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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Dreaming Spires scrap-metal giraffe sculptures on a pedestrianised street in,Scotland,with people walking beneath a bright blue sky,Dreaming Spires,giraffes,scrap-metal,giraffe,sculptures,sculpture,pedestrianised,street,in,central,Edinburgh,torso,African,Africa
Description: Tony Smith image Alamy 3F4NRHB - . Dreaming Spires scrap-metal giraffe torso sculptures on a pedestrianised street in central Edinburgh,Scotland, with people walking beneath blue sky. Photographed on 23 June 2026, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. Key searchable subjects associated with the scene include Dreaming Spires scrap-metal giraffe sculptures on a pedestrianised street in, Scotland, with people walking beneath a bright blue sky, Dreaming Spires, giraffes, scrap-metal, giraffe, sculptures, sculpture, pedestrianised, central, Edinburgh, providing natural SEO coverage without losing the specific documentary identity of the photograph. Weather and natural light are part of the visual character of the frame, helping define the season, atmosphere, colour and visibility of architectural or landscape detail. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. The scene contributes a specific, place-based record rather than a generic illustration.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_6121,Hackney,London,England,UK,museum,cabinet,zebra,deer,animal,heads,display,oddities,macabre,culture,art,attraction,interior,tourism,unusual,heritage,of,mounted,animals,head,wildebeest,African,Africa,eccentric,weird,hidden,quirky,fine art,natural,history,E8,parlour
Description: Tony Smith image Alamy 3F9CX0C - Interior taxidermy display at the Viktor Wynd Museum of Curiosities, Fine Art & Natural History, 11 Mare Street, Hackney, east London, England, UK. Mounted animal heads including antelope and other horned mammals surround a zebra head and a wildebeest beneath a hand-painted sign reading Viktor Wynd's Wunderkabinett, creating the deliberately theatrical atmosphere of a traditional cabinet of curiosities. The museum is the home of The Last Tuesday Society, an eccentric arts organisation brought to London in 2006 by artist and collector Viktor Wynd and David Piper. The Society opened premises in Mare Street in 2008, initially combining Viktor Wynd Fine Art on the ground floor with Viktor Wynd's Little Shop of Horrors, a basement curiosity shop conceived somewhere between sculpture, theatre, museum and shop. The project evolved into a permanent Wunderkabinett filled with objects chosen for their strange, beautiful, macabre, uncanny or absurd qualities rather than conventional museum classification. Today the venue describes itself as a Museum of Curiosities, Fine Art & Natural History and draws on the pre-Enlightenment tradition of the Wunderkammer or cabinet of wonders. Its collections range across taxidermy, natural history, skulls, skeletons, entomology, human hair, occult objects, old dolls, curios, artworks and supposed mythical creatures, including its Cabinet of Monsters. The museum deliberately rejects a conventional chronological or scientific narrative, instead presenting a dense and idiosyncratic collection intended to provoke wonder and curiosity. Above the basement museum is the Absinthe Parlour, while the site also hosts exhibitions, talks, performances and unusual events. This photograph captures the distinctive maximalist interior and taxidermy aesthetic that has made Viktor Wynd's Hackney museum a cult London attraction associated with outsider art, curiosity collecting, the macabre, alternative culture and unconventional tourism.
Viktor Wynd Museum of Curiosities,11 Mare Street, London E8 4RP,
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,ECHR,ignore,the,Home Office,deportations,flight,flights,Rwanda,agreement,processing,bill,led by,UK,minister,country,destination,in,Africa,for,illegal,plans,controversy,process,court,case,plan,immigrant,Kigali,post,culture,used,African,deportation,postage,Shabana Mahmood,deport
Description: Tony Smith image Alamy 2PNHGT2 - . Rwanda country postage stamp, destination in Africa for illegal migration bill deportations, led by UK minister Suella Braverman. Photographed on 19 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is KN 3 Ave, Kigali, Rwanda, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include ECHR, ignore, Home Office, deportations, flight, flights, Rwanda, agreement, processing, bill, led by, minister, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include country, destination, Africa, illegal, plans, controversy, broadening discoverability while remaining tied to the supplied subject information.
KN 3 Ave, Kigali, Rwanda
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,stamp,stamps,import,export,Rwandaise,Republique,20c,Africa,colonial,French,colony,year,of,production,deportation,deportations,immigrant,threat,flight,plane,processing,with,history,British Channel,obsession,flights,collection,1975,Enshede,Sabena,loading,loads,forklift,fork lift,illegal migration bill,Suella Braverman,ECHR
Description: Tony Smith image Alamy 2PNHGT6 - . Rwanda postage stamp with Sabena aircraft - Rwandaise Republique 20c Annee De La Production, Africa 1975. Photographed on 19 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is KN 3 Ave, Kigali, Rwanda, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include stamp, stamps, import, export, Rwandaise, Republique, 20c, Africa, colonial, French, colony, year, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include production, deportation, deportations, immigrant, threat, flight, broadening discoverability while remaining tied to the supplied subject information. This makes the photograph relevant to both present-day reporting and future visual comparison of change over time.
KN 3 Ave, Kigali, Rwanda
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,ECHR,ignore,the,Home Office,deportations,flight,flights,Rwanda,agreement,processing,bill,led by,UK,minister,country,destination,in,Africa,for,illegal,used,post,postage,African,culture,Kigali,controversy,deportation,immigrant,process,court,case,plan,plans
Description: Tony Smith image Alamy 2PNHGTD - . Rwanda country postage stamp, destination in Africa for illegal migration bill deportations, led by UK minister Suella Braverman. Photographed on 19 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is KN 3 Ave, Kigali, Rwanda, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include ECHR, ignore, Home Office, deportations, flight, flights, Rwanda, agreement, processing, bill, led by, minister, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include country, destination, Africa, illegal, used, post, broadening discoverability while remaining tied to the supplied subject information. The scene contributes a specific, place-based record rather than a generic illustration.
KN 3 Ave, Kigali, Rwanda
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,ECHR,ignore,the,Home Office,deportations,flight,flights,Rwanda,agreement,processing,bill,led by,UK,minister,country,destination,in,Africa,for,illegal,used,post,postage,African,culture,Kigali,controversy,deportation,immigrant,process,court,case,plan,plans,Shabana Mahmood,deport
Description: Tony Smith image Alamy 2PNHGX4 - . Rwanda country postage stamp, destination in Africa for illegal migration bill deportations, led by UK minister Suella Braverman. Photographed on 19 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is KN 3 Ave, Kigali, Rwanda, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include ECHR, ignore, Home Office, deportations, flight, flights, Rwanda, agreement, processing, bill, led by, minister, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include country, destination, Africa, illegal, used, post, broadening discoverability while remaining tied to the supplied subject information. The scene contributes a specific, place-based record rather than a generic illustration.
KN 3 Ave, Kigali, Rwanda
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,ECHR,ignore,the,Home Office,deportations,flight,flights,Rwanda,agreement,processing,bill,led by,UK,minister,country,destination,in,Africa,for,illegal,used,post,postage,African,culture,Kigali,controversy,deportation,immigrant,process,court,case,plan,plans,Shabana Mahmood,deport
Description: Tony Smith image Alamy 2PNHGX6 - . Rwanda country postage stamp, destination in Africa for illegal migration bill deportations, led by UK minister Suella Braverman. Photographed on 19 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is KN 3 Ave, Kigali, Rwanda, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include ECHR, ignore, Home Office, deportations, flight, flights, Rwanda, agreement, processing, bill, led by, minister, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include country, destination, Africa, illegal, used, post, broadening discoverability while remaining tied to the supplied subject information. The scene contributes a specific, place-based record rather than a generic illustration.
KN 3 Ave, Kigali, Rwanda
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,SK11 6NG,SK10 1DY,SK10,&,St Michaels,south,Africa,war,battle,wars,colour,coloured,glass,warrior,memorial,remembrance,remember,Boer,Boers,windows,stained,window,stained glass,architectural,inside,interior,religion,religious,churches,history,historic,heritage
Description: Tony Smith image Alamy 2JP0K9D - . Photographed at Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on South Africa stained glass window at St Michael & All Angels Church, Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY. The frame also records themes of archival record, period detail, church conservation, cathedral interior, faith heritage, changing land use, medieval church setting, documentary photography, Christian iconography, community identity, public realm, local history, place identity, and sacred space. From a 2025-onward perspective, heritage conservation and cultural heritage are closely linked to this subject, alongside the conservation challenge of fragile historic glass and stonework. Small period details of street furniture and boundaries at Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY may become more significant with time, particularly following redevelopment. The surrounding story also includes visual archive, religious artwork, contemporary social history, historical comparison, heritage worship space, historic glazing, stained-glass craftsmanship, and ecclesiastical art. Elements such as Church, Place, window, Market, and Michael add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate heritage conservation and how places of worship combine active religious use with tourism and heritage as part of the longer story of Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY. The view records details of everyday use as a date-specific reference.
Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ethiopia,Africa,African,stately,house,home,front,sunny,day,WA14,WA14 4SJ,Cheshire,England,UK,the,flags,flagpole,celebrating,celebration,deer park,deerpark,blue sky,blue skies,history,heritage,historic,old,homes,outside,entrance,door,doorway,exterior
Description: Tony Smith image Alamy 2JH3W0X - . This authentic period view of Dunham Massey, Altrincham, Cheshire, England, UK, WA14 4SJ in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The defining feature is Dunham Massey NT, flying Ethiopian flag, Altrincham, Cheshire, England, UK, WA14 4SJ. The locality and subject together evoke before-and-after reference, archival record, changing streetscape, documentary photography, period streetscape, urban gathering place, urban fabric, pedestrian square, community identity, regional identity, interactive public realm, public realm, community recreation, and historic townscape. In present-day coverage, the subject reaches into maintenance and energy retrofit, not least because of keeping older structures useful without erasing their character. Today's relevance is strengthened by heatwaves, city-centre footfall and the continuing question of the importance of inclusive spaces that serve residents as well as visitors. For later comparison, the photograph preserves street furniture and boundaries at Dunham Massey, Altrincham, Cheshire, England, UK, WA14 4SJ, details that may look very different after replacement signage. The subject also sits alongside heritage asset, changing land use, local character, urban leisure, open-air leisure, everyday life, traditional structure, and summer city life. The recorded references to Altrincham, Dunham, Massey, Ethiopian, and flying preserve clues about how the subject was presented, used or understood at the time. The wider setting at Dunham Massey, Altrincham, Cheshire, England, UK, WA14 4SJ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for maintenance and the tension between conservation and redevelopment within the real-world context of Dunham Massey, Altrincham, Cheshire, England, UK, WA14 4SJ.
Dunham Massey, Altrincham, Cheshire, England, UK, WA14 4SJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ethiopia,Africa,African,stately,house,home,front,sunny,day,WA14,WA14 4SJ,Cheshire,England,UK,the,flags,flagpole,celebrating,celebration,deer park,deerpark,blue sky,blue skies,history,heritage,historic,old,homes,outside,entrance,door,doorway,exterior,day out,historic mansion exterior,English stately homes,grand house frontage
Description: Tony Smith image Alamy 2JH3W2C - A frontal summer view of Dunham Massey Hall, the historic National Trust country estate near Altrincham in Cheshire, with the Ethiopian flag flying from the central flagpole above the main entrance. The substantial red-brick mansion is seen beneath a vivid blue sky with scattered white clouds, creating a bright and colourful image of one of the best-known heritage attractions in North West England.
The symmetrical facade is arranged around a prominent central entrance framed by carved stonework and topped by a classical pediment. Long brick wings extend to either side, with evenly spaced sash windows, dormers set into the slate roof and tall chimney stacks rising above the building. The combination of red brick, pale stone detailing and formal Georgian proportions gives the house a dignified and balanced appearance.
A broad gravel forecourt occupies the foreground, with a circular area of closely cut green lawn positioned directly in front of the entrance. Visitors are walking across the open space, including a person pushing a child in a pushchair, adding a human scale to the grand architecture and showing the estate in active public use.
Dunham Massey is a historic country house, deer park and estate managed by the National Trust. The property has evolved over several centuries and reflects the wealth, status and domestic life of the Booth and Grey families. Its interiors, gardens, parkland and wider estate attract visitors interested in architecture, social history, landscaped grounds and traditional English country houses.
The Ethiopian flag provides an unusual and visually striking feature above the otherwise familiar British stately home. Without further event information, the photograph records the flag as seen flying on the day rather than attributing a particular reason for its display.
The image is suitable for editorial themes involving Dunham Massey, the National Trust, Ethiopian cultural representation, Cheshire tourism, Georgian architecture
Dunham Massey, Altrincham, Cheshire, England, UK, WA14 4SJ
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,SA,ANC,Africa,SF,Sinn Fein,flag,In,my,country,we,go,to,prison,first,and,then,become,president,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYMN - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth). GoTonySmith
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,SA,ANC,Africa,SF,Sinn Fein,flag,In,my,country,we,go,to,prison,first,and,then,become,president,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYNC - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: EH1 Scottish Scot scots independance independence Woman And Child,Lothian,Road,Sculpture,of,Woman,And,Child,by,Anne,Davidson,from,1986.,The,statue,celebrated,Edinburghs,stand,against,the,apartheid,system,in,South,Africa,at,the,time,of,the,imprisonment,of,Nelson,Mandela,and,fighting,in,Soweto,towns,Gotonysmith,township,commissioned,works,are,on,public,view,glasgow,Anne,Ross,Davidson,DA,Edinburgh,City,Council,sculptor,and,artist,black,woman,standing,with,a,young,child,in,front,of,the,suggestion,of,a,shantytown.,It,was,unveiled,on,22,July,1986,by,a,then,exiled,member,of,the,African,National,Congress,ANC,Suganya,Chetty,summer,sun,sunshine,moving,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED40D - . Sculpture of Woman And Child by Anne Davidson from 1986, Edinburgh Scotland UK. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 25 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Edinburgh, Scots, ART, statue, Anne, Lothian, Road, Sculpture, Woman and Child, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The subject is relevant to industry, manufacturing, engineering, infrastructure, employment and the physical sites that support production and utilities. It can illustrate editorial coverage of factories, warehouses, industrial heritage, construction, logistics, investment, redevelopment, energy, engineering and the changing economic use of land. Machinery, structures, signage, yards, plant and surrounding buildings provide documentary evidence of a working or former industrial environment rather than an abstract business concept. The dated photograph also has archive value for future comparison as industrial sites are modernised, repurposed, demolished or incorporated into regeneration schemes. Search themes include industry, manufacturing, engineering, factories, warehouses, infrastructure, employment, logistics, industrial heritage and redevelopment. The view has particular archive value where working sites, plant or industrial buildings are later modernised, repurposed or demolished. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh Old Town, Lothian, Scotland EH1
Description
Keywords: lady,tony,smith,woman,female,beauty,beautiful,fashion,model,pose,posing,looking,up,black,BME,minority,caribbean,caribean,ethnic,color,colourful,portrait,face,african,africa,UK,United,Kingdom,Hotpix,tonysmith,tonysmithotpix,tonysmithhotpix,english,england,street,shot,women,femme,madre,une,fille,gadis,signorina,Koritsi,dziewczyna,@hotpixuk
Description: Tony Smith image Flickr 6125027070 - 'Carlos Santana - Black Magic Woman - ob=av3n\' rel=\'nofollow\'>Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
'Black Magic Woman' is a song written by Peter Green that first appeared as a Fleetwood Mac single in various countries in 1968, subsequently appearing on the 1969 Fleetwood Mac compilation albums English Rose (US) and The Pious Bird of Good Omen (UK).
In 1970, it became a classic hit by Santana, as sung by Gregg Rolie, reaching no 4 in the U.S. and Canadian charts, after appearing on their Abraxas album, becoming more closely associated with Santana than Fleetwood Mac.
Santana is a band based around guitarist Carlos Santana and founded in the late 1960s. It first came to public attention after their performing the song 'Soul Sacrifice' at the Woodstock Festival in 1969, when their Latin rock provided a contrast to other acts on the bill. This initial exposure made their first, eponymous album a hit at the time, followed in the next two years by successful follow-ups Abraxas and Santana III.
Over the next few years, lineup changes were common and frequent, and although retaining a basis of Latin rock, Carlos Santana's increasing involvement with guru Sri Chinmoy took the band further into more esoteric music, which continued for many years, although never quite losing the initial Latin influence.
In 1998, the group was inducted into the Rock &
Roll Hall of Fame, with Carlos Santana, Jose Chepito Areas, David Brown, Mike Carabello, Gregg Rolie and Michael Shrieve being honored.
Santana has achieved a total of eight Grammy Awards and three Latin Grammy Awards which were all awarded in 2000. Carlos also won two Grammy Awards as a solo artist in 1989 and 2003.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>faces in places from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
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Description
Keywords: b/w,black,white,pocket,watch,gold,old,roman,numerals,timetable,time,africa,accra,ghana,sepia,toned,mono,monchrome,second,hand,hour,antique,this photo rocks,clocks,horloge,reloj,orologio,Taktgeber,hotpics,hotpic,hotpick,hotpicks,stillife,stilllife,still,life,stuff,history,hotpix!
Description: Tony Smith image Flickr 4325867361 - '13:25 Wheres the hell that bus to Accra?
Here, a view of a broken time machine www.flickr.com/photos/hotpixuk/3809668752/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Pipe,Smoking,Luxor,Egypt,Africa,muslim,relaxation,evening,pleasure,beard,bearded,Egyptian,Water,pipes,(hookahs),shisha,flavored,tobacco,nargile,hookah,cool,person,people,portrait,image,smoke,smoker,tabs,tonysmith,tony,smith,interesting,place,places,bubble,bubblepipe,hotpicks,hotpix!,#tonysmithhotpix,@hotpixuk
Description: Tony Smith image Flickr 3812252751 - 'After sun down in the golden hour relaxing in the back streets of Luxor.
Usually containing only strong tobacco, the traditional waterpipe has many names in the near east: Hukkah, shisha, nargeeleh, nargile, nargilen or argeelah.
The pipe appears to have originated in India. Initially in the court of the Mughal emperor Akbar (around 1542 ). Following the European introduction of tobacco to India, Hakim Abul Fateh Gilani a descendant of Abdul Qadir Al-Gilani came from Baghdad to India who was later a physician in the court of Mughal raised concerns after smoking tobacco became popular among Indian noblemen, and subsequently envisaged a system which allowed smoke to be passed through water in order to be 'purified'.
This new pipe for smoking soon became a status symbol for the Indian aristocracy and gentry. These days the Hookah west of Cyprus and east of Thailand is ubiquitous.
A lady enjoying a smoke at home www.flickr.com/photos/hotpixuk/3804964709/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Africa,WA144SJ,native,racist,racism,old,fashioned,Hall,near,Altrincham,Cheshire,England,UK,WA14,4SJ,Sculptures,Sculpture,moor,moors,slave,servant,front,of,house,lead,figure,metal,statue,statues,of,the,soul,by,the,body,NT,national,trust,and,Indian,kneeling,Gotonysmith Sculptures of black men,which were called blackamoors,sometimes represented slaves or servants. In Baroque interiors such figures,made of carved and painted wood,served,as,candlestands,and,tables.,People,at,the,time,seemed,to,be,happy,to,live,with,images,of,slaves,in,chains,which,today,we,would,obviously,find,disturbing,kneel,Figures,(including,those,of,other,races),like,this,one,represented,the,four,continents,as,they,were,defined,in,the,seventeenth,and,eighteenth,centuries,Africa,America,Asia,and,Europe.,By,extension,they,would,then,stand,for,the,known,world,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DHGYMP - File Under: BLM, Black Statue, Do Black Lives Matter. Figures (including those of other races) like this one, represented the four continents as they were defined in the seventeenth and eighteenth centuries: Africa, America, Asia and Europe. By extension they would then stand for ˜the known world'. Statue attributed to Andries Carpentière or Jan van Nost
Dunham Massey Hall , near Altrincham Cheshire England , UK WA14 4SJ
Description
Keywords: International Post,star,Used,and,postmarked,perforated,stamp,Used,and,postmarked,Stamp,post,posting,mail,hobby,perforation,mark,postage,stamp,print,stamp,cancelled,payment,correspondence,postman,collection,collector,Africa,Gotonysmith,post,posting,mail,hobby,perforation,mark,postage,stamp,print,stamp,cancelled,canceled,stamp,payment,correspondence,postman,collection,collector,philately,philatelist,letter,price,history,retro,Vintage,delivery,date,relationship,communication,Oz,DownUnder,classic rare unique Austrailian financial,investment,invest,value,British,empire,nation,canceled,printed on black background,close-up,closeup,close,up,sent,send,philately,mailing,shipping,postoffice,office,isolated,circa,special,colour,color,postmarked,marked,airmail,aged,antique,retro,cutting,historic,old,stamps,collection,stamp collection,album,Timbre,Sello,Stempel,Selo,Buy Pictures of,Buy Images Of,Down Under,Black background
Description: Tony Smith image Alamy F15RT1 - . This dated editorial view of Kampala Road, Kampala, Uganda in 2015 captures more than the immediate subject, retaining clues about local use, design, activity and change. At the centre of the view is Uganda 5c plant flower Condia abyssinica Stamp. Further facets of the scene include regional identity, philatelic collecting, changing land use, contemporary social history, local history, postal graphic design, stamp design, public realm, passenger information, public transport stop, public-transport wayfinding, community identity, place identity, and bus route infrastructure. Today's relevance is strengthened by graphic design, national identity and the continuing question of how stamps compress art, politics and national identity into small objects. From a 2025-onward perspective, bus funding and decarbonisation are closely linked to this subject, alongside the shift toward cleaner buses and integrated ticketing. The archival value lies partly in recording materials and architectural details around Kampala Road, Kampala, Uganda before conservation work alters the character of the place. The photograph additionally reflects collectable stamp, local character, documentary photography, archival record, before-and-after reference, postal history, everyday life, and roadside transit. The recorded references to Condia, abyssinica, plant, flower, and Stamp preserve clues about how the subject was presented, used or understood at the time. A later view of Kampala Road, Kampala, Uganda may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is graphic design and how stamps compress art, politics and national identity into small objects within the specific setting of Kampala Road, Kampala, Uganda. The period view preserves evidence of earlier appearance for later comparison. The view records period character within the wider story of Kampala Road, Kampala, Uganda.
Kampala Road, Kampala, Uganda
Description
Keywords: Africa,WA144SJ,native,old,fashioned,Hall,near,Altrincham,Cheshire,England,UK,WA14,4SJ,Sculptures,Sculpture,blackamoors,moor,moors,slave,servant,front,of,house,lead,figure,metal,statue,statues,enslavement,of,the,soul,by,the,body,NT,national,trust,African,and,Indian,kneeling,Gotonysmith Sculptures of black men,which were called blackamoors,sometimes represented slaves or servants. In Baroque interiors such figures,made of carved and painted wood,served,as,candlestands,and,tables.,People,at,the,time,seemed,to,be,happy,to,live,with,images,of,slaves,in,chains,which,today,we,would,obviously,find,disturbing,kneel,Figures,(including,those,of,other,races),like,this,one,represented,the,four,continents,as,they,were,defined,in,the,seventeenth,and,eighteenth,centuries,Africa,America,Asia,and,Europe.,By,extension,they,would,then,stand,for,the,known,world,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DHGYTB - File under: BLM, Black Statue, Do Black Lives Matter. Figures (including those of other races) like this one, represented the four continents as they were defined in the seventeenth and eighteenth centuries: Africa, America, Asia and Europe. By extension they would then stand for ˜the known world'. Statue / Sundial is attributed to Andries Carpentière or Jan van Nost
Dunham Massey Hall , near Altrincham Cheshire England , UK WA14 4SJ
