,Canon,5D,camera,DSLR,France,Europe,french,capital,unusual,gotonysmith,Guimard,entrances,tube,mass,transit,720nm,infrared,cast-iron,balustrade,decorated,in,plant-like,motifs,accompanied by a M??tropolitain sign supported,cast,iron,two,orange,globes,atop,ornate,cast-iron,supports,in,the,form,of,plant,stems,Metropolitan,Metropolitain,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HF87 - An Art Nouveau Paris metro station entrance taken with an IR Infra-Red adapted Canon 5D camera, France, Europe
Description
Keywords: victorian,old,history,historic,female,student,girl,woman,late-Victorian,building,neo,gothic,tourism,tourist,public,Enriqueta,Augustina,Rylands,University,of,Special,collections,collection,England,English,UK,GB,Great,Britain,Elizabeth,Gaskell,and,John,Dalton,reading,room,gotonysmith,architectural,style,architecture,Grade,I,listed,status,imanc,Art,Nouveau,bronze,railings,Electric,lighting,collection,collections,study,Librarians,Librarian,M3,3EH,M33EH,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HDBH - The John Rylands Library is a late-Victorian neo-Gothic building on Deansgate in Manchester, England. The library, which opened to the public in 1900, was founded by Enriqueta Augustina Rylands in memory of her husband, John Rylands.[4] The John Rylands Library and the library of the University of Manchester merged in July 1972 into the John Rylands University Library of Manchester. Special collections built up by both libraries were progressively concentrated in the Deansgate building.
The special collections, believed to be among the largest in the United Kingdom,[5] include medieval illuminated manuscripts and examples of early European printing, including a Gutenberg Bible, the second largest collection of printing by William Caxton,[6] and the most extensive collection of the editions of the Aldine Press of Venice.[7] The Rylands Library Papyrus P52 is believed to be the earliest extant New Testament text. The library holds personal papers and letters of notable figures, among them Elizabeth Gaskell and John Dalton.
The architectural style is primarily neo-Gothic with elements of Arts and Crafts Movement in the ornate and imposing gatehouse facing Deansgate which dominates the surrounding streetscape. The library, granted Grade I listed status in 1994, is maintained by the University of Manchester and open for library readers and visitors.
