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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,history,heritage,Holyrood Palace,Edinburgh,Scotland,royal residence,historic building,sandstone building,blue sky,British heritage,Scottish history,royal history,monarchy,King Charles III,Queen Elizabeth II legacy,cultural heritage,national identity,historic Britain,royal collection,art and culture,museum and gallery,travel Scotland,UK tourism,architecture and history,ceremonial state,tradition and continuity,editorial background,calendar image,Scottish heritage,royal art gallery,palace architecture,historic palace,Edinburgh landmark,Old Town Edinburgh,ceremonial building,British royal family,tourism Scotland
Description: Tony Smith image Alamy 3DGE73C - The King's Gallery at the Palace of Holyroodhouse in Edinburgh, Scotland, is shown under clear blue skies, revealing the scale and architectural detail of the historic royal complex. The gallery forms part of the Palace of Holyroodhouse, the official residence of the British monarch in Scotland, and sits at the end of Edinburgh's historic Royal Mile. Built in warm-toned stone, the structure combines defensive elements, classical proportions and later architectural additions, reflecting centuries of royal occupation and ceremonial use.
The Palace of Holyroodhouse has long been associated with Scottish and British history, serving as a residence for monarchs including Mary, Queen of Scots, and continuing today as a venue for state occasions and royal events. The King's Gallery houses exhibitions from the Royal Collection, linking the site not only to monarchy and governance but also to art, culture and national heritage. The clear light and uncluttered foreground emphasise the solidity and grandeur of the building, while the absence of people allows the focus to remain on architecture and symbolism rather than activity.
Beyond its immediate subject, the image lends itself to a wide range of editorial and commercial uses, including travel features on Edinburgh and Scotland, educational material on royal history, cultural heritage publications, and broader storytelling around monarchy, tradition and continuity in the United Kingdom. The calm setting and balanced composition also make it suitable for calendar use and as a background image illustrating British and Scottish identity, historic architecture and the enduring presence of royal institutions within modern society.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,summer,sunny,blue sky,Dundee Art Gallery and Museum,Scottish civic pride,museum and identity,Victorian philanthropy,education and culture,national and local history,public institutions Scotland,heritage preservation,architecture as civic statement,city museums UK,learning and memory,The McManus Albert Square,Dundee DD1 1DA,Dundee Scotland UK,historic civic building,nineteenth century architecture,stone fa??ade,museum steps,city centre Dundee,Scottish history museum,arts and culture Scotland,editorial image,daytime exterior,Exterior of The McManus,Dundees Art Gallery & Museum on Albert Square,Scotland,UK,DD1,DD1 1DA
Description: Tony Smith image Alamy 3DCX6CX - The exterior of The McManus: Dundee's Art Gallery & Museum, photographed on Albert Square in Dundee city centre, Dundee DD1 1DA. The imposing building, constructed in the Victorian Gothic Revival style, features symmetrical stone fa??ades, arched windows, decorative staircases and a central spire, reflecting the civic ambition of nineteenth-century Dundee.
Originally opened in 1867 as a memorial to Prince Albert, the building later became the city's principal museum and art gallery. Today, The McManus houses collections covering fine art, local and national history, archaeology, natural history and decorative arts, making it a key cultural and educational institution in eastern Scotland.
The museum's prominent position facing Albert Square places it at the heart of Dundee's civic life, surrounded by historic buildings, green spaces and pedestrian routes. Its architecture was designed not only to impress but to communicate the importance of public learning, philanthropy and cultural enrichment during a period when Dundee was a rapidly expanding industrial city.
The McManus continues to play a central role in Dundee's cultural identity, linking the city's industrial past with contemporary artistic and historical interpretation. Photographed in daylight under a bright sky, the image highlights the building's architectural detail and formal symmetry, offering strong editorial value for themes including Scottish heritage, museums and education, civic architecture, cultural tourism and the role of public institutions in urban identity.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,ship,shipbuilding,city,tourists,travel,dock,H&W,attractions,Titanic Belfast,Titanic Experience,Belfast,Titanic Quarter,museum entrance,visitor attraction,maritime history,tourism landmark,interior signage,Titanic Experience entrance,1 Olympic Way Belfast,BT3 9EP,Queens Road Belfast,Northern Ireland tourism,maritime museum,RMS Titanic,shipbuilding heritage,Harland and Wolff,exhibition entrance,gallery signage,cultural attraction,museum wayfinding,visitor centre interior,wooden signage
Description: Tony Smith image Alamy 2RFJ36E - Entrance to the Titanic Experience exhibition within Titanic Belfast, located at 1 Olympic Way, Titanic Quarter, Belfast, Northern Ireland, postcode BT3 9EP. The image shows internal wayfinding signage and access routes leading visitors into the main exhibition galleries of the landmark maritime museum.
Titanic Belfast occupies the former Harland and Wolff shipyard site where RMS Titanic was designed and constructed in the early twentieth century. The Titanic Experience forms the core visitor journey, guiding audiences through Belfast's shipbuilding heritage, the construction of the ship, its launch, maiden voyage, sinking, and lasting global legacy.
The contemporary interior combines timber finishes, bold typography, and open circulation spaces, reflecting the museum's role as both a cultural institution and a major international tourist attraction. Escalators and stairways visible in the image illustrate the structured visitor flow through the multi-level exhibition spaces.
Photographed indoors under artificial lighting, the image documents a key entry point within one of Northern Ireland's most visited attractions. It is suitable for editorial use relating to tourism, maritime history, museum architecture, visitor experience design, and the regeneration of Belfast's historic docklands.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,closing down sale,independent retailer,Derry,Northern Ireland,Bridge Street Coleraine,local business,retail closure,historic,history,art materials shop,craft supplies store,independent art retailer,high street shop,closing down sign,retail decline,small business,shop window display,town centre retail,traditional shopfront,curved corner building,signage lettering,Art Gallery sign,street photography,documentary photography,Northern Irish town,economic change,vacant retail future,bricks and mortar retail,creative supplies,stationery shop,arts and crafts,local economy,notices,notice
Description: Tony Smith image Alamy 2RAP34G - The exterior of GE Kee, an independent art and craft materials shop located at 17 Bridge Street in Coleraine, County Londonderry, Northern Ireland. The traditional curved corner shopfront features painted signage reading G E Kee and Art & Craft Materials, with additional lettering indicating an art gallery above the retail premises.
Large red Closing Down Sale signs are displayed prominently in the shop window, signalling the impending closure of the long-established local business. The shop occupies a distinctive corner position on Bridge Street, with period architectural features typical of Coleraine's historic town centre retail buildings.
Photographed in natural daylight, the image documents the challenges faced by independent specialist retailers in Northern Ireland town centres, particularly those serving creative and artistic communities. It provides a visual record of retail change, local economic pressures, and the gradual loss of traditional high street shops, themes widely relevant across the UK and Ireland.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHW5 - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWA - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWH - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWM - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,exhibition,50 years,still alive in that picture,what makes a good picture,photographs,photograph,documentary,reportage,local,photographer,viewers,people,visitors,visitor,major,exhibitions,All Zones Off Peak,Looking for Love,New Brighton
Description: Tony Smith image Alamy 2R6AHWT - Photie Man: 50 Years of Tom Wood
20 May 2023?07 Jan 2024
A new major photographic exhibition from Tom Wood, showcasing 50 years of the artist's work.
Walker Art Gallery
'Photie Man' celebrates the internationally-acclaimed Irish artist Tom Wood (b. 1951), showcasing his iconic images of Liverpool and bringing together his work from across all decades, it will be the first major retrospective of Tom's work in Liverpool.
Embraced locally as ?photieman', Wood has dedicated much of his career to the people and places of Liverpool and Merseyside to create an intimate, diverse and knowing portrait of the city and the surrounding area, and his pioneering photographs capture a definitive phase in the social and political history of the region. He is one of the most influential photographers working today.
Highlights include epic and renowned projects such as ?Looking for Love' from the Chelsea Reach nightclub in New Brighton, and Wood's widely-praised Bus Series (?All Zones Off Peak'). Unseen long-term studies of two major local institutions like Cammell Laird Shipyard feature alongside his images taken around the city's football grounds.
The exhibition will also explore Wood's use of found photographs and landscape photography taken in Ireland and North Wales, alongside never-before seen film work from the artist.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,at,painting,paintings,hung,art,pictorial,interior,inside,hanging,space,British,north west,English,framed,quiet,visitors,Galery,leisure,Northern Powerhouse,Victorian,fine arts
Description: Tony Smith image Alamy 2R6AHX2 - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,exhibition,poster,at,John Moores,Painting Prize,painting,prize,prizes,call,for,entries,artists,entrants,entry,JM,biennial,award,festival,of,visual art,modern art
Description: Tony Smith image Alamy 2R6AHY6 - The John Moores Painting Prize is a biennial award to the best contemporary painting, submission is open to the public. The prize is named for Sir John Moores, noted philanthropist, who established the award in 1957. The winning work and short-listed pieces are exhibited at the Walker Art Gallery as part of the Liverpool Biennial festival of visual art
First winners:
1957 Jack Smith - Creation and Crucifixion
1959 Patrick Heron - Black Painting - Red, Brown and Olive : July 1959
1961 Henry Mundy - Cluster
1963 Roger Hilton - March 1963
1965 Michael Tyzack - Alesso 'B'
1967 David Hockney - Peter Getting Out of Nick's Pool
Recent winners:
2010 Keith Coventry - Spectrum Jesus
2012 Sarah Pickstone - Stevie Smith and the Willow
2014 Rose Wylie - PV Windows and Floorboards
2016 Michael Simpson - Squint (19)
2018 Jacqui Hallum - King and Queen of Wands
2021 Kathryn Maple - The Common
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,statue,at,marble,collected,room,Greek,&,and,Roman,classic,classical,sculpture,sculptures,collection,object,objects,style,exhibits,historic,history
Description: Tony Smith image Alamy 2R6AHYA - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,statue,at,marble,collected,room,Greek,&,and,Roman,classic,classical,sculpture,sculptures,collection,object,objects,style,exhibits,historic,history
Description: Tony Smith image Alamy 2R6AHYE - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,historic,Gods Own Junkyard,Walthamstow,London cafe,independent cafe,coffee shop,neon signage,illuminated sign,red neon sign,creative space cafe,arts venue cafe,Rolling Stones,Ravenswood Industrial Estate,London Borough of Waltham Forest,East London,neon art gallery,creative industries,independent hospitality,food and drink,visitor attraction cafe,cultural venue,small business,retro signage,typography,sign writing,brick wall,industrial architecture,documentary photography,editorial image,UK culture
Description: Tony Smith image Alamy 2R3WMTW - This image shows the illuminated neon sign for The Rolling Scones Cafe, located within God's Own Junkyard on the Ravenswood Industrial Estate in Walthamstow, East London. The caf?? forms an integral part of the visitor experience at the venue, providing food and drink amid one of London's most distinctive collections of neon signage.
God's Own Junkyard is internationally recognised for its dense, immersive displays of vintage and custom-made neon signs, many of which have appeared in films, television, and music videos. The Rolling Scones Caf?? sits among this visual overload, serving visitors, photographers, and tourists who come to experience the space as both an art installation and a cultural attraction.
The sign itself uses flowing red neon script spelling The Rolling Scones, with a smaller illuminated Cafe panel beneath, mounted against industrial brickwork typical of former light-industrial buildings in the area. The contrast between utilitarian architecture and expressive neon typography reflects the wider character of the Junkyard, where commercial signage is recontextualised as art.
Photographed in daylight, the image highlights the continued relevance of neon signage in contemporary creative spaces. It is well suited to editorial use covering London cafes, independent hospitality, creative venues, neon art, cultural tourism, and the adaptive reuse of industrial estates in East London.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,historic,neon sign,neon lighting,vintage neon,neon typography,illuminated sign,colourful neon,electric sign,light art,neon art installation,London neon,visual spectacle,interior display,neon,sign,The Jam,Gods Own Junkyard,Walthamstow,East London,sign makers,traditional craftsmanship,British pub reference,typography design,graphic design,light sculpture,pop culture,nostalgia,saturated colour,night time lighting,creative space,art gallery interior,decorative lighting
Description: Tony Smith image Alamy 2R3WMW6 - This image shows a brightly illuminated vintage neon sign reading Eton Rifles, displayed amid a dense arrangement of colourful electric signage at God's Own Junkyard in Walthamstow, East London. The sign features bold red lettering and a circular target motif, surrounded by overlapping neon forms that create a visually saturated and immersive environment.
God's Own Junkyard is internationally known for its collection of reclaimed and commissioned neon signs, many of which reference British pubs, popular culture, film, music, and advertising. Signs like this one reflect the craftsmanship of traditional sign making, where hand-bent glass tubes and vivid gases were used to create durable, eye-catching illumination long before the rise of digital displays.
Photographed indoors under low ambient light, the intense glow of the neon dominates the frame, emphasising colour, contrast, and texture. The overlapping lights create a sense of visual overload that is central to the Junkyard's appeal, turning commercial signage into a form of contemporary light art.
This image is well suited to editorial use covering neon art, visual culture, design history, creative reuse, London subculture, and the continuing fascination with analogue signage in a digital age.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,L3 4AF,L3,Royal Albert Dock,Pier Head,Liverpool,port,sail,sailor,sailors,the,dock,docks,America,manhole,cover,at,Tate,art,artwork,Jeon Joonho,News from Nowhere,William Morris,leaves,vine,vines,gallery,covers,rust,rusty,rusting
Description: Tony Smith image Alamy 2R22XM1 - Grid covers
One of these covers was installed over an existing drain at the entrance to Tate Modern in 2019, while another could be found inside the gallery itself. They stood for the thin cover that we place over the dirty and chaotic parts of our world that must exist to allow civilisation to function. The exhibition also demonstrated links between Liverpool and Jeon's home city of Busan in South Korea. Both were powerful ports 100 years ago, but suffered decline in the 20th century, followed by a culture and heritage-fronted resurgence at the 21st century got under way.
The metal grid is embedded in the pavement outside Tate Liverpool at the Albert Dock. It is decorated with intertwining vine-like branches, and in the centre is the phrase My future will reflect a new world. There's a spider's web and a few other things floating round (perhaps berries or pollen grains).
Art at the Dock
The proximity to Tate Liverpool isn't coincidental. This installation is part of a wider collaboration between artists Moon Kyungwon and Jeon Joonho, under the banner ?News from Nowhere'
News From Nowhere is the name of a novel by the very same William Morris I mentioned in the first paragraph. In the novel, the Victorian protagonist is mysteriously catapulted into the 21st century, and his conversations with the futuristic inhabitants act as a satire and comment on the inequalities and rampant industrialisation of Morris's own time (and there lies the connection with the bookshop).
Moon and Jeon's collaboration arose from conversations between the two artists over art's role in the world. They were fed up [with] wasteful art installations and art production. Part of their News From Nowhere collaboration is a piece of video called El Fin del Mondo (End of the World) which reminds us that the future is no yet written, though we in the present are writing it all the time. Therefore, art can have a very important place in deciding the direction of the world as a whole.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,yard,8,Liverpool,L1 3BX,exhibition,space,Bluecoat Chambers,arts,oldest,surviving,building,central,1716,Society of Arts,the,display,contemporary,craft,gallery,clock,single,hand,handed,Liver,bird,Liverbird,rail,railings,wrought,iron,gold
Description: Tony Smith image Alamy 2M95NH3 - Built in 1716?17 as a charity school, Bluecoat Chambers in School Lane is the oldest surviving building in central Liverpool, England. Following the Liverpool Blue Coat School's move to another site in 1906, the building was rented from 1907 onwards by the Sandon Studios Society. Based on the presence of this art society and the subsequent formation of the Bluecoat Society of Arts in 1927, the successor organisation laid claim to being the oldest arts centre in Great Britain, now called the Bluecoat.
The school was founded in 1708 by the Reverend Robert Styth (died 1713), rector of Liverpool, and Bryan Blundell, a sea captain and later twice Mayor of Liverpool (1721?22 and 1728?29). Originally constructed in 1716?17, the building was extended until 1718 to function as a boarding school. By the following year, it had 50 children, with room for 100 more, and construction was finally completed in 1725
On 3 May 1941, during the Liverpool Blitz, the concert hall and adjoining rooms were severely damaged by an incendiary bomb and during the following night the rear wing was destroyed by a bomb blast. Restoration took place after the war, being completed by 1951. It is recorded in the National Heritage List for England as a designated Grade I listed building, having been designated on 28 June 1952.
The Bluecoat Display Centre, a contemporary craft gallery, opened in the rear courtyard in 1959. Being known as the Bluecoat Arts Centre from the 1980s, it is now simply called the Bluecoat. From 2005, the building was further restored and a new wing added. It was reopened in March 2008 to coincide with Liverpool's year as European Capital of Culture.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,wrought,iron,&,at,rail,gold,Society of Arts,contemporary,Liver,bird,railings,central,1716,oldest,yard,Liverbird,gallery,craft,display,surviving,building,Bluecoat Chambers,space,exhibition,arts,L1 3BX,8,Liverpool
Description: Tony Smith image Alamy 2M95NHA - Built in 1716?17 as a charity school, Bluecoat Chambers in School Lane is the oldest surviving building in central Liverpool, England. Following the Liverpool Blue Coat School's move to another site in 1906, the building was rented from 1907 onwards by the Sandon Studios Society. Based on the presence of this art society and the subsequent formation of the Bluecoat Society of Arts in 1927, the successor organisation laid claim to being the oldest arts centre in Great Britain, now called the Bluecoat.
The school was founded in 1708 by the Reverend Robert Styth (died 1713), rector of Liverpool, and Bryan Blundell, a sea captain and later twice Mayor of Liverpool (1721?22 and 1728?29). Originally constructed in 1716?17, the building was extended until 1718 to function as a boarding school. By the following year, it had 50 children, with room for 100 more, and construction was finally completed in 1725
On 3 May 1941, during the Liverpool Blitz, the concert hall and adjoining rooms were severely damaged by an incendiary bomb and during the following night the rear wing was destroyed by a bomb blast. Restoration took place after the war, being completed by 1951. It is recorded in the National Heritage List for England as a designated Grade I listed building, having been designated on 28 June 1952.
The Bluecoat Display Centre, a contemporary craft gallery, opened in the rear courtyard in 1959. Being known as the Bluecoat Arts Centre from the 1980s, it is now simply called the Bluecoat. From 2005, the building was further restored and a new wing added. It was reopened in March 2008 to coincide with Liverpool's year as European Capital of Culture.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,yard,8,Liverpool,L1 3BX,exhibition,space,Bluecoat Chambers,arts,oldest,surviving,building,central,1716,Society of Arts,the,display,contemporary,craft,gallery,clock,single,hand,handed,history,historic,architecture,galleries
Description: Tony Smith image Alamy 2M95NX9 - Built in 1716?17 as a charity school, Bluecoat Chambers in School Lane is the oldest surviving building in central Liverpool, England. Following the Liverpool Blue Coat School's move to another site in 1906, the building was rented from 1907 onwards by the Sandon Studios Society. Based on the presence of this art society and the subsequent formation of the Bluecoat Society of Arts in 1927, the successor organisation laid claim to being the oldest arts centre in Great Britain, now called the Bluecoat.
The school was founded in 1708 by the Reverend Robert Styth (died 1713), rector of Liverpool, and Bryan Blundell, a sea captain and later twice Mayor of Liverpool (1721?22 and 1728?29). Originally constructed in 1716?17, the building was extended until 1718 to function as a boarding school. By the following year, it had 50 children, with room for 100 more, and construction was finally completed in 1725
On 3 May 1941, during the Liverpool Blitz, the concert hall and adjoining rooms were severely damaged by an incendiary bomb and during the following night the rear wing was destroyed by a bomb blast. Restoration took place after the war, being completed by 1951. It is recorded in the National Heritage List for England as a designated Grade I listed building, having been designated on 28 June 1952.
The Bluecoat Display Centre, a contemporary craft gallery, opened in the rear courtyard in 1959. Being known as the Bluecoat Arts Centre from the 1980s, it is now simply called the Bluecoat. From 2005, the building was further restored and a new wing added. It was reopened in March 2008 to coincide with Liverpool's year as European Capital of Culture.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,the,Bluecoat,heritage,history,historic,building,1716""?17,as,a,charity,school,1716,8,L1 3BX,Liberty Buildings,charitable trust,Grade I,listed building,cultural,event,events,venue,art,culture,The Bluecoat,creative,hub,gallery,galleries,different,interesting,view,clock
Description: Tony Smith image Alamy 2NXEM2F - The Bluecoat is built in brick with painted stone dressings and a slate roof. H-shaped in plan, originally the rear of the school resembled the front but in 1821 it was remodeled giving it a convex-shaped elevation. The front encloses three sides of a quadrangle and is separated from School Lane by a low wall with railings and gatepiers. The central block of five bays has two storeys with round-arched windows
the central three bays project forwards under a pediment containing a clock which has only an hour hand. On the roof is an octagonal cupola with round-arched openings, attached Ionic columns and a copper cap with a finial. The wings have three storeys
they are eleven bays long and one bay wide. On the ground and first floor the windows are square-headed while those on the top floor are oval. The end elevations have arched windows which match the central block. All the large windows have keystones with cherubs' heads. The main door in the centre of the central block has Ionic columns with a broken pediment containing a cartouche of the arms of Liverpool. Each wing has three square-headed doors approached by steps. The wall, railings and gate piers on School Lane are also listed at Grade I.
The 2005-2008 renovation at a cost of ?14 million also included a new 2250 square metre extension, the architects being BIQ Architecten. The architects found that there were 32 different floor levels in the old building. They carried out much structural change to produce exhibition areas with better accessibility. The new extension is built mainly in brick to link with the old building, although it has a copper roof and more modern materials internally. The new wing houses a flexible performance area and four art galleries. In addition, the complex provides studios for artists and craftspeople, a restaurant and a caf?? and a number of retail outlets
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,tourist,attraction,the,royal,maritime,port,Mersey,river,historic,ports,signage,sign,outside,Tate and Lyle,an,and,collection,of,exhibitions,exhibition,modern,art,British,gallery,galleries,docks,culture,building,greenwashing
Description: Tony Smith image Alamy 2NYNDXF - Tate Liverpool is an art gallery and museum in Liverpool, Merseyside, England, and part of Tate, along with Tate St Ives, Cornwall, Tate Britain, London, and Tate Modern, London. The museum was an initiative of the Merseyside Development Corporation. Tate Liverpool was created to display work from the Tate Collection which comprises the national collection of British art from the year 1500 to the present day, and international modern art. The gallery also has a programme of temporary exhibitions. Until 2003, Tate Liverpool was the largest gallery of modern and contemporary art in the UK outside London.
History
Housed in a converted warehouse within the Albert Dock on Liverpool's waterfront, the gallery was opened on 24 May 1988 by Prince Charles, an event covered by BBC Two television. The original conversion was done by James Stirling but the building was given a major refurbishment in 1998 to create additional gallery space.
In 2007, the foyer area was redesigned by architects Arca to create an updated appearance and better proportions, as well as to improve visitor handling. The gallery cafe was also redesigned by Peter Blake and Liverpool-based architects, Architectural Emporium. The centrepiece of the space is a new timber desk with an undulating orange fascia, which links to the retained colour scheme of the original conversion work by Stirling. A colour-changing wall acts as a backdrop to the simplified brick volume, visible from across Albert Dock. Behind the scenes, Arca also made alterations to the hospitality, cloakroom, events and education areas.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,dusk,observation,icon,iconic,Eurovision,2023,host,mall,Financial Partners,owned,owners,125,L1 1LY,L1,St Johns Beacon,Viewing,Gallery,beacon,tower,James A. Roberts,Associates,Eurovision2023,retailers,shop,shopping centre,shopping centres,exterior,stores,city,centre,shops,main,shopping,area
Description: Tony Smith image Alamy 2P4JXJ8 - Radio City Tower (also known as St. John's Beacon) is a radio and observation tower in Liverpool, England, built in 1969 and opened by Queen Elizabeth II. It was designed by James A. Roberts Associates in Birmingham. It is 138 metres tall, and is the second tallest free-standing building in Liverpool and the 32nd tallest in the United Kingdom.
When considering the height of the building, it has a 10m long antenna on the roof, making it the tallest structure in Liverpool (including antennas).
As testament to the importance of its design, which was described by Historic England as embodying the technological bravura and spirit of the space age, the building was listed at Grade II in November 2020.
The tower takes its name from the main radio station that operates from it, Radio City and its sister station Greatest Hits Radio Liverpool & The North West
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Scotland,EH2 2EL,masterpieces,UK,dusk,at,night,in the,evening,Greek classic,external,outside,the,column,EH2,art,neoclassical,style,Royal Institution for the Encouragement of the Fine Arts,Royal Institution,Fine Arts,ancient,Greek,temple,history,historic,columns,ionic,Roman,stone,gallery,galleries
Description: Tony Smith image Alamy 2M368NK - The Scottish National Gallery (formerly the National Gallery of Scotland) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859.
The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
The origins of Scotland's national collection lie with the Royal Institution for the Encouragement of the Fine Arts in Scotland, founded in 1819. It began to acquire paintings, and in 1828 the Royal Institution building opened on The Mound. In 1826, the Scottish Academy was founded by a group of artists who, dissatisfied with its policies, seceded from the Royal Institution, and in 1838 it became the Royal Scottish Academy (RSA). A key aim of the RSA was the founding of a national collection. It began to build up a collection and from 1835 rented exhibition space within the Royal Institution building
In the 1840s, plans were put in place for a new building to house the RSA. The noted Scottish architect William Henry Playfair was commissioned to prepare designs, and on 30 August 1850, Prince Albert laid the foundation stone. The building was originally divided along the middle, with the east half housing the exhibition galleries of the RSA, and the western half containing the new National Gallery of Scotland,[4] formed from the collection of the Royal Institution. In 1912 the RSA moved into the Royal Institution building, which remains known as the Royal Scottish Academy Building. When it re-opened, the gallery concentrated on building its permanent collection of Scottish and European art for the nation of Scotland.
William Playfair's building?like its neighbour, the Royal Scottish Academy?was designed in the form of an Ancient Greek temple. While Playfair designed the RSA in the Doric or
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,H43,blue,box,shelves,shelf,storage,the,gallery,Gloucestershire,England,UK,GL50 3JT,museum,and,collection,collections,area,exhibit,exhibits,Cheltenham Art Gallery and Museum,Edward Wilson,explorer,Antarctic,boxes,boxed,artefacts,storeroom,stores,objects,stored,The Wilson,museums,Clarence Street,Cheltenham Art Gallery
Description: Tony Smith image Alamy 2KEBJ2J - The Wilson, formerly known as Cheltenham Art Gallery and Museum, in Cheltenham, Gloucestershire, was opened in 1899. It offers free admission, and has a programme of special exhibitions. It was renamed The Wilson in honour of polar explorer Edward Wilson, a son of Cheltenham, in 2013 after the building was extended. The gallery and museum is managed by The Cheltenham Trust.
The museum is housed in part of a Regency building on Clarence Street (Cheltenham Library currently occupies much of the original building), designed as the Cheltenham Public Library by architect William Hill Knight, who also designed the Cheltenham Synagogue and Montpellier Walk.
In 2007 a national architectural design competition was launched by RIBA Competitions to extend the building, providing more space for the renowned Arts and Crafts collection. Through this process Berman Guedes Stretton were selected by Cheltenham Borough Council and the extension was completed in 2012.
Baron de Ferrieres, a former Mayor and Liberal MP for Cheltenham, gave 43 important paintings, mostly from Belgium and the Netherlands, to the town. He also donated ?1,000 towards the building of a gallery in which to display them. The Museum was opened in 1907 in the adjacent former Schools of Art and Science. A major extension to the building by Hugh Casson was opened by the Princess Royal in September 1989, where the main entrance to the gallery is now situated.
The museum is particularly noted for its Arts and Crafts collection of furniture, textiles, ceramics, carvings, silver and jewellery which is recognised as an outstanding collection of international importance for which the Art Gallery & Museum has received Designated status.
Cheltenham's history is well represented, and in addition there are paintings spanning four centuries, oriental collections of pottery and costume, and archaeological treasures from the neighbouring Cotswolds.
The Edward Wilson gallery shows the life of the Antarctic explorer
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,SK13,High Peak,fashion,sex,death,dead,Glossop,ThisIsPeggy,art,artwork,painting,remember,The Artful Pigeon,gallery,work,artist,portrait,town,centre,born,in,Tintswistle,Vivienne Swire,Swire,Tintwistle,red,hair,designer,birthplace,Peak District,Derbyshire,boutique,Deggy,spray paint
Description: Tony Smith image Alamy 2K1Y7RP - Vivienne Westwood 1941- Fashion Designer
Vivienne Westwood was born Vivienne Swire in the Peak District village of Tintwistle, Glossop, Derbyshire in 1941. Still a teenager, the family moved to Harrow, a suburb of northwest London, where her parents took over the running of a post office. At 21, she married Derek Westwood, a toolmaker, but the marriage did not last. After the break-up, Vivienne fled to her Aunt Ethel's caravan in North Wales, with her son Ben.
Her career in fashion did not take off until she met Malcolm McLaren, later known as the manager of punk band the Sex Pistols, who was studying alongside her brother at Harrow Technical College. Friendship came first, followed by love, and, in 1974, a second child, Joe, now the purveyor of saucy scanties, was born.
It was London which gave Vivienne the boost her creativity needed. After a stint selling her own jewellery in Portobello Market, she and Malcolm opened the infamous Sex boutique at the bottom end of the Kings Road where her provocative designs were sold. Then came punk. Vivienne's clothes were perfect for the youth trend: bondage trousers, slashed shirts and provocative God Save The Queen T-shirts. The monarch may not have loved it, but London was intoxicated.
After a couple more shops, Westwood moves to Italy in 1984 where a deal with Giorgio Armani announced. 1989 November: Westwood's name appears in a list of the world's top six designers in John Fairchild's book Chic Savages (1989), along with Armani, Lagerfield, Saint Laurent, Lacroix and Ungaro.
Between 1989-1991 she is appointed Professor of Fashion at Vienna Academy of Applied Arts and in 1990 the first complete menswear collection, Cut and Slash (S/S 1991) was shown in conjuntion with Pitti Uomo in Florence.
In 1992, she married Andreas Kronthaler, a fashion student a quarter of a century younger than her, whom she met when she was tutoring fashion at Vienna University of Applied Arts.
During the 1990's she opens shops in London
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bradford,West Yorkshire,England,UK,Hockney,chair,Hockneys,design,art,sized,large,artwork,Yorkshireman,man,Saltaire mill,mill,gallery,varnished,wood,wooden,heritage,village,The Chair,painting,1985,artist,subversion,of,perspective,the,chairs,furniture,fabric
Description: Tony Smith image Alamy 2JTR48G - Throughout his remarkable career, David Hockney has demonstrated both a profound passion for the great avant-garde traditions of the past and a voraciously creative vision for his own, category-defying artistic practice. Exemplifying this enigmatic balance in his oeuvre, Chair from 1985 powerfully fuses an eloquent tribute to past masters Vincent van Gogh, Paul Gauguin and Pablo Picassowith the striking subversion of traditional perspective that defines many of Hockney's masterworks. It is a truly exceptional example of the rich color palette, compositional structure, and intimately significant subject matter that characterises the very best of his output. Widely renowned as Britain's greatest living painter, Hockney's remarkable output is predicated upon a unique ability to absorb, execute, and contribute to the greatest avant-garde movements of Twentieth Century while simultaneously defying strict categorisation. In its seamless fusion of art historical homage and highly particularised artistic sentiment, Chair encapsulates the indisputable vitality, innovation, and enchanting charm of Hockney's inimitable painterly oeuvre.
I've always loved chairs: they have arms and legs, like people? There is a presence in the two paintings ? van Gogh and Gauguin. They're not just empty chairs.
MARTIN BAILEY, WHAT HOCKNEY THINKS OF VAN GOGH, THE ART NEWSPAPER, OCTOBER 9, 2015, N.P.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,house,cocoa,caf??,Nantwich,CW5,centre,shop,shops,stores,venue,bunting,summer,gift,paintings,art,Poppy & Bay,gallery,Nantwich South and Stapeley,heritage,Victorian,blue sky,blue skies,town,town centre,interesting,tourist,tourism,attraction,attractions,outside,entrance,entry,retail,shopping mall
Description: Tony Smith image Alamy 2JNN555 -
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,CH1 1NQ,of,english,from,the,David Sherratt,Art Gallery,king,statue,statue of the King,Victorian,Queen Victoria,old,walled,shopping,store,unique,timber-framed,Tudor,style,architecture,contrast,streets,lanes,retail,retailing,pedestrianised,detail,details,carving,carvings
Description: Tony Smith image Alamy 2JN5MNG - built in 1889 as an Art Gallery for a David Sherratt, whose name you can see over the small centre arch on the rows level, along with 'Art Gallery', above the statue of the King. It is odd that the iscription 'To God my King my Country' as it was built during the reign of Queen Victoria? This may explain why the statue of the King is jammed in the niche. Apparently the statue was ordered sperartely from the building and it and the niche did not match in height. Expediance led to them chopping a bit off his legs so that he would just fit! - more at http://nbholderness.blogspot.com/2018/06/choice-chester.html
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,CH1 1NQ,of,english,from,the,David Sherratt,Art Gallery,king,statue,statue of the King,Victorian,Queen Victoria,old,walled,shopping,store,unique,timber-framed,Tudor,style,architecture,contrast,streets,lanes,retail,retailing,pedestrianised,detail,details,carving,carvings
Description: Tony Smith image Alamy 2JN5MNM - built in 1889 as an Art Gallery for a David Sherratt, whose name you can see over the small centre arch on the rows level, along with 'Art Gallery', above the statue of the King. It is odd that the iscription 'To God my King my Country' as it was built during the reign of Queen Victoria? This may explain why the statue of the King is jammed in the niche. Apparently the statue was ordered sperartely from the building and it and the niche did not match in height. Expediance led to them chopping a bit off his legs so that he would just fit! - more at http://nbholderness.blogspot.com/2018/06/choice-chester.html
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,ornate,building,Great,Britain,timber,framed,frame,black,white,Twenty Two Bridge Street gallery,CH1 1NN,22,Chester,Cheshire,England,UK,placeforartinchester,place for art in chester,summer,blue,sky,old,walled,shopping,store,unique,timber-framed,Tudor,style,architecture,contrast,streets,lanes,retail,retailing
Description: Tony Smith image Alamy 2JN5MP6 - New premises in Chester city centre soon to become available to share between us cool arty people!
Affordable exhibition spaces for individuals as well as businesses will be ours to make use of with Place for the Arts in Chester (www.placeforart.co.uk).
The concept of art on the walls still applies but we would like to have a mix of very different treasures!
We are looking for diverse, unusual and crazy stuff! ????
Art, guitar strings, books, glass, jewellery, textiles, fashion, furniture, interior quirks... Let us know what your field of expertise is!
Please read about Place for the Arts in Chester and how it operates first before getting in touch - we are not a gallery and will not simply accept submissions!
The project is not for profit and relies on your enthusiasm and passion for what you are doing, dedication to art and a bit of your time????
hello@chesterartcentre.co.uk
placeforartinchester@gmail.com
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,SE1,London,England,UK,SE1 9TG,the,philanthropist,Southwark,Blavatnik Family Foundation,new extension,Switch House,style,abstract,Tate Modern,sunny,blue sky,blue skies,architectural,unique,tourist,tourism,attraction,art,gallery,exterior,brickwork,design,slope,sloping,switchhouse,switch house,urban,Herzog
Description: Tony Smith image Alamy 2JKBPFX - With the Switch House sharing its foundations with the existing Turbine Hall and the new building's tower oversailing the Switch House, settlement was a key consideration for the Ramboll ground engineering team, especially with the Turbine Hall glass roof. Movement posed a critical issue and was a key driver in the development of the new building's foundation design.
Challenging geometry
This unique building has one-of-a-kind geometry and a remarkable brick fa??ade. Every facet of the building's design has had to be planned and coordinated with the most staggering precision. Its unique and complex geometry impacted many aspects of the building, including the brick arrangement, windows and precast fa??ade panels, internal structure, scaffold.
A concrete frame emerges from the concrete underworld
The concrete frame to the tower emerges out of the concrete underworld in the form of a faceted pyramid. Deep transfer beams facilitate a change in geometry and provide a base for the tower structure to ascend. Carefully coordinated with the remaining basement structure of the oil stores, it establishes a relationship with the raw character of the existing industrial heritage. Ramboll's passion for design is seen throughout this building, with countless numbers of concrete options explored for the exposed areas, to be sure of the best end result. The final concrete solution specified was 40% GGBS
a grade which not only ensures a light and smooth finish with sharp edges, but also has lower CO2, resulting in a lower carbon footprint concrete.
A structural design that embraces the building's multifaceted needs
The continuous precast perimeter columns crank to form the ?creases' in the envelope of the building. Containing a core of structural steel at critical locations to provide slenderness, the precast perimeter columns are cruciform in profile, with ?arms' to support the precast cladding panels, glazing and brickwork.
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,SE1,London,England,UK,SE1 9TG,the,philanthropist,Southwark,Blavatnik Family Foundation,new extension,Switch House,greenwashing,style,abstract,Tate Modern,sunny,blue sky,blue skies,architectural,unique,tourist,tourism,attraction,art,gallery,exterior,brickwork,design,slope,sloping,switchhouse,switch house,urban,Herzog
Description: Tony Smith image Alamy 2JKBPGT - Tate has announced that the recent ?260 million extension of the Tate Modern, The Switch House, is to be renamed the Blavatnik Building, The Art Newspaper reports. Following a more-than ?50m donation, the building will be named after American businessman Len Blavatnik, whose contribution is believed to be the largest-ever financial gift given to a UK museum. The donation was originally pledged in 2011, which helped Tate to secure support from other donors for the extension. Blavatnik, who emigrated to the US from the Soviet union in 1978, made his money in the Russian oil industry. The family's foundation, the Blavatnik Family Trust has gifted money to other cultural institutions including the National Gallery, National Portrait Gallery, Victoria & Albert Museum, British Museum and Royal Academy of Arts (all London), the National Gallery of Art (Washington, DC) and the Metropolitan Museum of Art (New York).
Nicholas Serota, who will be stepping down as the Tate director at the end of May, says that he is ?delighted the new building now bears his name'.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,RBKC,England,UK,Royal Borough,of,Kensington,Chelsea,street,urban,art,artists,artist,on,outside,exterior,the,284 Portobello Rd,gallery,W10,touch,lady,blue,building,terrace,spots,spotty,graffiti,workshop,workshops,facade,front,NH,NottingHill,NottingHills,Notting Hills
Description: Tony Smith image Alamy 2M0KX74 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,High St,Cheshire,England,UK,WA7 1BG,Runcorns,arts,art,venue,summer,community,venues,space,art space,cultural,culture,400 seat Theatre,108 seat Studio,access,disabled,winning,architects,James Brindley.,award,Partners,and,Digital Cinema,Education Room,Gallery Space,Creative Display Cabinet,facility,Theatre Bar,cafe,Merseyside,Terrace Caf??.,modern,hub
Description: Tony Smith image Alamy 2JHB6N1 - The Brindley Theatre is owned by Halton Borough Council and is the main centre for arts and entertainment for the borough of Halton which covers the twin towns of Runcorn and Widnes on either side of the River Mersey. The Brindley opened in September 2004 with the following mission statement:
?The Brindley will provide excellent facilities and opportunities for engaging with and access to performances, exhibitions and events which entertain, educate and inspire'.
Facilities: 400 seat Theatre, 108 seat Studio, Gallery Space, Creative Display Cabinet, Education Room, Digital Cinema, Theatre Bar and Terrace Caf??.
The building was designed by the brilliant architect Richard Brierley of John Miller Partners and the design won a Royal Institute of British Architects Architectural Award in 2004. The Brindley has also won several other major awards including Best Performance Venue ? Mersey Partnership Tourism Awards 2008 and Best Arts Project in the UK ? National Lottery Awards 2007.
AWARDS
Award for Technical Excellence in Architectural Technology 2008
Picture of awardBest Performance Venue ? Mersey Partnership Tourism Awards 2008
Best Arts Project in the UK ? National Lottery Awards 2007
ADAPT ?Excellence In Access' Award ? Access for Disabled People to Arts Premises Today 2005
Centre Vision Civic Trust Award 2005
Royal Institute of British Architects Architectural Award 2004
Kitemark Award for Disability Access & Friendliness 2013 (The Ella Performance Group)
Kitemark Award ? Outstanding Services for Young People with Disabilities in Halton 2015 (Halton Speak Out)
Tripadvisor ?Certificate of Excellence' 2016
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA7,venue,theater,pano,Cheshire,England,UK,WA7 1BG,High Street,high St,canalside,canal side,modern,art,hub,Borough Council,and,Partners,architects,James Brindley.,award,winning,disabled,access,400 seat Theatre,108 seat Studio,Gallery Space,Creative Display Cabinet,Education Room,Digital Cinema,Theatre Bar,cafe,Terrace Caf??.,facility,Merseyside,art space,community
Description: Tony Smith image Alamy 2K13HB8 - The Brindley Theatre is owned by Halton Borough Council and is the main centre for arts and entertainment for the borough of Halton which covers the twin towns of Runcorn and Widnes on either side of the River Mersey. The Brindley opened in September 2004 with the following mission statement:
?The Brindley will provide excellent facilities and opportunities for engaging with and access to performances, exhibitions and events which entertain, educate and inspire'.
Facilities: 400 seat Theatre, 108 seat Studio, Gallery Space, Creative Display Cabinet, Education Room, Digital Cinema, Theatre Bar and Terrace Caf??.
The building was designed by the brilliant architect Richard Brierley of John Miller Partners and the design won a Royal Institute of British Architects Architectural Award in 2004. The Brindley has also won several other major awards including Best Performance Venue ? Mersey Partnership Tourism Awards 2008 and Best Arts Project in the UK ? National Lottery Awards 2007.
AWARDS
Award for Technical Excellence in Architectural Technology 2008
Picture of awardBest Performance Venue ? Mersey Partnership Tourism Awards 2008
Best Arts Project in the UK ? National Lottery Awards 2007
ADAPT ?Excellence In Access' Award ? Access for Disabled People to Arts Premises Today 2005
Centre Vision Civic Trust Award 2005
Royal Institute of British Architects Architectural Award 2004
Kitemark Award for Disability Access & Friendliness 2013 (The Ella Performance Group)
Kitemark Award ? Outstanding Services for Young People with Disabilities in Halton 2015 (Halton Speak Out)
Tripadvisor ?Certificate of Excellence' 2016
Description
Keywords: Southport,Lancs,Lancashire,Merseyside,seaside,coast,town,PR8,HotpixUK,UK,@HotpixUK,GoTonySmith,England,art gallery,art,summer,architecture,listed,blue,sky,box office,culture,arts,Art Gallery,and,&,Library,grade II,buildings,marine lake,Pier and Marine Lake,Sefton Council,PR8 1DB,pier,promenade,skies
Description: Tony Smith image Alamy 2JHRH4H -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Southport,Lancs,Lancashire,Merseyside,seaside,coast,town,PR8,UK,England,art gallery,art,summer,architecture,listed,blue,sky,box office,culture,arts,Art Gallery,and,&,Library,grade II,buildings,marine lake,Pier and Marine Lake,Sefton Council,PR8 1DB,pier,promenade,skies
Description: Tony Smith image Alamy 2JHRH63 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Southport,Lancs,Lancashire,Merseyside,seaside,coast,town,PR8,UK,England,art gallery,art,summer,architecture,listed,blue,sky,box office,culture,arts,Art Gallery,and,&,Library,grade II,buildings,marine lake,Pier and Marine Lake,Sefton Council,PR8 1DB,pier,promenade,skies
Description: Tony Smith image Alamy 2JHRH66 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Southport,Lancs,Lancashire,Merseyside,seaside,coast,town,PR8,UK,England,art gallery,art,summer,architecture,listed,blue,sky,box office,culture,arts,Art Gallery,and,&,Library,grade II,buildings,marine lake,Pier and Marine Lake,Sefton Council,PR8 1DB,pier,promenade,skies
Description: Tony Smith image Alamy 2JHRH69 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Southport,Lancs,Lancashire,Merseyside,seaside,coast,town,art gallery,art,PR8,UK,England,summer,architecture,listed,blue,sky,box office,culture,arts,Art Gallery,and,&,Library,grade II,buildings,sunny,blue sky,blue skies,building,architect,attraction,attractions,tourist,tourism
Description: Tony Smith image Alamy 2JHW8BC - The Atkinson is a building on the east side of Lord Street extending round the corner into Eastbank Street, Southport, Sefton, Merseyside, England. The building is a combination of two former buildings, the original Atkinson Art Gallery and Library that opened in 1878, and the adjacent Manchester and Liverpool District Bank that was built in 1879. These were combined in 1923?24 and the interiors have been integrated. The original building is in Neoclassical style, and the former bank is in Renaissance style.
The art gallery and library has been integrated with the Southport Arts Centre and is now known as The Atkinson.
The two former buildings are each recorded in the National Heritage List for England as designated Grade II listed buildings.
History
The Atkinson was built following a donation of ?6,000 in 1875 by William Atkinson, a cotton manufacturer from Knaresborough, North Yorkshire, and a frequent visitor to Southport. The building was designed by Waddington and Son of Burnley, Lancashire and opened in 1878. The total cost, donated by Atkinson, was ?15,000. In 1923?24 the building was extended by incorporating an adjacent bank on the corner of Eastbank Street, that had been built for the Manchester and Liverpool District Bank in 1879. The interior of the combined building was remodeled in the late 20th century, and the interiors were internally integrated. As of 2014 the organisation of the library and art gallery is integrated with the Southport Arts Centre and it is known as The Atkinson.
Original building
The original building is constructed in sandstone with a slate roof in Neoclassical style. It is in three storeys and has a symmetrical three-bay front. The central bay projects forward and contains a square-headed doorway above which is a roundel and a band of three panels. It is flanked by pairs of engaged Corinthian columns, above which is an entablature with a frieze inscribed with ATKINSON FREE LIBRARY and a pediment.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Southport,Lancs,Lancashire,Merseyside,seaside,coast,town,art gallery,art,PR8,UK,England,summer,architecture,listed,blue,sky,box office,culture,arts,Art Gallery,and,&,Library,grade II,buildings,sunny,blue sky,blue skies,building,architect,attraction,attractions,tourist,tourism
Description: Tony Smith image Alamy 2JHW8BF - The Atkinson is a building on the east side of Lord Street extending round the corner into Eastbank Street, Southport, Sefton, Merseyside, England. The building is a combination of two former buildings, the original Atkinson Art Gallery and Library that opened in 1878, and the adjacent Manchester and Liverpool District Bank that was built in 1879. These were combined in 1923?24 and the interiors have been integrated. The original building is in Neoclassical style, and the former bank is in Renaissance style.
The art gallery and library has been integrated with the Southport Arts Centre and is now known as The Atkinson.
The two former buildings are each recorded in the National Heritage List for England as designated Grade II listed buildings.
History
The Atkinson was built following a donation of ?6,000 in 1875 by William Atkinson, a cotton manufacturer from Knaresborough, North Yorkshire, and a frequent visitor to Southport. The building was designed by Waddington and Son of Burnley, Lancashire and opened in 1878. The total cost, donated by Atkinson, was ?15,000. In 1923?24 the building was extended by incorporating an adjacent bank on the corner of Eastbank Street, that had been built for the Manchester and Liverpool District Bank in 1879. The interior of the combined building was remodeled in the late 20th century, and the interiors were internally integrated. As of 2014 the organisation of the library and art gallery is integrated with the Southport Arts Centre and it is known as The Atkinson.
Original building
The original building is constructed in sandstone with a slate roof in Neoclassical style. It is in three storeys and has a symmetrical three-bay front. The central bay projects forward and contains a square-headed doorway above which is a roundel and a band of three panels. It is flanked by pairs of engaged Corinthian columns, above which is an entablature with a frieze inscribed with ATKINSON FREE LIBRARY and a pediment.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Southport,Lancs,Lancashire,Merseyside,seaside,coast,town,England,UK,PR8,art gallery,art,summer,architecture,listed,blue,sky,box office,culture,arts,Art Gallery,and,&,Library,grade II,buildings,sunny,blue sky,blue skies,building,architect,attraction,attractions,tourist,tourism
Description: Tony Smith image Alamy 2JHW8CC - The Atkinson is a building on the east side of Lord Street extending round the corner into Eastbank Street, Southport, Sefton, Merseyside, England. The building is a combination of two former buildings, the original Atkinson Art Gallery and Library that opened in 1878, and the adjacent Manchester and Liverpool District Bank that was built in 1879. These were combined in 1923?24 and the interiors have been integrated. The original building is in Neoclassical style, and the former bank is in Renaissance style.
The art gallery and library has been integrated with the Southport Arts Centre and is now known as The Atkinson.
The two former buildings are each recorded in the National Heritage List for England as designated Grade II listed buildings.
History
The Atkinson was built following a donation of ?6,000 in 1875 by William Atkinson, a cotton manufacturer from Knaresborough, North Yorkshire, and a frequent visitor to Southport. The building was designed by Waddington and Son of Burnley, Lancashire and opened in 1878. The total cost, donated by Atkinson, was ?15,000. In 1923?24 the building was extended by incorporating an adjacent bank on the corner of Eastbank Street, that had been built for the Manchester and Liverpool District Bank in 1879. The interior of the combined building was remodeled in the late 20th century, and the interiors were internally integrated. As of 2014 the organisation of the library and art gallery is integrated with the Southport Arts Centre and it is known as The Atkinson.
Original building
The original building is constructed in sandstone with a slate roof in Neoclassical style. It is in three storeys and has a symmetrical three-bay front. The central bay projects forward and contains a square-headed doorway above which is a roundel and a band of three panels. It is flanked by pairs of engaged Corinthian columns, above which is an entablature with a frieze inscribed with ATKINSON FREE LIBRARY and a pediment.
Description
Keywords: Hotpixuk,England,@Hotpixuk,UK,GB,Great Britain,GoTonySmith,M50,Salford Quays,Pier,M50 3AZ,Quays,theatre and gallery complex,theatre,gallery,flagship,tourist,architects,James Stirling,Michael Wilford,Associates,architect,Lowry Trust,National Lottery,funding,funded,Buro Happold,arts,closed due to coronavirus,closed due to Covid19,redeveloped,theatres,sunny,blue sky,The Quays,The
Description: Tony Smith image Alamy 2DCE9JH - The Lowry is a theatre and gallery complex at Salford Quays, Salford, Greater Manchester, England. It is named after the early 20th-century painter L. S. Lowry, known for his paintings of industrial scenes in North West England. The complex opened on 28 April 2000 and was officially opened on 12 October 2000 by Queen Elizabeth II
Between 1990 and 1991 a competition was launched and architects James Stirling Michael Wilford Associates was selected. After the death of James Stirling in June 1992 Michael Wilford continued the project. The city council bid for Millennium and other British and European funds and private sector finance to progress the project. Funding was secured in 1996 and The Lowry Trust became responsible for the project which comprised The Lowry Centre, the plaza, a footbridge, a retail outlet shopping mall and Digital World Centre.
The complex was designed by Michael Wilford with structural engineer Buro Happold and constructed by Bovis Construction.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Bath England,bath spa,spa,Holburne Museum,Museum,Bathwick,Bath,BA2 4DB,BA2,Sydney Gardens,column,Grade I listed,listed building,art gallery,exhibitions,Sir Thomas William Holburne,Mary Anne Barbara Holburne,centre,blue,sky,skies,stonework,Roman,building,buildings,architecture,Romans,style,feature,features,columns,classic,classical
Description: Tony Smith image Alamy 2B1YFT5 - The Holburne Museum (formerly known as the Holburne of Menstrie Museum and the Holburne Museum of Art) is located in Sydney Pleasure Gardens, Bath, Somerset, England. The city's first public art gallery, the Grade I listed building, is home to fine and decorative arts built around the collection of Sir William Holburne. Artists in the collection include Gainsborough, Guardi, Stubbs, Ramsay and Zoffany.
The museum also provides a programme of temporary exhibitions, music performances, creative workshops, family events, talks and lectures. There is a bookshop and a caf?? that opens out onto Sydney Gardens. The museum reopened in May 2011 after restoration and an extension designed by Eric Parry Architects, supported by the Heritage Lottery Fund.
Collection
The heart of the present day Collection was formed by Sir Thomas William Holburne (1793-1874). As a second son, Thomas William (generally known as William) first pursued a naval career. He ultimately inherited the Baronetcy in 1820 following the death of his elder brother Francis at the Battle of Bayonne in 1814.
Details of the circumstances and pattern of Sir William's collecting are unclear, but to inherited Chinese armorial porcelain, silver and portraits he added seventeenth and eighteenth-century silver and porcelain, Italian maiolica and bronzes, Old Master paintings, portrait miniatures, books and furniture and a variety of other smaller items including Roman glass, coins, enamels, seals, gems and snuff boxes
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Inverclyde,Scotland,West Of Glasgow,West of Scotland,UK,night,night time,tail of the bank,Inverclyde Council,buildings,arts,space,venue,arts venue,2013,new building,theatre,evening,caf??,bistro,views over the Clyde,Greenocks Custom House Quay,Greenock Custom House Quay,Customhouse Quay,Clyde,Clydeside,Greenockians,illuminated,event space,event,venues,new,recent,gallery,galleries
Description: Tony Smith image Alamy 2AR6YJE - The Greenock Arts Guild's Beacon Arts Centre (replacing the former Arts Guild Theatre) opened in 2013 in a new building at Greenock's Custom House Quay. It provides a 500 seat theatre that hosts a regular programme of plays, concerts, musical events, comedians and other events and a Studio Theatre, as well as a multifunction Gallery Suite providing rehearsal and meeting rooms which combine for event or performance space, and a caf?? / bistro, both with views over the Clyde.
Greenock hosted the National M?d in 1904 and 1925
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Inverclyde,Scotland,West Of Glasgow,West of Scotland,UK,night,night time,tail of the bank,Inverclyde Council,buildings,arts,space,venue,arts venue,2013,new building,theatre,evening,caf??,bistro,views over the Clyde,Greenocks Custom House Quay,Greenock Custom House Quay,Customhouse Quay,Clyde,Clydeside,Greenockians,event space,event,venues,new,recent,gallery,galleries
Description: Tony Smith image Alamy 2AR6YJN - The Greenock Arts Guild's Beacon Arts Centre (replacing the former Arts Guild Theatre) opened in 2013 in a new building at Greenock's Custom House Quay. It provides a 500 seat theatre that hosts a regular programme of plays, concerts, musical events, comedians and other events and a Studio Theatre, as well as a multifunction Gallery Suite providing rehearsal and meeting rooms which combine for event or performance space, and a caf?? / bistro, both with views over the Clyde.
Greenock hosted the National M?d in 1904 and 1925
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,G2,Lord Provost,portraits,Portraits,Gallery,Glasgow City Chambers,George Sq,George Square,painting,art,P Lally,Pat,Lally,ceremonial chain,Pat Lally,Patrick James Lally,nicknamed,Lazarus,nickname,1926,2018,Scottish,politician,leader,Glasgow City Council,Lord Provost of Glasgow,Gorbals,portrait,votes for trips
Description: Tony Smith image Alamy 2ABJGC6 - Patrick James Lally (February 1926 ? 8 June 2018) was a Scottish politician who was Leader of Glasgow City Council and Lord Provost of Glasgow.
Early years
Pat Lally was born and brought up in the Gorbals, a poor district of Glasgow. He left school at 13, and was conscripted to the RAF after the War. He joined the Labour Party in 1950 and was elected as a Glasgow Corporation councillor in 1966.
Glasgow Council
Lally was involved in local government politics from 1966 to 1999. Although he was suspended from Labour's candidates list in 1977 in a housing allocation row, he returned to the City Chambers in 1980. He was council leader of Glasgow City District Council in the early 1990s and became Lord Provost of the new City Council in 1995, serving until 1999. During this time he did much to promote Glasgow on the national and international stage. He was credited as the driving force behind civic successes such as the 1988 Glasgow Garden Festival, Glasgow becoming European City of Culture in 1990, and European City of Architecture in 1999. He also played an important role in the creation of the Glasgow Royal Concert Hall, which is sometimes dubbed 'Lally's Palais'.
In 1997 he and Alex Mosson were suspended by the Labour party in a votes for trips scandal. Both took the party to the Court of Session and had the suspension revoked. Lally retired from local government in 1999.
Pat Lally is nicknamed 'Lazarus', as a result of his numerous political comebacks.
Retirement
He quit the Labour Party in 2003, but later that year stood at the age of 77 against Mike Watson in Glasgow Cathcart to be an MSP as a health campaign candidate, and stood again to be an MSP in the October 2005 by-election, against ex-council leader Charlie Gordon, as an independent for the same constituency.
Lally stood as a candidate for the Scottish Senior Citizens Unity Party in the 2007 Scottish Parliament election on the Glasgow list. His wife, Peggy, died on polling day, 3 May.
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,paste ups,stickers,tags,from,in various colours,artist,Ready to use,Wheatpaste,pop art,street art,Out House project,OutHouse project,street-art,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,graffiti,art,figures,Northern Quarter,NorthernQuarter,colourful,colorful,colours
Description: Tony Smith image Alamy RFF638 - Here's a little insight into the world of D7606
Picking spots is not always easy, a lot of areas like the east end of London are quite saturated with street art, finding a spot without going over other peoples work and tags is always a priority. Being respectful to others work is very important to me. So I like to find new spots and go into areas where no one has been before, I did a series of Bollywood actors and found myself in a busy Southall one night, that was fun. I have been into the urbex spots around Sheffield where the spray can and letters are king, so adding brightly coloured paste ups to those grimy walls is a risk and one I'm glad I have taken, some will approve and others will not but that's the joy of trying new places.
Mostly I am a lover of other peoples work and my photography of that work is how I find different neighbourhoods. Most areas are well know so often I just wander around taking photos, this then gives me that opportunity to do my own work too. I guess my favourite areas right now are Sheffield in the UK and Kreuzberg in Berlin, the back streets are full of grimy walls and doors, a perfect place for paste ups, stickers and tags..
I love those iconic British symbols, ask an American to name an iconic British symbol and a lot will say our red phone box or post box. They featured in my first work and still do in a big way.
Oh yes, I love to take those iconic British symbols abroad, I have travelled a fair bit in the last year- France, Germany and the USA. Hard to say a favourite place really, all have great art and great spots. Overall New York was the most impressive but maybe that was a size thing? It is massive, so much to see and so much good original work around.
Have you ever got in trouble with the police or other people for putting up your work?
Ha? oh no, everything I do is within the law !!! I am sure I have annoyed people with my work, some artists are honest enough to say? stop !! That's too much !! or that latest work
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Fuzzylogic75 stencil art,stencil,Northern Quarter,figures,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,artist,stickers,street art,graffiti,paste ups,art,NorthernQuarter,colourful,colorful,colours,arm,pipe,tube,tag,tags,paper,pasted
Description: Tony Smith image Alamy RFF64K -
Description
Keywords: City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Northern Quarter,RIP,NorthernQuarter,SSOSVATIME,art,street art,graffiti,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,artist,stickers,paste ups,figures,colourful,colorful,colours,silver,monochrome,BW,black and white,hat,hatter,mad,time
Description: Tony Smith image Alamy RFF64M -
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,urban art,art,streetart,street art,vibrant,No Entry Sign,No Entry,cul-de-sac,M1,M1 1DF,Urban,in Spear Street,North West,Manchester Northern Quarter,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,tag,tags,painting,spayed,spray can,no entry
Description: Tony Smith image Alamy RFF67X -
Description
Keywords: city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,graffiti,art,artist,paint,painting,urban,graf,hiphop,northernquarter,Dog,man,dogface,cloth cap,Houldsworth St,NQ4,north west England,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,Manchester Northern Quarter,M1 1JW,M1,face,dog,head
Description: Tony Smith image Alamy RFF688 -
Description
Keywords: Manchester,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Motley AtoZ,AZ street art,The Revolution will not be televised,Motley,AtoZ,AZ,street art,streetart,artist,NQ4,Northern Quarter,North West,on wall,on a wall,wall art,Street Atlas,blue,red,motley,creator,cover,A-Z cover,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,map,maps,book cover
Description: Tony Smith image Alamy RFF696 - The A?Z (pronounced Ay to Zed), or in full the Geographers' A?Z Street Atlas, is a name given to any one of a range of atlases of streets in the United Kingdom currently produced by Geographers' A?Z Map Company Limited. Its first atlas, of London, was originally compiled in the 1930s by Phyllis Pearsall. The company she founded now publishes street maps of many cities and towns in the UK.
Until relatively recently, maps produced by the Geographers' (A?Z) Map Company did not include a publication date. Some clues to dating include:
their first map was published in 1936
the only maps produced by them during WW2 (1939?1945) were war maps of Europe
until 1962, the Published By address was 24 Grays Inn Road, Holborn, London
from 1962 to 1992, the Published By address was Sevenoaks, Kent
from 1992 onwards, the Published By address is Borough Green, Kent
in 1972, the company name was changed from Geographers' Map Company to Geographers' A?Z Map Company.
About Motley creator:
Hailing from and currently residing in Manchester. I'm incredibly passionate about my city. The hope is that I can do my part to make it an interesting place to live.
Besides being best known for my street art, I enjoy working with the best possible medium to execute an idea. In true Motley fashion. Meaning mismatched and irregular. My work is less rooted in a common visual style and more based on the independent reaction to what inspired me in the first place.
I take inspiration from many sources. Elements of public space such as advertisements and signage are of particular interest. Given that street art is technically illegal, I'm fascinated by the visual elements of the street that are permitted.
My dream job would either be mayor of Manchester or Ikea bookshelf instructions designer.
Description
Keywords: Manchester,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Motley AtoZ,AZ street art,The Revolution will not be televised,Motley,AtoZ,AZ,street art,streetart,artist,NQ4,Northern Quarter,North West,on wall,on a wall,wall art,Street Atlas,blue,red,motley,creator,cover,A-Z cover,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,map,maps,book cover
Description: Tony Smith image Alamy RFF698 - The A?Z (pronounced Ay to Zed), or in full the Geographers' A?Z Street Atlas, is a name given to any one of a range of atlases of streets in the United Kingdom currently produced by Geographers' A?Z Map Company Limited. Its first atlas, of London, was originally compiled in the 1930s by Phyllis Pearsall. The company she founded now publishes street maps of many cities and towns in the UK.
Until relatively recently, maps produced by the Geographers' (A?Z) Map Company did not include a publication date. Some clues to dating include:
their first map was published in 1936
the only maps produced by them during WW2 (1939?1945) were war maps of Europe
until 1962, the Published By address was 24 Grays Inn Road, Holborn, London
from 1962 to 1992, the Published By address was Sevenoaks, Kent
from 1992 onwards, the Published By address is Borough Green, Kent
in 1972, the company name was changed from Geographers' Map Company to Geographers' A?Z Map Company.
About Motley creator:
Hailing from and currently residing in Manchester. I'm incredibly passionate about my city. The hope is that I can do my part to make it an interesting place to live.
Besides being best known for my street art, I enjoy working with the best possible medium to execute an idea. In true Motley fashion. Meaning mismatched and irregular. My work is less rooted in a common visual style and more based on the independent reaction to what inspired me in the first place.
I take inspiration from many sources. Elements of public space such as advertisements and signage are of particular interest. Given that street art is technically illegal, I'm fascinated by the visual elements of the street that are permitted.
My dream job would either be mayor of Manchester or Ikea bookshelf instructions designer.
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Uk,Is,Busy,I dont believe in,selfies,selfie,Look up,mobile,NQ4,art,graffiti,artwork,street art,streetart,poster,sensible mobile use,protect your mobile,protect your phone,arts,street,centre,spray paint,expression,open air gallery,decorated,decoration,M1,M1 1JW
Description: Tony Smith image Alamy RFF69K -
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Great Britain,GB,Nottingham,city centre,Nottingham city centre,Notts,Nottinghamshire,No 1143205,sign,shop,71 Friar Ln,retail,gallery,art societies,1880,Victorian,nottinghamartists,shops,store,stores,sales,selling,arts,artists,artist,signs,outside,exterior,front,NG1,NG1 6DH,Society,Of,Artists
Description: Tony Smith image Alamy 2D8NX1N - Nottingham Society of Artists is one of the oldest and most successful art societies in the country, founded in 1880. Our aim is to bring together artists and others interested in the Visual Arts who are resident in Nottingham and district.
The Society has a proud history of distinguished members whose works can be seen in major national art institutions, whilst other members' works can be found in practically every regional art gallery in the country, including Nottingham Castle.
The home of the Nottingham Society of Artists is St Luke's House, pictured left, a three storey Art Deco building in Friar Lane, close to the picturesque setting of Nottingham Castle in the centre of Nottingham.
St Luke's House was built for the Society in 1934. It has 4 floors including a basement, gallery, education studio, and members studio.
Our studio groups practice Life, Clothed Model, Portrait and Still Life drawing and painting and meet six days and three evenings a week.
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Port Sunlight Museum
Description: Tony Smith image Alamy P72CW2 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72D32 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72D96 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Eurovision,2023
Description: Tony Smith image Alamy P72D9N - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,greenwashing
Description: Tony Smith image Alamy P72DBP - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,greenwashing
Description: Tony Smith image Alamy P72DH2 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72DHA - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72DPR - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72E72 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Antinous,Antinous Statue,Statue
Description: Tony Smith image Alamy P72ED0 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Antinous,Statue,Antinous Statue
Description: Tony Smith image Alamy P72ED6 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Antinous,Statue,Antinous Statue
Description: Tony Smith image Alamy P72EDC - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,bust,busts,stone,carved
Description: Tony Smith image Alamy P72EMC - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: street,famous,club,location,Tony,Wilson,today,what,became,of,the,England,UK,GB,Tony,Wilson,legacy,fac51,fac,51,The,Ha??ienda,nightclub,and,music,venue,Factory,records,label,acid,house,and,rave,music,red,brick,frontage,cranes,crane,building,work,flat,flats,apartment,historic,club,Gotonysmith,Must,Be,Built,The,Ha??ienda,lost,its,entertainments,licence,in,June,1997.,The,last,night,of,the,club,was,28,June,1997,a club night called,featuring,DJs,Elliot,Eastwick,and,Dave,Haslam,(the,final,live,performance,was,by,Spiritualized,on,15,June,1997).,The,club,remained,open,for,a,short,period,as,an,art,gallery,before,finally,going,bankrupt,and,closing,for,good.,After,the,Ha??ienda,officially,closed,it,was,used,as,a,venue,for,two,free,parties,organised,by,the,Manchester,free,party,scene.,One,of,the,parties,ended,in,a,police,siege,of,the,building,while,the,party,continued,inside.,These,parties,resulted,in,considerable,damage,and,painted,graffiti,to,the,Ben,Kelly,designed,interior.,Following,a,number,of,years,standing,empty,The,Whitworth,Street,West,site,was,purchased,from,the,receivers,by,Crosby,Homes.,They,chose,to,demolish,Freak
Description: Tony Smith image Alamy DN6N4T - The Ha??ienda lost its entertainments licence in June 1997. The last night of the club was 28 June 1997, a club night called 'Freak' featuring DJs Elliot Eastwick and Dave Haslam (the final live performance was by Spiritualized on 15 June 1997). The club remained open for a short period as an art gallery before finally going bankrupt and closing for good. After the Ha??ienda officially closed, it was used as a venue for two free parties organised by the Manchester free party scene. One of the parties ended in a police siege of the building while the party continued inside. These parties resulted in considerable damage and painted graffiti to the Ben Kelly designed interior.
Following a number of years standing empty, The Whitworth Street West site was purchased from the receivers by Crosby Homes. They chose to demolish the nightclub, and reuse the site for the construction of domestic flats. The iconic name was kept for the new development, with the Ha??ienda name licensed from Peter Hook, who owns the name and trademark. The nightclub was demolished in 2002 - Crosby Homes had acquired the property some time before that and, on Saturday 25 November 2000, held a charity auction of the various fixtures and fittings from the nightclub. Clubgoers and enthusiasts from across the country attended to snap up memorabilia ranging from the DJ booth box and radiators to emergency exit lights. The DJ booth was bought by Bobby Langley, ex Ha??ienda DJ and Head of Merchandise for Sony Music London for an undisclosed fee.
Crosby Homes were widely criticised for using the Hacienda brand name - and featuring the strapline Now the party's over...you can come home in the promotional material. Another controversial feature of the branding campaign was the appropriation of many of the themes which ran through the original building. One of these was the iconic yellow and black hazard stripe motif which was a powerful symbol in the club's original design, featuring as it did on the club's
Description
Keywords: panorama,Liverpool,Merseyside,England,UK,L3,4AA,L34AA,wide,angle,wide,shot,wideangle,reflect,reflections,reflected,in,the,water,dock,side,dockside,blue,hour,bluehour,city,beatle,beatles,World,Heritage,Maritime,Mercantile,UNESCO,redevelopment,tate,art,gallery,museum,warehouse,system,docking,gotonysmith tourist attraction tourists attractions,scouse,scouser,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXGCM - The Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world.
At the time of its construction the Albert Dock was considered a revolutionary docking system because ships were loaded and unloaded directly from/to the warehouses. Two years after it opened it was modified to feature the world's first hydraulic cranes. Due to its open yet secure design, the Albert Dock became a popular store for valuable cargoes such as brandy, cotton, tea, silk, tobacco, ivory and sugar. However, despite the Albert Dock's advanced design, the rapid development of shipping technology meant that within 50 years, larger, more open docks were required, although it remained a valuable store for cargo.
During the Second World War, the Albert Dock was requisitioned by the Admiralty serving as a base for boats of the British Atlantic Fleet. The complex was damaged during air raids on Liverpool, notably during the May Blitz of 1941. In the aftermath of the war, the financial problems of the owners and the general decline of docking in the city meant that the future of the Albert Dock was uncertain. Numerous plans were developed for the re-use of the buildings but none came to fruition and in 1972 the dock was finally closed. Having lain derelict for nearly ten years, the redevelopment of the dock began in 1981, when the Merseyside Development Corporation was set up, with the Albert Dock being officially re-opened in 1984.
Today the Albert Dock is a major tourist attraction in the city and the most visited multi-use attraction in the United Kingdom, outside of London. It is a vital component of Liverpool's UNESCO designated World Heritage Maritime Mercantile City and the docking complex.
Description
Keywords: UK,GB,great,Britain,grass,hillock,grassed,lawn,oldtown,wide,angle,shot,museum,on,the,artificial,drained,Nor,Loch,which,forms,todays,Princes,Street,Gardens,construction,of,the,Earthen,summer,2013,sunny,National,Gallery,of,the,Royal,Scottish,Academy,spires,gotonysmith,New,College,General,Assembly,Hall,of,the,Church,of,Churchofscotland,iconic,Scottish,independence,independent,indapendance,cloudy,sky,skies,dark,contrast,contrasty,oldtown,Tour,tourist,tourism,tourist,attraction,Capital,City,Scots,Scottish,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,old town
Description: Tony Smith image Alamy DDXJ8H - The Mound is an artificial hill in central Edinburgh, Scotland, which connects Edinburgh's New Town and Old Town. It was formed by dumping around 1,501,000 cartloads of earth excavated from the foundations of the New Town into the drained Nor Loch which forms today's Princes Street Gardens.
The construction of the Earthen Mound, as it was originally called, was begun in 1781 and it was extended over the years until by 1830 it was macadamised and landscaped so that it appeared more or less complete. When the Edinburgh and Glasgow Railway was extended to Waverley in 1846, tunnels were driven under The Mound to allow access to the west. The Bank of Scotland headquarters on the Mound
Some of Edinburgh's most notable buildings and institutions have their premises on The Mound, including the National Gallery of Scotland, the Royal Scottish Academy, the spires of New College, the General Assembly Hall of the Church of Scotland, the elegant domed Headquarters of the Bank of Scotland, and its museum, Museum on the Mound.
Today The Mound is a busy, if fairly steep, thoroughfare taking traffic to and from Princes Street and the Royal Mile in the Old Town. Due to its raised elevation, the Mound commands expansive views over Princes Street and the New Town of Edinburgh and towards Calton Hill.
Description
Keywords: UK,GB,great,Britain,grass,hillock,grassed,lawn,oldtown,wide,angle,shot,museum,on,the,artificial,drained,Nor,Loch,which,forms,todays,Princes,Street,Gardens,construction,of,the,Earthen,summer,2013,sunny,National,Gallery,of,the,Royal,Scottish,Academy,spires,gotonysmith,New,College,General,Assembly,Hall,of,the,Church,of,Churchofscotland,iconic,Scottish,independence,independent,indapendance,cloudy,sky,skies,dark,contrast,contrasty,oldtown,Tour,tourist,tourism,tourist,attraction,Capital,City,Scots,Scottish,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXJ9D - The Mound is an artificial hill in central Edinburgh, Scotland, which connects Edinburgh's New Town and Old Town. It was formed by dumping around 1,501,000 cartloads of earth excavated from the foundations of the New Town into the drained Nor Loch which forms today's Princes Street Gardens.
The construction of the Earthen Mound, as it was originally called, was begun in 1781 and it was extended over the years until by 1830 it was macadamised and landscaped so that it appeared more or less complete. When the Edinburgh and Glasgow Railway was extended to Waverley in 1846, tunnels were driven under The Mound to allow access to the west. The Bank of Scotland headquarters on the Mound
Some of Edinburgh's most notable buildings and institutions have their premises on The Mound, including the National Gallery of Scotland, the Royal Scottish Academy, the spires of New College, the General Assembly Hall of the Church of Scotland, the elegant domed Headquarters of the Bank of Scotland, and its museum, Museum on the Mound.
Today The Mound is a busy, if fairly steep, thoroughfare taking traffic to and from Princes Street and the Royal Mile in the Old Town. Due to its raised elevation, the Mound commands expansive views over Princes Street and the New Town of Edinburgh and towards Calton Hill.
Description
Keywords: UK,GB,great,Britain,grass,hillock,grassed,lawn,oldtown,wide,angle,shot,museum,on,the,artificial,drained,Nor,Loch,which,forms,todays,Princes,Street,Gardens,construction,of,the,Earthen,summer,2013,sunny,National,Gallery,of,the,Royal,Scottish,Academy,spires,gotonysmith,New,College,General,Assembly,Hall,of,the,Church,of,Churchofscotland,iconic,Scottish,independence,independent,indapendance,cloudy,sky,skies,dark,contrast,contrasty,Tour,tourist,tourism,tourist,attraction,Capital,City,Scots,Scottish,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXJAD - The Mound is an artificial hill in central Edinburgh, Scotland, which connects Edinburgh's New Town and Old Town. It was formed by dumping around 1,501,000 cartloads of earth excavated from the foundations of the New Town into the drained Nor Loch which forms today's Princes Street Gardens.
The construction of the Earthen Mound, as it was originally called, was begun in 1781 and it was extended over the years until by 1830 it was macadamised and landscaped so that it appeared more or less complete. When the Edinburgh and Glasgow Railway was extended to Waverley in 1846, tunnels were driven under The Mound to allow access to the west. The Bank of Scotland headquarters on the Mound
Some of Edinburgh's most notable buildings and institutions have their premises on The Mound, including the National Gallery of Scotland, the Royal Scottish Academy, the spires of New College, the General Assembly Hall of the Church of Scotland, the elegant domed Headquarters of the Bank of Scotland, and its museum, Museum on the Mound.
Today The Mound is a busy, if fairly steep, thoroughfare taking traffic to and from Princes Street and the Royal Mile in the Old Town. Due to its raised elevation, the Mound commands expansive views over Princes Street and the New Town of Edinburgh and towards Calton Hill.
Description
Keywords: street,place,real,ale,real ale,CAMRA,Arms,pubs,bars,window,West Register St,West Register place,Edinburgh,Scotland,UK,West,Register,St,pl,historic,traditional,traditional pub,DM Stewart,finest,Gallery,GoTonySmith,newtown,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History,etched,glass,saloon
Description: Tony Smith image Alamy DED149 -
Description
Keywords: Knocks,edn,Edinburgh,Scotland,UK,IM,MA,IMMA,museum,place,to,visit,tourist,tourism,Jon,Knoxs,knoxs,historic,history,Protestant,reformer,Warriston,Close,plaque,national,Museums,and,Art,Galleries,gallery,gotonysmith,oldtown,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History
Description: Tony Smith image Alamy DED1B1 -
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Keywords: The,historic,history,of,city,Merseyside,libraries,service,classic,new,central,building,erected,by,James,JamesPicton,Grade,II,grade2,2,listed,Sir,circular,inscription,corporation,of,history,historic,dark,wood,crest,city,tourist,attraction,impressive,public,municipal,L3,8EW,L38EW,gotonysmith,This,building,erected,by,the,corporation,of,Liverpoolwas,a,resolution,of,the,council,dated,6th,October,1875,ordered,to,be,named,The,Picton,Reading,Room,in,recognition,of,the,valuable,services,rendered,by,James,Allanson,Picton,Esquire,JP,FSA,in,his,capacity,as,chairman,of,the,Public,Library,Museum,and,gallery,of,Arts,Committee,which,position,he,had,then,occupied,for,a,period,exceeding,a,quarter,of,a,century.,Thomas,Bland,Royden,Mayor attractions Mersey Scouse scouser
Description: Tony Smith image Alamy DB6P25 - The old Plaque in the Picton reading room, Liverpool City Central Library
The inscription reads:
This building erected by the corporation of Liverpoolwas a resolution of the council dated 6th October 1875 ordered to be named The Picton Reading Room in recognition of the valuable services rendered by James Allanson Picton Esquire JP FSA in his capacity as chairman of the Public Library Museum and gallery of Arts Committee, which position he had then occupied for a period exceeding a quarter of a century.
Thomas Bland Royden , Mayor.
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Keywords: Am Lustgarten,Germany,altar,inside,interior,building,anglican,belief,religion,religious,wide,shot,angle,tall,high,GoTonySmith,Buy Pictures of,Buy Images Of,view,Mitte,10178,the,gallery,attraction,tourist,tourism,altars,design,painted,gold,golden,history,historic,famous,Christianity,Christian
Description: Tony Smith image Alamy F0G68R -
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Keywords: Am Lustgarten,Germany,altar,inside,interior,building,anglican,belief,religion,religious,wide,shot,angle,tall,high,GoTonySmith,Buy Pictures of,Buy Images Of,view,Mitte,10178,the,gallery,attraction,tourist,tourism,altars,design,painted,gold,golden,history,historic,famous,Christianity,Christian
Description: Tony Smith image Alamy F0G694 -
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Keywords: Tittanic,Titanic Quarter,line,White star Line,tourist,attraction,Tourist Attraction,New Tourist attraction,crane,cranes,building,architecture,silver,metal,gallery,galleries,slipways,and,graving docks,docks,derelict land,regeneration,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,City,Centre,New Museum,honour,wall,walls,tribute,West,Beal,feirste,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Signature,Project,Northern Ireland Executive,Titanic Belfast,Titanic Foundation,Foundation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MAH - Titanic Belfast, here under construction 2011, is a visitor attraction and a monument to Belfast's maritime heritage on the site of the former Harland & Wolff shipyard in the city's Titanic Quarter where the RMS Titanic was built. It tells the stories of the ill-fated Titanic, which hit an iceberg and sank during her maiden voyage in 1912, and her sister ships RMS Olympic and HMHS Britannic. The building contains more than 12,000 square metres (130,000 sq ft) of floor space, most of which is occupied by a series of galleries, plus private function rooms and community facilities.
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Keywords: Edinburgh,Princes,St,traffic,Dusk.,A,night,shot,showing,city,car,trails,tram,scotland,capital,UK,red,stream,tony,smith,gotonysmith,car,trails,tram,line,lines,national,gallery,night,long,exposure,nightshot,rushing,traffic,middle,of,road,busy,lightstream,light,stream,speeding,cars,trams,speed,fast,red,scottish,scots,escotia,ecosse,rue,waverley,national,gallery,scottish,independance,independence,home,rule,devolution,parliament,SNP,national,party,@Hotpixuk,Government,trams,capital,Scotlands,scottish,Scots,2014,gotonysmith,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy CEMX0G - Traffic rushing down Edinburgh's Princes St at dusk.
A night shot showing city car trails down the planned tram lines in Scotlands capital. the tail lights make a red stream.
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Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72E1B - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
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Keywords: Street,England,English,British,GB,great,britain,cabinet,old,things,in,a,new,refurbished,art,gallery,WA1,1JB,WA11JB,olde,egypt,egyptian,mummy,mummified,Contemporary,Arts,Festival,2013,Bold,cultural,quarter,Grade,II,listed,building,grade2,Central,Library,oldest,municipal,gotonysmith,2014,2015,2016,Curator,Curators,collection,of,the,Warrington,Natural,History,Society,subjects,such,as,ethnology,egyptology,geology,Roman,Britain,pottery,ceramics,botany,fish,amphibians,reptiles,the,Civil,War,local,industries,birds,and,mammals,glass,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HE31 - Warrington Museum & Art Gallery is located on Bold Street in the Cultural Quarter of Warrington, in a Grade II listed building which it shares with the town's Central Library.
The Museum and the Library originally opened in 1848 as the first rate-supported library in the UK, before moving to their current premises in 1858. The art galleries were subsequently added in 1877 and 1931.
Operated by Culture Warrington, Warrington Museum and Art Gallery has the distinction of being one of the oldest municipal museums in the UK and much of the quintessential character of the building has been preserved.
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Description: Tony Smith image Alamy CF7D6R - A winter dusk view of the National Gallery of Scotland, part of the Edinburgh National Galleries, photographed from the Playfair Steps on The Mound in central Edinburgh. The neoclassical gallery building is illuminated against a deep blue evening sky, while snow covers the steps and surrounding pavements, reflecting the warm glow of street lamps and gallery lighting.
Blurred figures moving across the steps suggest pedestrian activity captured using a longer exposure, adding a sense of motion and life to the cold winter scene. Black iron railings frame the foreground, while the elevated position on The Mound provides a strong architectural perspective across this key cultural site linking Edinburgh's Old Town and New Town.
The National Gallery of Scotland houses one of the country's most important art collections and sits at the heart of Edinburgh's cultural and civic landscape. The image conveys themes of winter weather, urban atmosphere, culture, and tourism in Scotland's capital city, making it suitable for editorial use relating to travel, arts coverage, museums, seasonal city life, and European capital destinations, as well as commercial design projects seeking an atmospheric winter city image.
